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Stress | Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
517 | //51//12321//7-1 | 3 | Song In the Wives Excuse (t) | SC-E | Pills 6, 1719-20 | 57-58 | VO |
517 | //567/1+71+2+1+//733 | C/ | Opera Song by An Eminent Master, An (t) | SC-E | Pocket Comp, 1725 | 56-59 | VO,HAF+FL |
517112 | //53/11//7-127-/15-//1231/2342 | 2/4 | Greenwich Hill (t) | AM-A | Hiester MS-2, 1793 | 24 | KB |
51711232 | //53/11//7-127-/15-//1231/2343//3543/2 | 2/4 | Humors of Ballstown Spa, The (t) | AM-A | Kingsley MS, 1795 | I,9 | MI |
517121 | //5-1/11//7-127-/1//2342/17-6-5- | C/ | Lira Lira (t) | IC-S | Aird 4, 1796 | 70 | FI/GF/VN |
517121 | //5-1/11//7-127-/1//2342/17-6-5- | C | Lira Lira (t) | IC-E | Preston Fife, 1796 | 27 | FI/GF |
517121 | //5-1/11//7-127-/1//2342/17-6-5- | 2/4 | Lira Lira la (t) | AI-A | Balls Amus 2, 1815 | 17 | FL/FI/VN |
517121 | //5-1/11//7-127-/1//2342/17-6-5- | C | Little Thinks the Soldier's Wife (t) | AI-A | Riley Flute 4, 1826 | 30 | FL |
517121 | //5-1/11//7-127-/1//2342/17-6-5- | C | Lira Lira la (t) | IC-E | Astor Oboe, 1800 | 16 | OB |
517121 | /5-1/11//7-127-/1//2342/17-6-5-// | C/ | Lara Lara La (t) | IC-E | Hyde Bugle, 1818 | 14 | 2BU,B |
517121 | //5-1/11//7-127-/1//2342/17-6-5-// | C | Jolly Soldier, The (t) | MS-S | Fife MS, 1780 | 447,46v | 1FI OR 2FI/VN |
517121 | //5-12/11//7-127-/11//2342/17-6-5- | 2/4 | Soldier's Wedding, The (t) | IC-S | Aird 6, 1803 | 57 | FI/VN/GF |
517121 | //5-12/11//7-127-/11//2342/17-6-5- | 2/4 | Soldier's Wedding (t) | AI-A | Hazeltine D&F, 1810 | 45 | 2FI |
51712151 | //5-1/11//7-127-/1//2342/17-6-5-//5-12/1 |
C/ | Little thinks the towns man's wife (fl) | TW-E | Surrender/Cal, 1792 | 24-5 | PF,VO |
517122 | //5-1/16-//7-5-/15-//2/2323 | 2/4 | Tobacco-Box, The (t) | SC-S | Edinburgh MM-1, 1792 | 93-95 | VO |
517122 | //5-1/16-//7-5-/15-//2/234 | 2/4 | Song 188 (t), or Tobacco Box: A Dialogue, The (at) | SC-E | Calliope, 1788 | 350-351 | VO |
5171223 | //5-1/16-//7-5-/15-//2/234//3 | 2/4 | Tobacco Box, The (t), or Soldier's Pledge of Love, (at) | SS-E | SS, Harvard | 1 | VO,KB+GT+GF |
517123 | //5-5-/11//7-5-/13//22/33 | 2/4 | Siege of Valenciennes, The. Military Rondo (t) | IC-E | English Sheet Music | 2CL,2HN,TR,2BS | |
5171232 | //531//17-7-7-/7-5-//15-1/25-2//3453/22 | C | Washington Guards 2d Compy's Grand March (t) | AI-A | Camp Dupont, 1816 | 21 | 2GF/FI/VN,PF |
517135 | //53/11//7-12/12//34/56 | C/ | Independent Greens Grand March, The (t) | AI-A | American Sheet Music | 1 | PF |
517135 | //535/1+2+1+/765//1+3+/343/56// | 9/8 | Press No Me Retreat (t) | MS-S | Fife MS, 1780 | 872,93v | 1FI OR 2FI/VN |
517135 | //535/1+2+1+/765//1+3/343/56// | 9/8 | Ride a Mile (Irish) (t) | DA-E | Wilson Companion, 1816 | 30 | MI |
517135 | //535/1+2+1+/765//1+53/343/56 | 9/8 | Young Collin Is Ye Pride of the Plain-2 (t) | IC-E | Caledonian PC, 1760 | IV,10 | GF/VN |
517135 | //535/1+2+1+/765//1+53/353/56 | 9/8 | Mile to Ride, A (t) | IC-S | Stewart Airs, 1788 | 3:122-23 | GF/VN/FI |
517135 | //535/1+2+1+/765//1+53/353/56// | 9/8 | Mile to Ride, A (t) | MS-E | Vickers MS, 1770 | 11a | MI |
5171354 | //5-1/11//7-12/1//34/52//4321 | 2/4 | Harriot (t) | SS-E | SS, Harvard | 1,DUP | VO,B |
517135517 | //535/1+2+1+/765//1+53/353/56//535/1+2+1 +/765 |
9/8 | Ride a Mile (t) | DA-E | Thompson CD-3, 1773 | 73 | VN/GF/OB |
517135517 | //535/1+2+1+/765//1+53/353/56//535/1+2+1 +/765 |
9/8 | Mile to Ride, A (t) | DA-E | Johnson CD-7, 1756 | 70 | VN/GF |
517135517 | //535/1+2+1+/765//1+53/353/56//535/1+2+1 +/765// |
9/8 | Ride a Mile (t) | DA-E | Thompson CD-3a, 1773 | 61 | VN/GF/OB |
51714 | //5-1/121//7-23//123/4321 | C/ | Wood Waltham Green (t) | DA-E | Walsh CD-2.3, 1735 | 249 | VN/OB/GF/CF |
51714 | //5-1/121//7-23//123/4321 | C/ | Wood Walton Green (t) | PL-E | Playford 3-2, 1726 | 38 | VN |
51714 | //5-1/121//7-23//123/4321 | C/ | Wood Waltham Green (t) | DA-E | Walsh CD-3.6, 1754 | 95 | VN/OB/GF |
51714 | //5-1/121//7-23//123/4321 | C/ | Wood Waltham Green (t) | DA-E | Walsh NCDM-3, 1728 | 38 | VN/OB/FL |
51714 | //5-1/121//7-232//123/4321 | C/ | Sweet Richard (t) | DA-E | Walsh CD-2.3, 1735 | 112 | VN/OB/GF/CF |
517143 | //5-1/121//7-232//123/4321//354 | C/ | Sweet Richard (t) | DA-E | Johnson CD-1, 1740 | 19 | MI |
517143 | //5-1/121//7-232//123/4321//354 | C/ | Sweet Richard (t) | DA-E | Walsh CD-3.3, 1749 | 112 | VN/OB/GF |
517144 | //5/1//7-/1//4/43 | 2/4 | Colin's Request (t) | SS-E | SS, Folger-C42.4 | 374 | VO,KB+FL |
517151 | //5-1/131//7-6-7-/135//5-1/131 | 3/8 | Lailsons 2d Ride (t) | AM-A | Morse MS, 1811 | 43 | 2MI,B |
517151 | //5-4-3-//131//7-24217-//1217-6-//5-4-3- //131 |
3/4 | Miss Ferrier's Minuet (t) | IC-S | Gibb New Coll, 1798 | 19 | PF/VN,VC |
517151 | //55/1+//71+2+7/1+1//55/1+ | C/ | Merry Joblon's Humour (t) | DA-E | Johnson CD-7, 1756 | 17 | VN/GF |
5171532 | /5-1//1/7-127-//1/5-3//3/2342// | 2/4 | Bon Ménage, Le. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 254 Feuille | MI |
517154 | //55/1+1+//77/1+76//565/454 | 2/4 | Doublings (t) | AI-A | Glazier Fife, 1830 | 34 | FI |
517154 | //55/1+1+//77/1+76//565/454 | 2/4 | Doublings (t) | AI-A | Robinson Coll, 1818 | 51 | FI,DR |
517154 | //55/1+1+//77/1+76//565/454 | 2/4 | Doublings (t) | AI-A | Robinson Coll, 1820 | 67 | MI |
517154 | //55/1+1+//77/1+76//565/454 | 2/4 | Doublings (t) | AI-A | Robinson Coll, 1826 | 67 | MI |
517154 | //55/1+1+//77/1+76//565/454 | 2/4 | Doublings (t) | AI-A | Williams Fife, 1819 | 11 | FI |
517154 | //55/1+1+//77/1+76//565/454 | 2/4 | Doublings (t) | AI-A | Williams Fife, 1826 | 7 | 2FI |
517154 | //55/1+1+//77/1+76//565/454 | 2/4 | Doublings (t) | IC-E | Clementi Fife, 1815 | 10 | FI |
517154 | //55/1+1+//77/1+76//565/454 | 2/4 | Doublings (t) | IC-E | Longman Fife, 1770 | 10 | FI |
517154 | //55/1+1+//77/1+76//565/454 | 2/4 | Doublings (t) | IC-E | Thompson Fife, 1770 | 9 | FI |
517154 | //55/1+1+//77/1+76//565/454// | 2/4 | Doublings (t) | IC-E | Thompson Fife, 1786 | 10 | FI/FL |
517154 | /55//1+/71+2+7//1+/565//43/ | 2 | Cotillon (t) | IC-F | Leclerc Recueil-3, 1738 | 153 | HAF |
5171543 | //5/1+//7/1+6//5/43//3 | 2/4 | Advice to Coelia (t), or New Song, A (at) | SC-E | Calliope, 1746 | II,65 | VO,B+FL |
517155 | //53/1//7-6-7-/15-//53/53// | 6/8 | Piedmontese Cotillion (t) | DA-E | Wilson Companion, 1816 | 163 | MI |
517163 | //5/1+//71+2+7/1+1//654/351+ | C/ | Island of Love, The (t) | DA-E | Johnson CD-7, 1756 | 21 | VN/GF |
517165 | //5/1+2+//7/1+//66/56// | 2 | Victoire, La (t) | DA-F | Dezais Recueil, 1712 | 131-138 | MI |
517165 | //5/1+//767/1+5//66/54 | C/ | Marche du Regiment de Saluces (t) | MS-F | Philidor MS, 1705 | 20 | 3OB,B+DR |
5171654 | //5/1+2+//7/1+//66/56//4/ | 2 | Victoire, La (t) | MS-G | Jayme MS, 1717 | 35 | MI |
5171654 | //5/1+2+//7/1+/66/56//4/ | 2 | Victoire, La (t) | IC-F | Leclerc Recueil-1, 1729 | 20-21 | HAF |
517171 | //5135/1//7-16-5-/1//7-6-5-4-/16-5-// | Mairy La More (t) | AM-A | Litten MS, 1800 | 20 (41) | VN | |
517171 | //5-6-7-/131//7-12/1//7-12/1 | 6/8 | Winter Hill Retreat (t) | AM-A | Nixon MS, 1776 | 31 | FI |
517173 | //5/1+2+3+4+5+1+//755-/123451//7-5-5/311 +// |
C | Favourite Air, A (t) | IC-E | Prelleur Modern, 1731 | 34-35 | OB |
517175 | //5/1+//7/1+//76/54 | C/ | March V. Coloworeto (t) | MS-G | Darmstadt MS 1225 | 171-72 | 2MI |
517213 | //5-11//17-6-//7-22/217-//133/321 | 6/4 | On the Queen's Progress to the Bath (t) | SC-E | Pills 2, 1719-20 | 230-3 | VO |
517213 | //5-11/17-6//7-22/27-//133/321 | 6/4 | Air 2 (t) | BA-E | Lottery, 1732 | 3 | VO |
517213 | //5-11/17-6-//7-22/27-//133/321 | 6/4 | Air 13 (t) | BA-E | Lover His Own R, 1736 | 23 | VO |
517213 | //5-11/17-6-//7-22/27-//133/321 | 6/4 | Air 47 (t) | BA-E | Village Opera, 1729 | 56 | VO |
517213 | //5-/11//7-2/2//13/31 | 2/4 | Sweet Richard a Quick Step (t) | AM-A | Nixon MS, 1776 | 55 | FI |
517213 | //5-1/1//7-2/2//13/31// | 2/4 | Sweet Richard (t) | AM-A | Hoff MS, 1797 | No. 120 | GF |
5172137 | //5-11/17-6-//7-22/27-//133/321//71 | 6/4 | Air 25 (t) | BA-E | Chambermaid, 1730 | 26 | VO |
517214 | //5-6-/17-6-5-//7-1/2343//123/45654 | C/ | O Sleep (t) | SS-E | SS, Boston PL-1 | 153,1-2 | VO,HA |
517223 | /5-1//17-/7-2//21/24//35 | 2 | Bien tot Faire, La (t) | DA-F | Landrin Potpourri, 1785 | 94 | MI |
51723 | //5-11//17-6-//7-22//21//321 | 3 | Susan's Complaint (t) | SC-E | Watts MM-1, 1729 | 62-64 | VO/VN+FL |
517231 | //5-1/12//7-1/22//31/11- | C/ | Rueben (t) | DA-E | Walsh CD-1.2, 1719 | 101 | VN/OB |
517231 | //5-1/12//7-1/22/31/11- | C/ | Ruben (t) | PL-E | Playford 2-1, 1713 | 84 | VN/OB |
517231 | //5-1/12//7-1/22/31/11- | C/ | Ruben (t) | PL-E | Playford 2-2, 1714 | 84 | VN/OB |
517231 | //5-1/12//7-1/22/31/11- | C/ | Ruben (t) | DA-E | Walsh NCDM-2, 1710 | 78 | VN/OB/FL |
517231 | //5-1/16-//7-1/2//31/15- | C/ | Air 38 (t) | BA-E | Devil To Pay-1, 1731 | 62-63 | VO |
517231 | //5-1/16-//7-1/24//31/11- | 2/4 | Dr Mackay, Irish (t) | IC-S | Aird 5, 1797 | 39 | FI/VN/GF |
517233 | //5+3+2+1+/1+2+3+5//7653/2324//3565/3565 |
C | Miss Dundass of Kerse's Strathspey (t) | IC-S | Aird 4, 1796 | 43 | FI/GF/VN |
517235 | //5-11/17-1//7-22/24//345/543// | 6/8 | Quick Step, A (t) | MS-S | Fife MS, 1780 | 501,53r | 1FI OR 2FI/VN |
517236 | //5432/11//7-6-7-1/24//31/6-21 | 2/4 | Edinburgh Royal Highland Volunteers Quick Step, The (t) | IC-S | Scottish Sheet Music | PF | |
517242 | //5-1/11//7-2/2//42/23- | C | Cottager, The (t) | AM-A | Bolling MS, 1790 | 51 | VN/GT |
5172427 | /5432//11+/71+//2+23/4534//2312/7-1// | C/ | Petimetres y Petimetras, Los. Contradanza. nuevo... Estilo moderno (t) | DA-P | Minguet CD, 1760 | 16-17 | MI |
517243 | //5-1/11//7-1/27-//4/31// | 2/4 | Batchelors Button (t) | DA-E | Straight & Skillern CD, 1775 | 83 | VN/GF/OB |
517243 | //5-1/11//7-2/2//42/31 | 2/4 | Cottagers, The (t) | AM-A | Dickinson MS, 1800 | 13 | CL/GF/OB |
517243 | //5-1/11//7-2/2//42/31 | 2/4 | Cottagers, The (t) | AI-A | Herrick Preceptor, 1807 | 28-29 | MI,B |
517243 | //5/1+//71+/2+5//4/3// | 2 | Milanoise, La (t) | IC-F | Leclerc Recueil-2, 1737 | 130 | HAF |
5172467 | //51/12//7-5-/23//43/6-7-1//7- | 2/ | Maids Lesson Being Instructions for a Young She Beginner. (t) | SS-E | SS, Folger-C42.3 | 351 | VO,KB+FL |
517247 | //5-1/1//7-2/2//431/7-1 | 2/4 | Quick Step, A (t) | AM-A | Gaylord MS, 1816 | 2v | MI |
51727 | //51+//1+/71+//2+1+/76 | 2/4 | Retraite, La (t) | MS-G | Darmstadt MS 1225 | 65-66 | 2MI |
51727 | //5323567//1+2+//71+7654//23456566//71+7 6-5 |
3 | Irish Cry, The (t) | IC-E | Thumoth, 1785 | 46-47 | GF/VN |
5172712 | //5/1+/71+//2+3+/7//1+/2+4+// | C | Duncan Gray (t) | AI-A | Admired Cots-1.4, 1825 | 2 | PF |
517272 | //53/11//7-1/25//7-1/25 | 2/4 | An they count me such a ninny (fl) | TW-E | Maid/Mill, 1765 | 49 | VO,HAF |
517273 | //51+//1+661+//7553+//2+1+71+/7654//3 | 2/4 | Divertimento 2. Andante (t) | IC-E | Rathgen Divs, 1780 | 6 | 2CL,2HN,BS |
517275 | //51+//1+/71+//2+1+/76//54 | 2/4 | Corsicaner Zapffenst. No 43. (t) | MS-G | Darmstadt MS 1225 | 313-14 | 2MI |
517335 | //5-/11//7-12/312//345/515// | C/ | One of the Symphonies (t) | MS-E | Rogers MS, 1656 | 7 | VI |
517351 | //5-11/131//7-125/316-/5-7-5-/1 | Maid of the Mill (t) | AM-A | Van Renssel. MS, 1782 | I,37 | VO,KB | |
517351 | //5-117-/1231//7-6-5-4-/3-2-3-1-//5-117- /1234 |
C/ | Miss Mckenzeys Reel (t) | AM-A | Gardner MS, 1788 | 15 | FI |
517354 | //555/1+7//7654/313//555/43 | C/ | Canadian March (t) | AM-A | Canfield MS, 1823 | 144 | FL |
5174 | //545//1+//765//456 | 3/4 | Nature Beyond Art (t) | SC-E | Clio-1, 1758 | 63 | VO,HA |
517411 | //51+1+7/1+2+3+1+//7543/43217-2//11+1+7/ 1+2+3+1+// |
C/ | Lady Mackimtosh Real (t) | MS-E | Vickers MS, 1770 | 15 | MI |
517423 | //55/1+62+//772+/4//2+5/3+1+6 | C | Favourite Hunting Song, A (t) | SC-E | Clio-3, 1762 | 174-176 | VO,HAF+GF |
517431 | //5431/1321//7-123/442//3567/1+564// | C/ | Miss Baker's Hornpipe (t) | AM-A | Patten MS, 1800 | 17 | MI |
517434 | //51/11//7-123/4234//3123/4567 | Hollandisch Hop (t) | AM-A | Turner MS, 1788 | I,74-75 | VN | |
517434 | //5-1/17-1//7-2/4//345/4321 | 2/4 | Cottillion (t) | IC-E | Eley Pieces 2, 1790 | 5 | 2CL,2FLP,2HN,TR |
517451 | //531/17-1//7-24/434//531/17-1 | 6/8 | We'll Be Marry'd This Year (t) | IC-E | Balls Amus 3, 1815 | 35 | FL/VN |
5174555 | //5/1+7//73//4/56//53/5 | 2/4 | Songe Heureux, Un (t) | IC-F | Bonjour Recueil, 1800 | 5:4 | VN/FL |
517466 | //5-11/131//7-12//431//6-6-6-/6-7-5- | 6/8 | Maid of the Mill, The (t) | AM-A | Eells MS, 1789 | 49 | MI |
51751 | //532123//11+//72+767//5567//1+1+2+3+2+1 + |
3/4 | Kitty's Complaint (t) | IC-E | Caledonian PC, 1760 | V,15 | GF/VN |
517513 | //565/1+3+1+/72+7//565/1+3+1+/3+4+5+// | 9/8 | Kissing & Drinking (t) | AM-A | Litten MS, 1800 | 4 (31) | VN |
517516 | //5-11/131//7-12/532//16-6-/6-7-5- | 6/8 | Maid of the Mill (t) | AM-A | Dawes MS, 1790 | 15 | HA |
517517 | //5323//11+//72+767//5567//1+1+2+3+2+1+/ /7653// |
3/4 | Katies Complaint (t) | IC-E | Peacock Scotch Airs, 1762 | 25 | VN/GF/VC, HAF |
51753 | //5-3-3//17-6-//7-12//5-7-//37-127- | 3 | Dialogue Between Mr. James Bowen & Mrs. Cross, A (t) | SS-E | SS, Folger-C42.2 | 189,2-190,1 | VO,KB+F |
517531 | //5-6-6-7-/112//7-5-5-6-/5-6-5-3-//3-6-6 -7-/17-12// |
C/ | John Anderson My Joe (t) | MS-S | Fife MS, 1780 | 165,15r | 1FI OR 2FI/VN |
517534 | //5-3-4-2-/1-1//7-216-/5-4-3-1-//3-5-/4- 6- |
2/4 | Tis Love In the Heart (t) | AI-A | Riley Flute 3, 1820 | 32 | FL |
517534 | //5342/1321//7-127-/5-16-4-//3-5-13/4321 |
C | Lassells Hornpipe (t) | AI-A | Riley Flute 2, 1817 | 61 | FL |
517534 | //5342/1321//7-127-/5-5-4-//3-5-13/4321/ / |
2/4 | AM-A | Johnson, S. MS, 1807 | 51-52 | FI | |
517534 | //5342/1321//7-127-/5-5-4-//3-5-13/4321/ / |
2/4 | AM-A | Bevens MS, 1825 | 55r | FI | |
517534 | //5342/1321//7-127-/5-6-5-4-//3-5-13/432 1// |
Primes Hornpipe (t) | AM-A | Bevens MS, 1825 | 27r | FI | |
517536 | //5342/1321//7-127-/5-6-5-4-//3-5-17-/6- 4-21 |
C/ | John's Hornpipe (t) | AI-A | Riley Flute 4, 1826 | 40 | FL |
517537 | //55-5-/12//7-6-/5-234//321/7-1 | C | March (t) | IC-E | Warlike Musick, 1760 | 36 | GF/VN/HA |
5175434 | /5432//11+/76//53+/42+//35/4321// | 2/4 | Plaisirs de Chevalier, Les. Contredanse Française (t) | DA-F | Bouin CD LC-1, 1780 | 47 Feuille, 2 Vol. | MI |
51754642 | //51+/1+1+//75/5//46/66//42/2 | C | Joan to Her Lady (t) | SC-E | Pills 4, 1719-20 | 80-81 | VO |
517555 | //5435/1+3+2+7//71+1+/5671+//5671+/56543 |
2/4 | Caro Bene (t) | AI-A | Reinagle Fav-2, 1789 | 21-22 | VO,PF |
517562 | //5/1+//76/57//64/24 | 2/4 | Daniel Cooper (t) | MS-E | Brown, W. MS, 1797 | 3 | MI |
517564 | //531/11//7-12/5-5-//6-6-/43 | 6/8 | Dance, A (t) | IC-S | Aird 6, 1803 | 20 | FI/VN/GF |
517566 | //5-11/131//7-12/51//6-6-6-/6-7-5- | 6/8 | Maid of the Mill, The (t) | IC-S | Aird 6, 1803 | 31 | FI/VN/GF |
517566 | //5-11/131//7-12/51//6-6-6-/6-7-5- | 6/8 | Maid of the Mill (t) | MS-E | Carter MS, 1792 | 11 | MI |
517566 | //5-11/131//7-12/51//6-6-6-/6-7-5- | 6/8 | Maid of the Mill, The (t), or Favorite Dialogue, A (at) | SS-E | SS, Boston PL-1 | 103,1-3 | VO,HA+GF+GT |
517566 | //5-11/131//7-12/51//6-6-6-/6-7-5- | 6/8 | Maid of the Mill (t) | AI-A | Blake Amus 1, 1824 | 13 | CL |
517566 | //5-11/131//7-12/51//6-6-6-/6-7-5- | 6/8 | Iv'e Kiss'd and Iv'e Prattled (t) | AI-A | Riley Flute 2, 1817 | 80 | FL |
517566 | //5-11/131//7-12/51//6-6-6-/6-7-5-// | 6/8 | Maid of the Mill, The (t) | MS-S | Fife MS, 1780 | 697,75v | 1FI OR 2FI/VN |
517566 | //5-11/131//7-12/531//6-6-6-/6-7-5- | 6/8 | Maid of the Mill, The (t) | IC-S | Aird 3, 1788 | 159 | FI/GF/VN |
517566 | //5-11/131//7-12/531//6-6-6-/6-7-5- | 6/8 | Maid of the Mill, The (t) | AM-A | Eells MS, 1789 | 49 | MI |
517566 | //5-11/131//7-12/531//6-6-6-/6-7-5- | 6/8 | Maid of the Mill (t) | AM-A | Hawkins MS, 1794 | II,47 | GF |
517566 | //5-11/131//7-12/531//6-6-6-/6-7-5- | 6/8 | Maid of the Mill (t) | AM-A | Murphey MS, 1790 | 14 | MI |
517566 | //5-11/131//7-12/531//6-6-6-/6-7-5- | 6/8 | Maid of the Mill, The (t) | AM-A | Pomeroy MS, 1790 | 9 | GF |
517566 | //5-11/131//7-12/531//6-6-6-/6-7-5-// | 6/8 | Maid of the Mill, The. In Rosina (t) | MS-C | Molyneaux MS-1, 1788 | 54 | GF |
517566 | //5-11/131//7-12/531//6-6-6-/6-7-5-1 | 6/8 | Maid of the Mill, The (t) | AM-A | Cabot MS, 1784 | M6T10 | VO/GF |
517566 | //5-11/131//7-12/531//6-6-6-/6-7-6- | 6/8 | Maid In the Mill, The (t) | AM-A | Dickinson MS, 1800 | 27 | CL/GF/OB |
517566 | //5-11/131//7-12/532//6-6-6-/6-7-5- | 6/8 | I've Kiss'd and I've Prattled (t) | AI-A | Reinagle Fav-1, 1789 | 4 | PF/HA,VO |
517566 | //571+/1+31+//72+2+/5+1+//666/675 | 6/8 | Song In Rosina (t) | AM-A | Otis MS, 1793 | 18 | VO/VN/FL |
5175661 | //5-11/131//7-12/51//6-6-6-/6-7-5-//1 | 6/8 | Dialogue (t) | TW-E | Rosina, 1783 | 17 | VO,KB |
517567 | //567/1+1+//76/5//671+/71+2+ | C/ | New Pierot (t) | DA-E | Johnson CD-1, 1740 | 14 | MI |
517567 | //567/1+1+//76/5//671+/71+2+ | C/ | New Pierot (t) | DA-E | Walsh CD-2.3, 1735 | 36 | VN/OB/GF/CF |
517567 | //567/1+1+//76/5//671+/71+2+ | C/ | New Pero (t) | IC-E | Delightful-1, 1763 | III,23 | GF |
517567 | //567/1+1+//76/5//671+/71+2+ | C/ | New Pierot (t) | DA-E | Walsh CD-3.3, 1749 | 48 | VN/OB/GF |
5175753 | //5-1/11//7-12/5-1//7-12/5-4//3 | 2/4 | Lume, Le (t) | DA-E | Longman CD, 1781 | 49 | VN/OB/GF |
517636 | //5-5-/113//7-/6-7-12//345/6543 | 2/4 | French Cotillion's First Sett-7 (t) | AM-A | Marchant MS, 1783 | 78 | KB |
517641 | //5651+/1+765//71+6/6543//4567/1+3+2+ | C | Tartan Plaidy, The (t) | AI-A | Young's Vocal, 1793 | 42 | VO,PF |
517647 | //53/11+//766/6//4+2+/75 | Air by Krieth (t) | AI-A | Riley Flute 3, 1820 | 2 | FL | |
517655 | //531/1+6//75/64//531/531 | 6/8 | New Stepney March (t) | IC-S | Aird 3, 1788 | 205 | VN |
517655 | //531/1+7//75/64//531/531 | 6/8 | New Stepney March (t) | IC-S | Aird 3, 1788 | 206 | GF |
5176553 | //567/1+//7/6//565/54//3 | 6/8 | Paysana Nueba (t) | MS-M | Garcia MS, 1772 | 74V [179] | MI |
51766 | //5/1+//765//65/654 | C/ | Boatswain Williams's Delight, or (t), or Foot-guards March, The (at) | DA-E | Walsh CD-1.2, 1719 | 243 | VN/OB |
51766 | //5/1+//765//65/654 | C/ | Foot-Guards March, The (t), or Boatswain Williams's Delight, (at) | PL-E | Playford 2-3, 1718 | 221 | VN |
51766 | //5/1+//765//65/654 | C/ | Foot-Guards March, The (t), or Boatswain Williams's Delight, (at) | PL-E | Playford 2-4, 1728 | 221 | VN |
517662 | //5432/11+//75//651+7/6543//2 | 2/4 | Choice, The (t) | SS-E | SS, Harvard | 1 | VO/FL,KBF |
517662 | //55/1+1+/75//65/671+/2// | 9/8 | Lady Cawdor (Irish) (t) | DA-E | Wilson Companion, 1816 | 29 | MI |
517665 | //5/1+//765//65/654//53 | C | Sweeds March (t) | IC-E | Warlike Musick, 1760 | 9 | GF/VN/HA |
5176655 | //5/1+//71+5//65/654//53/543// | 2 | March, A. Mr. Peasable (t) | IC-E | Apollo's Banquet 1-8, 1701 | 1v,5 | VN |
517666 | //5/1+//7/65//65/654 | C/ | Sweeds March (t) | IC-E | Musica Bell, 1733 | 11 | FL/VN/OB |
5176676 | //5/1+7//76/6//61+/71+//65 | 2/4 | Barthelmon Duets-2. Rondeau Allegro (t) | AI-A | Barthelemon, 1800 | 4-7 | PF,4 HANDS |
517722 | //5-1/16-//7-2/7-5-//23/23 | 2/4 | Tobacco Box, Doublings, The (t) | AI-A | Ashworth D&F, 1812 | 35 | FI |
517722 | //5-1/16-//7-2/7-5-//23/23 | 2/4 | Tobacco Box. Doublings (t) | AI-A | Rumrille D&F, 1817 | 37 | FI |
517724 | //5-1/121//7-15-1/7-15-1//2123/4321 | C | Hornpipe (t) | AM-A | Huntington MS, 1817 | III.51 | FL/VN |
517731 | //5-11/131//7-25/7-24//321/17-1 | 6/8 | Quick Step 4 (t) | IC-S | Corri Marches, 1791 | 4 | HA/PF |
517771 | //5671+2+5/1+46//752+5/71+2+5+//752+5/1+ 46 |
C/ | Tullock Gorm Reel (t) | MS-S | Gillespie MS, 1768 | 110 | VN |
517771 | //5671+2+5/1+46//752+5/71+2+5+//752+5/1+ 46// |
C | Reel of Tulloch Gorum (Scotch) (t) | DA-E | Wilson Companion, 1816 | 63 | MI |
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