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| Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
| //342/11//127-/11//564/33 | 6/8 | Song 13 (t) | SC-E | Ritson, 1783 | TI,185;MIII,84-86 | VO |
| //342/11//1+6/55//53/321 | 6/8 | Love and Time (t) | AI-A | Riley Flute 3, 1820 | 42 | FL |
| //3+4+/2+1+2+//1+/565//565/565//5 | 6/8 | Air In the Pirates (t) | AI-A | Phila Pock Comp, 1794 | 32-33 | GT/CL/VO |
| //34/21//217-/17-6-//3/3 | 3 | Truth. A Song (t) | SS-E | SS, Folger-C42.4 | 424 | VO,KB+FL |
| //34/212//3/17-6-//21/7-3// | C/ | Princess Ann, La (t) | IC-E | Apollo's Banquet 1-7, 1693 | 30 | VN/FL |
| //34/212//3/17-6-//21/7-3//17-/6-6//34/5 6// |
C/ | Princess Ann, La (t) | IC-E | Apollo's Banquet 1-5, 1687 | A47 | VN |
| //34/212//3/17-6-//21/7-3//17/-6-6//34/5 6// |
C/ | Princess Ann, La (t) | IC-E | Apollo's Banquet 1-6, 1690 | A45 | VN |
| //342/12//34/32//342//1 | C | No 'Twas neither Shape nor Feature (t) | AI-A | Elegant Exts, 1798 | 13 | 2GF/2VN/2VO |
| //342/12//34/32//342/14 | C | No: 'Twas neither shape nor feature (fl) | TW-E | Flitch/Bacon, 1778 | 22-23 | 2OB,2VN,PF,VO |
| //342/12//34/32//342/14 | C | No 'Tis neither Shape nor Feature (t) | AI-A | Riley Flute 1, 1814 | 29 | FL |
| //342/12//34/32//342/14 | C | Song 91 (t) | SC-E | Vocal Enchant, 1783 | 186-187 | VO |
| //34/21234//56/43567//1+5/65 | 6/8 | Words to a Fine Minuet (t) | SC-E | Amaryllis, 1760 | II,65 | GF,VO,HAF+FL |
| //342//1//2//345//671+ | 3/8 | Air 12 (t) | BA-E | Lottery, 1732 | 20 | VO |
| //342/12//354/32//342/1234 | C | No 'Twas neither Shape nor Feature (t) | AI-A | Blake Amus 3, 1825 | 20 | CL |
| //34//212//35-//6-5-6-//111+ | 3/4 | Oh Onochie O (t) | IC-E | Caledonian PC, 1760 | IX,4 | GF/VN |
| //34/21//34/21//5365/42/54// | 2/4 | Maria Louisa. 54 (t) | AM-A | Johnson, F. MS, 1820 | 35 | PF |
| //342/13//43/25//54/345 | 6/8 | New York Girls (t) | IC-S | Aird 2, 1785 | 52 | FI/VN/GF |
| //34/21/345//62/1/7-6-5-// | 3/2 | Cheshire Round (t) | IC-E | Marsden Hornpipes, 1705 | 7 | VN |
| //342//136531//7-25427-//15-6-7-12//342/ /136531 |
3/8 | Mad de Nouville's Waltz (t) | AI-A | Ashton Clar, 1825 | 21 | CL |
| //342//136531//7-25427-//15-6-7-12//342/ /136531// |
3/8 | Nouvelle Waltz (t) | AM-A | Duport MS-3, 1825 | 15 | KB |
| //342//136531//7-25427-//15-6-7-12//342/ /136531 |
3/8 | Mad: de Nouville's Waltz (t) | AI-A | Firth Cl, 1832 | 21 | CL |
| //342//136531//7-25427-//15-6-7-12//342/ /136531// |
3/8 | AM-A | Irving MS, 1796 | 124 | 1 MI | |
| //342//153//643//217-12//17-51 | 3/4 | Dialogue, A (t) | SC-E | Monthly Melody, 1760 | II,28 | 2VO,HA |
| //3+4+2+//1+54//345342//15//51+3+5 | 3/4 | Coquets, The (t) | SC-E | Calliope, 1746 | II,83 | VO,B,MI |
| //342/16//53/1+5//62/51 | 6/8 | Lady's Advice to Her Lover, A (t) | SS-E | SS, Harvard | 1 | VO,B |
| //342//16//564//3//55//1+3//11 | 3/8 | Lightly Tread-'Tis Hallowed Ground (t) | AI-A | Williams Fife, 1826 | 27 | 2FI |
| //342/17-//111/12//3142/531 | C | Stirling Volunteers March, The (t) | IC-S | Watlen Marches, 1798 | 6 | PF+GF |
| //34/21//7-1/212//34/21 | C/ | Punch Alive (t) | PL-E | Playford 3-2, 1726 | 52 | VN |
| //34/21//7-1/212//34/21 | C/ | Punch Alive (t) | DA-E | Walsh NCDM-3, 1728 | 145 | VN/OB/FL |
| //3+4+/2+1+7//1+2+3+6/543//6567/1+2+3+1+ // |
C/ | Round O (t) | IC-E | Apollo's Banquet 1-7, 1693 | 69 | VN/FL |
| //34//217-1//42//345321//42//345321// | 3/4 | Minuet from Vienna, A (t) | DA-E | Gentleman's Magazine | 35, 1755 | KB |
| //34/217-//1/5-1//234/3 | 6/4 | Burgundy's Flight (t) | PL-E | Playford 2-1, 1713 | 178 | VN/OB |
| //34/217-//1/5-1//234/3 | 6/4 | Burgundy's Flight (t) | PL-E | Playford 2-2, 1714 | 178 | VN/OB |
| //34/217-//1/5-1//234/3 | 6/4 | Burgundys Flight (t) | DA-E | Walsh NCDM-2, 1710 | 84 | VN/OB/FL |
| //3/4217-//1//5/6432//3 | Pauvre Colas (t) | MS-F | Darmstadt MS 1187 | 2CL,2HN,2BS | ||
| //34/217-//1/5-7-//234/3 | 6/4 | Bollinbrook's Flight (t), or Burgundy's Flight, (at) | PL-E | Playford 2-3, 1718 | 178 | VN |
| //34/217-//1/5-7-//234/3 | 6/4 | Bollinbrook's Flight (t), or Burgundy's Flight, (at) | PL-E | Playford 2-4, 1728 | 178 | VN |
| //34/217-//1/5-7-//234/32 | 6/8 | Burgundy's Flight (t) | DA-E | Walsh CD-1.2, 1719 | 197 | VN/OB |
| //34/21//7-1/6-1//23/4321 | C/ | Song 36 (t), or On Young Olinda (at) | SC-E | Ritson, 1783 | TI,208-209;MIII,100-10 | VO |
| //34/217-//217-6-/6-//12/7-1212//3211 | C/ | Song, A (t) | SC-E | Pills 5, 1719-20 | 174-5 | VO |
| //342/17-6-5-//6-7-/12//34/5671+ | 2/4 | America. A New March (t) | AI-A | American Sheet Music | 448-49 | 2MI,B |
| //342/17-6-5-//6-7-/12//34/5671+//55434 | 2/4 | America, A New March (t) | AI-A | American Periodicals | KB,MI | |
| //342/211//654/334//523/46- | 6/8 | Coachman's Song, The (t) | SS-E | SS, Boston PL-1 | 132,1-2 | VO,HA+GT |
| //34/22//11/7-3-//55/543 | C | Song 39 (t) | SC-E | Convivial, 1782 | 86-87 | VO |
| //34/22//1234/5//34/223// | 2/4 | Plaisire de Chateney (t), or Quarter Round, The (at) | AM-A | Duport MS-2, 1800 | 1r | VN |
| //34/22//1234/53//424/31 | C | Drops of Wine (t) | AI-A | Hazeltine D&F, 1810 | 28 | FI,DR |
| //34/223//17-1//22/22//3453/153// | 2/4 | New Pump Room, The (t) | AM-A | Adams, W. MS, 1795 | 4 | MI |
| //342232//1127-7-//555621//7-117-11//531 6// |
C3 | Theatre Tune, A (t) | IC-E | Apollo's Banquet 1-6, 1690 | 35 | VN |
| //342/25//362/25//1+71+/2+75//1+ | C | Captive, The (t) | AI-A | American SS-SM | 1-2 | VO,KB |
| //3422/7-5-7-//136-7-/5-54//3422/7-5-7- | C | Finale In Rosina (t) | AM-A | Otis MS, 1793 | 39 | VN/FL/VO |
| //3-4-2-3-/1-1-2-3-//4-5-3-4-/2-2-3-4-// 3-5-6-5-/2-5-6-5- |
2/4 | Miss Menage's Hornpipe (t) | IC-E | Balls Amus 3, 1815 | 1 | FL/VN |
| //3-4-2-3-/1-1-2-3-//4-5-3-4-/2-2-3-4-// 3-5-6-5-/2-5-6-5- |
2/4 | Menage's Hornpipe (t) | IC-E | Balls Amus 3, 1830 | 1 | FL/VN |
| //3-4-2-3-/1-1-2-3-//4-5-3-4-/2-2-3-4-// 3-5-6-5-/2-5-6-5- |
2/4 | Miss Menage's Hornpipe (t) | AI-A | Paff Amus 1, 1812 | 4 | FL/VN |
| //3423/1123//4534/2234//3565/2565 | 2/4 | Menage's Hornpipe (t) | AI-A | Riley Flute 2, 1817 | 35 | FL |
| //3423/1123//4534/2234//3565/2565// | 2/4 | Corsair Hornpipe (t) | DA-E | Wilson Companion, 1816 | 140 | MI |
| //342/31127-//15-5-/1354//342/3443 | C | Aria Nel Mitridate (t) | SC-E | Muses Delight, 1754 | 120-122 | VO,HA |
| //34/23//11/27-5-//13/7-2// | 6/4 | Shea Sude Shear an Rode a Dimashee (t) | IC-I | Neal's Irish Tunes, 1724 | 10 | VN/GF/OB |
| //34/23//11/27-6-5-//5-5/54 | C | Parting Kiss, The (t) | IC-S | Aird 2, 1785 | 69 | FI/VN/GF |
| //34/23//11/27-6-5-//5-5/54// | C | Parting Kiss, The (t) | MS-S | Fife MS, 1780 | 488,51v | 1FI OR 2FI/VN |
| //34/23//1/135//1+535/5443 | 2/4 | Harmonie. Andante (t) | IC-E | English Sheet Music | 2CL,2OB,(2HN),2 | |
| //3423/11//4534/22//54/321 | 2/4 | Quick Step 16 (t) | IC-S | Corri Marches, 1791 | 14 | HA/PF |
| //34/23//11/531//122/24345432// | C | Rondeau (t) | AM-A | Pierian MS, 1810 | 4-5 | MI,B |
| //3423/11+//565671+6//66543254 | AM-A | Shattuck MS, 1801 | 75 | MI | ||
| //34/23//11/65//43/21//2 | C | Death of Anna, The (t) | AI-A | Musical Rep-2, 1799 | 81-83 | HARP/PF,VO |
| //3423//11+//7326//55//3423//12 | 3/4 | Dear vale whose green retreats (fl) | TW-E | Mariners, 1793 | I,10-11 | VO,KBF |
| /34//2/3//1/21//7-1/ | 2/4 | Aimons toujours (t) | DA-E | Gallini Cots, 1770 | 11 | KB |
| //34/23//12/17-//6-5-/6-7- | 2/4 | York Town (t) | AI-A | American Sheet Music | PF | |
| //34/23//1234/5//334/223 | 2/4 | Plaisir de Chatenay, Le (t) | MS-F | Galoubet MS, 1790 | 12 | PI |
| //34/23//12/7-1//6-5-/43//2 | C/ | Our Trade to Work In Clay Began (t) | SC-S | Edinburgh MM-2, 1793 | 94-95 | VO |
| //34/23//15-1//21/23//12 | 2/4 | Allegro (t) | IC-E | Forest Harmony-2, 1733 | 9 | 2HN/GF/TR/VN |
| //3/423//1/5-1//22/33// | 6/8 | Maria Antionette (t) | AI-A | Berault Cots, 1805 | 4 | PF |
| //342315-//12//34536543//25//342315-//6- 7- |
3/4 | Tom Starboard (t) | AI-A | Blake Amus 2, 1824 | 20 | CL |
| //342315-//12//34536543//25//342315-//6- 7- |
3/4 | Tom Starboard (t) | IC-E | Goulding Clar, 1803 | 18 | CL |
| //34/23//1/5-//1/6 | 2/4 | Wonderful Lamp, The (t) | AI-A | Riley Flute 2, 1817 | 16 | FL |
| //34/23//15-1//7-1/23//12 | C/ | Air 6, Act Iii (t) | BA-E | Female Parson, 1730 | 45 | VO |
| //342/315//1+76/54//342/31 | 6/4 | Cupid's Whirligig (t) | DA-E | Walsh CD-3.6, 1754 | 21 | VN/OB/GF |
| //3423/15//3423/15-//6-1/7-2 | 2/4 | Battle of Waterloo, The. Troops Assemble to Persue the Enemy (t) | AI-A | American Sheet Music | PF | |
| //34231/543217-/6-7-6-6//56453/5671+7/67 1+//1+765434// |
C3 | Courant to the Last Almaine by thomas Strengthfield, The (t) | MS-E | Rogers MS, 1656 | 12 | VI |
| //3423/15-5-//1234/223//462/35 | C | Dear Mary (t), or Adieu to Old England (at) | AI-A | American SS-SM | KB,VO | |
| //3423/15-5-1//7-123/17-1212//3456/4221/ /7-56-4 |
C/ | Handel's Hornpipe (t) | DA-E | Rutherf CD-2.1, 1756 | 35 | VN/GF/OB |
| //34/23//15/55//62/22 | 2/4 | Blackbird (t) | AI-A | Riley Flute 2, 1817 | 8 | FL |
| //34/23//15-6-//7-1/23 | 2/4 | Air (t) | IC-E | Delightful-1, 1763 | II,19 | 2GF |
| //34/23//15-6-//7-1/23 | Mr Handels Hornpipe (t) | MS-E | Hammersley MS, 1790 | 76B | MI | |
| //34/23//17-/12//7-3/6-6- | C/ | Song, A (t) | SC-E | Pills 5, 1719-20 | 192 | VO |
| //3//4//2//3//1+/76// | 2/4 | Favourite Adagio, A (t) | AI-A | Gentlemen's PC, 1802 | 27 | 2GF |
| //3423/17-//6-5-/6-7-//112/31 | 2/4 | Georgine, La. Cotillion (t) | AI-A | Riley Flute 3, 1820 | 7 | FL |
| //342//32343//342//33//17-1//212// | 3 | Passepied de France (t) | IC-N | Pointel Recueil, 1688 | 9 | MI/B |
| //34/233//12/7-11//6-7-1/5-135 | C/ | Capt J. G. Watmough's Kent Bugle Slow March (t) | AI-A | American Sheet Music | 2 | PF |
| //34/233//12/7-11//6-7-1/5-135// | C/ | Capt. J. G. Watmough's Kent Bugle Slow March (t) | AI-A | Johnson, F. Sheet Music | 1 | PF,TR,BU |
| //342/3//342/3 | C | Quintetto (t) | AI-A | Instrum Asst-2, 1807 | 54-58 | 2HN,2CL,BS |
| //342/342//311/134//564/564 | 6/8 | Bucks Invitation, The (t) | IC-E | Thompson Hunting, 1770 | 2:26 | 2VO+2GF/HN |
| //34/2342//31/1234//5/51+ | 2/4 | Straw Bonnet, The (t) | AI-A | Six Songs, 1794 | 13-14 | VO,HA/PF |
| //3//423//423127-//16-7-5-6-//7- | 3/4 | Minuet (t) | AM-A | Simpson MS, 1750 | I,3-4 | 2FL |
| //342//342//31+6 | 3/4 | Favourite Song, A (t) | SC-E | Clio-1, 1758 | 55 | VO,HA |
| //342//342//31+6//45 | 3/4 | If the swain we sigh for please us (fl) | TW-E | Midas-1, 1764 | 14 | VO,HAF |
| //342//342//31+6//45//465432//354365 | 3/4 | Nature fram'd thee sure for loving (fl) | TW-E | Judgment/Paris, 1745 | 58-59 | 2VN,VO,KBF |
| //342//342//51+6//45//465432 | 3 | Song, A (t) | SC-E | Muses Delight, 1754 | 62 | VO,HA |
| //34/234//531/12//23/17-6-// | 6/8 | Smiling Spring, The (t) | AM-A | Brown, J. MS, 1782 | 1:60 | |
| //34/234//531/12//23/17-6- | 6/8 | Allegro (t) | IC-S | Sime Marches, 1789 | 7 | HA/PF |
| //342//3455//342 | 2/4 | Fairies, The (t) | DA-E | Thompson CD-5, 1788 | 16 | VN/GF/OB |
| //3/42//34/55//3/42// | 2/4 | Fairies, The (t) | DA-E | Thompson CD-5a, 1788 | 16 | VN/GF/OB |
| //342/3455//342/3113//27-16-/7-5-6-2 | C | Airs In the Pageant-2 (t), or Fairies, The (at) | TW-E | Jubilee, 1770 | 20 | HA |
| //34//23//5-12//3234-3//34 | 3/4 | Sadlers Wells Tumbling Minuet (t) | IC-E | Simpson Record, 1745 | 10 | RC |
| //34//23//5-12//32343//34 | 3/4 | Tumbling Minuet (t) | IC-E | Waylet Oboe, 1745 | 5 | OB |
| //34//23//5-12//32343//34//23// | 3/4 | Tumbling Minuet (t) | IC-E | Johnson Flute, 1760 | 13 | GF |
| //34//23//5-12//32343//34//23 | 3/4 | Sadler's Wells Minuet (t) | IC-E | Simpson Horn, 1746 | 9 | HN |
| //3/42//3//5/64//5 | 6/8 | Go naughty man (fl) | TW-E | Love/Village, 1795 | 60-61 | VO,HA |
| //342/364//51+/7//3+1+6/2+45 | C | Gavot (t) | IC-E | Delightful-1, 1763 | III,28 | 2GF |
| //3/42//3/65//5/64 | 6/8 | Go Naughty Man (t) | SS-E | SS, Boston PL-2 | 260 | VO,KBF |
| /3424//32/43//21/4//321/ | 2/4 | Nouveau Plaisir Anglois, Le (t) | DA-E | Purtin Cot, 1775 | 26-27 | HA/VN,B/GF/OB/BS |
| //34/25//12/31+//655/671+// | C/ | Scotch Tune, A (t) | IC-E | Apollo's Banquet 1-5, 1687 | 119 | VN |
| //34/25//12/31+//65/671+// | C/ | Scotch Tune, A (t) | IC-E | Apollo's Banquet 1-6, 1690 | 69 | VN |
| //34/25//12/31+//65/671 | C/ | Song, A (t) | SC-E | Pills 5, 1719-20 | 163-4 | VO |
| //34/25//12/31+//65/671+ | C/ | Invocation, The (t) | SC-E | Watts MM-2, 1729 | 68-69 | VO/VN |
| /34//2/51/6-2//7-/5-1/ | 3 | New French Dance, A (t) | IC-E | Apollo's Banquet 1-7, 1693 | 51 | VN/FL |
| //34/25//31/145//654/34// | C/ | Bore (t) | IC-E | Apollo's Banquet 1-5, 1687 | B37 | VN |
| //34/25//31/145//654/34// | C/ | Bore (t) | IC-E | Apollo's Banquet 1-6, 1690 | B37 | VN |
| //34/25//31/145//654/34// | C/ | Bore (t) | IC-E | Apollo's Banquet 1-7, 1693 | 54 | VN/FL |
| //34/25//31/145//654/34// | C/ | Bore (t) | IC-E | Apollo's Banquet 1-7, 1693 | 56 | VN/FL |
| //3/42//5/31//23/4564 | 2/4 | Flowers of the Forest, The (t) | AI-A | Riley Flute 1, 1814 | 46 | FL |
| //34/25//31/27-//12 | Spanish March, The (t) | IC-E | Sprightly Comp, 1695 | 13 | OB/FL/VN | |
| //342//53265//51+765//543 | 3/4 | Heinel's Minuet (t) | AM-A | Hawkins MS, 1794 | II,58 | GF |
| //342//5342//11+7//65//23//423 | 3/4 | Minuett by Metzger (t) | IC-S | Pandean Coll 2, 1810 | 15-16 | PF |
| //3/42//54/3//3/42 | 2/4 | Jeunes Fillettes (t) | IC-F | Vanderhagen Pcs, 1787 | 15:4-5 | 2CL,2HN,2BS |
| //342//54365//51+765//543//217-6-5-//135 1+76 |
3/4 | Heinel's Minuet (t) | IC-E | Thompson Oboe, 1790 | 34 | OB |
| //342//54365//51+765//543//217-6-5-//135 71+5 |
3/4 | Heinel's Minuet (t) | IC-E | Longman Bassoon, 1780 | 12 | BS |
| //34//25-5-23//464//43135 | 3/4 | Duetto No 1 (t) | AM-A | Ives MS, 1800 | 25 | 2MI |
| //34//25-5-7-2//4654//43135//1+7//65425 | 3/4 | Largo Movement of Corrilli (t) | AM-A | Curtiss MS, 1800 | 21 | 2VN |
| //3/42//5/64//3/42 | C/ | Marsch Vom Regiment Bevill In Brisslau (t) | IC-G | Gunter Marches, 1800 | KB | |
| //3427-//11//11+1+765//543//23//34 | 3/4 | Conquete d'Oczakow, La. Confidence of the Russian Army In Their Tutelar (t) | IC-E | English Sheet Music | 66-71 | HA/PF |
| //3/427-//1/11//6-/6-7-1 | 6/8 | Canzonett with An Accompanyment (t) | AI-A | Phila Pock Comp, 1794 | 34-37 | GT/CL/VO |
| //3427-1//17-6-7-1//7-125-6-7-//5-3-4-// 4-3-2-3-1-// |
C3 | Theatre Tune, A (t) | IC-E | Apollo's Banquet 1-2, 1678 | 94 | VN |
| //3/427-//1/27-5-//6-1/7-2 | 6/8 | Blush, The (t) | AM-A | Allen, Joel, MS, 1800 | 6V | MI |
| //3/427-//1/27-5-//6-1/7-2 | 2 | Blush, The (t) | AI-A | Hill Airs, 1803 | 10 | 2VN/2GF |
| //3427-//15-//11//25-1//34//562// | 3/4 | Westbrook Adagio (t), or Bunn's Slow Movement (at) | AM-A | Washburn MS, 1816 | 19 | 2GF |
| //342//7-15-13//51+7654//342//2243//2243 |
3/4 | Battle of Barrosa. Adagio (t) | IC-S | Scottish Sheet Music | PF | |
| //3/42//7-234//3142/543 | C | Faithful Lover, The (t) | SC-E | Clio-3, 1762 | 1-2 | VO,HAF |
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