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Stress | Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
172 | //135//71+3+//2+1+7654 | 3/4 | Foot March (t) | IC-E | Thompson Fife, 1760 | 23 | FI |
172112 | //11/7-1//25-/1//1217-1/23212// | C/ | Ruhmes-Marsch der Preussischen und Hessischen Armeen (t) | IC-G | Amon Marches, 1794 | 8 | PF |
172117 | //1234-4-5-/7-27-3//234321/1235-5-32//12 34-4-5-/7-27-1+ |
C/ | Washington's Glory (t) | AM-A | Woodruff MS, 1803 | 91-92 | VN |
172117 | //1+351+//7246//2+2472+//1+135//1+351+// 7246 |
3/8 | Waltz (t) | AI-A | American Sheet Music | PF | |
172131 | //1/7-1//2/12//32/17- | 2/4 | AM-A | Perkins MS, 1790 | 33 | MI | |
172132 | //13231//7-12//24342//123//35453//24342 | 3/4 | Appelle (t) | MS-G | Darmstadt MS 1225 | 51-52 | 2MI |
172132 | //17-/7-7-//21/11//34/21 | Sergeants Delight Favorite, The (t) | AM-A | Shattuck MS, 1801 | 97 | MI | |
172132 | //17-/7-7-//21/11//34/21 | 2/4 | Brazen Mask In the Brazen Mask (t) | AM-A | Morse MS, 1811 | 70 | MI,B |
172132 | //17-/7-7-//21/1//34/21// | 2/4 | Cotillion. 65 (t) | AM-A | Johnson, F. MS, 1820 | 40-41 | PF |
172133 | /11//7-6-/22//17-/33//321/ | 6/8 | MS-C | Trois-Rivieres MS, 1768 | 14 | MI | |
172134 | //1-1/7-1//27-5-7-/112//3131/4242// | C | Bridge of Lodi (t) | AM-A | Patten MS, 1800 | 25 | MI |
172134 | //121/7-1//232/12//3/4 | 2/4 | Vaxhall (t) | MS-G | Darmstadt MS 1224 | 401 | KB |
172144 | /121//7-1/23//123/4//432/ | 6/8 | Armandine, L' (t) | AM-A | Duport MS-2, 1800 | 16v | VN |
17215 | //11/7-427-//217-15-/1234//5 | C | Favorite Song, A (t) | AI-A | Moller & Capron, 1793 | 5 | VO,KB |
1721531 | //1+56//73/21//1/5//3/1+// | C/ | Could Thine Incomparable Eye (t) | MS-E | Rogers MS, 1656 | 56 | VI |
172154 | //11/7-1//23/1//55/43// | 2/4 | Hermit, The (t) | DA-E | Thompson CD-5a, 1788 | 43 | VN/GF/OB |
17217 | //1+7//71+//2+1+7//1+76//71+6 | 3 | Song for Two Voices, A (t) | SS-E | SS, Folger-C42.4 | 261 | 2VO |
172175 | //1+7//71+//2+1+7//1+76//71+6//5 | 3 | Song for Two Voices, A (t) | SS-E | SS, Folger-C42.1 | 116 | 2VO,B |
1722 | //11/7-1//232/234 | 6/8 | Lad's of Bonny Town, The (t) | DA-E | Rutherf CD-1, 1750 | 59 | VN/FL/OB,HAF |
17221 | //11/7-1//232/234//11 | 6/8 | Lads of Bonnytown, The (t) | DA-E | Rutherf CD-2.2, 1760 | 34 | MI |
172216 | //12/7-1//2123/25//17-/6-2 | C/ | Marche des Boulonnois.1er Air (t) | MS-F | Philidor MS, 1705 | 17 | OB,B+DR |
172217 | //11/7-1//232/234//11/7-1 | 6/8 | Bon Gout, Lee (t) | MS-E | Hammersley MS, 1790 | 96B | MI |
172217 | //11/7-1//232/234//11/7-1// | 6/8 | Bon Gowe (t), or Capagechine (at) | MS-E | Vickers MS, 1770 | 29 | MI |
172217 | //12/7-1//234/25-//16-/7-1 | C/ | To the Ingenious Mr. Moore, Author of the Celebrated Worm-Powder (t) | SC-E | Watts MM-2, 1729 | 110-112 | VO/VN |
172225 | //135//7-1//2343//2//234//51+76 | 3/4 | Damon's Wish (t), or Song, A (at) | SS-E | SS, Harvard | 1 | VO/GF,KBF+FL |
1722272 | //12/7-1//234/25-//26-/7-1//2 | C/ | Song 109 (t) | SC-E | Convivial, 1782 | 224-226 | VO |
172232 | //11/7-6-5-//22/234//321/27-5- | 6/8 | Miss Porter's Favorite (t) | AI-A | Village Fifer, 1808 | 70 | FI |
172232 | //1/7-1//23/22//33/21 | 2/4 | Donne l'Amore (t), or Lady If Ever &c (at) | AI-A | Riley Flute 3, 1820 | 78 | FL |
172232 | //17-/7-7-//21/22//34/21// | 2/4 | Quick Step In the Brazen Mask (t) | AM-A | Washburn MS, 1816 | 6 | GF |
172233 | //111//7-17-6-5-//23//23217-//34//34321 | 3/4 | Minuett (t) | AM-A | Van Schaack MS, 1820 | 40 | FI/FL |
1722415 | //11/7-7-1//22/23//43/1234//5 | C | Petillos, El (t) | MS-M | Garcia MS, 1772 | 110 | MI |
172251 | //121/7-6-5-//232/2234//531/153 | 6/8 | Flirtation, The (t) | DA-E | Thompson CD-2, 1765 | 50 | VN/GF/OB |
172251 | //121/7-6-5-//232/2234//531/153 | 6/8 | Flirtation, The (t) | SS-E | SS, Boston PL-2 | 20 | VO,KB |
172251 | //121/7-6-5-//232/2234//531/153// | 6/8 | Flirtation, The (t) | DA-E | Thompson CD-2a, 1765 | 52 | VN/GF/OB |
1722513 | //121/7-6-5-//232/2234//531/153//3 | Flirtation Answer'd, The (t) | SS-E | SS, Harvard | 1 | VO,B | |
172277 | //133//7-27-//2+1+1+443//23//7-577/72+1+ 77 |
3/4 | Parade. Menuetto (t) | MS-G | Darmstadt MS 1223 | 2OB,TR,2BS | |
17231 | //135//71+3+//2+1+7654//3//135 | 3/4 | Foot March, The (t) | IC-E | Longman Fife, 1770 | 23 | FI |
17231 | //135//71+3+//2+1+7654//3//135 | 3/4 | Foot March, The (t) | IC-E | Thompson Fife, 1770 | 27 | FI |
172315 | //1/7-1//2/31//1+767/5432 | 2/4 | Lady Washington (t) | AM-A | Hosmer MS, 1798 | 36 | MI |
172317 | //1+11+/71+/2+1+7654//3231//1+2+3+2+1+/7 65453 |
C/ | Inexorable, The (t) | SC-E | Musical Cent-2, 1740 | 40 | VO,KB+FL |
172317 | //1+11+/71+//2+1+7654/3231//1+2+3+2+1+/7 65453 |
C/ | Inexorable, The (t) | SC-E | Ritson, 1783 | TI,255-256;MIII,135 | VO |
172317 | //1+11+//71+2+//23432//3211//15-6-//7-12 // |
3/4 | Miss Macklin's Minuet (t) | DA-E | London Magazine | 204, 1762 | MI,B |
172333 | //121/7-1//234/32//3454/321 | 6/4 | On the Glorious Victory Lately Won By... Prince Eugene (t) | SC-E | Pills 1, 1719-20 | 242-3 | VO |
1723331 | //121/7-1//234/32//3454/321//17- | 6/4 | On the Glorious Victory Lately Won by That Wond'rous Hero... (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
1723331 | //121/7-1//234/32//3454/321//17- | 6/4 | On the Glorious Victory So Lately Won by That Wond'rous Hero... (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
172343 | //121/7-1//234/315//4/3// | 3 | New Jigg, A (t) | IC-E | Apollo's Banquet 1-7, 1693 | 7 | VN |
172344 | //132/7-1//23432/321//4565/4321 | C/ | What is glory, wealth, or pleasure (fl) | SC-E | Watts MM-1, 1729 | 65 | VO/VN |
172347 | //1/7-1//2/34//4321/7-123 | C/ | 40th Regiment (t) | AM-A | Dickinson MS, 1800 | 77 | 2CL/2GF/2OB,B |
172347 | //1/7-1//2/34//4321/7-123 | C/ | March In the 40th Reg't (t) | AI-A | Whiteley Prec, 1816 | 24 | CL,OB,FL,BS |
172347 | //1/7-1//2/34//4321/7-123 | 40th Regiment (t) | AM-A | Williams, J. MS, 1799 | 76 | CL | |
172347 | //1/7-1//2/35//4321/7-123 | C/ | Fortieth Regiment's March (t) | AM-A | Beach MS, 1801 | 75 | 2MI,B |
172351 | //12321/7-125-//23432/37-14-//5-5-//1-5- |
C | Favourite Air, A (t) | IC-E | Delightful-1, 1763 | I,4 | GF |
172355257 | //11/7-1/2212//34/54/534//217-6-/5-1/7-6 -// |
C 3 | Courant Beare (t) | MS-E | Rogers MS, 1656 | 16-17 | VI |
172357 | //1+56/71+//2+54+/3+2+1+//55-6-/7-1// | C | Favourite Air In the Opera of ormisda, A (t) | IC-E | Prelleur Modern, 1731 | 46-47 | GF |
1724 | //15-1//7-1//23//45 | 3 | Song, A (t) | SC-E | Pills 5, 1719-20 | 189-90 | VO |
172421 | //1+71+/7-1//23/4//2+1+2+/12// | 6/8 | Astres de Venus, Les (t) | DA-N | Willsim Recueil, 1755 | 22 | MI |
1724253 | //131/7-1//22435/43//27-15/5443//32 | C | Knitting Girl, The (t) | SC-S | Edinburgh MM-2, 1793 | 369-370 | VO |
17243 | //1/7-1//23/432//3 | C/ | Overture (t) | TW-E | Trip/Portsmouth, 1773 | 2-3 | KB |
172431 | //1-1/7-1//23/432//3453/11+ | 6/8 | Buckland's Fancy (t) | DA-E | Johnson CD-5, 1750 | 54 | VN/GF |
1724354 | /1+1//7-213/2435//4/351+6//535/424// | 2/4 | Bonne Amitié, La. Contre-Danse Française (t) | DA-F | Landrin CD BN, 1775 | 30 Feuille | KB |
172437 | //11/7-1//23/42//345/7-1 | C3 | Northern Nancy (t) | PL-E | Playford 1-06, 1679 | 146 | VN |
17243721 | //11/7-1//23/42//345/7-1//2/1 | C3 | Northern Nancy (t) | PL-E | Playford 1-04, 1670 | 146 | VN |
17243721 | //11/7-1//23/42//345/7-1//2/1 | C3 | Northern Nancy (t) | PL-E | Playford 1-05, 1675 | 146 | VN |
172451 | //131/7-5-15-//25-35-/4225//5-7-5-/15-35 - |
C | Miss Graham of Fintrys Reel (t) | IC-E | Schetky Coll, 1800 | 7 | 2CL,2FL,2HN,TR,BS |
17246 | //123456//71+2+3+4+3+//2+5//432321//6-7- 17-6-5-// |
C3 | New Dance Call'd White-hall (t) | IC-E | Apollo's Banquet 1-2, 1678 | 89 | VN |
172461 | //111//7-121//2343//4565//671+7//1+55 | 3/4 | Menuetto (t) | IC-E | Flack Divs, 1776 | 16 | 2CL,2HN,BS |
17251 | //121/7-1//2343217-6-/5-5-//121 | C/ | Song Part of Pernicious Traytor, The (t) | SS-E | SS, Folger-C42.2 | 46,2-47,1 | VO+FL |
17251 | //121/7-1//2343217-6-/5-5-//121 | C/ | Song Part of Pernicious Traytor, The (t) | SS-E | SS, Folger-C42.3 | 186-187 | VO+FL |
17251 | //1+76//765//23556//567//1+2+1+76 | 3/4 | There'll Never Be Peace Till Jamie Comes Hame (t) | SC-S | Scots MM-4, 1792 | 326 | VO,PF |
1725165 | //1+1+/71+//2+2+/55//1+7/65/5 | 6/4 | Fair Lass of Islington, The (t) | SC-E | Pills 5, 1719-20 | 46-48 | VO |
172517 | /11//7-7-1/22//5-/11//7-12/ | 2 | Gaye Pastourelle, La (t) | IC-F | Leclerc Recueil-1, 1729 | 58 | HAF |
172532 | //1/7-123//21/5-12//3/2345 | C/ | Scotch Reveile, The Accompaniment to the Rolls Preveouse to the (t) | IC-E | Potter Fife, 1817 | 19 | FI |
172543 | /1+1+//71+/2+1+76//5/44//34/ | 2 | Pantomime, La (t) | MS-G | Jayme MS, 1717 | 12 | MI |
172543 | /1+1+//71+/2+1+76//5/44//34/ | 2 | Pantomime, La (t) | IC-F | Leclerc Recueil-1, 1729 | 9 | HAF |
172543 | /1+1+//71+/2+1+76//5/44//34/ | 2 | Cordon Bleu, Le (t) | IC-F | Leclerc Recueil-1, 1729 | 34 | HAF |
172543 | //1+1+/71+//2+1+76/56//44/34// | C/ | New Metarr, The (t) | IC-E | Apollo's Banquet 1-1, 1670 | 189 | VN |
172543 | //1+1+/771+//2+1+76/556//44/334// | C/ | New Mutiar, The (t) | IC-E | Apollo's Banquet 1-2, 1678 | A15 | VN |
17254343 | //1+1+/71+//2+1+76/56//44/34//4532/31 | C/ | #60 (t), or New Metar (at) | PL-E | Playford 1-3b, 1665 | II,52 | VN |
1725435 | /1+1+//71+/2+1+76//5/44//34/5432// | 2 | Pantomime (t) | IC-E | Feuillet Further, 1710 | 49-52 | MI |
1725435 | /1+1+//71+/2+1+76//5/44//34/5432// | 2 | Pantomime, La (t) | DA-F | Feuillet Recueil, 1706 | 129-132 | MI |
172544 | //1+1+/71+//2+1+76/55//43/45 | 2/4 | Quick Step (t) | AI-A | Bacon Marches, 1816 | 12 | MI |
172617 | //131/7-27-//217-/6-6-//131/7-27-// | C | Sesth Emper (t) | AM-A | Brown, J. MS, 1782 | 1:50 | |
172617 | //131/7-27-//26-6-/6-7-//131/7-21// | 6/8 | Norththumbarland Lady, The (t) | MS-E | Vickers MS, 1770 | 42 | MI |
172617 | //13/7-3//217-1/6-43//143/7-43 | 2/4 | No.2 Quick Step (t) | IC-E | Napier Marches, 1800 | 2-3 | 2CL,CLS,FLP,2HN,TR,2BS,TBN,SPT |
172731 | //1213/7-213//234321/7-24//3111/1213 | C | Moggie Lawther (t), or Margaret Lowther, (at) | MS-E | Hammersley MS, 1790 | 111 | KB |
172766 | //1+/71+//2+1+/71+//6/6// | 2 | Paye Chopine (t) | IC-F | Leclerc Recueil-2, 1737 | 88 | HAF |
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