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| Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
| //3321/1121//6-5-/3-5-//6-5-6-7-1/212 | 6/4 | #63 (t), or Little and Great Mountain, The (at) | IC-E | Bunting, 1796 | 35 | PF |
| //3321//1121//6-5-//3-5-//6-5-6-7-1//212 // |
3 | Cuckoo (t) | IC-I | Neal's Irish Tunes, 1724 | 14 | VN/GF/OB |
| //332/111//5-5-5-/22//321/11// | C/ | New Dance In the Play of the Marriage-Hater Match'd, A (t) | IC-E | Apollo's Banquet 1-7, 1693 | 79 | VN/FL |
| //33/211//2123/123//43/21//2 | C | Roast Beef Cantata, The. Air 1 (t) | SS-E | SS, Harvard | 1-4 | VO,KBF |
| //332/112//1353/27-5-//332/112 | 2/4 | Marry Dance (t) | AM-A | Akerman MS, 1795 | 74 | MI |
| /33//21/12//1/55//43/34// | 2/4 | Boullongne, La. Contredanse Française (t) | DA-F | Bouin CD LC-1, 1780 | 78 Feuille, 3 Vol. | MI |
| //332/11//22/31//332/11// | C/ | Rossians Dream with Variations (t) | AM-A | Irving MS, 1796 | 112-113 | 2 MI |
| //332/11//22/31//554/33 | C | Rosseau's Dream (t) | AI-A | Riley Flute 3, 1820 | 62 | FL |
| //332/11//22/31//554/33// | C | Rousseaus Dream (t) | AM-A | White, G. MS, 1790 | 110-111 | VN, B |
| //3321//12312//3321//123127-//17-//6-5-6 -4-5-6- |
3/4 | Menuet (t) | MS-G | Darmstadt MS 1224 | 119-38 | 2OB,2HN,B |
| //3-3-/2-//1-1-/2-//3-1-3-5-/3-1-3-5- | 2/4 | Second Troop of Horse Grenadiers March, The (t) | IC-E | Handel March 2, 1770 | 4 | VN/GF/OB |
| //33/2//11/2//3135/3135// | 2/4 | 2d Troop of Horse Grenadiers March, The (t) | IC-E | Longman March 3, 1770 | 6 | 2VN/OB/GF, 2HN, B |
| //33211231//42242//311217-123//2217-7-6- 5-7-12////33211231// |
3/4 | Madam Hillisberg's Dance (t) | AI-A | Balls Amus 2, 1815 | 2 | FL/FI/VN |
| //33211231//42242//311217-123//2217-7-6- 5-7-12 |
3/4 | Paul and Virginia (t) | DA-E | Thompson CD-7.2, 1798 | 15 | MI |
| //33211231//42242//311217-123//2217-7-6- 5-7-12//33211231//42242// |
3/4 | Dance In Paul & Virginia (t) | AM-A | Winnington MS, 1810 | 3-[3a] | KB |
| //33211231//42242//33211231//2217-7-6-5- 7-12//33211231//42242// |
3/4 | Polacca (t) | IC-E | Hyde Bugle, 1818 | 13 | BU |
| //332/1123//21/6-//17-6-/5-1 | C | Wantoness for Ever Mair (t) | IC-S | Aird 3, 1788 | 172 | FI/GF/VN |
| //332/1123//21/6-//17-6-/5-1 | C | Wantonness for Ever Mair (t) | SC-S | Scots MM-5, 1797 | 435 | VO,PF |
| //332//11234//545654//323432//332// | C3 | Minuet (t) | IC-E | Apollo's Banquet 1-6, 1690 | B62 | VN |
| //332//11234//545654//323432//332//11234 // |
3 | Minuet (t) | IC-E | Apollo's Banquet 1-7, 1693 | 64 | VN/FL |
| //3+3+2+//1+1351+//3+3+2+//1+12321//6471 //531+1+1+// |
3/4 | Quebec March (t) | IC-E | Longman March 3, 1770 | 15 | 2VN/OB/GF, 2HN, B |
| //3/32//1/1//4/43 | 2/4 | Shellpot-Hill Quick Step (t) | AI-A | Camp Dupont, 1816 | 15 | 2GF/FI/VN,PF |
| //3321//15-1//7-6-5-4-//4-3- | 3/8 | Moment Aurora, The (t) | SC-S | Edinburgh MM-1, 1792 | 104-105 | VO |
| //3+3+2+1+//1+51+//7654//435 | 3/8 | Song 139 (t), or Hark Away (at) | SC-E | Calliope, 1788 | 262-263 | VO |
| //332//11+6//556//554//332//11+// | 3/4 | German Volty, The (t) | MS-S | Fife MS, 1780 | 440,45v | 1FI OR 2FI/VN |
| //332/11+7//654/42+1+//767/567// | 6/8 | Clotho, La. No. 10 (t) | AI-A | Augustus Cots, 1805 | 5 | PF |
| //332//11+76//554 | 3/8 | New German Waltz, The (t) | IC-S | Aird 6, 1803 | 25 | FI/VN/GF |
| //332//11+76//554//554//3 | 3/8 | Six Favorite German Waltzen-5 (t) | AI-A | Musical Jnl-1, 1800 | II,28 | FL/VN |
| //332//11+76//554//554//3 | 3/8 | Six Favorite German Waltzen-5 (t) | AI-A | Musical Jnl-2, 1800 | II,26-28 | PF |
| //332//11+76//554//554//332 | 3/8 | German Waltz (t) | AI-A | Riley Flute 1, 1814 | 23 | FL |
| //332//11+76//554//554//332//11+ | 3/8 | German Waltz (t) | AI-A | Balls Amus 1, 1815 | 3 | FL/FI/VN |
| //332//11+76//554//554//332//11+ | 3/8 | German Waltz (t) | AM-A | Beach MS, 1801 | 24 | MI |
| //332//11+76//554//554//332//11+// | 3/8 | New German Waltz (t) | IC-E | Cahusac Flute, 1798 | 25 | FL |
| //332//11+76//554//554//332//11+ | 3/8 | New German Waltz (t) | IC-E | Goulding Clar, 1803 | 12-13 | CL |
| //332//11+76//554//554//332//11+// | 3/8 | New German Waltz (t) | AM-E | Wheatstone Clarinet, 1801 | 71 | 2CL |
| //332/117-//6-5-5-55//5654/32//311 | C | Colonel Heath's March (t) | AI-A | American Sheet Music | KB | |
| //332/117-//6-5-6-7-/17-6-//5-1/7-123 | C/ | Post Captain, The (t) | AI-A | Blake Amus 2, 1824 | 5 | CL |
| //332/117-//6-5-6-7-/17-6-//5-1/7-123 | C | Post Captain (t) | AI-A | Paff Amus 1, 1812 | 20 | FL/VN |
| //33//2//11//7-//6-6- | 3/4 | Welch Grounds (t) | AM-A | Van Renssel. MS, 1782 | I,22-24 | KB |
| //332/117-//6-6-5-/5-1//23/43 | 2/4 | Governor Eustis's Quick Step (t) | AI-A | American Sheet Music | KB | |
| //33/212//11/123//424/313 | 6/8 | Jersey Blue (t) | AI-A | Ashton Clar, 1825 | 19 | CL |
| //33/212//11/123//424/313 | 6/8 | Jersey Blue (t) | AI-A | Firth Cl, 1832 | 19 | CL |
| //33/212//11/123//424/313 | 6/8 | Jersey Blue (t) | AI-A | Riley Flute 3, 1820 | 94 | FL |
| //33/212//11/123//44/323 | 6/8 | Rondo No 1 (t) | AM-A | Hosmer MS, 1799 | 7 | GF |
| //3-3-/2-12-//1-1-/1-2-3-//4-4-/4-3-4-// 2-2-/2-3-4- |
6/8 | Wish to Please (t) | AM-A | Beach MS, 1801 | 70 | MI |
| //3/3212//112/12//3/3212 | C/ | Marche des Volontaires de Saxe (t) | MS-G | Darmstadt MS 1224 | 387 | HA |
| //33/212//1/123//23/43//2 | 6/8 | Battle of Gemmappe, The. Fanfare (t) | AI-A | American SS-SM | 11-13 | PF |
| //33/212//1/123//43/321 | 6/8 | Il Faut Donc (t) | IC-F | Bonjour Recueil, 1800 | 4:7 | VN/FL |
| //33/212//1/15//53/66 | 6/8 | Hope Told a Flatt'ring Tale (t) | IC-I | Logier Bugle, 1813 | 26 | BU |
| //3+3+/2+1+2+//1+/53//434/654// | 6/8 | Luxilier, La. 2d. Set (t) | AI-A | Cotillion Party, 1818 | 11 | VN/GF/ PF |
| //33212/15-//55434/32//165/55 | C | Love In Trouble (t) | AI-A | Riley Flute 1, 1814 | 33 | FL |
| //33/212//1/55//65/43 | 6/8 | Rinaway Bride, The (t) | SC-S | Scots MM-5, 1797 | 488 | VO,PF |
| //3+3+/2+1+2+//1+/565//565/565//5 | 6/8 | When you shall hear the sound of joy (fl) | TW-E | Pirates, 1792 | 84 | VO,KB |
| //33/21//22/13//532123/1// | 2/4 | Nous nous aimons de L'Enfance, a French air (t) | MS-C | Molyneaux MS-1, 1788 | 42 | GF |
| //3321//221//4321 | 2/4 | Twy-Light (t) | DA-E | Thompson CD-5, 1788 | 7 | VN/GF/OB |
| //33/21//22/1//43/21// | 2/4 | Twy-light (t) | DA-E | Thompson CD-5a, 1788 | 7 | VN/GF/OB |
| //33/21//22/1//43/21//217-6-/5- | 2/4 | Twilight (t) | DA-E | Bride CD, 1776 | III,88V | VN/OB/GF |
| //33/21//22/23//43/3217- | C | Thine Am I My Faithful Fair (t) | AI-A | Riley Flute 2, 1817 | 40 | FL |
| //3/321//22/254//321/217- | 6/4 | Joans Placket (t) | DA-E | Thompson CD-2, 1765 | 91 | VN/GF/OB |
| //3/321//22/254//321/217-// | 6/4 | Joans Placket (t) | DA-E | Thompson CD-2a, 1765 | 91 | VN/GF/OB |
| //3/321//22/254//321/217- | 6/4 | Joan's Placket (t) | DA-E | Walsh CD-1.1, 1718 | 43 | VN/OB/FL |
| //3/321//22/254//321/217- | 6/4 | Joan's Placket (t) | DA-E | Walsh CD-2.1, 1731 | 15 | VN/OB/GF/RC |
| //3/321//22/254//321/217- | 6/4 | Joan's Placket (t) | DA-E | Walsh CD-3.1, 1754 | 34 | VN/OB/GF |
| //3/321//22/254//321/27-5-//1 | C3 | Joan's Placket (t), or #11 (at) | PL-E | Playford 1-07, 1686 | AI,5 | VN |
| //3321//2232//1123//5-17-//6-5-3-4-// | C3 | In a Desert In Greenland (t) | IC-E | Apollo's Banquet 1-5, 1687 | B14 | VN |
| //3321//2232//1123//5-17-//6-5-3-4-// | C3 | In a Desart In Greenland (t) | IC-E | Apollo's Banquet 1-6, 1690 | B15 | VN |
| //3321//2232//1123//5-17-//6-5-3-4-//5-6 -7-// |
3 | In a Desart In Greenland (t) | IC-E | Apollo's Banquet 1-7, 1693 | 46 | VN/FL |
| //3/321//2/2//32/33//45/4321// | C/ (4/2) | Pavana (t) | MS-E | Fitzwilliam MS-2, 1609 | 384-386 | VI |
| //33/2123//111/15-2//445/334 | C | Battle of New Orleans, The. British March (t) | AI-A | American Sheet Music | PF | |
| //33/2123//1//11/5-5-//33/2123//1 | C | Song 35 (t), or Rosary, The (at) | AI-A | American MM, 1798 | 98-99 | VO |
| //33/2123//11/5-5-//33/2123 | C | Cheering Rosary, The (t) | AI-A | American SS-SM | 1-2 | KB,VO+FL |
| //33/2123//11/5-5-//33/2123 | C | Cheering Rosary (t) | AI-A | Riley Flute 1, 1814 | 30 | FL |
| //33/2123//11/5-5-//33/2123//1 | C | Rosary, The (t), or Ballad, A (at) | TW-E | Midnight Wand, 1793 | 20-21 | VO,KB |
| //33/2123//11/5-5-//33/2123//1 | C | Rosary, The (t), or Ballad In the Midnight Wanderers, A (at) | AI-A | Musical Rep-1, 1796 | 8 | VO,KB |
| //332//123//143 | 3/4 | Song for Three Voices, A (t) | SC-E | Clio-2, 1759 | 200 | 3VO |
| //332//123//143//221//6-217-//1 | 3/4 | Song for Three Voices, A (t) | SS-E | SS, Harvard | 1 | 3VO,KBF |
| //33/2123//15-/15//65/1+3 | 2/4 | 3d(camperdown) Medley Dance, In Seven Parts.1st Part (t) | IC-S | Gibb New Coll, 1798 | 20 | PF/VN,VC |
| //3/3212//3/3//4/4654//43 | 2/4 | Kiss, The (t), or Favorite Song, A (at) | SS-E | SS, Harvard | 1 | 2VO,KB+GT |
| //332123/434543//6-7-123453/4565//345651 /2123232321232343434323// |
C/ (8/4) | Maske, A (t) | MS-E | Fitzwilliam MS-2, 1609 | 273 | VI |
| //33/21234//34/5671+//5654/32//1 | C | Captivity, A Ballad (t) | AI-A | American SS-SM | 1-2 | VO,KB+FL |
| //33/2123//44/3234//5671+/54 | 2/4 | Allemande (t) | IC-S | Stewart Airs, 1788 | 3:156 | GF/VN/FI |
| //332123//443//6656//43//32312 | 3/4 | Air (t) | IC-S | Stewart Marches, 1773 | 52-54 | 2VN/GF/OB,VC/HA |
| //33/2123//44/43//2642/12 | C | Amour Dans le Coeur, L' (t) | IC-F | Bonjour Recueil, 1800 | 1:4-5 | VN/FL |
| //332/1234//51+/5//35/13// | 2/4 | Gallop Dance (t) | AM-A | Bevens MS, 1825 | 53r | FI |
| //332/1234//51+5//35/13// | 2/4 | Gallop Dance (t) | AM-A | Bevens MS, 1825 | 68v | FI |
| //332/1234//554/43//531/531 | C | AM-A | Dawes MS, 1790 | 28 | HA | |
| //3-3-2-1-//3-1-1-//3-4-3-1-/3-3-4-//3-3 -2-1-/3-5-1 |
C | Dutchess of Buccleugh's Favourite, The (t) | AI-A | Blake Bassoon, 1826 | 10 | CL,BS |
| //33/21//345/21//7-12/36-7- | C3 | Adson's Saraband (t) | PL-E | Playford 1-08, 1690 | 23 | VN |
| //33/21//345/21//7-12/36-7-//17-6-/5-4- | 3 | Adsons Saraband (t) | PL-E | Playford 1-05, 1675 | 26 | VN |
| //33/21//345/21//7-12/36-7-//17-6-/5-4- | 3 | Adsons Saraband (t) | PL-E | Playford 1-06, 1679 | 26 | VN |
| //33/21//345/21//7-12/36-7-//17-6-/5-4- | Adson's Saraband (t) | PL-E | Playford 1-07, 1686 | 26 | VN | |
| /33//21/3456//51+/54//323/ | 2 | Cotillon (t) | IC-F | Leclerc Recueil-3, 1738 | 142 | HAF |
| //332/135//66/212//31+7/65 | C/ | Mary Queen of Scots Lament (t) | SC-S | Scots MM-5, 1797 | 417 | VO,PFF |
| //332/135//66/212//31+7/65//5 | C | Red Red Rose, Old Set (t) | SC-S | Scots MM-5, 1797 | 416 | VO,PF |
| //3/321//4/432//3/321 | 2/4 | Lady's Favourite, The (t) | DA-E | Johnson CD-4, 1748 | 2 | VN/GF |
| //3/321//4/432//3/321// | 2/4 | Lady's Favorite, No. 8 (t) | DA-N | Markordt 12 CD-1, 1775 | 11 | VN/GF |
| //3/321//4/432//3/321// | 2/4 | Lady's Favorite, No. 8 (t) | DA-N | Markordt 12 CD-2, 1775 | 11 | VN/GF |
| //33/21//44/32//33/21// | 2/4 | Gaillarde ou Ordinaire des Dames, La (t) | DA-N | St. Flour Contredanses, 1757 | 27 | KB |
| //3/321//4/432//3/321 | 2/4 | Lady's Favourite, The (t) | DA-E | Thompson CD-1, 1757 | 89 | VN/GF/OB |
| //3/321//4/432//3/321// | 2/4 | Ladies Favourite, The (t) | DA-E | Thompson CD-1a, 1757 | 88 | VN/GF/OB |
| //3/321//4/432//3/321// | 2/4 | Ladys favourite (t) | DA-N | Willsim Recueil, 1755 | 7 | MI |
| //3/321//4/432//3/321//7-2 | 2/4 | Lady's Favourite, The (t) | DA-E | Rutherf CD-2.1, 1756 | 19 | VN/GF/OB |
| //3/321//4/432//3/4321 | 2/4 | If You Had Been Where I Had Been (t) | IC-E | Caledonian PC, 1760 | IX,18-19 | GF/VN |
| /33//21/44//32/55//543/ | 6/8 | Neuvenne, La (t) | DA-F | Landrin Potpourri, 1785 | 46 | MI |
| /33//21/44//32/55//543/ | 6/8 | Joyeuse, La (t) | IC-F | Leclerc Recueil-2, 1737 | 123 | HAF |
| /33//21/44//32/55//543/ | 6/8 | Neuvaine, La (t) | IC-F | Leclerc Recueil-3, 1738 | 141 | HAF |
| //33/21//44/32//55//543 | 6/8 | Neuvenne, La (t) | IC-S | Stewart Airs, 1788 | 1:39 | GF/VN/FI |
| //3321//4434//55532//321 | 3/4 | Moderation and Alteration (t) | SS-E | SS, Harvard | 1 | VO,B |
| //332/15-//12/34//51/43 | C/ | Lower Iveagh Slow March (t) | IC-I | Irish Sheet Music | FI | |
| //33/21//5432/12//33/21 | 2 | Marche, La (t) | IC-F | French Ordinances | App.14 | OB/FI,DR |
| //33/21//5432/12//33/21// | 2 | Marche, La (t) | IC-F | Marguery Drum, 1774 | 14 | OB/FI,DR |
| //33/21//543//3//1-3-5-/1 | C | Spirit of my sainted sire (fl) | TW-E | Haunted Tower, 1789 | 62-64 | VO,KB |
| //332//15-//443 | 3/4 | Sixth Minuet (t) | AI-A | Instrum Asst-2, 1807 | 79 | 2MI,B |
| //332//15-//443//21232//332//15- | 3/4 | Minuet by Festin (t) | IC-E | Longman Horn, 1785 | 29 | 2HN |
| //332//15-//443//21232//332//15- | 3/4 | Minuet (t) | IC-E | Thompson Horn, 1755 | 18 | 2HN |
| //33/21//55/43//243/21 | 2/4 | Allemande de la Dot (t) | IC-F | Bonjour Recueil, 1800 | 5:5 | VN/FL |
| //3321//5543//654321 | 3/4 | Bonny Young Lad Is My Jockey, A (t) | IC-S | Aird 5, 1797 | 34 | FI/VN/GF |
| //3321//5543//654321 | 3/4 | Jockey (t) | SC-E | Clio-1, 1758 | 138 | VO,HA |
| //3321//5543//654321//24//32532 | 3/4 | Bonny Young Lad Is My Jockey, A (t) | IC-E | Caledonian PC, 1760 | IX,22 | GF/VN |
| //3321//5543//654321//24//34532 | 3 | Jockey (t) | SC-E | Muses Delight, 1754 | 84-85 | VO,HA |
| //3321//5543//654321//24//34532 | 3/4 | Jockey (t) | SS-E | SS, Folger-C42.3 | 158A | VO,KB+FL |
| //3321//5543//654321//24//34532 | 3/4 | Jockey (t) | SS-E | SS, Harvard | 1 | VO/GF,KB,B |
| //3321//5543//654321//24//34532 | 3/4 | Jockey (t) | SS-E | SS, Harvard | 1 | VO/GF,KB |
| //3321//5543//654321//24//34532 | 3/4 | Song 74 (t) | SC-E | Vocal Enchant, 1783 | 156-157 | VO |
| //332/15//5654/345//665/432//5 | C/ | Devil and the Collier, The (t) | SC-E | Pills 4, 1719-20 | 197-9 | VO |
| //332//15//643//32//117-//6-4 | 3/8 | Despairing Thyrsis (t) | SS-E | SS, Folger-C42.4 | 478 | VO,KB+FL |
| //332//15//643//32//117-//6-4//5 | 3/8 | Despairing Thyrsis (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
| //3321//6-17-5-1//3321//6-17-5-1 | 3/4 | Pompey Ran Away. Negroe Jig (t) | IC-S | Aird 1, 1782 | 57 | FI/VN/GF |
| //3321//6-17-5-1//3321//6-17-5-1//53421 | 3/4 | Pompey Ran Away (t) | AM-A | Kingsley MS, 1795 | I,29 | MI |
| //3321//6-5-3-//5-5-6-7-//112//35321 | 3/4 | Lude's Lament (t) | IC-E | Caledonian PC, 1760 | IX,3 | GF/VN |
| //33/21//65/43//23 | C/ | Pinks and Lillies (t), or Phillis at a Nonplus (at) | SS-E | SS, Folger-C42.4 | 253 | VO,KB+FL |
| //33/21//65/43//23 | C/ | Answer to Pinks and Lillies, The (t), or Damon Nonplus'd, (at) | SS-E | SS, Folger-C42.4 | 301 | VO,KB+FL |
| //33/21//65/43//234/7-1//2 | Air 11, Act Iii (t) | BA-E | Female Parson, 1730 | 53 | VO | |
| //33/21//65/43//23/7-1 | C/ | Pinks and Lillies (t) | DA-E | Walsh CD-2.3, 1735 | 165 | VN/OB/GF/CF |
| //33/21//65/43//23/7-1 | C/ | Pinks and Lillies (t) | DA-E | Walsh CD-3.3, 1749 | 155 | VN/OB/GF |
| //33/21//65/43//23/7-1//2 | C/ | Pinks and Lillies (t) | PL-E | Playford 3-2, 1726 | 121 | VN |
| //33/21//65/43//23/7-1//2 | C/ | Answer to Pinks and Lillies, The (t), or Damon Nonplus'd, (at) | SS-E | SS, Harvard | 1 | VO,B+FL |
| //33/21//65/43//23/7-1//2 | C/ | Pinks and Lillies (t), or Phillis at a Nonplus, (at) | SS-E | SS, Harvard | 1 | VO,B+FL |
| //33/21//65/43//23/7-1//2 | C/ | Pinks and Lillies (t) | DA-E | Walsh NCDM-3, 1728 | 121 | VN/OB/FL |
| //332/16-//5-4-3-4-/5-5//671+7/6543 | C | Siege of Tripoli, The. Marine March (t) | AI-A | American Sheet Music | PF | |
| //332/16-5-//5-6-1/22//332/16-5- | C | Groans of the Wounded (t) | IC-S | Aird 4, 1796 | 16 | FI/GF/VN |
| //332/16-5-//5-6-1/22//332/16-5-//5-6-7- |
C | Battle Piece-5 (t), or Groans of the Wounded (at) | TW-E | Oscar & Malvina, 1791 | 26 | KB |
| //3/32//16-/6-1//5-5-/13 | 2/4 | Oft In the Stilly Night (t) | AM-A | Canfield MS, 1823 | 128 | FL |
| //3/32//16-/6-1//5-5-/13 | 2/4 | Oft In the Stilly Night (t) | AM-A | Kingsley MS, 1795 | II,4 | MI |
| //3/32//16-/6-1//5-5-/13 | 2/4 | March to the Battlefield (t) | AI-A | Riley Flute 4, 1826 | 45 | FL |
| //3/32//16-/6-1//5-5-/6-1 | 2/4 | March to the Battlefield (t) | AI-A | American Sheet Music | VO,KB | |
| //332/16-6-7-//1321/7-5-5-//332/16-65 | C/ | Lauchlan's Lilt (t) | IC-E | Caledonian PC, 1760 | X,16 | GF/VN |
| //332//16-7-1//22321//7-5-//13457//1+6 | 3/4 | Sollatary Air (t) | AM-A | Curtiss MS, 1800 | 118 | 2VN |
| //332//16-7-1//22321//7-5-3-5-//113567// 1+6 |
3/4 | Solitary Air (t) | AM-A | Trumbull MS, 1801 | b:5r | MI |
| //332//17- | 3/2 | Pool (t) | AM-A | Akerman MS, 1795 | 11 | 4VO/4MI:SA(T)B |
| //33/217-//11/15//33/217-//11/15-// | 6/8 | Victoire, La (t) | DA-E | Gallini Cots, 1770 | 5 | KB |
| //33/21//7-1/25-//11/6-2 | C/ | Sebell (t) | IC-E | Walsh Oboe, 1715 | 23 | OB |
| //33/21//7-1/254//33/322// | C/ | Spagnioletta. 3 (t) | MS-E | Fitzwilliam MS-1, 1609 | 199-201 | VI |
| //33/217-//131/5-5-//6-7-1/234 | 6/8 | Trip to Bagshot, A (t) | DA-E | Thompson CD-6.5, 1793 | 50 | MI |
| //332//17-1//56543//223//4234 | 3/4 | Second Part of the South Sea Ballad, The (t) | SS-E | SS, Folger-C42.3 | 393 | VO,KB+FL |
| //33/217-//15-6-/5-5//531+/643 | 6/8 | Welcome the Nation's Guest. Andante Pastorale (t) | AI-A | American Sheet Music | PF | |
| //33/217-1//6-6-/11//22/645// | 2/4 | 6. First set (t) | AI-A | Paff Cots-1, 1811 | 4 | PF |
| //3+3+2+1+7//1+76543//424//61+5//345 | 3/4 | New Drinking Song, A (t) | SS-E | SS, Folger-C42.3 | 399 | VO+FL |
| //332//17-6-//427-//5-6-//22 | 3/4 | Rinaldo (t) | SS-E | SS, Folger-C42.1 | 77-78 | MI,VO,KBF |
| //33217-6-7-//12212//34545323//222//2217 -6-5-6-// |
C 3-1 | Courant (t) | MS-E | Rogers MS, 1656 | 43 | VI |
| //332/17-//6-7-/5-27-//1234 | C | Address to Vulcan, An (t) | SS-E | SS, Folger-C42.3 | 385 | VO,KB+FL |
| //332/17-//6-7-/5-7-//1234 | C | Address to Vulcan, An (t) | SC-E | Calliope, 1746 | II,33 | VO,B+FL |
| //332/17-//6-7-/5-7-//1234/23 | C | Address to Vulcan, An (t) | SC-E | Muses Delight, 1754 | 191 | VO,HA |
| //332/17-//6-7-/5-7-//1234/23 | C | Song 37 (t) | SC-E | Ritson, 1783 | TII,39-40;MIII,210 | VO |
| //3321/7-7-//3321/7-7-//5543/332// | C/ (8/4) | Duke of Brunswick's Alman, The (t) | MS-E | Fitzwilliam MS-2, 1609 | 146-147 | VI |
| //33/21/7-//7-6-/6-5-/3// | 3 | Because of the Traitor I Die (t) | DA-F | Arbeau Orchesography, 1589 | 99 | DR/MI |
| //33/22//11/165//44/33// | 6/8 | Franch Cotillion (t) | AM-A | Duport MS-1, 1780 | 32 | VN |
| //3/3221//1/17-7-6-//6-1/7-3 | C | Dead March (t) | AI-A | Bacon Marches, 1816 | 13 | MI |
| //33/22//112/15//33/22 | 2/4 | Quick Step 1 (t) | IC-E | Giordani March, 1780 | 1 | HA/PF |
| //33/22//11/22//3432/1234//5 | 2/4 | Lesson 17 (t) | AI-A | Linley Asst-1, 1796 | 13-14 | PF |
| //33/22//11/22//345/671+ | 6/8 | Nations Guest, The (t) | AI-A | American Sheet Music | PF | |
| //3+3+/2+2+//1+1+/5//1+1+/2+2+// | 2/4 | Andante (t) | IC-F | Buhl Trumpet, 1825 | 41 | 2TR |
| //33/22//1/17-217-6-//5-6-5-/4-3-// | 6/8 | District, The-Cotillion 1810 G. Town No.46 (t) | AM-A | Duport MS-1, 1780 | 43, 44 | VN |
| //33/22//121//7-5-/6-7- | 2/4 | Return Quick Step, The (t) | AI-A | Riley Flute 2, 1817 | 33 | FL |
| //33/22//12//32/1234//5/554 | 2/4 | Rotunda, The (t) | AI-A | Riley Flute 3, 1820 | 17 | FL |
| //33/22//123//44/33//234 | C/ | Siege of Valenciennes, The. The French Garrison March Out (t) | IC-E | English Sheet Music | PF | |
| //33/22//123//44/335//212 | 2/4 | Aria Paisans (t) | MS-G | Darmstadt MS 1224 | 119-38 | 2OB,2HN,B |
| //33/22//1234/53//43/21 | C | Shelburne C. M. (t) | AM-A | Dean MS, 1800 | II.3-4 | VO |
| //332//21//4434//21//4434//21 | 3/4 | Minuet (t) | IC-E | Simpson Horn, 1745 | 11 | 2HN |
| //33/221//44/432//12/3452 | 2/4 | Irish Howle, The (t) | PL-E | Playford 3-2, 1726 | 98 | VN |
| //33/22//1/5-13//55/66 | 2/4 | Haydn's Favorite (t) | IC-E | Astor Oboe, 1800 | 18 | OB |
| //33/22//1/5-13//55/66 | 2/4 | To Sigh Yet Feel No Pain (t) | AM-A | Beach MS, 1801 | 82-83 | VO,KB |
| //33/22//1/5-13//55/66 | 2/4 | Haydn's Favorite (t) | AI-A | Blake Amus 2, 1824 | 15 | CL |
| //33/22//1/5-13//55/66 | 2/4 | R. d'Haydn (t) | IC-F | Bonjour Recueil, 1800 | 1:7 | VN/FL |
| //33/22//1/5-13//55/66 | 2/4 | Haydn's Celebrated Movement (t) | AM-A | Commonplace MS, 1809 | 4V | CL/FL |
| //33/22//1/5-13//55/66 | 2/4 | Celebrated Movement of Heydn (t) | AM-A | Curtiss MS, 1800 | 8-9 | 2VN |
| //33/22//1/5-13//55/66 | 2/4 | Air by Haydn (t) | AI-A | Glazier Fife, 1830 | 14 | FI |
| //33/22//1/5-13//55/66// | 2/4 | Haydns Favorite Air (t) | IC-E | Goulding Cello, 1799 | 16-17 | VC |
| //33/22//1/5-13//55/66 | 2/4 | Woman of Canaan, The (t) | AM-A | Marchant MS, 1783 | 84-85 | VO,KB |
| //33/22//1/5-13//55/66 | 2/4 | Haydn's Favorite Air (t) | IC-E | Preston Clar, 1797 | 28 | 2CL |
| //33/22//1/5-13//55/66 | 2/4 | Haydn's Andante (t) | AI-A | Riley Flute 1, 1814 | 32 | FL |
| //33/22//1/5-13//55/66 | 2/4 | Adeiu My Charming Fair (t) | AI-A | Riley Flute 2, 1817 | 16 | FL |
| //33/22//1/5-13//55/66 | 2/4 | Haydn's Favourite Air (t) | IC-E | Thompson Clar, 1785 | 31 | 2CL |
| //33/22//1/5-13//55/66// | 2/4 | Hayden's Celebrated Slow Movement (t) | AM-A | Washburn MS, 1816 | 16 | 2GF |
| //3322//15-13//5566//25-2//4433//2 | 2/4 | Air by Haydn (t) | AI-A | Evening Amuse, 1796 | 23 | GF/VN |
| //33/22//1/5-15//55/66 | 2/4 | Haydn's Celebrated Andante for the Piano Forte (t) | AI-A | Reinagle Fav, 1789 | 13-14 | PF/HA |
| //33/22//1/5-1//55/66 | 2/4 | Adieu My Charming Fair (t) | IC-E | Astor Guitar, 1800 | 25 | VO,GT |
| //33/22//1/5-1//55/66 | 2/4 | Haydn's Favourite Air (t) | IC-E | Preston Oboe, 1780 | 32 | 2OB |
| //33/22//1/5-17-//6-7-1/232 | C | Reveille du Peuple, Le (t) | IC-F | Bonjour Recueil, 1800 | 3:3 | VN/FL |
| //33/22//1/5-//5-/11//33 | 2/4 | If miser bid to have & hold me (fl) | TW-E | No Song No Sup, 1790 | 28-29 | VO,HA/PF |
| //33/22//1/5//51/66 | 6/8 | Hope Told a Flattering Tale (t) | AI-A | Riley Flute 3, 1820 | 13 | FL |
| //33/22//1/5//53/66 | 6/8 | Hope Told a Flatt'ring Tale (t) | AI-A | Ashton Clar, 1825 | 28 | CL |
| //33/22//1/5//53/66 | 6/8 | Hope Told a Falt'ring Tale (t) | AM-A | Eells MS, 1789 | 113 | MI |
| //33/22//1/5//53/66 | 6/8 | Hope Told a Flat'ring Tale (t) | IC-E | Goulding Fife, 1790 | 21 | FI |
| //33/22//1/5//53/66// | 6/8 | Hope Told a Flattering Tail (t) | IC-E | Hyde Bugle, 1818 | 22 | FL,2BU,B |
| //33/22//1/5//53/66// | 6/8 | Hope Tels a Flattering Tale (t) | AM-A | Washburn MS, 1816 | 18 | 2GF |
| //33/22//1/5-6-1//77/1+1+ | 2/4 | Haydens Celebrated Slow Movement (t) | AM-A | Allen, Joel, MS, 1800 | 15R | MI |
| //3/3221//6-4//4332/2117-//1 | 2 | TW-E | Elopement, 1768 | 11 | 2FL,HAF | |
| //33/22//1/6//5432/17- | 2/4 | Andante (t) | MS-E | Band Scores MS, 1820 | 11r-14v | BAND(15 PARTS) |
| //3/32//21/6-5-//5-/6-1 | 2/4 | Maid of Selma, The (t) | SC-S | Scots MM-2, 1788 | 119-120 | VO,PFF |
| //332/216-5-//5-6-1/12//332/16-5- | C | Highland Battle, The. The Death of the Chief (t) | IC-S | Scottish Sheet Music | KB | |
| //3/32//21/6-5-//5-/6-1//2 | 2/4 | Maid of Selma, The (t), or Favourite Scoth Song, A (at) | SS-E | SS, Harvard | 1 | VO,B+GT |
| //33221//7-5-117-//6-6-7-127-7-//11554// 33451+658// |
C3 | Seranade, A (t) | IC-E | Apollo's Banquet 1-6, 1690 | A67 | VN |
| //3+3+2+/2+1+7//76/66//51+1+/71+71+// | C | Place In Thy Memory Dearest, A (t) | AI-A | Johnson, F. Sheet Music | 2 | PF |
| //332/221//12/117-//7-7-/13 | 2/4 | To Love Thee Night and Day Love (t) | AI-A | Riley Flute 3, 1820 | 74 | FL |
| //33/22//2/5-13//55/66//2 | 2/4 | Overture. Andante (t) | AI-A | American SS-SM | 6-7 | KB |
| //332/235//653/232//32321/1235 | C | Musing on the Roaring Ocean (t) | SC-S | Scots MM-2, 1788 | 187 | VO,PF |
| //3/3+//2/2+//543/42// | C/ | Hail, Hail, to Thy Living Light (t) | AM-A | Irving MS, 1796 | 72-73 | 2 MI |
| //3/3+//2/2+//543/42//3 | C/ | Duet In Elfrida (t) | IC-E | Longman Pb, 1778 | 44-47 | VO/GF |
| //3/323//1/12//3/323 | 6/8 | I Should Very Much Like to Know (t) | AI-A | Riley Flute 4, 1826 | 37 | FL |
| //3/3//2312/7-6-//12/345 | C/ | New New Nothing (t) | PL-E | Playford 1-06, 1679 | 86 | VN |
| //3/3//2312/7-6-//12/345 | C/ | New New Nothing (t) | PL-E | Playford 1-08, 1690 | 93 | VN |
| //3/3//2312/7-6-//12/345//6 | C/ | New New Nothing (t) | PL-E | Playford 1-07, 1686 | 86 | VN |
| //3/3//2312/7-6-//12/345//63/21 | C/ | New New Nothing (t) | PL-E | Playford 1-01, 1651 | 98 | VN |
| //3/3//2312/7-6-//12/345//6-3/21 | C/ | New New Nothing (t) | PL-E | Playford 1-02, 1652 | 73 | VN |
| //3/3//2312/7-6-//12/345//63/21 | C/ | New New Nothing (t) | PL-E | Playford 1-03a, 1657 | I,73 | VN |
| //3/3//2312/7-6-//12/345//63/21 | C/ | New New Nothing (t) | PL-E | Playford 1-04, 1670 | 86 | VN |
| //3/3//2312/7-6-//12/345//63/21 | C/ | New New Nothing (t) | PL-E | Playford 1-05, 1675 | 86 | VN |
| //3/3//2312/7-6-//12/345//63/21 | C/ | New New Nothing (t) | PL-E | Playford 1-3b, 1665 | I,73 | VN |
| //33/2312//7-6-/5-6-7-//11/2345// | C/ | Almaine by Thomas Strengthfield (t) | MS-E | Rogers MS, 1656 | 11 | VI |
| //33/23//15-/5-1//321/543 | 6/8 | False Rosabel (t) | AI-A | Riley Flute 4, 1826 | 46 | FL |
| //33/23//1/7-//12/34 | 2/4 | Pathetic Italian Air, A (t) | IC-S | Pandean Coll 2, 1810 | 30 | PF |
| //33/23//17-1/27-//3/1// | C/ | Podain (t) | MS-G | Jayme MS, 1717 | 6 | MI |
| //3/32//32/121217-//5-/5-6-// | C | Shuseen Bane (t) | IC-I | Neal's Irish Tunes, 1724 | 21 | VN/GF/OB |
| //33/232//121/5-17-//6-7-1/25-32 | C | Reveil du Peuple, Le (t) | IC-N | Colizzi Marches, 1795 | 3 | PF |
| //33/232//15-13/232//1353/6543 | 2/4 | Brandy Wine (t) | AI-A | American Sheet Music | PF | |
| //33/232//15-13/232//1353/6543 | 2/4 | Brandywine (t) | AI-A | Goodale Dir, 1829 | 101 | MI,B |
| //33/232//1/5-17-//6-7-1/232 | C | Reveil du Peuple, La (t) | IC-S | Aird 5, 1797 | 62 | FI/VN/GF |
| //33/232//1/5-17-//6-7-1/232 | C | Reveil du Peuple, Le (t) | AM-A | Commonplace MS, 1809 | 6V | CL/FL |
| //33/232//1/5-17-//6-7-1/232 | C | Reveil du Peuple, Le. A Popular French Air (t) | AI-A | Herrick Preceptor, 1807 | 76 | 2MI,B |
| //33/232//1/5//1+7/676//5 | 6/8 | Air 3 (t) | BA-E | Devil To Pay-3, 1732 | 5 | VO |
| //33232//16-1//7-5-2//16-32//33232 | 3/8 | Walzer (t) | AI-A | Riley Flute 1, 1814 | 25 | FL |
| //33232//16-1//7-5-2//16-32//33232//16-1 // |
3/8 | Walzer (t) | AI-A | Willig Cots, 1815 | 7 | PF |
| //332/321//6-7-12/15//671+2+/1+765 | C | Drop a Tear (t) | AI-A | Herrick Preceptor, 1807 | 18 | 2MI,B |
| //332/321//6-7-12/15//671+2+/1+765 | C | Drop a Tear (t) | AI-A | Robbins D&F, 1812 | 21 | FI |
| //33/232//17-/15-//1234/55 | C/ | Heaving of the Lead, The (t) | IC-S | Aird 4, 1796 | 57 | FI/GF/VN |
| //332/32//32/1//11+/7//66/5//33/333 | C/ | Air 10 (t) | BA-E | Livery Rake, 1733 | 19-20 | VO |
| //33233//15-1354//33232//1//555//54 | 3/8 | Minuet (t) | IC-E | Simpson Horn, 1746 | 24 | 2HN |
| //332/331+//553/212//333/1+1+32 | C | Rantin Laddie, The (t) | SC-S | Scots MM-5, 1797 | 474-475 | VO,PF |
| //3/323//422/212//311/17-1 | 6/8 | Col Geo. W. Riter's Quick Step (t) | AI-A | American Sheet Music | PF | |
| //3/323//422/212//311/17-1// | 6/8 | Quick Step (t) | AI-A | Johnson, F. Sheet Music | 3 | PF,BU |
| //33/2342//31/112//33/2 | 2/4 | Villano Cavallero, El (t) | MS-M | Garcia MS, 1772 | 78V [187] | MI |
| //3/323//4/3//2/1 | 2 | Tambourin de Chartre, Le (t) | IC-S | Stewart Airs, 1788 | 1:42 | GF/VN/FI |
| //3/323//43/21//234/32 | 2/4 | Genrl Green's March (t) | AM-A | Beach MS, 1801 | 77 | 2MI,B |
| //3/323//43/21//234/32 | 2/4 | General Greens March (t) | AM-A | Bellamy MS, 1799 | 22 | 2MI,B |
| //3/323//43/21//234/32 | 2/4 | Greens March (t) | AM-A | Clark, I. MS, 1801 | 34 | 2FI/2VN |
| //3/323//43/21//234/32 | 2/4 | Greens March (t) | AM-A | Dickinson MS, 1800 | 75 | 2CL/2GF/2OB,B |
| //3/323//43/21//234/32 | 2/4 | Greens March (t) | AM-A | Williams, J. MS, 1799 | 75 | CL |
| //3/323//4/3//2/1//5/ | 2 | Tembourin de Chartre, Le (t) | DA-F | Landrin Potpourri, 1785 | 92 | MI |
| //3/323//43/21//7-1/217- | 2/4 | Old Boston March (t) | AM-A | Otis MS, 1793 | 25 | VN/FL |
| //3/323//43/21//7-1/217- | 2/4 | Boston March (t) | AM-A | Pickman MS, 1785 | 55 | KB |
| //3/323//43/21//7-1/23 | 2/4 | March to Boston (t) | AM-A | Beach MS, 1801 | 58 | 2MI,B |
| //3/323//43/21//7-1/23 | 2/4 | We Are on Our March to Boston (t) | AM-A | Cabot MS, 1784 | 19 | GF |
| //3/323//43/21//7-1/23 | 2/4 | March to Boston (t) | AM-A | Commonplace MS, 1811 | 2 | MI |
| //3/323//43/21//7-1/23// | 2/4 | Road to Boston (t) | AM-A | Cushing MS, 1805 | 106 | 2MI |
| //3/323//43/21//7-1/23 | C | On the Road to Boston (t) | AM-A | Dean MS, 1800 | I.26 | MI |
| //3323//4321//7-123 | 2/4 | March to Boston (t) | AM-A | Eells MS, 1789 | 67 | MI |
| //3323//4321//7-123 | 2/4 | March to Boston (t) | AI-A | Fifer's Comp, 1805 | 15 | 2FI |
| //3/323//43/21//7-1/23 | 2/4 | March to Boston (t) | AI-A | Hazeltine D&F, 1810 | 35 | 2FI |
| //3/323//43/21//7-1/23 | 2/4 | March to Boston (t) | AI-A | Instrum Asst, 1800 | 26 | 2VN/2GF/2CL/2OB,BVIOL |
| //3/323//43/21//7-1/23// | 2/4 | We are on our march to Boston (t) | AM-A | Morris MS, 1776 | 26v | FI |
| //3/323//43/21//7-1/23 | 2/4 | March to Boston (t) | AM-A | Nixon MS, 1776 | 88-89 | FI |
| //3/323//43/21//7-1/23 | 2/4 | March to Boston (t) | AI-A | Robbins D&F, 1812 | 44 | FI |
| //3/323//43/21//7-1/23 | 2/4 | March to Boston (t) | AI-A | Robinson Coll, 1818 | 45 | 2FI |
| //3/323//43/21//7-1/23 | 2/4 | Boston March (t) | AI-A | Robinson Coll, 1820 | 63 | 2MI |
| //3/323//43/21//7-1/23 | 2/4 | March to Boston (t) | AI-A | Steele Fife, 1815 | 9 | FI |
| //3/323//43/21//7-1/23 | 6/8 | Quick Step, A (t) | AM-A | Thompson MS, 1777 | 16-17 | FI |
| //3/323//43/21//7-1/23 | 2/4 | Greens March (t) | AM-A | Trumbull MS, 1801 | b:1v | 2MI |
| //3323//4321//7-123 | 2/4 | March to Boston (t) | AI-A | Village Fifer, 1808 | 18 | FI |
| //3/323//43/21//7-1/23 | 2/4 | March to Boston (t) | AI-A | Williams Fife, 1819 | 13 | MI |
| //3+3+2+3+/4+3+2+1+//71+2+3+/1+531//3+3+ 2+3+/4+3+2+1+// |
2/4 | Boston March (t) | AM-A | Boynton MS, 1799 | 19R | 1 FI |
| //332343217-12315-3-5- | 2/4 | March to Boston (t) | AM-A | Huntington MS, 1817 | III.30 | FL/VN |
| //3323/4321//7-123/15-3-5//3323/4321// | C | General Greene's March (t) | AM-A | White, G. MS, 1790 | 110-111 | VN |
| //3/323//43/21//7-124/32 | 2/4 | Farewell to Country Friends (t) | AM-A | Beck MS, 1786 | 35 | GF |
| //3-3-2-3-4-//3-2-//3-1-2-3-4-//5-//5-5- 6-5-4-//3-4-5- |
3/4 | Arbeit (t) | MS-G | Darmstadt MS 1224 | 336 | 2MI |
| //33234//32//31234//5//55654//3345 | 3/4 | Arbeit (t) | MS-G | Darmstadt MS 1225 | 5-6 | 2MI |
| //3323//4//36567//5//1+36 | 3/8 | Favourite Air, A (t) | SC-E | Clio-3, 1762 | 145 | VO,HAF |
| //3323//44332//212//3323//432//1 | 3/4 | IC-E | Simpson Horn, 1746 | 2R | HN | |
| //3/323//4/434//531/427- | 6/8 | Engl Garde March Aus Londen (t) | MS-G | Darmstadt MS 1225 | 205-6 | 2MI |
| //33/234//531/25-//3-5-1/4-6-1 | 6/8 | Sicilian Peasant, The (t) | AM-A | Hawkins MS, 1794 | II,74 | GF |
| //33/234//531/7-5-//3-5-1/4-6-1 | 6/8 | Secilian Peasant, The (t) | DA-E | Bride CD, 1776 | III,3 | VN/OB/GF |
| //33/234//531/7-5-//3-5-1/4-6-1// | 6/8 | Secilian Peasant, The (t) | MS-S | Fife MS, 1780 | 571,61v | 1FI OR 2FI/VN |
| //33/234//531/7-5-//3-5-1/4-6-1// | 6/8 | Secilian Peasant, The (t) | AI-A | Gilfert Gents PC, 1802 | 32 | GF/VN |
| //33/234//531/7-5-//3-5-1/4-6-1// | 6/8 | Sicilian Peasent, The (t) | AI-A | Hewitt Fashionable, 1807 | 16 | PF |
| //33/234//531/7-5-//3-5-1/4-6-1 | 6/8 | Sicilian Peasant, The (t) | DA-E | Thompson CD-4, 1780 | 44 | VN/GF/OB |
| //33/234//531/7-5-//3-5-1/4-6-1// | 6/8 | Sicilian Peasant, The (t) | DA-E | Thompson CD-4a, 1780 | 45 | VN/GF/OB |
| //332/34//54/3//54/2// | 2/4 | Ladies Choice. 34 (t) | AM-A | Johnson, F. MS, 1820 | 23 | PF |
| //332/345453//2123/25//123/432321 | C | Rural Happyness (t) | SC-E | Clio-3, 1762 | 65 | VO,HAF |
| //332/34//55-/5365//43/21//7-16-/5-2+ | 3 | Solomons Jigge (t) | PL-E | Playford 1-03a, 1657 | I,98 | VN |
| //332/34//55-/5365//43/21//7-16-/5-2+ | 3 | Solomons Jigge (t) | PL-E | Playford 1-3b, 1665 | I,98 | VN |
| //332/34//65/3//54/2// | 2/4 | Spanish Seguadille, The (t) | AI-A | Johnson, F. Cotillions | 22 | PF |
| //332/34//65/3//54/2// | 2/4 | Ladies Choice, The. No. 2 (t) | AI-A | Johnson, F. Cotillions | 2 | PF |
| //332/34//65/3//54/2 | 2/4 | Basket Cotillion (t) | AI-A | Riley Flute 4, 1826 | 58 | FL |
| //33235//327-//6-327-//6-7-1//2235 | 3/4 | Eppie Mc Nab (t) | SC-S | Scots MM-4, 1792 | 346 | VO,PFF |
| //33235//33235//44345//353//22123//135 | 3/4 | German Waltz (t) | AI-A | Merrimack Coll, 1833 | 92 | 2MI,B |
| //332/3567/767/765//332/3567// | C/ | Middletown Upper Houses (t) | AM-A | Bevens MS, 1825 | 46r | FI |
| //332/36//332/31//66-/66- | 2/4 | Portuguese Quick Step (t) | IC-S | Pandean Coll 3, 1810 | 5 | PF |
| //33/23//65/321//55/67 | C | Gile Morris (t) | IC-E | Bremner Airs, 1761 | 27 | VN/GF,B |
| //33/23//65/321//55/67// | C | Gill Morice (t) | IC-E | Peacock Scotch Airs, 1762 | 33 | VN/GF/VC, HAF |
| //33/23//65/321//55/67- | C | Gile Morris (t) | IC-E | Preston Marches, 1804 | 27 | GF/VN,VC/PF |
| //3323//65321//5567//1+7//6 | 3/4 | Gill Morice (t) | AI-A | Scots MM, 1797 | 148 | VO,HA/PF |
| //3323//65321//5567//1+7//6535 | 3/4 | Gill Morice (t) | SC-S | Scots MM-3, 1790 | 212 | VO,PFF |
| //3323//65321//5567//1+7//6535//61+3216- |
3/4 | Gill Morice was an earle's son (fl) | AI-A | Caladonian Muse, 1798 | 148 | VO/PF/VN |
| //33/23//65/4321//55/67 | C | Gill Morris (t) | IC-E | Caledonian PC, 1760 | XII,9 | GF/VN |
| //33/23//6-6-3-/6-6-//7-7-/17- | 2/4 | Il Faut Quitter (t) | IC-F | Bonjour Recueil, 1800 | 5:7 | VN/FL |
| //332/366//522/212//3333//1+76//7 | C | Bonnie May (t) | SC-S | Scots MM-2, 1788 | 113 | VO,PF |
| //332/36-6-7-//253217-/5-6-7-125//332/35 67 |
C | Mr Robertson of Strowan's Strathspey (t) | IC-S | Aird 6, 1803 | 8 | FI/VN/GF |
| //33/23//7-1//1//7-1/1//7- | 2/4 | Dome Dance, The-2nd (t) | TW-E | Perseus & Andr, 1763 | 7 | HA/GF/VN/GT |
| //332/37-//17-6-/6-7-//123/234 | C/ | Poor Anthony (t) | SC-E | Pills 4, 1719-20 | 154-6 | VO |
| //33/242//17-/11+2+//3+6/6+4+2+ | C | Heave the Lead (t) | IC-E | Balls Amus 3, 1815 | 5 | FL/VN |
| //33/242//17-/11+2+//3+6/6+4+2+ | C | Heave the Lead (t) | IC-E | Balls Amus 3, 1830 | 5 | FL/VN |
| //33/242//17-/11+2+//3+6/6+4+2+ | C | Heaving the Lead (t) | AI-A | Paff Amus 1, 1812 | 4 | FL/VN |
| //33/242//17-/15-//1234/5 | C/ | Heaving of the Lead, The (t) | AI-A | Elegant Exts, 1794 | 2-3 | GF/VN/VO |
| //33/242//17-/15-//1234/55 | C/ | Heaving of the Lead, The (t) | AM-A | Aborn MS, 1790 | 120-121 | VO,MI |
| //33/242//17-/15-//1234/55// | C/ | Heaving of the Lead - Primo (t) | AM-A | Adams, W. MS, 1795 | 14 | MI |
| //33/242//17-/15-//1234/55 | C/ | Heaving the Lead (t) | AI-A | Blake Amus 2, 1824 | 3 | CL |
| //33/242//17-/15-//1234/55// | C/ | Heaving the Lead (t) | AM-A | Cushing MS, 1805 | 113 | MI |
| //33/242//17-/15-//1234/55 | C/ | Heaving of the Lead, The (t) | AM-A | Hosmer MS, 1799 | 10 | GF |
| //33/242//17-/15-//1234/55 | C | Heaving the Lead (t), or Favourite New Song, A (at) | AI-A | Young's Vocal, 1793 | 33-34 | VO,PF+FL |
| //33/242//17-/15-//1234/55//6 | C/ | Song 54 (t), or Heaving of the Lead, The (at) | AI-A | American MM, 1798 | 140-141 | VO |
| //33/242//17-/15-//1234/55//671+6 | C/ | Heaving of the Lead, The (t), or Favorite Seasong, A (at) | AI-A | American SS-SM | 1-2 | KB,VO+GF |
| //332427-//13531//6-4642 | 2/4 | Haydn's March (t) | AI-A | Fifer's Comp, 1805 | 50 | 2FI |
| //33/2427-//13/531//6-4/642// | 2/4 | New Haydn (t) | AM-A | Litten MS, 1800 | 27 (25) | VN |
| //332//43/53//22/212//3/11 | 6/8 | Marlbrouk (t) | AM-A | Van Renssel. MS, 1782 | I,15 | VO,KB |
| //33243//56543//22123//1217-15-6-7-17-12 //3 |
3/4 | Fishers Second Minuet (t) | AI-A | Gent's Amus, 1794 | 35 | GF/VN,B/HA |
| //33243//56543//22123//1217-15-6-7-17-12 //3 |
3/4 | Fishers Second Minuet (t) | AI-A | Gent's Amus, 1795 | 35 | GF,B |
| //3/32//4//43//321 | 3 | Precaution'd Nymph, The (t) | SC-E | Pills 6, 1719-20 | 288 | VO |
| //3/3253//43/21//7-1/23 | C/ | AM-A | Dance Tunes MS, 1798 | 13 | FI/GF/OB | |
| /33//25-7-2/44//3135/1+765//4323/4321// | 2/4 | Knave Clubs (t) | DA-E | L & L Cot, 1775 | 36 | MI |
| //33/27-//3/4//55/42//5/6 | C | Gun, The (t) | PL-E | Playford 1-01, 1651 | 40 | VN |
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