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| Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
| //556 | 3/4 | Minuett (t) | MS-M | Garcia MS, 1772 | 99V [229] | MI |
| //5-5-6-/112//3135/4321//7-56-4/5-6-7-1/ / |
C/ | Flowers of Edenbourgh, The (t) | MS-E | Vickers MS, 1770 | 105 | MI |
| //5-5-6-1/2123//5-56-5-/16-//5-5-6-1/212 3 |
C | I've Been Courting at a Lass (t) | SC-S | Scots MM-4, 1792 | 316 | VO,PF |
| //5-5-6-1/216-1//5-5-6-1/46//531+3/216-1 |
C/ | Tibbie, I Hae Seen the Day (t) | SC-S | Scots MM-2, 1788 | 203-204 | VO,PF |
| //5-5-6-1//22123//4321//6-123//432//1353 2 |
3 | Retreat, The (t) | AI-A | Cooper System, 1836 | 226-27 | FI,DR(NOT) |
| //5-5-6-1//22123//4321//6-123//432//1353 2// |
3 | Retreat, The (t) | AI-A | US Tactics, 1835 | 7-8 | FI,DR |
| //5-5-6-1/222//231/25-//123/42 | 6/4 | #61 (t), or We Brought the Summer with Us (at) | IC-E | Bunting, 1796 | 33 | PF |
| //5-5-6-12//3212//3216-1//5-3-2-1-//532 | 3/4 | Dady Barnard's Lament (t) | IC-E | Caledonian PC, 1760 | VII,24 | GF/VN |
| //5-5-6-/123//4321/36-6-1//5-5-6-/123 | C | Man Has Got His Mare Again, The-2 (t) | IC-E | Caledonian PC, 1760 | XII,24 | GF/VN |
| //5-/5-6-1//31/212//31/212 | 6/8 | Gig (t) | IC-E | Caledonian PC, 1760 | XI,17 | GF/VN |
| //5-5-6-/1321//6-5-6-1/23//5-5-6-/1321 | C | Johnnie Faa (t) | IC-E | Caledonian PC, 1760 | VII,23 | GF/VN |
| //5-5-6-/13//6-5-6-1/23//5-5-6-/13 | C | Johnny Fa' (t) | AI-A | Caladonian Muse, 1798 | 62 | VO/PF/VN |
| //5-5-6-/13//6-5-6-1/23//5-5-6-/13//6- | C | Johnny Fa' (t) | AI-A | Scots MM, 1797 | 62L-R | VO,HA/PF |
| //55/61+//531/34//55 | 2/4 | Caravan March (t) | AM-A | Canfield MS, 1823 | 87 | 2FL |
| //5-5-/6-1//5-3-1-/3-4-//5-5-/6-1 | 2/4 | Caravan March (t) | AI-A | American Sheet Music | KB | |
| //5-5-/6-1//5-3-1-/3-4-//5-5-/6-1 | 2/4 | Caravan March, The (t) | AI-A | American Sheet Music | PF | |
| //55/61+//531/34//55/61+ | 2/4 | Caravan's March In the Forty Thieves, The (t) | AI-A | American Sheet Music | PF | |
| //5-5-/6-1//5-3-1-/3-4-//5-5-/6-1 | 2/4 | Caravan March (t) | AI-A | American Sheet Music | PF | |
| //5-5-/6-1//5-3-1-/3-4-//5-5-/6-1 | 2/4 | Frankford Artillery's March (t) | AI-A | Camp Dupont, 1816 | 19 | 2GF/FI/VN,PF |
| //55/61+//531/34//55/61+ | 2/4 | Caravan March (t) | AI-A | Riley Flute 1, 1814 | 70 | FL |
| //55/61+//5/6543//23/6543 | 2/4 | Zapffenst. (t) | MS-G | Darmstadt MS 1225 | 343 | MI |
| //55/61+7//1+55/5//1+2+/3+5+4+// | 3 [6/4] | Corranto (t) | MS-E | Fitzwilliam MS-2, 1609 | 312-313 | VI |
| /55//61+/72+//1+1+/55//61+/ | 6/8 | Blonde et La Brune, La (t) | IC-E | Welcker Cots, 1768 | 6 | GT |
| //5-5-6-1/7-3//4321/6-//5-5-6-1/5-3 | C | Busk O Busk My Bonny bonny bride (t) | IC-E | Caledonian PC, 1760 | VI,12 | GF/VN |
| /55//61+/765//1+5/1+71+//2+3+/1+4+// | 2 | Bucheron, Le. Contredanse (t) | DA-F | LaCuisse Rep CD LC-3, 1765 | 75 Feuille 3. Vol | KB |
| //55/61+76//55/535//4624/357-2 | C | Parisot's Hornpipe (t) | AI-A | Balls Amus 2, 1815 | 32 | FL/FI/VN |
| //5-5-6-/17-//6-5-6-1/23//5-6-/1321 | C | Johny Faa (t), or Gypsie Laddie, The (at) | SC-S | Scots MM-2, 1788 | 189 | VO,PFF |
| //55/61+76//655/55//55/6543//32 | C | Chorus (t) | TW-E | Pirates, 1792 | 10-13 | 3VO,KB |
| //556/335//446/2//335/113 | 2/4 | Kiss My Lady (t) | AI-A | Blake Amus 2, 1824 | 4 | CL |
| //55/641+6//655/55//5 | C/ | Love's a Sweet, A Generous Passion (t) | SC-E | Vocal Music, 1775 | 109-111 | VO/VN/GF |
| //55/641+6//655/55//55/6543 | C/ | Definition of Love, A (t) | SS-E | SS, New York PL-C695 | 100,1-2 | VO,HA+GF/GT |
| //5-5-/6-4-//3-3-/3-2-//1-1-/2-1-2- | 6/8 | Dixons March (t) | AM-A | Nixon MS, 1776 | 70-71 | 2FI |
| //556/445//311/123//445/334 | C | Birmingham March (t) | AI-A | Instrum Asst-2, 1807 | 18 | 2MI,2HN,B |
| //556/445//334/27-//11/1234// | C | Royal Volunteers March, The (t) | AM-A | Bevens MS, 1825 | 29r | FI |
| //55/645//131/36-//55/6545// | 6/8 | Cock Up Thy Bever (t) | MS-E | Vickers MS, 1770 | 134 | MI |
| //5564/53//15-/12//3333/53// | 2/4 | Checkini's Dance. No. 4 (t) | IC-A | Johnson, F. Cotillions | 3 | PF,TR,BU |
| //556//4/5//34/2 | 2/4 | Airia (t) | IC-E | Delightful-1, 1763 | II,10-11 | 2GF |
| //55/6453//4321/7-1//6-3/4321//7- | C | Happy Beggars, The (t) | SC-E | Calliope, 1746 | II,85 | VO,HAF+FL |
| //55//6/4567//1+1//1/1 | C | Ye Fates Who O'er Our Lives Preside (t) | SC-E | Vocal Music, 1775 | 230-233 | VO/VN/GF |
| //55/646//55/424//31+/27 | C | Rondo d' Henry 4th (t) | IC-S | Aird 3, 1788 | 219 | FI/GF/VN |
| //55/64//655/5424//35/232 | 2/4 | Pipe de Tobac, La (t) | AI-A | Blake Amus 3, 1825 | 21 | CL |
| //5-5-6-/5-112//3143/23-4-//5-6-7-/1235 | C | How serenely the morning first opes its meek eye (fl) | TW-E | Fair American, 1782 | 16-17 | VO,KB |
| //5-5-6-/5-112//3143/23-4-//5-6-7-/1235 | C | How Serenely the Morning (t), or Favourite Song, A (at) | SS-E | SS, Boston PL-1 | 154,1-3 | VO,KB+GT/GF |
| //5+5/651+//2+3+2+3+4+/2+1+//564/517-1 | C | Speranza, La (t) | IC-E | Delightful-1, 1763 | I,16 | GF |
| //55651+//345553//345565//1+ | 3/2 | Song 15 (t) | SC-E | Convivial, 1782 | 32-35 | VO |
| //556/51+//345/553//345/565//1+ | 6/4 | Air 4 (t) | BA-E | Quaker's Opera, 1728 | 8 | VO |
| //55651+//345553//345565//1+3455//531+2+ 3+ |
3/2 | Jealous Swain, The (t) | SS-E | SS, Harvard | 1 | VO+FL |
| //55651+//345553//345565//1+3455//531+2+ 3+ |
3/2 | Phillada Flouts Me (t) | SC-E | Watts MM-2, 1729 | 132-135+139 | VO/VN+FL |
| //5-5-6-/5-13//5-6-12/321//2123/4321 | 2/4 | Dances and March. Hornpipe (t) | AI-A | American Sheet Music | PF | |
| //5-5-6-5-/13//6-5-6-7-/6-//5-1/23 | 2/4 | Jardiniere, Le (t) | IC-E | Preston Oboe, 1780 | 20 | OB |
| //5-5-6-/5-1//5-1/5-1//5-6-5-3-/4-5-4-2- |
2/4 | Pas Redouble (governor Tomkins) (t) | AI-A | American Sheet Music | PF/FL/VN | |
| //556/51+//51+/5//43/21// | 2/4 | Tempe (t) | DA-N | Echo, 1758 | 100 | 2VN, B |
| //5-5-6-/5-1//5-3/1//217-6-/5-6-7-5- | 2/4 | Quick Step (t) | AI-A | Bacon Marches, 1816 | 16 | MI |
| /5-5-6-//5-1/5-3//1/223//27-/ | 2/4 | Sortition, The (t), or Sidney (at) | AM-A | Duport MS-2, 1800 | 9v | VN |
| //5-5-6-/5-1//5-3/16//543/21// | 2/4 | Fairy, The (t) | AI-A | Cinderella Cots, 1831 | 6 | MI,B |
| //5565//1+5//3343//53//123//543 | 3/8 | Allemande (t) | IC-G | Grosheim March, 1802 | 10 | HA/PF |
| //5565//1+55//44345//311 | 3/8 | Allemande (t) | AM-A | Allen, Joel, MS, 1800 | 16V | MI |
| //556/51+//565/31//556/51+ | 2/4 | Preussicher Gren: March No 23 Sidow Oder Anspach (t) | MS-G | Darmstadt MS 1225 | 361-62 | 2MI |
| //5-5-6-/5-1//5-6-5-4-/3-1-//5-5-6-/5-1 | 2/4 | Grenadier March Alt Darmstadt (t) | MS-G | Darmstadt MS 1224 | 175 | 2MI |
| //5-5-6-/5-23//4231/17-6-5-//4-2-3-/4-2- 3- |
C/ | AM-A | Van Schaack MS, 1820 | 55 | FI/FL | |
| //556/531//2123/2432//131/254//31+76/534 5 |
Jefferson's (t) | AM-A | Belknap MS, 1784 | 50R | MI | |
| //556/5313//51+71+/5313//4564/3453// | C | Chester Castle (t) | AM-A | Patten MS, 1800 | 17 | MI |
| //556/5313//51+71+/5313//4642/3531 | C | Chester Castle (t) | IC-S | Aird 2, 1785 | 7 | FI/VN/GF |
| //556/5313//531+6/5313//4642/3531// | C/ | Yorkshire Hornpipe, The (t) | MS-S | Fife MS, 1780 | 133,11v | 1FI OR 2FI/VN |
| //556/5313/531+6/5313//4642/3531// | C/ | Chestor Castle (t) | AM-A | Hoff MS, 1797 | No. 42 | GF |
| //556/531//65/53//445/334// | 2/4 | Austrian Retreat, The (t) | MS-S | Fife MS, 1780 | 169,15v | 1FI OR 2FI/VN |
| //556/53//1+765/7654 | C | Duff's Scots Measure (t) | IC-S | Aird 5, 1797 | 42 | FI/VN/GF |
| //556/5321//4567/1+76//555/6531// | C | Nelly Grany (t) | AM-A | Bevens MS, 1825 | 70r | FI |
| //556532//461+65313//46413531 | 2/4 | Chester Castle (t) | AM-A | Dickinson MS, 1800 | 81 | CL/GF/OB |
| //5-/5-6-//5-/3-3-//3-3-/4-3- | 2/4 | Marsch des Prusses (t) | MS-G | Darmstadt MS 1224 | 406-15 | 2CL,2FL,2HN,2TR |
| //55/65//33/54//22/212// | 6/8 | AM-A | Johnson, F. MS, 1820 | 65 | MI | |
| //55/65//33/54//22/212 | 6/8 | Garcon Volage, Le (t) | IC-E | Purday Bugle, 1830 | 14 | BU |
| //556//53/42//3/1 | 2/4 | Jack Austin's Humour (t) | DA-E | Johnson CD-7, 1756 | 76 | VN/GF |
| //556//53/42//3/1//556// | 2/4 | Jack Austin's Humour (t) | DA-E | Thompson CD-1a, 1757 | 37 | VN/GF/OB |
| //556//53/42//3/1//556// | 2/4 | Jack Austin's Humour (t) | DA-E | Universal Magazine | 2:223, 1753 | MI |
| //556/534//234/5353//53/1 | C/ | Lady Banbury's Horn Pipe (t) | PL-E | Playford 1-03a, 1657 | I,126 | VN |
| //556/534//234/5353//53/1 | C/ | Lady Banbury's Horn-Pipe (t) | PL-E | Playford 1-04, 1670 | 135 | VN |
| //556/534//234/5353//53/1 | C/ | Lady Banbury's Hornpipe (t) | PL-E | Playford 1-05, 1675 | 135 | VN |
| //556/534//234/5353//53/1 | C/ | Lady Banburies Hornpipe, The (t) | PL-E | Playford 1-06, 1679 | 135 | VN |
| //556/534//234/5353//53/1 | C/ | Lady Banbury, The (t) | PL-E | Playford 1-07, 1686 | 135 | VN |
| //556/534//234/5353//53/1 | C/ | Lady Banbury (t) | PL-E | Playford 1-08, 1690 | 131 | VN |
| //556/534//234/5353//53/1 | C/ | Lady Banbury's Horn Pipe (t) | PL-E | Playford 1-3b, 1665 | I,126 | VN |
| //556/53//44/2//334/31// | 2/4 | Musette, La (t) | DA-G | Gehra CD, 1780 | 2 | 2 VN, 2 GF, 2 FH, B |
| //556/53//445/42//342/17-// | 2/4 | Tambourin Allemand (t) | DA-F | Bouin CD LC-1, 1780 | 15 Feuille | MI |
| //5-5-6-/5-3-4-//5-4-3-2-/3-1-//5-5-6-/5 -3-4- |
C | Grenadier Marche de la Motte (t) | MS-G | Darmstadt MS 1224 | 75 | MI |
| //5-5-6-/5-3-4-//5-4-3-2-/3-1-//5-5-6-/5 -3-4- |
C/ | Grenadier Marche Von la Motte (t) | MS-G | Darmstadt MS 1224 | 212 | MI |
| //556//534//556//423//445 | 2/4 | Air (t) | AM-A | Aborn MS, 1790 | 55 | 2MI |
| //556//534//556//423//445 | 2 | Air (t) | IC-E | Delightful-1, 1763 | III,5 | 2GF |
| //5/56//53//46/54//32/1 | 2/4 | March V. Schulenburg (t) | MS-G | Darmstadt MS 1225 | 165-66 | 2MI |
| //556/535//1+1+2+/1+5//61+6/564 | C | Orphan Boy, The (t) | AI-A | Robbins D&F, 1812 | 20 | FI |
| //556//535//1+1+3+//2+1+2+3+2+//5+5+6+// 5+3+1+// |
3 | Round O Minuet (t) | IC-E | Apollo's Banquet 1-8, 1701 | 1r,2 | VN |
| //5/56//5/3/56/56//53//534/534// | C/ | English March, An, By Mr. Akeroyde (t) | IC-E | Apollo's Banquet 1-6, 1690 | B48 | VN |
| //5/5//65/43 | C/ | Charlton Lads, The (t) | DA-E | Walsh CD-2.2, 1735 | 24 | VO/OB/GF/FL |
| //5/5//65/43 | C/ | Charlton Lads, The (t) | DA-E | Walsh CD-3.2, 1749 | 24 | VN/OB/GF |
| //55/6543//1+1+/2+1+76//55/6543// | 2/4 | Rompe, The (t) | AM-A | Hoff MS, 1797 | No. 247 | GF |
| //55654//311//25-5-//135//55654//311 | 3/8 | St. Augustine (t) | AI-A | Paff Amus 2, 1812 | 11 | FL/VN |
| //55654//311//25-5-//17-1234//55654//311 // |
3/8 | Jubillee Waltz, The (t) | AM-A | Duport MS-2, 1800 | 31r | VN |
| //55654//311//25-5-//17-1234//55654//311 |
3/8 | Lieber Augustine (t) | AI-A | Riley Flute 3, 1820 | 26 | FL |
| //55654//311//25-5-//3113//55654//311 | 3/4 | Buy a Broom (t) | AM-A | Beach MS, 1801 | 137 | KB |
| //55654//311//25-5-//3113//55654//311 | 3/4 | Buy a Broom (t) | AI-A | Riley Flute 4, 1826 | 19 | FL |
| //55654//311//25-5-//311//55654//311 | 3/8 | Augustine's Waltz (t) | AM-A | Commonplace MS, 1811 | 29 | MI |
| //55654//311//25-5-//311//55654//311 | 3/8 | Augustine Waltz (t) | AI-A | Merrimack Coll, 1833 | 76 | 2MI,B |
| //55654//311//25-5-//31234//545654 | 3/4 | Broom Waltz, The (t) | AM-A | Kingsley MS, 1795 | II,3 | MI |
| //55654//311//35-5-//311//55654//311// | 3/8 | Recall of Working Parties (t) | AM-A | USS Concord MS, 1831 | BU | |
| //55654//311//35-5-//311//55654//311// | 3/8 | Recall of Working Parties (t) | AM-A | USS N. Carolina MS, 1825 | BU | |
| //55654//311//422//311//55654//311 | 3/8 | Waltz (t) | IC-S | Pandean Coll 1, 1810 | 10 | PF |
| //55/6-543//1234/55//153/153 | C | Lady's Farewell, The (t) | AI-A | Hulbert Fife, 1807 | 8 | FI |
| //55/6543//1234/55//1+53/1+53 | C | Lady's Farewell, The (t) | AI-A | Hulbert Fife, 1811 | 8 | FI |
| /55//6/54//31/55//1+7/ | 2 | Ayre of Mr. King's, An (t) | IC-E | Apollo's Banquet 2, 1691 | 17 | VN/FL |
| //55/6543//1+7/65//55/6543 | 2/4 | Jocky's Dance (t) | IC-S | Aird 4, 1796 | 36 | FI/GF/VN |
| //55/6543//1+7/65//55/6543// | C/ | Quick March by Tenducci (t) | MS-C | Molyneaux MS-2, 1788 | 73 | 1 OR 2 GF |
| //55/6543//1+7/765//55/6543 | No.14 (t) | AM-A | Williams, J. MS, 1799 | 11 | CL | |
| //556/5432//111/122//3234/5543// | C/ | March by Horn (t) | AM-A | Hoff MS, 1797 | No. 149 | GF |
| /55//654/321//17-/17-6-//5-7-1/234// | 6/8 | Isle de Citherre,L'. Contre-Danse Française (t) | DA-F | Landrin CD BL-2, 1775 | 98 Feuille | MI |
| //556/54//3213/25-//3-5-/15-// | C/ | Ayre (t) | IC-E | Apollo's Banquet 1-8, 1701 | 18v,99 | VN |
| //55654//3215//55654//3215//65//43 | 3/4 | Zapffenst. No 42. V. Zweybrucken (t) | MS-G | Darmstadt MS 1225 | 313-14 | 2MI |
| //5/56//54/321//6/61+ | 6/8 | Cuba March (t) | AM-A | Clark, I. MS, 1801 | 53 | FI/VN |
| /55//65/43//22/55//43 | 2 | Qu'a L'Envy Chacun Se Presse (t) | IC-N | Pointel Recueil, 1688 | 11 | MI/B |
| //556/5432//31/556//5432/1// | 2/4 | French General, The (t) | MS-C | Molyneaux MS-1, 1788 | 33 | GF |
| //55//65/43//32//43/21//1 | 2/4 | How Imperfect Is Expression (t) | AI-A | Select Songster, 1786 | 34-35 | VO |
| //55//6543//32//4321//1 | 2/4 | Trust Not Man, for He'll Deceive You (t) | SC-E | Vocal Music, 1778 | 24-25 | VO/VN/GF |
| //5/565//43/3//243/217-//1 | 6/8 | Quartetto (t) | TW-E | Padlock, 1768 | 20-21 | 2VO,KBF |
| /55//65/43//32/43//51/223// | 2/4 | Bagatelle, La. Contredanse Française (t) | DA-F | Bouin CD LC-2 , 1780 | 161 Feuille 5. Vol | MI |
| //55//65/43//33 | 2/4 | How Imperfect Is Expression (t) | AM-A | Beck MS, 1786 | 136 | GF |
| //55//65/43//33 | 2/4 | How Imperfect Is Expression (t) | AM-A | Bellamy MS, 1799 | 8-9 | 2MI,B |
| //55//65/43//33 | 2/4 | How Imperfect Is Expression (t) | IC-E | Cahusac Flute, 1788 | 19 | GF |
| //55//65/43//33 | 2/4 | How Imperfect Is Expression (t) | SC-E | Calliope, 1788 | 268-269 | VO |
| //55//65/43//33 | 2/4 | How Imperfect Is Expression (t) | AM-A | Greenwood MS, 1785 | 39 | MI |
| //55//65/43//33 | 2/4 | How Imperfect Is Expression (t) | AM-A | Hosmer MS, 1798 | 65 | MI |
| //5/5//65/43//3/3// | 2/4 | How Imperfect Is Expression (t) | AM-A | Irving MS, 1796 | 4v | 2 MI |
| //55//65/43//33 | 2/4 | Sung by Mrs. Abington In Twelfth Night (t) | IC-E | Longman Pb, 1778 | 8-9 | VO/GF |
| //5/5//65/43//3/3// | 2/4 | How Imperfect (t) | AM-E | Wheatstone Clarinet, 1801 | 78 | MI |
| //55//65/43//33//43/21 | 2/4 | How Imperfect Is Expression (t) | IC-E | Astor Guitar, 1800 | 22 | VO,GT |
| //55//65/43//33//43/21 | 2/4 | How Imperfect Is Expresssion (t) | AI-A | Blake Amus 2, 1824 | 8 | CL |
| //55//65/43//33//43/21 | 2/4 | How Imperfect (t) | IC-E | Cahusac Flute, 1792 | 19 | GF |
| //55//65/43//33//43/21// | 2/4 | How Imperfect (t) | IC-E | Cahusac Flute, 1798 | 19 | FL |
| //55//65/43//33//43/21 | 2/4 | How Imperfect Is Expression (t) | AI-A | Glazier Clar, 1828 | 12 | CL |
| //55//65/43//33//43/21 | 2/4 | How Imperfect Is Y Expression (t) | AM-A | Herreshoff MS, 1790 | 10R | MI |
| //55//65/43//33//43/21 | 2/4 | Andantino (t) | AM-A | Hiester MS-1, 1793 | 56-57 | HA,4 HANDS |
| //55//65/43//33//43/21 | 2/4 | How Imperfect Is Expression (t) | IC-E | Longman Bassoon, 1780 | 10 | 2BS |
| //55//65/43//33//43/21// | 2/4 | How Imperfect Is Expression (t) | IC-E | Preston Cello, 1785 | 18 | 2VC |
| //55//65/43//33//43/21 | 2/4 | How Imperfect Is Expression (t) | AI-A | Reinagle Fav-1, 1789 | 14 | PF/HA,VO |
| //55//65/43//33//43/21 | 2/4 | How Imperfect Is Expression (t) | AI-A | Riley Flute 1, 1814 | 31 | FL |
| //55//65/43//33//43/21 | 2/4 | How Imperfect (t) | SS-E | SS, Boston PL-2 | 240 | VO,KB+GF+GT |
| //55//65/43//33//43/21 | 2/4 | How Imperfect Is Expression (t) | IC-E | Thompson Oboe, 1790 | 22 | OB |
| //55//65/43//33//43/21 | 2/4 | How Imperfect Is Expression (t) | AM-A | Trumbull MS, 1801 | b:6r | 2MI |
| //55//65/43//33//43/21 | 2/4 | How Imperfect Is Expression (t) | AM-A | Turner MS, 1788 | I,33 | VN |
| //55//65/43//33//43/21 | 2/4 | Song, A (t) | AM-A | Van Renssel. MS, 1782 | I,3 | VO,KB |
| //55//65/43//33//43/21 | 2/4 | How Imperfect, &c. (t) | AM-A | Van Renssel. MS, 1782 | II,2 | VO,GT |
| //55//65/43//33//43/21 | 2/4 | Song 123 (t) | SC-E | Vocal Enchant, 1783 | 246-247 | VO |
| //5/5//6543//3/3//43/21// | 2/4 | How Imperfect is Expression (t) | AM-A | White, G. MS, 1790 | 96 | VN |
| //556543//334321//113217-//15-//11324//3 3546// |
3/4 | Lady Louisa Lennox Minuet (t) | DA-E | Fishar 12 CD, 1775 | 16 | KB |
| //55//65/43//33//43/21//13/35// | 2/4 | How Imperfect Is Expression (t) | AM-A | Adams, W. MS, 1795 | 37 | MI |
| //55//6543//33/4321//1335/565 | C | How Imperfect Is Expression (t) | IC-S | Aird 3, 1788 | 202 | FI/GF/VN |
| //55/6543//33/4321//1335/565 | How Imperfect Is Expression (t) | AM-A | Cabot MS, 1784 | M16T14 | VO/GF | |
| //55654/3//33432/1//43/4567 | C/ | March (t) | MS-E | Band Scores MS, 1820 | 8-11v | BAND(15 PARTS) |
| //5-/565/43/342//3 | 12/8 | Let Me Wander (t) | AM-A | Simpson MS, 1750 | I,7 | FL |
| //5/5654//3/3432//15-/15-// | 2/4 | 4 Comtesses, Les (t) | MS-F | 4 Comtesses MS, 1775 | 1v-2r | MI |
| //5/5654//3/3432//15-/15-// | 2/4 | Quatre Comtesses, Les. Contredanse Allemande (t) | DA-F | Bouin CD LC-3 , 1780 | 132 Feuille. 5. Vol | MI |
| //5/5654//3/3432//15-/15- | 2/4 | Countess, La (t) | DA-E | Thompson CD-4, 1780 | 43 | VN/GF/OB |
| //5/5654//3/3432//15-/15-// | 2/4 | Countess, La (t) | DA-E | Thompson CD-4a, 1780 | 43 | VN/GF/OB |
| //5-5-6-5-4-//3-3-4-//5-15-//5-4-4-//2-2 -4-//3-16-4-2-4- |
3/4 | Waltz (t) | AI-A | Blake Amus 2, 1824 | 9 | CL |
| //556//543//42//3//551+ | 3/8 | Sappho's Hymn to Venus (t) | SC-E | Watts MM-4, 1730 | 88-90+91 | VO,HA+FL |
| //55654//34321//1+6//1+54//55654//34321/ / |
3/4 | Walzer (t) | AI-A | Willig Cots, 1815 | 8-9 | PF |
| //55/6543//4321/7-1//6-3 | Song In Praise of Begging, A (t), or Beggers Rival'd, The (at) | SS-E | SS, Folger-C42.2 | 151 | VO,KB+F | |
| //55/6543//4321/7-1//6-3 | Song In Praise of Begging, A (t), or Beggers Rival'd, The (at) | SS-E | SS, Folger-C42.3 | 330 | VO,KB+FL | |
| //55/6543//4321/7-1//6-3/4321 | C | Happy Beggars, The (t) | SC-E | Muses Delight, 1754 | 156-157 | VO,HA |
| //55/6543//4321/7-1//6-3/4321//7- | Song In Praise of Begging, A (t), or Beggers Rival'd, The (at) | SS-E | SS, Harvard | 1 | VO,B+FL | |
| //55/6543//4321/7-1//6-3/4321//7-2 | C/ | Song In Praise of Begging, A (t), or Beggars Rivall'd, The (at) | SC-E | Pills 6, 1719-20 | 338-9 | VO |
| //5-5-6-/5-4-3-//4-3-2-/3-1-//5-5-6-/5-3 -4- |
C | Fahnen Trup (t) | MS-G | Darmstadt MS 1224 | 75 | MI |
| //55/6543//44/2//1231/2342// | 2/4 | Louisa (t) | AI-A | Gentlemen's PC, 1802 | 6 | 2GF |
| //55/6543//44/2//1231/2342// | 2/4 | Duetto Pleyel, Allegretto (t) | AI-A | Willig Flute, 1795 | 25 | 2 GF |
| //55/6-543//44/2//1231/2342//3 | 2/4 | Duetto In 3 Movements (t) | AI-A | Gent's Amus, 1794 | 26-27 | 2GF/2VN |
| //556//543//444//432//34321//345//621 | God Save the King (t) | AM-A | Bremner MS, 1756 | 11 | VN/VO | |
| //5/56//54//3452/323//1 | C/ | Gren. March (t) | MS-G | Darmstadt MS 1224 | 351 | MI |
| //5/56//54//3452/323//1 | C/ | March V. Sardingen (t) | MS-G | Darmstadt MS 1225 | 159-60 | 2MI |
| //5-5-6-/5-4-3-4-//5-4-3-2-/3-1-//5-5-6- /5-4-3-4- |
2/4 | Lamotte (t) | MS-G | Darmstadt MS 1224 | 252,258 | 2FL |
| //556/5434//5432/31//556/5434 | 2/4 | Preussicher Gren: March No 12 V. Lamote (t) | MS-G | Darmstadt MS 1225 | 355-56 | 2MI |
| //556//54345//556//54345//51+//65 | 3/8 | Pastoral (t) | AM-A | Simpson MS, 1750 | II,11 | FL |
| //556/5434//5653/11+//1+76/56543//2 | C | Oft on the troubled ocean's face (fl) | SC-E | Amaryllis, 1760 | II,52 | GF/OB/VO,HAF+FL |
| //556/5434//56543/11+//1+ | C | Oft on the Troubled Ocean (t) | SC-E | Calliope, 1746 | I,192 | VO,B |
| //556/5434//56543/11+//1+76 | C | Song, A (t) | SS-E | SS, Folger-C42.2 | 27 | VO,KB+F |
| //556/5434//56543/11+//1+76 | C | Song, A (t) | SS-E | SS, Folger-C42.3 | 142 | VO,KB+FL |
| //556/5434//56543/11+//1+76/56543 | C | Song 13 (t) | SC-E | Ritson, 1783 | TI,101;MIII,42-43 | VO |
| //556/5434//56543/11+//1+76/56543 | C | Oft on the troubled ocean's face (fl) | SC-E | Watts MM-1, 1729 | 44-45 | VO/VN |
| //556/5434//56-543/11+//1+76/56543//2 | C | Air 20 (t) | BA-E | Lovers Opera, 1730 | 24 | VO |
| //5//5654/35//1+1+/1+76 | C | Ocean (t) | AM-A | Akerman MS, 1795 | 15 | MI |
| //5565435//112316-1//5-17-1324//35654323 44//5565435//1 |
3/4 | Favorite Spanish Air, A (t) | AI-A | American Sheet Music | PF | |
| //5565435//112316-1//5-17-1324//35654323 44//5565435//1 |
C | Nero [?] (t) | MS-S | Miller, J. MS, 1798 | [103] | FI |
| //55654/3515-//1212321/2//2227-2/5- | C/ | My Lady Winwood's Maggot (t) | PL-E | Playford 3-2, 1726 | 9 | VN |
| //556//543//6-43217-//12//33546 | 3/4 | Zelinda (t) | SS-E | SS, Boston PL-2 | 4 | VO,KBF+GF |
| //556/543//655//445/432//3217- | 2/4 | Zapffenstr. (t) | MS-G | Darmstadt MS 1225 | 71-72 | 2MI |
| //556/543//655//445/432//3217-/1234 | 2/4 | Zapfenst. No 2 V. Ostreich (t) | MS-G | Darmstadt MS 1225 | 271-72 | 2MI |
| //5-5-6-5-4-//4-4-/4-17-6-//5-4-3-4-/5-4 -3-2-//3-1-0- |
2/4 | Marche der Grenadier Compag. Regiment Erb Printz Von Hessen Darmstadt (t) | MS-G | Darmstadt MS 1224 | 207 | MI |
| //55/654//51/11/55/67 | 6/4 | Sturbitch Fair (t) | PL-E | Playford 2-1, 1713 | 140 | VN/OB |
| //55/654//51/11/55/67 | 6/4 | Sturbitch Fair (t) | PL-E | Playford 2-2, 1714 | 140 | VN/OB |
| //55/654//51/11//55/67 | 6/4 | Sturbitch Fair (t) | PL-E | Playford 2-3, 1718 | 140 | VN |
| //55/654//51/11//55/67 | 6/4 | Sturbitch Fair (t) | PL-E | Playford 2-4, 1728 | 140 | VN |
| //55/654//51/11//55/67 | 6/4 | Sturbridge Fair (t) | DA-E | Walsh CD-1.2, 1719 | 159 | VN/OB |
| //55/654//51/11/55/67 | 6/4 | Sturbitch Fair (t) | DA-E | Walsh NCDM-2, 1710 | 114 | VN/OB/FL |
| //5-5-/6-5-4-5-//11/217-1//6-6/42 | 2/4 | His Excellency Governor Clinton's Quick Step (t) | AI-A | American Sheet Music | PF | |
| //55654//51+3+//3+2+2+4+//4+3+13//55654/ /5 |
3/4 | Minuet (t) | AM-A | Hiester MS-2, 1793 | 33 | KB |
| //55654//51+3//543217-//117-13//55654//5 1+3 |
3/4 | Waltz (t) | IC-S | Pandean Coll 2, 1810 | 11-12 | PF |
| //55/654//5/432//321 | 2 | Gavotte (t) | MS-G | Darmstadt MS 1224 | 339 | MI |
| //5/5654//5/4//3451+/323 | 2/4 | March V. Neuberg (t) | MS-G | Darmstadt MS 1225 | 217-18 | 2MI |
| //5/5654//5/4//345/2 | C/ | Grenadier Marche Von Neuperg (t) | MS-G | Darmstadt MS 1224 | 181 | MI |
| //55/654/5456/51234//55/61+71+ | 2/4 | Zapffenst. No 37. V. Anspach (t) | MS-G | Darmstadt MS 1225 | 309-10 | 2MI |
| //55/654//545/6543//21/5-1 | C/ | Retraitte (de la Compagnie des Canoniers de la Rochelle), La (t) | MS-F | Philidor MS, 1705 | 21 | OB,B+DR |
| //55-/654/55-//64/22+/7// | 9/8 | Neds Frolick (t) | DA-E | Straight & Skillern CD, 1775 | 64 | VN/GF/OB |
| //55/6545//64/4//44/5434 | 2/4 | Finale to the Second Act-1 (t) | TW-E | Mountaineers, 1793 | 34-35 | 2VO,KB |
| //55/65//45654/3//51+/425 | C | Grave (t) | IC-S | Stewart Marches, 1773 | 24 | 2VN/GF/OB,VC/HA |
| //556/545//6654/3211234//556/545 | C/ | March V. Earl Lotteringen (t) | MS-G | Darmstadt MS 1225 | 183-84 | 2MI |
| //5-5-/6-5-//5- | AM-A | Dean MS, 1800 | I.115 | MI | ||
| //55//65//51+56//543//11//32 | 3/8 | Fifth Troop March, A (t) | IC-E | English Sheet Music | 9 | 2CL,2FL,2HN,TR, |
| //556/553//424/31//556/7 | C3 | Milkmaids Bob, The (t) | PL-E | Playford 1-10, 1698 | 28 | VN |
| //556/553//424/31//556/71+2+ | 3 | Milkmaids Bob, The (t) | PL-E | Playford 1-05, 1675 | 74 | VN |
| //556/553//424/31//556/71+2+ | 3 | Milk-Maids Bob (t) | PL-E | Playford 1-06, 1679 | 74 | VN |
| //556/553//424/31//556/71+2+ | C3 | Milk-Maid's Bob, The (t) | PL-E | Playford 1-08, 1690 | 85 | VN |
| //556/553//424/31//556/71+2+ | C3 | Milk-Maid's Bob, The (t) | PL-E | Playford 1-09, 1695 | 28 | VN |
| //556/553//424/31//556/71+2+//1+ | 3 | Milk-Maid's Bob, The (t) | PL-E | Playford 1-07, 1686 | 74 | VN |
| //556/553//424/31//556/71+2+//1+61+/75 | C | Milke-Mayds Bobb, The (t) | PL-E | Playford 1-01, 1651 | 75 | VN |
| //556/553//424/31//556/71+2//1+61+/75 | C | Milk-Mayds Bobb, The (t) | PL-E | Playford 1-02, 1652 | 67 | VN |
| //556/553//424/31//556/71+2//1+61+/75 | 3 | Milk Maids Bob, The (t) | PL-E | Playford 1-03a, 1657 | I,67 | VN |
| //556/553//424/31//556/71+2+//1+61+/75 | 3 | Milk Maids Bob, The (t) | PL-E | Playford 1-04, 1670 | 74 | VN |
| //556/553//424/31//556/71+2//1+61+/75 | 3 | Milk Maids Bob, The (t) | PL-E | Playford 1-3b, 1665 | I,67 | VN |
| //55/65//54/27-31//44/54//43 | 2/4 | TW-E | Maid/Oaks, 1774 | 16 | KBF | |
| //5//5//6//5/543//22/232// | 6/8 | Hark the Merry Trumpet. No. 4 (t) | AI-A | Johnson, F. Cotillions | 6-7 | PF,VO(4) |
| //5/565//543/33//21/43 | 6/8 | Rondo (t) | AM-A | Curtiss MS, 1800 | 147-48 | 2VN |
| //55/65//54/43//432/4321 | C/ | On a Lady Drinking the Waters (t) | SC-E | Pills 6, 1719-20 | 107 | VO |
| //556/55//55/31//44/21 | 2/4 | Quick Step (t) | AI-A | Robinson Coll, 1818 | 34 | FI,DR |
| //556/55//55/31//44/21 | Quick Step (t) | AI-A | Robinson Coll, 1820 | 49 | MI | |
| //556/55//55/31//44/21 | 2/4 | Quick Step (t) | AI-A | Robinson Coll, 1826 | 48 | MI |
| //556/55//556/55//65/6543 | 2 | Marche du Regiment des Gardes Anglaises d'infanterie (t) | MS-F | Philidor MS, 1705 | 20 | OB,B |
| //556/556//51+/1+7//667/667// | 2/4 | March In Rob Roy. No. 4 (t) | AI-A | Johnson, F. Cotillions | 3 | PF |
| //556/556//51+/1+7//667/667// | 2/4 | March Rov Roy. 59 (t) | AM-A | Johnson, F. MS, 1820 | 38 | PF |
| //5-5-6-/5-5-6-//5-3-/1-3-4-//5-2-/5-6-5 - |
2/4 | Printz Moritz (t) | MS-G | Darmstadt MS 1224 | 175 | 2MI |
| //556/556//53+/2+1+//556/556// | 2/4 | Johnsons Scottish Quick Step. 86 (t) | AM-A | Johnson, F. MS, 1820 | 52-53 | PF |
| //556//556//54321//7-6-7-5-//334 | 3/4 | Italian Duetto, An (t) | AM-A | Aborn MS, 1790 | 106 | MI |
| //556//556//54321//7-6-7-5-//334 | 3/4 | Italian Duet, An (t) | AI-A | Williams Fife, 1826 | 16 | 2FI |
| //556//556//54321//7-6-7-5-//334//554 | 3/4 | Italian Melody (t) | AI-A | Merrimack Coll, 1833 | 77 | 2MI,B |
| //5-5-6-/5-5-//6-5-4-/5-1-3-//5-5-/5-1 | C/ | Grenadier March (t) | MS-G | Darmstadt MS 1224 | 240-41 | 2MI |
| //556/556//556/765//667/667// | 2/4 | Downfall of Paris (t) | AI-A | Buckingham Cots, 1808 | 15 | VN,PF |
| //556/556//567/1+765//667/667// | 2/4 | Downfall of Paris (t) | AM-A | Washburn MS, 1816 | 7 | GF |
| //55/655//6771+/1+//345/65 | C | Song 29 (t), or to Wisdom (at) | SC-E | Ritson, 1783 | TII,111-114;MIII,246 | VO |
| //556/561+2+//3+2+1+/61+53//556/561+2+ | C/ | Flowers of the Forest a Reel, The (t) | MS-S | Gillespie MS, 1768 | 90 | VN |
| //5-/5-6-//5-6-1/234//3/21//6- | 2/4 | Flowers of the Forrest, The (t), or Favourite Scots Song, A (at) | SS-E | SS, Harvard | 1 | KBF,VO |
| //556/561+2+3+4+//3+2+1+/61+653//2355 | C | Flower of the Forrest, The (t) | SS-E | SS, Harvard | 1 | VO,B+GF+GT |
| //556/561+2+3+4+//3+2+1+/61+653//23556/5 61+2+3+4+// |
C | Flowers of the Forrest, The (t) | AM-A | Brown, J. MS, 1782 | 1:5 | |
| //556/561+2+3+4+//3+2+1+/61+653//23556/5 61+/2+3+4+ |
C | Flowers of the Forrest, The (t) | IC-E | Caledonian PC, 1760 | IX,18 | GF/VN |
| //556/561+2+3+4+//3+2+1+/61+653//23556/5 61+2+3+4+ |
C/ | Flowers of the Forest, The (t) | AM-A | Pickman MS, 1785 | 66-67 | VO,KB |
| //556/561+2+3+4+//3+2+1+/61+653//23556/5 61+2+3+4+ |
C | Flower of the Forrest, The (t) | SS-E | SS, Boston PL-2 | 46 | VO,KB+GF+GT |
| //556/561+2+3+4+//3+2+1+/61+653//23556/5 61+2+3+4+ |
C | Flowers of the Forest, The (t) | SC-S | Scots MM-1, 1787 | 64 | VO,PF |
| //556/561+2+3+4+//3+2+1+/61+653//23556/5 61+62+3+4+// |
C | Quick Step, A (t) | MS-S | Fife MS, 1780 | 339,35r | 1FI OR 2FI/VN |
| //5-5-6-/5-6-13//2123/16-6-1//5-5-6-/5-6 -13 |
C | Miss Wedderburn's Reel (t) | IC-S | Scottish Sheet Music | HA/PF | |
| //5/56/564/531//5/531+/531/2// | 12/8 | Bucks of Breadhelmsted, The (t) | DA-E | London Magazine | 425, 1752 | MI |
| //556/564531//5531+/5312//556/564531 | 12/8 | Monkey, The (t) | DA-E | Johnson CD-7, 1756 | 65 | VN/GF |
| //556/56531//5531+/5312//556/564531 | 12/8 | Bucks of Breadhelmstead, The (t) | DA-E | Johnson CD-7, 1756 | 41 | VN/GF |
| //5-5-6-/5-6-//5-4-3-2-/3-1-//5-5-6-/5-6 - |
C | Schwarzenburg Grenadier March (t) | MS-G | Darmstadt MS 1224 | 1 | 2MI |
| //5-5-6-/5-6-//5-4-3-2-/3-1-//5-5-6-/5-6 - |
C | Erste Schwartzburg Grenadier Marche (t) | MS-G | Darmstadt MS 1224 | 209 | MI |
| //55656//543//243657-//11 | 3/4 | Mr Beckfords Minuet (t) | AM-A | Greenwood MS, 1785 | 5 | MI |
| //556/5//654/53113//556/51+ | C/ | Grenadier March No 5 (t) | MS-G | Darmstadt MS 1224 | 243,245 | 2MI |
| //556/5//654/53//1/345 | 2/4 | Preussicher Gren: March No 22 Printz Moritz (t) | MS-G | Darmstadt MS 1225 | 359-60 | 2MI |
| //55/6567//1+/1+1+7//7665/5434 | C/ | Love's Oculist (t) | SC-E | Watts MM-3, 1730 | 140-141 | VO,HA+FL |
| /55//65/67//1+/1+71+//2+1+/ | 2 | Jeannette, La (t) | IC-F | Leclerc Recueil-1, 1729 | 39 | HAF |
| //55/65//671+/53//676/642 | 6/8 | Irish Air (t) | AI-A | Balls Amus 2, 1815 | 16 | FL/FI/VN |
| //5-5-/6-5-//6-7-1/5-3-//6-7-6-/6-4-2- | 6/8 | Allo Moderato (t) | AI-A | Paff Amus 4, 1817 | 31 | 2FL/VN |
| //556/567//1+76/5//1+71+/2+1+2+ | C/ | No.27 (t) | AM-A | Williams, J. MS, 1799 | 19 | CL |
| //556/567//1+76/56//443/25 | C | Margraff Carl (t) | MS-G | Darmstadt MS 1224 | 59 | MI |
| //556/567//1+76/56//443/25 | C/ | Grenadier Marche Von Margraff Carl (t) | MS-G | Darmstadt MS 1224 | 213 | MI |
| //5-5-6-/5-7-12//4321/7-124//3151/321 | Highland Fair, The (t) | IC-S | Aird 4, 1796 | 57 | FI/GF/VN | |
| //5-5-6-/5-7-12//4321/7-124//3151/321 | C/ | Highland Fair, The (t) | DA-E | Thompson CD-5, 1788 | 79 | VN/GF/OB |
| //5-5-6-/5-7-12//4321/7-124//3151/321// | C/ | Highland Fair, The (t) | DA-E | Thompson CD-5a, 1788 | 79 | VN/GF/OB |
| //55/66//2/42//7-7-/7-7- | 2/4 | British Fair, The (t) | AI-A | Balls Amus 2, 1815 | 29 | FL/FI/VN |
| //5-5-/6-6-//3-3-/5-4-//2-2-/2-1-2- | 6/8 | Jolie Anglaise, La (t) | AI-A | Riley Flute 4, 1826 | 5 | FL |
| //5/5//6/6//34/34 | 2/4 | Faut Attendre (t) | IC-F | Bonjour Recueil, 1800 | 2:5 | VN/FL |
| /55//66/44//5/33//432/17-// | 2/4 | Tuillerie, La. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 62 Feuille | MI |
| //5-5-//6-6-/5-1/17-1//25-/4321//7-5- | 2/4 | We'll chearful our endeavours blend (fl) | AI-A | Volunteers, 1795 | 5 | 2VO,KB |
| //5-5-/6-6-//5-/12//32/17- | 2/4 | Favorite Air, A. Variations (t) | IC-S | Vogel Marches, 1802 | 12 | PF |
| //5-5-/6-6-//5-/12//342/17- | C | In My Cottage Near a Wood (t) | IC-E | Balls Amus 3, 1815 | 22 | FL/VN |
| //5-5-/6-6-//5-/12//342/17- | C | In My Cottage Near a Wood (t) | IC-E | Balls Amus 3, 1830 | 22 | FL/VN |
| //5-5-/6-6-//5-/12//342/17- | C | In My Cottage (t) | AM-A | Beach MS, 1801 | 132 | KB |
| //5-5-/6-6-//5-/12//342/17- | C | In My Cottage Near the Wood (t) | AI-A | Paff Amus 1, 1812 | 9 | FL/VN |
| //5-5-/6-6-//5-/12//342/17- | C | In My Cottage Near the Wood (t) | AI-A | Riley Flute 2, 1817 | 41 | FL |
| //5-5-/6-6-//5-1//3//321/26-7- | 6/8 | Providence Quick Step (t) | AI-A | Riley Flute 4, 1826 | 82 | FL |
| //5-5-/6-6-//5-/17-1//23/43 | 6/8 | See Ye Swains (t) | AI-A | Riley Flute 2, 1817 | 80 | FL |
| //5-5-/6-6-//5-/17-1//23/43//2 | 6/8 | See, ye swains, yon streaks of red (fl) | TW-E | Rosina, 1783 | 11 | VO,KB |
| //55/66//5/1+71+//67/1+7// | 6/8 | See See Ye Swains Yon strikes of Key (t) | MS-S | Fife MS, 1780 | 657,71r | 1FI OR 2FI/VN |
| //55/66//53/54//33/44//2 | C/ | From high birth and all its fetters (fl) | TW-E | Haunted Tower, 1789 | 58-59 | VO,KB |
| //55/66//5/44//33/2123 | 2 | A Vous Dirai Je Maman (t) | MS-F | Galoubet MS, 1790 | 2 | PI |
| //5-5-/6-6-//5-/4-4-//3-3-/2-2- | 2 | Ah! Vous Diraije Maman (t) | IC-F | Bonjour Recueil, 1800 | 1:2 | VN/FL |
| //556/6551//1443/2//2334/4556// | C (ed) | Ayre (t) | IC-E | Apollo's Banquet 1-8, 1701 | 8r,44 | VN |
| //55/66//55/454//35/622 | C | Allemanda Presto (t) | IC-S | Stewart Marches, 1773 | 72 | 2VN/GF/OB,VC/HA |
| //5/5//6/6//565/1+76//5/ | 6/8 | Come thou rosy dimpl'd boy (fl) | TW-E | Damon & Phil, 1768 | 18 | VO,HAF |
| //5/5//6/6//56/54// | 2/4 | Boquett, La (French) (t) | DA-E | Wilson Companion, 1816 | 102 | MI |
| //55//66/5//6546/5435//4324/3 | C | AM-A | Stiles MS, 1807 | 63 | 2MI | |
| //5-5-/6-6-//5-6-7-/11//5-5-/6-6- | 2/4 | Zapffenstreich. Preussisch (t) | MS-G | Darmstadt MS 1224 | 329,331 | 2MI |
| //55/66//61+76/5//454/35 | 2,4 | Lovers Mother I Have None (t) | AI-A | Riley Flute 3, 1820 | 14 | FL |
| //55/66//65/1+//1+71+/2+1+7654// | C | Wou'd You Taste the Noon tide (t) | IC-E | Bremner Recorder, 1765 | 18 | FL |
| //55/66//65/1+//1+71+/2+1+7654 | C | Favourite Air, A (t) | IC-E | Delightful-1, 1763 | I,29 | GF |
| //55/66//65/43//46 | C | Would you taste the noontide air (fl) | SC-E | Amaryllis, 1760 | II,50-51 | GF,VO,HAF+FL |
| //55/66//65/43//46 | C | Wou'd you taste the noontide air (fl) | SS-E | SS, Folger-C52 | 72,1-2 | MI,VO,KB |
| //55/66//65/43//46/54 | C | Noon Tide Air, with the Variation, The (t) | AM-A | Aborn MS, 1790 | 30-31 | MI |
| //55/66//65/43//46/54//43 | C | Noontide Air, The (t) | SC-E | Calliope, 1746 | II,20-21 | VO,HAF |
| //55/66654//55545 | C/ | French Rigadoon, The (t) | PL-E | Playford 1-17, 1721 | 150 | VN |
| //55/66654//55545 | C/ | French Rigadoon, The (t) | PL-E | Playford 1-18, 1728 | 150 | VN |
| //55/66654//5555/66 | C/ | Rigadoon (t) | PL-E | Playford 1-12, 1703 | 150 | VN |
| //55/66654//5555/66654 | C/ | Rigadoon (t) | PL-E | Playford 1-07, 1686 | AIII,4 | VN |
| //5566654//5555/66654//5 | C/ | Rigadoon (t) | PL-E | Playford 1-09, 1695 | 150 | VN |
| //55/66654//5555/66654//5 | C/ | Rigadoon (t) | PL-E | Playford 1-15, 1713 | 150 | VN |
| //55/66654//5555/66654//5 | C/ | Rigadoon (t) | PL-E | Playford 1-16, 1716 | 150 | VN |
| //55/66654//5555/66654//56 | C/ | Rigadoon (t) | PL-E | Playford 1-14, 1709 | 150 | VN |
| //5566//6553//2212//35 | 3/4 | Young Carlos sued a beauteous maid (fl) | AI-A | Gent's Amus, 1794 | 65 | GF/VN/VO |
| //5566//6553//2212//35 | 3/4 | Scotch Air from the Prisoner (t) | AI-A | Scots MM, 1797 | 31-32 | VO,HA/PF |
| //5566//6553//2212//3555//6664//551+6 | 3/4 | Scotch Air from the Prisoner (t) | AI-A | Caladonian Muse, 1798 | 31-32 | VO/PF/VN |
| //5566//6553//2212//355//6664//551+ | 3/4 | Scotch Air (t) | TW-E | Prisoner, 1792 | 14 | VO,CL,2FL,KBF |
| //55/66//655/44//33/2123 | 2/4 | Pipe Ta Bac, La (t) | AI-A | Balls Amus 1, 1815 | 8 | FL/FI/VN |
| //55/66//655/44//33/2123 | 2/4 | Pipe Tabac, La (t) | AI-A | Riley Flute 1, 1814 | 21 | FL |
| //5-5-/6-6-//7-1215-//33/217- | C/ | Song, A (t) | SC-E | Pills 5, 1719-20 | 114 | VO |
| //55/66//71+71+/2+1+//71+67/54// | [C] | IC-E | Wright Extraordinary, 1715 | [6] | MI | |
| //55/66//75/567//1+6/2+6 | C/ | Theobalds (t) | DA-E | Walsh CD-2.3, 1735 | 206 | VN/OB/GF/CF |
| //55/66//75/567//1+6/2+6 | C/ | Theobalds (t) | DA-E | Walsh CD-3.3, 1749 | 194 | VN/OB/GF |
| //55/66//75/567//1+6/2+7 | C/ | Theobald's (t) | DA-E | Johnson CD-1, 1740 | 25 | MI |
| //55/66//767/1+5//51+7/56 | 6/8 | Crazy Jane (t) | IC-E | Astor Guitar, 1800 | 31 | VO,GT |
| //55/66//767/567//1+7/671+2+// | C/ | Teobald Contre-Danse Angloise (t) | IC-F | Pointel Airs, 1700 | 16 | MI,B |
| //5567//1+1/13//322654//3455 | 2/4 | TW-E | Maid/Oaks, 1774 | 15 | KBF | |
| //5567//1+1+2+3+//2+1+767//1+//55567// | 3/2 (ed) | Sellingers Rownde (t) | MS-E | Nevell MS, 1591 | 211-220 | VI |
| //55-6-7-//1123//4321//7-12234//5 | 3/4 | Auspicious spirits guard my love (fl) | TW-E | Thomas & Sally, 1761 | 29-33 | HAF,VO,2VN,VA |
| //55-6-7-//1123//4321//7-12234//57-12 | 3/4 | Song 59 (t) | SC-E | Vocal Enchant, 1783 | 126-127 | VO |
| //55/67//1+1+2+/77//1+5/35 | C | Knight Errant (t) | AI-A | Blake Amus 1, 1824 | 5 | CL |
| //5-5-/6-7-//112/7-7-//15-/3-5- | C | Knight Errant, The (t) | AM-A | Canfield MS, 1823 | 67 | FL |
| //5-5-/6-7-//112/7-7-//15-/3-5- | Knight Errant (t) | AM-A | Commonplace MS, 1811 | 34 | MI | |
| //5567/1+1+5//6671+/5//1+5/1+5 | C | Glorious voice of war, The (fl) | TW-E | Judgment/Paris, 1745 | 42-54 | 2TR,DR,2VN,2OB,VA,VO,KBF |
| //5-5-6-7-/11//6-27-3/212//3212/3456// | C/ | New Dance, A. Provo (t) | IC-E | Apollo's Banquet 1-1, 1670 | 214 | VN |
| //5567/1+1+//62+73+/2+1+2+//3+3+1+2+/3+4 +5+6+// |
C/ | Provo, La (t) | IC-E | Apollo's Banquet 1-2, 1678 | A39 | VN |
| //5/567//1+/1+76//55/567//1+ | 2/4 | Finale, Act I (t) | TW-E | Midnight Wand, 1793 | 30-36 | 4VO,KB |
| //5/5//67/1+2+//1+7/65 | Scotch Grays March (t) | AM-A | Murphey MS, 1790 | 33 | MI | |
| //55/67//1+///2222/24323231 | C/ | IC-E | Forest Harmony-2, 1733 | 43 | 2HN/GF/TR/VN | |
| //5567//1+2+3+34//54+3+//2+34//5567//1+2 +3+4+5+3+1+3+2+4+72+// |
3/8 | Retreat, A (t) | MS-S | Fife MS, 1780 | 959,101r | 1FI OR 2FI/VN |
| //5-5-/6-7-//12/33//6-/2 | 2 | Sans Un Petit (t) | IC-F | Bonjour Recueil, 1800 | 2:7 | VN/FL |
| //5-/5-6-7-123//43432/343//25/54321// | C | Air (t) | IC-E | Prelleur Modern, 1731 | 23 | VN |
| //5567//1+2+3+//567//1+5//6561+2+ | 3 | Aileen Aroon (t), or Irish Ballad, An (at) | SS-E | SS, Harvard | 1 | VO,KB |
| //5567//1+2+3+//567//1+5//7561+2+ | 3 | Ailen Aroon (t), or Irish Ballad, An (at) | SS-E | SS, Harvard | 1 | VO,KB |
| //5-5-6-7-124//35654//32314543//223212// 7-1217-6-5-6-// |
C 3-1 | Almaine (t) | MS-E | Rogers MS, 1656 | 78-79 | VI |
| //5567//143//22+1+//71+//56//543// | 3/4 | Lord John Murray's Minuet (t) | AM-A | Ormsby MS, 1758 | 293 | VN |
| //5567//1+443//6421//7-12155//554//34525 |
3/4 | I have not the grace (fl) | TW-E | Seraglio, 1776 | 12-13 | VO,2VN,KBF |
| //55/67//1+5/1+2+1+//71+7/676 | 6/8 | Bois, Les (t) | IC-S | Stewart Airs, 1788 | 1:17 | GF/VN/FI |
| //5567//1+51+7//651+71+//3+2+134//5 | 3/4 | O Bothwell Bank (t) | SC-S | Scots MM-6, 1803 | 529 | VO,PF |
| //5567/1+531//5567/1+56//5567/1+531// | C/ | Lady Douns Strathspey (t) | MS-S | Fife MS, 1780 | 810,88v | 1FI OR 2FI/VN |
| //5/567//1+/53//16/54 | C | Dominion L. M. (t) | AM-A | Dean MS, 1800 | I.93 | 3VO:S(T)B |
| //55/67//1+5/321//6-43/21 | 6/8 | Miss Ann Cockburn's Fancy High Dance (t) | IC-S | Gibb New Coll, 1798 | 31 | PF/VN,VC |
| //55/671+//5/4624//3514/34 | 2 | Air by Mr. Cocklin (t) | IC-S | Stewart Marches, 1761 | 90-91 | VN/GF/OB,VC/HA |
| //5567/1+//5567/1+71+2+//1+2+1+76/7// | C/ | Tabulation for the Fife or Arigot In the third Mode (t) | DA-F | Arbeau Orchesography, 1589 | 40-43 | DR/MI |
| //55/671+6//54565/33//322/65 | C | Her Cheek Was of the Roses Dye (t) | AI-A | Riley Flute 4, 1826 | 74 | FL |
| //55671+6//54642//54642//35312427- | 2/4 | Silvander (t) | AM-A | Allen, W. MS, 1790 | 11 | MI,B |
| //5/5//67/1+6//5/5// | 2/4 | Marquiss de La Fayette's March, The (t) | AM-A | Adams, W. MS, 1795 | 25 | MI |
| //5/567//1+71+/1//671+/543 | 6/8 | Giga (t) | IC-E | Bremner Airs, 1761 | 23 | VN/GF,B |
| //5/567//1+71+/1//671+/543 | 6/8 | Giga (t) | IC-E | Preston Marches, 1804 | 23 | GF/VN,VC/PF |
| //55/671+//71+2+//1+1+//55/671+// | 6/8 | Montaigne, La (t) | DA-E | Randall Cots, 1768 | 4-5 | KB |
| //5-5-6-7-//17-1//231//6-5-5-//5-16- | 3/8 | #28 (t), or Kitty the Cuckoo (at) | IC-E | Bunting, 1796 | 16 | PF |
| //5-5-6-7-/17-13//2127-/11//3432/2116- | C | Soldier's Bride (t) | AI-A | Blake Amus 1, 1824 | 22 | CL |
| //5-5-6-7-/17-13//2127-/11//3432/2116- | C | Soldier's Bride, The (t) | AM-A | Canfield MS, 1823 | 44-45 | PF |
| //5-5-6-7-/17-13//2127-/11//3432/2116- | C | Soldier's Bride (t) | AM-A | Woodruff MS, 1803 | 99 | MI |
| //5-5-6-7-/17-13//2127-/12// | C | Soldiers Bride, The (t) | AM-A | White, G. MS, 1790 | 116 | VN |
| //5567/1+71+3+//2+7/543//4565/4321//7-12 7-/5- |
C/ | Dance In Cinderella (t) | AM-A | Belknap MS, 1784 | 51V | MI |
| //55/67//1+71+7/1+34//55/67 | 2/4 | Rast a 100 Schritte In der Minutte (t) | IC-G | Bavarian March, 1807 | 43-44 | 2FI,DR |
| //55/67//1+765/1+5//1+1+/2+1+ | C | Bachanalian, A (t) | AM-A | Van Renssel. MS, 1782 | II,16 | KB |
| //55671+76//543//1+3+61+72+//1+13//427-5 -4//3 |
3/4 | Minueto (t) | MS-M | Garcia MS, 1772 | 90V [211] | MI |
| //55/67//1+76/56//56/43 | C/ | British Muses An Ode, The (t) | SC-E | Pills 1, 1719-20 | 103-4 | VO |
| //55/67//1+76/56//56/43 | C | British Muses, The (t), or Ode Occasion'd by the Hearing of Five Fine Ladys | SS-E | SS, Folger-C42.4 | 84 | VO,KB+FL |
| //55/67//1+76/56//56/43 | C | British Muses, The (t), or Ode Occasion'd by the Hearing of Five Fine Ladys | SS-E | SS, Harvard | 1,DUP | VO,B+FL |
| //5/567/1+76/567//671+/2/1/1// | 12/8 | Amelia (t) | DA-E | London Magazine | 281, 1752 | MI |
| //55671+76//65//427-5- | 3/4 | Minueto (t) | MS-M | Garcia MS, 1772 | 93 [216] | MI |
| //556/71+76//65/543//654/321//5 | C | Old England's Wooden Walls (t) | SC-S | Edinburgh MM-1, 1792 | 328-330 | VO |
| //55671+76//65543//654321//55-7-2//52234 32//23 |
3/4 | Thro' waves and wind in days that are no more (fl) | TW-E | Fair American, 1782 | 36-37 | VO,KB |
| //5-5-6-7-1//7-6-6-5-//5-444/4333//3222/ 2 |
2/4 | Allegretto (t) | AM-A | Hiester MS-1, 1793 | 81 | HA |
| //556//7223//556//725-7-2 | C | Macgregor Aruaro (t) | IC-S | Aird 4, 1796 | 165 | FI/GF/VN |
| //55675//1+55//311 | 3/4 | Tom Tinker's My True Love (t) | AM-A | Akerman MS, 1795 | 63 | MI |
| //55675//1+55//311 | 3/4 | Singlings of a Troop (t) | AM-A | Williams, W. MS, 1775 | 35 | FI |
| //55675//1+55//311//15- | 3/4 | Air 13, Act Iii (t) | BA-E | Beggar's Opera, 1728 | T52M14 | VO |
| //55675//1+55//311//15//1 | 3/4 | Air 53 (t) | BA-E | Beggar's Opera, 1777 | 104-105 | VO |
| //55675//1+55//311//15-//124234//552//7- 5-5- |
3/4 | Air 53 (t) | BA-E | Beggar's Opera, 1765 | 84 | VO |
| //55675//1+55//3112//15- | 3 | Tom Tinker (t) | SC-E | Pills 6, 1719-20 | 265-7 | VO |
| //55675//1+554//31236-//17-1234//5521//7 -5-5-6-// |
3/4 | Which Way, Shall I Turn Me (t) | AM-A | Hoff MS, 1797 | No. 24 | GF |
| //5567//521//1235//55//6671+//6 | 3/4 | Lord John (t) | IC-E | Caledonian PC, 1760 | I,25 | GF |
| //5-5-6-/7-5-//5-6-7-5-/21//223/42 | 2/4 | Quick Step (t) | AM-A | Brown, N. MS, 1781 | 20R | FI |
| /55//675/67//1+/71+//2+3+/ | 6/8 | Vinaigriez, Le (t) | IC-F | Leclerc Recueil-3, 1738 | 145 | HAF |
| //5-5-/6-7-6-//5-/11//23/43 | 6/8 | Tit for Tat (t) | MS-E | Hammersley MS, 1790 | 26B+102B | MI |
| //5-5-6-7-6-//5-/11//23/43 | 6/8 | Tit for Tat (t) | DA-E | Johnson CD-2, 1742 | 71 | MI |
| //55/676//5/1+//2+3+/4+3+ | 6/8 | Tit for Tat (t) | DA-E | Walsh CD-2.2, 1735 | 13 | VO/OB/GF/FL |
| //55/676//5/1+//2+3+/4+3+ | 6/8 | Tit for Tat (t) | DA-E | Walsh CD-3.2, 1749 | 13 | VN/OB/GF |
| //5/567//654/321//41+/31+ | 6/8 | Hare In Ye Corn (t) | MS-E | Hammersley MS, 1790 | 65B | MI |
| //5/567//654/321//41+/31+ | 6/8 | Hare In the Corn (t) | DA-E | Johnson CD-1, 1740 | 4 | MI |
| //5/567//654/321//41+/31+ | 6/8 | Hare In the Corn (t) | DA-E | Walsh CD-2.3, 1735 | 35 | VN/OB/GF/CF |
| //5/567//654/321//41+/31+ | 6/8 | Hare In the Corn (t) | DA-E | Walsh CD-3.3, 1749 | 47 | VN/OB/GF |
| //5/567//654/321//42+/31+// | 6/8 | Hare In Ye Corn (t) | MS-E | Vickers MS, 1770 | 107 | MI |
| //55/67654//543/434//212/24321 | C/ | Fashionable Shepherdess (t) | SC-E | Pills 6, 1719-20 | 357-9 | VO |
| //55/67654//5555/66654 | C/ | Rigadoon (t) | PL-E | Playford 1-11, 1701 | I,150 | VN |
| //55676/57-//6-5-6-7-/323//52/5676 | C/ | I Wish My Love Were In a Mire, New Sett (t) | MS-S | Gillespie MS, 1768 | 48 | VN |
| //5567/6671+//771+2+/5//3453/2342//1 | 2/4 | Jittana, La (t) | MS-M | Garcia MS, 1772 | 122 | MI |
| //5/56//7/67//1+1+/76//5 | C/ | Rufty Tufty (t) | PL-E | Playford 1-01, 1651 | 70 | VN |
| //556/76767656///7/1+//2+1+2+/3+2+3+2+3+ 2+1+2+// |
C/ | Pavana (t) | MS-E | Fitzwilliam MS-2, 1609 | 121-124 | VI |
| //5//5-//6-7-7-6-7-//1//34321//255-// | 3/4 | Minuet (t) | IC-E | Prelleur Modern, 1731 | 19 | OB |
| //55/67//776/56//56/43 | C | British Muses, The (t), or Ode Occasion'd by Ye Hearing of 5 Fine Ladies... | SS-E | SS, Harvard | 1 | VO,B+FL |
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