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Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
//333/111//222/17-6-5-//111 | 2/4 | I'll Die for No Shepherd Not I (t) | AI-A | American SS-SM | 1-2 | VO,KB |
//3/3//311/135//5 | C | Fisher (t), or March 14 (at) | IC-E | Button Whit-1, 1806 | 20-21 | 2GF/2VN/2FL/2FI |
//33/31/1//44/45/5// | 3 | Love Let Us Kiss (t) | DA-F | Arbeau Orchesography, 1589 | 102-104 | DR/MI |
//333/1+1+//75/65//31/22 | 3 | Begger-Boy (t) | PL-E | Playford 1-06, 1679 | 30 | VN |
//333/1+1+//75/65//31/22//34/53 | C | Begger Boy, The (t) | PL-E | Playford 1-01, 1651 | 5 | VN |
//333/1+1+//75/65//31/22//34/53 | C | Begger Boy, The (t) | PL-E | Playford 1-02, 1652 | 9 | VN |
//333/1+1+//75/65//31/22//34/53 | 3 | Begger Boy, The (t) | PL-E | Playford 1-03a, 1657 | I,9 | VN |
//333/1+1+//75/65//31/22//34/53 | 3 | Begger Boy (t) | PL-E | Playford 1-04, 1670 | 30 | VN |
//333/1+1+//75/65//31/22//34/53 | 3 | Begger Boy, The (t) | PL-E | Playford 1-05, 1675 | 30 | VN |
//333/1+1+//75/65//31/22//34/53 | 3 | Begger-Boy, The (t) | PL-E | Playford 1-07, 1686 | 30 | VN |
//333/1+1+//75/65//31/22//34/53 | 3 | Begger Boy, The (t) | PL-E | Playford 1-3b, 1665 | I,9 | VN |
//33/31//2123/123//4321/1 | C | From Night Til Morn (t) | AI-A | Elegant Exts, 1796 | 30-31 | 2VO/2FL |
//33/31//2123/123//4321/1234 | C | From Night Till Morn (t) | IC-E | Andrews Fife, 1808 | 21 | FI/GF |
//33/31//2123/123//4321/1234 | C | Moderato (t) | IC-E | Brooks Pieces, 1796 | 13 | 2CL,2HN,BS |
//33/31//2123/123//4321/1234 | C | Pauvre Madelon, A Favourite Duett (t) | MS-C | Frobisher MS, 1793 | 62-65 | VO,HA |
//33/31//2123/123//4321/1234 | C/ | From Night Till Morn (t) | IC-I | Logier Bugle, 1813 | 25 | BU |
//33/31//2123/123//4321/1234 | C/ | From Night Till Morn (t), or Favorite Duett, A (at) | AI-A | Young's Vocal, 1793 | 10 | 2VO,PF+GT/FL |
//33/31//2123/123//4321/1234 | C | Go with You All the World Over (t) | AI-A | Young's Vocal, 1793 | 22-23 | VO,PF |
//33/31//2123/123//4321/1234//5 | C | Pauvre Madelon (t), or Favorite Dialogue and Duett, A (at) | AI-A | American SS-SM | 1-2+3 | 2VO,PF+GT/2FL |
//33/31//2123/123//4321/1234//5 | C/ | Pauvre Madelon (t), or Favorite Dialogue & Duett, A (at) | AI-A | American SS-SM | 1-2 | KB,2VO |
//3331//2123123//4321/1234//564354 | 3/4 | Pauvre Madelen, A Duett. (t) | AM-A | Otis MS, 1793 | 43 | 2VN/2FL |
//33/31+//33/31//35/43 | 2/4 | Finale, Act Ii (t) | TW-E | Midnight Wand, 1793 | 58-59 | 4VO,KB |
/33//313/432//36-3/432//17-6-/5-6-7-// | 6/8 | Zélie, La. Contredanse (t) | DA-F | LaCuisse Rep CD LC-3, 1765 | 71 Feuille 3. Vol | KB |
//3331/4442//3331/212//3331/4566// | C | There's Nae Luck About the House (t) | IC-E | Hyde Bugle, 1818 | 14 | 2BU,B |
//33/31+//53/31+//53/31+ | 2/4 | Temple of Flora, The (t) | AM-A | Kingsley MS, 1795 | I,1 | MI |
//333//1/5-5-//1/3 | 2/4 | Enemy Has Artilery, The (t) | IC-E | Potter Bugle, 1817 | 10 | BU |
//33/316-//44/421//7-16-/5-37-// | 6/8 | Cotillion. Minore (t) | AM-A | Johnson, F. MS, 1820 | 51 | PF |
//333/17-6-//4321/27-//12/5-6- | C/ | New Song, Set to the Flute, A (t) | SC-E | Pills 6, 1719-20 | 78-9 | VO/FL |
//3+3+3+//1+76//4+4+4+//543//24+21//7-2+ |
3 | Minuet (t) | IC-E | Delightful-2, 1745 | V,17 | GF |
//33/31+7//66/642//11/212 | 6/8 | Liberty, The (t) | AI-A | Riley Flute 2, 1817 | 66 | FL |
//33/31+7//66/64+2+//77/71+2+ | 6/8 | French Cotillion's First Sett-4 (t) | AM-A | Marchant MS, 1783 | 75-76 | KB |
//3-3-/3-17-//6-6-/6-7-1//5-6-5-/5-4-3- | 6/8 | Ap Shenkin (t) | IC-E | Balls Amus 3, 1815 | 3 | FL/VN |
//3-3-/3-17-//6-6-/6-7-1//5-6-5-/5-4-3- | 6/8 | Ap Shenkin (t) | IC-E | Balls Amus 3, 1830 | 3 | FL/VN |
//33/31+7//66/671+//565/543 | 6/8 | Upspanky (t) | AM-A | Beach MS, 1801 | 59 | MI |
//33/31+7//66/671+//565/543// | 6/8 | Ap Shenkin Arranged as a Rondo (t) | AM-A | Irving MS, 1796 | 114 | 1 MI |
//3-3-/3-17-//6-6-/6-7-1//5-6-5-/5-4-3- | 6/8 | Ap Shenkin (t) | AI-A | Paff Amus 1, 1812 | 2 | FL/VN |
//33/31+7//66/671+//565/543 | 6/8 | Ap Skenkin (t) | AI-A | Riley Flute 1, 1814 | 58 | FL |
//33/321//1111//6-7-1 | 6/8 | My Fair One's Like the Roseate Morn (t) | SC-E | Vocal Music, 1775 | 64-65 | VO/VN/GF |
//33/321//11/17-//6-7-1/21 | 6/8 | Monsieur Nongtong Pah (t) | AM-A | Beach MS, 1801 | 114-15 | KB |
//33/32//11/123//44/43 | 6/8 | Vergatter Von Schaumberg (t) | MS-G | Darmstadt MS 1225 | 99-100 | 2MI |
//3332//1112//34523//324//3336//5551+// | 3/4 | How Blest Is He Who Ne'er Courted [incomplete] (t) | AM-A | Winnington MS, 1810 | 7 | KB |
//33/32//11/15-//6-7-1/232 | 6/8 | John Bull a March to His Tomb (t) | AM-A | Shattuck MS, 1801 | 74 | MI |
//33/32/11/1//6-7-1/21 | 6/8 | John Bull, or (t), or Echo (at) | AM-A | Commonplace MS, 1797 | 31 | FI |
//33/32//11/17-//6-7-1/21 | 6/8 | John Bull (t) | AM-A | Dickinson MS, 1800 | 133 | CL/GF/OB |
//33/32//11/17-//6-7-1/21 | 6/8 | Monsier Nong Tong Paw (t) | AI-A | Hulbert Fife, 1807 | 17 | 2FI |
//33/32//11/17-//6-7-1/21 | 6/8 | Monsieur Nong Tong Paw (t) | AI-A | Hulbert Variety, 1803 | 12 | OB/FI |
//33/32//11/17-//6-7-1/21 | 6/8 | Monsieur Nong-Tong-Pans (t) | AM-A | Shattuck MS, 1801 | 56 | MI |
//33/32//11/17-//6-7-1/21 | 6/8 | Nong Tong Pan (t) | AM-A | Spicer MS, 1797 | 178-179 | VO |
//3332/11+31+//2+231/6-667//1+2+3+2+/1+6 1+6 |
C | New Strathspey Reel, A (t) | IC-E | Caledonian PC, 1760 | III,23 | GF/VN |
//33321//15-12//3331+6//51+6//654321 | 3/4 | Sensibility How Charming (t) | SC-S | Scots MM-4, 1792 | 339 | VO,PF |
//33/32//11/53//42/21//23/4//33/32 | C/ | Air 25 (t) | BA-E | Achilles, 1733 | 31 | VO |
//33/321//17-/7-23//44/432 | 6/8 | Hymn of Riego, The (t) | AI-A | American Sheet Music | PF | |
//33/321//17-7-/5-2//44/432// | 2/4 | Cottie. Minore (t) | AM-A | Johnson, F. MS, 1820 | 50 | PF |
//33/321//17-7-/7-23//44/432 | 6/8 | Spanish Constitutional March, The (t) | AI-A | American Sheet Music | KB | |
//333212//11113//3217-217-6- | 3/4 | Volunteer's Quick Step (t) | AI-A | Martial Music, 1807 | 16-17 | 2CL/2OB,BS |
//3332121//1237-6-7-6-//6-7-1217-6-//5-5 -4-5-//22217-6-7-5-// |
C (3 ed) | Courant (t) | MS-E | Rogers MS, 1656 | 79 | VI |
//33/321//2123/112//33/345// | C/ | Duke of Orleans March, The (t) | IC-E | Apollo's Banquet 1-1, 1670 | 42 | VN |
//33/321//2123/254//321/217-// | 2/4 | Monos, Los (t) | MS-M | Garcia MS, 1772 | 24 | MI |
//3-3-/3-2-1-//2-1-2-3-/2-5-4-//3-3-/3-2 -1- |
2/4 | And Will My Love Contented Be (t) | AI-A | Paff Amus 1, 1812 | 24 | FL/VN |
//33/32/121//7-1/23/232//45/17-/123// | C3 | Sarabande Beare (t) | MS-E | Rogers MS, 1656 | 17 | VI |
//33/321//217-/16-//33/3656//3217- | 2/4 | Sigh, The (t) | DA-E | Rutherf CD-2.1, 1756 | 50 | VN/GF/OB |
//33/321//217-6-/5-5-//6-7- | C | Oyster Nans Comicall Song (t) | SS-E | SS, Folger-C42.4 | 80 | VO+FL |
//33/321//217-6-/5-5-//6-7-/17-6- | C/ | Song, A (t), or Oyster Nan(ed) (at) | SS-E | SS, Harvard | 1 | VO,B+FL |
//3+3+/3+2+1+//2+1+76/55//67/1+76//6 | C/ | Oyster Nan's Comicall Song (t) | SS-E | SS, Harvard | 1 | VO+FL |
//33/321//217-6-/5-5-//6-7-/17-6-//6-65- /66- |
C/ | Song, A (t) | SC-E | Pills 5, 1719-20 | 107-8 | VO |
//33/321//22/212//33/321// | 6/8 | Balbao, La (t) | IC-F | Leclerc Recueil-2, 1737 | 120 | HAF |
//33/321//22/213//55/5654//31 | C/ | Sailors Return, The. Duett Between a Sailor and His Sweetheart (t) | TW-E | Lord-Mayors Day, 1782 | 14 | 2VO,KB,MI |
//33/321//22/232//16-/5-5-6- | C | Musician, The (t) | AM-A | Trumbull MS, 1801 | a:6-7 | 2MI,(MI),MI,B |
//33/321//22/234//343/212 | 6/4 | Air 15 (t) | BA-E | Achilles, 1733 | 18-19 | VO |
//33/321//22/234//343//212 | 6/4 | Air 1 (t) | BA-E | Fool's Opera, 1731 | 1 | VO |
//33/321//22/234//343/212 | 6/4 | Air 17 (t) | BA-E | Momus Turnd Fab, 1729 | 27 | VO |
//33/321//22/234//343/212 | 6/4 | Air 2 (t) | BA-E | Plot, 1735 | 11 | VO |
//33/321//22/234//343/212//1 | 6/4 | Air 23 (t) | BA-E | Decoy, 1733 | T31M7 | VO |
//33/321//22/234//543/217-// | 6/8 | Babahou, La (t) | IC-F | Leclerc Recueil-3, 1738 | 154 | HAF |
//33/321//22/25//343/217-// | 6/4 | Ieanne Qui Saute (t) | DA-F | Feuillet Recueil, 1706 | 65-69 | MI |
//33/321//22/25//343/217-// | 6/4 | Jenne Qui Saute (t) | MS-G | Jayme MS, 1717 | 7 | MI |
//33/321//22/25//343/217-// | 6/4 | Jenne Qui Saute (t) | IC-F | Leclerc Recueil-1, 1729 | 5 | HAF |
//33/321//22/25//345/21// | 6/4 | Jeanne Qui Sautte Contre-Danse Angloise (t) | IC-F | Pointel Airs, 1700 | 17 | MI,B |
//33/321//22/254//343/217- | 6/4 | Joan's Placket (t) | MS-E | Hammersley MS, 1790 | 44 | MI |
//33/321//22/254//345/2 | 6/4 | Joan's Placket (t) | PL-E | Playford 1-14, 1709 | 30 | VN |
//33/321//22/254/345/2 | 6/4 | Joan's Placket (t) | PL-E | Playford 1-15, 1713 | 30 | VN |
//33/321//22/254/345/2 | 6/4 | Joan's Placket (t) | PL-E | Playford 1-16, 1716 | 30 | VN |
//33/321//22/254//345/21 | Joan's Placket (t) | PL-E | Playford 1-10, 1698 | 211 | VN | |
//33/321//22/254//345/21 | Joan's Placket (t) | PL-E | Playford 1-11, 1701 | I,30 | VN | |
//33/321//22/254//345/21 | 6/4 | Joan's Placket (t) | PL-E | Playford 1-12, 1703 | 30 | VN |
//33/321//22/254//345/7- | 6/4 | Joan's Placket (t) | PL-E | Playford 1-17, 1721 | 30 | VN |
//33/321//22/254//345/7- | 6/4 | Joan's Placket (t) | PL-E | Playford 1-18, 1728 | 30 | VN |
//333/2123//111/123//443/21 | C/ | La Fayette's Welcome (t) | AI-A | Riley Flute 3, 1820 | 65 | FL |
//333/2123//111/1543//444/3234 | C | Favorite March In Feudel Times, The (t) | AI-A | American Sheet Music | PF/VN/FL | |
//33/321//232/254//313/27-2 | 6/8 | Jumping Joan (t) | IC-E | Caledonian PC, 1760 | IX,10-11 | GF/VN |
//33/321//232/654//353/531//3/5 | C | Rose Is White and Rose Is Red (t) | PL-E | Playford 1-02, 1652 | 85 | VN |
//33/321//232/654//353/531//3/5 | 3 | Rose Is White and Rose Is Red (t) | PL-E | Playford 1-04, 1670 | 4 | VN |
//33/321//232/654//353/531//35 | 3 | Rose Is White and Rose Is Red (t) | PL-E | Playford 1-05, 1675 | 4 | VN |
//33/32//1234/53//23/43 | C/ | Song 17 (t) | SC-E | Ritson, 1783 | TII,16-17;MIII,184-185 | VO |
//3/3//321/234//54/32 | 2/4 | Mazzinghis Fancy (t) | IC-S | Aird 6, 1803 | 27 | FI/VN/GF |
//33/32//12/3//55/43// | C/ | In the Merry Month of May (t) | IC-E | Playford Skill, 1674 | 65 | 2VO |
//3/3//32/124//55/5654// | C/ | Duke of Glocesters March, The (t) | IC-E | Theater Musick-1, 1698 | 7 | VN |
//33/32//12/53//42/21//23/4 | C/ | Air 41 (t) | BA-E | Fashionable, 1730 | 53 | VO |
//33/321//25-/5-4//35/543 | C/ | March (t) | MS-G | Darmstadt MS 1224 | 339 | MI |
//33321323431+53 | 2/4 | White Cockade, The (t) | AM-A | Gibbs MS, 1777 | 22 | FI |
//33/321//3234/31+//53/321 | C | Ranting Highlandman, The (t) | DA-E | Thompson CD-6.3, 1791 | 29 | MI |
//33/321//3234/31+//53/4321 | C | White Cockade (t) | AI-A | Riley Flute 1, 1814 | 35 | FL |
//33/321//3234/31+//6543/4321 | 2/4 | White Cockade, The. Highland Reel (t) | AI-A | Caladonian Muse, 1798 | 65-6 | VO/PF/VN |
//33/321//3234/31+//6543/4321 | 2/4 | Tho' I am now a very little lad (fl) | TW-E | Highland Reel, 1788 | 44-45 | VO,KB,MI |
//33/321//3234/31+//6543/4321// | 2/4 | Tho I Am Now a Very Little Lad (t) | AM-A | Irving MS, 1796 | 40 | 1 MI |
//33/321//3234/31+//6543/4321//3 | 2/4 | White Cockade, The (t), or Highland Reel (at) | AI-A | Scots MM, 1797 | 65-6 | VO,HA/PF |
//33/321//33/31+//33/321 | C/ | Ranting Highlandman, The (t) | IC-S | Aird 1, 1782 | 1 | FI/VN/GF |
//33/321//33/31+//33/321 | C/ | Ranting Highlander, The (t) | AM-A | Murphey MS, 1790 | 1 | MI |
//33/321//33/31+//33/321 | C/ | White Cockade, The (t) | MS-E | Russell MS, 1812 | 42-43 | FI |
//33/321//33/31+//53/321// | C | White Cockade, The (t) | AM-A | Patten MS, 1800 | 12 | MI |
//33/32133/31+//53/321//7- | C | White Cockade (t) | AI-A | Evening Amuse, 1796 | 19 | GF/VN |
//33321//3331+6//53321 | 2/4 | White Cockade (t) | IC-E | Andrews Fife, 1808 | 30 | FI/GF |
//33321//3331+6//53321 | 2/4 | White Cockade (t), or March 54 (at) | IC-E | Button Whit-1, 1806 | 64 | GF/VN/FL/FI |
//33/321//33/31+6//53/321// | 2/4 | White Cockade, The (t) | IC-E | Cahusac Flute, 1798 | 30 | FL |
//33/321//33/31+6//53/321 | 2/4 | White Cockade, The (t) | AM-A | Hosmer MS, 1798 | 18 | MI |
//33/321//33/31+6//53/321// | White Cockade (t) | AM-A | Litten MS, 1800 | 31 (17) | VN | |
//33/321//33/31+6//53/321//7-2 | 2/4 | White Cockade, The (t) | IC-E | Cahusac Flute, 1792 | 30 | GF |
//33321//3331+6//53321//7-2212 | 3/4 | White Cockade, The (t) | IC-S | Aird 4, 1796 | 15 | FI/GF/VN |
//33/321//33/31+6//53/4321 | 2/4 | Highland Lad My Love Was Born, A (t) | AI-A | Ashton Clar, 1825 | 25 | CL |
//33/321/33/31+6//534321//32212 | 2/4 | Highland Lad My Love Was Born, A (t) | AM-A | Akerman MS, 1795 | 35 | MI |
//33/321//33/31+7//53/321// | C | White Cockade (t) | AI-A | Hewitt Fashionable, 1807 | 13 | PF |
/333//21/333//21/1+53//531/ | 6/8 | Hunting at Gloucester 1824 No.52 (t) | AM-A | Duport MS-1, 1780 | 51 | VN |
//33/321//33/36//543/4321 | C/ | White Cockade, The (t) | AI-A | American Sheet Music | KB | |
//33/321//34/51//33/321 | 6/8 | When the Priestesses of the Sun Appear (t) | AI-A | Columbus, 1799 | 2 | PF/FL/VN |
//3/3//32/134//55/5654 | C/ | Duke of Glocester's March, The (t) | MS-E | English BL Add MSS | KB | |
//33/321//4/412//33/4321 | 2/4 | Killiecrankie (t) | SC-S | Scots MM-3, 1790 | 302 | VO,PF |
//33321/44432//123456/5432113//32217-1 | C/ | Irish Howl, The (t) | SS-E | SS, Folger-C42.3 | 207 | VO,KB+FL |
//33321/44432//123456/5432113//32217-1 | C/ | Irish Howl, The (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//33321/44432//123456/543212 | C | Air 21, Act Ii (t) | BA-E | Beggar's Opera, 1728 | T37-38M10 | VO |
//33321/44432//123456/543213 | C | Air 39 (t) | BA-E | Beggar's Opera, 1765 | 65 | VO |
//33321/44432//123456/543215//3 | C | Air 39 (t) | BA-E | Beggar's Opera, 1777 | 80-81 | VO |
//33//321//44//432//55//543 | 3/8 | MS-G | Darmstadt MS 1224 | 59 | MI | |
//3-3-/3-2-1-//4-4-/4-3-2-//5-5-/5-4-3- | 6/8 | Rewellige (t) | MS-G | Darmstadt MS 1224 | 332 | MI |
//3-3-//3-2-1-//4-4-//4-3-2-//5-5-//5-4- 3- |
3/8 | Revelge (t) | MS-G | Darmstadt MS 1224 | 336 | 2MI |
//3-3-/3-2-1-//4-4-/4-3-2-//5-5-/5-4-3- | 3/4 | Rewellige (t) | MS-G | Darmstadt MS 1224 | 337,157 | 2MI |
//33/321//44/432//55/543 | 6/8 | Revelle (t) | MS-G | Darmstadt MS 1225 | 1-2 | 2MI |
//33/321//44/432//55/543 | 6/8 | Cotillion (t), or Robingson Cottillion, (at) | MS-E | Hammersley MS, 1790 | 70B | MI |
//33/321//44/432//55/543 | 6/8 | Narrow Bottom (t) | DA-E | Johnson CD-3, 1744 | 94 | VN/GF |
//33/321//44/432//55/543 | 6/8 | Narrow Bottom (t), or Merry Cotilyan, (at) | MS-E | Rainstorp MS, 1747 | 2 | MI |
//33/321//44/432//55/543 | 6/8 | Na'er a Bottom, The (t) | DA-E | Rutherf CD-2.1, 1756 | 89 | VN/GF/OB |
//33/321//44/432//55/543// | 6/8 | Narrow Bottom (t) | MS-E | Vickers MS, 1770 | 162d | MI |
//33/321//44/432//55/543 | 6/8 | Narrow Bottom (t) | DA-E | Walsh CD-3.5, 1754 | 99 | VN//OB/GF |
//33321/44432//55543/22234//55543/66654 | C | Ladies Amusement, The (t) | AM-A | Shattuck MS, 1801 | 50 | 2MI |
//33/321//522/212//22/3217- | 2/4 | AM-A | Shattuck MS, 1801 | 56 | MI | |
//33/321//53/312//33/321// | C | White Cockade (Scotch) (t) | DA-E | Wilson Companion, 1816 | 54 | MI |
//33321/53312//33321//32212//33321/231+2 +// |
C | White Cockade (Scotch) (t) | DA-E | Wilson Companion, 1816 | 39 | MI |
//33/321//53/312//33/4321 | C/ | White Cockade a Quick Step, The (t) | AM-A | Thompson MS, 1777 | 19 | FI |
//33/321//53/313//33/4321 | 2/4 | Lad with a White Cockade (t) | AM-A | Perkins MS, 1790 | 26 | MI |
//33321//5331+//53321 | 3/4 | White Cockade (t) | AM-A | Stiles MS, 1807 | 8-9 | MI |
//33/321//53/31+//543/4321 | C/ | Lad with a White Cockade, The (t) | AM-A | Murphey MS, 1790 | 2 | MI |
//33321//53323//334321 | AM-A | Remington MS, 1778 | 9 | FI | ||
//33/321//533/312//33/4321 | White Cockade, The (t) | AM-A | Shattuck MS, 1801 | 13 | MI | |
//33/32//15/53//22/217- | C/ | Linley (t), or March 16 (at) | IC-E | Button Whit-1, 1806 | 24-25 | 2GF/2VN/2FL/2FI |
//33/32//15/53//22/217-// | C/ | Linley's March (t) | AM-A | Cushing MS, 1805 | 134 | 2MI |
//33/32//15/53//222/2 | C | Fife or Drum, The (t) | AM-A | Huntington MS, 1817 | III.45 | FL/VN |
//33/32//15/53//222/217- | C | Soldier Is the Lad for Me, A (t) | AM-A | Beck MS, 1786 | 141 | GF |
//33/32//15/53//222/217-// | C | Fife or Drum, The (t) | IC-E | Cahusac Flute, 1798 | 24 | FL |
//33/32//15/53//22/2217- | C | Soldier Is the Lad for Me, A (t) | AM-A | Hawkins MS, 1794 | II,52 | GF |
//33/32//15/53//222/217- | C | Fife or Drum (t) | AM-A | Huntington MS, 1817 | III.57 | FL/VN |
//33/32//15/53//222/217- | C | Soldier Is the Lad for Me, A (t) | AM-A | Pomeroy MS, 1790 | 1 | GF |
//33/32//15/53//222/217- | C | Soldier Is the Lad for Me, A (t) | IC-E | Thompson Oboe, 1790 | 33 | OB |
//33/32//15/53//222/217-// | C/ | Soldier is the lad for me, A (t) | AM-A | Treat MS, 1779 | 4r | FI/GF |
//33/32//15/53//222/217- | C | Soldier Is the Lad for Me, A (t) | AM-A | Turner MS, 1788 | I,59 | VN |
//33/32//15/53//222/217-//6-6 | C | Fife or Drum, The (t) | IC-E | Cahusac Flute, 1792 | 24 | GF |
//33/32//15/53//222/217-//6-6 | C | Fife and drum sound merrily, The (fl) | TW-E | Camp, 1778 | 18 | VO,KB |
//33/32//15/53//222/217-//6-6/61 | C | Soldier Is the Lad for Me, A (t) | AM-A | Kingsley MS, 1795 | I,9 | MI |
//33/32//15/543//222/217- | C | Song 90 (t) | SC-E | Vocal Enchant, 1783 | 185-186 | VO |
//33/321//55/51+//52+/54// | 6/8 | Mignonette Francoise, La (t) | DA-E | Gallini Cots, 1770 | 27 | KB |
//33/321//55/51+//53+/54// | 6/8 | Mignonnette, La. Contredanse Nouvelle Française (t) | DA-F | Bouin CD LC-1, 1780 | 38 Feuille, 2 Vol. | MI |
//33/321//55/51+//53+/54// | 6/8 | Mignonnette, La. Contredanse Nouvelle (t) | DA-F | Bouin CD LC-3 , 1780 | MI | |
//33/321//55/51+//53+54 | 6/8 | Mignonette Francoise, La (t) | IC-S | Stewart Airs, 1788 | 1:22 | GF/VN/FI |
//33/321//55/51+//53+/54// | 6/8 | Mignonnette, La (Old French) (t) | DA-E | Wilson Companion, 1816 | 161 | MI |
//33/32/1//55/53/5 | 6/4 | 'Twas on Christmas day, Father he did wed (fl) | TW-E | Auld Robin Gray, 1794 | 7 | VO,KB |
//33/321//55/54//313/27-2// | 6/8 | Tiroloise, La (t) | DA-E | Gallini Cots, 1770 | 31 | KB |
//33/321//55/543//45/62 | C | Cm. (t) | AM-A | Perkins MS, 1790 | 30 | MI |
//33/321//55/543//654/321 | 6/8 | Flora's Birthday (t) | AM-A | Read MS, 1798 | 5 | 2MI |
//33/321//55/543//6543/217-1// | C/ | Bouree D'Orange (t) | IC-N | Pointel Recueil, 1688 | 3 | MI/B |
//3-3-/3-2-1-//5-5-/5-4-3-//6-6-/6-5-3- | 6/8 | Hole In Ye Wall (t) | AM-A | White, O. MS, 1775 | 11 | MI |
//3-3-/3-2-1-//5-5-/5-4-3-//6-6-/6-5-4- | 6/8 | Hole In the Wall, A (t) | AM-A | Gaylord MS, 1816 | 12v | MI |
//33/321//55/567//1+3/26 | C/ | Hark the Wars (t) | AM-A | Pomeroy MS, 1790 | 15 | GF |
//33/321//55/567//1+6/531 | 6/8 | Petticoat, The (t) | IC-S | Aird 3, 1788 | 183 | FI/GF/VN |
//33/321//55/567//1+6/531 | 6/8 | Petticoat, The (t) | SS-E | SS, Boston PL-1 | 62 | VO,HAF |
/33//321/55//567/1+76//5 | 6/8 | Intime, L' (t) | DA-N | Echo, 1758 | 59 | KB |
/33//321/55//567/1+76//53+5/42+4// | 6/8 | Intime, L'. Contredanse (t) | DA-F | LaCuisse Rep CD LC-1, 1762 | 7 Feuille | MI |
//3-3-/3-2-1-//5-5-6-/5-//15-/3-2-1- | 2/4 | Grenadier March de Marwiz (t) | MS-G | Darmstadt MS 1224 | 176 | 2MI |
//33/321//556/5//1+76/51+ | C/ | Fahnen Tropp No 11 (t) | MS-G | Darmstadt MS 1225 | 27-28 | 2MI |
//3/332//16-2/17-6-5-6-//7-6-7-17-6-// | C/ | Almaine (t) | MS-E | Rogers MS, 1656 | 9 | VI |
//33/32//16-/2-345//66/65 | C | Overture, The (t) | BA-E | Wedding, 1729 | I,1-8 | 2VN/2OB,VN,VA,B |
//33/3217-//112/15-3-1-//2-1-2-3-/2-3-4- 5-// |
C/ | Virginia Reel (t) | AM-A | Duport MS-2, 1800 | 27r | VN |
//333/217-//113/15-3-// | Ellens Evening Opera (t) | AM-A | Bevens MS, 1825 | 28r | FI | |
//3332/17-//12321/554//56765/1+1+7// | 3 [12/4]] | Galliardo. 18 (t) | MS-E | Fitzwilliam MS-1, 1609 | 351 | VI |
//3/3//3/21//7-1/27-// | 2/4 | Duetto by Omstead (t) | AM-A | Pierian MS, 1810 | 7 | MI,B |
//33/321//7-127-/1//6- | 2 | Serenading Song (t) | SC-E | Pills 6, 1719-20 | 36-7 | VO |
//3/3//321//7-1/27-//16-/12 | 2/4 | Duetto (t) | AI-A | Herrick Preceptor, 1807 | 19 | 2MI |
//3-33//217-16-7-//123212//36-//217- | 3/4 | Mrs Bouth S Minuet (t) | MS-S | Gillespie MS, 1768 | 77 | VN |
//33/3217-//22/13//53/2123//1 | C | Fresh and strong the breeze is blowing (fl) | TW-E | Inkle & Yarico, 1787 | 24-25 | VO,HAF,2MI |
//33/32//17-/22//5-3/43 | 6/4 | Song, A (t) | SC-E | Pills 6, 1719-20 | 122-3 | VO |
//33/321//7-/33//123/46-6-// | Ayre (t) | IC-E | Musicks Hand-Maid-1, 1678 | 59 | VI/HA | |
//33/3//21/7-//33/343 | 6/8 | Glee (t) | TW-E | Enchanted Cas, 1787 | 24-25 | 3VO,MI,KB |
//33/321//7-6-/5-3-//6-7- | Mr. Paisible's Tunes for the French Haut-Boy(2) (t) | IC-E | Sprightly Comp, 1695 | 8 | OB/FL/VN | |
//3+3+/3+2+//1+7/65//65/67//1+ | 2/4 | Duetto (t) | TW-E | Mariners, 1793 | I,38-39 | VO,KB |
//33/321//7-6-7-/1//6-7-1/5-3-1-// | 6/8 | Diligence, La (t) | DA-E | Longman Cot, 1770 | 8 | HA/VN/GF/OB |
//3/3//32/21//123/123//32 | 2 | Sonatina. Gavott Allo. (t) | IC-E | Delightful-2, 1745 | VI,20 | 2GF |
//33/3221//1234/555//444/333 | C/ | Alexander's March (t) | AI-A | Goodale Dir, 1829 | 72-74 | 2CL,2FL,2HN,BS, |
//33/3221//22/13//5 | C | Fresh and Strong the Breeze Is Blowing (t) | AI-A | Linley Asst-1, 1796 | 22 | VO,PF |
//33/3221//22/13//53/2 | C | Fresh and Strong the Breeze Is Blowing (t) | AI-A | Elegant Exts, 1796 | 21 | GF/VN/VO |
//33/3221//22/13//53/2123 | C | Fresh & Strong the Breeze Is Blowing (t) | AM-A | Hosmer MS, 1798 | 24 | MI |
//33/3221//22/13//53/2123 | C | Song In Inkle & Yarico (t), or Fresh & Strong (at) | AM-A | Otis MS, 1793 | 9 | VN/FL |
//33/3221//22/13//53/2123 | C | Fresh and Strong (t) | AM-A | Otis MS, 1793 | 16 | 2VN/2FL |
//33/3221//22/13//53/2123// | C | Fresh & Strong (t) | AM-A | Pynchon MS, 1797 | 6v | MI |
//33/3221//22/13//53/2123 | Fresh & Strong (t) | AM-A | Shattuck MS, 1801 | 94 | MI,B | |
//33/3221//22/13//53/2123 | C | New Song, for a Serenade, A (t) | AM-A | Thompson MS, 1790 | 27-29 | VO,B |
//33/3221//22/13//53/2123//1 | C | Song 93 (t), or New Song, for a Serenade, A (at) | AI-A | American MM, 1798 | 247-249 | VO,B |
//33/3221//22/13//53/2123//1 | C | New Song for a Serenade, A (t) | AI-A | American Periodicals | VO,KB | |
//33/3221//22/13//53/2123//1 | C | Fresh and Strong the Breeze Is Blowing (t) | AI-A | American SS-SM | 1 | KB,VO |
//33/3221//22/13//53/2123//1 | C | Fresh & Strong the Breeze Is Blowing (t) | SS-E | SS, Harvard | 1 | VO,KB+GT |
//3332221113332221115-5-5-3-3-3-1-1-1-3- 3-1-5-3-1 |
Cherish When the Hounds Are In Full Cry (t) | IC-E | Longman Horn, 1785 | 14 | HN | |
//3332221113332221115-5-5-3-3-3-1-1-1-3- 3-1-5-3-15-5-5-5-5-5 |
Cherish When the Hounds Are In Full Cry (t) | IC-E | Muses Delight, 1754 | 27 | HN | |
//3332221113332221115-5-5-3-3-3-1-1-1-3- 3-1-5-3-15-5-5-5-5-5 |
Cherish When the Hounds Are In Full Cry (t) | IC-E | Simpson Horn, 1746 | 6 | HN | |
//3332221113332221115-5-5-3-3-3-1-1-1-3- 3-1-5-3-15-5-5-5-5-5 |
Cherish When the Hounds Are In Full Cry (t) | IC-E | Thompson Horn, 1755 | 6 | HN | |
//333/222//111/5-5-17-//6- | C | New French March (t), or Reviel du Peuple, Le (at) | AI-A | Military Amus, 1796 | 2 | 2GF/2VN/2FI/2OB |
//333//222//112//7-//111//222//3456// | 3 | Saraband (t) | IC-E | Musicks Hand-Maid-1, 1678 | 5 | VI/HA |
//333//222//113//22//345//531//2 | 3/8 | Storm now subsided, with pleasure we view, The (fl) | TW-E | Mariners, 1793 | II,4-7 | 2VO,KB |
//333/222//17-12/1//444/333 | C | March In the Pantomine of la Fille Huzard (t) | AI-A | Riley Flute 2, 1817 | 75 | FL |
//33/3//22/2//56/54// | 2/4 | If You Will Dance we will sing. No. 5 | AI-A | Johnson, F. Cotillions | 8-9 | PF,VO(4) |
//333/222//655/13//4365/4321 | C/ | Parade March (t) | IC-I | Holden Marches, 1795 | 8-9 | VN,PF |
//333//223//112//7-7-//5-5-6-7-1//232176 // |
3 | Danse H'hier Minuet, La (t) | IC-F | Leclerc Recueil-1, 1729 | 50 | HAF |
//333//223//444//43//54//234// | 3 | Menuet 2 (t) | DA-F | Landrin Potpourri, 1785 | 5 | MI |
//33/323//11/17-1//22/6-7-//1 | 6/8 | Rondo by Pleyel (t) | AI-A | Musical Jnl-2, 1800 | II,46-47 | PF |
//33/323//11/17-1//234/321// | 6/8 | Carmargos, La (t) | DA-F | Landrin Potpourri, 1785 | 36 | MI |
//33/323//11/17-1//234/321// | 6/8 | Camargo, La, 2e (t), or Petit Colin (at) | IC-F | Leclerc Recueil-2, 1737 | 112 | HAF |
//33/323//11/17-1//234/321 | 6/8 | Camergo, La (t) | IC-S | Stewart Airs, 1788 | 1:44-45 | GF/VN/FI |
//33/323//11/17-1//234/321 | 6/8 | Carlton Maggot (t) | DA-E | Walsh CD-2.2, 1735 | 41 | VO/OB/GF/FL |
//33/323//11/17-1//234/321 | 6/8 | Carlton Maggot (t) | DA-E | Walsh CD-3.2, 1749 | 41 | VN/OB/GF |
//33//323//11//17-1//44//434// | 3/8 | Little Cot, The (t) | AI-A | Gilfert Gents PC, 1802 | 23 | GF/VN |
//33/323/1//15/53/5 | 9/8 | New Favourite Song, A (t) | SC-E | Clio-3, 1762 | 98-99 | VO,HA |
//33/323/1//15/53/5//33/323/1 | 9/8 | I Made Love to Kate (t) | SC-S | Edinburgh MM-2, 1793 | 258-260 | VO |
//333/23//11/7-//555/43// | C/ | Vocal Lesson. Let God, The God of Battle, Rise (t), or Let God, The God of | MS-E | Rogers MS, 1656 | 108 | VI |
//33/323/123//55/565/56 | 9/8 | Woo'd and Married and a' (t) | IC-E | Caledonian PC, 1760 | X,5 | GF/VN |
//333//231//4445//32//222//23217-6-// | 3 | Saraband In C Faut (t) | IC-E | Musicks Hand-Maid-2, 1689 | 9v-10r | VI/HA/SP |
//33/3//23/17-1//22/23 | C/ | Maiden-Fair (t) | PL-E | Playford 1-06, 1679 | 79 | VN |
//33/3//23/17-1//22/23 | C/ | Maiden Fair (t) | PL-E | Playford 1-09, 1695 | 62 | VN |
//33/3//23/17-1//22/23 | C/ | Maiden Fair (t) | PL-E | Playford 1-10, 1698 | 62 | VN |
//33/3//23/17-1//22/23// | C/ | Maiden Fair (t) | IC-E | Playford Skill, 1674 | 117 | VN |
//33/3//23/17-1//22/23//2 | C/ | Maiden Fair (t) | PL-E | Playford 1-07, 1686 | 79 | VN |
//33/3//23/17-1//22/23//2/1 | C/ | Once I Lov'd a Maiden Fair (t) | PL-E | Playford 1-02, 1652 | 76 | VN |
//33/3//23/17-1//22/23//2/1 | C/ | Once I Lov'd a Maiden Fair (t) | PL-E | Playford 1-03a, 1657 | I,76 | VN |
//33/3//23/17-1//22/23//2/1 | C/ | Maiden Fair (t) | PL-E | Playford 1-04, 1670 | 79 | VN |
//33/3//23/17-1//22/23//2/1 | C/ | Maiden Fair (t) | PL-E | Playford 1-05, 1675 | 79 | VN |
//33/3//23/17-1//22/23//2/1 | C/ | Maiden Fair (t) | PL-E | Playford 1-08, 1690 | 88 | VN |
//33/3//23/17-1//22/23//2/1 | C/ | Once I Lov'd a Maiden Fair (t) | PL-E | Playford 1-3b, 1665 | I,76 | VN |
//33/323//17-1/6-//67/1+ | 6/8 | Estapa, La (t) | MS-M | Garcia MS, 1772 | 90 | MI |
//3+3/3+//2+3/2+//1+71+/2+1+76 | C/ | Jigg (t) | IC-E | Bremner Oboe, 1775 | 21 | OB |
//3+3/3+//2+3/2+//1+71+/2+1+76 | C/ | Jigg (t) | IC-E | Simpson Oboe, 1746 | 21 | OB |
//3+/3+3+//2+3+/2+//5/55// | C | Prière (t) | IC-F | Buhl Trumpet, 1825 | 62-63 | 4TR |
//33/323//33/323//22/6-5-6-// | 6/8 | Loziers Kent Bugle Quick Step. No. 85 (t) | AM-A | Johnson, F. MS, 1820 | 52 | PF |
//33/3234//22/23//44/4345 | C/ | Happy Conclusion (t) | PL-E | Playford 2-3, 1718 | 296 | VN |
//33/3234//22/23//44/4345 | C/ | Happy Conclusion (t) | PL-E | Playford 2-4, 1728 | 296 | VN |
//33/3234//22/23//44/4345 | C/ | Happy Conclusion (t) | DA-E | Walsh CD-1.2, 1719 | 320 | VN/OB |
//33/3234//22/234//5331/4227- | C/ | Ives Hornpipe (t) | AM-A | Cary MS, 1797 | 22 | VN |
//33/323//4/3//1+5/543 | 6/8 | Sham Fight, The (t) | DA-E | Bride CD, 1776 | III,85 | VN/OB/GF |
//33/323//4/3//1+5/543// | 6/8 | Sham Fight, The (t) | MS-S | Fife MS, 1780 | 429,44v | 1FI OR 2FI/VN |
//33/323//4/3//1+5/543 | 6/8 | Sham Fight, The (t) | DA-E | Thompson CD-4, 1780 | 1 | VN/GF/OB |
//33/323//4/3//1+5/543// | 6/8 | Sham Fight, The (t) | DA-E | Thompson CD-4a, 1780 | 1 | VN/GF/OB |
//33/323//43/21//234/32 | 2/4 | Genl. Green's March (t) | AM-A | Kingsley MS, 1795 | I,20 | MI |
//33/323//4321/234//5331/4227-// | C/ | Ives Hornpipe (t) | AM-A | Bevens MS, 1825 | 51r | FI |
//33/323//4/3//22/212 | 6/8 | Malbrook (t) | AM-A | Curtiss MS, 1800 | 82 | 2VN |
//33/323//4/3//22/212 | 6/8 | Mallbrough (t) | AM-A | Dean MS, 1800 | I.18 | MI |
//33/323//4/3//22/212 | 6/8 | Molly Brooks (t) | AM-A | Eells MS, 1789 | 73 | MI |
//33/323//4/3//22/212 | 6/8 | Battle of Navarino, The. Malbrouk (t) | IC-E | English Sheet Music | PF | |
//333234322212 | AM-A | Greenwood MS, 1785 | 39 | MI | ||
//33/323//4/3//22/212 | 6/8 | Moll Brooks (t) | AI-A | Robinson Coll, 1820 | 65 | 2MI |
//33/323//4/3//22/212 | 6/8 | Moll Brooks (t) | AI-A | Robinson Coll, 1826 | 64 | 2MI |
//33/3234//3/34//55/5456 | C | March 35 (t) | IC-E | Button Whit-1, 1806 | 44-45 | 2GF/2VN/2FL/2FI |
//33/323//4/343//2 | 6/8 | Malbrouk (t) | AI-A | Instrum Asst, 1800 | 43 | 2VN/2GF/2CL/2OB,BVIOL |
//3/3//3234/34//32/17-// | 2 | Tems Perdu, Le (t) | IC-F | Leclerc Recueil-3, 1738 | 149 | HAF |
//33/323//4/343//22/212// | 6/8 | Marlbrouk. Cotillon (t) | AI-A | Buckingham Cots, 1808 | 8 | VN,PF |
//33/323//4/343//22/212// | 6/8 | Malbrouk (t) | AM-A | Bush MS, 1779 | 63v | VN |
//33/323//4/343//22/212 | 6/8 | Malbrook, La (t) | AM-A | Dickinson MS, 1800 | 27 | CL/GF/OB |
//33/323//4/343//22/212 | 6/8 | Malbrouk (t) | AI-A | Fifer's Comp, 1805 | 15 | 2FI |
//33/323//4/343//22/212//3 | 6/8 | AM-A | Hiester MS-1, 1793 | 76 | HA | |
//33/323//4/343//22/212//3112 | Maul Brooks (t) | AM-A | Bellamy MS, 1799 | 10 | 2MI,B | |
//33/323//4/35//12/212 | 6/8 | Malbrooks (t) | AM-A | Hawkins MS, 1794 | II,47 | GF |
//33/323//4/353//22/212 | 6/8 | Marlborough, The (t) | AM-A | Bolling MS, 1790 | 3A | VN/GT |
//33/323//4-/353//22/212 | 6/8 | Malbruck Dance, La (t) | MS-E | Shepherd MS, 1787 | 10 | 2MI |
//33/323//4/353//22/212 | 6/8 | Malbrouk, La (t) | DA-E | Thompson CD-5, 1788 | 37 | VN/GF/OB |
//33/323//4/353//22/212// | 6/8 | Malbrouk, La (t) | DA-E | Thompson CD-5a, 1788 | 37 | VN/GF/OB |
//33/323//4/353//22/212// | 6/8 | Malbrook, La (t) | AM-A | White, G. MS, 1790 | 19 | VN |
//33/323//4/353//22/22212// | 6/8 | Mol Brook (t) | AM-A | Brown, J. MS, 1782 | 1:36 | |
//33/323//43/65//43/21 | 2 | Rondo (t) | AM-A | Curtiss MS, 1800 | 41 | 2VN |
//33323/443//22234/3232//345531/7-1227-5 -// |
3 [12/4] | Callino Casturame (t) | MS-E | Fitzwilliam MS-2, 1609 | 186-187 | VI |
//33/323//44/43//22/212 | C/ | Lady Hope's Quick March (t) | IC-S | Stewart Airs, 1788 | 2:86 | GF/VN/FI |
/33//323/44//432/321//7-16-/5-6-// | 6/8 | Davaray, La. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 100 Feuille | MI |
//33/323//44/434//351/247-// | 6/8 | AM-A | Duport MS-3, 1825 | 24-26 | FH,OB,VN,VA,BS | |
//33/323//44/434//351/247-// | 6/8 | Silvie, La (t) | DA-F | Landrin Potpourri, 1785 | 54 | MI |
//33/323//44/434//51/47-// | 6/8 | 4. Third Set (t) | AI-A | Paff Cots-1, 1811 | 9 | PF |
//33/323//44/434//531/427-// | 6/8 | Knave Hearts (t) | DA-E | L & L Cot, 1775 | 11 | MI |
//33/323//44/4//345/543 | 6/8 | Chorus (t) | AM-A | Dawes MS, 1790 | 26 | VO,HA |
//33/323//44/4//345/543 | 6/8 | Chorus (t) | AM-A | Otis MS, 1793 | 39 | VN/FL |
/33//323/44//434/571+7//6543/ | 2/4 | Menuit & Gavotte for a Lady & a Gentleman No.17: Gavotte (t) | AM-A | Duport MS-1, 1780 | 14 | VN |
/33//3234/5321//17-6-5-/6151//1+151/4534 // |
C | Gavotta (t) | AI-A | Francis's Ballroom, 1798 | 11 | KB |
//33/323//454/321//321/321 | 6/8 | Young Widow, The (t) | AM-A | Bellamy MS, 1799 | 62 | MI |
//33/323//454/321//321/321// | 6/8 | Young Widow (t) | AM-A | Boynton MS, 1799 | 13R | 1 FI |
//33/323//454/321//321/321 | 6/8 | Young Widow (t) | AM-A | Hooves MS, 1817 | 120 | FI |
//33/323//454/321//321/321 | 6/8 | Young Widow (t) | AM-A | Hosmer MS, 1798 | 23 | MI |
//33/323//454/321//321/321 | 6/8 | Young Widow, Dance, The (t) | AM-A | Mass. MS, 1790 | 15 | FL |
//33/323//454/321//321/321 | 6/8 | Young Widow, The (t) | AM-A | Pomeroy MS, 1790 | 13 | GF |
//33/323//454/321//321/321 | 6/8 | Young Widow, The (t) | AM-A | Shattuck MS, 1801 | 40 | MI |
//33/323//454/321//321/321// | 6/8 | Young Widow, The (t) | AM-A | Treat MS, 1779 | 28v | FI/GF |
//33/323//4565/434//22/17-6-5- | 2/4 | Rice Cake (t) | DA-E | Thompson CD-6.8, 1796 | 92 | MI |
//33/3234//6/565//52/2432// | 2/4 | Trenis. No. 4 (t) | AI-A | Johnson, F. Cotillions | 6 | PF |
//33/323//53/13//22/212// | 6/8 | Chasse (t) | IC-F | Buhl Trumpet, 1825 | 42 | 2TR |
//33/323//53/1+6//53/323 | 6/8 | Major Spicer (t) | AI-A | Paff Amus 2, 1812 | 3 | FL/VN |
//33/323//53/323//46/1+6 | 6/8 | John of Paris. Pastoral Dance (t) | AI-A | American Sheet Music | KB | |
//33/323//53/323//46/1+6// | 6/8 | John of Paris (t) | AM-A | Johnson, F. MS, 1820 | 33 | PF |
//33/323//53/53//46/1+6 | 6/8 | Sicilian Air (t) | AI-A | Merrimack Coll, 1833 | 46 | 2MI,B |
//33/323//54/23//11/17-1// | 6/8 | Zizine, La (t) | AM-A | Duport MS-2, 1800 | 7r | VN |
//33//323//54//243//11//1217-1 | 3/4 | They Tell Me That My trusting Heart (t) | AI-A | Riley Flute 4, 1826 | 79 | FL |
//333//23//543217-//135-//111//7-21// | 3/8 | Pure e la Glace, Le (t) | DA-N | Gautier CD, 1780 | 6 | KB |
//33/323//54/42//33/345 | 6/8 | Bateuse (t) | AI-A | Riley Flute 4, 1826 | 22 | FL |
//33/323//54/434//22/254// | 6/8 | Labyrinth, The (t) | AI-A | Willig CD-2, 1812 | 2 | PF/VN |
//33/323//54/434//22/254// | 6/8 | Labyrinth, The (t) | AM-A | Winnington MS, 1810 | 54 | KB |
//33/323//544/423//44/435 | C | They Are Gone All from the Mountain Home (t) | AI-A | Riley Flute 4, 1826 | 50 | FL |
//33323//55531//236-7-6-//1//33323 | 3/8 | No. 2 (t) | AI-A | Robinson Coll, 1818 | 39 | FI,DR |
//33323//55531//236-7-6-//1//33323 | 3/8 | No.2 (t) | AI-A | Robinson Coll, 1820 | 58 | MI |
//33/3235//63/367//1+76/765 | C | Bank of Flowers (t) | AM-A | Commonplace MS, 1811 | 31 | MI |
//33/3235//63/367//1+76/765 | C | Banks of Flowers (t) | AI-A | Riley Flute 3, 1820 | 12 | FL |
//33/3235//63/367//1+76/765 | C | Bank of Flowers (t) | AI-A | Steele Fife, 1815 | 13 | FI |
//3/3//323/63//2/2 | 6/8 | Duetto No.2 (t) | AI-A | Herrick Preceptor, 1807 | 59 | 2MI |
//33/3242//17-/15-//1234/55 | C | Heave the Lead (t) | MS-E | Brown, W. MS, 1797 | 24-25 | MI |
//33/32//4/33//22/212 | 6/8 | MS-F | Galoubet MS, 1790 | 3 | PI | |
//33/32//4/343/22 | 6/8 | Malbrouk (t) | IC-E | Preston Clar, 1797 | 8 | CL |
//33/32//4/343//22/212 | 6/8 | Marlbrouke(ed) (t) | IC-S | Aird 3, 1788 | 179 | FI/GF/VN |
//33/32//4/343//22/212 | 6/8 | Battle of Jena, The. Malborough S'en Va T'en Guerre (t) | AI-A | American Sheet Music | PF,VN | |
//33/32//4/343//22/212 | 6/8 | Malbrouk (t) | AM-A | Beck MS, 1786 | 137 | 2GF |
//33/32//4/343//22/212 | 6/8 | Malbrook (t) | AI-A | Blake Amus 2, 1824 | 8 | CL |
//33/32//4/343//22/212 | 6/8 | Malbrouk (t) | IC-E | Bland Clar, 1798 | 8 | CL |
//33/32//4/343//22/212 | 6/8 | Malbrouk S'en Vat. (t) | IC-F | Bonjour Recueil, 1800 | 2:3 | VN/FL |
//33/32//4/343//22/212 | 6/8 | March 10 (t) | IC-E | Button Whit-1, 1806 | 14-15 | 2GF/2VN/2FL/2FI |
//33/32//4/343//22/212 | 6/8 | Malbrouk (t) | IC-E | Cahusac Flute, 1788 | 23 | GF |
//33/32//4/343//22/212// | 6/8 | Malbrouk (t) | IC-E | Cahusac Flute, 1798 | 23 | FL |
//33/32//4/343//22/212 | 6/8 | Malbroug, Le (t) | AM-A | Clark, I. MS, 1801 | 15 | FI/VN |
//33/32//4/343//22212 | 6/8 | Molbroke (t) | AM-A | Eells MS, 1789 | 17 | MI |
//33/32//4/343//22/212 | 6/8 | Malbrook (t) | AI-A | Evening Amuse, 1796 | 29 | GF/VN |
//33/32//4/343//22/212 | 6/8 | Malbrouk (t) | IC-E | Goulding Clar, 1803 | 8 | CL |
//33/32//4/343//22/212// | 6/8 | Malbrook (t) | AM-A | Hoff MS, 1797 | No. 284.3 | GF |
//33/32//4/343//22/212 | 6/8 | Malbrouk (t) | IC-E | Preston Fife, 1796 | 30 | FI/GF |
//33/32//4/343//22/212 | 6/8 | Malbro' (t) | IC-E | Preston Oboe, 1780 | 10 | OB |
//33/32//4/343//22/212 | 6/8 | Malbrook (t) | AI-A | Riley Flute 1, 1814 | 30 | FL |
//33/32//4/343//22/212 | 6/8 | Chanson de Mr Malbrouk (t) | SS-E | SS, Boston PL-1 | 165,1-5 | VO,KB+VO,GT/VO,2GT |
//33/32//4/343//22/212 | 6/8 | Malbrouk (t) | IC-E | Thompson Clar, 1785 | 9 | CL |
//33/32//4/343//22/212//3 | 6/8 | Malbrouk (t) | IC-E | Cahusac Flute, 1792 | 23 | GF |
//33/32//4/343//22/212//3 | 6/8 | Chanson de Mr. Malbrook, In French and English with Variations... (t) | SS-E | SS, Harvard | 1-6 | VO,HA/PF+GT/VO |
//33/32//4/343//22/212//3/11 | 6/8 | Malbroug (t) | IC-E | Thompson Record, 1768 | 25 | RC |
//3332//43//51217- | 2/4 | Madm Theadores Allmand (t) | DA-E | Thompson CD-5, 1788 | 97 | VN/GF/OB |
//33/32//4/3//51/217-// | 2/4 | Madm. Theadores Allmand (t) | DA-E | Thompson CD-5a, 1788 | 97 | VN/GF/OB |
//33/32//4/353//22 | 6/8 | Hewitt Sonata-3. Part 2 (t) | AI-A | Hewitt Sonatas, 1795 | 14-17 | PF |
//33/32//4/353//22/212 | 6/8 | Malbro, La (t) | DA-E | Bride CD, 1776 | IV,92V | VN/OB/GF |
//33/32//44/43//1+5/31// | 2/4 | Vandumore, La (t) | DA-E | Straight & Skillern CD, 1775 | 63 | VN/GF/OB |
//33/32//44/43//51+5/1+7 | C | Air by Mr. Mc Lean (t) | IC-S | Stewart Marches, 1761 | 67 | VN/GF/OB,VC/HA |
//333/25//13/2//3454/31 | C/ | British Muse (t), or Friendship (at) | AM-A | Dance Tunes MS, 1798 | 11 | 2FI/2GF/2OB |
//333//253//46-2//7-6-5-//13-6-//4-6-2// |
3 | Saraband (t) | IC-E | Musicks Hand-Maid-2, 1689 | 28r | VI/HA/SP |
//33/32//54/343//2 | 6/8 | Lesson 5 (t) | AI-A | Linley Asst-1, 1796 | 7 | PF |
//33/32//54/343//2 | 6/8 | Lesson 8 (t) | AI-A | Linley Asst-2, 1796 | 8 | HA/PF |
//33/32//55/55//1+5/65 | C/ | Indian Philosopher (t) | AM-A | Commonplace MS, 1797 | M34T33V-37V | VO |
//3-/3-//3-3-//1-/1-//1-1- | 2/4 | Ground Ivy (t) | AI-A | American Sheet Music | KB | |
//33/33//11/17-//6-7-1/21//7-6- | 6/8 | Monnseer Nongtonpaw (t), or Favorite Song, A (at) | AI-A | American SS-SM | 1-2 | VO,KB+2FL/2VN |
//33/33/1//15/53/5 | 9/8 | I Made Love to Kate (t) | SS-E | SS, Huntington-1 | 65 | VO,KB |
//33/33//1+1+7//22/22//443 | C | Dead March & Monody. Dead march (t) | AI-A | American SS-SM | 1+2 | KB+2FL/2VN/2CL/2GT |
//333/3123//2346/5432 | C | General Green's March (t) | AI-A | Williams Fife, 1819 | 16 | FI |
//333//31234//55555//565//44444//45432// 3 |
3/4 | Berlin Water Minuet (t) | IC-E | Delightful-2, 1745 | VI,19 | 2GF |
//333//31234//555//56 | 3/4 | Air 2, Act I (t) | BA-E | Female Parson, 1730 | 3 | VO |
//333//31234//555//56 | 3/4 | Air 28 (t) | BA-E | Polly, 1729 | T31M11 | VO,B |
//33-3-/3-1-2-3-4-//5-5-5-/5-6-7-//1235/ 3217- |
C | Lincoln's March (t), or Favourite (at) | AI-A | Herrick Preceptor, 1807 | 27 | 2MI,B |
//33-3-/3-1-2-3-4-//5-5-5-/5-6-7-//1235/ 3217- |
C | Lincoln's Favourite (t) | AI-A | Robbins D&F, 1812 | 39 | FI |
//33-3-/3-1-2-3-4-//5-5-5-/5-6-7-//1235/ 3217- |
C | Lincoln's March (t) | AM-A | Trumbull MS, 1801 | a:12-13 | MI,B |
//33331/33331 | 4 | Commence Firing (t) | AI-A | Cooper System, 1836 | 239 | BU |
//33331+/33331//3331+3321//33335/1+1+1+1 +3+ |
C | Young Sr. Watkin (t) | DA-E | Walsh CD-3.6, 1754 | 40 | VN/OB/GF |
//33331/33331//33331/3 | C/ | Fire (t) | AI-A | Holbrook Tactics, 1826 | PL11 | BU |
//33331/33331//33331/3 | C/ | Fire (t) | AI-A | US Light Inf, 1830 | 123 | BU |
//33331/33331//33331/3// | C/ | Fire (t) | AI-A | US Tactics, 1825 | 275 | BU |
//33331/33331//33331/3 | C/ | Fire (t) | AI-A | US Tactics, 1834 | PL86 | BU |
//33331/33331//33331/3// | 4 | Comence Firing (t) | AI-A | US Tactics, 1835 | 20 | BU |
//333//3134//545654//33//111//15-12 | 3/4 | Air 32 (t) | IC-N | Roger Airs, 1716 | 1:19 | 2CH/TR/OB/VN/FL/CL/HN |
//333/313//555/567//1+765/2413 | C | Republican March (t) | AI-A | Hazeltine D&F, 1810 | 24 | FI,DR |
//333/313//555/567//1+765/3 | C | Federal March (t) | AM-A | Huntington MS, 1817 | III.35 | FL/VN |
//3-3-3-/3-1-3-//5-5-5-/5-6-7-//17-6-5-/ 3-5-1-3- |
C | Federal March (t) | AI-A | American Sheet Music | KB | |
//333/313//555/567//1+765/3513 | C/ | Federal March (t) | AM-A | Bellamy MS, 1799 | 46 | MI |
//333/313//555/567//1+765/3513 | C | American March (t) | AM-A | Commonplace MS, 1811 | 23 | MI |
//333/313//555/567//1+765/3513 | C | Federal March (t) | AM-A | Dickinson MS, 1800 | 105 | 2CL/2GF/2OB,B |
//333/313//555/567//1+765/3513 | C | Federal March (t) | AM-A | Hooves MS, 1817 | 36 | FI |
//333/313//555/567//1+765/3513// | C | Federal March (t) | AM-A | Pierian MS, 1810 | 34 | 2CL,2OB,B |
//333/313//555/567//1+765/3513 | C | Republican or Federal March (t), or Federal March (at) | AI-A | Robbins D&F, 1812 | 39 | FI |
//333/313//555/567//1+765/3513 | C | American March (t) | AI-A | Steele Fife, 1815 | 18 | FI |
//333/313//555/567//1+765/3513 | C | Federal March (t) | AM-A | Stiles MS, 1807 | 51 | MI |
//333/313//555/567//1+765/3513// | C | Republicans or Federal March (t) | AM-A | Washburn MS, 1816 | 2 | GF |
//333/313//555/567//1+765/3513 | Federal March (t) | AM-A | Williams, J. MS, 1799 | 66 | CL | |
//333/313//555/567//1+765/4613 | C | Federal March (t) | AM-A | Trumbull MS, 1801 | b:9r | MI |
//333/31//444/42//333/31 | C/ | Merry Taylors (t) | DA-E | Johnson CD-2, 1742 | 26 | MI |
//333/31//444/42//333/31 | C/ | Merry Taylors (t) | DA-E | Rutherf CD-2.1, 1756 | 90 | VN/GF/OB |
//3/33/31+//53/21 | 2/4 | Lasses of Leeds, The (t) | DA-E | Johnson CD-8, 1758 | 91 | VN/GF |
//333/3153//222/234//531+4/17- | C | March In a Midnight Serenade (t) | AM-A | Curtiss MS, 1800 | 64 | 2VN |
//333/31+//6321/7-27-5-//333/31+ | C | Earl of Carmathins March, The (t) | AM-A | Hawkins MS, 1794 | II,80 | GF |
//33/33//1/6-3//33/33// | 6/8 | 9 (t) | AI-A | Andre Cots-1, 1812 | 6 | PF |
//33/33//1/6-3//33/33// | 6/8 | No. 4. 2d. Quadrille (t) | AI-A | Andre Cots-2, 1812 | 7 | PF |
//33/3//3/17-1//-1-135 | 6/8 | Away, Away to the Mountains Brow (t) | AI-A | Riley Flute 4, 1826 | 67-68 | FL |
//333/32//111/15//66/654 | 2/4 | Marsch (t) | MS-G | Darmstadt MS 1224 | 31-39 | 2OB,2HN,B |
//333/32//111/17-1//222/254 | C/ | March (t) | AM-A | Van Schaack MS, 1820 | 43 | FI/FL |
//333/32//111/17-//6-5-/43 | C | D. Campbell Esqr of Ballinaby's March (t) | IC-S | Finch Marches, 1805 | 2 | PF |
//333/32//111/17-//6-5-/43 | C | D. Campbell Esqr of Ballinady's March (t) | IC-S | Scottish Sheet Music | 1 | PF |
//33/332//11/233//44/5654 | C | Battle of Waterloo, The. Genl Bulow Entering the Field to Aid Prince (t) | AI-A | American Sheet Music | PF | |
//33/332//11/233//44/5654 | C | Grande Bataille d'Austerlitz, La. Marche Triomphale (t) | AI-A | American Sheet Music | PF | |
//3-3-/3-3-2-//1-1-/2-3-3-//4-4-/5-6-5-4 - |
C | Battle of Copenhagen, The. Triumphant March (t) | IC-E | English Sheet Music | PF | |
//333//321//212//5-5-6-7-//111 | 3/8 | Duo Minuet (t) | AM-A | Turner MS, 1788 | I,63 | VN |
//33//33//212/1//7-1/27-// | 6/8 | Soldier's Glory (t) | AI-A | Admired Cots-1.1, 1825 | 1 | PF |
//33/33//212/1//7-1/27-// | 6/8 | Voulex vous Danser (t) | DA-E | Wilson Companion, 1816 | 91 | MI |
//33/3321//22/237-//11/321 | 3/4 | New Song, Translated from the Italian, A (t) | SC-E | Pills 1, 1719-20 | 11-13 | VO |
//333321//22237-//11321//7-3-7-1//217-6- |
3/4 | New Song, A (t) | SS-E | SS, Folger-C42.3 | 499 | VO,KB+FL |
//333321//22237-//11321//7-3-7-1//217-6- //5- |
3/4 | New Song, A (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//33/33//2123/123//4321/1234 | C | Can You to Battle (t) | AI-A | Balls Amus 1, 1815 | 21 | FL/FI/VN |
//33/33//2123/123//4321/1234 | C | Pauvre Madelon (t) | IC-E | Bland Clar, 1798 | 21 | 2CL |
//33/33//2123/123//4321/1234 | C | Win Cannot Cure (t) | MS-E | Brown, W. MS, 1797 | 64-65 | 2MI |
//33/33//2123/123//4321/1234 | C/ | From Night 'Till Morn (t) | AM-A | Commonplace MS, 1809 | 8V | 2MI |
//33/33//2123/123//4321/1234 | C | Wine Cannot Cure (t) | AM-A | Curtiss MS, 1800 | 12 | 2VN |
//33/33//2123/123//4321/1234 | C | From Night Till Morn I Take My Glass (t) | IC-E | Eley Pieces 2, 1790 | 10 | 2CL,2OB/CL,2HN,TR,2BS |
//33/33//2123/123//4321/1234 | C/ | Air No.5 (t) | IC-E | Hyde Trumpet, 1798 | 52 | TR |
//33/33//2123/123//4321/1234// | C | From Night Till Morn (t), or Pauvre Maudelon (at) | AM-A | Irving MS, 1796 | 22 | 2 MI |
//33/33//2123/123//4321/1234// | C | From Night Till Morn (t) | AM-A | Litten MS, 1800 | 15 (44) | VN |
//33/33//2123/123//4321/1234 | C | From Night Till Morn (t) | IC-E | Preston Bassoon, 1790 | 30 | 2BS |
//33/33//2123//123//4321/1234// | C/ | From Night Till Morn (t) | AM-A | Treat MS, 1779 | 30r | FI/GF |
//33/33//2123/123//4321/1234// | C | From Morn Till Night (t) | AM-E | Wheatstone Clarinet, 1801 | 86 | 2MI |
//33/33//2123/123//4321/1234 | C | Wine Cannot Cure (t) | IC-E | Wragg Oboe, 1792 | 42 | 2OB |
//33/33//2123/123//4321/1234//5 | C | From Night Till Morn (t) | IC-E | Cahusac Flute, 1792 | 31 | 2GF |
//333/32//12/34//54/32 | 6/8 | March No.7 (t) | IC-E | Hyde Trumpet, 1798 | 42 | 3TR |
//333//321//3432321//24321//1//24 | 3/4 | Allegro (t) | IC-E | Thompson Horn, 1755 | 18 | 2HN |
//333/32//1351+/65//6 | C | London March (t) | AI-A | Instrum Asst, 1800 | 56 | 2VN/2GF/2CL/2OB,BVIOL |
//3-3-3-/3-2-//1-3-5-1/6-5-//6-15-1/3-13 -1- |
C | London or Berkshire March, The (t), or Berkshire March (at) | IC-S | Scottish Sheet Music | 2 | 2MI,B/KB |
//333/32//1351+/65//61+51+/41+3 | C | London March (t) | AI-A | Military Amus, 1796 | 17 | 2GF/2VN/2FI/2OB |
//333/32//1351+/65//61+51+/41+31+ | C | March 3d Regt of Guards (t) | IC-S | Aird 3, 1788 | 216 | FI/GF/VN |
//333/32//1351+//65//61+51+/41+31+ | C | London March (t) | IC-S | Aird 4, 1796 | 21 | FI/GF/VN |
//3-3-3-/3-2-//1-3-5-1/6-5-//6-15-1/4-13 -1 |
C | London March, The (t) | AI-A | American Sheet Music | KB | |
//333/32//1351+/65//61+51+/41+31+ | C | London March (t) | IC-E | Andrews Fife, 1808 | 20 | FI/GF |
//3-3-3-/3-2-//1-3-5-1/6-5-//6-15-1/4-13 -1 |
C | London March (t) | AI-A | Balls Amus 1, 1815 | 16 | FL/FI/VN |
//333/32//1351+/65//61+51+/41+31+ | C | London March (t) | AM-A | Beach MS, 1801 | 66 | 2MI,B |
//333/32//1351+/65//61+51+/41+31+ | C | London M (t), or March 26 (at) | IC-E | Button Whit-1, 1806 | 34-35 | 2GF/2VN/2FL/2FI |
//333/32//1351+/65//61+51+/41+31+// | C | London March, The (t) | IC-E | Cahusac Flute, 1798 | 20 | FL |
//3-3-3-/3-2-//1-3-5-1/6-5-//6-15-1/4-13 -1 |
C | March 12 (t) | IC-S | Corri Marches, 1791 | 11 | HA/PF |
//333/32//1351+/65//61+51+/41+31+ | C | London March (t) | AM-A | Curtiss MS, 1800 | 69 | 2VN |
//333/32//1351+/65//61+51+/41+31+// | C | London March (t) | AM-A | Cushing MS, 1805 | 132 | 2MI |
//333/32//1351+/65//61+51+/41+31+ | C | London March (t) | AI-A | Dubois Clar, 1818 | 12 | CL |
//3-3-3-/3-2-//1-3-5-1/6-5-//6-15-1/4-13 -1 |
C | London March, The (t) | MS-E | English BL Add MSS | PF | |
//3-3-3-/3-2-//1-3-5-1/6-5-//6-15-1/4-13 -1 |
C | London March, The (t) | IC-E | English Sheet Music | PF/VN/GF/GT | |
//3-3-3-/3-2-//1-3-5-1/6-5-//6-15-1/4-13 -1 |
C | London March, The (t) | IC-E | English Sheet Music | PF | |
//333/32//1351+/65//61+51+/41+31+// | C/ | London March, The (t) | MS-S | Fife MS, 1780 | 192,19v | 1FI OR 2FI/VN |
//333/32//1351+/65//61+51+/41+31+ | C | London March (t) | AM-A | Hosmer MS, 1798 | 33 | MI |
//3-3-3-/3-2-//1-3-5-1/6-5-//6-15-1/4-13 -1 |
C | Cameronian March, The (t) | IC-I | Irish Sheet Music | 1 | PF+GF/GT |
//3-3-3-/3-2-//1-3-5-1/6-5-//6-15-1/4-13 -1 |
C | London March, The (t) | IC-I | Irish Sheet Music | PF | |
//333/32//1351+/65//61+51+/41+31+// | C | London March (t) | AM-A | Irving MS, 1796 | 28 | 2 MI |
//333/32//1351+/65//61+51+/41+31+ | C | London March (t) | AI-A | Riley Flute 2, 1817 | 95 | FL |
//333/32//1351+/65//61+51+/41+31+ | C | London March (t) | AI-A | Robinson Coll, 1820 | 43-44 | 2MI,B |
//333/32//1351+/65//61+51+/41+31+ | C | London March (t) | AI-A | Robinson Coll, 1826 | 50-51 | 2MI,B |
//333/32//1351+/65//61+51+/41+31+ | C | London March (t) | IC-E | Skillern Amus, 1785 | 21 | 2GF |
//333/32//1351+/65//61+51+/41+31+ | C | Favourite March, A (t) | IC-E | Thompson Clar, 1785 | 32-33 | 2CL |
//3-3-3-/3-2-//1-3-5-1/6-5-//6-15-1/4-13 -1 |
C | London March, The (t) | IC-S | Watlen Marches, 1798 | 27 | PF/FL/VN |
//333/32//1351+/65//61+51+/41+31+ | C/ | London March (t) | AM-A | Woodruff MS, 1803 | 62 | 2MI |
//333/32//1351+/65//61+57/4736 | C | London March(ed) (t) | AI-A | Fifer's Comp, 1805 | 32 | 2FI |
//33//332/136-1//4-/1//4 | C/ | Duet (t) | TW-E | Deserter, 1773 | 30-33 | 2VO,KBF |
//33/3321//4/432//5243/13 | C | Song 95 (t) | SC-E | Vocal Enchant, 1783 | 194-195 | VO |
//333/32//15-/1//2123/43 | C/ | Avisons March (t) | IC-E | Skillern Amus, 1785 | 44-45 | 2GF |
//333/32//15-/1//2123/43 | C/ | March by Mr. Avison (t) | IC-S | Stewart Marches, 1761 | 50-51 | 2VN/GF/OB,VC/HA |
//333/321//522/212//331/6-5-12 | 6/4 | Irish Lamentation (t) | AM-A | Allen, W. MS, 1790 | 92 | MI/VO,B |
//3-3-3-/3-2-1-//5-4-5-6-/5-1//7-6-/5-17 -1 |
C/ | Zapfenstreich (t) | MS-G | Darmstadt MS 1224 | 70 | MI |
//333/321//5456/57//65/4654 | C | March (t) | IC-E | Delightful-1, 1763 | IV,24 | 2GF |
//3/33//32/1//5/55 | Erbaci's Andantino (t) | AI-A | Riley Flute 3, 1820 | 61 | FL | |
//333/321//555/51+7//6543/5432// | C/ | Slow March, A (t) | MS-S | Fife MS, 1780 | 184,18v | 1FI OR 2FI/VN |
//333/32//15-5-/5-5-//444/43 | C/ | Berkshire Militia March, The (t) | IC-E | English Sheet Music | PF+GT/CL | |
//333/321//555/567//1+71+2+/1+76 | C | Hampton March (t) | AI-A | Hazeltine D&F, 1810 | 22 | 2FI |
//333/321//555/567//1+71+2+/1+76 | C | Hampton March (t) | AI-A | Robinson Coll, 1818 | 41 | FI,DR |
//333/321//555/567//1+71+2+/1+76 | C | Hampton March (t) | AI-A | Robinson Coll, 1826 | 63 | 2MI |
//333/321//555/567//1+71+2+/1+765 | C | Hampton March (t) | AI-A | Robinson Coll, 1820 | 60 | 2MI |
//333/321//556/5//1+5/321 | 2 | Grenadier Marche Von Marwiz (t) | MS-G | Darmstadt MS 1224 | 214 | MI |
//333//321//622//212//35321//6-5- | 3 | Air 23 (t) | BA-E | Lovers Opera, 1730 | 29 | VO |
//333//321//622//212//35321//6-5-12 | 3 | Song, A (t) | SS-E | SS, Harvard | 1,DUP | VO,B+FL |
//333/32//17-12/3454//333/32// | 2/4 | Oswestry Volunteers March (t) | IC-E | Parry Fife, 1812 | 23 | 2FI |
//333/3217-//17-1234//32+1+7/6543 | C | Prince of Wales's March, The (t) | IC-E | Bennett Fife, 1770 | 21 | FI ; FI |
//333/3217-//17-1234//32+1+7/6543 | C | Prince of Wales's March, The (t) | IC-E | Longman Fife, 1770 | 25 | FI |
//333/3217-//17-1234//32+1+7/6543 | C | Prince of Wales's March, The (t) | AI-A | Willig Fife, 1805 | 23 | FI |
//333/3217-//17-1234//32+1+7/6543//2 | C/ | Prince of Wales's March, The (t) | IC-E | Handel March 2, 1770 | 10 | VN/GF/OB |
//333/3217-//17-1234//52+1+7/6543 | C | Prince of Wale's March (t) | AM-A | Beck MS, 1786 | 72 | GF |
//333/3217-//327-/15-4-3-//345/6543// | C [6/2] | Galliarda (t) | MS-E | Fitzwilliam MS-2, 1609 | 202-203 | VI |
//333/32//17-6-/5-//6-15-1/4-24- | C/ | Marshall Lowendahl's March (t) | IC-E | Clementi Fife, 1815 | 32 | FI |
//333/32//17-6-/5-//6-15-1/4-24- | C/ | Marshall Lowendahl's March (t) | IC-E | Longman Fife, 1780 | 32 | FI/GF |
//333/32//17-6-/5-//6-15-1/4-24- | 2 | Marche de Lowendal (t) | MS-F | Marches MS, 1795 | 3R | 2VN |
//333/32//17-6-/5-//6-15-1/4-24- | C/ | Marshall Lowendal's March (t) | IC-E | Skillern Amus, 1785 | 10-11 | 2GF |
//333/32//17-6-/5-//6-15-1/4-24- | C/ | Marshall Lowendahl's March (t) | IC-E | Skillern Fife, 1780 | 32 | FI/GF |
//333//3217-6-//5-6-7-127-//112//363 | 3/4 | Fair Sylvia (t) | SS-E | SS, Folger-C42.3 | 234 | VO,KB+FL |
//333//3217-6-//5-6-7-127-//112//363 | 3/4 | Fair Sylvia (t) | SS-E | SS, Huntington-1 | 136 | VO,KB+FL |
//333//3217-6-//5-6-7-127-//112//363//26 2//1 |
3/4 | Fair Silvia (t) | SC-E | Calliope, 1746 | I,187 | VO,B+FL |
//333//3217-6-//5-6-7-127-//6- | 3/4 | Song 43 (t) | SC-E | Convivial, 1782 | 92-93 | VO |
//333/3221//111/22//333/5432 | C | My Henry's Gone (t) | AI-A | Blake Amus 1, 1824 | 6 | CL |
//333/322//111/27-//111/217-// | C | Come Dearest Sister (t) | AM-A | Irving MS, 1796 | 26 | 2 MI |
//3/33//32/212//3/3235// | C | Sour Plumbs In Gallashiels (t) | IC-S | Craig Scots Tunes, 1730 | 6-9 | HA/SP |
//3/33/32/212//3/3235// | C | Sour Plumbs In Gallashiels (t) | IC-S | Scots Tunes (C), 1730 | 6-9 | HA/SP/VN/GF |
//333//32//21//7-7-6-//6- | 3 | Amyntor's Dream (t) | SC-E | Pills 3, 1719-20 | 158-9 | VO |
//3/33//3///2/22 | 2/4 | Dirge, A (t) | AI-A | Herrick Preceptor, 1807 | 60 | 3MI,B |
//333//3222//2111//17-7-//1+76//5562// | 3/2 | Saraband (t) | IC-E | Prelleur Modern, 1731 | 22 | HA |
//333/322//522/21//311/6-11 | 6/4 | My Life Is a Compound of Freedom & Ease (t) | AM-A | Hosmer MS, 1799 | 2 | GF |
//333/32//311/1//345/543// | 6/8 | Quick Step, A (t) | MS-S | Fife MS, 1780 | 260,27r | 1FI OR 2FI/VN |
//33/33//23/1//22/23//2/1 | C | Air 2(3) (t) | BA-E | Fool's Opera, 1731 | 4 | VO,B |
//333/32//32/1//11+/7//66/5 | C/ | Air 58 (t) | BA-E | Fashionable, 1730 | 79 | VO |
//333/32321//7-5-5-/5-7-1//232//331 | C/ | March (t) | AM-A | Van Schaack MS, 1820 | 42 | FI/FL |
//33332/3236//33321/2126//33321/1+2+3+2+ |
C/ | Down Ye Bank (t), or Ruffian's Rant (at) | MS-E | Hammersley MS, 1790 | 84B | MI |
//33//33//234217-//155//33//33 | 3/8 | Waltz (t) | IC-S | Pandean Coll 3, 1810 | 24 | PF |
//333/323//427-/5-6-7-//13-4-/5-6-7-// | 6/8 | Promenade, The (t) | AI-A | Johnson, F. Cotillions | 5 | PF |
//3333/23431+//1111/7-1215-//33323/44434 //5654321 |
C | When the Scene Changes to a Chamber (t) | TW-E | Elopement, 1768 | 10 | HAF |
//333/323//432/243//111/234564// | 6/8 | Amelia (t) | AI-A | Gentlemen's PC, 1802 | 6-7 | 2GF |
//333//323453//444//334//222//111// | 3/8 | Lady Charlotte Campbell's Waltz (t) | AI-A | Gilfert Gents PC, 1802 | 17 | GF/VN |
//3/33//3234/5//43/25// | 2/4 | Tanti Palpiti, Di (t) | AI-A | Admired Cots-2.3, 1825 | 2 | PF |
//333//32345//4325//315-//333//32345 | 3/4 | Waltz In Tom & Jerry (t) | AI-A | Riley Flute 3, 1820 | 80 | FL |
//3/33//3234/5//454343/25 | 2/4 | Di Tanti Palpiti (t) | AI-A | Ashton Clar, 1825 | 19 | CL |
//3/33//3234/5//454343/25// | 2/4 | De Tanti Palpition, Italian Air (t), or Hail to the Happy Day (at) | AM-A | Duport MS-3, 1825 | 09 | KB |
//3/33//3234/5//454343/25 | 2/4 | Di Tanti Palpiti (t) | AI-A | Firth Cl, 1832 | 19 | CL |
//3/33//3234/5//454343/25// | 2/4 | Di Tanti Palpiti (t) | AM-A | Irving MS, 1796 | 125 | 1 MI |
//3/33//3234/5//454343/25 | 2/4 | Di Tanti Palpiti (t) | AI-A | Riley Flute 3, 1820 | 71 | FL |
//3/33//3234/5//454343/254// | 2/4 | Di Tanti Palpiti (t) | IC-E | Hyde Bugle, 1818 | 26 | 2BU,B |
/333//32/34//55/333//32/ | 6/8 | Ton Pour Le Hallaly (t) | IC-F | Diderot Chasse, 1763 | 2:2:5 | HN |
//333//3235//6223//212//34321//5-545// | 3/4 | Lochaber (t) | IC-S | Craig Scots Tunes, 1730 | 26 | HA/SP |
//333//3235//6223//212//34321//5-545// | 3/4 | Lochaber (t) | IC-S | Scots Tunes (C), 1730 | 26 | HA/SP/VN/GF |
//3/33//32/54//3/33 | 2/4 | Haverhill March (t) | AI-A | Herrick Preceptor, 1807 | 36 | 2MI,B |
//333/327-//17-1212/7-6-//112/345// | 6/4 [ed] | Saraband (t) | IC-E | Musicks Hand-Maid-1, 1678 | 61 | VI/HA |
//33-/33//3/11//11-/11//1 | 2/4 | Character of Cupid (t) | SS-E | SS, Folger-C42.3 | 40 | VO,KB+FL |
//33333////11111//1232//354 | 3/8 | Minuet (t) | IC-E | Holmes Hn Duets, 1763 | 12 | 2HN/GT/GF/VN |
//33/3/33//12/3/44// | 3 | Whether I Love or No (t) | DA-F | Arbeau Orchesography, 1589 | 104-107 | DR/MI |
//33/33//3/1+3//21/23// | 2/4 | Prince Edward's Fancy (t) | DA-E | Wilson Companion, 1816 | 100 | MI |
//33/33//3/1+3//22/223 | 2/4 | Prince Edwards Fancy (t) | MS-C | Frobisher MS, 1793 | 24 | HA |
//3333/31//5/5//5555/75// | C | Minstrel's Harp (t) | AM-A | Cushing MS, 1805 | 140-142 | MI |
//33/33//31+76/5432//13/33 | C | Concerto 6. Allegro Moderato (t) | IC-E | Bremner Mil Con, 1774 | 2OB/CL/FL/VN,2HN,BS | |
//333/33//1+76//6543/2123//217-6-/5-6-7- 5- |
2/4 | Quick March (t) | IC-E | Coleman Marches, 1790 | 38-39 | HA |
//333/33//17-/6-7-//17-1/21 | 2/4 | IC-F | Dampierre Tons, 1734 | 30 | HN | |
//333/332//111/1351+ | C | Royal Downshire March (t) | IC-I | Irish Sheet Music | KB | |
//333/332//111/1351+//665/43 | C | Royal Downshire March (t) | IC-I | Holden Marches, 1795 | 16-17 | VN,PF |
//3333//321//16-15-//5-6-4-//4-4-4-// | C (3 ed) | Mercury (t) | MS-E | Rogers MS, 1656 | 89 | VI |
//33333//21234//51+535//43 | 3/4 | Queen's Minuet, The (t) | AM-A | Hawkins MS, 1794 | II,34 | GF |
//33333//21234//51+535//43//51+1+//52+2+ // |
3/4 | Queen's Minuet, The (t) | IC-E | Longman March 3, 1770 | 8 | 2VN/OB/GF, 2HN, B |
//33333//21234//51+535//43//51+1+//52+2+ // |
3/4 | Queens Minuet (and Trio) (t) | AM-A | White, G. MS, 1790 | 66 | VN |
//33/3//3/32//17-6-/17-6-// | 6/8 | Minore (t) | AM-A | Johnson, F. MS, 1820 | 60 | MI |
//33/333//232/11//7-1/27- | 6/8 | Soldiers Glory (t) | AI-A | Riley Flute 4, 1826 | 32 | FL |
//33/33//3234/32//22/23//24/32// | C | Dead March, A (t) | AM-A | Morris MS, 1776 | 25v | FI |
//33/33//32343/2//4456 | C | March 24 (t) | IC-E | Thompson March, 1770 | 11 | 2VN/2GF/2OB,2FH,BF |
//33/33//32343/2//4456 | C | March In Saul (t) | IC-E | Waylet Oboe, 1745 | 1 | OB |
//3-3-/3-3-//3-2-3-4-3-/2-//4-4-5-6-/4-6 - |
C | Dead March In Saul (t) | AI-A | American Sheet Music | KB | |
//33/33//32343/2//4456/46 | C | Dead March In Saul (t) | AM-A | Beck MS, 1786 | 78-79 | 2GF/2VN |
//3-3-/3-3-//3-2-3-4-3-/2-//4-4-5-6-/4-6 - |
C | Dead March In Saul (t) | IC-E | Bremner Airs, 1761 | 34-35 | 2VN/GF,B |
//33/33//32343/2//4456/46 | C | Handel (t), or March 9 (at) | IC-E | Button Whit-1, 1806 | 14-15 | 2GF/2VN/2FL/2FI |
//33/33//32343/2//4456/46 | C | Dead March In Saul (t) | IC-E | Delightful-1, 1763 | I,22-23 | 2GF |
//3-3-/3-3-//3-2-3-4-3-/2-//4-4-5-6-/4-6 - |
C | Dead March In Saul (t) | AI-A | Herrick Preceptor, 1807 | 32-33 | 2MI,B |
//33/33//32343/2//4456/46 | Dead March In Saul (t) | AI-A | Martial Music, 1807 | 28-29 | 2CL/2OB,BS | |
//3-3-/3-3-//3-2-3-4-3-/2-//4-4-5-6-/4-6 - |
C | Dead March In Saul (t) | IC-E | Preston Marches, 1804 | 34-35 | 2GF/VN,VC/PF |
//33/33//32343/2//4456/46 | C | Dead March (t) | AM-A | Psalmody MS, 1798 | 50-51 | 3MI |
//3-3-/3-3-//3-2-3-4-3-/2-//4-4-5-6-/4-6 - |
C | Dead March In Saul (t) | IC-E | Skillern Amus, 1785 | 84-85 | 2GF |
//3-3-/3-3-//3-2-3-4-3-/2-//4-4-5-6-/4-6 - |
C | March 24 (t) | IC-E | Thompson March, 1775 | 28-29 | OR/HA/PF |
//33/33//32343/2//4456/46//543234/3// | C | Dead March In Saul, The (t) | AM-A | Patten MS, 1800 | 7-8 | 2 MI |
//33/33//32343/32//4456/4 | C | Dead March In Saul (t) | IC-E | Warlike Musick, 1760 | 41 | GF/VN/HA |
//33/33//32353/2//4456/46//5 | C | Dead March (t) | AI-A | Military Amus, 1796 | 22 | 2GF/2VN/2FI/2OB |
//3/3//3//3/3//3 | 2/4 | Spanish March (t) | AM-A | Hiester MS-2, 1793 | 62 | GT |
//333/33//3/1+553//222/22 | C | Lord Hardwick's March (t) | AI-A | Riley Flute 3, 1820 | 77 | FL |
//333/33//316-/11//21/21//23/4 | 3 | Old Man Is a Bed Full of Bones, An (t) | PL-E | Playford 1-03a, 1657 | I,6 | VN |
//333/33//316-/11//21/21//23/4 | 3 | Old Man Is a Bed Full of Bones, An (t) | PL-E | Playford 1-3b, 1665 | I,6 | VN |
//333/33//316-/11//21/21//23/42 | C | Old Man Is a Bed Full of Bones, An (t) | PL-E | Playford 1-01, 1651 | 76 | VN |
//333/33//316-/11//21/21//23/42 | C | Old Man Is a Bed Full of Bones, An (t) | PL-E | Playford 1-02, 1652 | 6 | VN |
//333/33//316-/11//222/2 | C3 | Old Man a Bed Full of Bones, An (t) | PL-E | Playford 1-09, 1695 | 41 | VN |
//333/33//316-/11//222/2 | 6/4 | Old Man a Bed Full of Bones, An (t) | PL-E | Playford 1-11, 1701 | I,41 | VN |
//333/33//316-/11//222/2 | 6/4 | Old Man a Bed Full of Bones, An (t) | PL-E | Playford 1-13, 1706 | 41 | VN |
//333/33//316-/11//222/2 | 6/4 | Old Man, A Bed Full of Bones, An (t) | PL-E | Playford 1-14, 1709 | 41 | VN |
//333/33//316-/11//222/2 | 6/4 | Old Man, A Bed Full of Bones, An (t) | PL-E | Playford 1-15, 1713 | 41 | VN |
//333/33//316-/11//222/2 | 6/4 | Old Man, A Bed Full of Bones, An (t) | PL-E | Playford 1-16, 1716 | 41 | VN |
//333/33//316-/11//222/21 | C3 | Old Man a Bed Full of Bones, An (t) | PL-E | Playford 1-06, 1679 | 49 | VN |
//333/33//316-/11//222/21 | C3 | Old Man a Bed Full of Bones, An (t) | PL-E | Playford 1-10, 1698 | 41 | VN |
//333/33//316-/11//222/21 | 6/4 | Old Man a Bed Full of Bones, An (t) | PL-E | Playford 1-12, 1703 | 41 | VN |
//333/33//316-/11//222/21 | 6/4 | Old Man a Bed Full of Bones, An (t) | DA-E | Walsh CD-1.1, 1718 | 54 | VN/OB/FL |
//333/33//316-/11//222/21//2 | C3 | Old Man a Bed Full of Bones, An (t) | PL-E | Playford 1-08, 1690 | 61 | VN |
//333/33//316-/11//222/21//23/432 | C3 | Old Man a Bed Full of Bones, An (t) | PL-E | Playford 1-04, 1670 | 49 | VN |
//333/33//316-/11//222/21//23/432 | C3 | Old Man a Bed Full of Bones, An (t) | PL-E | Playford 1-05, 1675 | 49 | VN |
//333/33//316-/11//222/216-//234/32 | C3 | Old Man a Bed Full of Bones, An (t) | PL-E | Playford 1-07, 1686 | 49 | VN |
//333/3332//111/11//7-7-7-/7-33//36-6- | 6/4 | Dialogue Between a Beau's Head and His heels, A (t) | SC-E | Watts MM-6, 1731 | 170-173 | 2VO,HA+FL |
//3-3-3-3-3-/3-2-1-2-3-4-//5-15-3-5-//4- 3-//5-11 |
3/4 | Queens New Minuet, The (t) | IC-E | Cahusac Oboe, 1790 | 21 | OB |
//3-3-3-3-3-//3-2-1-2-3-4-//5-15-3-5-//4 -3-//5-11 |
3/4 | Queen's New Minuet, The (t) | IC-E | Longman Oboe, 1770 | 20 | OB |
//3-3-3-3-3-//3-2-1-2-3-4-//5-15-3-5-//4 -3-//5-11 |
3/4 | Queen's New Minuet, The (t) | IC-E | Longman Oboe, 1780 | 20 | OB |
//3-3-3-3-3-//3-2-1-2-3-4-//5-15-3-5-//4 -3-//5-11//5-22 |
3/4 | Queen's New Minuet, The (t) | IC-E | Thompson Oboe, 1770 | 12 | OB |
//33333//321234//51+535//543//41+1+//52+ 2+// |
3/4 | Minuetto (t) | AM-A | Hoff MS, 1797 | No. 114 | GF |
//33333//321234//51+536//543//31+1+//32+ 2+// |
3/4 | Quens Minuet (t) | MS-S | Fife MS, 1780 | 630,67v | 1FI OR 2FI/VN |
//333/33//32/23//444 | C | Modern Beau, The (t) | SS-E | SS, Folger-C42.4 | 211 | VO,KB+FL |
//333/33//32/23//444/444 | C | Modern Beau, The (t) | SC-E | Musical Cent-1, 1737 | 6 | VO,HAF+FL |
//333/33//32/23//444/444 | C | Modern Beau, The (t) | SS-E | SS, Huntington-1 | 38 | VO,KB+FL |
//333/33//32/23//444/444 | C/ | Honest Yorkshire Man, The (t) | DA-E | Walsh CD-2.2, 1735 | 52 | VO/OB/GF/FL |
//333/33//32/23//444/444 | C/ | Honest Yorkshire Man, The (t) | DA-E | Walsh CD-3.2, 1749 | 52 | VN/OB/GF |
//333/33//32/23//444/44//43/5 | C/ | Honest Yorkshire Man (t) | DA-E | Johnson CD-2, 1742 | 81 | MI |
//33/333//32/23//444/444//43 | C | Lord Mayor's Day. Air 3 (t) | SS-E | SS, Harvard | 3 | VO,B |
//3-3-3-3-3-//3-2-//3-2-1-2-3-4-//5-//5- 5-5-5-5-//5-4-3- |
3/4 | Arbeit (t) | MS-G | Darmstadt MS 1224 | 334 | MI |
//33333//32//321234//5//55555//543 | 3 | Arbeit Oder Schantz (t) | MS-G | Darmstadt MS 1224 | 167 | MI |
//3-/3-3-//3-/3-//3-2-3-/4-3- | C | Dead March In Saul (t) | AM-A | Beach MS, 1801 | 43 | 2MI,2HN,B |
//33/333//32343/24//4456/46 | C | Dead March In Saul (t) | AI-A | Goodale Dir, 1819 | 49-50 | 2CL,FL,BS,SPT |
//33/333//32343/24//4456/46 | C | Dead March In Saul (t) | AI-A | Goodale Dir, 1829 | 53-54 | 2CL,FL,BS,SPT |
//333333//2//4//4//53+3+//2+3+4+5+2// | 3/4 | 2. M. [Menuet Nu. de Mr. Lahante] (t) | DA-F | Landrin CD BN, 1775 | 37 Feuille | MI |
//33/33//33/3 | 2/4 | Cesser le Feu (t) | IC-F | French Ordinances | App.25 | BU |
//33/33//33/3// | 2/4 | Cesser Le Feu (t) | IC-F | Lelouterel Clairon, 1825 | pl. 6 | BU |
//333/333//32/23//444 | C/ | If a rival thy character draw (fl) | TW-E | Midas-1, 1764 | 56-57 | VO,HAF |
//333333//323213//222//333333//323213//2 22 |
3/4 | Ban, Le (t) | IC-F | French Ordinances | App.23 | 3TR |
/33//33/33//3/2342//35/ | 2/4 | Tapageuse, La (t) | IC-E | Welcker Cots, 1768 | 7 | GT |
//3/333//333/32//21/1 | 6/4 | View, The (t) | IC-E | Longman Horn, 1785 | 19 | 2HN |
//3/333//333/32//21/1 | 6/4 | View, The (t) | IC-E | Simpson Horn, 1745 | 4 | 2HN |
//3/333//333/32//21/1 | 6/4 | View, The (t) | IC-E | Thompson Horn, 1755 | 12 | 2HN |
//333/33//3///333/33 | C/ | Lenterrement des Officiers de Corsses (t) | MS-F | Darmstadt MS 1187 | 2CL,2HN,BS | |
//333/3333//333/33//222/2222// | [2/4] | Firing of the Musquetry (t) | AM-A | Johnson, F. MS, 1820 | 8 | PF |
//3-3-3-/3-3-3-//3-/3-//3-3-3-/3-3-3- | 6/8 | Ton Pour la Quete (t) | IC-F | Dampierre Tons, 1734 | 1 | HN |
//3333/3333//3333/3333//3// | C | Trot (t) | AI-A | Anderson Bugle, 1839 | 190 | BU |
//3-3-3-3-/3-3-3-3-//3-3-3-3-/3-3-3-3-// 3- |
C | Au Trot (t) | IC-F | French Ordinances | App.22 | TR |
//333/333//333/333//333/333// | 6/8 | Wann Sie Die Faehrd Verlohren (t) | IC-G | Fleming Jaeger, 1719 | I:311 | HN |
//333//333//333//333//333//35// | 3/8 | Wann Die Jagd Zu Ende Und Vollbracht Ist (t) | IC-G | Fleming Jaeger, 1719 | I:312 | HN |
//3-3-3-/3-3-3-//3-3-3-/3-3-3-/3-3-/3-6- |
6/8 | Ton Pour Chien (t) | IC-F | Dampierre Tons, 1734 | 2 | HN |
//333/33//3333/33//345/43// | C/ | Battle, The. March of Foot, The (t), or March of Foot, The (at) | MS-E | Rogers MS, 1656 | 24-25 | VI |
//3333//333333//3354//321//1111//111111 | 3/4 | Light Guitar, The (t) | AI-A | Riley Flute 4, 1826 | 6 | FL |
//33/33//3333/33//345/43// | C/ | Battell, The. the Marche of Footemen (t), or Marche of Footemen, The (at) | MS-E | Nevell MS, 1591 | 21 | VI |
//33/33//33/345//11/11 | 6/8 | Pas Re Double (t) | AI-A | American Sheet Music | 1 | PF |
//3//3//3//33-3//421 | 3/4 | O Peace! (t), or Arne, Dr.(m) (at) | SS-E | SS, Huntington-2 | 41 | VO,KB |
//33/33//33/4323//54/2 | 2/4 | Celebrated March In... Moses In Egypt, The (t) | AI-A | American Sheet Music | 2 | PF |
//33/33//33/4323//54/2 | C | March from Rossini's Oratorio of Mose In Egitto (t) | AI-A | American Sheet Music | PF | |
//33/33//33/4323//54/2 | C | When the Trump of Fame (t) | AI-A | Riley Flute 4, 1826 | 67 | FL |
//33/33//33/4323//54/2 | 2/4 | Marche de Moise (t) | AI-A | Riley Flute 4, 1826 | 96 | FL |
//333/333//444/444//555/333// | 6/8 | Marinette, La (t) | DA-N | St. Flour Contredanses, 1757 | 33 | KB |
//33333//3451+//22222 | 3/4 | Washington's Minuet and Gavott (t) | AI-A | Duport CD, 1800 | 1-2 | PF |
//3-3-/3-3-//3/3453//11/1 | 2/4 | Battle of the Nile, The. Allegro Con Moto (t) | AI-A | American Sheet Music | 11 | PF |
//33/33//3/345//43/21 | 6/8 | Chase, La (t) | AM-A | Williams, S. MS, 1795 | 42 | KB |
//3/33//33/345//6/5 | 6/8 | Bacarole In Masaniello (t) | AI-A | Glazier Fife, 1830 | 24 | FI |
//3/33//33/345//6/5 | 6/8 | Barcarolle In Masaniello (t) | IC-E | Purday Bugle, 1830 | 14 | BU |
//3/33//33/345//6/5 | 6/8 | Behold How Brightly Breaks the Morning (t) | AI-A | Riley Flute 4, 1826 | 68-69 | FL |
//333/33//35/1+553//222/22 | C | Governor Tompkins's Grand March (t) | AI-A | American Sheet Music | KB | |
//333/33//35/1+553//222/22 | C | Governor Thompkins March of Salute (t) | AI-A | American Sheet Music | 4 | PF |
//333/33//35/1+553//222/22 | C | Rangers Grand March of Parade, The (t) | AI-A | American Sheet Music | 2 | PF |
//33333/355//2222/2344//5321/1232 | C | Hey Tutti Taiti (t) | SC-S | Scots MM-2, 1788 | 178 | VO,PF |
//333/333//622/222//511/7-32 | 6/8 | IC-E | Caledonian PC, 1760 | III,25 | GF/VN | |
//333/333//666/666//1+7/65// | 2/4 | Bedouin, The. No. 1 (t) | AI-A | Johnson, F. Cotillions | 1 | PF |
//3//3//3//33//421 | 3/4 | Favourite Song, A (t) | SC-E | Clio-4, 1778 | 106-107 | VO,HAF |
//333/3342//111/15-5- | C | Washington's 5th March (t) | AM-A | Ives MS, 1800 | 28-29 | 2MI |
//33-/33-//342/17-1//22/432 | 6/8 | Irish Lilt,5th Tune (t) | SS-E | SS, New York PL-C695 | 10 | MI,B |
//333//3343213//3217-//11217-6-//5- | 3/4 | Ladies Dressing Room-2 (t) | TW-E | Harlequin Dr. F, 1766 | 12 | HAF,GF/VN |
//3/33//33//43/217-6-7-17-// | C/ | Jhonson's Medley (t) | MS-E | Fitzwilliam MS-2, 1609 | 366-369 | VI |
//333//33//432//33//111 | 3 | Ballad of Old Proverbs, A (t) | SC-E | Pills 4, 1719-20 | 112-3 | VO |
//333/33//433/36//56/76 | C | Ever Memorable Battle of Bannockburn, The. The Scots Army Kneel (t) | IC-S | Scottish Sheet Music | PF,VN | |
//333//33434//555//56//444//4 | 3/4 | Air 27 (t) | BA-E | Momus Turnd Fab, 1729 | 41 | VO |
//333//33434//5655//5456//444 | 3/4 | Love Triumphant (t) | AM-A | Parkman MS, 1721 | 35 | MI |
//333//33434//5655//5456//444 | 3/4 | Love Triumphant(for Ye Voice) (t) | AM-A | Parkman MS, 1721 | 36R-37V | VO,KB |
//333//33434//5655//5456//444 | 3 | Soldiers Call to War, The (t) | SS-E | SS, Folger-C42.4 | 362 | VO,KB+FL |
//333//33434//5655//5456//444//4345 | 3/4 | Love Triumphant (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//333//33434//5655//5456//444//4345 | 3 | Soldiers Call to the War, The (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//3-3-3-/3-3-4-//5-15-/5-6-6-/3-5-4-/3-4 -3- |
6/8 | Isabel (t) | AI-A | Riley Flute 4, 1826 | 14 | FL |
//333/334//51+7/564//354/243 | 6/8 | Isabel (t) | IC-E | Purday Bugle, 1830 | 18 | BU |
//333/3345//333/321//231+6/5321 | C/ | Lord Lenox's March (t) | MS-S | Gillespie MS, 1768 | 24 | VN |
//333/3345//333/321//231+6/65434321// | C | Lord George Lenox's March (t) | MS-E | Malecot MS, 1779 | 33 | VN |
//333/3345//333/3321//23/1+653// | C/ | Merionethshire Militia March, The (t) | IC-E | Longman March 3, 1770 | 14 | 2VN/OB/GF, 2HN, B |
//3-3-3-/3-3-4-5-//3-3-3-/3-3-2-1-//2-3- /16-5-3- |
C/ | Merionethshire March, The (t) | IC-E | Oswald Marches, 1759 | 17 | 2MI |
//333/3345//333/3321//23/1+653 | C | Lord Lenox's March (t) | IC-S | Stewart Airs, 1788 | 3:157 | GF/VN/FI |
//333//33453//444//3//222//111// | 3/4 | German Waltz (t) | AM-A | Irving MS, 1796 | 92 | 2 MI |
//333/33//4543/25//5-6-7-/121 | C/ | Maine March (t) | AI-A | Goodale Dir, 1819 | 52-56 | 3CL,FL,2HN,BS,S |
//333/33//4543/25//5-6-7-/121 | C/ | Maine March (t) | AI-A | Goodale Dir, 1829 | 56-60 | 3CL,FL,2HN,BS,S |
//3-3-3-//3-3-4-//5-4-5-6-5-4-//3-1-4-5- //6-6-5-4-//5-5-4-3- |
3/4 | Air 5 (t) | IC-N | Roger Airs, 1716 | 1:3 | 2CH/TR/OB/VN/FL/CL/HN |
//333//334//555//523//444// | C (=3 ed) | Barelye Breake, The (t) | MS-E | Nevell MS, 1591 | 43-53 | VI |
//333/334//555/55 | C/ | Lord Harrington's March (t) | IC-E | Longman Fife, 1780 | 30 | FI/GF |
//333//334//555//555//66-6-//6- | 3 | French King Discomfitted, The (t), or Health to the Duke of Marlborough... | SS-E | SS, Harvard | 1 | 2VO+FL |
//333/334//555/55//61+6/543 | C/ | Lord Harrington's March (t) | IC-E | Skillern Amus, 1785 | 1 | 2GF |
//333/334//555/55//61+6/543 | C/ | Lord Harrington's March (t) | IC-E | Skillern Fife, 1780 | 30 | FI/GF |
//333/334//555/55//676/543 | C/ | Lord Harringtons March (t) | IC-E | Clementi Fife, 1815 | 30 | FI |
//333//3345//6223//212//3454321 | 3/4 | Loch Abber-A Ratrate (t) | MS-E | Russell MS, 1812 | 23 | FI |
//333/33456//333/321//231+6/5321// | C/ | Lord Linaxce's March (t) | MS-S | Fife MS, 1780 | 868,93v | 1FI OR 2FI/VN |
//3333/35//21/7-//3333/35 | 2/4 | Hollow Drum (t) | AI-A | Robinson Coll, 1818 | 46 | FI,DR |
//33/33//353/123//44/465// | 6/8 | O Never Fall In Love (t) | AI-A | O Never CD, 1831 | 1 | PF |
//33/33//353/123//44/465 | 6/8 | O Never Fall In Love (t) | AI-A | Riley Flute 4, 1826 | 21 | FL |
//33333//543//1+76//54565//33333//5435 | 3/4 | Concerto Militare 2. Minuetto 1mo (t) | IC-E | Giordani March, 1780 | 20-21 | HA/PF |
//3/33//3/3543//21/3217-// | 2/4 | Gavot to the Minuet de la Cour (t) | DA-E | Wilson Companion, 1816 | 174 | MI |
//33333//543//22222//3231//35432//351+32 1 |
3/4 | Miss Tyte's Minuet (t) | IC-E | Holmes Hn Duets, 1763 | 10 | 2HN/GT/GF/VN |
//33333//54//33333//7-6-//33333 | 3/4 | Kirkforther-1 (t) | IC-E | Caledonian PC, 1760 | X,22 | GF/VN |
//3+3+3+3+//3+761+//7673+//7633//3+573+ | 3/4 | Mc Intosh's Lament-1 (t) | IC-E | Caledonian PC, 1760 | X,18-19 | GF/VN |
//333//341//16-5-//5-3-4-//5-5-1//5-5-1 | 3/8 | Waltz 2 (t) | IC-E | Ross Waltzes, 1800 | 4-7 | PF/HA+TRI,TA |
//333/342//111/17-123234//51+5/43 | C/ | Trenton March (t) | AI-A | Williams Fife, 1826 | 27 | FI |
//33/334//22/21//6-6-1/7-7-2 | 2/4 | Pas Redouble (t) | IC-F | Lefevre Marches, 1793 | 2CL,2FL,2HN,TR,2BS,SPT,BD,C | |
//33/33//4/2//221/7-3 | C/ | St. Martins-Lane (t) | PL-E | Playford 1-15, 1713 | 197 | VN |
//33/33//4/2//221/7-3 | C/ | St. Martins-Lane (t) | PL-E | Playford 1-16, 1716 | 197 | VN |
//3333/42//2222/31//23432321/7-316- | C/ | Billings-Gate (t) | PL-E | Playford 2-1, 1713 | 139 | VN/OB |
//3333/42//2222/31//23432321/7-316- | C/ | Billings-Gate (t) | PL-E | Playford 2-2, 1714 | 139 | VN/OB |
//3333/42//2222/31//23432321/7-316- | C/ | Billingsgate (t) | PL-E | Playford 2-3, 1718 | 139 | VN |
//3333/42//2222/31//23432321/7-316- | C/ | Billingsgate (t) | PL-E | Playford 2-4, 1728 | 139 | VN |
//3333/42//2222/31//23432321/7-316- | C/ | Billingsgate (t) | DA-E | Walsh CD-1.2, 1719 | 158 | VN/OB |
//3333/42//2222/31//23432321/7-316- | C/ | Billings Gate (t) | DA-E | Walsh NCDM-2, 1710 | 36 | VN/OB/FL |
//33/33//4/2//321/7-3 | C/ | St. Martin's Lane (t) | MS-E | Hammersley MS, 1790 | 49B | MI |
//33/33//4/2//321/7-3// | 2 | Furstemberg, La (t) | IC-F | Leclerc Recueil-2, 1737 | 83 | HAF |
//33/33//4/2//321/7-3 | C/ | St. Martin's Land (t) | PL-E | Playford 1-09, 1698 | I,5 | VN/FL |
//33/33//4/2//321/7-3 | C/ | St. Martin's Lane (t) | PL-E | Playford 1-11, 1701 | I,197 | VN |
//33/33//4/2//321/7-3 | C/ | St. Martin's-Lane (t) | PL-E | Playford 1-12, 1703 | 197 | VN |
//33/33//4/2//321/7-3 | C/ | St. Martin's Lane (t) | PL-E | Playford 1-13, 1706 | 197 | VN |
//33/33//4/2//321/7-3 | C/ | St. Martin's-Lane (t) | PL-E | Playford 1-14, 1709 | 197 | VN |
//33/33//4/2//321/7-3 | C/ | St. Martin's Lane (t) | PL-E | Playford 1-17, 1721 | 197 | VN |
//33/33//4/2//321/7-3 | C/ | St. Martin's Lane (t) | PL-E | Playford 1-18, 1728 | 197 | VN |
//33/33//4/2//321/7-3// | C/ | S. Martins Laine Contre-Danse Angloise (t) | IC-F | Pointel Airs, 1700 | 11 | MI,B |
//33/33//4/2//321/7-3 | C/ | St Martin's Lane (t) | DA-E | Walsh CD-1.1, 1718 | 211 | VN/OB/FL |
//33/33//4/2//321/7-3 | C/ | St Martin's Lane (t) | DA-E | Walsh CD-2.1, 1731 | 71 | VN/OB/GF/RC |
//33/33//4/2//321/7-3 | C/ | St. Martin's Lane (t) | DA-E | Walsh CD-3.5, 1754 | 81 | VN//OB/GF |
//33/33//4/2//321/7-3//16-/6- | C/ | Air 21 (t) | BA-E | Polly, 1729 | T24M8-9 | VO,B |
//333//342//333 | 3/4 | Lesson No 6 (t) | AI-A | Martial Music, 1807 | 5 | 2CL/2OB,BS |
//333//343217-//6-3//3222//217-6- | 3/8 | Song 2 (t) | SS-E | SS, Folger-C52 | 87,2-88,1 | MI,VO,KB |
//33/33//4/32//321/7- | C/ | Fustamberga, La (t) | MS-M | Garcia MS, 1772 | 78 [186] | MI |
//333/34323//54/25-//333/546-2 | C | March (t) | AI-A | Riley Flute 4, 1826 | 41 | FL |
//333/343//3234/567//1+ | C | Lucky Escape, The (t) | AI-A | Gent's Amus, 1794 | 22-23 | GF/VN/VO,B |
//333/343//3234/567//1+543/4 | C | Lucky Escape, The (t), or Song 1 (at) | AI-A | American MM, 1798 | 13-16 | VO |
//333/343//3234/567//1+543/4 | C | Lucky Escape, The (t) | AI-A | Elegant Exts, 1794 | 26-28 | GF/VN/VO |
//33/3343//3234/567//1+543/4321// | C | Ploughman Turned Sailor, The (t) | AM-A | Adams, W. MS, 1795 | 16 | MI |
//333/343//3234/567//1+543/4321 | C | Ploughman Sailor, A (t) | IC-S | Aird 6, 1803 | 22 | FI/VN/GF |
//333/343//3234/567//1+543/4321// | C/ | Dibdin's Ploughboy. A Retreat (t) | MS-S | Fife MS, 1780 | 38,4v,5r | 1FI OR 2FI/VN |
//333/343//3234/567//1+543/4321// | C | Dibdins Ploughboy with Secondo (t) | MS-S | Fife MS, 1780 | 40,113v | 1FI OR 2FI/VN |
//333/343//3234/567//1+543/4321// | C | Lucky Escape (t) | AM-A | Irving MS, 1796 | 84 | 1 MI |
//333/343//3234/567//1+543/4321 | C | Lucky Escape, The (t) | AI-A | Young's Vocal, 1793 | 53-54 | VO,PF |
//333/343//3234/567//1+543/4321//32 | C | Lucky Escape, The (t) | AI-A | American SS-SM | 1-2 | VO,KB |
//333/343//3234/567//1+543/4321//32 | C | Lucky Escape, The (t) | SC-S | Edinburgh MM-2, 1793 | 196-199 | VO |
//333/34//333/232//117-/6-6-2 | C | Grand Marche du Fameux General Buonaparte, La (t) | IC-S | Scottish Sheet Music | 2 | KB |
//333/343//411+5/3131+//555/567 | Fayetts March (t) | AM-A | Stiles MS, 1807 | 84-85 | 3MI | |
//333//34342//117-17-//11//222//5342// | 3/4 | Lee's Waltz (t) | AM-A | Irving MS, 1796 | 101 | 1 MI |
//33//33//43/43 | C | Chorus, Sung Before Gen. Washington..., A (t) | AI-A | American SS-SM | 1-4 | 3VO |
//333//344//222//255//6-4321//17-6-5-6-7 -// |
3/4 | Grand Jig [and Minuet] for a Ballet at Boston 1796 No.19: Minuet (t) | AM-A | Duport MS-1, 1780 | 16 | VN |
//33/33//4/43//322/22 | C | Away with Melancholy (t), or O Dolce Concente (at) | AI-A | Riley Flute 3, 1820 | 20 | FL |
//33/33//44/43//22/22 | C | Away with Melanchloy (t) | IC-E | Astor Guitar, 1800 | 21 | VO,GT |
//33/33//44/43//22/22 | C | Away with Melancholy (t) | AM-A | Beach MS, 1801 | 112-13 | 2VO,PF |
//33/33//44/43//22/22 | C | Away with Melancholy (t) | AI-A | Blake Bassoon, 1826 | 11 | 2CL/FL/VN,HN,B |
//33/33//44/43//22/22 | C | Away with Melancholy (t) | AM-A | Commonplace MS, 1809 | 8R | 2MI |
//33/33//44/43//22/22 | C | Away with Melancoly (t) | AI-A | Dubois Clar, 1818 | 24 | 2CL |
//33/33//44/43//22/22 | C | Away with Malancholy (t) | IC-E | Goulding Clar, 1803 | 28 | 2CL |
//33/33//44/43//22/22// | C | Away with Melancholy (t), or Favorite Duett, A (at) | AM-E | Wheatstone Clarinet, 1801 | 67 | 2CL |
//3/33//34/45//22/21 | 2/4 | She Never Blam'd Him Never (t) | AI-A | Riley Flute 4, 1826 | 76 | FL |
//333/345//222/234//321/7-12 | 6/8 | Albins, The (t) | DA-E | Thompson CD-6.2, 1790 | 23 | MI |
//333/3453//222/2//444/4654 | C/ | Vigueries' Grand March (t) | AI-A | Merrimack Coll, 1833 | 41 | 2MI,B |
//333//3453/2//4/36 | 2/4 | Favourite Air, A (t) | AI-A | Goodale Dir, 1829 | 56-57 | 2MI,B |
//33/33//45/33//231/7-6-5- | 6/8 | Under the Rose (t) | PL-E | Playford 3-2, 1726 | 155 | VN |
//33/33//45/33//231/7-6-5- | 6/8 | Under the Rose (t) | DA-E | Walsh CD-2.3, 1735 | 191 | VN/OB/GF/CF |
//33/33//45/33//231/7-6-5- | 6/8 | Under the Rose (t) | DA-E | Walsh CD-3.3, 1749 | 179 | VN/OB/GF |
//333//345//432//15-//6-6-5-//2343 | 3/4 | Water (t) | SS-E | SS, Harvard | 1 | VO,B+GF/GT |
//3/33//345/43//2/22 | 2/4 | Tempest of War (t) | AI-A | Robinson Coll, 1818 | 32 | FI,DR |
//333//34543//222 | 2/4 | Tempest of War (t) | AI-A | Village Fifer, 1808 | 31 | 2FI |
//333/34543//222/234//543/2432 | C | Chimes (t) | AM-A | Beck MS, 1786 | 66 | GF |
//333/34543//222/234//543/2432 | C/ | From the Man Whom I Love (t) | AM-A | Ives MS, 1800 | 10 | KB |
//333/34543//222/234//543/432 | C | AM-A | Hudson MS, 1772 | 8 | VN/FI | |
//33/33//454/33//32/17-// | C | A Laisser Moi Retournez Au Village (t) | IC-E | Preston Cello, 1785 | 32 | 2VC |
//333/345//4454/343//2232/1121// | 3 | Saraband (t) | IC-E | Musicks Hand-Maid-1, 1678 | 23 | VI/HA |
//333//345//542//221//7-5-5-//5-6-7- | 3/8 | Shaw's Waltz (t) | AI-A | Goodale Dir, 1819 | 80-81 | MI,B |
//333//345//542//221//7-5-5-//5-6-7- | 3/8 | Shaw's Waltz (t) | AI-A | Goodale Dir, 1829 | 84-85 | MI,B |
//333/34//555/51+7//7665/5443 | C | Battle of Vittoria. Quick March (t) | IC-N | Netherlands Sheet Music | PF | |
//33/334//55/55//554//33 | C | Mount Vernon (t) | AM-A | Woodruff MS, 1803 | 79 | 3MI,B |
//3-3-3-/3-4-//5-5-6-5-4-/3-//2-2-2-/2-3 - |
C/ | Grand March In Semiramis (t) | AI-A | Bacon Clar, 1818 | 21 | CL |
//3-3-3-/3-4-//5-5-6-5-4-/3-//2-2-2-/2-3 - |
C/ | Grand March In Semiramis (t) | AM-A | Gaylord MS, 1816 | 21v | 2MI |
//333/34//55654/3//222/23 | C/ | Grand March In Semiramis (t) | AI-A | Klemm Clar, 1825 | 21 | CL |
//333/34//556-5-4-/3//222/23//44543 | C/ | Grand March In Samaramus (t) | AM-A | Willis MS, 1795 | 54-55 | 2MI,B |
//333/34//55654/3//222/23//44543/2 | C/ | Grand March In Semiramis (t) | AM-A | Canfield MS, 1823 | 16 | FL |
//333/345//666/671+//555/556 | 6/8 | Abram Newland (t) | AI-A | Blake Amus 2, 1824 | 25 | CL |
//33/33//46/66//55/432 | 6/4 | Glee In Battle of Hexam (t) | IC-E | Eley Pieces 2, 1790 | 4 | 2CL,2OB/CL,2HN,TR,2BS |
//333/35//222/2//444/4654 | C | Vigueries' March (t) | AI-A | Goodale Dir, 1819 | 64 | 2MI,B |
//333/35//222/2//444/4654 | C | Vigueries' March (t) | AI-A | Goodale Dir, 1829 | 68 | 2MI,B |
//3-33/35//235/27-5-//3-33/345 | 6/8 | Todlen Butt, and Todlen Ben (t), or Song 41 (at) | SC-E | Orpheus Cal-2, 1733 | T93-94MOP94 | VO,HA |
//333//353//111//131//5-31//5-15- | 3/4 | Menuetto 1 (t) | IC-E | Flack Divs, 1776 | 2-3 | 2CL,2HN,BS |
//333/353//1222/253//111/123 | 2/4 | Sigh Not for Love (t) | AI-A | Paff Amus 4, 1817 | 16 | FL/VN |
//333/353//1222/253//111/1353 | 2/4 | Sigh Not for Love (t) | AI-A | Riley Flute 2, 1817 | 24 | FL |
//333/3531//7-121/7-1234//5456/51+7 | C | America and Brittannia. Peace (t) | AI-A | American Sheet Music | 2 | PF,MI |
//3/33//3/53//2/22 | 6/8 | Hunting Song, A (t), or In the East Smiles the Morn (at) | AM-A | Hiester MS-2, 1793 | 22-24 | VO,KB |
//3-3-3-/3-5-3-//2-2-2-/2-1-2-//3-4-3-/2 -1-2- |
6/8 | Burton's 1st Sonata (t) | AI-A | Goodale Dir, 1819 | 74 | 2MI,B |
//3-3-3-/3-5-3-//2-2-2-/2-1-2-//3-4-3-/2 -1-2- |
6/8 | Burton's 1st Sonata (t) | AI-A | Goodale Dir, 1829 | 75 | 2MI,B |
//333/353//222/254//334/223 | C | Col Bogardus's March (t) | AI-A | Riley Flute 1, 1814 | 1 | FL |
//333/353//22/242/11/123 | Soft Be the Gently Breathing Notes (t) | AM-A | Akerman MS, 1795 | 49-50 | MI,KB | |
//3/33//3/53//2/23 | 2/4 | Sweeper, The (t) | AM-A | Bellamy MS, 1799 | 48 | MI |
//3/33//3/53//2/23 | 2/4 | Let Masons Be Merry (t) | AM-A | Spicer MS, 1797 | 15-16 | VO |
//3/33//3/53//2/23 | 2/4 | Sweeper, The (t) | AM-A | Spicer MS, 1797 | 142-143 | 2VO |
//33/33//53/33//42/22 | 2/4 | King of Denmark's Quick Step, The (t) | IC-S | Pandean Coll 1, 1810 | 2 | PF |
//3/33//3/53//43/42 | 2/4 | Fading Still Fading (t), or Evening Hymn, An (at) | AM-A | Hiester MS-2, 1793 | 63 | VO,GT |
//333//354//222//243//132//6-21 | 3/4 | Grand Canal, The (t) | AI-A | Riley Flute 3, 1820 | 17 | FL |
//3/33//3/5//43/21// | 2/4 | Hush Every Breeze (t) | AM-A | Irving MS, 1796 | 64 | 1 MI |
//3/33//35//43/21//2 | 2/4 | Delia (t) | AM-A | Hiester MS-1, 1793 | 58-59 | KB,VO |
//3/33//35//43/21//2 | 2/4 | Sonnet 2. Andantino (t) | AI-A | Hours of Love, 1799 | 4-5 | VO/VN,HA+GF/GT |
//33/33//5/43//21/23// | 2/4 | Lord Chalenondelys March (t) | MS-S | Fife MS, 1780 | 424,44r | 1FI OR 2FI/VN |
//3/33//35//43/21//25- | 2/4 | Hush Every Breeze (t) | AI-A | Riley Flute 2, 1817 | 29 | FL |
//333/354321//555/55675//1+1+1+/1+3+2+1+ 76//754 |
6/8 | Petersburgh Favourite Minuet, A (t) | IC-E | Delightful-2, 1745 | V,10 | GF |
//33/33//5/432//17-6-5-/4-5-6-7-// | 2/4 | No. 3 (1st Quadrille) (t) | AI-A | Andre Cotillions, 1812 | 4 | PF |
//33/33//5/432//17-6-5-/4-5-6-7-// | 2/4 | 3 (t) | AI-A | Andre Cots-1, 1812 | 3 | PF |
//33/33//5/432//17-6-5-/4-5-6-7-// | 2/4 | No. 3 (t) | AI-A | Andre Cots-2, 1812 | 4 | PF |
//333/3543//222/25-//3/3543 | C | General Robert Young's March (t) | AI-A | American Sheet Music | KB+FL | |
//333/3543//222/432//111/327- | 2/4 | Tempest of War (t) | AM-A | Beck MS, 1786 | 58 | GF |
//33/335//4//32343/353//1// | C (6/8 ed) | Battell, The. the Marche to the Fighte (t), or Marche to the Fighte, The (a | MS-E | Nevell MS, 1591 | 34-36 | VI |
//3333/5//43/3//1/13// | C/ | When the Hollow Drum (t) | AM-A | Treat MS, 1779 | 31r | FI/GF |
//3333//543//3221//3221//33333//33543 | 3/4 | Come Dwell with Me (t) | AI-A | Riley Flute 4, 1826 | 69-70 | FL |
//333/3543//422/234//543/432// | C/ | 3d Revaley, The (t) | MS-S | Fife MS, 1780 | 53,6r | 1FI OR 2FI/VN |
//33/33//5443/2//11/22 | C | Air In the Magic Flute (t) | AI-A | Riley Flute 2, 1817 | 56 | FL |
//33/33//5443/32//11/22 | C | Aria Andante (t) | AI-A | Riley Flute 3, 1820 | 43 | FL |
//3/33//3/54//43/42 | Last Beam Is Shining, The (t) | AM-A | Akerman MS, 1795 | 37-38 | 2VO/MI:A(T) | |
//33/33//544/43//22/22 | C | Away with Melancholy (t) | IC-E | Purday Bugle, 1830 | 24 | 2BU |
//3333/5675//66667/1+673+//3333/5672+ | C | Drunken Wives of Fochabers, The (t) | IC-S | Aird 6, 1803 | 4 | FI/VN/GF |
//33336-/22225-//15-13-/2-2-2-2-//33336- /22225-// |
C | Seven Sisters, The (t) | DA-E | Straight & Skillern CD, 1775 | 60 | VN/GF/OB |
//3/33//36/32//13/5-6- | 2/4 | Ah de Quel Souvenir (t) | IC-F | Bonjour Recueil, 1800 | 1:6 | VN/FL |
//3//33/36-//3/6-//6-3/33// | C/ (4/2) | In Nomine (t) | MS-E | Fitzwilliam MS-2, 1609 | 135 -137 | VI |
//3//33/36//53/112 | C | Repentance C M (t) | AM-A | Bellamy MS, 1799 | 77 | 3VO:S(T)B |
//333/36543//222/246//5321/234 | C | Boston's March (t) | AI-A | American Sheet Music | 1 | PF+GF/VN |
//333/36//564/3//234/32// | 3 [6/4] | Loth to Depart. 21 (t) | MS-E | Fitzwilliam MS-2, 1609 | 317-319 | VI |
//333//37-//555//53//44545//33434 | 3/8 | Vogieurs Waltz (t) | AI-A | Riley Flute 4, 1826 | 49 | FL |
//33/34//17-12/17-12//44/45 | C | Dukes' March (t) | AI-A | Robinson Coll, 1818 | 46 | FI,DR |
//33/342//11/11+//53+/54 | 6/8 | Lillignoneth Francoise (t) | IC-S | Aird 3, 1788 | 167 | FI/GF/VN |
//33/342//11/123//3264/3153 | C/ | Union March (t) | AI-A | Martial Music, 1807 | 15 | 2CL/2OB,BS |
//33/342//11/123//4264/3253 | C/ | March (t) | AM-A | Psalmody MS, 1798 | 52-53 | MI |
//33/342//11/15-//5-7-2/135 | 6/8 | Clifton Springs (t) | AI-A | Riley Flute 2, 1817 | 77 | FL |
//33/342//11/1//5-7-2/135 | 6/8 | Pleasures of Sproughton, The (t) | DA-E | Thompson CD-5, 1788 | 59 | VN/GF/OB |
//33/342//11/1//5-7-2/135// | 6/8 | Pleasures of Sproughton, The (t) | DA-E | Thompson CD-5a, 1788 | 59 | VN/GF/OB |
//33/342//11/17-6-//5-7-2/135// | [6/8] | AM-A | Pierian MS, 1810 | 34 | 2MI,B | |
//33/342//11+/531//24/35 | 6/8 | Irish Whim (t) | IC-E | Balls Amus 3, 1815 | 28 | FL/VN |
//33/342//11+/531//24/35 | 6/8 | Irish Whim (t) | IC-E | Balls Amus 3, 1830 | 28 | FL/VN |
//3-3-/3-4-2-//1-1/5-3-1-//2-4-/3-5- | FUS,CS | Irish Whim (t) | AI-A | Paff Amus 1, 1812 | 26 | FL/VN |
//33/342//11+/531//24/35 | 6/8 | Irish Whim (t) | AI-A | Riley Flute 2, 1817 | 43 | FL |
//33/342//11+/531//24/35 | 6/8 | Irish Whim (t) | AI-A | Williams Fife, 1826 | 20 | FI |
//33342//15-5-4-3-2-//1-3-5-135 | 3/4 | March (t), or Procession, The.-7 (at) | TW-E | Choice/Harleq, 1781 | 63 | HAF |
//33/342//21/12//33/345 | 6/8 | Finalle to the Cuckoo (t), or Jigg (at) | AM-A | Psalmody MS, 1798 | 90 | MI |
//33/3423//115-//16-27-/3154//3 | 2/4 | Colberti, La (t) | AI-A | Riley Flute 3, 1820 | 9 | FL |
//33/342//55/567//1+54/321// | 6/8 | Bagatelle, La (t) | DA-E | Gallini Cots, 1770 | 3 | KB |
//33/342//55/654321//7-57-/165 | 6/8 | Fleur des Champs, La (t) | AI-A | Riley Flute 2, 1817 | 62 | FL |
//33/343//11/17-6-//5-7-2/135 | 6/8 | New York Rangers (t) | AM-A | Beach MS, 1801 | 59 | MI |
//33/3432//11/16-//17-12/3243// | 2/4 | Marsa, La. 2d. Set (t) | AI-A | Cotillion Party, 1818 | 9 | VN/GF/ PF |
/33//343/212//1/1//27-/ | 6/8 | AM-A | Duport MS-2, 1800 | 11r | VN | |
//3334//321//2+223//212 | 3/4 | Irish Lamentation (t) | DA-E | Walsh CD-2.3, 1735 | 197 | VN/OB/GF/CF |
//3334//321//2+223//212 | 3/4 | Irish Lamentation (t) | DA-E | Walsh CD-3.3, 1749 | 185 | VN/OB/GF |
//3334//321//2+223//212//3 | 3/4 | Irish Lamentation (t) | IC-E | Simpson Record, 1745 | 21 | RC |
//3334//321//2+223/212//34321//6-17-6- | 3/4 | Irish Lamentation (t) | DA-E | Johnson CD-1, 1740 | 3 | MI |
//3334//321//2+223//212//34321//6-5-32// |
3/4 | Limbrick's Lamentation (t) | IC-I | Neal's Irish Tunes, 1724 | 25 | VN/GF/OB |
//33/343//2123/123//4321/1234 | C | Wine Cannot Cure (t), or March 50 (at) | IC-E | Button Whit-1, 1806 | 60-61 | 2GF/2VN/2FL/2FI |
//33/343//2123/165//45/345//54/4 | C/ | #58 (t), or New Gavot, The (at) | PL-E | Playford 1-3b, 1665 | II,51 | VN |
/33//343/212//32/17-1//231/ | 6/8 | Gaite, La (t) | DA-N | Echo, 1758 | 50 | KB |
//3/3//34//32/13//6-3/13 | 2/4 | Duetto (t) | AI-A | Herrick Preceptor, 1807 | 28 | 2MI |
//33/34//32/136-//5-7-2/432// | 6/8 | Missery of Life, The. Composed Washington March 10th 1834 (t) | AM-A | Duport MS-1, 1780 | 65 | VN |
//33/343//21/52//23212 | C/ | When I liv'd with my grannam (fl) | AM-A | Hitchcock MS, 1800 | 10 | VO,KB |
//33343//22232//11121//7-7-7-1//2217-6-/ /5- |
3/4 | Sonata, In a Scotch Taste. Amoroso (t) | IC-E | Delightful-2, 1745 | V,7 | GF |
//33343//22232//1121//7- | 3/4 | Air 22 (t) | BA-E | Polly, 1729 | T26M9 | VO,B |
//33/343//22/232//123/543 | 6/8 | Genl la Fayette's Quickstep (t) | AI-A | American Sheet Music | PF | |
//333432//25//555654//32//53434 | 3/4 | Mr. Greville's Minuet (t) | DA-E | Cantelo CD, 1785 | 29 | KB |
//33/34//3234/3//36/25 | C | Dead March (t) | AI-A | Martial Music, 1807 | 32 | 2CL/2OB,BS |
//3334//3234//5223//212//35321//5-112 | 3/4 | Irish Lamentation (t) | AM-A | Trumbull MS, 1801 | b:2r | MI |
//3/33//432/345//454343/25 | 2/4 | Di Papitati (t) | AM-A | Greenwood MS, 1785 | 80-81 | MI |
//3334//3234//6223 | 3/4 | Lochaber No More (t) | SC-S | Edinburgh MM-1, 1792 | 16-17 | VO |
//3334//3235//6223 | 3/4 | Myra (t) | AI-A | Phila Songster, 1789 | 10-11 | VO |
//3334//3235//6223//212 | 3/4 | Song 233 (t), or Lochober No More (at) | SC-E | Calliope, 1788 | 434-435 | VO |
//3334/3235//6223//212//34321 | 3/4 | Lochaber (t) | SC-S | Scots MM-1, 1787 | 96 | VO,PF |
//333//43235//6223//212//34321 | 3/4 | Lochaber (t) | AM-A | Van Renssel. MS, 1782 | I,40 | VO,KB |
//3334//3235//6223//212//34321//5-6-12 | 3/4 | Lochaber (t) | AI-A | Riley Flute 4, 1826 | 55 | FL |
//3334//3235//6223//212//34321//5-6-12// |
3/4 | Lochaber no more (t) | AM-A | White, G. MS, 1790 | 20 | VN |
//3334//3235//6223//3212//34321//5-6-12 | 3/4 | Lochaber (t), or Scotch Song (at) | SS-E | SS, Harvard | 1,DUP | VO,B,KB |
//3334//3235//62234//3212//34321//5-6-12 // |
3/4 | Lochaber (t) | IC-E | Hill Flute, 1762 | 27 | GF |
//33/343//254/3432//112/3 | C/ | Dragoons March (t) | PL-E | Playford 1-07, 1686 | 170 | VN |
//33/343//254/3432//112/3 | C/ | Dragoons March (t) | PL-E | Playford 1-08, 1690 | 156 | VN |
//33/34//33/217-//6-6-/6-7-1 | 6/8 | Bon Viellard, Le (t) | IC-F | Bonjour Recueil, 1800 | 3:5 | VN/FL |
//3334//33235//622//212//34321//5-12//31 1// |
3/4 | Lockabour (t) | MS-C | Molyneaux MS-1, 1788 | 17 | GF |
//33/343//343/36//32/17-//6- | 6/8 | Death of the Elk, The (t) | TW-E | Lord-Mayors Day, 1782 | 8 | KB |
//333/4342//5654/345//66/55 | 2/4 | Battle of Leipsig, The. Advance of the Prussian Army (t) | IC-E | English Sheet Music | 15 | PF,VN/FL,VC |
//333/4346//5/35//43/42 | C | Home Sweet Home (t) | AM-A | Van Schaack MS, 1820 | 58 | FI/FL |
//333/4346//54/35-5-//15-35-/25-45- | C | Grand National March (t) | AI-A | American Sheet Music | 3 | PF |
//33/343//542/11//232/17-6- | 6/8 | La Fayette's Favourite (t) | AI-A | American Sheet Music | PF | |
//33/343//54/43//22/232 | 6/8 | Belle Chasse, La (t) | DA-E | Thompson CD-5, 1788 | 33 | VN/GF/OB |
//33/343//54/43//22/232// | 6/8 | Belle Chasse, La (t) | DA-E | Thompson CD-5a, 1788 | 33 | VN/GF/OB |
//33//34//36-5-2//17- | 2 | Air... Sung at the Theatre In Drury Lane (t) | SC-E | Pocket Comp, 1725 | 14-15 | VO,HAF+FL |
//3/33//4/4//2/234 | C | Requiem, A (t) | SS-E | SS, Huntington-1 | 161 | 3VO |
//33/34//4/33//4/33 | C | Duetto by Phillidore (t) | AM-A | Curtiss MS, 1800 | 87 | 2VN |
//33/34//436//43/43//22/22 | 2/4 | Hark 'tis I your own true lover (fl) | TW-E | Maid/Mill, 1765 | 12-13 | VO,HAF |
//33/34//436-/436-/433//2222 | 2/4 | Italian Song, An (t) | SC-E | Monthly Melody, 1760 | II,29 | 2VO,HAF |
//333/44//43/112//323/4 | 2/4 | Villano Llano, El (t) | MS-M | Garcia MS, 1772 | 78V [187] | MI |
//333//444//323432//17-6-7-12//333//444/ / |
3/4 | Bath Minuet (t) | AM-A | White, G. MS, 1790 | 46 | VN |
//333/444//531/21//333/425//311//1 | 6/8 | Gambler Gets Into a Chair (t) | TW-E | Choice/Harleq, 1781 | 30 | HAF |
//333/44//543/234//514// | 6/8 | Drink to me only with thine eyes (t) | MS-C | Molyneaux MS-1, 1788 | 7 | GF |
//333/44//543/234//514/32// | 6/8 | Drink to Me Only (t) | AM-A | Adams, W. MS, 1795 | 38 | MI |
//333/44//543/234//514/32 | 6/8 | Drink to Me Only (t) | IC-S | Aird 6, 1803 | 59 | 2FL |
//333/44//543/234//514/32 | 6/8 | Drink to Me Only (t) | IC-E | Astor Oboe, 1800 | 18 | OB |
//333/44//543/234//514/32 | 6/8 | Drink to Me Only (t) | AM-A | Beck MS, 1786 | 140 | 2GF |
//333/44//543/234//514/32 | 6/8 | Drink to Me Only (t) | AI-A | Blake Amus 2, 1824 | 18 | CL |
//333/44//543/234//514/32// | 6/8 | Drink to Me Only (t) | IC-E | Cahusac Flute, 1798 | 15 | FL |
//333/44//543/234//514/32 | 6/8 | Drink to Me Only (t) | AM-A | Commonplace MS, 1809 | 8R | 2MI |
//333/44//543/234//514/32 | 6/8 | Drink to Me Only (t) | AM-A | Curtiss MS, 1800 | 11 | 2VN |
//333/44//543/234//514/32 | 6/8 | Drink to Me Only (t) | AI-A | Fifer's Comp, 1805 | 28 | 2FI |
//333//44//543//234//514//32// | 3/8 | Drink to Me Only (t) | IC-E | Hyde Bugle, 1818 | 11 | 2BU |
//333/44//543/234//514/32 | 6/8 | Drink to Me Only with Thine Eyes (t) | IC-E | Hyde Trumpet, 1798 | 54 | 2TR |
//333/44//543/234//514/32 | 6/8 | Drink to Me Only (t) | AI-A | Instrum Asst-2, 1807 | 23 | 2MI,B |
//333/44//543/234//514/32// | 6/8 | Drink to Me Only with Thine Eyes (t) | AM-A | Irving MS, 1796 | 71 | 2 MI |
//333/44//543/234//514/32 | 6/8 | Love's Canzonet (t) | AI-A | Merrimack Coll, 1833 | 53 | 2MI,B |
//333/44//543/234//514/32 | 6/8 | Drink to Me Only (t) | AM-A | Otis MS, 1793 | 6-7 | 2VN/2FL |
//333/44//543/234//514/32 | 6/8 | Drink to Me Only (t) | AM-A | Pomeroy MS, 1790 | 12 | 2GF |
//333/44//543/234//514/32 | 6/8 | Drink to Me Only (t) | IC-E | Preston Bassoon, 1790 | 29 | 2BS |
//333/44//543/234//514/32 | 6/8 | Drink to Me Only (t) | IC-E | Preston Clar, 1797 | 28 | 2CL |
//333/44//543/234//514/32 | 6/8 | Drink to Me Only with Thine Eyes (t) | IC-E | Preston Oboe, 1780 | 25 | 2OB |
//333/44//543/234//514/32 | 6/8 | Drink to Me Only (t) | IC-E | Purday Bugle, 1830 | 25 | 3BU |
//333/44//543/234//514/32 | 6/8 | Drink to Me Only (t) | AI-A | Riley Flute 1, 1814 | 9 | FL |
//333/44//543/234//514/32// | 6/8 | Drink to Me Only (t) | AM-E | Wheatstone Clarinet, 1801 | 78 | MI |
//333/44//543/234//514/32 | 6/8 | Drink to Me Only (t) | AI-A | Whiteley Prec, 1816 | 19 | CL,OB,FL,BS |
//333/44//543/234//514/32 | 6/8 | Drink to Me Only (t) | AI-A | Williams Fife, 1819 | 41 | FI |
//333/44//543/234//514/32 | 6/8 | Drink to Me Only with Thine Eyes (t) | IC-E | Wragg Oboe, 1792 | 35 | 2OB |
//333/44//543/234//514/32//1 | 6/8 | Drink to Me Only (t) | IC-E | Cahusac Flute, 1792 | 15 | GF |
//333/44//543/234//514/32//1 | 6/8 | Glee, for Three Voices (t) | AI-A | Phila Songster, 1789 | 14 | 3VO:(S)AB |
//333/44//543/234//514/32//1/1// | 6/8 | Drink to Me Only withThine Eyes (t) | AM-A | Brown, J. MS, 1782 | 1:59 | |
//333/44//543/234//514/33// | 6/8 | Drink to Me Only (t) | AM-A | Treat MS, 1779 | 30v | FI/GF |
//333/44//543/234//514/34 | 6/8 | Drink to Me Only (t) | AI-A | Reinagle Fav-1, 1789 | 2 | PF/HA,VO |
//333/44//543/234//514/342 | 6/8 | Drink to Me Only with Thine Eyes (t) | AI-A | Young's Vocal, 1793 | 45 | VO,PF |
//333/44/544/234//514/32// | 6/8 | Drink to Me Only (t) | AM-A | Washburn MS, 1816 | 5 | GF |
/333//44/654//234/524//342/1// | 6/8 | Drink to Me (t) | AM-A | Washburn MS, 1816 | 18 | 2GF |
//3/3//3/45//1/1//1 | 2/4 | Oh! me what shall we do (fl) | TW-E | Padlock, 1768 | 30-31 | VO,KBF |
//33/345//11/17-1//22/234 | 6/8 | Turkish March (t) | IC-S | Aird 1, 1782 | 10 | FI/VN/GF |
//33/345//11/17-1//22/234 | 6/8 | Turks March, The (t) | IC-E | Bennett Fife, 1770 | 12 | FI ; FI |
//33/345//11/17-1//22/234 | 6/8 | Turks March, The (t) | AM-A | Brown, N. MS, 1781 | 25R | FI |
//33/345//11/17-1//22/234// | 6/8 | Turks March, The (t) | AM-A | Hoff MS, 1797 | No. 53 | GF |
//33/345//11/17-1//22/234 | 6/8 | Turks March, The (t) | IC-E | Longman Fife, 1770 | 22 | FI |
//33/345//11/17-1//22/234 | 6/8 | Turk's March (t) | IC-E | Longman Fife, 1780 | 22 | FI/GF |
//33/345//11/17-1//22/234 | 6/8 | Turk's March, The (t) | IC-E | Longman Oboe, 1770 | 25 | OB |
//33/345//11/17-1//22/234 | 6/8 | Turk's March, The (t) | IC-E | Longman Oboe, 1780 | 25 | OB |
//33/345//11/17-1//22/234// | 6/8 | French Retreat, The (t) | DA-E | Martin Misc Corr, 1759 | 566, 1757 | MI |
//33/345//11/17-1//22/234 | 6/8 | Turk's March (t) | AI-A | Robbins D&F, 1812 | 29 | FI |
//33/345//11/17-1//22/234 | 6/8 | Turks March, The (t) | IC-E | Rutherford Fife, 1756 | 17 | FI |
//33/345//11/17-1//22/234 | 6/8 | Turks March (t) | IC-E | Skillern Fife, 1780 | 22 | FI/GF |
//33/345//11/17-1//22/234 | 6/8 | Turks March, The (t) | IC-E | Thompson Fife, 1760 | 22 | FI |
//33/345//11/17-1//22/234 | 6/8 | Turk's March, The (t) | IC-E | Thompson Fife, 1770 | 26 | FI |
//3334/51+6//5554/3//123/334// | 6/8 | Brownswick Waulze, The (t) | AM-A | Litten MS, 1800 | 22 (34) | VN |
//333451+6//555433//123334//51+1+76567// 1+5//4+ |
6/8 | Braunswick Walltzer (t) | AM-A | Litten MS, 1800 | 22 (34) | VN |
//33/345//1+76/531//333/444 | 6/8 | Macaronia Dance (t) | AM-A | Shattuck MS, 1801 | 63 | MI |
//33/345//22/234//321/123 | 6/8 | IC-E | Jouve Marches, 1799 | PF,TAM,CYM/TRI | ||
//33/345//22/234//321/6-7-1 | 6/8 | Tay Side Fencibles Quick March (t) | IC-S | Scottish Sheet Music | 2CL,2HN,TR,BS+P | |
//33/345//22/234//345/234 | 6/8 | Cynthia's Sceptre (t) | DA-E | Johnson CD-1, 1740 | 94 | MI |
//33/345//22/234//345/234 | 6/8 | Way to Lengthen Life, The (t) | SS-E | SS, Folger-C42.3 | 10 | VO,KB+FL |
//33/345//22/234//345/234 | 6/8 | Way to Lengthen Life, The (t) | SS-E | SS, Harvard | 1 | 2VO,B |
//33345//22/25//11/123 | 6/8 | Lady's Play Thing, The (t), or Gen Howe's March, (at) | IC-S | Aird 1, 1782 | 2 | FI/VN/GF |
//33/345//22/25//11/123// | 6/8 | Ladys Play Thing, The (t) | MS-S | Fife MS, 1780 | 312,32v | 1FI OR 2FI/VN |
//33/345//22/25//11/123 | 6/8 | Lady's Play Thing, The (t) | AI-A | Hulbert Fife, 1807 | 8 | FI |
//33/345//22/25//11/123 | 6/8 | Lady's Play Thing, The (t) | AI-A | Hulbert Fife, 1811 | 8 | FI |
//33/345//22/25//11/123 | 6/8 | Ladies Play Things, The (t) | AI-A | Hulbert Variety, 1803 | 10 | OB/FI |
//33/345//22/25//11/123 | 6/8 | Lady's Play Thing, The (t) | AM-A | Kingsley MS, 1795 | I,36 | MI |
//33/345//22/25//11/123// | 6/8 | Ladies Play Thing, The (t) | MS-C | Molyneaux MS-1, 1788 | 72 | GF |
//33/345//22/25//11/123 | 6/8 | Ladys Play Thing, The (t), or General Howes March, (at) | AM-A | Murphey MS, 1790 | 17 | MI |
//33/345//22/25//11/123 | 6/8 | Ladies Play Thing, The (t) | DA-E | Thompson CD-3, 1773 | 25 | VN/GF/OB |
//33/345//22/25//11/123// | 6/8 | Ladies Play Thing, The (t) | DA-E | Thompson CD-3a, 1773 | 37 | VN/GF/OB |
//33/345//22/25//11/123// | Ladeys Pay Thing, The (t) | MS-E | Vickers MS, 1770 | 24 | MI | |
//33/345//22/25//11/123 | 6/8 | Lady's Plaything, The (t) | AI-A | Village Fifer, 1808 | 44 | 2FI |
//33/345//22/254//321/5-6-7- | 6/8 | Air In the Critic (t) | AM-A | Beck MS, 1786 | 93 | GF |
//33/345//22/254//321/5-6-7- | 6/8 | Guitarr, The (t) | AM-A | Marchant MS, 1783 | 50 | VO,KB |
//33/345//22/254//321/5-6-7-//1 | 6/8 | Air In the Critic (t) | AI-A | Evening Amuse, 1796 | 21 | GF/VN |
//33/3453//11/16//65/43// | C | Sewards March (t) | AM-A | Bevens MS, 1825 | 24r | 2 FI |
//33/3453//11/16//65/43 | C/ | Seward's March (t) | AM-A | Canfield MS, 1823 | 34 | 2FL |
//33/3453//11/16//65/43 | C/ | Seward's March (t), or Lesson No 7 (at) | AI-A | Martial Music, 1807 | 6 | 2CL/2OB,BS |
//33/34//5/32//11/13 | 2/4 | Favorite Air (t) | AM-A | Beach MS, 1801 | 66 | 2MI,B |
//3334//532//1113 | 2/4 | Favourite Air (t) | AI-A | Fifer's Comp, 1805 | 49 | 2FI |
//33/34//5/32//11/13 | 2/4 | Favorite Air (t) | AM-A | Woodruff MS, 1803 | 40 | 2MI |
//33/34//5/32//11/13//2 | 2/4 | Favorite Air (t) | AI-A | Instrum Asst, 1800 | 59 | 2VN/2GF/2CL/2OB,BVIOL |
//33345//321//622//212//34321//6-5-42// | 3/4 | Lochaber (t) | IC-E | Peacock Scotch Airs, 1762 | 28 | VN/GF/VC, HAF |
//33345//321/62234//212//34321 | 3/4 | Lochaber No More-1 (t) | IC-E | Caledonian PC, 1760 | II,15 | GF |
//3-3/3453//217-6-/5-6-7-//17-6-5-/3217- |
C | Boyn Water (t) | AI-A | Steele Fife, 1815 | 24 | FI |
//33345//32321//62234//212//34321//5-6-7 -1// |
3/4 | Lochaber (t) | AM-A | Hoff MS, 1797 | No. 276 | GF |
//33345//32345//62234//3212//345321//15- |
3/4 | Scottish Medley Overture-11 (t) | TW-E | Auld Robin Gray, 1794 | 4 | KB |
//33345//3235//6223//212 | 3/4 | Lochaber (t) | AM-A | Bellamy MS, 1799 | 53 | MI |
//33345//3235//62234//212//345321//6-5-1 2 |
3/4 | Lochaber. Retreat (t) | AI-A | Camp Dupont, 1816 | 11 | 2GF/FI/VN,PF |
//33345//3235//62234//3212//3 | 3/4 | Lochaber (t) | AI-A | Scots MM, 1797 | 97-98 | VO,HA/PF |
//33345//3235//62234//3212//345321//6-5- 12 |
3/4 | Lochaber (t) | AI-A | Caladonian Muse, 1798 | 97-98 | VO/PF/VN |
//3334/5331//45654/312// | C/ | Opera Jigg, The (t) | IC-E | Apollo's Banquet 1-1, 1670 | 48 | VN |
//3//334/53//5654/36 | C | Friendship P. M. (t) | AM-A | Read MS, 1798 | 1 | 4VO:SA(T)B |
//33/345//41/234//31/131 | 6/8 | Basket of Oysters, The (t) | AM-A | Turner MS, 1788 | II,2 | VN |
//33/345//42/234//31/131// | 6/8 | Basket of Oysters, The (t) | AM-A | Morris MS, 1776 | 4v | FI |
//33/345//42/234//31/131 | 6/8 | Basket of Oasters a Quickstep, The (t) | AM-A | Thompson MS, 1777 | 20 | FI |
//33/345//42/24//31/17-1 | 6/8 | Argyle Shire Fencibles Quick Step (t) | IC-S | Scottish Sheet Music | 2MI,B/KB | |
//33/345//42/254//321/6-27-// | 6/8 | 4 Minor (t) | AM-A | Bevens MS, 1825 | 57r | FI |
//33/3454//33/321//1+6/5321//32 | C | Bonny Scotman, The (t) | SC-S | Edinburgh MM-2, 1793 | 286-288 | VO |
//33/34//54/345//671+/2+3+1+ | 6/8 | Lady Duncannon's Fancy (t) | DA-E | Thompson CD-5, 1788 | 97 | VN/GF/OB |
//33/34//54/345//671+/2+3+1+// | 6/8 | Lady Duncannon's Fancy (t) | DA-E | Thompson CD-5a, 1788 | 97 | VN/GF/OB |
/33//3/454//36-/7-1//7-32/ | 2 | Simonette, La (t) | DA-F | Landrin Potpourri, 1785 | 64 | MI |
//33/345//453/234//323/123 | 6/8 | Basket of Oisters (t) | AM-A | Perkins MS, 1790 | 9 | MI |
//33/34//5456/51+//56 | C | Prince of Orange March, The (t) | SS-E | SS, Folger-C42.4 | 185 | VO,KB+FL |
//33/34//5456/51+//56/543 | C | Prince of Orange's March (t) | IC-E | Bremner Oboe, 1775 | 23 | OB |
//33/34//5456/51+//56/543 | C | Prince of Orange's March, The (t) | IC-E | English Sheet Music | 2 | KB |
//33/34//5456/51+//56/543 | C | Prince of Orange's March (t) | IC-E | Handel March 1, 1768 | 12 | VN/GF/OB |
//33/34//5456/51+//56/543 | C | Prince of Orange's March (t) | IC-E | Johnson Oboe, 1750 | 18 | OB |
//33/34//5456/51+//56/543 | C | Prince of Orange's March (t) | MS-I | Regan MS, 1764 | 11 | MI |
//33/34//5456/51+//56/543 | C | Prince of Orange's March, The (t) | SS-E | SS, Harvard | 1 | VO |
//33/34//5456/51+//56/543 | C | Prince of Orange's March, The (t) | SS-E | SS, Harvard | 1 | VO |
//33/34//5456/51+//56/543 | C | Prince of Orange's March (t) | IC-E | Simpson Oboe, 1746 | 23 | OB |
//33/34//5456/51+//56/543 | C | Prince of Orange's March (t) | IC-E | Thompson March, 1759 | 12 | VN/FL/OB |
//33/34//5456/51+//56/543 | C | Prince of Orange's March (t) | IC-E | Thompson Oboe, 1758 | 12 | OB |
//33/34//5456/51+//56/543//2123 | C | Prince of Oringe's March (t) | AM-A | Simpson MS, 1750 | II,16 | FL |
//33/34//5456/51+//56/543//217-6- | C | Prince of Orange's March (t) | IC-E | Delightful-2, 1745 | V,9 | GF |
//33/34//5456/51+//56/543//217-6- | C | Sonatina (t), or Prince of Orange's March, The (at) | IC-E | Delightful-2, 1745 | VI,18 | 2GF |
//3/334//5/5-//1/2 | 2/4 | MS-G | Darmstadt MS 1224 | 179 | MI | |
//33/345//522/212//33/345 | 6/8 | Quick Step 7 (t) | IC-S | Corri Marches, 1791 | 7 | HA/PF |
//33/345//522/254//321/217- | 6/8 | Critique, Le (t) | DA-E | Bride CD, 1776 | II,1 | VN/OB/GF |
//33/345//522/254//321/217- | 6/8 | Air In the Critic (t) | IC-E | Cahusac Flute, 1788 | 31 | GF |
//33/345//522/254//321/5-6-7-//1 | 2/4 | I left my country and my friends (fl) | AI-A | Gent's Amus, 1794 | 24-25 | GF/VN/VO |
//33/345//522/254//321/7-6-7- | 6/8 | Critic, The (t) | DA-E | Bride CD, 1776 | IV,85 | VN/OB/GF |
//33/345//522/254//321/7-6-7- | 6/8 | Critic, The (t) | DA-E | Thompson CD-5, 1788 | 85 | VN/GF/OB |
//33/345//522/254//321/7-6-7-// | 6/8 | Critic, The (t) | DA-E | Thompson CD-5a, 1788 | 85 | VN/GF/OB |
//33/345//522/254//321/7-6-7-//1 | 6/8 | Critic, The (t) | DA-E | Longman CD, 1781 | 97 | VN/OB/GF |
//33/345//522/254//343/212 | 6/8 | Tang, Tang, Tang (t) | AI-A | Blake Amus 1, 1824 | 13 | CL |
//33/345//522/254//343/212 | 6/8 | Tang Tang Tang (t) | AI-A | Riley Flute 2, 1817 | 2 | FL |
//33/345//525/567//1+3+1+/62+ | 6/8 | Rondo by Kanmell (t) | AM-A | Canfield MS, 1823 | 100-1 | 2FL |
//33/345//525/567//1+3+1+/62+ | 6/8 | Rondo by Kammell (t) | IC-E | Longman Clar, 1780 | 18-19 | 2CL |
//33/345//54/43//223/7-265 | C | S'il Est Vrai (t) | IC-F | Bonjour Recueil, 1800 | 5:3 | VN/FL |
//33/345//54/43//24/7-2 | 6/8 | Julia's Wreath (t) | AI-A | Riley Flute 4, 1826 | 15 | FL |
//3334/555// | 4/4 | Watcher, The (t) | AM-A | Pynchon MS, 1797 | 25r | MI |
//33/34//55/55//67/1+2+// | C/ | Mas Sonnier, Les (t) | MS-G | Jayme MS, 1717 | 51 | MI |
//3334/55//654/543//432/321 | C | British Sailors Loyal Toast, The (t) | SS-E | SS, Boston PL-2 | 116 | VO,KBF |
//3334/55//66/7//777/1+4 | C/ | Description of Chloris, A (t) | SC-E | Pills 3, 1719-20 | 157-8 | VO |
//3334//55671//53214231//27-5-12 | 2/4 | Go and on my truth relying (fl) | TW-E | Lionel & Clar, 1768 | 54 | VO,HAF |
//33/345//63/31+//76/75 | C | Air 5 (t) | BA-E | Devil Duke-2, 1732 | T8-9M6-7 | VO,HAF |
//33/3456//531/43//2 | C | Fill the Bowl (t) | SS-E | SS, Harvard | 1V | 3VO,KBF |
//33/345//65/53//265/432 | 6/8 | Biondina, La (t) | IC-E | Purday Bugle, 1830 | 15 | BU |
//3-3-/3-4-//5-/6-//5-5-6-/5-3-5-1 | C/ | Grenadier March (t) | MS-G | Darmstadt MS 1224 | 240-41 | 2MI |
//33/345//66/6 | 2/4 | Rogues' March(ed) (t) | AI-A | Robinson Coll, 1818 | 55 | FI,DR |
//33345//666//5556 | 2/4 | Rogue's March (t) | IC-E | Andrews Fife, 1808 | 15 | FI/GF |
//33/345//66/6//55/56 | 2/4 | Rogues March, The (t) | AI-A | Ashworth D&F, 1812 | 33 | FI |
//33/345//66/6//55/56 | 2/4 | Rogues March, The (t) | AM-A | Beach MS, 1801 | 103 | MI |
//33/345//66/6//55/56 | 2/4 | Poor Old Tory (t) | AM-A | Beck MS, 1786 | 91 | GF,B |
//33/345//66/6//55/56 | 2/4 | Rogues March (t) | AM-A | Bellamy MS, 1799 | 50 | MI |
//33/345//66/6//55/56 | 2/4 | Rogues March (t) | IC-E | Clementi Fife, 1815 | 13 | FI |
//33/345//66/6//55/56 | 2/4 | Rogue's March, The (t) | AM-A | Dean MS, 1800 | I.17 | MI |
//33/345//66/6//55/56 | 2/4 | Rogues March (t) | AM-A | Dickinson MS, 1800 | 15 | CL/GF/OB |
//33/345//66/6//55/56 | 2/4 | Rogues March, The (t) | AM-A | Gibbs MS, 1777 | 5 | FI |
//33/345//66/6//55/56 | 2/4 | Rogues March (t) | IC-E | Goulding Fife, 1790 | 10 | FI |
//33/345//66/6//55/56 | 2/4 | Rogues March (t) | AI-A | Hazeltine D&F, 1810 | 32 | FI,DR |
//33/345//66/6//55/56// | 2/4 | Rogues March (t) | AM-A | Hoff MS, 1797 | No. 249 | GF |
//33/345//66/6//55/56 | 2/4 | Rogues March (t) | IC-E | Longman Fife, 1770 | 15 | FI |
//33345//666//5556 | 2/4 | Rogues March (t) | IC-E | Longman Fife, 1780 | 13 | FI/GF |
//33/345//66/6//55/56// | 2/4 | Rogeues March (t) | AM-A | Morris MS, 1776 | 20r | FI |
//33/345//66/6//55/56 | 2/4 | Rogue's March, The (t) | AM-A | Pomeroy MS, 1790 | 15 | GF |
//33/345//66/6//55/56 | 6/8 | Rogues March, The (t) | IC-E | Potter Fife, 1817 | 21 | FI |
//33/345//66/6//55/56 | 2/4 | Rogue's March (t) | IC-E | Preston Fife, 1796 | 13 | FI/GF |
//33/345//66/6//55/56 | 2/4 | Rogue's March (t) | AI-A | Robbins D&F, 1812 | 24 | FI |
//33/345//66/6//55/56 | 2/4 | Rogue's March (t) | AI-A | Rumrille D&F, 1817 | 39 | FI |
//33345//666//5556 | 2/4 | Rogues March (t) | IC-E | Skillern Fife, 1780 | 14 | FI/GF |
//33345//666//5556 | 2/4 | Rogues March (t) | IC-E | Thompson Fife, 1760 | 14 | FI |
//33/345//66/6//55/56 | 2/4 | Rogues March (t) | IC-E | Thompson Fife, 1770 | 14 | FI |
//33/345//66/6//55/56// | 2/4 | Rogues March (t) | IC-E | Thompson Fife, 1786 | 14 | FI/FL |
//33/345//66/6//55/56// | 2/4 | Rogues March, The (t) | AM-A | Treat MS, 1779 | 11 | FI/GF |
//33/345//66/6//55/56// | 2/4 | Rogues March, The (t) | AM-A | White, G. MS, 1790 | 28 | VN |
//33/345//66/6//55/56 | 2/4 | Rogues March (t) | AM-A | White, O. MS, 1775 | 9 | MI |
//33/345//66/6//55/56// | 2/4 | Rogue's March (t) | IC-E | Wilson Fife, 1805 | 24 | FI |
//33/345//66/6//55/56//5/3// | 2/4 | Rogues March, The (t) | AM-A | Boynton MS, 1799 | 16R | 1 FI |
//33345//666//5557 | 2/4 | Rogues March (t) | IC-E | Rutherford Fife, 1756 | 10 | FI |
//33/345//66/6//55/57 | 6/8 | AM-A | Williams, J. MS, 1799 | 70 | CL | |
//33/345//66/6//56/56 | 2/4 | Rogues' March (t) | AI-A | Glazier Fife, 1830 | 33 | FI |
//33/345//66/6//56/56 | 2/4 | Rogue's March (t) | AI-A | Riley Flute 3, 1820 | 71 | FL |
//33/345//66/6//56/56 | 2/4 | Rogues' March (t) | AI-A | Robinson Coll, 1820 | 71 | MI |
//33/345//66/6//56/56 | 2/4 | Rogues' March (t) | AI-A | Robinson Coll, 1826 | 71 | MI |
//33/345//66/671+//2+4/432// | 6/8 | Prinsteins Cottilon, Le (t) | MS-E | Malecot MS, 1779 | 42 | VN |
//33/345//67/1+//55/531 | 6/8 | Quick Step (t) | IC-S | Campbell Coll, 1796 | 7 | PF/VN+2FL |
//33/345//67/7//55/5 | C | Roags March, The (t) | AM-A | Blake MS, 1776 | 12 | FI |
//33/34//65/43//265/432 | 6/8 | Where Roses Wild Were Blowing (t) | AI-A | Blake Amus 1, 1824 | 7 | CL |
//3334//65/53//265/432 | 6/8 | When the Yellow Moon Beams (t) | AI-A | Riley Flute 3, 1820 | 48 | FL |
//3/334//65/543//2/232 | 6/8 | Bertha (t) | AI-A | Ashton Clar, 1825 | 27 | CL |
/33//351+1//1/43//65/43// | 6/8 | Bonnes Amie, Les. Contre-Danse Française (t) | DA-F | Bouin CD LC-2 , 1780 | 182 Feuille | MI,B |
//33/35//11/15//11/14// | C/ | March, A (t) | IC-E | Theater Musick-3, 1700 | 16 | VN |
//33/35//11/23//43/21 | 2 | Marche de Savoye.2e Air (t) | MS-F | Philidor MS, 1705 | 25 | 3OB,B+DR |
//33351+3/3223//4442+74/43 | C | Gentle knight all knights exceeding (fl) | TW-E | Dragon/Wantley, 1738 | 12 | OB,2VN,VA,VO,HAF |
//33351+3/3223//4442+74/4331//55765432/2 1 |
C | Gentle knight all knights exceeding (fl) | SS-E | SS, Harvard | 1 | VO,KBF |
//3335/222//1113/21 | C | Air 4 (t) | BA-E | Polly, 1729 | T6M2 | VO,B |
//33/35//22/223//44/45 | 2/4 | Better Late Then Never (t) | IC-S | Aird 4, 1796 | 45 | FI/GF/VN |
//33/35//22/223//44/46 | C | Duett by Pleyel. Rondo Allegro (t) | AM-A | Curtiss MS, 1800 | 34-35 | 2VN |
//33/35//22/223//44/56 | 2/4 | When Jamie first he did loe me (fl) | MS-C | Frobisher MS, 1793 | 9-10 | VO,HA |
//33/35//22/25//1 | 6/8 | Air In Rosina (t) | AI-A | Instrum Asst, 1800 | 63-64 | 2VN/2GF/2CL/2OB,BVIOL |
//33/35//22/25//17-1/6-2 | 6/8 | Rondo In Rosina (t) | AI-A | Bacon Clar, 1818 | 16 | CL |
//33/35//22/25//17-1/6-2 | 6/8 | Rondeaux In Rosina (t) | AM-A | Beach MS, 1801 | 71 | MI |
//33/35//22/25//17-1/6-2 | 6/8 | Rondo In Rosina (t) | AM-A | Commonplace MS, 1809 | 5V | CL/FL |
//33/35//22/25//17-1/6-2// | 6/8 | Rosina (t) | AM-A | Cushing MS, 1805 | 121 | MI |
//333/5//222/5//17-1/6-2// | 6/8 | Quick Step, A (t) | MS-S | Fife MS, 1780 | 266,28r | 1FI OR 2FI/VN |
//33/35//22/25//17-1/6-2 | 6/8 | Rondo In Rosina (t) | AI-A | Klemm Clar, 1825 | 16 | CL |
//33/35//23/1//22/23 | Maiden Fair (t) | MS-I | Regan MS, 1764 | 3 | MI | |
//33/3523//15/53//2123/4321 | C | Soldier Is the Lad for Me, A (t) | AM-A | Pomeroy MS, 1790 | BEFORE P.1 | GF |
//33/353//11/131//5-4-5-4-/5-6-7-5- | 2/4 | Siege of Valenciennes, The. The Austrians March (t) | IC-E | English Sheet Music | PF | |
//3/33//53//11/22//3/1// | 2/4 | First Step. 27 (t) | AM-A | Johnson, F. MS, 1820 | 18-19 | PF |
//3/3//3/5//31/1231 | C | Ld. Mayor's Swan Hopping Trumpet Tune (t) | IC-E | Musica Bell, 1733 | 3 | FL/VN/OB |
//3/3//35//31/1231 | C | Lord Mayors Swan Hopping Trumpet Tune (t) | IC-E | Warlike Musick, 1760 | 16 | GF/VN/HA |
//3/3//35//31/1231//25-/ | C/ | March, A (t) | IC-E | Prelleur Modern, 1731 | 15 | OB |
//333//53//112//324//3451// | C/ | Charon, O Charon (t) | MS-E | Rogers MS, 1656 | 72-73 | VI |
//333//531//222//427-//17-1234//323456 | 3/4 | Minuetto No.1 (t) | AI-A | Shaw Gentlemen, 1807 | 32-33 | 2CL/VN, FL,BS/VC |
/33//353/1315-//1/3-4-5-6-//5-6-7-/1234/ / |
2/4 | Convention, Franch Contre-Dance Call convention (t) | AM-A | Duport MS-1, 1780 | 12 | VN |
//33353/1+353//22262/2+262//33353/1+353 | C/ | Walton Bridge (t) | DA-E | Johnson CD-8, 1758 | 18 | VN/GF |
//33/353//22//2//33/353 | 6/8 | Merry Girls of Maidstone (t) | DA-E | Johnson CD-8, 1758 | 75 | VN/GF |
//33/353//22/2//33/353 | 6/8 | Merry Girls of Maidstone (t) | DA-E | Thompson CD-1, 1757 | 57 | VN/GF/OB |
//33/353//22/2//33/353// | 6/8 | Merry Girls of Maidstone (t) | DA-E | Thompson CD-1a, 1757 | 59 | VN/GF/OB |
//33/353//22/2//33/353// | 6/8 | Merry Girls of Maidstone, The (t) | DA-E | Universal Magazine | 1:181, 1755 | MI |
//33/353//22/242//1/2342 | C | Sir Willm Clarks Troop (t) | IC-I | Holden Marches, 1795 | 10 | VN,PF |
//3335//32345//6223//212//35321//6-5-6-1 2// |
3/4 | Lochaber No More (t) | AM-A | Hoff MS, 1797 | No. 108 | GF |
//3/335//32/35//1+1+1+/1+1+2+3+ | Second Troop of Gards (t) | AM-A | Wilson MS, 1782 | 8R | FL/OB | |
//3335//3235//6653//235//6531 | 3/4 | Lord Ronald My Son (t) | SC-S | Scots MM-4, 1792 | 337 | VO,PF |
//33/35//33/35//33/35 | 6/8 | Jovial Midshipman, The (t) | AI-A | Blake Amus 3, 1825 | 12 | CL |
//333/5//3353/1//33333/5// | C/ | Battell, The. the trumpetts (t), or Trumpetts, The (at) | MS-E | Nevell MS, 1591 | 24-25 | VI |
//3/33//5//33/53//1//333/33//5// | C/ | Battle, The. the trumpets (t), or Trumpets, The (at) | MS-E | Rogers MS, 1656 | 27-28 | VI |
//333//53//4542//331//7- | 3/8 | Lesson 18 (t) | AI-A | Linley Asst-1, 1796 | 14 | PF |
//33/3542//112/1234//5353/6543 | C/ | Surry Hornpipe (t) | AI-A | Riley Flute 1, 1814 | 86 | FL |
//33/3542//112/1234//5353/6543 | C/ | Surry Hornpipe (t) | AI-A | Williams Fife, 1826 | 24 | FI |
//33/35//42/232//11/13 | 2/4 | Amour Est Un Enfant, L' (t) | IC-F | Bonjour Recueil, 1800 | 1:7 | VN/FL |
/33//35/4231//7-6-5-/11//235/ | C/ | Leopoldine, La (t) | DA-N | Trappeniers Recueil, 1780 | 16-17 | VN,B |
//3/3//3/5432//1/1 | 2/4 | Conquest of Belgrade, The. Commencement (t) | IC-E | English Sheet Music | HA/PF | |
//33/35//43//21/23 | 2/4 | Savoyards, Les (t) | DA-E | Thompson CD-6.2, 1790 | 17 | MI |
//333/543//2123/2//444 | C/ | Rondo Moderato (t) | AM-A | Hiester MS-1, 1793 | 74-75 | HA |
//333/543//2123/2//444/654 | C | Duett No.12 (t) | AM-A | Curtiss MS, 1800 | 16-17 | 2VN |
//333//543//212//4-6-2342////642 | 3/4 | Duetto (t) | AM-A | Curtiss MS, 1800 | 128-29 | 2VN |
//33/35432//15-25-/34325-//33 | C/ | Allegro Con Spirito (t) | AM-A | Hiester MS-1, 1793 | 77-79 | HA |
/33//3543/217-1//2/3453//1231/6-7-// | 2 | Vacances, Les. Contredanse Nouvelle (t) | DA-F | LaCuisse Rep CD LC-3, 1765 | 67 Feuille 3. Vol | KB |
//33/35//4321/7-127-5-//15-321/25-432 | C | Tamborin Dance (t) | DA-E | Skillern CD, 1780 | 9 | VN/GF/OB |
//333/543//222/234//543/432 | C | From the Man Whom I Love (t) | AM-A | Beck MS, 1786 | 13 | GF |
//333/543//222/234//543/432 | C | Favourite Song, A (t) | SC-E | Clio-1, 1758 | 94 | VO,HAF |
//333/543//222/234//543/432 | C | Balance a Straw (t) | AM-A | Pomeroy MS, 1790 | 19 | 2GF |
//333/543//222/234//543/432 | C | From the Man Whom I Love (t) | SS-E | SS, Huntington-1 | 49 | VO,KBF+GT |
//333/543//222/234//543/432// | C | From the Man Whom I Love (t) | IC-E | Thorowgood Guitar, 1763 | 9 | GT |
//333/543//222/234//543/432// | C | My Masters & Mistresses (t) | AM-A | White, G. MS, 1790 | 77 | 2 VN |
//333/543//222/234//543/432//1 | C/ | Ballance a Straw (t) | DA-E | Rutherf CD-2.2, 1760 | 14 | MI |
//333/543//222/234//543/432//1 | C | Favourite Song, A (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//333/543//222/234//543/432//3343 | C | Medley-5. Chorus (t) | TW-E | Love/Village, 1795 | 21-23 | VO,HA |
//33/3543//22/24//3543/2432 | Ballance, A Straw (t) | MS-E | Hammersley MS, 1790 | 102 | MI | |
///3//3/3543//2/3 | 2/4 | Dream, The (t) | AI-A | Riley Flute 4, 1826 | 47 | FL |
//33/35//4323/112//33/44//3/2 | 2/4 | When Cupid Holds the Myrtle Crown (t) | SC-S | Edinburgh MM-2, 1793 | 200-201 | VO |
//33/354//33/323//43/43 | C | Royal Soldier, The (t) | AI-A | Fifer's Comp, 1805 | 16 | 2FI |
/33//3/5//43/43//2/ | 2/4 | Folles, Les (t) | DA-N | Trappeniers Recueil, 1780 | 26-28 | VN,B |
/33//35/434//35/1+3+1+//77/2+7// | 6/8 | Batteurs en Grange, Les. Contredanse Française (t) | DA-F | Bouin CD LC-1, 1780 | 44 Feuille, 2 Vol. | MI |
//3335/4344//3 | C/ | Air 44 (t) | BA-E | Fashionable, 1730 | 59 | VO |
//3335/4344//35//5311/4321//21/3335 | C | Air 6 (t) | BA-E | Cobler's Op-2, 1729 | T13M2 | VO |
//333/5434//555/5345//6/1+767 | C/ | Fusilier Marche a 88 Schritte In der Minutte (t) | IC-G | Bavarian March, 1807 | 38 | 2FI,DR |
//33/35//44/43//22/24 | C/ | Away with Melancholy (t) | IC-I | Logier Bugle, 1813 | 19 | 2BU |
//33354/5335//4441+7/1+445//61+/765453 | C/ | Green Grows the Rashes a Reel (t) | MS-S | Gillespie MS, 1768 | 91 | VN |
//33/3546//51/11//123/234// | 2/4 | Luck March [?] (t) | MS-S | Miller, J. MS, 1798 | 27 | FI |
//33/3546//51/13//24/35// | C/ | Belfast Vollentears (t) | MS-S | Fife MS, 1780 | 933,99r | 1FI OR 2FI/VN |
//333/55//1+2+1+/3+1+//111/22 | 6/8 | Little Boy Blew (t) | AI-A | Musical Jnl-1, 1800 | I,20 | 2FL/2VN/2VO ; FL/VN//VO |
//333/55//1+2+1+/3+1+//111/22 | 6/8 | Little Boy Blew (t) | AI-A | Musical Jnl-2, 1800 | I,20-21 | 2VO/PF |
//333/555//1+11/1456//5543/4432 | C/ | March & Quick Step (t) | AI-A | American Sheet Music | 1 | PF |
//3-3-3-/5-5-5-//1/3//3224/4335 | C/ | Marche (t) | MS-G | Darmstadt MS 1223 | 4CL,2HN,2TR,BS | |
//3-3-3-/5-5-5-//1/3-//3-2-2-4-/4-3-3-5- |
C/ | Marche (t) | MS-G | Darmstadt MS 1224 | 376 | HA |
//333/555//22/23//444/222 | 2/4 | Zorade In the Tower (t) | TW-E | Mountaineers, 1793 | 10 | KB |
//3/33//5/55//5/22 | 2/4 | Oh Why Should the Girl of My Soul Be In Tears (t) | AI-A | Paff Amus 2, 1812 | 17 | FL/VN |
//3/33//5/55//5/22 | 2/4 | Oh Why Should the Girl of My Soul Be In Tears (t) | AI-A | Riley Flute 1, 1814 | 19 | FL |
//333/57-//11/3//45/6421 | C | Romance (t) | MS-E | Band Scores MS, 1820 | 14r-16v | BAND(15 PARTS) |
/33//36/12//36-/33//36/ | 6/8 | Billiets Doux, Les (t) | IC-F | Leclerc Recueil-3, 1738 | 139 | HAF |
//333/61//43/22//54/3217-1234//54534342 | C | One only joy mankind can know (fl) | TW-E | Judgment/Paris, 1745 | 55-57 | 2VN,VA,VO,KBF |
//33/365//43/33//22/261 | 6/8 | Trio (t) | IC-E | Bremner Airs, 1761 | 69 | 2VN/GF,B |
//33/365//43/33//22/261 | 6/8 | Trio (t) | IC-E | Preston Marches, 1804 | 69 | 2GF/VN,VC/PF |
//33/365//43/33//22/261 | 6/8 | Trio by Handel (t) | AM-A | Psalmody MS, 1798 | 35 | MI |
//333//65//434234//55//543//321 | 3/8 | Waltz (t) | IC-S | Pandean Coll 1, 1810 | 5 | PF |
//3/33/65/44/3//5/ | C/ | Psal.51 (t) | IC-E | Playford Skill, 1674 | 84 | 2VO |
//3/33//66//7/6//5 | C | Trio (t) | TW-E | Enchanted Cas, 1787 | 6-7 | 3VO,KB |
//3/3//3/6-//7-122/2217-// | 2 | Chapeliere, La (t) | IC-F | Leclerc Recueil-3, 1738 | 150 | HAF |
//33//36-7-//17-6-//3 | 3 | Power of Beauty, The (t) | SC-E | Pills 6, 1719-20 | 196 | VO |
//3/33/676/1+76//55/565/43/342 | 12/8 | Two Favourite Songs,1 (t) | SC-E | Clio-3, 1762 | 131 | VO,HA |
//333/676/1+76//55/565/43/342//3 | 12/8 | Let Me Wander (t) | SS-E | SS, New York PL-C694 | 17 | VO,HA |
//33/37-//17-6-/6-//534/54323// | C/ | Vocal Lesson. Must Your Fair Inflaming Eye (t), or Must Your Fair Inflaming | MS-E | Rogers MS, 1656 | 94 | VI |
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