Early American Secular Music and Its European Sources, 1589-1839
Incipit Index: 511

Incipit	Time	Text	Gnr-Cntry	Short Title	Page	Instrument
//5-/11111//1/1//1/1	6/8	Post(1te) (t)	MS-G	Darmstadt MS 1224	145	KD
//5-1/1//111/111//111/1	6/8	Call In the Morning, The (t)	IC-E	Longman Horn, 1785	16-17	2HN
//5-1/1//111/111//111/1	6/8	Call In the Morning, The (t)	IC-E	Simpson Horn, 1745	1	2HN
//5-1/1//111/111//111/1	6/8	Call In the Morning, The (t)	IC-E	Thompson Horn, 1755	9	2HN
//5-1111///1111/1111//1113-/1111	2/4	En Avant (t)	IC-F	French Ordinances	App.17	TR
//5-111/1//1111/1111//1113/1111	2/4	Marche (4 Couplets) (t)	IC-F	French Ordinances	App.18	TR
//5-1+1+/1+1+1+//11+1+/1+1+1+//3+2+/1+	2/4	Novelty, The (t)	DA-E	Thompson CD-6.8, 1796	91	MI
//5-11111/111111//5-/5-11111//11/11	2	Marche de Timballe Pour les Gardes du Roy (t)	MS-F	Philidor MS, 1705	34-35	TI
/5-1//111/111//1/1//15/	6/8	Ton Pour Le Requêté Ou Deffaut (t)	IC-F	Diderot Chasse, 1763	2:2:2	HN
//5-111/1111//2342/17-6-5-//5-111/1111//		Balance, La. Fifth Sett (t), or Concluding Dance (at)	AI-A	Blake Cots, 1804	30	PF/VN/GF
5-111/1111//2342/17-6-5-//5-111/1111//	2/4	Bolanje, La (t)	AM-A	Washburn MS, 1816	8	GF
//5-1/11//11/11//24/6-2//	2/4	Favourite Dance In Zorinsky, A (t)	AI-A	Gentlemen's PC, 1802	26	2GF
//5-1/11//1/11//23/7-2	2/4	Boolonzie (t)	IC-S	Aird 4, 1796	29	FI/GF/VN
//5-1/11//1/11//31/11	2/4	Quick March (t)	IC-E	Gilbert Bugle, 1804	11	3BU
//51+/1+1+//1+/1+1+/3+1+/1+1+//	2/4	Reveille. Presto (t)	IC-E	Hyde Bugle, 1818	38	BU
//5-1/11//1/11//31/11//	2/4	Reveille. Presto (t)	IC-E	Hyde Bugle, 1818	41	BU
//5-111/1113//217-6-/7-6-5-	C	Turnimspike, The (t)	SC-S	Scots MM-1, 1787	24	VO,PFF
//5-1/11//11/13//2/31	2/4	Our Goodman Came Hame at E'en (t)	SC-S	Scots MM-5, 1797	466-467	VO,PF
//5-11/111//133/335//551+/1+3+1+	6/8	Tunbridge Rocks (t)	DA-E	Johnson CD-3, 1744	27	VN/GF
//5-11/111//133/335//551+/1+3+1+	6/8	Tunbridge Rocks (t)	DA-E	Walsh CD-2.2, 1735	4	VO/OB/GF/FL
//5-11/111//133/335//551+/1+3+1+	6/8	Tunbridge Rocks (t)	DA-E	Walsh CD-3.2, 1749	4	VN/OB/GF
//511111/3131//62222/6262//51111/3131//	C/	Happy Cobler, The (t)	MS-E	Vickers MS, 1770	138	MI
//5-1/11//1/13//21/23	2/4	Bold Dragoon, The (t)	AI-A	Riley Flute 1, 1814	92	FL
//5-111/113//2123/112//3432/2	C/	Bold Dragoon, The (t)	AM-A	Huntington MS, 1817	III.61	FL/VN
//5-1/11//1/13//232/13	6/8	Quick Step (grand National March) (t)	AI-A	American Sheet Music		PF
//5-/1-1//1/1-1//5-/1-1		Enemy Is Both Infantry and Cavalry, The (t)	IC-E	Gilbert Bugle, 1804	3	BU
//5-/1-1//1/1-1//5-/1-1	2/4	Enemy Has Infantry and Cavalry, The (t)	IC-E	Potter Bugle, 1817	9	BU
//5-11/111//5-22/212//333/333	6/8		IC-E	Forest Harmony-2, 1733	44	2HN/GF/TR/VN
//5-111115-5-1-		Prelude Pour le Bruit de Guerre.1er (t)	MS-F	Philidor MS, 1705	35	TR
//5-1/11//12/11//23	C	Sally's New Answer (t)	SS-E	SS, Folger-C42.4	49	VO+FL
//5111/1216-//5-6-12/321//4222/2321	C	Masons Apron (t)	AI-A	Riley Flute 2, 1817	91	FL
//5111/1223//3234321/25-5-34//5111/1223	2/4	Barbarinis Tambourine (t)	DA-E	Walsh CD-2.4, 1747	112	MI
//5111/1223//3234321/25-5-34//5111/1223/ /	2/4	Barbarinis Tambourine (t)	DA-E	Walsh CD-3.4, 1747	112	VN/OB/GF
//5-11/1123//27-5-/432//321/543//2	6/8	Love In Disguise (t)	SS-E	SS, Harvard	1	VO,KBF+GF/GT
//5-11/1123//27-5-/432//321/543//2	6/8	Love In Disguise (t)	SS-E	SS, Harvard	1	VO,KB+GF
//5-1/111//23/333//535/424	C	Irish Brigand, The (t)	AM-A	Nixon MS, 1776	38	FI
//5-11/11//234/31//443/25	C/	Dialogue Between Teague An Irish Priest and the arch-Bishop of Paris, A (t)	SC-E	Pills 1, 1719-20	244-5	VO
//5-/11//1/1234//534/534	2/4	Battle of the Nile, The. Vivace (t)	AI-A	American Sheet Music		PF
//5-11//11234//565//54//351//247-//	3/8	Swabia (t)	AM-A	Hoff MS, 1797	No. 37	GF
///5-11//11/25//315-/11	6/8	Always a Dashing Gay Young Fellow (t)	AI-A	Riley Flute 4, 1826	34	FL
//51/111//31/31//62/222	2/4	Happy Cobler, The (t)	DA-E	Thompson CD-2, 1765	22	VN/GF/OB
//51/111//31/31//62/222//	2/4	Happy Cobler, The (t)	DA-E	Thompson CD-2a, 1765	20	VN/GF/OB
//51/111//31/31//62/222//	2/4	Happy Cobler, The (t)	DA-E	Universal Magazine	2:362, 1758	MI
//51111/3151//31111/543//42222/4242//	C	Cameronian Rant (Scotch) (t)	DA-E	Wilson Companion, 1816	66	MI
//5-111/1//316-1/7-2//1543/5//	C/	Slow March, A (t)	MS-S	Fife MS, 1780	191,19v	1FI OR 2FI/VN
/5-//11/11//321/321//22/22//	2/4	Récréations de la Société, Les. Contre-Danse à Dou	DA-F	Landrin CD BN, 1775	12 Feuille	KB
//5-111/132//16-1/15-1//121/123//	6/8	No. 2. 1st Set (t)	AI-A	Mann Quadrilles-1, 1825	2	PF,HP
//51111/3223//51111/1+2+3+2+//1+1111/322 3	C/	Whigs of Fife, The (t)	DA-E	Skillern CD, 1780	64	VN/GF/OB
//51111/3223//51111/1+2+3+2+//1+1111/322 3//	C/	Whigs of Fife, The (t)	IC-S	Stewart Reels, 1775	24	VN/GF,VC/HA
//5-/11//11/33//33/55	C	Handle's Water Piece (t)	AM-A	Beach MS, 1801	54	2MI
//5-/11//11/33//33/55	C	Handel's Water Piece (t)	AM-A	Canfield MS, 1823	58-60	2FL
//5-/11//11/33//33/55	C	Water Musick, The (t)	IC-E	Forest Harmony-2, 1733	28-29	2HN/GF/TR/VN
//5-/11//11/33//33/55	C	Handel's Water Peice (t)	IC-E	Thompson Oboe, 1758	28-29	2OB
//5-/11//11/33//33/55	C	Handle's Water Piece (t)	AM-A	Van Schaack MS, 1820	16-17	2FL
//5-/11//11/33//33/55	C	Handel's Waterpiece (t)	AM-A	Woodruff MS, 1803	53-55	2MI
//5-/11//11/33//33/55//5	C	Water Musick, The (t)	IC-E	Warlike Musick, 1760	22-23	HAF
//5-1/11//13/35//43/21//	2/4	Honey Moon (t)	AI-A	Admired Cots-1.4, 1825	2	PF
//5-1/11//13/35//43/21	2/4	Honey Moon, The (t)	IC-E	Balls Amus 3, 1815	4	FL/VN
//5-1/11//13/35//43/21	2/4	Honey Moon (t)	IC-E	Balls Amus 3, 1830	4	FL/VN
//5-1/11//13/35//43/21	2/4	Honey Moon (t)	AM-A	Clarke MS, 1800	21	MI
//5-1/11//13/35//43/21//	2/4	Honey Moon, The (t)	MS-S	Fife MS, 1780	776,85r	1FI OR 2FI/VN
//5-1/11//13/35//43/21//	2/4	Honey Moon, The (t)	AI-A	Honey Moon CD, 1807	1-2	PF
//5-1/11//13/35//43/21	2/4	Augusta Quick Step (t)	AM-A	Hooves MS, 1817	38	FI
//5-1/11//13/35//43/21		Favourite Dance In the Honey-Moon (t)	AM-A	Hooves MS, 1817	49	FI
//51+/1+1+//1+3+/3+5+//4+3+/2+1+//	2/4	Honny Moon, The (t)	AM-A	Johnson, S. MS, 1807	2	FI
//5-1/11//13/35//43/21	2/4	Honey Moon (t)	AI-A	Paff Amus 1, 1812	3	FL/VN
//5-1/11//13/35//43/21	2/4	Dance In the Honey Moon (t)	AI-A	Riley Flute 2, 1817	66	FL
//5-1/11//13/35//43/21	2/4	Augusta Quick Step (t)	AI-A	Robbins D&F, 1812	23	FI
//5-1/11//13/35//43/21	2/4	Favorite Dance, In the Honey Moon (t)	AI-A	Shaw Gentlemen, 1807	19	2CL/VN, FL,BS/VC
//5-1/11//13/35//43/21	2/4	Honey Moon (t)	AI-A	Whiteley Prec, 1816	61	2MI,B
//5-1/11//13/35//43/21	2/4	Dance In the Honey Moon (t)	AI-A	Williams Fife, 1819	37	FI
//5-1/11//13/35//43/21//	2/4	Honey Moon (t)	AI-A	Willig CD-1, 1812	4	PF/VN
//5-1/11//13/35//43/21//	2/4	Honey Moon (t)	DA-E	Wilson Companion, 1816	111	MI
//5-1/11//13/35//43/21//	2/4	Honey Moon (t)	AM-A	Winnington MS, 1810	18	KB
//5-111/1335//4321/7-25-//5-111/1335	C	Dance In the Honeymoon (t)	AM-A	Kingsley MS, 1795	II,4	MI
//5-111/1335//4321/7-25-//5-111/1335//	C	Dance In the Honeymoon (t)	AM-A	White, G. MS, 1790	112-113	VN
//5-1/11//13/35//53/21//	2/4	Dance In the Honey Moon (t)	AI-A	Willig Fife, 1826	19	FI
//5-111/135//4321/6-7-1//27-5-/27-5-	C	My Father Said That He Would Hire to Me a Man (t)	IC-S	Aird 3, 1788	157	FI/GF/VN
//5-1111/5-1111/5-1111/5-1111/5-1111		A Cheval (t)	MS-E	Kusser MS, 1710	311	TR
//5-1111/5-1111/5-1111/5-1111/5-1111		A Cheual (t)	IC-F	Mersenne Harm, 1636	5:264	TR
//51/111//51/31//51/111	2/4	Cameronian's Rant, The (t)	IC-S	Aird 1, 1782	38	FI/VN/GF
//51111/5131+//51111/536//42222/4232//	C	Cameronian Rant (t)	AI-A	Carrs PC, 1800	22-23	GF/VN/FL
//51111/5131+//51111/536//42222/4232	C/	Cameronians Rant (t)	MS-S	Gillespie MS, 1768	109	VN
//51111/5131//51111/536//42222/4232//	C/	Cameronians Reel, The (t)	IC-S	Stewart Reels, 1775	6	VN/GF,VC/HA
//51111/5131+//51111/536//42222/4232//	C	Cameronians Rant (t)	AM-A	White, G. MS, 1790	53	VN
//51111/5131//5116/543//42222/4232//	C/	Cammeronians Rant, The (t)	MS-E	Vickers MS, 1770	24	MI
//51+1+1+1+51+3+5+//		Attention Rear Guard (t)	IC-E	Hyde Bugle, 1818	45	BU
//51111/5146//51111/536//42222/4262	C	Cameronian Rant (t)	MS-E	Hammersley MS, 1790	86	MI
//51111/5146//51111/536//42222/4262	C/	Cameronian Rant (t)	DA-E	Walsh CD-3.3, 1749	21	VN/OB/GF
//51111/5151//31111/535//42222/4242	C/	Cameronian's Rant (t)	DA-E	Rutherf CD-2.1, 1756	24	VN/GF/OB
//51111/5151//31111/535//42222/4242	C/	Cameronian Rant (t)	DA-E	Thompson CD-1, 1757	94	VN/GF/OB
//51111/5151//31111/535//42222/4242//	C/	Cameronian Rant (t)	DA-E	Thompson CD-1a, 1757	92	VN/GF/OB
//51111/5156//51111/536//42222/4232	C/	Cameronian Rant, The (t)	MS-E	Rainstorp MS, 1747	36	MI
//51111/5427//51111/7-124//51555/5427//	C/	Four and Twenty Highlandmen (t)	MS-S	Young MS-2, 1734	84v	MI
//51111/547//27-7-7-7-/247//51111/547	C/	Lochiel's Rant (t)	DA-E	Rutherf CD-2.1, 1756	64	VN/GF/OB
//5-/1-1//1/1-5-//5-/1-1		Enemy Is Both Infantry & Cavalry, The (t)	IC-E	Barber Bugle, 1804	Pl.1	BU
//5-/1-1//1/1-5-//5-/1-1		Enemy Is Infantry & Cavalry, The (t)	AM-A	Beach MS, 1801	72	BU
//5-/1-1//1/1-5-//5-/1-1		Enemy Has Both Infantry & Cavalry, The (t)	IC-E	British Bugle, 1798	PL.8	BU
//5-/1-1//1/1-5-//5-/1-1		Enemy Has Both Infantry & Cavalry, The (t)	IC-E	British Bugle, 1799	PL.8	BU
//5-/1-1//1/1-5-//5-/1-1		Enemy Is Infantry & Cavalry, The (t)	IC-E	Cooper Guide, 1806	3	BU
//5/11+//1+/15//5/11+//	2/4		AI-A	Duane Compendium, 1809	xix	BU
//5-/1-1//1/1-5-//5-/1-1		Advance (t)	AI-A	Duane Riflemen, 1812	103	BU
//5/11+//1+/15//511+//		Enemy Have Infantry & Cavalry, The (t)	IC-E	Hyde Bugle, 1818	45	BU
//5-/1-1//1/1-5-//5-/1-1		Enemy Has Both Infantry & Cavalry, The (t)	AI-A	US Riflemen, 1824	PL15	BU
//5-11/117-12//334/334//544/217-6-	C	Guard March (t)	AM-A	Marchant MS, 1783	35	KB
//5-1/11//17-1/24//31/6-2	2/4	Lass of Richmond Hill (t)	AI-A	Balls Amus 1, 1815	22	FL/FI/VN
//5-1/11//17-1/24//31/6-2	2/4	Lass of Richmond Hill, The (t)	SC-S	Edinburgh MM-1, 1792	218-219	VO
//5-1/11//17-1/24//31/6-2	2/4	Lass of Richmond Hill, The (t)	AM-A	Hosmer MS, 1799	9	GF
//5-1/11//17-1/24//31/6-2//	2/4	Lass of Richmond Hill (t)	IC-E	Hyde Bugle, 1818	16	2BU,B
//5-1/11//17-1/24//31/6-2	2/4	Lass of Richmond Hill, The (t)	AI-A	Riley Flute 1, 1814	29	FL
//5-111/17-6-5-//5-111/17-6-5-//5-111/13 53	C	Evelein's Bower (t)	AM-A	Commonplace MS, 1811	18	MI
//5-111/17-6-5-//5-111/17-6-5-//5-111/13 53	C	Brandy O (t), or Peg of Darby (at)	AI-A	Riley Flute 1, 1814	43	FL
//5-111/17-6-5-//5-111/17-6-5-//5-111/13 53//	C	Eveleen's Bower (t)	AM-A	White, G. MS, 1790	117	VN
//5-1/11//17-/7-7-//5-4/44	2/4	Allegretto (t)	IC-E	Astor Oboe, 1800	13	OB
//51/11//21/21//21/3217-//1	2/4	I know the world Sir 'tho I say't (fl)	TW-E	Padlock, 1768	8-9	VO,KBF
//5-1/11//2123/22//5-1/11	C/	French Tune (t)	IC-E	Simpson Horn, 1746	9	HN
//5-11/121//345/645//676/671+	6/8	Song 182 (t), or Young Roger the Ploughman (at)	SC-E	Calliope, 1788	340-342	VO
//5-1/11//21/7-1//23/42	2/4	Mind Husey What You Do (t)	IC-E	Preston Clar, 1797	13	CL
//5-111//217-1//2342	2/4	Mind Hussey What You Do (t)	AI-A	Village Fifer, 1808	48	FI
//5-11//1217-1//2343//2//321	3	How blest are lovers in disguise (fl)	SC-E	Watts MM-2, 1729	154-155	VO/VN+FL
//5-1/11//217-1/24//31/6-2	C	Lass of Richmond Hill (t)	AM-A	Curtiss MS, 1800	124	2VN
//5-1/11//217-1/24//31/6-2//1	2/4	Lass of Richmond Hill, The (t)	AM-A	Hiester MS-2, 1793	2-3	VO,KB
//5-1/11//217-1/24//31/7-2//	2/4	Lass of Richmond Hill, The (t)	MS-S	Miller, J. MS, 1798	61	FI
//5-1/11//217-1/25//31/6-1//121/7-6-//	2/4	Lass of Richmond Hill, The (t)	AM-A	Hoff MS, 1797	No. 136	GF
//5-1/11//217-1/25//31/6-2//	2/4	Lass of Richman's Hill, The (t)	MS-S	Fife MS, 1780	456,47v	1FI OR 2FI/VN
//5-111//22/212//33/321	6/8	Black Joke (t)	AM-A	Eells MS, 1789	71	MI
//5-1/11//22/212//343/321	6/8	Black Joak (t)	MS-E	Hammersley MS, 1790	43	MI
//5-1/11//22/212//343/321//232	6/8	Black Joak (t)	AM-A	Simpson MS, 1750	II,10	FL
//5-11/12//311/12//323/43	6/8	Jigg (t)	IC-E	Simpson Horn, 1745	12	2HN
//5-11/12//311/12//345/543	6/8	King of Prusia Gigg (t)	AM-A	Hawkins MS, 1794	II,72	GF
//5-11/12//311/13//5-7-2/23//	6/8	Doctor. 72 (t)	AM-A	Johnson, F. MS, 1820	44	PF
//5-11//1231//24217-1//275-//5-	3/4	John Hay's Bonnie Lassie (t)	SC-E	Calliope, 1746	I,104	VO,B+FL
//5-11/1231//5-4-3-2-/1-//333/3231	C/	March 4 (t)	IC-E	Valentine March, 1759	2	OB, 3 OTHER UNKNOWN PARTS
//5-11/1232//111/12//333/3454	C	March (t)	AM-A	Stiles MS, 1807	20-21	MI
//5-1/112//321/25-//5-34/334	C/	Red Coat Fifer (t)	AI-A	Fifer's Comp, 1805	20	2FI
//5-1/11//232/212//343/321	6/8	Black Joke (t)	AM-A	Murphey MS, 1790	13	MI
//5-11/123//23217-/6-5-//6-11/3456	6/4	Air 10, Act Ii (t)	BA-E	Beggar's Wed, 1729	T36M7	VO
//5-11//123//24321//7-122//355//645	3	Minuet (t)	IC-E	Walsh Oboe, 1715	26	OB
//5-11/123//322/22//233/321	6/8	Mackies, The (t)	DA-E	Johnson CD-4, 1748	83	VN/GF
//5-11/123//322/22//233/321	6/8	Auretti's Maggot (t)	DA-E	Walsh CD-2.4, 1747	118	MI
//5-11/123//322/22//233/321//	6/8	Auretti's Maggot (t)	DA-E	Walsh CD-3.4, 1747	118	VN/OB/GF
//5-11/123//322/22//233/321//27-5-	6/8	Auretti's Dutch Skipper Dance. Presto (t)	IC-E	Delightful-2, 1745	I,10	GF
//5-/11//12/33//33/55		Handles Water Piece (t)	AM-A	Williams, J. MS, 1799	78	CL
//5/1//11//2/34	2/4	Air (t)	IC-E	Delightful-1, 1763	I,8	2GF
//5-11/123//42/7-6-5-//5-11/134	6/8	Enchanted Wood, The (t)	DA-E	Thompson CD-5, 1788	49	VN/GF/OB
//5-11/123//42/7-6-5-//5-11/134//	6/8	Enchanted Wood, The (t)	DA-E	Thompson CD-5a, 1788	49	VN/GF/OB
//5-11/123//427-/7-12//345/654	6/8	Freeborn Americans, The (t)	AM-A	Perkins MS, 1790	24	MI
//5111/2343434//5212432/3//1+555/61+4	C/		IC-E	Forest Harmony-2, 1733	44-45	2HN/GF/TR/VN
//5/1//11//2/34//4/3	2/4	Reproach, The (t)	SS-E	SS, Folger-C42.3	191	VO,KB+FL
//5/1//11//2/34//4/3	2/4	Reproach, The (t)	SC-E	Watts MM-6, 1731	49-50+51	VO,HA+FL
//5-11/123//44/42//3453/421	6/8	Lilly, The (t)	IC-S	Aird 4, 1796	37	FI/GF/VN
//5-11/123//444/46//531/17-1//	6/8	Siege of Belgrade, The (t)	AM-A	Hoff MS, 1797	No. 267	GF
//5-11/1234//531+6/5313//464/353//	C/	Hornpipe (t)	AM-A	Hoff MS, 1797	No. 150	GF
//5-11//123//531//26//531	3/4	Lazy Mist, The (t)	IC-E	Caledonian PC, 1760	XII,20	GF/VN
//5-11/123//531/26//531/27-5-	6/4	No Churchman Am I (t)	SC-S	Scots MM-6, 1803	606-607	VO,PF
//5-11//12//355443//325-4-//3-11//12	3/4	Miss Spankie's Minuet (t)	IC-S	Gibb New Coll, 1798	12	PF/VN,VC
//511/123//565/321//322/235	6/8	Araidh Nam Badan, Gaelic (t)	IC-S	Aird 5, 1797	66	FI/VN/GF
//511/123//565/321//322/235//	6/8	Araid Nam Cadon Gaelic (t)	MS-S	Fife MS, 1780	755,82v	1FI OR 2FI/VN
//5-11//123//6531//26//6531	3/4	Lazy Mist, The (t)	SC-S	Scots MM-3, 1790	241	VO,PF
//5-1/112//36-/6-1//5-3-5-/6-11	C	Pledge Me Brim to Brim (t)	AI-A	Riley Flute 4, 1826	46	FL
//5-1/11//25/55//31/11	2/4	Grand Military Sonata, A. Quick March Off the Field (t)	IC-E	English Sheet Music		PF,VN
//5-111/27-1//321/27-7-2//5-111/27-1	C	Devil Take the Minister, The (t)	AM-A	Gaylord MS, 1816	8r	2MI
//5-111/27-1//321/27-7-2//5-111/27-1	C	Devil Take the Minister, The (t)	AM-A	Gaylord MS, 1816	8v	4MI
//5-1/11//31/11//24/7-2	2/4	Emma's Choice (t)	IC-E	Balls Amus 3, 1815	25	FL/VN
//5-1/11//31/11//24/7-2	2/4	Emma's Choice (t)	IC-E	Balls Amus 3, 1830	25	FL/VN
//5-1/11//31/11//24/7-2	2/4	Emma's Choice (t)	AI-A	Paff Amus 1, 1812	17	FL/VN
//5-1/11//31/11//24/7-2	2/4	Emma's Choice (t)	AI-A	Riley Flute 2, 1817	43	FL
//5-1/11//31/11//43/22	2/4	Blue and Buff (t)	DA-E	Thompson CD-6.3, 1791	27	MI
//5-111/3111//5-111/311		Trot (t)	IC-E	Broderip Sounds, 1799	19	BU
//5-11131115-111311		Trot (t)	IC-E	Hyde Trumpet, 1798	23	BU
//5-11131115-111313//		Trot (t)	IC-E	Hyde Bugle, 1818	40	BU
//5-111/3111//5-113/1//3//		Enemy Are Retreating, The (t)	IC-E	Hyde Bugle, 1818	45	BU
//5-111/3111//5-113/1//3	C	Enemy Are Retiring, The (t)	IC-E	Potter Bugle, 1817	10	BU
//5-11/131//131/1	6/8	Advance (t)	AI-A	Holbrook Tactics, 1826	PL11	BU
//5-11/131//131/1	6/8	Advance (t)	AI-A	US Light Inf, 1830	123	BU
//5-11/131//131/1//	6/8	Advance (t)	AI-A	US Tactics, 1825	275	BU
//5-11/131//131/1	6/8	Advance (t)	AI-A	US Tactics, 1834	PL85	BU
//5-11/131//14-1/15-1//131/123	6/8	Cathleen Mc Chree (t)	AI-A	Paff Amus 2, 1812	13	FL/VN
//5-11/131//16-1/15-1//131/123	6/8	Cathleen Mc Chree (t)	AI-A	Riley Flute 1, 1814	3	FL
//5-11/131//21/15-//5-11/131	6/8	Cymbal, La (t)	DA-E	Thompson CD-3, 1773	11	VN/GF/OB
//5-11/131//21/15-//5-11/131//	6/8	Cymbal, La (t)	DA-E	Thompson CD-3a, 1773	16	VN/GF/OB
//5-11/131//25-5-/5-5-6-//7-123/4321	C	Royal Greenoch Volunteers New March, The (t)	IC-S	Scottish Sheet Music	2	PF+M
//5-1/11//31/35//42/22	2/4	King's Bench Plot, The (t)	AM-A	Kingsley MS, 1795	I,42	MI
//5-1/11//3136/43//5-17-1/6-17-1	C/	Hornpipe (t)	AM-A	Turner MS, 1788	I,73	VN
//51/11//31/36//51/11	2/4	Battle of Sherra-Moor, The (t)	SC-S	Scots MM-3, 1790	290-291	VO,PF
//5-1/11//3/1//5-/1//	2/4	Changer de Front à Droite (t)	IC-F	Lelouterel Clairon, 1825	pl. 6	BU
//5-1/11//3/1//5-/1//	2/4	Changer de Front à Gauche (t)	IC-F	Lelouterel Clairon, 1825	pl. 6	BU
//5//1+1+1+3+1+55//51+1+//1+3+1+5//	3/4	Sargents Call (t)	IC-E	Hyde Bugle, 1818	41	BU
//5-11/131//7-12//431//6-6-6-/6-7-5-	6/8	Maid of the Mill, The (t)	AM-A	Eells MS, 1789	49	MI
//5-11/131//7-12/51//6-6-6-/6-7-5-	6/8	Maid of the Mill, The (t)	IC-S	Aird 6, 1803	31	FI/VN/GF
//5-11/131//7-12/51//6-6-6-/6-7-5-	6/8	Maid of the Mill (t)	AI-A	Blake Amus 1, 1824	13	CL
//5-11/131//7-12/51//6-6-6-/6-7-5-	6/8	Maid of the Mill (t)	MS-E	Carter MS, 1792	11	MI
//5-11/131//7-12/51//6-6-6-/6-7-5-//	6/8	Maid of the Mill, The (t)	MS-S	Fife MS, 1780	697,75v	1FI OR 2FI/VN
//5-11/131//7-12/51//6-6-6-/6-7-5-	6/8	Iv'e Kiss'd and Iv'e Prattled (t)	AI-A	Riley Flute 2, 1817	80	FL
//5-11/131//7-12/51//6-6-6-/6-7-5-	6/8	Maid of the Mill, The (t), or Favorite Dialogue, A (at)	SS-E	SS, Boston PL-1	103,1-3	VO,HA+GF+GT
//5-11/131//7-12/51//6-6-6-/6-7-5-//1	6/8	Dialogue (t)	TW-E	Rosina, 1783	17	VO,KB
//5-11/131//7-125/316-/5-7-5-/1		Maid of the Mill (t)	AM-A	Van Renssel. MS, 1782	I,37	VO,KB
//5-11/131//7-12/531//6-6-6-/6-7-5-	6/8	Maid of the Mill, The (t)	IC-S	Aird 3, 1788	159	FI/GF/VN
//5-11/131//7-12/531//6-6-6-/6-7-5-	6/8	Maid of the Mill, The (t)	AM-A	Eells MS, 1789	49	MI
//5-11/131//7-12/531//6-6-6-/6-7-5-	6/8	Maid of the Mill (t)	AM-A	Hawkins MS, 1794	II,47	GF
//5-11/131//7-12/531//6-6-6-/6-7-5-//	6/8	Maid of the Mill, The. In Rosina (t)	MS-C	Molyneaux MS-1, 1788	54	GF
//5-11/131//7-12/531//6-6-6-/6-7-5-	6/8	Maid of the Mill (t)	AM-A	Murphey MS, 1790	14	MI
//5-11/131//7-12/531//6-6-6-/6-7-5-	6/8	Maid of the Mill, The (t)	AM-A	Pomeroy MS, 1790	9	GF
//5-11/131//7-12/531//6-6-6-/6-7-5-1	6/8	Maid of the Mill, The (t)	AM-A	Cabot MS, 1784	M6T10	VO/GF
//5-11/131//7-12/531//6-6-6-/6-7-6-	6/8	Maid In the Mill, The (t)	AM-A	Dickinson MS, 1800	27	CL/GF/OB
//5-11/131//7-12/532//16-6-/6-7-5-	6/8	Maid of the Mill (t)	AM-A	Dawes MS, 1790	15	HA
//5-11/131//7-12/532//6-6-6-/6-7-5-	6/8	I've Kiss'd and I've Prattled (t)	AI-A	Reinagle Fav-1, 1789	4	PF/HA,VO
//5-11/131//7-25/7-24//321/17-1	6/8	Quick Step 4 (t)	IC-S	Corri Marches, 1791	4	HA/PF
//5-11/132//16-7-5-/12//333/354	C	Reeds March (t)	AM-A	Stiles MS, 1807	54-55	MI
//5-11/13//2342/67//1+2+3+1+/646//531	6/8	Irish Beauties, The (t)	DA-E	Longman CD, 1781	20	VN/OB/GF
//5-/11//1/3234//51/3234//5	2/4	Cottillon Ongres (t)	MS-M	Garcia MS, 1772	99	MI
//5-11/13//24321/6-5-	6/4	Air 6 (t)	BA-E	Flora, 1729	T9M2	VO
//51+1+1+3+3+1+1+1+3+3+//		Call In the Rear Guard (t)	IC-E	Hyde Bugle, 1818	45	BU
//5-1/11//33/1//55/531	2/4	Bang Up. Quick March (t)	IC-E	Jones Bugle, 1805	7	BU
//5-11//133//22123//15-//133//355	3/4	Waltz (t)	IC-S	Pandean Coll 2, 1810	27	PF
//5-11//133//321//55-//5-11//133	3/8	Waltz (t)	IC-S	Pandean Coll 1, 1810	12	PF
//5-11/133//354//3/243//21/17-//	2/4	Three Sisters, The (t)	AI-A	Cinderella Cots, 1831	2	MI,B
//5-11/133//422/254//315-/6-21	6/4	May We Live All the Days of Our Lives (t)	IC-E	Cahusac Flute, 1788	26	GF
//5-11/133//422/254//315-/6-21	6/8	May We Live All the Days of Our Lives (t)	IC-E	Thompson Oboe, 1790	20	OB
//51+1+/1+33//4342/44//42+2+/2+44	C/	General Macombs Grand March (t)	AI-A	American Sheet Music	4	PF
//51+1+/1+33//4342/44//42+2+/2+44	C	General Macomb's March (t)	AI-A	Paff Amus 4, 1817	3	FL/VN
//5-11/1//33///5-11/1	C	Call In the Rear Guard (t)	IC-E	Potter Bugle, 1817	7	BU
//5-1/1//13/35//43/21	2/4	Dance In the Honeymoon (t)	AI-A	Blake Amus 3, 1825	11	CL
//5-1/1//13/35//43/21	2/4	Honey Moon, The. Tattoo (t)	AI-A	Camp Dupont, 1816	12	2GF/FI/VN,PF
/5-1//1/13//35/43//21/	2/4	Honey Moon, The (t)	AM-A	Duport MS-2, 1800	5r	VN
//5-11/13//355/51+//11/212//	6/8	Chasse 1809. Baltimore (t)	AM-A	Duport MS-1, 1780	30	VN
//5-11//133//565432//15-3-//5-11//1	3/8	Six Imitations-6. A German Waltz (t)	AI-A	Musical Jnl-2, 1800	II,38-40	PF
//5-11//133//565432//15-3-//5-11//133	3/8	Six Imitations-6 (t), or German Waltz (at)	AI-A	Musical Jnl-1, 1800	II,36	FL/VN
//51+/1+1+//3+4+/5+3+//4+3+/2+1+		Farewell Sweet Hearts & Wives (t)	AM-A	Blake MS, 1776	30	FI
//5-11/135//5-11/135//5-6-5-/5-4-3-//	6/8	Trip to Gibralter, A (t)	MS-S	Fife MS, 1780	596,64r	1FI OR 2FI/VN
//5-11/135//5-11/135//5-6-5-/5-4-3-//	6/8	Constitution of America, The (t)	AM-A	Hoff MS, 1797	No. 266	GF
//5-1/11//35/53//46/21	2/4	Quick Step (t)	IC-E	Potter Sett, 1800	6	2FI,BU
//5-111//3553//53217-	2/4	Fairwell Sweet Harts & Wives (t)	AM-A	Gibbs MS, 1777	28	FI
//5-1/11//35/53//54/32	2/4	Farewell to Wives and Sweethearts (t)	AM-A	Perkins MS, 1790	3	MI
//5-1/1//135/543//22/2	6[/8]	Jean Pudding and Jauck Roast a Beef (t)	DA-E	Johnson CD-7, 1756	18	VN/GF
//51+1+/1+//51+1+/1+//	2/4	In Battery (t)	AI-A	Anderson Bugle, 1839	191	BU
//5-1/11//5-1/11//5-1/5-1		Advance or Charge Bayonets (t)	IC-E	Gilbert Bugle, 1804	3	BU
//5-111/5-111//5-15-1/5-111//5-111/5-111	4	To Recall Detachments (t)	AI-A	Cooper System, 1836	237	BU
//5-111/5-111//5-15-1/5-111//5-111/5-111	C	Rappel, Le (t)	IC-F	French Ordinances	App.25	BU
//5-111/5-111//5-15-1/5-111//5-111/5-111 //	C	Rappel, Le (t)	IC-F	Lelouterel Clairon, 1825	pl. 6	BU
//5-111/5-111//5-15-1/5-111//5-111/5-111 //	4	To Recall Detachments (t)	AI-A	US Tactics, 1835	18	BU
//5-11/15-//1232/1//445/31	C	Heard Ye Not the Din from Far? (t)	AI-A	Goodale Dir, 1819	57	2MI,B
//511/15-//133/31//355/51	C/	Dead March (t)	IC-E	Warlike Musick, 1760	40	GF/VN/HA
//5-111+/513//5-111+/5131+//5-111+/513	C/	Johnny Pringel (t)	AI-A	Paff Amus 4, 1817	19	FL/VN
//5-111//5-222//345324	3/4	Leonard's Minuet (t)	AM-A	Bolling MS, 1790	39	VN/GT
//5-11//1//5-22//2//5-33//345	3/4	Trumpet Minuet (t)	IC-E	Delightful-2, 1745	IV,32	GF
//5-11//1//5-22//2//5-33//345//	3/4	Trumpet Minuet (t)	IC-E	Prelleur Modern, 1731	18-19	GF
//5-111//5-222//5-4545//54321//5-111//6- 2242	3/8	Battle of Leipsig, The. Saxons Quick Step (t)	IC-E	English Sheet Music		PF,VN/FL,VC
//51+1+/1+55//456/5//671+/567	6/8	Cricket (t)	AM-A	Allen, W. MS, 1790	81	VO,B
//5-/111//5-5-5-/111//3/111	2/4	Corporal's Call (t)	IC-E	Potter Bugle, 1817	13	BU
//51+1+1+555//1+1+1+3+1+1+//1+3+1+5//		Corporals Call (t)	IC-E	Hyde Bugle, 1818	41	BU
//5-11/15-//6-11/15-//6-11/123//	6/4	Da Mihi Manum withe Variations (t)	MS-C	Molyneaux MS-2, 1788	85-86	1 OR 2 GF
//5-11/15-//6-11/15-//6-11/123	6/4	Da Mihi Manum (t)	IC-E	Thumoth, 1785	82-83	GF/VN,HA
//511/15//64/45//1+6/65	2/4	Sally (t)	AI-A	Robinson Coll, 1818	40	FI,DR
//5-111/6-111//2123/2222//5-111/6-654//2	C/	Lady Charlotte Dundas's Reel (t)	DA-E	Longman CD, 1781	17	VN/OB/GF
//51/11//61/11//27-/5-4	2/4	Ballini's Rondo (t)	AI-A	Balls Amus 2, 1815	4	FL/FI/VN
//51/11//61/11//77/77//1+	2/4	My counsel take or else I'll make (fl)	TW-E	Waterman, 1782	2-3	VO,KBF
//5-1116-1//6-15-//17-1234//3217-6-5-//5 -1116-1	3/8	Favorite Quick Step (t)	AI-A	Robinson Coll, 1826	64	MI
//5/1+1+//1+6/2+//1+767/567	2/4	Forest of Bondy (t)	AI-A	Riley Flute 3, 1820	90	FL
//511/16//511/12//3135/43//	C	Scotch March, A (t)	IC-E	Longman March 3, 1770	12	2VN/OB/GF, 2HN, B
//511/16//511/16//543/432	6/8	Charles's Jigg (t)	DA-E	Johnson CD-6, 1751	100	VN/GF
//511/16//511/16//543/432	6/8	Charles's Jigg (t)	DA-E	Thompson CD-1, 1757	21	VN/GF/OB
//511/16//511/16//543/432//	6/8	Charles's Jigg (t)	DA-E	Thompson CD-1a, 1757	23	VN/GF/OB
//51/11+6//51/11+6-//56/54	C	Lesson 6 (t)	IC-E	Broderip Harp, 1790	15-16	HA
//51/11+6//51/11+6//6535/5424	C/	Evening (t)	AM-A	Hiester MS-1, 1793	40-41	KB,VO
//51/11+6//51/11+6//6535/5424	C	Evening (t)	AM-A	Mass. MS, 1790	12,15	FL
//51/11+6//51/11+6//6535/5424//3	C	Sonnet 3 (t)	AI-A	Hours of Love, 1799	6-7	VO/VN,HA+GF/GT
//51/11+6//51/11+6//6535/6424	C	Evening (t)	AM-A	Otis MS, 1793	33	VN/FL
//51/11+6//51/11+6//6536/5424//34543/32	C/	Evening (t)	AM-A	Dawes MS, 1790	18-19	VO,HA
//51/11//65/1+//65/1+	2/4		IC-E	Delightful-1, 1763	VI,29	2GF
//5111//651//7-117-1//25-//423127-	3/4	Retiremt., The (t)	SS-E	SS, Folger-C42.3	233	VO,KB+FL
//5111//651//7-117-//25-//423127-	3/4	Retirement, The (t)	SS-E	SS, Folger-C42.2	105	VO,KB+F
//5-11/16-6//5321/1235-//5-11	C	Alexis (t)	SS-E	SS, Harvard	1	VO,KBF+GF
//5-11/17-1//121/531//5-11/17-1	6/8	Murdoch O Blaney (t)	AM-A	Beck MS, 1786	55	GF
//5-1/11//7-12/1//34/52//4321	2/4	Harriot (t)	SS-E	SS, Harvard	1,DUP	VO,B
//5-11/17-1//222/212//343/321	6/8	Sprig of Shillalagh (t)	AM-A	Beach MS, 1801	28	MI
//5-11/17-1//222/212//354/321//	6/8	Sprig of Shillalah (t)	AM-A	Washburn MS, 1816	2	GF
//5-11/17-1//222/22//343/331	6/8	Sprig of Shillelah and Shamrock so Green, The (t)	AI-A	Paff Amus 2, 1812	24	FL/VN
//5-11/17-1//222/234//32/234	6/8	Black Mary (t)	IC-S	Aird 5, 1797	50	FI/VN/GF
//5-11/17-1//232/212//321/16-5-//6-11	6/8	Favorite Irish Song, The (t)	SS-E	SS, Harvard	1	VO,KB
//5-11/17-1//232/234//321/17-1	6/8	Tristram Shandy (t)	IC-S	Aird 1, 1782	66	FI/VN/GF
//5-11/17-1//232/234//321/17-1	6/8	Tristram Shandy (t)	AM-A	Kingsley MS, 1795	I,36	MI
//5-11/17-1//232/531//5-11/17-1	6/8	Mortough O Bleang by Mr U (t)	AM-A	Herreshoff MS, 1790	3R	MI
//51/11//7-123/4234//3123/4567		Hollandisch Hop (t)	AM-A	Turner MS, 1788	I,74-75	VN
//5-11/17-1//234/531//5-11/17-1//	6/8	Paddy the Piper. A Cotillion (t)	AI-A	Riley Cots-2, 1824	4	PF
//5-11/17-1//234/531//5-11/17-1	6/8	Paddy the Piper (t)	AI-A	Riley Flute 1, 1814	13	FL
//5-111/7-124//3115-/3-5-//6-7-16-/7-124	C	My Jo Janet (t), or Song 36 (at)	SC-E	Orpheus Cal-2, 1733	T80-82MOP81	VO,HA
//5-111/7-124//3115-/3-5-//6-7-16-/7-124	C	My Jo Janet (t)	SC-S	Scots MM-2, 1788	114	VO,PF
//5-1/11//7-12/5-1//7-12/5-4//3	2/4	Lume, Le (t)	DA-E	Longman CD, 1781	49	VN/OB/GF
//5-11/17-1//25-/42//351/17-1	6/8	North Carolina Jigg (t)	AI-A	Duport CD, 1800	15	PF
//5-1/11//7-127-/1//2342/17-6-5-	C/	Lira Lira (t)	IC-S	Aird 4, 1796	70	FI/GF/VN
//5-1/11//7-127-/1//2342/17-6-5-	C	Lira Lira la (t)	IC-E	Astor Oboe, 1800	16	OB
//5-1/11//7-127-/1//2342/17-6-5-	2/4	Lira Lira la (t)	AI-A	Balls Amus 2, 1815	17	FL/FI/VN
//5-1/11//7-127-/1//2342/17-6-5-//	C	Jolly Soldier, The (t)	MS-S	Fife MS, 1780	447,46v	1FI OR 2FI/VN
/5-1/11//7-127-/1//2342/17-6-5-//	C/	Lara Lara La (t)	IC-E	Hyde Bugle, 1818	14	2BU,B
//5-1/11//7-127-/1//2342/17-6-5-	C	Lira Lira (t)	IC-E	Preston Fife, 1796	27	FI/GF
//5-1/11//7-127-/1//2342/17-6-5-	C	Little Thinks the Soldier's Wife (t)	AI-A	Riley Flute 4, 1826	30	FL
//5-1/11//7-127-/1//2342/17-6-5-//5-12/1	C/	Little thinks the towns man's wife (fl)	TW-E	Surrender/Cal, 1792	24-5	PF,VO
//5-1/11//7-1/27-//4/31//	2/4	Batchelors Button (t)	DA-E	Straight & Skillern CD, 1775	83	VN/GF/OB
//5-11/17-1//27-/5-//5-22/234//	6/8	Chaptor of Kings, The (t)	MS-S	Fife MS, 1780	444,46r	1FI OR 2FI/VN
//5-11/17-1//27-/5-5-//5-22/234	6/8	Chapter of Kings (t)	IC-S	Aird 5, 1797	25	FI/VN/GF
//5-11/17-1//27-/5-5-//5-22/234	6/8	Bangor Rout (t)	DA-E	Thompson CD-7.1, 1797	11	MI
//51+1+/1+71+//2+75/56//543/234	6/8	Quick March (t)	IC-E	Coleman Marches, 1790	22-23	HA
//5-11/17-1/321//5-22/212/432	9/8	Maggotty Nan (t)	DA-E	Johnson CD-6, 1751	12	VN/GF
//5-11/17-1//322/24//321/355-	6/8	Argyll Is My Name (t)	SC-S	Scots MM-6, 1803	578-579	VO,PF
//5-11/17-1//421/12//353/423	6/8	Oh Think Not My Spirits Are Always as Light (t)	AI-A	Paff Amus 2, 1812	15	FL/VN
//5-11/17-1//421/7-12//3453/423	6/8	#49 (t), or John O'Reilly the Active (at)	IC-E	Bunting, 1796	27	PF
//5-11/17-1//6-1/5-//5-6-7-/123	6/8	Tekeli (t)	AI-A	Merrimack Coll, 1833	91	2MI,B
//5-11/17-1//6-22/22//345/213	6/8	Robin's Misfortune (t)	AM-A	Hitchcock MS, 1800	8	VO,KB
//51/11+71+6//51/11+6//6535/5424//	C	Evening Sonnet, The (t), or Evening Sound, The (at)	AM-A	Litten MS, 1800	26	VN
//5-11/17-16-//5-4-3-2-/1-//133/3231	C/	Light Horse March, The (t)	IC-E	Bennett Fife, 1770	17	FI ; FI
//5-11/17-16-//5-4-3-2-/1-//133/3231	C/	Light Horse March (t)	IC-E	Cahusac Oboe, 1790	25	OB
//5-11/17-16-//5-4-3-2-/1-//133/3231	C/	Light Horse March, The (t)	IC-E	Handel March 2, 1770	9	VN/GF/OB
//5-11/17-16-//5-4-3-2-/1-//133/3231	C/	Light Horse March, The (t)	IC-E	Longman Fife, 1770	25	FI
//5-11/17-16-//5-4-3-2-/1-//133/3231	C/	Light Horse March, The (t)	IC-E	Longman Oboe, 1770	29	OB
//5-11/17-16-//5-4-3-2-/1-//133/3231	C/	Light Horse March, The (t)	IC-E	Longman Oboe, 1780	29	OB
//5-11/17-16-//5-4-3-2-/1-//133/3231	C/	Fourth March by Valentine (t)	MS-E	Shepherd MS, 1787	13	2MI
//5-11/17-16-//5-4-3-2-/1-//133/3231	C/	Duke of Dorset's March (t)	IC-E	Skillern Amus, 1785	94	2GF
//5-11/17-16-//5-4-3-2-/1-//133/3231	C/	Light Horse March, The (t)	AI-A	Willig Fife, 1805	17	FI
//5-11/17-1//7-22/24//345/543//	6/8	Quick Step, A (t)	MS-S	Fife MS, 1780	501,53r	1FI OR 2FI/VN
//5-11/17-17-//5-4-3-2-/1-//133//3231	C/	Light Horse March, The (t)	AM-A	Aborn MS, 1790	96	MI
//5-1/117-//22/212//33/321	6/8	Black Joke (t)	AM-A	Eells MS, 1789	69	MI
//5-1/11//7-2/2//42/23-	C	Cottager, The (t)	AM-A	Bolling MS, 1790	51	VN/GT
//5-1/11//7-2/2//42/31	2/4	Cottagers, The (t)	AM-A	Dickinson MS, 1800	13	CL/GF/OB
//5-1/11//7-2/2//42/31	2/4	Cottagers, The (t)	AI-A	Herrick Preceptor, 1807	28-29	MI,B
//51+/1+1+//75/5//46/66//42/2	C	Joan to Her Lady (t)	SC-E	Pills 4, 1719-20	80-81	VO
//51+1+/1+765//51+1+/1+765//51+1+/1+3+5+ 3+//	C	Captn & Pretty Girl of Darby O, The (t)	MS-S	Fife MS, 1780	271,28v	1FI OR 2FI/VN
//5-11/17-6-//5-5-/21//7-55/543//22	6/8	To be made in such a pickle (fl)	TW-E	Lionel & Clar, 1768	30-33	4VO,HAF
//5/1+1+//1+76/564//32/235	6/8	Paternal Love (t)	AM-A	Swan MS, 1775	5R-5V	VO
//51+1+/1+76//565/535//51+1+/1+//	6/8	Go to the Devil & Shake Your Self (t)	AM-A	Litten MS, 1800	20 (30)	VN
//51+1+/1+76//565/535//51+1+/1+2+//	6/8	Go to the Devil & Shake Yourself (t)	AM-A	Adams, J. MS, 1808	1R	MI
//5-11/17-6-//5-6-5-/5-3-5-//5-11/12	6/8	Go to the Devil & Shake Yourself (t)	IC-E	Astor Oboe, 1800	12	OB
//5-11/17-6-//5-6-5-/5-3-5-//5-11/12	6/8	Dance (t)	AI-A	Balls Amus 1, 1815	5	FL/FI/VN
//51+1+/1+76//565/535//51+1+/1+2+//	6/8	Go to the Devil & Shake Yourself (t)	IC-E	Cahusac Flute, 1798	17	FL
//5-11/17-6-//5-6-5-/5-3-5-//5-11/12	6/8	Go to the Devil and Shake Yourself (t)	AM-A	Commonplace MS, 1811	31	MI
//51+1+/1+76//565/535//51+1+/1+2+//	6/8	Go to the Devel and Shak Yourself (t)	MS-S	Fife MS, 1780	628,67v	1FI OR 2FI/VN
//51+1+/1+76//565/535//51+1+/1+2+	6/8	Go to the Devil and Shake Yourself (t)	AI-A	Fifer's Comp, 1805	57	2FI
//5-11/17-6-//5-6-5-/5-3-5-//5-11/12	6/8	Go to the Devil and Shake Yourself (t)	AI-A	Hazeltine D&F, 1810	46	2FI
//5-11/17-6-//5-6-5-/5-3-5-//5-11/12	C	Go to the Devil & Shake Yourself (t)	AM-A	Hooves MS, 1817	115	FI
//51+1+/1+76//565/535//51+1+/1+2+//	6/8	Lord Cornwallis Jigg (t)	AM-A	Litten MS, 1800	4 (30)	VN
//5-11/17-6-//5-6-5-/5-3-5-//5-11/12	6/8	Dance Go to the D--- (t)	AI-A	Riley Flute 1, 1814	48	FL
//51+1+/1+76//565/535//51+1+/1+2+	6/8	Go to the Devil & Shake Yourself (t)	DA-E	Thompson CD-7.4, 1800	46	MI
//51+1+/1+76//565/535//51+1+/1+2+//	6/8	Go to the Devil and Shake Yourself (t)	AM-A	Washburn MS, 1816	6	GF
//51+1+/1+76//565/535//51+1+/1+2+//	6/8	Go to the Devil & Shake Yourself (t)	DA-E	Wilson Companion, 1816	86	MI
//5-11/17-6-//5-6-5-/5-4-5-//5-11/12	6/8	Null and Void (t)	AI-A	Merrimack Coll, 1833	50-51	2MI,B
//51+1+/1+76//565/545//51+1+/1+2+4+	6/8	Go to the Devil and Shake Yourself (t)	AM-A	Shattuck MS, 1801	59	MI
//5-11/17-6-//6-22/212//321/6-7-1	6/8	Air 48 (t)	BA-E	Polly, 1729	T51M20	VO,B
//5-11//17-6-//7-22//21//321	3	Susan's Complaint (t)	SC-E	Watts MM-1, 1729	62-64	VO/VN+FL
//5-11//17-6-//7-22/217-//133/321	6/4	On the Queen's Progress to the Bath (t)	SC-E	Pills 2, 1719-20	230-3	VO
//5-11/17-6//7-22/27-//133/321	6/4	Air 2 (t)	BA-E	Lottery, 1732	3	VO
//5-11/17-6-//7-22/27-//133/321	6/4	Air 13 (t)	BA-E	Lover His Own R, 1736	23	VO
//5-11/17-6-//7-22/27-//133/321	6/4	Air 47 (t)	BA-E	Village Opera, 1729	56	VO
//5-11/17-6-//7-22/27-//133/321//71	6/4	Air 25 (t)	BA-E	Chambermaid, 1730	26	VO
//511/211234//511/31//1+76/531	6/8	Dance de Naples (t)	AI-A	Riley Flute 3, 1820	33	FL
//5-1/121//15/564//34/531	6/8	Cork Quick Step (t)	AM-A	Morse MS, 1811	29	MI,B
//5-1/12//12/15-//12/23//	2/4	O'er the Moor to Maggie (t)	DA-E	Straight & Skillern CD, 1775	71	VN/GF/OB
//5-112/1215-//6-223/2321//1234/5671+5	C/	O'er the Moor Among the Hedder a New Sett a Reel (t)	MS-S	Gillespie MS, 1768	109	VN
//5-112/1215-//6-223/2321//1234/5671+5//	C/	O'er the Moor Among the Hedder (t)	IC-S	Stewart Reels, 1775	9	VN/GF,VC/HA
//5-112/1215-//6-223/2321//3234/5671+5//	C	O'er the Moor Among the Heather (Old Scotch) (t)	DA-E	Wilson Companion, 1816	46	MI
//5-112/1215-//6-223/4323//1234/5671+5	C	O'er the Moor Amang the Heather (t)	SC-S	Scots MM-4, 1792	338	VO,PF
//5-112/1216-//6-223/2321//5-112/351+5//	C/	Over the Moor Amang the Hather (t)	MS-E	Vickers MS, 1770	78	MI
//5-1/12//12/17-//6-2/23	2/4	O'er the Moor (t)	IC-E	Balls Amus 3, 1830	13	FL/VN
//5-1/12//12/17-//6-2/23	2/4	O'er the Moor (t)	AI-A	Paff Amus 1, 1812	6	FL/VN
//5-1/121//232/212//343/321//	6/8	Black Joke (t)	MS-C	Molyneaux MS-2, 1788	32	1 OR 2 GF
//51/12//123//4543/2321	2	Merry Mortalls, The (t)	SS-E	SS, Folger-C42.4	265	VO,KB+FL
//5-112/12//3512/3512//3234342/3234342	C/		IC-E	Forest Harmony-2, 1733	46	2HN/GF/TR/VN
//51/121/356//765/427-/46	9/8	Ratling Roaring Willy (t)	IC-S	Stewart Airs, 1788	2:96	GF/VN/FI
//51+1/21//51+1/21//51+5/61+6	6/8	Merry Meeting (t)	DA-E	Walsh CD-3.6, 1754	43	VN/OB/GF
//5-1//121//52//345//52//345	3/8		IC-E	Forest Harmony-2, 1733	33	2HN/GF/TR/VN
//51/121//53/1+7//6	6/8	Winsome Kate (t)	AI-A	Gent's Amus, 1794	61	GF/VN/VO
//51/121//53/1+7//65/671+	6/8	Winsome Kate (t)	AI-A	Caladonian Muse, 1798	123-24	VO/PF/VN
//51/121//53/1+7//65/671+//2	6/8	He Loves His Winsome Kate (t), or Favorite Scotch Song, A (at)	AI-A	American SS-SM	1-2	KB,VO+GT
//51/121//53/1+7//65/671+//2	6/8	Winsome Kate (t)	AI-A	Scots MM, 1797	123-24	VO,HA/PF
//5-112/15-3-5-//1-223/2123//5-112/1653/ /	C/	Miss Parkers Real (t)	MS-E	Vickers MS, 1770	20a	MI
//51/121//54/321//51/121//	6/8	Coares Gigg, The (t)	MS-S	Fife MS, 1780	147,13r	1FI OR 2FI/VN
//5-1/12//17-/11//23/21//7-1	6/8	Loyal Ballad for the Kings Birth Day 1724, The (t)	SS-E	SS, Harvard	1	VO+FL
//5-1/12//17-/11//23/21//7-1/25-	6/8	Air 37 (t)	BA-E	Decoy, 1733	T47M12	VO
//5-1/12//17-12/11//23/2321	C/	Air 11, Act Ii (t)	BA-E	Love/Riddle, 1729	T38M86	VO
//5-1/121//7-15-1/7-15-1//2123/4321	C	Hornpipe (t)	AM-A	Huntington MS, 1817	III.51	FL/VN
//5-1/121//7-23//123/4321	C/	Wood Walton Green (t)	PL-E	Playford 3-2, 1726	38	VN
//5-1/121//7-23//123/4321	C/	Wood Waltham Green (t)	DA-E	Walsh CD-2.3, 1735	249	VN/OB/GF/CF
//5-1/121//7-23//123/4321	C/	Wood Waltham Green (t)	DA-E	Walsh CD-3.6, 1754	95	VN/OB/GF
//5-1/121//7-23//123/4321	C/	Wood Waltham Green (t)	DA-E	Walsh NCDM-3, 1728	38	VN/OB/FL
//5-1/121//7-232//123/4321	C/	Sweet Richard (t)	DA-E	Walsh CD-2.3, 1735	112	VN/OB/GF/CF
//5-1/121//7-232//123/4321//354	C/	Sweet Richard (t)	DA-E	Johnson CD-1, 1740	19	MI
//5-1/121//7-232//123/4321//354	C/	Sweet Richard (t)	DA-E	Walsh CD-3.3, 1749	112	VN/OB/GF
//5-1/1//22/2//3234/5313	2/4	Sailor's Glory, The (t)	IC-E	Balls Amus 3, 1815	33	FL/VN
//5-1/1//22/2//3234/5313	2/4	Sailor's Glory, The (t)	IC-E	Balls Amus 3, 1830	33	FL/VN
//5-1/12//23/31//15-/5-1//	6/8	Ton du Relancé (t)	IC-F	Diderot Chasse, 1763	2:2:4	HN
//5-1/12//23/35//54/32//	6/8	Ton Lors Que Les Chiens Vont Bien (t)	IC-F	Diderot Chasse, 1763	2:2:3	HN
//5-11/225//311/7-1//222/234	6/8	Wild Rover, The (t)	AM-A	Hooves MS, 1817	119	FI
//5-112/311//1334/55-//5-223/422	C	Sweet Rosy Morn, The (t)	IC-E	Longman Horn, 1785	23	HN
//5-112/311//1334/55-//5-223/422	C	Sweet Rosy Morn, The (t)	IC-E	Simpson Horn, 1746	20	HN
//5-112/311//1334/55-//5-223/422	C	Sweet Rosy Morn, The (t)	IC-E	Thompson Horn, 1755	24	HN
//51/12//31/15//23/43//	C/	Petit sauteur, Le (t)	DA-N	Andrez Recueil, 1780	10	VN/FL/OB, B
//51/12//31/15//23/43//	2	Tururienne, Las (t)	MS-G	Jayme MS, 1717	46	MI
//5-1/12//31/15-//5-2/23	6/8	Morn Unbars the Gates of Light, The (t)	AI-A	Blake Amus 1, 1824	25	CL
//5-1/12//31/15-6-//5-12/12	2/4	Divertiment (t)	IC-E	Jouve Marches, 1799		PF,TAM,CYM/TRI
//5-11//231//22435//43//5-11//231	3/4	Zapffenst. No 48. V. S (t)	MS-G	Darmstadt MS 1225	319-20	2MI
//5-112/313//2342/17-5-//5-112/313	C	Lasses of Dublin, The (t)	AI-A	Blake Amus 3, 1825	23	CL
//5-112/313//2342/7-5-//5-112	C/	Lasses of Dublin, The (t)	AI-A	Scots MM, 1797	73-74	VO,HA/PF
//5-112/313//2342/7-5-//5-112/31	C/	Meadows look chearfull the birds sweetly sing, The (fl)	TW-E	Poor Soldier, 1782	10	VO,KB
//5-112/313//2342/7-5-//5-112/313	C/	Song 44 (t), or Lasses of Dublin, The (at)	AI-A	American MM, 1798	117	VO
//5-112/313//2342/7-5-//5-112/313	C/	Lasses of Dublin, The (t)	AI-A	Caladonian Muse, 1798	73-74	VO/PF/VN
//5-112/313//2342/7-5-//5-112/313	C/	Lasses of Dublin, The (t)	SC-S	Edinburgh MM-2, 1793	28	VO
//5-112/313//2342/7-5-//5-112/313	C/		AM-A	Eells MS, 1789	93	MI
//5-112/313//2342/7-5-//5-112/313	C/	Lasses of Dublin, The (t)	AM-A	Gaylord MS, 1816	18r	MI
//5-1/12//3/13//45/646	2/4	Groves of Passion, The (t), or Hautboy, The (at)	AM-A	Nixon MS, 1776	35	FI
//5-1/12//3135/432//17-6-/5-6-7-1//	C/	Flowers of Edinburgh (t)	AI-A	Buckingham Cots, 1808	16	VN,PF
//5-1/12//31/4//3217-/6543	C	Battle First My Soul Employs (t)	AI-A	Riley Flute 2, 1817	83	FL
//5-112//31//4564	2/4	Hautboy (t)	AM-A	Dance Tunes MS, 1798	21	FI/GF/OB
//5-1/12//3/1//45/64//	2/4	Hautboy, The (t)	AM-A	Treat MS, 1779	12	FI/GF
//5-1//123//15-//6-7-1	3	Newmarket (t)	SC-E	Pills 2, 1719-20	51-55	VO
//5-1/12//31/6-//6-2/21//	2/4	Girls of Lincoln Town, The (t)	MS-S	Fife MS, 1780	423,44r	1FI OR 2FI/VN
//5-1/12//321/123//45/4217-//7-1/2	C/	Cathrine Oge (t)	AM-A	Simpson MS, 1750	II,8	FL
//5-1/12/321/22//5-1/12//	C/	New Marrinet, The (t)	IC-E	Apollo's Banquet 1-2, 1678	A16	VN
//5-1/12//321/23//434/543//	2	Bourbon, La (t)	IC-F	Leclerc Recueil-2, 1737	76	HAF
//5-1/123/21//23/45/31//1234	C3	Paspe, A (t)	PL-E	Playford 1-09, 1695	151	VN
//5-1/123/21//23/45/31//1234	3/2	Paspe, A (t)	PL-E	Playford 1-11, 1701	I,151	VN
//5-1/123/21//23/45/31//1234	3/2	Paspe, A (t)	PL-E	Playford 1-13, 1706	151	VN
//5-112/321//234/531//123423/4	C3	Paspe, A (t)	PL-E	Playford 1-08, 1690	212	VN
//5-1/123//21/23/45//31/1234/2345//654	3/2	Paspe, A (t)	PL-E	Playford 1-15, 1713	151	VN
//5-1/123//21/23/45//31/1234/2345//654	3/2	Paspe, A (t)	PL-E	Playford 1-16, 1716	151	VN
//5-1/12//3/21//3/21	2/4	Calabria (t)	IC-E	Balls Amus 3, 1815	21	FL/VN
//5-1/12//3/21//3/21	2/4	Calabria (t)	IC-E	Balls Amus 3, 1830	21	FL/VN
//5-1/12//3/21//3/21	2/4	Calabria (t)	AI-A	Riley Flute 2, 1817	36	FL
//5-1/12//3/21//3/21//	2/4	Calabria (t)	AI-A	Willig CD-2, 1812	4	PF/VN
//5-112/321//321/427-//5-112/324//	C/	Such a Wife As Willy Had (t)	MS-E	Vickers MS, 1770	67	MI
//5-112/321//321/6-225-//5-112/321	C	Midnight Wanderers, The (t)	DA-E	Thompson CD-6.6, 1794	72	MI
//5-1/12//321/345//62/26-//	C/	Morgan Macgann (t)	IC-I	Neal's Irish Tunes, 1724	23	VN/GF/OB
//5-112/321//4222/422//2-112/3234//	C/	Spanish Barber (t)	AM-A	Brown, J. MS, 1782	1:21
//5-112/321//4222/422//5-112/3	C/	Spanish Barber (t)	DA-E	Longman CD, 1781	12	VN/OB/GF
//5-112/321//4222/422//5-112/3234	C/	Spanish Barber (t)	DA-E	Skillern CD, 1780	47	VN/GF/OB
//5-112/321/432/326-7-//5-112/353	C	Irish Hoboy, The (t)	MS-E	Hammersley MS, 1790	95	MI
//5-112/321//442/316-//5-112/3453//	C/	Long Hose Quick Step (t)	MS-S	Fife MS, 1780	273,28v	1FI OR 2FI/VN
//5-112/3215-//3-5-15-/4-3-2-//5-112/321 5-	C	Reel of Fife (t)	IC-S	Aird 5, 1797	38	FI/VN/GF
//51//12321//7-1	3	Song In the Wives Excuse (t)	SC-E	Pills 6, 1719-20	57-58	VO
//5-112/321//7-123/432//3567/1+531	C/	Eatwick Assembly (t)	DA-E	Johnson CD-8, 1758	56	VN/GF
//5-1/12//32/23//43/21	2/4	Hot Grey Pease (t), or Pipeing Phips, (at)	DA-E	Johnson CD-3, 1744	8	VN/GF
//5-1/12//32/23//43/21	2/4	Trumpet March (t)	IC-E	Musica Bell, 1733	12	FL/VN/OB
//5-1/12//32/23//43/21	2/4	Trumpet March (t)	IC-E	Warlike Musick, 1760	12	GF/VN/HA
//5-1/12//323/11//13/34	6/8		IC-E	Forest Harmony-2, 1733	12-13	2HN/GF/TR/VN
//5-1/12//323/11//44/45//	2	Bon Soldat, Le (t)	IC-F	Leclerc Recueil-2, 1737	117	HAF
//5-1//12//323//12//323//54323	3/4	Gran Cazar, La (t)	MS-M	Garcia MS, 1772	1	MI
//5-1/12//323/15-//5-1/12//	6/8	Ton Pour Le Raproché (t)	IC-F	Diderot Chasse, 1763	2:2:5	HN
//5-112/3231//6-223/4345//61+53/2123//	C	Johnson's Favorite. Virginia Reel (t)	AI-A	Johnson, F. Cotillions	24	PF
//51+//12/323213//25-	C	Love would invade me (fl)	SS-E	SS, Folger-C42.1	281	VO,KB+FL
//51//12/323213//25-	C	Love woud invade me (fl)	SS-E	SS, Folger-C42.3	45	VO,KB+FL
//51/12//323213/27-	C	Love Would Invade Me (t)	IC-E	Delightful-1, 1763	II,14-15	2GF
//5-112/32321//5653/2123//5-112/32321	C/	Miss Willy Alexander (t)	IC-S	Aird 4, 1796	53	FI/GF/VN
//51/123//2323/4342//3234/5453//6453	2	Airs by Mr. Messing, The. Largo Assai (t)	IC-E	Delightful-2, 1745	II,8-9	2GF
//5-112/3232//6-223/45//61+53/2123//	C/	Peggys Love (t)	MS-S	Fife MS, 1780	547,59r	1FI OR 2FI/VN
//5-112/323//4321/25-//5-116-/6-226-	C/	My Peggy Is a Young Thing (t)	DA-E	Johnson CD-8, 1758	60	VN/GF
//5-1/12//3234/3543//217-6-/5-6-7-1//	C/	Flowers of Edinburgh, The (t)	MS-C	Molyneaux MS-1, 1788	33	GF
//5-1/12//3234/5//42/21	2/4	Four Quick Marches.1 (t)	IC-E	English Sheet Music	8	2CL,2HN,TR,BS+P
//51/12//323//4543/21//7-2/256	C	Air 46 (t)	BA-E	Decoy, 1733	T60M15	VO
//51/12//323//4543/2321	C	Air 16 (t)	BA-E	Cobler's Op-2, 1729	T20M6	VO
//51/12//323//4543/2321	C	Air 2 (t)	BA-E	Devil Duke-2, 1732	T3M4-5	VO,HAF
//51/12//323//4543/2321	C/	Air 6 (t)	BA-E	Jovial Crew, 1731	8	VO
//51/12//323//4543/2321	2	Catherine, The (t)	SC-E	Pills 5, 1719-20	100-1	VO
//51/12//323//4543/2321		St. Catherine (t)	PL-E	Playford 1-11, 1701	I,288	VN
//51/12//323//4543/2321	C/	St. Catherine (t)	PL-E	Playford 1-12, 1703	288	VN
//51/12//323//4543/2321	C/	St. Catherine (t)	PL-E	Playford 1-13, 1706	288	VN
//51/12//323//4543/2321	C/	St. Catherine (t)	PL-E	Playford 1-15, 1713	288	VN
//51/12//323//4543/2321	C/	St. Catherine (t)	PL-E	Playford 1-16, 1716	288	VN
//51/12//323//4543/2321	C/	St. Catherine (t)	PL-E	Playford 1-17, 1721	288	VN
//51/12//323//4543/2321	C/	St. Catherine (t)	PL-E	Playford 1-18, 1728	288	VN
//51/12//323//4543/2321	C/	St Katherine (t)	DA-E	Walsh CD-1.1, 1718	301	VN/OB/FL
//51/12//323//4543/2321	C/	St Katherine (t)	DA-E	Walsh CD-2.1, 1731	132	VN/OB/GF/RC
//51/12//323//4543/2321	C/	St. Katherine (t)	DA-E	Walsh CD-3.5, 1754	124	VN//OB/GF
//51/12//323//4543/2321//7-12/256	C/	St. Catherine (t)	PL-E	Playford 1-14, 1709	288	VN
//51/12//323//4543/2321//7-2	2	Merry Mortalls, The (t)	SS-E	SS, Harvard	1	VO+FL
//5-1/12/3//27-/7-2/4//	9/8	Sick and Very Badd (t)	MS-E	Vickers MS, 1770	77	MI
//5-1/12//3/31//4/42	2/4	Irish Oboe (t)	IC-E	Astor Guitar, 1800	14	GT
//5-1/12//3/31//4/42	2/4	Irish Hautboy, The (t)	AI-A	Blake Amus 3, 1825	23	CL
//5-1/12//3/31//4/42	2/4	Irish Hoboy Iii (t)	MS-E	Hammersley MS, 1790	33B-34	MI
//5-1/12//3/31//4/42//	2/4	Irish Hautboy, The (t)	MS-C	Molyneaux MS-1, 1788	34	GF
//5-1/12//3/31//4/42	2/4	Irish Hautboy (t)	IC-E	Preston Clar, 1797	19	CL
//5-112//331//442	2/4	Irish Hautboy (t)	AI-A	Village Fifer, 1808	25	2FI
//5-1/12//3/31//4/42//31	2/4	Irish Hoboy (t)	DA-E	Longman CD, 1781	102	VN/OB/GF
//5-112//3/31//4/42//31/7-6-//5-1/12//3	2/4	Irish Hoboy (t)	DA-E	Bride CD, 1776	II,10	VN/OB/GF
/5-112//331/442//331/442//331/	2/4	Romp, The, Virg[ini]a Dance (t)	AM-A	Duport MS-2, 1800	3v	VN
//5-1/12//3/3//21/23	2/4	Canada Farewell (t)	AM-A	Hooves MS, 1817	48	2FI
//5-1/12//3/3//21/23	2/4	Canada Farewell (t)	AM-A	Kingsley MS, 1795	II,6	MI
//5-1/12//3/3//21/23	C	Canada Farewell (t)	AM-A	Perkins MS, 1790	24	MI
//5-112//33//2123	2/4	Canada Farewell (t)	AI-A	Village Fifer, 1808	36	FI
//5-1/12//3/3//21/23	2/4	Canada Farewell (t)	AM-A	Woodruff MS, 1803	34	2MI
//5-1/12//3/3//21/23//1	2/4	Canada Farewell (t)	AI-A	Instrum Asst, 1800	37	2VN/2GF/2CL/2OB,BVIOL
//5-1/12//3/321//7-5-/5-6-5-//	6/8	Irish Gigg, A (t)	MS-S	Fife MS, 1780	626,67v	1FI OR 2FI/VN
//5-1123345254432254432255435432		Dauphin's Delight, The (t)	IC-E	Simpson Horn, 1746	9	HN
//51/123//42/234//543/231//	6/8	Cupids Holliday (t)	MS-S	Fife MS, 1780	221,23r	1FI OR 2FI/VN
//511234225431	2/4	Turk's March, The (t)	AM-A	Gibbs MS, 1777	32	FI
//5-1/1//2342/31//5-1/1//	2/4	Cuntry Dance, A (t)	MS-S	Fife MS, 1780	280,29v	1FI OR 2FI/VN
//5-1/12//34/31//15/56	C/	Bank, The (t)	DA-E	Skillern CD, 1780	93	VN/GF/OB
//5-1/12//34/31//15/56//	C/	Bank, The (t)	DA-E	Straight & Skillern CD, 1775	21	VN/GF/OB
//51+/1+2+3+//4+3+/2+1+//5555/655	C	Irish Brigade, The (t)	AM-A	Perkins MS, 1790	24	MI
//5-1/123//4321/6-//15-/123	C	Ann Thou Were My Ain Thing (t), or Song 23 (at)	SC-E	Orpheus Cal-1, 1733	T47-48MOP48	VO,HA
//5-112/34323//4321/7-//5-234/5432//	C/ (8/4)	Allemanda (t)	MS-E	Fitzwilliam MS-2, 1609	253-255	VI
//5-1/12//343/31//4/42//	2/4	Singal Dragg, A (t)	MS-S	Fife MS, 1780	720,78v	1FI OR 2FI/VN
//51+1+2+3+//43//432654	3/4	Sweet Are the Flow'rs (t)	SC-E	Clio-1, 1758	27	VO,HA
/5-1//1/234//3/51//43/	6/8	Nine Hearts (t)	DA-E	L & L Cot, 1775	9	MI
//51/1234//51/31//51/1234//54/35//	C	New Hampshire (t)	AM-A	Boynton MS, 1799	24R	1 FI
//5-1/12//36/6//53/321	C	Oyster River (t)	AI-A	Robbins D&F, 1812	44	FI
//5-11//2542//135//5427-7-//54211//5427- 7-	3/4	Haydn's 4th Minuet (t)	AM-A	Woodruff MS, 1803	98	MI
//5+/1+1+//2+/67//1+/54//	C/	Vulcan's Dance (t)	IC-E	Apollo's Banquet 1-7, 1693	60	VN/FL
//5-//11/27-//1/2	C	Devotion (t)	AM-A	Akerman MS, 1795	13	2VO/MI:(T)B
//5-1/12//7-1/22/31/11-	C/	Ruben (t)	PL-E	Playford 2-1, 1713	84	VN/OB
//5-1/12//7-1/22/31/11-	C/	Ruben (t)	PL-E	Playford 2-2, 1714	84	VN/OB
//5-1/12//7-1/22//31/11-	C/	Rueben (t)	DA-E	Walsh CD-1.2, 1719	101	VN/OB
//5-1/12//7-1/22/31/11-	C/	Ruben (t)	DA-E	Walsh NCDM-2, 1710	78	VN/OB/FL
//5-//11/27-//1/2//31	C	Devotion L. M. (t)	AM-A	Dean MS, 1800	II.1-2	VO
//5-112/7-124//3111-/3-5-//6-7-112/7-123 45	C	My Jo Janet (t)	IC-E	Caledonian PC, 1760	III,16	GF/VN
//5-112/7-124//3112/7-6-5-6-//11112/7-12 4//	C/	Tibbie Fowler In the Glen (t)	MS-S	Young MS-1, 1734	38v-39r	MI
//5-112/7-127-//5-113/4231//4321/7-127-	C	Ewie Wi' the Crooked Horn, The (t)	SC-S	Scots MM-3, 1790	302-303	VO,PFF
//5-1/127-//15/54//34/531	6/8	Quick March (t)	IC-I	Logier Bugle, 1813	24	BU
/5-//11/27-//3423/15-//31/42//	2/4	No. 3. First Sett of Cotillions (t)	AM-A	Washburn MS, 1816	13	GF
//5-11/27-//345/21//1+75/634//	3	Saraband Third (t)	IC-E	Apollo's Banquet 1-1, 1670	182	VN
//5-11/27-//345/21//1+75/634//		Saraband Royall (t)	IC-E	Musicks Hand-Maid-1, 1678	72	VI/HA
//51/12//7-5-/23//43/6-7-1//7-	2/	Maids Lesson Being Instructions for a Young She Beginner. (t)	SS-E	SS, Folger-C42.3	351	VO,KB+FL
//5-11/3-11//1-11/12//353/27-5-	6/8	Fiddlers Choice, The (t)	DA-E	Walsh CD-3.5, 1754	16	VN//OB/GF
//5-113/11//1335/55-//5-224+/4+22	C	Return from the Chace, The (t)	SC-E	Musical Ent-1, 1740	7	VO,KB+FL
//5-11/3-11//2-11/12//353/27-5-//	6/8	Fidler's Choice, The (t)	DA-E	Universal Magazine	1:223, 1752	MI
//5-11/311//211/311//5-11/313	6/8	Emerald Isle (t)	AI-A	Riley Flute 2, 1817	46	FL
//5-11/3-11//212/416-//5-6-7-/15-3-	6/8	Patrick O Caley (t)	MS-E	Russell MS, 1812	41	FI
//5-1/1//31/1//21/7-1	2/4	Maney Returns of the Day (t)	MS-E	Russell MS, 1812	45	FI
//5-1/1//31/1//53/1+6//	2/4	No. 23 (t)	DA-E	Leichte Englische, 1795	23	MI
//511//31//23453//65//54321	3/4	Air 16, Act Ii (t)	BA-E	Beggar's Opera, 1728	T34-35M9	VO
//511//31//23453//6-5//54321	3/4	Air 34 (t)	BA-E	Beggar's Opera, 1765	60	VO
//511//31//23453//65//54321	3	Adieu to Susan, The (t)	SC-E	Muses Delight, 1754	139	VO,HA
//511//31//23453//65//54321	3/4	Adieu to Susan, The (t)	SC-E	Musical Ent-1, 1740	58	VO,KB+FL
//511//31//23453//65//54321//46-	3/4	Air 34 (t)	BA-E	Beggar's Opera, 1777	75	VO
//5-1/131//242/17-6-5-//4242	2/4	Quick Step (t)	IC-S	Scottish Sheet Music		KB
//5-1/131//242/17-6-5-//4242/3131	2/4	Quick Step (t)	IC-S	Scottish Sheet Music		PF+M
//5-1/13/131/5-5-//3/131	2/4	Quick March (t)	IC-E	Hyde Trumpet, 1798	34	2BU
//5-113135315-113135//		Sargeants Dinner Call (t)	IC-E	Hyde Bugle, 1818	42	BU
//5-1131/5-1131		Form Indian Files (t)	IC-E	Cooper Guide, 1806	3	BU
//51/131//54/321//51/131	6/8	Chorus Jig (t)	IC-S	Aird 2, 1785	48	FI/VN/GF
//5-1-/1-3-1-//5-4-/3-2-1-//5-1-/1-3-1-	6/8	Chorus Jigg, The (t)	AI-A	American Sheet Music		PF
//5-11315//55/5//1+1+/1+	C	Seconda Chiamata, Che Va Sonata Auanti la Battaglia (t)	IC-G	Fantini Modo, 1638	14	TR
//5-1/13//1/6-7-1//23/217-6-	2/4	Bay of Biscay O (t)	AI-A	Blake Amus 1, 1824	20	CL
//5-1/13//16-/7-1//23/217-6-//	2/4	Bay O Biscay O (t)	AM-A	Irving MS, 1796	125	1 MI
//5-1/13//1/6-7-1//23/217-6-	2/4	Bay of Biscay O (t)	AI-A	Riley Flute 2, 1817	42	FL
//5-1/13//1/6-7-1//23/237-6-	2/4	Bay of Biscay O! (t)	AI-A	Paff Amus 2, 1812	23	FL/VN
//5-1/13//17-6-/5-//6-6-/6-7-1	2/4	Tambourin (t)	IC-S	Stewart Airs, 1788	3:166-67	GF/VN/FI
//5-1/131//7-6-7-/135//5-1/131	3/8	Lailsons 2d Ride (t)	AM-A	Morse MS, 1811	43	2MI,B
//5-1/13//21/11+//53/31//26-	2/4	Pas Seul-3 (t)	TW-E	Oscar & Malvina, 1791	28	KB
//5-1/13//21/11+//6543/4321//	2/4	Mary Goo Home If You Think Proper (t)	MS-S	Fife MS, 1780	920,98r	1FI OR 2FI/VN
//5-1/13//21/1234//51/11+//	2/4	Cheasepeake, The. Marine Cotillions. No. 4 (t)	AI-A	Francis's Ballroom, 1798	7-8	KB
//5-11321//217-6-5-//3-34//533115-//4-5- 1	3/4	Why Heaves My Fond Bosom (t)	MS-I	Regan MS, 1764	41-42	MI
//5-11321//217-6-5-//6-16-5-4-//3-12	3/4	Why Heaves My Fond Bosom (t)	AM-A	Beck MS, 1786	150	GF
//5-11321//217-6-5-//6-16-5-4-//3-12		Song 112 (t), or Why Heaves (at)	SC-E	Calliope, 1788	213	VO
//5-11321//217-6-5-//6-16-5-4-//3-12//31 7-6-7-1	3/8	Why heaves my fond bosom, oh, what can it mean (fl)	SC-E	Amaryllis, 1760	I,52	GF,VO,HAF+FL
//5-11321//217-6-5-//6-16-5-4-//3-12//31 7-6-7-1	C	Disconsolate Lover, The (t)	SC-E	Muses Delight, 1754	59	VO,HA
//5-11321//217-6-5-//6-16-5-4-//3-12//31 7-6-7-1	3/4	Why Heaves My Fond Bosom (t)	SS-E	SS, Huntington-1	130	VO,KB+GF/GT
//5-11321//217-6-5-//6-16-5-4-//3-12//31 7-6-7-1	3/4	Song 124 (t)	SC-E	Vocal Enchant, 1783	248-249	VO
//5-11321//217-6-5-//6-16-5-4-//3-12//31 7-6-7-1//2	3/4	Why Heaves My Fond Bosom (t)	SC-E	Calliope, 1746	II,145	VO,B+MI
//5-11321//217-6-5-//6-16-5-4-//312//317 -6-7-1//25-2-	3/4	Why heaves my fond bosom? (fl)	SS-E	SS, Harvard	1	VO,KBF+GF
//5-11321//217-6-5-//6-16-5-4-//3-13//31 7-6-7-1//25-2-	3/4	Why Heaves My Fond Bosom (t)	IC-E	Thumoth, 1785	52-53	GF/VN,HAF
//5-11321//217-6-5-//6-16-5-4-//3-34//53 3115-	3/4	Favourite Air, A (t)	IC-E	Delightful-2, 1745	III,17	GF
//5-11321//217-6-5-//6-16-5-4-//3-34//53 3115-//6-5-1//	3/4	Why Heaves My Fond Bosom (t)	IC-E	Johnson Flute, 1760	18	GF
//5-1/13//2123/15-//5-1/13//	2/4	Allemand 2 (t)	DA-E	Fishar Minuets, 1785	19	KB
//5-1/13//2123/15-//6-1/217-6-	C	Henry and Maria (t), or Soldier's Farewell, or, The (at)	SC-S	Edinburgh MM-1, 1792	286-288	VO
//5-113/2123//5-113/21236//61+6543/43212 3//	C	Mrs. Carmichal of Sterlings Strathspey (t)	MS-S	Fife MS, 1780	753,82v	1FI OR 2FI/VN
//5-1/13//2123/6-//17-6-5-/123	C/	Protestation, The (t)	SC-E	Watts MM-2, 1729	81-83	VO/VN+FL
//5-1/13//2123/6-//17-6-5-/123//4321/345	C/	Air 20 (t)	BA-E	Boarding School, 1733	39	VO
/5-1//13/21//25-/7-1//23/	C/	Pareille, La, contredanse (t)	DA-N	Echo, 1758	76-77	KB
//5-1/13/21//7-2/24/32//	6/8 [=3]	If You Will Not Have Me You May Lett me Go (t)	MS-E	Vickers MS, 1770	34	MI
//5-1/13//217-/6-//17-6-5-	C	New Song, A (t)	SS-E	SS, Folger-C42.3	158	VO+FL
//5-1/13//217-/6-//17-6-5-/123	C	Air 17, Act I (t)	BA-E	Beggar's Opera, 1728	T18M5	VO
//5-1/13//217-/6-//17-6-5/123	C	Air 17 (t)	BA-E	Beggar's Opera, 1777	48	VO
//5-1/13//217-/6-//17-6-5-/123	C	Air 21 (t)	BA-E	Patie & Peggy, 1730	32	VO
//5-1/13//217-/6-//17-6-5-/123	C	Air 21 (t)	BA-E	Patie & Peggy, 1731	28	VO
//5-1/13//217-/6-//17-6-5-/123	C	New Song, A (t)	SS-E	SS, Harvard	1	VO+FL
//5-1/13//217-/6-//17-6-5-/123//4321	C	Gin Thou Wert Mine Awn Thing (t)	AM-A	Simpson MS, 1750	II,1	FL
//5-1/13//217-/6-//17-6-5-/123//4321/345	C	Air 17 (t)	BA-E	Beggar's Opera, 1765	40	VO
//5-1/13//217-/6-//17-6-5-/123//4321/345	C	Air 16 (t)	BA-E	Highland Fair, 1731	27	VO
//5-1/13//21/7-6-//5-7-/6-5-4-	2/4	Last Monday I Saild from Cork (t)	AM-A	Nixon MS, 1776	76	FI
//51/13//22/2//3/3	6/8	Giga (t)	AM-A	Van Schaack MS, 1820	46	FI/FL
//511/32//32/13+//2+1+/71+	6/8	Merry Meeting, The (t)	IC-E	Caledonian PC, 1760	VII,5	GF/VN
//5-1/13//23/31+//53/31	2/4	Quick Step (t)	IC-S	Aird 4, 1796	17	FI/GF/VN
//5-11/327-//11353/321//456/531	6/8	Barbara (t)	AI-A	Goodale Dir, 1819	81	MI,B
//5-11/327-//11353/321//456/531	6/8	Barbara (t)	AI-A	Goodale Dir, 1829	85	MI,B
//5-1/13//31/11//13/35	6/8	Quick March (t)	IC-E	Hyde Trumpet, 1798	31	2BU
//5-113/311//1335/55-//5-224	C	New Hunting Song, The (t)	SS-E	SS, Folger-C42.3	314	VO,KB+FL
//5-113/311//1335/55-//5-224/422	C	Sweet Rosy Morn, The (t)	SC-E	Calliope, 1746	II,58	VO,B+FL
//5-113/311//1335/55-//5-224/422	C	Hunting Song, The (t)	SC-E	Muses Delight, 1754	158-159	VO,HA
//5-113/311//1335/55-//5-224/422//2531	C	Hunting-Song, The (t)	SC-E	Watts MM-6, 1731	92-93	VO,HA+FL
//51+/1+3+//3+1+/1+5//53/23	C/	March 6 (t)	IC-S	Corri Marches, 1791	6	HA/PF
//5-1/13//3/1//5-2/24//	2/4	Andante. Dr. Bunn (t)	AM-A	Washburn MS, 1816	19	2GF
//51+/1+3+//3+1+/76//54/32	2/4	Capt. Oakes's Whim (t)	DA-E	Cantelo CD, 1785	11	KB
//5-113317-6-5-4-3-2-4-2-5-11331	C	Oakes Whim (t)	AM-A	Dickinson MS, 1800	127	CL/GF/OB
//5-1/13//321//21/217-	C/	Air (t)	IC-E	Delightful-1, 1763	IV,10	2GF
//5-1/13//321/25-//33/34	C	Fifers Delight (t)	AM-A	Perkins MS, 1790	23	MI
//511/33//21/52+//3+2+/1+2+	6/8	Our Happy Meeting (t)	PL-E	Playford 2-3, 1718	273	VN
//511/33//21/52+//3+2+/1+2+	6/8	Our Happy Meeting (t)	PL-E	Playford 2-4, 1728	273	VN
//5-1/13//32/15-//5	C	Vernon's Call. A Song for Two Voices (t)	SS-E	SS, Folger-C42.4	100	2VO
//5-1/13//32/15-//5	C	Awake, Awake, Awake Dull Sleepers (t)	SC-E	Vocal Music, 1778	76-77	VO/VN/GF
//5-/11//3/32//17-/16-	2/4	No My Love No (t)	IC-E	Balls Amus 3, 1830	16	FL/VN
//5-/11//3/32//17-/16-	2/4	Oh! No My Love No (t)	AI-A	Blake Amus 1, 1824	24	CL
//5-/11//3/32//17-/16-	2/4	No My Love No (t)	AI-A	Paff Amus 1, 1812	19	FL/VN
//5-1/13//32/5-//5-2/24	2/4	Italian Air (t)	AI-A	Shaw Gentlemen, 1807	44-45	2CL/VN, FL,BS/VC
//5-113/33//2123/13//5443/3221	C/	March 1 (t)	IC-S	Corri Marches, 1791	1	HA/PF
//5-1/13//35/1+5//565/543	6/8	Quick March (t)	IC-S	Rose Marches, 1796	11	PF/HA
//5-1/13//3/543//24/64//	6/8	Number 1. Third Sett of Cotillions (t)	AM-A	Washburn MS, 1816	14	GF
//5-11335//443427-5-//5-16-242//1217-5-/ /5-11335//443427-5-	3	J'ai Vu Partout (t)	IC-F	Bonjour Recueil, 1800	3:4	VN/FL
//51+1+3+/3+5+4+5+1+//2+1+7654/3213+//2+ 1+71+76/7671+2+3+	C/	Marsh de la Primier Guarde di Roy (t)	MS-G	Darmstadt MS 1224	221-27	2OB,TR,B
//5-1/13-//3-5-/5-1-//1-2-3-/4-5-6-	6/8	Red Rover's Song (t)	AI-A	Riley Flute 4, 1826	96	FL
//5-1/13//35/51+//1+765/5432	2/4	Favourite Allemande, A (t)	IC-E	English Sheet Music		PF
/5-1//13/35//531/43//21/7-12//	6/8	Chasse d Henon, La. Contre-Danse Française. Dansez au Wauxhall (t)	DA-F	Landrin CD BL-1, 1775	120 Feuille	MI
//5-1//13//35//53//35//545654	3/4	Air 34 (t)	IC-N	Roger Airs, 1716	1:20	2CH/TR/OB/VN/FL/CL/HN
//5-1/13//35/53//42/31//7-	2/4	Peggy Perkins (t)	SC-S	Edinburgh MM-2, 1793	162-164	VO
//5-1/13//3/55-//6-43/217-//	6/8	Mouche, La (t)	DA-N	St. Flour Contredanses, 1757	73	KB
//5-1/13//35/5//6543/5432	2	Hannover Maggot (t)	DA-E	Johnson CD-4, 1748	35	VN/GF
//5-1/13//35/5//6543/5432	2	Hannover Maggot (t)	DA-E	Walsh CD-2.4, 1747	59	MI
//5-1/13//35/5//6543/5432//	2	Hannover Maggot (t)	DA-E	Walsh CD-3.4, 1747	59	VN/OB/GF
//5-113/35-//6-114/44-//4-3-5-7-	C	Laura (t)	SS-E	SS, Folger-C52	8	MI,VO,KB+GF/GT
//5-113/35-//6-114/44-//4-3-5-7-/7-6-21	C	Laura (t)	SS-E	SS, Boston PL-2	191	VO,KB+GF/GT
//5-113/35-//6-114/44-//4-3-5-7-/7-6-21	C	Laura (t)	SS-E	SS, Huntington-1	158	VO,KB+GT/GF
//5-1/13//356/5//1+5/1+5	2/4	Zapffen Streich (t)	MS-G	Darmstadt MS 1224	176	2MI
//51+/1+34//35/532//11/22	2/4	Ton, The (t)	IC-S	Aird 4, 1796	44	FI/GF/VN
//51/134//51/134//51+/27//1+	2		TW-E	Harlequin Sorc, 1752	17	HA
//51+/13/51+//2+25/31//51+	3/2	Grigs Maggot (t)	PL-E	Playford 2-1, 1713	75	VN/OB
//51+/13/51+//2+25/31//51+	3/2	Grigs Maggot (t)	PL-E	Playford 2-2, 1714	75	VN/OB
//51+/13/51+//2+25/31//51+	3/2	Grigs Maggot (t)	PL-E	Playford 2-3, 1718	75	VN
//51+/13/51+//2+25/31//51+	3/2	Grigs Maggot (t)	PL-E	Playford 2-4, 1728	75	VN
//51+1351+//2+2531//51+1351+//31217-	3/2	Grigg's Maggot (t)	DA-E	Walsh CD-1.2, 1719	93	VN/OB
//51+1351+//2+2531//51+1351+//31217-//51 +2+1+765671+	3/2	Grigg's Maggott (t)	MS-E	Hammersley MS, 1790	53B	MI
//51+1351+//2+2531//51+1351+//316-7-5-// 51+2+1+765671+	3/2	Grigg's Maggot (t)	DA-E	Johnson CD-2, 1742	52	MI
//5-113/513//56543/4223//5-	C/	New Campaign, The (t)	AI-A	Norman CD, 1799	18	MI
//5-113/51+53//4231/6-6-6-6-2//5-113/51+ 53//	C	Master Harris's Strathspey (t)	AI-A	Francis's Ballroom, 1798	12	KB
//5-1/13//53/42//17-6-5-/6-7-//	2/4	Allemand 4 (t)	DA-E	Fishar Minuets, 1785	21	KB
//5-113/5356//5-113/3225//3123/5356	C	Ruthven's Rant (t)	IC-S	Aird 6, 1803	11	FI/VN/GF
//5-1/135//6543/23//13/15//671+5/35	C/	Air 47 (t)	BA-E	Highland Fair, 1731	71-72	VO
//5-1/135//6543/25//13/15	C/	Bess Haggice (t)	DA-E	Johnson CD-2, 1742	20	MI
//511//4321//23453//65//54321	3	In Praise of Annie (t)	SC-E	Watts MM-1, 1729	24-25	VO/VN
//51+/143//265432/17-12//3	6/4	Damon and Cinthia, A Dialogue (t)	SC-E	Monthly Melody, 1760	I,19	VO,HAF
//51+/143//265432/17-12//3/451+	6/4	Damon & Cinthia (t), or Dialogue, A (at)	SS-E	SS, Boston PL-1	21(19)	VO,HAF
//5-11/5	C	Attention (t)	IC-E	Potter Bugle, 1817	2	BU
//5-11/5//1-1-/1-	C	Attention the 1st Grand Divisn (t)	IC-E	Potter Bugle, 1817	2	BU
//5-11/5//11/1	C	Attention the 3rd Grand Division (t)	IC-E	Potter Bugle, 1817	2	BU
//5-/11//5-/11//22/323	C/	Marche des Dragons Polonaise (t)	MS-F	Philidor MS, 1705	30	OB,B
//5-1/1//5-1/1//5-1/112	2/4	March (t)	IC-E	Simpson Horn, 1746	14-15	2HN
//5-1/1//5-1/1//5-1/112	2/4	Air (t)	IC-E	Thompson Horn, 1755	26	2HN
//5-11/5-11//5-11/21//1+55/644	6/8	Trip to Sligo (t)	DA-E	Johnson CD-8, 1758	34	VN/GF
//51+1/51+1//551+1/5//1+//		Enemy Are In Force, The (t)	IC-E	Hyde Bugle, 1818	45	BU
//5-11-/5-11-//5-5-11-/5-//1	C	Enemy Are In Force, The (t)	IC-E	Potter Bugle, 1817	10	BU
//5-//115-//1//22//2327-//333		Midnight Ramble, A (t), or Catch, A (at)	SS-E	SS, Harvard	1	VO
//5-/1//15-12/31//1/1	C	Hessian Guards March (t)	AM-A	Otis MS, 1793	46	2VN/2FL
//5-11/5-1/313513//51//1	9/4	Ruht Euch (t)	IC-G	Hanoverian Inf, 1821	53	HN
//5-/11-5-1-//5-1-5-1-/5-1-5-1-//5-/11-5 -1-	C	Assemble (t)	IC-E	Cooper Guide, 1806	1	BU
//5-/11-5-1-//5-1-5-1-/5-1-5-1-//5-/11-5 -1-	C	Rations (t)	AI-A	Duane Riflemen, 1812	106	BU
//5-1/1//5-2/2//31/27-	2/4	Andantino de l'Epreuves Villageoise (t)	IC-F	Vanderhagen Pcs, 1787	16:5-6	2CL,2HN,2BS
//5-1/1//5-2/2//3234/51	2/4	2d Quick Step 3oth Regt (t)	IC-S	Aird 1, 1782	57	FI/VN/GF
//5-1/1//5-2/2//5-3/321	2/4	Water Peice (t)	IC-E	Simpson Horn, 1746	10	2HN
//5-11/5-22//5-33/4-44//354/321	6/8	Cat In Pattens, The (t)	DA-E	Bride CD, 1776	III,26	VN/OB/GF
//5-1/1//5-2/2//5-4/321//	2/4	Lockhing's Whim, or, The Conjurer. Davis (t)	DA-E	Gentleman's Magazine	139, 1753	MI
//5-11/5-22//5-543/21232//5-11/5-22	C/	Mungo (t)	DA-E	Bride CD, 1776	III,36	VN/OB/GF
//51+1+5+3+1+5//		Attention the Line (t)	IC-E	Hyde Bugle, 1818	44	BU
//5-11/5//31/5-	C	Attention the Line (t)	IC-E	Potter Bugle, 1817	2	BU
//51+/1+//53+/1+//5+3+/5+3+//	2/4	Bugler's Call (t)	IC-E	Hyde Bugle, 1818	41	BU
//5-11/5//33/3	C	Attention the 4th Grand Division (t)	IC-E	Potter Bugle, 1817	2	BU
//5-1/1//5-3/3//53/53	2/4	Buglers Call (t)	IC-E	Cooper Guide, 1806	1	BU
//5-1/1//5-3/3//53/53	2/4	Retreat and Extend (t)	AI-A	Duane Riflemen, 1812	104	BU
//5-1/1//5-3/3//53/53	2/4	Bugler's Call (t)	IC-E	Potter Bugle, 1817	13	BU
//5-1/1//5-3/3//53/53//	2/4	Call for Drums & Fifes (t)	AM-A	USS Concord MS, 1831		BU
//511/533//622/21+6//511/533	6/8	Bride Has a Bonny Thing, The (t)	IC-E	Caledonian PC, 1760	VIII,21	GF/VN
//511/533//622/21+6//511/533	6/8	Royal Sovereign, The (t)	DA-E	Rutherf CD-2.1, 1756	40	VN/GF/OB
//511/533//622/22+6//511/533	6/8	Bride Has a Bonnie Thing, The (t)	DA-E	Thompson CD-1, 1757	16	VN/GF/OB
//511/533//622/22+6//511/533//	6/8	Bride Has a Bonnie Thing, The (t)	DA-E	Thompson CD-1a, 1757	14	VN/GF/OB
//51+/1+5//42/22//31+/654//3	6/8	Ah! Fanny Take the Yielding Heart (t)	SS-E	SS, Harvard	1	VO,PEDAL HARP/PF
//5-1-1-/5-4-3-1-//2-1/7-//2-1/7-	2/4	Andrew Coys Maggot a Quick Step (t)	AM-A	Nixon MS, 1776	50	FI
//51+/1+5//432/35//61+1+/72+2+	6/8	Favourite Echo Piece, A (t)	IC-E	Wragg Oboe, 1792	58-59	2OB
//5-1/15-//5-1/1	6/8	Spring Up (t)	AI-A	Duane Riflemen, 1812	104	BU
//5-1/15-//5-1/1//3/1	6/4	Watering Call (t)	AM-A	Bugle MS, 1800	1	BU
//51+/1+5//51+/1+//3+/1+//	6/8		AI-A	Duane Compendium, 1809	xix	BU
//5-1/15-//5-1/1//3/1	6/4	Watering Call (t)	AI-A	Hoyt Cavalry, 1813	Pl 14	TR,BU
//5-/1-1//5-5-/1-1//5-/1-1		Close (t)	IC-E	Barber Bugle, 1804	Pl.1	BU
//5-/1-1//5-5-/1-1//5-/1-1		To Close (t)	AM-A	Beach MS, 1801	72	BU
//5-/1-1//5-5-/1-1//5-/1-1		To Close (t)	IC-E	British Bugle, 1798	PL.7	BU
//5-/1-1//5-5-/1-1//5-/1-1		To Close (t)	IC-E	British Bugle, 1799	PL.7	BU
//5-/1-1//5-5-/1-1//5-/1-1//		To Close. No. 2 (t)	IC-E	British Bugle, 1813	12	BU
//5-/1-1//5-5-/1-1//5-/1-1		To Close (t)	IC-E	British Bugle, 1824	55	BU
//5-/1-1//5-5-/1-1//5-/1-1//		To Close. No. II. (t)	IC-E	British Bugle, 1833	321	BU
//5-/1-1//5-5-/1-1//5-/1-1	2/4	Stable Call (t)	AM-A	Bugle MS, 1800	1	BU
//5-/1-1//5-5-/1-1//5-/1-1		Close (t)	IC-E	Cooper Guide, 1806	3	BU
//5/11+//55/11+//5/11+//	2/4	Take Close Order (t)	AI-A	Duane Compendium, 1809	xviii	BU
//5-/1-1//5-5-/1-1//5-/1-1	2/4	Affirmative (t)	AI-A	Duane Riflemen, 1812	105	BU
//5-/1-1//5-5-/1-1//5-/1-1		To Close (t)	AI-A	Gardner Compend, 1819	PL19	BU
//5-/1-1//5-5-/1-1//5-/1-1		To Close (t)	IC-E	Gilbert Bugle, 1804	2	BU
//5-/1-1//5-5-/1-1//5-/1-1	2/4	Zusammenziehen (t)	IC-G	Hanoverian Inf, 1821	53	HN
//5/11+//55/11+//5/11+//	2/4	Close (t)	IC-E	Hyde Bugle, 1818	44	BU
//5-/1-1//5-5-/1-1//5-/1-1		To Close (t)	AI-A	US Riflemen, 1824	PL13	BU
//51+/1+5//51+/1+5//1+51+/1+5//	6/8	Wann Die Hunde Gar Gut Jagen (t)	IC-G	Fleming Jaeger, 1719	I:312	HN
//5-115-5-115-5-115-5-13		Conceal Yourselves (t)	AI-A	Duane Riflemen, 1812	104	BU
//5-1/15-//5-1/1//5-5-/3-3-	6/8	Hark Away, The (t)	IC-E	Longman Horn, 1785	17	2HN
//5-1/15-//5-1/1//5-5-/3-3-	6/8	Running, The (t)	IC-E	Longman Horn, 1785	17	HN
//5-1/15-//5-1/1//5-5-/3-3-	6/8	Hark Way, The (t)	IC-E	Simpson Horn, 1745	2	2HN
//5-1/15-//5-1/1//5-5-/3-3-	6/8	Hark Away, The (t)	IC-E	Thompson Horn, 1755	10	2HN
//5-1/15-//5-1/1//5-5-/3-3-	6/8	Running, The (t)	IC-E	Thompson Horn, 1755	10	HN
//51+/1+5//51+/1+5//53/31//	6/8	Ton Pour Le Premier Lancé (t)	IC-F	Diderot Chasse, 1763	2:2:2	HN
//51+/1+5//51+/1+5//533/111//	6/8	Tons Pour Les Chiens (t)	IC-F	Diderot Chasse, 1763	2:2:1	HN
//5-/1-1//5-5-/2-1//5-/2-1	2/4	Stable Call (t)	AI-A	Hoyt Cavalry, 1813	Pl 14	TR,BU
//5-1/15-//5-3-/3-1-//1-/3-3-1-	6/8	When You Stop the Hounds (t)	IC-E	Longman Horn, 1785	18	2HN
//5-1/15-//5-3-/3-1-//1-/3-3-1-	6/8	When You Stop the Hounds (t)	IC-E	Simpson Horn, 1745	2-3	2HN
//5-1/15-//5-3-/3-1-//1-/3-3-1-	6/8	When You Stop the Hounds (t)	IC-E	Thompson Horn, 1755	11	2HN
//5-11/5//5-5-/5-	C	Attention the 2nd Grand Division (t)	IC-E	Potter Bugle, 1817	2	BU
//5-11/5//55/5	C	Attention the 5th Grand Division (t)	IC-E	Potter Bugle, 1817	2	BU
//5-115-/6-114//321/7-227//651+/5346//	C/	Non Muchtons Hunt (t)	MS-E	Vickers MS, 1770	1	MI
//51+/1+5//61+/1+6//53/21//	2/4	Friendship Source of Joy (t)	SC-E	Sancho Songs, 1769	9	PF,VO
//5115/651//23432/33//2143/322	C	Traveller benighted, The (fl)	TW-E	Love/Village, 1795	52-53	VO,HA
//5115/651//2435432/3546517-1//6-17-2132 4/3217-164//	C	Traveller Benighted, The (t)	IC-E	Thorowgood Guitar, 1763	28-29	GT
//51+1+5/651+//4321/7-1//2345/657	C	Palaemon and Pastora (t)	SC-E	Clio-3, 1762	56	VO,HAF
//51+1+5/651+//4321/7-1//2345/657	C	Palaemon and Pastora (t)	SS-E	SS, Huntington-1	51	VO,KBF+GT
//51+1+5/651+//4321/7-1//2345/657//1+432	C	Farewel, my Pastora, no longer your swain (fl)	TW-E	Chaplet, 1750	16-17	2VN,VO,KBF
//51156543//1+22346//51156543//422346//1 +1+13453	3/4	Berwick Jocky (t)	DA-E	Johnson CD-3, 1744	32	VN/GF
//51156543//422346//51156543//511531+//5 1	3/2	Go to Berwick Johnnie (t)	IC-E	Caledonian PC, 1760	VI,22-23	GF/VN
//5115/6543//5115/31+//5115/6543//	2/4	Go to Berwick Jockey Retreat (t)	MS-S	Fife MS, 1780	876,94r	1FI OR 2FI/VN
//511/56543//511/531+//511/56543//	6/4	Go to Berwick Johnny (t)	AI-A	Gilfert Gents PC, 1802	33	GF/VN
//511//56543//511//531+//51156543	3/2	Go to Berwick Johnie (t)	AI-A	Riley Flute 1, 1814	8	FL
//51156543//511531+//51156543//422341+// 1+2+1+53453	3/2	Go to Berwick Johnny (t)	SC-S	Scots MM-6, 1803	534	VO,PF
//51/15/6543//51/15/35//	6/8 [=3]	Barwick Billy (t)	MS-E	Vickers MS, 1770	68	MI
//5115654//511356//5115543	3/4	Danse Ecossoise (t)	AI-A	Scots MM, 1797	71	HA/PF
//5115654//511356//5115543//23127-16-7-5 -//5115654	3/4	Danse Ecossoise (t)	AI-A	Caladonian Muse, 1798	71	VO/PF/VN
//51/15//654/51//1+765/6543		Make Shift, The (t)	MS-E	Hammersley MS, 1790	31B	MI
//51/15//654/51//1+765/6543	C/	Make Shift (t)	DA-E	Walsh CD-3.5, 1754	115	VN//OB/GF
//51+/1+5//6654/34//56/71+2+5//	C/	Allmaine (t)	IC-E	Musicks Hand-Maid-1, 1678	13	VI/HA
//5/1+1+//5/67//1+1+	C	Yarmouth (t)	AM-A	Akerman MS, 1795	19	VO
//51/157/6543//4321/3451/17-7-	3/2	Air 7 (t)	BA-E	Quaker's Opera, 1728	14	VO
//511576543//4321345117-7-	3/2	Air 21 (t)	BA-E	Silvia, 1731	22	VO
//5-11/6-11//5-11/21//1+55/644	6/8	Trip to Sligo, A (t)	IC-S	Aird 2, 1785	64	FI/VN/GF
//5-11/6-11//5-11/21//1+55/644//	6/8	Trip to Sligo, A (t)	MS-S	Fife MS, 1780	470,49r	1FI OR 2FI/VN
//5-11/6-11//5-11/21//1+55/644//	6/8	Trip to Sligo, A (t)	MS-C	Molyneaux MS-2, 1788	42	1 OR 2 GF
//5-11/6-11//5-11/21//1+55/644//	6/8	Trip to Sligo, A (t)	DA-E	Universal Magazine	1:76, 1757	MI
//5-11/6-11//5-11/315-//1-3-5-/15-3-//	6/8	Charle Lorraine, La (t)	DA-N	St. Flour Contredanses, 1757	xiii	KB
//5-1/1//6-1/1//5-1/6-1	2/4	Chasse d'Amour (t), or Lovers Hunt, (at)	DA-E	Thompson CD-2, 1765	28	VN/GF/OB
//5-1/1//6-1/1//5-1/6-1//	2/4	Chasse D'Amour (t), or Lovers Hunt (at)	DA-E	Thompson CD-2a, 1765	26	VN/GF/OB
//5-11/6-11//5-6-5-/4-3-2-/1-3-4-5-//4-2 -3-4-5-4-/3-1-2-3-4-	C	Entree March (t)	AI-A	American Sheet Music		KB
//5-11/6-11//7-25/35-//5-11/6-11	C/	Light as thistle down moving (fl)	TW-E	Rosina, 1783	32-33	VO,PF/HARP/HA
//5-1/1//6-1/1//7-6/5432	2/4	Quick March Composed for the Berkshire Militia (t)	IC-E	English Sheet Music	3	2CL,2HN,TR,2BS+
//5-1/16-//12/25-//5-1/16-//3/1	C/	Daniel Cowper (t)	PL-E	Playford 1-12, 1703	169	VN
//51+1+//62+2+//1+76567//1+2+3+4+5+//51+ 1+//62+2+//	3/8	Pirate's Waltz (t)	DA-E	Wilson Companion, 1816	151	MI
//5-11//6-22//17-6-5-6-7-//1351+//5-11// 6-2	3/8	No.4. Allemand (t)	TW-E	Pirates, 1792	55	KB
//5-11//6-22//17-6-5-6-7-//1351+//5-11// 6-22	3/8	Waltz In the Pirates (t)	AM-A	Beach MS, 1801	25	MI
//5-11//6-22//17-6-5-6-7-//135//5-	3/8	Six Favorite German Waltzen-4 (t)	AI-A	Musical Jnl-1, 1800	II,27	FL/VN
//5-11//6-22//17-6-5-6-7-//135//5-	3/8	Six Favorite German Waltzen-4 (t)	AI-A	Musical Jnl-2, 1800	II,26-28	PF
//5-11/6-22//17-6-5-6-7-//135//5-11//6-2 2	3/4	Waltz (t)	AI-A	Paff Amus 4, 1817	4	FL/VN
//51/16//51/16//54/34	2/4	Quick Step (t)	AI-A	American Sheet Music		PF
//5-1/16//535//65/43	2/4	Sherringham Hall (t)	DA-E	Thompson CD-6.7, 1795	84	MI
//51+//1+661+//1+56/434//3/3+	2/4	Sonata 5. Andante (t)	IC-E	Rockeman & Alters, 1773	10	2CL,2HN,BS
//51+//1+661+//7553+//2+1+71+/7654//3	2/4	Divertimento 2. Andante (t)	IC-E	Rathgen Divs, 1780	6	2CL,2HN,BS
//5-1/16-//6-2/2//5-1/16-//3/1	C/	Daniel Cowper (t)	PL-E	Playford 1-17, 1721	169	VN
//5-1/16-//6-2/2//5-1/16-//3/1	C/	Daniel Cowper (t)	PL-E	Playford 1-18, 1728	169	VN
//5-1/16-//6-2/25-//5-1/12	C/	Daniel Cooper (t)	MS-E	Hammersley MS, 1790		MI
//5-1/16-//6-2/25-//5-1/16-	C/	Daniel Cowper (t)	PL-E	Playford 1-09, 1695	169	VN
//5-1/16-//6-2/25-//5-1/16-	C/	Daniel Cowper (t)	PL-E	Playford 1-10, 1698	169	VN
//51+/1+6//62+/2+5//51+/1+6	C/	Daniel Cowper (t)	DA-E	Walsh CD-1.1, 1718	182	VN/OB/FL
//51+/1+6//62+/2+5//51+/1+6	C/	Daniel Cowper (t)	DA-E	Walsh CD-2.1, 1731	105	VN/OB/GF/RC
//51+/1+6//62+/2+5//51+/1+6	C/	Daniel Cowper (t)	DA-E	Walsh CD-3.1, 1754	154	VN/OB/GF
//5-1/16-//6-2/25-//5-1/16-//3	C/	Daniel Cowper (t)	PL-E	Playford 1-14, 1709	169	VN
//5-1/16-//6-2/25-//5-1/16-//31	C/	Good Honest Trooper Take Warning by Donald Cooper (t)	SC-E	Pills 5, 1719-20	88-90	VO
//5-1/16-//6-2/25-//5-1/16-//31	C/	Daniel Cowper (t)	PL-E	Playford 1-11, 1701	I,169	VN
//5-1/16-//6-2/25-/5-1/16-//3/1	C/	Daniel Cowper (t)	PL-E	Playford 1-13, 1706	169	VN
//5-1/16-//6-2/25-//5-1/16-//3/1	C/	Daniel Cowper (t)	PL-E	Playford 1-15, 1713	169	VN
//5-1/16-//6-2/25-//5-1/16-//3/1	C/	Daniel Cowper (t)	PL-E	Playford 1-16, 1716	169	VN
//5-1/16-//7-1/2//31/15-	C/	Air 38 (t)	BA-E	Devil To Pay-1, 1731	62-63	VO
//5-1/16-//7-1/24//31/11-	2/4	Dr Mackay, Irish (t)	IC-S	Aird 5, 1797	39	FI/VN/GF
//5-116-/7-124//3115-/3-5-5-//6-7-16-/7- 124	C	Song 9 (t), or My Jo Janet (at)	SC-E	Calliope, 1788	14-15	VO
//5-1/16-//7-2/7-5-//23/23	2/4	Tobacco Box, Doublings, The (t)	AI-A	Ashworth D&F, 1812	35	FI
//5-1/16-//7-2/7-5-//23/23	2/4	Tobacco Box. Doublings (t)	AI-A	Rumrille D&F, 1817	37	FI
//5-1/16-//7-5-/15-//2/2323	2/4	Tobacco-Box, The (t)	SC-S	Edinburgh MM-1, 1792	93-95	VO
//5-1/16-//7-5-/15-//2/234	2/4	Song 188 (t), or Tobacco Box: A Dialogue, The (at)	SC-E	Calliope, 1788	350-351	VO
//5-1/16-//7-5-/15-//2/234//3	2/4	Tobacco Box, The (t), or Soldier's Pledge of Love, (at)	SS-E	SS, Harvard	1	VO,KB+GT+GF
//5-117-/1123//3/23//4321/26-7-1//7-	C/	Air 31 (t)	BA-E	Village Opera, 1729	41	VO
//51+/1+71+//167/1+71+//36/656	6/8	Creaking Beadstead (t)	DA-E	Walsh CD-3.6, 1754	64	VN/OB/GF
//5-117-1/217-124//316-2/17-5-//5-117-1/ 217-121	C	Lass of Richmond Hill (t)	AM-A	Allen, W. MS, 1790	94	VO,B
//51+//1+/71+//2+1+/76	2/4	Retraite, La (t)	MS-G	Darmstadt MS 1225	65-66	2MI
//51+/1+71+//2+1+76/51+7//654/35	C	Last Sunday Morning I Sailed from Cork (t)	AM-A	Perkins MS, 1790	18	MI
//51+//1+/71+//2+1+/76//54	2/4	Corsicaner Zapffenst. No 43. (t)	MS-G	Darmstadt MS 1225	313-14	2MI
//5-1/17-1//217-6-/5-4-3-2-//1-3/323	C/	Air 25 (t)	BA-E	Generous Free, 1731	51	VO
//5-1/17-1//217-6-/5-4-3-2-//1-3/323	C/	On Masons and Masonry (t)	SC-E	Musical Ent-1, 1740	5	VO,KB+FL
//51+//1+71+//2+1+7654//435	3/4	My Bliss Too Long (t)	AM-A	Beck MS, 1786	124	GF
//5-1/17-1//22/212//33	6/8	Musical Hodge Podge, The-3 (t)	SS-E	SS, Folger-C42.1	28,2	VO,KB
//5-1/17-1//22/212//33/321	6/8	Musical Hodge Podge-3 (t)	SC-E	Musical Cent-2, 1740	1+52	VO,KB+FL
//5-1/17-1//22/212//343/216-	6/8	Blackrock (t)	AI-A	Reinagle Scots, 1787	7-8	PF/HA
//5-1/17-1//22/212//354/321//	6/8	Black Joak, The (t), or Negro del Cuerpo Blanco (at)	MS-M	Garcia MS, 1772	82	MI
//5-1/17-1//22/23//4321/7-3//217-6-/5-5-	/C	Air 22 (t)	BA-E	Flora, 1729	T31M7	VO
//5-1/17-12//311/134//55/5656//	C/	Boston Assembly (t)	AM-A	Treat MS, 1779	17r	FI/GF
//5-1/17-12//31/134//55/6543	2/4	New Boston Assembly (t)	AM-A	Morse MS, 1811	63	MI
//5-/11//7-12/312//345/515//	C/	One of the Symphonies (t)	MS-E	Rogers MS, 1656	7	VI
//51+1+7/1+2+3+1+//7543/43217-2//11+1+7/ 1+2+3+1+//	C/	Lady Mackimtosh Real (t)	MS-E	Vickers MS, 1770	15	MI
//5-1/17-//12/31//7-5-/5-4-//	C/	No 6 (t)	AM-A	Bevens MS, 1825	38r	FI
//5-1/17-//12/31//7-5-/5-4//	2/4	Dubel Quick Time, The (t)	MS-S	Fife MS, 1780	328,34r	1FI OR 2FI/VN
//5-1/17-//12/31//7-5-/5-4-	2/4	Will the Weaver (t)	AI-A	Robbins D&F, 1812	29	FI
//5-1/17-//12/31//7-5-/5-4-	2/4	Will the Weaver (t)	AI-A	Steele Fife, 1815	24	FI
//5-1/17-//1/231//7-6-/5-4-	2/4	Scotch Bunnet a Quick Step, The (t)	AM-A	Nixon MS, 1776	60	FI
//5-1/17-//12/31//7-6-/5-4-//	2/4	Secondo [second Part of Piece on Missing page] (t)	AM-A	Patten MS, 1800	2	MI
//5-117-/1231//7-6-5-4-/3-2-3-1-//5-117- /1234	C/	Miss Mckenzeys Reel (t)	AM-A	Gardner MS, 1788	15	FI
//5-1/17-1//232/212//343/217-	6/8	Black Jock (t)	IC-S	Aird 2, 1785	27	FI/VN/GF
//5-1/17-1//232/212//343/217-//	6/8	Black Joack. A Quick Step (t)	MS-S	Fife MS, 1780	326,34r	1FI OR 2FI/VN
//5-117-1//232212//343321	6/8(	Black Joke, The. with Variations (t)	AM-A	Bolling MS, 1785	33	VN/VO
//5-1/17-1//232/212//343/321	6/8	Gig (t)	IC-E	Caledonian PC, 1760	VII,19	GF/VN
//5-117-1232212343321		Black Joke (t)	AM-A	Dickinson MS, 1800	29	CL/GF/OB
//5-1/17-1//232/234//321/43	6/8	I Wish You a Merry New Year (t)	IC-S	Aird 2, 1785	8	FI/VN/GF
//5-1/17-12//37-13/5//55+4+3+/2+	2/4	Geschw. Marsch (t)	IC-G	Walch Pieces, 1822	2	BAND(18 PARTS)
//5-1/17-1//247-/17-1//22/212	6/8	Gigg (t)	IC-S	Scottish Sheet Music		PF+M
//5-1/17-1//252/234//321/43//	6/8	I Wish You a Merry New Year (t)	MS-S	Fife MS, 1780	508,53v,54r	1FI OR 2FI/VN
//5-1/17-1//2/5//353/13	6/8	Marchioness (t)	AM-A	Commonplace MS, 1797	37	FI
//5-1//17-12//5-3543//32	3/4	Masquerade Minuet, The (t)	AM-A	Beck MS, 1786	149	2GF
//5-1//17-12//5-3543//32//5-55	3/4	Masquerade Minuet, The (t)	SS-E	SS, New York PL-C695	7	2VN+2GF,GT
//5-1//17-12//5-3543//32//5-55//543	3/4	Shepherds Holiday (t)	SS-E	SS, Harvard	1	VO,KB+GF+GT
//51/17-1//254/321//51/17-1	6/8	American Volunteer, The (t)	AI-A	Robbins D&F, 1812	51	FI
//51/17-1//254/321//51/17-1//234/51	6/8	American Volunteer, The (t)	AM-A	Belknap MS, 1784	24R	MI
//5/1+//1+/71+2+7//1+	2/4	Roundelay (t)	IC-E	Thompson Clar, 1785	10	CL
//5-/1//1/7-127-//1	2/4	Song 68 (t)	SC-E	Vocal Enchant, 1783	144-145	VO
/5-1//1/7-127-//1/5-3//3/2342//	2/4	Bon Ménage, Le. Contre-Danse Française (t)	DA-F	Landrin CD BL-1, 1775	254 Feuille	MI
//5/1+//1+/71+2+7//1+//67/1+6	2/4	In My Pleasant Native Plains (t)	SC-S	Edinburgh MM-1, 1792	150-151	VO
//51+/1+71+//2+75/54//343/21+7	6/8	Whirlie Wha, The (t)	IC-S	Aird 3, 1788	195	FI/GF/VN
//5-1/17-1//27-5-7-/112//3131/4242	2/4	Lord Nelson's Horpipe (t)	AI-A	Balls Amus 2, 1815	20	FL/FI/VN
//5-1/17-1//31/11//6-2/22	6/8	Paddy Carey's Fortune (t)	AM-A	Canfield MS, 1823	62-63	FL
//5-1/17-1//31/17-1//6-2/212	6/8	Paddy Carey (t)	AM-A	Commonplace MS, 1811	24	MI
//5-1/17-1//31/17-1//6-2/212//	6/8	Paddy Carey. A Favorite Cotillion (t)	AI-A	Paddy Carey Cot, 1817	1	PF
//5-1/17-1//31/17-1//6-2/212	6/8	Paddy Carey (t)	AI-A	Riley Flute 2, 1817	13	FL
//5-1/17-1//31/17-1//6-2/212	6/8	Paddy Carey's Fortune (t)	AI-A	Riley Flute 2, 1817	53	FL
//5-1/17-1//31/17-1//6-2/23	6/8	Paddy Carey's Fortune (t)	AI-A	Bacon Clar, 1818	25	CL
//5-1/17-1//31/17-1//6-2/23//	6/8	Paddey O Carey (t)	MS-S	Fife MS, 1780	121v	1FI OR 2FI/VN
//5-1/17-1//31/17-1//6-2/23	6/8	Paddy Carey (t)	AM-A	Huntington MS, 1817	III.59	FL/VN
//5-1/17-1//31/17-1//6-2/23	6/8	Paddy Carey's Fortune (t)	AI-A	Klemm Clar, 1825	25	CL
//5-1/17-1//31/17-1//6-2/23	6/8	Paddy Carey (t)	IC-I	Logier Bugle, 1813	21	BU
//5-1/17-1//31/17-1//6-2/232//	6/8	Number 5. Second Sett of Cotillions (t)	AM-A	Washburn MS, 1816	14	GF
//5-1/17-1//31/31//5-1/31	6/8	Quick March (t)	IC-I	Logier Bugle, 1813	31	BU
//51+/1+71+//321/2343//565/565	C/	Vain is ev'ry fond endeavour (fl)	TW-E	Chaplet, 1750	11-13	OB,2VN,VA,VO,KBF
//51+/1+71+//321/2343//565/565	C/	Favourite Song, A (t)	SC-E	Clio-3, 1762	84-85	VO,HAF+GF
//51+/1+71+//321/2343//565/565	C/	Vain is ev'ry fond endeavor (fl)	SC-E	Ritson, 1783	TI,262;MIII,149-150	VO
//5-1/17-1//33/323//44/432	6/8	Black Joke (t)	AM-A	Cary MS, 1797	34	VN
//5-1/17-1//5-3/323//345/654	6/8	Herberts Delight (t)	DA-E	Bride CD, 1776	I,9	VN/OB/GF
//51//17-1//5-43//32//54321	3	Blushing Rose, The (t)	SC-E	Muses Delight, 1754	65	VO,HA
//51+/1+7//1+/5//51+/1+7//1+76/52+	C/	Air 29 (t)	BA-E	Village Opera, 1729	39	VO
//51+/1+71+//61+/1+7-1//6-	C		TW-E	Harlequin Dr. F, 1766	9	HAF,GF/VN
//5-1/17-1//6-2/212//321/54//	6/8	No. 28 (t)	DA-E	Leichte Englische, 1795	28	MI
//511+//71+//64//3//565//43//24321	3/8	Pangs of Forsaken Love, The (t)	SC-E	Watts MM-6, 1731	20-23	VO,HA+FL
//5-1/17-1//6-6-/21//7-5-/5-6-7-	6/8	Roxburghshire Cavalry Yeomanrys Quick Step, The (t)	IC-S	Calvert Coll, 1790	4-5	V,VC/HA/PF
5-1/17-1//7-123/4//365/4321//	2/4	Quick Step, A (t)	MS-S	Fife MS, 1780	634,68r	1FI OR 2FI/VN
//5-1/17-1//7-2/4//345/4321	2/4	Cottillion (t)	IC-E	Eley Pieces 2, 1790	5	2CL,2FLP,2HN,TR
//5-11/7-22//1231/234//3453/4231	C/	Sweet Richard. Country Dance (t)	AM-A	Brown, N. MS, 1781	24R	FI
//5-1/1//7-2/2//13/31//	2/4	Sweet Richard (t)	AM-A	Hoff MS, 1797	No. 120	GF
//5-/11//7-2/2//13/31	2/4	Sweet Richard a Quick Step (t)	AM-A	Nixon MS, 1776	55	FI
//5-1/1//7-2/2//431/7-1	2/4	Quick Step, A (t)	AM-A	Gaylord MS, 1816	2v	MI
/5-1//17-/24//43/51//17-/	C	Tambourin, Le (t)	IC-E	Welcker Cots, 1768	4	GT
//51+/1+7//2+5/5//46/25	2/4	Gren. March V. Printz Ferdinandt (t)	MS-G	Darmstadt MS 1224	328,330	2MI
//51+/1+7//2+5/5//46/25	2/4	Preussicher Gren: March No 17 Printz Ferdinand (t)	MS-G	Darmstadt MS 1225	357-58	2MI
//5//1+//1+76//43//22+1+	3/8	Andantino (t)	IC-S	Stewart Marches, 1773	64-65	2VN/GF/OB,VC/HA
//511+76//511+76//655443//3234//511+76// 511+76//	3/4	Retreat, A (t)	MS-S	Fife MS, 1780	742,81r	1FI OR 2FI/VN
//5-1/17-//6-5-/12//3/1//	2/4	Petite Provencalle, La (t)	DA-F	Landrin Potpourri, 1785	34	MI
//5-1/17-//6-5-/12//3/1//	2/4	Reveillee, La (t)	DA-N	St. Flour Contredanses, 1757	54	KB
//511+/7651+//6554/433	C	Favourite Song In the Opera of otho, A (t)	SC-E	Pocket Comp, 1725	80-82	VO,HAF+FL
//5-11/7-6-5-//345/327-//341/7-5-3-	6/8	Katy's Rambles (t)	AI-A	Robinson Coll, 1826	48	MI
//5/1//1+7//65/43//2	2/4	Clarissa (t)	SC-E	Calliope, 1746	I,20	VO,HAF+FL
//5/1//1+76/54//3451	2/4	Portuguese Favourite, A (t)	IC-E	Delightful-2, 1745	V,26	2GF
//51+1+76/54543//6666/671+76//55543/2343 2	C	Sonatina. Andante (t)	IC-E	Delightful-2, 1745	VI,10	GF
//51+//1+7655//24//43655//4	3/4	Lesson 10 (t)	AI-A	Linley Asst-2, 1796	9	HA/PF
//51+/1+76//55/31//22/2432	2/4	1st Medley Dance.4th Part (t)	IC-S	Gibb New Coll, 1798	11	PF/VN,VC
//51+1+7/6553//656767/1+115//54	C/	Trip to the Bell, A (t)	PL-E	Playford 2-3, 1718	36	VN
//51+1+7/6553//656767/1+115//54	C/	Trip to the Bell, A (t)	PL-E	Playford 2-4, 1728	36	VN
//51+1+7/6553//656767/1+115//5443/32217-	C/	Trip to the Bell, A (t)	DA-E	Walsh CD-1.2, 1719	53	VN/OB
//51+1+7/6553//656767/1+115//5443/32217-	C/	Trip to the Bell, A (t)	DA-E	Walsh CD-3.6, 1754	202	VN/OB/GF
//51/1+76//5/543//23	2	Favourite Song, A (t)	SC-E	Calliope, 1746	II,134	VO,B,MI
//51/1+76//5/543//23/45654	2	Song, A (t)	SS-E	SS, Folger-C42.3	492	VO,KB+FL
//51+/1+765//565456/5432//1217-13/217-6-	C	Smith's Fancy (t)	IC-E	Balls Amus 3, 1815	13	FL/VN
//51+//1+76//5654//3+	3/4	Fair Semira lovely maid (fl)	TW-E	Artaxerxes, 1762	26-27	VO,HA
//51+//1+76//5654//3//51+	3/4	Fair Semira (t)	SS-E	SS, New York PL-C695	115	VO,HA
//51+/1+7//6/5//65/67//	C/	Graziosetta, La (t)	DA-E	Gallini Cots, 1770	44	KB
//51+/1+76//56/654//34/432//	2/4	Tray Clubs (t)	DA-E	L & L Cot, 1775	28	MI
//51+//1+76567//1+2+3+3+//3+2+5//5655//4 +3+2+1+	3/4	Peacefull olive the pile shall adorn (fl)	TW-E	Maid/Oaks, 1774	51	VO,KBF
//5-1/17-//6-5-/6-7-//17-12/11//	2	Provencal, La, 3e (t)	IC-F	Leclerc Recueil-2, 1737	107	HAF
//51+/1+7//65/67//1+7/1+2+/1+5//	2	Provencale, La. Dansé au Bal de Madame La Dauphinne (t)	DA-F	Landrin CD BL-1, 1775	44 Feuille	MI
//5-1/17-//6-5-/6-7-//17-12/15-//	2	Provencalle, La (t)	DA-F	Landrin Potpourri, 1785	46	MI
//5-1/17-//6-5-/6-7-//17-12/15-	C	Provencale, La (t)	IC-S	Stewart Airs, 1788	1:20	GF/VN/FI
//5-1/17-//6-5-/6-7-//17-12/3234	2/4	Queens House, The (t)	DA-E	Thompson CD-2, 1765	68	VN/GF/OB
//5-1/17-//6-5-/6-7-//17-12/3234//	2/4	Queen's House, The (t)	DA-E	Thompson CD-2a, 1765	69	VN/GF/OB
//51+1+76//65/34//565432//15//5	2/4	Andante (t)	AM-A	Hiester MS-1, 1793	49-50	KB,VO
//51+/1+76//65/34//565/543	6/8	Clock of Lombardy, The. Quick March to Take Possession of the Castle (t)	AI-A	American Sheet Music		PF
//5//1+17-//6-65//43//561234	3/4	Arioso (t)	IC-S	Stewart Marches, 1773	81	2VN/GF/OB,VC/HA
//5-117-6-/7-12//1231/234//3453/4321//	C	Sweet Richard (Old Welch) (t)	DA-E	Wilson Companion, 1816	103	MI
//5-117-6-/7-2217-//13321/234//3453/4231	C	Sweet Richard (t)	DA-E	Thompson CD-3, 1773	73	VN/GF/OB
//5-117-6-/7-2217-//13321/234//3453/4231 //	C	Sweet Richard (t)	DA-E	Thompson CD-3a, 1773	61	VN/GF/OB
//51+1+76//72+234//53+34//51+3+4+3+	3/2	Yellow Joak (t)	DA-E	Walsh CD-2.1, 1731	61	VN/OB/GF/RC
//51+1+76//72+234//53+34//51+3+4+3+	3/2	Yellow Joak (t)	DA-E	Walsh CD-3.1, 1754	88	VN/OB/GF
//51+1+76//72+234//53+34//51+3+4+3+//2+1 +1+76	3/2	Yellow Joak (t)	DA-E	Johnson CD-1, 1740	85	MI
//51+1+//76751+//566	3/4	Minuet In Samson (t)	AM-A	Bolling MS, 1790	60	2VN
//51+1+76//755675//1+2+1+76//2+55675//45 432	3/2	Come Ye Jolly Lads Christmas Is a Coming (t)	MS-E	Hammersley MS, 1790	96	KB
//5-1/17-7-2//2113/2	C	Song 11 (t)	SS-E	SS, Folger-C52	101,2-103,1	MI,VO,KB
//5-1/17-7-2//2113/2//5-//15-/31	C/	Delia (t)	SS-E	SS, New York PL-C694	79	VO,HA
/5-1//17-/7-2//21/24//35	2	Bien tot Faire, La (t)	DA-F	Landrin Potpourri, 1785	94	MI
//511+7751+2+//3+3+4+3+2+3+//1+2+1+77656 //56751+76//51+765434//	C 3-1	Courant (t)	MS-E	Rogers MS, 1656	62-63	VI
//51+/1+776//6554/3//13/24	2/4	Whilst with Village Maids I Stray (t)	AI-A	Riley Flute 2, 1817	15	FL
//51+/1+776//6554/3//13/24	2/4	Whilst with village maids I stray (fl)	TW-E	Rosina, 1783	18-19	VO,KB
//51+/1+776//6554/43//13/24	2/4	Whilst with Village Maids I Stray (t)	AM-A	Beck MS, 1786	116-117	GF

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Early American Secular Music and Its European Sources, 1589-1839Incipit Index: 511

Early American Secular Music and Its European Sources, 1589-1839
Incipit Index: 511