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Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
//5/4//31/11 | 2/4 | Bread and Cheese (t) | DA-E | Rutherf CD-2.1, 1756 | 95 | VN/GF/OB |
//543/1+1+//1/2345//6543/2545 | C/ | Cotillon (t) | IC-S | Stewart Airs, 1788 | 3:166 | GF/VN/FI |
//54//31-1-1-//54//31-1-1-//5-6-5-1//5-4 -3-//5- |
3/4 | Minueto (t) | MS-M | Garcia MS, 1772 | 93V [217] | MI |
//5431/132//16-/6-7-1//22/42 | Lillies of the Valley, The (t) | AM-A | Otis MS, 1793 | T BEFORE TP,M42-43 | VO/VN/FL | |
//5431/1321//7-123/442//3567/1+564// | C/ | Miss Baker's Hornpipe (t) | AM-A | Patten MS, 1800 | 17 | MI |
//54/3113//5335/1+553+//2+1+/75+4+3+2+1+ |
C/ | Danceing Apothecary, The (t) | DA-E | Johnson CD-7, 1756 | 41 | VN/GF |
//54/3113//5335/1+553+//2+1+/75+4+3+2+1+ // |
C/ | Dancing Apothecary, The (t) | DA-E | London Magazine | 136, 1753 | MI |
//5431+//1+76//654//432//345671+ | 3/8 | On Sacharissa (t) | SC-E | Musical Ent-2, 1740 | 23 | VO,HAF+FL |
//54/31//21/7-5-//11/321// | 2/4 | Adams, The (t) | AI-A | President CD, 1799 | 1 | PF |
//5431/2326-//11/2+2+//2+75/6764//5767/5 |
C | Cherily and Merrily (t) | PL-E | Playford 1-01, 1651 | 78 | VN |
//5431//2326-//11//3+2+ | 3 | Cherrily and Merrily (t) | PL-E | Playford 1-03a, 1657 | I,17 | VN |
//5431//2326-//11//3+2+ | 3 | Cherily and Merrily (t) | PL-E | Playford 1-06, 1679 | 34 | VN |
//5431//2326-//11/3+2+ | 3 | Cherily and Merrily (t) | PL-E | Playford 1-07, 1686 | 34 | VN |
//5431//2326-//11//3+2+ | 3 | Cherrily and Merrily (t) | PL-E | Playford 1-3b, 1665 | I,17 | VN |
//5431//2326-//11//3+2+//2+75 | 3 | Cherrily and Merrily (t) | PL-E | Playford 1-04, 1670 | 34 | VN |
//5431//2326-//11//3+2+//2+75 | 3 | Cherily and Merrily (t) | PL-E | Playford 1-05, 1675 | 34 | VN |
//5431//2326-//11//3+2+//2+75 | 3 | Cherily and Merrily (t) | PL-E | Playford 1-08, 1690 | 31 | VN |
//5431//2326-//11//3+2+//2+75 | 3 | Cherily and Merrily (t) | PL-E | Playford 1-09, 1695 | 25 | VN |
//5431//2326-//11//3+2+//2+75 | 3 | Cherily and Merrily (t) | PL-E | Playford 1-10, 1698 | 25 | VN |
//5431//2326-//11//3+2+//2+75+ | 3:I | Cherily and Merrily (t) | PL-E | Playford 1-11, 1701 | I,25 | VN |
//5431//2326-//11//3+2+//2+75 | 3 | Chearily and Merrily (t) | PL-E | Playford 1-12, 1703 | 25 | VN |
//5431//2326-//11//3+2+//2+75 | 3I | Chearily and Merrily (t) | PL-E | Playford 1-13, 1706 | 25 | VN |
//5431/2326-//11/3+2+//2+75/6764//5767/5 |
C | Cherrily and Merrily (t) | PL-E | Playford 1-02, 1652 | 17 | VN |
//5431//2327-//11//3+2+//2+75 | 3:I | Chearily and Merrily (t) | PL-E | Playford 1-14, 1709 | 25 | VN |
//5431//2327-//11//3+2+//2+75 | 3:I | Chearily and Merrily (t) | PL-E | Playford 1-15, 1713 | 25 | VN |
//5431//2327-//11//3+2+//2+75 | 3:I | Chearily and Merrily (t) | PL-E | Playford 1-16, 1716 | 25 | VN |
//5431//2327-//11//3+2+//2+75 | 3 | Cherrily Merrily (t) | PL-E | Playford 1-17, 1721 | 25 | VN |
//5431//2327-//11//3+2+//2+75 | 3 | Cherrily Merrily (t) | PL-E | Playford 1-18, 1728 | 25 | VN |
//54/31//2342/11//11/43 | C/ | Sternes Maria (t) | AM-A | Dickinson MS, 1800 | 133-134 | VO,B |
//54/31//23421/11//7-1/43 | C/ | Mouline's Maria (t) | AI-A | Riley Flute 1, 1814 | 90 | FL |
//54/31//2342/11//7-1/43 | C | Song 29 (t), or Sterne's Maria (at) | AI-A | American MM, 1798 | 81-82 | VO |
//54/31//2342/11//7-1/43// | C | Moulines Maria (t) | AI-A | Gilfert Gents PC, 1802 | 44-45 | GF/VN |
//54/31//2342/11//7-1/43// | C | Moulines Maria (t) | AM-A | Irving MS, 1796 | 22-23 | 2 MI |
//54/31//2342/11//7-1/43 | C | Sterne's Maria (t) | AM-A | Marchant MS, 1783 | 65 | VO,KB |
//54/31//2342/11//7-1/43 | C/ | Sterne's Maria (t) | AM-A | Van Renssel. MS, 1782 | II,8-9 | VO,KB |
//54/31//2342/11//7-1/43 | C | Mariah. A Song (t) | AM-A | Woodruff MS, 1803 | 36 | MI,B |
//54/31//2342/11//7-1/43//3 | C | Stern's Maria (t), or Pathetic Song, A (at) | AI-A | Musical Rep-1, 1796 | 32 | VO,KB |
//54/31//2342/11//7-1/43//3 | C | Sterne's Maria (t), or Favorite New Ballad, A (at) | SS-E | SS, Harvard | 1 | VO,KB+GT |
//54/31//2342/1//7-11/43 | C | Mouline's Maria (t) | AI-A | Balls Amus 1, 1815 | 13 | FL/FI/VN |
//54/31//2342/1//7-11/43 | C | Mouline's Maria (t) | AI-A | Glazier Clar, 1828 | 13 | CL |
//54/31//2342/1//7-11/43//32/1// | C | Mouline's Maria (t) | AM-E | Wheatstone Clarinet, 1801 | 80 | MI |
/54//31/234//31/54//31/ | 6/8 | Fitzjames, La (t) | MS-F | 4 Comtesses MS, 1775 | 32v-33r | MI |
//5431/2434//5431/6-27-5-//5431/24345 | C | Lady Charlotte Campbell's Strathspey (t) | IC-S | Aird 4, 1796 | 58 | FI/GF/VN |
//5431/2434//5431/6-27-5-//5431/24345 | C | Lady Charlott Campbell (t) | AI-A | Riley Flute 2, 1817 | 41 | FL |
/54//31/26-//16-/5-1//2/ | 6/8 | Loves Young Dream (t) | AM-A | Irving MS, 1796 | 122 | 1 MI |
//5/4//31/27-//15-/1 | 2/4 | On Fait Il Pas la Mines (t) | MS-F | Darmstadt MS 1187 | 2CL,2HN,2BS | |
//5-4-3-//131//7-24217-//1217-6-//5-4-3- //131 |
3/4 | Miss Ferrier's Minuet (t) | IC-S | Gibb New Coll, 1798 | 19 | PF/VN,VC |
//54/3//13/2143 | C/ | March Composed by An Amateur (t) | AM-A | Psalmody MS, 1798 | 100 | 2MI |
//5/4//313/234//565/43 | C | Glamorganshire March, The (t) | IC-E | Oswald Marches, 1759 | 11 | 2MI |
//5/4//313/25-2//5/4//3- | 6/8 | Gigg (t) | IC-E | Delightful-2, 1745 | II,2 | 2GF |
//5/4//313/27-2//1327-2// | 6/8 | Tom Jones (t) | DA-E | Gentleman's Magazine | 179, 1750 | MI |
//5/4//313/27-2/13/27-2 | 6/8 | Tom Jones (t) | MS-E | Hammersley MS, 1790 | 86,89 | MI |
//5/4//313/27-2//13/27-2 | 6/8 | Tom Jones (t) | DA-E | Johnson CD-5, 1750 | 5 | VN/GF |
//5/4//313/27-2//13/27-2// | 6/8 | Tom Jones (t) | DA-E | London Magazine | 41, 1750 | MI |
//5/4//313/27-2//13/27-2 | 6/8 | Tom Jones (t) | DA-E | Walsh CD-3.5, 1754 | 52 | VN//OB/GF |
//5/4//313/27-2//13/27-2//13/27-2 | 6/8 | Tom Jones (t) | AM-A | Kingsley MS, 1795 | I,27 | MI |
/54//313/27-2//135/1+54//321/ | 6/8 | King Spades (t) | DA-E | L & L Cot, 1775 | 25 | MI |
//5/4//313/27-5-//13/27-2 | 6/8 | Tom Jones (t) | AM-A | Ives MS, 1800 | 57 | KB |
//5/4//313/27-5-//13/27-2 | 6/8 | Tom Jones (t) | DA-E | Rutherf CD-1, 1750 | 11 | VN/FL/OB,HAF |
//5/4//313/27-5-//13/27-2// | 6/8 | Tom Jones (t) | MS-E | Vickers MS, 1770 | 21b | MI |
//5/4//313/27-5-//13/27-2//13 | 6/8 | Tom Jones (t) | DA-E | Rutherf CD-2.2, 1760 | 52 | MI |
//5/4//313/27-5-//13/27-5- | 6/8 | Tom Jones. Irish (t) | IC-S | Aird 5, 1797 | 33 | FI/VN/GF |
//5/4//313/27-5-//13/27-5-// | 6/8 | Quick Step, A (t) | MS-S | Fife MS, 1780 | 363,37v | 1FI OR 2FI/VN |
//5/4//313/27-5-//13/27-5- | 6/8 | Tom Jones (t) | MS-E | Rainstorp MS, 1747 | 40 | MI |
//5/4//313/27-5-//13/27-5- | 6/8 | Tom Jones (t) | DA-E | Thompson CD-2, 1765 | 100 | VN/GF/OB |
//5/4//313/27-5-//13/27-5-// | 6/8 | Tom Jones (t) | DA-E | Thompson CD-2a, 1765 | 100 | VN/GF/OB |
//54/313/313//54/313/42// | 9/8 | Wattle, The (t) | MS-C | Molyneaux MS-1, 1788 | 22 | GF |
//54/313/313//54/313/42// | 9/8 | Drops of Brandy (Old Scotch) (t) | DA-E | Wilson Companion, 1816 | 21 | MI |
//54/313/313//54/313/42//54/313/313// | 9/8 | Whatel, The. A Retreat (t) | MS-S | Fife MS, 1780 | 12,2r | 1FI OR 2FI/VN |
//54/313/313//54/313/42//54/313/313// | 9/8 | Drops of Brandy (t) | AI-A | Willig CD-2, 1812 | 4 | PF/VN |
//54/313/313//54/313/432//54/313/313// | 9/8 | New Drops of Brandy (t) | IC-E | Peacock Pipe, 1805 | 2 | PI/GF/VN |
//54/313//424/313//54/313 | 6/8 | Fly Cottillion (t) | AM-A | Beck MS, 1786 | 4 | GF |
/54//313/424//313/54//313/ | 6/8 | Eight Spades (t) | DA-E | L & L Cot, 1775 | 20 | MI |
/54//313/424//321/54//323/ | 6/8 | Fitz James, La (t) | DA-F | Landrin Potpourri, 1785 | 64 | MI |
/54//313/424//35/1+1+//2+2+/3+3+// | 6/8 | Mocking Bird, The. Third Sett (t) | AI-A | Blake Cots, 1804 | 15-16 | PF/VN/GF |
//54/313//4/44//355/654//5 | 6/4 | Rose of Sharon-6 (t) | AM-A | Hiester MS-1, 1793 | 4 | KB,VO |
//54/313//54/31//54/351+// | 6/8 | Hague, La (t) | MS-C | Molyneaux MS-2, 1788 | 67 | 1 OR 2 GF |
/54//31/42//53/642//11/ | 6/8 | Josephine, La (t) | AM-A | Duport MS-2, 1800 | 11v | VN |
//54//314253//65432//1//2+1+55//2+755 | 3/4 | Miss Young's Miniet (t) | MS-E | Shepherd MS, 1787 | 19 | 2MI |
//5431+/46//5/4321//7-1234/32// | C | Good Ship Rover, The (t) | MS-S | Fife MS, 1780 | 518,55r | 1FI OR 2FI/VN |
//54/31+//54/31+//44/27- | 2/4 | Quick Step (78th Regiment) (t) | IC-E | English Sheet Music | KB | |
//54/31+//54/31+//55/6543 | 2/4 | Quick Step (t) | AI-A | Riley Flute 1, 1814 | 40 | FL |
//5+4+//3+1+5432//1351+53//21//333234//2 22// |
3/4 [ec] | Dutchess of Ancaster's Minuet, The (t) | AM-A | Ormsby MS, 1758 | 285 | VN |
//54/31+//54/35//61+51+/43 | C | Rover Reclaim'd, The (t) | SC-E | Clio-3, 1762 | 28-29 | VO,HAF+GF |
//54/31+//54/35//61+51+/43//32 | C | My Roving Heart (t) | IC-E | Delightful-2, 1745 | IV,7 | GF |
//54/31+//554/31//224/7-7-2 | 2/4 | Quick March (t) | IC-S | Rose Marches, 1796 | 7 | PF/HA |
/54//315/54//315/54//313/ | 6/8 | Jardinier Venetien, Le (t) | IC-E | Welcker Cots, 1768 | 1 | GT |
//54/31//55/6//54/31// | C/ (4/2) | Lady Montegle's Paven (t) | MS-E | Fitzwilliam MS-2, 1609 | 483-485 | VI |
//54/31//5-6-5-4-/5-1//7-1/21 | 2/4 | Tabor Boy, The (t) | IC-S | Aird 6, 1803 | 26 | FI/VN/GF |
//54/3//1+6/5//12/321//56 | C | Pilgrims Farewell (t) | AM-A | Dean MS, 1800 | I.83 | 3VO:S(T)B |
//5/431+6-//5/4316-//5 | C | TW-E | Harlequin Dr. F, 1766 | 19 | HAF,GF/VN | |
//54//31+71+6//54 | 3/4 | Minuet by Mr Pelham (t) | AM-A | Bolling MS, 1785 | 22 | VN/VO |
//543/1+76/3+/3//421 | 12/8 | Jigg (t) | IC-E | Delightful-1, 1763 | IV,19 | GF |
//543/1+76/3+/3//421 | 12/8 | Giga (t) | IC-E | Delightful-1, 1763 | V,26 | GF |
//543/1+76//5/34//5 | 6/8 | Haste my lads your lasses bring (fl) | TW-E | Harlequin Dr. F, 1766 | 4 | VO,HAF |
//543/1+76//5/34//543/1+76// | 6/8 | Millers Wedding (t) | DA-E | Skillern CD, 1782 | 5 | MI |
//543/1+76//543/1+76//543/643 | 6/8 | Song 38 (t) | SC-E | Ritson, 1783 | TII,135;MIII,252-254 | VO |
//543/1+76//543/1+76//543/643 | 6/8 | Favourite Song, A (t) | SS-E | SS, Huntington-2 | 112,1-4 | 2VN,2FL,CO,B,VA,VO,2OB |
//54//31+76/5432//117-/12//3423 | 2/4 | Quick March (t) | IC-E | Pick Divs, 1800 | 16-17 | PF |
//543//1+76//54321//322//543 | 3/4 | Dermot (t), or Favorite Irish Song, A (at) | SS-E | SS, Boston PL-2 | 301 | VO,KB+GT |
//543//1+76//54321//322//543 | 3/4 | Dermot (t), or Irish Song, An (at) | SS-E | SS, Harvard | 1 | VO,KB,B |
//543/1+76//543/22+//567/1+76//365 | 6/8 | Dear Cloe (t) | IC-E | Delightful-2, 1745 | IV,14 | GF |
//54/31+//76/55//1+6/42+ | C | Sweet Village Bells (t) | AI-A | Riley Flute 4, 1826 | 91 | FL |
//543//1+76//572+754 | 3/4 | Chloe Sleeping (t) | SC-E | Clio-2, 1759 | 134 | VO,HA |
//543/1+76//65/1234//345642/17- | Song by Major Andrea, A (t) | AM-A | Greenwood MS, 1785 | 73 | MI | |
//543/1+76//651234//345642/17-//1234// | C | Return Enraptured Hours (t) | AM-A | Adams, W. MS, 1795 | 8 | MI |
//543/1+76//65/14//345642/17- | Andre (t) | AM-A | Mass. MS, 1790 | 36 | FL | |
//543/1+76//65/14//345642/17- | C | Andre (t) | AM-A | Mass. MS, 1790 | 37 | FL |
//543/1+76//65/234 | C | Return Enraptur'd Hours (t), or Major Andre, (at) | AM-A | Pomeroy MS, 1790 | 4 | GF |
//543/1+76//65/234//345642/17- | C | Raptur'd Hours, The (t) | AM-A | Beck MS, 1786 | 4 | GF |
//543/1+76//65/234//345642/17- | C | Return Ye Enraptur'd Hours (t) | AM-A | Cary MS, 1797 | 91 | VO/VN |
//543/1+76//65/234//345642/17-// | C/ | Return Enraptur'd Hours (t) | AM-A | Pynchon MS, 1797 | 5r | MI |
//543/1+76//65/234//345642/17- | C | Major Andre's Favorite (t) | AM-A | Spicer MS, 1797 | 64 | VO |
//543/1+76//65/234//345642/17- | C | Ye Raptur'd (t) | AM-A | Van Renssel. MS, 1782 | II,5 | VO,KB |
//543/1+76//65/234//346642/17- | C | Major Andre. (t), or Return Enrapturd House &c (at) | AM-A | Otis MS, 1793 | 5 | 2VN/2FL |
//543/1+76//65/42//35642/17-// | 2/4 | Ich Liebte Mei' Mann, Aria (t) | AM-A | Hoff MS, 1797 | No. 195 | GF |
//543/1+76//6543/323//671+2+/1+765 | C | Braes O' Ballochmyle, The (t) | SC-S | Scots MM-3, 1790 | 285 | VO,PF |
//543/1+76//65/4//345642/12//1 | 2/4 | Major Ander's Complaint (t) | AI-A | Willig Flute, 1795 | 23 | 2 GF |
//543/1+76//65/4//351+642/17- | C | Major Andre's Complaint (t) | AI-A | Riley Flute 4, 1826 | 35 | FL |
//543/1+76//65/4//351+642/17-//1 | C | Major Andre's Complaint (t) | AI-A | American SS-SM | 1 | VO,KB |
//5431+76//65/4//351+642/17-234 | C | Andre (t) | AM-A | Allen, W. MS, 1790 | 90 | VO |
//543/1+76//65/4//361+642/12/1 | 2/4 | Andantino (t) | AM-A | Hiester MS-1, 1793 | 53 | KB,VO |
//54321/11//1217-/17-6-//5- | C/ | Power of Beauty, The (t) | SC-E | Calliope, 1746 | II,110 | VO,B,MI |
//54321/11//1217-/17-6-//5-1 | C/ | Power of Beauty, The (t) | SS-E | SS, Folger-C42.4 | 496 | VO,KB+FL |
//54321/11//1217-/17-6-//5-1/43 | C/ | Is There'ere a Charm (t) | AM-A | Aborn MS, 1790 | 28 | MI |
//54321/11//1217-/17-6-//5-1/43 | C | Power of Beauty, The (t), or Snake, The (at) | SC-E | Muses Delight, 1754 | 162 | VO,HA |
//54321/11//1217-/17-6-//5-1/43 | C/ | Power of Beauty, The (t) | SS-E | SS, Huntington-1 | 63 | VO,KBF+FL |
//54321/11//1217-/17-6-//5-1/43//32 | C | Is There a Charm (t) | IC-E | Delightful-2, 1745 | I,21 | GF |
//54321/11//1217-/17-6-//5-1/43//32 | C/ | Power of Beauty, The (t) | IC-E | Thumoth, 1785 | 50-51 | GF/VN,HAF |
//54321/11//1217-/17-6-//5-6-7-1 | C/ | Is there a charm ye powers above (fl) | SC-E | Amaryllis, 1760 | I,31 | GF,VO,HAF+FL |
//5+4+/3+2+//1+11/12//3212/321//222/22+1 +// |
C/ | March In Honour of Adm. Ld. Visct. Duncan (t) | IC-E | Naval Compendium, 1800 | 1 | 2FL/VN,PF |
//54321//1+11//234//32121//55+4+//54+4+3 +// |
3/4 | 1re. M. de Mr. Toré [Menuet Nu. de Mr. Lahante] (t) | DA-F | Landrin CD BN, 1775 | 37 Feuille | MI |
/5432//111/14321//222/234// | C | Barnetts March (t) | AM-A | Pierian MS, 1810 | 2 | MI,B |
//54/32//111/15-//13/24 | C | French Marine's March (t) | IC-S | Aird 6, 1803 | 73 | 2FI/2VN/2GF |
//54/32//111/15-//13/24 | C | French Mariners (t), or March 33 (at) | IC-E | Button Whit-1, 1806 | 42-43 | 2GF/2VN/2FL/2FI |
//54/32//111/15-//13/24 | C | General Lee's March (t) | AI-A | Instrum Asst-2, 1807 | 58 | 2MI,B |
//54/32//111/15-//13/24 | C | March (t) | IC-E | Longman Clar, 1780 | 13 | 2CL |
//54/32//111/15-//13/24 | C | March to Harlem, A (t) | AI-A | Riley Flute 2, 1817 | 7 | FL |
//54/32//111/15-5-//13/234 | C/ | French Mariner's March, The (t) | IC-E | English Sheet Music | 2VN/GF,B+GT | |
//54/32//111/15-5-//13/234 | C | French Mariners March (t) | IC-E | Preston Oboe, 1780 | 24 | OB |
//54/32//111/15-5-//13/234 | C/ | French Marines March (t) | IC-E | Skillern Amus, 1785 | 31 | 2GF |
//54/32//111/15-5-//13/234 | C/ | French Marines March (t) | IC-S | Stewart Airs, 1788 | 2:61 | GF/VN/FI |
//54/32//111/15-5-/13/24 | C | March 3rd Regt of Guards (t) | IC-S | Aird 6, 1803 | 31 | FI/VN/GF |
//5432/11+//1+1+/76//543/4654// | C | IC-E | Geoghegan Pastoral, 1746 | 28 | BP | |
//5432/11+//1+1+/76//543/4654 | C/ | Glutton, The (t) | DA-E | Johnson CD-2, 1742 | 8 | MI |
//5432/11//1/22//217-6-/5-6-7-// | 2/4 | Matilda, La. No. 13 (t) | AI-A | Augustus Cots, 1805 | 7 | PF |
//54/32//111/222//3234/53 | C/ | March In Bluebeard (t) | AI-A | Martial Music, 1807 | 8-9 | 2CL/2OB,BS |
//54321//1+1//234//3231 | 3/4 | MS-E | Brown, W. MS, 1797 | 28-29 | MI | |
//5432/11//13//53/65//4/3//5432/11// | 2/4 | Sin Par, La: Francesa (t) | DA-P | Piferrer CD, 1768 | 22 | MI |
//543/2111//532/7-5-5-//5-11/5-2124311 | General Washington's Quick Step (t) | AM-A | Nixon MS, 1776 | 86 | FI | |
//54/32//11/16//43/2 | 6/8 | Anne Hatheaway (t) | AI-A | Elegant Exts, 1798 | 8 | GF/VN/VO |
//5432/11//16/5//442/331 | 2/4 | Troup (t) | MS-G | Darmstadt MS 1224 | 307 | 2FL |
//5432/11//16/5//442/331 | 2/4 | Viegattrung Von Blanckensee (t) | MS-G | Darmstadt MS 1224 | 332 | MI |
//5432/11//16/5//442/331 | C/ | Fahnen Tropp No 21. Lehwald (t) | MS-G | Darmstadt MS 1225 | 33-34 | 2MI |
//5432/11//16/5//61+71+/51+71+ | C/ | Fahnen Tropp No 7. V. Blanckensee (t) | MS-G | Darmstadt MS 1225 | 21-22 | 2MI |
//54/32//11/17-1//22/212 | 6/8 | Fille de Brussels, La (t) | IC-S | Pandean Coll 1, 1810 | 12 | PF |
//5432/11+//1+/76//6/54 | 2/4 | Zapffenst. No 46. V. Waldeck der Neue (t) | MS-G | Darmstadt MS 1225 | 317-18 | 2MI |
//5432/11//2124/31//1234 | C | March for the 51st Regt Earl of Eglintoun's (t) | IC-E | Reid Marches, 1778 | 8-9 | 2CL/2OB/2GF,2FH,BS |
//5432/11//2124/31//1234/5671+ | C | March 6 (t) | IC-E | Reid Marches, 1795 | 3 | 4CL,FL,2HN,2BS,TR,SPT |
//54321/121//356/71+7//723/46 | 6/8 | Roring Willie (t) | MS-S | Gillespie MS, 1768 | 64-65 | VN |
/5432//11/217-//1234/55//465/ | C/ | Belle Adonis, La (t) | DA-E | Fishar 16 Cot, 1780 | 18 | KB |
//5/43//21/1+//2+1+76/54 | 2/4 | Colin's Request (t) | SS-E | SS, Boston PL-2 | 313 | VO,HA+GT,GF,VN |
//5432/11+//2+1+76/55//54321/7-13 | 2/4 | Ray That Beams Forever, The (t) | AI-A | Riley Flute 4, 1826 | 10 | FL |
//5432//1123//234//35//656716 | 3/4 | Ah Cruel Creature (t) | SS-E | SS, New York PL-C695 | 98 | VO,B |
//5432//1123//234//45 | 3/4 | Ah! Cruel Creature, Why So Bent (t) | SC-E | Vocal Music, 1775 | 164-165 | VO/VN/GF |
//543211/234//35/654 | C/ | Mandane (t) | SS-E | SS, Folger-C42.1 | 269,2-270,1 | MI,VO,KBF |
//54/32//11/25-//12/34 | 2/4 | Brown Rondo-1 (t) | AI-A | Brown Rondos, 1787 | 1-2 | PF/HA |
//54/321//1+3+1+/57//62+/71+ | 6/8 | Rondo (t) | AM-A | Ives MS, 1800 | 43 | 2MI |
//543/211//43/21//7-2/254 | 2/4 | Rose Castle (t) | AM-A | Brown, N. MS, 1781 | 9R | FI |
//54/32//11/5-12//32/34 | 6/8 | Freitags (t) | MS-G | Darmstadt MS 1225 | 89-90 | 2MI |
//54/321//1/5-123//2/5-234 | C/ | Heister Gren: March (t) | MS-G | Darmstadt MS 1225 | 227 | MI |
/5432//11/5+3+2+1+//765/4+2+75//1+531/ | 2/4 | Bien Aisee, La (t) | DA-E | Gallini Cots, 1770 | 39 | KB |
//543211+/65//4321/217-6-5-//543211+/654 321+ |
C/ | Beauté', La (t) | DA-E | Thompson CD-5, 1788 | 74 | VN/GF/OB |
//543211+/65//4321/217-6-5-//543211+/654 321+// |
C/ | Beauté, La (t) | DA-E | Thompson CD-5a, 1788 | 74 | VN/GF/OB |
//543211+/6543//6543/1+564//543211+/6543 // |
C/ | Luccys Delight (t) | MS-E | Vickers MS, 1770 | 1 | MI |
//54321/17-1//217-5-/5-5-4-5-//345523/43 // |
C/ (8/4) | Primrose, The (t) | MS-E | Fitzwilliam MS-2, 1609 | 422 | VI |
/5432//11+/71+//2+23/4534//2312/7-1// | C/ | Petimetres y Petimetras, Los. Contradanza. nuevo... Estilo moderno (t) | DA-P | Minguet CD, 1760 | 16-17 | MI |
//54321//17-1//2343//217-6-5-//434543 | 3 | New Song, A (t) | SS-E | SS, Folger-C42.3 | 43 | VO,KB+FL |
//54321//17-1//2343//32//354321 | 3/4 | Minuet (t) | IC-E | Delightful-1, 1763 | I,5 | GF |
//54321//17-1//2343//32//354321//465432 | 3/4 | Minuet (t) | IC-E | Bremner Oboe, 1775 | 23 | OB |
//54321//17-1//2343//32//354321//465432 | 3/4 | Minuet (t) | IC-E | Simpson Oboe, 1746 | 23 | OB |
//54321//17-1//25-24//435//671+6//45622 | 3/8 | Dispute, The (t) | SC-E | Watts MM-5, 1731 | 131-132+133 | VO,HA+FL |
//54321//17-1//25-5//432//143 | 3/8 | Grief for the Past Ineffectual (t) | SC-E | Monthly Melody, 1760 | II,31 | VO,HA |
//54321//17-1/25-5//432//143 | 3/8 | Grief for the Past, Ineffectual (t) | SS-E | SS, Boston PL-1 | 55 | VO,HA |
/543//21/17-1//25-/5-7-2//135/ | 6/4 | Hija de Cupido, La (t) | DA-P | Ferriol Reglas-1, 1745 | IV:68 | MI |
/543//21/17-1//25-/5-7-2//135/ | 6/4 | Hija de Cupido, La (t) | DA-P | Ferriol Reglas-2, 1745 | 68 | MI |
//54321//17-1//27-5-4//435//321 | 3/4 | Sweet William's Farewell to Black-Ey'd Susan (t) | SS-E | SS, Folger-C42.1 | 26 & 40 | VO,KB |
//54321//17-1//27-5-4//435//321 | 3/4 | Sweet William's Farewell (t) | SS-E | SS, Huntington-1 | 152 | VO,KBF+FL/GT |
//54/321//1+7/1+5//1+7/1+54 | C/ | Maiden-Lane (t) | PL-E | Playford 1-08, 1690 | 84 | VN |
//54/321//1+7/1+5//1+7/1+54 | C/ | Maiden-Lane (t) | PL-E | Playford 1-09, 1695 | 15 | VN |
//54/321//1+7/1+5//1+7/1+54 | C/ | Maiden-Lane (t) | PL-E | Playford 1-10, 1698 | 15 | VN |
//54/321//1+7/1+5//1+7/1+54//3 | C/ | Maiden Lane (t) | PL-E | Playford 1-07, 1686 | 73 | VN |
//54/321//1+7/1+5//1+7/1+54//32/1 | C/ | Mayden Lane (t) | PL-E | Playford 1-01, 1651 | 62 | VN |
//54/321//1+7/1+5//1+7/1+54//32//1 | C/ | Mayden Lane (t) | PL-E | Playford 1-02, 1652 | 66 | VN |
//54/321//1+7/1+5//1+7/1+54//32/1 | C/ | Mayden Lane (t) | PL-E | Playford 1-03a, 1657 | I,66 | VN |
//54/321//1+7/1+5//1+7/1+54//32/1 | C/ | Maiden Lane (t) | PL-E | Playford 1-04, 1670 | 73 | VN |
//54/321//1+7/1+5//1+7/1+54//32/1 | C/ | Maiden-Lane (t) | PL-E | Playford 1-05, 1675 | 73 | VN |
//54/321//1+7/1+5//1+7/1+54//32/1 | C/ | Maiden Lane (t) | PL-E | Playford 1-06, 1679 | 73 | VN |
//54/321//1+7/1+5//1+7/1+54//32/1 | C/ | Mayden Lane (t) | PL-E | Playford 1-3b, 1665 | I,66 | VN |
//54321//17-1//5-43//322//314257//6421 | 3/4 | Lovely Lass, The. A New Song (t) | AI-A | American Periodicals | VO,KB | |
//5432/11+71+//6/5//4543/2321 | 2/4 | Tom Tullus's Hornpipe (t) | IC-S | Aird 1, 1782 | 43 | FI/VN/GF |
//5432/11+//75//651+7/6543//2 | 2/4 | Choice, The (t) | SS-E | SS, Harvard | 1 | VO/FL,KBF |
/5432//11+/76//53+/42+//35/4321// | 2/4 | Plaisirs de Chevalier, Les. Contredanse Française (t) | DA-F | Bouin CD LC-1, 1780 | 47 Feuille, 2 Vol. | MI |
///5/4321//1+/7654//3135/43// | 2 | Critique, La. Contredanse Nelle. (t) | DA-F | LaCuisse Rep CD LC-3, 1765 | 81 Feuille 3. Vol | KB |
//54321//17-6-5-/4-3-2-1-//5-6-7-/1231 | C | Song 243 (t), or Wandering Sailor, The (at) | SC-E | Calliope, 1788 | 448-450 | VO |
//54321//17-6-5-4-3-2-1-//5-6-7-/1231// | C | Wandering Sailor, The (t) | MS-S | Fife MS, 1780 | 750,82r | 1FI OR 2FI/VN |
//5/4321//17-6-5-/4-3-2-1-//5-6-7-/1231/ / |
C | Wand'ring Sailer, The (t) | AM-A | White, G. MS, 1790 | 99 | VN |
//5+/4+3+2+1+//1+76//543/54 | 2/4 | Reign Silva Reign (t) | SS-E | SS, Boston PL-1 | 187,1-2 | VO,HA |
//54/32//11+7/65//44+3+/2+1+ | C | O'er the Moor to Katie (t) | IC-E | Caledonian PC, 1760 | II,16 | GF |
//5432/117//6554/226//5432/12345// | 3 [12/4] | Gigge, A (t) | MS-E | Fitzwilliam MS-2, 1609 | 257 | VI |
//5432/11+76//6543/32//1324/3546// | C | Sail??, The. A Hornpipe (t) | MS-S | Fife MS, 1780 | 125,10v,11r | 1FI OR 2FI/VN |
//543/21//17-6-/6-5-//5345/4234//34321 | C | Qeen Mab.1st Air (t) | TW-E | Jubilee, 1770 | 22-26 | 2VN,VO,HAF,VA |
//5432/11//7-6-7-1/24//31/6-21 | 2/4 | Edinburgh Royal Highland Volunteers Quick Step, The (t) | IC-S | Scottish Sheet Music | PF | |
//54321//17-7-2//43217- | 2/4 | Deux Seur, Le (t) | MS-F | Galoubet MS, 1790 | 22 | PI |
//54-3-21//17-7-//4-3-217-//211//54-3-21 //671+5 |
3/4 | Admiral Keppel's New Minuet (t) | IC-E | Longman Bassoon, 1780 | 13 | BS |
//54//32//12 | 2/4 | Duett (t) | AI-A | Instrum Asst-2, 1807 | 101 | 2MI,B |
//5432//121//212//36 | 3/4 | Song 71 (t), or Here Awa, There Awa (at) | SC-E | Calliope, 1788 | 136 | VO |
//5432//121//212//36 | 3/4 | Here Awa, There Awa (t) | SC-S | Edinburgh MM-2, 1793 | 330-331 | VO |
//5432//121//212//36//5 | 3/4 | Here Awa' Willie (t) | AI-A | Scots MM, 1797 | 26L-R | VO,HA/PF |
//5432//121//212//36//5432 | 3/4 | Here Awa', There Awa' (t) | SC-S | Scots MM-1, 1787 | 58 | VO,PF |
//5432//121//212//36//5432//123 | 3/4 | Here Awa', Willie (t) | AI-A | Caladonian Muse, 1798 | 26 | VO/PF/VN |
//5432//121//212//36//5432//123 | 3/4 | Here Awa, There Awa (t) | SS-E | SS, Harvard | 1 | VO,KB |
/5432//12/12//1/243//43/243// | 2/4 | Belle, La. Contre-Danse Française. Dance de Wauxhall (t) | DA-F | Landrin CD BL-1, 1775 | 115 Feuille | MI |
//5/4321//21/2//323/43 | 2/4 | Night Piece (t) | IC-E | Oswald Airs, 1758 | 4 | 2VN/2GF/2GT |
//54/32//1/2123//43/21 | 2 | Prittle Prattle (t) | DA-E | Johnson CD-6, 1751 | 48 | VN/GF |
//54/32//12/17-//12/17-// | 2/4 | Wauxhall de Londres, Le. Contre-Danse Allemande (t) | DA-F | Bouin CD LC-1, 1780 | 36 Feuille, 2 Vol. | MI |
//54/321//217-/15-//54/321 | 6/8 | Quick Step 55th Regt (t) | IC-S | Aird 2, 1785 | 42 | FI/VN/GF |
//54/321//217-/15-//54/321 | 6/8 | Ballet Hollandoise, La (t) | AM-A | Turner MS, 1788 | I,19 | VN |
//54/321//217-/15-//54/321// | 6/8 | Ballott, La. Cotillian (t) | MS-E | Vickers MS, 1770 | 159b | MI |
//54/321//217-/15-//54/321//217-/1 | 6/8 | Ballet Hollandoise, La (t) | DA-E | Thompson CD-3, 1773 | 68 | VN/GF/OB |
//54/321//217-/15-//54/321//217-/1// | 6/8 | Ballet Hollandoise, La (t) | DA-E | Thompson CD-3a, 1773 | 57 | VN/GF/OB |
//54321//217-6-5-//143//232//3455//54321 //12321 |
3 | Wanton Cupid, Cease to hover (fl) | SC-E | Watts MM-6, 1731 | 90-91 | VO,HA+FL |
//54321//217-6-5-//343//232//3455 | 3 | Song, A (t) | SC-E | Calliope, 1746 | I,80 | VO,HAF+FL |
//54321//217-6-5-//343//232//3455 | 3 | Song Tune by Mr. Kempton, A (t) | AM-A | Simpson MS, 1750 | II,10 | FL |
//54/321//21/7-6-5-//54/321// | 6/8 | Nouvelle Annee, La (t) | DA-N | St. Flour Contredanses, 1757 | 45 | KB |
//543//212//3 | 3/4 | Song 2 (t) | SS-E | SS, Folger-C52 | 175,2-176,1 | VO,B |
//54/32//123/123//43/21//7-12 | 6/8 | Ambigno (t) | DA-E | Rutherf CD-2.1, 1756 | 46 | VN/GF/OB |
//54/32//12/31//2345/432 | C | Nos Calen. Welch (t) | IC-S | Aird 3, 1788 | 224 | FI/GF/VN |
//5/43//2123/1234//575/43//2123/1// | 2/4 | Revalle 8, The (t) | AM-A | Johnson, S. MS, 1807 | 33 | FI |
//543/212//31/345//543/212 | 6/8 | Atresi, L' (t) | MS-F | Galoubet MS, 1790 | 3 | PI |
//543//212//32 | 3/4 | Hope, A Pastoral (t) | SC-E | Clio-2, 1759 | 186-7 | VO,HAF |
/54//321/232//134/54//321/ | 6/8 | Ballet Hollandois, Le (t) | DA-F | Landrin Potpourri, 1785 | 8 | MI |
/54//321/232//1/55//321/ | 6/8 | Ballet Hollandois, Le (t) | DA-N | Echo, 1758 | 34 | KB |
//543//212//32//17-1 | 3/4 | Song 58 (t), or Hope; (at) | SC-E | Ritson, 1783 | TI,58-60;MIII,23-24 | VO |
//543//212//32//17-1//2343 | 3/4 | Song 80 (t) | SC-E | Vocal Enchant, 1783 | 168-169 | VO |
//543//212//32//17-1//2343//2 | 3/4 | My Banks They Are Furnish'd with Bees (t) | SC-E | Vocal Music, 1778 | 42-43 | VO/VN/GF |
//543//212//32//17-1//243 | 3/4 | My Banks (t) | SS-E | SS, Boston PL-2 | 176 | VO,KB+GT |
//5432/123//217-6-/5-6-7-//1217-/1231// | 2/4(ed) | Favorite Cotillion (t) | AI-A | Admired Cots-1.4, 1825 | 1-2 | PF |
//54/32//123/21//7-6-7-/1// | C/ (8/4) | Pavana (t) | MS-E | Fitzwilliam MS-1, 1609 | 62-64 | VI |
//5432/123234//31+76/543//42+1+/751+6 | C/ | Jemmy Lass, The (t) | DA-E | Johnson CD-8, 1758 | 11 | VN/GF |
//5432//12//323//432//5432//12// | 3/4 | Advent Hymn (t) | AM-A | Winnington MS, 1810 | 50 | KB |
//54/32//1/2//3234/53 | C | March In Blue Beard (t) | AM-A | Allen, Joel, MS, 1800 | 3R | 2VN,B |
//5432//12//323453 | 2/4 | March In Bluebeard (t) | AI-A | Fifer's Comp, 1805 | 39 | 2FI |
//54/32//1/2//3234/53 | 2/4 | March In Bluebeard (t) | AI-A | Hazeltine D&F, 1810 | 40 | 2FI |
//54/32//1/2//3234/53 | C/ | Favourite March In Blue Beard (t) | AI-A | Herrick Preceptor, 1807 | 39 | 2MI,B |
//54/32//1/2//3234/543 | 2/4 | Celebrated March In Blue Beard, The (t) | AI-A | American Sheet Music | PF/VN/FL | |
//54/32//1/2//3234/543 | C | March In Blue Beard (t) | AI-A | American Sheet Music | 1 | PF |
//54/32//1/2//3234/543 | 2/4 | Favorite March In... Blue Beard (t) | AI-A | American Sheet Music | KB+FL | |
//54/32//1/2//3234/543 | 2/4 | March In Blue Beard (t) | AI-A | American Sheet Music | 2 | KB |
//54/32//1/2//3234/543 | 2/4 | March In Blue Beard (t) | AI-A | American Sheet Music | 1 | PF |
//54/32//1/2//3234/543 | C/ | March In Blue Beard (t) | AI-A | Bacon Clar, 1818 | 15 | CL |
//5-4-/3-2-//1-/2-//3-2-3-4-/5-4-3- | C/ | Celebrated March In Blue Beard (t) | AM-A | Beach MS, 1801 | 51 | 2MI,2HN,B |
//54/32//1/2//3234/543 | C | March In Blue Beard (t) | AM-A | Beach MS, 1801 | 124 | KB |
//54/32//1/2//3234/543 | C | March In Blue Beard (t) | AM-A | Commonplace MS, 1809 | 1R | CL,FL |
//54/32//1/2//3234/543 | 2/4 | March In Bluebeard (t) | AM-A | Commonplace MS, 1811 | 17 | MI |
//54/32//1/2//3234/543 | C/ | Cellebrated March In Blue Beard (t) | AM-A | Curtiss MS, 1800 | 33 | 2VN |
//54/32//1/2//3234/543// | 2/4 | Celebrated March In Blue Beard (t) | AI-A | Gilfert Gents PC, 1802 | 24 | GF/VN |
//54/32//1/2//3234/543 | 2/4 | March In Bluebeard (t) | AM-A | Huntington MS, 1817 | III.32 | FL/VN |
//54/32//1/2//3234/543// | C/ | March In Blue Beard (t) | IC-E | Hyde Bugle, 1818 | 11 | 2BU |
//54/32//1/2//3234/543 | 2/4 | March No.11 (t) | IC-E | Hyde Trumpet, 1798 | 46 | 3TR |
//5432//12//3234543 | 2/4 | March In Bluebeard (t) | AI-A | Instrum Asst-2, 1807 | 65 | 2CL,2HN,B |
//54/32//1/2//3234/543// | 2/4 | March In Blue Beard (t) | AM-A | Irving MS, 1796 | 95 | 2 MI |
//54/32//1/2//3234/543 | C/ | March In Blue Beard (t) | AI-A | Klemm Clar, 1825 | 15 | CL |
//54/32//1/2//3234/543 | C/ | March In Blue Beard (t) | IC-I | Logier Bugle, 1813 | 21 | BU |
//54/32//1/2//3234/543// | 2/4 | March In the Blue Beard, The (t) | AM-A | Patten MS, 1800 | 22 | MI |
//54/32//1/2//3234/543 | 2/4 | March In Bluebeard (t) | AI-A | Riley Flute 1, 1814 | 94 | FL |
//5/432//1/2//3234/543 | C | Blue Beard's March (t) | AI-A | Robinson Coll, 1818 | 30 | 2FI |
//5/432//1/2//3234/543 | C | Blue Beard's March (t) | AI-A | Robinson Coll, 1820 | 42 | 2MI |
//5/432//1/2//3234/543 | C | Blue Beard's March (t) | AI-A | Robinson Coll, 1826 | 46 | 2MI |
//54/32//1/2//3234/543 | C/ | March In the Blue Beard (t) | AM-A | Shattuck MS, 1801 | 112 | MI |
//54/32//1/2//3234/543 | C | March In Blue Beard (t) | AI-A | Shaw Gentlemen, 1807 | 16 | 2CL/VN, FL,BS/VC |
//54/32//1/2//3234/543 | 2/4 | March In Bluebeard (t) | AI-A | Steele Fife, 1815 | 14 | FI |
//5432//12//3234543 | 2/4 | Slow March In Bluebeard (t) | AI-A | Village Fifer, 1808 | 37 | 2FI |
//54/32//1/2//3234/543// | 2/4 | March In Blue Beard (t) | AM-A | Washburn MS, 1816 | 8 | GF |
//54/32//1/2//3234/543 | C | Blue Bards March, The (t), or Female Curiosity (at) | AM-A | Woodruff MS, 1803 | 13 | 2MI,B |
//54/32//1/2//3234/543//2 | 2/4 | March In Blue Beard (t) | AI-A | Musical Jnl-2, 1800 | II,20 | PF |
//5432/12//3234543/2234//5432/12// | C | March In Bluebeard (t) | AM-A | White, G. MS, 1790 | 114-115 | VN |
//54/32//1/2//3234/553 | 2/4 | March In the Blue Beard (t) | AM-A | Stiles MS, 1807 | 50 | MI |
//54/32//1/2//3234/6543 | 2/4 | March In Blue Beard (t) | AI-A | Bacon Marches, 1816 | 10 | MI |
//54/32//1/2//3234/6543 | C | March In Bluebeard (t) | AM-A | Bellamy MS, 1799 | 35 | 2MI,B |
//54/32//1/2//3234/6543 | 2/4 | March In Blue Beard (t) | AI-A | Blake Amus 2, 1824 | 13 | CL |
//54/32//1/2//3234/6543 | 2/4 | March In Blue Beard (t) | AI-A | Firth Cl, 1832 | 27 | CL |
//54/32//1/2//3234/6543 | C/ | March In Blue Beard (t) | AM-A | Trumbull MS, 1801 | b:5r | MI |
//54/32//1/2//3234/6543// | 2/4 | March In Blue Beard (t) | AI-A | Willig Fife, 1826 | 13 | FI |
//54/32//1/2//32/35// | 2/4 | March In Blue Beard (t) | AM-A | Litten MS, 1800 | 25 | VN |
//5432//1234//2//1//5432//1234//2 | 3/4 | Three Shepherds, The. Air 2 (t) | SS-E | SS, Harvard | 1-4 | VO,B+MI |
//54321//2343//1+72+1+76//543//342//3542 // |
3/4 | Minuete (t) | DA-P | Minguet CD, 1760 | 10 | MI,B |
/54//321/234//321/54//321/217-// | 6/8 | Fitz James (t) | AI-A | Admired Cots-2.1, 1825 | 1 | PF |
/54//321/234//321/54//321/217-// | 6/8 | Fitz James. First Sett (t) | AI-A | Blake Cots, 1804 | 2 | PF/VN/GF |
//543//212//34321//55 | 3/4 | Song, A (t) | SS-E | SS, Folger-C42.2 | 7 | VO,KB+F |
//543//212//34321//55//646 | 3/4 | Song Taken Out of Ye 8th. Volume of Ye Spectator, A (t) | SS-E | SS, Folger-C42.3 | 86 | VO,KB+FL |
//5432/12//3/4//321/7-1 | 2/4 | Count Kenvenhullar's March (t) | DA-E | Johnson CD-6, 1751 | 74 | VN/GF |
//543/2123//432/17-12//323/4231//25- | 2 | Sonatina. Gavotta (t) | IC-E | Delightful-2, 1745 | VI,13 | GF |
//5/4321//23/434//3/51 | C | Fond Adieu, The (t), or New Song, A (at) | SS-E | SS, Boston PL-1 | 122,1-2 | VO,HAF+GF+GT |
//543//21234//432//17-1//6421 | 3/4 | Shepherds and Nymphs of the Grove, The (t) | MS-I | Regan MS, 1764 | 5 | MI |
//5432/12//34434/55//61246/57-135 | C | Inconstancy (t) | SS-E | SS, Boston PL-2 | 231 | VO,KB+GF |
//5432/12344//43//66 | C | Spring, The-1 (t) | SS-E | SS, Folger-C52 | 113,2-115 | MI,VO,KBF |
//5432/1234//5131/5131+//5432/1231 | C/ | John Roy Stewart (t) | IC-S | Aird 3, 1788 | 176 | FI/GF/VN |
//54//3212//3451//7-12//325 | 3/8 | Favourite Song, A (t) | SC-E | Clio-4, 1778 | 25 | VO,HAF+GT |
//5/4//32/12//345/43 | 2/4 | Gavot (t) | IC-E | Bremner Airs, 1761 | 44-45 | VN/GF,B |
//54/32//1/2//34/543 | 2/4 | March In Blue Beard (t) | AI-A | Glazier Clar, 1828 | 20 | CL |
//5/4//32/12//345/43 | 2/4 | Gavot (t) | IC-E | Preston Marches, 1804 | 44-45 | GF/VN,VC/PF |
//5/432//123/454//321/7-1 | 6/8 | Changretie, La (t) | MS-F | Galoubet MS, 1790 | 20 | PI |
//543//212//34543//25//545 | 3 | Tatling Shepherd, The (t) | SC-E | Calliope, 1746 | I,94 | VO,B+FL |
//543//212//34543//25//545 | 3 | Tatling Shepherd, The (t) | SS-E | SS, Folger-C42.4 | 300 | VO,KB+FL |
//543//212//34543//25//545//671+7 | 3 | Tatling Shepherd, The (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//543//212//34543//25//545//671+7 | 3 | Tatling Shepherd, The (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
/5432//123/4567//1+135/5432//3142/ | C/ | Royal Exchange, The. Cotillion (t) | DA-E | Fishar 12 CD, 1775 | 10 | KB |
/5432//1234/5671+//65/42+31+//21/7-213// |
2 | Jolis Garçons, Les. Contredanse Nouvelle (t) | DA-F | LaCuisse Rep CD LC-2, 1764 | 46 Feuille 2. Vol | KB |
//5-4-3-2-/1-2-3-4-//5-6-7-/16-//5-4-3-/ 4-5- |
2/4 | Grenadier March (t) | MS-G | Darmstadt MS 1224 | 240-41 | 2MI |
//54/32//123/5-1//13/54 | 6/4 | Band of Love (t) | AM-A | Nixon MS, 1776 | 103-4 | FI |
//543//212//3543//22 | 3/8 | Song 26 (t) | SC-E | Ritson, 1783 | TI,22-23;MIII,3 | VO |
//543//212//3543//22//365 | 3/8 | Nymph That Undoes Me, The (t) | AM-A | Aborn MS, 1790 | 77 | MI |
//543//212//3543//22//365 | 3/8 | Nymph That Undoe's Me, The (t) | SC-E | Calliope, 1746 | I,28 | VO,HAF+FL |
//543//212//3543//22//365 | 3/8 | Charming Silvia (t) | SC-E | Musical Ent-1, 1740 | 22 | VO,KB+FL |
//543//212//3543//22//365 | 3/8 | Charming Silvia (t) | SS-E | SS, Boston PL-2 | 308 | VO,KB+FL |
//543//212//3543//22//365 | 3/8 | Charming Silvia (t) | SS-E | SS, Folger-C42.2 | 131 | VO,KB+F |
//543//212//3543//22//365 | 3/8 | Charming Silvia (t) | SS-E | SS, Folger-C42.3 | 304 | VO,KB+FL |
//54//3212//3543//324//54//37-2// | 3/4 | Minuet (t) | AM-A | Brown, J. MS, 1782 | 1:16 | |
//54//3212//3543//32//54//37-1 | 3/4 | Minuet (t) | IC-E | Bremner Airs, 1761 | 46-47 | VN/GF,B |
//54//3212//3543//32//54//37-1 | 3/4 | Minuet (t) | IC-E | Preston Marches, 1804 | 46-47 | GF/VN,VC/PF |
//54/32/123//55/543/51+// | 9/8 | Woo'd & Married & A' (Very Old Scotch) (t) | DA-E | Wilson Companion, 1816 | 23 | MI |
//5432//12//43216543 | 2/4 | Grand March (t) | IC-E | Andrews Fife, 1808 | 29 | FI/GF |
//54/32//12//4321/6543//3 | 2/4 | Grand March (t) | AM-A | Commonplace MS, 1809 | 5V | CL/FL |
//54/32//12//4321/6543//3/ | 2/4 | Grand March As Performed at the Theatre Royal, Drury Lane (t) | IC-E | Naval Compendium, 1800 | 40 | 2FL/VN,PF |
//54/32//12//4321/6543//3/ | 2/4 | Grand March As Performed at the Theatre Royal, Drury Lane (t) | IC-E | Naval Compendium, 1800 | 40 | 2CL,2HN,BN |
//54/32//12//4321/6543//3/ | 2/4 | Grand March As Performed at the Theatre Royal Dury Lane (t) | IC-E | Wilson Fife, 1805 | 53 | 2FI |
//54//321//243217- | 3/4 | Maiden's Advice, The (t) | SC-E | Clio-2, 1759 | 160 | VO,HA |
//54321//243217-//1235-//6-5-1 | 3/4 | Can love be controul'd by advice (fl) | SC-E | Amaryllis, 1760 | I,46 | GF,VO,HAF+FL |
//54321//243217-//1235-//6-5-1 | 3/4 | Song 58 (t) | SC-E | Ritson, 1783 | TI,237-238;MIII,121 | VO |
//54321//243217-//123-5-//6-5-1//4 | 3/4 | Can Love Be Controul'd by Advice &c (t) | AM-A | Simpson MS, 1750 | II,7 | FL |
//54321//243217-//1235-//6-5-1//43234 | 3 | Modest Question, The (t) | SC-E | Muses Delight, 1754 | 149 | VO,HA |
//54321//243217-//1235-//6-5-1//43234 | 3/4 | Song, A (t) | SS-E | SS, Folger-C42.1 | 113 | VO,KB+GT |
//54321//243217-//1235-//6-5-1//43234 | 3/4 | Modest Question, The (t) | SS-E | SS, Folger-C42.4 | 150 | VO,KB+FL |
//54321//243217-//1235-//6-5-1//43234 | 3/4 | Modest Question, The (t) | SS-E | SS, Huntington-1 | 35 | VO,KB+FL |
//54321//243217-//1235-//6-5-1//43234 | 3/4 | Modest Question, The (t) | IC-E | Thumoth, 1785 | 54-55 | GF/VN,HA |
//54321//243217-//1235-//6-5-1//43234//2 |
3/4 | Song, A (t) | SS-E | SS, Harvard | 1 | VO,GF,KBF+GT |
//54321//243217-//1235-//6-5-1//43234//3 2 |
3/4 | Modest Question, The (t) | SC-E | Calliope, 1746 | II,66 | VO,B+MI |
//54321//243217-//1235-//6-5-1//43234//3 2234// |
3/4 | IC-E | Geoghegan Pastoral, 1746 | 17 | BP | |
//54321//243217-//1235-//6-5-1//43234//3 2234// |
3/4 | Can Love Be Controuled (t) | IC-E | Johnson Flute, 1760 | 15 | GF |
//5/4//3/21//2/5- | 2/4 | Rast (t) | MS-G | Darmstadt MS 1225 | 79-80 | 2MI |
//54/32125-//123125-/123125-//465454/343 234// |
Ritchmond Ball (t) | MS-E | Vickers MS, 1770 | 5a | MI | |
//5432//125-//125-//11//22 | 3/4 | O godlike youth by all confest (fl) | SS-E | SS, Folger-C42.3 | 116,2-117,1 | 2MI,VO,KBF+FL |
//54/321//25-/1//54/3321//25-/1 | C/ | #41 (t), or Amarillis (at) | PL-E | Playford 1-3b, 1665 | II,47 | VN |
//54/321//25-/1//5654/3231 | C/ | Amarillis (t) | PL-E | Playford 1-06, 1679 | 137 | VN |
//54/321//25-/1//5654/3231 | C/ | Amarillis (t) | PL-E | Playford 1-08, 1690 | 132 | VN |
//54/321//25-/1//5654/3231 | C/ | Amarillis (t) | PL-E | Playford 1-09, 1695 | 75 | VN |
//54/321//25-/1//5654/3231 | C/ | Amaryllis (t) | PL-E | Playford 1-10, 1698 | 75 | VN |
//54/321//25-/1//5654/3231 | C/ | Amaryllis (t) | PL-E | Playford 1-11, 1701 | I,75 | VN |
//54/321//25-/1//5654/3231 | C/ | Amaryllis (t) | PL-E | Playford 1-12, 1703 | 75 | VN |
//54/321//25-/1//5654/3231 | C/ | Amaryllis (t) | PL-E | Playford 1-13, 1706 | 75 | VN |
//54/321//25-/1//5654/3231 | C/ | Amaryllis (t) | PL-E | Playford 1-14, 1709 | 75 | VN |
//54/321//25-/1//5654/3231 | C/ | Amaryllis (t) | PL-E | Playford 1-15, 1713 | 75 | VN |
//54/321//25-/1//5654/3231 | C/ | Amaryllis (t) | PL-E | Playford 1-16, 1716 | 75 | VN |
//54/321//25-/1//5654/3231 | C/ | Amaryllis (t) | PL-E | Playford 1-17, 1721 | 75 | VN |
//54/321//25-/1//5654/3231 | C/ | Amaryllis (t) | PL-E | Playford 1-18, 1728 | 75 | VN |
//54/321//25-/1//5654/3231 | C/ | Amaryllis (t) | DA-E | Walsh CD-1.1, 1718 | 88 | VN/OB/FL |
//54/321//25-/1//5654/3231 | C/ | Amaryllis (t) | DA-E | Walsh CD-2.1, 1731 | 122 | VN/OB/GF/RC |
//54/321//25-/1//5654/3231//2 | C/ | Amarillis (t) | PL-E | Playford 1-07, 1686 | 137 | VN |
//54/321//25-/1//5654/3231//25-/1 | C/ | Amarillis (t) | PL-E | Playford 1-04, 1670 | 137 | VN |
//54/321//25-/2//54/3321// | C/ | Amarillis (t) | IC-E | Apollo's Banquet 1-1, 1670 | 53 | VN |
//5/4//3/21//2/5-34 | 2/4 | Rast (t) | MS-G | Darmstadt MS 1225 | 69-70 | 2MI |
//54321//25-//343//32//54321//67-1234// | 3/8 | Sei Mia Gioia (t) | IC-E | Prelleur Modern, 1731 | 42-43 | GF |
//543//212//543//25- | 3/8 | Song In the Opera of Love's Triumph, A (t) | SC-E | Pocket Comp, 1725 | 100-101 | VO,HAF+FL |
//54/321//25-5-//6-7-/7-6-7-//123/21 | C/ | Marche des Boulonnois.2e Air (t) | MS-F | Philidor MS, 1705 | 17 | OB,B+DR |
//543/21//2/5-6//534/5432//1 | C/ | Feria Berifar, La (t) | MS-M | Garcia MS, 1772 | 50 | MI |
/543//21/27-//1234/55-6-7-//1234/ | 2 | Cotillon (t) | IC-F | Leclerc Recueil-3, 1738 | 157 | HAF |
//54/321//27-1//256/45//5 | C/ | Gren. March (t) | MS-G | Darmstadt MS 1224 | 328,330 | 2MI |
//54321//27-1//443//25-//5-6-7-123 | 3 | Lover Resolv'd, The (t) | SC-E | Watts MM-5, 1731 | 172-173 | VO,HA |
//5/4321//27-/1//46/54 | 2/4 | Semenzati (t) | IC-S | Aird 3, 1788 | 195 | FI/GF/VN |
//5/4321//27-/1//46/54 | 2/4 | Quick Step (t) | AI-A | Balls Amus 1, 1815 | 32 | FL/FI/VN |
//54321//27-1//5-43217-//12 | 3/4 | Judgement of Paris, The (t) | SS-E | SS, Folger-C42.3 | 422 | VO,KB+FL |
//54321//27-1//5-43217-//12//321 | 3/4 | Judgment of Paris, The (t) | SC-E | Calliope, 1746 | I,161 | VO,HAF+FL |
//54321//27-1//5-43217-//12//32165 | Judgment of Paris, The (t) | SC-E | Muses Delight, 1754 | 168-169 | VO,HA | |
//54321//27-1//5-43217-//12//32165 | 3/4 | Judgment of Paris, The (t) | SC-E | Musical Ent-1, 1740 | 69 | VO,KB+FL |
//54321//27-1//5-43217-//12//32165 | 3/4 | Judgement of Paris, The (t) | SS-E | SS, Harvard | 1,DUP | VO,KBF+FL |
//54/32//127-2/13-4-//5-6-5- | 2/4 | Rondeau (t) | IC-E | Longman Oboe, 1780 | 34-36 | OB |
//54/321//27-5-/1//15-3-/1-3-5- | 6/4 | Queen Ann's Coronation Day (t) | PL-E | Playford 2-3, 1718 | 40 | VN |
//54/321//27-5-/1//15-3-/1-3-5- | 6/4 | Queen Ann's Coronation Day (t) | PL-E | Playford 2-4, 1728 | 40 | VN |
//54/321//27-5-/1//15-3-/1-3-5- | 6/4 | Queen Ann's Coronation Day (t) | DA-E | Walsh CD-1.2, 1719 | 57 | VN/OB |
//54/321//27-5-/1//15-3-/1-5-3- | 6/4 | Queen Ann's Coronation Day (t) | PL-E | Playford 2-1, 1713 | 40 | VN/OB |
//54/321//27-5-/1//15-3-/1-5-3- | 6/4 | Queen Ann's Coronation Day (t) | PL-E | Playford 2-2, 1714 | 40 | VN/OB |
//54321/27-6-5-//123234-/32 | C | Ecossoise, L' (t) | DA-E | Rutherf CD-1, 1750 | 25 | VN/FL/OB,HAF |
//54321/27-6-5-//123234/32//54321 | C | Ecossoise, L' (t) | DA-E | Rutherf CD-2.2, 1760 | 51 | MI |
//543/21//27-6-5-/4//312/34 | C | Power of Music, The (t) | SC-E | Musical Ent-1, 1740 | 68 | VO,KB+FL |
//5432/13//13/13//24/24 | 2/4 | Munichausen, The (t) | DA-E | Cantelo CD, 1785 | 18-19 | KB |
//5432/13//13/13//24/24 | Dutchess of Brunswick Country Dance (t) | AM-A | Mass. MS, 1790 | 10 | FL | |
//5432/13//13/13//35/5 | 2/4 | Dutches of Brumswick Country Dance, The (t) | AM-A | Thompson MS, 1777 | 51 | FI |
//54/32//13/13//24/24//35/5// | 2/4 | AM-A | Brown, J. MS, 1782 | 1:43 | ||
/5432//13/13//32/217-6-//5-4/24// | 2/4 | Nlle. Caroline, La. Contre-Danse Française (t) | DA-F | Landrin CD BN, 1775 | 6 Feuille | KB |
//54/32//13/13//43/21 | 6/8 | Ambigue (t) | DA-E | Johnson CD-4, 1748 | 67 | VN/GF |
//5432/13//21/13//21/2123 | C/ | New Margery (t) | PL-E | Playford 2-1, 1713 | 22 | VN/OB |
//5432/13//21/13//21/2123 | C/ | New Margery (t) | PL-E | Playford 2-2, 1714 | 22 | VN/OB |
//5432/13//21/13//21/2123 | C/ | New Margery (t) | PL-E | Playford 2-3, 1718 | 22 | VN |
//5432/13//21/13//21/2123 | C/ | New Margery (t) | PL-E | Playford 2-4, 1728 | 22 | VN |
//5432/13//21/13//21/2123 | C/ | New Margery (t) | DA-E | Walsh CD-1.2, 1719 | 39 | VN/OB |
//5432/13//21/13//21/2123 | C/ | New Margery (t) | DA-E | Walsh CD-2.2, 1735 | 198 | VO/OB/GF/FL |
//5432/13//21/13//21/2123 | C/ | New Margery (t) | DA-E | Walsh CD-3.2, 1749 | 198 | VN/OB/GF |
//54/32//132/11//534/534// | 2 | Dantis Kavay [Dainty Davy] (t) | MS-G | Jayme MS, 1717 | 41 | MI |
//5/4321//3217-/1356//1+ | C/ | Pray goody please to moderate the rancour of your tongue (fl) | TW-E | Midas-1, 1764 | 16 | VO,HAF |
//5/4321//3217-/1357//1+76/5321 | C | Pray Goody (t) | AI-A | Riley Flute 1, 1814 | 93 | FL |
//5/4321//3217-/15-//15-/25- | C/ | Head Dress, The (t) | IC-S | Stewart Airs, 1788 | 1:40 | GF/VN/FI |
/5//4321/3217-//15-/5-6-7-1//3231/43//2/ |
C/ | Rarete, La (t) | DA-E | Fishar 16 Cot, 1780 | 16 | KB |
//5432/13//217-6-/5-23//42 | C/ | Mr. Pope's Worms to the Ingenious Mr. Moore... (t) | SS-E | SS, Folger-C42.4 | 402 | VO,KB+FL |
//5432/13//217-6-/5-23//42/7-5-4//3 | C/ | Mr. Pope's Worms (t), or Song, A; (at) | SS-E | SS, Harvard | 1 | VO,B+FL |
//5432/13//217-6-/5-23//42/7-5-4//3 | C/ | Mr. Pope's Worms (t), or to The Ingenious Mr. Moore Author Of... Celebrated | SS-E | SS, Harvard | 1 | VO,B+FL |
//5432/13//217-6-/5-23//42/7-5-4//3 | C/ | Scornfull Lover, The (t), or New Song, A (at) | SS-E | SS, Harvard | 1 | VO,B+FL |
//54/32//1321/7-6-5-4-//3-5-13/5-7-24 | C/ | Morgans Whim (t) | DA-E | Thompson CD-3, 1773 | 49 | VN/GF/OB |
//54/32//1321/7-6-5-4-//3-5-13/5-7-24// | C/ | Morgans Whim (t) | DA-E | Thompson CD-3a, 1773 | 86 | VN/GF/OB |
//54/3213//2432/15-//54/3213 | C/ | Yorkshire March West Riding, The (t) | IC-E | Oswald Marches, 1759 | 27 | 2MI |
//54/32//13/24//334/6543 | C | Col Whiting's March (t) | AI-A | American Sheet Music | PF | |
//5432/13//24/35//46/53 | C | Coterie, The (t) | DA-E | Skillern CD, 1780 | 53 | VN/GF/OB |
//5432/13//25-//6-1/2-4- | Country Girll (t) | MS-E | Hammersley MS, 1790 | 40B | MI | |
//54/321//3/31+//54/321 | 6/8 | Auld Bessy (t) | IC-S | Aird 3, 1788 | 226 | FI/GF/VN |
//5432/13//32/24//43/36// | 2/4 | Caravanes de L'Amour, Les (t) | IC-F | Leclerc Recueil-3, 1738 | 157 | HAF |
//54/32//135/17-1//23/45 | 6/8 | Sweet Jimma (t) | AM-A | Gaylord MS, 1816 | 12r | MI |
//543213/531+3//4635/6223//543213/461+6 | C | Miss Hay's Favourite (t) | IC-S | Aird 4, 1796 | 35 | FI/GF/VN |
//5432//135//4321//7-24//1112//333456 | 3/4 | New Bath Minuet (t) | MS-E | Shepherd MS, 1787 | 19 | MI |
//5432/135//67/1+76//5365/1+6543 | C | Go Plaintive Sounds (t) | SC-S | Scots MM-6, 1803 | 595 | VO,PF |
//543213/653//753/1+53//543213/653 | C/ | Love's Reel (t) | MS-S | Gillespie MS, 1768 | 90 | VN |
//54/321//42/31//54/321 | 6/8 | Blow Zabella (t) | IC-S | Aird 2, 1785 | 45 | FI/VN/GF |
//54/321//42/31//54/321 | 6/8 | Blowzabella (t) | IC-E | Delightful-1, 1763 | I,5 | GF |
//54/321//42/31//54/321 | 6/4 | Blousa Bella (t) | MS-E | Hammersley MS, 1790 | 42 | MI |
//54/321//42/31//54/321 | 6/4 | Cotillion, A (t) | MS-E | Hammersley MS, 1790 | 103B-104 | KB |
//54/321//42/31//54/321// | 6/8 | Blowzabella (t) | MS-E | Vickers MS, 1770 | 108 | MI |
//54/321//42/31//54/321 | 6/8 | Blowzabella (t) | DA-E | Walsh CD-2.3, 1735 | 70 | VN/OB/GF/CF |
//54/321//42/31//54/321 | 6/8 | Blowzabella (t) | DA-E | Walsh CD-3.3, 1749 | 82 | VN/OB/GF |
//54/321//42/31//54/321//2 | 6/8 | Blowzabella (t) | IC-E | Simpson Record, 1745 | 12 | RC |
//54/321//42/321//54/321//25/1 | 6/8 | Air 52 (t) | BA-E | Decoy, 1733 | T68M16 | VO |
//54/321//42/321//54/321/25-/1 | 6/8 | Air 9 (t) | BA-E | Momus Turnd Fab, 1729 | 16 | VO |
//54/321//42/3//54/321 | 6/8 | Song 175 (t), or Margaritta First Possest (at) | SC-E | Calliope, 1788 | 328-329 | VO |
//54/321//42/53//54/321 | 6/8 | Blowzabella (t) | DA-E | Johnson CD-1, 1740 | 56 | MI |
//54/32/14+//3+1+/2+2/26//54/32/13+// | 6/8 [=3] | Reed House Rant, The (t) | MS-E | Vickers MS, 1770 | 6b | MI |
//5-4-3-2-1-4//32122-2-6-//5-6-3-2-1-4// 3217-11-1-6-//5-4-3-5-4- |
3 | Lancashire Hornpipe (t), or Yorkshire Hornpipe, or (at) | MS-E | Hammersley MS, 1790 | 71 | MI |
//54321//43217-//1232//34//54321 | Irish Minute, Ane (t) | AM-A | Wilson MS, 1782 | 5V-6R | FL/OB | |
//54321/43217-//123243/2//3217-6- | C | March In Deidamia (t) | IC-E | Thompson March, 1759 | 17 | VN/FL/OB |
//54321/43217-//123243/2//3217-6-/43217- |
C | Handel (t), or March 19 (at) | IC-E | Button Whit-1, 1806 | 26-27 | 2GF/2VN/2FL/2FI |
//54321/43217-//123243/2//3217-6-/43217- |
C | March In Deidamia (t) | IC-E | Handel March 1, 1768 | 17 | VN/GF/OB |
//54321/43217-//123243/2//3217-6-/43217- |
C | March In Deidamia (t) | IC-E | Thompson Oboe, 1758 | 17 | OB |
//5/43//21/43//21/7-6- | C/ | Toute Travers, La (t) | IC-S | Stewart Airs, 1788 | 1:44 | GF/VN/FI |
//54321/435-//6-4321/7-2//54321 | 6/8 | Comus (t) | SC-E | Amaryllis, 1760 | II,66-67 | VO,FL,HAF+FL |
//54321//435-//6-4321//7-2//54321 | 3/8 | Air (t) | IC-E | Delightful-1, 1763 | IV,29 | 2GF |
//54321//435-//6-4321//7-2//54321 | 3/8 | Fly swiftly ye minutes till Comus receive (fl) | SS-E | SS, Folger-C42.4 | 295 | VO,KB+FL |
//54321//435-//6-4321//7-2//54321 | 3/8 | Fly swiftly ye minutes till comus receive (fl) | SS-E | SS, Folger-C52 | 70,1-2 | MI,VO,KB |
//54321/435-//6-4321/7-2//54321/654 | 6/8 | Song 81 (t) | SC-E | Convivial, 1782 | 162-163 | VO |
//54321//435-//6-4321//7-2//54321//654// |
3/8 | IC-E | Geoghegan Pastoral, 1746 | 23 | BP | |
//5/4321//456/54//345/17-1 | 6/4 | Love In a Boarding-School (t) | PL-E | Playford 3-2, 1726 | 61 | VN |
//54//321456//554//3215-//6-46-//5-35- | 3/4 | Prince of Hessia's Minuet (t) | IC-E | Delightful-2, 1745 | V,9 | GF |
//54321//4565//62+1+7//1+5//65 | 3/8 | Stella and Flavia (t) | SC-E | Muses Delight, 1754 | 159 | VO,HA |
//54321//4565//62+767//1+5 | 3/8 | Song 34 (t) | SC-E | Ritson, 1783 | TI,206;MIII,99-100 | VO |
//54321//4565//62+767//1+5//1+5//3456// | 3/8 | Stella and Flavia (t) | IC-E | Johnson Flute, 1760 | 21 | GF |
//54321//4565//62+767//1+5//65 | 3/8 | Stella & Flavia (t) | SC-E | Amaryllis, 1760 | I,26-27 | GF,VO,HAF+FL+GF |
//54321//4565//62+767//1+5//65 | 3/8 | Stella and Flavia (t) | SC-E | Calliope, 1746 | II,82 | VO,HAF |
//54321//4565//62+767//1+5//65 | 3/8 | Stella and Flavia (t) | IC-E | Delightful-1, 1763 | V,33 | GF |
//54321//4565//62+767//1+5//65 | 3/8 | Stella and Flavia (t) | SS-E | SS, Folger-C42.2 | 107 | VO,KB+F |
//54321//4565//62+767//1+5//65 | 3/8 | Stella and Flavia (t) | SS-E | SS, Folger-C42.3 | 256 | VO,KB+FL |
//54321//4565//62+767//1+5//65 | 3/8 | Stella and Flavia (t) | SS-E | SS, Folger-C52 | 59,2 | VO,KB+MI |
//54321//4565//62+767//1+5//65 | 3/8 | Stella and Flavia (t) | SS-E | SS, Huntington-1 | 97 | VO,KBF+FL |
//54321//4565//62+767//1+5//65 | 3/8 | Stella and Flavia (t) | IC-E | Thumoth, 1785 | 68-69 | GF/VN,HA |
//54321//4565//62+767//1+5//65//7-123 | 3/8 | Stella and Flavia (t) | AI-A | Goodale Dir, 1819 | 66 | MI,B |
//54321//4565//62+767//1+5//65//7-123 | 3/8 | Stella and Flavia (t) | AI-A | Goodale Dir, 1829 | 70 | MI,B |
//54321//4565//62+767//1+7//65 | 3/8 | Song 134 (t) | SC-E | Vocal Enchant, 1783 | 268-269 | VO |
//54321//4565//677//1+//1+2+3+2+1+76 | 3/8 | On Princess Emelia (t) | SC-E | Musical Ent-1, 1740 | 65 | VO,KB+FL |
//54321//4565//677//1+//1+2+3+2+1+76 | 3/8 | On Princess Amelia (t) | SS-E | SS, Folger-C42.3 | 510 | VO,KB+FL |
//5/4321//4567/1+654//31+/53 | 2/4 | Madam Coulon (t) | AM-A | Mass. MS, 1790 | 27 | FL |
//5/4321//46/65//1+/2+1+76 | 2/4 | Theadore, La (t) | AM-A | Mass. MS, 1790 | 19 | FL |
//5/4321//46/65//1+71+/2+1+76// | 2/4 | Theodore, The (t) | MS-S | Fife MS, 1780 | 961,101r | 1FI OR 2FI/VN |
//5/4321//46-/6-7-//17-15-//6-123 | 2/4 | Air by Mr. Festing (t) | IC-S | Stewart Marches, 1761 | 92 | 2VN/GF/OB,VC/HA |
//543//215-//112//3 | 3/4 | Glee. Trio (t) | TW-E | Shipwreck, 1796 | 38 | 3VO |
//54/32/1/5-//121/232/ | 12/8 | Gigue (t) | IC-E | Forest Harmony-4, 1744 | 7 | 2HN/GF/TR/VN |
//54/321//5-1/21//43/21 | 6/8 | Blind Sportsman, The (t) | DA-E | Thompson CD-7.3, 1799 | 31 | MI |
//5432//15-12//3156//543//2343//271+// | 3/4 | Minuetto 1 (t) | DA-E | Sancho Minuet/Cot/Dance, 1767 | 3 | CO,VI,B |
//5-4-3-2-/1-5-//12//3212/3543//22// | C/ | March (t) | IC-E | Prelleur Modern, 1731 | 10 | OB |
//54/32//15-/12//323 | 6/8 | Hunting Song, The (t) | SS-E | SS, Folger-C42.4 | 359 | VO,KB+FL |
//54/32//15-/12//323 | 6/8 | New Song Call'd Hunting Ye Bottle, A (t) | SS-E | SS, Folger-C42.4 | 361 | VO,KB+FL |
//54/32//15-12//323/43 | 6/8 | Hunting Song, The (t) | SS-E | SS, Folger-C42.1 | 219 | VO,KB+FL |
//54/32//1/5-//1/234 | 2/4 | Morning (t) | AM-A | Mass. MS, 1790 | 28-29 | FL |
//54/32//1/5-//12/34 | 2/4 | Titcomb's March (t) | IC-E | Musica Bell, 1733 | 13 | FL/VN/OB |
//54/32//1/5-//1/234//43 | 2/4 | Sonnet 1 (t) | AI-A | Hours of Love, 1799 | 2-3 | VO/VN,HA+GF/GT |
//54/32//1/5-//1/234//43/2 | 2/4 | Morning, The (t) | AI-A | American Periodicals | VO/VN/GF,HA | |
//54/32//1/5-//12/34//56/54 | 2/4 | Titcomb's March (t) | IC-E | Warlike Musick, 1760 | 45 | GF/VN/HA |
//54321//5-1//432//34321//432 | 3 | Coquet, The (t) | SC-E | Watts MM-1, 1729 | 74-75 | VO/VN+FL |
//543/21/51+//543/45/2//543 | 6/4 | Barham Down (t) | PL-E | Playford 1-15, 1713 | 356 | VN |
//543/21/51+//543/45/2//543 | 6/4 | Barham Down (t) | PL-E | Playford 1-16, 1716 | 356 | VN |
//543/21/51+//543/45/2//543 | 6/4 | Barham Down (t) | PL-E | Playford 1-17, 1721 | 356 | VN |
//543/21/51+//543/45/2//543 | 6/4 | Barham Down (t) | PL-E | Playford 1-18, 1728 | 356 | VN |
//5432/151+//5434/52//5432/151+ | Barham Down (t) | PL-E | Playford 1-14, 1709 | 356 | VN | |
//5432/151+//5434/52//5432/157 | Barham Down (t) | PL-E | Playford 1-11, 1701 | I,297 | VN | |
//5432/151+//5434/52//5432/157 | Barham Down (t) | PL-E | Playford 1-12, 1703 | 297 | VN | |
//5432/151+//5434/52//5432/157 | Barham Down (t) | PL-E | Playford 1-13, 1706 | 297 | VN | |
//54321//51+71+//15434//33//245//231//7 | 3/4 | Mutual Pair, The (t), or New Song, A (at) | SS-E | SS, Harvard | 1 | VO,KBF |
//54321//5-31//234//43//1 | 3/4 | Let not love thy heart ensnare (fl) | TW-E | Summer Amuse, 1779 | 36-37 | VO/VN,HA |
//54321//5-31//234//43//1456 | 3/4 | Let Not Age (t), or Favorite Cantata, A (at) | SS-E | SS, New York PL-C695 | 106,1-2 | VO,HA |
//5+4+3+2+1//53+1//2+3+4+//4+3+//14+5+6+ //6+5+4+3+2+1 |
3/4 | Let Not Age Thy Bloom Ensnare (t) | IC-E | Longman Bassoon, 1780 | 16-17 | BS |
//54321//5-31//234//43//1456//654321// | 3/4 | Giordanis Minuet (t) | IC-E | Preston Cello, 1785 | 28 | 2VC |
//54321//5-3//234//43 | 3/4 | Giordani's Minuet (t) | AM-A | Pickman MS, 1785 | 42 | KB |
//54321//5-3//234//43//1456 | 3/4 | Giordani's Minuet (t) | IC-E | Cahusac Oboe, 1790 | 22 | OB |
//54321//5-3//234//43//1456 | 3/4 | Giordanis Minuet (t) | IC-E | Preston Clar, 1797 | 15 | CL |
//54321//5-3//234//43//1456 | 3/4 | Giordani's Minuet (t) | IC-E | Thompson Clar, 1785 | 17 | CL |
//54321//5-3//234//43//1456//654321 | 3/4 | Giordani's Minuet (t) | IC-E | Preston Bassoon, 1790 | 21 | BS |
//54321//5-3//234//43//1456//654321 | 3/4 | Giardani's Minuet (t) | IC-E | Preston Oboe, 1780 | 15 | OB |
//54/32//15-/3-5-//113/224 | C | Loyal March Composed for the Gentlemen Volunteers of England, The (t) | IC-E | English Sheet Music | 3 | 2CL,2HN,2BS+PF/ |
//543215/3513//543213/422//543215/3525 | C | Kiss Me Sweetly (t) | AI-A | Paff Amus 4, 1817 | 24 | FL/VN |
//5432/15//36/5//4321/7-21 | 2/4 | It's My Ladies Call (t) | DA-E | Thompson CD-6.1, 1789 | 7 | MI |
//54321//542//351+3//217-6-5-//5 | 3/4 | Fishers Minuet with New Variations (t) | AI-A | Gent's Amus, 1794 | 34-35 | GF/VN,B/HA |
//54321//542//351+3//217-6-5-//5 | 3/4 | Fishers Minuet with Variations (t) | AI-A | Gent's Amus, 1795 | 34-35 | GF,B |
//54321//542//351+3//217-6-5-//54321//54 24// |
3/4 | Fishers Minuet (t) | AM-A | Irving MS, 1796 | 39 | 2 MI |
//54321//542//351+3//3217-6-5-//54321 | 3/4 | Fisher's Minuet (t) | AI-A | Riley Flute 2, 1817 | 56 | FL |
//54321//542//351+3//3217-6-5-//54321//5 424// |
3/4 | Fishers Minuet (t) | AI-A | Willig Fife, 1826 | 19 | FI |
//54321//542//3551+1+3//3217-6-5- | 3/4 | Fisher's Minuetto (t) | AM-A | Beck MS, 1786 | 118 | GF |
//54321//5424//351+3//3217-6-5-//5321//5 424// |
3/4 | Fisher's Minuett (t) | AM-A | Adams, W. MS, 1795 | 9 | MI |
//54321//5424//3551+1+3//3217-6-5-//5432 1//5424 |
3/4 | Menuet de Ficher (t) | IC-F | Bonjour Recueil, 1800 | 2:4 | VN/FL |
//54321//5424//3551+1+3//3217-6-5-//5432 1//5424// |
3/4 | Fisher's Minuet (t) | DA-E | Wilson Companion, 1816 | 166 | MI |
//5-4-3-2-1-//5-4-3-2-1-//15-4-3-2-//1-4 -//6-5-4-3-2-4-//5-4 |
3/8 | Allegro (t) | IC-E | Forest Harmony-2, 1733 | 2-3 | 2HN/GF/TR/VN |
//5/4321//5/4321//7-5-/6-7- | 2/4 | Parisien Allemande, Le (t) | AI-A | Riley Flute 3, 1820 | 28 | FL |
//5/4321//5/4321//7-5-/6-7-// | 2/4 | Parisien Allemande, Le (French) (t) | DA-E | Wilson Companion, 1816 | 157 | MI |
//54/3215//43/217-6-5-//54/3211+ | C/ | Drinking German, The (t) | DA-E | Johnson CD-7, 1756 | 40 | VN/GF |
//54/3215//43/327-6-5-//54/3211+// | C/ | Drinking German, The (t) | DA-E | London Magazine | 565, 1754 | MI |
//54321//54342//3551+1+3//3217-6-5- | 3/4 | Fisher's Minuet (t) | AM-A | Pickman MS, 1785 | 36-37 | KB |
//5432//15//45654//32//351524//351324 | 3 | Sonatina. Minuet (t) | IC-E | Delightful-2, 1745 | VI,11 | GF |
//54/32//15-5-//12/35//25-5- | 2/4 | Here's a Health to Thee tom Moore (t) | AI-A | Riley Flute 4, 1826 | 23 | FL |
//5432/15-5-//6-15-1/6-2234//5432/15-5- | C | Miss Dalziel's Strathspey (t) | IC-S | Gibb New Coll, 1798 | 24 | PF/VN,VC |
//5432155/61+71+5//5-/6-17-11//5432156/2 545// |
3 [12/4] | Corranto (t) | MS-E | Fitzwilliam MS-2, 1609 | 267 | VI |
//54321/55//61+7/1+5//5-//6-17-/15-// | 3 [6/4] | Toy, A (t) | MS-E | Fitzwilliam MS-2, 1609 | 260 | VI |
//5432//1/5654//3//12/321//43/21 | 2/4 | Generall March (t) | MS-G | Darmstadt MS 1224 | 336 | 2MI |
//5432/15//65/43//1+5/43 | 2/4 | Lucy's Delight (t) | AM-A | Hawkins MS, 1794 | II,34 | GF |
//54321//56543//234//54321 | 3/4 | Scottish Medley Overture-12 (t) | TW-E | Auld Robin Gray, 1794 | 4 | KB |
//5432/15//65/43//65/43 | 2/4 | Lucy's Delight(scotch (t) | AM-A | Kingsley MS, 1795 | I,4 | MI |
//5432/15//65/43//65/43// | 2/4 | Lucy's Delight (t) | AM-A | White, G. MS, 1790 | 40 | VN |
//543215/6543//6543/1+543//543215 | C/ | Lucy's Delight (t) | DA-E | Rutherf CD-2.1, 1756 | 28 | VN/GF/OB |
//543215/6543//6543/1+543//543215/6543 | C/ | Lucy's Delight (t), or Villa, Ye (at) | MS-E | Hammersley MS, 1790 | 37 | MI |
//543215/6543//6543/1+543//543215/6543 | C/ | Villa, The (t) | DA-E | Johnson CD-3, 1744 | 56 | VN/GF |
//543215/6543//6543/1+543//543215/6543 | C/ | Villa, The (t), or Pretty Lucy, (at) | MS-E | Rainstorp MS, 1747 | 22 | MI |
//543215/6543//6543/1+543//543215/6543 | C/ | Lucy's Delight (t) | DA-E | Thompson CD-1, 1757 | 92 | VN/GF/OB |
//543215/6543//6543/1+543//543215/6543// |
C/ | Lucy's Delight (t) | DA-E | Thompson CD-1a, 1757 | 93 | VN/GF/OB |
//543215/6543//6543/1+543//543215/6543// |
C/ | Villa, The (t) | DA-E | Walsh CD-3.4, 1747 | 198 | VN/OB/GF |
//5432//15//654//55//67//1+7 | 3/8 | Revelge (t) | MS-G | Darmstadt MS 1224 | 336 | 2MI |
//5432//15//654//55//67//1+7 | 3/8 | Revelle (t) | MS-G | Darmstadt MS 1225 | 9-10 | 2MI |
//5432/15//65//6/7 | 2/4 | Dream, The (t) | SC-E | Musical Ent-1, 1740 | 97 | VO,KB+FL |
//54/32//15//65/67 | 2/4 | Song 8 (t) | SC-E | Ritson, 1783 | TI,6-7;MIII,2-3 | VO |
//54/32//15//65/67//1+ | 2/4 | While from my looks, Fair nymph, you guess (fl) | SC-E | Watts MM-5, 1731 | 52-53 | VO,HA+FL |
/54//321/567/1 | 6/8 | Contredance Francoise (t) | DA-N | Echo, 1758 | 44 | KB |
//54//321//567//1+1 | 3/8 | Air 27 (t) | BA-E | Devil To Pay-1, 1731 | 44-45 | VO |
//54//321//567//1+1 | 3/8 | Air 13 (t) | BA-E | Devil To Pay-2, 1731 | 21 | VO |
//54//321//567//1+1//654 | 3/8 | Song In Praise of Polly, A (t) | SS-E | SS, Folger-C42.3 | 462 | VO,KB+FL |
//54//321//567//1+1//654//543//234321 | 3/8 | Song In Praise of Polly, A (t) | SC-E | Watts MM-6, 1731 | 36-37+39 | VO,HA+FL |
//5432/15-//6-7-/1//671+6/543// | C/ | General Waldengrave's March (t) | DA-E | Universal Magazine | 2:321, 1759 | MI |
//5/4321//5//671+7/2+754//3 | C | Affettuoso (t) | IC-E | Wragg Oboe, 1792 | 38 | 2OB |
//5432//15//671+//75 | 3/4 | Gulston Green (t) | DA-E | Walsh CD-2.3, 1735 | 295 | VN/OB/GF/CF |
//5432//15//671+//75 | 3/4 | Gulston Green (t) | DA-E | Walsh CD-3.6, 1754 | 123 | VN/OB/GF |
//5432//15//671+//75 | 3/4 | Gulston Green (t) | DA-E | Walsh NCDM-3, 1728 | 19 | VN/OB/FL |
//5432/15-7-//12345/5-5//5432 | C/ | He shall feed his flocks (fl) | AM-A | Hiester MS-1, 1793 | 38-39 | KB,VO |
//5432/15-7-//12345/5-5//5432/17-11 | 12/8 | Handel's Messiah, Extracted from (t) | AM-A | Allen, W. MS, 1790 | 114-118 | 3MI,VO,B |
//54/32//16-/1//15/345 | C | Air 9 (t) | BA-E | Devil Duke-2, 1732 | T17-18M11 | VO,HAF |
//54/32//16-/1//15/345//15/31+ | C/ | Air 39 (t) | BA-E | Highland Fair, 1731 | 60-61 | VO |
//54/32//16-/1//15/345//15/31+ | C/ | Air 21 (t) | BA-E | Lovers Opera, 1730 | 27 | VO |
//5432/16-1//153453/1531+//5432/16-1 | C | Dainty Davy (t) | AI-A | Reinagle Scots, 1787 | 26-28 | PF/HA |
//54/32//16-/1//15/35 | C/ | Dainty Davy (t) | MS-E | Hammersley MS, 1790 | 52 | MI |
//54321//6-16-//1543//4765//6 | 3/4 | Soft God of Sleep (t) | SC-E | Calliope, 1746 | II,138 | VO,B+FL |
//54321//617-//1 | 3/8 | Night Piece (t) | IC-E | Oswald Airs, 1758 | 17 | 2VN/2GF/2GT |
//54321//6-17-21//54321//6-17-21//4-4-5- 2-4-//3-5-1351+// |
3/4 | Minuet 1 (t) | DA-E | Fishar 16 Cot, 1780 | 21 | KB |
//54321//61+7//654321//7-34//54321 | 3/4 | On the Death of Queen Anne (t) | SS-E | SS, Folger-C42.3 | 211 | VO,KB+FL |
//54321//6-31//234//43//1456//654321// | 3/4 | Giordani's Minuet (t) | DA-E | Wilson Companion, 1816 | 170-171 | MI |
//54//321//642//7-//1123 | 3/4 | Favourite Air, A (t) | SC-E | Clio-3, 1762 | 153-155 | VO,HA |
//54//321//642//7-//1123 | 3/4 | Favourite Song In Judith, A (t) | SS-E | SS, Huntington-2 | 136,1-2 | VO,KBF |
//54//321//643217-//1 | 3/4 | From clime to clime my heart doth rove (fl) | SC-E | Amaryllis, 1760 | I,62 | GF,VO,HAF+FL |
//54//321//643217-//11//7-125-4//3 | 34 | Fickle Swain, The (t) | SC-E | Calliope, 1746 | II,198 | VO,B,MI+FL |
//54321//65//1+2+1+2+3+//66//2+3+2+ | 3/4 | New Song, A (t) | SS-E | SS, Folger-C42.3 | 420 | VO,KB+FL |
//54321//65//1+2+1+2+3+//66//2+3+2+//7 | 3/4 | New Song, An (t) | SS-E | SS, Harvard | 1 | VO/FL,B |
//54321//651//24321//15//1+76 | 3 | To Celia Drest as a Beau (t) | SC-E | Watts MM-2, 1729 | 20-21 | VO/VN+FL |
//54321//651+//54321//21//55651+5//55651 +5// |
3/4 | Belisles Minuet (t) | AM-A | Hoff MS, 1797 | No. 163 | GF |
//5432/16//5/1+//5432/13 | C/ | York Assembly (t) | DA-E | Johnson CD-2, 1742 | 72 | MI |
//5432/16//5/1+//5432/13 | C/ | Lovely Bride, The (t) | PL-E | Playford 2-3, 1718 | 304 | VN |
//5432/16//5/1+//5432/13 | C/ | Lovely Bride, The (t) | PL-E | Playford 2-4, 1728 | 304 | VN |
//5432/16//5/1+//5432/13 | C/ | Lovely Bride (t) | DA-E | Walsh CD-1.2, 1719 | 327 | VN/OB |
//5432/16//5/1+//5432/13 | C/ | York Assembly (t) | DA-E | Walsh CD-2.2, 1735 | 79 | VO/OB/GF/FL |
//5432/16//5/1+//5432/13 | C/ | York Assembly (t) | DA-E | Walsh CD-3.2, 1749 | 79 | VN/OB/GF |
//5432/16//5/1+//5432/13//2/5- | C/ | Ermina (t) | PL-E | Playford 3-2, 1726 | 144 | VN |
//54321//65//1+54//3231//212342 | 3/8 | French Horn Minuet (t) | IC-E | Waylet Oboe, 1745 | 16 | 2OB |
//5-4-3-2-1-//6-5-//15-4-//3-2-3-1//2-12 -3-4-2-//3-2-3-4-5-3 |
3/8 | IC-E | Forest Harmony-3, 1736 | 13 | 2HN/GF/TR/VN | |
//54321//654//31+5342 | 3/4 | Judicious Fair, The (t) | SC-E | Clio-2, 1759 | 178-9 | VO,HAF |
//5432/16//5432/15//321/7-1 | 2 | Leister House (t) | DA-E | Johnson CD-5, 1750 | 95 | VN/GF |
//5-4//3216//54//3216//5671+6//7651+// | 3/4 | New Minuet, A (t) | DA-E | London Magazine | 347, 1757 | MI,B |
//54321//65//432//32345//17-6- | 3/8 | Amorous Beggar, The (t) | SC-E | Monthly Melody, 1760 | II,20-21(19-20) | VO,HA |
//54321//65//432//32345//17-6- | 3/8 | Amorous Beggar, The (t) | SS-E | SS, Boston PL-1 | 31,1-2 | VO,HAF |
//543216/54323//43212/345651//65434/523/ / |
C/ (8/4) | Alman (t) | MS-E | Fitzwilliam MS-2, 1609 | 266-267 | VI |
//54321//65//4//43217-//564//323// | 3/8 | Favourite Song In the Opera of Scipio (t) | IC-E | Prelleur Modern, 1731 | 26-27 | HA |
//54321//654567//71+5 | 3/4 | Bird's Nest, The (t) | SC-S | Edinburgh MM-2, 1793 | 262-233(263) | VO |
//54321//654567//71+5//64456//571+653 | 3/4 | Birds Nest, The (t) | SS-E | SS, Boston PL-2 | 112 | VO,KBF+GF |
//5432/16//5/51+/1+76/5432 | 2/4 | Fricasee Dance, La (t) | DA-E | Thompson CD-6.7, 1795 | 83 | MI |
//54321//65//62+7//1+2+1+//65432//54321 | 3/8 | Choice Song, A (t) | SS-E | SS, Harvard | 1,2DUP | VO,B+FL |
//5-4/32//16-/6-6-//5-1/43 | 6/8 | On the Banks of the Dee (t) | AM-A | Akerman MS, 1795 | 26 | MI |
//543/21//6/7//1+ | 2/4 | Message from Mars to Venus, A (t) | SC-E | Calliope, 1746 | I,92 | VO,B+FL |
//54321//67-1//2343//217-6-5-//54321 | 3/8 | Minuet (t) | IC-E | Delightful-1, 1763 | V,24 | GF |
//543/21//6/7//1+/5// | 2/4 | Message From Mars to Venus by Cupid, A (t) | IC-E | Prelleur Modern, 1731 | 36-37 | VO |
//54/321//67/1+5//656/434 | 6/8 | New Song, A (t) | SC-E | Clio-1, 1758 | 73 | VO,HA |
//54//321//671+7//1+2+3+2+//1+76 | 3/4 | Retirement (t) | SC-E | Monthly Melody, 1760 | II,13 | VO,HAF |
//5+4+3+2+1+71+//11111//13531+5//43//1+1 111 |
3/4 | Mr. Pitts Minuet (t) | MS-S | Gillespie MS, 1768 | 76 | VN |
//5+4+3+2+1+71+//11111//13531+5//43//1+1 111//75555// |
3/4 | Mr. Pitts Minuet (t) | AM-A | Bush MS, 1779 | 14-15 | VN |
//5+4+3+2+1+71+//11111//13531+5//43//3+1 111//2+5555// |
3/4 | Mr. Pitt's Minuet (t) | IC-E | Rutherfoord Violin, 1755 | 11 | VN |
//543/217-//11-/11-//543/21-7-// | 6/8 | Trip to the Castie (t) | DA-N | Echo, 1758 | 41 | KB |
//54321//7-11//2343/2 | 3/4 | Song 129 (t) | SC-E | Convivial, 1782 | 260 | VO |
//54321//7-11//2343//222//3451 | 3/4 | To a Young Lady Courted by An Old Man (t) | SC-E | Calliope, 1746 | I,129 | VO,B+FL |
//54321//7-11//2343//222//3451 | 3/4 | Chloe Admonished (t) | SC-E | Musical Ent-2, 1740 | 34 | VO,HAF+FL |
//54321//7-11//2343//222//3451 | 3/4 | Lass of the Mill, The (t) | SS-E | SS, Folger-C42.4 | 235 | VO,KB+FL |
//54321//7-11//2343//222//3451 | 3/4 | To a Young Lady of Eighteen Courted by a Man of Threescore (t) | SS-E | SS, Folger-C42.4 | 239 | VO,KB+FL |
//54321//7-11//2343//222//3451//7-127-16 -// |
3/4 | IC-E | Geoghegan Pastoral, 1746 | 19 | BP | |
//54321//7-11//2343//22//3451 | 3 | Lass of the Mill, The (t) | SC-E | Muses Delight, 1754 | 142 | VO,HA |
//543217-/11//45654/3//5321 | C | Lady of the May, The (t) | SC-E | Calliope, 1746 | II,184 | VO,B,MI |
//543217-/11//45654/3//5321/7-123 | C | Lady of the May, The (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//54/32//17-/1//15/3453// | 6/8 | Denty Davy (t) | MS-E | Vickers MS, 1770 | 23 | MI |
//543217-/11+76//5654/3432//543217-/11+7 6 |
C/ | Duce Hall (t) | DA-E | Johnson CD-4, 1748 | 26 | VN/GF |
//54//321/7-1//2 | C/ | To Silvia (t), or Song, A (at) | SS-E | SS, Harvard | 1 | VO/GF,B+FL |
//5/432//1/7-1//212/345 | 6/8 | O Mon Dieu (t) | IC-F | Bonjour Recueil, 1800 | 3:5 | VN/FL |
//5432//17-1//212//36 | 3/4 | Here Awa Willie (t) | AM-A | Hosmer MS, 1798 | 50-51 | MI |
//5432//17-1//212//36//5432 | 3/4 | Here Awa Willie (t) | IC-E | Caledonian PC, 1760 | VIII,1 | GF/VN |
//5-43217-//121//265432//3213//2343 | On a Lady Being Drown'd (t) | SC-E | Calliope, 1746 | II,191 | VO,B,MI | |
//543/217-//1217-6-/5-7-//135 | 6/8 | Toby Reduc'd (t), or New Song, A (at) | SS-E | SS, Harvard | 1 | VO,KB+GF |
//543/217-//1217-6-/5-7-//135/1+76 | 6/8 | Toby Reduc'd (t) | SC-E | Clio-2, 1759 | 41 | VO,HA |
//543/217-//1217-6-/5-7-//135/1+76 | 6/8 | Song 68 (t) | SC-E | Convivial, 1782 | 136-137 | VO |
//54-3-//217-//1217-6-//5-7-//13-5//1+76 |
3/4 | Dear Tom This Brown Jug (t) | IC-E | Preston Bassoon, 1790 | 17 | BS |
//543/217-/1217-6-/5-7-//135/1+76 | 6/8 | Song 53 (t), or Brown Jug, The (at) | SC-E | Ritson, 1783 | TII,73;MIII,222-223 | VO |
//543/21//7-12/232//543/21 | 6/8 | Surly, The (t) | DA-E | Walsh CD-2.3, 1735 | 182 | VN/OB/GF/CF |
//543/21//7-12/232//543/21 | 6/8 | Surly, The (t) | DA-E | Walsh CD-3.3, 1749 | 170 | VN/OB/GF |
//54321/7-122//34543/322//3153/654321 | C | Song (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//54321/7-122//34543/322//3153/654321 | C | Song (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//54/3217-//12321/7-6-5-4-//3-5-12/3221/ / |
C/ | If O'er the Cruel Tyrant Love (t) | IC-E | Hill Flute, 1762 | 31 | GF |
//54/3217-//12321/7-6-5-4-//3-5-13 | C | If O'er the Cruel Tyrant Love (t) | SS-E | SS, New York PL-C695 | 29 | VO,HA+GF |
//54/3217-//12321/7-6-5-4-//3-5-13/32432 1 |
C | Favourite Air, A (t) | SC-E | Clio-4, 1778 | 38-39 | VO,HAF+GF |
//54/3217-//12321/7-6-5-4-//3-5-13/32432 1 |
C | If Oer the Cruel Tyrant Love (t) | IC-E | Longman Flute, 1769 | 22 | GF |
//54/3217-//12321/7-6-5-4-//3-5-13/32432 1 |
C | If O'er the Cruel Tyrant Love (t) | SS-E | SS, Boston PL-2 | 215 | VO,KBF+GF |
//54/3217-//12321/7-6-5-4-//3-5-13/32432 1//17- |
C | If o'er the cruel tyrant love (fl) | TW-E | Artaxerxes, 1762 | 50-51 | VO,HA |
//54321//7-1//2343//217-6-5-//516151//43 234//516151 |
3 | Minuet (t) | IC-E | Delightful-2, 1745 | VI,5 | GF |
//543//21//7-12343//217-6-5-//543//21// | 3/4 | Auretti's Minuet (t) | IC-E | Bremner Recorder, 1765 | 25 | FL |
//543//21//7-12343//217-6-5-//543//21// | 3/4 | Auretts Minuet (t) | AM-A | Bush MS, 1779 | 27 | VN |
//543//21//7-12343//217-6-5-//543//21 | 3/8 | Auretti's Minuet.1st Minuet (t) | IC-E | Delightful-2, 1745 | III,13 | GF |
//543//21//7-12343//217-6-5//543//21// | 3/4 | Auretti's Minuet (t) | AM-A | Ormsby MS, 1758 | 286 | VN |
//543//21//7-12343//217-6-5-//543//21// | 3/4 | Aurett's Minuet (t) | IC-E | Rutherfoord Violin, 1755 | 17 | VN |
//54321//7-1//2343//22//3213 | 3/4 | Song, A (t) | SC-E | Calliope, 1746 | I,61 | VO,B+FL |
//54321//7-1//2343//22//3213//4325 | 3/4 | Song, A (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//54321//7-1//2343//2//345 | 3 | Parting Kiss, The (t) | SC-E | Muses Delight, 1754 | 208-209 | VO,HA |
//54321//7-1//2343//432//3454321 | 3/8 | Compassionate Maid, The (t) | SC-E | Musical Ent-1, 1740 | 77 | VO,KB+FL |
//5-4321//7-1//2343//432//3454321//7- | 3/8 | Fond Lover, The (t) | SC-E | Calliope, 1746 | I,158 | VO,B+FL |
//543//217-//12345 | 3/4 | Brown Jug, The (t) | SC-S | Edinburgh MM-1, 1792 | 9-10 | VO |
//543//217-//12345//5-17- | 3/4 | Brown Jug, The (t), or Song 150 (at) | SC-E | Calliope, 1788 | 282-283 | VO |
//543//217-//12345//5-17-//6-17-//135 | 3/4 | Dear Sir this brown jug (fl) | TW-E | Poor Soldier, 1782 | 24 | VO,KB |
//54/32//17-/12//34/56 | 6/8 | Turk's Jigg (t) | DA-E | Johnson CD-2, 1742 | 62 | MI |
//54/32//17-/12//34/56 | 6/8 | Turks Jigg (t) | DA-E | Walsh CD-2.4, 1747 | 120 | MI |
//54/32//17-/12//34/56// | 6/8 | Turks Jigg (t) | DA-E | Walsh CD-3.4, 1747 | 120 | VN/OB/GF |
//5/4321//7-1//23/45654//3 | C | On a Rose That Died In Clarissa's Bosom (t) | SS-E | SS, New York PL-C695 | 111(121) | VO,HA |
//54321//7-12//35-5-//5-17- | 3/4 | Song 13 (t), or Lass of the Hill, The (at) | SC-E | Ritson, 1783 | TI,168-170;MIII,76-77 | VO |
//54321//7-12//35-5-//5-17-//6-7-1 | 3/4 | Lass of the Hill, The (t) | IC-E | Caledonian PC, 1760 | XII,22-23 | GF/VN |
//54321//7-12//35-5-//5-17-//6-7-1 | 3/4 | Lass of the Hill, The (t) | SC-E | Calliope, 1746 | II,73 | VO,HAF+FL |
//54321//7-12//35-5-//5-17-//6-7-1 | 3/4 | At the Brow of the Hill (t) | IC-E | Delightful-1, 1763 | V,32 | GF |
//54321//7-12//35-5-//5-17-//6-7-1 | 3 | Lass of the Hill, The (t) | SC-E | Muses Delight, 1754 | 166 | VO,HA |
//54321//7-12//35-5-//5-17-//6-7-1 | 3/4 | Lass of the Hill, The (t) | SS-E | SS, Folger-C42.4 | 96 | VO,KB+FL |
//54321//7-12//35-5-//5-17-//6-7-1 | 3/4 | Lass of the Hill, The (t) | SS-E | SS, Huntington-1 | 23 | VO |
//54321//7-12//35-5-//5-17-//6-7-1//2343 // |
3/4 | IC-E | Geoghegan Pastoral, 1746 | 17 | BP | |
//54321//7-12//35-5-//5-17-//6-7-1//2343 // |
3/4 | At the Brow of a Hill (t) | IC-E | Johnson Flute, 1760 | 15 | GF |
//54321//7-12//35-5-//5-17-//6-7-1//2343 |
3/4 | Lass of the Hill, The. Alternate Tune (t) | SS-E | SS, Harvard | 1 | VO |
//5432/17-12//3654/55//646/531 | Inconstancy (t) | AM-A | Van Renssel. MS, 1782 | I,27 | VO,KB | |
//543217-//123//6-6421//7-12//345 | 3/4 | Kind Advisor, The (t) | SS-E | SS, Huntington-2 | 69 | VO,KB+GF |
//54//321//7-1//25-//17-1 | 3/8 | True Love (t) | SC-E | Calliope, 1746 | I,142 | VO,HAF+FL |
//54//321//7-1//25-//17-1 | 3/8 | Charming Chloe (t) | SC-E | Clio-3, 1762 | 40 | VO,HAF |
//54//321//7-1//25-//17-1 | 3/8 | True Love (t) | SS-E | SS, Folger-C42.4 | 166 | VO,KB+FL |
//54//321//7-1//25-//17-1//212 | 3/8 | True Love (t) | SC-E | Watts MM-5, 1731 | 17-19 | VO,HA+FL |
/543//21/7-12//5-/17-1//212/343// | 6/8 | Palais de L'amour, Le. Contredanse Française (t) | DA-F | Bouin CD LC-1, 1780 | 64 Feuille, 3 Vol. | MI |
//54/321//7-12/5-//3455/1+53//2344 | 6/8 | Now Phoebus Sinketh (t) | IC-E | Delightful-2, 1745 | I,25 | GF |
//54/321//7-12/5-//3455/5 | 6/8 | Now Phaebus sinketh in the west (fl) | SS-E | SS, Folger-C52 | 65-66,1 | MI,VO,KB |
//54321//7-12/5-//3455/53 | 6/8 | Favourite Song, A (t) | SC-E | Clio-3, 1762 | 38-39 | VO,HAF |
//54/321//7-12/5-//3455/53 | 6/8 | Now Phoebus Sinketh In the West (t) | SC-S | Edinburgh MM-2, 1793 | 264-266 | VO |
//54/321//7-12/5-//3455/53 | 6/8 | Song 34 (t), or From Milton (at) | SC-E | Ritson, 1783 | TII,38;MIII,202-205 | VO |
//54/321//7-12/5-//3455/53 | 6/8 | Now Phoebus sinketh in the west (fl) | SS-E | SS, Folger-C42.3 | 109 | VO,KB+FL |
//54321//7-12//5-4- | 3/4 | Love In a Mask (t) | DA-E | Walsh CD-1.2, 1719 | 7 | VN/OB |
//54321//7-12//5-4-//3-4-5-1 | 3/4 | Air 37 (t) | BA-E | Jovial Crew, 1731 | 47 | VO |
//54321//7-12//5-4-//3-4-5-1//43 | 3/4 | Love In a Mask (t) | PL-E | Playford 3-2, 1726 | 24 | VN |
//54321//7-12//5-4-//3-4-5-1//43 | 3/4 | Song, A (t) | SS-E | SS, Folger-C42.4 | 207 | VO,KB+FL |
//54321//7-12//5-4-//3-4-5-1//43 | 3 | Carey's Minuet (t) | DA-E | Walsh CD-2.2, 1735 | 107 | VO/OB/GF/FL |
//54321//7-12//5-4-//3-4-5-1//43 | 3/4 | Love In a Mask (t) | DA-E | Walsh CD-2.2, 1735 | 166 | VO/OB/GF/FL |
//54321//7-12//5-4-//3-4-5-1//43 | 3 | Carey's Minuet (t) | DA-E | Walsh CD-3.2, 1749 | 107 | VN/OB/GF |
//54321//7-12//5-4-//3-4-5-1//43 | 3/4 | Love In a Mask (t) | DA-E | Walsh CD-3.2, 1749 | 166 | VN/OB/GF |
//54321//7-12//5-4-//3-4-5-1//43 | 3/4 | French Author, A (t) | SC-E | Watts MM-1, 1729 | 152-53 | VO/VN+FL |
//54321//7-12//5-4-//3-4-5-1//43//2 | 3 | Carey's Minuet (t) | DA-E | Johnson CD-1, 1740 | 70 | MI |
//54321//7-12//5-4-//3-5-1 | 6/4 | Air 6, Act I (t) | BA-E | Female Parson, 1730 | 10 | VO |
//54321//7-12//5-4-//3-5-1//443 | 3/4 | Happy Inconstant, The (t) | SC-E | Musical Cent-1, 1737 | 17 | VO,HAF+FL |
//54321//7-12//5-4-//3-5-1//443//2 | 3/4 | Happy Inconstant, The (t) | SC-E | Calliope, 1746 | I,101 | VO,HAF+FL |
//5/4//321/7-1//2/5-5- | C/ | Music In the Procession-8 (t) | TW-E | Lord-Mayors Day, 1782 | 27 | KB |
//54/321//7-1/25-//5-117-/6- | 6/4 | Song In the Brittish Enchanters, A (t) | SC-E | Pills 5, 1719-20 | 203-4 | VO |
//543/21//7-1/25//543/21 | 3 | Millisons Jigg (t) | PL-E | Playford 1-05, 1675 | 70 | VN |
//543/21//7-1/25//543/21 | 3 | Millisons Jigg (t) | PL-E | Playford 1-06, 1679 | 70 | VN |
//543/21//7-1/25//543/21 | C3 | Millison's Jigg (t) | PL-E | Playford 1-08, 1690 | 81 | VN |
//543/21//7-1/25//543/21//7-/1 | 3 | Millisons Jigge (t) | PL-E | Playford 1-03a, 1657 | I,62 | VN |
//543/21//7-1/25//543/21//7-/1 | Millisons Jigg (t) | PL-E | Playford 1-04, 1670 | 70 | VN | |
//543/21//7-1/25//543/21//7-/1 | 3 | Millisons Jigge (t) | PL-E | Playford 1-3b, 1665 | I,62 | VN |
//543217-1/25-/5//543217-1/25-5 | C | Deidamia (t) | SS-E | SS, Folger-C42.2 | 84 | VO,KB+F |
//54/321//7-12/5-6-4-//3-5-1//4-6-2 | 6/8 | Wet Quakers, The (t) | DA-E | Bride CD, 1776 | III,23 | VN/OB/GF |
//54/321//7-12/5-6-4-//3-5-1/4-6-2 | 6/8 | Merry Quakers (t) | DA-E | Skillern CD, 1780 | 21 | VN/GF/OB |
//54/321//7-12/5-6-4-//3-5-1/4-6-2//5- | 6/8 | Wet Quakers, The (t) | DA-E | Longman CD, 1781 | 85 | VN/OB/GF |
//54321//7-12//5-6-4-//5- | 3/4 | Air 6 (t) | BA-E | Polly, 1729 | T8M2-3 | VO,B |
//5/4321//7-127-/5-4-//3-5-17-/6-143// | C/ | Colpies Do. (t) | MS-E | Vickers MS, 1770 | 66 | MI |
//54/321//7-13/5-6-4-//3-5-1/5-6-2// | 6/8 | Wet Quakers, The (t) | AM-A | Brown, J. MS, 1782 | 1:30 | |
//543217-//15-5-//25-5-//315//543217-//1 5-5- |
3/8 | Waltz (t) | IC-S | Pandean Coll 1, 1810 | 3 | PF |
//543/217-//1/5-//6-7-1/234 | 6/8 | Coxcomb, The (t) | DA-E | Johnson CD-5, 1750 | 70 | VN/GF |
//543/217-//1/5-//6-7-1/234 | 6/8 | Coxcomb, The (t) | DA-E | Walsh CD-3.3, 1749 | 10 | VN/OB/GF |
//54321//7-1//65432 | 3/8 | Minuet (t) | IC-E | Delightful-1, 1763 | II,4-5 | 2GF |
//5432171+/65//46423531/4-5-7-6-5-//5-4- 5-4-5-/345 |
Stepney's Hornpipe (t) | AM-A | Nixon MS, 1776 | 23 | FI | |
//543/217-//1/6-//7-12/345// | 6/8 | No. 25 (t) | DA-E | Leichte Englische, 1795 | 25 | MI |
//543/217-/17-1/1//265/432//345 | 6/8 | Lord Sir you seem mighty uneasy (fl) | TW-E | Maid/Mill, 1765 | 46-47 | VO,HAF |
//54321//7-1//7-24//32//165 | 3/8 | Strephon's Request (t) | SS-E | SS, Folger-C42.3 | 221 | VO,KB+FL |
//54321//7-1//7-24//32//165 | 3/8 | Strephon's Request (t) | IC-E | Waylet Oboe, 1745 | 7 | OB |
//5432//17-17//65//43//5432//17-17- | 3/8 | Minuet (t) | IC-S | Stewart Marches, 1761 | 93 | VN/GF/OB,VC/HA |
//54/321/7-21/7-6-5-//17-6- | 12/8 | Randelagh Ball (t) | DA-E | Johnson CD-6, 1751 | 97 | VN/GF |
//5+4+3+2+1+/72+1+765//1+76543/454321//3 +5+4+3+2+1+/72+1+765 |
12/8 | Trip to Ranelagh (t) | DA-E | Thompson CD-1, 1757 | 1 | VN/GF/OB |
//5+4+3+2+1+/72+1+765//1+76543/454321//3 +5+4+3+2+1+/72+1+765// |
12/8 | Trip to Ranelagh (t) | DA-E | Thompson CD-1a, 1757 | 1 | VN/GF/OB |
//54321//7-25-//7-12123234//321//1232343 45//432 |
3/8 | Lusinga del mio parafini (fl) | SS-E | SS, Harvard | 1 | VO,2VN,B |
//54321//7-33//254//5671+2+7//54321//7-3 3// |
3/4 | Singlins of the Second Troop, The (t) | MS-C | Molyneaux MS-1, 1788 | 46-47 | GF |
//54/32//17-6-/1//15/3453 | Dantty Davey (t) | PL-E | Playford 1-11, 1701 | I,292 | VN | |
//54/32//17-6-/1//15/3453 | C/ | Dainty Davy (t) | PL-E | Playford 1-12, 1703 | 292 | VN |
//54/32//17-6-/1//15/3453 | C/ | Dainty Davy (t) | PL-E | Playford 1-13, 1706 | 292 | VN |
//54/32//17-6-/1//15/3453 | C/ | Dainty Davy (t) | PL-E | Playford 1-14, 1709 | 292 | VN |
//54/32//17-6-/1//15/3453 | C/ | Dainty Davy (t) | PL-E | Playford 1-15, 1713 | 292 | VN |
//54/32//17-6-/1//15/3453 | C/ | Dainty Davy (t) | PL-E | Playford 1-16, 1716 | 292 | VN |
//54/32//17-6-/1//15/3453 | C/ | Dainty Davy (t) | PL-E | Playford 1-17, 1721 | 292 | VN |
//54/32//17-6-/1//15/3453 | C/ | Dainty Davy (t) | PL-E | Playford 1-18, 1728 | 292 | VN |
//54/32//17-6-/1//15/3453 | C/ | Dainty Davy (t) | DA-E | Walsh CD-1.1, 1718 | 306 | VN/OB/FL |
//54/32//17-6-/1//15/3453 | C/ | Dainty Davy (t) | DA-E | Walsh CD-2.1, 1731 | 135 | VN/OB/GF/RC |
//54/32//17-6-/1//15/3453 | C | Dainty Davy (t) | DA-E | Walsh CD-3.5, 1754 | 125 | VN//OB/GF |
//54/32//17-6-/1//15/3535 | C | Dainty Davy (t), or Curicle, The (at) | DA-E | Walsh CD-3.6, 1754 | 36 | VN/OB/GF |
//54/32//17-6-/1//15/3553 | C | Dainty Davy (t) | DA-E | Thompson CD-2, 1765 | 92 | VN/GF/OB |
//54/32//17-6-/1//15/3553// | C | Dainty Davy (t) | DA-E | Thompson CD-2a, 1765 | 93 | VN/GF/OB |
//543//217-//6-217-16//65432343//5434555 1+ |
3/4 | Air (t) | SS-E | SS, Huntington-2 | 5 | VO,KB |
//543/217-6-//432/17-6-5-//317-6-/4217-/ / |
C/ | Verdure, La (t) | DA-N | Willsim Recueil, 1755 | 5 | MI |
//5/43//21/7-6-//5-4/27-// | 2/4 | Nouvelle Brunswick, La. Contredanse Allemande (t) | DA-F | Bouin CD LC-1, 1780 | 26 Feuille | MI |
//543//217-6-5-4-3-2-//3-//1/6-4-5-6-7-6 -7-6-7-6-5-6-// |
C/ | Praeludium (t) | MS-E | Fitzwilliam MS-2, 1609 | 40-41 | VI |
//543/217-6-5-4-3-2-//3-4-/5-5-//6-4-5-6 -7-/16-7-12345// |
C/ | Praeludium (t) | MS-E | Fitzwilliam MS-1, 1609 | 85-86 | VI |
//54321/7-7-57-//1123/4//351/2421 | 2/4 | Andante (t) | AM-A | Williams, J. MS, 1799 | 8-9 | CL |
//543/217-//7-6-5-/15-13//25-7-2 | C | Two Part Drinking Song, A (t) | SS-E | SS, Folger-C42.4 | 105 | 2VO,B/,KBF+FL |
//54/32//2117-/6-7-//17-6-/23 | C/ | Song, Mr. A (t) | SC-E | Pills 6, 1719-20 | 173 | VO |
//54/32//217-1/6-//15/3453 | C | Dainty Davie (t) | AI-A | Riley Flute 3, 1820 | 32 | FL |
//54/32//217-1/6-//15/3453// | C | Dainty Davy (Old Scotch) (t) | DA-E | Wilson Companion, 1816 | 39 | MI |
//5/43//22/212//31/11//4 | 2/4 | Rondo by Haydn (t) | AI-A | Gent's Amus, 1794 | 58-59 | 2GF/2VN |
//5/43//222/24//342/17- | C | Royal Perth Volunteers March, The (t) | IC-E | English Sheet Music | 2 | KB |
//5/43//222/24//342/17- | C | Royal Perth Volunteers March, The (t) | IC-S | Watlen Marches, 1798 | 28-29 | PF/FL/VN |
//54/32//2342/11//7-1/43 | C | Sterne's Maria (t) | AM-A | Spicer MS, 1797 | 146 | VO |
//543/223//4321/25-//117-/6-7-16- | C | Frisky Harlot (t) | IC-E | Walsh Oboe, 1715 | 29 | OB |
//543/223//432/334//543/223// | 6/4 | Jigg by Mr. H. Purcell (t) | IC-E | Apollo's Banquet 1-8, 1701 | 11r,62 | VN |
//543//223//46564342//32//321 | 3/4 | Young Lovers First Address, The (t) | SC-E | Musical Ent-2, 1740 | 56 | VO,HAF+FL |
//543//223//46564342//32//321//4452 | 3/4 | Lovers First Address, The (t) | SC-E | Calliope, 1746 | I,15 | VO,HAF+FL |
//543//223//46564342//32//321//4452 | 3/4 | Lovers Address, The (t) | SS-E | SS, Harvard | 1 | VO,KBF+FL |
//543//2//2347-//1//51511+1//6 | 3/4 | Siege of Tripoli, The. Sea Piece. Morning (t) | AI-A | American Sheet Music | 9 | PF |
//5432/24//43/21//13/3243// | 2/4 | Cupid God of Soft Persuasion (t) | AM-A | Gansevoort MS, 1778 | 7 | 2FL |
//5432/24//4321/13//3243 | 2/4 | Favourite Air, A (t) | SC-E | Monthly Melody, 1760 | II,6 | VO,HAF |
//5432/24//4321/13//3243 | 2/4 | Voi Amante (t), or Rondeau, (at) | SS-E | SS, New York PL-C694 | 91 | VO,HAF |
//5432/24//4321/13//3243 | 2/4 | Cupid God of Soft Persuasion (t) | SS-E | SS, New York PL-C695 | 2 | VO,HA |
//5432/24//4321/13//3243/21 | 2/4 | Voi Amante, or Rondeau (t) | SC-E | Clio-3, 1762 | 162-163 | VO,HAF |
//5432/24//4321/13//3243/21 | 2/4 | Cupid God of Soft Persuasion (t) | AM-A | Greenwood MS, 1785 | 18V-19,17 | MI |
//5432/24//4321/13//3243/21 | 2/4 | Cupid god of soft persuasion (fl) | TW-E | Love/Village, 1795 | 18-19 | VO,HA |
//5432/24/4321/13//3243/21 | 2/4 | Whining Lover, The (t) | SS-E | SS, Boston PL-1 | 15 | VO,HA |
//5432/24//4321/13//3243/21// | 2/4 | Cupid God of Soft Persuation (t) | IC-E | Thorowgood Guitar, 1763 | 20-21 | GT |
//5432/24//4321/13//3243/21// | 2/4 | Cupid God of Soft Persuasion, Ms. Hallam (t) | AM-A | White, G. MS, 1790 | 74 | VN |
//543/231//11+/1+5//543/231 | 6/4 | Romp's Song, The (t) | SC-E | Watts MM-2, 1729 | 72-73 | VO/VN |
//54/323/11//345/51+3/51+// | 9/8 | Woo'd and Married and a' (t) | AI-A | Gilfert Gents PC, 1802 | 21 | GF/VN |
//54/32//31//22/21//7-5- | 2/4 | Rose of Sharon-3 (t) | AM-A | Hiester MS-1, 1793 | 2-3 | KB,VO |
//54/323//123/43//21/7-127- | C | Chain Cotillion (t) | AM-A | Allen, W. MS, 1790 | 18 | MI,B |
//5-4-/3-2-3-//1-2-3-4-/5-1//5-4-/3-2-3- |
2/4 | Soldier and a Bonny Lass (t) | AM-A | Gaylord MS, 1816 | 10v | MI |
//5//432//31234//51+5//432//3// | 3/8 | Minuet. Andante (t) | IC-E | Italian Pieces, 1770 | 10 | 2GF, 2CL/OB/VN, 2HN, BS/VC |
//54/323/12//345/51+3/51+//654/323/123 | 9/8 | Woo'd and Married and a' (t) | IC-S | Aird 2, 1785 | 63 | FI/VN/GF |
//5432/31//31+/1+76//5432/17-12 | Lay aside all anger (fl) | BA-E | Patron, 1729 | 35 | VO | |
//5/4323//13/13//5/4323// | 2/4 | 13 Cantone, Les (t) | DA-F | Landrin Potpourri, 1785 | 50 | MI |
//54/32//3/1//43/21 | 2/4 | Quick Step 14 (t) | IC-S | Corri Marches, 1791 | 13 | HA/PF |
//5/4323//1/43//217-/12 | 2 | Drapaux, Le (t) | MS-F | Galoubet MS, 1790 | 7 | PI |
//5/4323//1/43//217-/12 | C | Drapeaux, Les (t) | IC-S | Stewart Airs, 1788 | 1:35 | GF/VN/FI |
//5/4323//1/43//217-/12 | C/ | Drapeaux, Les (t) | IC-S | Stewart Airs, 1788 | 3:116 | GF/VN/FI |
//5432/31//51+/1+76//5432 | 2/4 | Lay aside the reap-hook plow (fl) | SS-E | SS, Folger-C42.1 | 274 | VO+FL |
//5432/31//51+/1+76//5432 | 2/4 | Lay aside the reap-hook plow and cart (fl) | SS-E | SS, Folger-C42.3 | 3 | VO+FL |
//5432/31//51+/1+76//5432/17-12// | 2/4 | Gracioso, El (t) | MS-M | Garcia MS, 1772 | 39 | MI |
//5432/31//51+/1+76//5432/17-12 | 2/4 | Lay aside the reap-hook plow and cart (fl) | SS-E | SS, Harvard | 1 | VO+FL |
//543/231//5-12/321//27-2/424 | 6/8 | Giga (t) | IC-E | Caledonian PC, 1760 | II,10-11 | GF |
//543/231//5-12/321//27-2/424 | 6/8 | Gigg (t) | IC-S | Stewart Airs, 1788 | 3:152 | GF/VN/FI |
//5432/31//5-12/323//454/321 | C/ | Song, A (t) | SC-E | Pills 6, 1719-20 | 238-40 | VO |
//5432/31//51+76//5432/17-12 | 2/4 | Reap Hook, The (t) | DA-E | Johnson CD-3, 1744 | 31 | VN/GF |
//5432/31//51+76//5432/17-12 | 2/4 | New Charmer (t) | PL-E | Playford 3-2, 1726 | 21 | VN |
//5432/31//51+76//5432/17-12 | 2/4 | Charmer, The (t) | DA-E | Walsh CD-1.2, 1719 | 12 | VN/OB |
//5432/31//51+76//5432/17-12//3456 | 2/4 | Mountebank, The (t) | DA-E | Johnson CD-1, 1740 | 99 | MI |
//5-4-3-2-3-1-/5-4-5-6-5-4-//3-2-3-4-3-1 -/2-1-2-3-2-//5-4-3- |
C/ | Air 53 (t) | IC-N | Roger Airs, 1716 | 2:10-11 | 2CH/TR/OB/VN/FL/CL/HN |
//5-4-3-/2-3-1-//5-5-/17-1//5-4-3-/2-3-1 - |
6/8 | Gigg (t) | IC-S | Stewart Airs, 1788 | 3:138 | GF/VN/FI |
//5/4//323/1//567/1+1+ | C/ | March (t) | MS-G | Darmstadt MS 1225 | 217-18 | 2MI |
//543/23//15-6-7-//11/217-1 | 2/4 | Logic (t) | AI-A | Riley Flute 3, 1820 | 36 | FL |
//5432/316-6-//232/1234//5432/316-6-// | 2/4 | Cate & David (t) | AM-A | Johnson, S. MS, 1807 | 17 | FI |
//5432//316-7-//12/1234// | [6/8] | Girl I Left Behind Me, The. Set Dance (t) | AM-A | New Harmony MS, 1826 | 15 | MI |
//543/231//7-12/5-6-7-//123/452// | 3 | She Would If She Could (t) | IC-E | Apollo's Banquet 1-1, 1670 | 64 | VN |
//543/231//7-5-/15-13//25-7-2/15-13//25- 7-2 |
C | Gavot In Otho, with New Divisions or Variations (t) | IC-E | Delightful-2, 1745 | V,33-34 | 2GF |
//54/323//17-6-/1//15/345 | C/ | Dainty Davie (t) | IC-E | Caledonian PC, 1760 | V,22 | GF/VN |
//543/231//7-6-5- | C | This rash frenzy foils not mends ye (fl) | TW-E | Midas-1, 1764 | 24-25 | VO,HAF |
//543/231//7-6-5-/123//453/234 | 3/2 | Canary's, The (t) | PL-E | Playford 3-2, 1726 | 10 | VN |
//543/231//7-6-5-/15-13 | C/ | Air (t) | MS-S | Gillespie MS, 1768 | 36 | VN |
//543/231//7-6-5-/15-13//25-24 | C/ | Two Part Song, A (t) | SS-E | SS, Folger-C42.3 | 225 | 2VO,B,KB+FL |
//543/231//7-6-5-/15-13//25-24/35-13//25 -7-2 |
See the yielding fair protesting (fl) | SS-E | SS, Harvard | 1-2 | 2VO,B+2FL | |
//543/231//7-6-5-/15-13//25-7-2 | C | Handel's Gavot (t) | IC-E | Longman Oboe, 1770 | 17 | OB |
//543/231//7-6-5-/15-13//25-7-2 | C | Handel's Gavot (t) | IC-E | Longman Oboe, 1780 | 17 | OB |
//543/231//7-6-5-/15-13//25-7-2/15-13 | C/ | Allegro (t) | IC-E | Bremner Airs, 1761 | 70-71 | 2VN/GF,B |
//543/231//7-6-5-/15-13//25-7-2/15-13 | C | Air 9, Act Iii (t) | BA-E | Female Parson, 1730 | 50 | VO |
//543/231//7-6-5-/15-13//25-7-2/15-13// | C | Handels Gavot (t) | IC-E | Goulding Cello, 1799 | 21 | VC |
//543/231//7-6-5-/15-13//25-7-2/15-13 | C/ | Allegro (t) | IC-E | Preston Marches, 1804 | 70-71 | 2GF/VN,VC/PF |
//543/231//7-6-5-/15-13//25-7-2/15-13 | C | Rash Frenzy (t) | MS-E | Shepherd MS, 1787 | 51 | MI |
//543/231//7-6-5-/15-13//25-7-2/15-13 | C | Handel's Gavot (t) | IC-E | Thompson Oboe, 1770 | 14 | OB |
//543/231//7-6-5-/15-13//25-7-2/15-13 | C | Handel's Gavot (t) | IC-E | Thompson Oboe, 1790 | 16 | OB |
//543/231//7-6-5-/15-3//25-4/35-3 | 6/8 | Gigg (t) | IC-E | Bremner Airs, 1761 | 71 | VN/GF,B |
//543/231//7-6-5-/15-3//25-4/35-3 | 6/8 | Gigg (t) | IC-E | Preston Marches, 1804 | 71 | GF/VN,VC/PF |
//543/231//7-6-5-/15-3//25-4/35-3 | 6/8 | Giga (t) | AM-A | Psalmody MS, 1798 | 37 | MI |
//543/231//7-6-5-/5315//6416/543//2 | 2 | Sonatina. Gavotta Rondeau (t) | IC-E | Delightful-2, 1745 | VI,11 | GF |
//54/32//32/11//32/34 | C/ | Marche Grecque (t) | MS-F | Philidor MS, 1705 | 22 | OB,B+DR |
//54/32//32/11+//543/212 | 6/8 | Slighted Nymph, The (t) | SC-E | Clio-1, 1758 | 74 | VO,HA |
//543//2//321//5-2//345//564//5 | 3 | Song In the Opera of Love's Triumph, A (t) | SC-E | Pocket Comp, 1725 | 32 | VO,HAF+FL |
//5432/32//15-/5432//321 | C/ | Air 16 (t) | BA-E | Fashionable, 1730 | 22 | VO |
//5432/32//15-/5432//32/1 | C/ | Merliton (t) | DA-E | Johnson CD-2, 1742 | 81 | MI |
//5432/32//15-/5432//32/1 | C | Air 29 (t) | BA-E | Polly, 1729 | T31M12 | VO,B |
//5432/32//15-/5432//32/1//141 | C/ | Air 4 (t) | BA-E | Britons Strike, 1739 | 19 | VO |
//5432/3217-//12342/33//1+765/65432// | 3 [6/2] | Galiarda (t) | MS-E | Fitzwilliam MS-1, 1609 | 365-366 | VI |
//5432/321//7-125-/117-//1234/543// | 3 | Chabott, La, Coranto (t) | IC-E | Musicks Hand-Maid-1, 1678 | 27 | VI/HA |
//5432/321//7-12/5-17-//1234/545// | 3 | Corant La Shabbott (t) | IC-E | Apollo's Banquet 1-1, 1670 | 164 | VN |
//5432/321//7-12/5-17-//1234/545//3 | 3 | Corant la Shabot (t) | PL-E | Playford 1-03a, 1657 | II,34 | VN |
//5432/321//7-12/5-17-//1234/545//3 | 3 | # 3 (t), or Corant la Shabot (at) | PL-E | Playford 1-3b, 1665 | II,34 | VN |
//5432//3217-//165//435//1+765//6 | 3/4 | Sweet Hope (t) | AM-A | Simpson MS, 1750 | II,17 | FL |
//54323217-/17-6-7-1234//32123456/432345 67//1+1/1 |
C | Spera che questo cor (fl) | SS-E | SS, Folger-C42.2 | 102-103 | 2MI,VO,B,KBF |
//543/2321//7-5- | 2/4 | Ld. Cutt's March (t) | IC-E | Musica Bell, 1733 | 4 | FL/VN/OB |
//543/23//217-5-//332/3217-// | C | Aire In Ye Trip to Ye Jubile (t) | IC-E | Theater Musick-3, 1700 | 9 | VN |
//54/323//217-6-/11//15/3453 | C | Lucky Nancy (t) | SC-S | Scots MM-1, 1787 | 34-35 | VO,PF |
//54/323//217-6-/1//15/3453 | C | Dainty Davie (t) | IC-S | Aird 1, 1782 | 46 | FI/VN/GF |
//5+4+3+//2+3+//2+1+765//254//543 | 3/4 | Darling Lovers, The (t) | SC-E | Musical Ent-2, 1740 | 22 | 2VO,HA+FL |
//5+4+3+//2+3+//2+1+765//254//543 | 3/4 | Drinking Song, A (t) | SS-E | SS, Folger-C42.4 | 380 | 2VO,B/,KB+FL |
//54/323//25-/1//5654/3231//25-/1 | C/ | Amarillis (t) | PL-E | Playford 1-05, 1675 | 137 | VN |
//543/232//7-6-5-/15-13//25-7-2/15-13 | C/ | Gavot by Handel (t) | AM-A | Psalmody MS, 1798 | 36 | MI |
//5432/331+//5432/261+//5432/1+2+3+2+ | C | Down with the Peebles. Irish (t) | IC-S | Aird 5, 1797 | 2 | FI/VN/GF |
//5/4323//32/34//56/71+ | C | Prince of Wales March. Trio (t) | AM-A | Curtiss MS, 1800 | 58 | 2VN |
//54/32//33//54/32//12 | 2/4 | Song (t) | AI-A | American Periodicals | VO,KB ; VO,KB | |
//543/234//17-6-/5-3-3-//6-7-1/2 | 6/4 | Hailston Jigg (t) | PL-E | Playford 2-1, 1713 | 24 | VN/OB |
//543/234//17-6-/5-3-3-//6-7-1/2 | 6/4 | Hailston Jigg (t) | PL-E | Playford 2-2, 1714 | 24 | VN/OB |
//543/234//17-6-/5-4-3-//6-7-1 | 6/4 | Hailston Jigg (t) | PL-E | Playford 2-3, 1718 | 24 | VN |
//543/234//17-6-/5-4-3-//6-7-1 | 6/4 | Hailston Jigg (t) | PL-E | Playford 2-4, 1728 | 24 | VN |
//543/234//17-6-/5-4-3-//6-7-1/234 | 6/4 | Hailston Jigg (t) | DA-E | Walsh CD-1.2, 1719 | 41 | VN/OB |
//543/234//17-6-/5-4-3-//6-7-1/234 | 6/4 | Hailston Jigg (t) | DA-E | Walsh CD-2.2, 1735 | 196 | VO/OB/GF/FL |
//543/234//17-6-/5-4-3-//6-7-1/234 | 6/4 | Hailston Jigg (t) | DA-E | Walsh CD-3.2, 1749 | 196 | VN/OB/GF |
//5/4//323/42//17-/6-5- | 2/4 | Whining Lover, The (t) | AM-A | Swan MS, 1775 | 2R-2V | VO,B |
//5/43//23//4/2//323/1 | C/ | Gavot (t) | TW-E | Maid/Oaks, 1774 | 56 | KB |
//54//32342//32342//3211//51+//65//42343 |
3/4 | Who upon the oozy beach (fl) | TW-E | Maid/Mill, 1765 | 67 | VO,HAF |
//5/4//323/42//6-/2 | 2/4 | Poor Dick (t) | MS-E | Hammersley MS, 1790 | 95B | MI |
//54/32342//7-1/1//2 | C/ | Song, A (t) | SC-E | Calliope, 1746 | I,59 | VO,B+FL |
//5/4//323/42//7-1//1/2 | 2 | Whining Lover, The (t) | SC-E | Muses Delight, 1754 | 185 | VO,HA |
//54/32342//7-1/1//21/7-6-7-16- | C/ | Nuptial Day, The (t) | SC-E | Musical Ent-2, 1740 | 85 | VO,HAF+FL |
//5/4//323/42//7-7-//1/2//3 | 2/4 | Whining Lover, The (t) | SC-E | Calliope, 1746 | II,47 | VO,B+FL |
//5/4//323/42//7-7-//1/2//3/4 | 2/4 | Declaimer, The (t) | SS-E | SS, Folger-C42.3 | 491 | VO,KB+FL |
//54/323432 | C/ | Cupid god of gay desires (fl) | SC-E | Musical Cent-1, 1737 | 12 | VO,HAF+FL |
//543/234//321/1231//2342/7-127-//1 | 6/8 | I simply wait for your commands Sir (fl) | TW-E | Seraglio, 1776 | 36-37 | VO,KBF |
//543/23//4321/217-//17-6- | 2 | Take Not a Woman's Anger Ill (t) | PL-E | Playford 1-14, 1709 | 201 | VN |
//543/23//4321/217-//17-6-/5- | C/ | Song, A (t) | SC-E | Pills 3, 1719-20 | 224-5 | VO |
//543/23//4321/217-//17-6-/5- | 2 | Take Not a Woman's Anger Ill (t) | PL-E | Playford 1-12, 1703 | 201 | VN |
//543/23//4321/217-//17-6-/5-1 | 2 | Take Not a Woman's Anger Ill (t) | PL-E | Playford 1-11, 1701 | I,201 | VN |
//543/23//4321/217-//17-6-/5-1 | 2 | Take Not a Woman's Anger Ill (t) | PL-E | Playford 1-13, 1706 | 201 | VN |
//543/23//4321/217-//17-6-/5-1 | 2 | Take Not a Woman's Anger Ill, for If One Won't, Another will (t) | PL-E | Playford 1-17, 1721 | 201 | VN |
//543/23//4321/217-//17-6-/5-1 | 2 | Take Not a Woman's Anger Ill, for If One Won't, Another will (t) | PL-E | Playford 1-18, 1728 | 201 | VN |
//543/23//4321/217-//17-6-/5-1 | 2 | Take Not a Woman's Anger Ill (t) | DA-E | Walsh CD-1.1, 1718 | 215 | VN/OB/FL |
//543/23//4321/217-//17-6-/5-1 | 2 | Take Not a Woman's Anger Ill (t) | DA-E | Walsh CD-2.3, 1735 | 232 | VN/OB/GF/CF |
//543/23//4321/217-//17-6-/5-1 | 2 | Take Not a Woman's Anger Ill (t) | DA-E | Walsh CD-3.5, 1754 | 170 | VN//OB/GF |
//543/23//4321/317-//17-6-/5-1 | 2 | Take Not a Woman's Anger Ill (t) | PL-E | Playford 1-15, 1713 | 201 | VN |
//543/23//4321/317-//17-6-/5-1 | 2 | Take Not a Woman's Anger Ill (t) | PL-E | Playford 1-16, 1716 | 201 | VN |
//543/234//321/43//65/7-1 | C/ | Where Shall Celia Fly (t) | SS-E | SS, Huntington-2 | 71 | VO,KB |
//543/234//321/43//65/7-1//2 | C/ | Where Shall Celia Fly (t) | SS-E | SS, Harvard | 1 | VO,KB |
//543/23//432/15//1+76 | 6/4 | Cuckow, The (t) | SS-E | SS, Folger-C42.2 | 156 AND 202 | VO,KB+F |
//543/23//432/15//1+76/54 | 6/4 | Summer (t) | SC-E | Watts MM-2, 1729 | 12 | VO/VN |
//543//234//321//53//671+ | 3/4 | Favourite Song, A (t) | SC-E | Clio-4, 1778 | 108-109 | VO,HAF |
//543/234//321//53//671+ | 3/4 | Origin of English Liberty, The (t) | SS-E | SS, Huntington-2 | 45 | VO,KB |
//543//234//321//53//671+ | 3/4 | Origin of English Liberty, The (t) | SS-E | SS, New York PL-C694 | 74 | VO,HAF |
//543//234//321//53//671+ | 3/4 | Origin of English Liberty, The (t) | SS-E | SS, New York PL-C695 | 119,1-2 | VO,2VN,HA+GF |
//543//234//321//53//671+ | 3/4 | Once the Gods of the Greeks (t) | SC-E | Vocal Music, 1778 | 222-223 | VO/VN/GF |
//5+4+3+//2+3+4+//3+2+1//5+3+//6+71+//5+ 4+3+2+1 |
3/4 | Once the God of the Greeks (t) | IC-E | Preston Bassoon, 1790 | 20 | BS |
//543//234//321//53//671+//54321//7-12 | 3/4 | Once the Gods of the Greeks (t) | SS-E | SS, Harvard | 1 | VO,KB |
//543//234//321//53//671+//54321//7-12 | 3/4 | Origin of English Liberty (t) | SS-E | SS, Harvard | 1 | VO,KB |
//543//234//321//53//671+//54321//7-12 | 3/4 | Railers, The (t) | SS-E | SS, Harvard | 1 | VO,B+GT |
//543//234//321//5//5 | 3 | Second Song In the Second Act, The (t) | SC-E | Pills 2, 1719-20 | 116-7 | VO |
//543/234//321/5-6-7-//123/453 | 6/8 | Better Day Better Deed (t) | DA-E | Johnson CD-1, 1740 | 62 | MI |
//543/234//321/5-6-7-//123/453 | 6/8 | Better Day Better Deed (t) | DA-E | Walsh CD-2.2, 1735 | 105 | VO/OB/GF/FL |
//543/234//321/5-6-7-//123/453 | 6/8 | Better Day Better Deed (t) | DA-E | Walsh CD-2.3, 1735 | 253 | VN/OB/GF/CF |
//543/234//321/5-6-7-//123/453 | 6/8 | Better Day Better Deed (t) | DA-E | Walsh CD-3.2, 1749 | 105 | VN/OB/GF |
//543/234//321/5-6-7-//123/453 | 6/8 | Better Day Better Deed (t) | DA-E | Walsh CD-3.3, 1749 | 195 | VN/OB/GF |
//543/234//321/66-//432/5-6-7-// | 3 | Wimbleton House (t) | IC-E | Apollo's Banquet 1-1, 1670 | 13 | VN |
//543/234//321/66-//432/7-6-7-//11 | 3 | #82 (t), or Ragou, La (at) | PL-E | Playford 1-3b, 1665 | II,59 | VN |
//543234//32166-//4327-6-7-//117-//6-16- 7-12// |
C3 | New Theatre Tune, A (t) | IC-E | Apollo's Banquet 1-2, 1678 | 82 | VN |
//543234//32166-//4327-6-7-//117-//6-16- 7-12// |
C3 | Theater Dance, A (t) | IC-E | Apollo's Banquet 1-5, 1687 | 45 | VN |
//54/32//3/4//32/17- | 2/4 | Song, A (t) | SS-E | SS, Huntington-1 | 151 | VO,KBF+GT |
//54/32//3/4//32/17- | 2/4 | Song (t) | SS-E | SS, New York PL-C695 | 8 | VO,HAF+GT |
//54//3/23//4/3217-//1 | 2/4 | Sequel to the Beautiful Maid (t) | AI-A | Balls Amus 2, 1815 | 32 | FL/FI/VN |
//54/32//3/4//32/17-//1 | 2/4 | Bee, The (t), or New Song, A (at) | SS-E | SS, Harvard | 1 | VO,KBF+FL |
//54/32//3/4//32/17-//1 | 2/4 | Song, A (t) | SS-E | SS, Harvard | 1 | VO,KBF+GT |
//5432//34//3217-/12//3 | 2/4 | To Heal the Smart (t) | SC-E | Vocal Music, 1778 | 121 | VO/VN/GF |
//5432/34//3217-/12//34/564 | C/ | Epigram, An (t) | SC-E | Amaryllis, 1760 | II,63 | GF,VO,HAF+FL |
//5-4-3-/2-3-4-//3-2-3-/1-1//5-4-3-/2- | 6/8 | Morgan Rattler, The (t) | AM-A | Huntington MS, 1817 | IV.75 | FL/VN |
//5-4-3-/2-3-4-//3-2-3-/1-1//5-4-3-/2-3- 4- |
6/8 | Morgan Rattler (t) | AI-A | Riley Flute 3, 1820 | 84 | FL |
//5-4-3-/2-3-4-//3-2-3-/1-1//5-4-3-/2-3- 4- |
6/8 | Morgan Ratler (t) | AM-A | Van Schaack MS, 1820 | 5 | FI/FL |
//543/234//323/13//543/235// | 6/8 | Morgan Rattler (t) | DA-E | Wilson Companion, 1816 | 88 | MI |
//5/4323//43/2//31/7-1 | 2/4 | Fete du Village, The (t) | MS-E | Hammersley MS, 1790 | 112 | KB |
//543/234//3/33//321/7-12//1 | 6/8 | Finale (t) | TW-E | Castle/Andalus, 1782 | 62 | VO,HA |
//543/23//43/432//17-/132//3 | 6/8 | Little birds as well as you, The (fl) | TW-E | Seraglio, 1776 | 18-19 | VO,KBF |
//543/234//3453/16//543/235 | 6/8 | Morgan Rattler, The (t) | IC-S | Aird 5, 1797 | 41 | FI/VN/GF |
//543/234/345//6-2/1/7-6-5-// | 3/2 | Chesheire Round, A (t) | IC-E | Wright Extraordinary, 1715 | [32] | MI |
//5-4-3-/2-3-4-//3-5-3-/1-5-//5-4-3-/2-3 -5- |
6/8 | Allegretto (t) | IC-S | Sime Marches, 1789 | 23 | HA/PF |
//543/234//35-5-/5-17-//6-7-1/234 | 6/8 | Lass of the Valley (t) | DA-E | Johnson CD-5, 1750 | 71 | VN/GF |
//543/234//35-5-/5-17-//6-7-1/234 | 6/8 | Lass of the Valley, The (t) | DA-E | Walsh CD-3.3, 1749 | 4 | VN/OB/GF |
//5/43//2/3//4/43 | 2/4 | Andante (t) | AM-A | Beach MS, 1801 | 35 | MI |
//54/32//34//43/21//7- | 2/4 | Milton (t) | AI-A | Evangel Harm, 1800 | 31 | 4VO:SA(T)B |
//54/32//34/51//243/432//31 | 6/8 | Finale (t) | TW-E | Waterman, 1782 | 24-25(28-29) | VO,KBF |
//5-4-/3-2-3-4-//5-1/5-3-5-//5-4-2-4-/4- 3-1-3- |
C | Carrollton March, The (t) | AI-A | American Sheet Music | 2 | PF |
/54//3234/52//2/31//1234/ | 2 | Piesse futoise (t) | MS-C | Trois-Rivieres MS, 1768 | 21 | MI |
//543/2345//31/55//67/1+2+ | C | Charratierra, La, Allegro (t) | MS-M | Garcia MS, 1772 | 37 | MI |
//543/2345//321/1234//51+/71+ | C/ | Jolly Bacchanalians, The (t) | AM-A | Aborn MS, 1790 | 91 | MI |
//543/2345//321/1+76//543/2342 | 2/4 | King of Polands Allmand (t) | DA-E | Skillern CD, 1780 | 2 | VN/GF/OB |
//5-4-3-/2-3-4-5-//3-2-3-4-/5-4-//3-2- | C/ | Generall March (t) | MS-G | Darmstadt MS 1224 | 71 | MI |
//543/2345//3234/54//32 | C | Generall Marche (t) | MS-G | Darmstadt MS 1224 | 166 | MI |
//5+4+3+2+/3+4+5+//3/4321//3/4321// | [C] | Charles Hornpipe (t) | IC-E | Wright Extraordinary, 1715 | [30] | MI |
//54/3234//543/3232//54/32+1+7654 | C | Voice of My Love, The (t) | IC-E | Caledonian PC, 1760 | XI,8 | GF/VN |
//54/32//34/56//531/642 | 6/8 | Rigdum Funnidos (t) | DA-E | Johnson CD-7, 1756 | 56 | VN/GF |
//543/23//45654/33//234/323 | C/ | Bright Auburn Locks and Sparkling Eyes (t) | SC-E | Vocal Music, 1775 | 104-5 | VO/VN/GF |
//543/234/5654//345/432//123/43// | C [3/2] | Fantasia. 10 (t) | MS-E | Fitzwilliam MS-2, 1609 | 82-86 | VI |
//543/2345//7-6-5-/15-12//25-7-2/15-13// |
C | Jack the Horse Courser's Hornpipe (t) | DA-E | Walsh CD-3.4, 1747 | 179 | VN/OB/GF |
//543/2345//7-6-5-/15-13//25-7-2/15-13// 25-7-2 |
C/ | Jack the Horse Courser (t) | IC-E | Delightful-2, 1745 | I,17 | GF |
//543234//7-1//25-234//321//15-1 | 3 | Cloe's Charms (t) | SS-E | SS, Folger-C42.3 | 290 | VO,KB+FL |
//543/235-//12/34//565/543 | 6/8 | Tatling Miss, The (t) | PL-E | Playford 3-2, 1726 | 27 | VN |
//54/32//35/1+3//43/21//2 | 2/4 | Since That the Fairer Sex Are taught (t) | SC-E | Vocal Music, 1775 | 6-7 | VO/VN/GF |
//54/32//4/2//1/1// | 2/4 | Mirliton, Le (t) | IC-F | Leclerc Recueil-1, 1729 | 61 | HAF |
//543/24//3/15-3-1-//6-7-1/43 | 2/4 | King of Prussia's Maggot (t) | DA-E | Johnson CD-2, 1742 | 61 | MI |
//543/24//3/15-3-1-//6-7-1/43 | 2/4 | King of Prussia's Maggot (t) | DA-E | Walsh CD-2.4, 1747 | 125 | MI |
//543/24//3/15-3-1-//6-7-1/43// | 2/4 | King of Prussia's Maggot (t) | DA-E | Walsh CD-3.4, 1747 | 125 | VN/OB/GF |
//5432/4321//17-/1 | C | Would you taste the sweets of love (fl) | TW-E | Enchanter, 1760 | 26-28 | 2VO,2VI,VA,HAF |
//54/32//43/21//221/23 | 2/4 | Cantantine (t) | MS-F | Galoubet MS, 1790 | 19 | PI |
//5432/4321//3217-/11+//2432/351+7 | C | Serenade,2d Part, The (t) | DA-E | Walsh CD-2.4, 1747 | 84 | MI |
//5432/4321//3217-/11+//2432/351+7// | C | Serenade,2d Part, The (t) | DA-E | Walsh CD-3.4, 1747 | 84 | VN/OB/GF |
/54//32/43//217-/12//323/ | 2 | Prince Hugenne, Le (t) | DA-F | Landrin Potpourri, 1785 | 86 | MI |
//543/24//325-/13//217-/6-7-//12 | 6/8 | Song 69 (t), or Charming Creature, The (at) | AI-A | American MM, 1798 | 176-178 | VO,B |
//543/24//325-/15//217-/6-7-//123 | 6/8 | Charming Creature, The (t) | AI-A | American Periodicals | VO,KB | |
//543/243//2/7-54//343/231// | 3 [6/4] | Corrato (t) | MS-E | Fitzwilliam MS-2, 1609 | 310-311 | VI |
//543//24357-2//15-1 | 3/4 | Dear Image of the Maid I Love (t) | SC-S | Edinburgh MM-2, 1793 | 311-312 | VO |
//543/25//31/1+//1+/7// | C/ | Cibell by Mr. King (t) | IC-E | Apollo's Banquet 1-8, 1701 | 43 (29r) | VN |
//54325//315//1+7671+//75//1+653 | 3/4 | Lady Mc Duffs Lament (t) | IC-E | Caledonian PC, 1760 | II,4 | GF |
//5432/5432//11/1//1+71+2+/1+3 | 2/4 | Prussian Maggot (t) | DA-E | Johnson CD-4, 1748 | 41 | VN/GF |
//5432/5432//11/1//1+71+2+/1+3 | 2/4 | Prussian Maggot (t) | DA-E | Walsh CD-2.4, 1747 | 55 | MI |
//5432/5432//11/1//1+71+2+/1+3// | 2/4 | Prussian Maggot (t) | DA-E | Walsh CD-3.4, 1747 | 55 | VN/OB/GF |
//54/32//54/32//7-17-7-/333 | C/ | Rogues March (t) | AM-A | Nixon MS, 1776 | 90 | FI |
//54325-//6-7-17-12//317-//7671+2+//7655 4// |
C3 | Theatre Jigg, A (t) | IC-E | Apollo's Banquet 1-2, 1678 | 56 | VN |
//543/257-//1/17-//6-7-1/43231 | C | Bath Address, The (t) | SS-E | SS, Boston PL-1 | 134,1-2 | VO,HA,BS+GF |
//5//432//57-1//46-7-//12//351+7//654//3 21 |
3/8 | Come Myra, Idol of the Swains (t) | IC-E | Delightful-2, 1745 | V,22 | GF |
//5//432//57-1//46-7-//134543 | 3/8 | Invitation, The (t) | SC-E | Clio-3, 1762 | 34-35 | VO,HAF |
//543//26//61+//15//5345// | C3 | Scotch Tune, A, by Mr. Dyer (t) | IC-E | Apollo's Banquet 1-6, 1690 | B7 | VN |
//543//26//6-7-1//7-5//1+36 | 3/8 | Prudent Fair, The (t), or Favourite Song, A (at) | SS-E | SS, Boston PL-2 | 70 | VO,KBF |
//54327-/1112//3452/5752//7-5-7-2/5555 | C/ | Song, A (t) | SC-E | Pills 4, 1719-20 | 252-3 | VO |
//543//27-2//135//16//12345//27-2// | 3 | Portens Nant Sarah (t) | IC-E | Wright Extraordinary, 1715 | [35] | MI |
//543//27-2//135//16//123456 | 3/4 | Dangling of the Irish Bearns, The (t) | IC-E | Thumoth, 1785 | 86-87 | GF/VN,HA |
//543//27-5-//121//6-65//4 | 3 | Claret Bottle, The (t) | SC-E | Pills 3, 1719-20 | 186-7 | VO |
//543/27-//7-12/232//543/21 | 6/8 | Surly, The (t) | DA-E | Johnson CD-1, 1740 | 68 | MI |
//5433 | C | Pious Orgies, Pious Airs (t) | SC-E | Vocal Music, 1778 | 98-99 | VO/VN/GF |
//5/43//31//22/23//54/3 | C/ | Air (t) | TW-E | Spanish Barber, 1778 | 12-13 | VO,KB |
//5/43//31//22/23//54/35//672+ | 2/4 | Song 109 (t), or Song In the Spoil'd Child (at) | AI-A | American MM, 1798 | 293-294 | VO |
//543//31//2346//53//543//31 | 3/8 | Ne'er Can the Rose (t) | AI-A | Blake Amus 1, 1824 | 7 | CL |
//5/43//3/1//26/54//43 | 2/4 | One Kind Kiss Before We Part (t), or Favorite Song, A (at) | AI-A | American SS-SM | 1-2 | VO,KB+FL |
//5/43//3/1//26/54//4/3//11+//7 | 2/4 | One Kind Kiss (t) | AI-A | Elegant Exts, 1796 | 13 | GF/VN/VO |
//543/31+/543/323//12/3231+656 | C | Bursting Sigh, The (t) | IC-E | Caledonian PC, 1760 | XI,21 | GF/VN |
//5-4-//3-31//5-4-//3-53//5-4-//3-17-6- | 3/8 | Waltz (t) | IC-S | Pandean Coll 2, 1810 | 30 | PF |
//5-4-/3-3-//17-/6-6-//5-4-/3-5-4-3- | 2/4 | March... United States Marine Corps (t) | AI-A | American Sheet Music | KB | |
//543/32111//1217-/17-6-//5-1/43// | C | Is There a Charm (t) | IC-E | Johnson Flute, 1760 | 19 | GF |
//543/321//11+/1+5//543 | 6/8 | Romp, The (t) | SS-E | SS, Folger-C42.3 | 149 | VO,KB+FL |
//543/321//11+/1+5//543/321 | 6/8 | Romp, The (t) | AM-A | Beck MS, 1786 | 65 | GF |
//543/321//11+/1+5//543/321 | 6/8 | Romp, The (t) | DA-E | Johnson CD-1, 1740 | 97 | MI |
//543/321//11+/1+5//543/321 | 6/8 | Romp, The (t) | SC-E | Musical Cent-1, 1737 | 28 | VO,HAF+FL |
//543/321//11+/1+5//543/321 | 6/8 | Romp, The (t) | DA-E | Walsh CD-2.3, 1735 | 127 | VN/OB/GF/CF |
//543/321//11+/1+5//543/321 | 6/8 | Romp, The (t) | DA-E | Walsh CD-3.3, 1749 | 127 | VN/OB/GF |
//5/43//3/21//11/7-6-//6-5- | 2/4 | Air 7, Act Ii (t) | TW-E | Two To One, 1784 | 31-33 | VO,HA |
//543//321//1/217-//1 | 2/4 | Sung by Mr. Vernon In Daphne and Amintor (t) | IC-E | Longman Pb, 1778 | 76-77 | VO/GF |
//543//321//123//321+//1+76 | 3/4 | Cantata, A (t) | SS-E | SS, Folger-C42.3 | 456 | VO,KB+FL |
//543/321//12343/2123234 | C/ | Green Park (t) | DA-E | Johnson CD-6, 1751 | 70 | VN/GF |
//543//321//132431+6//543//23231//7-17-1 6-// |
3/4 | Minuet (t) | AM-A | Duport MS-1, 1780 | 2 | VN |
//543321/15-//1324/32//3546/51 | C/ | Grasshopper, The (t) | DA-E | Johnson CD-6, 1751 | 44 | VN/GF |
//543/321//17-1/24//31+5/432// | 6/8 | My Journey is Love (t) | AI-A | Gilfert Gents PC, 1802 | 48 | GF/VN |
//543/321//17-1/24//31+5/432// | 6/8 | My Journey is Love (t) | AI-A | Gilfert Gents PC, 1802 | 48 | GF/VN |
//543/321//1+76//5//343 | 6/8 | Roger's Courtship (t) | SS-E | SS, Folger-C42.2 | 224 | VO,KB+F |
//543/321//1+76/5//343/212 | 6/8 | Thumpaty Thump (t) | DA-E | Johnson CD-2, 1742 | 42 | MI |
//543/321//1+76/5//343/212 | 6/8 | Roger and Dolly (t) | SC-E | Musical Cent-1, 1737 | 49 | VO,HAF+FL |
//543/321//1+76/5//343/212 | 6/8 | Roger's Courting (t) | SS-E | SS, Huntington-1 | 116 | VO,KB,FL+GF |
//543/321//1+76/5//343/212 | 6/8 | Roger's Courtship (t) | SS-E | SS, Huntington-2 | 50 | VO,KB,GF+FL |
//543/321//1+76/5//343/212 | 6/8 | Young Roger Came Tapping (t) | IC-E | Simpson Record, 1745 | 22 | RC |
//543/321//1+76/5//343/212//3 | 6/8 | Air 8, Act Ii (t) | TW-E | Two To One, 1784 | 34 | VO,HA |
//543321/2125-//212323/4342 | C | Bright Celia (t) | SC-E | Pocket Comp, 1725 | 118 | VO,HAF+FL |
//543//321//2223 | 2/4 | Since Then I'm Doom'd (t) | AI-A | Instrum Asst-2, 1807 | 74-75 | 2MI,B |
//5/43//321//22/23 | 2/4 | Since Then I'm Doom'd (t) | AI-A | Linley Asst-1, 1796 | 21 | VO,PF |
//5/43//3/21//22/23// | 2/4 | Since Then I'm Doom'd (t) | AM-A | Litten MS, 1800 | 9 (39) | VN |
//5/43//321//22/23//54 | 2/4 | Since Then I'm Doom'd (t) | AI-A | Balls Amus 1, 1815 | 19 | FL/FI/VN |
//5-/4-3-//3-2-1-//2-2-/2-3-//5-4- | 2/4 | Since Then I'm Doom'd (t) | AM-A | Beach MS, 1801 | 120 | KB |
//5-/4-3-//3-2-1-//2-2-/2-3-//5-4- | 2/4 | Since I Am Doom'd (t) | AM-A | Commonplace MS, 1809 | 4V | CL/FL |
//5/43//321//22/23//54/3 | 2/4 | Since, then I'm doom'd this sad reverse to prove (fl) | TW-E | Spoil'd Child, 1790 | 1 | VO,KB |
//5/43//321//22/23//54/35// | 2/4 | Since Then I'm Doom'd (t) | AM-A | Washburn MS, 1816 | 17 | 2GF |
//54/33//2123/1234//565/1+543 | C | March by Hayden (t) | AM-A | Beach MS, 1801 | 93 | 2MI,B |
//54/33//2123/1234//565/1+543 | C | Marche 5 (t) | IC-N | Colizzi Marches, 1795 | 5 | PF |
//54/33//2123/1234//565/1+543 | C | March In Heydn's Grand Opera (t) | AM-A | Curtiss MS, 1800 | 154 | 2VN |
//54/33//2123/1234//565/1+543 | C | Haydn's March (t) | AI-A | Glazier Fife, 1830 | 19 | 2FI,B |
//54/33//2123/1234//565/1+543 | C/ | March by Haydn (t) | AI-A | Merrimack Coll, 1833 | 86 | 2MI,B |
//54/33//2123/1234//565/1+543 | C | March (t) | AI-A | Robinson Coll, 1820 | 47 | 2MI,B |
//54/33//2123/1234//565/1+543 | C | March (t) | AI-A | Robinson Coll, 1826 | 49 | 2MI,B |
//54/33//2123/1234//565/1+543 | C | Hayden's March (t) | AI-A | Whiteley Prec, 1816 | 28 | CL,OB,FL,BS |
//54/33//2123/1234//565/1+543 | C/ | Hayden's Celebrated March (t) | AM-A | Woodruff MS, 1803 | 22 | 2MI |
//54/33//2123/1234//56567/1+7654321 | C/ | Hayden's March (t) | AI-A | Goodale Dir, 1829 | 79 | 2MI,FL,B |
//54/33//2123/1234//654/1+543 | C/ | Patriotten-Marsch Aus Holland (t) | IC-G | Gunter Marches, 1800 | KB | |
//54332//1234//5364//2//223//4567// | 3/4 | Retreat, A (t) | MS-S | Fife MS, 1780 | 898,95v | 1FI OR 2FI/VN |
//543/321/342/12//33/321/44/432 | 12/8 | Giga (t) | IC-E | Delightful-1, 1763 | II,32 | 2GF |
//543/3213//45654/33//1+76/6543 | C | Oh My Delia (t) | AM-A | Van Renssel. MS, 1782 | I,16-17 | VO,KB |
//543//321//4321//7-6-5-//1234 | 3/4 | Minuet 12th (t) | IC-E | Reid Minuets, 1781 | 16-17 | 2VN,B |
//54//3///32//1/5- | 2/4 | Allegro (t) | IC-E | Brooks Pieces, 1796 | 10-11 | 2CL,2HN,BS |
//543//321//5-12 | 3/8 | Favourite Song, A (t) | SC-E | Clio-1, 1758 | 66 | VO,HA |
//543//321//5-54321 | 3/4 | Regatta Minuet, The (t) | AM-A | Bolling MS, 1790 | 12 | VN/GT |
//543/321//6-16-/6-5-//345/564 | 6/8 | Airs In the Pageant-4 (t), or Anthony and Cleopatra (at) | TW-E | Jubilee, 1770 | 20-21 | HA |
//543//321//7-11//23//6-7-1 | 3/4 | Address to Sleep, The (t) | SC-E | Calliope, 1746 | I,144 | VO,HAF+FL |
//543//321//7-11/23//6-7-1 | 3/4 | Address to Sleep, The (t) | SS-E | SS, Huntington-1 | 99 | VO,KBF+GF+FL |
//543//321//7-117-1 | 3/4 | Sung by Mr. Beard In Tamerlane (t) | SC-E | Clio-2, 1759 | 193 | VO,HAF+GF |
//543//321//7-117-1//23//6-7-1 | 3/4 | To Thee Oh! Gentle Sleep (t) | SS-E | SS, Huntington-2 | 72 | VO,KBF+GF |
//543//321//7-117-1//23//6-7-1 | 3/4 | To Thee Oh! Gentle Sleep (t) | SS-E | SS, New York PL-C694 | 69 | VO,HA+2GT/2GF |
//543//321//7-117-1//23//6-7-1 | 3/4 | To Thee, O Gentle Sleep! Alone (t) | SC-E | Vocal Music, 1775 | 17 | VO/VN/GF |
//543//321//7-117-1//26-3//6-7-1 | 3/4 | To Thee Oh! Gentle Sleep (t) | SS-E | SS, Boston PL-2 | 75 | VO,KBF+2GF |
//543//321//7-21324//32123//6-17-2135 | 3/4 | To Thee Oh! Gentle Sleep (t) | AM-A | Aborn MS, 1790 | 23 | MI |
//543/323//4217-/133//253/257- | C | Medical Catch. In the Temple of Health (t) | TW-E | Genius, 1784 | 22-25 | 4VO,HAF |
//543//323//432//17-1//53353//42242// | 3/4 | Lady Prisilla Berties Minuet (t) | MS-E | Malecot MS, 1779 | 35 | VN |
//543//323//432//17-1//53353//42242 | 3/4 | Lady Priscilla Bertie's Minuet (t) | IC-E | Preston Oboe, 1780 | 19 | OB |
//543//323//4654//4343//1+2+7//1+2+7 | 3/4 | Minuetto (t) | IC-E | Wragg Oboe, 1792 | 40 | 2OB |
//543/327-//545/5-6-7-//543/327- | 6/8 | No.13 (t) | AM-A | Gaylord MS, 1816 | 18r | MI |
//5/4//33//3/2 | 2/4 | Song 9 (t) | SC-E | Ritson, 1783 | TI,180-181;MIII,81-81 | VO |
//54/33//32/11//12/33 | 2/4 | Duett No.14 (t) | AM-A | Curtiss MS, 1800 | 18 | 2VN |
//54/33//32/11//21/21 | 2/4 | Turkish March In the Battle of Prague (t) | AM-A | Stiles MS, 1807 | 3 | 2MI |
//54/33//32/11//21/25- | 2/4 | March No.9 (t) | IC-E | Hyde Trumpet, 1798 | 44 | 3TR |
//54/33//32/11//21/27- | 2/4 | March, A (t) | IC-S | Aird 6, 1803 | 21 | FI/VN/GF |
//54/33//32/11//21/27- | 2/4 | Quick Step In the Battle of Prague (t) | IC-S | Aird 6, 1803 | 62 | FI/VN/GF |
//54/33//32/11//21/27- | 2/4 | Battle of Prague, The. Quick Step (t) | AI-A | American SS-SM | 6-7 | PF |
//54/33//32/11//21/27- | 2/4 | Battle of Prague, The. Turkish Music (t) | AI-A | American Sheet Music | PF/HA,VN,B | |
//5433//3211//2127- | 2/4 | Turkish March In the Battle of Prague (t) | IC-E | Andrews Fife, 1808 | 25 | FI/GF |
//54/33//32/11//21/27- | 2/4 | Battle of Prague (t) | IC-E | Astor Oboe, 1800 | 29 | 2OB |
//54/33//32/11//21/27- | 2/4 | Turkish March (t) | AI-A | Bacon Clar, 1818 | 22 | CL |
//54/33//32/11//21/27- | 2/4 | Quick March, Battle of Prague (t) | AI-A | Balls Amus 1, 1815 | 27 | FL/FI/VN |
//54/33//32/11//21/27- | 2/4 | Turkish March In the Battle of Prague (t) | AM-A | Beach MS, 1801 | 63 | 2MI,B |
//54/33//32/11//21/27- | 2/4 | Quick Step In Battle of Prague (t) | AI-A | Blake Amus 2, 1824 | 13 | CL |
//54/33//32/11//21/27- | 2/4 | Turkish March (t) | IC-E | Bland Clar, 1798 | 28 | CL |
//54/33//32/11//21/27-// | 2/4 | Turkish March (t) | AM-A | Brown, J. MS, 1782 | 1:61 | |
//5433//3211//2127- | 3/4 | Turkish March (t), or March 2 (at) | IC-E | Button Whit-1, 1806 | 2-3 | 2GF/2VN/2FL/2FI |
//54/33//32/11//21/27- | 2/4 | Quick Step Battle of Prague (t) | AI-A | Camp Dupont, 1816 | 16 | 2GF/FI/VN,PF |
//54/33//32/11//21/27- | 2/4 | Turkish March In the Battle of Prague (t) | AM-A | Commonplace MS, 1811 | 18 | MI |
//5433//3211//2127- | 2/4 | Turkish March (t) | AI-A | Fifer's Comp, 1805 | 11 | 2FI |
//54/33//32/11//21/27- | 2/4 | Quick March In the Battle of Prague (t) | AI-A | Glazier Clar, 1828 | 21 | CL |
//54/33//32/11//21/27- | 2/4 | Turkish Quick Step (t) | AI-A | Goodale Dir, 1819 | 29 | 2CL,2FL,2HN,B |
//54/33//32/11//21/27- | 2/4 | Turkish Quick Step (t) | AI-A | Goodale Dir, 1829 | 33 | 2CL,2FL,2HN,B |
//54/33//32/11//21/27- | 2/4 | Turkish Music (t) | IC-E | Goulding Clar, 1803 | 24 | CL |
//5433//3211//2127- | 2/4 | Turkish Music (t) | IC-E | Goulding Fife, 1790 | 8 | FI |
//54/33//32/11//21/27- | 2/4 | Turkish March (t) | AI-A | Herrick Preceptor, 1807 | 24 | 3MI,B |
//54/33//32/11//21/27- | 2/4 | Turkish Quick Step (t) | AM-A | Hiester MS-2, 1793 | 64 | MI |
//54/33//32/11//21/27- | 2/4 | Turkish March (t) | AI-A | Hulbert Fife, 1811 | 16 | FI |
//5433//3211//2127- | 2/4 | Turkish Quick Step In the Battle of Prague (t) | AI-A | Instrum Asst-2, 1807 | 46 | 2CL,2HN,B |
//54/33//32/11//21/27-// | 2/4 | Turkish March (t) | AM-A | Irving MS, 1796 | 47 | 2 MI |
//54/33//32/11//21/27- | 2/4 | Turkish March (t) | AI-A | Klemm Clar, 1825 | 22 | CL |
//54/33//32/11//21/27-// | 2/4 | Turkish March (t) | AM-A | Pierian MS, 1810 | 14-15 | 2MI,B |
//54/33//32/11//21/27- | 2/4 | Turkish March (t) | IC-E | Preston Bassoon, 1790 | 11 | BS |
//5433//3211//2127- | 2/4 | Turkish March (t) | IC-E | Preston Fife, 1796 | 24 | FI/GF |
//54/33//32/11//21/27- | 2/4 | Quick March In Battle of Prague (t) | AI-A | Robinson Coll, 1820 | 52-53 | 3MI,B |
//54/33//32/11//21/27- | 2/4 | Quick March In the Battle of Prague (t) | AI-A | Robinson Coll, 1826 | 56 | 3MI,B |
//54/33//32/11//21/27- | 2/4 | Turkish Music In the Battle of Prague (t) | AI-A | Shaw Gentlemen, 1807 | 15 | 2CL,BS |
//5433//3211//2127- | 2/4 | Turkish March (t) | AI-A | Village Fifer, 1808 | 42 | 2FI |
//54/33//32/11//21/27- | 2/4 | March In the Battle of Prague (t) | AI-A | Williams Fife, 1826 | 8 | 2FI |
//54/33//32/11//21/27-// | 2/4 | Selection From the Battle of Prague, Turkish Music Quick Step (t) | AI-A | Willig Flute, 1795 | 18 | GF |
//54/33//32/11//21/27-// | 2/4 | Turkish March (t) | IC-E | Wilson Fife, 1805 | 29 | 2FI |
//54/33//32/11//21/27- | 2/4 | Allegro (t) | IC-E | Wragg Oboe, 1792 | 52 | 2OB |
//54/33//3211//21/27-//1 | 6/8 | Quick March from the Battle of Prague (t) | AI-A | Gent's Amus, 1794 | 41 | 2GF/2VN |
//54/33//32/11//21/27-//1 | 6/8 | Quick March from the Battle of Prague (t) | AI-A | Gent's Amus, 1795 | 41 | 2GF |
//54/33//32/11//21/27-//1 | 2/4 | Quick Step In the Battle of Prague (t) | AI-A | Military Amus, 1796 | 8 | 2GF/2VN/2FI/2OB |
//54/33//32/11//21/27-//1232 | 3/4 | Battle of Prague, The. Turkish Music (t) | AI-A | American SS-SM | 6 | PF/HA |
//5433//3211//23234//42//3457- | 3 | Despairing Shepherd a New Song, The (t) | SS-E | SS, Folger-C42.4 | 39 | VO,KB+FL |
//5433//3211//23234//42//3457-//1236- | 3 | Despairing Shepherd, The (t), or New Song, A (at) | SS-E | SS, Harvard | 1 | VO,B+FL |
//5433//3211//23234//42//3457-//1236- | 3 | Despairing Shepherd, The (t), or New Song, A (at) | SS-E | SS, Harvard | 1 | VO,B+FL |
//5433//321//2344//432 | 3 | Air 6 (t) | BA-E | Fashionable, 1730 | 10 | VO |
//5433//321//2344//432 | 3/4 | Air 9, Act I (t) | BA-E | Love/Riddle, 1729 | T14M79 | VO |
//5433//321//2344//432 | 3/4 | Song 66 (t), or Despairing Shepherd, The (at) | SC-E | Ritson, 1783 | TI,75-76;MIII,34 | VO |
//5433//321//2344//432//3451 | 3 | Despairing Shepherd, The (t) | SC-E | Watts MM-2, 1729 | 14-16 | VO/VN+FL |
//5433/3215-//6-6-/4217-//17-123234/5433 // |
2/4 | Quick Step, A (t) | MS-S | Fife MS, 1780 | 402,41v | 1FI OR 2FI/VN |
//54/33//32/21//21/27-// | 2/4 | Turkish March (t) | MS-S | Fife MS, 1780 | 121v | 1FI OR 2FI/VN |
//5433/322//343/21//3453/454 | 6/8 | AM-A | Cabot MS, 1784 | 32 | GF | |
//5/43//3/3//26/54 | 2/4 | One Kind Kiss (t) | IC-E | Thompson Clar, 1785 | 20 | CL |
//543/33//3/1+//432/22 | 2/4 | Handel's March (t) | IC-E | Bremner Oboe, 1775 | 10 | OB |
//543/33//3/1//432/22 | 2/4 | Charles (t) | DA-E | Johnson CD-3, 1744 | 51 | VN/GF |
//543/33//3/1+//432/22 | 2/4 | Handel's March (t) | IC-E | Johnson Oboe, 1750 | 9 | OB |
//543/33//3/1+//432/22 | 2/4 | Handel's March (t) | IC-E | Simpson Oboe, 1746 | 10 | OB |
//543/33//3/1+//432/22//2//321/ | 2/4 | Charles (t) | IC-E | Johnson Flute, 1760 | 13 | GF |
//54333/31+//43222/2//3217-12/16 | C/ | Air (t) | IC-E | Delightful-1, 1763 | III,24 | 2GF |
//543/33//321/12//321/15313 | 6/8 | For ever farewell love hears its own knell (fl) | AM-A | Marchant MS, 1783 | 45 | VO,KB |
//5/4//333/32//1/1+76 | C | New Derbyshire March (t) | IC-E | English Sheet Music | HA/VN/GF | |
//5/4//333/32//1/1+76 | C | Genl Mollendorf's March (t) | IC-E | Skillern Amus, 1785 | 93 | 2GF |
//543/333//321/11//111/111//11 | 6/8 | Chorus (t) | TW-E | Seraglio, 1776 | 6-9 | VO,KBF |
//543333345//432222234//3215431+76//5354 243//4 |
3/4 | Rising of the Bowers, The (t) | TW-E | Harlequin Dr. F, 1766 | 8 | HAF,GF/VN |
//5433/33//345-/5-6-5- | 6/8 | Duet (t) | TW-E | Choice/Harleq, 1781 | 67-69 | 2VO,HAF |
//543/33345//432/222//345/434 | C | Ballance a Straw (t) | AM-A | Perkins MS, 1790 | 20 | MI |
//543/333//5432/22//4321/123 | 2/4 | Said a Smile to a Tear (t) | AI-A | Blake Amus 3, 1825 | 16 | CL |
//543/333//5432/22//4321/123 | 2/4 | Said a Smile to a Tear (t) | AI-A | Riley Flute 1, 1814 | 63 | FL |
//543/33432//15-/5-112 | 2/4 | If Tis Joy to Wound a Lover (t) | IC-E | Longman Flute, 1769 | 27 | GF |
//543/33432//15-/5-113 | 2/4 | If 'Tis Joy to Wound a Lover (t) | AM-A | Marchant MS, 1783 | 21-23 | VP,KB |
//543/33432//15-/5-113//1335 | 2/4 | If 'Tis Joy to Wound a Lover (t) | IC-E | Longman Oboe, 1770 | 22 | OB |
//543/33432//15-/5-113//1335 | 2/4 | If 'Tis Joy to Wound a Lover (t) | SS-E | SS, New York PL-C695 | 45,1-2 | VO,B+GF |
//543/33432//15-/5-113//1335/5432 | 2/4 | If 'Tis Joy to Wound a Lover (t) | AM-A | Turner MS, 1788 | I,32-33 | VN |
//543/33432//15-/5-113//1335/5443 | 2/4 | If 'Tis Joy to Wound a Lover (t) | IC-E | Cahusac Oboe, 1790 | 32 | OB |
//543/33432//15-/5-113//1335/5443 | 2/4 | If Tis Joy (t) | AM-A | Hawkins MS, 1794 | II,70 | GF |
//543/33432//15-/5-113//1335/5443 | 2/4 | If 'Tis Joy to Wound a Lover (t) | IC-E | Longman Pb, 1778 | 94-95 | VO/GF |
//54333432//15-/5-113//1335/5443 | 2/4 | Song 14 (t) | SC-E | Ritson, 1783 | TI,119;MIII,55-57 | VO |
//543/33432//15-/5-113//1335/5443 | 2/4 | If 'Tis Joy to Wound a Lover (t) | SC-E | Vocal Music, 1778 | 230-233 | VO/VN/GF |
//543/33432//15-/5-113//1335/5443//32 | 2/4 | If 'Tis Joy to Wound a Lover (t) | SS-E | SS, Harvard | 1-2 | VO,KB+GF |
//543/33434//15-/5-113 | 2/4 | If 'Tis Joy to Wound a Lover (t) | SS-E | SS, Folger-C52 | 166,2-168 | FL,BS,2VN,B,VA,VO |
//5433//3453//4322//2342//342//342 | 3/8 | Non E'ver Che Fia Contento (t) | IC-E | Longman Clar, 1780 | 22-23 | 2CL |
//5433//3531+3//4322//2234//321324 | 3/4 | Lady Ann Dunclass's Minuet (t) | MS-S | Gillespie MS, 1768 | 72 | VN |
//5433//3531+3//4322//2//321324//345 | 3/4 | Miss Martins Minuett (t) | AM-A | Curtiss MS, 1800 | 75 | 2VN |
//5433/353/51+5//5433/535/1+6 | 9/8 | Rival Mimicks (t) | DA-E | Johnson CD-5, 1750 | 5 | VN/GF |
//5433/353/51+5//5433/535/1+6// | 9/8 | Rival Mimics, The (t) | DA-E | London Magazine | 326, 1750 | MI |
//5433/353/51+5//544433/535/1+6//5433/35 3/51+5 |
9/8 | Rival Mimics, The (t) | DA-E | Walsh CD-3.5, 1754 | 51 | VN//OB/GF |
//54/3342//111/15//565/443 | C/ | Schweitzer Retraie. No 51 (t) | MS-G | Darmstadt MS 1225 | 321-22 | 2MI |
//5/4//334//223//113 | 2/4 | Air (t) | AM-A | Aborn MS, 1790 | 48-49 | 2MI |
//5/4//334//223//113//224//321 | 2/4 | Air (t) | IC-E | Delightful-2, 1745 | II,15 | 2GF |
//5433424325433427-1 | Lover's Retreat (t) | AM-A | Dickinson MS, 1800 | 33 | CL/GF/OB | |
//54/33//432/11+//1+76/531 | 6/8 | Huntsmans Call, The (t) | IC-E | Thompson Hunting, 1770 | 2:29(82) | 2VO+2GF/GT |
//5-4-/3-3-//4-3-4-5-/3-2-3-4-//5-6-5-/1 17-1 |
C | Marche (t) | MS-G | Darmstadt MS 1223 | 2OB,2CL,2HN,TR, | |
//54/33//44/22//33/53// | 2/4 | Quick Step. Horn Solo (t) | AM-A | Johnson, F. MS, 1820 | 53 | PF |
//54/33//44/2//3243/6543//3231 | 2/4 | Brown Rondo-3 (t) | AI-A | Brown Rondos, 1787 | 5-6 | PF/HA |
//5433//442//356543 | 2/4 | Union, The (t) | AI-A | Village Fifer, 1808 | 49 | FI |
//5/4//3345/2234//3531/2427-// | 2/4 | Babillardes, Les. Contredanse Nouvelle (t) | DA-F | LaCuisse Rep CD LC-2, 1764 | 42 Feuille 2. Vol | KB |
//5-/4-//3-/3-4-//5-/4- | C/ | Let There Be Light (t) | AI-A | Holyoke Masonic, 1803 | 2 | 2MI,B |
//543/345//432/234//3 | 6/8 | Giga (t) | TW-E | Harlequin Dr. F, 1766 | 19 | HAF,GF/VN |
//543/345//432/234//32345/32345 | 6/8 | Amesbury H. M. (t) | AM-A | Allen, W. MS, 1790 | 34-37 | 2MI,2VO,B |
//543/345//432/2//432/234//311 | 6/8 | Pantomime Tune (t), or Street Scene (at) | TW-E | Genius, 1784 | 10 | HA |
//543//345//51+1+//1+1+2+//3+2+1+//1+65/ / |
3/4 | Sandy and Jenny (t) | AM-A | White, G. MS, 1790 | 116 | VN |
//543//345//51+1+//1+2+//3+2+1+ | 3/4 | Sandy and Jenny (t) | AM-A | Canfield MS, 1823 | 54-55 | 2FL |
//5-4-3-//3-4-5-//5-11//12//321 | 3/4 | Sandy & Henny-(a Scotch Song) (t) | AM-A | Kingsley MS, 1795 | MI,55TII,95-96 | 2MI/2VO,B |
//543//345//51+1+//1+2+//3+2+1+ | 3/4 | Sandy and Jenny (t) | AI-A | Riley Flute 1, 1814 | 18 | FL |
//5-4-3-//3-4-5-//5-11//12//3-21//16-5- | 3/4 | Sandy & Jenny (t) | AM-A | Beach MS, 1801 | 22 | VO |
//543//345//51+1+//1+2+//3+2+1+//1+65// | 3/4 | Sandy and Jenny (t) | AM-A | Cushing MS, 1805 | 128 | MI |
//543//345//51+1+//1+2+//3+2+1+//1+65 | 3/4 | AM-A | Van Schaack MS, 1820 | 50 | FI/FL | |
//543//345//51+1+//1+2+//3+2+1+//1+65 | 3/4 | Sandy & Jenny (t) | AM-A | Woodruff MS, 1803 | 101-2 | MI |
//543/345//564/24//321/17-1 | 6/8 | Favorite Rondo, A (t) | MS-E | Brown, W. MS, 1797 | 52-53 | MI |
//543/345//564/24//321/17-1 | 6/8 | March 34 (t) | IC-E | Button Whit-2, 1806 | 58-59 | 2GF/2VN/2FI |
//543/345//564/24//321/17-1 | 6/8 | Prince's Royal, The (t) | IC-E | Goulding Fife, 1790 | 23 | FI |
//543/345//564/24//321/17-1 | 6/8 | Fisher's Rondo (t) | AI-A | Instrum Asst-2, 1807 | 22-23 | 2MI,B |
//543/345//564/24//321/17-1 | 6/8 | Favorite Rondo by Mr. Fischer, A (t) | IC-E | Longman Clar, 1780 | 25 | 2CL |
//543/345//564/24//32117-1 | 6/8 | Princess Royal, The (t), or Favourite Rondo, A (at) | SS-E | SS, New York PL-C695 | 44 | 2MI,HA |
//543/345//564/24//321/17-1 | 6/8 | Rondo by Fisher (t) | IC-S | Stewart Airs, 1788 | 2:110-11 | GF/VN/FI |
//543/345//564/24//321/17-1 | 6/8 | March 34 (t) | IC-E | Thompson Pocket, 1790 | 58-59 | 2GF/VN/FI |
//543/345//565/24//321/17-1//2 | 6/8 | Princess Royal (t) | DA-E | Longman CD, 1781 | 11 | VN/OB/GF |
//543/345//566/65//434/234 | 6/8 | Pastorale (t) | IC-E | Balls Amus 3, 1815 | 23 | FL/VN |
//543/345//566/65//434/234 | 6/8 | Pastorale (t) | IC-E | Balls Amus 3, 1830 | 23 | FL/VN |
//543/34/5//6/1//243/17- | 3/4 | Distress'd Shepherd a Song, The (t) | SS-E | SS, Folger-C42.4 | 412 | VO+FL |
//543/345//6/1//243/17-6 | 6/8 | Air 14(air Iii) (t) | BA-E | Beggar's Opera, 1728 | T52-53M14 | VO |
//543/345//6/1//243/17-6- | 6/8 | Air 54 (t) | BA-E | Beggar's Opera, 1777 | 105-106 | VO |
//543/345//6/1//243/17-6- | 6/8 | Alack and Well a Day (t) | IC-E | Caledonian PC, 1760 | VIII,27 | GF/VN |
//543/345//6/1//243/17-//6- | 6/8 | Distres'd Shepherd, The (t), or Song, A (at) | SS-E | SS, Harvard | 1,DUP | VO+FL |
//543/345//6/1//243/17-//6- | 6/8 | Distres'd Shepherd, The (t), or Song, A (at) | SS-E | SS, Harvard | 1 | VO+FL |
//543/345//6-/1//243/17-//6-/67 | 6/8 | Distress'd Shepherd, The (t) | SC-E | Pills 6, 1719-20 | 284-5 | VO |
//543/345//6/3//123/217- | 6/8 | Poor Shepherd In Love, A (t) | DA-E | Walsh CD-1.2, 1719 | 285 | VN/OB |
//543/345//63/1//243/17-6- | 6/8 | Air 54 (t) | BA-E | Beggar's Opera, 1765 | 85 | VO |
//543/345//64/234//321/123 | 6/8 | General, The (t) | DA-E | Thompson CD-3, 1773 | 1 | VN/GF/OB |
//543/345//64/234//321/123// | 6/8 | General, The (t) | DA-E | Thompson CD-3a, 1773 | 1 | VN/GF/OB |
//54/33//4564/32//11+1+1+/1+765 | C | Romanza (t) | IC-E | Goulding Clar, 1803 | 26-27 | 2CL |
//54/33//4564/32//11+1+1+/1+765 | C | Sixth Duetto (t) | AI-A | Instrum Asst-2, 1807 | 66-67 | 2MI,B |
//54/33//4564/32//11+1+1+/1+765// | C | Romanza (t) | AM-E | Wheatstone Clarinet, 1801 | 68-69 | 2CL |
//543/345//6/6-//123/217- | 6/8 | Poor Shepherd In Love, A (t) | PL-E | Playford 2-3, 1718 | 263 | VN |
//543/345//6/6-//123/217- | 6/8 | Poor Shepherd In Love, A (t) | PL-E | Playford 2-4, 1728 | 263 | VN |
//543/345//671+/2+75//3+1+6/567// | 6/8 | No Good Without an Exception (t) | AM-A | Irving MS, 1796 | 40 | 1 MI |
//5/4//335//223//113//224 | 2/4 | Air (t) | IC-E | Thompson Horn, 1755 | 25 | 2HN |
//54335//3211//1+551+//654//43655//5433 | 3/4 | Cease oh cease to overwhelm me (fl) | TW-E | Maid/Mill, 1765 | 52-53 | VO,HAF |
//543//354/3123//432//1111/17-123234 | C | Quelle Peine (t) | IC-F | Vanderhagen Pcs, 1787 | 17:2-3 | 2CL,2HN,2BS |
//54/33//54/31//24/32 | 2/4 | Quick Step 6 (t) | IC-E | Giordani March, 1780 | 10 | HA/PF |
//543/35//432/24//321/217- | 6/8 | 2d Quick Step 2d Battn Royals (t) | IC-S | Aird 2, 1785 | 14 | FI/VN/GF |
//543/35//432/24//321/217-// | 2/4 | Damod and Phillis. Adagio (t) | AM-A | Gansevoort MS, 1778 | 29 | FL |
//543/35//51+3+//3+1+/5+3+//2+51+// | C/ | Flower of Glascow, The (t) | DA-E | Universal Magazine | 1:201, 1760 | MI |
//54/33//65/43//434/6-7-1 | 6/4 | Air 6 (t) | BA-E | Devil To Pay-1, 1731 | 6 | VO |
//54/33//65/43//434/6-7-1//2342/7-2 | 6/4 | Air 6 (t) | BA-E | Decoy, 1733 | T8M2 | VO |
//5433/654//35/4532 | C | In vain I fly from sorrow (fl) | SS-E | SS, Folger-C42.1 | 255 | VO,KB+FL |
//54/33//65/44//434/6-7-1//2342/7- | 6/4 | Air 11 (t) | BA-E | Momus Turnd Fab, 1729 | 20 | VO |
//543/42//11/17-1//65/43 | 6/8 | Vermont. French Country Dance (t) | AI-A | Duport CD, 1800 | 3 | PF |
//54/342/11//345/51+3/51+// | 9/8 | Woo'd and Married and a' (t) | MS-C | Molyneaux MS-2, 1788 | 41 | 1 OR 2 GF |
//54/342/11//345/51+3/56//564/342/123 | 9/8 | Woo'd and Married and a' (t) | SC-S | Scots MM-1, 1787 | 10-11 | VO,PF |
//54/342//1/1+//54/342 | 6/8 | Dudstone Hall (t) | DA-E | Johnson CD-5, 1750 | 46 | VN/GF |
//54/342//1/1+//76/71+2+ | 6/8 | Giga (t) | IC-E | Caledonian PC, 1760 | V,15 | GF/VN |
//54/34//2123/134//56/71+ | C | Battle of Leipsig, The. Austrian March (t) | IC-E | English Sheet Music | PF,VN/FL,VC | |
//543//4212//315//64//323434// | C3 | Minuet (t) | IC-E | Apollo's Banquet 1-5, 1687 | B38 | VN |
//543//4212//315//64//323434//543// | 3 | Minuet (t) | IC-E | Apollo's Banquet 1-7, 1693 | 55 | VN/FL |
//543//4212//315//64//323434//543// | 3 | Minuet (t) | IC-E | Apollo's Banquet 1-7, 1693 | 57 | VN/FL |
//54342/13//45654/35//6442/5331 | C | Kitty Fisher (t) | SC-E | Clio-2, 1759 | 170 | VO,HA |
//54/342/1//55/51+3/51+ | 9/8 | Woo'd and Married and a' (t) | DA-E | Rutherf CD-2.2, 1760 | 89 | MI |
//543/421//7-6-5-/123//456/543// | 3 | New La Monsieur (t) | IC-E | Apollo's Banquet 1-7, 1693 | 29 | VN/FL |
//543421//7-6-5-123//456543//222//234534 // |
C3 | New Corant Monsier, The (t) | IC-E | Apollo's Banquet 1-2, 1678 | A56 | VN |
//543421//7-6-5-123//456543//222//234534 // |
C3 | New La Monsieur (t) | IC-E | Apollo's Banquet 1-5, 1687 | A43 | VN |
//543421//7-6-5-123//456543//222//234534 // |
C3 | New La Monsieur (t) | IC-E | Apollo's Banquet 1-6, 1690 | A43 | VN |
//543//42//217-12//31234//543//42 | 3/4 | Menuet Et Revell (t) | MS-G | Darmstadt MS 1224 | 340 | MI |
//5-4-3-/4-2-//3-1-1-/1-2-3-//4-4-4-/5-6 - |
2/4 | Battle of Leipsig, The. Formation of the Swedish Troops (t) | IC-E | English Sheet Music | PF,VN/FL,VC | |
//5/4342//31+/61+//51+/71+2+3+// | 2/4 | Eliska, La (t) | AI-A | Hewitt Cots-2, 1803 | 13 | PF |
//5-4-3-4-//2-32//123 | 3/4 | So Merry as We Twa Have Been (t) | IC-E | Thumoth, 1785 | 6-7 | GF/VN,HAF |
//5/4342//3555/51//232/17-6-5- | 2/4 | Fly Swift Ye Zephyrs (t) | AI-A | Riley Flute 2, 1817 | 22 | FL |
//54342/35//61+/75//65676767/54565656 | C | Nightengale Lark & Linnets, The (t) | SC-E | Musical Ent-1, 1740 | 85-86 | 4VO,KBF |
//54342/35//61+/75//65676767/54565656 | C | Shrill Ton'd Lark, The (t) | SS-E | SS, Harvard | 1 | 3VO |
//543/425//31/13//217-/1 | C3 | Short's Garden (t) | PL-E | Playford 1-08, 1690 | 188 | VN |
//543/425//31/13//217-/16-2 | C3 | Short's Garden (t) | PL-E | Playford 1-09, 1695 | 129 | VN |
//543/425//31/13//217-/16-2 | 6/4 | Short's Garden (t) | PL-E | Playford 1-10, 1698 | 129 | VN |
//543/425//31/13//217-/16-2 | 6/4 | Short's Garden (t) | PL-E | Playford 1-11, 1701 | I,129 | VN |
//543/425//31/13//217-/16-2 | 6/4 | Short's Garden (t) | PL-E | Playford 1-12, 1703 | 129 | VN |
//543/425//31/13//217-/16-2 | 6/4 | Short's Garden (t) | PL-E | Playford 1-13, 1706 | 129 | VN |
//543/425//31/13//217-/16-2 | 6/4 | Short's Gardens (t) | PL-E | Playford 1-17, 1721 | 129 | VN |
//543/425//31/13//217-/16-2 | 6/4 | Short's Gardens (t) | PL-E | Playford 1-18, 1728 | 129 | VN |
//543/425//31/13//217-/16-2 | 6/4 | Short's Garden (t) | DA-E | Walsh CD-1.1, 1718 | 142 | VN/OB/FL |
//543/425//31/13//217-/16-2//7- | C3 | Short's Garden (t) | PL-E | Playford 1-07, 1686 | 201 | VN |
//543/425//31/13//217-/17-2 | 6/4 | Short's Garden (t) | PL-E | Playford 1-14, 1709 | 129 | VN |
//543//4254//3161//7-1 | 3/4 | Favourite Song In Griselda, A (t) | SC-E | Pocket Comp, 1725 | 9 | VO,HAF+FL |
//543//4254//3161//7-1//23 | 3/4 | Favourite Song, A (t) | SS-E | SS, Folger-C42.3 | 342 | VO,KB+FL |
//543/425//5-1/13//217-/16-2 | 6/4 | Short's Garden (t) | PL-E | Playford 1-15, 1713 | 129 | VN |
//543/425//5-1/13//217-/16-2 | 6/4 | Short's Garden (t) | PL-E | Playford 1-16, 1716 | 129 | VN |
//54//3/4//2/7- | 2/4 | Dans le Bosquet (t) | IC-F | Bonjour Recueil, 1800 | 3:4 | VN/FL |
//54//3/4//27-//1/1 | 2/4 | Dans le Bosquet (t) | IC-F | Vanderhagen Pcs, 1787 | 21:3 | 2CL,2HN,2BS |
//543/427-//121/17-6-//5-4-3-/2-5-2-// | 6/8 | Quick Step, A (t) | MS-S | Fife MS, 1780 | 421,43v | 1FI OR 2FI/VN |
//5434//31//234//534231 | 3/8 | Favourite Minuet, A (t) | SC-E | Pocket Comp, 1725 | 111 | VO,HAF+FL |
//5434//31//234//534231//234 | 3/8 | Phillis Advised (t) | SC-E | Musical Ent-2, 1740 | 72 | VO,HAF+FL |
//5434/31+6//5234/31 | C | Song 6 (t) | SS-E | SS, Folger-C52 | 92,2-93,1 | MI,VO,KB |
//5434//31+//764+2+1+7//71+5//54563//345 2 |
3/8 | Si Jamais Je Prend Un Epoux (t) | MS-F | Darmstadt MS 1187 | 2CL,2HN,2BS | |
//543/432//111/11+//61+/55 | 6/8 | Nelsons Air (t) | AM-A | Commonplace MS, 1797 | 37 | FI |
//543/432//111/12//543/432// | C/ | Fatigue March (t) | AM-A | Bevens MS, 1825 | 13r | FI |
//543/432//111/234//543/432// | 2/4 | Fatique (t) | AM-A | Bevens MS, 1825 | 22v-23r | FI |
//543/432//11/134//543 | 6/8 | Pioneers March, The (t) | IC-E | Longman Oboe, 1770 | 30 | OB |
//543/432//11/134//543 | 6/8 | Pioneers March, The (t) | IC-E | Longman Oboe, 1780 | 30 | OB |
//543/432//11/134//543/432 | 6/8 | Fatigue (t), or Pioneers March (at) | AI-A | Ashworth D&F, 1812 | 32 | FI |
//543/432//11/134//543/432 | 6/8 | Pioneers March (t) | AM-A | Beach MS, 1801 | 103 | MI |
//543/432//11/134//543/432 | 6/8 | Pioneer's March (t) | AM-A | Beck MS, 1786 | 69 | GF |
//543/432//11/134//543/432 | 6/8 | Pioneers March (t) | IC-E | Bennett Fife, 1770 | 21 | FI ; FI |
//543/432//11/134//543/432 | 6/8 | Pioneers March (t) | AI-A | Camp Dupont, 1816 | 9 | 2GF/FI/VN,PF |
//543/432//11/134//543/432 | 6/8 | Pioneers March (t) | IC-E | Clementi Fife, 1815 | 18 | FI |
//543/432//11/134//543/432// | 6/8 | Oses March, The (t) | MS-S | Fife MS, 1780 | 135b,12r | 1FI OR 2FI/VN |
//543/432//11/134//543/432 | 6/8 | Pineers March &c (t) | AM-A | Gibbs MS, 1777 | 31 | FI |
//543/432//11/134//543/432 | 6/8 | Pioneer's March (t) | AI-A | Hazeltine D&F, 1810 | 25 | FI,DR |
//543/432//11/134//543/432 | 6/8 | Pioneers March (t) | IC-E | Longman Fife, 1770 | 24 | FI |
//543/432//11/134//543/432 | 6/8 | Pioneer's March (t) | IC-E | Longman Fife, 1780 | 18 | FI/GF |
//543/432//11/134//543/432 | 6/8 | Pioneers March, The (t) | IC-E | Potter Fife, 1817 | 21 | FI |
//543/432//11/134//543/432 | 6/8 | Pioneer's March, The (t) | AI-A | Robbins D&F, 1812 | 59 | FI |
//543/432//11/134//543/432 | 6/8 | Fatigue, The (t), or Pioneer's March (at) | AI-A | Rumrille D&F, 1817 | 35 | FI |
//543/432//11/134//543/432 | 6/8 | Pioneers March (t) | IC-E | Rutherford Fife, 1756 | 10 | FI |
//543/432//11/134//543/432 | Pioneers March, The (t) | MS-E | Shepherd MS, 1787 | 7 | MI | |
//543/432//11/134//543/432 | 6/8 | Pioneers March (t) | IC-E | Skillern Fife, 1780 | 19 | FI/GF |
//543/432//11/134//543/432 | 6/8 | Pioneers March (t) | IC-E | Thompson Fife, 1760 | 24 | FI |
//543/432//11/134//543/432 | 6/8 | Pioneers March (t) | IC-E | Thompson Fife, 1770 | 28 | FI |
//543/432//11/134//543/432// | 6/8 | Pioneers March (t) | IC-E | Thompson Fife, 1786 | 19 | FI/FL |
//543/432//11/134//543/432 | 6/8 | Pinears March, The (t) | AM-A | Thompson MS, 1777 | 20 | FI |
//543/432//11/134//543/432// | 6/8 | Pioneer's March (t) | AM-A | Treat MS, 1779 | 13 | FI/GF |
//543/432//11/134//543/432 | 6/8 | Pioneer's March (t) | AM-A | Van Schaack MS, 1820 | 17 | FI/FL |
//543/432//11/134//543/432// | 6/8 | Whors March, The (t) | MS-E | Vickers MS, 1770 | 159c | MI |
//543/432//11/134//543/432 | 6/8 | Pioneers March (t) | AM-A | Williams, W. MS, 1775 | 21 | FI |
//543/432//11/134//543/432 | 6/8 | Pioneers March (t) | AI-A | Willig Fife, 1805 | 23 | FI |
//543/432//11/15-//17-1/234 | 6/8 | Soirre du Vauxhall, La (t) | IC-S | Stewart Airs, 1788 | 1:37 | GF/VN/FI |
//543/432/1/1//345/543 | 6/8 | Touch on the Times, A (t) | SC-E | Musical Cent-2, 1740 | 4 | VO,KB+FL |
//5/434//3/212//135/543 | 6/8 | Quick Step (t) | AI-A | Webb Divs 2, 1828 | 3 | 2CL,CLS,2HN,2BS,2FL,FLP,TR, |
//543//432//12143//65432 | 2/4 | Harlequin In Despair (t) | TW-E | Choice/Harleq, 1781 | 35 | VO,HAF |
//543/432//1234/51+//5/4 | 2/4 | Cantata (t) | SS-E | SS, Folger-C42.3 | 205,2-206,1 | VO,KB+FL |
//54/34//32/12//34/56 | 6/4 | English Padlock, The (t) | SC-E | Clio-3, 1762 | 170-171 | VO,HAF |
//543/432//1/2//345/643//2 | 6/8 | Hail to the Myrtle-Shade! (t) | SC-E | Vocal Music, 1775 | 148-149 | VO/VN/GF |
//5/4//343/2//131/2342// | 2/4 | Rondo: Allegro (t) | IC-E | Welcker Cots, 1768 | 9 | GT |
//5-434//3//213242//7-1//5-6- | 3/8 | Air In Demetrio (t) | SC-E | Monthly Melody, 1760 | II,35 | GT |
//543/432//1/4321 | C/ | Favourite Air, A (t) | SC-E | Clio-3, 1762 | 129-130 | VO,HAF |
//54//34321//45654//35//6-43 | 3/4 | Damon to Delia (t) | SS-E | SS, Boston PL-2 | 302 | VO,KB+GT |
//54//3432//154//3432//123//321 | 3/4 | Air 50 (t) | IC-N | Roger Airs, 1716 | 2:8-9 | 2CH/TR/OB/VN/FL/CL/HN |
//54/34//32/15//54/34//32 | 6/8 | Tell Me Where Is Fancy Bred (t) | AI-A | Carr Ballads, 1794 | 6-7 | VO,KB |
//5-4/3432//15-5-/5-15-//6-23/4321 | C/ | General Kray's Grand March (t) | AI-A | Bacon Marches, 1816 | 4 | MI |
//543/4321//6-1/16//543/4321// | C/ | IC-E | Geoghegan Pastoral, 1746 | 10 | BP | |
//543/4321//6-1/16//543/4321// | C/ | Scotch Treasure, A (t), or Carrollans Receipt (at) | MS-C | Molyneaux MS-1, 1788 | 43 | GF |
//543//432//17- | 3 | Air 29 (t) | BA-E | Silvia, 1731 | 33 | VO |
//543/432//17-1/234//35-3/543 | 2/4 | Merry Grigg (t) | DA-E | Johnson CD-5, 1750 | 46 | VN/GF |
//543//432//17-//132 | 3 | Air 16 (t) | BA-E | Generous Free, 1731 | 30 | VO |
//543//432//1//7-//132 | 3/4 | Forsaken Maid a New Song, The (t) | SS-E | SS, Folger-C42.1 | 149 & 173 | VO,KB+FL |
//543//432//1//7-//132 | 3/4 | Forsaken Maid a New Song, The (t) | SS-E | SS, Folger-C42.4 | 297 | VO,KB+FL |
//543//432//1//7-//132 | 3/4 | Forsaken Maid, The (t), or New Song, A (at) | SS-E | SS, Huntington-1 | 50 | VO,KB+FL |
//543//432//17-//132//3543 | 3 | Air 5 (t) | BA-E | Trick For Trick, 1735 | 16 | VO |
//543//432//17-//132//3543 | 3 | Fond echo, Forbear thy light strain (fl) | SC-E | Watts MM-2, 1729 | 124-125 | VO/VN+FL |
//543//432//1//7-//132//3543//2 | 3/4 | Forsaken Maid, The (t) | SC-E | Calliope, 1746 | I,66 | VO,B+FL |
//543//432//1//7-//132//3543//2 | 3/4 | Forsaken Maid, The (t), or New Song, A (at) | SS-E | SS, Harvard | 1 | VO,B+FL |
//543//432//1//7-//132//3543//2 | 3/4 | Forsaken Maid, The (t), or New Song, A (at) | SS-E | SS, Harvard | 1 | VO,B+FL |
//5-4-3-/4-3-2-//3-1-/1-2-//3-2-3-/4-3-2 -1- |
2/4 | Fahnen Tropp V. Printz V. Bevern (t) | MS-G | Darmstadt MS 1224 | 329,331 | 2MI |
//543/432//31/12//323/4321 | 2/4 | Fahnen Tropp No 8. V. Bevern (t) | MS-G | Darmstadt MS 1225 | 23-24 | 2MI |
//543//4323//123//4323//1+76//71+2+75 | 3/4 | Minuet (t) | IC-E | Simpson Horn, 1745 | 20 | 2HN |
//543/432//312/7-6-5-//345/64// | 3 | New Provo (t) | IC-E | Apollo's Banquet 1-7, 1693 | 25 | VN/FL |
//543432//3127-6-5-//34564//5554//321453 // |
C3 | New Provo (t) | IC-E | Apollo's Banquet 1-6, 1690 | A39 | VN |
//543432//3127-6-5-//34565434//5554//321 453// |
C3 | New Provo, The (t) | IC-E | Apollo's Banquet 1-2, 1678 | A40 | VN |
//543432//3127-6-5-//34565//5554//321453 // |
C3 | New Provo (t) | IC-E | Apollo's Banquet 1-5, 1687 | A36 | VN |
//54//343231//432 | 3/4 | Night Piece (t) | IC-E | Oswald Airs, 1758 | 2 | 2VN/2GF/2GT |
//543//432//321//2//321 | 3/4 | Huntsmans Song, The (t) | SS-E | SS, Folger-C42.2 | 177,2-178,1 | VO,KB+F |
//543//432//321//2//421 | 3/4 | Huntsmans Song, The (t) | SS-E | SS, Folger-C42.3 | 404,2-405,1 | VO,KB+FL |
//543/432//321/36//25/12321 | 2 | Favourite Song, A (t) | SC-E | Clio-4, 1778 | 33 | VO,HA+GT |
//543//432//321//55//654//1+76//543 | 3/4 | Dorinda (t) | SC-E | Watts MM-6, 1731 | 161-162 | VO,HA |
//543/432//3217-/1234//543/4 | C/ | Lamair's Frolick (t) | DA-E | Bride CD, 1776 | III,68 | VN/OB/GF |
//543/432//321/7-5-//6-65/543 | 6/8 | Miss Campbell's Jig (t) | IC-S | Aird 5, 1797 | 40 | FI/VN/GF |
//543/432//321/7-5-//6-65/543// | 6/8 | Miss Campbell's Jig (t) | MS-S | Fife MS, 1780 | 767,84r | 1FI OR 2FI/VN |
//543/432//321/7-6-5-//6-7-1/234 | 6/8 | Mother Midnight's Taste (t) | DA-E | Bride CD, 1776 | III,31 | VN/OB/GF |
//543/432//3231425364//256543432//323451 +32 |
2/4 | Paw Pau (t) | DA-E | Walsh CD-2.4, 1747 | 127 | MI |
//543/432//3231425364//256543432//323451 +32// |
2/4 | Paw Pau (t) | DA-E | Walsh CD-3.4, 1747 | 127 | VN/OB/GF |
//543//432//34321//7-//234 | 3 | Complaint, The (t) | SC-E | Watts MM-2, 1729 | 88-89 | VO/VN+FL |
//543/432//343/22//342/345 | 6/4 | Youth will not return (fl) | TW-E | Genius, 1784 | 14 | VO,HAF |
//5434//323//445654//42353//143//165 | 3/4 | Ye Gentle Gales (t) | SS-E | SS, Harvard | 1 | VO,KB |
//543//432//345321//217- | 3/4 | Lady Essex Minuet (t) | AM-A | Dawes MS, 1790 | 34 | HA |
//543/432//34543/22//4 | C | When Lately I Offered (t) | SC-E | Vocal Music, 1778 | 178-179 | VO/VN/GF |
//543/432//351+/1+71+2+//1+53/432 | C | Song 59 (t) | SC-E | Ritson, 1783 | TI,238;MIII,122-124 | VO |
//5/434//3/25-//135/543 | 6/8 | Quick Step No.3 (t) | AM-A | Beach MS, 1801 | 81 | MI |
//543/432//532/17-1//234/432 | 6/4 | Air 46 (t) | BA-E | Polly, 1729 | T47M19 | VO,B |
//543/432//532/17-1//234/432// | 6/8 | We've Cheated the Parson (Old English) (t) | DA-E | Wilson Companion, 1816 | 92 | MI |
//543//432//54321 | 3/4 | Air 70 (t) | BA-E | Polly, 1729 | T71M30 | VO,B |
//543/432//555/534//543/4 | C3 | Sweet Kate (t) | PL-E | Playford 1-08, 1690 | 94 | VN |
//543/432//555/534//543/4 | C3 | Sweet Kate (t) | PL-E | Playford 1-09, 1695 | 64 | VN |
//543/432//555/534//543/4 | 6/4 | Sweet Kate (t) | PL-E | Playford 1-11, 1701 | I,64 | VN |
//543/432//555/534//543/4 | 6/4 | Sweet Kate (t) | PL-E | Playford 1-14, 1709 | 64 | VN |
//543/432//555/534/543/4 | 6/4 | Sweet Kate (t) | PL-E | Playford 1-15, 1713 | 64 | VN |
//543/432//555/534/543/4 | 6/4 | Sweet Kate (t) | PL-E | Playford 1-16, 1716 | 64 | VN |
//543/432//555/534//543/4 | 6/4 | Sweet Kate (t) | PL-E | Playford 1-17, 1721 | 64 | VN |
//543/432//555/534//543/4 | 6/4 | Sweet Kate (t) | PL-E | Playford 1-18, 1728 | 64 | VN |
//543/432//555/534//543/432 | C3 | Sweet Kate (t) | PL-E | Playford 1-06, 1679 | 94 | VN |
//543/432//555/534/543/432 | 6/4 | Sweet Kate (t) | PL-E | Playford 1-12, 1703 | 64 | VN |
//543/432//555/534//543/432 | 6/4 | Sweet Kate (t) | PL-E | Playford 1-13, 1706 | 64 | VN |
//543/432//555/534//543/432 | 6/4 | Sweet Kate (t) | DA-E | Walsh CD-1.1, 1718 | 77 | VN/OB/FL |
//543/432//555/534//543/432 | 6/4 | Sweet Kate (t) | DA-E | Walsh CD-2.1, 1731 | 38 | VN/OB/GF/RC |
//543/432//555/534//543/432 | 6/4 | Sweet Kate (t) | DA-E | Walsh CD-3.1, 1754 | 68 | VN/OB/GF |
//543/432//555/534//543/432//3 | C3 | Sweet Kate (t) | PL-E | Playford 1-07, 1686 | 94 | VN |
//543/432//555/534//543/432//311/1 | C3 | Sweet Kate (t) | PL-E | Playford 1-04, 1670 | 94 | VN |
//543/432//555/534//543/432//311/1 | CS | Sweet Kate (t) | PL-E | Playford 1-05, 1675 | 94 | VN |
//5//4//343//321//2+4+//4+3+ | 3/8 | Concerto 6. Andante (t) | IC-E | Bremner Mil Con, 1774 | 2OB/CL/FL/VN,2HN,BS | |
//5/434//3/3//34/23 | 6/8 | Werter's Sonnet (t) | AM-A | Psalmody MS, 1798 | 39 | MI |
//54343454//312//34321//25-7-//133563 | 3/2 | Jockey and Jenny, A Scots Dialogue (t) | SC-E | Calliope, 1746 | II,32 | 2VO,B+FL |
//54343454//312//34321//25-7-//133563 | 3/2 | Fickle Jenny (t) | SC-E | Muses Delight, 1754 | 213 | VO,HA |
//54343454//312//34321//25-7-//133563//4 25//61+1+765 |
3/2 | Scotch Dialogue In Imitation of An Ode in Horace..., A (t) | SS-E | SS, Harvard | 1 | 2VO+FL |
//54343454//312//34321//25-7-//133563//4 25//61+1+766 |
3/2 | Scotch Dialogue In Imitation of An Ode in Horace..., A (t) | SS-E | SS, Harvard | 1 | VO+FL |
//543//434567//1+14//321//56543 | 3/8 | Reproach, The (t) | SC-E | Musical Cent-2, 1740 | 35 | VO,KB+FL |
//543/4345//671+5/5331//5- | C | With Sweet Words (t) | SC-E | Vocal Music, 1778 | 125-127 | VO/VN/GF |
//5/434//3/54/3 | C | O Sleep! Why Dost Thou Leave Me? (t) | SC-E | Vocal Music, 1778 | 82-83 | VO/VN/GF |
//5/434//51+1+//1/212 | 6/8 | Life Let Us Cherish (t) | AI-A | Robinson Coll, 1818 | 29 | FI,DR |
//5434//51+1+//1+71+2+2+ | 2/4 | Pleasures of Youth, The (t) | DA-E | Thompson CD-5, 1788 | 43 | VN/GF/OB |
//54/34//5/1+1+//1+71+/2+2+// | 2/4 | Pleasures of Youth, The (t) | DA-E | Thompson CD-5a, 1788 | 43 | VN/GF/OB |
//54/345//11/65//45676/6554// | C/ (8/4) | Pavana. Ph. Tr. (t) | MS-E | Fitzwilliam MS-1, 1609 | 367-370 | VI |
//5434/51+//1+/7//4323/42+// | C | Homans March. 57 (t) | AM-A | Johnson, F. MS, 1820 | 37 | PF |
//5434/51//217-6-/7-5-//3213/27- | 2 | White Widow, The (t) | DA-E | Walsh CD-1.2, 1719 | 3 | VN/OB |
//5434/51//217-6-/7-5-//3213/27- | 2 | White Widow, The (t) | DA-E | Walsh CD-2.2, 1735 | 76 | VO/OB/GF/FL |
//5434/51//217-6-/7-5-//3213/27- | 2 | White Widow, The (t) | DA-E | Walsh CD-3.2, 1749 | 76 | VN/OB/GF |
//5434/51//217-6-/7-5-//4321/7-12 | 2 | Last New French Rigadoon, The (t) | PL-E | Playford 1-12, 1703 | 309 | VN |
//5434/51//217-6-/7-5-//4321/7-12 | 2 | Last New French Rigadoon, The (t) | PL-E | Playford 1-13, 1706 | 309 | VN |
//5434/51//217-6-/7-5-//4321/7-12//1 | 2 | Last New French Rigadoon, The (t) | PL-E | Playford 1-11, 1701 | I,309 | VN |
//5/4//345/1//27-42/6432 | 2/4 | Sonata 2 (t) | MS-E | Shepherd MS, 1787 | 62 | 2MI |
//5434/51+//3+2+/1+5//67/2+1+76 | C/ | Steersman's Song, The (t) | AI-A | Blake Amus 3, 1825 | 9 | CL |
//5434//515//1+2+1+2+//3+1+3+//2+567 | 3/4 | Corrente (t) | MS-S | Gillespie MS, 1768 | 22 | VN |
/5434//51+/53+//5/5435//4324/3213// | 2/4 | Quatre Commeres, Les. Contredanse Française (t) | DA-F | Bouin CD LC-1, 1780 | 92 Feuille, 24Vol. | MI |
//5434/51+//65/65//1+3/21 | 2/4 | Trip to York (t) | DA-E | Johnson CD-6, 1751 | 66 | VN/GF |
//5-4-3-4-5-//17-12/134//53/13 | C/ | Eugene's March (t) | AM-A | Pomeroy MS, 1790 | 6 | GF |
//543/45//17-/12//34/543 | C/ | 2e Marche (pour les Mousquetaires du Roy d'Espagne) (t) | MS-F | Philidor MS, 1705 | 46 | OB,B+DR |
//54/34//51+/76//54/34 | 2/4 | Musical Child, The (t) | SS-E | SS, Boston PL-1 | 124,1-2 | VO,HAF+GT |
//5434/51+76//5434/55//64 | C | What pleasure to think on the times we have seen (fl) | TW-E | Peeping Tom, 1786 | 18-19 | VO/VN,HAF |
//5434/51+76//5434/55//6426/531+5 | C | What Pleasure to Think (t) | SC-S | Edinburgh MM-1, 1792 | 326-327 | VO |
//543452/3117/546+5+6+6/72+2+7// | C/ | Cock and the Bull, The (t) | MS-E | Vickers MS, 1770 | 85 | MI |
//54/3452//316//54/4+3+4+6 | C/ | Cock and Bull (t) | DA-E | Walsh CD-2.2, 1735 | 38 | VO/OB/GF/FL |
//54/3452//316//54/4+3+4+6 | C/ | Cock and Bull (t) | DA-E | Walsh CD-3.2, 1749 | 38 | VN/OB/GF |
//54/3453//11/15//66/671+6// | 6/8 | All We Wish; or, The Beggar's Blessing (t) | DA-E | Universal Magazine | 2:209, 1760 | MI |
//54/3453//112/323//434/6543 | C | March... First Battalion of West York Militia (t) | IC-E | English Sheet Music | 3 | 2CL,2HN,BS+PF |
//5434/53+1+//2+1+71+/2+4+2+//4323/42+1+ // |
2/4 | Antoinetta. No. 11 (t) | AI-A | Johnson, F. Cotillions | 7 | PF |
//5434/531//2+1+76/655//65676/5321// | C | Hermit, The (t) | AM-A | Pynchon MS, 1797 | 8v | MI |
//543/45//3123//51+/62+// | C/ | Bore Le Reyne (t) | IC-E | Apollo's Banquet 1-6, 1690 | A53 | VN |
//5434//531+//4343//2//51+6//4325 | 3/8 | Charming Cloe (t), or New Song, A (at) | SS-E | SS, Harvard | 1 | VO/FL,KBF |
//54345//31+5//54345//31+5//41+4 | 3/8 | Favourite Song, A (t) | SC-E | Clio-3, 1762 | 22-24 | VO,HAF |
/5434//53/1+6//5/24//31/24// | 2 | Retour Destaing, Le. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 190 Feuille | MI |
//5434/531//66/671+//5434/531 | 6/8 | Worn-out Joak, The (t) | DA-E | Walsh CD-3.5, 1754 | 19 | VN//OB/GF |
//543/45//3167//51+/62+// | C/ | Bore Le Reyne (t) | IC-E | Apollo's Banquet 1-5, 1687 | A55 | VN |
//543/45//3167//51+/62+//7/ | C/ | Bore Le Reyne (t) | IC-E | Apollo's Banquet 1-7, 1693 | 36 | VN/FL |
//54//345321//7-24//3457-//1235- | 3/4 | Lovesick Invocation, The (t) | SC-E | Clio-3, 1762 | 121-123 | VO,HAF+GF |
//54/3453//43/2342//321/7-3// | C/ | Savoye, La Dance Francoise (t) | IC-F | Pointel Airs, 1700 | 43 | MI,B |
/54//34/53//4/44//43/45// | 6/8 | Fancy Tune for a Single Dancer Composed In Dublin 1786 No.16 (t) | AM-A | Duport MS-1, 1780 | 13 | VN |
//54345//35671+5//543223 | 2/4 | Fourth Duetto (t) | AI-A | Instrum Asst-2, 1807 | 62 | 2MI,B |
//5/4//3/4//54/32// | C/ | Rigaudon de Monsieur Pecour Dance Francoise (t) | IC-F | Pointel Airs, 1700 | 36 | MI,B |
//543/45432//321/32//432/34321 | 6/4 | Drapeau (pour les Mousquetaires du Roy d'Espagne), Le (t) | MS-F | Philidor MS, 1705 | 45 | OB,B+DR |
//54/345//43234/321//443/22 | C/ | She Wou'd, and She Wou'd Not (t) | SC-E | Watts MM-3, 1730 | 88-89 | VO,HA+FL |
//5434/5434//51+/1+//6545/6545 | 2/4 | German Dance (t) | IC-S | Aird 4, 1796 | 33 | FI/GF/VN |
//5434/5434//51+/1+76//51+/1+2+7 | 2/4 | Collonel, The (t) | DA-E | Bride CD, 1776 | III,17 | VN/OB/GF |
//5434/5434//51+/1+76//51+/1+2+7 | 2/4 | Collonel, The (t) | DA-E | Longman CD, 1781 | 91 | VN/OB/GF |
/5434//5434/51+2+//3+/2+1+76//5432/ | 2/4 | Fleurs, Les, 1er Air (t) | IC-F | Leclerc Recueil-3, 1738 | 131 | HAF |
//5434//5434//5165//43//2344 | 3/4 | New Song, A (t) | SC-E | Calliope, 1746 | II,187 | MI,VO,B |
/5434//5434/5345//65/67//1+56/ | 2 | Tintamare, Le (t) | IC-F | Leclerc Recueil-2, 1737 | 111 | HAF |
//54/3//4/5456//51+/71+//2+3+/1+71+2+ | C/ | Common Time March, A (t) | AM-A | Belknap MS, 1784 | 39R | MI |
//543/455//1+2+3+/1+66//543/455// | 6/8 | Short Troop, A (t) | MS-S | Fife MS, 1780 | 175,17r | 1FI OR 2FI/VN |
//5434/55//5/1+//66/54 | C/ | Song 166 (t) | SC-E | Vocal Enchant, 1783 | 334-335 | VO |
//5434/55//5/1+//66/54//43 | C/ | Green Mountain Farmer, The (t), or New Patriotic Song, A (at) | AI-A | American SS-SM | 1-2 | KB,VO |
//5434/55//5/1+//66/54//43 | C/ | Whilst Happy In My Native Land (t), or Favorite Song, A (at) | SS-E | SS, Harvard | 1-3 | VO,KBF+GF/2GF/GT/2GT |
//5434/55//5/1+//66/54//45 | C/ | Whilst Happy In My Native Land (t) | SC-S | Edinburgh MM-2, 1793 | 44-46 | VO |
//5434/555//6545/666//5434/5 | C | Shakespear's Seven Ages (t) | AM-A | Spicer MS, 1797 | 188 | MI |
//5434/555//6545/666//5434/55 | C | Shakespear (t) | AM-A | Commonplace MS, 1797 | 24 | FI |
//5434/55//6/51+//1+765/4567// | 2/4 | Victorys Ours, The. No. 16 (t) | AM-A | Johnson, F. MS, 1820 | 9 | PF |
/5434//55/6567//1+1+/5432//4321/ | C/ | Amour du Village, L (t) | DA-E | Gallini Cots, 1770 | 32 | KB |
//54/3456//3167//53/4+3+4+6 | C/ | Game Cock, The (t) | DA-E | Walsh CD-2.3, 1735 | 169 | VN/OB/GF/CF |
//54/3456//3167//53/4+3+4+6//72+1+7 | C/ | Game Cock, The (t) | DA-E | Walsh CD-3.3, 1749 | 159 | VN/OB/GF |
//54/3456//3167//54/4+3+4+6//72+1+7 | C/ | Game Cock, The (t) | DA-E | Johnson CD-1, 1740 | 90 | MI |
//54345//641+665//1+7656//534221//223444 |
3/4 | Grazioso (t) | MS-E | Miscellany MS, 1810 | 2CL/OB,2HN,BS | |
//543/456//5/1+//5 | C | Air 45 (t) | BA-E | Beggar's Opera, 1777 | 92 | VO |
//543/456//5/1+//543/6543//2 | C | Air 5, Act Iii (t) | BA-E | Beggar's Opera, 1728 | T44-45M12 | VO |
//543/456//5/1+//543/6543//25 | C | Air 45 (t) | BA-E | Beggar's Opera, 1765 | 74 | VO |
//543/456//5/1+//543/6543//25 | C | Air 8 (t) | BA-E | Merry Cobler, 1735 | 13 | VO |
//543/456//531/7-125-//2/5-1+// | [6/4] | Crown, The (t) | IC-E | Wright Extraordinary, 1715 | [20] | MI |
//543/456//533/311//16-6-/642 | 6/8 | Father of Nancy a Forester Was, The (t) | AI-A | Riley Flute 2, 1817 | 93 | FL |
/5434//56/53+7//1+/6453//4231/217-6-// | 2 | Graces, Les. Contredanse Nouvelle (t) | DA-F | LaCuisse Rep CD LC-2, 1764 | 58 Feuille 2. Vol | KB |
//54/3456//5422/24//32/1231 | C | Marine March (t) | IC-E | Balls Amus 3, 1815 | 31 | FL/VN |
//54/3456//5422/24//32/1231 | C | Marine March (t) | IC-E | Balls Amus 3, 1830 | 31 | FL/VN |
//5-4-/3-4-5-6-//5-4-2-2-/2-4-//3-2-/1-2 -3-1- |
C | Marine March (t) | AI-A | Paff Amus 1, 1812 | 21 | FL/VN |
//54/3456//5423/24//32/1231 | C/ | Marine March (t) | AI-A | Whiteley Prec, 1816 | 44-45 | CL,OB,FL,BS |
//54//345//6543 | 2/4 | Air 13, Act Iii (t) | BA-E | Beggar's Wed, 1729 | T59M11 | VO |
//54//345//65/43//2/1 | 2/4 | She Wou'd and She Wou'd Not (t) | SS-E | SS, Folger-C42.2 | 9,2 | VO,KB+F |
//54//3/45//65/43//2/1 | 2/4 | She Woud and She Woud Not a New Song (t) | SS-E | SS, Folger-C42.4 | 71 | VO+FL |
//5434/56//5434/56//533/57543 | C | Love Letter, The (t) | AI-A | Riley Flute 3, 1820 | 34 | FL |
//54/34//565454/35//321321/252 | C | Air (t) | AI-A | Instrum Asst, 1800 | 68 | 2VN/2GF/2CL/2OB,BVIOL |
//543/456//5/53//454/321//2/2 | 6/4 | Air 31 (t) | BA-E | Lovers Opera, 1730 | 39 | VO |
//543/456//5/53//454/321//241 | 6/4 | Air 10 (t) | BA-E | Robin Hood, 1730 | 22 | VO |
//543/456//565/43223//434567/1+7654//345 5/1 |
6/4 | Disappointed Tailor, The (t), or Good Work Done for Nothing, The (at) | SC-E | Pills 6, 1719-20 | 292-3 | VO |
//5434//5671+2+3+//1+1+1+//65//541+//565 43// |
3/8 | Short Troop, A (t) | MS-S | Fife MS, 1780 | 726,79r | 1FI OR 2FI/VN |
//5-4-//3-4-5-6-7-1//234562//17-1//353// 252 |
3 | Minuet (t) | IC-E | Delightful-2, 1745 | V,4 | GF |
//54/345//67/1+5//61+6/531//41 | 6/8 | Air 6 (t) | BA-E | Britons Strike, 1739 | 25 | VO |
//54/345//67/1+5//61+6/531+//43/2 | 6/8 | Additional Song, An (t) | BA-E | Hospital Fools, 1739 | I,3-5 | VO,B+FL |
//5-4-3-4-5-//6-7-17-6-5-//4-5-6-4-//2-3 -4-3-2-3-1-//5-4-3-4 |
3/4 | Zapfen Streich (t) | MS-G | Darmstadt MS 1224 | 193 | MI |
//5-4-3-4-/5-6-7-//17-6-/5-//4-5-6-/5-4- 3- |
C | Zapffen Streich (t) | MS-G | Darmstadt MS 1224 | 195 | MI |
//5-4-3-4-/5-6-7-//17-6-/5-//4-6-/5-3- | 2/4 | Fahnen Troupp (t) | MS-G | Darmstadt MS 1224 | 299 | MI |
/5434///567/1+76//5/61+64//543/2345// | 2/4 | Nlle. Sicard, La. Contre-Danse Française (t) | DA-F | Bouin CD LC-2 , 1780 | 139 Feuille | MI |
//54/34//57/61+//5/4//3 | 2/4 | Air (t) | AM-A | Willis MS, 1795 | 48 | MI |
//5/43//46/53//24/32 | C | Cheap Side (t) | AM-A | Dickinson MS, 1800 | 69 | 2CL/2GF/2OB |
//543/4654//3234/51//432 | Duke of Savoy's March, The (t) | IC-E | Sprightly Comp, 1695 | 11 | OB/FL/VN | |
//543/46//65/51+//1+76/5432 | 2 | Nouvelle Charte, La (t) | IC-S | Stewart Airs, 1788 | 3:114-15 | GF/VN/FI |
//543/466-//7-6-5-/15//345/671+// | 3 | St. James Park (t) | IC-E | Apollo's Banquet 1-1, 1670 | 144 | VN |
//5/4//351/247-//5/4//351/247-//1 | 6/8 | Why quits the merchant blest with ease (fl) | TW-E | Maid/Mill, 1765 | 25-26 | VO,HAF |
//5-4-//3-5-13-1-1//21//7-257-5-5//64146 4 |
3/4 | Minuetto (t) | AM-A | Psalmody MS, 1798 | 124 | MI |
//5/4//351+/3+1+6//54+2+/2+1+7 | 6/8 | Genets Recall (t) | AM-A | Cary MS, 1797 | 104 | VN |
//5/4//351+/3+1+6//54+2+/2+1+7 | 6/8 | Genet's Recall (t) | AM-A | Kingsley MS, 1795 | I,46 | MI |
//54351321/24344-654//321567/1+71+2+1+56 7//6671+/2+6462+671+// |
C/ | Prelude by Sig. Nyme (t) | IC-E | Apollo's Banquet 1-8, 1701 | 45 (30r) | VN |
//54//351+3//254//53//4456/51+// | 3/4 | 23rd Psalm, to the (t) | MS-S | Miller, J. MS, 1798 | [113] | FI |
//5435/1+3+2+7//71+1+/5671+//5671+/56543 |
2/4 | Caro Bene (t) | AI-A | Reinagle Fav-2, 1789 | 21-22 | VO,PF |
//5435//1+51+//1+664//555432//2 | 3/4 | Smile of Benevolence, The (t) | AI-A | Elegant Exts, 1798 | 20 | GF/VN/VO |
//54//351+//654321//3455-//6-1 | 3/4 | Mutual Kiss, The (t) | SC-E | Calliope, 1746 | II,171 | VO,B+FL |
//54//351+//654321//3455-//6-1 | 3/4 | Affetto (t) | IC-E | Delightful-2, 1745 | II,31 | 2GF |
//54//351+//654321//3455-//6-1//4 | 3/4 | Lukewarm Lover, The (t) | SC-E | Calliope, 1746 | II,182 | VO,MI,B |
//54/35//1+71+2+/1+3+//43/23 | 2/4 | March & Ode. Chorus (t) | IC-E | English Sheet Music | 2VO,2FL,2CL,HN, | |
//5-4-/3-5-//17-12/31//11/6-7-12//7- | C | Independent and Free (t) | AI-A | American SS-SM | 1-2 | VO,KB |
//54/35//1+7/65//544/433 | C/ | Song 29 (t), or Delia. A Pastoral (at) | SC-E | Ritson, 1783 | TI,200-201;MIII.95-96 | VO |
//54/35//1+7/65//544/433 | C/ | Cottage on the Lawn, The (t) | SS-E | SS, Huntington-1 | 157 | VO,KB+GT |
//54/35//1+765//544/433 | C/ | Song 66 (t) | SC-E | Vocal Enchant, 1783 | 140-141 | VO |
//54/35//1+7/65//544/433//34 | C/ | Come Fancy! Thou Who Canst Regain (t) | SC-E | Vocal Music, 1778 | 246-247 | VO/VN/GF |
//5/4//353/1//1+5/6 | 6/8 | Chit Chat (t) | DA-E | Bride CD, 1776 | IV,90 | VN/OB/GF |
//5/4//353/1//1+5/654 | 6/8 | Chit Chat (t) | DA-E | Thompson CD-5, 1788 | 89 | VN/GF/OB |
//5/4//353/1//1+5/654// | 6/8 | Chit Chat (t) | DA-E | Thompson CD-5a, 1788 | 89 | VN/GF/OB |
//5/4//35/31//24/27-// | C/ | Duncan's Delight (t) | DA-E | Straight & Skillern CD, 1775 | 89 | VN/GF/OB |
//543532543231 | Sailors Joy, The (t) | AM-A | Cary MS, 1797 | 114 | VN | |
//54/3535//44/2//17-6-5-/6-7- | 2/4 | Vivace (t) | IC-E | Wragg Oboe, 1792 | 53 | 2OB |
/54//354/253//11/113//224/335// | 2/4 | Clementina, La. 4th. Set (t) | AI-A | Cotillion Party, 1818 | 19 | VN/GF/ PF |
//54/3/5//43/2 | 3/4 | Bewailing she sunk, heartbroken on her pillow (fl) | TW-E | Mountaineers, 1793 | 10-11 | VO,KBF |
//54/3/5//43/2 | 2/4 | Lorade In the Tower (t), or Song in the Mountaineers, A (at) | AI-A | Musical Rep-1, 1796 | 29-31 | VO,KB |
//543/543//212/31234//543/1+76543// | 6/8 | Beggar Girl (t) | AM-A | Cushing MS, 1805 | 110 | 2MI |
//543/543//212/31234//543/543 | 6/8 | Beggar Girl, The (t) | IC-E | Andrews Fife, 1808 | 21 | FI/GF |
//543543//21//234231//217-6-5-//543543 | 3/4 | Minuet 18th (t) | IC-E | Reid Minuets, 1781 | 22-25 | 2VN,2FH,B |
//543/543//212/345//421/543// | 6/8 | Beggar Girl, The. A Cotillion (t) | AI-A | Riley Cots-2, 1824 | 1 | PF |
//543/543//212/345//543/543 | 6/8 | Beggar Girl (t) | AM-A | Eells MS, 1789 | 65 | MI |
//543/543//212/3//543/543 | 6/8 | Beggar Girl (t) | AI-A | Balls Amus 2, 1815 | 12 | FL/FI/VN |
//543/543//212/3//543/543 | 6/8 | Beggar Girl, The (t) | AI-A | Blake Amus 2, 1824 | 15 | CL |
//543/543//212/3//543/543 | 6/8 | Beggar Girl (t) | AI-A | Riley Flute 1, 1814 | 11 | FL |
//543/543//212/3//543/543 | 6/8 | Beggar Girl, The (t) | AM-A | Van Schaack MS, 1820 | 31 | FI/FL |
//54//35432//13217-//15-//54//35432 | 3/4 | Minuetto (t) | IC-E | Wragg Oboe, 1792 | 48 | 2OB |
//543/5432//1346/54//3234/5456 | C | Fair Eliza (t) | SC-S | Edinburgh MM-2, 1793 | 184-185 | VO |
//543543/215-//121232/35//66654/556543 | C/ | Trumpet Air (t) | AM-A | Ives MS, 1800 | 15 | KB |
//54//354321//6-7-7-6-7- | 3/4 | Night Piece (t) | IC-E | Oswald Airs, 1758 | 14 | 2VN/2GF/2GT |
//54//354321//7-117-1//23//6-7-1 | 3/4 | Modest Lover, The (t) | SC-E | Monthly Melody, 1760 | II,2 | VO,HA |
//543/5432//17-1/5-//6-43/261 | C | Fond Lover, The (t) | SC-E | Clio-2, 1759 | 145 | VO,HA |
//543/5432//17-1/5-//6-43/261 | C | Song 31 (t), or Imitation of Martial, An (at) | SC-E | Ritson, 1783 | TI,202-203;MIII,96-97 | VO |
//543/5432//17-1/5-//6-43/261//7- | C/ | Numberless Kisses (t) | SS-E | SS, Harvard | 1 | VO,B,MI |
//5435/4323//1353/2222//5435 | C | Queen's Palace, The (t) | DA-E | Longman CD, 1781 | 13 | VN/OB/GF |
//5435//4324//3134/543 | 2/4 | Night Piece (t) | IC-E | Oswald Airs, 1758 | 16 | 2VN/2GF/2GT |
//54/35//43/24//31/6-4 | 2/4 | Serenade (t) | AI-A | Blake Amus 2, 1824 | 7 | CL |
//5435/4324//3213/217-5-//17-121217-/6-6 - |
C/ | Allegro (t) | IC-E | Delightful-1, 1763 | VI,10 | 2GF |
//5435/432//4324/321 | C | March, When the Queen Enters (t) | TW-E | Surrender/Cal, 1792 | 28 | PF |
//5-4-3-5-/4-3-2-//4-3-2-4-/3-2-1-//1-3- 2-4-/3-5-4-6- |
C | Favorite New March, A (t) | IC-I | Irish Sheet Music | 2 | PF |
//54/35//43/25//54/35 | C | Megen Oh! Oh! Megen Ee! (t) | AM-A | Beach MS, 1801 | 123 | KB |
//54/35//43/25//54/35// | C | Megen O Oh Megen Ee (t) | AM-A | Cushing MS, 1805 | 96 | MI |
//54/35//43/25//54/35// | C | Megen Oh! Oh! Megen Zes (t) | AM-A | Washburn MS, 1816 | 9 | GF |
//54/35//4325//7-1 | 6/8 | Cupid's Dart (t) | SS-E | SS, Folger-C52 | 4 | MI,VO,KB+FL/GT |
//54/35//43/25//7-1/25 | 6/8 | Cupid's Dart (t) | SS-E | SS, Boston PL-2 | 314 | VO,KB+GF/GT |
//54/35//43/25//7-1/25 | 6/8 | Young Damon In the Woodbine Grove (t) | SC-E | Vocal Music, 1775 | 188-189 | VO/VN/GF |
//543//5+4+3+//3333/1+//1+2+3+/543 | C | Favourite Song, A (t) | SC-E | Clio-4, 1778 | 89-92 | VO,HA |
//543/543//543/1+5//654/654 | 6/8 | Qeen Mab.2nd Air (t) | TW-E | Jubilee, 1770 | 26-30 | VO,FL,2VN,HAF |
//543/543//543/21//543/642 | 6/8 | Lovers Wrangle, The (t) | DA-E | Thompson CD-5, 1788 | 40 | VN/GF/OB |
//543/543//543/21//543/642// | 6/8 | Lovers Wrangle, The (t) | DA-E | Thompson CD-5a, 1788 | 40 | VN/GF/OB |
//543/543//65//4//345/565// | 6/8 | Sabote, La. 2d. Set (t) | AI-A | Cotillion Party, 1818 | 12 | VN/GF/ PF |
//543/543//6-/6//543/231 | 6/8 | Irish Widow, The (t) | AM-A | Dickinson MS, 1800 | 59 | CL/GF/OB |
/543//543/66//5/646//535/ | 6/8 | Sabotier, La (t) | AM-A | Duport MS-2, 1800 | 7r | VN |
//543/543//66/5//671+/5 | 6/8 | Herr Cline (t) | AM-A | Hiester MS-2, 1793 | 64 | MI |
//543/543//66/65//656/1+76//65/5 | 6/8 | But we care not for wind or for weather (fl) | TW-E | Shipwreck, 1796 | 39-41 | MI,6VO,PF |
//54/35//44/24//31/7-1 | C | Duet (t) | AI-A | Glazier Fife, 1830 | 28 | 2FI |
//54/35//53/35//44/24 | 2/4 | Amorett (t) | AM-A | Dickinson MS, 1800 | 109 | 2CL/2GF/2OB,B |
//54/35//54/35//54/35 | C/ | Aria (t) | SC-E | Monthly Melody, 1760 | I,5-6 | 2MI,VO,HAF+GT/2GF |
//54/35//54/35//54/35 | C/ | Aria (t) | SS-E | SS, Boston PL-1 | 5-6 | VO,VN,HA+GT+2GF |
//543/56//543/54//33/323 | 6/8 | Somnambula Quick Step, La (t) | AI-A | American Sheet Music | 2 | PF |
//543/56//543/54//33/323// | 6/8 | No. 1 (t) | AI-A | Johnson, F. Cotillions | 2 | PF |
//5/4//35/73+//2+7/57 | 2/4 | Stag Chace (t) | DA-E | Skillern CD, 1780 | 68 | VN/GF/OB |
//5/4//35/73+//2+7/57// | 2/4 | Stag Chace (t) | DA-E | Straight & Skillern CD, 1775 | 37 | VN/GF/OB |
//543//61+//767//1+5//6 | 3 | Song, A (t) | SC-E | Pills 3, 1719-20 | 191-2 | VO |
//54/36-2//15/567//1+7/65// | 3 [6/4] | Put Up Thy Dagger, Jemy. 8 (t) | MS-E | Fitzwilliam MS-2, 1609 | 72-76 | VI |
//543//624//323434//54321//212323//43217 -// |
3 [ed] | Minuett (t) | IC-E | Theater Musick-3, 1700 | 18 | VN |
//543//625//12//345//671+653 | 3/4 | Pastoral (t) | SS-E | SS, Boston PL-2 | 134 | VO,KB+GF/GT |
//54363//432//5317-2//1345//422123 | 3/4 | Nosegay, The (t) | SS-E | SS, Boston PL-2 | 68 | VO,KB |
//543/6432//12/321//5364/2 | C/ | Had I but the wings of a dove (fl) | SS-E | SS, Harvard | 1 | VO,KBF+GF |
//543/6432//12/321//5364/22 | C/ | Had I But the Wings of a Dove (t) | SC-E | Clio-1, 1758 | 162-3 | VO,HA+GF |
//543/6432//17-1/5-//6-43/261 | C | Dear Cloe Come Give Me Sweet Kisses (t) | AM-A | Aborn MS, 1790 | 23 | MI |
//543/6432//17-1/5-//6-43/261 | C | Numberless Kisses (t) | SS-E | SS, Boston PL-2 | 164 | VO,KB |
//543/6432//2/2321//5364/2 | C/ | Lovers Absence (t) | AM-A | Simpson MS, 1750 | II,17 | FL |
//5436/4345//36 | C/ | Dream, A (t) | SS-E | SS, Folger-C42.4 | 119 | VO,KB+FL |
//5436/4345//36/2432//17-6- | C/ | Dream, The (t) | SC-E | Calliope, 1746 | I,135 | VO,B+FL |
//5436/4345//36/2432//17-6-3/6323//3 | C/ | Dream, The (t) | SC-E | Watts MM-5, 1731 | 104-105 | VO,HA+FL |
//54/36//51/12//323/4321// | C/ | Madame Robin (t) | DA-F | Dezais Recueil, 1712 | 62-69 | MI |
//54/36//51/12//343/21 | C/ | Mad Robin (t) | DA-E | Johnson CD-2, 1742 | 57 | MI |
//54/36//51/12//343/21 | C/ | Mad Robin (t) | PL-E | Playford 1-12, 1703 | 185 | VN |
//54/36//51/12//343/21 | C/ | Mad Robin (t) | PL-E | Playford 1-13, 1706 | 185 | VN |
//54/36//51/12//343/21 | C/ | Mad Robin (t) | PL-E | Playford 1-14, 1709 | 185 | VN |
//54/36//51/12//343/21 | C/ | Mad Robin (t) | PL-E | Playford 1-15, 1713 | 185 | VN |
//54/36//51/12//343/21 | C/ | Mad Robin (t) | PL-E | Playford 1-16, 1716 | 185 | VN |
//54/36//51/12//343/21 | C/ | Mad Robin (t) | PL-E | Playford 1-17, 1721 | 185 | VN |
//54/36//51/12//343/21 | C/ | Mad Robin (t) | PL-E | Playford 1-18, 1728 | 185 | VN |
//54/36//51/12//343/21 | C/ | Air 56 (t) | BA-E | Polly, 1729 | T60M24 | VO,B |
//54/36//51/12//343/21 | C/ | Mad Robin (t) | DA-E | Walsh CD-1.1, 1718 | 198 | VN/OB/FL |
//54/36//51/12//343/21 | C/ | Mad Robin (t) | DA-E | Walsh CD-2.1, 1731 | 71 | VN/OB/GF/RC |
//54/36//51/12//343/21 | C/ | Mad Robin (t) | DA-E | Walsh CD-3.5, 1754 | 82 | VN//OB/GF |
//54/36//51/12//343/21//217-6-/5- | C/ | Air 3 (t) | BA-E | Lovers Opera, 1730 | 6 | VO |
//5/4365//1+2+3+2+/1+765//67/1+76// | 2/4 | Mary (t) | AI-A | Gentlemen's PC, 1802 | 5 | 2GF |
//54/36//51/2//323/4321// | 2 | Madam Robin (t) | MS-G | Jayme MS, 1717 | 32 | MI |
//54/36//51/2//323/4321// | C/ | Madam Robin (t) | IC-F | Leclerc Recueil-1, 1729 | 17 | HAF |
//54/36//512//343/21 | C/ | Mad Robin (t) | MS-E | Hammersley MS, 1790 | 49 | MI |
//543//651+3//432//3//653//4 | 3/8 | His soverign power without our aid made us of clay (fl) | AM-A | Dawes MS, 1790 | 9-10 | VO,HA |
//5436//51+543//234217-//11//5-7-243//25 4 |
3/4 | New Song, A (t) | SS-E | SS, Harvard | 1 | 2VN,VO,KBF |
//543/651+//654326/54321//1+2+3+2+1+7/65 4564 |
6/4(ED) | Hornpipe (t) | IC-E | Bremner Oboe, 1775 | 14 | OB |
//543/651+//654326/54321//1+2+3+2+1+7/65 4564 |
6/4(ED) | Hornpipe (t) | IC-E | Simpson Oboe, 1746 | 14 | OB |
//543651+//65432654321//1+2+3+2+1+765456 4//2461+73+2+75//71+ |
3/2 | Gray's-Inn Walks (t) | DA-E | Johnson CD-3, 1744 | 30 | VN/GF |
//5436//51+7//1+56//543//434654//32343 | 3/8 | Cupid and Venus (t) | SC-E | Calliope, 1746 | I,74 | VO,B+FL |
//5436//51+7//1+56//543//434654//32343// 2 |
3/8 | Cupid and Venus (t), or New Song, A (at) | SS-E | SS, Harvard | 1 | VO,B+FL |
//543//65//1+7//65//4 | 3 | Song, A (t) | SC-E | Pills 4, 1719-20 | 303 | VO |
//5436//534//5654//365//67671+ | 3/4 | Cock Laird, The (t) | IC-E | Caledonian PC, 1760 | II,33 | GF |
//54/36//542/1334//55/642 | 6/8 | There's Nothing True But Heav'n (t) | AM-A | Beach MS, 1801 | 89 | VO,KB |
//54/36//542/1334//55/642 | 6/8 | There's Nothing True But Heav'n (t) | AM-A | Beach MS, 1801 | 94-95 | VO,KB |
//54/36//542/1334//55/642// | 6/8 | There's Nothing True but Heaven (t) | AM-A | Irving MS, 1796 | 120 | 1 MI |
//5436//54321//34321//25-//5436 | 3 | Gay kind and airy sweet is a lover (fl) | SS-E | SS, Folger-C42.4 | 321 | VO,KB+FL |
//5436//54321//34321//25-//5436//54321 | 3 | Gay kind and airy sweet is a lover (fl) | SS-E | SS, Harvard | 1 | VO,B+FL |
//543654321//443322115-5-5-//5-112434565 5//51+1+761+76555// |
3/2 | Fickle Jenny and Jockey, A Dialogue (t) | SC-E | Musical Ent-2, 1740 | 35 | VO,HAF+FL |
//54/3654//321/7-1//23/6-6 | C | Ode to Columbia's Favorite Son (t) | AI-A | American Periodicals | 3VO/3VO,KB | |
//543654321//7-1//3-14-217-6-5-//4-3-//3 -1-5-3-15- |
3/4 | Minuet (t) | IC-E | Delightful-1, 1763 | V,30-31 | 2GF |
//543//65432//17-1324//35 | 3/4 | What Medcine Can Soften (t) | AM-A | Hawkins MS, 1794 | II,32 | GF |
//543654321//7-1//3-4-6-//4-3-//3-1-5-3- 15- |
3/4 | Minuet (t) | IC-E | Delightful-1, 1763 | IV,14 | 2GF |
//54365//432//5317-2//1345//422123 | 3/4 | Nosegay, The (t), or Favorite Ballad, A (at) | SS-E | SS, Huntington-2 | 40 | VO,KB |
//543//65432//7-13//25//3 | 3/4 | What Med'cine Can Soften (t) | SC-E | Vocal Music, 1778 | 120 | VO/VN/GF |
//543//65432//7-1325//35//61+654 | 3/4 | Favourite Song, A (t) | SC-E | Clio-3, 1762 | 102-103 | VO,HAF+GF |
//543//65432//7-1325//35//61+654 | 3 | Song (t) | SC-E | Muses Delight, 1754 | 189 | VO,HA |
//543//65432//7-1325//35//61+654//5314// 2 |
3/4 | What med'cine can soften the bosom's keen smart (fl) | TW-E | Chaplet, 1750 | 26-27 | 2VN,VA,VO,KBF |
//54//3/6//54//3/34 | 2/4 | Caroline of Dartmouth (t) | AI-A | Balls Amus 1, 1815 | 22 | FL/FI/VN |
//54/36//54/35//1+765 | C | March 14 (t) | IC-E | Thompson March, 1770 | 6 | 2VN/2GF/2OB,2FH,BF |
//54/36//54/35//1+765/6543 | C | March 44 (t) | IC-E | Button Whit-1, 1806 | 54-55 | 2GF/2VN/2FL/2FI |
//54/36//54/35//1+765/6543 | C | March 15 (t) | IC-E | Thompson March, 1775 | 16 | OR/HA/PF |
//543/654//532/35//123/26- | 2 | Marche (t) | MS-G | Darmstadt MS 1224 | 109-17 | 2OB,2HN,BS |
//543/654//543/1+76//51+1+ | 6/8 | Song, A (t) | SS-E | SS, Folger-C42.4 | 192 | VO+FL |
//543/654//543/1+76//51+1+/1+76 | 6/8 | Song, A (t) | SS-E | SS, Harvard | 1 | VO+FL |
//543//654//543//432//321 | 3/8 | Wou'd heaven indulge my love-sick mind (fl) | SC-E | Watts MM-1, 1729 | 61 | VO/VN |
//543/654//564/543//432/17-// | C [6/2] | Rosseter's Galiard (t) | MS-E | Fitzwilliam MS-2, 1609 | 450-452 | VI |
//54365//543//32143//321//6-6-6-7- | 3/4 | Lady Louisa Lenox's Minuet (t) | DA-E | Cantelo CD, 1785 | 24-25 | KB |
//543//65//543//32//1+7//654 | 3/4 | Beauties of Ancient Music, The. Checcona (t) | IC-S | Pandean Coll 3, 1810 | 16 | PF |
//543/65//5/646//535/432 | 6/8 | Sabotiere, La (t) | MS-F | Galoubet MS, 1790 | 6 | PI |
//54365//5671+54321//7-21325//4325-6-7-1 234//5431+6//5671+3+ |
3/4 | Andante Grazioso (t) | AI-A | American Sheet Music | PF | |
//543//657-//12//314253//654321 | 3/4 | Forsaken Swain, The (t) | SS-E | SS, Boston PL-2 | 48 | VO,KB+GT |
//543//657-//143 | 3/4 | Thou Soft Flowing Avon (t) | AM-A | Dawes MS, 1790 | 12 | VO,HA |
//543//657-//143 | 3/4 | Thou Soft Flowing Av0n (t) | SC-S | Edinburgh MM-1, 1792 | 7-8 | VO |
//543//657-//143//2 | 3/4 | Song In Dr. Arne's Ode (t) | IC-E | Longman Pb, 1778 | 72-73 | VO/GF |
//543//657-//143//2 | 3/4 | Thou Soft Flowing Avon (t) | SS-E | SS, Folger-C52 | 190 | VO,KB,GF,GT ; VO,KB+GF |
//543//657-//143//27 | 3/4 | Thou Soft Flowing Avon (t) | AM-A | Beck MS, 1786 | 124 | GF |
//543//657-//143//27 | 3/4 | Thou Soft Flowing Avon (t) | IC-E | Cahusac Flute, 1788 | 20 | GF |
//543//657-//143//27 | 3/4 | Song 159 (t), or Thou Soft Flowing Avon (at) | SC-E | Calliope, 1788 | 300-301 | VO |
//543//657-//143//27 | 3/4 | Song 53 (t) | SC-E | Ritson, 1783 | TII,153-154;MIII,271-2 | VO |
//543//657-//143//27//1+3+2+ | 3/4 | Thou Soft Flowing Avon (t) | SS-E | SS, Huntington-2 | 119,1-2 | VO,KBF+GF/GT |
//543//657-//143//27//1+3+2+ | 3/4 | Thou Soft Flowing Avon (t) | SS-E | SS, New York PL-C694 | 73 | VO,KB+GF/GT |
//543//657-//143//27//1+3+2+ | 3/4 | Song 164 (t) | SC-E | Vocal Enchant, 1783 | 330-331 | VO |
//543//657-//143//27//1+3+2+//1+53 | 3/4 | Ode (t) | AI-A | American Periodicals | VO,KB | |
//543//657-//143//27//1+3+2+//1+53 | 3/4 | Thou Soft Flowing Avon (t) | IC-E | Thompson Oboe, 1790 | 22 | OB |
//543//657-//143//27//1+3+2+//1+53//625 | 3/4 | Thou Soft Flowing Avon (t) | IC-E | Cahusac Flute, 1792 | 20 | GF |
//543//657-//143//27//1+3+2+//1+53//625 | 3/4 | Thou Soft Flowing Avon (t) | SS-E | SS, Boston PL-1 | 113,1-2 | VO,HAF+GF/GT |
//543//657-//143//325//1+3+2+//1+ | 3/4 | Thou Soft Flowing Avon (t) | AI-A | Evening Amuse, 1796 | 17 | GF/VN |
//543/65//71+/543//671+/321//2 | C/ | Blooming Spring, The (t), or New Song, A (at) | SS-E | SS, Harvard | 1 | VO,KBF+FL |
//54/36//57/1+5//65/43 | C/ | Oh, Forbear to bid me slight her (fl) | SC-E | Watts MM-5, 1731 | 6-7 | VO,HA+FL |
//5436//65432//17-1325//435//61+654//5 | 3/4 | What medicine can soften the bosom's keen smart (fl) | AI-A | Reinagle Fav-2, 1789 | 13 | VO,PF |
//543/66//543/4//321/7-1 | 2/4 | Volatile, The (t) | DA-E | Thompson CD-4, 1780 | 47 | VN/GF/OB |
//543/66//543/4//321/7-1// | 2/4 | Volatile, The (t) | DA-E | Thompson CD-4a, 1780 | 46 | VN/GF/OB |
//543/66//5/646//535/432 | 6/8 | Bataille de St Chaumont. Fifres Et Tambours (t) | IC-N | Netherlands Sheet Music | 19 | PF |
//543/666//1+/1+3+2+1+7//71+71+2+ | C/ | Song for Two Voices, A (t) | SS-E | SS, Folger-C42.3 | 435 | 2VO |
//5-4-3-6-6-6-//1/13217-//7-17-1232121 | C/ | Song for Two Voices, A (t) | SS-E | SS, Folger-C42.2 | 167,2-168,1 | 2VO,KBF+FL |
//543/666//1+/1+3+2+177//71+71+2 | C/ | Song for Two Voices, A (t) | SS-E | SS, Folger-C42.3 | 433,2-434,1 | 2VO,B,KBF+FL |
//543/67//1+1/456//5321/7-1 | C | Warning, The (t) | SC-E | Clio-2, 1759 | 8 | VO,HA |
//543//67-1//234 | 3/4 | Willy (t) | SC-E | Clio-1, 1758 | 47 | VO,HAF |
//543/671+//54/3215 | C | In Vain You Tell (t) | SS-E | SS, Folger-C52 | 159,1 | VO,KB+GF |
//543//671+//5434//325-//543 | 3/8 | Aria Pastorale (t) | IC-S | Stewart Marches, 1773 | 61 | 2VN/GF/OB,VC/HA |
//543/67//1+/5//671+/43 | 6/8 | Song 47 (t) | SC-E | Ritson, 1783 | TII,145-146;MIII,265-2 | VO |
//543/671+76//65/4//345642/17-// | C | Return Enraptured Hours (t) | AM-A | Irving MS, 1796 | 69 | 3 MI |
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