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| Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
| /5-//121/12//343/34//543/21// | 6/8 | Airosa Malaguena, La (t) | DA-P | Minguet CD, 1760 | 11 | MI |
| //5-12/11//7-127-/11//2342/17-6-5- | 2/4 | Soldier's Wedding, The (t) | IC-S | Aird 6, 1803 | 57 | FI/VN/GF |
| //5-1211//7-127-11//234217-6-5- | 2/4 | Soldier's Wedding (t) | AI-A | Fifer's Comp, 1805 | 47 | 2FI |
| //5-12/11//7-127-/11//2342/17-6-5- | 2/4 | Soldier's Wedding (t) | AI-A | Hazeltine D&F, 1810 | 45 | 2FI |
| //512121//216//564//32//3452//3452 | 3/8 | Ah gentle air sweet aura rise (fl) | SS-E | SS, Folger-C42.1 | 48 | VO,KB+FL |
| //512121//216//564//32//3452//3452 | 3/8 | Ah gentle air sweet aura rise (fl) | SS-E | SS, Folger-C42.4 | 23 | VO,KB+FL |
| //5-12121234333212121233323121212 | Soil, The (t) | IC-E | Longman Horn, 1785 | 15 | HN | |
| //5-12121234333212121233323121212 | Soil, The (t) | IC-E | Muses Delight, 1754 | 28 | HN | |
| //5-12121234333212121233323121212 | Soil, The (t) | IC-E | Simpson Horn, 1746 | 8 | HN | |
| //5-12121234333212121233323121212 | Soil, The (t) | IC-E | Thompson Horn, 1755 | 8 | HN | |
| //51/2123//12/15-6-7-//1345/671+6 | C | Grand March & Rondo, A (t) | AI-A | American Sheet Music | KB | |
| //5-1/21232//343/21//7-5-/23// | 6/4 | Jjgg (t) | IC-E | Apollo's Banquet 1-8, 1701 | 14v,15r,76 | VN |
| //5-1/212//32/35//43 | 6/8 | Petitbourg, La (t) | IC-F | Boivin Tons, 1731 | 10 | 2HN/GF/OB/VN/VA |
| //5-1212/331234//553311/5-55533//11+1+1+ 55/331334// |
6/4 | Chasse de Berry, La (t) | IC-F | Leclerc Recueil-2, 1737 | 121 | HAF |
| //512//12//333 | 3/4 | Burk Thomoth's Minuet (t) | AM-A | Hawkins MS, 1794 | II,38 | GF |
| //512//12//333//34534//222//23423// | 3/4 | Burk Thumoth's Minuet (t) | AM-A | White, G. MS, 1790 | 44 | VN |
| //5-121//315-//12345565 | 3/4 | Hessian Troop, The (t) | IC-E | Goulding Fife, 1790 | 11 | FI |
| //5-121//315-//12345565 | 3/4 | Hessian Tattoo, The (t) | IC-E | Longman Fife, 1780 | 15 | FI/GF |
| //5-121//315-//12345565 | 3/4 | Hessian Tattoo, The (t) | IC-E | Preston Fife, 1796 | 14 | FI/GF |
| //5-121//315-//12345565 | 3/4 | Hessian Tattoo, The (t) | IC-E | Rutherford Fife, 1756 | 16 | FI |
| //5-121//315-//12345565 | 3/4 | Hessian Tattoo, The (t) | IC-E | Skillern Fife, 1780 | 16 | FI/GF |
| //5-121//315-//12345565 | 3/4 | Hessian Tattoo, The (t) | IC-E | Thompson Fife, 1760 | 15 | FI |
| //5-121//315-//12345565//3654//345 | 3/4 | Hessian Tattoo, The (t) | IC-E | Thompson Fife, 1770 | 15 | FI |
| //5-121//315-//12345565//3654//345// | 3/4 | Hessian Tattoo, The (t) | IC-E | Thompson Fife, 1786 | 16 | FI/FL |
| //5-121//315-//12345565//3654//345//5654 |
3/4 | Hessian Tattoo, The (t) | IC-E | Clementi Fife, 1815 | 15 | FI |
| //5-121//315-//12345565//3654//345//5654 |
3/4 | Hessian Tattoo, The (t) | IC-E | Longman Fife, 1770 | 16 | FI |
| //5-1/21//32/43//54/32 | C/ | Prussian Camp, The (t) | IC-E | Holmes Hn Duets, 1763 | 15 | 2HN/GT/GF/VN |
| //5-12/15-//5-12/15-//5-1/5-3 | 2/4 | Gallopade from Gustave (t) | AI-A | Riley Flute 4, 1826 | 87 | FL |
| //51/21//651+7//6543/4321 | 2/4 | In vain you mention pleasure (fl) | SC-E | Musical Cent-1, 1737 | 19 | VO,HAF+FL |
| //51/21//651+7//6543/4321//2 | 2/4 | Song 134 (t) | SC-E | Convivial, 1782 | 267 | VO |
| //51/21//651+7//6543/4321//2 | 2/4 | Charming Sailor, The (t), or Ballad, A (at) | SS-E | SS, Harvard | 1 | VO,B+FL |
| //51/21//651+7//6543/4321//2 | 2/4 | Charming Sailor, The (t) | SC-E | Watts MM-5, 1731 | 182-184+185 | VO,HA+FL |
| //51/21//651+7//6543/4321//27-1 | 2/4 | Charming Sailor a Ballad, The (t) | SS-E | SS, Folger-C42.1 | 151 | VO,KB+FL |
| //51/21//651+7//6543/4321//27-1 | 2/4 | Charming Sailor, The (t) | SS-E | SS, Folger-C42.4 | 281 | VO,KB+FL |
| //51//217-1//233//234342//4565//434231// |
3/4 | Minuet (t) | IC-E | Prelleur Modern, 1731 | 13 | GF |
| //51/217-//1234/3456//567/1+543 | C | Farewell to Edinburgh (t) | IC-E | Caledonian PC, 1760 | IX,24 | GF/VN |
| //51/217-//1234/3456//567/1+543//2 | C | Farewel to Edinburgh (t) | SS-E | SS, Harvard | 1 | VO,KBF |
| //5/1//217-/12//35/43//217-6-/5-6-7-1 | 2/4 | Poor John (t) | DA-E | Johnson CD-5, 1750 | 54 | VN/GF |
| //5-1//217-12//5-3543//32//5-55//543// | 3/4 | Masquerade Minuet (t) | IC-E | Goulding Cello, 1799 | 25 | VC |
| //51/217-//15-/1+ | C | Turn and see what pleasures woo you (fl) | TW-E | Enchanter, 1760 | 29 | VO,VI,HAF |
| //51//217-1//651+ | 3/8 | Lothario (t) | SC-E | Clio-1, 1758 | 54 | VO,HA+MI |
| //51//217-1//651+//43 | 3/8 | Vainly Now You Strive (t) | IC-E | Longman Flute, 1769 | 29 | GF |
| //51//217-1//651+//43//323127- | 3/8 | Vainly Now You Strive (t) | IC-E | Cahusac Oboe, 1790 | 16 | OB |
| //51//217-1//651+//43//323127- | 3/8 | Vainly Now You Strive (t) | IC-E | Longman Oboe, 1770 | 15 | OB |
| //51//217-1//651+//43//323127- | 3/8 | Morning Conversation, The (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
| //51//217-1//651+//43//323127- | 3/8 | Lotharia (t) | SS-E | SS, Huntington-1 | 108 | VO,KB+FL |
| //51//217-1//65671+//43//244332//31+3+1+ 71+// |
3/4 | When We See a Lover (t) | IC-E | Thorowgood Guitar, 1763 | 29 | GT |
| //51//217-1//65671+//54343 | 3/4 | When we see a lover languish (fl) | TW-E | Love/Village, 1795 | 57 | VO,HA |
| //51//217-1//657//43 | 3/8 | Vainly Now Ye Strive (t) | AM-A | Beck MS, 1786 | 128 | GF |
| //51+/2+1+76//2+1+7/1+765//6567/1+4+// | 2/4 | Under the Hedge (t) | AM-A | Johnson, S. MS, 1807 | 19 | FI |
| /5-1//21/7-6-//5-/15-//6-5-/ | 2 | Contraste, Le (t) | IC-F | Leclerc Recueil-3, 1738 | 136 | HAF |
| //5-12/232//32314/22//343452/7-6-5-//5- | C/ | New Song, A (t) | SS-E | SS, Harvard | 1 | VO,KB+FL |
| //5-12/232//32314/23//34-3452 | C/ | New Song, A (t) | SS-E | SS, Folger-C42.3 | 468 | VO,KB+FL |
| //5-/1/2//312/31//252/ | 3/2 | No. 6 (t) | IC-E | Water Musick, 1740 | 5 | 2VN/OB,2HN,VA,BS,BF |
| //5-12/312//3135/65//5-7-1/27-2 | 2/4 | Geschw. Marsch (t) | IC-G | Walch Pieces, 1822 | 3 | BAND(18 PARTS) |
| //5-123//1245//6542//427-5-//5-7-1234//5 1+5 |
3/4 | Waltz from la Fiancee (t) | AI-A | Riley Flute 4, 1826 | 85 | FL |
| //5123//12//571+646//5451+//554321 | 3/4 | Mary Will Smile (t) | AI-A | Carr Ballads, 1799 | 4-5 | KB,VO |
| //5-12//31//34//5//51+5//65 | 3/4 | Air 10, Act Iii (t) | BA-E | Beggar's Opera, 1728 | T49-50M13 | VO |
| //5-12//31//34//5//51+5//65 | 3/4 | Air 50 (t) | BA-E | Beggar's Opera, 1765 | 81 | VO |
| //5-123//1345//6542//427-5-//5-7-1234//5 1+5 |
3/4 | Brave Mountaineer (t) | AI-A | Riley Flute 4, 1826 | 71 | FL |
| //5-12/31//35/53//223/42 | 2 | Sweetest When Naked (t) | DA-E | Walsh CD-3.6, 1754 | 29 | VN/OB/GF |
| //5-12/31/465/62//3454/343/2/2 | 12/8 | To Cloe (t) | SC-E | Muses Delight, 1754 | 172-173 | VO,HA |
| //5-12/31/465/62//54/343/2 | 12/8 | To Cloe (t) | SC-E | Calliope, 1746 | I,126 | VO,B+FL |
| //5-12/31/465/62//54/343/2 | 12/8 | To Cloe (t), or New Song, A (at) | SS-E | SS, Harvard | 1 | VO,B+FL |
| //5-12/31/465/62//54/343/2/2 | 12/8 | Song 131 (t) | SC-E | Convivial, 1782 | 263 | VO |
| //5-12/31/465/62//54/343//2/2 | 12/8 | To Chloe (t) | SC-E | Musical Ent-2, 1740 | 63 | VO,HAF+FL |
| //5-12/31/465/62//54/343/2/2 | 12/8 | To Cloe (t), or New Song, A (at) | SS-E | SS, Huntington-1 | 128 | VO,KB+FL |
| //5-1231/5131//5-1231/26-1//5-1231/5 | C/ | Trip to Edinburgh (t) | DA-E | Bride CD, 1776 | III,4 | VN/OB/GF |
| //5-1231//5-3453//666543//2217-6-5-//5-1 231//5-3453 |
3/4 | If a Youth Should Meet a Maiden (t), or When a Lover Kneels Before Her (at) | AI-A | Riley Flute 3, 1820 | 86-87 | FL |
| //512/315//424/3//4 | C/ | How cursedly vex'd (fl) | TW-E | Lionel & Clar, 1768 | 37-39 | VO,HAF |
| //5-//12/31//5/5/31/53//21/7-2// | C | Huntington (t) | AM-A | White, G. MS, 1790 | 88-89 | SA(T)B |
| //512/31//5654/31567//62/26//6543/26 | Quick Step (t) | AM-A | Belknap MS, 1784 | 1V | MI | |
| //5-12/3212//3/1//222/7-7-7- | C | Tom Thumb's Quick Step (t) | AM-A | Marchant MS, 1783 | 81 | KB |
| //5-1/23//2123/21//7-6/54 | 2/4 | Young Collette (t) | AI-A | Riley Flute 4, 1826 | 79 | FL |
| //5-/12321//23432/34543//325-/1232317-1/ / |
C | Favourite Air In the Opera of Alexander, A (t) | IC-E | Prelleur Modern, 1731 | 24-26 | RC |
| //5-12/32//1234/5//5-12/32 | 6/4 | Harlequin Escape's (t) | TW-E | Perseus & Andr, 1763 | 11 | HA/GF/VN/GT |
| //5-12//321234//55555//543//55555//543 | 3 | Fanfare, La (t) | MS-F | Philidor MS, 1705 | 53 | HN |
| //5-12//321234//55555//5//51+5//3455-//1 1234 |
3/4 | Minuet (t) | IC-E | Delightful-2, 1745 | II,14 | 2GF |
| //5-12/321//25-/23//45 | C/ | New Ballad, A (t) | SS-E | SS, Folger-C42.4 | 40 | VO,KB+FL |
| //5-12//3/21//3/21 | 2/4 | Sam's Humour (t) | DA-E | Johnson CD-7, 1756 | 92 | VN/GF |
| //5-12//3/21//3/21 | 2/4 | Sam's Humour (t) | DA-E | Thompson CD-1, 1757 | 25 | VN/GF/OB |
| //5-12//3/21//3/21//27-/6-5-// | 2/4 | Sam's Humour (t) | DA-E | Thompson CD-1a, 1757 | 25 | VN/GF/OB |
| //512//321//34//5 | 3/4 | Air 29 (t) | BA-E | Fashionable, 1730 | 38 | VO |
| //512//321//34//5//51+5 | 3/4 | Faithfull Lover, The (t) | SC-E | Watts MM-1, 1729 | 17 | VO/VN |
| //512//321//34//5//51+5//65//434 | 3/4 | Air 8 (t) | BA-E | Trick For Trick, 1735 | 26 | VO |
| //5-12//321//54321//17-5-//17-1//2343//3 2 |
3/8 | Protestation, The (t) | SC-E | Watts MM-6, 1731 | 97-98+99 | VO,HA+FL |
| //51+2+/3+2+1+6//553/422//51+2+/3+2+1+6 | C | Sweet Ellen (t) | AM-A | Cary MS, 1797 | 110 | VN |
| //51/23//217-6-/5-34//51/23// | 2 | Boree, A (t) | IC-E | Apollo's Banquet 2, 1691 | 13 | VN/FL |
| //5-12//3231//15-//3-2-3-1-//17- | 3/4 | Come Let's Be Merry (t) | PL-E | Playford 3-2, 1726 | 127 | VN |
| //5-12//3231//15-//3-2-3-1-//17- | 3/4 | Advice to the Melancholy (t) | SS-E | SS, Folger-C42.4 | 213 | VO,KB+FL |
| //5-12//3231//15-//3-2-3-1-//17- | 3/4 | Come Lets Be Merry (t) | DA-E | Walsh CD-3.3, 1749 | 151 | VN/OB/GF |
| //5-12//3231//15-//3-2-3-1-//17- | 3/4 | Come Let's Be Merry (t) | DA-E | Walsh NCDM-3, 1728 | 83 | VN/OB/FL |
| //51+2+//3+2+3+1+//1+5//3231//1+7//62+5 | 3/4 | Advice to the Melancholy (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
| //51+2+//32+3+1+//1+5//3231//1+7//62+5// 64 |
3 | Advice to the Melancholy (t) | SC-E | Watts MM-4, 1730 | 120-121 | VO,HA+FL |
| //5-12//323434//54//323434//5-12//323434 // |
3 | Minuet (t) | IC-E | Apollo's Banquet 1-8, 1701 | 12v,68 | VN |
| //512//323//436//51 | 3/4 | Two Part Song on His Majesty King George the Third's Birthday, A (t) | SS-E | SS, Boston PL-1 | 75 | 2VO:(S)B |
| //5-12//32//34434//5//515 | 3/4 | Song, A (t) | SS-E | SS, Folger-C42.3 | 494 | VO,KB+FL |
| //5-12//32//34434//5//51+5//65 | 3/4 | Song, A (t) | SS-E | SS, Harvard | 1 | VO,KBF+FL |
| //51/2//3234/54//31/2 | 2/4 | Jemmey's Fancy (t) | DA-E | Thompson CD-1, 1757 | 13 | VN/GF/OB |
| //512//3234/54//312//3234/54 | 2/4 | Jemmy's Fancy (t) | DA-E | Johnson CD-6, 1751 | 31 | VN/GF |
| //512//3234/54//31/2//3234/54// | 2/4 | Jemmy's Fancy (t) | DA-E | Thompson CD-1a, 1757 | 13 | VN/GF/OB |
| //5-12/3243//23217-1/7-6-5-//117-6-/7-1 | C/ | Song, A (t) | SC-E | Pills 5, 1719-20 | 143-4 | VO |
| //5-12/331//512/331//5-5-6-/7-7- | C/ | Shays March (t) | AM-A | Stiles MS, 1807 | 4-5 | MI,B |
| //51+2+3+3+2+//1+72+1+75/543//1324/351+7 //6543/32// |
C | AM-A | Philadelphia MS, 1783 | 2 | MI | |
| //5-12//3/32//345/543 | C/ | Loves Triumph (t) | PL-E | Playford 2-1, 1713 | 166 | VN/OB |
| //5-12//3/32//345/543 | C/ | Loves Triumph (t) | PL-E | Playford 2-2, 1714 | 166 | VN/OB |
| //5-12//3/32//345/543 | C/ | Loves Triumph (t) | PL-E | Playford 2-3, 1718 | 166 | VN |
| //5-12//3/32//345/543 | C/ | Loves Triumph (t) | PL-E | Playford 2-4, 1728 | 166 | VN |
| //5-12//3/32//345/543 | C/ | Love's Triumph (t) | DA-E | Walsh CD-1.2, 1719 | 185 | VN/OB |
| //5-12//3/32//345/543 | C/ | Loves Triumph (t) | DA-E | Walsh NCDM-2, 1710 | 103 | VN/OB/FL |
| //5-123/325-//5-234/435-//5317-7-/5-6-12 345676 |
Prelude In G (t) | AI-A | Riley Flute 2, 1817 | 57 | FL | |
| //5-/12//3/3//27-/24// | C | Shay's March (t) | AM-A | Adams, J. MS, 1808 | 2r | MI |
| //5-12//3/3//3221/22//13/53// | C/ | Fresh & Strong (t) | AM-A | Adams, W. MS, 1795 | 9 | MI |
| //5-/1//2/333//3/3// | 6/8 | Ton Pour Le Ourvary (t) | IC-F | Diderot Chasse, 1763 | 2:2:4 | HN |
| //5-1//23333//3221//122312//25-//5-5-5-1 12 |
3 | Fanfare, La (t) | MS-F | Philidor MS, 1705 | 52 | HN |
| //5-/1//2/333//33/3// | 6/8 | Ton Lors Que Les Chiens S'emportent (t) | IC-F | Diderot Chasse, 1763 | 2:2:4 | HN |
| //5-12333333333322211121234543221322 | View, The (t) | IC-E | Longman Horn, 1785 | 15 | HN | |
| //5-12333333333322211121234543221322 | View, The (t) | IC-E | Muses Delight, 1754 | 27 | HN | |
| //5-12333333333322211121234543221322 | View, The (t) | IC-E | Simpson Horn, 1746 | 7 | HN | |
| //5-12333333333322211121234543221322 | View, The (t) | IC-E | Thompson Horn, 1755 | 7 | HN | |
| //5-12/33//34/3//333/3212 | 2/4 | Philadelphia Gray's Quick Step From... I Puritani (t) | AI-A | American Sheet Music | 3 | PF |
| //5-12/33//34/3//333/3212// | 2/4 | Philadelphia Grays Quick Step. Quick Step (t) | AI-A | Johnson, F. Sheet Music | 1-2 | PF |
| //5-12//3345//52345//43//234321//7- | 3/4 | Paspie de Spana (t) | MS-M | Garcia MS, 1772 | 170 | MI |
| //5//1/2//34 | 2/4 | Mary's Dream (t) | AM-A | Copp MS, 1799 | 3 | VO,B |
| //5-/1//2/34//21/27- | C/ | Song, A (t) | SC-E | Pills 6, 1719-20 | 280-1 | VO |
| //51//2343//217-//15- | 3/8 | Song 12 (t) | SC-E | Ritson, 1783 | TII,11;MIII,175-176 | VO |
| //51//2343//217-//15-//6-5- | 3/8 | Favourite Song In Comus, A (t) | SC-E | Clio-3, 1762 | 54-55 | VO,HAF+GF |
| //51//2343//217-//15-//6-5- | 3/8 | Preach not me your musty rules (fl) | SS-E | SS, Folger-C52 | 78,2 | MI,VO,KB |
| //51/2343//217-/15-//6-5-/2343 | 6/8 | Aire In Comus (t) | SC-E | Amaryllis, 1760 | I,1 | GF,VO,HAF+FL/GF |
| //51//2343//217-//15-//6-5-//43 | 3/8 | Symphonia. Allo. (t) | IC-E | Delightful-2, 1745 | VI,25-26 | 2GF |
| //5-12/343217-//6-1/5-6-5-3- | C | Ye Nymphs & Swains (t) | SC-E | Clio-1, 1758 | 169 | VO,HAF |
| //5-12//34//321/7-6-5-//12/3 | Sup of Good Drink, A (t) | AM-A | Nixon MS, 1776 | 80 | FI | |
| //5-/12//3/43//2/2232 | C | Return O My Love (t) | AI-A | Riley Flute 4, 1826 | 1 | FL |
| //51/234//35/1+5//65/432//3 | 6/8 | Come, Listen, All, and You Shall Hear (t) | SC-E | Vocal Music, 1775 | 277-279 | VO/VN/GF |
| //5/1234//51/1+6//5/1234// | 2/4 | Aria. Allegro (t) | IC-E | Italian Pieces, 1770 | 5 | 2GF, 2CL/OB/VN, 2HN, BS/VC |
| //5/1+2+3+4+5+1+//755-/123451//7-5-5/311 +// |
C | Favourite Air, A (t) | IC-E | Prelleur Modern, 1731 | 34-35 | OB |
| //51234//51+7//654//321//356 | 3 | Charlotte (t) | AI-A | Hill Airs, 1803 | 1 | 2VN |
| //512//345//1+7656//71+//7536//531 | 3/4 | Fairing, The (t) | SS-E | SS, Harvard | 1 | VO,KB |
| //5123453217-12342545 | C/ | Posture Tune, The (t) | IC-E | Barriffe Mars, 1639 | FI | |
| //512/34//5343/11+6//543/432 | 6/8 | Tattoo (t) | IC-E | Oswald Airs, 1758 | 13 | 2VN/2GF/2GT |
| //5-12//34//543//23//43 | 3 | Earths Motion Prov'd, The (t) | SC-E | Musical Ent-2, 1740 | 2 | VO,HAF+FL |
| //512//345//432//353//1+11 | 3/4 | Resolv'd, As her poet, of Celia to sing (fl) | SC-E | Monthly Melody, 1760 | I,25 | VO,HAF |
| //5-12/345//43/7-7-//5-7-1/6-6-7-123// | 3 [6/4] | Munday's Joy (t) | MS-E | Fitzwilliam MS-2, 1609 | 449 | VI |
| //5/1234567//1+/53 | C | Duetto-Flauto Primo (t) | AM-A | Ives MS, 1800 | 36-39 | 2FL |
| //5-123//5-122//3//321//7-6-5-//6-46- | 3/8 | Meet Me by Moonlight (t) | AI-A | Riley Flute 4, 1826 | 38 | FL |
| //5-123//5-123//3//321//7-6-5- | 3/8 | Meet Me by Moonlight Alone (t) | AM-A | Canfield MS, 1823 | 79 | FL |
| //5123/51+53//2123/2+1+2+3+//1123/1+765 | C | Lo Down In the Broom (t) | MS-S | Gillespie MS, 1768 | 40 | VN |
| //5-1-2-3-/5-15-3-//2-1-2-3-/23//1-1-2-3 -/17-6-5- |
C | Low Down In the Broom (t) | AI-A | Caladonian Muse, 1798 | 111 | VO/PF/VN |
| //5123/51+53//2123/2+3+//1123/1+765 | C | Song 185 (t), or Low Down In the Broom (at) | SC-E | Calliope, 1788 | 345-346 | VO |
| //5123/51+53//2123/2+3+//1123/1+765 | C | Low Down In the Broom (t) | SC-S | Edinburgh MM-2, 1793 | 228-229 | VO |
| //5123/51+53//2123/2+3+//1123/1+765// | C | Down In the broom (t) | IC-E | Peacock Scotch Airs, 1762 | 14 | VN/GF/VC, HAF |
| //5-1-2-3-/5-15-3-//2-1-2-3-/23//1-1-2-3 -/17-6-5- |
C | Low Down In the Broom (t) | AI-A | Riley Flute 2, 1817 | 68 | FL |
| //5123/51+53//2123/2+3+//1123/1+765 | C | Low Down In the Broom (t) | SC-S | Scots MM-1, 1787 | 91 | VO,PF |
| //5123/51+53//2123/2+3+//1123/1+765//6 | C | Low Down In the Broom (t) | AI-A | Scots MM, 1797 | 111-12 | VO,HA/PF |
| //5123/51+53//2123/2+3+//123/1+765 | C | Low Down In the Broom (t) | IC-E | Caledonian PC, 1760 | VII,6 | GF/VN |
| //5123//5-234//31234//17-6-5-4-5-//45654 433//23432211 |
3/4 | Sonata. Tempo di Minuetto (t) | AI-A | American SS-SM | 6 | PF,VN |
| //5-123//5-234//31531+//43//4217-12//345 321//7-117-1 |
3/4 | Minuet by Mr. Smith (t) | IC-S | Stewart Marches, 1761 | 60-61 | VN/GF/OB,VC/HA |
| //5-12/353//2531/2531//6-7-12/31+6// | C/ | Smirking Nancy (t) | DA-E | London Magazine | 228, 1751 | MI |
| //51/235//653/21+//653/55- | 6/8 | Lochaber No More-2 (t) | IC-E | Caledonian PC, 1760 | II,15 | GF |
| //5-12//37-//34//5//51+5 | 3/4 | Air 50 (t) | BA-E | Beggar's Opera, 1777 | 100-101 | VO |
| //51+/24//323/15-//6-6-/231// | 6/4 [6/8] | Rondo: Andante (t) | IC-E | Welcker Cots, 1768 | 11 | GT |
| //51+/25//32/134//565/6543 | C/ | Advice to a Friend In Love (t) | SC-E | Musical Cent-1, 1737 | 32 | VO,HAF+FL |
| //512//7-1//23142//21//3217-6- | 3/8 | Minuet (t) | IC-E | Waylet Oboe, 1745 | 10 | OB |
| //512//7-1//234//3 | 6/8 | Free from sumers scorching heat (fl) | SS-E | SS, Folger-C42.4 | 308,2-309,1 | MI,VO,B,/KB+FL |
| //5-12//7-1//2343//21//231 | 3/8 | Air 10 (t) | BA-E | Sequel To Flora, 1732 | T22M5 | VO |
| //5-12//7-12//343//213//34434//5// | Leading Braul (t) | IC-E | Apollo's Banquet 1-7, 1693 | 40 | VN/FL | |
| //512//7-1//2343//25-//512 | 3/8 | Beauties Decan (t) | SC-E | Musical Ent-2, 1740 | 33 | VO,HAF+FL |
| //512//7-1//2343//4565//671+ | 3/8 | Good Advice (t) | SS-E | SS, Folger-C42.3 | 505 | VO,KB+FL |
| //512//7-1//2343//4565//67-1+ | 3/8 | Ye happy swains whose hearts are free (fl) | SC-E | Watts MM-1, 1729 | 148-49 | VO/VN |
| //51+2+//71+3+//2+1+7654//433//456422+// 345311+// |
3/4 | Favourite Air In Siroe, A (t) | IC-E | Prelleur Modern, 1731 | 40-41 | VN |
| //5-127-/1324//3217-/1313//5-16-1/7-214 | C/ | Call a Dance (t) | DA-E | Bride CD, 1776 | III,61 | VN/OB/GF |
| //5127-/14//3127-/12//3234/51 | C | Love Return'd (t) | SC-E | Musical Ent-2, 1740 | 16 | VO,HAF+FL |
| //5//1+2+7//1+//61+1+767//6 | 3/4 | Who, who is thy love, o charming maid (fl) | SS-E | SS, Harvard | 1-2 | 3VO |
| //51/27-1//654/433//1+2+3+5 | C | Cease, Fond Damon, Cease to Languish (t) | SC-E | Vocal Music, 1778 | 252-253 | VO/VN/GF |
| //5/1+2+//7/1+//66/56// | 2 | Victoire, La (t) | DA-F | Dezais Recueil, 1712 | 131-138 | MI |
| //5/1+2+//7/1+//66/56//4/ | 2 | Victoire, La (t) | MS-G | Jayme MS, 1717 | 35 | MI |
| //5/1+2+//7/1+/66/56//4/ | 2 | Victoire, La (t) | IC-F | Leclerc Recueil-1, 1729 | 20-21 | HAF |
| //51/27-//17-12/15-//123/43// | 2 | Pellerine, La (t) | IC-F | Leclerc Recueil-3, 1738 | 134 | HAF |
| //5-12/7-22//1231/234//3453/4231 | C/ | Sweet Richard (t) | AM-A | Thompson MS, 1777 | 49 | FI |
| //5-12//7-6-5-//123//43//232//127-// | 3 | Saraband (t) | IC-E | Musicks Hand-Maid-1, 1678 | 69 | VI/HA |
| //51+2+765//1+2+3+4+3+//2+3+2+1+7//2+564 5// |
3 | Saraband, A (t) | PL-E | Playford 1-03a, 1657 | II,44 | VN |
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