| Name |
Text |
Gnr-Cntry |
Short Title |
Page |
| Maranesi, Sigr. (pf) |
Dance Tunes-2 (t), or Siciliano (at) |
TW-E |
Thomas & Sally, 1761 |
47-48 |
| Maranesi, Sigr. (pf) |
Dance Tunes-3 (t), or Giga (at) |
TW-E |
Thomas & Sally, 1761 |
48 |
| Marchand, Mr. (m) |
Charming Chloris (t) |
SC-E |
Calliope, 1746 |
I,186 |
| Marchant |
Allemanda (t) |
MS-E |
Fitzwilliam MS-2, 1609 |
253-255 |
| Marchant, Sally & Eliza (c) |
"Sally & Eliza Marchant's" [Musical copybook] |
AM-A |
Marchant MS, 1783 |
85 |
| Margaretta, Signra (pf) |
Ianisbe (t) |
SS-E |
SS, Folger-C42.1 |
31,2-32,1 |
| Margaretta, Signra (pf) |
Calyso (t) |
SS-E |
SS, Folger-C42.2 |
43,2-44,1 |
| Margaretta, Sig.ra (pf) |
Calypso (t) |
SS-E |
SS, Folger-C42.1 |
131,2-132,1 |
| Margaretta, Sigra. (pf) |
Oreane (t) |
SS-E |
SS, Folger-C42.2 |
120,1-2 |
| Margaria, Signra. (pf) |
So form'd to charm lovely all over (fl) |
SS-E |
SS, Folger-C42.2 |
77 |
| Margarita, Signra (pf) |
Too lovely cruel fair (fl) |
SS-E |
SS, Folger-C42.2 |
117 AND 127 |
| Margaritta de l'Epine (pf) |
Favourit Song, A (t) |
SS-E |
SS, Folger-C42.4 |
404 |
| Margaritta, Signra (pf) |
For me love has decreed (fl) |
SS-E |
SS, Folger-C42.1 |
129 |
| Margaritta, Signra. (pf) |
Vieni o morte a consolarme; pity a lover ye virgins tender (fl) |
SS-E |
SS, Folger-C42.2 |
42 |
| Margeretta, Sigra (pf) |
Cares when they'r over (fl) |
SS-E |
SS, Folger-C42.1 |
79 |
| Marguery Pere (c) |
Instructions Pour Les Tambours et Diverses Batteries D'Ordonnance |
IC-F |
Marguery Drum, 1774 |
1 |
| Marie Antoinette (pf) |
Captivity. Supposed to Be Sung by Maria Antoinette In Prison (t) |
AM-A |
Irving MS, 1796 |
66 |
| Mariner, T. and T. Axtel (pb) |
The Bow Street Opera |
BA-E |
Bow Street Op, 1773 |
4,44 |
| Markoe, Peter (t) |
Air (t) |
AI-A |
American Periodicals |
|
| Markoe, Peter (t) |
The Reconciliation, or the Triumph of Nature |
AI-A |
Reconciliation, 1790 |
48 |
| Markordt (pb) |
Twaalf Contredansen voor de Viool en Dwars Fluyt |
DA-N |
Baland CD, 1780 |
14 |
| Markordt, S (pb) |
Twaalf Contredansen voor de Viool en Dwars Fluyt als mede met desself Figur |
DA-N |
Lamberger CD, 1770 |
16 |
| Markordt. S (pb) |
Twaalf Contredansen voor de Viool, en Dwars Flyt, Eerste Deel |
DA-N |
Markordt 12 CD-1, 1775 |
13 |
| Markordt, S. (pb) |
Twaalf Contredansen voor de viool den dwars flyt, tweede deel |
DA-N |
Markordt 12 CD-2, 1775 |
14 |
| Markordt, S (pb) |
XII Contredances avec Figures et Accompagnement a 7 Instruments . . . |
DA-N |
Markordt CD-1, 1771 |
15 |
| Markordt, Wedwo (pb) |
E'en Menuet met Ses Engelse Contredansen |
DA-N |
Otto CD, 1770 |
15 |
| Markwell, Mr. (m) |
Whining Lover, The (t) |
SC-E |
Calliope, 1746 |
II,47 |
| Markwell, Mr. (m) |
Whining Lover, The (t) |
SC-E |
Muses Delight, 1754 |
185 |
| Markwell, Mr. (m) |
Declaimer, The (t) |
SS-E |
SS, Folger-C42.3 |
491 |
| Markwell, Mr. (m) |
Love Preferable to Liberty (t) |
SS-E |
SS, Folger-C42.4 |
133 |
| Markwell, Mr. (m) |
To a Young Lady of Eighteen Courted by a Man of Threescore (t) |
SS-E |
SS, Folger-C42.4 |
239 |
| Marlowe, Christopher(t) |
Song 51 (t), or Passionate Shepherd to His Love, The-1 (at) |
SC-E |
Ritson, 1783 |
TI,228-229;MIII,115 |
| Marlowe, Christopher(t) |
Song 51 (t), or Passionate Shepherd to His Love, The-2 (at) |
SC-E |
Ritson, 1783 |
TI,228-229;MIII,115-11 |
| Marlowe (m) |
Air by Marlowe(primo) (t) |
AM-A |
Bolling MS, 1785 |
17 |
| Marsden, Thomas (c) |
Collection of Original Lancashire Hornpipes, Old and New |
IC-E |
Marsden Hornpipes, 1705 |
30 |
| Marshal, Daniel |
Ground Ivy (t) |
AI-A |
American Sheet Music |
|
| Marshall, Miss (pf) |
Favorite Rondo, A (t) |
SS-E |
SS, Huntington-2 |
135,1-2 |
| Marshall, Mr. (m) |
Two Part Song, A (t) |
SS-E |
SS, Folger-C42.4 |
263,2-264,1 |
| Marshall, Mr. (pf) |
Sung by the Genius of Columbia &c (t) |
AI-A |
Columbus, 1799 |
4 |
| Marshall, Mr. (pf) |
I left my country and my friends (fl) |
AI-A |
Gent's Amus, 1794 |
24-25 |
| Marshall, Mr. (pf) |
Streamlet that flow'd, The (fl) |
AI-A |
Gent's Amus, 1794 |
25 |
| Marshall, Mr. (pf) |
I lock'd up all my treasure (fl) |
AI-A |
Gent's Amus, 1794 |
65 |
| Marshall, Mr. (pf) |
When o'er the mountains top we go (fl) |
AI-A |
Volunteers, 1795 |
7 |
| Marshall, Mr. (pf) |
Adieu adieu my only life (fl) |
AI-A |
Volunteers, 1795 |
18-19 |
| Marshall, Mrs. (pf) |
I am a brisk and sprightly lad (fl) |
AI-A |
Gent's Amus, 1794 |
9 |
| Marshall, Mrs. (pf) |
When a little merry he (fl) |
AI-A |
Gent's Amus, 1794 |
36-37 |
| Marshall, Mrs. (pf) |
Ye cheerful virgins (fl) |
AI-A |
Gent's Amus, 1794 |
49 |
| Marshall, Mrs. (pf) |
When a little merry he (fl) |
AI-A |
Gent's Amus, 1795 |
36-37 |
| Marshall, Mrs. (pf) |
'Twas on a pleasant summers eve (fl) |
AI-A |
Volunteers, 1795 |
10 |
| Marshall, Mrs. (pf) |
I'll talk of all my lovers charms (fl) |
AI-A |
Volunteers, 1795 |
12-13 |
| Marshall, Mrs. (pf) |
My tender heart you stole away (fl) |
AI-A |
Volunteers, 1795 |
15 |
| Marshall, Mrs. (pf) |
Favorite Song, A (t) |
AI-A |
Young's Vocal, 1793 |
57 |
| Martin, Alexander (t) |
Sung by the Genius of Columbia &c (t) |
AI-A |
Columbus, 1799 |
4 |
| Martin, Mr. Jonathan, late Organist to His Majesty (m) |
Address to Sleep, The (t) |
SC-E |
Calliope, 1746 |
I,144 |
| Martin, Mr. Jonathan (m) |
Address to Sleep, The (t) |
SS-E |
SS, Huntington-1 |
99 |
| Martin, Mr (pf) |
New Bow Wow, The (t) |
AM-A |
Spicer MS, 1797 |
50-51,171 |
| Martinet, Mr. |
Babillardes, Les. Contredanse Nouvelle (t) |
DA-F |
LaCuisse Rep CD LC-2, 1764 |
42 Feuille 2. Vol |
| Martini |
Martini's Favourite Minuet (t) |
IC-E |
Bremner Airs, 1761 |
18-19 |
| Martini |
Martini's Minuet (t) |
IC-E |
Cahusac Flute, 1798 |
16 |
| Martini |
Minuetto (t) |
AM-A |
Curtiss MS, 1800 |
17 |
| Martini |
Grand March In Henry 4th (t) |
AM-A |
Curtiss MS, 1800 |
54-55 |
| Martini |
Rondo (t) |
TW-E |
Haunted Tower, 1789 |
50-51 |
| Martini |
Duetto (t) |
TW-E |
Mariners, 1793 |
I,6-9 |
| Martini |
Martini's Favourite Minuet (t) |
IC-E |
Preston Marches, 1804 |
18-19 |
| Martini |
Grand March In Henry 4 (t) |
AM-A |
Psalmody MS, 1798 |
120 |
| Martini |
Lost distress'd I'm thus driven from home (fl) |
TW-E |
Siege/Belgrade, 1791 |
11 |
| Martini |
Speak I command thee and tell thy grief (fl) |
TW-E |
Siege/Belgrade, 1791 |
12-14 |
| Martini |
Rose and the lilly their beauties combining, The (fl) |
TW-E |
Siege/Belgrade, 1791 |
15-17 |
| Martini |
How the deuce I came to like you (fl) |
TW-E |
Siege/Belgrade, 1791 |
18-21 |
| Martini |
Blithe as the hours of may (fl) |
TW-E |
Siege/Belgrade, 1791 |
28-29 |
| Martini |
Finale (t) |
TW-E |
Siege/Belgrade, 1791 |
36-37 |
| Martini |
Sestetto (t) |
TW-E |
Siege/Belgrade, 1791 |
50-54 |
| Martini |
Finale-1 (t) |
TW-E |
Siege/Belgrade, 1791 |
78-79 |
| Martini |
March by Martini (t) |
IC-S |
Stewart Marches, 1761 |
10-11 |
| Martini |
Minuet by Martini (t) |
IC-S |
Stewart Marches, 1761 |
94-95 |
| Martini |
Minuet (t) |
IC-S |
Stewart Marches, 1773 |
38-39 |
| Martini |
March (t) |
IC-S |
Stewart Marches, 1773 |
50-51 |
| Martini |
Adagio (t) |
IC-S |
Stewart Marches, 1773 |
55 |
| Martini |
Air (t) |
IC-S |
Stewart Marches, 1773 |
60 |
| Martini, Jean Baptist |
Duetto by Jean Baptisti Martini (t) |
AM-A |
Curtiss MS, 1800 |
38-39 |
| Martini, Johann Christian (pb) |
Der Vollkommene Teutsche Jäger |
IC-G |
Fleming Jaeger, 1719 |
2 pp. with music |
| Martini (m) |
March In the Grand Overture of Martini (t) |
AM-A |
Hoff MS, 1797 |
No. 226 |
| Martini (m) |
Martini's Favorite Minuet (t) |
IC-E |
Longman Pb, 1778 |
12 |
| Martini (m) |
Who upon the oozy beach (fl) |
TW-E |
Maid/Mill, 1765 |
67 |
| Martini, Sigr |
Minuet (t) |
IC-E |
Bremner Oboe, 1775 |
20 |
| Martini, Sigr. |
Minuet (t) |
IC-E |
Delightful-1, 1763 |
IV,16 |
| Martini, Sigr. |
Minuet (t) |
IC-E |
Delightful-1, 1763 |
V,17 |
| Martini, Sigr |
Minuet (t) |
IC-E |
Johnson Oboe, 1750 |
12 |
| Martini, Sigr |
Minuet (t) |
IC-E |
Simpson Oboe, 1746 |
20 |
| Martini, Sigr |
March (t) |
IC-S |
Stewart Marches, 1761 |
2-3 |
| Martini, Sigr |
Gavot (t) |
IC-S |
Stewart Marches, 1773 |
2-3 |
| Martini, Sigr |
Air (t) |
IC-S |
Stewart Marches, 1773 |
41 |
| Martini, Sigr |
Minuet (t) |
IC-S |
Stewart Marches, 1773 |
76-77 |
| Martini, Sigr |
March (t) |
IC-S |
Stewart Marches, 1773 |
86-87 |
| Martini, Sigr |
Rondo Allegro (t) |
IC-S |
Stewart Marches, 1773 |
92-95 |
| Martini, Sigr |
Minuet (t) |
IC-E |
Waylet Oboe, 1745 |
6 |
| Martyr, Mrs. (pf) |
Let not pain nor toil dismay thee (fl) |
TW-E |
Choice/Harleq, 1781 |
10-11 |
| Martyr, Mrs. (pf) |
Safe in the arms of beauty's queen (fl) |
TW-E |
Choice/Harleq, 1781 |
52-53 |
| Martyr, Mrs (pf) |
Duet (t) |
TW-E |
Choice/Harleq, 1781 |
67-69 |
| Martyr, Mrs. (pf) |
Spell is broke the fair you've taught to smile, The (fl) |
TW-E |
Enchanted Cas, 1787 |
9 |
| Martyr, Mrs. (pf) |
Virgins First Love, The (t), or Favorite Ballad, A (at) |
TW-E |
Enchanted Cas, 1787 |
10-11 |
| Martyr, Mrs. (pf) |
My daddy o was very good (fl) |
TW-E |
Farmer, 1787 |
16-17 |
| Martyr, Mrs. (pf) |
Send him to me (fl) |
TW-E |
Farmer, 1787 |
20-21 |
| Martyr, Mrs. (pf) |
My dear ma'am how you clack away (fl) |
TW-E |
Farmer, 1787 |
22-23 |
| Martyr, Mrs. (pf) |
Ah Weladay My Poor Heart (t) |
AI-A |
Gent's Amus, 1794 |
18 |
| Martyr, Mrs. (pf) |
For France if you esteem a Cottillon (fl-r) |
TW-E |
Lord-Mayors Day, 1782 |
8-9 |
| Martyr, Mrs. (pf) |
Airy wild fantastic youth (fl) |
TW-E |
Lord-Mayors Day, 1782 |
10-11 |
| Martyr, Mrs. (pf) |
Glee (t) |
TW-E |
Lord-Mayors Day, 1782 |
18-19 |
| Martyr, Mrs. (pf) |
How happy were my days 'till now (fl) |
TW-E |
Love/Village, 1795 |
20 |
| Martyr, Mrs. (pf) |
Since Hodge proves ungrateful (fl) |
TW-E |
Love/Village, 1795 |
44 |
| Martyr, Mrs. (pf) |
Rosary, The (t), or Ballad, A (at) |
TW-E |
Midnight Wand, 1793 |
20-21 |
| Martyr, Mrs. (pf) |
Duet. Allegretto (t) |
TW-E |
Midnight Wand, 1793 |
24-25 |
| Martyr, Mrs. (pf) |
Waving Willow, The (t), or Ballad, A (at) |
TW-E |
Midnight Wand, 1793 |
52-53 |
| Martyr, Mrs. (pf) |
Finale, Act Ii (t) |
TW-E |
Midnight Wand, 1793 |
58-59 |
| Martyr, Mrs. (pf) |
Duett (t) |
TW-E |
Oscar & Malvina, 1791 |
8-9 |
| Martyr, Mrs. (pf) |
Finale (t) |
TW-E |
Oscar & Malvina, 1791 |
22-23 |
| Martyr, Mrs. (pf) |
Since love is the plan (fl) |
TW-E |
Poor Soldier, 1782 |
8 |
| Martyr, Mrs. (pf) |
Duetto (t) |
TW-E |
Poor Soldier, 1782 |
9 |
| Martyr, Mrs. (pf) |
Dermot's welcome as the may (fl) |
TW-E |
Poor Soldier, 1782 |
16 |
| Martyr, Mrs. (pf) |
Trio (t) |
TW-E |
Rosina, 1783 |
6-8 ; HARPER,MISS |
| Martyr, Mrs. (pf) |
When William at eve meets me down at the stile (fl) |
TW-E |
Rosina, 1783 |
9 |
| Martyr, Mrs. (pf) |
Dialogue (t) |
TW-E |
Rosina, 1783 |
17 |
| Martyr, Mrs. (pf) |
Finale, Act I-1 (t) |
TW-E |
Rosina, 1783 |
20,22-3 |
| Martyr, Mrs. (pf) |
Henry cull'd the flowrets bloom (fl) |
TW-E |
Rosina, 1783 |
26-27 |
| Martyr, Mrs. (pf) |
Duett (t) |
TW-E |
Rosina, 1783 |
29-30 |
| Martyr, Mrs. (pf) |
Maid of the Mill, The (t), or Favorite Dialogue, A (at) |
SS-E |
SS, Boston PL-1 |
103,1-3 |
| Mary Queen of Scots(t) |
Farewell by Mary Queen of Scots, The (t) |
AM-A |
Cary MS, 1797 |
41 |
| Maryland Riflemen (pf) |
March of the Marion Corps (t) |
AI-A |
American Sheet Music |
1 |