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| Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
| //36-1/17-//6-17-/5-//333/432//17-6-/6- | 6/4 | Dear Joy's Lamentation, The (t) | SC-E | Pills 5, 1719-20 | 239-40 | VO |
| //36-//12//123-4- | 3/4 | Minuet 25(second) (t) | AM-A | Bolling MS, 1785 | 9 | VN/VO |
| //36-1/217-/17-1/6-3//321/217- | 6/4 | Air 9 (t) | BA-E | Devil To Pay-1, 1731 | 10 | VO |
| //3-6-/1//22/3//2323/1212 | 2/4 | French March (t) | AI-A | Robinson Coll, 1818 | 47 | FI,DR |
| //36-12/316-1//27-5-7-/57-5-7-//316-1 | C/ | Jakie Stewart's Reel (t) | DA-E | Rutherf CD-2.2, 1760 | 94 | MI |
| //3612/3333//34543/22217-//6-64 | C | Dialogue Between Punch & Columbine, A (t) | SC-E | Calliope, 1746 | I,148-149 | 2VO,HAF+FL |
| //3612/3333//34543/22217-//6-64 | C | On the Humours of the town (t), or Dialogue Between Columbine and Punch, A | SS-E | SS, Folger-C42.3 | 124 | VO,KB+FL |
| //3612/3333//3543/22217-//6- | O My Pretty Punchinello (t) | IC-E | Simpson Record, 1745 | 27 | RC | |
| //36/12//35/31//5-7-1/27- | 6/8 | Second to the Royal Quick Step, A (t), or Royal Quick Step, a Second to The | IC-S | Calvert Coll, 1790 | 21 | MI |
| //36/1+/3+2+1+//765/2+5/765// | 3/2 | Heart's Ease (t), or Saturday Night Hornpipe (at) | IC-E | Marsden Hornpipes, 1705 | 6-7 | VN |
| //3-/6-//1//32/17-//7-6-/6- | 2/4 | On Nous Dit (t) | IC-F | Bonjour Recueil, 1800 | 1:4 | VN/FL |
| //36-//13//32/345 | 2/4 | Bank of Flowers, The (t) | AM-A | Shattuck MS, 1801 | 94 | MI |
| //3/61+//3+/3+//2+7/61+ | 2/4 | Escouto d'Jeanetto (t) | IC-F | Bonjour Recueil, 1800 | 3:4 | VN/FL |
| //36-1/36-12//36-5/25-7-2 | C/ | Sleepy Moggy (t) | DA-E | Rutherf CD-1, 1750 | 12 | VN/FL/OB,HAF |
| //36-1/36-12//36-5/25-7-2//36-5/36-12//3 453 |
C/ | Sleepy Moggy (t) | DA-E | Rutherf CD-2.2, 1760 | 46 | MI |
| //3-6-15-1//6-123212//35-6-5-3-//5-6-5-/ /3- |
3/4 | Shepherd Adonis, The (t) | SC-S | Scots MM-2, 1788 | 167 | VO,PF |
| //36-16-/1235//25-7-5-/7-225//36-16-/123 5 |
C/ | Earl of Breadalbane's Birth Day, A Strathspey (t) | IC-S | Aird 6, 1803 | 18 | FI/VN/GF |
| //3616/3335//257-5/2224//366-6/3335 | Jack of Perth (t) | MS-E | Hammersley MS, 1790 | 63 | MI | |
| //36/1+6//3+6/1+6//35/54+ | C/ | Federal March (t) | AI-A | Hulbert Fife, 1807 | 16 | FI |
| //3-6-/16-//36-/16-//3-5-/5-4 | C/ | Federal March (t) | AI-A | Hulbert Fife, 1811 | 17 | FI |
| //3-6-16-/36-16-//5-6-7-5/5-6-17-6-5-//3 -6-6-1/7-213// |
C | Lord Kelley's Reel (t) | MS-S | Fife MS, 1780 | 217,22v | 1FI OR 2FI/VN |
| //3/6//16/7-6-//5-6-7-3-/321 | 6/4 | Dialogue In the Opera, A (t) | SC-E | Pills 1, 1719-20 | 22-25 | VO |
| //3+61+7/1+3+//2+1+71+76/2+1+71+76//5 | C/ | Sylvia's face so charming fair (fl) | SS-E | SS, Harvard | 1-2 | 2VO,B |
| //36//17-1//432//33//24//55-// | 3/4 | 4 Hymn (t) | AM-A | Winnington MS, 1810 | 8 | KB |
| //36-17-//36-17-127-//36-17-//25-27-127- //11513 |
2 | French Milliner, The (t) | DA-E | Rutherf CD-2.2, 1760 | 92 | MI |
| //3/6-1//7-/3-//6-/21//7-3//43 | 2 | Fair Example, The (t) | SS-E | SS, Folger-C42.3 | 26 | VO,KB+FL |
| //361+//753//243217-//17-6-//361+//76543 |
3/4 | Minuets by James Strolger, The.5th Minuet (t) | IC-E | Delightful-2, 1745 | IV,31 | GF |
| //3//61+76//543217-//17-6- | 3 | Orpheus Song to the Waves (t) | SS-E | SS, Folger-C42.2 | 96 | VO,KBF |
| //3//61+76//543217-//17-6- | 3 | Orpheus Song to the Waves (t) | SS-E | SS, Folger-C42.3 | 258 | VO,KB+FL |
| //361+76//543//432654//321 | 3/4 | Happy Couple (t) | DA-E | Walsh CD-1.2, 1719 | 322 | VN/OB |
| //361+76//543//432654//321//4 | 3 | Happy Couple (t) | PL-E | Playford 2-3, 1718 | 300 | VN |
| //361+76//543//432654//321//4 | 3 | Happy Couple (t) | PL-E | Playford 2-4, 1728 | 300 | VN |
| //361+/7654//361+/2+71+6//71+2+1+/7654// |
C/ | Ardkinglas's Reel (t) | MS-S | Young MS-2, 1734 | 76v | MI |
| //36/1+765//6/35//1+/2+1+72+ | 2/4 | Humers of Glin, The (t) | AM-A | Thompson MS, 1777 | 58 | FI |
| //36/1+765//6/54//34/31 | C/ | My Love's the Fairest Creature, Irish (t) | IC-S | Aird 6, 1803 | 49 | FI/VN/GF |
| //361+7656//56//4542+4//436//275 | 3/8 | Dying Nymph, The (t) | SC-E | Musical Ent-1, 1740 | 43 | VO,KB+FL |
| //361+7656//56//4542+4//436//275//213 | 3/8 | Dying Nymph, The (t) | SC-E | Calliope, 1746 | I,132 | VO,HAF+FL |
| //361+76//56567//1+55663//43237-12317-1/ /7-16-43212// |
C3 | Courant Beare (t) | MS-E | Rogers MS, 1656 | 21 | VI |
| //36-/17-6-//5-6-7-/13//23/432 | 2/4 | Moore Coaxing Mauxalinda (t) | SC-E | Musical Ent-2, 1740 | 12 | VO,HAF+FL |
| //36-/17-6-//5-6-7-/13//23/5-32//321 | 2/4 | By the beer as brown as berry (fl) | TW-E | Dragon/Wantley, 1738 | 29 | VO,VN,HAF |
| //3/61+766//66-1+/71+2+4//436/65673// | C | Favourite Air, A (t) | IC-E | Prelleur Modern, 1731 | 32-33 | OB |
| //3-6-1//7-7-1217-//112//3234//3 | 3 | On a Lady's Going Into the Bath (t) | SC-E | Pills 2, 1719-20 | 174-5 | VO |
| //3-6-1//7-7-1217-//112//3234//3217-7-12 //17-6-5-6-7-1 |
3 | Song on a Lady's Going Into the Bath, A (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
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