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Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
//5-/5-//5- | Left (t) | AM-A | Beach MS, 1801 | 92 | BU | |
//5-5-5-// | Left (t) | IC-E | British Bugle, 1813 | 14 | BU | |
//5-/5-/5- | Left (t) | AI-A | Gardner Compend, 1819 | PL20 | BU | |
//5-5-/5- | 2/4 | Centre (t) | AI-A | Holbrook Tactics, 1826 | PL11 | BU |
//5-5-/5- | 2/4 | Centre (t) | AI-A | US Light Inf, 1830 | 123 | BU |
//5-5-5- | Left (t) | AI-A | US Riflemen, 1824 | PL15 | BU | |
//5-5-/5-// | 2/4 | Centre (t) | AI-A | US Tactics, 1825 | 275 | BU |
//5-5-/5- | 2/4 | Centre (t) | AI-A | US Tactics, 1834 | PL88 | BU |
//5-5-5-11111111111115-5-3-3-1-//5-5-5-5 -5-5-5-5-5-5-5-3-3-1 |
Call In the Morning, The (t) | IC-E | Longman Horn, 1785 | 13 | HN | |
//5-5-5-11111111111115-5-3-3-1-//5-5-5-5 -5-5-5-5-5-5-5-3-3-1 |
Call In the Morning, The (t) | IC-E | Muses Delight, 1754 | 26 | HN | |
//5-5-5-11111111111115-5-3-3-1-//5-5-5-5 -5-5-5-5-5-5-5-3-3-1-//5-5-5-11 |
Call In the Morning, The (t) | IC-E | Simpson Horn, 1746 | 5 | HN | |
//5-5-5-11111111111115-5-3-3-1-//5-5-5-5 -5-5-5-5-5-5-5-3-3-1-//5-5-5-11 |
Call In the Morning, The (t) | IC-E | Thompson Horn, 1755 | 5 | HN | |
//5-5-5-/111//212/3//55 | C/ | Disappiontment, The (t) | SS-E | SS, Folger-C42.3 | 286 | VO,KB+FL |
//5-5-5-/111//212/3//55/6443 | C/ | Joan to the May-Pole (t) | SC-E | Pills 4, 1719-20 | 145-7 | VO |
//5-5-5-/111//212/3//55/6543 | C/ | Disappointment, The (t) | SS-E | SS, Harvard | 1 | VO+FL |
//5-5-5-/111//212/3//55/6543//4321/1 | C/ | Air 10, Act Iii (t) | BA-E | Female Parson, 1730 | 52 | VO |
//5-5-5-/111//212/3//55/6543//4321/1 | C/ | Disappointment, The (t) | SC-E | Pills 1, 1719-20 | 262-4 | VO |
//5-5-5-//111//222 | 2/4 | Hark, Hark Away (t) | AI-A | Village Fifer, 1808 | 55 | 2FI |
//5-5-5-1112223332221113332221115-5-5-3- 3-3-1-1-1-3-3-1-5- |
Another Cherish (t) | IC-E | Longman Horn, 1785 | 14 | HN | |
//5-5-5-1112223332221113332221115-5-5-3- 3-3-1-1-1-3-3-1-5- |
Another Cherish (t) | IC-E | Simpson Horn, 1746 | 6 | HN | |
//5-5-5-1112223332221113332221115-5-5-3- 3-3-1-1-1-3-3-1-5- |
Another Cherish (t) | IC-E | Thompson Horn, 1755 | 6 | HN | |
/5-5-5-//111/231//43/231//2/ | 6/8 | Ton Pour La Retraite En Fanfare (t) | IC-F | Diderot Chasse, 1763 | 2:2:5 | HN |
//555-//111//23432//334//555-//11 | 3/4 | Ah cease this affliction (fl) | TW-E | Deserter, 1773 | 28-29 | VO,KBF |
//5-5-5-/111//25-5-/311//25-5-/343 | C | Here's a health to King George (fl) | TW-E | Recruiting Serj, 1770 | 42-46 | 4VO,2VN,VA,BF |
/5-5-//5-/11//1/3234//51/ | 2 | Cotillon Hongrois a quatre (t) | DA-F | Dezais Livre, 1725 | 1-8 | MI |
/5-5-//5-/11//1/3234//51/ | 2 | Cotillon Hongrois, Le (t) | IC-F | Leclerc Recueil-1, 1729 | 25 | HAF |
//5-5-5-//111//3242/2117-//15-5-27-//15- 5-27- |
2/4 | Concerto 4. Andante (t) | IC-E | Bremner Mil Con, 1774 | 2OB/CL/FL/VN,2HN,BS | |
//5-5-5-//111//333//5//333//111 | 3/8 | Angriff Mit Dem Bajonnet (t) | IC-G | Hanoverian Inf, 1821 | 53 | HN |
//5-5-5-11133353331115-5-5-1111111 | Charge (t) | IC-E | Broderip Sounds, 1799 | 19 | BU | |
//5-5-5-11133353331115-5-5-1111111// | Charge (t) | IC-E | Hyde Bugle, 1818 | 40 | BU | |
//5-5-5-11133353331115-5-5-1111111 | 6/8(ED) | Charge (t) | IC-E | Hyde Trumpet, 1798 | 23 | BU |
//5-/5-5-//1/11//5-/5-5- | 2/4 | Parade Call (t) | AM-A | Bugle MS, 1800 | 1 | BU |
//5/55//1+/1+1+//5/55// | 2/4 | AI-A | Duane Compendium, 1809 | xix | BU | |
//5-/5-5-//1/11//5-/5-5- | 2/4 | Enemy Has Riflemen, The (t) | AI-A | Duane Riflemen, 1812 | 105 | BU |
//5-/5-5-//1/11//5-/5-5- | 2/4 | Parade Call (t) | AI-A | Hoyt Cavalry, 1813 | Pl 14 | TR,BU |
//5-5-5-1115-5-5-1115-1115-15-1115-5-3-3 -1-/5-5-5-5-5-5-5-5- |
Second Running, The (t) | IC-E | Longman Horn, 1785 | 14 | HN | |
//5-5-5-1115-5-5-1115-1115-15-1115-5-3-3 -1-//5-5-5-5-5-5-5-5 |
Second Running, The (t) | IC-E | Simpson Horn, 1746 | 6 | HN | |
//5-5-5-1115-5-5-1115-1115-15-1115-5-3-3 -1-//5-5-5-5-5-5-5-5 |
Second Running, The (t) | IC-E | Thompson Horn, 1755 | 6 | HN | |
//5-5-5-1115-5-5-1115-5-3-3-1-//5-5-5-5- 5-5-5-5-5-5-5-5-5-5- |
Hark Away, The (t) | IC-E | Longman Horn, 1785 | 13 | HN | |
//5-5-5-1115-5-5-1115-5-3-3-1-//5-5-5-5- 5-5-5-5-5-5-5-5-1115 |
Running, The (t) | IC-E | Longman Horn, 1785 | 13 | HN | |
//5-5-5-1115-5-5-1115-5-3-3-1-//5-5-5-5- 5-5-5-5-5-5-5-5-5-5- |
Hark Away, The (t) | IC-E | Muses Delight, 1754 | 26 | HN | |
//5-5-5-1115-5-5-1115-5-3-3-1-//5-5-5-5- 5-5-5-5-5-5-5-5-1115 |
Running, The (t) | IC-E | Muses Delight, 1754 | 27 | HN | |
//5-5-5-1115-5-5-1115-5-3-3-1-//5-5-5-5- 5-5-5-5-5-5-5-5-5-5- |
Hark Away, The (t) | IC-E | Simpson Horn, 1746 | 5 | HN | |
//5-5-5-1115-5-5-1115-5-3-3-1-//5-5-5-5- 5-5-5-5-5-5-5-5-1115 |
Running, The (t) | IC-E | Simpson Horn, 1746 | 5 | HN | |
//5-5-5-1115-5-5-1115-5-3-3-1-//5-5-5-5- 5-5-5-5-5-5-5-5-5-5- |
Hark Away, The (t) | IC-E | Thompson Horn, 1755 | 5 | HN | |
//5-5-5-1115-5-5-1115-5-3-3-1-//5-5-5-5- 5-5-5-5-5-5-5-5-1115 |
Running, The (t) | IC-E | Thompson Horn, 1755 | 5 | HN | |
//555/1+1+//2+1+1+/3+//55/65// | 6/8 | Dearest Lassie (t) | AI-A | Admired Cots-1.2, 1825 | 2 | PF |
//5-5-5-/11//212/34//55/6543 | C | Air 23 (t) | BA-E | Cobler's Op-2, 1729 | T26M8 | VO |
/5-5-5-//11/212//3/542//11/35// | 6/8 | Chasse D'Henri Quatre, La. 4th. Set (t) | AI-A | Cotillion Party, 1818 | 18 | VN/GF/ PF |
//5-5-5-/11//212/3//5-5-/6-5- | 6/8 | Dearest Sweetest Bonnie Lassie (t) | AI-A | Ashton Clar, 1825 | 26 | CL |
//5-5-5-/11//212/3//5-5-/6-5- | 6/8 | Dearest Lassie (t) | AI-A | Blake Amus 1, 1824 | 3 | CL |
//5-5-5-/11//212/3//5-5-/6-5- | 6/8 | Dearest Sweetest Bonny Lassie (t) | AI-A | Riley Flute 3, 1820 | 67 | FL |
//5-/5-5-//1/1//2/2// | 2/4 | Hark Hark Away (t) | AM-A | Pynchon MS, 1797 | 10r | MI |
/5-5-5-//11/22//3/232//11/ | 6/8 | Snow-ball (t) | AM-A | Duport MS-1, 1780 | 74-5 | VN |
/5-5-5-//11/22//53/1117-//6-427-// | C/ | Hymn de Marseillois (t) | AM-A | Adams, W. MS, 1795 | 28 | MI |
//555//1+13//444 | 3/4 | Hayden's Minuet (t) | AI-A | Village Fifer, 1808 | 52 | FI |
//555//1+13//444/424//335//224// | 3/4 | Haydens March (t) | AM-A | Litten MS, 1800 | 27 (37) | VN |
//55-5-//1+13//4-4-4-//6-24-//335 | 3/4 | Haydns Minuet (t) | AI-A | Evening Amuse, 1796 | 20 | GF/VN |
//555//1+13//444//624//335//224 | 3/4 | Overture. Minuetto (t) | AI-A | American SS-SM | 8 | KB |
//555//1+13//444//624//335//224 | 3 | Minuetto (t) | AM-A | Curtiss MS, 1800 | 89 | 2VN |
//5/5//5/1+1+//66/77//1+ | C | View of the Temple, A Masonic Ode, A (t) | AI-A | Evangel Harm, 1800 | 66-68 | 2VO:(S)B |
//5/55//1+1//7-1/23//434/31// | 2/4 | Licoris, La. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 145 Feuille | MI |
//55/51+//1+7/1+76//55/564 | 6/8 | Fidel Epoux (t) | IC-F | Bonjour Recueil, 1800 | 1:6 | VN/FL |
//5-5-/5-1//17-/7-1//23/21 | 2/4 | Quick March (t) | IC-I | Holden Marches, 1795 | 13 | VN,PF |
//5551+//1+771+//2+3+4+2+ | 2/4 | Quick March (t) | AI-A | Martial Music, 1807 | 37 | 2CL/2OB,BS |
//55/51+//1+77/1+5//66/54 | C | Favourite Song, A (t) | SS-E | SS, Huntington-2 | 115,1-3 | 2VN,VO,B,VA |
//55/51+//1+77/1+5//66/54 | C/ | Favourite French Song, A (t) | AI-A | Young's Vocal, 1793 | 29-30 | VO,PF |
//5/5//51+//1+7/76//65/54 | 2/4 | Duetto (t) | AI-A | Herrick Preceptor, 1807 | 31 | 2MI |
//5-5-/5-1//21/23//5-5-/6-5- | 2/4 | Comin' Thro' the Rye (t) | AI-A | Riley Flute 4, 1826 | 12 | FL |
//55512//3211//55563//3323//332116-// | C 3 | Vocal Lesson. Since 'tis My Fate (t), or Since 'Tis My Fate (at) | MS-E | Rogers MS, 1656 | 95 | VI |
//555-//12//321//5-//5- | 3/8 | Proteus (t) | SS-E | SS, Folger-C42.2 | 219,2-220,1 | MI,VO,KBF |
//5-/5-5-//12//32/17-//13//21/7-6- | C/ | St. Tamany (t) | AI-A | American Periodicals | VO,KB | |
//5-/5-//5-12//3234/33 | C/ | March In Rinaldo (t) | AM-A | Aborn MS, 1790 | 51 | 2MI |
//5-/5-//5-12//3234/33 | C/ | Handel (t), or March 23 (at) | IC-E | Button Whit-1, 1806 | 30-31 | 2GF/2VN/2FL/2FI |
//5-/5-//5-12//3234/33 | C/ | March In Rinaldo, A (t) | IC-E | Delightful-1, 1763 | III,20 | GF |
//5-/5-//5-12//3234/33 | C/ | March In Rinaldo (t) | AI-A | Fifer's Comp, 1805 | 64 | 2FI |
//5-/5-//5-12//3234/33 | C/ | March, A (t) | MS-S | Gillespie MS, 1768 | 36 | VN |
//5-/5-//5-/12//3234/33// | C/ | March In Rinaldo (t) | IC-E | Johnson Flute, 1760 | 22 | GF |
//5-/5-//5-/12//3234/33// | C | The Grand March In Rinaldo (t) | IC-E | Naval Compendium, 1800 | 35 | 2FL/VN,PF |
//5-/5-//5-12//3234/33 | C/ | March In Rinaldo (t) | IC-E | Skillern Amus, 1785 | 8 | 2GF |
//5-/5-//5-12//3234/33 | C | March In Rinaldo (t) | IC-E | Thompson Fife, 1770 | 29 | FI |
//5-/5-//5-12//3234/33 | C/ | March In Rinaldo (t) | IC-E | Thompson March, 1759 | 14 | VN/FL/OB |
//5-/5-//5-12//3234/33 | C/ | March In Rinaldo (t) | IC-E | Thompson Oboe, 1758 | 14 | OB |
//5-/5-//5-12//3234/33//3 | C | Air 20 (t) | BA-E | Beggar's Opera, 1777 | 53-54 | VO |
//5-/5-//5-12//3234/33//3 | C/ | March In Rinaldo (t) | IC-E | Bremner Airs, 1761 | 72 | 2VN/GF,B |
//5-/5-//5-/12//3234/33//3 | C/ | Marlborough's March (t) | IC-E | Delightful-2, 1745 | IV,35 | GF |
//5-/5-//5-12//3234/33//3 | C/ | March In Rinaldo (t) | IC-E | Handel March 1, 1768 | 14 | VN/GF/OB |
//5-/5-//5-12//3234/33//3 | C/ | March In Rinaldo (t) | IC-E | Johnson Oboe, 1750 | 14 | OB |
//5-/5-//5-12//3234/33//3 | C | March In Rinaldo (t) | IC-E | Longman Fife, 1770 | 28 | FI |
//5-/5-//5-12//3234/33//3 | C/ | March In Rinaldo (t) | IC-E | Preston Marches, 1804 | 72 | 2GF/VN,VC/PF |
//5-/5-//5-12//3234/33//3 | C/ | March In Rinaldo (t) | IC-E | Thompson Oboe, 1770 | 19 | OB |
//5-/5-//5-12//3234/33//3 | C/ | March In Rinaldo (t) | IC-E | Thompson Oboe, 1790 | 15 | OB |
//5-/5-//5-12//3234/33//3 | C/ | Granideers Trumpet Tune (t) | IC-E | Walsh Oboe, 1715 | 12 | OB |
//5-/5-//5-12//3234/33//3 | C/ | March In Rinaldo, A (t) | IC-E | Warlike Musick, 1760 | 37 | GF/VN/HA |
//5-/5-//5-12//3234/33//3/5 | C | Air 2, Act Ii (t) | BA-E | Beggar's Opera, 1728 | T21M6 | VO |
//5-/5-//5-12//3234/33//3/5 | C | Air 20 (t) | BA-E | Beggar's Opera, 1765 | 44-45 | VO |
//5-/5-//5-12//3234/33//3/5 | C | March In Rinaldo, with Drums & Trumpets (t) | AM-A | Simpson MS, 1750 | II,2 | FL |
//555//1+2+3+//4+3+2+1+76 | 3/4 | New Song by Way of Congratulation to Her Majesty, A (t) | SC-E | Pills 1, 1719-20 | 224-5 | VO |
//5-5-5-//123//43217-6-//7-1 | 3 | New Song, A (t) | SS-E | SS, Folger-C42.1 | 223,2-224,1 | VO,KB+FL |
/5-5-5-//12/34//52/234//55/ | 6/8 | Henriette, L' (t) | IC-F | Leclerc Recueil-2, 1737 | 88 | HAF |
//55-5-/12//7-6-/5-234//321/7-1 | C | March (t) | IC-E | Warlike Musick, 1760 | 36 | GF/VN/HA |
//55/51+3+//3+2+7/1+76//565/5346 | C | Mr Doughty's Favorite (t) | AI-A | Riley Flute 3, 1820 | 49 | FL |
//555/1+33//333/511//246/657- | 6/8 | By a Murmuring Stream (t) | AI-A | Riley Flute 2, 1817 | 10 | FL |
/55//51+/33//35/11//22/ | 2/4 | Mislead, The (t) | AM-A | Duport MS-2, 1800 | 10r | VN |
//55/51+//33/35//11/7-123 | 2/4 | Allegro (t) | AM-A | Beach MS, 1801 | 35 | MI |
//5-/5-5-//134//55/532 | C | Second March In the Water Peice (t) | IC-E | Delightful-1, 1763 | III,4 | 2GF |
//5-/5-5-//134//55/532//11+7 | C | March In the Water Piece (t) | MS-E | Shepherd MS, 1787 | 37 | 2MI |
//5-/5-5-//134//55/532//11+7 | C | Tower Hamlets March (t) | IC-E | Simpson Horn, 1746 | 19 | HN |
//5-/5-5-//134//55/532//11+7 | C/ | March by Mr. Handel (t) | IC-S | Stewart Marches, 1761 | 61 | 2VN/GF/OB,VC/HA |
//5-/5-5-//134//55/5432 | C/ | March In Parthenope, A (t) | IC-E | Thompson March, 1759 | 16 | VN/FL/OB |
//5-/5-5-//134//55/5432 | C/ | March In Parthenope (t) | IC-E | Thompson Oboe, 1758 | 16 | OB |
//5-/5-5-//134//55/5432//1 | C/ | March In Parthenope, A (t) | IC-E | Warlike Musick, 1760 | 32 | GF/VN/HA |
//5-/5-5-//134//55/5432//11+7 | C/ | March In Parthenope (t) | IC-E | Handel March 1, 1768 | 16 | VN/GF/OB |
//5-/5-//5-13/5-13//115-5-/1- | C | Right Flank Platoon (t) | IC-E | Potter Bugle, 1817 | 3 | BU |
//5-5-5-/13//5-5-5-/13 | C | Left Shoulds Forward (t) | IC-E | Potter Bugle, 1817 | 5 | BU |
//55/51+3+//55/53//1/1// | 2/4 | Calif of Bagdad (t) | AI-A | Berault Cots, 1805 | 17-18 | PF |
//55/51+3+//55/53//11/17-13 | 2/4 | Caroles, La (t), or Cotillion (at) | AM-A | Psalmody MS, 1798 | 82-83 | MI |
//55/51+3+//55/53//11/2123// | 2/4 | Bagdad (t) | AI-A | Hewitt Cots-2, 1803 | 4 | PF |
//55/51+3+//55/53//11/2123// | 2/4 | Paris, La (t) | AI-A | Hewitt Cots-2, 1803 | 5 | PF |
//55/51+3+//55/53//11/2123 | 2/4 | Caliph of Bagdad (t) | AI-A | Riley Flute 2, 1817 | 86 | FL |
//55/51+3+//55/531//22/22 | 2/4 | French Cotillion's First Sett-5 (t) | AM-A | Marchant MS, 1783 | 76-77 | KB |
//5551+//432//15//65431//254 | 3/4 | Hail Victory, The Soldier's Pride (t) | AI-A | Whiteley Prec, 1816 | 62 | 2MI,B |
//5551+//432//15//65431//254 | 3/4 | Hail Victory (t) | AI-A | Williams Fife, 1819 | 40 | FI |
//5551+//432//15//6543//254 | 3/4 | Hail Victory (t) | AI-A | Williams Fife, 1826 | 8 | 2FI |
//5-/5-//5-///1-/5- | C | Form Line on the Left Compy (t) | IC-E | Potter Bugle, 1817 | 8 | BU |
//5-5-5-//15-1//111//313//333//531 | 3/8 | Verstarken Derselben (t) | IC-G | Hanoverian Inf, 1821 | 53 | HN |
//5-5-/5-1-//5-1/5-1-//11/131 | 6/8 | Andante (t) | IC-E | Gilbert Bugle, 1804 | 48 | 3BU |
//5-/5-//5-///15-/15-15-//15-/1- | C | Form Column on the Left Centre compy (t) | IC-E | Potter Bugle, 1817 | 8 | BU |
//555//1+53//234//32155//61+7//1+434 | 3/4 | To Morrow (t) | AM-A | Commonplace MS, 1809 | 10V | CL/FL |
//555//1+53//234//3215//65671+6 | 3/4 | In the Downhill of Life (t) | AI-A | Riley Flute 1, 1814 | 53 | FL |
//5-5-/5-1//5-3-4-/5-1//5-4-3-/4-3-2- | 2/4 | Marche.1 (t) | MS-G | Darmstadt MS 1224 | 205 | MI |
//5-5-5-/15-//3-5-/1-2-//3-2-1-2-/3-2-3- 4- |
2/4 | Grenadier March (t) | MS-G | Darmstadt MS 1224 | 239,242 | 2MI |
//5-5-5-/15-//3-5-/3-1-//3-1-2-/3-2-3-4- |
C/ | Grenadier March No 1 (t) | MS-G | Darmstadt MS 1224 | 243,245 | 2MI |
//555//1+54//234//32155//61+7//1+434 | 3/4 | Downhill of Life (t) | AI-A | Blake Amus 1, 1824 | 21 | CL |
//55/51+//54/3//12/35// | 2/4 | Canadian Set, The. No. 5 (t) | AI-A | Terpsichorean Cots, 1831 | 4 | PF |
//55/5//1+/54//3/13//2 | 2/4 | Dialogue & Duett (t) | TW-E | Prize, 1793 | 8-9 | 2VO,KB |
//5/5//5/1+//54/32// | 2/4 | Duet (t) | MS-E | Malecot MS, 1779 | 43 | 2 VN |
//55//51+5//432//1//436//571+ | 3/8 | Variety (t) | SS-E | SS, Harvard | 1 | VO,KB |
//55/51+//5434/51//7-12/1353//2 | C | Bread & Cheese & Kisses (t) | SS-E | SS, Harvard | 1 | VO,KB+GF |
//555/1+55//1+55/43//2344/3455 | C | Surry March, The (t) | IC-E | Oswald Marches, 1759 | 24 | 2MI |
//5/55//1+/5//51+/71+//2+ | 2/4 | Fair Maria of the Dale (t), or Favorite Song, A (at) | AI-A | American SS-SM | 1 | VO,KB |
//5-5-5-//15-5-//311//531//6-6-213 | 3/8 | Princess of Wales's New Waltz, The (t) | DA-E | Thompson CD-7.4, 1800 | 43 | MI |
//55/51+//55/31+//7-7-/11//2 | C | Sonate de Haydn (t) | AI-A | Musical Jnl-1, 1800 | II,14-16 | 2FL/2VN |
//555/1+55//35/5-1//132//265 | C/ | Grand March In Hercules & Omphale, The (t) | IC-E | English Sheet Music | 4 | 2OB/CL,2CL,2HN, |
//5-5-5-/1//5-5-5-/1 | C | Turn to the Right (t) | IC-E | Jones Bugle, 1805 | 4 | BU |
//5-5-/5-1-//5-5-/5-1-//5-1-/5-1- | 2/4 | Avanciren (t) | IC-G | Hanoverian Inf, 1821 | 53 | HN |
//55/51+//55/51+//53/42 | 2/4 | New March for the Edinburgh Volunteers, A. Quick Step (t) | IC-S | Scottish Sheet Music | PF+GF/GT | |
//55/51+//55/51+//543/432// | 2 | Petitte Paisanne (t) | MS-C | Trois-Rivieres MS, 1768 | 51 | MI |
//55/51+//55/53//11/3212// | 2/4 | Waltz or Cotillion, Marry Land Dance: Cotillion (t) | AM-A | Duport MS-2, 1800 | 7v | VN |
//55/51+//55/54321//7-7-/11 | C | William (t) | IC-E | Bland Clar, 1798 | 26 | CL |
//555/1+55//555/2+55//3+2+/1+765// | C | Saxon Dragoons Grand March (t) | AM-A | Irving MS, 1796 | 116 | 2 MI |
//5551+5//5567//1+776//5//1+76// | C (ed) | This Soldier Loves (t) | MS-E | Rogers MS, 1656 | 71-72 | VI |
//5551+5//65//42+754//43//2 | 3/4 | Minueto (t) | MS-M | Garcia MS, 1772 | 81[192] | MI |
//55/51+5//65/5+4+//3+2+1+ | C/ | March 10 (t) | IC-E | Thompson March, 1771 | 6 | 2CL/2VN/2FL/2OB,2FH,BF |
//555/1+5//6/6//55/67//1 | C | Thou like the glorious Sun (fl) | TW-E | Artaxerxes, 1762 | 62-65 | VO,HA |
//55/51+5//66/61+6//535/432 | 6/8 | All of Life, The (t) | AM-A | Allen, W. MS, 1790 | 133 | 2VO |
//55/51+5//66/61+6//535/432 | 6/8 | When First This Humble Roof (t) | AI-A | Balls Amus 1, 1815 | 14 | FL/FI/VN |
//55/51+5//66/61+6//535/432 | 6/8 | When First This Humble Roof (t) | AM-A | Commonplace MS, 1809 | 7R | CL/FL |
//55/51+5//66/61+6//535/432 | 6/8 | Pastorale Andante (t) | AM-A | Marchant MS, 1783 | 16 | VO,KB |
//55/51+5//66/61+6//535/432// | 6/8 | Song (t) | AM-A | Pynchon MS, 1797 | 9v | MI |
//55/51+5//666/1+6//535/432 | 6/8 | When First This Humble Roof I Knew (t) | AI-A | Young's Vocal, 1793 | 51-52 | VO,PF |
//55/51+5//66/61+6//535/432//3 | 6/8 | When First This Humble Root I Knew (t) | SC-S | Edinburgh MM-1, 1792 | 255-256 | VO |
//5-5-5-1/6-15-1//6-6-65/3215-/5- | C | Jockey Cap, The (t) | AI-A | Norman CD, 1799 | 25 | MI |
//55/51+6//5/1+1+//2+2+/71+2+ | 6/8 | Blue Ey'd Mary (t) | AI-A | Riley Flute 2, 1817 | 13 | FL |
//55/51+6//5/35//44/234// | 6/8 | Blue Eyed Mary (t) | AM-A | New Harmony MS, 1826 | 21 | MI |
//55/51+6//5/35//543/234// | 6/8 | Blue ey'd Mary (t) | AM-A | White, G. MS, 1790 | 119 | VN |
//55/51+6//5/35//544/234 | 6/8 | Blue Eyed Mary (t) | AM-A | Allen, Joel, MS, 1800 | 19R | VO |
//55/51+6//5/35//544/234 | 6/8 | Blue Ey'd Mary (t) | AM-A | Beach MS, 1801 | 119 | VO,KB |
//55/51+6//5/35//544/234 | 6/8 | Blue Eyed Mary (t) | AI-A | Blake Amus 1, 1824 | 18 | CL |
//55/51+6//5/35//544/234 | 6/8 | Blue Eyed Mary (t) | AM-A | Commonplace MS, 1811 | 15 | MI |
//55/51+6//5/35//544/234 | 6/8 | Blue Ey'd Mary (t) | AM-A | Eells MS, 1789 | 119 | MI |
//555/1+654//32/15//1+51+3+/2+52+4+// | C | Di Roy March XVIII (t) | IC-E | Longman March 4, 1770 | 9 | 2VN/OB/GF, 2HN, B |
//55/51//66/61+ | C | Heavy Hours, The (t) | SS-E | SS, Folger-C52 | 156,1 | VO,KB+GF |
//55/51//66/61+//543/431 | C | Landskip, The (t) | AM-A | Cary MS, 1797 | 69 | VO |
//55/51//66/61+//543/432 | C | Song (t) | AI-A | American Periodicals | VO,KB | |
//55/51//66/61+//543/432 | C | Favourite Song, A (t) | SC-E | Clio-3, 1762 | 100-101 | VO,HAF+GF |
//55/51//66/61+//543/432 | C | Song 44 (t) | SC-E | Ritson, 1783 | TI,37-38;MIII,15-16 | VO |
//55/51//66/61+//543/432 | C | Heavy Hours, The (t) | SS-E | SS, Folger-C42.1 | 117,2 | VO,KB |
//55/51//66/61+//543/432 | C | Song 125 (t) | SC-E | Vocal Enchant, 1783 | 250-251 | VO |
//55/51//66/61+//543/432//1 | C | Song 11 (t), or Heavy Hours, The (at) | AI-A | American MM, 1798 | 38-39 | VO |
//55/51//66/61+//543/432//1 | C | Heavy Hours, The (t) | SC-S | Edinburgh MM-2, 1793 | 122-123 | VO |
//55/51//66/61+//543/432//1 | C | Heavy Hours, The (t) | SS-E | SS, New York PL-C694 | 28 | HAF,VO+GF |
//5/5//5/1+71+//6/1+71+ | C/ | Soldier Tir'd of Wars, The (t) | SC-E | Clio-4, 1778 | 99-102 | VO,HAF |
//5/5//5/1+71+//6/1+71+ | C | Soldier Tired, The (t) | AI-A | Reinagle Fav-2, 1789 | 14-16 | VO,PF |
//5/5//5/1+71+//6/1+71+ | C | Soldier Tir'd, The (t) | SS-E | SS, New York PL-C695 | 63,1-2 | VO,HA |
//5/5//5/1+71+//6/1+71+ | C | Soldier Tir'd, The (t) | IC-E | Thompson Clar, 1785 | 36-39 | 2CL |
//5/5//5/1+71+//6/1+71+//5 | C | Soldier tir'd of wars alarms, The (fl) | TW-E | Artaxerxes, 1762 | 90-93 | VO,HA |
//5/5//51+71+//61+71+//5535//43217-6-/5- 6-5-4-3-2- |
C | Soldier Tired, The (t) | AI-A | Riley Flute 3, 1820 | 52-53 | FL |
//5-/5-5-//17-/21//43/21 | 6/8 | Notre Meunier (t) | IC-F | Bonjour Recueil, 1800 | 3:3 | VN/FL |
/55//5/1+76//5/3+1+//764+3+/ | 2/4 | Rondo: Andante (t) | IC-E | Welcker Cots, 1768 | 11 | GT |
//555/1+765//53/5//444/43454 | 2/4 | No.4 (t) | MS-G | Darmstadt MS 1225 | 245-46 | 2MI |
//5551+765/535//4444345432/31111+//7651+ /7652+1+ |
C | President Munros March (t) | AI-A | Riley Flute 2, 1817 | 17 | FL |
//55/51+7//66/6//4217-/4217-// | 2/4 | Quick March (t) | MS-C | Molyneaux MS-2, 1788 | 23 | 1 OR 2 GF |
//55/51+//767/5//543/4654 | C/ | March V. Smo Comp. V. Schaumberg (t) | MS-G | Darmstadt MS 1225 | 169-70 | 2MI |
//555/1+7//7654/313//555/43 | C/ | Canadian March (t) | AM-A | Canfield MS, 1823 | 144 | FL |
//5552+1+/71+2+1+//1+76546/4+665+//5552+ 1+/71+2+7 |
C/ | Ranting Highlandman a Reel, The (t) | MS-S | Gillespie MS, 1768 | 100 | VN |
//555//222//34323//133//34323//11231// | 3 | Paspe (t) | IC-E | Apollo's Banquet 1-7, 1693 | 47 | VN/FL |
//555//222//34323//133//34323//11231// | 3 | Passepied (t) | IC-N | Pointel Recueil, 1688 | 34 | MI/B |
//555//222//34323//133//34323//11241// | C3 | Paspe (t) | IC-E | Apollo's Banquet 1-5, 1687 | B19 | VN |
//555//222//34343//133//34323//11242// | C3 | Paspe (t) | IC-E | Apollo's Banquet 1-6, 1690 | B20 | VN |
//5552/343//22/11+//1+675/4 | C | Music In the Procession-7 (t) | TW-E | Lord-Mayors Day, 1782 | 26 | KB |
//55/5234//33/3123//27-12/1231// | 2/4 | Helena. No. 17 (t) | AM-A | Johnson, F. MS, 1820 | 10 | PF |
//55/5234//33/3123//27-12/1231// | 2/4 | Helena. 26 (t) | AM-A | Johnson, F. MS, 1820 | 18 | PF |
//5552+7/6446//5552+7/3+1+2+7//1+3+72+/6 444+ |
C/ | Full Moon, The (t) | DA-E | Johnson CD-5, 1750 | 60 | VN/GF |
//5552+7/6446//5552+7/3+1+2+7//3+1+75+/6 446 |
C | Bob's Whim (t) | DA-E | Johnson CD-6, 1751 | 81 | VN/GF |
//5552+7/671+3+//5552+7/552+7//5552+7/67 1+3+ |
C/ | Bedding of the Bride, The (t) | IC-S | Aird 4, 1796 | 23 | FI/GF/VN |
/555//311+/1+3+1+//752+/5+5+//3+1+1+/1+7 1+// |
6/8 | Plaisir de Carel, Les. Contredanse. Sur la Chasse de M. de la Garde. (t) | DA-F | Bouin CD LC-3 , 1780 | 145 Feuille. 5. Vol | MI |
/555//311+/1+3+1+//752+/5+5+//3+1+1+/1+7 1+// |
6/8 | Chasse de Garde Cotillion, La (t) | DA-E | Wilson Companion, 1816 | 162 | MI |
/555//311+/1+3+1+//752+/5+5+//3+2+1+/1+7 1+// |
6/8 | Plaisirs de la Chasse, Les. Contredanse Française. (t) | DA-F | Bouin CD LC-1, 1780 | 12 Feuille | MI |
/5-5-5-//3-1-1/131//7-5-2/555//311/ | 6/8 | Plaisirs de Carel, Les (t) | DA-E | Gallini Cots, 1770 | 16 | KB |
//5-5-5-/3-1-1//131/7-5-5//55/311 | 6/8 | Chasse de la Garde, Las (t) | IC-S | Stewart Airs, 1788 | 1:14 | GF/VN/FI |
//55/53//11/15-//1/2 | 2/4 | Favorite German Air, A (t) | AM-A | Beach MS, 1801 | 91 | MI |
//55/53//11/15-//12/4323 | 2/4 | Sailors Parting, The (t) | AI-A | Riley Flute 3, 1820 | 17 | FL |
//5-5-/5-3-//11/15-//17-/11 | 6/4 | Song 183 (t), or When Up to London (at) | SC-E | Calliope, 1788 | 342-343 | VO |
//5-5-/5-31//121/7-2//5-5-/5-42 | C/ | Marsch Vom Regiment Von Braun In Berlin (t) | IC-G | Gunter Marches, 1800 | KB | |
//5-/5-//5-3-/1-12//343/254 | C | Ariet (t) | IC-E | Walsh Oboe, 1715 | 14 | OB |
//55531/1+531//55531/25-42//55531/1+535 | C/ | Pritty Fool, The (t) | DA-E | Johnson CD-4, 1748 | 23 | VN/GF |
//555//311//666//425//1+333//4444//5 | 3/4 | Finale, Act I-1 (t) | TW-E | Pirates, 1792 | 29-30 | 2VO,KB |
//55/531//17-/7-24//3165/ | 2/4 | Espagnole, L' (t) | AM-A | Duport MS-2, 1800 | 16r | VN |
//5/55//3/1//25 | 2/4 | Fair Obscure, La (t) | AI-A | Riley Flute 2, 1817 | 46 | FL |
//5/55//3/1//25//3 | 2/4 | Tour Obscure, La (t) | IC-E | Balls Amus 3, 1815 | 24 | FL/VN |
//5/55//3/1//25//3 | 2/4 | Tour Obscure, La (t) | IC-E | Balls Amus 3, 1830 | 24 | FL/VN |
//5-/5-5-//3-/1-//2-5-//3- | 2/4 | Tour Obscure, La (t) | AI-A | Paff Amus 1, 1812 | 19 | FL/VN |
//5-/5-//5-///3/1//3131/5- | C | From the Left Extend (t) | IC-E | Potter Bugle, 1817 | 4 | BU |
//55/531+3+//2+1+76/534//55/543// | 2/4 | Side Beating for Tatoo, A (t) | MS-S | Fife MS, 1780 | 748,82r | 1FI OR 2FI/VN |
/555//313/543//25-/15-//25-/362// | 6/8 | Stranburg, La: Inglesa (t) | DA-P | Piferrer CD, 1768 | 8 | MI |
/55/531/44//427-/135//246/572+// | 6/8 | Plaisirs de Montesson, Les. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 205 Feuille | MI |
//555//315//1+2+3+2+//1+5//3+67//1+2+1+7 6 |
3/4 | Serenade (t) | TW-E | Duenna, 1775 | 6-7 | VO,HAF |
//555/315//1+3+1+/765//5+5+/3+2+1+// | 6/8 | Asley's Flag Dance (t) | AM-A | Hoff MS, 1797 | No. 123 | GF |
//5-/5-//5-/3//1/5-3 | 2/4 | Close to the Left (t) | IC-E | Potter Bugle, 1817 | 7 | BU |
//5/5//531+/531//4 | 6/8 | O Dear What Can the Matter Be (t) | AI-A | Gent's Amus, 1795 | 28-29 | 2VO/2GF |
//5/5//531+/531//4 | 6/8 | O Dear What Can the Matter Be (t) | AI-A | Instrum Asst, 1800 | 34 | 2VN/2GF/2CL/2OB,BVIOL |
//5/5//531+/531//4 | 6/8 | O! Dear What Can the Matter Be (t) | SC-S | Scots MM-5, 1797 | 510 | VO,PF |
//5/5//53/1+5/31//4/4// | 6/8 | Oh Dear What Can the Matter Be (t) | AM-A | Adams, W. MS, 1795 | 23 | MI |
//5/5//531+/531//4/4 | 6/8 | O Dear What Can the Matter Be (t) | IC-S | Aird 4, 1796 | 6 | FI/GF/VN |
//5/5//531+/531//4/4 | 6/8 | O Dear What Can the Matter Be (t), or Favorite Song Duett, A (at) | AI-A | American SS-SM | 1+2 | VO,B+2VO,B |
//5/5//531+/531//4/4 | 6/8 | O Dear What Can the Matter Be (t) | IC-E | Andrews Fife, 1808 | 18 | FI/GF |
//5/5//531+/531//4/4 | 6/8 | O Dear What Can the Matter Be (t) | AM-A | Bellamy MS, 1799 | 49 | MI |
//5/5//531+/531//4/4 | 6/8 | O Dear What Can the Matter Be (t) | IC-E | Bland Clar, 1798 | 9 | CL |
//5/5//531+/531//4/4 | 6/8 | O Dear What Can the Matter Be (t) | MS-E | Brown, W. MS, 1797 | 3 | MI |
//5/5//531+/531//4/4 | 6/8 | Oh Dear What Can the Matter Be? (t) | AM-A | Commonplace MS, 1811 | 3 | MI |
//5/5//531+/531//4/4 | 6/8 | O Dear What Can the Matter Be (t) | AM-A | Dickinson MS, 1800 | 5 | CL/GF/OB |
//5/5//531+/531//4/4 | 6/8 | O Dear, What Can the Matter Be? (t) | AI-A | Fifer's Comp, 1805 | 10 | 2FI |
//5/5//531+/531//4/4 | 6/8 | O Dear! What Can the Matter Be (t) | AI-A | Glazier Fife, 1830 | 19 | 2FI |
//5/5//531+/531//4/4 | 6/8 | O Dear What Can the Matter Be (t) | IC-I | Holden Marches, 1795 | 23-25 | VN,PF |
//5/5//531+/531//4/4 | 6/8 | What Can the Matter Be (t) | AM-A | Hosmer MS, 1798 | 27 | 2MI |
//5/5//531+/531//4/4// | 6/8 | O Dear What Can the Matter Be (t) | AM-A | Irving MS, 1796 | 21 | 2 MI |
//5/5//531+/531//4/4 | 6/8 | O Dear What Can the Matter Be (t) | AM-A | Kingsley MS, 1795 | I,33 | 2MI |
//5/5//531+/531//4/4// | 6/8 | O Dear what can the matter be (t) | MS-S | Miller, J. MS, 1798 | [39] | 2 FI |
//5/5//531+/531//4/4 | 6/8 | O Dear What Can the Matter Be (t) | AM-A | Otis MS, 1793 | T-BEFORE TP-M44 | 2VN/2FL/2VO |
//5/5/531+/531//4/4// | 6/8 | O Dear What Can the Matter Be (t) | AM-A | Patten MS, 1800 | 18 | MI |
//5/5//531+/531//44 | 6/8(ED) | O Dear What Can the Matter Be (t) | AI-A | Riley Flute 1, 1814 | 95 | FL |
//5/5//531+/531//4/4 | 6/8 | O Dear What Can the Matter Be! (t) | AI-A | Robinson Coll, 1818 | 45 | FI,DR |
//5/5//531+/531//4/4 | 6/8 | Oh Dear, What Can the Matter Be (t) | AI-A | Steele Fife, 1815 | 19 | FI |
//5/5//531+/531//4/4 | 6/8 | O Dear What Can the Matter Be (t) | DA-E | Thompson CD-6.6, 1794 | 71 | MI |
//5/5//531+/531//4/4 | 6/8 | Song (t) | AM-A | Van Renssel. MS, 1782 | I,69-70 | VO,KB |
//5/5//531+/531//4/4 | 6/8 | What Can the Matter Be (t) | AM-A | Van Schaack MS, 1820 | 56 | FI/FL |
//5/5//531+/531//4/4 | 6/8 | O Dear, What Can the Matter Be? (t) | AI-A | Village Fifer, 1808 | 56 | FI |
//5/5//531+/531//4/4// | 6/8 | O Dear What Can the Matter B (t) | AM-E | Wheatstone Clarinet, 1801 | 86 | 2MI |
//5/5//531+/531//4/4// | 6/8 | What can the matter be (t) | AM-A | White, G. MS, 1790 | 116 | VN |
//5/5//531+/531//4//423 | 6/8 | Allegro (t) | IC-E | Brooks Pieces, 1796 | 14 | 2CL,2HN,BS |
//5/5//531+/531//4/4//4 | 6/8 | O Dear What Can the Matter Be (t) | AI-A | Gent's Amus, 1794 | 28-29 | 2GF/2VN/2VO |
//5/5//531+/531//4/4//4 | 6/8 | Federal Overture-Tune 4 (t), or O Dear What Can the Matter Be (at) | AI-A | Gent's Amus, 1794 | 43 | 2GF |
//5/5//531+/531//4/4//423 | 6/8 | O Dear What Can the Matter Be (t) | IC-E | Cahusac Flute, 1792 | 31 | 2GF |
//55/53+1+//5/35//2+52+/2+52+ | 6/8 | York Town (t) | AI-A | American Sheet Music | PF | |
//555/31//555/31 | C | Right Shoulds Forward (t) | IC-E | Potter Bugle, 1817 | 5 | BU |
//555/31//555/31//3+1+/62+// | 6/8 | Marian. No. 1 (t) | AI-A | Johnson, F. Cotillions | 1 | PF |
/55//5+3+1+/55//5+3+1+/5// | 2/4 | Change Front of the Line or Column (t) | IC-E | Hyde Bugle, 1818 | 44 | BU |
//5-5-/531//5-5-/531//5- | 6/8 | Change Front of Line or Column (t) | IC-E | Potter Bugle, 1817 | 8 | BU |
//555/31//5-6-7-/12//3212/3542 | C | Nelson's Victory. Landing of Buonaparte (t) | IC-E | English Sheet Music | 13 | KB |
//55/531//6-21/7-6-7-//131/6-23 | 6/8 | Sir Cecil Wrays Delight (t) | DA-E | Thompson CD-5, 1788 | 40 | VN/GF/OB |
//55/531//6-21/7-6-7-//131/6-23// | 6/8 | Sir Cecil Wrays Delight (t) | DA-E | Thompson CD-5a, 1788 | 40 | VN/GF/OB |
//555/316//2344/271+//5671+5/1+533// | C/ | Drummor's Call, The (t) | MS-S | Fife MS, 1780 | 59,6v | 1FI OR 2FI/VN |
//55/5316-//4-6/66//55/44 | My Name's Ted Blarney (t) | IC-E | Cahusac Flute, 1788 | 21 | GF | |
//55/5316-//4-6/66//55/44//33 | C | Vauxhall Watch (t) | SS-E | SS, Harvard | 1 | VO,KBF+GT+GF |
//55/53+//2+1+/2+3+//55/6 | 6/8 | Cotillion (t), or Comin Thro' the Rye (at) | AM-A | Hiester MS-2, 1793 | 68 | KB |
//55/53+//2+1+/2+3+//55/65// | 2/4 | Comin' Thro the Rye, Scotch Ballad (t) | AM-A | Duport MS-3, 1825 | 19-20 | VO, KB |
//55/53+//2+1+/2+3+//55/65// | 2/4 | Coming Through the Rye (t) | AM-A | Irving MS, 1796 | 145 | 1 MI |
//5-5-/5-3//21/23//5-5-/6-5- | 2/4 | Coming Thro'the Rye (t) | AM-A | Van Schaack MS, 1820 | 56 | FI/FL |
//5-5-53/2123//5-5-6-5-/116-//5-5-53/212 3// |
C/ | Coming Thro the Rye (t) | MS-S | Fife MS, 1780 | 838,90v | 1FI OR 2FI/VN |
//5-5-5-3/2123//5-5-6-5-/1//5-5-53/2123 | C | If a Body Meet a Body (t) | IC-S | Aird 5, 1797 | 2 | FI/VN/GF |
//5-5-5-3/2123//5-5-6-5-/1//5-5-53/2123/ / |
C | Gin a Body Meet a Body (t) | IC-E | Peacock Pipe, 1805 | 6 | PI/GF/VN |
//5-5-5-3/2123//5-5-6-5-/1//5-5-53/2123 | C | Comin Thro' the Rye, Second Sett (t) | SC-S | Scots MM-5, 1797 | 431 | VO,PF |
//5-5-5-//321//5-5-5-//432//5-31//6-42 | 3/8 | Miss Paget's Waltz (t) | AI-A | Riley Flute 3, 1820 | 30 | FL |
//555//32166//61+//5135 | 3/4 | Heavy Hours (t) | AM-A | Pomeroy MS, 1790 | 14 | GF |
//55/5321//66/6432//55/5321// | C/ | John Milords Hornpipe (t) | MS-S | Fife MS, 1780 | 204,21r | 1FI OR 2FI/VN |
//5553216//6-7-123444432/1+7//1+/1+51+53 3 |
C | Drum's Call, The (t) | AI-A | Village Fifer, 1808 | 58 | FI |
//555/323451+//666/654//323453/6543 | C | Major J. S. Ker's March (t) | IC-S | Lady Coll, 1796 | 2 | PF |
//55/53//2345/31//4345/6 | Whely House (t) | PL-E | Playford 1-12, 1703 | 336 | VN | |
//55/53//2345/31//4345/6 | Whely House (t) | PL-E | Playford 1-14, 1709 | 336 | VN | |
//55/53//2345/31//4345/6 | C/ | Whely House (t) | PL-E | Playford 1-15, 1713 | 336 | VN |
//55/53//2345/31//4345/6 | C/ | Whely House (t) | PL-E | Playford 1-16, 1716 | 336 | VN |
//55/53//2345/31//4345/6 | C/ | Whely House (t) | PL-E | Playford 1-17, 1721 | 336 | VN |
//55/53//2345/31//4345/6 | C/ | Whely House (t) | PL-E | Playford 1-18, 1728 | 336 | VN |
//55/53//2345/31//4345/67 | Whely House (t) | PL-E | Playford 1-13, 1706 | 336 | VN | |
//55/53//2345/31//4345/6765 | Whely House (t) | PL-E | Playford 1-11, 1701 | II,24 | VN | |
//555//331//445//6 | 3/4 | Chorus (t) | SC-E | Pills 1, 1719-20 | 292-3 | VO |
//5/55//3/3//21/23 | 2/4 | C'est Un Melange (t) | IC-F | Bonjour Recueil, 1800 | 5:2 | VN/FL |
//555/333//11/1//21/11 | 2/4 | Quick March (t) | IC-E | Astor Oboe, 1800 | 16 | OB |
//555/333//15-/4321//7-4321/7-4321 | C/ | Governor Lincolns Grand March (t) | AI-A | American Sheet Music | 2 | PF |
//555/333//5/333//555/333// | 6/8 | Launch Call (t) | AM-A | USS Concord MS, 1831 | BU | |
//555/333//5/333//555/333// | 6/8 | Launch Call (t) | AM-A | USS N. Carolina MS, 1825 | BU | |
//555//333//543454//3531//555 | 3/8 | Dance for Waltzing. 4th Trio (t) | AI-A | American SS-SM | 2 | KB |
//5-5-5-3-3-5-5-15-3-3-5-5-5-3-3-5-5-15- 3-3-3-3-3-3-3-5-1-1- |
Death of a Stag or Any other Game, The (t) | IC-E | Longman Horn, 1785 | 16 | HN | |
//5-5-5-3-3-5-5-15-3-3-5-5-5-3-3-5-5-15- 3-3-3-3-3-3-3-5-1-1- |
Death of a Stag, The (t), or Any Other Game (at) | IC-E | Muses Delight, 1754 | 28 | HN | |
//5-5-5-3-3-5-5-15-3-3-5-5-5-3-3-5-5-15- 3-3-3-3-3-3-3-5-1-1- |
Death of a Stag or Any other Game, The (t) | IC-E | Simpson Horn, 1746 | 8 | HN | |
//5-5-5-3-3-5-5-15-3-3-5-5-5-3-3-5-5-15- 3-3-3-3-3-3-3-5-1-1- |
Death of a Stag or Any other Game, The (t) | IC-E | Thompson Horn, 1755 | 8 | HN | |
//55/5342//11/123//44/33 | 2/4 | Trip to Chatham Gardens (t) | AI-A | Riley Flute 3, 1820 | 44 | FL |
//55/53//42//33/31//27- | 2/4 | Review, The (t) | DA-E | Bride CD, 1776 | II,2 | VN/OB/GF |
//55/53//42//33/31//27-/5- | 2/4 | Review, The (t) | DA-E | Longman CD, 1781 | 101 | VN/OB/GF |
//5-/5-5-//3-4-3-2-/1-5-//11/234 | C | Lord Petersham's March (t) | IC-E | Skillern Amus, 1785 | 56 | 2GF |
//5/5//5/3//43/45// | C/ | Madame Spielare. Tant Qu'on Vent Danse Hollandoise (t) | IC-F | Pointel Airs, 1700 | 19 | MI,B |
//555/343453//666/2+//771+ | C/ | To Brunetta on Her Complexion (t) | SS-E | SS, Folger-C42.1 | 234,2-235,1 | VO,KB+FL |
//555/34//51+5/3//555/34 | 6/8 | Death of the Stag, The (t) | DA-E | Johnson CD-4, 1748 | 21 | VN/GF |
//5/5//5/34//534/56//5432/134// | 2/4 | No. 19 (t) | DA-E | Leichte Englische, 1795 | 19 | MI |
//55//534//5432//545//65// | C3 | Qui Passe: for My Ladye Nevell (t) | MS-E | Nevell MS, 1591 | 9-14 | VI |
//5/5//534//543/654 | C/ | Vendosme's Retreat (t) | PL-E | Playford 2-1, 1713 | 168 | VN/OB |
//5/5//534//543/654 | C/ | Vendosme's Retreat (t) | PL-E | Playford 2-2, 1714 | 168 | VN/OB |
//5/5//534//543/654 | C/ | Vendosme's Retreat (t) | PL-E | Playford 2-3, 1718 | 168 | VN |
//5/5//534//543/654 | C/ | Vendosme's Retreat (t) | PL-E | Playford 2-4, 1728 | 168 | VN |
//5/5//534//543/654 | C/ | Vendosme's Retreat (t) | DA-E | Walsh CD-1.2, 1719 | 187 | VN/OB |
//5/5//534//543/654 | C/ | Vendosme's Retreat (t) | DA-E | Walsh CD-2.2, 1735 | 179 | VO/OB/GF/FL |
//5/5//534//543/654 | C/ | Vendosme's Retreat (t) | DA-E | Walsh CD-3.2, 1749 | 179 | VN/OB/GF |
//5/5//5/34//5/5 | 2/4 | Row Dow Dow (t) | IC-S | Aird 3, 1788 | 223 | FI/GF/VN |
//55//534//55 | 2/4 | Linley (t), or March 34 (at) | IC-E | Button Whit-1, 1806 | 42-43 | 2GF/2VN/2FL/2FI |
//5/5//5/34//5/5 | 2/4 | Great Ceaser (t) | IC-E | Cahusac Flute, 1788 | 27 | GF |
//5/5//5/34//5/5// | 2/4 | Great Caesar (t) | IC-E | Cahusac Flute, 1798 | 27 | FL |
//5/5//5/34//5/5 | 2/4(ED) | Row Dow (t) | IC-E | Thompson Clar, 1785 | 9 | CL |
//5/5//5/34//5/5// | 2/4 | Row Dow Dow (t) | IC-E | Thompson Fife, 1786 | 26 | FI/FL |
//5/5//5/34//5/5 | 2/4 | Row Dow Dow (t) | IC-E | Thompson Oboe, 1790 | 33 | OB |
//5/5//5/34//5/5 | 2/4 | Row Dow Dow (t) | AM-A | Turner MS, 1788 | I,57 | VN |
//5/5//5/34//5/5// | 2/4 | Row Dow Dow (t) | AM-E | Wheatstone Clarinet, 1801 | 88 | 2MI |
//5/5//5/34//5/5//5 | 2/4 | Great Caesar (t) | IC-E | Cahusac Flute, 1792 | 27 | GF |
//5/5//5/34//5/5//5 | 2/4 | Great Caesar once renown'd in fame (fl) | TW-E | Camp, 1778 | 7 | VO,KB |
//55/534//55/51+//71+/71+ | 2/4 | Quick Step (president Jackson's) (t) | AI-A | American Sheet Music | PF | |
//5/5//534//55/55 | C/ | Dead March In Merope (t) | AM-A | Beck MS, 1786 | 83 | 2GF |
//5/5//534//55/55 | C/ | Dead March In Merope (t) | IC-E | Longman Oboe, 1770 | 23 | 2OB |
//55/534//55/55-//1/2 | 2/4 | Battle of Leipsig, The. The Bavarians Pursue the Enemy (t) | IC-E | English Sheet Music | PF,VN/FL,VC | |
//5/5//534//55/55//5 | C/ | Dead March In Merope (t) | IC-E | Bremner Airs, 1761 | 4 | 2VN/GF,B |
//5/5//534//55/55//5 | C | Dead March In Merope (t) | IC-E | Cahusac Oboe, 1790 | 28 | 2MI |
//5/5//534//55/55//5 | C/ | Dead March In Merope (t) | IC-E | Preston Marches, 1804 | 4 | 2GF/VN,VC/PF |
//5/5//534//55/55//5 | C | March (t) | IC-E | Warlike Musick, 1760 | 31 | GF/VN/HA |
//5/5//5/34//55/55//5/1+ | C/ | Dead March In Coriolanus, The (t) | IC-E | Musica Bell, 1733 | 5 | FL/VN/OB |
//5/5//534//55/55//5/1+ | C/ | Air 23 (t) | BA-E | Polly, 1729 | T26-7M9-10 | VO,B |
//55/534//55/567//1+1/432// | C/ | I am in truth, A country youth (fl) | SC-E | Musical Cent-1, 1737 | 20 | VO,HAF+FL |
//55/534//55/567//1+1/432 | C/ | Honest Yorkshire Man, The (t) | SS-E | SS, Boston PL-1 | 78 | VO,HA+FL |
//55/53455//64567/1+5//3+1+2+3+/2+71+2+ | C | Marche (t) | MS-G | Saxon Marches, 1729 | 2OB,2HN,2BS | |
//5/55//34/55//65/43 | C/ | Green Garden, The (t) | DA-E | Johnson CD-1, 1740 | 96 | MI |
//5/55//34/55//65/43 | C/ | Green Garden, The (t) | DA-E | Walsh CD-2.3, 1735 | 177 | VN/OB/GF/CF |
//5/55//34/55//65/43 | C/ | Green Garden, The (t) | DA-E | Walsh CD-3.3, 1749 | 167 | VN/OB/GF |
//5/55//34/55//65/43//23//21/17-//1 | C/ | Gathering Peascods (t) | PL-E | Playford 1-01, 1651 | 96 | VN |
//5/55//34/55//65/43//23//21/17-//1 | C/ | Gathering Peascods (t) | PL-E | Playford 1-02, 1652 | 34 | VN |
//5/55//34/55//65/43//23//21/17-//1 | C/ | Gathering Peascods (t) | PL-E | Playford 1-03a, 1657 | I,34 | VN |
//555//34/55//65/43//23//21/17-//1 | C/ | Gathering Peascods (t) | PL-E | Playford 1-04, 1670 | 9 | VN |
//5/55//34/55//65/43//23//21/17-//1 | C/ | Gathering Peascods (t) | PL-E | Playford 1-05, 1675 | 9 | VN |
//5/55//34/55//65/43//23//21/17-//1 | C/ | Gathering Peascods (t) | PL-E | Playford 1-06, 1679 | 9 | VN |
//5/55//34/55//65/43//23//21/17-//1 | C/ | Gathering Peascods (t) | PL-E | Playford 1-07, 1686 | 9 | VN |
//555//34/55//65/43//23//21/17-//1 | C/ | Gathering Peascods (t) | PL-E | Playford 1-08, 1690 | 9 | VN |
//5/55//34/55//65/43//23//21/17-//1 | C/ | Gathering Peascods (t) | PL-E | Playford 1-3b, 1665 | I,34 | VN |
//5/55//34/55//65/43//23//45/671+ | C/ | All In a Garden Green (t) | PL-E | Playford 1-02, 1652 | 1 | VN |
//5/55//34/55//65/43//23//45/671+ | C/ | All In a Garden Green (t) | PL-E | Playford 1-03a, 1657 | I,1 | VN |
//5/55//34/55//65/43//23//45/671+ | C/ | All In a Garden Green (t) | PL-E | Playford 1-06, 1679 | 25 | VN |
//5/55//34/55//65/43//23//45/671+ | C/ | All In a Garden Green (t) | PL-E | Playford 1-3b, 1665 | I,1 | VN |
//5/55//34/55//65/43//23//45/671+//1 | C/ | All In a Garden Green (t) | PL-E | Playford 1-08, 1690 | 22 | VN |
//5/55//34/55//65/43//23//45/671+//12/34 5 |
C/ | All In a Garden Green (t) | PL-E | Playford 1-01, 1651 | 71 | VN |
//5/55//34/55//65/43//23//45/671+//12/34 5 |
C/ | All In a Garden Green (t) | PL-E | Playford 1-04, 1670 | 25 | VN |
//5/55/34/55//65/43//23//45/671+//12/345 |
C/ | All In a Garden Green (t) | PL-E | Playford 1-07, 1686 | 25 | VN |
//5/55//34/55//65/43//23//45/671+//12/34 5//4 |
C/ | All In a Garden Green (t) | PL-E | Playford 1-05, 1675 | 25 | VN |
//5/55//34/567//1+ | C | Winter (t) | AI-A | Evangel Harm, 1800 | 11 | 4VO:SA(T)B |
//5/5//534//65/55//5/1+// | C/ | Dead March in Merope (t) | AM-A | Brown, J. MS, 1782 | 1:12 | |
//5-5-/5-3-5-//11/123//42/31 | 6/8 | Oh! Lassie, Art Thou Sleeping Yet (t) | AM-A | Kingsley MS, 1795 | II,3 | MI |
//55/535//1+1+/1+5//61+6/553 | C/ | Orphan, The (t) | AM-A | Trumbull MS, 1801 | a:11 | 2MI,(MI),B |
//5553/51+2+//3+2+1+/2+225//3551+/66+5+ | C | Miss Campbell of Monzie's Strathspey (t) | IC-S | Aird 4, 1796 | 55 | FI/GF/VN |
//55/5351+//66/61+//1+776/6554 | C | Encompassed In An Angel's Frame (t) | AI-A | Glazier Clar, 1828 | 13 | CL |
//55/5351+//66/61+//1+776/6554 | C | Anna's Urn (t) | AM-A | Marchant MS, 1783 | 36-37 | VO,KB |
//55/5351+//66/61+//1+776/6554 | C | Anna's Urn (t) | AI-A | Phila Songster, 1789 | 15-16 | VO |
//55/5351+//66/6461+//1+776/6554// | C | Anna's Urn (t) | AM-A | Pynchon MS, 1797 | 8r | MI |
//55/5351+//66/6461+//51+71+/52+1+2+// | C | Anna's Urn (t) | AM-A | Irving MS, 1796 | 77 | 1 MI |
//55/5351+//66/6461+//51+71+/52+1+2+ | C | Encompassd In An Angels Frame (t) | IC-E | Preston Oboe, 1780 | 18 | OB |
//55/5351+//66/67//1+776/655 | C/ | Anna's Urn (t), or Song (at) | AM-A | Van Renssel. MS, 1782 | I,73-74 | KB |
//55/5351+//66/67//1+776/6554//3 | C | Anna's Urn (t) | SC-S | Edinburgh MM-2, 1793 | 112-113 | VO |
//55/5351+//76/546//524/36-1// | 2/4 | Air Favory of Miss Gair at Boston 1793 (t) | AM-A | Duport MS-1, 1780 | 8 | VN |
//555/35/35//1+1+1+/51+/51+// | 3 | Trumpett. H. Purcell (t) | IC-E | Apollo's Banquet 1-8, 1701 | 9v,10r,56 | VN |
//5-5-5-3-5-3-5-//1115-15-1//33313254 | 3 | March (t) | IC-E | Musica Bell, 1733 | 16 | FL/VN/OB |
//5-5-5-3-5-3-5-//1115-15-1//33313254//3 //5 |
3/4 | March (t) | IC-E | Warlike Musick, 1760 | 19 | GF/VN/HA |
//5-5-5-/3-5-//3-5-/5-3-//5-5-5-5-/3-5- | C/ | Carousel de Monseigneur. Marche de Timballes (t) | MS-F | Philidor MS, 1705 | 31-33 | 2TI |
//55/53//543/22//35/64 | C/ | St George's, &c (t) | AM-A | Gibbs MS, 1777 | 15 | FI |
/555//35/51+//1+5/555//1+1+/ | 6/8 | Chasse Made 1810 G Town Distret of Coluba No.33 (t) | AM-A | Duport MS-1, 1780 | 30 | VN |
//5-5-5-/3-5-//5-15-/3-//5-5-5-/3-5- | 6/8 | Death, The (t) | IC-E | Longman Horn, 1785 | 20-21 | 2HN |
//5-5-5-/3-5-//5-15-/3-//5-5-5-/3-5- | 6/8 | Death, The (t) | IC-E | Simpson Horn, 1745 | 5 | 2HN |
//5-5-5-/3-5-//5-15-/3-//5-5-5-/3-5- | 6/8 | Death, The (t) | IC-E | Thompson Horn, 1755 | 13 | 2HN |
//55/53+//55/51+//543/432// | 6/8 | Flamande, La (t) | IC-F | Leclerc Recueil-2, 1737 | 103 | HAF |
//55/535//55/5//1+2+3+/2+3+4+ | 6/8 | Trumpet Jigge, A (t) | MS-S | Gillespie MS, 1768 | 104 | VN |
//5-5-/5-3-//5-6-/1//6-6-/6-5- | 2/4 | American National Jubilee (t) | AM-A | Beach MS, 1801 | 73 | MI |
//5-5-/5-3-//5-6-/1//6-6-/6-5- | 2/4 | Scotts Wha Hae Wi wallace Bled (t) | AI-A | Blake Amus 1, 1824 | 22 | CL |
//55/53//56/1+//66/65 | 2/4 | Bannockburn, or (t), or Bruce's Address (at) | AM-A | Eells MS, 1789 | 35 | MI |
//5-5-/5-3-//5-6-/1//6-6-/6-5- | 2/4 | Scots Who Have with wallace Bled (t) | AM-A | Huntington MS, 1817 | III.36 | FL/VN |
//5-5-5-3-/5-6-1//6-6-6-5-/6-7-12//3321/ 1232 |
C | Scots Wha Hae Wi'wallace Bled (t) | AI-A | Ashton Clar, 1825 | 18 | CL |
//5-5-5-3-/5-6-1//6-6-6-5-/6-7-12//3321/ 1232 |
C | Scots Wha Hae Wi'wallace Bled (t) | AI-A | Firth Cl, 1832 | 18 | CL |
//5-5-5-3-/5-6-1//6-6-6-5-/6-7-12//3423/ 1231+ |
C | Bruce's Address (t) | AM-A | Woodruff MS, 1803 | 102 | MI |
//5-5-5-3-/5-6-1//6-6-6-5-/6-7-12//3423/ 1232 |
C | Bruce's Address to His Army (t) | AI-A | American Sheet Music | VO,PF | |
//5-5-5-3-/5-6-1//6-6-6-5-/6-7-12//3423/ 1232 |
C | Scots Wha Hae Wi wallace Bled (t), or Bruce's Address (at) | AM-A | Commonplace MS, 1811 | 27 | MI |
//5-5-5-3-/5-6-1//6-6-6-5-/6-7-12//3423/ 1232 |
C | Scots Wha Hae Wi' wallac Bled (t) | AI-A | Riley Flute 2, 1817 | 6 | FL |
//55535/6221+//55535/11+3+1+//2+3+4+3+4+ 5+/2+223// |
C/ | Kiss the Lady You Like Best (t) | AM-A | Hoff MS, 1797 | No. 177 | GF |
//55535/6221+//55535/163+1+//2+3+4+3+4+5 +/2+223 |
C/ | Kiss the Lass You Like Best a Reel (t) | MS-S | Gillespie MS, 1768 | 102 | VN |
//55/535//64/46//54/342 | 6/8 | Pantheon, The (t) | AM-A | Pickman MS, 1785 | 28-29 | KB |
//55/535//64/46//564/342 | 6/8 | Damoselle, La (t) | IC-S | Aird 1, 1782 | 38 | FI/VN/GF |
//55/535//64/46//564/342 | 6/8 | Demoiselle, La (t) | AM-A | Beach MS, 1801 | 25 | MI |
//55/535//64/46//564/342 | 6/8 | Damoiselle, La (t) | IC-E | Cahusac Flute, 1788 | 36 | GF |
//55/535//64/46//564/342 | 6/8 | Domoiselle, La (t) | AM-A | Hawkins MS, 1794 | II,55 | GF |
//55/535//64/46//564/342 | 6/8 | Damoiselle, La (t) | AM-A | Hosmer MS, 1799 | 12 | GF |
//55/535//64/46//564/342 | 6/8 | Damoiselle, Le (t) | IC-E | Longman Pb, 1778 | 9 | GF |
//55/535//64/46//564/342 | 6/8 | Damoiselle, La (t) | AM-A | Murphey MS, 1790 | 14 | MI |
//55/535//64/46//564/342 | 6/8 | Damoselle, La (t) | DA-E | Skillern CD, 1780 | 15 | VN/GF/OB |
//55/535//64/46//564/342// | 6/8 | Damoselle, La (t) | DA-E | Straight & Skillern CD, 1775 | 15 | VN/GF/OB |
//55/535//64/46//564/342 | 6/8 | Damoselle, La. Cotillon (t) | IC-E | Thompson Oboe, 1790 | 24 | OB |
//55/535/64/46//564/342//11/134 | 6/8 | Damoiselle, La (t) | IC-E | Thompson Record, 1768 | 23 | RC |
//55/535//6/46//54/32 | 6/8 | Madamoselle (t) | DA-E | Bride CD, 1776 | III,60 | VN/OB/GF |
//555/365//4345/67676543//1+/1+1+// | C/ | [Ay Me, Poore Heart]. 24 (t) | MS-E | Fitzwilliam MS-2, 1609 | 330-332 | VI |
//55/53//66/6//77/1+765// | 2/4 | March Cotilion (t) | AM-A | New Harmony MS, 1826 | 3 | MI |
//55/5423//11/123//445/7654// | 2/4 | Battle of Austerlitz. Second Set (t) | AI-A | Schaffer Cot, 1809 | 9 | PF/VN,BA |
//55542/351+//751+5/336//55552/3561+ | Lady Mcintoshes Reel (t) | AM-A | Bremner MS, 1756 | 13 | VN/VO | |
//555427-//111123//423421 | C | Siege of Troy, The (t) | SC-S | Edinburgh MM-1, 1792 | 252-254 | VO |
//5/5//5/43 | Salem (t) | AM-A | Akerman MS, 1795 | 18 | MI | |
//55/54//3143//66/34/5 | C/ | Healths, The (t), or Merry Wasel, The (at) | PL-E | Playford 1-04, 1670 | 58 | VN |
//55/54//3145//66/34//5 | C/ | Health, The (t) | PL-E | Playford 1-01, 1651 | 55 | VN |
//55/54//3145//66/34//5 | C/ | Health, The (t) | PL-E | Playford 1-02, 1652 | 41 | VN |
//55/54//3145//66/34//5 | C/ | Health, The (t) | PL-E | Playford 1-03a, 1657 | I,41 | VN |
//55/54//3145//66/34//5 | C/ | Healths, The (t), or Merry Wasel, The (at) | PL-E | Playford 1-05, 1675 | 58 | VN |
//55/54//3145//66/34//5 | C/ | Healths, The (t), or Merry Wasel, The (at) | PL-E | Playford 1-06, 1679 | 58 | VN |
//55/54//3145//66/34//5 | C/ | Healths, The (t), or Merry Wasel, The (at) | PL-E | Playford 1-07, 1686 | 58 | VN |
//55/54//3145//66/34//5 | C/ | Healths, The, or the Merry Wassel (t), or Merry Wassel, The (at) | PL-E | Playford 1-08, 1690 | 70 | VN |
//55/54//3145//66/34//5 | C/ | Health, The (t) | PL-E | Playford 1-3b, 1665 | I,41 | VN |
//5//5//54//321 | 3/4 | O too lovely too unkind (fl) | TW-E | Artaxerxes, 1762 | 36-37 | VO,HA |
//5//5//5/4321//12//23 | C | Dread parents of despair (fl) | TW-E | Haunted Tower, 1789 | 54-56 | VO,KB |
//55/5432//11+5//65643//3 | C/ | Polly (t) | SC-E | Amaryllis, 1760 | II,3 | GF,VO,HAF+FL |
//55/5432//11+5//656/43//3 | 2 | Favourite Air, A (t) | IC-E | Delightful-2, 1745 | III,36 | GF |
//55/5432//1/17-//6-6/54 | 2/4 | See behold and see (fl) | TW-E | Damon & Phil, 1768 | 28-29 | 2VO,HAF |
//5/5//54//321/217- | 2/4 | 3d Quick March 15th Regt (t) | IC-S | Aird 2, 1785 | 39 | FI/VN/GF |
//5/55//4/3//21/23 | 2/4 | Miss Ash (t) | AI-A | Shaw Gentlemen, 1807 | 28 | 2CL |
//55//543//212//31234 | 3/4 | Foots Minuet (t) | AM-A | Hudson MS, 1772 | 2 | VN/FI |
//55/54//32/123//24-/6-7-//1 | 6/4 | Air 39 (t) | BA-E | Village Opera, 1729 | 47 | VO |
//55/54//32/123//25-/6- | 6/4 | Under the Greenwood Tree (t) | PL-E | Playford 1-15, 1713 | 95 | VN |
//55/54//32/123//25-/6- | 6/4 | Under the Greenwood Tree (t) | PL-E | Playford 1-16, 1716 | 95 | VN |
//55/54//32/123//25-/6-7- | 6/8 | Under the Green Wood Tree (t) | IC-E | Caledonian PC, 1760 | XI,16 | GF/VN |
//55/54//32/123//25-/6-7- | 6/4 | Air 13 (t) | BA-E | Cobler's Op-2, 1729 | T18M4 | VO |
//55/54//32/123//25-/6-7- | 6/4 | Air 20 (t) | BA-E | Devil Duke-2, 1732 | T40M18 | VO,HAF |
//55/54//32/123//25-/6-7- | 6/4 | Air 3 (t) | BA-E | Devil To Pay-2, 1731 | 4 | VO |
//55/54//32/123//25-/6-7- | 6/4 | Under the Greenwood Tree (t) | MS-E | Hammersley MS, 1790 | 45 | MI |
//55/54//32/123//25-/6-7- | 6/4 | Under the Greenwood Tree (t) | DA-E | Walsh CD-2.1, 1731 | 12 | VN/OB/GF/RC |
//55/54//32/123//25-/6-7-//1 | 6/4 | Air 40 (t) | BA-E | Decoy, 1733 | T52M13 | VO |
//55/54//32/123//25-/6-7-//1 | 6/4 | Air 53 (t) | BA-E | Jovial Crew, 1731 | 67-68 | VO |
//55/54//32/123//25/6-7-//1/1 | 6/4 | Air 13 (t) | BA-E | Momus Turnd Fab, 1729 | 22 | VO |
//5//5//5432//12//345//234// | 3/4 | Minuet (t) | IC-E | Forest Harmony-4, 1744 | 2 | 2HN/GF/TR/VN |
//5/55//4/3//21/27- | 2/4 | Deborah (t) | MS-E | Hammersley MS, 1790 | 79 | MI |
//5/55//4/3//21/27- | 2/4 | Hasse's Comic Tune. No.8 (t) | AI-A | Herrick Preceptor, 1807 | 70-71 | 2MI,B |
//5/55//4/3//21/27- | 2/4 | Miss Ash's Delight (t) | DA-E | Johnson CD-4, 1748 | 8 | VN/GF |
//5/55//4/3//21/27- | 2/4 | Opera Maggot, The (t), or Debora, (at) | MS-E | Rainstorp MS, 1747 | 21 | MI |
//55/54//3213/25-//3-5-15- | C/ | Trumpet Air (t) | IC-E | Musica Bell, 1733 | 17 | FL/VN/OB |
//55/54//3213/25-//3-5-/15-// | C/ | Trumpet Aire. Mr. Clark (t) | IC-E | Theater Musick-2, 1699 | 9 | VN |
//55/54//32/134//565/565// | 6/4 | Folette, La (t) | DA-F | Dezais Recueil, 1712 | 1-8 | MI |
//55/54//32/134//565/565// | 6/4 | Folette, La (t) | MS-G | Jayme MS, 1717 | 27 | MI |
//55/54//32/134//565/565// | 6/4 | Folette, La (t) | IC-F | Leclerc Recueil-1, 1729 | 13 | HAF |
//55/5432//1351+/7//1+1+/2+754 | 2/4 | Just Like Love (t) | AM-A | Allen, Joel, MS, 1800 | 9R | VO |
//55/543//21/43//43345/7-1 | Favourite Air, A (t) | SC-E | Clio-4, 1778 | 88 | VO,HAF | |
//5/5//5/4//321/7-6-5-// | 2/4 | Seven Spades (t) | DA-E | L & L Cot, 1775 | 19 | MI |
//55/5432//31/1//55/5432// | 2/4 | French Troop (t) | AM-A | Bevens MS, 1825 | 22v-23r | FI |
//5554/3231//5554/321//3143/217-5- | C/ | French Troop, The (t) | AM-A | Thompson MS, 1777 | 40 | FI |
//55/5432//3/345//65//7-1 | C/ | Two Part Song, A (t) | SS-E | SS, Folger-C42.3 | 128 | 2MI,B,KBF,2VO |
//55/543//234/312//345/51+5 | 6/8 | Jigg (t) | IC-E | Simpson Horn, 1746 | 15 | 2HN |
//55//543//234321//25-//17-1 | 3 | Song, A (t) | SC-E | Pills 5, 1719-20 | 215-7 | VO |
//55//543//234321//7-5-//17-1 | 3 | Favourite Song, A (t) | SC-E | Calliope, 1746 | II,52-53 | VO,B+FL |
//55//543//234321//7-5-//17-1 | 3 | Song, A (t) | SS-E | SS, Folger-C42.1 | 33 & 41 | VO,KB+FL |
//55//543//234321//7-5-//17-1 | 3 | Song, A (t) | SS-E | SS, Folger-C42.4 | 63 | VO,KB+FL |
//55//543//234321//7-6-//17-1//234 | 3 | Song, A (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//55543/234//55543/23421//17-1/22217- | C | Adagio (t) | IC-E | Delightful-1, 1763 | VI,8 | 2GF |
//5-5/543//27/765//453/257- | 6/8 | Broad Bottom (t) | DA-E | Johnson CD-4, 1748 | 49 | VN/GF |
//55/543//31/53//42/31 | 6/8 | Kernel from an apples core, A (fl) | TW-E | Quaker, 1777 | 14-15 | VO,KBF |
//5-//5-//5-4-3-3-2-1-/1-5-//6-5-6-5-4-3 -/3-2- |
C | Allegro Ma Non Tropo (t) | IC-E | Forest Harmony-2, 1733 | 21 | 2HN/GF/TR/VN |
//55/54//33/32//11/212 | 6/8 | Pantheon, The (t) | IC-S | Aird 2, 1785 | 41 | FI/VN/GF |
//55/54//33/32//11/212 | 6/8 | Quick Step (t) | AI-A | Blake Amus 2, 1824 | 13 | CL |
//55/54//33/32//11/212 | 6/8 | March 36 (t) | IC-E | Button Whit-1, 1806 | 44-45 | 2GF/2VN/2FL/2FI |
//5554//3332//11212 | Dixons March (t) | AM-A | Cabot MS, 1784 | 18 | GF | |
//55/54//33/32//11/212 | 6/8 | Pantheon, The (t) | IC-E | Clementi Fife, 1815 | 20 | FI |
//55/54//33/32//11/212 | 6/8 | Pantheon Cotillon (t) | AM-A | Dickinson MS, 1800 | 97 | CL/GF/OB |
//55/54//33/32//11/212 | 6/8 | Pantheon Cotillion, The (t) | AI-A | Fifer's Comp, 1805 | 52 | 2FI |
//55/54//33/32//11/212 | 6/8 | Pantheon Cotillion, The (t) | AM-A | Hawkins MS, 1794 | II,21 | GF |
//55/54//33/32//11/212// | 6/8 | Philadelphia Quick Time (t), or Pantheon Cotillion, The (at) | AM-A | Hoff MS, 1797 | No. 95 | GF |
//55/54//33/32//11/212 | 6/8 | New President's March (t) | AM-A | Hosmer MS, 1798 | 58 | 2MI |
//55/54//33/32//11/212 | 6/8 | Quick March (t) | IC-E | Longman Bassoon, 1780 | 15 | BS |
//55/54//33/32//11/212 | 6/8 | Quick March (t) | IC-E | Longman Clar, 1780 | 14 | 2CL |
//55/54//33/32//11/212 | 6/8 | Pantheon Cotillon, The (t) | IC-E | Longman Fife, 1780 | 20 | FI/GF |
//55/54//33/32//11/212 | 6/8 | Pantheon, The (t) | IC-E | Longman Pb, 1778 | 6 | GF |
//55/54//33/32//11/212// | 6/8 | Pantheon Cotilion, The (t) | MS-E | Malecot MS, 1779 | 35 | VN |
//55/54//33/32//11/212 | 6/8 | Dixon's March (t) | AM-A | Marchant MS, 1783 | 51,54 | KB |
//55/54//33/32//11/212// | 6/8 | Dicksons March Quick Step (t) | AM-A | Morris MS, 1776 | 24v-25r | FI |
//5554//3332//11212 | Quick (t) | AM-A | Remington MS, 1778 | 7 | FI | |
//55/54//33/32//11/212 | 6/8 | Pantheon, The (t) | SS-E | SS, Boston PL-2 | 71 | VO,KB |
//55/54//33/32//11/212 | 6/8 | Pantheon Cotillon, The (t) | IC-E | Skillern Fife, 1780 | 20 | FI/GF |
//55/54//33/32//11/212 | 6/8 | Pantheon, The (t) | IC-S | Stewart Airs, 1788 | 1:28-29 | GF/VN/FI |
//55/54//33/32//11/212// | 6/8 | Pantheon (t) | DA-E | Straight & Skillern CD, 1775 | 13 | VN/GF/OB |
//55/54//33/32//11/212 | 6/8 | Pantheon, The. Cotillon (t) | IC-E | Thompson Fife, 1770 | 24 | FI |
//55/54//33/32//11/212// | 6/8 | Pantheon, The (t) | IC-E | Thompson Fife, 1786 | 20 | FI/FL |
//55/54//33/32//11/212// | 6/8 | Pantheon Cotillion, The (t) | AM-A | Treat MS, 1779 | 10 | FI/GF |
//55/54//33/32//11/212 | 6/8 | Dixson's March (t) | AM-A | Van Renssel. MS, 1782 | I,5 | KB |
//55/54//33/32//11/212 | 6/8 | Dixon's March (t) | AM-A | Van Renssel. MS, 1782 | II,1 | GT |
//55/54//33/32//11/212 | 6/8 | Pantheon Cotillion, The (t) | AM-A | Van Schaack MS, 1820 | 19 | FI/FL |
//55/54//33/32//11/212 | 6/8 | Dickson's March (t) | AI-A | Village Fifer, 1808 | 24 | 2FI |
//55/54//33/32//11/212 | 6/8 | Pantheon Cotillion, The (t) | AI-A | Williams Fife, 1819 | 27 | FI |
//55/54//33/32//11/212 | 6/8 | Philadelphia Associators Quick March, The (t) | AI-A | Willig Fife, 1805 | 28 | FI |
//55/54//33/32//11/212// | 6/8 | Pantheon Cotillion (t) | DA-E | Wilson Companion, 1816 | 162 | MI |
//55/54//33/32//11/212//33/3 | 6/8 | Pantheon (t) | DA-E | Skillern CD, 1780 | 13 | VN/GF/OB |
//55/54//33/32//11/212//33/34 | 6/8 | Pantheon Cotillon, The (t) | IC-E | Thompson Record, 1768 | 22 | RC |
//5554//3332//11+531//543//2+1+71+3+1+// 2+7572+7// |
3/4 | Blodget's Minuett (t) | AM-A | Adams, W. MS, 1795 | 24 | MI |
//5554//3332//13+1+53//543 | 3/4 | Major Blodgets Minuet with Variations (t) | AM-A | Mass. MS, 1790 | 24-25 | FL |
//55/54//33/32//22/212 | 6/8 | Dickson's March (t) | AM-A | Greenwood MS, 1785 | 60 | 2MI |
//55/54//33/323//42/212 | 2/4 | Miss Wade's Delight (t) | IC-S | Aird 3, 1788 | 186 | FI/GF/VN |
//55543//422//313563//32116-5-//55543//4 224// |
3/4 | Fishers Minuet (t) | AM-A | Hoff MS, 1797 | No. 43 | GF |
//55/543432//33/321217-//17-12/15// | 2/4 | March. Largo (t) | IC-E | Italian Pieces, 1770 | 4-5 | 2GF, 2CL/OB/VN, 2HN, BS/VC |
//55/54//34/32//55 | 6/8 | New Raree Shew, The (t), or Touch on the Times, A (at) | SS-E | SS, Harvard | 1 | VO,B |
//55/543//44/432//33 | 6/8 | Coblers Pretty Wife, The (t) | SS-E | SS, Folger-C42.3 | 288 | VO,KB+FL |
//55/54//34/5//1+2+3+/1+76 | 6/8 | Ye Social Powr's (t) | AM-A | Beck MS, 1786 | 89 | GF |
//55/54//3453/131//27-5-/6-7-//1 | C3 | Oh! How They Frisk It (t), or Leathern Apron, Or; (at) | PL-E | Playford 1-07, 1686 | AI,8 | VN |
//555/4345//3/53//222/3212 | 2 | Femmes Voulez Vous (t) | IC-F | Bonjour Recueil, 1800 | 3:2-3 | VN/FL |
//55/54//34/54//671+/1+76 | 6/8 | Social Powers (t) | AM-A | Cary MS, 1797 | 33-34 | VO/VN |
//55/54//34/5//565/1+76 | 6/8 | Sooshall Powers (t) | AM-A | Hawkins MS, 1794 | II,79 | GF |
//55/54//34/55//676/1+76 | 6/8 | Peace Is Welcome to the Land (t) | AI-A | Riley Flute 2, 1817 | 94 | FL |
//55/54//34/5//6 | 6/8 | Finale (t) | TW-E | Summer Amuse, 1779 | 31 | VO/VN,HA |
//55/54//34/5//671+/1+76 | 6/8 | Come Then All Ye Social Powers (t) | IC-S | Aird 3, 1788 | 157 | FI/GF/VN |
//55/54//34/5//671+/1+76 | 6/8 | Britannias Invitation (t) | AM-A | Beck MS, 1786 | 143 | GF |
//55/54//34/5//671+/1+76 | 6/8 | Song 148 (t), or Come, Now, All Ye Social Powers (at) | SC-E | Calliope, 1788 | 278-279 | VO |
//55/54//34/5//671+/1+76// | 6/8 | Ye Social Powrs (t) | MS-C | Molyneaux MS-1, 1788 | 71 | GF |
//55/54//34/5//671+/1+76 | 6/8 | Ye Social Pow'rs (t) | AM-A | Pomeroy MS, 1790 | 3 | GF |
//5-5-/5-4-//3-4-/5-//6-7-1/17-6- | 6/8 | Come Now All Ye Social Powers (t) | AI-A | Riley Flute 2, 1817 | 50 | FL |
//55/54//34/5//671+/1+76 | 6/8 | Song 13 (t) | SC-E | Ritson, 1783 | TII,11-12;MIII,176-177 | VO |
//55/54//34/5//671+/1+76 | 6/8 | Ye Social Pow'rs (t) | DA-E | Thompson CD-4, 1780 | 68 | VN/GF/OB |
//55/54//34/5//671+/1+76// | 6/8 | Ye Social Pow'rs (t) | DA-E | Thompson CD-4a, 1780 | 69 | VN/GF/OB |
//55/54//34/5//671+/1+76// | 6/8 | Social Pow'rs (t) | IC-E | Thompson Fife, 1786 | 30 | FI/FL |
//55/54//34/5//671+/1+76// | 6/8 | Ye Social Powers (t) | AM-A | White, G. MS, 1790 | 97 | VN |
//55/54//34/5//671+/1+76//6 | 6/8 | Social Pow'rs (t), or Favourite Song, A (at) | SS-E | SS, Harvard | 1 | VO,B |
//55/54//34/5//671+/1+76//6 | 6/8 | Come Now, All Ye Social Pow'rs (t) | SC-E | Vocal Music, 1778 | 58-59 | VO/VN/GF |
//55/543/543//55/543/671+// | 9/8 | Favouret Irish Gigg, A. A Retreat (t) | MS-S | Fife MS, 1780 | 137,12r | 1FI OR 2FI/VN |
//55/543//5/646//535 | 6/8 | Quick Step (t) | IC-E | Jouve Marches, 1799 | PF,TAM,CYM/TRI | |
//55/543//642/234//531/17-1 | 6/8 | Galliard, La (t) | DA-E | Thompson CD-5, 1788 | 76 | VN/GF/OB |
//55/543//642/234//531/17-1// | 6/8 | Galliard, La (t) | DA-E | Thompson CD-5a, 1788 | 76 | VN/GF/OB |
//55/543//64/25//31/123 | 6/8 | Rose, The (t), or Favorite Ballad, A (at) | SS-E | SS, Huntington-2 | 22 | VO,KB |
//55543/6511//17-2234/34511//17-66-54 | C | Celia-2 (t) | SS-E | SS, Folger-C52 | 40-41 | MI,VO,KB |
//55543/6511//17-2234/34511//17-6654/321 |
C | Celia (t), or Favourite Cantata, A (at) | SS-E | SS, Harvard | 1-2 | VO,KBF |
//5554//3654//31327-//11+2+//75567 | 3/4 | Highland Song (t) | SC-S | Scots MM-3, 1790 | 274 | VO,PF |
//55/543//65/55//1+336/543 | C | Peggy (t) | SC-E | Clio-2, 1759 | 88 | VO,HAF |
//55543//66671+//52432121//51+1+1+2+//77 71+// |
C3 | Theatre Tune, A, by Mr. John Banister (t) | IC-E | Apollo's Banquet 1-2, 1678 | 25 | VN |
//55/543//66/671+//55/543 | 6/8 | Finale (t) | TW-E | Flitch/Bacon, 1778 | 50-53 | 2VN,HAF,2VO |
//55/543//671+/5//345/345 | 6/8 | Vergatter (t) | MS-G | Darmstadt MS 1225 | 67-68 | 2MI |
//55/54//37/75//44/432 | C | Fife and Drum Sound Merrily, The (t) | IC-E | Cahusac Flute, 1788 | 24 | GF |
//555444/35//65654/31+//76/54// | C | Largo (t) | IC-E | Forest Harmony-4, 1744 | 8 | 2HN/GF/TR/VN |
//555/444//666/55 | C | Mulberry Tree, The (t) | SS-E | SS, Folger-C52 | 146,2-147,1 | VO,KB+GT |
//555/444//66655//77 | C | Mulberry Tree, The (t) | SS-E | SS, New York PL-C695 | 59,1-2 | VO,B+GT |
//555/444//666/55//7771+1+ | C | Mulberry Tree, The (t) | AM-A | Greenwood MS, 1785 | 24-25 | MI |
//555/444//666/55//777/1+3+ | C | Mulberry Tree, The (t) | TW-E | Jubilee, 1770 | 10-11 | VO,HAF |
//555/444//666/55//777/1+3+1+ | C | Mulberry Tree, The (t) | IC-E | Cahusac Oboe, 1790 | 17 | OB |
//555/444//666/55//777/1+3+1+ | C | Mulberry Tree, The (t) | SC-S | Edinburgh MM-1, 1792 | 263-266 | VO |
//555/444//666/55//777/1+3+1+ | C | Mulberry Tree, The (t) | AM-A | Hawkins MS, 1794 | II,28 | GF |
//555/444//666/55//777/1+3+1+ | C | Mulberry Tree (in the Jubilee), The (t) | IC-E | Longman Oboe, 1770 | 15 | OB |
//555/444//666/55//777/1+3+1+ | C | Mulberry Tree, The (t) | SS-E | SS, Harvard | 1 | VO,KB |
//555/444//666/55//777/1+3+1+ | C | Mulberry Tree, The (t) | AM-A | Spicer MS, 1797 | 75 | MI |
//555/444//666/55//777/1+3+1+ | C | Mulberry Tree In the Jubilee, The (t) | IC-E | Thompson Oboe, 1770 | 24 | OB |
//5-5-/5-4-5-//11/17-1//22/55 | 6/8 | Walzer No.26 (t) | AI-A | Shaw Gentlemen, 1807 | 38-39 | 2CL/VN, FL,BS/VC |
//55/545//12/33//1+1+/3+2+3+//1+ | 6/8 | Air 8 (t) | BA-E | Decoy, 1733 | T10M2 | VO |
//55/545//3/146//1+1+/71+6// | 6/8 | Pantaloon. No. 11 (t) | AI-A | Augustus Cots, 1805 | 6 | PF |
//55/545//321/1+1+//71+/2+1+2+ | 6/8 | Diable An Lair, Le (t) | IC-S | Stewart Airs, 1788 | 1:47 | GF/VN/FI |
//55/545//35/13//7-2/5-6-7- | 6/8 | Lis de France, Les (t) | AI-A | Riley Flute 2, 1817 | 59 | FL |
//55/54//5/45//66/65// | 2 | Danse H'hier Minuet, La. Cotillon (t) | IC-F | Leclerc Recueil-1, 1729 | 50 | HAF |
//5//5//54//5/5432 | C | Bleak Wind Wistles O'er the Main, The (t) | AI-A | Young's Vocal, 1793 | 8-9 | VO,PF |
//5//5//54//5/5432//13//21 | C | Bleak wind whistles o'er the main, The (fl) | TW-E | Highland Reel, 1788 | 32-35 | VO,KB,2MI |
//5-5-5-4-//5-5-5-4-//5-13//3//224//6-6- 7- |
3/8 | Battle of Barrosa. Allegretto (t) | IC-S | Scottish Sheet Music | PF | |
//55/545//55/567//1+1/1+71+// | 6/8 | O 'Tis Love (t) | AI-A | Riley Cots-1, 1824 | 5 | PF |
//55/545//64/46//54/3 | 6/8 | South Sea (t) | PL-E | Playford 3-2, 1726 | 97 | VN |
//55/545//64/46//54/3 | 6/8 | South Sea (t) | DA-E | Walsh NCDM-3, 1728 | 148 | VN/OB/FL |
//55/545//64/46//54/32 | 6/8 | Demoisell, Les (t) | IC-S | Stewart Airs, 1788 | 2:66 | GF/VN/FI |
//55/545//64/46//54/32 | Happy New Year to You, A (t) | AM-A | Van Renssel. MS, 1782 | I,57 | KB | |
//55/545//64/46//54/323 | 6/8 | South Sea (t) | DA-E | Walsh CD-2.3, 1735 | 216 | VN/OB/GF/CF |
//55/545/64/47//54/323 | C | South Sea (t) | DA-E | Walsh CD-3.6, 1754 | 132 | VN/OB/GF |
/55//545/64//5/55//545/ | 2/4 | Grand March (t), or Belle Arseinne, La (at) | AM-A | Duport MS-2, 1800 | 1v | VN |
//55/545//646//54/323 | 6/8 | New South Sea Ballad, A (t) | SS-E | SS, Folger-C42.4 | 378 | VO,KB+FL |
/5//5/5456//5/11//223/ | C/ | Tour Billon D'Amour, Le (t) | IC-F | Leclerc Recueil-1, 1729 | 5 | HAF |
/5//5/5456//5/11//223/ | 2 | Tourbillon, Le, 3e (t) | IC-F | Leclerc Recueil-2, 1737 | 79 | HAF |
/5//5/5456//5/11//223/4321// | C/ | Tourbillon D'Amour, Le (t) | DA-F | Feuillet Recueil, 1706 | 61-64 | MI |
/5//5/5456//5/11//23/ | C/ | Tourbillon Damour, Le (t) | MS-G | Jayme MS, 1717 | 7 | MI |
/5//5/5456//5/11//23/ | 2 | Devidoir, Le (t) | IC-F | Leclerc Recueil-2, 1737 | 94 | HAF |
//5-5-/5-4-5-6-//5-1/3-4-//5-3-/5-3- | 2/4 | Seven Champions (t) | IC-E | Balls Amus 3, 1815 | 34 | FL/VN |
//5-/5-//5-4-5-6-/5-3-4-//5-/5- | C/ | March (t) | MS-G | Darmstadt MS 1224 | 171 | MI |
//5/5//5456/534//5/5 | C/ | Grenadier Marche Von Ihro Hochfurst: durchl. Selbst Gemacht (t) | MS-G | Darmstadt MS 1224 | 177 | MI |
//5/5//5456/534//5/5 | C/ | Marche (t) | MS-G | Darmstadt MS 1224 | 189 | MI |
//5/5//545//65/43 | C/ | Princess Amelia (t) | DA-E | Walsh CD-2.1, 1731 | 23 | VN/OB/GF/RC |
//5/5//545//65/43 | C/ | Princess Amelia (t) | DA-E | Walsh CD-3.1, 1754 | 44 | VN/OB/GF |
//5/5//5/45//65/43// | C/ | Princesse Amillia (t) | DA-N | Willsim Recueil, 1755 | 4 | MI |
//5/5//545//65/43//25- | C/ | Holburn March (t) | DA-E | Johnson CD-1, 1740 | 31 | MI |
//5/5//5/45//65/43//2/5-//13/2//35/4// | C/ | Marcha de La Jittana, La (t) | MS-M | Garcia MS, 1772 | 118 | MI |
//55/545//6654/334//5313/27-5-7-// | C/ | Masque (t) | MS-E | Rogers MS, 1656 | 52 | VI |
/55/545/66//654/543//231/7-1// | 6/8 | Davaray, La. Contre-Danse Française. (t) | DA-F | Landrin CD BL-2, 1775 | 100 Feuille | MI |
//55/545//66/671+//55/564//4 | 6/8 | William of the Ferry (t) | AI-A | American SS-SM | 1-2 | VO,KB,2FL |
//55/5457//66/646//1+776/6554// | C/ | Anna's Urn (t) | AM-A | White, G. MS, 1790 | 108 | VN |
//55/5457//66/66//1+776/6554//3 | C | Song 85 (t), or Anna's Urn (at) | AI-A | American MM, 1798 | 224-227 | VO |
//55/5461+//66/6461+//1+776/6554 | C | Anny's Urn (t) | AM-A | Dickinson MS, 1800 | 101 | 2CL/2GF/2OB |
//5/55//46/5432//1234/45342523// | C/ | Ut, Re, Mi, Fa, Sol, La. A 4 Voci. 2 (t) | MS-E | Fitzwilliam MS-2, 1609 | 26-33 | VI |
//5/5//55//1+/1+//1+ | C | Soldier's Grave, The (t) | SC-S | Edinburgh MM-1, 1792 | 223-225 | VO |
//5-5-5-/5-//111/1//3234/543 | C | Grenadier Marche Von Waldeck (t) | MS-G | Darmstadt MS 1224 | 208 | MI |
//5-5-5-/5-//111/1//3234/543 | C/ | March V. Waldeck (t) | MS-G | Darmstadt MS 1225 | 167-68 | 2MI |
//55551+1+1+1+5555//33333531//255//55551 +1+1+1+5555/33333 |
3/4 | Fermeture du Ban, La (t) | IC-F | French Ordinances | App.22 | TR |
//5-5-/5-5-//1/11//2/5 | C | No.12 (t) | MS-G | Darmstadt MS 1188 | 8V | 2OB,2HN,TR,B |
//5-55/51+/1+53//5-44/42+/2+74 | 9/8 | Pantaloons Rage (t) | TW-E | Elopement, 1768 | 10-11 | HAF |
//5/55//5/1+//1+7/65// | 2/4 | Bon Repas, Le (t) | DA-N | Gautier CD, 1780 | 7 | KB |
//5/55//5/12//3111/123//4222/2 | C | Past six o'clock! (fl) | TW-E | Genius, 1784 | 10 | VO,HA |
//5-5-5-/5-12//333/321//6-7-16-/5-3-2-1- |
C/ | Bruce's March (t) | AM-A | Canfield MS, 1823 | 136 | 2FL |
//5-5-5-//5-1234//513121//12//32342//323 42 |
3/4 | Minuet (t) | IC-E | Simpson Horn, 1745 | 16 | 2HN |
//555//51+3+1+64//3234 | 3/4 | Feilds Now Are Looking So Gay, The (t) | SS-E | SS, Boston PL-2 | 63 | VO,KBF |
//555//51+3+1+64//3234//567//1+76543//32 |
3/4 | Feilds Now Are Looking So Gay, The (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//5-5-5-/5-13//2/2343//222/234 | 2/4 | Allegretto (t) | IC-E | Longman Clar, 1780 | 16 | 2CL |
//555/51+//343/35//121/123// | 2/4 | Haunted Well, The (t) | AI-A | Carrs PC, 1800 | 2 | GF/VN/FL |
//5-5-/5-5-//13-//4-4-/4-4-//6-4- | 6/8 | Vite Marche (t) | IC-S | Scottish Sheet Music | KB | |
//5-/5-//5-///5-13/5-13 | C | Left Flank Platoon (t) | IC-E | Potter Bugle, 1817 | 3 | BU |
//555/51+//5134/56//2543/2123// | C/ (8/4) | Allemanda (t) | MS-E | Fitzwilliam MS-2, 1609 | 424-426 | VI |
//5-5-5-5-1/5-135//343215/31//11113/1353 |
C/ | Air 20 (t) | IC-N | Roger Airs, 1716 | 1:11 | 2CH/TR/OB/VN/FL/CL/HN |
//5-5-5-/5-1//53/13//5-5-5-/5-3// | March In Quick Time, A (t) | IC-E | British Bugle, 1813 | 14 | BU | |
//5-5-5-/5-1//53/13//5-5-5-/5-3 | March In Quick Time, A (t) | AI-A | US Riflemen, 1824 | PL15 | BU | |
//555/51+//533/3153//424242/313131 | C | March (t) | AM-A | Ives MS, 1800 | 32 | 2MI |
//5-5-5-/5-15-//3-3-3-/3-5-3-//1-1-3-1-/ 2--2--4--6- |
C | Battle of Derne, The (t) | AI-A | American Sheet Music | 2 | PF+2CL |
//555/51+5//333/353//166/656 | C | March (t) | IC-E | Flack Divs, 1776 | 27 | 2CL,2HN,BS |
//5-5-5-/5-15-//3-3-3-/3-5-3-//2-4-6-/5- 4-3-2- |
C | Birth Day of Freedom, The (t) | AI-A | Blake Amus 2, 1824 | 12 | CL |
//55551535/15351535//66661646/16461646// 555511+51+ |
C/ | Bowing (t) | MS-S | Gillespie MS, 1768 | 16 | VN |
//555/51+5//424/31//3153/1+543 | C | Mr F. H. Bindon's March (t) | IC-S | Aird 5, 1797 | 42 | FL |
//5-5-5-/5-1//5-4-/3-1//5-4-/3-2-1- | C/ | Fahnen Troupp Warenne (t) | MS-G | Darmstadt MS 1224 | 244,246 | 2MI |
//555/51+54321//1135/123//45654321/1+765 4321 |
C/ | Bugle Horn Slow March (t) | AI-A | Robinson Coll, 1820 | 30-31 | 2MI |
//555/51+54321//1135/123//45654321/1+765 4321 |
C/ | Bugle Horn Slow March (t) | AI-A | Robinson Coll, 1826 | 34-35 | 2MI |
//555/51+//5432/16//517-1/45-7-2 | C/ | March General V. Lewal (t) | MS-G | Darmstadt MS 1224 | 92,94,95,106 | 2OB,TR,B |
//55/55//1+5/54//321/27- | 2/4 | Fausan's Dance (t) | IC-E | Delightful-1, 1763 | IV,26 | 2GF |
//555/51+5//543/543//666/61+6 | 6/8 | Trip to the Forest (t) | DA-E | Johnson CD-8, 1758 | 36 | VN/GF |
//555/51+5//543/543//666/61+6// | 6/8 | Trip to the Forest, A (t) | DA-E | Universal Magazine | 2:278, 1757 | MI |
//555/51+5//543/543//666/61+6// | 6/8 | Trip to the Forest, A (t) | MS-E | Vickers MS, 1770 | 142 | MI |
//5-/5-5-//5-/15-//5-/5- | C | Reveille, The (t) | IC-E | Potter Bugle, 1817 | 11 | BU |
//5-/5-5-//5-/15-//5-/5-5- | Reveille (t) | IC-E | Broderip Sounds, 1799 | 13 | BU | |
//5-/5-//5-/5-//15-5-/5-5- | C/ | IC-E | Simpson Horn, 1746 | 2R | HN | |
//5555/1+555//6543/435//64346/53235 | C/ | New Song, A (t) | SS-E | SS, Folger-C42.3 | 34 | VO,KB+FL |
//555/51+//5654/31//555/51+ | C/ | Granedir March (t) | MS-G | Darmstadt MS 1224 | 60 | MI |
//5-5-5-/5-1//5-6-5-4-/3-1-//5-5-5-/5-1 | C/ | Grenadier Marche (t) | MS-G | Darmstadt MS 1224 | 139 | MI |
//555/51+//5654/31//555/51+ | C/ | Grenadier Marche Von Erb Printz Darmstadt (t) | MS-G | Darmstadt MS 1224 | 212 | MI |
//5-5-5-/5-1//5-6-5-4-/3-1-//5-5-5-/5-1 | C/ | Erb Printz Von Hessen Darmstadt Grenadier March (t) | MS-G | Darmstadt MS 1224 | 252,258 | 2FL |
//5-5-5-/5-1//5-6-5-4-/3-1-//5-5-5-/5-1 | 2 | Grenadier Marche (t) | MS-G | Darmstadt MS 1224 | 316 | MI |
//5-5-5-/5-1//5-6-5-4-/3-1-//5-5-5-/5-1 | C | Grenadier March (t) | MS-G | Darmstadt MS 1224 | 332 | MI |
//5-5-5-/5-1//5-6-5-4-/3-1-//5-5-5-/5-1 | C/ | Granadir Marsch (t) | MS-G | Darmstadt MS 1224 | 337 | MI |
//555/51+//5654/31//555/51+ | C/ | Preussicher Gren: Marche No 1 V. der Leib Garde (t) | MS-G | Darmstadt MS 1225 | 349-50 | 2MI |
//5-5-5-/5-1//6-5-/5-//17-12/321 | C/ | 6ter Wacht March V. Smo (t) | MS-G | Darmstadt MS 1225 | 181-82 | 2MI |
//555/51+6//655/523//4321/6543 | C | First Regiment of Royal Tower Hamlets Militia March, The (t) | IC-E | English Sheet Music | 4 | 2CL,2HN,TR,BS,S |
//555/51//6-7-/11//36-/25-//14- | C | Chorus for the Pageant (t) | TW-E | Jubilee, 1770 | 12 | 4VO,HA |
//555/51+71+//333/31+71+//111/11+ | C/ | Marche V. Rojale Deuxponts (t) | MS-G | Darmstadt MS 1225 | 143-44 | 2MI |
//555/51+7//2+1+7/671+//2+11/111// | 2/4 | Pre aux Clercs, Le. No. 5 (t) | IC-A | Johnson, F. Cotillions | 4 | PF |
//555/51+//76/5//333/321 | C/ | March V. Smo (t) | MS-G | Darmstadt MS 1225 | 189-90 | 2MI |
//555//5//1+7654 | 3/4 | Air 12 (t) | BA-E | Devil Duke-2, 1732 | T25-26M12 | VO,HAF |
//555//5//1+7654//3//43 | 3/4 | Favourite Minuet In the Entertainment of Jupiter and Europa, The (t) | SS-E | SS, Folger-C42.1 | 121 | VO,KB+FL |
//555//5//1+7654//3//43 | 3/4 | Favourite Minuet, The (t) | SS-E | SS, Folger-C42.4 | 266 | VO,KB+FL |
//555//5//1+7654//3//43//21//64543 | 3/4 | Favourite Minuet, A (t) | SC-E | Watts MM-6, 1731 | 120-121 | VO,HA+FL |
//555/51+76//555/51+76//5654/3432 | C/ | Grenadier March a 88 Schritte In der Minute (t) | IC-G | Bavarian March, 1807 | 37 | 2FI,DR |
//555/51+76//555/51+76//5654/3432 | C/ | Grenadier March (t) | MS-G | Darmstadt MS 1224 | 354 | MI |
//5-5-5-/5-17-6-//5-5-5-/5-3-4-//4-4-4-/ 4-3-3-5- |
C | Will You Come to the Bower (t) | AI-A | Blake Amus 3, 1825 | 15 | CL |
//555/51+76//555/535//444/4335 | C | Will You Come to the Bower (t) | AI-A | Riley Flute 2, 1817 | 78 | FL |
//555/51+76//555/535/5 | C | Will You Come to the Bower (t) | AM-A | Huntington MS, 1817 | IV.73 | FL/VN |
//555/51+76//555/5654//35432/17- | 2/4 | Zapffenst. No 63. V. Sr. Durchl: Printz Friderich (t) | MS-G | Darmstadt MS 1225 | 333 | MI |
//555/51+76//55654/35//4345 | C | Tear, The (t) | AI-A | American SS-SM | 1-2 | VO,KB+FL |
//555/51+76//55654/35//4345/3 | C | Tear, The (t) | AI-A | Reinagle Fav-2, 1789 | 5-6 | VO,PF |
//5-5-5-/5-17-6-//5-5-6-5-4-/3-5-//4-3-4 -5-/3-2-3-4- |
C | Tear, The (t) | AI-A | Balls Amus 2, 1815 | 4 | FL/FI/VN |
//5-5-5-/5-17-6-//5-5-6-5-4-/3-5-//4-3-4 -5-/3-2-3-4- |
C | Tear, The (t) | AI-A | Glazier Clar, 1828 | 23 | CL |
//5-5-5-/5-17-6-//5-5-6-5-4-/3-5-//4-3-4 -5-/3-2-3-4- |
C | Tear, The (t) | AI-A | Riley Flute 3, 1820 | 43 | FL |
//555/51+76//55654/35//4345/3234 | C | General Gaines's March (t) | AI-A | Bacon Marches, 1816 | 5 | MI |
//555/517-6-//5-5-6-5-4-/3-5-//4-3-4-5-/ 3-2-3-4- |
C | Tear, The (t) | AM-A | Curtiss MS, 1800 | 12-13 | 2VN |
//555/51+76//55654/35//4345/3234 | C | Tear, The (t) | AM-A | Van Renssel. MS, 1782 | I,60-61 | VO,KB |
//555/51+76//65/1//17-21/417-4- | C/ | No.3 (t) | MS-G | Darmstadt MS 1188 | 3V | 2OB,2HN,TR,B |
//555/51+76//655/55//6543/217-6- | C | New March Composed for a Regiment of Bengal Sepoys, A (t) | IC-E | English Sheet Music | 4 | 3CL,2FLP,2HN,TR |
//5-5-5-/5-17-//6-6-6-/6-4//3511/17-27- | C | March Andante (t) | IC-E | Flack Divs, 1776 | 23 | 2CL,2HN,BS |
//555/51+//767/567//1+6/2+3+2+1+ | Tibalts Row (t) | MS-E | Hammersley MS, 1790 | 34B | MI | |
//555//52//343//234//555//543// | 3 | Minuet. Mr. Finger (t) | IC-E | Theater Musick-2, 1699 | 21 | VN |
//55552/3561+//751+5/335//55552/3561+// | C/ | Princess Reel, The (t) | AM-A | Brown, J. MS, 1782 | 1:34 | |
//55552/3567//651+5/337//55552 | C/ | Prince's Reel, The (t) | DA-E | Rutherf CD-2.1, 1756 | 69 | VN/GF/OB |
//55552/7-124//3141/6-4-16-//5-552/7-121 + |
C/ | Sir L. Dundas's Reel (t) | DA-E | Skillern CD, 1780 | 38 | VN/GF/OB |
//5-5-5/527-//127-/6-5-//5-5-5/45//6 | C3 | Oaken Leaves (t) | PL-E | Playford 1-06, 1679 | 91 | VN |
//5-5-5/527-//127-/6-5-//5-5-5/45//6 | C3 | Oaken Leaves (t) | PL-E | Playford 1-07, 1686 | 91 | VN |
//5-5-5/527-//127-/6-5-//5-5-5/45//6 | C3 | Oaken Leaves (t) | PL-E | Playford 1-08, 1690 | 46 | VN |
//5-5-5/527-//127-/6-5-//5-5-5/45//654/5 |
C3 | Oaken Leaves (t) | PL-E | Playford 1-05, 1675 | 91 | VN |
//5/555//311+/1+3+1+//752+/5+5+ | 6/8 | Chasse, La (t) | MS-F | Darmstadt MS 1187 | 2CL,2HN,2BS | |
//5-5-5-//5-3-1//17-127-//13//217-7-6-5- 5-2//321123345 |
3/4 | Concerto 2. Minuetto (t) | IC-E | Bremner Mil Con, 1774 | 2OB/CL/FL/VN,2H | |
//55553/1235//66665/2351+//55553/1235// | C/ | Strathmore's Reel (t) | MS-S | Young MS-2, 1734 | 75r | MI |
//55553/1235//66665/3561+//55553/1235 | C/ | Miss Geddes's Strathspey (t) | IC-S | Aird 4, 1796 | 66 | FI/GF/VN |
//55553/1235//66665/3561+//55553/1235// | C | Miss Goddessus Strathspey (t) | MS-S | Fife MS, 1780 | 295,30v | 1FI OR 2FI/VN |
//5555/31//5-5-5-5-/135//5555/31// | 6/8 | Ward Room Dinner Call (t) | AM-A | USS Concord MS, 1831 | BU | |
//5555/31//5-5-5-5-/135//5555/31// | 6/8 | Ward Room Dinner Call (t) | AM-A | USS N. Carolina MS, 1825 | BU | |
//55/55//3/21//21/21// | 6/8 | Nouvelle Mahonne, La (t), or Richelieux (at) | MS-C | Trois-Rivieres MS, 1768 | 55 | MI |
//555/5321//555/5321//665/4565// | C | Drogheader Militia s March (t) | MS-S | Miller, J. MS, 1798 | 26 | FI |
//5-5-5-5-3/216-1//5-5-5-5-3/446//531+3/ 217-1// |
C/ | Scotch Reel, A (t) | MS-S | Fife MS, 1780 | 653,71r | 1FI OR 2FI/VN |
//555/53+2+1+//755/555//666/64+3+2+// | C/ | Wrexham Slow March (t) | IC-E | Parry Fife, 1812 | 8 | 2FI |
//55/55//3/24//354/321// | 6/8 | Je Ne Scait Quoy, Le, 2e (t) | IC-F | Leclerc Recueil-2, 1737 | 108 | HAF |
//55/55//33/32//11/212 | 2/4 | Brandford Hunt (t) | DA-E | Thompson CD-3, 1773 | 3 | VN/GF/OB |
//55/55//33/32//11/212// | 2/4 | Brandford Hunt (t) | DA-E | Thompson CD-3a, 1773 | 5 | VN/GF/OB |
//5555/3333//1111/5- | 2/4 | Demi-Tour (t) | IC-F | French Ordinances | App.22 | TR |
//5-5-5-5-//3-3-3-3-//2-2-1-2-3-//1-//1- 1-1-1-//2-2-2-2- |
3/8 | Hunters Waltz, The (t) | IC-S | Pandean Coll 3, 1810 | 32-33 | PF |
//5/55//5/33//43/4 | 2/4 | Whither My Love (t) | AI-A | Elegant Exts, 1794 | 12-13 | 2GF/2VO |
//5/55//5/33//43/45 | 2/4 | Whither My Love (t), or Favorite Song, A (at) | AI-A | American SS-SM | 1-2 | VO,KB |
//5/55//5/33//43/45 | 2/4 | Whither My Love (t) | AI-A | Balls Amus 2, 1815 | 24 | FL/FI/VN |
//5/55//5/33//43/45 | 2/4 | Whither My Love (t) | AI-A | Dubois Clar, 1818 | 26-27 | 2CL |
//5/55//5/33//43/45 | 2/4 | Andante (t) | IC-E | Eley Pieces 3, 1790 | 8 | 2CL,2OB/CL, 2HN,TR,2BS |
//555//533//4345 | 2/4 | Where Is My Love (t) | IC-E | Goulding Fife, 1790 | 28 | FI |
//5/55/53/3//43/45// | 2/4 | Wither My Love (t) | AM-A | Irving MS, 1796 | 78-79 | 2 MI |
//5/55//5/33//43/45//4 | 2/4 | Whither my love ah whither art thou gone (fl) | TW-E | Haunted Tower, 1789 | 22-23 | VO,KB |
//555/53//353/31//15-/31 | 6/8 | Allegro (t) | IC-E | Gilbert Bugle, 1804 | 50 | 3BU |
//5-5-5-/5-3-4-//5-32/15-5-//5-43/232 | 2/4 | Eye of Affection, The (t) | AI-A | Riley Flute 4, 1826 | 59 | FL |
//555/534//543/432 | 6/4 | Sweet Kate (t) | PL-E | Playford 1-10, 1698 | 64 | VN |
//5-5-/5-5-//3-4-5-4-//3-4-5-4-//3-4-5-1 /21 |
C/ | March (t) | IC-S | Stewart Marches, 1761 | 2-3 | 2VN/GF/OB,VC/HA |
//5555/3454//3511+/651+//5555 | C/ | Millers Daughter, The (t) | DA-E | Longman CD, 1781 | 67 | VN/OB/GF |
//5555/3454//3511+/651+//5555/3453// | C/ | Miller's Daughter, The (t) | DA-E | Straight & Skillern CD, 1775 | 70 | VN/GF/OB |
//5555/3454//3511+/657//5555/3453 | C/ | Millers Daughter, The (t) | DA-E | Thompson CD-3, 1773 | 67 | VN/GF/OB |
//5555/3454//3511+/657//5555/3453// | C/ | Millers Daughter, The (t) | DA-E | Thompson CD-3a, 1773 | 55 | VN/GF/OB |
//5555/3454//3511+//657//5555/3453 | C/ | Millers Daughter, The (t) | AM-A | Turner MS, 1788 | I,24 | VN |
//55/55//34/5//671+/1+76 | 6/8 | Come Now All Ye Social Powers (t) | AM-A | Akerman MS, 1795 | 65 | VO |
//55/55//34/5//671+/1+76 | 6/8 | Ye Social Powers (t) | AM-A | Shattuck MS, 1801 | 26 | MI |
//55/55//34/5//671+/1+76 | 6/8 | Bring the Flask (t) | AM-A | Spicer MS, 1797 | 187-188 | VO |
//55/55//34/5//671+/1+76//6 | 6/8 | Song 12 (t), or Come Now All Ye Social Pow'rs (at) | AI-A | American MM, 1798 | 40-41 | VO |
//55/55//34/5//671+/1+76//6/5 | 6/8 | Come Now All Ye Social Pow'rs (t) | SC-S | Edinburgh MM-2, 1793 | 236-237 | VO |
//555/535//1+1+1+/1+3+//3+2+4+2+/2+1+1+7 // |
C | Salopian, The (t) | IC-E | Longman March 3, 1770 | 2 | 2VN/OB/GF, 2HN, B |
//555/535432//111/131//17-42/346543 | C | Grand March & Rondo, A (t) | AI-A | American Sheet Music | KB | |
//555/535//51+5/51+//1+1+1+/1+51+//3+ | 6/8 | When Daylight Is Kindling O'er Forest and Lawn (t) | AM-A | Akerman MS, 1795 | 33 | MI |
//555/536//4/2//311/17-1 | 6/8 | Cottillion 3 (t) | AI-A | Riley Flute 1, 1814 | 4 | FL |
//555/54321//1+1+1+/1+55//1+ | 6/8 | Shadows of the Night, The(r) (t) | SC-E | Vocal Music, 1775 | 134-136 | VO/VN/GF |
//555/54321//1+1+1+/1+7654//34531+7/6543 |
6/8 | Contented Hunters, The (t) | IC-E | Thompson Hunting, 1770 | 2:20-21 | VO/HAF/VN/GF |
//555/54//321/13//32/1234// | C/ | Gather Your Rosebuds While You May (t) | IC-E | Playford Skill, 1674 | 62 | 2VO |
//555//54321//1+7654//3231//5656 | 3/4 | Minuet (t) | IC-E | Delightful-1, 1763 | IV,9 | 2GF |
//5-5-5-/5-4-3-2-1-//5-5-5-/5-17-1//6-5- /5-4-3 |
C | March (t) | MS-G | Darmstadt MS 1223 | 2OB,2TR,BS | |
//555/54321//555/51+71+//65/543 | C/ | March V. Smo Comp Nach Rochefoucauld Den 8 May 1774 (t) | MS-G | Darmstadt MS 1225 | 203-4 | 2MI |
//555//54321//555//54321//1+73// | C (=3 ed) | Battle, The. the March of Horse (t), or March of Horse, The (at) | MS-E | Rogers MS, 1656 | 25-26 | VI |
//555//54321//555//54321//32// | C3 | Battell, The. the Marche of Horsmen (t), or Marche of Horsmen, The (at) | MS-E | Nevell MS, 1591 | 22-23 | VI |
//555//54321//666//655//22435//43 | 3/4 | Minuetto (t) | IC-E | Humple Hn Duets, 1765 | 15 | 3HN |
//55/55//432/345//432/17-1 | 6/8 | Tete Diamaux, La (t) | MS-F | Galoubet MS, 1790 | 10 | PI |
//5/55//5433/24//31 | 6/8 | Favourite Song, A (t) | SS-E | SS, New York PL-C694 | 93 | VO,HAF |
//555//543//332//321//234//345 | 3/4 | Andante (t) | AM-A | Curtiss MS, 1800 | 14 | 2VN |
//555/54//333/32//1 | C/ | Jove In His Chair (t) | AM-A | Hiester MS-1, 1793 | 39 | HA |
//555/54//333/32//1 | C | Suffolk March (t) | AI-A | Instrum Asst, 1800 | 46 | 2VN/2GF/2CL/2OB,BVIOL |
//555/54//333/32//11123/22234 | C | March, A (t) | AI-A | American Sheet Music | PF | |
//555/54//333/32//11123/2234 | C/ | Jove In His Chair (t) | AM-A | Beck MS, 1786 | 138 | GF |
//555/54//333/32//1123/2234 | C | Jove In His Chair (t) | AI-A | Bacon Clar, 1818 | 17 | CL |
//555/54//333/32//1123/2234 | C | Jove In His Chair (t) | AM-A | Beach MS, 1801 | 74 | 2MI,B |
//555/54//333/32//1123/2234 | C | Jove In His Chair (t) | AM-A | Canfield MS, 1823 | 33 | 2FL |
//555/54//333/32//1123/2234 | C/ | Jove In His Chair (t) | AM-A | Gaylord MS, 1816 | 15v | 2MI |
//555/54//333/32//1123/2234 | C | Jove In His Chair (t) | AI-A | Klemm Clar, 1825 | 17 | CL |
//555/54//333/32//1123/2234 | C | Jove In His Chair (t) | AI-A | Martial Music, 1807 | 13 | 2CL/2OB,BS |
//555/54//333/32//1123/2234// | C/ | Bedfordshire March, The (t) | MS-C | Molyneaux MS-2, 1788 | 50 | 1 OR 2 GF |
//555/54//333/32//1123/2234 | C/ | March (t) | AM-A | Pickman MS, 1785 | 54-55 | KB |
//555/54//333/32//1123/2234 | C | King of Prussia's March, The (t) | MS-I | Regan MS, 1764 | 13 | MI |
//555/54//333/32//113/224// | C/ | Jove In His Chair, in the Burletta of Midas (t) | AM-A | Adams, W. MS, 1795 | 18 | MI |
//555/54//333/32//113/224 | C/ | King of Prussias March, The (t) | AM-A | Beck MS, 1786 | 5 | 2GF |
//555/54//333/32//12/212 | C | Favorite March, A (t) | AM-A | Aborn MS, 1790 | 58-59 | 2MI |
//555/54//333/32//12/212 | C | Lord Loudon's March (t) | IC-E | Bremner Airs, 1761 | 73 | 2VN/GF,B |
//555/54//333/32//12/212 | C | Lord Loudans March (t) | MS-S | Gillespie MS, 1768 | 35 | VN |
//555/54//333/32//12/212 | C | March (t) | IC-E | Longman Horn, 1785 | 32 | 2HN |
//555/54//333/32//12/212 | C | Lord Loudon's March (t) | IC-E | Preston Marches, 1804 | 73 | 2GF/VN,VC/PF |
//555/54//333/32//12/212 | C | March (t) | IC-E | Thompson Horn, 1755 | 17 | 2HN |
//555/54//333/32//12/212// | C | March (t) | IC-E | Thorowgood Guitar, 1763 | 7 | GT |
//555/54//333/32//123 | C | Jove In His Chair (t), or Bedfordshire March, The (at) | IC-E | Longman Oboe, 1770 | 29 | OB |
//555/54//333/32//123 | C | Jove In His Chair (t), or Bedfordshire March, The (at) | IC-E | Longman Oboe, 1780 | 29 | OB |
//555/54//333/32//123 | C/ | March 19 (t) | IC-E | Thompson March, 1770 | 9 | 2VN/2GF/2OB,2FH,BF |
//555/54//333/32//123/234 | C | Suffolk March (t) | AM-A | Beach MS, 1801 | 64 | 2MI,B |
//555/54//333/32//123/234 | C | Bedfordshire March, The (t) | IC-E | Bennett Fife, 1770 | 13 | FI ; FI |
//555/54//333/32//123/234 | C/ | March 11 (t) | IC-E | Button Whit-2, 1806 | 18-19 | 2GF/2VN/2FI |
//555/54//333/32//123/234 | C | Bedfordshire March (t) | IC-E | Clementi Fife, 1815 | 31 | FI |
//555/54//333/32//123/234// | C | Suffolk March (t) | AM-A | Cushing MS, 1805 | 101 | MI |
//555/54//333/32//123/234 | C | Bedfordshire March, The (t) | IC-E | Handel March 2, 1770 | 3 | VN/GF/OB |
//555/54//333/32//123/234// | C/ | Bedfordshire March (t) | IC-E | Hill Flute, 1762 | 12 | GF |
//555/54//333/32//123/234 | C | Bedfordshire March, The (t) | IC-E | Longman Fife, 1770 | 31 | FI |
//555/54//333/32//123/234 | C | Bedfordshire March (t) | IC-E | Longman Fife, 1780 | 31 | FI/GF |
//555/54//333/32//123/234 | Bedfordshire March (t) | MS-E | Shepherd MS, 1787 | 64 | MI | |
//555/54//333/32//123/234 | C | Bedfordshire March (t) | IC-E | Skillern Amus, 1785 | 15 | 2GF |
//555/54//333/32//123/234 | C/ | Jove In His Chair (t) | IC-S | Stewart Airs, 1788 | 2:77 | GF/VN/FI |
//555/54//333/32//123/234 | C | Jove In His Chair (t), or Suffolk March (at) | AM-A | Stiles MS, 1807 | 14-15 | MI |
//555/54//333/32//123/234 | C | Bedfordshire March, The (t) | IC-E | Thompson Fife, 1770 | 31 | FI |
//555/54//333/32//123/234// | C | Bedfordshire March (t) | IC-E | Thompson Fife, 1786 | 22 | FI/FL |
//555/54//333/32//123/234 | C/ | March 16 (t) | IC-E | Thompson March, 1775 | 17 | OR/HA/PF |
//555/54//333/32//123/234 | C | Jove In His Chair (t), or Bedfordshire March, The (at) | IC-E | Thompson Oboe, 1770 | 23 | OB |
//555/54//333/32//123/234 | C | Jove In His Chair (t), or Bedfordshire March, The (at) | IC-E | Thompson Oboe, 1790 | 26 | OB |
//555/54//333/32//123/234 | C/ | March 11 (t) | IC-E | Thompson Pocket, 1790 | 18-19 | 2GF/VN/FI |
//555/54//333/32//123/234 | C | Bedfordshire March, The (t) | AI-A | Willig Fife, 1805 | 13 | FI |
//555/54//333/32//123/234 | C | Suffolk March (t) | AM-A | Woodruff MS, 1803 | 4 | 2MI |
//555/54//333/32//1234/565 | C | French March (t) | IC-E | Skillern Amus, 1785 | 41 | 2GF |
//555/54//333/32//1234/565 | C | French March (t) | AM-A | Van Renssel. MS, 1782 | I,5 | KB |
//555/54//333/32//1234/565//43/2// | C | French March (t) | IC-E | Thompson Fife, 1786 | 33 | FI/FL |
//55554/33332//1543/32//5342/3127- | C/ | Prince George for Ever (t) | DA-E | Johnson CD-7, 1756 | 38 | VN/GF |
//55554/33332//1543/32//5342/3127-// | C/ | Prince George for Ever (t) | DA-E | London Magazine | 186, 1752 | MI |
//55554/33332//1543/32//5342/3127- | C/ | Prince George for Ever (t) | DA-E | Thompson CD-1, 1757 | 35 | VN/GF/OB |
//55554/33332//1543/32//5342/3127-// | C/ | Prince George for Ever (t) | DA-E | Thompson CD-1a, 1757 | 34 | VN/GF/OB |
//555/54//333/3232//11123/22234// | C/ | Jove In His Chair (t) | AM-A | Treat MS, 1779 | 32r | FI/GF |
//555//543//333//321//234 | 3/8 | Air, No.85 (t) | AI-A | Instrum Asst-2, 1807 | 103 | 2MI,B |
//55554/3453//1531+/651+//55554/3453// | C | Donalbane (Scotch) (t) | DA-E | Wilson Companion, 1816 | 80 | MI |
//55554/3454//34515/651+//55554/3453 | C/ | Millers Daughter, The (t) | IC-S | Aird 2, 1785 | 18 | FI/VN/GF |
//55554/3454//345176/51+//55554/3454// | C/ | Miller's Daughter, The (t) | IC-S | Stewart Reels, 1775 | 45 | VN/GF,VC/HA |
//555//543//456//25 | 3/4 | Shall the thieves watch all night (fl) | BA-E | Patron, 1729 | 11 | VO |
//555/54345//666/61+//6543/5432 | C/ | Bristol March (t) | IC-E | English Sheet Music | 2VN,2HN,B+2GF | |
//555/5435//666/5435//444/3213 | C | Favourite Song, A (t) | SS-E | SS, Harvard | 1-2,DUP | VO,KBF,2VN,VA |
//555/543//777/75//1+1+2+/3+2+1+ | 2/4 | Lass Call'd Pritty Pagy, The(ed) (t) | AM-A | Hawkins MS, 1794 | II,88 | GF |
//555/544//33/322//1123/2234 | C | Jove In His Chair (t) | IC-E | English Sheet Music | 2 | 2MI,B |
//555/544//33/322//1123/2234 | C | Jove In His Chair (t) | AM-A | Hawkins MS, 1794 | II,23 | 2GF |
//555/544//33/322//1123/2234 | C | Jove In His Chair (t) | AM-A | Hosmer MS, 1798 | 28 | 2MI |
//555/544//33/322//1123/2234//333/323 | C | Jove In His Chair (t) | AM-A | Pomeroy MS, 1790 | 22 | 2GF |
//555/544//333/3-2//1123/2234//333/323 | C | Jove In His Chair - in Midas (t) | IC-E | Thompson Record, 1768 | 24 | RC |
//555/544//333/322//1123/2234 | C/ | Jove In His Chair (t) | AM-A | Allen, W. MS, 1790 | 140 | 2MI,B |
//555/544//333/322//1123/2234 | C | Song 5 (t), or Jove In His Chair (at) | SC-E | Calliope, 1788 | 8 | VO |
//555//544//34342//17-1//5-1127-27- | 3/4 | Minuetto (t) | AM-A | Psalmody MS, 1798 | 102 | MI |
//555/545//64/46//54/32//11/134 | 6/8 | Air 42 (t) | BA-E | Beggar's Opera, 1765 | 69 | VO |
///555//54//655667//66771+//771+61+2+ | 3/4 | Andante (t) | IC-S | Stewart Marches, 1773 | 43 | 2VN/GF/OB,VC/HA |
//5-/5-//5-/5-//5-/1 | C | Breaking Cover (t) | IC-E | Jones Bugle, 1805 | 5 | BU |
//5-5-5-/5-5-//111/13//555/53 | 2/4 | Close (t) | AI-A | Holbrook Tactics, 1826 | PL11 | BU |
//5-5-5-/5-5-//111/13//555/53 | 2/4 | Close (t) | AI-A | US Light Inf, 1830 | 123 | BU |
//5-5-5-/5-5-//111/13//555/53// | 2/4 | Close (t) | AI-A | US Tactics, 1825 | 275 | BU |
//5-5-5-/5-5-//111/13//555/53 | 2/4 | Close (t) | AI-A | US Tactics, 1834 | PL85 | BU |
//5-5-5-5-5-/115-//11212/34321//33434/56 543 |
C/ | Air 11 (t) | IC-N | Roger Airs, 1716 | 1:6 | 2CH/TR/OB/VN/FL/CL/HN |
//5-5-/5-5-//5-1/23//42/3234 | C/ | Corceaux, Les (t) | IC-S | Stewart Airs, 1788 | 1:48 | GF/VN/FI |
//55-5-5-//5//13//1// | 3/4 | Dolphin Call (t) | AM-A | USS N. Carolina MS, 1825 | BU | |
//5/5555//1+/3+1+//1+/1// | C | Reveille. Adagio (t) | IC-E | Hyde Bugle, 1818 | 38 | BU |
//5/5555//1+/3+1+//1+/1// | C | Reveille. Adagio (t) | IC-E | Hyde Bugle, 1818 | 41 | BU |
//5-//5-//5-//5-/5-13//6535-13 | 3/4 | Waltz (t) | AI-A | Riley Flute 3, 1820 | 88 | FL |
//5/55//5/5//1+5/1+2+// | C/ | Dead March (t) | IC-E | Forest Harmony-4, 1744 | 20 | 2HN/GF/TR/VN |
//5-5-5-/5-5-//15-13/13//5-5-5-/5-5- | 2/4 | Retire (t) | AI-A | Holbrook Tactics, 1826 | PL11 | BU |
//5-5-5-/5-5-//15-13/13//5-5-5-/5-5- | 2/4 | Retire (t) | AI-A | US Light Inf, 1830 | 123 | BU |
//5-5-5-/5-5-//15-13/13//5-5-5-/5-5-// | 2/4 | Retire (t) | AI-A | US Tactics, 1825 | 275 | BU |
//5-5-5-/5-5-//15-1313/5-5-5-5-5- | 2/4 | Retire (t) | AI-A | US Tactics, 1834 | PL85 | BU |
//5-5-5-/5-5-//15-/13//5-5-5-/5-3 | 2/4 | Alternate Ranks (t) | AI-A | Holbrook Tactics, 1826 | PL11 | BU |
//5-5-5-/5-5-//15-/13//5-5-5-/5-3 | 2/4 | Alternate Ranks (t) | AI-A | US Light Inf, 1830 | 123 | BU |
//5-5-5-/5-5-//15-/13//5-5-5-/5-3// | 2/4 | Alternate Ranks (t) | AI-A | US Tactics, 1825 | 275 | BU |
//5-5-5-/5-5-//15-/13//5-5-5-/5-3 | 2/4 | Alternate Ranks (t) | AI-A | US Tactics, 1834 | PL88 | BU |
//5-5-5-5-//5-15-//15-1//35//5-5-5-5-//5 -13 |
3 | Ban, Le (t) | IC-F | French Ordinances | App.25 | BU |
//5-5-5-5-5-//15-3-//22222//315-//33333/ /543 |
3/4 | Minuet (t) | IC-E | Simpson Horn, 1746 | 21 | 2HN |
//55/55//51+/53//23/5432// | 2 | Alles vous Coucher, - Francaise (t) | DA-N | Gautier CD, 1780 | 14-15 | KB |
//5-5-5-/5-5-//1/5-5-//5-/3-5- | C | March from the Carousel (t) | IC-S | Pandean Coll 3, 1810 | 4 | PF |
//5-5-/5-5-//5-/15-//5-5-/5-5- | 6/8 | Appel, L' (t) | IC-F | French Ordinances | App.25 | BU |
//55/55//5/1+5//55/55// | 6/8 | En Tirailleurs (t) | IC-F | Lelouterel Clairon, 1825 | pl. 6 | BU |
//5-5-5-/5-5-1//5-5-5-/5-5-5-//5-1//12 | 6/4 | Retraitte, La (t) | MS-F | Philidor MS, 1705 | 53 | HN |
//55-5-5-/5-15-//6-4-4/456-5432 | C/ | On the Affairs Abroad, and King William's Expedition (t) | SC-E | Pills 1, 1719-20 | 86-7 | VO |
//5555/51+//6666/61+//5555/51+// | 2/4 | Princeton Gallopade, The (t) | AI-A | Johnson, F. Sheet Music | 2 | PF |
//555/55//3/11+71+//666/55 | C/ | Slow Movement (t) | AM-A | Psalmody MS, 1798 | 74-75 | 2MI |
//55555/3155//55-6-7-6-7-5-/1123217- | C | March (t) | IC-E | Oswald Airs, 1758 | 16-17 | 2VN/2GF/2GT |
//555/55//32/12//323/43 | 2/4 | Fanfares Pour Sonner Pendant la Curee (t) | IC-F | Boivin Tons, 1731 | 7 | 2HN/GF/OB/VN/VA |
//55/5//5/53+//2+55//57/7765// | C/ | Cloris Sighed (t) | MS-E | Rogers MS, 1656 | 47-48 | VI |
//55/55//53/3456//55/55//5 | C/ | Danaise, La. Allegro de La Danaise (t) | MS-M | Garcia MS, 1772 | 77V [185] | MI |
//55/55//5/3//43/45//6/3 | C | Lady Spellor (t) | PL-E | Playford 1-02, 1652 | 54 | VN |
//55/55//5/3//43/45//6/3 | 3 | Lady Spellor (t) | PL-E | Playford 1-04, 1670 | 65 | VN |
//55/55//5/3//43/45//6/3 | 3 | Lady Spellor (t) | PL-E | Playford 1-05, 1675 | 65 | VN |
//55/55//5/3//43/45//6/3 | 3 | Lady Spellor (t) | PL-E | Playford 1-06, 1679 | 65 | VN |
//55/55//5/3//43/45//6/3 | 3 | Lady Spellor (t) | PL-E | Playford 1-07, 1686 | 65 | VN |
//55/55//5/3//43/45//6/3 | C3 | Lady Spellor (t) | PL-E | Playford 1-08, 1690 | 77 | VN |
//5555/53//4345/63//2223/4567//1+55/31 | C/ | Lady Spellor (t) | PL-E | Playford 1-03a, 1657 | I,54 | VN |
//5555/53//4345/63//2223/4567//1+55/31 | C/ | Lady Spellor (t) | PL-E | Playford 1-3b, 1665 | I,54 | VN |
//55/55//5/3//43/45//6/4 | C | Lady Spellor (t) | PL-E | Playford 1-01, 1651 | 24 | VN |
//55/55//5/345//66/54//33 | 3 | Althea (t) | PL-E | Playford 1-03a, 1657 | I,129 | VN |
//55/55//5/345//66/54//33 | 3 | Althea (t) | PL-E | Playford 1-04, 1670 | 24 | VN |
//55/55//5/345//66/54//33 | 3 | Althea (t) | PL-E | Playford 1-05, 1675 | 24 | VN |
//55/55//5/345//66/54//33 | 3 | Althea (t) | PL-E | Playford 1-06, 1679 | 24 | VN |
//55/55//5/345//66/54//33 | 3 | Althea (t) | PL-E | Playford 1-07, 1686 | 24 | VN |
//55/55//5/345//66/54//33 | 3 | Althea (t) | PL-E | Playford 1-3b, 1665 | I,129 | VN |
//5555/53//4567654/61+6//772+7 | C/ | Punk's Delight, The, New Way (t) | PL-E | Playford 1-17, 1721 | 73 | VN |
//5555/53//4567654/61+6//772+7 | C/ | Punk's Delight, The, New Way (t) | PL-E | Playford 1-18, 1728 | 73 | VN |
//5555/53//4654/1+6//5677 | C/ | Punk's Delight (t) | PL-E | Playford 1-08, 1690 | 129 | VN |
//5555/53//4654/1+6//5677/3+3 | C/ | Punks Delight, The(the New Way) (t) | PL-E | Playford 1-04, 1670 | 133 | VN |
//5555/53//4654/1+6//5677/3+3 | C/ | Puncks Delight, The(the New Way) (t) | PL-E | Playford 1-05, 1675 | 133 | VN |
//5555/53//4654/1+6//5677/3+3 | C/ | Puncks Delight, The (t) | PL-E | Playford 1-06, 1679 | 133 | VN |
//5555/53//4654/1+6//5677/3+3 | C/ | Punk's Delight, The(the New Way) (t) | PL-E | Playford 1-07, 1686 | 133 | VN |
//5555/53//4654/1+6//5677/3+3 | C/ | Punk's Delight-The New Way (t) | PL-E | Playford 1-09, 1695 | 73 | VN |
//5-5-/5-5-//5-3-5-/1-1//12/323//1 | 6/4 | Yeoman of Kent, The (t) | SC-E | Pills 1, 1719-20 | 126-7 | VO |
//5-5-5-5-5-3-5-/15-//3-1-5-3-3-3-3-/3-3 -3-3-1- |
C/ | Halt, The (t) | AI-A | US Tactics, 1834 | PL67 | TR |
//555/55//3/5//311/13 | 2/4 | Quick Step (t) | AM-A | Beach MS, 1801 | 30 | 2MI,2HN,B |
//555/553//555/553//53/13 | 6/4 | Song 10 (t) | SC-E | Convivial, 1782 | 22-23 | VO |
//555/553//555/553//53/13 | 6/4 | Song, A (t) | SC-E | Pills 5, 1719-20 | 302-3 | VO |
//5555/53//5654/1+6//5677 | C/ | Punk's Delight-The New Way (t) | PL-E | Playford 1-11, 1701 | I,73 | VN |
//5555/53//5654/1+6//5677/3+3 | C/ | Punk's Delight (t) | PL-E | Playford 1-10, 1698 | 73 | VN |
//55/55//53/65//43/21//7- | 2/4 | Ellen's Fate Deserves a Tear (t) | AI-A | Musical Rep-2, 1799 | 84-85 | 2FL,2VN,VO,B |
//5/5//5/5//54/32 | C | March In Flavius (t) | IC-E | Bremner Airs, 1761 | 13 | 2VN/GF,B |
//5/5//5/5//54/32 | C/ | March In Flavius (t) | IC-E | Handel March 1, 1768 | 14 | VN/GF/OB |
//5/5//5/5//54/32 | C | March In Flavius (t) | IC-E | Preston Marches, 1804 | 13 | 2GF/VN,VC/PF |
//5/5//5/5//54/32 | C/ | March In Flavius (t) | IC-E | Thompson March, 1759 | 14 | VN/FL/OB |
//5/5//5/5//54/32 | C/ | March In Flavius (t) | IC-E | Thompson Oboe, 1758 | 14 | OB |
//5/5//5/5//54/32 | C/ | March In Flavius (t) | IC-E | Thompson Oboe, 1770 | 19 | OB |
//5/5//5/5//54/32 | C/ | March In Flavius (t) | IC-E | Warlike Musick, 1760 | 38 | GF/VN/HA |
//55/55//5432/11//22/33// | 2/4 | Vivouotto, La (t) | AI-A | Hewitt Cots-1, 1803 | 12 | PF |
//555/5543//333/3123//246/5432 | C | Gen. Greens March (t) | AM-A | Williams, J. MS, 1799 | 73-74 | 2CL |
//55/55//544/31//24/357-2 | C | Duetto (t) | AI-A | Holyoke Masonic, 1803 | 5-6 | 2MI,B |
//555/55//45/31//2465/4231 | 2/4 | Quick Step (t) | IC-S | May Marches, 1800 | 6-7 | PF |
//555//554//562435-//445//6665 | 3 | Song, A (t) | SS-E | SS, Folger-C42.1 | 145,2-146,1 | 2VO,B |
//555//554//562435//445//6665 | Fair Cloe a Song (t) | SS-E | SS, Folger-C42.4 | 270,2-271,1 | 2VO,B,/KB | |
//5-5-5-5-/5-4-5-6-5-4-5-6-//5-4-3-/3-3- 3-3-//3-2-3-4-3-2-3- |
C/ | Air 31 (t) | IC-N | Roger Airs, 1716 | 1:18-19 | 2CH/TR/OB/VN/FL/CL/HN |
//55/55//5456/55//543/43 | 2/4 | Prusian March (t) | IC-E | Warlike Musick, 1760 | 32 | GF/VN/HA |
//55/55//5456/55//543/65 | 2/4 | Prussian March (t) | IC-E | Delightful-1, 1763 | III,20 | GF |
//55/55//5456/5656//77/77 | C/ | Count Browns March (t) | AM-A | Otis MS, 1793 | 34 | 2VN/2FL |
//5-5-5-5-5-5-/111111//333333/555555//33 3333/111111 |
C/ | Air 28 (t) | IC-N | Roger Airs, 1716 | 1:16-17 | 2CH/TR/OB/VN/FL/CL/HN |
//5-5-5-/5-5-5-//1/3//531/5-5-5- | 6/8 | Uncoupling the Hounds (t) | IC-E | Jones Bugle, 1805 | 5 | BU |
//5-5-5-5-5-5-//15-//111111//31//5456564 5//32343423 |
3 | Air 19 (t) | IC-N | Roger Airs, 1716 | 1:10-11 | 2CH/TR/OB/VN/FL/CL/HN |
//555/55//51+5/1+7//666/66// | C/ | Lord Mcdonalds March (t) | AM-A | Irving MS, 1796 | 104-105 | 2 MI |
//555/555//1+5/35//1+/2+// | C/ | Battle, The (t) | MS-C | Molyneaux MS-1, 1788 | 51 | GF |
//5-5-5-/5-5-5-//15-/3-5-//3-1/7-5- | 2/4 | Charge, The (t) | IC-I | Logier Bugle, 1813 | 28 | 3BU |
//5-5-5-5-5-/5-15-4-3-//4-6-5-4-/3-2-1-2 --2-//4-3-2-1-4-4-/4 |
C/ | Fahnen Trupp (t) | MS-G | Darmstadt MS 1224 | 295 | MI |
//55555//51+5//44444//54343//44444//5677 |
3/4 | Minuett from Don Giovanni (t) | IC-S | Pandean Coll 2, 1810 | 29 | PF |
//5-5-/5-5-5-//5-1-5-/5-//11/111 | 6/8 | Quick March (t) | IC-E | Gilbert Bugle, 1804 | 16-17 | 3BU |
//555/555//1+/5//61+71+/51+71+// | 2/4 | King of Pruseias March, The (t) | MS-S | Fife MS, 1780 | 64,7r | 1FI OR 2FI/VN |
//5-5-/5-5-//5-5-//17-12/1234 | C/ | March (t) | IC-E | Musica Bell, 1733 | 16 | FL/VN/OB |
//5-5-/5-5-//5-5-//17-12/1234//25 | C/ | March (t) | IC-E | Warlike Musick, 1760 | 45 | GF/VN/HA |
//55/55//5/51+71+//65/43 | C/ | Measure for Measure (t) | PL-E | Playford 2-3, 1718 | 323 | VN |
//55/55//5/51+71+//65/43 | C/ | Measure for Measure (t) | PL-E | Playford 2-4, 1728 | 323 | VN |
//55/55//5/51+71+//65/43 | C/ | Thyrsis and Cloe (t) | PL-E | Playford 3-2, 1726 | 136 | VN |
//55/55//5/51+71+//65/43 | C/ | Measure for Measure (t) | DA-E | Walsh CD-1.2, 1719 | 343 | VN/OB |
//555/55//53/3//222/22 | 2/4 | Malcolm's March (t) | AI-A | American Sheet Music | 2 | PF |
//5-5-5-5-5-/5-3-4-5-5-//6-4-6-/4-3-5-// 6-4-6-/4-3-5- |
C/ | IC-E | Forest Harmony-2, 1733 | 14 | 2HN/GF/TR/VN | |
//5555/55//4/4//4444/45//3 | 2/4 | Finale, Act 1 (t) | TW-E | Shipwreck, 1796 | 32-37 | HN,4VO,B,VN |
//55/55//5/545//65/45 | C | Air 5, Act Ii (t) | BA-E | Beggar's Opera, 1728 | T25M7 | VO |
//55/55//5/545//65/45//6 | C | Air 23 (t) | BA-E | Beggar's Opera, 1777 | 59 | VO |
//55/55//5/545//65/45//6/671+// | Air 20 (t) | BA-E | Jovial Crew, 1731 | 27 | VO | |
//55/55//5/545//65/45//6/671+ | Air 5 (t) | BA-E | Plot, 1735 | 17 | VO | |
//55/55//5/545//65/45//6/671+//75/55 | C | Air 23 (t) | BA-E | Beggar's Opera, 1765 | 48-49 | VO |
//5-5-/5-5-5-5-//5- | C/ | Avertissement du Boute Selle (t) | IC-F | French Ordinances | App.15 | TR |
//5-//5-5-5-5-5-//5-//11111//1//33333// | 3/4 | No. 1 (t) | IC-E | Water Musick, 1740 | 2 | 2VN/OB,2HN,VA,BS,BF |
//5-5-5-//5-5-5-//5-12//3//2343//217-6-5 - |
3/4 | Menuet (t) | MS-G | Darmstadt MS 1224 | 79-89 | 2OB/VN,2HN,B |
//5-5-5-/5-5-5-//5-//15-//5-5-5- | 3/4 | Mozart's Celebrated Waltz (t) | AI-A | Riley Flute 2, 1817 | 74 | FL |
//5-5-5-//5-5-5-//5-//15-//5-5-5-//5-5-5 - |
3/4 | Mozart's Military Waltz (t) | AM-A | Canfield MS, 1823 | 27 | FL |
//5-5-5-//5-5-5-//5-//15-//5-5-5-//5-5-5 -// |
3/4 | Mozarts Military Waltz (t) | DA-E | Wilson Companion, 1816 | 144-145 | MI |
//5/55//5/55//51+/76 | 2/4 | Will You Come to the Bower (t) | IC-E | Balls Amus 3, 1815 | 2 | FL/VN |
//5/55//5/55//51+/76 | 2/4 | Will You Come to the Bower (t) | IC-E | Balls Amus 3, 1830 | 2 | FL/VN |
//5/55//5/55//51+/76 | 2/4 | Will You Come to the Bower (t) | AI-A | Blake Bassoon, 1826 | 12 | 2CL/FL/VN,HN,B |
//5/55//5/55//51+/76 | 2/4 | Will You Come to the Bower (t) | AI-A | Paff Amus 1, 1812 | 3 | FL/VN |
//5/5//5/555//5/3// | 6/8 | Tons Pour La Queste (t) | IC-F | Diderot Chasse, 1763 | 2:2:1 | HN |
//555/555//531+/531//444/444//423 | 6/8 | At sixteen years old you cou'd get little good of me (fl) | TW-E | Mountaineers, 1793 | 32-33 | VO,KB,MI |
//5-5-5-/5-5-5-5-//3-2-/1-5-//6-6-5-5-/6 -7-12 |
2 | March 3 (t) | MS-G | Darmstadt MS 1224 | 341-50 | 2OB,2HN,BS |
//555/5555//32/15//6655/671+2+ | C/ | March (t) | IC-E | Delightful-1, 1763 | IV,21 | 2GF |
//55555/55//3311/5- | C/ | Pour Fermer le Ban (t) | IC-F | French Ordinances | App.15 | TR |
//555/555//53/533//565/534//5 | Jolly Roger (t), or Song, A (at) | SS-E | SS, Harvard | 1 | VO | |
//555/555//53/534//565 | Jolly Roger a Song (t) | SS-E | SS, Folger-C42.4 | 492 | VO | |
//555/555//53/534//565/534 | 6/4 | Air 11 (t) | BA-E | Jovial Crew, 1731 | 13 | VO |
//555/555//53/534//565/534 | 6/4 | Air 7 (t) | BA-E | Livery Rake, 1733 | 13-14 | VO |
//555/555//53/534//565/534 | 6/4 | Jolly Roger (t) | PL-E | Playford 2-1, 1713 | 49 | VN/OB |
//555/555//53/534//565/534 | 6/4 | Jolly Roger (t) | PL-E | Playford 2-2, 1714 | 49 | VN/OB |
//555/555//53/534//565/534 | 6/4 | Jolly Roger (t) | PL-E | Playford 2-3, 1718 | 49 | VN |
//555/555//53/534//565/534 | 6/4 | Jolly Roger (t) | PL-E | Playford 2-4, 1728 | 49 | VN |
//555/555//53/534//565/534 | Jolly Roger a Song (t) | SS-E | SS, Folger-C42.1 | 258 & 262 | VO+FL | |
//555/555//53/534//565/534 | 6/4 | Jolly Roger (t) | DA-E | Walsh CD-1.2, 1719 | 67 | VN/OB |
//555/555//53/534//565/534 | 6/4 | Iolly Roger (t) | DA-E | Walsh CD-2.2, 1735 | 192 | VO/OB/GF/FL |
//555/555//53/534//565/534 | 6/4 | Iolly Roger (t) | DA-E | Walsh CD-3.2, 1749 | 192 | VN/OB/GF |
//555/555//53/534//565/534 | 3/2(ED) | Jolly Roger (t) | DA-E | Walsh NCDM-2, 1710 | 70 | VN/OB/FL |
//555/555/53/534//565/534//5/5 | 6/4 | Song 2 (t) | SC-E | Convivial, 1782 | 4-6 | VO |
//555/555//53/534//565/534//5/53 | 3 | Twangdillo (t) | SC-E | Pills 1, 1719-20 | 19-21 | VO |
//55/55//55/5//444/444 | C | Come beat away a royal march (fl) | TW-E | Recruiting Serj, 1770 | 10 | 2VN,BF,VO |
//5-5-5-/5-//5-5-5-/5- | Cease (firing) (t) | IC-E | Barber Bugle, 1804 | Pl.1 | BU | |
//5-5-5-/5-//5-5-5-/5- | Cease Firing (t) | AM-A | Beach MS, 1801 | 72 | BU | |
//5-5-5-/5-//5-5-5-/5- | Cease Firing (t) | IC-E | British Bugle, 1798 | PL.7 | BU | |
//5-5-5-/5-//5-5-5-/5- | Cease Firing (t) | IC-E | British Bugle, 1799 | PL.7 | BU | |
//5-5-5-/5-//5-5-5-/5-// | To Cease Firing. No. 6 (t) | IC-E | British Bugle, 1813 | 13 | BU | |
//5-5-5-/5-/5-5-5-/5- | To Cease Firing (t) | IC-E | British Bugle, 1824 | 55 | BU | |
//5-5-5-/5-/5-5-5-/5-// | To Cease Firing. No. VI. (t) | IC-E | British Bugle, 1833 | 322 | BU | |
//5-5-5-/5-//5-5-5-/5- | Cease Firing (t) | IC-E | Cooper Guide, 1806 | 3 | BU | |
//5-5-5-/5-//5-5-5-/5- | Retire (t), or Retreat (at) | AI-A | Duane Riflemen, 1812 | 103 | BU | |
//5-5-5-/5-//5-5-5-/5- | To Cease Firing (t) | AI-A | Gardner Compend, 1819 | PL19 | BU | |
//5-/5-5-//5-/5-//5-/5-5- | C | Reveille for the Bugle Horn (t) | AI-A | Goodale Dir, 1819 | 41 | BU |
//5-/5-5-//5-/5-//5-/5-5- | C | Reveille for the Bugle Horn (t) | AI-A | Goodale Dir, 1829 | 45 | BU |
//5/55//5/5//5/55// | C | Reveille (t) | IC-E | Hyde Bugle, 1818 | 38 | BU |
//5/55//5/5//5/55// | C | Reveille (t) | IC-E | Hyde Bugle, 1818 | 41 | BU |
//555/5//555/5// | 6/8 | Cease Firing (t) | IC-E | Hyde Bugle, 1818 | 44 | BU |
//5-/5-5-//5-/5-//5-/5-5- | C | Reveille (t) | IC-E | Hyde Trumpet, 1798 | 19 | BU |
//5-5-5-/5-//5-5-5-/5- | 6/8 | Cease Firing (t) | IC-E | Potter Bugle, 1817 | 4 | BU |
//5-5-5-/5-//5-5-5-/5- | To Cease Firing (t) | AI-A | US Riflemen, 1824 | PL13 | BU | |
//55/55/55/55//1+1+/1+71+// | 6/8 | O Tis Love (t) | AI-A | Admired Cots-2.4, 1825 | 2 | PF |
//55/55//55/55//1+1+/1+71+ | 6/8 | Oh 'Tis Love, 'Tis Love (t) | AI-A | Blake Amus 1, 1824 | 5 | CL |
//5-5-/5-5-//5-5-/5-5-//11/17-1 | 6/8 | O' Tis Love - C'est l'Amour (t) | AM-A | Canfield MS, 1823 | 48 | 2FL |
//5-5-/5-5-//5-5-/5-5-//11/17-1 | 6/8 | O 'Tis Love (t) | AI-A | Riley Flute 3, 1820 | 76 | FL |
//55555555//1+5/35//1+/2+//3+2+3+4+/3+ | C/ | Batel, The. A Quick Step (t) | MS-S | Fife MS, 1780 | 235,24v | 1FI OR 2FI/VN |
//5-5-5-5-//5-5-5-5-//3-1-5-//3-1-5-//1/ /212 |
3/8 | Arch Duke Charles's March, The. Trumpet Call (t) | IC-S | Pandean Coll 2, 1810 | 19 | PF |
//555555/55//3311/5-// | C/ | Fermeture du Ban, La (t) | IC-F | Buhl Trumpet, 1825 | 25 | TR |
//555555/55//3311/5- | C/ | Fermeture du Ban, La (t) | IC-F | French Ordinances | App.17 | TR |
//5-/5-//5-5-/5-5-5-//5-/5- | 6/8 | Commandement a Droite, Le (t) | IC-F | French Ordinances | App.17 | TR |
//55555/5555//3155//31113/1 | C | Recall (t) | AI-A | Holbrook Tactics, 1826 | PL11 | BU |
//55555/5555//3155/315-5//1+1+2+/3+4+3+ | C/ | March of Prince Coburg (t) | AI-A | American Sheet Music | KB | |
//5-5-5-5-5-/5-5-5-5-//3-1-5-5-/3-1-5-5- //12/3143 |
C/ | Genl Cobourg, Favourite Trumpet March (t) | AI-A | American Sheet Music | 2 | PF |
//5-5-5-5-5-/5-5-5-5-//3-1-5-5-/3-1-5-5- //12/3143 |
C | Prince of Cobourg's March (t) | AM-A | Canfield MS, 1823 | 50-51 | 2FL |
//5-5-5-5-5-/5-5-5-5-//3-1-5-5-/3-1-5-5- //12/3143 |
C/ | Trumpet March (t) | AI-A | Glazier Fife, 1830 | 27 | 2FI |
//55555/5555//3155/3155//311131 | C/ | Recall (t) | AI-A | US Light Inf, 1830 | 123 | BU |
//55555/5555//3155/3155//31113/1// | C/ | Recall (t) | AI-A | US Tactics, 1825 | 275 | BU |
//55555/5555//3155/3155//31113/1 | C/ | Recall (t) | AI-A | US Tactics, 1834 | PL87 | BU |
//5555555/55//3311/5- | C/ | Fermeture du Ban, La (t) | IC-F | French Ordinances | App.18 | TR |
//5-5-5-5-5-/5-5-5-5-3-//5-5-5-5-5-/5-5- 5-5-3-//15-/5-5-5-5- |
Boute-Selle, Le.1er Appel (t) | IC-F | Lecoq Madeleine, 1720 | 3-4 | TR | |
//555//55//555//55//1+1+67675//1+1+67675 |
3/4 | Polones (t) | MS-G | Darmstadt MS 1224 | 119-38 | 2OB,2HN,B |
//55555/55555//3155/3155//1+1+2+/3+4+3+ | C/ | Prince Regent's Grand March, The (t) | IC-E | English Sheet Music | PF/HA | |
//555/555//555/543//44/44//43 | C | Drums Strike Up a Flourish (t) | TW-E | Recruiting Serj, 1770 | 12 | 4VO,2VN,BF |
//5-/5-//5-5-/5-5-//5-5-/5-5-5- | 2/4 | Fault or Call Back, The (t) | IC-E | Longman Horn, 1785 | 19 | HN |
//5-/5-//5-5-/5-5-//5-5-/5-5-5- | 2/4 | Fault or Call Back, The (t) | IC-E | Simpson Horn, 1745 | 3 | HN |
//5-/5-//5-5-/5-5-//5-5-/5-5-5- | 2/4 | Fault or Call Back, The (t) | IC-E | Thompson Horn, 1755 | 11 | HN |
//5-5-/5-5-//5-5-/5-5-//5-5-/5-1 | C | Pinckney's March (t) | AM-A | Woodruff MS, 1803 | 77-78 | 4MI,B |
//5-5-5-/5-5-5-//5-5-/5-5-5-//11/33 | 2/4 | Double Quick Time (t) | AI-A | Cooper System, 1836 | 238 | BU |
//5-5-5-/5-5-5-//5-5-/5-5-5-//11/33 | 2/4 | Pas Redouble (t) | IC-F | French Ordinances | App.25 | BU |
//555/555//55/555//1+1+/3+3+// | 2/4 | Double Quick March (t) | AI-A | US Tactics, 1835 | 19 | BU |
//5-5-5-/5-5-5-//5-5-5-/5-5-//15-1/212// |
6/8 | Ton Pour La Retraite Prise (t) | IC-F | Diderot Chasse, 1763 | 2:2:5 | HN |
//5-5-5-/5-5-//5-5-/5-5-5-//5-/3-3- | 2/4 | IC-E | Simpson Horn, 1745 | 2 | 2HN | |
//555/5//555/5//555/5// | 6/8 | Forward March (t) | AI-A | Duane Compendium, 1809 | xviii | BU |
//5-5-5-/5-//5-5-5-/5-//5-5-5-/5- | 6/8 | Call In Skirmishers (t) | AI-A | Duane Riflemen, 1812 | 104 | BU |
//5-5-5-/5-//5-5-5-/5-//5-5-5-/5- | Cease Fireing (t) | IC-E | Gilbert Bugle, 1804 | 2 | BU | |
//5-5-5-/5-//5-5-5-/5-//5-5-5-/5- | 2/4 | Aufhoren Mit Feuern (t) | IC-G | Hanoverian Inf, 1821 | 53 | HN |
//5-5-/5-5-//5-5-/5-5-//5-5-/5-5- | 6/8 | Too Fast (t) | AI-A | Holbrook Tactics, 1826 | PL11 | BU |
//5-5-5-5-5-5-5-5-5-5-5-5- | Cease Firing (t) | IC-E | Jones Bugle, 1805 | 3 | BU | |
//55/55//55/555//5/55 | C | All gallant lads that know no fears (fl) | TW-E | Recruiting Serj, 1770 | 8 | VO,2VN,BF |
//5-5-/5-5-//5-5-/5-5-//5-5-/5-5- | 6/8 | Too Fast (t) | AI-A | US Light Inf, 1830 | 123 | BU |
//5-5-/5-5-//5-5-/5-5-//5-5-/5-5-// | 6/8 | Too Fast (t) | AI-A | US Tactics, 1825 | 275 | BU |
//5-5-/5-5-//5-5-/5-5-//5-5-/5-5- | 6/8 | Too Fast (t) | AI-A | US Tactics, 1834 | PL87 | BU |
//5-5-5-5-/5-5-5-5-/5-5-5-5-/15-5-5-5-/5 -5-5-5-5-5-5-5- |
A l'Estendart (t) | IC-F | Mersenne Harm, 1636 | 5:264 | TR | |
//5+555/5555//5+555/3+2+//4+666/66666 | C/ | Bonny Laddy (t) | DA-E | Walsh CD-2.2, 1735 | 51 | VO/OB/GF/FL |
//5+555/5555//5+555/3+2+//4+666/66666 | C/ | Bonny Laddy (t) | DA-E | Walsh CD-3.2, 1749 | 51 | VN/OB/GF |
//555/555/555/555//351+//1+7/654//666/66 6/666/666// |
2/4 | AM-A | Johnson, S. MS, 1807 | 57 | FI | |
//5-/5-5-5-//5-5-5-/5-//5-5-/5-5-5- | 6/4 | Uncoupling the Hounds (t) | IC-E | Longman Horn, 1785 | 17 | HN |
//5-/5-5-5-//5-5-5-/5-//5-5-/5-5-5- | 6/4 | Uncoupling the Hounds (t) | IC-E | Simpson Horn, 1745 | 1 | HN |
//5-/5-5-5-//5-5-5-/5-//5-5-/5-5-5- | 6/4 | Uncoupling the Hounds (t) | IC-E | Thompson Horn, 1755 | 10 | HN |
//5-5-5-5-5-5-5-5-5-5-5-5-5-//3-3-3-3-3- 3-3-3-3-3-3-//5-5-5- |
Fault or Call Back, The (t) | IC-E | Longman Horn, 1785 | 15 | HN | |
//5-5-5-5-5-5-5-5-5-5-5-5-5-//3-3-3-3-3- 3-3-3-3-3-3-//5-5-5- |
Fault (t), or Call Back, The (at) | IC-E | Muses Delight, 1754 | 28 | HN | |
//5-5-5-5-5-5-5-5-5-5-5-5-5-//3-3-3-3-3- 3-3-3-3-3-3-//5-5-5- |
Fault or Call Back, The (t) | IC-E | Simpson Horn, 1746 | 7 | HN | |
//5-5-5-5-5-5-5-5-5-5-5-5-5-//3-3-3-3-3- 3-3-3-3-3-3-//5-5-5- |
Fault or Call Back, The (t) | IC-E | Thompson Horn, 1755 | 7 | HN | |
//555/555//555/555//53+/555// | 6/8 | Ton Pour La Retraite Manquée (t) | IC-F | Diderot Chasse, 1763 | 2:2:5 | HN |
//5-5-5-/5-5-5-//5-/5-//5-5-5-/5-5-5- | 6/8 | Ton Pour la Quete (t) | IC-F | Boivin Tons, 1731 | 1 | 2HN/GF/OB/VN/VA |
//555/555//5/5//555/555// | 6/8 | Tons Pour La Queste (t) | IC-F | Diderot Chasse, 1763 | 2:2:1 | HN |
//5-/5-5-5-//5-5-5-/5-5-5-//5-5-5-/5-5- | 6/8 | Retreat from the Field, The (t) | IC-E | Longman Horn, 1785 | 21 | 2HN |
//5-/5-5-5-//5-5-5-/5-5-5-//5-5-5-/5-5- | 6/8 | Retreat from the Field, The (t) | IC-E | Muses Delight, 1754 | 29 | 2HN |
//5-/5-5-5-//5-5-5-/5-5-5-//5-5-5-/5-5- | 6/8 | Retreat from the Field, The (t) | IC-E | Simpson Horn, 1745 | 6 | 2HN |
//5-/5-5-5-//5-5-5-/5-5-5-//5-5-5-/5-5- | 6/8 | Retreat from the Field, The (t) | IC-E | Thompson Horn, 1755 | 14 | 2HN |
//5-5-5-/5-5-5-//5-5-5-/5-5-5-//5-5-/5-1 |
6/8 | Ton Pour Chien (t) | IC-F | Boivin Tons, 1731 | 1 | 2HN/GF/OB/VN/VA |
//555/555//555/555//55/51+// | 6/8 | Tons Pour Les Chiens (t) | IC-F | Diderot Chasse, 1763 | 2:2:1 | HN |
//5-5-5-5-5-//5-5-5-5-5-//5-5-5-5-5-//11 111//1//332211 |
3 | Defaut, Le (t) | MS-F | Philidor MS, 1705 | 52 | HN |
//5-5-5-/5-5-5-//5-5-5-5-5-/5-5-5-5-//15 -25-/3142 |
C | Greek March of Liberty, The (t) | AI-A | American Sheet Music | 5 | PF |
//5-5-5-5-5-//5-5-5-5-5-//5-5-5-5-5-//15 -3-//1-5-1//11111 |
3 | Defaut, Le (t) | MS-F | Philidor MS, 1705 | 53 | HN |
//5-5-5-5-5-/5-5-5-5-5-/5-5-5-5-5-1/5-5- 5-5-5- |
Retraite, La (t) | MS-E | Kusser MS, 1710 | 313 | TR | |
//5-5-5-5-5-/5-5-5-5-5-/5-5-5-5-5-1/5-5- 5-5-5- |
Retraite, La (t) | IC-F | Mersenne Harm, 1636 | 5:264 | TR | |
//5-5-5-5-/5-5-5-5-/5-5-5-5-/5-5-5-5-/15 -5-5-/5-5-5-5-5-5-5-5- |
A L'Etandart (t) | MS-E | Kusser MS, 1710 | 311 | TR | |
//555/555//555/555//555/543// | 6/8 | Reveil Matin, Le (t) | IC-F | Leclerc Recueil-1, 1729 | 52 | HAF |
//5-/5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-5-//1 1/11//11/11 |
2 | Marche, La (3 Couplets) (t) | IC-F | French Ordinances | App.13 | TI |
//555/555//555/555//555/555// | 6/8 | Wann Die Hunde Lozgekuppelt Werden (t) | IC-G | Fleming Jaeger, 1719 | I:311 | HN |
//555/555//555/555//555/555// | 6/8 | Wann Die Hunde Anfangen Zu Jagen (t) | IC-G | Fleming Jaeger, 1719 | I:311 | HN |
//5-5-5-5-//5-5-5-5-//5-5-5-//5-5-5-5-// 5-5-5-5-//5-5-5-5- |
3/8 | Ralliement des Tirailleurs Sur Leur Chef (t) | IC-F | French Ordinances | App.22 | TR |
//5-5-5-/5-5-5-//5-5-5-/5-5-5-//5-5-//5- 5-5-/5-5-5- |
6/4 | Retraitte, La (t) | MS-F | Philidor MS, 1705 | 52 | HN |
//5-5-5-5-5-5-5-5-5-//5-5-5-5-5-5-5-5-5- 5-//5-5-5-3-3-1-5-5- |
Uncoupling the Hounds, The (t) | IC-E | Longman Horn, 1785 | 13 | HN | |
//5-5-5-5-5-5-5-5-5-//5-5-5-5-5-5-5-5-5- 5-//5-5-5-3-3-1-5-5- |
Uncoupling the Hounds, The (t) | IC-E | Muses Delight, 1754 | 26 | HN | |
//5-5-5-5-5-5-5-5-5-//5-5-5-5-5-5-5-5-5- 5-//5-5-5-3-3-1-5-5- |
Uncoupling the Hounds, The (t) | IC-E | Simpson Horn, 1746 | 5 | HN | |
//5-5-5-5-5-5-5-5-5-//5-5-5-5-5-5-5-5-5- 5-//5-5-5-3-3-1-5-5- |
Uncoupling the Hounds, The (t) | IC-E | Thompson Horn, 1755 | 5 | HN | |
//55555555/55555555//66666666/66666666// 77771+1+1+1+ |
C | Furies (t) | TW-E | Harlequin Dr. F, 1766 | 5 | HAF,GF/VN |
//555//55555//654//33524 | 3/4 | Minuet to Prince Frederick's March (t) | AM-A | Cabot MS, 1784 | 4 | 3GF |
//5555/555//6545/666//5434/555 | C | Song 190 (t), or All Amongst the Leaves So Green, O (at) | SC-E | Calliope, 1788 | 354-355 | VO |
//5555/555//6545/666//5434/555 | C | In the forest here hard by (fl) | TW-E | Castle/Andalus, 1782 | 34 | VO,HA |
//55/55//55/567//1+1+/1+71+// | 6/8 | No. 5. 2nd Set (t) | AI-A | Mann Quadrilles-2, 1825 | 4 | PF,HP |
//555/55//5/5//67/1+76 | C/ | Duke of Lorrain's March (t) | DA-E | Walsh CD-1.1, 1718 | 81 | VN/OB/FL |
//555/555//6543 | 6/8 | Night Piece (t) | IC-E | Oswald Airs, 1758 | 9 | 2VN/2GF/2GT |
//555/55//56/543//46/54 | C/ | Fahnen Trop No 1. V. Varene (t) | MS-G | Darmstadt MS 1225 | 17-18 | 2MI |
//5-5-5-/5-5-//5-6-/5-4-3-//5-5-5-/5-5- | C/ | Grenadier Marche (t) | MS-G | Darmstadt MS 1224 | 316 | 2MI |
//555//555//654565//51+5//654565//52+5 | 3/4 | Waltz from la Gagga Ladra (t) | AI-A | Riley Flute 4, 1826 | 89 | FL |
//5+5555/5656//5+5555/3+2+1+//3+6666/676 7// |
C/ | Jene Dang the Weaver (t) | MS-E | Vickers MS, 1770 | 8b | MI |
//5/55//5/55//671+/56// | 2 | Cassandre, La (t) | IC-F | Leclerc Recueil-1, 1729 | 29 | HAF |
//5-5-5-5-5-//5-6-7-17-6-5-//11111//1234 //555/54321// |
3/4 | Menuit & Gavotte Belong to Miss K Henne & Proformd by Her: Menuit (t) | AM-A | Duport MS-1, 1780 | 11 | VN |
//555/55//61+543//61+543//32 | 2 | Sonatina. Scaters March, The (t) | IC-E | Delightful-2, 1745 | VI,20 | 2GF |
//555//55//61+//7 | 3/4 | Waft Me Some Soft (t) | SS-E | SS, Folger-C52 | 162,2 | MI,VO,KB |
//555/556//234/354//311/16-4// | 6/8 (ed) | Who'll Buy Prim Roses (t) | AM-A | Adams, W. MS, 1795 | 1 | MI |
//555/556//234/354/311/16-4// | 6/8 | Come Who'll Buy Primroses (t) | AM-A | Irving MS, 1796 | 16-17 | 2 MI |
//55/55//564/321//45/654// | 6/8 | Priest In his Boots, The (t) | MS-C | Molyneaux MS-1, 1788 | 33 | GF |
//5555/564//5555/564//5365/4321// | 2/4 | Caroline. 22 (t) | AM-A | Johnson, F. MS, 1820 | 15 | PF |
//5555//5651+5//5651+5//543//6//5 | 3/4 | Mr. Dundass's Minuet (t) | MS-S | Gillespie MS, 1768 | 20 | VN |
//55/55//565/432//135/55// | 6/8 | No. 4. 2nd Set (t) | AI-A | Mann Quadrilles-2, 1825 | 3 | PF,HP |
//55/55//565/432//135/55 | 6/8 | Boys of Switzerland (t) | AI-A | Riley Flute 3, 1820 | 56 | FL |
//5555//56543//2233 | 2/4 | March 41 (t) | IC-E | Button Whit-1, 1806 | 50-51 | 2GF/2VN/2FL/2FI |
//55/55//5/6543//2233/4 | 2/4 | Music In the Procession-13 (t) | TW-E | Lord-Mayors Day, 1782 | 28 | KB |
//55/55//5654/33//3432/13 | 2/4 | Village March In Figaro, The (t) | AI-A | Riley Flute 3, 1820 | 92 | FL |
//55/55//5654/3//34/5432 | 2/4 | Allegro. Quick Step (t) | AM-A | Brown, N. MS, 1781 | 27R | 2FI |
//5555//565433//4567 | 2/4 | Forest of Bondi (t) | AM-A | Read MS, 1798 | 4 | MI |
//55/555//6543/4//44/444// | C | Sad Beats the Drum (t) | AM-A | Washburn MS, 1816 | 11 | GF |
//55/55//5654/34//565/6543 | C/ | Sir Rob. Bedingfield the Lord-Mayor's Health (t) | SC-E | Pills 2, 1719-20 | 293-5 | VO |
//5-5-/5-5-//5-6-5-4-/3-5-//6-5-/6-7- | 2/4 | Celebrated Quick Step, A (t) | AI-A | American Sheet Music | 1 | PF |
//5-5-/5-5-//5-6-5-4-/3-5-//6-5-/6-7- | 2/4 | Ladies, The. Favorite Quick Step (t) | AI-A | American Sheet Music | PF | |
//55/55//5654/35//65/67 | 2/4 | Forest of Bondy (t) | AI-A | Robinson Coll, 1826 | 43 | MI |
//555/55//65/65//65/43 | C/ | March (t) | DA-E | Johnson CD-1, 1740 | 82 | MI |
//555/55//65/65//65/43 | C/ | Col. George's March (t) | DA-E | Johnson CD-2, 1742 | 96 | MI |
//555/55//65/65//65/43 | C/ | King William's March (t) | IC-E | Musica Bell, 1733 | 11 | FL/VN/OB |
//555/55//65/65//65/43 | C/ | General Webb's March (t) | PL-E | Playford 2-3, 1718 | 346 | VN |
//555/55//65/65//65/43 | C/ | General Webb's March (t) | PL-E | Playford 2-4, 1728 | 346 | VN |
//555/55//65/65//65/43 | C/ | General Webb's March (t) | DA-E | Walsh CD-1.2, 1719 | 362 | VN/OB |
//555/55//65/65//65/43 | C/ | King Williams March (t) | IC-E | Warlike Musick, 1760 | 12 | GF/VN/HA |
//555/5567//1+1+1/134//5345/4234 | C | Adams March (t) | AM-A | Trumbull MS, 1801 | a:2-3 | 2MI,(MI),B |
//5555/567//1+2+3+1+/67//1+ | C/ | Simple Simon (t), or Huddle-Duddle, (at) | PL-E | Playford 1-09, 1695 | 36 | VN |
//5555/567//1+2+3+1+/67//1+ | C/ | Simple Simon (t), or Huddle-Duddle, (at) | PL-E | Playford 1-10, 1698 | 36 | VN |
//5555/567//1+2+3+1+/67//1+1+ | C/ | Simple Simon (t), or Huddle-Duddle, (at) | PL-E | Playford 1-07, 1686 | 123 | VN |
//5-5-5-5-/5-6-7-//1231/6-7-//1111/15- | C/ | Simple Simon (t), or Huddle-Duddle (at) | PL-E | Playford 1-04, 1670 | 123 | VN |
//5-5-5-5-/5-6-7-//1231/6-7-//1111/15- | C/ | Simple Simon (t), or Huddle-Duddle, (at) | PL-E | Playford 1-05, 1675 | 123 | VN |
//5-5-5-5-/5-6-7-//1231/6-7-//1111/15- | C/ | Simple Simon (t), or Huddle-Duddle, (at) | PL-E | Playford 1-06, 1679 | 123 | VN |
//5-5-5-5-/5-6-7-//1232/6-7-//1111/15- | C/ | Simple Simon (t), or Huddle-Duddle, (at) | PL-E | Playford 1-08, 1690 | 120 | VN |
//5-5-/5-5-//5-6-7-/13-2-1-//5-5-/5-1 | C/ | Grenadier March (t) | MS-G | Darmstadt MS 1224 | 244,246 | 2MI |
//555/55//67/1+//345/5432// | 3 [=6/4] | Angelse Fouly. A 6 Danse Hollandoise (t) | IC-F | Pointel Airs, 1700 | 19 | MI,B |
//5-5-/5-5-//5-6-7-/15-3-1-//5-5-/5-5- | 2/4 | Grenadier March (t) | MS-G | Darmstadt MS 1224 | 240-41 | 2MI |
//555/557//6545/676//527-2/5-1+ | C | Drum, The (t) | AM-A | Otis MS, 1793 | 42 | VN/FL |
//5-5-5-5-6-/1231//424321/6-6-1//5-5-5-6 -/1236// |
C/ | Lord Seaforths Strathspey (t) | MS-S | Fife MS, 1780 | 815,89r | 1FI OR 2FI/VN |
//55/55//61+6/55//434/654 | 6/8 | O'er the Green Sea (t) | AI-A | Riley Flute 4, 1826 | 59 | FL |
//5-5-5-5-6-/16-6-//151/6135//3-5-15-/6- 66// |
C/ | Strothspey Real, A (t) | MS-E | Vickers MS, 1770 | 148 | MI |
//555/56//234/354//311/16-2 | 6/8 | Primrose Girl, The (t) | AI-A | Blake Amus 3, 1825 | 20 | CL |
//555/56//234/354//311/16-2 | 6/8 | Primrose Girl, The (t) | AM-A | Commonplace MS, 1809 | 3R | CL/FL |
//555/56//234/354//311/16-2// | Primrose Girl (t) | AM-A | Litten MS, 1800 | 31 (31) | VN | |
//555/56//234/354//311/16-4 | 6/8 | Primrose Girl (t) | AI-A | Balls Amus 1, 1815 | 18 | FL/FI/VN |
//555/56//234/354//311/16-4 | 6/8 | Primrose Girl, The (t) | IC-E | Bland Clar, 1798 | 14 | CL |
//555/56//234/354//311/16-4 | 6/8 | Primrose Girl, The (t) | AI-A | Glazier Clar, 1828 | 17 | CL |
//555/56//234/354//311/16-4 | 6/8 | Primrose Girl (t) | AI-A | Riley Flute 2, 1817 | 85 | FL |
//555/56//234/354//311/16-4 | 6/8 | Primrose Girl, The (t) | AI-A | Six Songs, 1794 | 16 | VO,HA/PF |
//555/56//234/354//311/16-4//1 | 6/8 | Primroses (t) | AI-A | Elegant Exts, 1798 | 12 | GF/VN/VO |
//555/56//234/354//311/17-4 | 6/8 | Song 89 (t), or Primrose Girl, The (at) | AI-A | American MM, 1798 | 235-237 | VO,B |
//555/56//243/24//35/5432 | C/ | Marche (t) | IC-F | French Sheet Music | 2FLP,2CL,TR,2HN | |
//555//5624//3513//246-17-2//17-1234//55 5 |
3/8 | Air (t) | AI-A | Balls Amus 2, 1815 | 14 | FL/FI/VN |
//555/564//333/323//444/3234 | C | Clock of Lombardy, The. Entry of General Buonaparte Into the Milanese (t), | AI-A | American Sheet Music | 10 | PF |
//555/564//342/123//43217-6-/5-55 | 6/8 | Song 92 (t), or Life of a Beau, The (at) | AI-A | American MM, 1798 | 245-246 | VO,B |
//555/564//342/123//43217-6-/555//466 | 6/8 | Life of a Beau, The. An English Song (t) | AI-A | American Periodicals | VO,KB | |
//55/55//6/46//54/32 | 2/4 | Donop, The (t), or Lady Mary Murray's Fantaisie (at) | DA-E | Cantelo CD, 1785 | 23 | KB |
//55/55//65/1+5//65/1+5 | C | Italian Peasants (t) | IC-E | Delightful-1, 1763 | IV,27 | 2GF |
//55/55//65/1+5//65/1+5 | C/ | Italian Peasants (t) | IC-S | Stewart Airs, 1788 | 1:10-11 | GF/VN/FI |
//55556/531+3//531+3/4223//55556/531+3 | C/ | Lord Mc Donald's Reel (t) | IC-I | Irish Sheet Music | KB | |
//5-5-/5-5-//6-5-/3-//6-5-/5-4-3- | C | Skaters, The (t) | AI-A | Goodale Dir, 1819 | 52-53 | 2FL |
/555//56/54//31/567//1+7/ | 2 | Docteur, Le (t) | IC-F | Leclerc Recueil-2, 1737 | 111 | HAF |
//555/56//5432/11+1//71+/2+3+// | C/ | Instantlation March, The (t) | MS-S | Fife MS, 1780 | 183,18r | 1FI OR 2FI/VN |
//5-5-5-/5-6-//5-4-3-2-/1-1//7-1/23 | C/ | Marche du Roi de Prusse (t) | IC-F | Capelle Cle, 1816 | T253M292 | MI |
//5-5-5-/5-6-//5-4-3-2-/1-1//7-1/23 | C | King of Denmark's March (t) | IC-E | Clementi Fife, 1815 | 33 | FI |
//555/56//5432/11+//71+/2+3+ | C | King of Denmark's March (t) | IC-E | Longman Fife, 1780 | 33 | FI/GF |
//5-5-5-/5-6-//5-4-3-2-/1-1//7-1/23 | 2 | Marche du Roi de Prusse (t) | MS-F | Marches MS, 1795 | 5R | 2VN |
//5-5-5-/5-6-//5-4-3-2-/1-1//7-1/23 | C | King of Denmark's March (t) | IC-E | Skillern Amus, 1785 | 20 | 2GF |
//555/56//5432/11+//71+/2+3+ | C | King of Denmark's March (t) | IC-E | Skillern Fife, 1780 | 33 | FI/GF |
//555/56//5432/11+//71+/2+3+// | C | King of Denmark's March (t) | IC-E | Thompson Fife, 1786 | 23 | FI/FL |
//555/5654//32/15//543/21 | C/ | Trumpet Tune (t) | IC-E | Musica Bell, 1733 | 13 | FL/VN/OB |
//555/5654//32/15//543/21// | C | March (t) | IC-E | Prelleur Modern, 1731 | 16 | OB |
//555/565//43/3+2+1+2+//3+3+3+/3+4+3+ | 2/4 | Concerto 8. Andante (t) | IC-E | Bremner Mil Con, 1774 | 2OB/CL/FL/VN,2HN,BS | |
//555/5654//333/3123//2 | C | Gen. Green's March (t) | AI-A | Instrum Asst, 1800 | 61 | 2VN/2GF/2CL/2OB,BVIOL |
//555/5654//333/3123//226/5432 | C | March of the 13th Regament (t) | AM-A | Shattuck MS, 1801 | 41 | MI |
//5-5-5-/5-6-5-4-//3-3-3-/3-1-2-3-//2-3- 4-6-/5-4-3-2 |
C | Gen. Green's March (t) | AI-A | Merrimack Coll, 1833 | 39 | 2MI,B |
//555/5654//333/3123//2346/5432// | C | General Greens March [with second] (t) | AM-A | Bevens MS, 1825 | 12v, 15v | FI |
//555/5654//333/3123//2346/5432 | C | Green's March (t) | AM-A | Canfield MS, 1823 | 6-7 | 2FL |
//555/5654//333/3123//2346/5432 | C | General Green's March (t) | AI-A | Fifer's Comp, 1805 | 17 | 2FI |
//555/5654//333/3123//2346/5432 | C | General Green's March (t) | AI-A | Hazeltine D&F, 1810 | 36 | 2FI |
//555/5654//333/3123//2346/5432 | C | General Greens March (t) | AM-A | Nixon MS, 1776 | 93 | FI |
//555/5654//333/3123//2346/5432 | C | Gen, Green's March (t) | AI-A | Robinson Coll, 1818 | 49 | 2FI |
//555/5654//333/3123//2346/5432 | C | Gen. Green's March (t) | AI-A | Robinson Coll, 1820 | 64 | 2MI |
//555/5654//333/3123//2346/5432 | C | Gen. Green's March (t) | AI-A | Robinson Coll, 1826 | 65 | 2MI |
//5555654//333/3123//2346/5432//111/11+5 |
C | General Green's March (t) | AM-A | Belknap MS, 1784 | 54R-53V | MI |
//555/5654//333/3123//2456/5432 | C/ | Marche du Quinzieme Regiment d'Anglettere (t) | MS-G | Darmstadt MS 1223 | 2CL/OB,2HN/TR,2 | |
//555/5654//333/3123//2456/5432 | C | Marche du Quinzieme Regiment d'Angletere (t) | MS-G | Darmstadt MS 1224 | 370-72 | KB |
//555/5654//333/3123//246 | C | March 15th Regt. (t) | IC-E | Preston Clar, 1797 | 24 | CL |
//555/5654//333/3123//246/5432 | C | March of the 15th Regiment (t) | IC-E | Andrews Fife, 1808 | 25 | FI/GF |
//5-5-5-/5-6-5-4-//3-3-3-/3-1-2-3-//2-4- 6-/5-4-3-2- |
C | Genrl Green's March (t) | AM-A | Beach MS, 1801 | 55 | 2MI |
//555/5654//333/3123//246/5432// | C | Genl Greens March (t) | AM-A | Brown, J. MS, 1782 | 1:36 | |
//555/5654//333/3123//246/5432 | C | March (t) | AM-A | Brown, N. MS, 1781 | 44R | FI |
//555/5654//333/3123//246/5432 | C | March 33 (t) | IC-E | Button Whit-2, 1806 | 57 | 2GF/2VN/2FI |
//555/5654//333/3123//246/5432 | C | March In the 15th Regt (t) | IC-E | Clementi Fife, 1815 | 26 | FI |
//5-5-5-/5-6-5-4-//3-3-3-/3-1-2-3-//2-4- 6-/5-4-3-2- |
C/ | Marche du 15eme Regiment d'Angleterre (t) | MS-G | Darmstadt MS 1224 | 388 | HA |
//555/5654//333/3123//246/5432 | C | March 15th Reg. T (t) | AI-A | Dubois Clar, 1818 | 18 | CL |
//555/5654//333/3123//246/5432 | C/ | March of the Xvth Regiment (t) | IC-E | English Sheet Music | 1 | KB+GT |
//555/5654//333/3123//246/5432 | C | March of the Xvth Regiment (t) | IC-E | English Sheet Music | 1 | 2VN/GF,B |
//555/5654//333/3123//246/5432 | C | 15th Regiment (t) | AM-A | Gardner MS, 1788 | 5 | FI |
//555/5654//333/3123//246/5432 | C | Green's March (t) | AM-A | Gaylord MS, 1816 | 22r | 2MI |
//555/5654//333/3123//246/5432 | C | March of the 15th Regiment (t) | IC-E | Goulding Fife, 1790 | 26 | FI |
//555/5654//333/3123//246/5432 | C | Green's March (t) | AI-A | Herrick Preceptor, 1807 | 43 | 2MI,B |
//555/5654//333/3123//246/5432// | C | March of the 15th. Regt (t) | AM-A | Irving MS, 1796 | 54 | 1 MI |
//555/5654//333/3123//246/5432 | C | March In the 15th Regiment (t) | IC-E | Longman Fife, 1780 | 26 | FI/GF |
//555/5654//333/3123//246/5432 | C/ | 15th Regiments March, The(ed) (t) | AM-A | Mass. MS, 1790 | 4 | 2FL |
//555/5654//333/3123//246/5432 | C | March 15th Regiment (t) | IC-E | Preston Bassoon, 1790 | 24 | BS |
//555/5654//333/3123//246/5432 | C | March of the 25th Regt (t) | IC-E | Preston Fife, 1796 | 21 | FI/GF |
//555/5654//333/3123//246/5432 | C | March 15th Regiment (t) | IC-E | Preston Oboe, 1780 | 11 | OB |
//555/5654//333/3123//246/5432 | C | Gen. Green's March (t), or 15th Regiment (at) | AI-A | Robbins D&F, 1812 | 38 | FI |
//555/5654//333/3123//246/5432 | C | March of the 15 Regt (t) | IC-S | Sime Marches, 1789 | 30 | HA/PF |
//555/5654//333/3123//246/5432 | C | Fifteenth Regt March (t) | IC-E | Skillern Amus, 1785 | 17 | 2GF |
//555/5654//333/3123//246/5432 | C | March of the 15 Regement (t) | IC-S | Stewart Airs, 1788 | 2:84 | GF/VN/FI |
//555/5654//333/3123//246/5432 | C | March 15th Regt (t) | IC-E | Thompson Clar, 1785 | 26-27 | 2CL |
//555/5654//333/3123//246/5432// | C | Fifteenth Regts March (t) | IC-E | Thompson Fife, 1786 | 31 | FI/FL |
//555/5654//333/3123//246/5432 | C | March 33 (t) | IC-E | Thompson Pocket, 1790 | 57 | 2GF/VN/FI |
//555/5654//333/3123//246/5432 | C | Gen Green's March (t) | AI-A | Village Fifer, 1808 | 30 | 2FI |
//5555654//333/3123//246/56-32 | C | March of the 15th Regt (t) | IC-E | Skillern Fife, 1780 | 26 | FI/GF |
//5-5-5-/5-6-5-4-//3-3-3-/3-1-2-3-//2-5- 6-/5-4-3-2- |
C | General Green's March (t) | AM-A | Woodruff MS, 1803 | 23 | 2MI |
//555/5654//333/31//246/5432// | C/ | Gen Greens March (t) | AM-A | Pierian MS, 1810 | 40 | 2MI,B |
//555/5654//333/31//246/5432 | C/ | Gen. Green's March (t) | AM-A | Stiles MS, 1807 | 10-11 | 3MI |
//555/5654//333/313//246/5 | C/ | March (t) | AM-A | Hiester MS-2, 1793 | 20 | KB |
//555/5654//333/3234//5146/5432 | C | 15th Ridgements March (t) | AM-A | Curtiss MS, 1800 | 44 | 2VN |
//5-5-5-/5-6-5-4-//3-3-3-/3-4-3-2- | C | March (t) | AI-A | Riley Flute 4, 1826 | 13 | FL |
//5/55//5654/3//5/43 | 2/4 | Rose, The (t) | SS-E | SS, Huntington-2 | 86 | VO,KB+GT |
//55/55//65/43//65/543 | C | Skaiting Duett (t) | IC-E | Thompson Clar, 1785 | 30 | 2CL |
//5-/5-//5-/5-//6-5-4-/5- | 2/4 | MS-G | Darmstadt MS 1224 | 175 | 2MI | |
//55/55//654/534//55/543 | C | Grenadier Marche Von Ihro Hochfurst: durchl. Selbst Gemacht (t) | MS-G | Darmstadt MS 1224 | 177 | MI |
//55/55//654/534//55/55 | C/ | Preussicher Gren: March No 8 (t) | MS-G | Darmstadt MS 1225 | 353-54 | 2MI |
//55/55//654/53//55/543 | C | Grenadier Marche(ed) (t) | MS-G | Darmstadt MS 1224 | 189 | MI |
//55/55//654/53//55/55 | C/ | Granedir March (t) | MS-G | Darmstadt MS 1224 | 60 | MI |
//5-5-/5-5-//6-5-4-/5-3-//5-5-/5-5- | C | Prince George Grenadier March (t) | MS-G | Darmstadt MS 1224 | 69 | MI |
//55/55//654/53//55/55 | 2 | Grenadier Marche (t) | MS-G | Darmstadt MS 1224 | 166 | MI |
//5-5-/5-5-//6-5-4-/5-3-//5-5-/5-5- | 2/4 | Grenadier Marche Jung Darmstadt (t) | MS-G | Darmstadt MS 1224 | 175 | 2MI |
//5-5-/5-5-//6-5-4-/5-3-//5-5-/5-5- | C/ | Grenadier Marche Von Bonin (t) | MS-G | Darmstadt MS 1224 | 212 | MI |
//5-5-/5-5-//6-5-4-/5-3-//5-5-/5-5- | C/ | Printz George Oder Bonin (t) | MS-G | Darmstadt MS 1224 | 251,257 | 2FL |
//5-5-/5-5-//6-5-4-/5-3-//5-5-/5-5- | C/ | Printz Georgen Grandier Marsch (t) | MS-G | Darmstadt MS 1224 | 338 | MI |
//55/55//654/53//55/55 | C/ | Preussicher Gren: March No 40 Bonin (t) | MS-G | Darmstadt MS 1225 | 371-72 | 2MI |
//55/55//65/5//33/43// | 2/4 | If you Consent to Dance with Me. No. 3 (t) | AI-A | Johnson, F. Cotillions | 4-5 | PF,VO(4) |
//5-5-5-5-/6-5-5-4-3-//6-5-5-4-3-/3-2-// 3-3-4-5-5-/2-2-3-4-4 |
C/ | Shetchers March (t) | IC-E | Bremner Airs, 1761 | 16 | 2VN/GF,B |
//5-5-5-5-/6-5-5-4-3-//6-5-5-4-3-/3-2-// 3-3-4-5-5-/2-2-3-4-4 |
C/ | Shetchers March (t) | IC-E | Preston Marches, 1804 | 16 | 2GF/VN,VC/PF |
//5555/65543//65543/32//33455/22344 | C/ | Skelchers March (t) | MS-S | Gillespie MS, 1768 | 27 | 2VN |
//555/565//544/454//355/63+2+// | C | Troubadour, Le (t) | IC-E | Hyde Bugle, 1818 | 13 | BU |
//55//55//65//65 | Song, A (t) | SC-E | Pills 1, 1719-20 | 323 | VO | |
//55/55//65/65//1+7/65// | 2/4 | 5. (t) | DA-P | Ibarra 24 CD, 1775 | I:5 | 2VN |
//55//55//65//65//63// | C3 | Minuet (t) | IC-E | Apollo's Banquet 1-5, 1687 | A27 | VN |
//55//55//65//65//63// | C3 | Minuet (t) | IC-E | Apollo's Banquet 1-6, 1690 | A27 | VN |
/55//55/6567//1+1+/5432//4321/7-1// | 2 | Amusemens de Clichy, Les. Contredanse (t) | DA-F | LaCuisse Rep CD LC-1, 1762 | 18 Feuille | KB |
//5-5-5-56/653457-//6-6-6-41/6-4-4-6-//5 -5-5-56/653457-// |
C/ | Lord Strafmoor Reel (t) | MS-E | Vickers MS, 1770 | 145 | MI |
//55/55//66/67- | C | Delia (t) | AI-A | Select Songster, 1786 | 15-16 | VO |
//55/55//66/73//1+7 | C | Linco (t) | SS-E | SS, Folger-C42.1 | 170 | VO,KB+FL |
//555/567//1+11/11//212/354//322/2 | 6/8 | Javotte (t), or Maid of the Alps. The (at) | AI-A | American SS-SM | 1-2 | KB,VO |
//5-5-5-/5-6-7-//11-1-/1-13//217-6-/5-4- |
C/ | Marche du Corps Royal (t) | MS-F | Marches MS, 1795 | 7V-8R | 2VN |
//555//567//1+11//13//321//543 | 3/8 | Fourth Troop, A (t) | IC-E | English Sheet Music | 9 | 2CL,2FL,2HN,BS, |
//555/567//1+1+1+/1+34//555/56 | C | Captain Miller's March (t) | AI-A | Herrick Preceptor, 1807 | 48 | 2MI,B |
//555/567//1+1+1+/1+5//61+/51+ | C/ | AM-A | Bellamy MS, 1799 | 32-33 | 2MI,B | |
//5-5-5-/5-6-7-//111/15-//6-1/5-1 | C | King of Prusias March (t) | AM-A | Curtiss MS, 1800 | 73 | 2VN |
//5-5-5-/5-6-7-//111/15-//6-1/5-1 | C/ | King of Prussia (t) | AM-A | Gleason MS, 1800 | MI | |
//5-5-5-/5-6-7-//111/15-//6-1/5-1 | C | King of Prussia's March (t) | AM-A | Huntington MS, 1817 | III.33 | FL/VN |
//5-5-5-/5-6-7-//111/15-//6-1/5-1 | C | Perry's March (t) | AM-A | Nixon MS, 1776 | 102 | FI |
//555/567//1+1+1+/1+5//61+/51+// | C/ | Paris March (t) | AM-A | Pierian MS, 1810 | 16 | 2MI,B |
//5-5-5-/5-6-7-//111/15-//6-1/5-1 | C/ | Paris March (t) | AI-A | Shaw Gentlemen, 1807 | 49 | CL,VN,B |
//5-5-5-/5-6-7-//111/15-//6-1/5-1 | C | King of Prussia's March (t) | AI-A | Steele Fife, 1815 | 15 | FI |
//555/567//1+1+1+/1+5//61+/51+ | C/ | Paris March (t) | AM-A | Stiles MS, 1807 | 56-57 | 3MI |
//555/567//1+1+1+/1+5//61+/51+// | C | King of Prussia's March (t) | AM-A | White, G. MS, 1790 | 114-115 | VN |
//5-5-5-/5-6-7-//111/15-//6-1/5-1 | C | King of Prussia's March (t) | AI-A | Williams Fife, 1826 | 27 | FI |
//5-5-5-/5-6-7-//111/15-//6-1/5-1 | C | King of Prussia's March (t) | AM-A | Woodruff MS, 1803 | 56 | 2MI |
//555/567//1+1+1+/1+5//61+51+/61+71+ | C/ | King of Prussia's March, The (t) | AM-A | Hosmer MS, 1798 | 68-69 | 2MI |
//5-5-5-/5-6-7-1//15-5-/5-13//2234/357-2 |
C/ | Marche de Chiariny (t) | MS-G | Darmstadt MS 1224 | 385 | HA |
//55/55//671+1+71+/1+5//4322+2+2+/2+7543 4 |
2/4 | Andante (t) | IC-E | Humple Hn Duets, 1765 | 16 | 3HN |
//5-5-/5-5-//6-7-/13//21/1 | 6/4 | Devil's Progress on Earth, The (t), or Huggle Duggle, &c (at) | SC-E | Pills 3, 1719-20 | 82-3 | VO |
//55-/5-5//671+/4//353/53 | 3 | North-Country Man's Song, on the View of London Sights, The (t) | SC-E | Pills 4, 1719-20 | 96-98 | VO |
//55/55//671+/4//353/53 | 3 | Great Boobee, The (t) | SC-E | Pills 5, 1719-20 | 94-97 | VO |
//55/55//671+/4//353/53 | 6/4 | Queen Elizabeth's Farewel (t) | SC-E | Pills 6, 1719-20 | 233-5 | VO |
//5-5-5-/5-6-7-//1/4-//6-1/5-1 | C/ | King of Prusians March (t) | AM-A | Brown, N. MS, 1781 | 30R | 2FI |
//555/567//1+5 | C/ | March (t) | IC-E | Oswald Airs, 1758 | 11 | 2VN/2GF/2GT |
//555/567//1+5//61+/51+ | C | Favorite March of the King of Prussia, A (t) | AM-A | Aborn MS, 1790 | 62 | 2MI |
//555/567//1+5//61+/51+ | C/ | King of Prussia's March (t) | IC-E | Longman Fife, 1780 | 34 | FI/GF |
//555/567//1+5//61+/51+ | C/ | King of Prussia's March (t) | IC-E | Skillern Fife, 1780 | 34 | FI/GF |
//5-5-5-/5-6-7-//15-//6-1/5-1//4- | C/ | King of Prussia's March (t) | IC-E | Bremner Airs, 1761 | 24 | 2VN/GF |
//5-5-5-/5-6-7-//15-//6-1/5-1//4- | C/ | King of Prussia's March (t) | IC-E | Clementi Fife, 1815 | 34 | FI |
//555/567//1+5//61+/51+//4/ | C | King of Prussia, The (t) | IC-E | Longman March 4, 1770 | 4 | 2VN/OB/GF, 2HN, B |
//5-5-5-/5-6-7-//15-//6-1/5-1//4- | C/ | King of Prussia's March (t) | IC-E | Preston Marches, 1804 | 24 | 2GF/VN |
//555/567//1+5/61+/51+6//54/35 | C | Murky (t) | IC-E | Delightful-2, 1745 | V,24 | 2GF |
//555/567//1+5//61+/61+ | C/ | King of Prussia's March (t) | AM-A | Cabot MS, 1784 | 23 | 2GF |
//5-5-5-/5-6-7-//15-//6-17-1/5-17-1//5-4 - |
2 | Marche Roiale de Suede (t) | MS-F | Marches MS, 1795 | 5V | VN |
//5-5-5-/5-6-7-1//6-5-/5-13//24/357-2 | C/ | Marsch (t) | MS-G | Darmstadt MS 1223 | KB | |
//5-5-5-/5-6-7-1//6-5-/5-13//24/357-2 | C/ | Marcia (t) | MS-G | Darmstadt MS 1224 | 400 | KB |
//555/5671+//65/51+3+//2+4/357-2 | C/ | Marsch (t) | MS-G | Darmstadt MS 1224 | 409 | 2CL,FL |
//555//5671+6//7545 | 2/4 | York Fusileer's (t) | AI-A | Hulbert Variety, 1803 | 8 | OB/FI |
//555/567//1+71+/5//61+71+/51+71+// | C/ | King of Prussias Quick March, The (t) | IC-E | Wilson Fife, 1805 | 51 | FI |
//555/567//1+71+6/555//5464/4353// | C/ | Truppen-Marsch Baden-Durlach (t) | IC-G | Amon Marches, 1794 | 12 | PF |
//5-5-/5-5-//6-7-1/7-4-//3-5-/13 | 6/8 | I See Them on Their Winding Way (t) | AI-A | Riley Flute 4, 1826 | 75 | FL |
//555/567//1+76/543//432 | C | March 4 (t) | IC-E | Thompson March, 1770 | 2 | 2VN/2GF/2OB,2FH,BF |
//555/567//1+76/543//432/3153 | C | March 4 (t) | IC-E | Button Whit-2, 1806 | 6-7 | 2GF/2VN/2FI |
//555/567//1+76/543//432/3153 | C | March 8 (t) | IC-E | Thompson March, 1775 | 8-9 | OR/HA/PF |
//555/567//1+76/543//432/3153 | C | March 4 (t) | IC-E | Thompson Pocket, 1790 | 6-7 | 2GF/VN/FI |
//555/5671+//7655/53//654/32 | 2/4 | Count Richmanseg's Hanoverian March (t) | IC-E | Skillern Amus, 1785 | 60-61 | 2GF |
//555/567//1+76/56//543/4654 | C | Grenadier Marsch V. Truchses (t) | MS-G | Darmstadt MS 1224 | 64-65 | 2MI |
//5-5-5-/5-6-7-//17-6-/5-6-//5-4-3-/4-6- 5-4- |
C/ | Printz Carl Grenadier March (t) | MS-G | Darmstadt MS 1224 | 251,257 | 2FL |
//555/567//1+76/56//543/4654 | C/ | Preussicher Gren: March No 37 Printz Carl (t) | MS-G | Darmstadt MS 1225 | 369-70 | 2MI |
//555/56//7/75671+//2+2+2+/2+1+// | C/ | Marche Before the Batell, The (t) | MS-E | Nevell MS, 1591 | 15-19 | VI |
//5-5-5-/5-7-//11/13//21/7-6-7-//1/15- | 6/4 | Country Farmer's Campaign, The (t) | SC-E | Pills 6, 1719-20 | 346-7 | VO |
//5-5-5-/5-7-12//35-5-/5-7-12//311/311 | C | President A. Jackson's Inauguration March (t) | AI-A | American Sheet Music | 2 | PF |
//5555/7-124//5555/71+2+7//5557/7-124// | C/ | Ram's Horns (t) | IC-S | Stewart Reels, 1775 | 42 | VN/GF,VC/HA |
//5-5-5-5-/7-127-//11131/4231//5-5-5-5-/ 7-124// |
C/ | Drunken Wives of Fochabers (t) | MS-S | Young MS-1, 1734 | 48v-49r | MI |
//555/575//1+11/171+//2+2+2+/572+4+3+2+ | C/ | March (t) | IC-E | Valentine March, 1769 | 2 | 2VN,2OB,2HN,BF |
//55557//55556//55557//33335//53327- | 3/4 | Highland Battle, A. The Battle begins (t) | IC-E | Caledonian PC, 1760 | IX,6-7 | GF/VN |
//555/575//622/2//666/671+ | C | Lincolnshire March, The (t) | IC-E | Bennett Fife, 1770 | 17 | FI ; FI |
//555/575//622/2//666/671+ | C | Lincolnshire March, The (t) | IC-E | Cahusac Oboe, 1790 | 20 | OB |
//555/575//622/2//666/671+ | C/ | Lincolnshire March, The (t) | AM-A | Kingsley MS, 1795 | I,30 | MI |
//555/575//622/2//666/671+ | C | Lincolnshire March, The (t) | AI-A | Willig Fife, 1805 | 17 | FI |
//5555+7/5671+2+7//6661+2+ | C/ | Davie Rae (t) | AI-A | Scots MM, 1797 | 133 | HA/PF |
//5-5-5-57-/5-6-7-127-//6-6-6-12/3235 | C/ | Davie Rae (t) | AI-A | Caladonian Muse, 1798 | 133 | VO/PF/VN |
//555/57575//644/464//222/32427-2// | 6/8 | Short Troop, A (t) | MS-S | Fife MS, 1780 | 639,69r | 1FI OR 2FI/VN |
/555/61+/1+765//1+5/1+71+//2+3+/ | 2/4 | Duce Diamonds (t) | DA-E | L & L Cot, 1775 | 40 | MI |
//5-5-5-6-1/216-1//5-5-5-6-1/446//531+3/ 216-1// |
C/ | Purfleet, The (t) | DA-E | Straight & Skillern CD, 1775 | 51 | VN/GF/OB |
//5-5-5-6-1/216-1//5-5-5-6-1/46//531+3/2 16-1 |
C/ | Inverealds Reel a Strathspey (t) | MS-S | Gillespie MS, 1768 | 101 | VN |
//5-5-5-6-1/216-1//5-5-5-6-1/46//531+3/2 16-1 |
C/ | Invercald's Reel (t) | DA-E | Skillern CD, 1780 | 39 | VN/GF/OB |
//5-5-5-6-1/216-1//5-5-5-6-1/46-//531+3/ 216-1 |
C/ | Invercald's Strathspey (t) | IC-S | Stewart Airs, 1788 | 2:105 | GF/VN/FI |
//5-5-5-6-1/216-1//5-5-5-6-1/46//531+3/2 16-1// |
C/ | Invercald's Reel, Strathspey (t) | IC-S | Stewart Reels, 1775 | 31 | VN/GF,VC/HA |
//5-5-/5-6-//12/35//65/32 | 2/4 | Mc Neills Rant (t) | IC-E | Caledonian PC, 1760 | XI,12 | GF/VN |
//5-5-5-6-/16-6-//151/6135//3-5-15-/6-66 |
C | New Strpey Reel, A (t) | IC-E | Caledonian PC, 1760 | III,23 | GF/VN |
//5-5-/5-//6-17-2/1//12/34 | 2/4 | New Allemand, The (t) | DA-E | Thompson CD-4, 1780 | 12 | VN/GF/OB |
//5-5-/5-//6-17-2/1//12/34// | 2/4 | New Allemand, The (t) | DA-E | Thompson CD-4a, 1780 | 12 | VN/GF/OB |
//5-5-/5-//6-17-2/1//12/34//3/2//34/5//4 |
2/4 | New Allemand, The (t) | DA-E | Bride CD, 1776 | III,96 | VN/OB/GF |
//55/5//61+72+/1+5//66/6// | 2/4 | Espagnol, L' (t) | DA-E | Longman Cot, 1770 | 22 | HA/VN/GF/OB |
/5-5-5-//6-1/7-6-5-//15-/17-1//23/14// | 2 | Bucherons, Les. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 165 Feuille | MI |
//55/56//342/134//565/535 | 6/8 | Over the Water (t) | DA-E | Thompson CD-1, 1757 | 96 | VN/GF/OB |
//55/56//342/134//565/535// | 6/8 | Over the Water (t) | DA-E | Thompson CD-1a, 1757 | 96 | VN/GF/OB |
//55/56//342/134//565/535 | 6/8 | Over the Water (t) | IC-E | Thompson Oboe, 1758 | 22 | OB |
//55/56//342/134//565/535 | 6/8 | Over the Water (t) | IC-E | Thompson Oboe, 1770 | 30 | OB |
//55/56//342/134//565/535//6 | 6/8 | Over the Water (t) | DA-E | Rutherf CD-2.1, 1756 | 20 | VN/GF/OB |
//55/56//342/31//56/543 | 6/8 | Wooten Undridge Assembly (t) | DA-E | Johnson CD-7, 1756 | 76 | VN/GF |
//55/56//342/31//56/543 | 6/8 | Wooten Undridge Assembly (t) | DA-E | Thompson CD-1, 1757 | 37 | VN/GF/OB |
//55/56//342/31//56/543// | 6/8 | Wooten Underhedge Assembly (t) | DA-E | Thompson CD-1a, 1757 | 37 | VN/GF/OB |
///55/56//342/31//56/543// | 6/8 | Wotton-Underedge Assembly (t) | DA-E | Universal Magazine | 2:175, 1753 | MI |
//55/5642//12/7-5-//121/7-123//32 | 2/4 | Why swells my wavy burnish'd grain (fl) | TW-E | Mariners, 1793 | I,28-29 | VO,KB |
//55/56//432/4//321/3// | C/ | General C. C. Pinckney's March (t) | AI-A | Gentlemen's PC, 1802 | 8-9 | 2GF |
//55/564//33/342//11127-// | 6/8 | Fleurs du Printems, Les (t) | DA-E | Gallini Cots, 1770 | 1 | KB |
//55/564//33/342//11/127- | 6/8 | Forsan's Jigg (t) | DA-E | Johnson CD-6, 1751 | 99 | VN/GF |
//55/564//33/342//11/127- | 6/8 | Forsan's Jigg (t) | DA-E | Thompson CD-1, 1757 | 3 | VN/GF/OB |
//55/564//33/342//11/127-// | 6/8 | Forsans Jigg (t) | DA-E | Thompson CD-1a, 1757 | 5 | VN/GF/OB |
//55/564//33/342//11/22 | 6/8 | Marsche Al Is Ons Prinsje Nog Zoo Kley (t) | MS-G | Darmstadt MS 1223 | 2OB,2CL,2HN,2TR | |
//55/564//33/342//11/22 | 6/8 | Major General Drummond of Strathallan's Quick Step (t) | IC-E | English Sheet Music | PF | |
//55/564//33/353//217-1/2343// | 2/4 | Andante (t) | MS-S | Fife MS, 1780 | 625,67r | 1FI OR 2FI/VN |
//5-5-/5-6-4-//3-4-2-/1-2-3-//5-5-/5-3-5 - |
6/8 | Over the Water to Charlie (t) | IC-S | Stewart Airs, 1788 | 3:148 | GF/VN/FI |
//55/564//342/123//565/535// | 6/8 | Over the Water to Charlie with Variations (t) | AM-A | Bush MS, 1779 | 50-52 | VN |
//55/564//342/123//565/535 | 6/8 | Over the Water to Charlie with Variations (t) | AM-A | Greenwood MS, 1785 | 13-14 | MI |
//55/564//342/124//565/535//6 | 6/8 | Over the Water (t) | AM-A | Simpson MS, 1750 | I,8 | FL |
//55/564//342/134//55/535 | 6/8 | Over the Water (t) | MS-E | Rainstorp MS, 1747 | 42 | MI |
//55/564//342/134//565/535 | 6/8 | Over the Water to Charlie, with Variations (t) | AM-A | Aborn MS, 1790 | 43 | MI |
//55/564//342/134//565/535 | 6/8 | Over the Water to Charlie (t) | IC-S | Aird 2, 1785 | 12 | FI/VN/GF |
//55/564//342/134//565/535// | 6/8 | Corosquiny, La (t) | DA-N | Baland CD, 1780 | 6 | VN/GF |
//55/564//342/134//565/535 | 6/8 | Over the Water to Charley (t) | AM-A | Beck MS, 1786 | 10 | GF |
//55/564//342/134//565/535 | 6/8 | Over the Water to Charlie, The Variations (t) | AM-A | Bolling MS, 1785 | 31 | VN/VO |
//55/564//342/134//565/535 | 6/8 | Over the Water to Charlie (t) | IC-E | Caledonian PC, 1760 | IV,7 | GF/VN |
//55/564//342/134//565/535 | 6/8 | Over the Water to Charlie (t) | MS-S | Gillespie MS, 1768 | 52 | VN |
//55/564//342/134//565/535 | 6/8 | Over Ye Water (t) | MS-E | Hammersley MS, 1790 | 83 | MI |
//55/564//342/134//565/535 | 6/8 | Over the Water to Charlie with the Variations (t) | AM-A | Hawkins MS, 1794 | II,7 | GF |
//55/564//342/134//565/535 | 6/8 | Quick March No.7 (t) | IC-E | Hinde 2, 1772 | 5 | GF/VN/OB,PF |
//55/564//342/134//565/535 | 6/8 | Charley Over the Water (t) | AM-A | Shattuck MS, 1801 | 38-39 | MI |
//55/564//342/134//565/535//6 | 6/8 | Over the Water (t) | DA-E | Walsh CD-3.3, 1749 | 22 | VN/OB/GF |
//55/564//342/135//565/535//6 | 6/8 | Over the River to Charley, & Variations (t) | AM-A | Willis MS, 1795 | 43 | MI |
//55/56//44/43//22/27- | 2/4 | Allemande (t) | IC-S | Pandean Coll 1, 1810 | 7 | PF |
//5-5-5-6-5-/2123//5-5-5-6-5-/13//5313/2 123// |
C/ | Millers Doughter, The (t) | MS-E | Vickers MS, 1770 | 152a | MI |
//5-5-5-//6-5-//217-6-5-4-//3-2-1-//6-7- 17-6-5-//4-2-5- |
3/2(ED) | Trio (t) | IC-E | Bremner Airs, 1761 | 65 | 2VN/GF,B |
//5-5-5-//6-5-//217-6-5-4-//3-2-1-//6-7- 17-6-5-//4-2-5- |
3/2(ED) | Trio (t) | IC-E | Preston Marches, 1804 | 65 | 2GF/VN,VC/PF |
//5556531127-5-//3112311231127-5-// | C/ | Morris Dances (t) | DA-F | Arbeau Orchesography, 1589 | 177-179 | DR/MI |
/55//565/32//1/55//1+1+/ | 6/8 | Precieuse, La (t) | DA-E | Gallini Cots, 1770 | 33 | KB |
//555/653//456/217-//123/453// | 3 | Saraband First. to Dance with Castinets (t) | IC-E | Apollo's Banquet 1-1, 1670 | 180 | VN |
//555653//456217-//123453//6255// | C3 | Saraband (t) | PL-E | Playford 1-03a, 1657 | II,41 | VN |
//55/5654//31/11//42/22// | 2/4 | Sally Lun (t) | MS-C | Molyneaux MS-2, 1788 | 57 | 1 OR 2 GF |
//55/5654//31/145/64/434// | C/ | Spits La Bouree. A 3 Danse Hollandoise (t) | IC-F | Pointel Airs, 1700 | 25 | MI,B |
//55/56//5432/11+//71+/2+3+ | C/ | New Prince of Orange's March (t) | DA-E | Johnson CD-3, 1744 | 13 | VN/GF |
//555/6//543/21//671+/51+ | 6/8 | Quick March No.28 (t) | IC-E | Hinde 2, 1772 | 19 | GF/VN/OB,PF |
//5-/5-//5-6-//5-4-/3-2-//3-2- | 2/4 | MS-G | Darmstadt MS 1224 | 309 | MI | |
/555//65/43//2/321//432/ | 6/8 | Pieross, Les (t) | MS-C | Trois-Rivieres MS, 1768 | 60 | MI |
//55/5654//3234/31//23/4217-// | C/ | Ich Bin Ein Menschbild Von Natur (t) | AM-A | Hoff MS, 1797 | No. 253 | GF |
//555//654323//4345-21//17-6-5-6-7-//11- 1-123//4217-6-5-6-7-// |
3/4 | Rt. Honble. Lady Isabella Turnour's Minuet (t) | DA-E | Fishar Minuets, 1785 | 2 | KB |
//5/55//65/43//23/45 | 2/4 | Yankey Chronology (t) | AI-A | Riley Flute 1, 1814 | 79 | FL |
//55/5654//333/3123//246/5432 | C/ | General Greenes March (t) | AM-A | Otis MS, 1793 | 4-5 | 2VN/2FL |
//55/5654//33/3432//11/43 | C/ | Allegretto Out of the Dr & Apothecary (t) | MS-E | Miscellany MS, 1810 | 2CL/OB,2HN,BS | |
//55/5654//33/3432//1234/5432 | C | Winter Piece (t) | AM-A | Trumbull MS, 1801 | a:10 | 2MI,(MI),B |
//55//5654//33/3432//15-//1234 | 2/4 | Miss Hyligary's Fancy (t) | AM-A | Willis MS, 1795 | 53 | MI |
//5-5-/5-6-5-4-//3-3-/3-4-5-//6-6-/6-7-1 6- |
2/4 | Governors Island Slow Step (t) | AI-A | Riley Flute 1, 1814 | 65 | FL |
//55/5654//33/35-13//44/4543// | 2/4 | Trenis, La. First Set (t) | AI-A | Schaffer Cot, 1809 | 6 | PF/VN,BA |
//55/5654//33/35-7-2//44/4543// | 2/4 | Trenis, La (t) | AI-A | Berault Cots, 1805 | 11 | PF |
//55/565/43/342/3 | 12/8 | Favourite Song, A (t) | SC-E | Calliope, 1746 | II,120 | VO,B,MI |
//55/565/43/342//33 | 12/8 | Let Me Wander Not Unseen (t) | SS-E | SS, Huntington-2 | 122 | VO,KB+GT/GF |
//55/565/43/342//33/33/676 | 12/8 | My Dolly was the fairest thing (fl) | TW-E | Love/Village, 1795 | 40 | VO,HA |
//55/56//54/334//55/6543 | C/ | Retraitte (pour les Mousquetaires du Roy d'Espagne), La (t) | MS-F | Philidor MS, 1705 | 45 | OB,B+DR |
//55/565//43/3//45/654// | 6/8 | Favourite Adagio, A (t) | AI-A | Gentlemen's PC, 1802 | 25 | 2GF |
//55/565//4/33//45/654 | 6/8 | Duetto (t) | AI-A | Herrick Preceptor, 1807 | 59 | 2MI |
//5-5-/5-6-//5-4-/3-3-4-//5-6-5-/4-5-4- | C/ | Air 75 (t) | IC-N | Roger Airs, 1716 | 2:20 | 2CH/TR/OB/VN/FL/CL/HN |
/55//565/43//42/44//454/ | 6/8 | Contredance Francaise (t) | DA-N | Echo, 1758 | 38 | KB |
//55/565//4345/31+7//67/567// | C/ | New Gavot, The (t) | IC-E | Apollo's Banquet 1-1, 1670 | 187 | VN |
//55/56//5/4//354/32 | 2/4 | Fahnen Tropp No 17. V. Nassau (t) | MS-G | Darmstadt MS 1225 | 31-32 | 2MI |
//5556//543565//4454351+3 | 2/4 | Eighth Lesson, Composta Dal Assuni (t) | AM-A | Bolling MS, 1790 | 47 | VN/GT |
//55//565//44//454//33// | C3 | New Rigadoon, A (t) | IC-E | Apollo's Banquet 1-6, 1690 | B61 | VN |
//55/565//44/454//33 | C3 | Spanish Jigg (t) | PL-E | Playford 1-09, 1695 | 171 | VN |
//55/565//44/454//33 | C3 | Spanish Jigg (t) | PL-E | Playford 1-10, 1698 | 171 | VN |
//55/565//44/454/33 | 6/4 | Spanish Jigg (t) | PL-E | Playford 1-14, 1709 | 171 | VN |
//55/565//44/454//33/3 | 6/4 | Spanish Jigg (t) | PL-E | Playford 1-11, 1701 | I,171 | VN |
//55/565//44/454//33/3 | 6/4 | Spanish Jigg (t) | PL-E | Playford 1-12, 1703 | 171 | VN |
//55/565//44/454//33/3 | 6/4 | Spanish Jigg (t) | PL-E | Playford 1-13, 1706 | 171 | VN |
//55/565//44/454//33/3 | 6/4 | Spanish Jigg (t) | PL-E | Playford 1-15, 1713 | 171 | VN |
//55/565//44/454//33/3 | 6/4 | Spanish Jigg (t) | PL-E | Playford 1-16, 1716 | 171 | VN |
//55/565//44/454//33/3 | 6/4 | Spanish Jigg (t) | PL-E | Playford 1-17, 1721 | 171 | VN |
//55/565//44/454//33/3 | 6/4 | Spanish Jigg (t) | PL-E | Playford 1-18, 1728 | 171 | VN |
//55//565//44//454//33//343// | 3 | New Rigadoon, A (t) | IC-E | Apollo's Banquet 1-7, 1693 | 61 | VN/FL |
//55/565//44/454//33/343// | 6/4 | Gigue Espagnol, La (t) | DA-F | Dezais Recueil, 1712 | 80-87 | MI |
//55/565//44/454//33/343 | 6/4 | Spanish Jigg (t) | MS-E | Hammersley MS, 1790 | 48B | MI |
//55/565//44/454//33/343// | 6/4 | Gigue Espaniol, La (t) | MS-G | Jayme MS, 1717 | 30 | MI |
//55/565//44/454//33/343// | 6/4 | Gigue Espagnolle, La (t) | IC-F | Leclerc Recueil-1, 1729 | 18 | HAF |
//55/565//44/454//33/343// | 6/4 | Spanish Gige Contre-Danse Angloise (t) | IC-F | Pointel Airs, 1700 | 4 | MI,B |
//55/565//44/454//33/343 | 6/4 | Spanish Jigg (t) | DA-E | Walsh CD-1.1, 1718 | 184 | VN/OB/FL |
//55/565//44/454//33/343 | 6/4 | Spanish Jigg (t) | DA-E | Walsh CD-2.1, 1731 | 96 | VN/OB/GF/RC |
//55/565//44/454//33/343 | 6/4 | Spanish Jigg (t) | DA-E | Walsh CD-3.6, 1754 | 144 | VN/OB/GF |
//55565/44454//33454/33454//32/12 | C/ | IC-E | Forest Harmony-2, 1733 | 24-25 | 2HN/GF/TR/VN | |
//555/654//456/217-//123/453//625/45 | C3 | #37 (t), or Saraband (at) | PL-E | Playford 1-3b, 1665 | II,46 | VN |
//55/565//44/565//44/454// | 6/8 | Giga de Espana, La: Inglesa (t) | DA-P | Piferrer CD, 1768 | 7 | MI |
//5/5//5/654//5 | 2/4 | Marche (t) | MS-G | Darmstadt MS 1224 | 352-53 | 2MI |
//555/654//5456/513//555/654 | C/ | Anspacher Zapfen Streich (t) | MS-G | Darmstadt MS 1224 | 177 | MI |
//555/654//5456/513//555/654 | C/ | Anspacher Zapffen Streich (t) | MS-G | Darmstadt MS 1224 | 189 | MI |
//55/5654//55/51+76//5434/5432 | C/ | Grenadier March Von der Leib Grenadier (t) | MS-G | Darmstadt MS 1224 | 354 | MI |
//55/5654//55/51+76//5434/5432 | C/ | March V. Geldesonen Leib Corps (t) | MS-G | Darmstadt MS 1225 | 219-20 | 2MI |
//5/55//6545/55//6/71+// | 2/4 | Anglaise (t) | DA-E | Zwolfe Englische Tanze, 1791 | 6 | 2VN,B,FH,OB,2FL,2CL,2BS,TY |
//55/5654//55/6543//2323/4321 | 2/4 | Swinley Camp (t) | IC-E | Pick Divs, 1800 | 9 | PF |
//55/565//4565/35//13/13 | 2/4 | Dardanus, La (t) | AI-A | Riley Flute 1, 1814 | 27 | FL |
//55/565//4565/35//13/13// | 2/4 | Dardanus, La (t) | AI-A | Willig Cots, 1815 | 4 | PF |
//55/565//543/234//345/51+5 | 6/8 | Pretty Polly (t) | DA-E | Walsh CD-2.3, 1735 | 208 | VN/OB/GF/CF |
//55/565//543/234//345/51+5 | 6/8 | Pretty Polly (t) | DA-E | Walsh CD-3.6, 1754 | 128 | VN/OB/GF |
//55/565//543/234//345/51+5 | 6/8 | Pretty Polly (t) | DA-E | Walsh NCDM-3, 1728 | 77 | VN/OB/FL |
//55/565//54/454//35/62+ | C | Gallant Troubadour (t) | AI-A | Blake Amus 1, 1824 | 25 | CL |
//55/565//565/565 | 6/4 | Welch Whim, The (t) | DA-E | Walsh CD-2.2, 1735 | 145 | VO/OB/GF/FL |
//55/565//565/565 | 6/4 | Welch Whim, The (t) | DA-E | Walsh CD-3.2, 1749 | 145 | VN/OB/GF |
//55/565//565/565//6 | 6/4 | Welch Whim, The (t) | PL-E | Playford 2-1, 1713 | 23 | VN/OB |
//55/565//565/565//6 | 6/4 | Welch Whim, The (t) | PL-E | Playford 2-2, 1714 | 23 | VN/OB |
//55/565//565/565//6 | 6/4 | Welch Whim, The (t) | PL-E | Playford 2-3, 1718 | 23 | VN |
//55/565//565/565//6 | 6/4 | Welch Whim, The (t) | PL-E | Playford 2-4, 1728 | 23 | VN |
//55/565//565/565//671+/54 | 6/4 | Welch Whim, The (t) | DA-E | Walsh CD-1.2, 1719 | 40 | VN/OB |
//5556/561+1+//62+3+/2+3+//5556/561+5 | C | There Grows a Bonie Brier bush (t) | SC-S | Scots MM-5, 1797 | 508 | VO,PF |
//5556/564//5555/564//5365/4321// | 2/4 | Caroline. No. 4 (t) | AI-A | Johnson, F. Cotillions | 2 | PF |
//5-5-5-/6-5-6-7-//5/55//65/67//1+/12345 // |
C | [Fantasia]. 27 (t) | MS-E | Fitzwilliam MS-2, 1609 | 340-342 | VI |
//5/55//66//345/54323// | C/ (8/4) | Fantasia. 15 (t) | MS-E | Fitzwilliam MS-1, 1609 | 335-342 | VI |
//5-5-/5-6-//6-5-/3-4-/5-5-/5-6- | 2/4 | Go George I Cant Endure You (t) | AM-A | Commonplace MS, 1809 | 3V | CL/FL |
//5-5-/5-6-//6-5-/3-4-//5-5-/5-6- | C | Go George I Can't Endure You (t) | AI-A | Riley Flute 2, 1817 | 15 | FL |
//55/56//65/34//55/56//6 | 2/4 | Go George, I can't endure you (fl) | AI-A | Gent's Amus, 1794 | 20 | 2GF/2VN/2VO |
//55/56//65/34//55/56//65 | 2/4 | Go, George, I can't endure you (fl) | TW-E | No Song No Sup, 1790 | 6-7 | VO,HA/PF |
//555//666//545654//321234//555//666// | 3/4 | Bath Minuet (t) | DA-E | Wilson Companion, 1816 | 165 | MI |
//5-5-5-//6-6-6-//5-5-6-5-4-//3-2-3-4-3- //5-5-5-//6-6-6- |
3/4 | Bataille d'Jjena, La. Rappel General (t) | IC-N | Netherlands Sheet Music | PF | |
//555//666//55654//32343//555/666 | 3/8 | Rappelle (t) | MS-G | Darmstadt MS 1225 | 45-46 | 2MI |
//555//666//55654//33234//555//666 | 3/4 | Battle of Jena, The. Introduction (t) | AI-A | American Sheet Music | 11,3 | PF,VN |
//5-5-/5-6-7-//11/123//21/7-6-7-// | 3 | Selengers Round (t) | IC-E | Musicks Hand-Maid-1, 1678 | 10 | VI/HA |
//5-5-/5-6-7-//11/12//321/7-6-7-// | 6/4 | Boer Meyties. A 4 Danse Hollandoise (t) | IC-F | Pointel Airs, 1700 | 20 | MI,B |
//5-5-/5-6-7-//11/123//434/6-7-1 | 6/8 | I Wou'd If I Cou'd (t) | DA-E | Thompson CD-5, 1788 | 46 | VN/GF/OB |
//5-5-/5-6-7-//11/123//434/6-7-1// | 6/8 | I Wou'd If I Cou'd (t) | DA-E | Thompson CD-5a, 1788 | 46 | VN/GF/OB |
//55/567//1+/11//2435/432 | 2/4 | Hanoverian Grenadiers' March (t) | AI-A | Robbins D&F, 1812 | 42 | FI |
//5-5-/5-6-7-//11/13//42/31 | 6/8 | O Let Me In This a Night (t) | AI-A | Blake Amus 1, 1824 | 4 | CL |
//5-5-/5-6-7-//11/13//42/31 | 6/8 | O Lassie Art Thou Sleeping Yet (t) | AI-A | Riley Flute 3, 1820 | 79 | FL |
//55/567//1+1/16//536/536//543 | 6/8 | Waving Willow, The (t), or Ballad, A (at) | TW-E | Midnight Wand, 1793 | 52-53 | VO,KB |
//55/567//1+1/17-1//22/254 | 6/8 | Pas de Manoeuvre (t) | IC-F | French Sheet Music | 2FLP,2CL,TR,2HN | |
//55/567//1+1/1+7//65/43454 | 2/4 | Glitt'ring trifle (fl) | TW-E | Peeping Tom, 1786 | 9-11 | VO/VN,HAF |
//55567//1+15//64-4-4-/671+76 | 2/4 | 4th Sonata of Sign'r Lampregnani, The(primo) (t) | AM-A | Bolling MS, 1785 | 11 | VN/VO |
//55/567//1+1+/75//6 | 6/8 | Outside of House (t) | TW-E | Harlequin's Mus, 1792 | 27 | HA |
//55/5671+//1+765/65//43/231 | 2/4 | Connecticut (t) | AI-A | Duport CD, 1800 | 7 | PF |
//5-5-/5-6-7-//123/16-//16-/6-6 | 3 | Air 5 (t) | BA-E | Patie & Peggy, 1731 | 6 | VO |
//5-5-/5-6-7-//123/16-//16-/6-6//564/21 | 3 | Air 5 (t) | BA-E | Patie & Peggy, 1730 | 6 | VO |
//5-/5-//5-6-7-/123//5-/5- | 6/8 | Russische Vergatter (t) | MS-G | Darmstadt MS 1225 | 95-96 | 2MI |
//55/567//1+/5//1+3+/2+1+// | 2/4 | Moro, Del, La (t), or Furco (at) | MS-M | Garcia MS, 1772 | 21 | MI |
//55/567//1+/5//1+3+/2+1+// | 2/4 | Locos, Los (t) | MS-M | Garcia MS, 1772 | 120 | MI |
//55/567//1+/5//1+3+/2+1+7// | 2 | Calotine 1e., La. Rondeau (t) | IC-F | Leclerc Recueil-1, 1729 | 35 | HAF |
//55/567//1+5/345//64/234 | 6/8 | Boutonniere, La (t) | DA-E | Thompson CD-4, 1780 | 80 | VN/GF/OB |
//55/567//1+5/345//64/234// | 6/8 | Boutonniere, La (t) | DA-E | Thompson CD-4a, 1780 | 81 | VN/GF/OB |
//55567/1+5431//1+71+2+1+2+/3+//3456567/ 1+554321// |
C/ (8/4) | New Sa-hoo, The. 13 (t) | MS-E | Fitzwilliam MS-2, 1609 | 161 | VI |
//55/5//671+/55//43/21 | 6/8 | Lancons Favorite (t) | AM-A | Cary MS, 1797 | 106 | VN |
//55/5//671+/55//43/21 | 6/8 | Lancon's Favorite (t) | AM-A | Kingsley MS, 1795 | I,51 | MI |
//555671+//5551//6565 | 2/4 | Chasse, La (t) | DA-E | Thompson CD-5, 1788 | 68 | VN/GF/OB |
//55/5671+//55/51//65/65// | 2/4 | Chasse, La (t) | DA-E | Thompson CD-5a, 1788 | 68 | VN/GF/OB |
//555//671+//55654//33434//555//671+ | 3/4 | Rappel, Le (t) | IC-F | French Ordinances | App.19 | DR,FI |
//555/67//1+654/32//1234/5 | C/ | To Young Virgins (t) | SC-E | Pills 3, 1719-20 | 59-60 | VO |
//555/67//1+654/32//1234/53// | C/ | Virgin's Wish, The (t) | IC-E | Apollo's Banquet 1-7, 1693 | 67 | VN/FL |
//55/567//1+76/531//333/444 | 6/8 | Beynons Delight (t) | DA-E | Bride CD, 1776 | IV,87 | VN/OB/GF |
//55/567//1+76/531//333/444 | 6/8 | Macaroni Dance (t) | AM-A | Brown, H. MS, 1797 | 50 | MI |
//55/567//1+76/531//333/444 | 6/8 | Macaroni, The (t) | AM-A | Commonplace MS, 1797 | 10 | 2FI |
//55/567//1+76/531//333/444 | 6/8 | Maccarony Dance (t) | DA-E | Thompson CD-4, 1780 | 21 | VN/GF/OB |
//55/567//1+76/531//333/444// | 6/8 | Maccarony Dance (t) | DA-E | Thompson CD-4a, 1780 | 23 | VN/GF/OB |
//55/567//1+76/531//333/444 | 6/8 | Roynons Delight (t) | DA-E | Thompson CD-5, 1788 | 90 | VN/GF/OB |
//55/567//1+76/531//333/444// | 6/8 | Roynons Delight (t) | DA-E | Thompson CD-5a, 1788 | 90 | VN/GF/OB |
//55/567//1+76/54//3 | 6/8 | How sweet the lovers meeting proves (fl) | TW-E | Siege/Gibraltar, 1780 | 20-21 | VO,HA,BS,2FL |
//55/567//1+76/55//1+71+/22+//1+ | 6/8 | Finale (t) | TW-E | No Song No Sup, 1790 | 36-39 | 3VO,HA/PF |
//55/567//1+76/567//1+76/54 | 2/4 | Allegro (t) | IC-E | Delightful-1, 1763 | VI,2 | 2GF |
/55//567/1+76//6545/5434//5-7-24/351+3// |
2/4 | Gavotte de Vincent, La. Contre-Danse Française. (t) | DA-F | Landrin CD BL-2, 1775 | 162 Feuille, Vol. 6 | MI |
//55567/52//2345/27-5-5-//66656/76 | C | Troop.-To Be Performed at the Morning Parade (t) | AI-A | Glazier Fife, 1830 | 36 | FI |
//55567/52//2345/27-5-5-//66656/76 | C | Troop.-To Be Performed at the Morning Parade (t) | AI-A | Robinson Coll, 1818 | 55 | FI,DR |
//55567/52//2345/27-5-5-//66656/76 | C | Troop.-To Be Performed at the Morning Parade (t) | AI-A | Robinson Coll, 1820 | 71 | MI |
//55567/52//2345/27-5-5-//66656/76 | C | Troop.-To Be Performed at the Morning Parade (t) | AI-A | Robinson Coll, 1826 | 71 | MI |
//5-5/567/675/32//33+/2+75 | 6/8 | Miss Ratlif's Fancy (t) | DA-E | Johnson CD-7, 1756 | 67 | VN/GF |
//5-5-/5-7-//11/17-//13/32 | Chorus to the Oracle (t) | SS-E | SS, Folger-C42.2 | 152,2 | 2TR,2HN,DR,2OB,2VN,VA,B,4VO | |
//55571+/2+1+71+//7547/27-47-//55571+/2+ 1+71+75 |
C/ | Cuggan Oh Her (t) | AM-A | Gaylord MS, 1816 | 7r | MI |
//5-5-/5-7-//12/316-//5-5-/5-6- | 6/8 | Mr Charles Morgans Birth Day (t) | MS-E | Russell MS, 1812 | 44 | FI |
//55/57-1//27-2-/5-2-//5-7-6-1/7-213// | C/ | Federal Cotillon (t) | AI-A | Buckingham Cots, 1808 | 7 | VN,PF |
/55//571+/345//434/24//351/7-12// | 6/8 | Gréable, La. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 134 Feuille | MI |
//55/571+//55/571+//55/5342 | 2/4 | Zapffenst. No 67 (t) | MS-G | Darmstadt MS 1225 | 339-40 | 2MI |
//555/71+76//56543/5/4345/3234 | C | Tear & Favorite Song, The (t) | AM-A | Otis MS, 1793 | 40 | VN/FL |
//55575/1+53//55575/642//55575/1+675// | C/ | Tail Todle (t) | MS-S | Young MS-2, 1734 | 65v-66r | MI |
//555/75//1+/64//555/75 | C/ | Gilliam Callum (t) | DA-E | Walsh CD-2.2, 1735 | 78 | VO/OB/GF/FL |
//555/75//1+/64//555/75 | C/ | Gilliam Callum (t) | DA-E | Walsh CD-3.2, 1749 | 78 | VN/OB/GF |
//55575/1+675//64+1+/6446//55575/1+675 | C/ | Lady Doll St. Clair's Reel (t) | DA-E | Johnson CD-8, 1758 | 21 | VN/GF |
//5-5/575//4321/7-12//321/5427- | C/ | Roslin's Castle (t) | AM-A | Dickinson MS, 1800 | 130 | CL/GF/OB |
//555/75//555/65//555/75 | 6/8 | Highland Battle, A. The Height of the Battle (t) | IC-E | Caledonian PC, 1760 | IX,6-7 | GF/VN |
//555/755//7671+/755//1+2+3+2+/753 | C3 | Lady Murrys Delight, The (t) | PL-E | Playford 1-05, 1675 | 109(110) | VN |
//555/755//7671+/755//1+2+3+2+/753 | C3 | Lady Murrys Delight, The (t) | PL-E | Playford 1-06, 1679 | 109(110) | VN |
//555/755//7671+/755//1+2+3+2+/753//2 | C3 | Lady Murray's Delight, The (t) | PL-E | Playford 1-07, 1686 | 110 | VN |
//555/755//7671+/755//1+2+3+2+/753//2234 5/311 |
C3 | Lady Murrys Delight, The (t) | PL-E | Playford 1-04, 1670 | 109(110) | VN |
//55/575//642/4564//55/575 | 6/8 | Gigg by Mr. Arne (t) | IC-S | Stewart Airs, 1788 | 1:17 | GF/VN/FI |
//55575/671+3+//55575/2+575//1+3+72+/671 +3+ |
C/ | Keep the Country Bonny Lassie a Reel (t) | MS-S | Gillespie MS, 1768 | 100 | VN |
//55+575//75+2+3+//4+6+464//64+1+6//5+57 5 |
C | Bounding Roe, The (t) | IC-E | Caledonian PC, 1760 | XI,18-19 | GF/VN |
//55/5765//64/46//5653/4542 | C | Smith's Hornpipe (t) | AI-A | Balls Amus 1, 1815 | 36 | FL/FI/VN |
//5-5-5-/7-7-7-//115-/17-32//17-6-5- | C/ | Jeunes Bergerettes (t) | IC-F | Vanderhagen Pcs, 1787 | 21:5 | 2CL,2HN,2BS |
//55/5//77/7//1+5/321 | 2/4 | Air (t) | IC-E | Simpson Horn, 1745 | 14 | 2HN |
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