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Stress | Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
526 | //51//217-1//651+ | 3/8 | Lothario (t) | SC-E | Clio-1, 1758 | 54 | VO,HA+MI |
526 | //5-17-1//2232117-//6-5-6-7- | 3/4 | Air 34 (t) | BA-E | Jovial Crew, 1731 | 44-45 | VO |
526 | //5-332//2117-//6-6-6-1 | 2/4 | Twelfth of August, The (t) | DA-E | Thompson CD-5, 1788 | 63 | VN/GF/OB |
526 | //553//2165//665 | 3/2 | Lord reighneth, let the people tremble, The (fl) | AM-A | Akerman MS, 1795 | 81 | MI |
526 | //5653//2121//671+565 | 2/4 | Seventh Duetto (t) | AI-A | Instrum Asst-2, 1807 | 80 | 2MI,B |
526 | //5657//2+72+7//6761+ | 2/4 | March 36 (t) | IC-E | Button Whit-2, 1806 | 61 | 2GF/2VN/2FI |
5261 | //5-1321//27-5-//61+112//123211 | 3/2 | Happy Meeting (t) | DA-E | Walsh CD-2.1, 1731 | 43 | VN/OB/GF/RC |
5261 | //5-17-1//2232117-//6-5-6-7-//1 | 3/4 | Air 23 (t) | BA-E | Quaker's Opera, 1728 | 42 | VO |
52613 | //531//27-5-//6-4-2-17-2//11-//316- | 3/4 | Minuet, A (t) | AM-A | Aborn MS, 1790 | 106 | MI |
52615 | //543//26//61+//15//5345// | C3 | Scotch Tune, A, by Mr. Dyer (t) | IC-E | Apollo's Banquet 1-6, 1690 | B7 | VN |
526152 | //531/232//61/16//531/232 | 6/8 | Skip It About Nimbley (t) | MS-E | Hammersley MS, 1790 | 70B | MI |
526152 | //53/21//67/1+6//53/21 | 2/4 | Air (t) | AI-A | Blake Amus 2, 1824 | 19 | CL |
5262 | //51321//25-6-7-1217-//6-4321//215456 | 3/2 | Hoxton Square (t) | DA-E | Walsh CD-1.2, 1719 | 42 | VN/OB |
5262 | //532123//25-5-//6-7-16-5-4-3-4-5-//2-2- 23 |
3/2 | Salutation (t) | DA-E | Walsh CD-1.2, 1719 | 110 | VN/OB |
5262 | //532123//25-5-//6-7-16-5-4-3-4-5-//2-2- 23 |
3/2 | Salutation (t) | DA-E | Walsh CD-3.6, 1754 | 97 | VN/OB/GF |
52623 | //56543//217-//6-7-1231//2254//32145// | C3 | New Dance, A (t) | IC-E | Apollo's Banquet 1-2, 1678 | 66 | VN |
526251 | //53+/2+1+/67/2+1+76//53/13// | 2/4 | Elizabeth. No. 4 (t) | AI-A | Johnson, F. Cotillions | 3 | PF |
526252 | //531/235//62/21+//531/235 | 6/8 | Scotch Gig (t) | IC-E | Caledonian PC, 1760 | IV,8-9 | GF/VN |
526252 | //53+2+/2+1+76//6543/217-6-//53+2+/2+1+7 6// |
2/4 | Fancys Sketch. 52 (t) | AM-A | Johnson, F. MS, 1820 | 34 | PF |
526252 | //5-6-7-1/22//6-43/217-6-//5-6-7-1/22 | 2/4 | Dragonne, La (t) | IC-S | Stewart Airs, 1788 | 1:38 | GF/VN/FI |
526253 | //531/236//62/21+//531/342 | 6/8 | Mowdewort (t) | DA-E | Johnson CD-3, 1744 | 77 | VN/GF |
5262531 | //531/235//62/21+//531/342//16- | 6/8 | Mowdewort (t) | DA-E | Longman CD, 1781 | 55 | VN/OB/GF |
526265 | //51/235//653/21+//653/55- | 6/8 | Lochaber No More-2 (t) | IC-E | Caledonian PC, 1760 | II,15 | GF |
5263 | //5-11321//217-6-5-//6-16-5-4-//3-12 | 3/4 | Why Heaves My Fond Bosom (t) | AM-A | Beck MS, 1786 | 150 | GF |
5263 | //5-11321//217-6-5-//6-16-5-4-//3-12 | Song 112 (t), or Why Heaves (at) | SC-E | Calliope, 1788 | 213 | VO | |
52633 | //5-11321//217-6-5-//6-16-5-4-//3-12//31 7-6-7-1 |
3/8 | Why heaves my fond bosom, oh, what can it mean (fl) | SC-E | Amaryllis, 1760 | I,52 | GF,VO,HAF+FL |
52633 | //5-11321//217-6-5-//6-16-5-4-//3-12//31 7-6-7-1 |
C | Disconsolate Lover, The (t) | SC-E | Muses Delight, 1754 | 59 | VO,HA |
52633 | //5-11321//217-6-5-//6-16-5-4-//3-12//31 7-6-7-1 |
3/4 | Song 124 (t) | SC-E | Vocal Enchant, 1783 | 248-249 | VO |
52633 | //5-11321//217-6-5-//6-16-5-4-//3-12//31 7-6-7-1 |
3/4 | Why Heaves My Fond Bosom (t) | SS-E | SS, Huntington-1 | 130 | VO,KB+GF/GT |
526332 | //5-11321//217-6-5-//6-16-5-4-//3-12//31 7-6-7-1//2 |
3/4 | Why Heaves My Fond Bosom (t) | SC-E | Calliope, 1746 | II,145 | VO,B+MI |
526332 | //5-11321//217-6-5-//6-16-5-4-//312//317 -6-7-1//25-2- |
3/4 | Why heaves my fond bosom? (fl) | SS-E | SS, Harvard | 1 | VO,KBF+GF |
526332 | //5-11321//217-6-5-//6-16-5-4-//3-13//31 7-6-7-1//25-2- |
3/4 | Why Heaves My Fond Bosom (t) | IC-E | Thumoth, 1785 | 52-53 | GF/VN,HAF |
52635 | //5-11321//217-6-5-//6-16-5-4-//3-34//53 3115- |
3/4 | Favourite Air, A (t) | IC-E | Delightful-2, 1745 | III,17 | GF |
52635 | //51+71+//2+3+2+1+7//6543//31+1+5//51+71 + |
3/4 | Country Lass, The (t), or Lofty Shepherdess, The (at) | SS-E | SS, Harvard | 1 | VO,B+FL |
526356 | //5-11321//217-6-5-//6-16-5-4-//3-34//53 3115-//6-5-1// |
3/4 | Why Heaves My Fond Bosom (t) | IC-E | Johnson Flute, 1760 | 18 | GF |
5264 | //51//217-1//651+//43 | 3/8 | Vainly Now You Strive (t) | IC-E | Longman Flute, 1769 | 29 | GF |
5264 | //51//217-1//657//43 | 3/8 | Vainly Now Ye Strive (t) | AM-A | Beck MS, 1786 | 128 | GF |
52641 | //51/27-1//654/433//1+2+3+5 | C | Cease, Fond Damon, Cease to Languish (t) | SC-E | Vocal Music, 1778 | 252-253 | VO/VN/GF |
526423 | //51//217-1//65671+//43//244332//31+3+1+ 71+// |
3/4 | When We See a Lover (t) | IC-E | Thorowgood Guitar, 1763 | 29 | GT |
52643 | //51//217-1//651+//43//323127- | 3/8 | Morning Conversation, The (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
52643 | //51//217-1//651+//43//323127- | 3/8 | Lotharia (t) | SS-E | SS, Huntington-1 | 108 | VO,KB+FL |
52643 | //51//217-1//651+//43//323127- | 3/8 | Vainly Now You Strive (t) | IC-E | Cahusac Oboe, 1790 | 16 | OB |
52643 | //51//217-1//651+//43//323127- | 3/8 | Vainly Now You Strive (t) | IC-E | Longman Oboe, 1770 | 15 | OB |
526452 | //5671+/2+1+75//62222/4564//5671+/2+1+76 |
C/ | Lads of Elgin a Reel, The (t) | MS-S | Gillespie MS, 1768 | 106 | VN |
526462 | //531/217-/6-16-//416-/6-3/27-5-// | 9/8 | Shuffle and Cutt (t) | MS-E | Vickers MS, 1770 | 18 | MI |
5264675 | //53/21//65/45//61+/76//5 | 2/4 | Your Colinets and Arietts your Damons of the grove (fl) | TW-E | Inkle & Yarico, 1787 | 38-39 | VO,HAF |
5265 | //51//217-1//65671+//54343 | 3/4 | When we see a lover languish (fl) | TW-E | Love/Village, 1795 | 57 | VO,HA |
5265 | //53//21//6-5-//5-1 | 3/2 | Egypt, Psalm 105th (t) | AM-A | Swan MS, 1775 | 37R-38R | 4VO:SA(T)B |
5265 | //5346//2431//6-7-127-//5 | 3/4 | I Travers'd Judah's Barren Sand (t) | SC-S | Edinburgh MM-1, 1792 | 146-147 | VO |
5265 | //5346//2431//6-7-127-//5-5-13 | 3/4 | Favourite Ballad from Robin Hood, A (t) | IC-S | Aird 3, 1788 | 223 | FI/GF/VN |
52653 | //5346//2431//6-7-127-//5-5-12//3345 | 3/4 | I Travers'd Judah's Barren Sand (t) | AI-A | Riley Flute 2, 1817 | 4 | FL |
526531 | //51+3+/2+1+7//6/54//345/1+543 | C | Never Doubt That I Love (t) | AI-A | Musical Jnl-1, 1800 | I,32 | FL/VN/VO |
526546 | //53/21//6/53//42/65 | C | How Could We Say Good Night (t) | AI-A | Riley Flute 4, 1826 | 82 | FL |
52655 | //5346//2431//6-7-127-//5-5-13//5 | 3/4 | I travers'd Judah's barren sand (fl) | AI-A | Gent's Amus, 1794 | 4-5 | GF/VN/VO |
526552 | //5-3/21//6-7-1/5-3-//5-3-/21 | 6/8 | Woodland Mary (t) | AI-A | Riley Flute 3, 1820 | 23 | FL |
5265522 | //53/21//6/5//53/21//2 | 2/4 | Ballad In Hurlothrumbo, The (t) | SS-E | SS, Folger-C42.3 | 199 | VO,KB+FL |
52664 | //51/21//651+7//6543/4321 | 2/4 | In vain you mention pleasure (fl) | SC-E | Musical Cent-1, 1737 | 19 | VO,HAF+FL |
526642 | //51/21//651+7//6543/4321//2 | 2/4 | Song 134 (t) | SC-E | Convivial, 1782 | 267 | VO |
526642 | //51/21//651+7//6543/4321//2 | 2/4 | Charming Sailor, The (t) | SC-E | Watts MM-5, 1731 | 182-184+185 | VO,HA+FL |
526642 | //51/21//651+7//6543/4321//2 | 2/4 | Charming Sailor, The (t), or Ballad, A (at) | SS-E | SS, Harvard | 1 | VO,B+FL |
526642 | //51/21//651+7//6543/4321//27-1 | 2/4 | Charming Sailor a Ballad, The (t) | SS-E | SS, Folger-C42.1 | 151 | VO,KB+FL |
526642 | //51/21//651+7//6543/4321//27-1 | 2/4 | Charming Sailor, The (t) | SS-E | SS, Folger-C42.4 | 281 | VO,KB+FL |
52665 | //543//217-//6-217-16//65432343//5434555 1+ |
3/4 | Air (t) | SS-E | SS, Huntington-2 | 5 | VO,KB |
52671 | //543/21//6/7//1+ | 2/4 | Message from Mars to Venus, A (t) | SC-E | Calliope, 1746 | I,92 | VO,B+FL |
52671 | //543//26//6-7-1//7-5//1+36 | 3/8 | Prudent Fair, The (t), or Favourite Song, A (at) | SS-E | SS, Boston PL-2 | 70 | VO,KBF |
526715 | //543/21//6/7//1+/5// | 2/4 | Message From Mars to Venus by Cupid, A (t) | IC-E | Prelleur Modern, 1731 | 36-37 | VO |
526752 | //5-343/217-1//6-7-12/7-5-5-3//5-343/217 -1 |
C | Lord Collingwood's Reel (t) | AI-A | Goodale Dir, 1819 | 73 | MI,B |
526752 | //5-343/217-1//6-7-12/7-5-5-3//5-343/217 -1 |
C | Lord Collingwood's Reel (t) | AI-A | Goodale Dir, 1829 | 77 | MI,B |
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