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Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
//5-1-//5- | Halt (t) | IC-E | Barber Bugle, 1804 | Pl.1 | BU | |
//5-1-//5- | Halt (t) | IC-E | Cooper Guide, 1806 | 3 | BU | |
//51//5// | C | Skirmish Light Troops (t) | AI-A | Duane Compendium, 1809 | xviii | BU |
//5-1-//5- | 3/4 | To the Right (t) | AI-A | Duane Riflemen, 1812 | 103 | BU |
//5-1-//5- | 3/4 | Halt (t) | AI-A | Hoyt Cavalry, 1813 | Pl 13 | TR,BU |
//5-1-//5- | 3/4 | Halt (t) | IC-E | Potter Bugle, 1817 | 6 | BU |
//5-1/5-1111111//1/1//1111//5-1/5-111111 1 |
2 | Marche de Timballe Pour les Gardes du Roy (t) | MS-F | Philidor MS, 1705 | 34 | TI |
//5-1/5-1//2123/22//54/27- | 2/4 | Recovery, The (t) | AI-A | Riley Flute 3, 1820 | 19 | FL |
//5-1/5-1//2123/23//5427 | 2/4 | Recovery, The (t) | MS-S | Fife MS, 1780 | 115v | 1FI OR 2FI/VN |
//5-1/5-1//2123/2//54/27-// | 2/4 | Recovery, The (t) | DA-E | Wilson Companion, 1816 | 109 | MI |
//5-15-1/23212//5-1234/321//5-15-1/23212 |
C | Over the Moor (t) | AM-A | Shattuck MS, 1801 | 43 | MI |
//5-/1//5-12/7-1//234-/2-1 | C | Hamilla, or the Raptured Lover (t) | SC-E | Clio-2, 1759 | 122-123 | VO,HAF |
//5-15-1/3135 | To the Centre (t) | AI-A | Duane Riflemen, 1812 | 103 | BU | |
//5-/15-1//313/5 | 6/8 | Interrogative (t) | IC-E | Potter Bugle, 1817 | 9 | BU |
//5-15-/131//535/3153//113/15-17-12 | C/ | Air 51 (t) | IC-N | Roger Airs, 1716 | 2:9 | 2CH/TR/OB/VN/FL/CL/HN |
//5-15-/15-//1//1// | C | Alarme, L' (t) | IC-F | Lelouterel Clairon, 1825 | pl. 6 | BU |
//5-15-1/5-//115-5-/115-5-//1- | C | Enemy Are Inclining to the Right, The (t) | IC-E | Potter Bugle, 1817 | 10 | BU |
//51+51+51+1+551+1+551+51// | Enemy Are Inclining to the Right, The (t) | IC-E | Hyde Bugle, 1818 | 45 | BU | |
//5-15-15-15-13 | Disperse (t) | IC-E | Gilbert Bugle, 1804 | 2 | BU | |
//5-15-15-15-135315-13 | Call In Parties (t) | IC-E | Gilbert Bugle, 1804 | 3 | BU | |
//5-15-15-15-135-5-1 | Skirmishers Cease Firing (t) | IC-E | Broderip Sounds, 1799 | 20 | BU | |
//51+51+51+51+3+551+// | Skirmishers Cease Firing (t) | IC-E | Hyde Bugle, 1818 | 40 | BU | |
//5-15-15-15-135-5-1 | 2/4(ED) | Skirmishers Cease Firing (t) | IC-E | Hyde Trumpet, 1798 | 23 | BU |
//5-1-5-1-/5-1-5-1-//5-/11-5-1-//5-1-5-1 -/5-1-5-1- |
C | Rouse (t) | IC-E | Potter Bugle, 1817 | 1 | BU |
//5-15-1/5-15-1//6-227-/1335//5-15-1/5-1 5-1 |
C | Short Life to Stepmothers. Strathspey (t) | IC-E | Schetky Coll, 1800 | 5 | 2CL,2FL,2HN,TR,BS |
//51+51+51+53+// | Skirmishers or Chain May Engage (t) | IC-E | Hyde Bugle, 1818 | 44 | BU | |
//51+/51+//51+/53//51+/53 | 2/4 | AM-A | Turner MS, 1788 | II,6 | VN | |
//51+51+/51+56//345564/556//5456/5434 | C/ | Penurious Quaker, The (t), or High Prized Harlot, The (at) | SC-E | Pills 6, 1719-20 | 294-5 | VO |
//51+5/1+51+5//6543/22//353-5-/3513// | C/ [8/4] | King's Hunt, The (t) | MS-E | Fitzwilliam MS-2, 1609 | 116-120 | VI |
//5-1/5-1//5-17-12/3212//3234/34543 | C | March, A (t) | MS-S | Gillespie MS, 1768 | 25 | VN |
//5-151+/531+3//531+3/533//5-131+/531+3 | C/ | Green Park Pallesades (t) | DA-E | Skillern CD, 1780 | 25 | VN/GF/OB |
//5/1+51+//535/313//6-1/16-1 | 6/8 | Myrtle Sprig (t) | DA-E | Skillern CD, 1780 | 51 | VN/GF/OB |
//51+51+/5431//1+1+1+554//34231 | 2/4 | Distant Views, The (t) | AM-A | Brown, D. MS, 1797 | 10 | FI |
//51+/51+//54/31+//5654/31+76 | C/ | New Anything (t) | PL-E | Playford 2-1, 1713 | 68 | VN/OB |
//51+/51+//54/31+//5654/31+76 | C/ | New Anything (t) | PL-E | Playford 2-2, 1714 | 68 | VN/OB |
//51+/51+//54/31+//5654/31+76 | C/ | New Anything (t) | PL-E | Playford 2-3, 1718 | 68 | VN |
//51+/51+//54/31+//5654/31+76 | C/ | New Anything (t) | PL-E | Playford 2-4, 1728 | 68 | VN |
//51+/51+//54/31+//5654/31+76 | C/ | New Anything (t) | DA-E | Walsh CD-1.2, 1719 | 86 | VN/OB |
//51+/51+//54/31+//5654/31+76 | C/ | New Any Thing (t) | DA-E | Walsh CD-2.2, 1735 | 174 | VO/OB/GF/FL |
//51+/51+//54/31+//5654/31+76 | C/ | New Any Thing (t) | DA-E | Walsh CD-3.2, 1749 | 174 | VN/OB/GF |
//5/1+//5/1+//54/32 | C/ | Grenadier March Von Bareuth (t) | MS-G | Darmstadt MS 1224 | 217 | MI |
/51+//51+/543//2/31//43/ | 6/8 | Berger Fidelle, Le (t) | DA-E | Gallini Cots, 1770 | 14 | KB |
//51+/51+//543/2343 | C | Lovers Petition, The (t) | SC-E | British Amus, 1762 | 22-23 | 2HO,2VN,VO,HAF |
//51+/51+//543/2343//65 | C | Lover's Petition, The (t) | SC-E | Monthly Melody, 1760 | I,32-33 | VO,HAF,2FH,2VN |
//51+/51+//54/34//53/42 | 2/4 | IC-S | Aird 3, 1788 | 185 | FI/GF/VN | |
//51+/51+//54/34//61+64/5321 | C/ | Bonny Sailor, The (t) | AM-A | Hawkins MS, 1794 | II,60 | GF |
//51+/51+//54/35//43/42 | C/ | Amiable Viellesse, L' (t) | IC-S | Stewart Airs, 1788 | 2:68 | GF/VN/FI |
//51+/51+//54/35//64/5321 | C | Song 141 (t), or Bonny Sailor, The (at) | SC-E | Calliope, 1788 | 266-267 | VO |
//51+/51+//54/356//51+/62+ | C/ | Marlborough House (t) | PL-E | Playford 2-1, 1713 | 79 | VN/OB |
//51+/51+//54/356//51+/62+ | C/ | Marlborough House (t) | PL-E | Playford 2-2, 1714 | 79 | VN/OB |
//51+/51+//54/356//51+/62+ | C/ | Marlborough House (t) | PL-E | Playford 2-3, 1718 | 79 | VN |
//51+/51+//54/356//51+/62+ | C/ | Marlborough House (t) | PL-E | Playford 2-4, 1728 | 79 | VN |
//51+/51+//54/356//51+/62+ | C/ | Marlborough House (t) | DA-E | Walsh CD-1.2, 1719 | 97 | VN/OB |
//51+/51+//54/356//51+/62+ | C/ | Marlborough House (t) | DA-E | Walsh NCDM-2, 1710 | 152 | VN/OB/FL |
//5-1-//5-1-//5-/5-5-//1 | 2/4 | Tattoo. Second Part (t) | AI-A | Duane Riflemen, 1812 | 107 | BU |
//5-1-//5-1-//5-/5-5-//1/3 | Tatto.2nd Post (t) | IC-E | Cooper Guide, 1806 | 2 | BU | |
//51//51//5/55//1+/3+// | Tattoo. 2d Post (t) | IC-E | Hyde Bugle, 1818 | 43 | BU | |
//51//51//555/1+3+//555/5// | C | Setting the Watch. 2d Post (t) | IC-E | Hyde Bugle, 1818 | 40 | 2BU |
//51//51//555/1+3+//555/5// | C | Watch Setting (t) | IC-E | Hyde Bugle, 1818 | 43 | BU |
//5151/6151//4231/25-//5151/6151 | 2/4 | Peggy of the Green (t) | DA-E | Bride CD, 1776 | III,96 | VN/OB/GF |
//5151/6151//4231/25-//5151/6151 | 2/4 | Peggy of the Green (t) | DA-E | Thompson CD-4, 1780 | 12 | VN/GF/OB |
//5151/6151//4231/25-//5151/6151// | 2/4 | Peggy of the Green (t) | DA-E | Thompson CD-4a, 1780 | 12 | VN/GF/OB |
//5151/6246//5151/6453//4635/2346// | C | Lord Humes Reel (Scotch) (t) | DA-E | Wilson Companion, 1816 | 64 | MI |
//5-15-1//6-6-15-5-//4424313//217-6-5-5- ////5-15-1//6-6-15-13 |
3/4 | Favorite Pollacca, A (t) | IC-E | English Sheet Music | PF | |
//5//1+//5/1+//7/1+ | 2/4 | Fahntrop (t) | MS-G | Darmstadt MS 1224 | 60 | MI |
//51/51+//71+/443//25/43 | C/ | Oxford Waits (t) | DA-E | Walsh CD-2.3, 1735 | 170 | VN/OB/GF/CF |
//51/51+//71+/543//25/43 | C/ | Oxford Waits (t) | DA-E | Johnson CD-1, 1740 | 86 | MI |
//51/51+//71+/553//25/43 | C/ | Oxford Waits (t) | DA-E | Walsh CD-3.3, 1749 | 160 | VN/OB/GF |
//5/15//1+71+/62+6 | 6/4 | Song, A (t) | SC-E | Pills 1, 1719-20 | 80-82 | VO |
//5/1+//51+/76//51+76/54 | 2/4 | Fahn Tropp. Jung Schwerinschen Regimente (t) | MS-G | Darmstadt MS 1224 | 149 | 2FL |
//5/1+//51+/76//51+76/54 | C/ | Aptrop (t) | MS-G | Darmstadt MS 1224 | 281 | MI |
//5-/1//5-1/7-6-//5-17-6-/5-6-5-4- | C | Fahnen Trupp (t) | MS-G | Darmstadt MS 1224 | 69 | MI |
//5/1+//51+/76//51+76/5654 | C | Fahnen Trup (t) | MS-G | Darmstadt MS 1224 | 75 | MI |
//5-/1//5-1/7-6-//5-17-6-/5-6-5-4- | C/ | Abtropp Von Bevern (t) | MS-G | Darmstadt MS 1224 | 254,259 | 2FL |
//5/1+//51+/76//51+76/5654 | C/ | Fahnen Tropp No 6. Alt Konigs (t) | MS-G | Darmstadt MS 1225 | 21-22 | 2MI |
//51+/51+//766/64//232/254 | 6/8 | Barry's Fancy (t) | AI-A | Balls Amus 2, 1815 | 7 | FL/FI/VN |
//5-15-/22//33/2//16-1/7-7-// | 2/4 | Rainbow, The (t) | AM-A | Brown, J. MS, 1782 | 1:17 | |
//5-1//5-2//5-543//21//5-3 | 3 | Minuet (t) | IC-E | Delightful-2, 1745 | IV,22-23 | GF |
//5-1//5-2//5-543//21//5-3//5-2 | 3/4 | Caporali's Favourite Minuet (t) | IC-E | Bremner Airs, 1761 | 84-85 | VN/GF,B |
//5-1//5-2//5-543//21//5-3//5-2 | 3/4 | Caporali's Favourite Minuet (t) | IC-E | Preston Marches, 1804 | 84-85 | GF/VN,VC/PF |
//51+53/11//2123/15-//135-7-/6-146 | 2/4 | Choice Collection of New Cottillions, A. The General (t), or General, The ( | AI-A | American Sheet Music | PF | |
//51+53/11//2123/15-//135-7-/6-146// | 2/4 | General, The. No. 1 (t) | AI-A | Johnson, F. Cotillions | 1 | PF |
/51+53//11/22//3/46//543/ | 2/4 | Exchange. Washton City 1821 (t), or George Ann R. (at) | AM-A | Duport MS-1, 1780 | 49 | VN |
/51+53//11/22//3/46//543/ | 2/4 | Miss George Ann (t) | AM-A | Duport MS-2, 1800 | 21r | VN |
/51+53//11/22//3/46//543/ | 2/4 | George Anna, Franch Cotillion, Composed for Miss Reinagle (t) | AM-A | Duport MS-3, 1825 | 01 | KB |
//5/1+//53/113//21/27- | C/ | March of the 1st Batt of Breadalbane Fencibles, The (t) | IC-S | Rose Marches, 1796 | 7 | PF/HA |
//51+/531/17-1//6-7-1/231/7-6-5- | 9/8 | Mother Goose (t) | AI-A | Riley Flute 3, 1820 | 91 | FL |
//51+/531//22/23//43/212// | 6/8 | Quick Step, A (t) | MS-S | Fife MS, 1780 | 251,26v | 1FI OR 2FI/VN |
//51+/531//22/24//345/654// | 6/8 | Prince of Wertemberg, The (t) | AM-A | Patten MS, 1800 | 26 | MI |
//51+/531//22/24//345/654 | 6/8 | Poll Booth, The (t) | DA-E | Thompson CD-5, 1788 | 44 | VN/GF/OB |
//51+/531//22/24//345/654// | 6/8 | Poll Booth, The (t) | DA-E | Thompson CD-5a, 1788 | 44 | VN/GF/OB |
//5153/1231+//516543/4221+//5153/1231+ | C | Miss Flemyng of Moness's Strathspey (t) | IC-S | Aird 4, 1796 | 74 | FI/GF/VN |
//5153/1231+//536543/4221+//5153/1231+ | C | Miss Jean Kerr's Strathsy (t) | IC-S | Aird 5, 1797 | 51 | FI/VN/GF |
//51+5//31234//51+5//31234//51+5//2+53+/ / |
3/4 | Minuet (t) | IC-E | Prelleur Modern, 1731 | 18 | OB |
//51+/53//1/23//46/42//7- | 2/4 | London Cries, The (t) | TW-E | Auld Robin Gray, 1794 | 39 | VO,KB |
//51+//531//24 | 3/4 | Favourite Air, A (t) | SC-E | Clio-2, 1759 | 80 | VO,HAF+MI |
//51+/53//131+//51+/53 | 2/4 | Cadger Watty (t) | DA-E | Johnson CD-7, 1756 | 70 | VN/GF |
//51+5/313//1+71+/531//135/1+2+3+ | 6/8 | Stoney Point (t) | AI-A | Willig Fife, 1805 | 21 | FI |
//51+5/313//1+71+/531//135/1+2+3+// | 6/8 | Stoney Point (t) | AI-A | Willig Fife, 1826 | 11 | FI |
//51+5/313//1+71+/531//345/1+2+3+ | 6/8 | Stoney Point (t) | AM-A | Otis MS, 1793 | 41 | VN/FL |
//51+5/313//1+7671+//531//345/1+2+3+// | 6/8 | Stoney Point (t) | AM-A | Treat MS, 1779 | 10 | FI/GF |
//51+531+3/216-67//55-5653/5576//51+7654 32/3212367// |
C | Leith wynd (t) | IC-S | Craig Scots Tunes, 1730 | 16 | HA/SP |
//51+531+3/216-67//55-5653/5576//51+7654 32/3212367// |
C | Leith Wynd (t) | IC-S | Scots Tunes (C), 1730 | 16 | HA/SP/VN/GF |
//5-15/31//3456/5//345/123 | 3/2 | Frank and Easie (t) | PL-E | Playford 2-3, 1718 | 59 | VN |
//5-15/31//3456/5//345/123 | 3/2 | Frank and Easie (t) | PL-E | Playford 2-4, 1728 | 59 | VN |
//5-15/31//3456/5//345/123/25- | 3/2 | Frank and Easie (t) | PL-E | Playford 2-1, 1713 | 59 | VN/OB |
//5-15/31//3456/5//345/123/25- | 3/2 | Frank and Easie (t) | PL-E | Playford 2-2, 1714 | 59 | VN/OB |
//5-15/31//3456/5//345/123/25- | 3/2 | Frank and Easy (t) | DA-E | Walsh NCDM-2, 1710 | 55 | VN/OB/FL |
//5-1531//34565//34512325-//5-232 | 3/2 | Frank and Easy (t) | DA-E | Walsh CD-1.2, 1719 | 77 | VN/OB |
//5-1531//34565//34512325-//5-232//14564 |
3/2 | Trip to Hanover, A (t) | DA-E | Johnson CD-3, 1744 | 12 | VN/GF |
//51+5/313//51+5/313//1+76/543// | 6/8 | Trip to Oatland (t) | AM-A | Brown, J. MS, 1782 | 1:45 | |
//51+5/313//51+5/313/1+76/543// | 6/8 | Trip to Outland (t) | AM-A | Hoff MS, 1797 | No. 47 | GF |
//51+5/313//51+5/313//1+76/543 | 6/8 | Trip to Oatland (t) | AI-A | Village Fifer, 1808 | 64 | FI |
//51+53//1353//4642//7-5-5-//11327-//113 27- |
3/8 | Italian Waltz (t) | AI-A | Glazier Fife, 1830 | 25 | FI |
//5153/1353//6-66-5/6221+//5153/11+2+3+2 + |
C | Earl of Loudoun's Strathspey (t) | IC-S | Aird 3, 1788 | 198 | FI/GF/VN |
//51+5/31/355/1+5//62+6/42 | 12/8 | Wedding Day (t) | DA-E | Johnson CD-1, 1740 | 51 | MI |
//51+5/313//61+6/424//51+5/313// | 6/8 | Shoulder of Mutton, The (t) | MS-E | Vickers MS, 1770 | 121 | MI |
//51+53/1365//5427-/5-432//17-12/3143 | 2/4 | AM-A | Hooves MS, 1817 | 122-23 | FI | |
//51+531//46432//514654//32 | 3/4 | Elephants Stairs (t) | DA-E | Walsh NCDM-3, 1728 | 6 | VN/OB/FL |
//51+531//46432//614654//32 | 3/4 | Elephants Stairs (t) | DA-E | Walsh CD-2.3, 1735 | 79 | VN/OB/GF/CF |
//5/1+531//5-1/3-5-//6-4/7-2 | 2/4 | Harlequins Museum (t) | DA-E | Thompson CD-6.6, 1794 | 69 | MI |
//5-15-/3-1-5-//17-1/5-3-1-//1-3-5-/123 | 6/8 | Stoney Point (t) | AI-A | American Sheet Music | KB | |
//51+5/315//1+71+/531//135/1+2+3+ | 6/8 | Stoney Point (t) | AI-A | Evening Amuse, 1796 | 14 | GF/VN |
//51+5/315//1+7651+/531//345/1+2+3+// | 6/8 | Boat Man, The, Merry (t) | IC-S | Scots Tunes (C), 1730 | 35-37 | HA/SP/VN/GF |
//51+/531+//531+/531//65/531 | 6/8 | Peggie's Dream (t) | IC-E | Caledonian PC, 1760 | XII,19 | GF/VN |
//5-/15-31//5321/7-5-//1466/1355// | C/ | Hornpipe 5 (t) | DA-E | Fishar Minuets, 1785 | 27 | KB |
//51+5/3153//22+2+1+/7567//1+71+5/6453// |
C/ | Miss Betty Robertson's Reel (t) | MS-S | Fife MS, 1780 | 807,88v | 1FI OR 2FI/VN |
//5-1/5-3//15/356//524/5-45 | 2/4 | Galopade by Herz (t) | AI-A | Riley Flute 4, 1826 | 95 | FL |
//51+5/315//671+6/531//345/1+2+3+ | 6/8 | Gigga (t) | IC-E | Caledonian PC, 1760 | II,28 | GF |
//51+5/315//671+6/531//345/1+2+3+ | 6/8 | Jig (t) | AM-A | Perkins MS, 1790 | 11 | MI |
//51+/531//646/531//7-125-/432 | 6/8 | Trip to Dulwich (t) | DA-E | Johnson CD-4, 1748 | 84 | VN/GF |
//51+/531//7-12/27-5-//51+/531 | 6/8 | Texel Island, The (t) | DA-E | Thompson CD-7.4, 1800 | 37 | MI |
//51+53+1+//71+//65671+/43//51+53+1+ | 3/4 | Minuet (t) | IC-E | Delightful-2, 1745 | I,11 | GF |
//51+53+1+//71+//65671+//43//51+53+1+//7 1+ |
3/8 | Minuet (t) | IC-E | Delightful-2, 1745 | III,13 | GF |
//51+53+1+//71+//65671+//43//51+63+1+//7 1+// |
3/4 | Mr. t-Capp, An Old Hornpipe (t) | IC-E | Bremner Recorder, 1765 | 24 | FL |
//51+/5321//2123/6-1//5-6-5-3-/3-4-5-1-2 -// |
C [ed] | Birks of Endermay (t) | MS-E | Malecot MS, 1779 | 9 | VN |
//51+/53//212/31//5-6-7-/123// | 6/8 | Up and Down (t) | AI-A | Carrs PC, 1800 | 20 | GF/VN/FL |
//51+/53//21/23//43/45 | 2/4 | Lowdon, The (t) | DA-E | Thompson CD-3, 1773 | 95 | VN/GF/OB |
//51+/53//21/23//43/45// | 2/4 | Lowdon, The (t) | DA-E | Thompson CD-3a, 1773 | 100 | VN/GF/OB |
//51+53/2123//4345/671+5//51+53/661+6//5 323 |
C | D'Arenberg, The (t) | DA-E | Longman CD, 1781 | 62 | VN/OB/GF |
//51+53/2123//4345/671+6//51+53/661+6 | C/ | Loudon, The. Quick March to Ditto (t) | IC-E | English Sheet Music | KB | |
//51+/53//21/23//43/65 | 6/8 | Rural Thought, The (t) | IC-S | Aird 3, 1788 | 221 | FI/GF/VN |
//51+5/321//52+6/75//61+6/531+5 | C | Hamilton's House (t) | AM-A | Hawkins MS, 1794 | II,82 | GF |
//51+/532//1/5671+2+3+1+//76/5 | C | Grenadier Marche Von Leib Regiment Von Bayern (t) | MS-G | Darmstadt MS 1224 | 182 | MI |
//51+5/321//62+6/75//61+6/531+5 | C/ | Hamilton House (t) | IC-E | Caledonian PC, 1760 | II,6 | GF |
//51+5323//11+1+76//651+543//3234//51+ | 3/4 | While Milking My Cow In a Fine Coloured Vase (t) | SC-E | Vocal Music, 1778 | 244-245 | VO/VN/GF |
//5153/2346/5153/561+3+//1+653/2346 | C | Miss Montgomery of Skelmorlie's Strathspey (t) | IC-S | Aird 6, 1803 | 18 | FI/VN/GF |
//5153/2346//5153/561+3+//1+653/2346// | C | Miss Montgomery of Skelmorlies Strathspey (t) | MS-S | Fife MS, 1780 | 705,76v | 1FI OR 2FI/VN |
//5-/1//5-3-/3-1-//5-3-4-/5-1 | 2/4 | Marche.2 (t) | MS-G | Darmstadt MS 1224 | 205 | MI |
//51+/53//34/2//11/22 | 2/4 | Village Holyday, The (t), or Favorite New Air, A (at) | AI-A | Young's Vocal, 1793 | 62 | VO,PF+GF/GT |
//51+/53//35/31//25-/234 | 2/4 | Pennington's Maggot (t) | DA-E | Johnson CD-4, 1748 | 66 | VN/GF |
//51+/53//35/31//25-234// | 2/4 | Bien Aimee, La (t) | DA-N | St. Flour Contredanses, 1757 | 39 | KB |
//51+/53//35//43/21//7-1 | 2/4 | Presto (t) | IC-S | Sime Marches, 1789 | 35 | HA/PF |
//51+//53421//51+//53421//5-13153//1+53+ 1+5+3+// |
3/4 | Minuet 3d. (t) | DA-E | Sancho Minuet, 1770 | 3 | HP |
//51+/5342//15-/3565//2565/1+634//5 | C | Shipwreck'd Seaman's Ghost, The (t) | AI-A | American SS-SM | 6-7 | VO,KB+GF |
//51+/5342//15-/3565//2565/1+634//5 | C | Shipwreck'd Seaman's Ghost, The (t), or Song In the Pirates, A (at) | AI-A | Musical Rep-1, 1796 | 10-11 | VO,KB+GF |
//51+/5342//15-/3565//2565/1+634//5 | C | There, The silver'd waters roam (fl) | TW-E | Pirates, 1792 | 48-49 | VO,KBF |
//5153/42234//5153/1353//4231/22-2-3- | C | Hilton Lodge (t) | IC-S | Aird 4, 1796 | 51 | FI/GF/VN |
//51+53//427-1//6-17-215//43//6461+6//53 421// |
3/4 | Menuet (t) | DA-N | Hummel CD, 1780 | 6 | KB |
//51+/53//4321/55//671+2+/3+4+5+4+3+ | C | Boat Man, The (t) | IC-S | Stuart, 1724 | II,38-39 | HA |
//5-1/5-3-//4-4-/2-//1-1-/2-2- | 2/4 | Duetto (t) | AM-A | Beach MS, 1801 | 46 | 2MI |
//51+/53//44/2//11/22 | 2/4 | Andante (t) | IC-E | Brooks Pieces, 1796 | 6 | 2CL,2HN,BS |
//51+/53//44/2//11/22// | 2/4 | Village Holaday, The (t) | AI-A | Gilfert Gents PC, 1802 | 46 | GF/VN |
//51+/53//44/2//11/22 | 2/4 | Celebrated Slow Movt In Pleyels Concerte, The (t) | AM-A | Murphey MS, 1790 | 36 | MI |
//51+/53//44/2//11/22// | 2/4 | Divertimento (t) | IC-E | Naval Compendium, 1800 | 34 | 2FL/VN,PF |
//51+/53//44/2//11/22 | 2/4 | Village Holyday (t) | AM-A | Williams, S. MS, 1795 | 95 | VO,KB |
//51+//53//44/2//11/22//31/53// | C | Pleyel's Air (t) | AM-A | Washburn MS, 1816 | 16 | 2GF |
//51+/53//44/2//11/22//3153/2 | 2/4 | Thema Con Variazione (t) | AI-A | Musical Jnl-1, 1800 | II,5-8 | 2FL/2VN |
//51+/534//51+/51+7//66/71+2+7// | 2/4 | Augustus. No. 3 (t) | AI-A | Johnson, F. Cotillions | 2 | PF |
//5/1+//534/51+//56/54 | C | Marche 3 (t) | MS-G | Darmstadt MS 1224 | 53-55 | 2FL |
//51+/53//453/25-//6-13/53// | 3 | Way to Oxford,The (t) | IC-E | Apollo's Banquet 1-1, 1670 | 105 | VN |
//5-1/5-3-4-//5-6-7-1/5-4-//3-2-1-/17- | C | Bess the Gawkie (t) | AI-A | Caladonian Muse, 1798 | 44 | VO/PF/VN |
//51+/534//5671+/54//321/1+7//6 | C | Bess the Gawkie (t) | AI-A | Scots MM, 1797 | 44L-R | VO,HA/PF |
//51+/534//5671+76/54//321/1+ | C | Bess the Gawkie (t), or Favourite Scotch Song, A (at) | SS-E | SS, Harvard | 1 | BO,KB+GT |
//51+/534//5671+76/54//321/1+7 | C | Bess the Gawkie (t) | SC-S | Edinburgh MM-1, 1792 | 316-318 | VO |
//51+/534//5671+76//54//321/1+7 | C | Bess the Gawkie (t) | SC-S | Scots MM-1, 1787 | 4 | VO,PF |
//5-1-5-3-/5-1-1-1//5-1-5-3-/2-4-4-6-//5 -1-5-1/6-15-6- |
C | Dutchess of Gordon's Reel. Strathspey (t) | IC-S | Stewart Airs, 1788 | 1:55 | GF/VN/FI |
//5153/5111+//5153/2446//5351+/61+56 | C | Dutchess of Gordon's Strathspey (t) | IC-S | Aird 6, 1803 | 14 | FI/VN/GF |
//5153/5111+//5153/2446//5351+/61+56// | C | Dutchess of Gordon's Strathspey, The (t) | MS-S | Fife MS, 1780 | 710,77r | 1FI OR 2FI/VN |
//5153/5131+//5153/21+//5153/1+2+3+2+ | C | Lass That Winna Sit Down, The (t) | SC-S | Scots MM-5, 1797 | 476 | VO,PF |
//5153/5131+//5153/221+// | C | Mr Graham of Orchill's Strathspy (t) | MS-C | Molyneaux MS-1, 1788 | 23 | GF |
//5153/5131+//5153/221+//5153/1+2+3+2+ | C/ | Graham of Orchall's Strathspey (t) | IC-S | Aird 6, 1803 | 4 | FI/VN/GF |
//5153/5131+//5153/4221+//5153/1+23+2+ | C/ | Orchall. A Strathspey (t) | IC-S | Aird 3, 1788 | 193 | FI/GF/VN |
//51+/53//51+/53+//2+3+/4+3+// | 6/8 | Trump of Fame, The (t) | AM-A | Irving MS, 1796 | 36 | 2 MI |
//51+/53//51+/53//51+/53 | 2/4 | AM-A | Williams, W. MS, 1775 | 59 | FI | |
//5-15-35-15-35-15-35-1 | Fire (t) | AI-A | Duane Riflemen, 1812 | 103 | BU | |
//5153/5153//5153/62234//5153/5153 | C | Lady Loudon's Strathspey (t) | IC-S | Aird 4, 1796 | 9 | FI/GF/VN |
//5153/5153//5153/6223//5153/1+2+3+2+// | C | Ball na Grandach (t), or Miss Lucia Campbell's Delight (at) | MS-C | Molyneaux MS-1, 1788 | 18 | GF |
//5153/5153//5153/6223//5153/1+2+3+2+ | C | Bridal O't, The (t) | SC-S | Scots MM-3, 1790 | 278 | VO,PF |
//5153/5153//5153/622//5153 | C | Finale (t) | TW-E | Highland Reel, 1788 | 46-48 | 4VO,KB |
//5153/5153//5153/622//5153/1+2+3+2+ | C | Highland Reel (t) | AM-A | Hosmer MS, 1798 | 69 | MI |
//5153/5153//5153/622//5153/1+2+3+2+ | C | Highland Reel (t) | AM-A | Hosmer MS, 1799 | 8 | GF |
//5153/5153//5153/6234//5153/5153// | C/ | Lady Dondouns (t) | MS-S | Fife MS, 1780 | 224,23v | 1FI OR 2FI/VN |
//5-1-5-3-/5-1-5-3-//5-2-5-3-/6-2-2-6-/5 -1-5-3-/1232 |
Highland Reel (t) | AM-A | Trumbull MS, 1801 | a:12-13 | MI | |
//51+/53//51+/53//5/43// | 2/4 | Contes des Fees, Les. F. (t) | DA-E | Sancho Minuet/Cot/Dance, 1767 | 9 | HP |
//51+/53//51+/54//313/51+3 | 6/8 | Trump of Fame, The (t) | AI-A | Young's Vocal, 1793 | 44-45 | VO,PF |
//51+/53//51+/54//313/51+3/2 | 6/8 | Trump of fame, The (fl) | AI-A | Gent's Amus, 1794 | 10 | GF/VN/VO |
//5153/5163/5153/4223//5153/513+2+// | C/ | Miss Minie's Reel (t) | MS-E | Vickers MS, 1770 | 162b | MI |
//5-1-5-3-/5-1-6-3-//5-1-5-3-/6-2-2-3-// 5-1-5-3-/1232 |
C/ | Miss Lucy Campbells Delight (t) | AI-A | Caladonian Muse, 1798 | 55-56 | PF |
//5153/5163//5153/6223//5153/1+2+3+2+ | C/ | Ball Na Grandach (t), or Lady Lucie Campbell's Delight, (at) | MS-C | Frobisher MS, 1793 | 40-41 | HA |
//5153/5163//5153/6223//5153/1+2+3+2+//1 + |
C/ | Miss Lucy Campbells Delight (t) | AI-A | Scots MM, 1797 | 55-56 | HA/PF |
//5153/5163//5163/6223//5153/1+2+3+2+// | C | Lady Campbells Delight Country Dance (t) | AM-A | Litten MS, 1800 | 20 (17) | VN |
//51+5/353//111/123//432/321// | 6/8 | 16th of May, The (t) | MS-S | Fife MS, 1780 | 275,28v,29r | 1FI OR 2FI/VN |
//51+53/531//12331+/5316-//51+53/531 | C | Dunkellin Lasses (t) | DA-E | Johnson CD-4, 1748 | 92 | VN/GF |
//51+53/531//12331+/5316-//51+53/531 | C | Dunkellin Lasses (t) | DA-E | Walsh CD-2.4, 1747 | 73 | MI |
//51+53/531//12331+/5316-//51+53/531// | C | Dunkellin Lasses (t) | DA-E | Walsh CD-3.4, 1747 | 73 | VN/OB/GF |
//51+53//531//61+64 | 3 | Scotch Lover at Epsom, The (t) | SC-E | Pills 1, 1719-20 | 53-5 | VO |
//51+53//531//61+64 | 3/4 | Epsom Wells (t) | DA-E | Walsh CD-1.1, 1718 | 218 | VN/OB/FL |
//51+53//531//61+64 | 3/4 | Epsom Wells (t) | DA-E | Walsh CD-3.1, 1754 | 75 | VN/OB/GF |
//51+53/531//61+64//642//51+1+3+2+1+ | 3/4 | Woe Is Me What Man I Do (t) | IC-E | Caledonian PC, 1760 | VII,15 | GF/VN |
//51+53//531//61++64//642//51+3+2+ | C3 | Wa Is Me, What Mun I Do! (t) | PL-E | Playford 1-09, 1698 | I,11 | VN/FL |
//51+53//531//61+64//642//51+3+2+1+ | 3/4 | Epsom Wells (t) | MS-E | Hammersley MS, 1790 | 56B | MI |
//51+53//531//61+64//642//51+3+2+1+ | C/3 | Epsom Wells (t) | PL-E | Playford 1-09, 1698 | I,12 | VN/FL |
//51+53//531//61+64//642//51+3+2+1 | 3:I | Wa Is Me, What Mun I Do! (t) | PL-E | Playford 1-11, 1701 | I,203 | VN |
//51+53//531//61+64//642//51+3+2+1+ | 3:I | Epsom Wells (t) | PL-E | Playford 1-11, 1701 | I,204 | VN |
//51+53//531//61+64//642//51+3+2+1+ | 3/4 | Wa Is Me, What Mun I Do (t) | PL-E | Playford 1-12, 1703 | 203 | VN |
//51+53//531//61+64//642//51+3+2+1+ | 3/4 | Epsom Wells (t) | PL-E | Playford 1-12, 1703 | 204 | VN |
//51+53//531//61+64//642//51+3+2+1+ | 3/4 | Wa Is Me, What Mun I Do! (t) | PL-E | Playford 1-13, 1706 | 203 | VN |
//51+53//531//61+64//642//51+3+2+1+ | 3/4 | Epsom Wells (t) | PL-E | Playford 1-14, 1709 | 204 | VN |
//51+53//531//61+64//642//51+3+2+1+ | 3/4 | Epsom Wells (t) | PL-E | Playford 1-15, 1713 | 204 | VN |
//51+53//531//61+64//642//51+3+2+1+ | 3/4 | Epsom Wells (t) | PL-E | Playford 1-16, 1716 | 204 | VN |
//51+53//531//61+64//642//51+3+2+1+ | 3/4 | Epsom Wells (t) | PL-E | Playford 1-17, 1721 | 204 | VN |
//51+53//531//61+64//642//51+3+2+1+ | 3/4 | Epsom Wells (t) | PL-E | Playford 1-18, 1728 | 204 | VN |
//51+53//531//61+64//642//51+3+2+1+ | 3/4 | Epsom Wells (t) | DA-E | Walsh CD-2.1, 1731 | 43 | VN/OB/GF/RC |
//51+53//531//61+64//642//51+3+2+1+//2+5 3// |
6/8 [=3/4] | Epsom Wells Contre-Danse Angloise (t) | IC-F | Pointel Airs, 1700 | 10 | MI,B |
//51+53//531//61+64//664//51+3+2+1+ | 3/4 | Epsom Wells (t) | PL-E | Playford 1-13, 1706 | 204 | VN |
//51+53//531//62+64//642//51+3+2+1+ | Scotch Tune, A (t) | IC-E | Sprightly Comp, 1695 | 9 | OB/FL/VN | |
//51+53/53/21//5653/2222//51+53/53/21// | C/ | Lady Scot's Reel (t) | DA-E | Universal Magazine | 1:75, 1751 | MI |
//5/1+5//3/53//2/2 | 2/4 | Du Choix Que L'Amour (t) | IC-F | Vanderhagen Pcs, 1787 | 15:6 | 2CL,2HN,2BS |
//51+53/5351+53//561+3/551+//61+65/6561+ 65 |
C | Gillicrankie (t) | MS-S | Gillespie MS, 1768 | 38 | VN |
//51+/53//5351+/6543//5432/1234// | C/ | Battle of Killicrankie, The (t) | MS-C | Molyneaux MS-1, 1788 | 39 | GF |
//5-1/5-3-//5-4-3-2-/3-1-//5-1/5-3- | C/ | Konigs (t) | MS-G | Darmstadt MS 1224 | 252,258 | 2FL |
//51+/53//5432/31//51+/53 | C/ | Preussicher Gren: March No 7 Alt Konig (t) | MS-G | Darmstadt MS 1225 | 351-52 | 2MI |
//5154/2152//7-7-7-75/427-2//5154/71+2+1 + |
C/ | Lady Sinclers Reel (t) | MS-S | Gillespie MS, 1768 | 91 | VN |
//515/426//32341/321//231345/342/456// | C/ (8/4) | Tower Hill (t) | MS-E | Fitzwilliam MS-2, 1609 | 371 | VI |
//5-1-5-4-/3-1-1-6-//5-1-5-4-/3-2-2-6-// 5-1-5-3-/1232 |
C/ | Scotch Strathspey for a Troop, A (t) | MS-E | Russell MS, 1812 | 28 | FI |
//51+5/4321//2342/17-6-5-//17-121/3243 | C | Lady's Delight, The (t) | IC-S | Calvert Coll, 1790 | 5 | V,VC/HA/PF |
//51+/54//32/12//343/21//55 | 6/4 | Air 25 (t) | BA-E | Polly, 1729 | T29M10 | VO,B |
//5/1+54/321//345/61+6/531 | 9/8 | City Ramble (t) | DA-E | Johnson CD-4, 1748 | 99 | VN/GF |
//5//1+54/321//345/61+6/531 | 9/8 | City Ramble, The (t) | DA-E | Walsh CD-2.4, 1747 | 89 | MI |
//5//1+54/321//345/61+6/531// | 9/8 | City Ramble, The (t) | DA-E | Walsh CD-3.4, 1747 | 89 | VN/OB/GF |
/5//1+/5432//1/5-117-//7-221/1444// | 2/4 | Plaisirs Basque, Les. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 199 Feuille | MI |
/5//1+/5432//1/5-117-//7-221/1444// | 2/4 | Enfans de Paris, Les. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 200 Feuille | MI |
//51+/54//3/2//17-/12// | 2/4 | Arlichina Milanese, L' (t) | DA-N | St. Flour Contredanses, 1757 | 62 | KB |
//5/1+//54/32//3/1 | C | Bareuth Grenad. March (t) | MS-G | Darmstadt MS 1224 | 8 | MI,B |
//51+/5432//31/23 | C/ | Moor Circulating the Cheerful Glass (t) | SC-E | Musical Ent-2, 1740 | 4 | VO,HAF+FL |
//51+/5432//31/23//43 | C | Favourite Song, A (t) | SC-E | Calliope, 1746 | II,130-131 | VO,B+MI |
//51+/5432//31/23//43/117-1//25- | C | Zeno, Plato, Aristotle (fl) | SS-E | SS, Folger-C42.3 | 532 | VO,KB+FL |
//51+/5432//31/23//43/217-1 | C/ | Song 33 (t) | SC-E | Ritson, 1783 | TII,38;MIII,200-202 | VO |
//51/5432//31/23//43/217-1//25- | C | Zeno, Plato, Aristotle all were lovers of the bottle (fl) | TW-E | Dragon/Wantley, 1738 | 7 | OB,VN,VA,VO,HAF |
//5/1+5//4/32//32/17- | 2/4 | Pretty Milliner, The (t) | DA-E | Bride CD, 1776 | III,65 | VN/OB/GF |
//5-15-/4-3-2-//3-4-2-3-1-/5-16-4-//3-5- 17-2/1 |
6/8 | Colonel Wigglesworth's Hornpipe (t) | AM-A | Nixon MS, 1776 | 48 | FI |
//51+54/323//4321/7-27-5-//51+54/324// | C | Watford Hornpipe (Old English) (t) | DA-E | Wilson Companion, 1816 | 139 | MI |
//5-15-4-3-2-//3-5-1//2317-//15-//15-123 //321 |
3/4 | Lebirty a Retreat (t) | AM-A | Brown, N. MS, 1781 | 2R | FI |
//51+/5432//4321/43//65/5443 | C | Gavott (t) | IC-S | Stewart Marches, 1773 | 14-15 | 2VN/GF/OB,VC/HA |
//51543/27-7-2//516543/516543//6453/27-7 -2// |
C | Mrs. Bairds of New Byths Straspey (t) | AM-A | Litten MS, 1800 | 16 (14) | VN |
//51+/54//333/34//51+/51+ | C | Marche 6 (t) | MS-G | Darmstadt MS 1224 | 53-55 | 2FL |
//51+/54//342/1//21 | 6/8 | New Dialogue, A (t) | SC-E | Clio-2, 1759 | 4-5 | VO,HAF |
//51+/54//342/1//25/21 | 6/8 | Dearest Daphne (t) | AM-A | Swan MS, 1775 | 24R | MI |
//51+/543//42+/432//31+7/62+1+// | 6/8 | Rigadoon (t) | IC-E | Prelleur Modern, 1731 | 11 | VN |
//51+/543//4262/4262//51+/543 | C/ | Hamilton's Rant (t) | AM-A | Gaylord MS, 1816 | 14r | MI |
//51+/543//4321/55//61+71+2+/3+4+3+// | C | Boat-man, The (t) | IC-E | Peacock Scotch Airs, 1762 | 4-5 | VN/GF/VC, HAF |
//5-1/5-4-3-//4-3-2-1-/5-5-//6-7-12/3454 3 |
C | Boatman, The (t) | AI-A | Caladonian Muse, 1798 | 52 | VO/PF/VN |
//51+/543//4321/55//671+2+/3+4+5+4+3+// | C | Boat Man, The, Slow (t) | IC-S | Scots Tunes (C), 1730 | 34-35 | HA/SP/VN/GF |
//51+/543//4321/55//671+2+/3+4+5+4+3+//2 + |
C | Boatman, The (t) | AI-A | Scots MM, 1797 | 52L-R | VO,HA/PF |
//51+/54//3/43//21/7-1// | 2/4 | Amour fidele, L' (t) | DA-E | Gallini Cots, 1770 | 2 | KB |
//51+/54//345/671+//1+457 | C | Constant Warrior, The (t) | SS-E | SS, Folger-C42.4 | 276 | VO,KB+FL |
//51+/54//345/671+//1+457/61+765 | C | Air 14 (t) | BA-E | Cobler's Op-2, 1729 | T18M4 | VO |
//51+/54//351/17-1//2 | 6/8 | Jockey to the Fair (t) | AI-A | Scots MM, 1797 | 173-74 | VO,HA/PF |
//5-1-5-4-/3-5-1-5-//1231/3221//3-5-1-5- /1235 |
C/ | Honble Colonel Hamilton's Strathspey (t) | IC-S | Lady Coll, 1796 | 6 | PF |
//51+//543//531+3//3264//61+53 | 3/4 | Invocation. A New Song, The (t) | SS-E | SS, Folger-C42.4 | 486 | VO,KB+FL |
//51+/54//43/543//22//2123 | 2 | Du Club des Sansouci (t) | IC-F | Bonjour Recueil, 1800 | 2:3 | VN/FL |
//5/1+//5456/56//51+/54 | C | March (t) | IC-E | Warlike Musick, 1760 | 76 | GF/VN/HA |
//51+5/51+//43/246//53/432//1 | 6/8 | Still in hopes to get the better (fl) | TW-E | Love/Village, 1795 | 14-15 | VO,HA |
//51+5/51+5//43/246//53 | 6/8 | Song, A (t) | SS-E | SS, New York PL-C694 | 86 | VO,HAF |
//5-15-//5-15-//5-1 | On Discovering the Enemy (t) | AM-A | Beach MS, 1801 | 72 | BU | |
//5-15-//5-15-//5-1 | On Discovering an Enemy (t) | IC-E | British Bugle, 1798 | PL.8 | BU | |
//5-15-//5-15-//5-1 | On Discovering An Enemy (t) | IC-E | British Bugle, 1799 | PL.8 | BU | |
//5-15-//5-15-//5-1 | On Discovering the Enemy (t) | IC-E | Cooper Guide, 1806 | 3 | BU | |
//51+5//51+5//51+// | 3/8 | AI-A | Duane Compendium, 1809 | xviii | BU | |
//5-15-//5-15-//5-1 | Load (t) | AI-A | Duane Riflemen, 1812 | 103 | BU | |
//5-15-//5-15-//5-1 | On Discovering An Enemy (t) | IC-E | Gilbert Bugle, 1804 | 2 | BU | |
//5-15-/5-15-//5-1 | 6/8 | On Discovering the Enemy (t) | IC-E | Potter Bugle, 1817 | 8 | BU |
//5-15-//5-15-//5-1 | On Discovering An Enemy (t) | AI-A | US Riflemen, 1824 | PL14 | BU | |
//5-1-5-5-1-5-/5-1-5-5-/1-5-1-5-5-/1-5-5 -1-5-5- |
Boute-selle (t) | MS-E | Kusser MS, 1710 | 311 | TR | |
//5-1-5-5-1-5-/5-1-5-5-/1-5-1-5-5-/1-5-5 -1-5-5- |
Boute-Selle (t) | IC-F | Mersenne Harm, 1636 | 5:264 | TR | |
//51+5//515//5342//35-//617-6 | 3/4 | Song 10 (t) | SS-E | SS, Folger-C52 | 98,1-101,1 | MI,VO,KB |
//51+5/51+5//543/246//51/217-// | 6/8 | Still In Hopes to Get the Better (t) | IC-E | Thorowgood Guitar, 1763 | 20 | GT |
//5-15-/5-15-//5-5-/5-5-//11/33 | 6/8 | Pas de Charge, Le (t) | IC-F | French Ordinances | App.25 | BU |
//51+5/51+5//61+6/5//456/543//231 | 6/8 | Lady Bells Jigg (t) | DA-E | Rutherf CD-2.2, 1760 | 25 | MI |
//51+5/51+5//655/51+7/7 | C | Durham March (t) | AI-A | Instrum Asst, 1800 | 30 | 2VN/2GF/2CL/2OB,BVIOL |
//51+5/51+5//655/51+7//7665/5 | C | Durham March (t) | AM-A | Dean MS, 1800 | I.107 | MI |
//51+5/51+5//655/51+7//7665/5433 | C/ | Durham March.1st and 2nd (t) | AM-A | Otis MS, 1793 | 13 | 2VN/2FL |
//51+5/51+5//655/51+7//7665/5443 | C/ | Durham March (t) | AM-A | Beach MS, 1801 | 29 | 2MI |
//51+5/51+5//655/51+7//7665/5443// | C | Dunhams March [with second] (t) | AM-A | Bevens MS, 1825 | 12v, 15v | FI |
//51+5/51+5//655/51+7//7665/5443 | C/ | Durham March (t) | AM-A | Cabot MS, 1784 | 29 | 2GF |
//51+5/51+5//655/51+7//7665/5443 | C/ | Durham March (t) | AM-A | Dickinson MS, 1800 | 43 | CL/GF/OB |
//51+5/51+5//655/51+7//7665/5443// | C/ | Durham March (t) | AM-A | Hoff MS, 1797 | No. 280 | GF |
//51+5//51+5//655/51+7//7665/5443 | C/ | Two Slow and Two Quick Marches (t), or County of Down Slow March (at) | IC-I | Irish Sheet Music | 1 | FI |
//51+5/51+5//655/51+7//7665/5443// | C/ | Durham March (t) | AM-A | Irving MS, 1796 | 115 | 2 MI |
//51+5/51+5//655/51+7//7665/5443 | C | Durham March, The (t) | IC-E | Oswald Marches, 1759 | 8-9 | 2MI |
//51+5/51+5//655/51+7//7665/5443 | C | Durham March (t) | AI-A | Robinson Coll, 1818 | 48 | 2FI |
//51+5/51+5//655/51+7//7665/5443 | C | Durham March (t) | AI-A | Robinson Coll, 1820 | 63-64 | 2MI |
//51+5/51+5//655/51+7//7665/5443 | C | Durham March (t) | AI-A | Robinson Coll, 1826 | 59 | 2MI |
//51+5/51+5//655/51+7//7665/5443 | C | Durham March (t) | AM-A | Stiles MS, 1807 | 30-31 | MI |
//51+5/51+5//655/51+7//7665/5443 | C/ | Durham March (t) | AI-A | Whiteley Prec, 1816 | 30 | CL,OB,FL,BS |
//51+5/51+6//55/56//531/427- | 6/8 | Nae Luck About the House When Our Goodwife's Awa (t) | SC-S | Scots MM-6, 1803 | 614-615 | VO,PF |
//51+//5//5245/43 | C | Morning Invitation, The-1 (t), or Cantata, A (at) | SS-E | SS, Boston PL-1 | 87,1-2 | VO,FL,VN,HAF |
//51+5/52+5//53+1+/5-13//51+3+/5+3+1+ | 6/8 | Air (t) | AI-A | Riley Flute 4, 1826 | 63 | FL |
//51+5/531//232/223//42+4/432 | 6/8 | Bed Chamber (t) | DA-E | Johnson CD-4, 1748 | 85 | VN/GF |
//51+5/531//51+5/531//1+76/543 | 6/8 | College Green (t) | AI-A | Riley Flute 1, 1814 | 92 | FL |
//51+5/531//62+6/6//51+5/61+6// | 6/8 | Sweetest Bard (t) | SC-E | Sancho Songs, 1769 | 4 | PF,VO |
//51+/553//25/44//342/17-2 | 2/4 | Military Rondo (t) | IC-S | Pandean Coll 2, 1810 | 10 | PF |
//5-1//5-5-3-3-1-1-//1-1-1-1-1-1-//1-5-5 -1//1311//5-15-5-3-3 |
3 | Pour le Chien (t) | MS-F | Philidor MS, 1705 | 53 | HN |
//51+5/535//5423//465/4321//3217-/1234 | C/ | Slow March (t) | AM-A | Willis MS, 1795 | 56 | BUGLE |
//51+5/54//313/27-5-//3-53-/4-64//317- | 6/8 | Hair Dressers Room (t) | TW-E | Lord-Mayors Day, 1782 | 15 | KB |
//5-15-/5-4-3-//17-6-/6-5-4-//5-4-3-/5-1 1- |
6/8 | Duet Siciliana (t) | AM-A | Canfield MS, 1823 | 102 | 2FL |
//51+5/543//22/235//421/7-6-7- | 6/8 | Delaware (t) | AI-A | Duport CD, 1800 | 11 | PF |
//51+5//543//24362//17- | 3/4 | Minuet (t) | IC-E | Broderip Harp, 1790 | 9 | HA |
//5/1+//5/54//3/5 | 2/4 | New Hartford Lm (t) | AM-A | Bellamy MS, 1799 | 74 | MI,B |
//51+5//544332//264//433221 | 3/4 | Minuet Sandamin (t) | AM-A | Ives MS, 1800 | 20 | KB |
//51+55//535//432//33+1+//76//51+6 | 3/4 | Divertimento 1. Menuetto (t) | IC-E | Rathgen Divs, 1780 | 4 | 2CL,2HN,BS |
//51+/55//54/3//24/35 | C | Barthelmon Duets-3. Andante Moderato (t) | AI-A | Barthelemon, 1800 | 6-7 | PF,4 HANDS |
//51+5/5//655/534//51+5/5 | C | AM-A | Dean MS, 1800 | I.106 | MI | |
//51+5/57//646/1+64/565/531 | 6/4 | What's a Poor Simple Clown (t) | SS-E | SS, Boston PL-1 | 158,1-2 | VO,HA+GF/GT |
//5-15-/6-124//3216-/5-5-//4//3234/5224 | C/ | Lady Mc Intosh's Rant (t) | DA-E | Johnson CD-5, 1750 | 62 | VN/GF |
//5-15-/6-124/3216-/5-5-4//3234/5224 | C/ | Lady Mcintosh's Rant (t) | DA-E | Rutherf CD-2.1, 1756 | 65 | VN/GF/OB |
//51+5/61+3//4545432/3215//51+5/61+3 | C/ | Favourite Song, A (t) | SS-E | SS, Harvard | 1-2 | VN,VO,2B+FL |
//51+5/61+3//4545432/3215//51+5/61+3 | C/ | Favourite Song, A (t) | SS-E | SS, Harvard | 1-2 | VN,VO,2B+FL |
//5-1/5-//6-1/4//32/17- | 2/4 | Allegro (t) | IC-E | Flack Divs, 1776 | 12 | 2CL,2HN,BS |
//51+5/61+6//51+5/4321//464/353 | 2/4 | 3d(camperdown) Medley Dance.3d Part (t) | IC-S | Gibb New Coll, 1798 | 20 | PF/VN,VC |
//51+5//62+1+2+7//1+5//54565//54565//54/ / |
3/8 | Favourite Air In the Opera of Admetus, A (t) | IC-E | Prelleur Modern, 1731 | 32-33 | RC |
//51+5/634//521/7-17-12//332/2// | 3 | Leading Braul (t) | IC-E | Apollo's Banquet 1-7, 1693 | 38 | VN/FL |
//51+5634//5217-17-12//3322//51+5634//52 34327// |
C3 | Brauls, The. Leading Braul (t) | IC-E | Apollo's Banquet 1-5, 1687 | A70.2 | VN |
//51+5634//5217-17-12//3322//51+5634//52 34327// |
C3 | Brauls, The. Leading Braul (t) | IC-E | Apollo's Banquet 1-6, 1690 | A60.2 | VN |
//51+5//64+2+//767//1+71+//51+5//64+2+// |
3/8 | Vieux Garcon, Le. F. (t) | DA-E | Sancho Minuet/Cot/Dance, 1767 | 17 | HP |
//51+/564//342/1//25/231 | 6/8 | Dearest Daphne (t) | IC-E | Longman Fife, 1770 | 33 | FI |
//51+/564//5//1+5342//3 | 3/4 | Fly soft ideas (fl) | TW-E | Artaxerxes, 1762 | 38-43 | VO,HA |
//51+5/646//51+5/65//464/353 | 6/8 | Capt. Egerton's Quick March (t) | IC-E | Hinde 1, 1770 | 8-9 | GF/VN/OB |
//515/646//767/1+1//567/1+76 | 6/4 | Beer-Drinking Britons, The (t) | SC-E | Clio-2, 1759 | 162-163 | VO,HAF+MI |
//51+5/646//76/71+1//567/1+76 | 6/8 | Beer Drinking Brittons, The (t) | AM-A | Hawkins MS, 1794 | II,34 | GF |
//51+5/646//767/1+1//567/1+76 | 6/4 | Song 47 (t) | SC-E | Ritson, 1783 | TII,56-57;MIII,219-220 | VO |
//51+5/646//767/1+1//567/1+76// | 6/8 | Beer Drinking Brittons, The (t) | AM-A | White, G. MS, 1790 | 33 | VN |
//51+56/51+56//5654/36//5654/3 | C/ | Marche de Grenadier (t) | MS-G | Darmstadt MS 1224 | 339 | MI |
//5156/51+//6561+/66//1+2+/3+5+2+3+// | C | Woes my Heart that We Should Sunder (t) | AM-A | Brown, J. MS, 1782 | 1:6 | |
//51+/56//531/21//345/671+ | 6/4 | Remarks on the Town and South Sea Cheat (t), or Song, A (at) | SS-E | SS, Harvard | 1 | VO,B+FL |
//5/1//56/53//2/2 | 2/4 | AM-A | Turner MS, 1788 | I,57 | VN | |
//51+5//653+//2+7-54 | 3/4 | Maidens Resolution, The (t) | SC-E | Clio-2, 1759 | 62-63 | VO,HA+MI |
//51+/5654//31/13//4345/6567// | C | Age Hornpipe Not Good (t) | MS-S | Fife MS, 1780 | 902,96r | 1FI OR 2FI/VN |
//5156543//232/46//515/56543 | 6/8 | Cock Up Your Bevar (t) | MS-S | Gillespie MS, 1768 | 57 | VN |
/51+//56/54//32/34//51/ | 6/8 | Filleuse, La (t) | IC-F | Leclerc Recueil-3, 1738 | 132 | HAF |
//51+56543//322//345232 | C | Song, A (t) | SC-E | Calliope, 1746 | I,98 | 2VO,B+FL |
//5-1//5-6-5-4-3-//4-3-2-3-4-5-//3-1-//1 -2-//3-2-4-6-5- |
3 | Minuet (t) | IC-E | Walsh Oboe, 1715 | 30 | OB |
//5/1+5//6543/45//6/6-3 | C/ | Hap Nap An a Venture (t) | PL-E | Playford 3-2, 1726 | 32 | VN |
//5/1+5//6543/45//6/6-3 | C/ | Hap Nap at a Venture (t) | DA-E | Walsh NCDM-3, 1728 | 119 | VN/OB/FL |
//5-/15-6-5-//5-/15-6-5-//5-135/4217- | 2/4 | Sonata 4. Andante (t) | IC-E | Rockeman & Alters, 1773 | 8 | 2CL,2HN,BS |
//5/1+//565/543//234/321// | 6/8 | Isle of May, The (t) | MS-E | Vickers MS, 1770 | 93b | MI |
//5/1+//565/543//234/321//7-127-/5- | 6/8 | Isle of May (t), or Duke of Cumberland, (at) | MS-E | Hammersley MS, 1790 | 75B | MI |
//5-15-6-//5-543//5-55-45-32//4-432//5-4 5-35-2//3-1-5-3-15- |
3/4 | Hasse's Comic Tune. No.4 (t) | AI-A | Herrick Preceptor, 1807 | 75 | 2MI,B |
//51+/565//5/455//51+/62+1+7// | C [3] | Galiarda (t) | MS-E | Fitzwilliam MS-1, 1609 | 388-390 | VI |
//5/1+//567/1+5//3135/1+ | C | Britannia and Keppel (t), or New Song, A (at) | SS-E | SS, Harvard | 1 | VO,B |
//5/1+//567/1+5//3135/1+ | C | Smile Britannia (t), or Favourite Song, A (at) | SS-E | SS, Harvard | 1 | VO,B |
//5/1+//567/1+5//3135/1+ | C | Smile Britannia (t), or Favourite Song, A (at) | SS-E | SS, Harvard | 1 | VO,B |
//5/1+//567/1+5//3135/1+2+ | C | Smile Britannia a Favourite Song (t) | SC-E | Clio-1, 1758 | 1 | VO,HA+GF |
//51/57//654/31//46/543 | 6/8 | Hare In the Corn, The (t) | IC-E | Caledonian PC, 1760 | VII,12 | GF/VN |
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