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Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
//5161/511+1//5151+/6543//5351+/511+1 | 2/4 | Recruits, The (t) | DA-E | Thompson CD-4, 1780 | 14 | VN/GF/OB |
//5161/511+1//5151+/6543//5351+/511+1// | 2/4 | Recruits, The (t) | DA-E | Thompson CD-4a, 1780 | 15 | VN/GF/OB |
//51+//61+//51+//2343//5 | 2/4 | TW-E | Harlequin Dr. F, 1766 | 18 | HAF,GF/VN | |
//5161/5146//514321/7-2234//5161/5146 | C | Mr Lumsdain of Blanairn's Strathspey (t) | IC-S | Aird 4, 1796 | 3 | FI/GF/VN |
//51/61//51/61//51/61 | C/ | Gregg's Frolick (t) | DA-E | Johnson CD-2, 1742 | 6 | MI |
//51/61//51/61//51/61 | C/ | Gregg's Frolick (t) | DA-E | Walsh CD-2.2, 1735 | 43 | VO/OB/GF/FL |
//51/61//51/61//51/61 | C/ | Gregg's Frolick (t) | DA-E | Walsh CD-3.2, 1749 | 43 | VN/OB/GF |
//5161/51+76//5143/25-52//3163/4251+// | C/ | Music of the Anniversary Ode for the Year 1751, Tempo Di Gavotta (t) | AM-A | Tuesday Club MS, 1745 | 9/372 | 2MI,B |
//51/61//7-/1//51/61//7- | 2/4 | Air (t) | IC-E | Delightful-2, 1745 | IV,34-35 | GF |
//51+/62+1+//756//34/543//21// | C/ | Bore Madam (t) | IC-E | Apollo's Banquet 1-2, 1678 | A27 | VN |
//51+/62+1+//756//34/543//215// | C/ | Boree Madam (t) | IC-E | Apollo's Banquet 1-1, 1670 | 211 | VN |
//51+/62+1+//756//34/543//215// | C/ | Bore Madam (t) | IC-E | Apollo's Banquet 1-5, 1687 | A13 | VN |
//51+/62+1+//756//34/543//215// | C/ | Bore Madam (t) | IC-E | Apollo's Banquet 1-6, 1690 | A13 | VN |
//51+/62+1+//756//34/543//215// | C/ | Bore Madame (t) | IC-E | Apollo's Banquet 1-7, 1693 | 21 | VN/FL |
//5-1/6-2//17-6-5-/1345//671+6/6543 | 2/4 | Constellation Hornpipe (t) | AI-A | Riley Flute 3, 1820 | 33 | FL |
//5-1/6-2//17-6-5-/1345//671+6/6543 | 2/4 | Constellation Hornpipe (t) | AI-A | Riley Flute 4, 1826 | 40 | FL |
//51+/62+//1+76/5645//3423/126-7-// | 2/4 | 6. Third Sett (t) | AI-A | Geib Cots, 1815 | 3 | PF |
//51+/62+//1+76/5645//3423/126-7-// | 2/4 | 6. First Set (t) | AI-A | Geib Cots, 1818 | 3 | PF |
//51+/62+//1+76/5645//3423/126-7- | Six Cotillions-V (t) | AI-A | Riley Flute 1, 1814 | 39 | FL | |
/5-1//6-2/6-5-6-//16-/31//42/531// | 6/8 | No. 5. First Sett of Cotillions (t) | AM-A | Washburn MS, 1816 | 13 | GF |
//5-16-/27-3//142/53//365/645//543/22 | 6/4 | Song, A (t) | SC-E | Pills 5, 1719-20 | 135-6 | VO |
//51+//62+//767//1+//36 | 3 | Comparison, The (t) | SC-E | Watts MM-2, 1729 | 147-149 | VO/VN+FL |
//5/1+//64//22/54//4323/1 | 2/4 | Massachusetts Quick Step (t) | AI-A | American Sheet Music | 1 | PF |
//51+646//5531+646//531246427-//7-121234 //345671+//71+2+3+ |
3/4 | Andante Grazioso (t) | AI-A | Paff Amus 4, 1817 | 37 | 2FL/VN |
//51+646//5531+646//531246427-//7-121234 //345671+ |
3/4 | Andante Grasioso (t) | AI-A | Riley Flute 2, 1817 | 94 | FL |
//5-1/6-4//7-24321/7-2234//5315-/6-4-// | C/ | Singal Dragg, A (t) | MS-S | Fife MS, 1780 | 609,65v | 1FI OR 2FI/VN |
//516//511+//54321//234//567 | 3/4 | Lady's Lamentation for the Loss of Senisino, The (t) | SC-E | Calliope, 1746 | I,33 | 2MI,VO,B |
//516//511+//54321//234//567 | 3 | Senesino (t) | SC-E | Muses Delight, 1754 | 169 | VO,HA |
//516//511+//54321//234//567 | 3/4 | Lady's Lamentation for the Loss of Senesino, The (t) | SC-E | Musical Cent-1, 1737 | 1 | VO,HAF |
//516//511+//54321//234//567 | 3/4 | Ladies Lamentation for Ye Loss of Senesino, The (t) | SC-E | Musical Ent-1, 1740 | 38 | VO,KB+FL |
//516//511+//54321//234//567 | 3/4 | Ladies Lamentation for the Loss of Senesino, The (t) | SS-E | SS, Folger-C42.4 | 78 | 2MI,VO,B,/KB+FL |
//516//511+//54321//234//567//1+16- | 3/4 | As Musing I (t) | IC-E | Simpson Record, 1745 | 23 | RC |
//51+//65//1+3+1+53//43//667//1+1+71+6// |
3/4 | Men. (t) | AM-A | Gansevoort MS, 1778 | 5 | FL |
//51+//651+//431+//32//51+//71+2+765// | 3/4 | Minuet (t) | IC-E | Prelleur Modern, 1731 | 11 | VN |
//516//52//34321//25-2//3213 | 3 | New Song, A (t) | SS-E | SS, Folger-C42.3 | 87 | VO,KB+FL |
//5-16-/5-3//33217-6-/7-5-//253/453// | C [6/2] | Coranto (t) | MS-E | Fitzwilliam MS-2, 1609 | 308 | VI |
//51+/653//43234/21//56/517-1 | C | Favourite Song In the Opera of otho, A (t) | SC-E | Pocket Comp, 1725 | 72-74 | VO,HAF+FL |
//51+//65//3-5-1351+//65//4//3 | 3/4 | Minuet by Sigr. Lampugnani (t) | IC-S | Stewart Marches, 1761 | 54-55 | 2VN/GF/OB,VC/HA |
//51+6/535//5/51//7-17-/17-6-//5- | 6/8 | Catches for Three, Four and Five Voices (t) | SS-E | SS, Folger-C42.1 | 104,2 | 3VO |
//51/65432//1+765/1+//65632/1+7651+1 | C/ | You I love, by all that's true (fl) | SC-E | Watts MM-1, 1729 | 84-85 | VO/VN+FL |
//51+/6543//234321/55//671+2+/3+4+5+4+3+ |
C/ | Bonny Scot-Man, The (t) | SC-S | Scots MM-1, 1787 | 13 | VO,PF |
//51//65//43//234//7-1 | 3/4 | Bell-Mans Song, The (t) | SS-E | SS, Folger-C42.4 | 342 | VO+FL |
//51+/6543//24321/55//671+2+/3+4+5+4+3+ | C | Bonny Scot, The (t), or Song 8 (at) | SC-E | Orpheus Cal-1, 1733 | T14-15MOP14 | VO,HA |
//51+/65//43/25-//53/61+72+// | C | Cavalier, Le (t) | DA-E | Longman Cot, 1770 | 24 | HA/VN/GF/OB |
//516543/3226//5131/3456 | C/ | Braes of Aberarder, The (t) | IC-S | Aird 4, 1796 | 4 | FI/GF/VN |
//51+/6543//4321/55//61+71+2+/3+1+4+3+ | C | Bonny Boat Man, The. with Variation (t) | IC-E | Caledonian PC, 1760 | II,28 | GF |
//5-1/6-5-4-3-//4-3-2-1-/5-5-//6-7-12/31 43 |
C | Boatman (t) | AI-A | Riley Flute 1, 1814 | 5 | FL |
//51+/6543//4321/55//671+2+/3+4+5+4+3+ | C | Bonny Boatman (t) | MS-E | Hammersley MS, 1790 | 109 | KB |
/51+//654/34//51/1234//2345/543// | 2/4 | Bonny Foy, La. Contredanse (t) | DA-F | LaCuisse Rep CD LC-1, 1762 | 11 Feuille | MI |
//5-/16-//5-4-3-4-/5-3-3-//2-5-5-/2-5-5- |
C | Bataille de Belle Alliance Ou de Waterloo. le duc de Wellington (t) | IC-N | Netherlands Sheet Music | 23 | PF |
//5/1+//654/345//646/531// | 6/8 | Morning Star, Cotillion (t) | AM-A | Duport MS-2, 1800 | 27v | VN |
//5-/1//6-5-4-/3-4-5-//6-4-6-/5-3-1- | 6/8 | Morning Star (t) | AI-A | Riley Flute 2, 1817 | 83 | FL |
//51+6/543//4642/3531//571+7/1+531//4653 |
C/ | Prusian Rant, The (t) | DA-E | Rutherf CD-2.2, 1760 | 29 | MI |
//516543/5116//531+3/5223//516543/5131+ | Soldiers Dance After the Battle (t) | IC-S | Aird 4, 1796 | 17 | FI/GF/VN | |
//516543/5116//531+3/5223//516543/5131+ | C | Pas Seul-1 (t) | TW-E | Oscar & Malvina, 1791 | 27 | KB |
//51+/6543//51+71+/6543//5-131/5-131// | 2/4 | Hornpipe (t) | MS-C | Molyneaux MS-2, 1788 | 57 | 1 OR 2 GF |
//51/65/4/3//534/56/2 | 12/8 | Media (t) | SS-E | SS, Folger-C42.2 | 68 | VO,KB+F |
//51/65/4/3//534/56/2 | 12/8 | Media (t) | SS-E | SS, Harvard | 1 | VO,KB+FL |
//51/65/4/3//534/56/2 | 12/8 | Shoud er'e the fair disdain you (fl) | SS-E | SS, Harvard | 1 | VO,B+FL |
//51/65/4/3//5354/56/2 | 12/8 | Shoud ere the fair disdain you (fl) | SS-E | SS, Folger-C42.2 | 83 | VO,KB+F |
//51+/6543//5432/321//51+/6543 | C/ | Maid of Dornock, The (t) | IC-E | Caledonian PC, 1760 | XII,18 | GF/VN |
//51+6//545//42+4//323//321 | 3/4 | Song... Being An Invitation to a Lady In Ye Spring, A (t) | SS-E | SS, Folger-C42.3 | 47 | VO,KB+FL |
//51+/654//543/432//37-/1321// | C | Chorus In Lotharius (t) | IC-E | Prelleur Modern, 1731 | 40 | RC |
//516//55//671+434 | 3 | Air 47 (t) | BA-E | Silvia, 1731 | 52 | VO |
//516//55//671+434//25//6542 | 3/4 | Air 9 (t) | BA-E | Mock Lawyer-M, 1733 | 4 | VO |
//516//55//671+434//25//65432 | 3 | Midsummer Wish, The (t) | SC-E | Watts MM-1, 1729 | 69-71 | VO/VN+FL |
//51+/656//54/43//55/3+2+3+ | C/ | Largo (t) | IC-S | Stewart Marches, 1773 | 84 | 2VN/GF/OB,VC/HA |
/51+//65/67//1+5/1+5//671+/ | 2 | Lacet, Le (t) | IC-F | Leclerc Recueil-2, 1737 | 127 | HAF |
//516//567//1+7654//34 | 3/4 | Air 61 (t) | BA-E | Silvia, 1731 | 70 | VO |
/51//656/75//61+/4+1+//2+/ | 2/4 | Anniversary Ode of the Tuesday Club, for the Year: 1750, Aria, Symphonica C | AM-A | Tuesday Club MS, 1745 | 7/159 | VO,2MI,B |
//51+6/57-13//234/32//345/2457 | C | New Song, A (t) | SC-E | Clio-2, 1759 | 51 | VO,HA |
//51+6/57-13//234/32//345/2457 | C/ | Ode (t), or In Imitation of Anacreon (at) | SS-E | SS, Harvard | 1 | VO,B+FL |
//51+/6654//31+3/6543//25-5/51+34 | C | Adagio (t) | IC-S | Stewart Marches, 1773 | 17 | 2VN/GF/OB,VC/HA |
//51+6/6543//62+/1+765//56/5321 | C | Willie Brew'd a Peck O' Maut (t) | SC-S | Scots MM-3, 1790 | 301 | VO,PF |
//516//6545//51+3//325 | 3/4 | Song 43 (t), or Midsummer Wish, The (at) | SC-E | Ritson, 1783 | TI,218-219;MIII,107-10 | VO |
//516//6545//51+3//325//642 | 3/4 | Midsummer Wish, The (t) | SC-E | Calliope, 1746 | I,140 | VO,HAF+FL |
//516//6545//51+3//325//642 | 3 | Midsummer Wish, The (t) | SC-E | Muses Delight, 1754 | 210 | VO,HA |
//516//6545//51+3//325//642 | 3/4 | Midsummer Wish, The (t) | SC-E | Musical Ent-1, 1740 | 20 | VO,KB+FL |
//516//6545//51+3//325//642 | 3/4 | Midsummer Wish, The (t) | SS-E | SS, Folger-C42.2 | 188 | VO,KB+F |
//516//6545//51+3//325//642 | 3/4 | Midsummer Wish, The (t) | SS-E | SS, Folger-C42.3 | 386 | VO,KB+FL |
//5/1+//666/64321//7-12/5-54// | 6/8 | Cloture, La. No. 20 (t) | AI-A | Augustus Cots, 1805 | 10 | PF |
//5-16-7-1//232127-//16-7-1//27-1//55456 543// |
C3 | Minuet, A (t) | IC-E | Apollo's Banquet 1-6, 1690 | 58 | VN |
//5-16-7-1//232127-//5-16-7-1//27-1//554 56543// |
C3 | Minuet, A (t) | IC-E | Apollo's Banquet 1-5, 1687 | 106 | VN |
/5-1//6-7-1/23//22/5-1//6-7-1/ | 2 | Ma Commere Quand Je Dance (t) | IC-F | Leclerc Recueil-1, 1729 | 24 | HAF |
//51/671+//2+5/51+5//665/4321//5 | C/ | Pretty Moggy (t), or Scotch Song, A (at) | SS-E | SS, Harvard | 1 | VO,B+FL |
//51/671+//54/3//543/65 | C | Favourite Song, A (t) | AM-A | Marchant MS, 1783 | 14 | VO,KB |
//5-16-//7-5-5-//116//54//321//17-1//24- 4- |
3/8 | From whom I'm descended or how I came here (fl) | TW-E | Midnight Wand, 1793 | 56-57 | VO,KB |
//51+6/75//654/35//51+6/75 | 6/8 | New Negro, The (t) | AM-A | Perkins MS, 1790 | 6 | MI |
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