Early American Secular Music and Its European Sources, 1589-1839
Interval Index: -2,2,4

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Interval  Incipit  Time Text Gnr-Cntry  Short Title Page Instrument 
-2,2,4,-6,-2,2,3,2,-2,-2,-2,2,-2,  //545/1+1+//323/55//654/343//  6/8  Sutt River Polka (t)  AM-A  Bevens MS, 1825  69v  FI 
-2,2,4,-5,2,-2,2,3,-2,  //323/366//6/2//323/544//  6/8  Coridon (t)  AM-A  Pynchon MS, 1797  24v  MI 
-2,2,4,-5,2,-2,2,6,-8,3,-2,2,-2,2,2,2,2,
3,-4,-3, 
//323/6223//323/1+113//323/2345//61    Miss Mcdonalds Reel (t)  AM-A  Bremner MS, 1756  13-14  VN/VO 
-2,2,4,-4,-3,-3,2,2,2,-3,2,2,-2,-2,2,2,2
,-2,2,4,-4,-3, 
//5451+53//111//22342//3432344//545  3/8  Miss Grisham's Waltz (t)  AI-A  Riley Flute 2, 1817  46  FL 
-2,2,4,-4,-3,2,-2,-2,2,-2,  //5-/5-4-5-//1/5-//3-4-3-/2-3-2-  6/8  Where Is the Rover (t)  AI-A  Riley Flute 4, 1826  88  FL 
-2,2,4,-4,-2,  //3/3//323/63//2/2  6/8  Duetto No.2 (t)  AI-A  Herrick Preceptor, 1807  59  2MI 
-2,2,4,-4,-2,2,-3,6,-8,8,-8,  //332/36//332/31//66-/66-  2/4  Portuguese Quick Step (t)  IC-S  Pandean Coll 3, 1810  5  PF 
-2,2,4,-4,4,-4,4,-4,-3,-3,4,3,  //554/51+//51+/51+//5/3146//  2/4  General-Marsch [The General] (t)  IC-H  Pfeifer-Ordonnanz, 1819  4-5,24-25  2FI 
-2,2,4,-3,-3,2,3,-3,2,-3,-3,4,-2,2,4,-3,
-3, 
//17-1/427-//131/27-5-//17-1/427-  6/8  Lady Harriot Spencers Fancy (t)  DA-E  Bride CD, 1776  II,11  VN/OB/GF 
-2,2,4,-3,-2,-2,2,-3,-2,-2,-2,-2,-2,8,-4
,4,-2,2,2,2,2,-3, 
//17-142//17-16-5-//4-3-2-1-1-//115  3/4  Sally In Our Alley (t)  AI-A  Riley Flute 1, 1814  17  FL 
-2,2,4,-3,-2,-2,2,-3,-2,-2,-2,-2,-2,8,-4
,4,-2,2,3,2,-3,-2,-2,2,-3,-2,-2,-2, 
//17-142//17-16-5-//4-3-2-1-1-1//15  3/4  Sally In the Alley (t)  IC-E  Astor Oboe, 1800  17  OB 
-2,2,4,-3,-2,-2,5,-8,  //656/2+/765/2+2  12/8  Floods shall quit the ocean, The (fl)  SS-E  SS, Folger-C42.2  115  4VO,KBF 
-2,2,4,-3,2,-3,2,-5,  //656//2+71+6//73  3/8  Strephen and Chloe, A Favourite Cantata (t)  SC-E  Clio-2, 1759  153-156  VO,HA 
-2,2,4,-2,-4,-2,2,2,6,-2,-2,2,  //332/366//522/212//3333//1+76//7  Bonnie May (t)  SC-S  Scots MM-2, 1788  113  VO,PF 
-2,2,4,-2,-3,-2,-2,-3,-2,2,3,2,2,3,2,-2,
-3,6,-4,-3,-2,-2, 
//3236/5321//6-5-6-1/235//6531+/532  Cumernad House (t)  IC-E  Caledonian PC, 1760  II,32  GF 
-2,2,4,-2,-3,-2,-2,-3,3,2,2,-2,-2,2,2,-2
,2,4,-2,-3,-2,-2, 
//3236/5321//6-123/212//3236/5321  Banks of Ohio (t)  AM-A  Commonplace MS, 1797  60  FI 
-2,2,4,-2,-3,-2,-2,5,2,-7,  //33/23//65/321//55/67-  Gile Morris (t)  IC-E  Preston Marches, 1804  27  GF/VN,VC/PF 
-2,2,4,-2,-3,-2,-2,5,2,2,  //33/23//65/321//55/67  Gile Morris (t)  IC-E  Bremner Airs, 1761  27  VN/GF,B 
-2,2,4,-2,-3,-2,-2,5,2,2,  //33/23//65/321//55/67//  Gill Morice (t)  IC-E  Peacock Scotch Airs, 1762  33  VN/GF/VC, HAF 
-2,2,4,-2,-3,-2,-2,5,2,2,2,-2,-2,  //3323//65321//5567//1+7//6  3/4  Gill Morice (t)  AI-A  Scots MM, 1797  148  VO,HA/PF 
-2,2,4,-2,-3,-2,-2,5,2,2,2,-2,-2,-2,-3,3
//3323//65321//5567//1+7//6535  3/4  Gill Morice (t)  SC-S  Scots MM-3, 1790  212  VO,PFF 
-2,2,4,-2,-3,-2,-2,5,2,2,2,-2,-2,-2,-3,3
,2,3,-6,-2,-2,-3, 
//3323//65321//5567//1+7//6535//61+  3/4  Gill Morice was an earle's son (fl)  AI-A  Caladonian Muse, 1798  148  VO/PF/VN 
-2,2,4,-2,-3,-2,3,-2,6,-2,-2,-2,-2,  //32/36//53/24//31+/7654  And Ye Shall Walk In Silk Attire (t)  AI-A  Riley Flute 4, 1826  10  FL 
-2,2,4,-2,-3,3,-3,-2,-2,-4,2,2,2,-2,-2,  //6665//62+2+1+//61+654//412//3432  3/4  #56 (t), or Isabella Burk (at)  IC-E  Bunting, 1796  30  PF 
-2,2,4,-2,-2,-2,-2,-2,5,2,2,  //33/23//65/4321//55/67  Gill Morris (t)  IC-E  Caledonian PC, 1760  XII,9  GF/VN 
-2,2,4,-2,-2,-2,-2,2,2,  //545//1+//765//456  3/4  Nature Beyond Art (t)  SC-E  Clio-1, 1758  63  VO,HA 
-2,2,4,-2,-2,-2,-2,2,2,-2,3,4,-3,2,  //17-1//4//321//7-12//113//645  3/4  Still to Be Neat (t)  IC-E  Delightful-2, 1745  VI,30  2GF 
-2,2,4,-2,-2,2,-4,2,2,  //11/17-1//432/3//7-7-/12  C/  Time, A Favorite Rondo (t)  AI-A  American SS-SM  1-2  KB,VO+GT 
-2,2,4,-2,2,-5,2,2,2,-2,  //323/365//6/2//334/554//  6/4  Corydon's Ghost (t)  AM-A  Adams, J. MS, 1808  2r  MI 
-2,2,4,-2,2,-5,2,3,-2,  //323/365//6/2//333/554  6/4  Elegy on the Death of Corydon, A (t), or Corydon's Ghost (at)  AM-A  Spicer MS, 1797  115-117  2V0 
-2,2,4,-2,2,-5,2,3,-2,  //323/365//6/2//333/554  6/4  Corydons Ghost (t)  AM-A  Trumbull MS, 1801  b:12r  MI 
-2,2,4,-2,2,-2,-5,2,2,2,-2,-2,-2,-2,4,-2
/323//66/565//1/234//321/7-32//  6/8  Petite Charmante, La. Contredanse Française (t)  DA-F  Bouin CD LC-2 , 1780  225 Feuille 8 Vol  MI 
-2,2,4,-2,2,2,4,  //5-5-/5-4-5-//11/17-1//22/55  6/8  Walzer No.26 (t)  AI-A  Shaw Gentlemen, 1807  38-39  2CL/VN, FL,BS/VC 
-2,2,4,-2,3,-6,2,3,-2,  //323/365//7/2//333/554  6/4  Corydon's Ghost (t)  AM-A  Dickinson MS, 1800  139  2VO:(T)B 
-2,2,4,-2,4,-3,-2,-2,-2,2,2,2,2,-6,  //17-1/43//6432/12//3457-  Come Dear Amanda (t)  IC-E  Delightful-2, 1745  V,21  GF 
-2,2,4,2,-2,-2,-2,-2,3,-2,-2,3,-2,-2,  //11/17-1//454/321//321/321  6/8  Young Widow's Dance, The (t)  AM-A  Kingsley MS, 1795  I,13  MI 
-2,2,4,2,2,-6,-3,3,4,2,2,2,-2,-2,-2,-3,2
,2, 
//5-4-5-1/123//5-3-5-1/123//4321/6-  Down the Burn and Through the Mead (t)  AM-A  Murphey MS, 1790  25  MI 
-2,2,4,2,2,-6,-3,3,4,2,2,2,-2,-2,-2,-3,2
,2, 
//5-4-5-1/123//5-3-5-1/123//4321/6-  Johnny & Mary (t)  AM-A  Brown, J. MS, 1782  1:44   
-2,2,4,3,-3,-2,-3,-2,-3,-2,3,  //5-5-4-/5-1//31//7-5-/4-2-//1-3-  2/4  John of Paris, A March (t)  AI-A  American Sheet Music    KB 
-2,2,4,3,-2,2,-3,-3,-2,-2,2,4,2,2,  //545/1+3+//2+3+/1+6//545/1+2+3+//  6/8  Selina (t)  DA-E  Wilson Companion, 1816  125  MI 
-2,2,4,3,-2,4,-4,2,-2,-2,-2,  //11/17-1//46/51+//565/43  6/8  Pin-Maker's Address, The (t)  IC-E  Houghton Airs, 1791  14-16  2HN,2MI/VO,B 
-2,2,4,4,-2,-2,-2,-3,3,-4,-3,-2,4,  //5451+/4+3+2+1+//61+53//325    Sweet transports gentle wishes go (fl)  AM-A  Dawes MS, 1790  45  VO,HA 
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