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Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
//5-/11111//1/1//1/1 | 6/8 | Post(1te) (t) | MS-G | Darmstadt MS 1224 | 145 | KD |
//5-1/1//111/111//111/1 | 6/8 | Call In the Morning, The (t) | IC-E | Longman Horn, 1785 | 16-17 | 2HN |
//5-1/1//111/111//111/1 | 6/8 | Call In the Morning, The (t) | IC-E | Simpson Horn, 1745 | 1 | 2HN |
//5-1/1//111/111//111/1 | 6/8 | Call In the Morning, The (t) | IC-E | Thompson Horn, 1755 | 9 | 2HN |
//5-1111///1111/1111//1113-/1111 | 2/4 | En Avant (t) | IC-F | French Ordinances | App.17 | TR |
//5-111/1//1111/1111//1113/1111 | 2/4 | Marche (4 Couplets) (t) | IC-F | French Ordinances | App.18 | TR |
//5-1+1+/1+1+1+//11+1+/1+1+1+//3+2+/1+ | 2/4 | Novelty, The (t) | DA-E | Thompson CD-6.8, 1796 | 91 | MI |
//5-11111/111111//5-/5-11111//11/11 | 2 | Marche de Timballe Pour les Gardes du Roy (t) | MS-F | Philidor MS, 1705 | 34-35 | TI |
/5-1//111/111//1/1//15/ | 6/8 | Ton Pour Le Requêté Ou Deffaut (t) | IC-F | Diderot Chasse, 1763 | 2:2:2 | HN |
//5-111/1111//2342/17-6-5-//5-111/1111// |
Balance, La. Fifth Sett (t), or Concluding Dance (at) | AI-A | Blake Cots, 1804 | 30 | PF/VN/GF | |
5-111/1111//2342/17-6-5-//5-111/1111// | 2/4 | Bolanje, La (t) | AM-A | Washburn MS, 1816 | 8 | GF |
//5-1/11//11/11//24/6-2// | 2/4 | Favourite Dance In Zorinsky, A (t) | AI-A | Gentlemen's PC, 1802 | 26 | 2GF |
//5-1/11//1/11//23/7-2 | 2/4 | Boolonzie (t) | IC-S | Aird 4, 1796 | 29 | FI/GF/VN |
//5-1/11//1/11//31/11 | 2/4 | Quick March (t) | IC-E | Gilbert Bugle, 1804 | 11 | 3BU |
//51+/1+1+//1+/1+1+/3+1+/1+1+// | 2/4 | Reveille. Presto (t) | IC-E | Hyde Bugle, 1818 | 38 | BU |
//5-1/11//1/11//31/11// | 2/4 | Reveille. Presto (t) | IC-E | Hyde Bugle, 1818 | 41 | BU |
//5-111/1113//217-6-/7-6-5- | C | Turnimspike, The (t) | SC-S | Scots MM-1, 1787 | 24 | VO,PFF |
//5-1/11//11/13//2/31 | 2/4 | Our Goodman Came Hame at E'en (t) | SC-S | Scots MM-5, 1797 | 466-467 | VO,PF |
//5-11/111//133/335//551+/1+3+1+ | 6/8 | Tunbridge Rocks (t) | DA-E | Johnson CD-3, 1744 | 27 | VN/GF |
//5-11/111//133/335//551+/1+3+1+ | 6/8 | Tunbridge Rocks (t) | DA-E | Walsh CD-2.2, 1735 | 4 | VO/OB/GF/FL |
//5-11/111//133/335//551+/1+3+1+ | 6/8 | Tunbridge Rocks (t) | DA-E | Walsh CD-3.2, 1749 | 4 | VN/OB/GF |
//511111/3131//62222/6262//51111/3131// | C/ | Happy Cobler, The (t) | MS-E | Vickers MS, 1770 | 138 | MI |
//5-1/11//1/13//21/23 | 2/4 | Bold Dragoon, The (t) | AI-A | Riley Flute 1, 1814 | 92 | FL |
//5-111/113//2123/112//3432/2 | C/ | Bold Dragoon, The (t) | AM-A | Huntington MS, 1817 | III.61 | FL/VN |
//5-1/11//1/13//232/13 | 6/8 | Quick Step (grand National March) (t) | AI-A | American Sheet Music | PF | |
//5-/1-1//1/1-1//5-/1-1 | Enemy Is Both Infantry and Cavalry, The (t) | IC-E | Gilbert Bugle, 1804 | 3 | BU | |
//5-/1-1//1/1-1//5-/1-1 | 2/4 | Enemy Has Infantry and Cavalry, The (t) | IC-E | Potter Bugle, 1817 | 9 | BU |
//5-11/111//5-22/212//333/333 | 6/8 | IC-E | Forest Harmony-2, 1733 | 44 | 2HN/GF/TR/VN | |
//5-111115-5-1- | Prelude Pour le Bruit de Guerre.1er (t) | MS-F | Philidor MS, 1705 | 35 | TR | |
//5-1/11//12/11//23 | C | Sally's New Answer (t) | SS-E | SS, Folger-C42.4 | 49 | VO+FL |
//5111/1216-//5-6-12/321//4222/2321 | C | Masons Apron (t) | AI-A | Riley Flute 2, 1817 | 91 | FL |
//5111/1223//3234321/25-5-34//5111/1223 | 2/4 | Barbarinis Tambourine (t) | DA-E | Walsh CD-2.4, 1747 | 112 | MI |
//5111/1223//3234321/25-5-34//5111/1223/ / |
2/4 | Barbarinis Tambourine (t) | DA-E | Walsh CD-3.4, 1747 | 112 | VN/OB/GF |
//5-11/1123//27-5-/432//321/543//2 | 6/8 | Love In Disguise (t) | SS-E | SS, Harvard | 1 | VO,KBF+GF/GT |
//5-11/1123//27-5-/432//321/543//2 | 6/8 | Love In Disguise (t) | SS-E | SS, Harvard | 1 | VO,KB+GF |
//5-1/111//23/333//535/424 | C | Irish Brigand, The (t) | AM-A | Nixon MS, 1776 | 38 | FI |
//5-11/11//234/31//443/25 | C/ | Dialogue Between Teague An Irish Priest and the arch-Bishop of Paris, A (t) | SC-E | Pills 1, 1719-20 | 244-5 | VO |
//5-/11//1/1234//534/534 | 2/4 | Battle of the Nile, The. Vivace (t) | AI-A | American Sheet Music | PF | |
//5-11//11234//565//54//351//247-// | 3/8 | Swabia (t) | AM-A | Hoff MS, 1797 | No. 37 | GF |
///5-11//11/25//315-/11 | 6/8 | Always a Dashing Gay Young Fellow (t) | AI-A | Riley Flute 4, 1826 | 34 | FL |
//51/111//31/31//62/222 | 2/4 | Happy Cobler, The (t) | DA-E | Thompson CD-2, 1765 | 22 | VN/GF/OB |
//51/111//31/31//62/222// | 2/4 | Happy Cobler, The (t) | DA-E | Thompson CD-2a, 1765 | 20 | VN/GF/OB |
//51/111//31/31//62/222// | 2/4 | Happy Cobler, The (t) | DA-E | Universal Magazine | 2:362, 1758 | MI |
//51111/3151//31111/543//42222/4242// | C | Cameronian Rant (Scotch) (t) | DA-E | Wilson Companion, 1816 | 66 | MI |
//5-111/1//316-1/7-2//1543/5// | C/ | Slow March, A (t) | MS-S | Fife MS, 1780 | 191,19v | 1FI OR 2FI/VN |
/5-//11/11//321/321//22/22// | 2/4 | Récréations de la Société, Les. Contre-Danse à Dou | DA-F | Landrin CD BN, 1775 | 12 Feuille | KB |
//5-111/132//16-1/15-1//121/123// | 6/8 | No. 2. 1st Set (t) | AI-A | Mann Quadrilles-1, 1825 | 2 | PF,HP |
//51111/3223//51111/1+2+3+2+//1+1111/322 3 |
C/ | Whigs of Fife, The (t) | DA-E | Skillern CD, 1780 | 64 | VN/GF/OB |
//51111/3223//51111/1+2+3+2+//1+1111/322 3// |
C/ | Whigs of Fife, The (t) | IC-S | Stewart Reels, 1775 | 24 | VN/GF,VC/HA |
//5-/11//11/33//33/55 | C | Handle's Water Piece (t) | AM-A | Beach MS, 1801 | 54 | 2MI |
//5-/11//11/33//33/55 | C | Handel's Water Piece (t) | AM-A | Canfield MS, 1823 | 58-60 | 2FL |
//5-/11//11/33//33/55 | C | Water Musick, The (t) | IC-E | Forest Harmony-2, 1733 | 28-29 | 2HN/GF/TR/VN |
//5-/11//11/33//33/55 | C | Handel's Water Peice (t) | IC-E | Thompson Oboe, 1758 | 28-29 | 2OB |
//5-/11//11/33//33/55 | C | Handle's Water Piece (t) | AM-A | Van Schaack MS, 1820 | 16-17 | 2FL |
//5-/11//11/33//33/55 | C | Handel's Waterpiece (t) | AM-A | Woodruff MS, 1803 | 53-55 | 2MI |
//5-/11//11/33//33/55//5 | C | Water Musick, The (t) | IC-E | Warlike Musick, 1760 | 22-23 | HAF |
//5-1/11//13/35//43/21// | 2/4 | Honey Moon (t) | AI-A | Admired Cots-1.4, 1825 | 2 | PF |
//5-1/11//13/35//43/21 | 2/4 | Honey Moon, The (t) | IC-E | Balls Amus 3, 1815 | 4 | FL/VN |
//5-1/11//13/35//43/21 | 2/4 | Honey Moon (t) | IC-E | Balls Amus 3, 1830 | 4 | FL/VN |
//5-1/11//13/35//43/21 | 2/4 | Honey Moon (t) | AM-A | Clarke MS, 1800 | 21 | MI |
//5-1/11//13/35//43/21// | 2/4 | Honey Moon, The (t) | MS-S | Fife MS, 1780 | 776,85r | 1FI OR 2FI/VN |
//5-1/11//13/35//43/21// | 2/4 | Honey Moon, The (t) | AI-A | Honey Moon CD, 1807 | 1-2 | PF |
//5-1/11//13/35//43/21 | 2/4 | Augusta Quick Step (t) | AM-A | Hooves MS, 1817 | 38 | FI |
//5-1/11//13/35//43/21 | Favourite Dance In the Honey-Moon (t) | AM-A | Hooves MS, 1817 | 49 | FI | |
//51+/1+1+//1+3+/3+5+//4+3+/2+1+// | 2/4 | Honny Moon, The (t) | AM-A | Johnson, S. MS, 1807 | 2 | FI |
//5-1/11//13/35//43/21 | 2/4 | Honey Moon (t) | AI-A | Paff Amus 1, 1812 | 3 | FL/VN |
//5-1/11//13/35//43/21 | 2/4 | Dance In the Honey Moon (t) | AI-A | Riley Flute 2, 1817 | 66 | FL |
//5-1/11//13/35//43/21 | 2/4 | Augusta Quick Step (t) | AI-A | Robbins D&F, 1812 | 23 | FI |
//5-1/11//13/35//43/21 | 2/4 | Favorite Dance, In the Honey Moon (t) | AI-A | Shaw Gentlemen, 1807 | 19 | 2CL/VN, FL,BS/VC |
//5-1/11//13/35//43/21 | 2/4 | Honey Moon (t) | AI-A | Whiteley Prec, 1816 | 61 | 2MI,B |
//5-1/11//13/35//43/21 | 2/4 | Dance In the Honey Moon (t) | AI-A | Williams Fife, 1819 | 37 | FI |
//5-1/11//13/35//43/21// | 2/4 | Honey Moon (t) | AI-A | Willig CD-1, 1812 | 4 | PF/VN |
//5-1/11//13/35//43/21// | 2/4 | Honey Moon (t) | DA-E | Wilson Companion, 1816 | 111 | MI |
//5-1/11//13/35//43/21// | 2/4 | Honey Moon (t) | AM-A | Winnington MS, 1810 | 18 | KB |
//5-111/1335//4321/7-25-//5-111/1335 | C | Dance In the Honeymoon (t) | AM-A | Kingsley MS, 1795 | II,4 | MI |
//5-111/1335//4321/7-25-//5-111/1335// | C | Dance In the Honeymoon (t) | AM-A | White, G. MS, 1790 | 112-113 | VN |
//5-1/11//13/35//53/21// | 2/4 | Dance In the Honey Moon (t) | AI-A | Willig Fife, 1826 | 19 | FI |
//5-111/135//4321/6-7-1//27-5-/27-5- | C | My Father Said That He Would Hire to Me a Man (t) | IC-S | Aird 3, 1788 | 157 | FI/GF/VN |
//5-1111/5-1111/5-1111/5-1111/5-1111 | A Cheval (t) | MS-E | Kusser MS, 1710 | 311 | TR | |
//5-1111/5-1111/5-1111/5-1111/5-1111 | A Cheual (t) | IC-F | Mersenne Harm, 1636 | 5:264 | TR | |
//51/111//51/31//51/111 | 2/4 | Cameronian's Rant, The (t) | IC-S | Aird 1, 1782 | 38 | FI/VN/GF |
//51111/5131+//51111/536//42222/4232// | C | Cameronian Rant (t) | AI-A | Carrs PC, 1800 | 22-23 | GF/VN/FL |
//51111/5131+//51111/536//42222/4232 | C/ | Cameronians Rant (t) | MS-S | Gillespie MS, 1768 | 109 | VN |
//51111/5131//51111/536//42222/4232// | C/ | Cameronians Reel, The (t) | IC-S | Stewart Reels, 1775 | 6 | VN/GF,VC/HA |
//51111/5131+//51111/536//42222/4232// | C | Cameronians Rant (t) | AM-A | White, G. MS, 1790 | 53 | VN |
//51111/5131//5116/543//42222/4232// | C/ | Cammeronians Rant, The (t) | MS-E | Vickers MS, 1770 | 24 | MI |
//51+1+1+1+51+3+5+// | Attention Rear Guard (t) | IC-E | Hyde Bugle, 1818 | 45 | BU | |
//51111/5146//51111/536//42222/4262 | C | Cameronian Rant (t) | MS-E | Hammersley MS, 1790 | 86 | MI |
//51111/5146//51111/536//42222/4262 | C/ | Cameronian Rant (t) | DA-E | Walsh CD-3.3, 1749 | 21 | VN/OB/GF |
//51111/5151//31111/535//42222/4242 | C/ | Cameronian's Rant (t) | DA-E | Rutherf CD-2.1, 1756 | 24 | VN/GF/OB |
//51111/5151//31111/535//42222/4242 | C/ | Cameronian Rant (t) | DA-E | Thompson CD-1, 1757 | 94 | VN/GF/OB |
//51111/5151//31111/535//42222/4242// | C/ | Cameronian Rant (t) | DA-E | Thompson CD-1a, 1757 | 92 | VN/GF/OB |
//51111/5156//51111/536//42222/4232 | C/ | Cameronian Rant, The (t) | MS-E | Rainstorp MS, 1747 | 36 | MI |
//51111/5427//51111/7-124//51555/5427// | C/ | Four and Twenty Highlandmen (t) | MS-S | Young MS-2, 1734 | 84v | MI |
//51111/547//27-7-7-7-/247//51111/547 | C/ | Lochiel's Rant (t) | DA-E | Rutherf CD-2.1, 1756 | 64 | VN/GF/OB |
//5-/1-1//1/1-5-//5-/1-1 | Enemy Is Both Infantry & Cavalry, The (t) | IC-E | Barber Bugle, 1804 | Pl.1 | BU | |
//5-/1-1//1/1-5-//5-/1-1 | Enemy Is Infantry & Cavalry, The (t) | AM-A | Beach MS, 1801 | 72 | BU | |
//5-/1-1//1/1-5-//5-/1-1 | Enemy Has Both Infantry & Cavalry, The (t) | IC-E | British Bugle, 1798 | PL.8 | BU | |
//5-/1-1//1/1-5-//5-/1-1 | Enemy Has Both Infantry & Cavalry, The (t) | IC-E | British Bugle, 1799 | PL.8 | BU | |
//5-/1-1//1/1-5-//5-/1-1 | Enemy Is Infantry & Cavalry, The (t) | IC-E | Cooper Guide, 1806 | 3 | BU | |
//5/11+//1+/15//5/11+// | 2/4 | AI-A | Duane Compendium, 1809 | xix | BU | |
//5-/1-1//1/1-5-//5-/1-1 | Advance (t) | AI-A | Duane Riflemen, 1812 | 103 | BU | |
//5/11+//1+/15//511+// | Enemy Have Infantry & Cavalry, The (t) | IC-E | Hyde Bugle, 1818 | 45 | BU | |
//5-/1-1//1/1-5-//5-/1-1 | Enemy Has Both Infantry & Cavalry, The (t) | AI-A | US Riflemen, 1824 | PL15 | BU | |
//5-11/117-12//334/334//544/217-6- | C | Guard March (t) | AM-A | Marchant MS, 1783 | 35 | KB |
//5-1/11//17-1/24//31/6-2 | 2/4 | Lass of Richmond Hill (t) | AI-A | Balls Amus 1, 1815 | 22 | FL/FI/VN |
//5-1/11//17-1/24//31/6-2 | 2/4 | Lass of Richmond Hill, The (t) | SC-S | Edinburgh MM-1, 1792 | 218-219 | VO |
//5-1/11//17-1/24//31/6-2 | 2/4 | Lass of Richmond Hill, The (t) | AM-A | Hosmer MS, 1799 | 9 | GF |
//5-1/11//17-1/24//31/6-2// | 2/4 | Lass of Richmond Hill (t) | IC-E | Hyde Bugle, 1818 | 16 | 2BU,B |
//5-1/11//17-1/24//31/6-2 | 2/4 | Lass of Richmond Hill, The (t) | AI-A | Riley Flute 1, 1814 | 29 | FL |
//5-111/17-6-5-//5-111/17-6-5-//5-111/13 53 |
C | Evelein's Bower (t) | AM-A | Commonplace MS, 1811 | 18 | MI |
//5-111/17-6-5-//5-111/17-6-5-//5-111/13 53 |
C | Brandy O (t), or Peg of Darby (at) | AI-A | Riley Flute 1, 1814 | 43 | FL |
//5-111/17-6-5-//5-111/17-6-5-//5-111/13 53// |
C | Eveleen's Bower (t) | AM-A | White, G. MS, 1790 | 117 | VN |
//5-1/11//17-/7-7-//5-4/44 | 2/4 | Allegretto (t) | IC-E | Astor Oboe, 1800 | 13 | OB |
//51/11//21/21//21/3217-//1 | 2/4 | I know the world Sir 'tho I say't (fl) | TW-E | Padlock, 1768 | 8-9 | VO,KBF |
//5-1/11//2123/22//5-1/11 | C/ | French Tune (t) | IC-E | Simpson Horn, 1746 | 9 | HN |
//5-11/121//345/645//676/671+ | 6/8 | Song 182 (t), or Young Roger the Ploughman (at) | SC-E | Calliope, 1788 | 340-342 | VO |
//5-1/11//21/7-1//23/42 | 2/4 | Mind Husey What You Do (t) | IC-E | Preston Clar, 1797 | 13 | CL |
//5-111//217-1//2342 | 2/4 | Mind Hussey What You Do (t) | AI-A | Village Fifer, 1808 | 48 | FI |
//5-11//1217-1//2343//2//321 | 3 | How blest are lovers in disguise (fl) | SC-E | Watts MM-2, 1729 | 154-155 | VO/VN+FL |
//5-1/11//217-1/24//31/6-2 | C | Lass of Richmond Hill (t) | AM-A | Curtiss MS, 1800 | 124 | 2VN |
//5-1/11//217-1/24//31/6-2//1 | 2/4 | Lass of Richmond Hill, The (t) | AM-A | Hiester MS-2, 1793 | 2-3 | VO,KB |
//5-1/11//217-1/24//31/7-2// | 2/4 | Lass of Richmond Hill, The (t) | MS-S | Miller, J. MS, 1798 | 61 | FI |
//5-1/11//217-1/25//31/6-1//121/7-6-// | 2/4 | Lass of Richmond Hill, The (t) | AM-A | Hoff MS, 1797 | No. 136 | GF |
//5-1/11//217-1/25//31/6-2// | 2/4 | Lass of Richman's Hill, The (t) | MS-S | Fife MS, 1780 | 456,47v | 1FI OR 2FI/VN |
//5-111//22/212//33/321 | 6/8 | Black Joke (t) | AM-A | Eells MS, 1789 | 71 | MI |
//5-1/11//22/212//343/321 | 6/8 | Black Joak (t) | MS-E | Hammersley MS, 1790 | 43 | MI |
//5-1/11//22/212//343/321//232 | 6/8 | Black Joak (t) | AM-A | Simpson MS, 1750 | II,10 | FL |
//5-11/12//311/12//323/43 | 6/8 | Jigg (t) | IC-E | Simpson Horn, 1745 | 12 | 2HN |
//5-11/12//311/12//345/543 | 6/8 | King of Prusia Gigg (t) | AM-A | Hawkins MS, 1794 | II,72 | GF |
//5-11/12//311/13//5-7-2/23// | 6/8 | Doctor. 72 (t) | AM-A | Johnson, F. MS, 1820 | 44 | PF |
//5-11//1231//24217-1//275-//5- | 3/4 | John Hay's Bonnie Lassie (t) | SC-E | Calliope, 1746 | I,104 | VO,B+FL |
//5-11/1231//5-4-3-2-/1-//333/3231 | C/ | March 4 (t) | IC-E | Valentine March, 1759 | 2 | OB, 3 OTHER UNKNOWN PARTS |
//5-11/1232//111/12//333/3454 | C | March (t) | AM-A | Stiles MS, 1807 | 20-21 | MI |
//5-1/112//321/25-//5-34/334 | C/ | Red Coat Fifer (t) | AI-A | Fifer's Comp, 1805 | 20 | 2FI |
//5-1/11//232/212//343/321 | 6/8 | Black Joke (t) | AM-A | Murphey MS, 1790 | 13 | MI |
//5-11/123//23217-/6-5-//6-11/3456 | 6/4 | Air 10, Act Ii (t) | BA-E | Beggar's Wed, 1729 | T36M7 | VO |
//5-11//123//24321//7-122//355//645 | 3 | Minuet (t) | IC-E | Walsh Oboe, 1715 | 26 | OB |
//5-11/123//322/22//233/321 | 6/8 | Mackies, The (t) | DA-E | Johnson CD-4, 1748 | 83 | VN/GF |
//5-11/123//322/22//233/321 | 6/8 | Auretti's Maggot (t) | DA-E | Walsh CD-2.4, 1747 | 118 | MI |
//5-11/123//322/22//233/321// | 6/8 | Auretti's Maggot (t) | DA-E | Walsh CD-3.4, 1747 | 118 | VN/OB/GF |
//5-11/123//322/22//233/321//27-5- | 6/8 | Auretti's Dutch Skipper Dance. Presto (t) | IC-E | Delightful-2, 1745 | I,10 | GF |
//5-/11//12/33//33/55 | Handles Water Piece (t) | AM-A | Williams, J. MS, 1799 | 78 | CL | |
//5/1//11//2/34 | 2/4 | Air (t) | IC-E | Delightful-1, 1763 | I,8 | 2GF |
//5-11/123//42/7-6-5-//5-11/134 | 6/8 | Enchanted Wood, The (t) | DA-E | Thompson CD-5, 1788 | 49 | VN/GF/OB |
//5-11/123//42/7-6-5-//5-11/134// | 6/8 | Enchanted Wood, The (t) | DA-E | Thompson CD-5a, 1788 | 49 | VN/GF/OB |
//5-11/123//427-/7-12//345/654 | 6/8 | Freeborn Americans, The (t) | AM-A | Perkins MS, 1790 | 24 | MI |
//5111/2343434//5212432/3//1+555/61+4 | C/ | IC-E | Forest Harmony-2, 1733 | 44-45 | 2HN/GF/TR/VN | |
//5/1//11//2/34//4/3 | 2/4 | Reproach, The (t) | SS-E | SS, Folger-C42.3 | 191 | VO,KB+FL |
//5/1//11//2/34//4/3 | 2/4 | Reproach, The (t) | SC-E | Watts MM-6, 1731 | 49-50+51 | VO,HA+FL |
//5-11/123//44/42//3453/421 | 6/8 | Lilly, The (t) | IC-S | Aird 4, 1796 | 37 | FI/GF/VN |
//5-11/123//444/46//531/17-1// | 6/8 | Siege of Belgrade, The (t) | AM-A | Hoff MS, 1797 | No. 267 | GF |
//5-11/1234//531+6/5313//464/353// | C/ | Hornpipe (t) | AM-A | Hoff MS, 1797 | No. 150 | GF |
//5-11//123//531//26//531 | 3/4 | Lazy Mist, The (t) | IC-E | Caledonian PC, 1760 | XII,20 | GF/VN |
//5-11/123//531/26//531/27-5- | 6/4 | No Churchman Am I (t) | SC-S | Scots MM-6, 1803 | 606-607 | VO,PF |
//5-11//12//355443//325-4-//3-11//12 | 3/4 | Miss Spankie's Minuet (t) | IC-S | Gibb New Coll, 1798 | 12 | PF/VN,VC |
//511/123//565/321//322/235 | 6/8 | Araidh Nam Badan, Gaelic (t) | IC-S | Aird 5, 1797 | 66 | FI/VN/GF |
//511/123//565/321//322/235// | 6/8 | Araid Nam Cadon Gaelic (t) | MS-S | Fife MS, 1780 | 755,82v | 1FI OR 2FI/VN |
//5-11//123//6531//26//6531 | 3/4 | Lazy Mist, The (t) | SC-S | Scots MM-3, 1790 | 241 | VO,PF |
//5-1/112//36-/6-1//5-3-5-/6-11 | C | Pledge Me Brim to Brim (t) | AI-A | Riley Flute 4, 1826 | 46 | FL |
//5-1/11//25/55//31/11 | 2/4 | Grand Military Sonata, A. Quick March Off the Field (t) | IC-E | English Sheet Music | PF,VN | |
//5-111/27-1//321/27-7-2//5-111/27-1 | C | Devil Take the Minister, The (t) | AM-A | Gaylord MS, 1816 | 8r | 2MI |
//5-111/27-1//321/27-7-2//5-111/27-1 | C | Devil Take the Minister, The (t) | AM-A | Gaylord MS, 1816 | 8v | 4MI |
//5-1/11//31/11//24/7-2 | 2/4 | Emma's Choice (t) | IC-E | Balls Amus 3, 1815 | 25 | FL/VN |
//5-1/11//31/11//24/7-2 | 2/4 | Emma's Choice (t) | IC-E | Balls Amus 3, 1830 | 25 | FL/VN |
//5-1/11//31/11//24/7-2 | 2/4 | Emma's Choice (t) | AI-A | Paff Amus 1, 1812 | 17 | FL/VN |
//5-1/11//31/11//24/7-2 | 2/4 | Emma's Choice (t) | AI-A | Riley Flute 2, 1817 | 43 | FL |
//5-1/11//31/11//43/22 | 2/4 | Blue and Buff (t) | DA-E | Thompson CD-6.3, 1791 | 27 | MI |
//5-111/3111//5-111/311 | Trot (t) | IC-E | Broderip Sounds, 1799 | 19 | BU | |
//5-11131115-111311 | Trot (t) | IC-E | Hyde Trumpet, 1798 | 23 | BU | |
//5-11131115-111313// | Trot (t) | IC-E | Hyde Bugle, 1818 | 40 | BU | |
//5-111/3111//5-113/1//3// | Enemy Are Retreating, The (t) | IC-E | Hyde Bugle, 1818 | 45 | BU | |
//5-111/3111//5-113/1//3 | C | Enemy Are Retiring, The (t) | IC-E | Potter Bugle, 1817 | 10 | BU |
//5-11/131//131/1 | 6/8 | Advance (t) | AI-A | Holbrook Tactics, 1826 | PL11 | BU |
//5-11/131//131/1 | 6/8 | Advance (t) | AI-A | US Light Inf, 1830 | 123 | BU |
//5-11/131//131/1// | 6/8 | Advance (t) | AI-A | US Tactics, 1825 | 275 | BU |
//5-11/131//131/1 | 6/8 | Advance (t) | AI-A | US Tactics, 1834 | PL85 | BU |
//5-11/131//14-1/15-1//131/123 | 6/8 | Cathleen Mc Chree (t) | AI-A | Paff Amus 2, 1812 | 13 | FL/VN |
//5-11/131//16-1/15-1//131/123 | 6/8 | Cathleen Mc Chree (t) | AI-A | Riley Flute 1, 1814 | 3 | FL |
//5-11/131//21/15-//5-11/131 | 6/8 | Cymbal, La (t) | DA-E | Thompson CD-3, 1773 | 11 | VN/GF/OB |
//5-11/131//21/15-//5-11/131// | 6/8 | Cymbal, La (t) | DA-E | Thompson CD-3a, 1773 | 16 | VN/GF/OB |
//5-11/131//25-5-/5-5-6-//7-123/4321 | C | Royal Greenoch Volunteers New March, The (t) | IC-S | Scottish Sheet Music | 2 | PF+M |
//5-1/11//31/35//42/22 | 2/4 | King's Bench Plot, The (t) | AM-A | Kingsley MS, 1795 | I,42 | MI |
//5-1/11//3136/43//5-17-1/6-17-1 | C/ | Hornpipe (t) | AM-A | Turner MS, 1788 | I,73 | VN |
//51/11//31/36//51/11 | 2/4 | Battle of Sherra-Moor, The (t) | SC-S | Scots MM-3, 1790 | 290-291 | VO,PF |
//5-1/11//3/1//5-/1// | 2/4 | Changer de Front à Droite (t) | IC-F | Lelouterel Clairon, 1825 | pl. 6 | BU |
//5-1/11//3/1//5-/1// | 2/4 | Changer de Front à Gauche (t) | IC-F | Lelouterel Clairon, 1825 | pl. 6 | BU |
//5//1+1+1+3+1+55//51+1+//1+3+1+5// | 3/4 | Sargents Call (t) | IC-E | Hyde Bugle, 1818 | 41 | BU |
//5-11/131//7-12//431//6-6-6-/6-7-5- | 6/8 | Maid of the Mill, The (t) | AM-A | Eells MS, 1789 | 49 | MI |
//5-11/131//7-12/51//6-6-6-/6-7-5- | 6/8 | Maid of the Mill, The (t) | IC-S | Aird 6, 1803 | 31 | FI/VN/GF |
//5-11/131//7-12/51//6-6-6-/6-7-5- | 6/8 | Maid of the Mill (t) | AI-A | Blake Amus 1, 1824 | 13 | CL |
//5-11/131//7-12/51//6-6-6-/6-7-5- | 6/8 | Maid of the Mill (t) | MS-E | Carter MS, 1792 | 11 | MI |
//5-11/131//7-12/51//6-6-6-/6-7-5-// | 6/8 | Maid of the Mill, The (t) | MS-S | Fife MS, 1780 | 697,75v | 1FI OR 2FI/VN |
//5-11/131//7-12/51//6-6-6-/6-7-5- | 6/8 | Iv'e Kiss'd and Iv'e Prattled (t) | AI-A | Riley Flute 2, 1817 | 80 | FL |
//5-11/131//7-12/51//6-6-6-/6-7-5- | 6/8 | Maid of the Mill, The (t), or Favorite Dialogue, A (at) | SS-E | SS, Boston PL-1 | 103,1-3 | VO,HA+GF+GT |
//5-11/131//7-12/51//6-6-6-/6-7-5-//1 | 6/8 | Dialogue (t) | TW-E | Rosina, 1783 | 17 | VO,KB |
//5-11/131//7-125/316-/5-7-5-/1 | Maid of the Mill (t) | AM-A | Van Renssel. MS, 1782 | I,37 | VO,KB | |
//5-11/131//7-12/531//6-6-6-/6-7-5- | 6/8 | Maid of the Mill, The (t) | IC-S | Aird 3, 1788 | 159 | FI/GF/VN |
//5-11/131//7-12/531//6-6-6-/6-7-5- | 6/8 | Maid of the Mill, The (t) | AM-A | Eells MS, 1789 | 49 | MI |
//5-11/131//7-12/531//6-6-6-/6-7-5- | 6/8 | Maid of the Mill (t) | AM-A | Hawkins MS, 1794 | II,47 | GF |
//5-11/131//7-12/531//6-6-6-/6-7-5-// | 6/8 | Maid of the Mill, The. In Rosina (t) | MS-C | Molyneaux MS-1, 1788 | 54 | GF |
//5-11/131//7-12/531//6-6-6-/6-7-5- | 6/8 | Maid of the Mill (t) | AM-A | Murphey MS, 1790 | 14 | MI |
//5-11/131//7-12/531//6-6-6-/6-7-5- | 6/8 | Maid of the Mill, The (t) | AM-A | Pomeroy MS, 1790 | 9 | GF |
//5-11/131//7-12/531//6-6-6-/6-7-5-1 | 6/8 | Maid of the Mill, The (t) | AM-A | Cabot MS, 1784 | M6T10 | VO/GF |
//5-11/131//7-12/531//6-6-6-/6-7-6- | 6/8 | Maid In the Mill, The (t) | AM-A | Dickinson MS, 1800 | 27 | CL/GF/OB |
//5-11/131//7-12/532//16-6-/6-7-5- | 6/8 | Maid of the Mill (t) | AM-A | Dawes MS, 1790 | 15 | HA |
//5-11/131//7-12/532//6-6-6-/6-7-5- | 6/8 | I've Kiss'd and I've Prattled (t) | AI-A | Reinagle Fav-1, 1789 | 4 | PF/HA,VO |
//5-11/131//7-25/7-24//321/17-1 | 6/8 | Quick Step 4 (t) | IC-S | Corri Marches, 1791 | 4 | HA/PF |
//5-11/132//16-7-5-/12//333/354 | C | Reeds March (t) | AM-A | Stiles MS, 1807 | 54-55 | MI |
//5-11/13//2342/67//1+2+3+1+/646//531 | 6/8 | Irish Beauties, The (t) | DA-E | Longman CD, 1781 | 20 | VN/OB/GF |
//5-/11//1/3234//51/3234//5 | 2/4 | Cottillon Ongres (t) | MS-M | Garcia MS, 1772 | 99 | MI |
//5-11/13//24321/6-5- | 6/4 | Air 6 (t) | BA-E | Flora, 1729 | T9M2 | VO |
//51+1+1+3+3+1+1+1+3+3+// | Call In the Rear Guard (t) | IC-E | Hyde Bugle, 1818 | 45 | BU | |
//5-1/11//33/1//55/531 | 2/4 | Bang Up. Quick March (t) | IC-E | Jones Bugle, 1805 | 7 | BU |
//5-11//133//22123//15-//133//355 | 3/4 | Waltz (t) | IC-S | Pandean Coll 2, 1810 | 27 | PF |
//5-11//133//321//55-//5-11//133 | 3/8 | Waltz (t) | IC-S | Pandean Coll 1, 1810 | 12 | PF |
//5-11/133//354//3/243//21/17-// | 2/4 | Three Sisters, The (t) | AI-A | Cinderella Cots, 1831 | 2 | MI,B |
//5-11/133//422/254//315-/6-21 | 6/4 | May We Live All the Days of Our Lives (t) | IC-E | Cahusac Flute, 1788 | 26 | GF |
//5-11/133//422/254//315-/6-21 | 6/8 | May We Live All the Days of Our Lives (t) | IC-E | Thompson Oboe, 1790 | 20 | OB |
//51+1+/1+33//4342/44//42+2+/2+44 | C/ | General Macombs Grand March (t) | AI-A | American Sheet Music | 4 | PF |
//51+1+/1+33//4342/44//42+2+/2+44 | C | General Macomb's March (t) | AI-A | Paff Amus 4, 1817 | 3 | FL/VN |
//5-11/1//33///5-11/1 | C | Call In the Rear Guard (t) | IC-E | Potter Bugle, 1817 | 7 | BU |
//5-1/1//13/35//43/21 | 2/4 | Dance In the Honeymoon (t) | AI-A | Blake Amus 3, 1825 | 11 | CL |
//5-1/1//13/35//43/21 | 2/4 | Honey Moon, The. Tattoo (t) | AI-A | Camp Dupont, 1816 | 12 | 2GF/FI/VN,PF |
/5-1//1/13//35/43//21/ | 2/4 | Honey Moon, The (t) | AM-A | Duport MS-2, 1800 | 5r | VN |
//5-11/13//355/51+//11/212// | 6/8 | Chasse 1809. Baltimore (t) | AM-A | Duport MS-1, 1780 | 30 | VN |
//5-11//133//565432//15-3-//5-11//1 | 3/8 | Six Imitations-6. A German Waltz (t) | AI-A | Musical Jnl-2, 1800 | II,38-40 | PF |
//5-11//133//565432//15-3-//5-11//133 | 3/8 | Six Imitations-6 (t), or German Waltz (at) | AI-A | Musical Jnl-1, 1800 | II,36 | FL/VN |
//51+/1+1+//3+4+/5+3+//4+3+/2+1+ | Farewell Sweet Hearts & Wives (t) | AM-A | Blake MS, 1776 | 30 | FI | |
//5-11/135//5-11/135//5-6-5-/5-4-3-// | 6/8 | Trip to Gibralter, A (t) | MS-S | Fife MS, 1780 | 596,64r | 1FI OR 2FI/VN |
//5-11/135//5-11/135//5-6-5-/5-4-3-// | 6/8 | Constitution of America, The (t) | AM-A | Hoff MS, 1797 | No. 266 | GF |
//5-1/11//35/53//46/21 | 2/4 | Quick Step (t) | IC-E | Potter Sett, 1800 | 6 | 2FI,BU |
//5-111//3553//53217- | 2/4 | Fairwell Sweet Harts & Wives (t) | AM-A | Gibbs MS, 1777 | 28 | FI |
//5-1/11//35/53//54/32 | 2/4 | Farewell to Wives and Sweethearts (t) | AM-A | Perkins MS, 1790 | 3 | MI |
//5-1/1//135/543//22/2 | 6[/8] | Jean Pudding and Jauck Roast a Beef (t) | DA-E | Johnson CD-7, 1756 | 18 | VN/GF |
//51+1+/1+//51+1+/1+// | 2/4 | In Battery (t) | AI-A | Anderson Bugle, 1839 | 191 | BU |
//5-1/11//5-1/11//5-1/5-1 | Advance or Charge Bayonets (t) | IC-E | Gilbert Bugle, 1804 | 3 | BU | |
//5-111/5-111//5-15-1/5-111//5-111/5-111 |
4 | To Recall Detachments (t) | AI-A | Cooper System, 1836 | 237 | BU |
//5-111/5-111//5-15-1/5-111//5-111/5-111 |
C | Rappel, Le (t) | IC-F | French Ordinances | App.25 | BU |
//5-111/5-111//5-15-1/5-111//5-111/5-111 // |
C | Rappel, Le (t) | IC-F | Lelouterel Clairon, 1825 | pl. 6 | BU |
//5-111/5-111//5-15-1/5-111//5-111/5-111 // |
4 | To Recall Detachments (t) | AI-A | US Tactics, 1835 | 18 | BU |
//5-11/15-//1232/1//445/31 | C | Heard Ye Not the Din from Far? (t) | AI-A | Goodale Dir, 1819 | 57 | 2MI,B |
//511/15-//133/31//355/51 | C/ | Dead March (t) | IC-E | Warlike Musick, 1760 | 40 | GF/VN/HA |
//5-111+/513//5-111+/5131+//5-111+/513 | C/ | Johnny Pringel (t) | AI-A | Paff Amus 4, 1817 | 19 | FL/VN |
//5-111//5-222//345324 | 3/4 | Leonard's Minuet (t) | AM-A | Bolling MS, 1790 | 39 | VN/GT |
//5-11//1//5-22//2//5-33//345 | 3/4 | Trumpet Minuet (t) | IC-E | Delightful-2, 1745 | IV,32 | GF |
//5-11//1//5-22//2//5-33//345// | 3/4 | Trumpet Minuet (t) | IC-E | Prelleur Modern, 1731 | 18-19 | GF |
//5-111//5-222//5-4545//54321//5-111//6- 2242 |
3/8 | Battle of Leipsig, The. Saxons Quick Step (t) | IC-E | English Sheet Music | PF,VN/FL,VC | |
//51+1+/1+55//456/5//671+/567 | 6/8 | Cricket (t) | AM-A | Allen, W. MS, 1790 | 81 | VO,B |
//5-/111//5-5-5-/111//3/111 | 2/4 | Corporal's Call (t) | IC-E | Potter Bugle, 1817 | 13 | BU |
//51+1+1+555//1+1+1+3+1+1+//1+3+1+5// | Corporals Call (t) | IC-E | Hyde Bugle, 1818 | 41 | BU | |
//5-11/15-//6-11/15-//6-11/123// | 6/4 | Da Mihi Manum withe Variations (t) | MS-C | Molyneaux MS-2, 1788 | 85-86 | 1 OR 2 GF |
//5-11/15-//6-11/15-//6-11/123 | 6/4 | Da Mihi Manum (t) | IC-E | Thumoth, 1785 | 82-83 | GF/VN,HA |
//511/15//64/45//1+6/65 | 2/4 | Sally (t) | AI-A | Robinson Coll, 1818 | 40 | FI,DR |
//5-111/6-111//2123/2222//5-111/6-654//2 |
C/ | Lady Charlotte Dundas's Reel (t) | DA-E | Longman CD, 1781 | 17 | VN/OB/GF |
//51/11//61/11//27-/5-4 | 2/4 | Ballini's Rondo (t) | AI-A | Balls Amus 2, 1815 | 4 | FL/FI/VN |
//51/11//61/11//77/77//1+ | 2/4 | My counsel take or else I'll make (fl) | TW-E | Waterman, 1782 | 2-3 | VO,KBF |
//5-1116-1//6-15-//17-1234//3217-6-5-//5 -1116-1 |
3/8 | Favorite Quick Step (t) | AI-A | Robinson Coll, 1826 | 64 | MI |
//5/1+1+//1+6/2+//1+767/567 | 2/4 | Forest of Bondy (t) | AI-A | Riley Flute 3, 1820 | 90 | FL |
//511/16//511/12//3135/43// | C | Scotch March, A (t) | IC-E | Longman March 3, 1770 | 12 | 2VN/OB/GF, 2HN, B |
//511/16//511/16//543/432 | 6/8 | Charles's Jigg (t) | DA-E | Johnson CD-6, 1751 | 100 | VN/GF |
//511/16//511/16//543/432 | 6/8 | Charles's Jigg (t) | DA-E | Thompson CD-1, 1757 | 21 | VN/GF/OB |
//511/16//511/16//543/432// | 6/8 | Charles's Jigg (t) | DA-E | Thompson CD-1a, 1757 | 23 | VN/GF/OB |
//51/11+6//51/11+6-//56/54 | C | Lesson 6 (t) | IC-E | Broderip Harp, 1790 | 15-16 | HA |
//51/11+6//51/11+6//6535/5424 | C/ | Evening (t) | AM-A | Hiester MS-1, 1793 | 40-41 | KB,VO |
//51/11+6//51/11+6//6535/5424 | C | Evening (t) | AM-A | Mass. MS, 1790 | 12,15 | FL |
//51/11+6//51/11+6//6535/5424//3 | C | Sonnet 3 (t) | AI-A | Hours of Love, 1799 | 6-7 | VO/VN,HA+GF/GT |
//51/11+6//51/11+6//6535/6424 | C | Evening (t) | AM-A | Otis MS, 1793 | 33 | VN/FL |
//51/11+6//51/11+6//6536/5424//34543/32 | C/ | Evening (t) | AM-A | Dawes MS, 1790 | 18-19 | VO,HA |
//51/11//65/1+//65/1+ | 2/4 | IC-E | Delightful-1, 1763 | VI,29 | 2GF | |
//5111//651//7-117-1//25-//423127- | 3/4 | Retiremt., The (t) | SS-E | SS, Folger-C42.3 | 233 | VO,KB+FL |
//5111//651//7-117-//25-//423127- | 3/4 | Retirement, The (t) | SS-E | SS, Folger-C42.2 | 105 | VO,KB+F |
//5-11/16-6//5321/1235-//5-11 | C | Alexis (t) | SS-E | SS, Harvard | 1 | VO,KBF+GF |
//5-11/17-1//121/531//5-11/17-1 | 6/8 | Murdoch O Blaney (t) | AM-A | Beck MS, 1786 | 55 | GF |
//5-1/11//7-12/1//34/52//4321 | 2/4 | Harriot (t) | SS-E | SS, Harvard | 1,DUP | VO,B |
//5-11/17-1//222/212//343/321 | 6/8 | Sprig of Shillalagh (t) | AM-A | Beach MS, 1801 | 28 | MI |
//5-11/17-1//222/212//354/321// | 6/8 | Sprig of Shillalah (t) | AM-A | Washburn MS, 1816 | 2 | GF |
//5-11/17-1//222/22//343/331 | 6/8 | Sprig of Shillelah and Shamrock so Green, The (t) | AI-A | Paff Amus 2, 1812 | 24 | FL/VN |
//5-11/17-1//222/234//32/234 | 6/8 | Black Mary (t) | IC-S | Aird 5, 1797 | 50 | FI/VN/GF |
//5-11/17-1//232/212//321/16-5-//6-11 | 6/8 | Favorite Irish Song, The (t) | SS-E | SS, Harvard | 1 | VO,KB |
//5-11/17-1//232/234//321/17-1 | 6/8 | Tristram Shandy (t) | IC-S | Aird 1, 1782 | 66 | FI/VN/GF |
//5-11/17-1//232/234//321/17-1 | 6/8 | Tristram Shandy (t) | AM-A | Kingsley MS, 1795 | I,36 | MI |
//5-11/17-1//232/531//5-11/17-1 | 6/8 | Mortough O Bleang by Mr U (t) | AM-A | Herreshoff MS, 1790 | 3R | MI |
//51/11//7-123/4234//3123/4567 | Hollandisch Hop (t) | AM-A | Turner MS, 1788 | I,74-75 | VN | |
//5-11/17-1//234/531//5-11/17-1// | 6/8 | Paddy the Piper. A Cotillion (t) | AI-A | Riley Cots-2, 1824 | 4 | PF |
//5-11/17-1//234/531//5-11/17-1 | 6/8 | Paddy the Piper (t) | AI-A | Riley Flute 1, 1814 | 13 | FL |
//5-111/7-124//3115-/3-5-//6-7-16-/7-124 |
C | My Jo Janet (t), or Song 36 (at) | SC-E | Orpheus Cal-2, 1733 | T80-82MOP81 | VO,HA |
//5-111/7-124//3115-/3-5-//6-7-16-/7-124 |
C | My Jo Janet (t) | SC-S | Scots MM-2, 1788 | 114 | VO,PF |
//5-1/11//7-12/5-1//7-12/5-4//3 | 2/4 | Lume, Le (t) | DA-E | Longman CD, 1781 | 49 | VN/OB/GF |
//5-11/17-1//25-/42//351/17-1 | 6/8 | North Carolina Jigg (t) | AI-A | Duport CD, 1800 | 15 | PF |
//5-1/11//7-127-/1//2342/17-6-5- | C/ | Lira Lira (t) | IC-S | Aird 4, 1796 | 70 | FI/GF/VN |
//5-1/11//7-127-/1//2342/17-6-5- | C | Lira Lira la (t) | IC-E | Astor Oboe, 1800 | 16 | OB |
//5-1/11//7-127-/1//2342/17-6-5- | 2/4 | Lira Lira la (t) | AI-A | Balls Amus 2, 1815 | 17 | FL/FI/VN |
//5-1/11//7-127-/1//2342/17-6-5-// | C | Jolly Soldier, The (t) | MS-S | Fife MS, 1780 | 447,46v | 1FI OR 2FI/VN |
/5-1/11//7-127-/1//2342/17-6-5-// | C/ | Lara Lara La (t) | IC-E | Hyde Bugle, 1818 | 14 | 2BU,B |
//5-1/11//7-127-/1//2342/17-6-5- | C | Lira Lira (t) | IC-E | Preston Fife, 1796 | 27 | FI/GF |
//5-1/11//7-127-/1//2342/17-6-5- | C | Little Thinks the Soldier's Wife (t) | AI-A | Riley Flute 4, 1826 | 30 | FL |
//5-1/11//7-127-/1//2342/17-6-5-//5-12/1 |
C/ | Little thinks the towns man's wife (fl) | TW-E | Surrender/Cal, 1792 | 24-5 | PF,VO |
//5-1/11//7-1/27-//4/31// | 2/4 | Batchelors Button (t) | DA-E | Straight & Skillern CD, 1775 | 83 | VN/GF/OB |
//5-11/17-1//27-/5-//5-22/234// | 6/8 | Chaptor of Kings, The (t) | MS-S | Fife MS, 1780 | 444,46r | 1FI OR 2FI/VN |
//5-11/17-1//27-/5-5-//5-22/234 | 6/8 | Chapter of Kings (t) | IC-S | Aird 5, 1797 | 25 | FI/VN/GF |
//5-11/17-1//27-/5-5-//5-22/234 | 6/8 | Bangor Rout (t) | DA-E | Thompson CD-7.1, 1797 | 11 | MI |
//51+1+/1+71+//2+75/56//543/234 | 6/8 | Quick March (t) | IC-E | Coleman Marches, 1790 | 22-23 | HA |
//5-11/17-1/321//5-22/212/432 | 9/8 | Maggotty Nan (t) | DA-E | Johnson CD-6, 1751 | 12 | VN/GF |
//5-11/17-1//322/24//321/355- | 6/8 | Argyll Is My Name (t) | SC-S | Scots MM-6, 1803 | 578-579 | VO,PF |
//5-11/17-1//421/12//353/423 | 6/8 | Oh Think Not My Spirits Are Always as Light (t) | AI-A | Paff Amus 2, 1812 | 15 | FL/VN |
//5-11/17-1//421/7-12//3453/423 | 6/8 | #49 (t), or John O'Reilly the Active (at) | IC-E | Bunting, 1796 | 27 | PF |
//5-11/17-1//6-1/5-//5-6-7-/123 | 6/8 | Tekeli (t) | AI-A | Merrimack Coll, 1833 | 91 | 2MI,B |
//5-11/17-1//6-22/22//345/213 | 6/8 | Robin's Misfortune (t) | AM-A | Hitchcock MS, 1800 | 8 | VO,KB |
//51/11+71+6//51/11+6//6535/5424// | C | Evening Sonnet, The (t), or Evening Sound, The (at) | AM-A | Litten MS, 1800 | 26 | VN |
//5-11/17-16-//5-4-3-2-/1-//133/3231 | C/ | Light Horse March, The (t) | IC-E | Bennett Fife, 1770 | 17 | FI ; FI |
//5-11/17-16-//5-4-3-2-/1-//133/3231 | C/ | Light Horse March (t) | IC-E | Cahusac Oboe, 1790 | 25 | OB |
//5-11/17-16-//5-4-3-2-/1-//133/3231 | C/ | Light Horse March, The (t) | IC-E | Handel March 2, 1770 | 9 | VN/GF/OB |
//5-11/17-16-//5-4-3-2-/1-//133/3231 | C/ | Light Horse March, The (t) | IC-E | Longman Fife, 1770 | 25 | FI |
//5-11/17-16-//5-4-3-2-/1-//133/3231 | C/ | Light Horse March, The (t) | IC-E | Longman Oboe, 1770 | 29 | OB |
//5-11/17-16-//5-4-3-2-/1-//133/3231 | C/ | Light Horse March, The (t) | IC-E | Longman Oboe, 1780 | 29 | OB |
//5-11/17-16-//5-4-3-2-/1-//133/3231 | C/ | Fourth March by Valentine (t) | MS-E | Shepherd MS, 1787 | 13 | 2MI |
//5-11/17-16-//5-4-3-2-/1-//133/3231 | C/ | Duke of Dorset's March (t) | IC-E | Skillern Amus, 1785 | 94 | 2GF |
//5-11/17-16-//5-4-3-2-/1-//133/3231 | C/ | Light Horse March, The (t) | AI-A | Willig Fife, 1805 | 17 | FI |
//5-11/17-1//7-22/24//345/543// | 6/8 | Quick Step, A (t) | MS-S | Fife MS, 1780 | 501,53r | 1FI OR 2FI/VN |
//5-11/17-17-//5-4-3-2-/1-//133//3231 | C/ | Light Horse March, The (t) | AM-A | Aborn MS, 1790 | 96 | MI |
//5-1/117-//22/212//33/321 | 6/8 | Black Joke (t) | AM-A | Eells MS, 1789 | 69 | MI |
//5-1/11//7-2/2//42/23- | C | Cottager, The (t) | AM-A | Bolling MS, 1790 | 51 | VN/GT |
//5-1/11//7-2/2//42/31 | 2/4 | Cottagers, The (t) | AM-A | Dickinson MS, 1800 | 13 | CL/GF/OB |
//5-1/11//7-2/2//42/31 | 2/4 | Cottagers, The (t) | AI-A | Herrick Preceptor, 1807 | 28-29 | MI,B |
//51+/1+1+//75/5//46/66//42/2 | C | Joan to Her Lady (t) | SC-E | Pills 4, 1719-20 | 80-81 | VO |
//51+1+/1+765//51+1+/1+765//51+1+/1+3+5+ 3+// |
C | Captn & Pretty Girl of Darby O, The (t) | MS-S | Fife MS, 1780 | 271,28v | 1FI OR 2FI/VN |
//5-11/17-6-//5-5-/21//7-55/543//22 | 6/8 | To be made in such a pickle (fl) | TW-E | Lionel & Clar, 1768 | 30-33 | 4VO,HAF |
//5/1+1+//1+76/564//32/235 | 6/8 | Paternal Love (t) | AM-A | Swan MS, 1775 | 5R-5V | VO |
//51+1+/1+76//565/535//51+1+/1+// | 6/8 | Go to the Devil & Shake Your Self (t) | AM-A | Litten MS, 1800 | 20 (30) | VN |
//51+1+/1+76//565/535//51+1+/1+2+// | 6/8 | Go to the Devil & Shake Yourself (t) | AM-A | Adams, J. MS, 1808 | 1R | MI |
//5-11/17-6-//5-6-5-/5-3-5-//5-11/12 | 6/8 | Go to the Devil & Shake Yourself (t) | IC-E | Astor Oboe, 1800 | 12 | OB |
//5-11/17-6-//5-6-5-/5-3-5-//5-11/12 | 6/8 | Dance (t) | AI-A | Balls Amus 1, 1815 | 5 | FL/FI/VN |
//51+1+/1+76//565/535//51+1+/1+2+// | 6/8 | Go to the Devil & Shake Yourself (t) | IC-E | Cahusac Flute, 1798 | 17 | FL |
//5-11/17-6-//5-6-5-/5-3-5-//5-11/12 | 6/8 | Go to the Devil and Shake Yourself (t) | AM-A | Commonplace MS, 1811 | 31 | MI |
//51+1+/1+76//565/535//51+1+/1+2+// | 6/8 | Go to the Devel and Shak Yourself (t) | MS-S | Fife MS, 1780 | 628,67v | 1FI OR 2FI/VN |
//51+1+/1+76//565/535//51+1+/1+2+ | 6/8 | Go to the Devil and Shake Yourself (t) | AI-A | Fifer's Comp, 1805 | 57 | 2FI |
//5-11/17-6-//5-6-5-/5-3-5-//5-11/12 | 6/8 | Go to the Devil and Shake Yourself (t) | AI-A | Hazeltine D&F, 1810 | 46 | 2FI |
//5-11/17-6-//5-6-5-/5-3-5-//5-11/12 | C | Go to the Devil & Shake Yourself (t) | AM-A | Hooves MS, 1817 | 115 | FI |
//51+1+/1+76//565/535//51+1+/1+2+// | 6/8 | Lord Cornwallis Jigg (t) | AM-A | Litten MS, 1800 | 4 (30) | VN |
//5-11/17-6-//5-6-5-/5-3-5-//5-11/12 | 6/8 | Dance Go to the D--- (t) | AI-A | Riley Flute 1, 1814 | 48 | FL |
//51+1+/1+76//565/535//51+1+/1+2+ | 6/8 | Go to the Devil & Shake Yourself (t) | DA-E | Thompson CD-7.4, 1800 | 46 | MI |
//51+1+/1+76//565/535//51+1+/1+2+// | 6/8 | Go to the Devil and Shake Yourself (t) | AM-A | Washburn MS, 1816 | 6 | GF |
//51+1+/1+76//565/535//51+1+/1+2+// | 6/8 | Go to the Devil & Shake Yourself (t) | DA-E | Wilson Companion, 1816 | 86 | MI |
//5-11/17-6-//5-6-5-/5-4-5-//5-11/12 | 6/8 | Null and Void (t) | AI-A | Merrimack Coll, 1833 | 50-51 | 2MI,B |
//51+1+/1+76//565/545//51+1+/1+2+4+ | 6/8 | Go to the Devil and Shake Yourself (t) | AM-A | Shattuck MS, 1801 | 59 | MI |
//5-11/17-6-//6-22/212//321/6-7-1 | 6/8 | Air 48 (t) | BA-E | Polly, 1729 | T51M20 | VO,B |
//5-11//17-6-//7-22//21//321 | 3 | Susan's Complaint (t) | SC-E | Watts MM-1, 1729 | 62-64 | VO/VN+FL |
//5-11//17-6-//7-22/217-//133/321 | 6/4 | On the Queen's Progress to the Bath (t) | SC-E | Pills 2, 1719-20 | 230-3 | VO |
//5-11/17-6//7-22/27-//133/321 | 6/4 | Air 2 (t) | BA-E | Lottery, 1732 | 3 | VO |
//5-11/17-6-//7-22/27-//133/321 | 6/4 | Air 13 (t) | BA-E | Lover His Own R, 1736 | 23 | VO |
//5-11/17-6-//7-22/27-//133/321 | 6/4 | Air 47 (t) | BA-E | Village Opera, 1729 | 56 | VO |
//5-11/17-6-//7-22/27-//133/321//71 | 6/4 | Air 25 (t) | BA-E | Chambermaid, 1730 | 26 | VO |
//511/211234//511/31//1+76/531 | 6/8 | Dance de Naples (t) | AI-A | Riley Flute 3, 1820 | 33 | FL |
//5-1/121//15/564//34/531 | 6/8 | Cork Quick Step (t) | AM-A | Morse MS, 1811 | 29 | MI,B |
//5-1/12//12/15-//12/23// | 2/4 | O'er the Moor to Maggie (t) | DA-E | Straight & Skillern CD, 1775 | 71 | VN/GF/OB |
//5-112/1215-//6-223/2321//1234/5671+5 | C/ | O'er the Moor Among the Hedder a New Sett a Reel (t) | MS-S | Gillespie MS, 1768 | 109 | VN |
//5-112/1215-//6-223/2321//1234/5671+5// |
C/ | O'er the Moor Among the Hedder (t) | IC-S | Stewart Reels, 1775 | 9 | VN/GF,VC/HA |
//5-112/1215-//6-223/2321//3234/5671+5// |
C | O'er the Moor Among the Heather (Old Scotch) (t) | DA-E | Wilson Companion, 1816 | 46 | MI |
//5-112/1215-//6-223/4323//1234/5671+5 | C | O'er the Moor Amang the Heather (t) | SC-S | Scots MM-4, 1792 | 338 | VO,PF |
//5-112/1216-//6-223/2321//5-112/351+5// |
C/ | Over the Moor Amang the Hather (t) | MS-E | Vickers MS, 1770 | 78 | MI |
//5-1/12//12/17-//6-2/23 | 2/4 | O'er the Moor (t) | IC-E | Balls Amus 3, 1830 | 13 | FL/VN |
//5-1/12//12/17-//6-2/23 | 2/4 | O'er the Moor (t) | AI-A | Paff Amus 1, 1812 | 6 | FL/VN |
//5-1/121//232/212//343/321// | 6/8 | Black Joke (t) | MS-C | Molyneaux MS-2, 1788 | 32 | 1 OR 2 GF |
//51/12//123//4543/2321 | 2 | Merry Mortalls, The (t) | SS-E | SS, Folger-C42.4 | 265 | VO,KB+FL |
//5-112/12//3512/3512//3234342/3234342 | C/ | IC-E | Forest Harmony-2, 1733 | 46 | 2HN/GF/TR/VN | |
//51/121/356//765/427-/46 | 9/8 | Ratling Roaring Willy (t) | IC-S | Stewart Airs, 1788 | 2:96 | GF/VN/FI |
//51+1/21//51+1/21//51+5/61+6 | 6/8 | Merry Meeting (t) | DA-E | Walsh CD-3.6, 1754 | 43 | VN/OB/GF |
//5-1//121//52//345//52//345 | 3/8 | IC-E | Forest Harmony-2, 1733 | 33 | 2HN/GF/TR/VN | |
//51/121//53/1+7//6 | 6/8 | Winsome Kate (t) | AI-A | Gent's Amus, 1794 | 61 | GF/VN/VO |
//51/121//53/1+7//65/671+ | 6/8 | Winsome Kate (t) | AI-A | Caladonian Muse, 1798 | 123-24 | VO/PF/VN |
//51/121//53/1+7//65/671+//2 | 6/8 | He Loves His Winsome Kate (t), or Favorite Scotch Song, A (at) | AI-A | American SS-SM | 1-2 | KB,VO+GT |
//51/121//53/1+7//65/671+//2 | 6/8 | Winsome Kate (t) | AI-A | Scots MM, 1797 | 123-24 | VO,HA/PF |
//5-112/15-3-5-//1-223/2123//5-112/1653/ / |
C/ | Miss Parkers Real (t) | MS-E | Vickers MS, 1770 | 20a | MI |
//51/121//54/321//51/121// | 6/8 | Coares Gigg, The (t) | MS-S | Fife MS, 1780 | 147,13r | 1FI OR 2FI/VN |
//5-1/12//17-/11//23/21//7-1 | 6/8 | Loyal Ballad for the Kings Birth Day 1724, The (t) | SS-E | SS, Harvard | 1 | VO+FL |
//5-1/12//17-/11//23/21//7-1/25- | 6/8 | Air 37 (t) | BA-E | Decoy, 1733 | T47M12 | VO |
//5-1/12//17-12/11//23/2321 | C/ | Air 11, Act Ii (t) | BA-E | Love/Riddle, 1729 | T38M86 | VO |
//5-1/121//7-15-1/7-15-1//2123/4321 | C | Hornpipe (t) | AM-A | Huntington MS, 1817 | III.51 | FL/VN |
//5-1/121//7-23//123/4321 | C/ | Wood Walton Green (t) | PL-E | Playford 3-2, 1726 | 38 | VN |
//5-1/121//7-23//123/4321 | C/ | Wood Waltham Green (t) | DA-E | Walsh CD-2.3, 1735 | 249 | VN/OB/GF/CF |
//5-1/121//7-23//123/4321 | C/ | Wood Waltham Green (t) | DA-E | Walsh CD-3.6, 1754 | 95 | VN/OB/GF |
//5-1/121//7-23//123/4321 | C/ | Wood Waltham Green (t) | DA-E | Walsh NCDM-3, 1728 | 38 | VN/OB/FL |
//5-1/121//7-232//123/4321 | C/ | Sweet Richard (t) | DA-E | Walsh CD-2.3, 1735 | 112 | VN/OB/GF/CF |
//5-1/121//7-232//123/4321//354 | C/ | Sweet Richard (t) | DA-E | Johnson CD-1, 1740 | 19 | MI |
//5-1/121//7-232//123/4321//354 | C/ | Sweet Richard (t) | DA-E | Walsh CD-3.3, 1749 | 112 | VN/OB/GF |
//5-1/1//22/2//3234/5313 | 2/4 | Sailor's Glory, The (t) | IC-E | Balls Amus 3, 1815 | 33 | FL/VN |
//5-1/1//22/2//3234/5313 | 2/4 | Sailor's Glory, The (t) | IC-E | Balls Amus 3, 1830 | 33 | FL/VN |
//5-1/12//23/31//15-/5-1// | 6/8 | Ton du Relancé (t) | IC-F | Diderot Chasse, 1763 | 2:2:4 | HN |
//5-1/12//23/35//54/32// | 6/8 | Ton Lors Que Les Chiens Vont Bien (t) | IC-F | Diderot Chasse, 1763 | 2:2:3 | HN |
//5-11/225//311/7-1//222/234 | 6/8 | Wild Rover, The (t) | AM-A | Hooves MS, 1817 | 119 | FI |
//5-112/311//1334/55-//5-223/422 | C | Sweet Rosy Morn, The (t) | IC-E | Longman Horn, 1785 | 23 | HN |
//5-112/311//1334/55-//5-223/422 | C | Sweet Rosy Morn, The (t) | IC-E | Simpson Horn, 1746 | 20 | HN |
//5-112/311//1334/55-//5-223/422 | C | Sweet Rosy Morn, The (t) | IC-E | Thompson Horn, 1755 | 24 | HN |
//51/12//31/15//23/43// | C/ | Petit sauteur, Le (t) | DA-N | Andrez Recueil, 1780 | 10 | VN/FL/OB, B |
//51/12//31/15//23/43// | 2 | Tururienne, Las (t) | MS-G | Jayme MS, 1717 | 46 | MI |
//5-1/12//31/15-//5-2/23 | 6/8 | Morn Unbars the Gates of Light, The (t) | AI-A | Blake Amus 1, 1824 | 25 | CL |
//5-1/12//31/15-6-//5-12/12 | 2/4 | Divertiment (t) | IC-E | Jouve Marches, 1799 | PF,TAM,CYM/TRI | |
//5-11//231//22435//43//5-11//231 | 3/4 | Zapffenst. No 48. V. S (t) | MS-G | Darmstadt MS 1225 | 319-20 | 2MI |
//5-112/313//2342/17-5-//5-112/313 | C | Lasses of Dublin, The (t) | AI-A | Blake Amus 3, 1825 | 23 | CL |
//5-112/313//2342/7-5-//5-112 | C/ | Lasses of Dublin, The (t) | AI-A | Scots MM, 1797 | 73-74 | VO,HA/PF |
//5-112/313//2342/7-5-//5-112/31 | C/ | Meadows look chearfull the birds sweetly sing, The (fl) | TW-E | Poor Soldier, 1782 | 10 | VO,KB |
//5-112/313//2342/7-5-//5-112/313 | C/ | Song 44 (t), or Lasses of Dublin, The (at) | AI-A | American MM, 1798 | 117 | VO |
//5-112/313//2342/7-5-//5-112/313 | C/ | Lasses of Dublin, The (t) | AI-A | Caladonian Muse, 1798 | 73-74 | VO/PF/VN |
//5-112/313//2342/7-5-//5-112/313 | C/ | Lasses of Dublin, The (t) | SC-S | Edinburgh MM-2, 1793 | 28 | VO |
//5-112/313//2342/7-5-//5-112/313 | C/ | AM-A | Eells MS, 1789 | 93 | MI | |
//5-112/313//2342/7-5-//5-112/313 | C/ | Lasses of Dublin, The (t) | AM-A | Gaylord MS, 1816 | 18r | MI |
//5-1/12//3/13//45/646 | 2/4 | Groves of Passion, The (t), or Hautboy, The (at) | AM-A | Nixon MS, 1776 | 35 | FI |
//5-1/12//3135/432//17-6-/5-6-7-1// | C/ | Flowers of Edinburgh (t) | AI-A | Buckingham Cots, 1808 | 16 | VN,PF |
//5-1/12//31/4//3217-/6543 | C | Battle First My Soul Employs (t) | AI-A | Riley Flute 2, 1817 | 83 | FL |
//5-112//31//4564 | 2/4 | Hautboy (t) | AM-A | Dance Tunes MS, 1798 | 21 | FI/GF/OB |
//5-1/12//3/1//45/64// | 2/4 | Hautboy, The (t) | AM-A | Treat MS, 1779 | 12 | FI/GF |
//5-1//123//15-//6-7-1 | 3 | Newmarket (t) | SC-E | Pills 2, 1719-20 | 51-55 | VO |
//5-1/12//31/6-//6-2/21// | 2/4 | Girls of Lincoln Town, The (t) | MS-S | Fife MS, 1780 | 423,44r | 1FI OR 2FI/VN |
//5-1/12//321/123//45/4217-//7-1/2 | C/ | Cathrine Oge (t) | AM-A | Simpson MS, 1750 | II,8 | FL |
//5-1/12/321/22//5-1/12// | C/ | New Marrinet, The (t) | IC-E | Apollo's Banquet 1-2, 1678 | A16 | VN |
//5-1/12//321/23//434/543// | 2 | Bourbon, La (t) | IC-F | Leclerc Recueil-2, 1737 | 76 | HAF |
//5-1/123/21//23/45/31//1234 | C3 | Paspe, A (t) | PL-E | Playford 1-09, 1695 | 151 | VN |
//5-1/123/21//23/45/31//1234 | 3/2 | Paspe, A (t) | PL-E | Playford 1-11, 1701 | I,151 | VN |
//5-1/123/21//23/45/31//1234 | 3/2 | Paspe, A (t) | PL-E | Playford 1-13, 1706 | 151 | VN |
//5-112/321//234/531//123423/4 | C3 | Paspe, A (t) | PL-E | Playford 1-08, 1690 | 212 | VN |
//5-1/123//21/23/45//31/1234/2345//654 | 3/2 | Paspe, A (t) | PL-E | Playford 1-15, 1713 | 151 | VN |
//5-1/123//21/23/45//31/1234/2345//654 | 3/2 | Paspe, A (t) | PL-E | Playford 1-16, 1716 | 151 | VN |
//5-1/12//3/21//3/21 | 2/4 | Calabria (t) | IC-E | Balls Amus 3, 1815 | 21 | FL/VN |
//5-1/12//3/21//3/21 | 2/4 | Calabria (t) | IC-E | Balls Amus 3, 1830 | 21 | FL/VN |
//5-1/12//3/21//3/21 | 2/4 | Calabria (t) | AI-A | Riley Flute 2, 1817 | 36 | FL |
//5-1/12//3/21//3/21// | 2/4 | Calabria (t) | AI-A | Willig CD-2, 1812 | 4 | PF/VN |
//5-112/321//321/427-//5-112/324// | C/ | Such a Wife As Willy Had (t) | MS-E | Vickers MS, 1770 | 67 | MI |
//5-112/321//321/6-225-//5-112/321 | C | Midnight Wanderers, The (t) | DA-E | Thompson CD-6.6, 1794 | 72 | MI |
//5-1/12//321/345//62/26-// | C/ | Morgan Macgann (t) | IC-I | Neal's Irish Tunes, 1724 | 23 | VN/GF/OB |
//5-112/321//4222/422//2-112/3234// | C/ | Spanish Barber (t) | AM-A | Brown, J. MS, 1782 | 1:21 | |
//5-112/321//4222/422//5-112/3 | C/ | Spanish Barber (t) | DA-E | Longman CD, 1781 | 12 | VN/OB/GF |
//5-112/321//4222/422//5-112/3234 | C/ | Spanish Barber (t) | DA-E | Skillern CD, 1780 | 47 | VN/GF/OB |
//5-112/321/432/326-7-//5-112/353 | C | Irish Hoboy, The (t) | MS-E | Hammersley MS, 1790 | 95 | MI |
//5-112/321//442/316-//5-112/3453// | C/ | Long Hose Quick Step (t) | MS-S | Fife MS, 1780 | 273,28v | 1FI OR 2FI/VN |
//5-112/3215-//3-5-15-/4-3-2-//5-112/321 5- |
C | Reel of Fife (t) | IC-S | Aird 5, 1797 | 38 | FI/VN/GF |
//51//12321//7-1 | 3 | Song In the Wives Excuse (t) | SC-E | Pills 6, 1719-20 | 57-58 | VO |
//5-112/321//7-123/432//3567/1+531 | C/ | Eatwick Assembly (t) | DA-E | Johnson CD-8, 1758 | 56 | VN/GF |
//5-1/12//32/23//43/21 | 2/4 | Hot Grey Pease (t), or Pipeing Phips, (at) | DA-E | Johnson CD-3, 1744 | 8 | VN/GF |
//5-1/12//32/23//43/21 | 2/4 | Trumpet March (t) | IC-E | Musica Bell, 1733 | 12 | FL/VN/OB |
//5-1/12//32/23//43/21 | 2/4 | Trumpet March (t) | IC-E | Warlike Musick, 1760 | 12 | GF/VN/HA |
//5-1/12//323/11//13/34 | 6/8 | IC-E | Forest Harmony-2, 1733 | 12-13 | 2HN/GF/TR/VN | |
//5-1/12//323/11//44/45// | 2 | Bon Soldat, Le (t) | IC-F | Leclerc Recueil-2, 1737 | 117 | HAF |
//5-1//12//323//12//323//54323 | 3/4 | Gran Cazar, La (t) | MS-M | Garcia MS, 1772 | 1 | MI |
//5-1/12//323/15-//5-1/12// | 6/8 | Ton Pour Le Raproché (t) | IC-F | Diderot Chasse, 1763 | 2:2:5 | HN |
//5-112/3231//6-223/4345//61+53/2123// | C | Johnson's Favorite. Virginia Reel (t) | AI-A | Johnson, F. Cotillions | 24 | PF |
//51+//12/323213//25- | C | Love would invade me (fl) | SS-E | SS, Folger-C42.1 | 281 | VO,KB+FL |
//51//12/323213//25- | C | Love woud invade me (fl) | SS-E | SS, Folger-C42.3 | 45 | VO,KB+FL |
//51/12//323213/27- | C | Love Would Invade Me (t) | IC-E | Delightful-1, 1763 | II,14-15 | 2GF |
//5-112/32321//5653/2123//5-112/32321 | C/ | Miss Willy Alexander (t) | IC-S | Aird 4, 1796 | 53 | FI/GF/VN |
//51/123//2323/4342//3234/5453//6453 | 2 | Airs by Mr. Messing, The. Largo Assai (t) | IC-E | Delightful-2, 1745 | II,8-9 | 2GF |
//5-112/3232//6-223/45//61+53/2123// | C/ | Peggys Love (t) | MS-S | Fife MS, 1780 | 547,59r | 1FI OR 2FI/VN |
//5-112/323//4321/25-//5-116-/6-226- | C/ | My Peggy Is a Young Thing (t) | DA-E | Johnson CD-8, 1758 | 60 | VN/GF |
//5-1/12//3234/3543//217-6-/5-6-7-1// | C/ | Flowers of Edinburgh, The (t) | MS-C | Molyneaux MS-1, 1788 | 33 | GF |
//5-1/12//3234/5//42/21 | 2/4 | Four Quick Marches.1 (t) | IC-E | English Sheet Music | 8 | 2CL,2HN,TR,BS+P |
//51/12//323//4543/21//7-2/256 | C | Air 46 (t) | BA-E | Decoy, 1733 | T60M15 | VO |
//51/12//323//4543/2321 | C | Air 16 (t) | BA-E | Cobler's Op-2, 1729 | T20M6 | VO |
//51/12//323//4543/2321 | C | Air 2 (t) | BA-E | Devil Duke-2, 1732 | T3M4-5 | VO,HAF |
//51/12//323//4543/2321 | C/ | Air 6 (t) | BA-E | Jovial Crew, 1731 | 8 | VO |
//51/12//323//4543/2321 | 2 | Catherine, The (t) | SC-E | Pills 5, 1719-20 | 100-1 | VO |
//51/12//323//4543/2321 | St. Catherine (t) | PL-E | Playford 1-11, 1701 | I,288 | VN | |
//51/12//323//4543/2321 | C/ | St. Catherine (t) | PL-E | Playford 1-12, 1703 | 288 | VN |
//51/12//323//4543/2321 | C/ | St. Catherine (t) | PL-E | Playford 1-13, 1706 | 288 | VN |
//51/12//323//4543/2321 | C/ | St. Catherine (t) | PL-E | Playford 1-15, 1713 | 288 | VN |
//51/12//323//4543/2321 | C/ | St. Catherine (t) | PL-E | Playford 1-16, 1716 | 288 | VN |
//51/12//323//4543/2321 | C/ | St. Catherine (t) | PL-E | Playford 1-17, 1721 | 288 | VN |
//51/12//323//4543/2321 | C/ | St. Catherine (t) | PL-E | Playford 1-18, 1728 | 288 | VN |
//51/12//323//4543/2321 | C/ | St Katherine (t) | DA-E | Walsh CD-1.1, 1718 | 301 | VN/OB/FL |
//51/12//323//4543/2321 | C/ | St Katherine (t) | DA-E | Walsh CD-2.1, 1731 | 132 | VN/OB/GF/RC |
//51/12//323//4543/2321 | C/ | St. Katherine (t) | DA-E | Walsh CD-3.5, 1754 | 124 | VN//OB/GF |
//51/12//323//4543/2321//7-12/256 | C/ | St. Catherine (t) | PL-E | Playford 1-14, 1709 | 288 | VN |
//51/12//323//4543/2321//7-2 | 2 | Merry Mortalls, The (t) | SS-E | SS, Harvard | 1 | VO+FL |
//5-1/12/3//27-/7-2/4// | 9/8 | Sick and Very Badd (t) | MS-E | Vickers MS, 1770 | 77 | MI |
//5-1/12//3/31//4/42 | 2/4 | Irish Oboe (t) | IC-E | Astor Guitar, 1800 | 14 | GT |
//5-1/12//3/31//4/42 | 2/4 | Irish Hautboy, The (t) | AI-A | Blake Amus 3, 1825 | 23 | CL |
//5-1/12//3/31//4/42 | 2/4 | Irish Hoboy Iii (t) | MS-E | Hammersley MS, 1790 | 33B-34 | MI |
//5-1/12//3/31//4/42// | 2/4 | Irish Hautboy, The (t) | MS-C | Molyneaux MS-1, 1788 | 34 | GF |
//5-1/12//3/31//4/42 | 2/4 | Irish Hautboy (t) | IC-E | Preston Clar, 1797 | 19 | CL |
//5-112//331//442 | 2/4 | Irish Hautboy (t) | AI-A | Village Fifer, 1808 | 25 | 2FI |
//5-1/12//3/31//4/42//31 | 2/4 | Irish Hoboy (t) | DA-E | Longman CD, 1781 | 102 | VN/OB/GF |
//5-112//3/31//4/42//31/7-6-//5-1/12//3 | 2/4 | Irish Hoboy (t) | DA-E | Bride CD, 1776 | II,10 | VN/OB/GF |
/5-112//331/442//331/442//331/ | 2/4 | Romp, The, Virg[ini]a Dance (t) | AM-A | Duport MS-2, 1800 | 3v | VN |
//5-1/12//3/3//21/23 | 2/4 | Canada Farewell (t) | AM-A | Hooves MS, 1817 | 48 | 2FI |
//5-1/12//3/3//21/23 | 2/4 | Canada Farewell (t) | AM-A | Kingsley MS, 1795 | II,6 | MI |
//5-1/12//3/3//21/23 | C | Canada Farewell (t) | AM-A | Perkins MS, 1790 | 24 | MI |
//5-112//33//2123 | 2/4 | Canada Farewell (t) | AI-A | Village Fifer, 1808 | 36 | FI |
//5-1/12//3/3//21/23 | 2/4 | Canada Farewell (t) | AM-A | Woodruff MS, 1803 | 34 | 2MI |
//5-1/12//3/3//21/23//1 | 2/4 | Canada Farewell (t) | AI-A | Instrum Asst, 1800 | 37 | 2VN/2GF/2CL/2OB,BVIOL |
//5-1/12//3/321//7-5-/5-6-5-// | 6/8 | Irish Gigg, A (t) | MS-S | Fife MS, 1780 | 626,67v | 1FI OR 2FI/VN |
//5-1123345254432254432255435432 | Dauphin's Delight, The (t) | IC-E | Simpson Horn, 1746 | 9 | HN | |
//51/123//42/234//543/231// | 6/8 | Cupids Holliday (t) | MS-S | Fife MS, 1780 | 221,23r | 1FI OR 2FI/VN |
//511234225431 | 2/4 | Turk's March, The (t) | AM-A | Gibbs MS, 1777 | 32 | FI |
//5-1/1//2342/31//5-1/1// | 2/4 | Cuntry Dance, A (t) | MS-S | Fife MS, 1780 | 280,29v | 1FI OR 2FI/VN |
//5-1/12//34/31//15/56 | C/ | Bank, The (t) | DA-E | Skillern CD, 1780 | 93 | VN/GF/OB |
//5-1/12//34/31//15/56// | C/ | Bank, The (t) | DA-E | Straight & Skillern CD, 1775 | 21 | VN/GF/OB |
//51+/1+2+3+//4+3+/2+1+//5555/655 | C | Irish Brigade, The (t) | AM-A | Perkins MS, 1790 | 24 | MI |
//5-1/123//4321/6-//15-/123 | C | Ann Thou Were My Ain Thing (t), or Song 23 (at) | SC-E | Orpheus Cal-1, 1733 | T47-48MOP48 | VO,HA |
//5-112/34323//4321/7-//5-234/5432// | C/ (8/4) | Allemanda (t) | MS-E | Fitzwilliam MS-2, 1609 | 253-255 | VI |
//5-1/12//343/31//4/42// | 2/4 | Singal Dragg, A (t) | MS-S | Fife MS, 1780 | 720,78v | 1FI OR 2FI/VN |
//51+1+2+3+//43//432654 | 3/4 | Sweet Are the Flow'rs (t) | SC-E | Clio-1, 1758 | 27 | VO,HA |
/5-1//1/234//3/51//43/ | 6/8 | Nine Hearts (t) | DA-E | L & L Cot, 1775 | 9 | MI |
//51/1234//51/31//51/1234//54/35// | C | New Hampshire (t) | AM-A | Boynton MS, 1799 | 24R | 1 FI |
//5-1/12//36/6//53/321 | C | Oyster River (t) | AI-A | Robbins D&F, 1812 | 44 | FI |
//5-11//2542//135//5427-7-//54211//5427- 7- |
3/4 | Haydn's 4th Minuet (t) | AM-A | Woodruff MS, 1803 | 98 | MI |
//5+/1+1+//2+/67//1+/54// | C/ | Vulcan's Dance (t) | IC-E | Apollo's Banquet 1-7, 1693 | 60 | VN/FL |
//5-//11/27-//1/2 | C | Devotion (t) | AM-A | Akerman MS, 1795 | 13 | 2VO/MI:(T)B |
//5-1/12//7-1/22/31/11- | C/ | Ruben (t) | PL-E | Playford 2-1, 1713 | 84 | VN/OB |
//5-1/12//7-1/22/31/11- | C/ | Ruben (t) | PL-E | Playford 2-2, 1714 | 84 | VN/OB |
//5-1/12//7-1/22//31/11- | C/ | Rueben (t) | DA-E | Walsh CD-1.2, 1719 | 101 | VN/OB |
//5-1/12//7-1/22/31/11- | C/ | Ruben (t) | DA-E | Walsh NCDM-2, 1710 | 78 | VN/OB/FL |
//5-//11/27-//1/2//31 | C | Devotion L. M. (t) | AM-A | Dean MS, 1800 | II.1-2 | VO |
//5-112/7-124//3111-/3-5-//6-7-112/7-123 45 |
C | My Jo Janet (t) | IC-E | Caledonian PC, 1760 | III,16 | GF/VN |
//5-112/7-124//3112/7-6-5-6-//11112/7-12 4// |
C/ | Tibbie Fowler In the Glen (t) | MS-S | Young MS-1, 1734 | 38v-39r | MI |
//5-112/7-127-//5-113/4231//4321/7-127- | C | Ewie Wi' the Crooked Horn, The (t) | SC-S | Scots MM-3, 1790 | 302-303 | VO,PFF |
//5-1/127-//15/54//34/531 | 6/8 | Quick March (t) | IC-I | Logier Bugle, 1813 | 24 | BU |
/5-//11/27-//3423/15-//31/42// | 2/4 | No. 3. First Sett of Cotillions (t) | AM-A | Washburn MS, 1816 | 13 | GF |
//5-11/27-//345/21//1+75/634// | 3 | Saraband Third (t) | IC-E | Apollo's Banquet 1-1, 1670 | 182 | VN |
//5-11/27-//345/21//1+75/634// | Saraband Royall (t) | IC-E | Musicks Hand-Maid-1, 1678 | 72 | VI/HA | |
//51/12//7-5-/23//43/6-7-1//7- | 2/ | Maids Lesson Being Instructions for a Young She Beginner. (t) | SS-E | SS, Folger-C42.3 | 351 | VO,KB+FL |
//5-11/3-11//1-11/12//353/27-5- | 6/8 | Fiddlers Choice, The (t) | DA-E | Walsh CD-3.5, 1754 | 16 | VN//OB/GF |
//5-113/11//1335/55-//5-224+/4+22 | C | Return from the Chace, The (t) | SC-E | Musical Ent-1, 1740 | 7 | VO,KB+FL |
//5-11/3-11//2-11/12//353/27-5-// | 6/8 | Fidler's Choice, The (t) | DA-E | Universal Magazine | 1:223, 1752 | MI |
//5-11/311//211/311//5-11/313 | 6/8 | Emerald Isle (t) | AI-A | Riley Flute 2, 1817 | 46 | FL |
//5-11/3-11//212/416-//5-6-7-/15-3- | 6/8 | Patrick O Caley (t) | MS-E | Russell MS, 1812 | 41 | FI |
//5-1/1//31/1//21/7-1 | 2/4 | Maney Returns of the Day (t) | MS-E | Russell MS, 1812 | 45 | FI |
//5-1/1//31/1//53/1+6// | 2/4 | No. 23 (t) | DA-E | Leichte Englische, 1795 | 23 | MI |
//511//31//23453//65//54321 | 3/4 | Air 16, Act Ii (t) | BA-E | Beggar's Opera, 1728 | T34-35M9 | VO |
//511//31//23453//6-5//54321 | 3/4 | Air 34 (t) | BA-E | Beggar's Opera, 1765 | 60 | VO |
//511//31//23453//65//54321 | 3 | Adieu to Susan, The (t) | SC-E | Muses Delight, 1754 | 139 | VO,HA |
//511//31//23453//65//54321 | 3/4 | Adieu to Susan, The (t) | SC-E | Musical Ent-1, 1740 | 58 | VO,KB+FL |
//511//31//23453//65//54321//46- | 3/4 | Air 34 (t) | BA-E | Beggar's Opera, 1777 | 75 | VO |
//5-1/131//242/17-6-5-//4242 | 2/4 | Quick Step (t) | IC-S | Scottish Sheet Music | KB | |
//5-1/131//242/17-6-5-//4242/3131 | 2/4 | Quick Step (t) | IC-S | Scottish Sheet Music | PF+M | |
//5-1/13/131/5-5-//3/131 | 2/4 | Quick March (t) | IC-E | Hyde Trumpet, 1798 | 34 | 2BU |
//5-113135315-113135// | Sargeants Dinner Call (t) | IC-E | Hyde Bugle, 1818 | 42 | BU | |
//5-1131/5-1131 | Form Indian Files (t) | IC-E | Cooper Guide, 1806 | 3 | BU | |
//51/131//54/321//51/131 | 6/8 | Chorus Jig (t) | IC-S | Aird 2, 1785 | 48 | FI/VN/GF |
//5-1-/1-3-1-//5-4-/3-2-1-//5-1-/1-3-1- | 6/8 | Chorus Jigg, The (t) | AI-A | American Sheet Music | PF | |
//5-11315//55/5//1+1+/1+ | C | Seconda Chiamata, Che Va Sonata Auanti la Battaglia (t) | IC-G | Fantini Modo, 1638 | 14 | TR |
//5-1/13//1/6-7-1//23/217-6- | 2/4 | Bay of Biscay O (t) | AI-A | Blake Amus 1, 1824 | 20 | CL |
//5-1/13//16-/7-1//23/217-6-// | 2/4 | Bay O Biscay O (t) | AM-A | Irving MS, 1796 | 125 | 1 MI |
//5-1/13//1/6-7-1//23/217-6- | 2/4 | Bay of Biscay O (t) | AI-A | Riley Flute 2, 1817 | 42 | FL |
//5-1/13//1/6-7-1//23/237-6- | 2/4 | Bay of Biscay O! (t) | AI-A | Paff Amus 2, 1812 | 23 | FL/VN |
//5-1/13//17-6-/5-//6-6-/6-7-1 | 2/4 | Tambourin (t) | IC-S | Stewart Airs, 1788 | 3:166-67 | GF/VN/FI |
//5-1/131//7-6-7-/135//5-1/131 | 3/8 | Lailsons 2d Ride (t) | AM-A | Morse MS, 1811 | 43 | 2MI,B |
//5-1/13//21/11+//53/31//26- | 2/4 | Pas Seul-3 (t) | TW-E | Oscar & Malvina, 1791 | 28 | KB |
//5-1/13//21/11+//6543/4321// | 2/4 | Mary Goo Home If You Think Proper (t) | MS-S | Fife MS, 1780 | 920,98r | 1FI OR 2FI/VN |
//5-1/13//21/1234//51/11+// | 2/4 | Cheasepeake, The. Marine Cotillions. No. 4 (t) | AI-A | Francis's Ballroom, 1798 | 7-8 | KB |
//5-11321//217-6-5-//3-34//533115-//4-5- 1 |
3/4 | Why Heaves My Fond Bosom (t) | MS-I | Regan MS, 1764 | 41-42 | MI |
//5-11321//217-6-5-//6-16-5-4-//3-12 | 3/4 | Why Heaves My Fond Bosom (t) | AM-A | Beck MS, 1786 | 150 | GF |
//5-11321//217-6-5-//6-16-5-4-//3-12 | Song 112 (t), or Why Heaves (at) | SC-E | Calliope, 1788 | 213 | VO | |
//5-11321//217-6-5-//6-16-5-4-//3-12//31 7-6-7-1 |
3/8 | Why heaves my fond bosom, oh, what can it mean (fl) | SC-E | Amaryllis, 1760 | I,52 | GF,VO,HAF+FL |
//5-11321//217-6-5-//6-16-5-4-//3-12//31 7-6-7-1 |
C | Disconsolate Lover, The (t) | SC-E | Muses Delight, 1754 | 59 | VO,HA |
//5-11321//217-6-5-//6-16-5-4-//3-12//31 7-6-7-1 |
3/4 | Why Heaves My Fond Bosom (t) | SS-E | SS, Huntington-1 | 130 | VO,KB+GF/GT |
//5-11321//217-6-5-//6-16-5-4-//3-12//31 7-6-7-1 |
3/4 | Song 124 (t) | SC-E | Vocal Enchant, 1783 | 248-249 | VO |
//5-11321//217-6-5-//6-16-5-4-//3-12//31 7-6-7-1//2 |
3/4 | Why Heaves My Fond Bosom (t) | SC-E | Calliope, 1746 | II,145 | VO,B+MI |
//5-11321//217-6-5-//6-16-5-4-//312//317 -6-7-1//25-2- |
3/4 | Why heaves my fond bosom? (fl) | SS-E | SS, Harvard | 1 | VO,KBF+GF |
//5-11321//217-6-5-//6-16-5-4-//3-13//31 7-6-7-1//25-2- |
3/4 | Why Heaves My Fond Bosom (t) | IC-E | Thumoth, 1785 | 52-53 | GF/VN,HAF |
//5-11321//217-6-5-//6-16-5-4-//3-34//53 3115- |
3/4 | Favourite Air, A (t) | IC-E | Delightful-2, 1745 | III,17 | GF |
//5-11321//217-6-5-//6-16-5-4-//3-34//53 3115-//6-5-1// |
3/4 | Why Heaves My Fond Bosom (t) | IC-E | Johnson Flute, 1760 | 18 | GF |
//5-1/13//2123/15-//5-1/13// | 2/4 | Allemand 2 (t) | DA-E | Fishar Minuets, 1785 | 19 | KB |
//5-1/13//2123/15-//6-1/217-6- | C | Henry and Maria (t), or Soldier's Farewell, or, The (at) | SC-S | Edinburgh MM-1, 1792 | 286-288 | VO |
//5-113/2123//5-113/21236//61+6543/43212 3// |
C | Mrs. Carmichal of Sterlings Strathspey (t) | MS-S | Fife MS, 1780 | 753,82v | 1FI OR 2FI/VN |
//5-1/13//2123/6-//17-6-5-/123 | C/ | Protestation, The (t) | SC-E | Watts MM-2, 1729 | 81-83 | VO/VN+FL |
//5-1/13//2123/6-//17-6-5-/123//4321/345 |
C/ | Air 20 (t) | BA-E | Boarding School, 1733 | 39 | VO |
/5-1//13/21//25-/7-1//23/ | C/ | Pareille, La, contredanse (t) | DA-N | Echo, 1758 | 76-77 | KB |
//5-1/13/21//7-2/24/32// | 6/8 [=3] | If You Will Not Have Me You May Lett me Go (t) | MS-E | Vickers MS, 1770 | 34 | MI |
//5-1/13//217-/6-//17-6-5- | C | New Song, A (t) | SS-E | SS, Folger-C42.3 | 158 | VO+FL |
//5-1/13//217-/6-//17-6-5-/123 | C | Air 17, Act I (t) | BA-E | Beggar's Opera, 1728 | T18M5 | VO |
//5-1/13//217-/6-//17-6-5/123 | C | Air 17 (t) | BA-E | Beggar's Opera, 1777 | 48 | VO |
//5-1/13//217-/6-//17-6-5-/123 | C | Air 21 (t) | BA-E | Patie & Peggy, 1730 | 32 | VO |
//5-1/13//217-/6-//17-6-5-/123 | C | Air 21 (t) | BA-E | Patie & Peggy, 1731 | 28 | VO |
//5-1/13//217-/6-//17-6-5-/123 | C | New Song, A (t) | SS-E | SS, Harvard | 1 | VO+FL |
//5-1/13//217-/6-//17-6-5-/123//4321 | C | Gin Thou Wert Mine Awn Thing (t) | AM-A | Simpson MS, 1750 | II,1 | FL |
//5-1/13//217-/6-//17-6-5-/123//4321/345 |
C | Air 17 (t) | BA-E | Beggar's Opera, 1765 | 40 | VO |
//5-1/13//217-/6-//17-6-5-/123//4321/345 |
C | Air 16 (t) | BA-E | Highland Fair, 1731 | 27 | VO |
//5-1/13//21/7-6-//5-7-/6-5-4- | 2/4 | Last Monday I Saild from Cork (t) | AM-A | Nixon MS, 1776 | 76 | FI |
//51/13//22/2//3/3 | 6/8 | Giga (t) | AM-A | Van Schaack MS, 1820 | 46 | FI/FL |
//511/32//32/13+//2+1+/71+ | 6/8 | Merry Meeting, The (t) | IC-E | Caledonian PC, 1760 | VII,5 | GF/VN |
//5-1/13//23/31+//53/31 | 2/4 | Quick Step (t) | IC-S | Aird 4, 1796 | 17 | FI/GF/VN |
//5-11/327-//11353/321//456/531 | 6/8 | Barbara (t) | AI-A | Goodale Dir, 1819 | 81 | MI,B |
//5-11/327-//11353/321//456/531 | 6/8 | Barbara (t) | AI-A | Goodale Dir, 1829 | 85 | MI,B |
//5-1/13//31/11//13/35 | 6/8 | Quick March (t) | IC-E | Hyde Trumpet, 1798 | 31 | 2BU |
//5-113/311//1335/55-//5-224 | C | New Hunting Song, The (t) | SS-E | SS, Folger-C42.3 | 314 | VO,KB+FL |
//5-113/311//1335/55-//5-224/422 | C | Sweet Rosy Morn, The (t) | SC-E | Calliope, 1746 | II,58 | VO,B+FL |
//5-113/311//1335/55-//5-224/422 | C | Hunting Song, The (t) | SC-E | Muses Delight, 1754 | 158-159 | VO,HA |
//5-113/311//1335/55-//5-224/422//2531 | C | Hunting-Song, The (t) | SC-E | Watts MM-6, 1731 | 92-93 | VO,HA+FL |
//51+/1+3+//3+1+/1+5//53/23 | C/ | March 6 (t) | IC-S | Corri Marches, 1791 | 6 | HA/PF |
//5-1/13//3/1//5-2/24// | 2/4 | Andante. Dr. Bunn (t) | AM-A | Washburn MS, 1816 | 19 | 2GF |
//51+/1+3+//3+1+/76//54/32 | 2/4 | Capt. Oakes's Whim (t) | DA-E | Cantelo CD, 1785 | 11 | KB |
//5-113317-6-5-4-3-2-4-2-5-11331 | C | Oakes Whim (t) | AM-A | Dickinson MS, 1800 | 127 | CL/GF/OB |
//5-1/13//321//21/217- | C/ | Air (t) | IC-E | Delightful-1, 1763 | IV,10 | 2GF |
//5-1/13//321/25-//33/34 | C | Fifers Delight (t) | AM-A | Perkins MS, 1790 | 23 | MI |
//511/33//21/52+//3+2+/1+2+ | 6/8 | Our Happy Meeting (t) | PL-E | Playford 2-3, 1718 | 273 | VN |
//511/33//21/52+//3+2+/1+2+ | 6/8 | Our Happy Meeting (t) | PL-E | Playford 2-4, 1728 | 273 | VN |
//5-1/13//32/15-//5 | C | Vernon's Call. A Song for Two Voices (t) | SS-E | SS, Folger-C42.4 | 100 | 2VO |
//5-1/13//32/15-//5 | C | Awake, Awake, Awake Dull Sleepers (t) | SC-E | Vocal Music, 1778 | 76-77 | VO/VN/GF |
//5-/11//3/32//17-/16- | 2/4 | No My Love No (t) | IC-E | Balls Amus 3, 1830 | 16 | FL/VN |
//5-/11//3/32//17-/16- | 2/4 | Oh! No My Love No (t) | AI-A | Blake Amus 1, 1824 | 24 | CL |
//5-/11//3/32//17-/16- | 2/4 | No My Love No (t) | AI-A | Paff Amus 1, 1812 | 19 | FL/VN |
//5-1/13//32/5-//5-2/24 | 2/4 | Italian Air (t) | AI-A | Shaw Gentlemen, 1807 | 44-45 | 2CL/VN, FL,BS/VC |
//5-113/33//2123/13//5443/3221 | C/ | March 1 (t) | IC-S | Corri Marches, 1791 | 1 | HA/PF |
//5-1/13//35/1+5//565/543 | 6/8 | Quick March (t) | IC-S | Rose Marches, 1796 | 11 | PF/HA |
//5-1/13//3/543//24/64// | 6/8 | Number 1. Third Sett of Cotillions (t) | AM-A | Washburn MS, 1816 | 14 | GF |
//5-11335//443427-5-//5-16-242//1217-5-/ /5-11335//443427-5- |
3 | J'ai Vu Partout (t) | IC-F | Bonjour Recueil, 1800 | 3:4 | VN/FL |
//51+1+3+/3+5+4+5+1+//2+1+7654/3213+//2+ 1+71+76/7671+2+3+ |
C/ | Marsh de la Primier Guarde di Roy (t) | MS-G | Darmstadt MS 1224 | 221-27 | 2OB,TR,B |
//5-1/13-//3-5-/5-1-//1-2-3-/4-5-6- | 6/8 | Red Rover's Song (t) | AI-A | Riley Flute 4, 1826 | 96 | FL |
//5-1/13//35/51+//1+765/5432 | 2/4 | Favourite Allemande, A (t) | IC-E | English Sheet Music | PF | |
/5-1//13/35//531/43//21/7-12// | 6/8 | Chasse d Henon, La. Contre-Danse Française. Dansez au Wauxhall (t) | DA-F | Landrin CD BL-1, 1775 | 120 Feuille | MI |
//5-1//13//35//53//35//545654 | 3/4 | Air 34 (t) | IC-N | Roger Airs, 1716 | 1:20 | 2CH/TR/OB/VN/FL/CL/HN |
//5-1/13//35/53//42/31//7- | 2/4 | Peggy Perkins (t) | SC-S | Edinburgh MM-2, 1793 | 162-164 | VO |
//5-1/13//3/55-//6-43/217-// | 6/8 | Mouche, La (t) | DA-N | St. Flour Contredanses, 1757 | 73 | KB |
//5-1/13//35/5//6543/5432 | 2 | Hannover Maggot (t) | DA-E | Johnson CD-4, 1748 | 35 | VN/GF |
//5-1/13//35/5//6543/5432 | 2 | Hannover Maggot (t) | DA-E | Walsh CD-2.4, 1747 | 59 | MI |
//5-1/13//35/5//6543/5432// | 2 | Hannover Maggot (t) | DA-E | Walsh CD-3.4, 1747 | 59 | VN/OB/GF |
//5-113/35-//6-114/44-//4-3-5-7- | C | Laura (t) | SS-E | SS, Folger-C52 | 8 | MI,VO,KB+GF/GT |
//5-113/35-//6-114/44-//4-3-5-7-/7-6-21 | C | Laura (t) | SS-E | SS, Boston PL-2 | 191 | VO,KB+GF/GT |
//5-113/35-//6-114/44-//4-3-5-7-/7-6-21 | C | Laura (t) | SS-E | SS, Huntington-1 | 158 | VO,KB+GT/GF |
//5-1/13//356/5//1+5/1+5 | 2/4 | Zapffen Streich (t) | MS-G | Darmstadt MS 1224 | 176 | 2MI |
//51+/1+34//35/532//11/22 | 2/4 | Ton, The (t) | IC-S | Aird 4, 1796 | 44 | FI/GF/VN |
//51/134//51/134//51+/27//1+ | 2 | TW-E | Harlequin Sorc, 1752 | 17 | HA | |
//51+/13/51+//2+25/31//51+ | 3/2 | Grigs Maggot (t) | PL-E | Playford 2-1, 1713 | 75 | VN/OB |
//51+/13/51+//2+25/31//51+ | 3/2 | Grigs Maggot (t) | PL-E | Playford 2-2, 1714 | 75 | VN/OB |
//51+/13/51+//2+25/31//51+ | 3/2 | Grigs Maggot (t) | PL-E | Playford 2-3, 1718 | 75 | VN |
//51+/13/51+//2+25/31//51+ | 3/2 | Grigs Maggot (t) | PL-E | Playford 2-4, 1728 | 75 | VN |
//51+1351+//2+2531//51+1351+//31217- | 3/2 | Grigg's Maggot (t) | DA-E | Walsh CD-1.2, 1719 | 93 | VN/OB |
//51+1351+//2+2531//51+1351+//31217-//51 +2+1+765671+ |
3/2 | Grigg's Maggott (t) | MS-E | Hammersley MS, 1790 | 53B | MI |
//51+1351+//2+2531//51+1351+//316-7-5-// 51+2+1+765671+ |
3/2 | Grigg's Maggot (t) | DA-E | Johnson CD-2, 1742 | 52 | MI |
//5-113/513//56543/4223//5- | C/ | New Campaign, The (t) | AI-A | Norman CD, 1799 | 18 | MI |
//5-113/51+53//4231/6-6-6-6-2//5-113/51+ 53// |
C | Master Harris's Strathspey (t) | AI-A | Francis's Ballroom, 1798 | 12 | KB |
//5-1/13//53/42//17-6-5-/6-7-// | 2/4 | Allemand 4 (t) | DA-E | Fishar Minuets, 1785 | 21 | KB |
//5-113/5356//5-113/3225//3123/5356 | C | Ruthven's Rant (t) | IC-S | Aird 6, 1803 | 11 | FI/VN/GF |
//5-1/135//6543/23//13/15//671+5/35 | C/ | Air 47 (t) | BA-E | Highland Fair, 1731 | 71-72 | VO |
//5-1/135//6543/25//13/15 | C/ | Bess Haggice (t) | DA-E | Johnson CD-2, 1742 | 20 | MI |
//511//4321//23453//65//54321 | 3 | In Praise of Annie (t) | SC-E | Watts MM-1, 1729 | 24-25 | VO/VN |
//51+/143//265432/17-12//3 | 6/4 | Damon and Cinthia, A Dialogue (t) | SC-E | Monthly Melody, 1760 | I,19 | VO,HAF |
//51+/143//265432/17-12//3/451+ | 6/4 | Damon & Cinthia (t), or Dialogue, A (at) | SS-E | SS, Boston PL-1 | 21(19) | VO,HAF |
//5-11/5 | C | Attention (t) | IC-E | Potter Bugle, 1817 | 2 | BU |
//5-11/5//1-1-/1- | C | Attention the 1st Grand Divisn (t) | IC-E | Potter Bugle, 1817 | 2 | BU |
//5-11/5//11/1 | C | Attention the 3rd Grand Division (t) | IC-E | Potter Bugle, 1817 | 2 | BU |
//5-/11//5-/11//22/323 | C/ | Marche des Dragons Polonaise (t) | MS-F | Philidor MS, 1705 | 30 | OB,B |
//5-1/1//5-1/1//5-1/112 | 2/4 | March (t) | IC-E | Simpson Horn, 1746 | 14-15 | 2HN |
//5-1/1//5-1/1//5-1/112 | 2/4 | Air (t) | IC-E | Thompson Horn, 1755 | 26 | 2HN |
//5-11/5-11//5-11/21//1+55/644 | 6/8 | Trip to Sligo (t) | DA-E | Johnson CD-8, 1758 | 34 | VN/GF |
//51+1/51+1//551+1/5//1+// | Enemy Are In Force, The (t) | IC-E | Hyde Bugle, 1818 | 45 | BU | |
//5-11-/5-11-//5-5-11-/5-//1 | C | Enemy Are In Force, The (t) | IC-E | Potter Bugle, 1817 | 10 | BU |
//5-//115-//1//22//2327-//333 | Midnight Ramble, A (t), or Catch, A (at) | SS-E | SS, Harvard | 1 | VO | |
//5-/1//15-12/31//1/1 | C | Hessian Guards March (t) | AM-A | Otis MS, 1793 | 46 | 2VN/2FL |
//5-11/5-1/313513//51//1 | 9/4 | Ruht Euch (t) | IC-G | Hanoverian Inf, 1821 | 53 | HN |
//5-/11-5-1-//5-1-5-1-/5-1-5-1-//5-/11-5 -1- |
C | Assemble (t) | IC-E | Cooper Guide, 1806 | 1 | BU |
//5-/11-5-1-//5-1-5-1-/5-1-5-1-//5-/11-5 -1- |
C | Rations (t) | AI-A | Duane Riflemen, 1812 | 106 | BU |
//5-1/1//5-2/2//31/27- | 2/4 | Andantino de l'Epreuves Villageoise (t) | IC-F | Vanderhagen Pcs, 1787 | 16:5-6 | 2CL,2HN,2BS |
//5-1/1//5-2/2//3234/51 | 2/4 | 2d Quick Step 3oth Regt (t) | IC-S | Aird 1, 1782 | 57 | FI/VN/GF |
//5-1/1//5-2/2//5-3/321 | 2/4 | Water Peice (t) | IC-E | Simpson Horn, 1746 | 10 | 2HN |
//5-11/5-22//5-33/4-44//354/321 | 6/8 | Cat In Pattens, The (t) | DA-E | Bride CD, 1776 | III,26 | VN/OB/GF |
//5-1/1//5-2/2//5-4/321// | 2/4 | Lockhing's Whim, or, The Conjurer. Davis (t) | DA-E | Gentleman's Magazine | 139, 1753 | MI |
//5-11/5-22//5-543/21232//5-11/5-22 | C/ | Mungo (t) | DA-E | Bride CD, 1776 | III,36 | VN/OB/GF |
//51+1+5+3+1+5// | Attention the Line (t) | IC-E | Hyde Bugle, 1818 | 44 | BU | |
//5-11/5//31/5- | C | Attention the Line (t) | IC-E | Potter Bugle, 1817 | 2 | BU |
//51+/1+//53+/1+//5+3+/5+3+// | 2/4 | Bugler's Call (t) | IC-E | Hyde Bugle, 1818 | 41 | BU |
//5-11/5//33/3 | C | Attention the 4th Grand Division (t) | IC-E | Potter Bugle, 1817 | 2 | BU |
//5-1/1//5-3/3//53/53 | 2/4 | Buglers Call (t) | IC-E | Cooper Guide, 1806 | 1 | BU |
//5-1/1//5-3/3//53/53 | 2/4 | Retreat and Extend (t) | AI-A | Duane Riflemen, 1812 | 104 | BU |
//5-1/1//5-3/3//53/53 | 2/4 | Bugler's Call (t) | IC-E | Potter Bugle, 1817 | 13 | BU |
//5-1/1//5-3/3//53/53// | 2/4 | Call for Drums & Fifes (t) | AM-A | USS Concord MS, 1831 | BU | |
//511/533//622/21+6//511/533 | 6/8 | Bride Has a Bonny Thing, The (t) | IC-E | Caledonian PC, 1760 | VIII,21 | GF/VN |
//511/533//622/21+6//511/533 | 6/8 | Royal Sovereign, The (t) | DA-E | Rutherf CD-2.1, 1756 | 40 | VN/GF/OB |
//511/533//622/22+6//511/533 | 6/8 | Bride Has a Bonnie Thing, The (t) | DA-E | Thompson CD-1, 1757 | 16 | VN/GF/OB |
//511/533//622/22+6//511/533// | 6/8 | Bride Has a Bonnie Thing, The (t) | DA-E | Thompson CD-1a, 1757 | 14 | VN/GF/OB |
//51+/1+5//42/22//31+/654//3 | 6/8 | Ah! Fanny Take the Yielding Heart (t) | SS-E | SS, Harvard | 1 | VO,PEDAL HARP/PF |
//5-1-1-/5-4-3-1-//2-1/7-//2-1/7- | 2/4 | Andrew Coys Maggot a Quick Step (t) | AM-A | Nixon MS, 1776 | 50 | FI |
//51+/1+5//432/35//61+1+/72+2+ | 6/8 | Favourite Echo Piece, A (t) | IC-E | Wragg Oboe, 1792 | 58-59 | 2OB |
//5-1/15-//5-1/1 | 6/8 | Spring Up (t) | AI-A | Duane Riflemen, 1812 | 104 | BU |
//5-1/15-//5-1/1//3/1 | 6/4 | Watering Call (t) | AM-A | Bugle MS, 1800 | 1 | BU |
//51+/1+5//51+/1+//3+/1+// | 6/8 | AI-A | Duane Compendium, 1809 | xix | BU | |
//5-1/15-//5-1/1//3/1 | 6/4 | Watering Call (t) | AI-A | Hoyt Cavalry, 1813 | Pl 14 | TR,BU |
//5-/1-1//5-5-/1-1//5-/1-1 | Close (t) | IC-E | Barber Bugle, 1804 | Pl.1 | BU | |
//5-/1-1//5-5-/1-1//5-/1-1 | To Close (t) | AM-A | Beach MS, 1801 | 72 | BU | |
//5-/1-1//5-5-/1-1//5-/1-1 | To Close (t) | IC-E | British Bugle, 1798 | PL.7 | BU | |
//5-/1-1//5-5-/1-1//5-/1-1 | To Close (t) | IC-E | British Bugle, 1799 | PL.7 | BU | |
//5-/1-1//5-5-/1-1//5-/1-1// | To Close. No. 2 (t) | IC-E | British Bugle, 1813 | 12 | BU | |
//5-/1-1//5-5-/1-1//5-/1-1 | To Close (t) | IC-E | British Bugle, 1824 | 55 | BU | |
//5-/1-1//5-5-/1-1//5-/1-1// | To Close. No. II. (t) | IC-E | British Bugle, 1833 | 321 | BU | |
//5-/1-1//5-5-/1-1//5-/1-1 | 2/4 | Stable Call (t) | AM-A | Bugle MS, 1800 | 1 | BU |
//5-/1-1//5-5-/1-1//5-/1-1 | Close (t) | IC-E | Cooper Guide, 1806 | 3 | BU | |
//5/11+//55/11+//5/11+// | 2/4 | Take Close Order (t) | AI-A | Duane Compendium, 1809 | xviii | BU |
//5-/1-1//5-5-/1-1//5-/1-1 | 2/4 | Affirmative (t) | AI-A | Duane Riflemen, 1812 | 105 | BU |
//5-/1-1//5-5-/1-1//5-/1-1 | To Close (t) | AI-A | Gardner Compend, 1819 | PL19 | BU | |
//5-/1-1//5-5-/1-1//5-/1-1 | To Close (t) | IC-E | Gilbert Bugle, 1804 | 2 | BU | |
//5-/1-1//5-5-/1-1//5-/1-1 | 2/4 | Zusammenziehen (t) | IC-G | Hanoverian Inf, 1821 | 53 | HN |
//5/11+//55/11+//5/11+// | 2/4 | Close (t) | IC-E | Hyde Bugle, 1818 | 44 | BU |
//5-/1-1//5-5-/1-1//5-/1-1 | To Close (t) | AI-A | US Riflemen, 1824 | PL13 | BU | |
//51+/1+5//51+/1+5//1+51+/1+5// | 6/8 | Wann Die Hunde Gar Gut Jagen (t) | IC-G | Fleming Jaeger, 1719 | I:312 | HN |
//5-115-5-115-5-115-5-13 | Conceal Yourselves (t) | AI-A | Duane Riflemen, 1812 | 104 | BU | |
//5-1/15-//5-1/1//5-5-/3-3- | 6/8 | Hark Away, The (t) | IC-E | Longman Horn, 1785 | 17 | 2HN |
//5-1/15-//5-1/1//5-5-/3-3- | 6/8 | Running, The (t) | IC-E | Longman Horn, 1785 | 17 | HN |
//5-1/15-//5-1/1//5-5-/3-3- | 6/8 | Hark Way, The (t) | IC-E | Simpson Horn, 1745 | 2 | 2HN |
//5-1/15-//5-1/1//5-5-/3-3- | 6/8 | Hark Away, The (t) | IC-E | Thompson Horn, 1755 | 10 | 2HN |
//5-1/15-//5-1/1//5-5-/3-3- | 6/8 | Running, The (t) | IC-E | Thompson Horn, 1755 | 10 | HN |
//51+/1+5//51+/1+5//53/31// | 6/8 | Ton Pour Le Premier Lancé (t) | IC-F | Diderot Chasse, 1763 | 2:2:2 | HN |
//51+/1+5//51+/1+5//533/111// | 6/8 | Tons Pour Les Chiens (t) | IC-F | Diderot Chasse, 1763 | 2:2:1 | HN |
//5-/1-1//5-5-/2-1//5-/2-1 | 2/4 | Stable Call (t) | AI-A | Hoyt Cavalry, 1813 | Pl 14 | TR,BU |
//5-1/15-//5-3-/3-1-//1-/3-3-1- | 6/8 | When You Stop the Hounds (t) | IC-E | Longman Horn, 1785 | 18 | 2HN |
//5-1/15-//5-3-/3-1-//1-/3-3-1- | 6/8 | When You Stop the Hounds (t) | IC-E | Simpson Horn, 1745 | 2-3 | 2HN |
//5-1/15-//5-3-/3-1-//1-/3-3-1- | 6/8 | When You Stop the Hounds (t) | IC-E | Thompson Horn, 1755 | 11 | 2HN |
//5-11/5//5-5-/5- | C | Attention the 2nd Grand Division (t) | IC-E | Potter Bugle, 1817 | 2 | BU |
//5-11/5//55/5 | C | Attention the 5th Grand Division (t) | IC-E | Potter Bugle, 1817 | 2 | BU |
//5-115-/6-114//321/7-227//651+/5346// | C/ | Non Muchtons Hunt (t) | MS-E | Vickers MS, 1770 | 1 | MI |
//51+/1+5//61+/1+6//53/21// | 2/4 | Friendship Source of Joy (t) | SC-E | Sancho Songs, 1769 | 9 | PF,VO |
//5115/651//23432/33//2143/322 | C | Traveller benighted, The (fl) | TW-E | Love/Village, 1795 | 52-53 | VO,HA |
//5115/651//2435432/3546517-1//6-17-2132 4/3217-164// |
C | Traveller Benighted, The (t) | IC-E | Thorowgood Guitar, 1763 | 28-29 | GT |
//51+1+5/651+//4321/7-1//2345/657 | C | Palaemon and Pastora (t) | SC-E | Clio-3, 1762 | 56 | VO,HAF |
//51+1+5/651+//4321/7-1//2345/657 | C | Palaemon and Pastora (t) | SS-E | SS, Huntington-1 | 51 | VO,KBF+GT |
//51+1+5/651+//4321/7-1//2345/657//1+432 |
C | Farewel, my Pastora, no longer your swain (fl) | TW-E | Chaplet, 1750 | 16-17 | 2VN,VO,KBF |
//51156543//1+22346//51156543//422346//1 +1+13453 |
3/4 | Berwick Jocky (t) | DA-E | Johnson CD-3, 1744 | 32 | VN/GF |
//51156543//422346//51156543//511531+//5 1 |
3/2 | Go to Berwick Johnnie (t) | IC-E | Caledonian PC, 1760 | VI,22-23 | GF/VN |
//5115/6543//5115/31+//5115/6543// | 2/4 | Go to Berwick Jockey Retreat (t) | MS-S | Fife MS, 1780 | 876,94r | 1FI OR 2FI/VN |
//511/56543//511/531+//511/56543// | 6/4 | Go to Berwick Johnny (t) | AI-A | Gilfert Gents PC, 1802 | 33 | GF/VN |
//511//56543//511//531+//51156543 | 3/2 | Go to Berwick Johnie (t) | AI-A | Riley Flute 1, 1814 | 8 | FL |
//51156543//511531+//51156543//422341+// 1+2+1+53453 |
3/2 | Go to Berwick Johnny (t) | SC-S | Scots MM-6, 1803 | 534 | VO,PF |
//51/15/6543//51/15/35// | 6/8 [=3] | Barwick Billy (t) | MS-E | Vickers MS, 1770 | 68 | MI |
//5115654//511356//5115543 | 3/4 | Danse Ecossoise (t) | AI-A | Scots MM, 1797 | 71 | HA/PF |
//5115654//511356//5115543//23127-16-7-5 -//5115654 |
3/4 | Danse Ecossoise (t) | AI-A | Caladonian Muse, 1798 | 71 | VO/PF/VN |
//51/15//654/51//1+765/6543 | Make Shift, The (t) | MS-E | Hammersley MS, 1790 | 31B | MI | |
//51/15//654/51//1+765/6543 | C/ | Make Shift (t) | DA-E | Walsh CD-3.5, 1754 | 115 | VN//OB/GF |
//51+/1+5//6654/34//56/71+2+5// | C/ | Allmaine (t) | IC-E | Musicks Hand-Maid-1, 1678 | 13 | VI/HA |
//5/1+1+//5/67//1+1+ | C | Yarmouth (t) | AM-A | Akerman MS, 1795 | 19 | VO |
//51/157/6543//4321/3451/17-7- | 3/2 | Air 7 (t) | BA-E | Quaker's Opera, 1728 | 14 | VO |
//511576543//4321345117-7- | 3/2 | Air 21 (t) | BA-E | Silvia, 1731 | 22 | VO |
//5-11/6-11//5-11/21//1+55/644 | 6/8 | Trip to Sligo, A (t) | IC-S | Aird 2, 1785 | 64 | FI/VN/GF |
//5-11/6-11//5-11/21//1+55/644// | 6/8 | Trip to Sligo, A (t) | MS-S | Fife MS, 1780 | 470,49r | 1FI OR 2FI/VN |
//5-11/6-11//5-11/21//1+55/644// | 6/8 | Trip to Sligo, A (t) | MS-C | Molyneaux MS-2, 1788 | 42 | 1 OR 2 GF |
//5-11/6-11//5-11/21//1+55/644// | 6/8 | Trip to Sligo, A (t) | DA-E | Universal Magazine | 1:76, 1757 | MI |
//5-11/6-11//5-11/315-//1-3-5-/15-3-// | 6/8 | Charle Lorraine, La (t) | DA-N | St. Flour Contredanses, 1757 | xiii | KB |
//5-1/1//6-1/1//5-1/6-1 | 2/4 | Chasse d'Amour (t), or Lovers Hunt, (at) | DA-E | Thompson CD-2, 1765 | 28 | VN/GF/OB |
//5-1/1//6-1/1//5-1/6-1// | 2/4 | Chasse D'Amour (t), or Lovers Hunt (at) | DA-E | Thompson CD-2a, 1765 | 26 | VN/GF/OB |
//5-11/6-11//5-6-5-/4-3-2-/1-3-4-5-//4-2 -3-4-5-4-/3-1-2-3-4- |
C | Entree March (t) | AI-A | American Sheet Music | KB | |
//5-11/6-11//7-25/35-//5-11/6-11 | C/ | Light as thistle down moving (fl) | TW-E | Rosina, 1783 | 32-33 | VO,PF/HARP/HA |
//5-1/1//6-1/1//7-6/5432 | 2/4 | Quick March Composed for the Berkshire Militia (t) | IC-E | English Sheet Music | 3 | 2CL,2HN,TR,2BS+ |
//5-1/16-//12/25-//5-1/16-//3/1 | C/ | Daniel Cowper (t) | PL-E | Playford 1-12, 1703 | 169 | VN |
//51+1+//62+2+//1+76567//1+2+3+4+5+//51+ 1+//62+2+// |
3/8 | Pirate's Waltz (t) | DA-E | Wilson Companion, 1816 | 151 | MI |
//5-11//6-22//17-6-5-6-7-//1351+//5-11// 6-2 |
3/8 | No.4. Allemand (t) | TW-E | Pirates, 1792 | 55 | KB |
//5-11//6-22//17-6-5-6-7-//1351+//5-11// 6-22 |
3/8 | Waltz In the Pirates (t) | AM-A | Beach MS, 1801 | 25 | MI |
//5-11//6-22//17-6-5-6-7-//135//5- | 3/8 | Six Favorite German Waltzen-4 (t) | AI-A | Musical Jnl-1, 1800 | II,27 | FL/VN |
//5-11//6-22//17-6-5-6-7-//135//5- | 3/8 | Six Favorite German Waltzen-4 (t) | AI-A | Musical Jnl-2, 1800 | II,26-28 | PF |
//5-11/6-22//17-6-5-6-7-//135//5-11//6-2 2 |
3/4 | Waltz (t) | AI-A | Paff Amus 4, 1817 | 4 | FL/VN |
//51/16//51/16//54/34 | 2/4 | Quick Step (t) | AI-A | American Sheet Music | PF | |
//5-1/16//535//65/43 | 2/4 | Sherringham Hall (t) | DA-E | Thompson CD-6.7, 1795 | 84 | MI |
//51+//1+661+//1+56/434//3/3+ | 2/4 | Sonata 5. Andante (t) | IC-E | Rockeman & Alters, 1773 | 10 | 2CL,2HN,BS |
//51+//1+661+//7553+//2+1+71+/7654//3 | 2/4 | Divertimento 2. Andante (t) | IC-E | Rathgen Divs, 1780 | 6 | 2CL,2HN,BS |
//5-1/16-//6-2/2//5-1/16-//3/1 | C/ | Daniel Cowper (t) | PL-E | Playford 1-17, 1721 | 169 | VN |
//5-1/16-//6-2/2//5-1/16-//3/1 | C/ | Daniel Cowper (t) | PL-E | Playford 1-18, 1728 | 169 | VN |
//5-1/16-//6-2/25-//5-1/12 | C/ | Daniel Cooper (t) | MS-E | Hammersley MS, 1790 | MI | |
//5-1/16-//6-2/25-//5-1/16- | C/ | Daniel Cowper (t) | PL-E | Playford 1-09, 1695 | 169 | VN |
//5-1/16-//6-2/25-//5-1/16- | C/ | Daniel Cowper (t) | PL-E | Playford 1-10, 1698 | 169 | VN |
//51+/1+6//62+/2+5//51+/1+6 | C/ | Daniel Cowper (t) | DA-E | Walsh CD-1.1, 1718 | 182 | VN/OB/FL |
//51+/1+6//62+/2+5//51+/1+6 | C/ | Daniel Cowper (t) | DA-E | Walsh CD-2.1, 1731 | 105 | VN/OB/GF/RC |
//51+/1+6//62+/2+5//51+/1+6 | C/ | Daniel Cowper (t) | DA-E | Walsh CD-3.1, 1754 | 154 | VN/OB/GF |
//5-1/16-//6-2/25-//5-1/16-//3 | C/ | Daniel Cowper (t) | PL-E | Playford 1-14, 1709 | 169 | VN |
//5-1/16-//6-2/25-//5-1/16-//31 | C/ | Good Honest Trooper Take Warning by Donald Cooper (t) | SC-E | Pills 5, 1719-20 | 88-90 | VO |
//5-1/16-//6-2/25-//5-1/16-//31 | C/ | Daniel Cowper (t) | PL-E | Playford 1-11, 1701 | I,169 | VN |
//5-1/16-//6-2/25-/5-1/16-//3/1 | C/ | Daniel Cowper (t) | PL-E | Playford 1-13, 1706 | 169 | VN |
//5-1/16-//6-2/25-//5-1/16-//3/1 | C/ | Daniel Cowper (t) | PL-E | Playford 1-15, 1713 | 169 | VN |
//5-1/16-//6-2/25-//5-1/16-//3/1 | C/ | Daniel Cowper (t) | PL-E | Playford 1-16, 1716 | 169 | VN |
//5-1/16-//7-1/2//31/15- | C/ | Air 38 (t) | BA-E | Devil To Pay-1, 1731 | 62-63 | VO |
//5-1/16-//7-1/24//31/11- | 2/4 | Dr Mackay, Irish (t) | IC-S | Aird 5, 1797 | 39 | FI/VN/GF |
//5-116-/7-124//3115-/3-5-5-//6-7-16-/7- 124 |
C | Song 9 (t), or My Jo Janet (at) | SC-E | Calliope, 1788 | 14-15 | VO |
//5-1/16-//7-2/7-5-//23/23 | 2/4 | Tobacco Box, Doublings, The (t) | AI-A | Ashworth D&F, 1812 | 35 | FI |
//5-1/16-//7-2/7-5-//23/23 | 2/4 | Tobacco Box. Doublings (t) | AI-A | Rumrille D&F, 1817 | 37 | FI |
//5-1/16-//7-5-/15-//2/2323 | 2/4 | Tobacco-Box, The (t) | SC-S | Edinburgh MM-1, 1792 | 93-95 | VO |
//5-1/16-//7-5-/15-//2/234 | 2/4 | Song 188 (t), or Tobacco Box: A Dialogue, The (at) | SC-E | Calliope, 1788 | 350-351 | VO |
//5-1/16-//7-5-/15-//2/234//3 | 2/4 | Tobacco Box, The (t), or Soldier's Pledge of Love, (at) | SS-E | SS, Harvard | 1 | VO,KB+GT+GF |
//5-117-/1123//3/23//4321/26-7-1//7- | C/ | Air 31 (t) | BA-E | Village Opera, 1729 | 41 | VO |
//51+/1+71+//167/1+71+//36/656 | 6/8 | Creaking Beadstead (t) | DA-E | Walsh CD-3.6, 1754 | 64 | VN/OB/GF |
//5-117-1/217-124//316-2/17-5-//5-117-1/ 217-121 |
C | Lass of Richmond Hill (t) | AM-A | Allen, W. MS, 1790 | 94 | VO,B |
//51+//1+/71+//2+1+/76 | 2/4 | Retraite, La (t) | MS-G | Darmstadt MS 1225 | 65-66 | 2MI |
//51+/1+71+//2+1+76/51+7//654/35 | C | Last Sunday Morning I Sailed from Cork (t) | AM-A | Perkins MS, 1790 | 18 | MI |
//51+//1+/71+//2+1+/76//54 | 2/4 | Corsicaner Zapffenst. No 43. (t) | MS-G | Darmstadt MS 1225 | 313-14 | 2MI |
//5-1/17-1//217-6-/5-4-3-2-//1-3/323 | C/ | Air 25 (t) | BA-E | Generous Free, 1731 | 51 | VO |
//5-1/17-1//217-6-/5-4-3-2-//1-3/323 | C/ | On Masons and Masonry (t) | SC-E | Musical Ent-1, 1740 | 5 | VO,KB+FL |
//51+//1+71+//2+1+7654//435 | 3/4 | My Bliss Too Long (t) | AM-A | Beck MS, 1786 | 124 | GF |
//5-1/17-1//22/212//33 | 6/8 | Musical Hodge Podge, The-3 (t) | SS-E | SS, Folger-C42.1 | 28,2 | VO,KB |
//5-1/17-1//22/212//33/321 | 6/8 | Musical Hodge Podge-3 (t) | SC-E | Musical Cent-2, 1740 | 1+52 | VO,KB+FL |
//5-1/17-1//22/212//343/216- | 6/8 | Blackrock (t) | AI-A | Reinagle Scots, 1787 | 7-8 | PF/HA |
//5-1/17-1//22/212//354/321// | 6/8 | Black Joak, The (t), or Negro del Cuerpo Blanco (at) | MS-M | Garcia MS, 1772 | 82 | MI |
//5-1/17-1//22/23//4321/7-3//217-6-/5-5- |
/C | Air 22 (t) | BA-E | Flora, 1729 | T31M7 | VO |
//5-1/17-12//311/134//55/5656// | C/ | Boston Assembly (t) | AM-A | Treat MS, 1779 | 17r | FI/GF |
//5-1/17-12//31/134//55/6543 | 2/4 | New Boston Assembly (t) | AM-A | Morse MS, 1811 | 63 | MI |
//5-/11//7-12/312//345/515// | C/ | One of the Symphonies (t) | MS-E | Rogers MS, 1656 | 7 | VI |
//51+1+7/1+2+3+1+//7543/43217-2//11+1+7/ 1+2+3+1+// |
C/ | Lady Mackimtosh Real (t) | MS-E | Vickers MS, 1770 | 15 | MI |
//5-1/17-//12/31//7-5-/5-4-// | C/ | No 6 (t) | AM-A | Bevens MS, 1825 | 38r | FI |
//5-1/17-//12/31//7-5-/5-4// | 2/4 | Dubel Quick Time, The (t) | MS-S | Fife MS, 1780 | 328,34r | 1FI OR 2FI/VN |
//5-1/17-//12/31//7-5-/5-4- | 2/4 | Will the Weaver (t) | AI-A | Robbins D&F, 1812 | 29 | FI |
//5-1/17-//12/31//7-5-/5-4- | 2/4 | Will the Weaver (t) | AI-A | Steele Fife, 1815 | 24 | FI |
//5-1/17-//1/231//7-6-/5-4- | 2/4 | Scotch Bunnet a Quick Step, The (t) | AM-A | Nixon MS, 1776 | 60 | FI |
//5-1/17-//12/31//7-6-/5-4-// | 2/4 | Secondo [second Part of Piece on Missing page] (t) | AM-A | Patten MS, 1800 | 2 | MI |
//5-117-/1231//7-6-5-4-/3-2-3-1-//5-117- /1234 |
C/ | Miss Mckenzeys Reel (t) | AM-A | Gardner MS, 1788 | 15 | FI |
//5-1/17-1//232/212//343/217- | 6/8 | Black Jock (t) | IC-S | Aird 2, 1785 | 27 | FI/VN/GF |
//5-1/17-1//232/212//343/217-// | 6/8 | Black Joack. A Quick Step (t) | MS-S | Fife MS, 1780 | 326,34r | 1FI OR 2FI/VN |
//5-117-1//232212//343321 | 6/8( | Black Joke, The. with Variations (t) | AM-A | Bolling MS, 1785 | 33 | VN/VO |
//5-1/17-1//232/212//343/321 | 6/8 | Gig (t) | IC-E | Caledonian PC, 1760 | VII,19 | GF/VN |
//5-117-1232212343321 | Black Joke (t) | AM-A | Dickinson MS, 1800 | 29 | CL/GF/OB | |
//5-1/17-1//232/234//321/43 | 6/8 | I Wish You a Merry New Year (t) | IC-S | Aird 2, 1785 | 8 | FI/VN/GF |
//5-1/17-12//37-13/5//55+4+3+/2+ | 2/4 | Geschw. Marsch (t) | IC-G | Walch Pieces, 1822 | 2 | BAND(18 PARTS) |
//5-1/17-1//247-/17-1//22/212 | 6/8 | Gigg (t) | IC-S | Scottish Sheet Music | PF+M | |
//5-1/17-1//252/234//321/43// | 6/8 | I Wish You a Merry New Year (t) | MS-S | Fife MS, 1780 | 508,53v,54r | 1FI OR 2FI/VN |
//5-1/17-1//2/5//353/13 | 6/8 | Marchioness (t) | AM-A | Commonplace MS, 1797 | 37 | FI |
//5-1//17-12//5-3543//32 | 3/4 | Masquerade Minuet, The (t) | AM-A | Beck MS, 1786 | 149 | 2GF |
//5-1//17-12//5-3543//32//5-55 | 3/4 | Masquerade Minuet, The (t) | SS-E | SS, New York PL-C695 | 7 | 2VN+2GF,GT |
//5-1//17-12//5-3543//32//5-55//543 | 3/4 | Shepherds Holiday (t) | SS-E | SS, Harvard | 1 | VO,KB+GF+GT |
//51/17-1//254/321//51/17-1 | 6/8 | American Volunteer, The (t) | AI-A | Robbins D&F, 1812 | 51 | FI |
//51/17-1//254/321//51/17-1//234/51 | 6/8 | American Volunteer, The (t) | AM-A | Belknap MS, 1784 | 24R | MI |
//5/1+//1+/71+2+7//1+ | 2/4 | Roundelay (t) | IC-E | Thompson Clar, 1785 | 10 | CL |
//5-/1//1/7-127-//1 | 2/4 | Song 68 (t) | SC-E | Vocal Enchant, 1783 | 144-145 | VO |
/5-1//1/7-127-//1/5-3//3/2342// | 2/4 | Bon Ménage, Le. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 254 Feuille | MI |
//5/1+//1+/71+2+7//1+//67/1+6 | 2/4 | In My Pleasant Native Plains (t) | SC-S | Edinburgh MM-1, 1792 | 150-151 | VO |
//51+/1+71+//2+75/54//343/21+7 | 6/8 | Whirlie Wha, The (t) | IC-S | Aird 3, 1788 | 195 | FI/GF/VN |
//5-1/17-1//27-5-7-/112//3131/4242 | 2/4 | Lord Nelson's Horpipe (t) | AI-A | Balls Amus 2, 1815 | 20 | FL/FI/VN |
//5-1/17-1//31/11//6-2/22 | 6/8 | Paddy Carey's Fortune (t) | AM-A | Canfield MS, 1823 | 62-63 | FL |
//5-1/17-1//31/17-1//6-2/212 | 6/8 | Paddy Carey (t) | AM-A | Commonplace MS, 1811 | 24 | MI |
//5-1/17-1//31/17-1//6-2/212// | 6/8 | Paddy Carey. A Favorite Cotillion (t) | AI-A | Paddy Carey Cot, 1817 | 1 | PF |
//5-1/17-1//31/17-1//6-2/212 | 6/8 | Paddy Carey (t) | AI-A | Riley Flute 2, 1817 | 13 | FL |
//5-1/17-1//31/17-1//6-2/212 | 6/8 | Paddy Carey's Fortune (t) | AI-A | Riley Flute 2, 1817 | 53 | FL |
//5-1/17-1//31/17-1//6-2/23 | 6/8 | Paddy Carey's Fortune (t) | AI-A | Bacon Clar, 1818 | 25 | CL |
//5-1/17-1//31/17-1//6-2/23// | 6/8 | Paddey O Carey (t) | MS-S | Fife MS, 1780 | 121v | 1FI OR 2FI/VN |
//5-1/17-1//31/17-1//6-2/23 | 6/8 | Paddy Carey (t) | AM-A | Huntington MS, 1817 | III.59 | FL/VN |
//5-1/17-1//31/17-1//6-2/23 | 6/8 | Paddy Carey's Fortune (t) | AI-A | Klemm Clar, 1825 | 25 | CL |
//5-1/17-1//31/17-1//6-2/23 | 6/8 | Paddy Carey (t) | IC-I | Logier Bugle, 1813 | 21 | BU |
//5-1/17-1//31/17-1//6-2/232// | 6/8 | Number 5. Second Sett of Cotillions (t) | AM-A | Washburn MS, 1816 | 14 | GF |
//5-1/17-1//31/31//5-1/31 | 6/8 | Quick March (t) | IC-I | Logier Bugle, 1813 | 31 | BU |
//51+/1+71+//321/2343//565/565 | C/ | Vain is ev'ry fond endeavour (fl) | TW-E | Chaplet, 1750 | 11-13 | OB,2VN,VA,VO,KBF |
//51+/1+71+//321/2343//565/565 | C/ | Favourite Song, A (t) | SC-E | Clio-3, 1762 | 84-85 | VO,HAF+GF |
//51+/1+71+//321/2343//565/565 | C/ | Vain is ev'ry fond endeavor (fl) | SC-E | Ritson, 1783 | TI,262;MIII,149-150 | VO |
//5-1/17-1//33/323//44/432 | 6/8 | Black Joke (t) | AM-A | Cary MS, 1797 | 34 | VN |
//5-1/17-1//5-3/323//345/654 | 6/8 | Herberts Delight (t) | DA-E | Bride CD, 1776 | I,9 | VN/OB/GF |
//51//17-1//5-43//32//54321 | 3 | Blushing Rose, The (t) | SC-E | Muses Delight, 1754 | 65 | VO,HA |
//51+/1+7//1+/5//51+/1+7//1+76/52+ | C/ | Air 29 (t) | BA-E | Village Opera, 1729 | 39 | VO |
//51+/1+71+//61+/1+7-1//6- | C | TW-E | Harlequin Dr. F, 1766 | 9 | HAF,GF/VN | |
//5-1/17-1//6-2/212//321/54// | 6/8 | No. 28 (t) | DA-E | Leichte Englische, 1795 | 28 | MI |
//511+//71+//64//3//565//43//24321 | 3/8 | Pangs of Forsaken Love, The (t) | SC-E | Watts MM-6, 1731 | 20-23 | VO,HA+FL |
//5-1/17-1//6-6-/21//7-5-/5-6-7- | 6/8 | Roxburghshire Cavalry Yeomanrys Quick Step, The (t) | IC-S | Calvert Coll, 1790 | 4-5 | V,VC/HA/PF |
5-1/17-1//7-123/4//365/4321// | 2/4 | Quick Step, A (t) | MS-S | Fife MS, 1780 | 634,68r | 1FI OR 2FI/VN |
//5-1/17-1//7-2/4//345/4321 | 2/4 | Cottillion (t) | IC-E | Eley Pieces 2, 1790 | 5 | 2CL,2FLP,2HN,TR |
//5-11/7-22//1231/234//3453/4231 | C/ | Sweet Richard. Country Dance (t) | AM-A | Brown, N. MS, 1781 | 24R | FI |
//5-1/1//7-2/2//13/31// | 2/4 | Sweet Richard (t) | AM-A | Hoff MS, 1797 | No. 120 | GF |
//5-/11//7-2/2//13/31 | 2/4 | Sweet Richard a Quick Step (t) | AM-A | Nixon MS, 1776 | 55 | FI |
//5-1/1//7-2/2//431/7-1 | 2/4 | Quick Step, A (t) | AM-A | Gaylord MS, 1816 | 2v | MI |
/5-1//17-/24//43/51//17-/ | C | Tambourin, Le (t) | IC-E | Welcker Cots, 1768 | 4 | GT |
//51+/1+7//2+5/5//46/25 | 2/4 | Gren. March V. Printz Ferdinandt (t) | MS-G | Darmstadt MS 1224 | 328,330 | 2MI |
//51+/1+7//2+5/5//46/25 | 2/4 | Preussicher Gren: March No 17 Printz Ferdinand (t) | MS-G | Darmstadt MS 1225 | 357-58 | 2MI |
//5//1+//1+76//43//22+1+ | 3/8 | Andantino (t) | IC-S | Stewart Marches, 1773 | 64-65 | 2VN/GF/OB,VC/HA |
//511+76//511+76//655443//3234//511+76// 511+76// |
3/4 | Retreat, A (t) | MS-S | Fife MS, 1780 | 742,81r | 1FI OR 2FI/VN |
//5-1/17-//6-5-/12//3/1// | 2/4 | Petite Provencalle, La (t) | DA-F | Landrin Potpourri, 1785 | 34 | MI |
//5-1/17-//6-5-/12//3/1// | 2/4 | Reveillee, La (t) | DA-N | St. Flour Contredanses, 1757 | 54 | KB |
//511+/7651+//6554/433 | C | Favourite Song In the Opera of otho, A (t) | SC-E | Pocket Comp, 1725 | 80-82 | VO,HAF+FL |
//5-11/7-6-5-//345/327-//341/7-5-3- | 6/8 | Katy's Rambles (t) | AI-A | Robinson Coll, 1826 | 48 | MI |
//5/1//1+7//65/43//2 | 2/4 | Clarissa (t) | SC-E | Calliope, 1746 | I,20 | VO,HAF+FL |
//5/1//1+76/54//3451 | 2/4 | Portuguese Favourite, A (t) | IC-E | Delightful-2, 1745 | V,26 | 2GF |
//51+1+76/54543//6666/671+76//55543/2343 2 |
C | Sonatina. Andante (t) | IC-E | Delightful-2, 1745 | VI,10 | GF |
//51+//1+7655//24//43655//4 | 3/4 | Lesson 10 (t) | AI-A | Linley Asst-2, 1796 | 9 | HA/PF |
//51+/1+76//55/31//22/2432 | 2/4 | 1st Medley Dance.4th Part (t) | IC-S | Gibb New Coll, 1798 | 11 | PF/VN,VC |
//51+1+7/6553//656767/1+115//54 | C/ | Trip to the Bell, A (t) | PL-E | Playford 2-3, 1718 | 36 | VN |
//51+1+7/6553//656767/1+115//54 | C/ | Trip to the Bell, A (t) | PL-E | Playford 2-4, 1728 | 36 | VN |
//51+1+7/6553//656767/1+115//5443/32217- |
C/ | Trip to the Bell, A (t) | DA-E | Walsh CD-1.2, 1719 | 53 | VN/OB |
//51+1+7/6553//656767/1+115//5443/32217- |
C/ | Trip to the Bell, A (t) | DA-E | Walsh CD-3.6, 1754 | 202 | VN/OB/GF |
//51/1+76//5/543//23 | 2 | Favourite Song, A (t) | SC-E | Calliope, 1746 | II,134 | VO,B,MI |
//51/1+76//5/543//23/45654 | 2 | Song, A (t) | SS-E | SS, Folger-C42.3 | 492 | VO,KB+FL |
//51+/1+765//565456/5432//1217-13/217-6- |
C | Smith's Fancy (t) | IC-E | Balls Amus 3, 1815 | 13 | FL/VN |
//51+//1+76//5654//3+ | 3/4 | Fair Semira lovely maid (fl) | TW-E | Artaxerxes, 1762 | 26-27 | VO,HA |
//51+//1+76//5654//3//51+ | 3/4 | Fair Semira (t) | SS-E | SS, New York PL-C695 | 115 | VO,HA |
//51+/1+7//6/5//65/67// | C/ | Graziosetta, La (t) | DA-E | Gallini Cots, 1770 | 44 | KB |
//51+/1+76//56/654//34/432// | 2/4 | Tray Clubs (t) | DA-E | L & L Cot, 1775 | 28 | MI |
//51+//1+76567//1+2+3+3+//3+2+5//5655//4 +3+2+1+ |
3/4 | Peacefull olive the pile shall adorn (fl) | TW-E | Maid/Oaks, 1774 | 51 | VO,KBF |
//5-1/17-//6-5-/6-7-//17-12/11// | 2 | Provencal, La, 3e (t) | IC-F | Leclerc Recueil-2, 1737 | 107 | HAF |
//51+/1+7//65/67//1+7/1+2+/1+5// | 2 | Provencale, La. Dansé au Bal de Madame La Dauphinne (t) | DA-F | Landrin CD BL-1, 1775 | 44 Feuille | MI |
//5-1/17-//6-5-/6-7-//17-12/15-// | 2 | Provencalle, La (t) | DA-F | Landrin Potpourri, 1785 | 46 | MI |
//5-1/17-//6-5-/6-7-//17-12/15- | C | Provencale, La (t) | IC-S | Stewart Airs, 1788 | 1:20 | GF/VN/FI |
//5-1/17-//6-5-/6-7-//17-12/3234 | 2/4 | Queens House, The (t) | DA-E | Thompson CD-2, 1765 | 68 | VN/GF/OB |
//5-1/17-//6-5-/6-7-//17-12/3234// | 2/4 | Queen's House, The (t) | DA-E | Thompson CD-2a, 1765 | 69 | VN/GF/OB |
//51+1+76//65/34//565432//15//5 | 2/4 | Andante (t) | AM-A | Hiester MS-1, 1793 | 49-50 | KB,VO |
//51+/1+76//65/34//565/543 | 6/8 | Clock of Lombardy, The. Quick March to Take Possession of the Castle (t) | AI-A | American Sheet Music | PF | |
//5//1+17-//6-65//43//561234 | 3/4 | Arioso (t) | IC-S | Stewart Marches, 1773 | 81 | 2VN/GF/OB,VC/HA |
//5-117-6-/7-12//1231/234//3453/4321// | C | Sweet Richard (Old Welch) (t) | DA-E | Wilson Companion, 1816 | 103 | MI |
//5-117-6-/7-2217-//13321/234//3453/4231 |
C | Sweet Richard (t) | DA-E | Thompson CD-3, 1773 | 73 | VN/GF/OB |
//5-117-6-/7-2217-//13321/234//3453/4231 // |
C | Sweet Richard (t) | DA-E | Thompson CD-3a, 1773 | 61 | VN/GF/OB |
//51+1+76//72+234//53+34//51+3+4+3+ | 3/2 | Yellow Joak (t) | DA-E | Walsh CD-2.1, 1731 | 61 | VN/OB/GF/RC |
//51+1+76//72+234//53+34//51+3+4+3+ | 3/2 | Yellow Joak (t) | DA-E | Walsh CD-3.1, 1754 | 88 | VN/OB/GF |
//51+1+76//72+234//53+34//51+3+4+3+//2+1 +1+76 |
3/2 | Yellow Joak (t) | DA-E | Johnson CD-1, 1740 | 85 | MI |
//51+1+//76751+//566 | 3/4 | Minuet In Samson (t) | AM-A | Bolling MS, 1790 | 60 | 2VN |
//51+1+76//755675//1+2+1+76//2+55675//45 432 |
3/2 | Come Ye Jolly Lads Christmas Is a Coming (t) | MS-E | Hammersley MS, 1790 | 96 | KB |
//5-1/17-7-2//2113/2 | C | Song 11 (t) | SS-E | SS, Folger-C52 | 101,2-103,1 | MI,VO,KB |
//5-1/17-7-2//2113/2//5-//15-/31 | C/ | Delia (t) | SS-E | SS, New York PL-C694 | 79 | VO,HA |
/5-1//17-/7-2//21/24//35 | 2 | Bien tot Faire, La (t) | DA-F | Landrin Potpourri, 1785 | 94 | MI |
//511+7751+2+//3+3+4+3+2+3+//1+2+1+77656 //56751+76//51+765434// |
C 3-1 | Courant (t) | MS-E | Rogers MS, 1656 | 62-63 | VI |
//51+/1+776//6554/3//13/24 | 2/4 | Whilst with Village Maids I Stray (t) | AI-A | Riley Flute 2, 1817 | 15 | FL |
//51+/1+776//6554/3//13/24 | 2/4 | Whilst with village maids I stray (fl) | TW-E | Rosina, 1783 | 18-19 | VO,KB |
//51+/1+776//6554/43//13/24 | 2/4 | Whilst with Village Maids I Stray (t) | AM-A | Beck MS, 1786 | 116-117 | GF |
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