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Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
//1-5-5- | 2/4(ED) | Halt (t) | IC-E | Hyde Trumpet, 1798 | 24 | BU |
//15-5-/1 | 2/4 | Halt (t) | AI-A | Cooper System, 1836 | 239 | BU |
//15-5-/1 | 2/4 | Halte (t) | IC-F | French Ordinances | App.25 | BU |
//1-5-5-1 | Double Extended Order and Begin Firing (t) | IC-E | Hyde Trumpet, 1798 | 24 | BU | |
//1+55/1+// | 2/4 | Halt (t) | AI-A | US Tactics, 1835 | 20 | BU |
//1+5/51+//1+1/14//3/21// | 2/4 | Sukey's Favourite (t) | DA-E | London Magazine | 204, 1758 | MI |
//1+5/51+//1+1/14//3/21// | 2/4 | Sukey's Favourite (t) | DA-E | Universal Magazine | 2:34, 1757 | MI |
//1-/55-//1-//1-1/7-5-//4-4-6-6-/5-5-3- | C/ | Overture (t) | TW-E | Haunted Tower, 1789 | 1-5 | KB |
//15-/5-1//1/23//143 | 6/8 | Azur, L' (t) | IC-F | Boivin Tons, 1731 | 10 | 2HN/GF/OB/VN/VA |
//15-5-/1123//25-5-/2234//343/21// | C/ | Brecknockshire Militia March, The (t) | IC-E | Longman March 4, 1770 | 1 | 2VN/OB/GF, 2HN, B |
//15-5-/1123//25-5-/2234//343/21 | C/ | Brecknockshire March, The (t) | IC-E | Oswald Marches, 1759 | 3 | 2MI |
//1/5-5-//1/1//23/4321 | 2/4 | London Train Bands March (t) | IC-E | Musica Bell, 1733 | 2 | FL/VN/OB |
//1/5-5-//11//23/4321//25- | 2/4 | London Train Bands March (t) | IC-E | Warlike Musick, 1760 | 16 | GF/VN/HA |
//1-5-/5-1//1/31//5- | 2/4 | March (t) | AM-A | Bugle MS, 1800 | 1 | BU |
//1-5-/5-1//1/31//5-//1 | 2/4 | March (t) | AI-A | Hoyt Cavalry, 1813 | Pl 13 | TR,BU |
//15-5-/1-1//53/1//34543/25- | C/ | Daphne and Coridon (t) | SS-E | SS, Harvard | 1 | VO,KBF+FL |
//15-5-/1-1//53/1//34543/25- | C/ | Daphne and Coridon (t) | SS-E | SS, Harvard | 1 | VO,KBF+FL |
//1-5-5-115-5-1- | Form Line (t) | IC-E | Cooper Guide, 1806 | 3 | BU | |
//1-5-5-115-5-1- | Charge, The (t) | AI-A | Duane Riflemen, 1812 | 103 | BU | |
//1551+1+551// | Form Line (t) | IC-E | Hyde Bugle, 1818 | 44 | BU | |
//15-5-1//15-5-1//2443 | 2/4 | Yorkshire Voluntiers (t) | DA-E | Thompson CD-5, 1788 | 66 | VN/GF/OB |
//15-/5-1//15-/5-1//24/43// | 2/4 | Yorkshire Voluntiers (t) | DA-E | Thompson CD-5a, 1788 | 66 | VN/GF/OB |
//15-/5-1//15-/5-1//24/43//32/2//15-/5-1 //15- |
2/4 | Yorkshires Volunteers (t) | DA-E | Bride CD, 1776 | III,86V | VN/OB/GF |
//15-/5-1//15-/5-2//343/231+ | 6/8 | Nampwich Fair (t) | PL-E | Playford 3-2, 1726 | 117 | VN |
//1+5/51+//1+6/61+//565/4321 | 2/4 | Hurrah Hurrah (t) | AI-A | Riley Flute 3, 1820 | 79 | FL |
//15-/5-1//16-/6-1//7-1/27- | C | Look Out Upon the Stars, My Love (t) | AI-A | Glazier Clar, 1828 | 10 | CL |
//1+5/51+//1+6/62+//75/67// | 2/4 | Hurrah! Hurrah!. No. 6 (t) | AI-A | Johnson, F. Cotillions | 4 | PF |
//15-/5-1//16-/6-4//31/27-// | 2/4 | Hurrah! Hurrah! A Swedish Patriotic Air (t) | AM-A | Duport MS-3, 1825 | 15 | KB |
//15-/5-1//16-/6-4//31/27- | 2/4 | Hurrah (t) | AM-A | Woodruff MS, 1803 | 77-78 | MI |
//15-/5-1//2123/25//6543/4321 | C/ | Prince William's March (t) | DA-E | Johnson CD-3, 1744 | 8 | VN/GF |
//15-/5-1//2123/25//6543/4321 | C/ | Farises's Fear (t) | PL-E | Playford 3-2, 1726 | 5 | VN |
//15-/5-1//2123/25//6543/4321 | C/ | Farises's Fear (t) | DA-E | Walsh CD-2.3, 1735 | 183 | VN/OB/GF/CF |
//15-/5-1//2123/25//6543/4321 | C/ | Farises's Fear (t) | DA-E | Walsh CD-3.3, 1749 | 171 | VN/OB/GF |
//1+/55//1/2+1+//2+/66//2 | 6/8 | By some I am told that I'm wrinkled and old (fl) | TW-E | Padlock, 1768 | 12-13 | VO,KBF |
//15-/5-1//217-6-/5-2//3 | C/ | Linco's Advice to Damon (t) | SC-E | Calliope, 1746 | I,114 | VO,B+FL |
//15-/5-1//217-6-/5-2//31/5-3//2 | C | Linco's Advice to Damon (t) | SS-E | SS, Folger-C42.3 | 23 | VO,KB+FL |
//15-/5-1//217-6-/5-2//31/5-3//2 | C/ | Linco's Advice to Damon (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//15-/5-1//217-6-/5-2//31/5-3//2 | C/ | Linco's Advice to Damon (t) | IC-E | Simpson Record, 1745 | 24 | RC |
//15-/5-12//31/55//65/5212// | C/ | Bore, La, Baptist (t) | IC-E | Apollo's Banquet 1-1, 1670 | 194 | VN |
//1+5/51+2+//3+1+/5+5+//6+5+/5+212// | C/ | Bore Baptist (t) | IC-E | Apollo's Banquet 1-2, 1678 | A29 | VN |
//15-/5-12//31/55//65/5212// | C/ | Bore Baptist (t) | IC-E | Apollo's Banquet 1-5, 1687 | A39 | VN |
//15-/5-12//31/55//65/5212// | C/ | Bore Baptist (t) | IC-E | Apollo's Banquet 1-6, 1690 | A38 | VN |
//15-/5-12//31/55//65/5212// | C/ | Bore Baptist (t) | IC-E | Apollo's Banquet 1-7, 1693 | 27 | VN/FL |
//15-/5-12//31/55//65/5212//3 | C/ | #61 (t), or Bore de Baptist (at) | PL-E | Playford 1-3b, 1665 | II,52 | VN |
//1/5-5-//123/234//32/1234 | C/ | Marche de la Compagnie des Canoniers de la Rochelle.2e Air (t) | MS-F | Philidor MS, 1705 | 21 | OB,B+DR |
//1+5/5//123/321//5-3/5-3// | 2/4 | Friendly Visit, The (t) | DA-E | Straight & Skillern CD, 1775 | 22 | VN/GF/OB |
//15-5-/12//3/32343//25-5-/23 | C/ | Marche Militaire (t) | IC-F | French Sheet Music | 2FLP,2CL,TR,2HN | |
//15-5-/12//3/34//55/4543// | C/ | Plesant Spring, The (t) | IC-E | Musicks Hand-Maid-1, 1678 | 17 | VI/HA |
//1/5-5-//123/345//62/22//5456 | C | Singing Master & Pupils, The. Catch 1 (t) | SS-E | SS, Harvard | 1 | 3VO |
//1+5/51+//2+5/51+//62/25// | C/ | Entry of Mr. Franck's, An (t) | IC-E | Apollo's Banquet 2, 1691 | 10 | VN/FL |
//15-/5-1//25-/5-2//343/231 | 6/8 | Namptwich Fair (t) | DA-E | Walsh CD-3.3, 1749 | 152 | VN/OB/GF |
//15-/5-1//25-/5-2//343/231 | 6/8 | Namptwich Fair (t) | DA-E | Walsh NCDM-3, 1728 | 117 | VN/OB/FL |
//1/5-5-1//3/113//5/551+ | C/ | Sonate Militaire. Marcia (t) | AI-A | American Sheet Music | 5 | PF |
//15-5-/131//27-7-/242//311/353// | C/ | General Howes March (t) | MS-C | Molyneaux MS-2, 1788 | 88 | 1 OR 2 GF |
//15-5-/131//27-7-/242//311/353 | C/ | Jones's March (t) | IC-E | Skillern Amus, 1785 | 78-79 | 2GF |
//1+/55//1+/3+//1+56/554 | 2/4 | No.11 (t) | MS-G | Darmstadt MS 1188 | 8R | 2OB,2HN,TR,B |
//15-5-/13//222/25-5-//25-5-/24 | C | Navarino March and Waltz (t) | AI-A | American Sheet Music | 2 | PF |
//15-/5-1//323/15-//15-/5-1 | 6/8 | Series of Music. Quick Step. No.5 (t) | AI-A | American Sheet Music | 2BU,TBN | |
//15-5-/13//2/5-5-//7-5-7-/24 | C/ | March (t) | IC-E | Griesbach Divs, 1795 | 1 | 4CL,2FL,2HN,TR, |
//15-5-/13//322/5-5-//25-5-/24 | C/ | Commodore Perry's March (t) | AI-A | American Sheet Music | 2 | PF+CL |
//15-5-/133//5533/14321//7-7-7-/7-7- | C | Battle of Egypt, The. English and French Army March to Battle (t) | IC-I | Irish Sheet Music | 13 | PF |
//15-5-/13453//422/22342//311/1113 | C | St. Albans (t) | AM-A | Trumbull MS, 1801 | a:8-9 | 2MI,(MI),MI,B |
//15-5-/13453//422/22342//311/1113 | C | St. Albans (t) | AM-A | Trumbull MS, 1801 | b:4r | MI |
//15-5-/13453//422/22342//311/113 | C/ | Saint Albans (t) | AM-A | Allen, Joel, MS, 1800 | 14V | 3MI,B |
//1+/55//1+/3//6/6 | 6/8 | Cela Don Pour Flechir Sa Belle (t) | IC-F | Vanderhagen Pcs, 1787 | 15:3 | 2CL,2HN,2BS |
//15-5-/15-//1122/3//23/43 | C | Two Marches... Lord Napier and George Baillie (t), or Lord Napiers March (a | IC-E | English Sheet Music | 2 | KB |
//1+55/1+5//1+1353/15//1+53+1+/5+ | C | March (t) | AM-A | Hiester MS-2, 1793 | 46 | KB |
//15-5-/15-//25-5-/25-//333/43 | 2/4 | Battle of Navarino. Military Festival (t) | AI-A | American Sheet Music | PF,VN | |
//15-5-/15-5-//111/1//311/311 | C | Slow March (t) | IC-E | Cooper Guide, 1806 | 4 | BU |
//15-5-/15-5-//111/1//311/311 | C/ | Duet No.3 (t) | IC-E | Hyde Trumpet, 1798 | 29 | 2BU |
//15-5-/15-5-//111//311/311//333 | C/ | Tattoo for 4 Bugle Horns (t) | AI-A | Goodale Dir, 1819 | 47 | 4BU |
//15-5-/15-5-//111//311/311//333 | C/ | Tattoo for 4 Bugle Horns (t) | AI-A | Goodale Dir, 1829 | 51 | 4BU |
//15-5-/15-5-//111//311/311//333 | C/ | Tatoo (t) | IC-E | Hyde Trumpet, 1798 | 26-27 | 4BU |
//155/155//1+1+55/1// | Enemy Are In Close Column, The (t) | IC-E | Hyde Bugle, 1818 | 45 | BU | |
//1-5-5-/1-5-5-//115-5-/1- | C | Enemy Are In Close Column, The (t) | IC-E | Potter Bugle, 1817 | 10 | BU |
//15-5-/15-5-//1212/3//2232/16- | C | Third Grand March (t) | IC-E | English Sheet Music | PF | |
//15-5-/15-5-//1+2/31 | C | Fourth Grand March for the Elephant (t), or Procession, The.-5 (at) | TW-E | Choice/Harleq, 1781 | 60-61 | HAF |
//1+55/1+55//1+2+/3+//2+55/2+55 | 2/4 | Gallopade (t) | AM-A | Kingsley MS, 1795 | II,9 | MI |
//15-5-/15-5-//13/5//5-6-7-1/2342 | C | Tekeli's March (t) | AI-A | American Sheet Music | PF | |
//1-/5-5-//1-/5-5-//1-/5- | 2/4 | The Alarm (t) | IC-E | Potter Bugle, 1817 | 8 | BU |
//1-5-5-1-5-5-1-5-1 | Alarm (t) | IC-E | Barber Bugle, 1804 | Pl.1 | BU | |
//1-5-5-1-5-5-1-5-1 | Alarm (t) | AM-A | Beach MS, 1801 | 72 | BU | |
//1-5-5-1-5-5-1-5-1 | Alarm (t) | IC-E | British Bugle, 1798 | PL.8 | BU | |
//1-5-5-1-5-5-1-5-1 | Alarm (t) | IC-E | British Bugle, 1799 | PL.8 | BU | |
//1-5-5-1-5-5-1-5-1 | Alarm, The (t) | IC-E | British Bugle, 1824 | 55 | BU | |
//155/155/151+// | Alarm, The. No. XI. (t) | IC-E | British Bugle, 1833 | 322 | BU | |
//1-5-5-/1-5-5-//1-5-1 | C | Alarm (t) | IC-E | Cooper Guide, 1806 | 3 | BU |
//15-5-15-5-15-1- | Form Company (t) | IC-E | Cooper Guide, 1806 | 3 | BU | |
//155/155//151+// | C | Cease Firing (t) | AI-A | Duane Compendium, 1809 | xviii | BU |
//15-5-15-5-15-1- | Send Out An Advance Guard (t) | AI-A | Duane Riflemen, 1812 | 103 | BU | |
//1-5-5-1-5-5-1-5-1 | Cease Firing (t) | AI-A | Duane Riflemen, 1812 | 103 | BU | |
//1-5-5-/1-5-5-//1-5-1 | C | Run (t) | AI-A | Duane Riflemen, 1812 | 103 | BU |
//1-5-5-1-5-5-1-5-1 | Alarm (t) | IC-E | Gilbert Bugle, 1804 | 2 | BU | |
//1+551+551+51// | Form Company (t) | IC-E | Hyde Bugle, 1818 | 44 | BU | |
//155/155//151+// | C | Alarm (t) | IC-E | Hyde Bugle, 1818 | 44 | BU |
//15-5-/15-5-//15-/1- | C | Form Company (t) | IC-E | Potter Bugle, 1817 | 1 | BU |
//1-5-5-1-5-5-1-5-1 | Alarm (t) | AI-A | US Riflemen, 1824 | PL14 | BU | |
//1/5-5-//1/5-5-//15-/13 | 2/4 | Quick March (t) | IC-E | Gilbert Bugle, 1804 | 44 | 3BU |
//15-5-/15-5-//15-15-/15-5-//15-5-15-5-/ 112// |
C | Selection From the Battle of Prague, Trumpet of Recall (t) | AI-A | Willig Flute, 1795 | 18 | GF |
//1-5-5-1-5-5-1-5-5-1 | Form Company (t) | IC-E | Hyde Trumpet, 1798 | 24 | BU | |
//15-5-//15-5-//15-5-//15-5-//15-5-//13/ / |
3/4 | 2nd Cutter Call (t) | AM-A | USS N. Carolina MS, 1825 | BU | |
//1+55/1+55//1+551+55/1+5/5//1+551+55/1+ |
C | Battle of Prague, The. Trumpet Call, The (t) | AI-A | American SS-SM | 2 | PF/HA |
//1+55/1+55//1+551+55/1+55//1+551+55/1+ | C | Battle of Prague. The Trumpet Call, The (t) | AI-A | American SS-SM | 1 | PF |
//15-5-/15-5-//15-5-15-5-/15-5-//15-5-15 -5-/112// |
C | Selection From the Battle of Prague, Trumpet Call (t) | AI-A | Willig Flute, 1795 | 17 | GF |
//15-5-/15-5-//166/5//5353/11 | 2/4 | Quick Step of the Royal Westminster Volunteers, The (t) | IC-E | English Sheet Music | 4 | 2CL,FL,2HN,TR,2 |
//1/5-5-//1/5-5-//17-12/3231 | 2/4 | Battle of Salamanca, The. The Army Regaling After the Victory (t) | IC-E | English Sheet Music | PF | |
//15-5-/15-5-//25-5-/25-5-//354/3 | 6/8 | Flitch of Bacon, The (t) | DA-E | Bride CD, 1776 | III,2 | VN/OB/GF |
//15-5-/15-5-//3-3-1-1-/3-3-5-5-//111/22 2 |
C/ | Victory of Salamanca, The. March (t) | AI-A | American Sheet Music | 15,4 | PF,VN |
//15/51+5//54/32//17-/15-2 | 6/8 | Miniss Grace (t) | AM-A | Beck MS, 1786 | 1 | GF |
//1+55/1+555//3432/15-//15-12/3234 | C/ | March Furst de Hollstein (t) | MS-G | Darmstadt MS 1224 | 91,93,96,105 | 2OB,TR,B |
//1/5-5-//1/5-5-//5-/5- | C | Fault or Call Back, The (t) | IC-E | Jones Bugle, 1805 | 6 | BU |
//1+55/1+55//644/41+//1+66/1+66//5 | C | I said to myself now floretta says I (fl) | TW-E | Quaker, 1777 | 18-19 | VO,KBF |
//1+5/5//1+5/5//65/43// | 2 | Cotillon Suisse (t) | IC-F | Leclerc Recueil-2, 1737 | 96 | HAF |
//1+55/1+55//671+2+/755//61+51+/41+31+ | C | Jarnoviki's Reel (t) | IC-E | Schetky Coll, 1800 | 7 | 2CL,2FL,2HN,TR,BS |
//1+5/51+5//655/51+7//7665/5443// | C/ | Durham March (t) | AM-A | Treat MS, 1779 | 28v | FI/GF |
//15/51//656/7654//5/5 | 2/4 | Favourite Song, A (t) | SC-E | Clio-1, 1758 | 98 | VO,HA+MI |
//15/51//656/7654//5/5 | 2/4 | Favourite Air, A (t) | AI-A | Herrick Preceptor, 1807 | 45 | MI,B |
//155/166//1+76/531//155/135 | 6/8 | Miss Cambilina's Delight (t) | DA-E | Johnson CD-7, 1756 | 14 | VN/GF |
//15/5//16/6//1+76/56 | 2 | Paisane (t), or Dutch Country Dance, A (at) | IC-E | Delightful-2, 1745 | VI,9 | GF |
//1+5/5//1+6/6//5/4321 | 2/4 | German Hornpipe (t) | IC-S | Aird 4, 1796 | 3 | FI/GF/VN |
//1+5/5//1+6/6//5/4321 | 2/4 | Battle of Prague, The. Finale (t) | AI-A | American SS-SM | 7 | PF/HA |
//1+5/5//1+6/6//5/4321 | 2/4 | Battle of Prague, The. Finale (t) | AI-A | American Sheet Music | PF/HA,VN,B | |
//1+5/5//1+6/6//5/4321 | 2/4 | Quick March-Battle of Prague (t) | AI-A | Balls Amus 1, 1815 | 26 | FL/FI/VN |
//1+5/5//1+6/6//5/4321 | 2/4 | Finale to the Battle of Prague (t) | AM-A | Beach MS, 1801 | 40 | 2MI,2HN,B |
//1+55//1+66//54321 | 2/4 | March In the Battle of Prague (t) | AI-A | Fifer's Comp, 1805 | 47 | 2FI |
//1+55//1+66//54321 | 2/4 | Allegro (t) | IC-E | Goulding Fife, 1790 | 8 | FI |
//1+5/5//1+6/6//5/4321// | 2/4 | Quick Step In the Battle of Prague (t) | IC-E | Naval Compendium, 1800 | 42 | 2FL/VN,PF |
//1+5/5//1+6/6//5/4321 | 2/4 | Quick March (t) | AI-A | Robinson Coll, 1818 | 35 | FI,DR |
//1+55//1+66//54321 | 2/4 | Quick March (t) | AI-A | Village Fifer, 1808 | 50 | FI |
//1+5/5//1+6/6//5/4321// | 2/4 | Selection From the Battle of Prague, Finale (t) | AI-A | Willig Flute, 1795 | 19 | GF |
//1+5/5//1+6/6//5/4321//1127- | 2/4 | Battle of Prague, The. Finale (t) | AI-A | American SS-SM | 7-8 | PF |
//1+5/5//1+6/6//5/4321//7-127-/5-// | 2/4 | Battle of Prague (t) | AM-A | Patten MS, 1800 | 5 | MI |
//15-/5-//16-/6-//55/4321 | 2/4 | No. 6 (t) | AM-A | Hooves MS, 1817 | 104 | FI |
//15/5//16/6//55/6543 | C/ | Zapffenst. No 30. V. Drecksel (t) | MS-G | Darmstadt MS 1225 | 301-2 | 2MI |
//1+5/5//1+71+3+/1+55//3651+ | C/ | Song, A (t) | SS-E | SS, Folger-C42.1 | 228 & 244 | VO,KB+FL |
//1+5/51+7//1+4/41+7//1+3/343 | 2 | Sham Squire, The (t) | DA-E | Walsh CD-2.3, 1735 | 214 | VN/OB/GF/CF |
//1+5/51+7//1+4/41+7//1+3/343//2 | 2 | Sham Squire, The (t) | DA-E | Johnson CD-1, 1740 | 40 | MI |
//1+5/51+7//1+4/41+7//1+3/343//2 | 2 | Sham Squire, The (t) | DA-E | Walsh CD-3.3, 1749 | 202 | VN/OB/GF |
//15-/5-1//7-5-/5-1//23/454 | C/ | Orielton House (t) | PL-E | Playford 2-1, 1713 | 4 | VN/OB |
//15-/5-1//7-5-/5-1//23/454 | C/ | Orielton House (t) | PL-E | Playford 2-2, 1714 | 4 | VN/OB |
//15-/5-1//7-5-/5-1//23/454 | C/ | Orielton House (t) | PL-E | Playford 2-3, 1718 | 4 | VN |
//15-/5-1//7-5-/5-1//23/454 | C/ | Orielton House (t) | PL-E | Playford 2-4, 1728 | 4 | VN |
//15-/5-1//7-5-/5-1//23/454 | C/ | Orieltan House (t) | DA-E | Walsh CD-1.2, 1719 | 21 | VN/OB |
//1+5/51+//75/51+//2+3/+4+5+4+ | C/ | Orielton House (t) | DA-E | Walsh CD-3.6, 1754 | 199 | VN/OB/GF |
//15/51+//76/51+//51+/62+ | C/ | General Sherley's March (t) | IC-E | Handel March 1, 1768 | 15 | VN/GF/OB |
//15/51+//76/51+//51+/62+ | C/ | Gen Sherley's March (t) | IC-E | Thompson March, 1759 | 15 | VN/FL/OB |
//15/51+//76/51+//51+/62+ | C/ | General Sherley's March (t) | IC-E | Thompson Oboe, 1758 | 15 | OB |
//15/51+//76/51+//51+/62+ | C/ | General Shirley's March (t) | AI-A | Village Fifer, 1808 | 45 | FI |
//1+5/51+7//654/31+5//427-/5-54// | 6/8 | Misverstand, Het (t) | DA-N | Hummel CD, 1780 | 10 | KB |
//15/51+//76/56//51+/6 | C/ | Princess's Court, The (t) | PL-E | Playford 1-17, 1721 | 313 | VN |
//15/51+//76/56//51+/6 | C/ | Princess's Court, The (t) | PL-E | Playford 1-18, 1728 | 313 | VN |
//15/51+//76/56//51+/62+// | C/ | Princess March (t) | IC-E | Apollo's Banquet 1-8, 1701 | 1v,7 | VN |
//15/51+//76/56//51+/62+ | C/ | Gen's Arms March (t) | IC-E | Musica Bell, 1733 | 20 | FL/VN/OB |
//15/51+//76/56//51+/62+ | C/ | Princesse's Court, The (t) | PL-E | Playford 1-11, 1701 | II,1 | VN |
//15/51+//76/56//51+/62+ | C/ | Princess's Court, The (t) | PL-E | Playford 1-12, 1703 | 313 | VN |
//15/51+//76/56//51+/62+ | C/ | Princesse's Court, The (t) | PL-E | Playford 1-13, 1706 | 313 | VN |
//15/51+//76/56//51+/62+ | C/ | Princesse's Court, The (t) | PL-E | Playford 1-14, 1709 | 313 | VN |
//15/51+//76/56//51+/62+ | C// | Princess's Court, The (t) | PL-E | Playford 1-15, 1713 | 313 | VN |
//15/51+//76/56//51+/62+ | C// | Princess's Court, The (t) | PL-E | Playford 1-16, 1716 | 313 | VN |
//15/51+//76/56//51+/62+ | C/ | Princess's Court (t) | DA-E | Walsh CD-1.1, 1718 | 325 | VN/OB/FL |
//15/51+//76/56//51+/62+ | C/ | Princess's Court (t) | DA-E | Walsh CD-2.1, 1731 | 69 | VN/OB/GF/RC |
//15/51+//76/56//51+/62+ | C/ | Princess's Court (t) | DA-E | Walsh CD-3.1, 1754 | 106 | VN/OB/GF |
//15/51+//76/56//51+/62+ | C/ | Gen's Arms March (t) | IC-E | Warlike Musick, 1760 | 56 | GF/VN/HA |
//15/51+//76/56//51+/6//7 | C/ | Gen's Arms March (t) | IC-E | Delightful-2, 1745 | IV,33 | GF |
//1+/5//51+/76//5/6//65/6543 | 2 | Advice, The (t) | SS-E | SS, Folger-C42.3 | 97,2-98,1 | VO,KB+FL |
//15/52//321/25-//16-/42 | C/ | Song In Love's a Jest, A (t) | SC-E | Pills 6, 1719-20 | 160-1 | VO |
//15/52//32/15//51+/76 | C/ | Song 253 (t), or Gay Bacchus (at) | SC-E | Calliope, 1788 | 468-470 | VO |
//15/52//32/15//51+/76 | C/ | Song 44 (t) | SC-E | Ritson, 1783 | TII,47-50;MIII,217 | VO |
//15/52//32/15//51+/76//55 | 2/4 | Song 91 (t) | SC-E | Convivial, 1782 | 184-186 | VO |
//1+5/52+3+//2+1+76/54//351+3/21+7 | C/ | Smith's Boree (t) | PL-E | Playford 3-2, 1726 | 45 | VN |
//1/5//5/2//334//5// | C/ | Pavana (t) | MS-E | Fitzwilliam MS-1, 1609 | 124-128 | VI |
//1+5/5//234/321//5-3/5-3 | 2/4 | Friendly Visit, The (t) | DA-E | Skillern CD, 1780 | 94 | VN/GF/OB |
//1+5/5//234/321//5-4/5-4// | 2/4 | Friendly Visit, The. E. (t) | DA-E | Sancho Minuet/Cot/Dance, 1767 | 15 | HP |
//15//52//3/45/6//5// | 3 [3/2] | Galiarda to the Pavan No. Xxxiv (t) | MS-E | Fitzwilliam MS-1, 1609 | 177-179 | VI |
//15-5-//25-1//355//15/31 | C | Duke of Yorks Favourite Short Troop, The (t) | MS-C | Frobisher MS, 1793 | 48-50 | HA |
//1/5-5-//2/5-//32/354 | 2/4 | Portuguese Hymn (t) | AI-A | Williams Fife, 1826 | 25 | FI |
//15-5-/25-5-//31111/15-13//565435/45432 4-3 |
C | De Witt Clinton's Grand Canal March (t) | AI-A | American Sheet Music | 2 | PF |
//15-5-/25-5-//311/123//4433/2211 | C/ | 4th of July, The. March. The Artillery (t) | AI-A | American Sheet Music | PF | |
//15-5-/25-5-//3127-/13-4-//5-6-7-/123 | C/ | Suwarrow's Grand March (t) | AI-A | Bacon Marches, 1816 | 14-15 | MI |
//1+55/2+55//3+1+2+7/1+34//567/1+2+3+ | C/ | General Suwarrow's Original Military March (t) | IC-E | English Sheet Music | PF+GF | |
//1+55/2+55//3+1+3+/2+5//671+/564 | 6/8 | Colin's Success (t) | SC-E | Clio-1, 1758 | 122-3 | VO,HA+GF |
//1+55/2+55//3+1+3+/2+5//671+/564//3 | 6/8 | Colin's Success (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//15-5-/25-5-//3/15//555/555 | 6/8 | General, The (t) | AI-A | American Sheet Music | PF | |
//15-5-/25-5-//317-2/123//424/313 | C/ | March (t) | AI-A | Williams Fife, 1826 | 17 | 2FI |
//15-5-/25-5-//321/23//4321/7-6-5-4-// | 2/4 [ed] | AM-A | Irving MS, 1796 | 150 | 1 MI | |
//15-5-/25-5-//32/17-6-5-//6-7-12/321 | C | Pennsylvania la Fayette March (t) | AI-A | American Sheet Music | 2 | PF |
//1+55/2+55//3+2+/1+765//671+2+/3+2+1+// |
C | Pennsylvania La Fayette March (t) | AI-A | Johnson, F. Cotillions | 4 | PF |
//15-5-/25-5-//323/15-//6-6-5-5-/4433 | C | British March, The (t) | IC-E | English Sheet Music | 8 | 2CL,FL,2OB,2HN, |
//1+55/2+55//3+2+3+4+/5+4+3+2+//1+765/43 21 |
C | Marcia (t) | IC-E | Brooks Pieces, 1796 | 7 | 2CL,2HN,BS |
//15-5-/25-5-//3234/5432//17-6-5-/4-3-2- 1-// |
C | Lord Moiras March (t) | IC-E | Naval Compendium, 1800 | 24 | 2FL/VN,PF |
//15-5-/25-5-//334/212//3456/5432 | 2/4 | Miss Blands Allemande (t) | DA-E | Bride CD, 1776 | II,2 | VN/OB/GF |
//15-5-/25-5-//334/54//33/22 | C | Bonapart's March (t) | AM-A | Morse MS, 1811 | 50-51 | 2CL,B |
//15-5-/25-5-//334/554//33/22 | C | Buonapart's Grand March (t) | AI-A | American Sheet Music | PF | |
//15-5-/25-5-//334/554//33/22 | C | Buonapart's Grand March (t) | AI-A | Bacon Marches, 1816 | 4 | MI |
//15-5-/25-5-//334/554//33/22 | C | Buonapart's March (t) | AM-A | Beach MS, 1801 | 60 | MI |
//15-5-/25-5-//334/554//33/22 | C | Buonapart's Grand March (t) | AM-A | Bellamy MS, 1799 | 50 | MI |
//15-5-/25-5-//334/554//33/22 | C/ | Bonaparte's March (t) | AM-A | Canfield MS, 1823 | 12-13 | 2FL |
//15-5-/25-5-//334/554//33/22 | C/ | Bonaparte's March (t) | AM-A | Commonplace MS, 1811 | 22 | MI |
//15-5-/25-5-//334/554//33/22 | C/ | Buonaparte's March (t) | AI-A | Fifer's Comp, 1805 | 56 | 2FI |
//15-5-/25-5-//334/554//33/22// | C/ | Buonaparte's Grand March (t), or Duettino Vii (at) | AI-A | Gentlemen's PC, 1802 | 19 | 2GF |
//15-5-/25-5-//334/554//33/22 | C/ | Bonaparte's March (t) | AI-A | Glazier Fife, 1830 | 26 | 2FI |
//15-5-/25-5-//334/554//33/22 | C/ | Bonaparte's March (t) | AI-A | Hazeltine D&F, 1810 | 44 | 2FI |
//15-5-/25-5-//334/554//33/22 | C/ | Bonaparte's Grand March (t) | AI-A | Merrimack Coll, 1833 | 58 | 2MI,B |
//15-5-/25-5-//334/554//33/22 | C/ | Bonaparte's March (t) | AI-A | Robbins D&F, 1812 | 41 | FI |
//15-5-/25-5-//334/554//33/22 | C/ | Bonaparte's Grand March (t) | AI-A | Shaw Gentlemen, 1807 | 22-23 | 2CL/VN, FL,BS/VC |
//15-5-/25-5-//334/554//33/22 | C/ | Bonaparte's March (t) | AI-A | Steele Fife, 1815 | 16 | FI |
//15-5-/25-5-//334/554//33/22 | C | Bonapartes March (t) | AM-A | Stiles MS, 1807 | 66-67 | 2MI |
//15-5-/25-5-//334/554//33/22// | C/ | Bonaparte's March (t) | AM-A | Washburn MS, 1816 | 6 | GF |
//15-5-/25-5-//334/554//33/22 | C/ | Buonaparte's March (t) | AI-A | Williams Fife, 1819 | 29 | FI |
//15-5-/25-5-//334/554//333/222 | C | Buonaparte's March (t) | AI-A | Balls Amus 1, 1815 | 9 | FL/FI/VN |
//15-5-25-5-//335212//34565432 | 2/4 | Miss Blands Allemand (t) | DA-E | Thompson CD-5, 1788 | 93 | VN/GF/OB |
//15-5-/25-5-//335/212//3456/5432// | 2/4 | Miss Blands Allemand (t) | DA-E | Thompson CD-5a, 1788 | 93 | VN/GF/OB |
//15-5-/25-5-//335/212//3456/5432/1 | 2/4 | Miss Blands Allemand (t) | DA-E | Bride CD, 1776 | IV,95 | VN/OB/GF |
//15-5-/25-5-//335/212//3456/5432//1 | 2/4 | Miss Blands Allemande (t) | DA-E | Longman CD, 1781 | 94 | VN/OB/GF |
//15-5-/25-5-//34/535//445/353 | C | General Jackson's Grand March (t) | AI-A | American Sheet Music | KB | |
//15-5-/25-5-//35-5-/54//343/232 | 6/8 | Air (t) | AI-A | Fifer's Comp, 1805 | 65 | 2FI |
//15-5-/25-5-//35-5-/54//343/232 | 6/8 | Third Air (t) | AI-A | Instrum Asst-2, 1807 | 52 ; TRIO | 2MI,B |
//15-5-/25-5-//35-5-/54//343/232 | 6/8 | Carter's Compound (t) | AI-A | Merrimack Coll, 1833 | 66-67 | 2MI,B |
//1/5-5-//3-1-1-/1-1-2-3-4-//6-/4-2- | C | Royal Paisley Volunteer's March (t) | AI-A | Bacon Marches, 1816 | 9 | MI |
//1+/55//311/11234//6/42 | C | Royal Paisley Volunteers' March (t) | AI-A | Martial Music, 1807 | 18 | 2CL/2OB,BS |
//1/5-5-//3-1-1-/1-1-2-3-//6-/4-2- | C | Royal Paisley Volunteer's March (t) | AM-A | Canfield MS, 1823 | 15 | FL |
//15/53//11+/1+//13/31// | 2/4 | Folichon, La (t) | DA-N | St. Flour Contredanses, 1757 | 32 | KB |
//1+/55//3/11//1+/3+1+// | 6/8 | Crown, The. Set Dance (t) | AM-A | New Harmony MS, 1826 | 13 | MI |
//1+/55//311/155//1+5/1+3+ | C | Prince of Wales March (t) | AM-A | Curtiss MS, 1800 | 56-57 | 2VN |
//1+/55//311/155//1+5/1+3+ | C | Prince of Wales's March, The (t) | IC-E | English Sheet Music | 3 | PF |
/15-//5-/31//1/1+5//565/4321// | 2 | Échos de Passi, Les. Contredanse (t) | DA-F | LaCuisse Rep CD LC-3, 1765 | 85 Feuille 3. Vol | KB |
//1+5/53//11+//1+6/71+//2+5+ | C/ | Song, A (t) | SC-E | Pills 3, 1719-20 | 285-6 | VO |
//15-5-/311//234/31+76//5654/32 | C/ | March 4 (t) | IC-E | Giordani March, 1780 | 6-7 | HA/PF |
//1//5-5-//3-1-/1-2-3-4-//5-6-/5-5- | 2 | Marche du Roy de la Chine (t) | MS-F | Philidor MS, 1705 | 26-27 | OB,B+DR |
//1+/55//311/35//1+1+3+/2+2+4+ | C | Grand Military March, A (t) | IC-E | English Sheet Music | 4 | 2CL,2OB,2HN,2TR |
//15/531//135/531//15/531// | 6/8 | Tarr's Triumph, The, or, Bawdy-House Riot (t) | DA-E | London Magazine | 470, 1750 | MI |
//15/531//135/531//15/531 | 6/8 | Tarr's Triumph, The (t), or Bawdy House Riot (at) | DA-E | Walsh CD-3.5, 1754 | 68 | VN//OB/GF |
//15-5-/311//53/11//7-123/43 | C | March 1 (t) | IC-E | Giordani March, 1780 | 1 | HA/PF |
//15-5-/311//533/1+//556/334 | 6/8 | Mount Edgcomb (t) | DA-E | Thompson CD-2, 1765 | 39 | VN/GF/OB |
//15-5-/311//533/1+//556/334// | 6/8 | Mount Edgcomb (t) | DA-E | Thompson CD-2a, 1765 | 41 | VN/GF/OB |
/15-5-//311/533//1+/646//535/ | 2/4 | Distrait (t) | AM-A | Duport MS-1, 1780 | 68 | MI, B |
//15-5-/311//533/351//422/27-7- | Ring Dove, The (t) | IC-S | Aird 4, 1796 | 44 | FI/GF/VN | |
//15-5-//311//54231//21//6-7-1 | 3/4 | Minuet.1st Minuet (t) | IC-E | Delightful-2, 1745 | III,16 | GF |
/1+5//531/1+5//531/1+7//65/ | 2/4 | Allegretto, sung by Sigr Sistini (t) | MS-C | Molyneaux MS-2, 1788 | 75-76 | 1 OR 2 GF |
//15-/5-3-1-//15-/5-3-1-//3-2-1-/3-4-5- | 6/8 | Cathleen Mcchree (t) | AI-A | Goodale Dir, 1829 | 82 | MI |
//1+55/311//5/54//35/1+3// | C/ | Short Troop, A (t) | MS-S | Fife MS, 1780 | 732,80r | 1FI OR 2FI/VN |
//15-5-//311//7-6-7-5-6-7-//1355-//15-5- //311 |
3/8 | Isleworth Waltz, The (t) | AI-A | Riley Flute 4, 1826 | 22 | FL |
/15//53/12//31/15//53/ | 2 | Marechal, La (t) | MS-G | Jayme MS, 1717 | 29 | MI |
/15//53/12//31/15//53/ | 2 | Marechal, La (t) | IC-F | Leclerc Recueil-1, 1729 | 15 | HAF |
/15//53/12//31/15//53/2123// | 2 | Marechal, La (t) | DA-F | Dezais Recueil, 1712 | 33-36 | MI |
//15-5-3/1231//25-5-7-/2342//3112/3453// |
C/ | Byers Maggott (t) | MS-E | Vickers MS, 1770 | 7a | MI |
//1+55/31+2+//3+1+2+7/1+55//6543/22+1+// |
C | Chester March (t) | IC-E | Parry Fife, 1812 | 4 | 2FI |
//15/531//2344/42//7-5-3/16-4 | 6/8 | Truth (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//1+55/31313//55555/3//112/3153 | C/ | General Bolivar's Grand March (t) | AI-A | American Sheet Music | KB | |
//1+55/3131//555/522//3+1+1+/3+1+// | C | Troop, A (t) | MS-S | Fife MS, 1780 | 45,5v | 1FI OR 2FI/VN |
//1+55/313//27-2/42 | 6/8 | Honest Fellow, The (t) | SC-E | British Amus, 1762 | 14 | VO,HAF |
//1+55/313//27-2/42//321 | 6/8 | Honest Fellow, The (t) | SC-E | Monthly Melody, 1760 | I,20 | VO,HAF |
//1+55/313//27-2/42//321/343 | 6/8 | Song 147 (t), or Honest Fellow, The (at) | SC-E | Calliope, 1788 | 276-277 | VO |
//1+55/313//27-2/42//321/543 | 6/8 | Song 1 (t), or Honest Fellow, The (at) | SC-E | Ritson, 1783 | TII,1-2;MIII,163 | VO |
//1+55/313//27-2/42//321/543 | 6/8 | Honest Fellow, The (t) | SS-E | SS, Boston PL-1 | 22(20) | VO,HAF |
//1+55//3134//564//57 | 3/4 | As Celia was learning on a spinnet to play (fl) | AM-A | Perkins MS, 1790 | 55 | VO |
//1+55//3134//564//57//1+2+3+ | 3 | Catch for 3 Voices, A (t) | SS-E | SS, Folger-C42.3 | 413 | 3VO+3FL |
//1+55/3135//1+2+1+71+2+/3+3+5+//4+4+4+/ 3+ |
C | Marche de la Garde Nationale a Cheval de la Ville de Vienne (t) | IC-F | French Sheet Music | PARTS | 2CL,FLP,CLS,2HN |
//1/5-5//31/3//5/24// | C/ | Tune In the Boarding-School, A (t) | IC-E | Apollo's Banquet 2, 1691 | 35 | VN/FL |
//15-5/313//5/4//313/543 | 6/8 | Double Drag (t) | AI-A | Robinson Coll, 1820 | 57 | MI |
//15/531//42/7-6-5-//6-7-1/234 | 6/8 | Grove House, The (t) | DA-E | Bride CD, 1776 | III,18 | VN/OB/GF |
//15/531//42/7-6-5-//6-7-1/234//531 | 6/8 | Grove House, The (t) | DA-E | Longman CD, 1781 | 88 | VN/OB/GF |
//15-5-//3-1-5-//11231 | 3/4 | Occasional Ode on the Success of our Arms, An (t) | SC-E | Clio-2, 1759 | 167 | VO,HA |
//1+/55//3153/15-5-//1/7-17-12323// | C/ | Massachusetts March (t) | AM-A | Johnson, S. MS, 1807 | 12 | FI |
//15-5/3//15-5/3234//54565456/43454345 | C | IC-E | Forest Harmony-2, 1733 | 20 | 2HN/GF/TR/VN | |
//1+/55//31/55//64/22+//7 | C | Mark the true test of passion (fl) | TW-E | Children/Wood, 1793 | 22-23 | CL,VO,B |
//15/531/642//15/531/7-12//15/531/456 | 9/8 | Trip to Drogheda (t) | DA-E | Walsh CD-3.6, 1754 | 57 | VN/OB/GF |
//15/531//642/531//15/531 | 6/8 | Miss Coopers Fancy (t) | DA-E | Skillern CD, 1780 | 2 | VN/GF/OB |
//15/531//642/531//15/531 | 6/8 | Lady Ramsay's Reel (t) | IC-S | Stewart Airs, 1788 | 3:151 | GF/VN/FI |
//1+5/531//646/531//646/531 | 6/8 | All's Well That Ends Well (t) | DA-E | Johnson CD-7, 1756 | 84 | VN/GF |
//1-5-/5-3-//16-/6-//3-5-/3-5-3-5- | 2/4 | No.3 (t) | AI-A | Robinson Coll, 1820 | 65 | MI |
//15/531//671+6/531//15/531 | 6/8 | Lady Charlote's Delight (t) | IC-S | Aird 1, 1782 | 37 | FI/VN/GF |
//15/531//671+6/531//15/531 | 6/8 | Lady Charlotts Delight (t) | AM-A | Clark, I. MS, 1801 | 46 | FI/VN |
//15/531//671+6/531//15/531// | 6/8 | Lady Charllott's delight, contredanse (t) | DA-N | Echo, 1758 | 22 | KB |
//15/531//671+6/531//15/531 | 6/8 | Lady Charlotte's Delight (t) | AM-A | Gaylord MS, 1816 | 1v | MI |
//15/531//671+6/531//15/531 | 6/8 | Lady Charlott's Delight (t) | DA-E | Johnson CD-6, 1751 | 32 | VN/GF |
//15/531//671+6/531//15/531 | 6/8 | Lady Charlott's Delight (t) | DA-E | Thompson CD-1, 1757 | 17 | VN/GF/OB |
//15/531//671+6/531//15/531// | 6/8 | Lady Charlott's Delight (t) | DA-E | Thompson CD-1a, 1757 | 16 | VN/GF/OB |
//1+/55//317-12/117-6-5-//6-217-1/5-217- 6- |
C | Moorish March In the Opera of the Mountaineers (t) | AI-A | Herrick Preceptor, 1807 | 47 | 2MI,B |
//1+/55//317-12/117-6-5-//6-217-1/5-217- 6-//5- |
C | Moorish March (t) | TW-E | Mountaineers, 1793 | 19 | KB |
//1+/55//317-12/117-6-5-//6-217-1/5-217- 6-//5- |
C | Moorish March, A (t) | AI-A | Musical Rep-1, 1796 | 15 | KB |
//15/531//7-2/27-5-//15/531 | 6/8 | Middlerow Harlequin (t) | AM-A | Aborn MS, 1790 | 25 | MI |
//15/531//7-2/27-5-//15/531// | 6/8 | IC-E | Geoghegan Pastoral, 1746 | 27 | BP | |
//15/531//7-2/27-5-//15/531 | 3/8 | Harlequin In the Mud (t) | DA-E | Johnson CD-2, 1742 | 16 | MI |
//15/531//7-2/27-5-//15/531 | 3/8 | Harlequin In the Mud (t), or Busbys Frolick (at) | DA-E | Walsh CD-3.6, 1754 | 148 | VN/OB/GF |
//15/531//7-2/27-5-//15/531//135 | 6/8 | Harlequin Hermit (t) | IC-E | Delightful-2, 1745 | I,17 | GF |
//15-//531//7-6-4231 | 3/4 | Minuet by Abel(m) (t) | IC-E | Longman Pb, 1778 | 93 | GF |
//15/5321//1+6/5321//15 | C/ | Fye for Shame (t) | DA-E | Longman CD, 1781 | 13 | VN/OB/GF |
//15/5321//1+6/5321//15/5321// | C/ | Fye for Shame (t) | AM-A | Brown, J. MS, 1782 | 1:21 | |
//15-5/321//46/53//24/321// | 3 | Colchester Waits (t) | IC-E | Apollo's Banquet 1-1, 1670 | 84 | VN |
//1+553/22+67//1+553/1+556//1+553/22+67/ / |
C/ | Castle Grant (t) | MS-S | Young MS-3, 1740 | 38 | VN/OB/GF |
//1+553/22+7//1+56/1+2+3+1+//2+1+761+3/2 2+7// |
C/ | Fireside Reel (t) | MS-S | Young MS-2, 1734 | 60v-61r | MI |
//1+5/532//31/123//43/21// | 2/4 | Papillon, Le (t) | DA-G | Gehra CD, 1780 | 8 | 2 VN, 2 GF, 2 FH, B |
//15-/53//23/15-//44/33 | C/ | Barthelmon Duets-3. Marche (t) | AI-A | Barthelemon, 1800 | 8-9 | PF,4 HANDS |
//15-5-3-2-3-/4-222//17-1234/3532//15-5- 3-4-3-/4-222// |
12/8 | Trip to Jamaica, A (t) | DA-E | Walsh CD-3.4, 1747 | 3 | VN/OB/GF |
//1+5/53//2345/31//5671+/65 | C | Duett No.6 (t) | AM-A | Curtiss MS, 1800 | 10-11 | 2VN |
//15-/5-3-//2-3-4-/5-6-7-//15-/5-3- | 6/8 | Welcome the Nation's Guest. Quick Step (t) | AI-A | American Sheet Music | PF | |
//1-5-5-3-/2-3-5-3-//1-6-6-5-/6-5-6-1//1 -5-5-3-/5-6-12 |
C | Mrs. Cloud's Fancy (t) | AM-A | Gaylord MS, 1816 | 23r | MI |
//15-/5-3//25-/5-4//321/7-1 | Aria (t) | AM-A | Hiester MS-2, 1793 | 39 | KB | |
//1+5/53//31/11+//671+/4+3+ | 6/8 | At Morning's Dawn (t) | AI-A | Blake Amus 1, 1824 | 25 | CL |
//1+5/53//31/11+//71+/2+3+ | 2/4 | Divertimento 1. Allegro (t) | IC-E | Rathgen Divs, 1780 | 4 | 2CL,2HN,BS |
//15-/5-3//31/13//21/27-//17-12/11 | 2/4 | Macaroni's Allemand, The (t) | DA-E | Bride CD, 1776 | III,66 | VN/OB/GF |
//15-/5-3/31/13//42/17- | Miss C Ramsay's Fancy (t) | IC-S | Aird 4, 1796 | 38 | FI/GF/VN | |
//1+5/53//31/15-//1/2 | 2/4 | Lee Vendengent (t) | AM-A | Eells MS, 1789 | 37 | MI |
//1+5/53//31/15-//1/2 | 2/4 | French Air (t) | AI-A | Herrick Preceptor, 1807 | 30-31 | MI,B |
//1+5/53//31/15-//1/2// | 2 | Ancienne Dauphine, L' (t) | DA-F | Landrin Potpourri, 1785 | 94 | MI |
//1+5/53//31/15-//1/2 | 2 | Lencienne Dauphine (t) | IC-S | Stewart Airs, 1788 | 1:41 | GF/VN/FI |
//1+5/53//31/15-//1/2 | 2/4 | Vendengewer, Lee (t) | AM-A | Turner MS, 1788 | I,51 | VN |
//1+5/53//31/15-//1/2//3 | C | Rigodon, El (t) | MS-M | Garcia MS, 1772 | 75V [181] | MI |
//15-5-3/3115//1+52+53+54+5/3+1//1+5-5- | C | Overture, The (t) | TW-E | Elopement, 1768 | 2-5 | HA |
//15-/5-3//31/15//43/21 | 2/4 | Milesian, The (t) | DA-E | Thompson CD-4, 1780 | 72 | VN/GF/OB |
//15-/5-3//31/15//43/21// | 2/4 | Milesian, The (t) | DA-E | Thompson CD-4a, 1780 | 72 | VN/GF/OB |
//15-/5-3-//31/15-//53/31 | 6/4 | Air 14 (t) | IC-N | Roger Airs, 1716 | 1:8 | 2CH/TR/OB/VN/FL/CL/HN |
//15-/5-3//31/15//543/231// | 6/8 | Rel, La (t) | MS-M | Garcia MS, 1772 | 2 | MI |
//15-/5-3//31/15//543/432// | 2 | Gasconne (t) | IC-E | Feuillet Further, 1710 | 53-60 | MI |
//15-/5-3//31/15//543/432// | 2 | Gasconne, La (t) | DA-F | Feuillet Recueil, 1706 | 137-144 | MI |
//15-/5-3//31/15//543/432// | C/ | Gas Conne, La [Gasconne] (t) | MS-G | Jayme MS, 1717 | 13 | MI |
//15-/5-3//31/15//543/432// | 2 | Gasconne, La (t) | IC-F | Leclerc Recueil-1, 1729 | 10 | HAF |
//1-5-/53//31/15//543/543// | 6/8 | Quick Step (t) | IC-E | Naval Compendium, 1800 | 5 | 2FL/VN,PF |
//1+553/3115//671+2+3+4+/3+2+5//671+53/6 51+53 |
C | Quite Prodigious (t) | DA-E | Johnson CD-4, 1748 | 64 | VN/GF |
//1+553/3115//671+2+3+4+/3+2+5//671+53/6 71+53// |
C | Quite Prodigious (t) | DA-E | Walsh CD-3.4, 1747 | 8 | VN/OB/GF |
//1+5/53//31/15//671+/4+3+// | 6/8 | No. 3. 1st Set (t) | AI-A | Mann Quadrilles-1, 1825 | 3 | PF,HP |
//1+5/53//313//242//27-5- | 2/4 | Charming Polly, The (t) | DA-E | Johnson CD-8, 1758 | 41 | VN/GF |
//1+55331//3333//4+2+2+775//5555//1+5533 1//3333// |
3/4 | Minuet 4th. (t) | DA-E | Sancho Minuet, 1770 | 4 | HP |
//1+55/331//355/5//131/555 | 6/8 | Cannon for Two Voices (t) | AI-A | Songsters Asst, 1800 | 1 | VO |
//1+55/331//522/7-7-5-//12/3423 | C/ | Commodore Porter's March (t) | AI-A | American Sheet Music | PF | |
//1+55/331//522/7-7-5-//12/3424// | C/ | Commodore Porter's March (t) | AI-A | Johnson, F. Sheet Music | 1-2 | PF |
//1//5/5331//5-/4-//3- | C/ | Concerto 12. Allegro Ma Non Tropo (t) | IC-E | Bremner Mil Con, 1774 | 2OB/CL/FL/VN,2HN,BS | |
1+5/53/321//123//64/42/26-//7-12//24/46/ 53// |
3 | Scotch Tune by Mr. Teenoe (t) | IC-E | Apollo's Banquet 1-8, 1701 | 15r,80 | VN |
//1+5/53+//3+2+1+/71+6//6543/5432// | C | 15th Regmts. Slow March, The (t) | MS-C | Molyneaux MS-1, 1788 | 24 | GF |
//15-/5-3//32/25//57-/43//2 | 2/4 | Duke Upon Duke (t), or Pride Will Have a Fall, (at) | SS-E | SS, Folger-C42.3 | 350 | VO,KB+FL |
//1+5//533//311//15-4-//3-5-1//4-6-2 | 3/8 | Tempo di Minuetto (t) | IC-E | Valentine March, 1787 | 5 | 2VN,2OB/FL,2HN,VA,BF |
//1+55/3346//533/1124//32/354 | C | Blucher's March (t) | AM-A | Canfield MS, 1823 | 30 | 2FL |
//15-5-/3-3-5-5-//11-1-/1-2-//3-2-3-4-/6 -5-4-3- |
C | Favorite March In the Cateract of the Ganges (t) | AI-A | American Sheet Music | KB | |
//1+55/3355//1+11/12//3234/6543 | C | March No.2(index) (t) | AM-A | Canfield MS, 1823 | 114 | FL |
//1+55/3355//1+11/12//3234/6543// | C/ | Slow March, A (t) | MS-S | Fife MS, 1780 | 178,17v | 1FI OR 2FI/VN |
//1+55/3355//1+11/12//3234/6543 | C | Slow March (t) | AI-A | Webb Divs 1, 1828 | 5 | 2CL,2HN,2BS,2FL,FLP,TR,BU, |
//1+55/3355//111/133//422/244 | C/ | Genl Jackson's Grand March. March (t) | AI-A | American Sheet Music | PF/HA | |
//1+55/3355//111/133//422/244 | C/ | Gildon's Grand March (t) | AI-A | American Sheet Music | PF/HA | |
//1+55/3355//1+51+5/1+531//1+ | C/ | March for H. M. Bengal Artillery (t) | IC-E | Williamson Troops, 1798 | PF | |
//15-5-/3-3-5-5-//15-5-/3-3-5-5-//15-1/2 5-2 |
C/ | Anhalt Zerbst March (t) | MS-G | Darmstadt MS 1224 | 92,93,95,106 | 2OB,TR,B |
//15-53//4217-6-5-//15-53//4217-6-5-//15 -3153 |
3/4 | Minuet 15th (t) | IC-E | Reid Minuets, 1781 | 19 | 2VN,B |
//15/53//4231/27-5-//113/223 | 2/4 | Portland Quick Step (t) | AI-A | Robbins D&F, 1812 | 26 | FI |
//15/53//4231/27-5-//113/223// | 2/4 | Torch and Quick Step (t) | AM-A | Washburn MS, 1816 | 1 | GF |
//1/5-5//3423/15-//17-1/6-1 | C | March (t) | AI-A | American Sheet Music | PF | |
//15/53//4231/7-5-//113/223 | 2/4 | Portland Quick Step (t) | AI-A | Robinson Coll, 1818 | 36 | FI,DR |
//15/53//4231/7-5-//113/223 | 2/4 | Portland Quick Step (t) | AI-A | Robinson Coll, 1820 | 50 | MI |
//15/53//4231/7-6-5-//113/223 | 2/4 | Portland Quick Step (t) | AI-A | Hazeltine D&F, 1810 | 21 | FI,DR |
//1+5/53//434/31//23/543 | 6/8 | Nightingale, The (t) | MS-C | Frobisher MS, 1793 | 13 | VO,HA |
//155//34345//654//34345//143//221// | 3/4 | IC-E | Forest Harmony-1, 1733 | 16 | 2HN/GF/TR/VN | |
//155/3455//1234543/25-//1555/5456565 | C/ | Farinelli's Maggot (t) | DA-E | Johnson CD-3, 1744 | 6 | VN/GF |
//155/3455//1234543/25-//1555/5456565 | C/ | Farinellis Maggot (t) | DA-E | Walsh CD-2.2, 1735 | 21 | VO/OB/GF/FL |
//155/3455//1234543/25-//1555/5456565 | C/ | Farinellis Maggot (t) | DA-E | Walsh CD-3.2, 1749 | 21 | VN/OB/GF |
//15/5345//535/53//15/543 | 6/8 | Lady Jane Humes Reel (t) | MS-E | Hammersley MS, 1790 | 57B | MI |
//15/5345//535/53//15/543 | 6/8 | Lady Ann Hambleton's Rant (t) | DA-E | Johnson CD-2, 1742 | 15 | MI |
//15/5345//535/53//15/543// | 6/8 | Lady Ann Hambletons Rant (t) | MS-E | Vickers MS, 1770 | 149 | MI |
//155/3455//65/5432123//412/37-2// | C/ (8/4) | Alman (t) | MS-E | Fitzwilliam MS-2, 1609 | 309 | VI |
//1+5/53//456/5//671+/2+3+4+//3+2+1+ | 6/8 | Seven Stars (t) | DA-E | Rutherf CD-2.1, 1756 | 11 | VN/GF/OB |
//1553/4565//7-224/32//1553/4565 | C | Butter'd Buns (t) | MS-E | Hammersley MS, 1790 | 35B | MI |
//1+5/53//45/67//1+5/53//2 | 2/4 | Are You Sure the News Is True (t) | AM-A | Dawes MS, 1790 | 4 | VO,HA |
//1+553//457/5//671+/2+3+4+ | 6/8 | Seven Stares, The (t) | AM-A | Hawkins MS, 1794 | II,83 | GF |
//1+553/4654//3111/4564//3333/2222 | C | Fishers Hornpipe (t) | AM-A | Clark, I. MS, 1801 | 23 | FI/VN |
//1+55/35//1+11/15//1+53+ | 6/8 | With Early Horn (t) | IC-E | Waylet Oboe, 1745 | 18 | OB |
//1+55/35//1+11/15//1+53+/3+1+5+ | 6/8 | With Early Horn (t) | AM-A | Aborn MS, 1790 | 46-47 | MI |
//1+55/35//1+11/15//1+53+/3+1+5+ | 6/8 | With Early Horn (t) | IC-E | Delightful-1, 1763 | I,14 | GF |
//1+55/35//1+11/15//1+53+/3+1+5+ | 6/8 | With Early Horn (t) | AM-A | Hawkins MS, 1794 | II,43-44 | GF |
//1+55/35//1+11/15//1+53+/3+1+5+// | 6/8 | With Early Horn (t) | AM-A | White, G. MS, 1790 | 36-37 | VN |
//15-5-/3-5-//1112/32//1112/3334 | C | March No.2 (t) | IC-E | Hyde Trumpet, 1798 | 36 | 3TR |
//15/535/11+/15-//15/535 | 12/8 | Kelso Bowlingreen (t) | IC-S | Calvert Coll, 1790 | 19 | V,VC/HA/PF |
//15535//1+2+3+1+//2+5543//432//15535 | 6/8 | Cinter Box (t) | AM-A | Brown, D. MS, 1797 | 9 | FI |
//15535//1+2+3+1+//2+75543//4321//15535 | Cinder Box, The (t) | AM-A | Brown, D. MS, 1797 | 6 | FI | |
//15-/5-3-5-//123/212//15-/5-3-5-// | 6/8 | Chain, The Cotilion (t) | AM-A | New Harmony MS, 1826 | 3 | MI |
//15-/5-3-//5-/12//3/234 | 2/4 | Irish Lilt (t) | DA-E | Thompson CD-2, 1765 | 76 | VN/GF/OB |
//15-/5-3-//5-/12//3/234// | 2/4 | Irish Lilt (t) | DA-E | Thompson CD-2a, 1765 | 74 | VN/GF/OB |
//15-/5-3-5-//12/34//53/123// | 6/8 | No. 1. 2nd Set (t) | AI-A | Mann Quadrilles-2, 1825 | 2 | PF,HP |
//15-/5-3-5-//12/34//53/123 | 6/8 | Dutchess of Gloucester (t) | AI-A | Riley Flute 2, 1817 | 86 | FL |
//15-/5-3-5-//12/34//53/13//2 | 6/8 | Quick Step (t) | AM-A | Hiester MS-2, 1793 | 70 | KB |
//15-5-3-//5-132//3115-//1354//3131 | 2/4 | Duett (t) | IC-E | Longman Oboe, 1770 | 31 | 2OB |
//15-5-3-//5-132//3115-//1354//3131 | 2/4 | Duett (t) | IC-E | Longman Oboe, 1780 | 31 | 2OB |
//15-5-3-/5-13//325/3223//15-5-3-/5-12// |
C/ | Irish Lass, The (t) | MS-E | Vickers MS, 1770 | 152a | MI |
//1553/5151//1553/27-5-7-//1553/5151// | C/ | Heighlander Kisd Hiss Mother, The (t) | MS-E | Vickers MS, 1770 | 27 | MI |
//15-5-/3-5-//1/5-//15-3/315 | 6/8 | Early Horn, The (t) | IC-E | Longman Horn, 1785 | 30-31 | 2HN |
//15-5-/3-5-//1/5-//15-3/315 | 6/8 | Early Horn, The (t) | IC-E | Simpson Horn, 1745 | 22-23 | 2HN |
//15-5-/3-5-//1/5-//15-3/315 | 6/8 | Early Horn, The (t) | IC-E | Thompson Horn, 1755 | 22-23 | 2HN |
//15/53//51/53//15/53 | 2/4 | Highlandman Kiss'd His Mother, The (t) | IC-S | Aird 1, 1782 | 32 | FI/VN/GF |
//15/53//51/53//15/53// | 2/4 | Highland Man Kissd His Mother, The (t) | MS-S | Fife MS, 1780 | 921,98r | 1FI OR 2FI/VN |
//1553/5153//1553/27-5-7-//1553 | C/ | Highland Man Kiss's His Mother, The (t) | DA-E | Rutherf CD-2.2, 1760 | 99 | MI |
//1553/5153//1553/27-5-7-//1553/5153// | C/ | Highland Man Kiss'd His Mother, The (t) | AM-A | Hoff MS, 1797 | No. 82 | GF |
//15-/5-3-5-//15-/5-3-5-//13/24// | 6/8 | Leith Races (t) | AM-A | Winnington MS, 1810 | 22 | KB |
//1+5/535//1+/56//74/424// | 6/8 | My Wife's a Wanton We Thing (Old Scotch) (t) | DA-E | Wilson Companion, 1816 | 52 | MI |
//1+55/353//111/143//222/257- | C/ | Marcia (t) | MS-E | Miscellany MS, 1810 | 2CL,2HN,BS | |
//1+/55//353/135//1+53+/2+54+ | 2/4 | Marche du Bataillon (t) | IC-N | Hummel Div Mil, 1770 | 3 | 2FL |
//15-5-3-/5-32//16-6-5-/6-16-//5-6-11/23 56 |
C | O Mary Turn Awa (t) | SC-S | Scots MM-6, 1803 | 560 | VO,PF |
//1+5//53//53333//3151+//1+76567 | 3/8 | Dance for Waltzing. 9th Part (t) | AI-A | American SS-SM | 2 | KB |
/1+5//53/5432//15-/5-131//2345/6424// | 2 | Genlis, La. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 197 Feuille | MI |
//1+5/53//5/43//42/45 | C/ | Saint Andrew's Day (t) | DA-E | Walsh CD-3.6, 1754 | 44 | VN/OB/GF |
//1+55/355//111/1231//422/7-22 | C | Orderly March, The (t) | IC-S | May Marches, 1800 | 7 | PF |
//15-5-/3-5-5-//111/12//31/4321 | C | Virginia March (t) | AI-A | Balls Amus 1, 1815 | 30 | FL/FI/VN |
//1+55/355//1+11/15-//12/3453 | C | Bonapartes March (t) | AI-A | American Sheet Music | PF | |
//15-5-//3-5-5-//131//21232//15-5-//131/ / |
3/4 (ed) | Minuet (t) | IC-E | Theater Musick-2, 1699 | 21 | VN |
//1+55/355//1+3+2+/3+3+//2+77/1+66 | 6/8 | Heigh-Ho (t) | SS-E | SS, Boston PL-2 | 241 | VO,KB+GF |
//1+55/355//1+55/3+1+1+//2+55/355 | 6/8 | Grand Turks Dance, The (t) | DA-E | Thompson CD-5, 1788 | 9 | VN/GF/OB |
//1+55/355//1+55/3+1+1+//2+55/355// | 6/8 | Grand Turks Dance, The (t) | DA-E | Thompson CD-5a, 1788 | 9 | VN/GF/OB |
//1+55/355//1+55/35-5-//1/2 | French Guards March (t) | AM-A | Williams, J. MS, 1799 | 55-56 | 2CL | |
//1+55/355//1+55/35-5-//15-5-/12// | C/ | French Slow March, A (t) | MS-S | Fife MS, 1780 | 866,93r | 1FI OR 2FI/VN |
//1+5/5//35/5//16/54 | C/ | Molly Lamb (t) | DA-E | Johnson CD-3, 1744 | 94 | VN/GF |
//1+5/5//35/5//16/54 | C/ | Molly Lamb (t) | DA-E | Walsh CD-3.5, 1754 | 100 | VN//OB/GF |
//1+55/355//311/13+4+//5+3+1+/4+2+3+1+ | C | Siege of Valenciennes, The. March of the British Forces (t) | IC-E | English Sheet Music | 13 | PF |
//1+55/355//311/7-221//7-25/7-16- | 6/8 | Mill Clapper, The (t) | AM-A | Otis MS, 1793 | 32 | VN/FL |
//1+55/355//311/7-221//7-25/7-16- | 6/4 | Miller, The (t) | AM-A | Pickman MS, 1785 | 35 | KB |
//1+55/355//311/7-221//7-25/7-16-// | 6/8 | Mill Clapper (t) | AM-A | White, G. MS, 1790 | 31 | VN |
//15/535/53//15/535/671+5//1 | 3/9 | Bishop of Chester's Jigg (t) | PL-E | Playford 1-09, 1698 | I,10 | VN/FL |
//15/535/53//15/535/671+5//1 | 9/4 | Bishop of Chester's Jigg, The (t), or Fit's Come on Me Now, The (at) | PL-E | Playford 1-14, 1709 | 132 | VN |
//15/535/53//15/535/671+5//15 | 3/9 | Bishop of Chester's Jigg (t) | PL-E | Playford 1-11, 1701 | I,202 | VN |
//15/535/53//15/535/671+5//15 | 9/4 | Bishop of Chester's Jigg (t) | PL-E | Playford 1-12, 1703 | 202 | VN |
//15/535/53//15/535/671+5//15 | 9/4 | Bishop of Chester's Jigg (t) | PL-E | Playford 1-13, 1706 | 202 | VN |
//15/535/53//15/535/671+5//15 | 9/4 | B. of Chesters Jigg, The (t), or Fit's Come on Me Now, The (at) | PL-E | Playford 1-15, 1713 | 132 | VN |
//15/535/53//15/535/671+5//15 | 9/4 | B. of Chesters Jigg, The (t), or Fit's Come on Me Now, The (at) | PL-E | Playford 1-16, 1716 | 132 | VN |
//15/535/53//15/535/671+5//15 | 9/4 | B. of Chester's Jigg, The (t), or Fit's Come on Me Now, The (at) | PL-E | Playford 1-17, 1721 | 132 | VN |
//15/535/53//15/535/671+5//15 | 9/4 | B. of Chester's Jigg, The (t), or Fit's Come on Me Now, The (at) | PL-E | Playford 1-18, 1728 | 132 | VN |
//15/535/53//15/535/671+5//15/535/67 | 9/4 | Bishop of Chester's Jigg (t), or Fit's Come on Me Now, The (at) | DA-E | Walsh CD-1.1, 1718 | 145 | VN/OB/FL |
//15/535/53//15/535/671+5//15/535/67 | 9/4 | Bishop of Chester's Jigg (t), or Fit's Come on Me Now, The (at) | DA-E | Walsh CD-2.1, 1731 | 106 | VN/OB/GF/RC |
//15/535/53//15/535/671+5//15/535/67 | 9/4 | Bishop of Chester's Jigg (t), or Fit's Come On Me Now, The (at) | DA-E | Walsh CD-3.1, 1754 | 148 | VN/OB/GF |
//15/535/53//15/5367/1+5//15/535/67 | 3/4 | Air 16 (t) | BA-E | Momus Turnd Fab, 1729 | 26 | VO |
//1+5/53//5/53+2+//1+6/61+51+// | C/ | My Dearie and Thu Die (t) | IC-E | Scotch Tunes (Y), 1720 | 11 | VN |
//1+5/535/535//1+1+/1+2+3+/2+1+//1+6/535 /567 |
9/8 | Andrew Cary a Gigg (t) | AM-A | Thompson MS, 1777 | 44 | FI |
//1+5/535/535//1+1+/1+2+3+/2+7 | 9/8 | Lowland Laddie (t) | AM-A | Turner MS, 1788 | I,26B | VN |
//1+5/535/535//1+1+/1+2+3+/2+7//1+6/535/ 567 |
12/8 | Lowland Laddie (t) | AM-A | Eells MS, 1789 | 17 | MI |
//1+5/535/535//1+5/535/42// | 9/8 | Vestris Jigg (t) | DA-E | Skillern CD, 1782 | 7 | MI |
//15/535//535/53//135/543 | 6/8 | Lady Home's Jig (t) | AM-A | Beach MS, 1801 | 19 | MI |
//15535/53553//15543/23246-// | 12/8 | Lady Jean Hume's Reel (t) | MS-S | Young MS-1, 1734 | 16v-17r | MI |
//1+5/535//535/53+2+//1+5/543 | 6/8 | Irish Lawyer, The (t) | DA-E | Johnson CD-7, 1756 | 5 | VN/GF |
//1+5/535//535/53+2+//1+5/543 | 6/8 | Irish Lawyer, The (t) | DA-E | Thompson CD-1, 1757 | 47 | VN/GF/OB |
//1+5/535//535/53+2+//1+5/543// | 6/8 | Irish Lawyer, The (t) | DA-E | Thompson CD-1a, 1757 | 46 | VN/GF/OB |
//1+5/535//535/53+2+//1+5/543 | 6/8 | Savoyards Frolic, The (t) | DA-E | Thompson CD-5, 1788 | 10 | VN/GF/OB |
//1+5/535//535/53+2+//1+5/543// | 6/8 | Savoyards Frolic, The (t) | DA-E | Thompson CD-5a, 1788 | 10 | VN/GF/OB |
//15/535//535/65//15/543// | 6/8 | Giga (t) | MS-E | Malecot MS, 1779 | 10 | VN |
//15/535//536/53//15/535 | 6/8 | Lady Jean Koom's Reel (t) | MS-S | Gillespie MS, 1768 | 105 | VN |
//1+55/3554//311/7-221//7-25/7-16- | 6/8 | Miller's Asleep In His Mill, The (t) | AM-A | Hosmer MS, 1798 | 24 | MI |
//1+55/35//5444/44//3555/6543// | C | Marsch des Illyrischen Infanterie-Regimentes Franz Mauritz Graf Lacsy (t) | IC-G | Amon Marches, 1794 | 10 | PF |
//15-5-3-/5-5-//5-113/15-//5-112 | C | Song of Diana, The (t) | SS-E | SS, Folger-C42.2 | 211 | VO,KB+F |
//15-5-3-/5-5-//5-113/15-//5-112 | C | Song of Diana, The (t) | SS-E | SS, New York PL-C695 | 64,1-2 | VO,HA |
//15-5-3-/5-5-//5-113/15-//5-112/3 | C | With Horns and with Hounds (t) | SC-E | Vocal Music, 1775 | 140-143 | VO/VN/GF |
//15-5-3-/5-5-//5-113/15-//5-112/321 | C | With Horns and with Hounds (t) | SC-E | Clio-3, 1762 | 108-111 | VO,HAF |
//15-5-3-/5-5-//5-113/15-//5-112/3531 | C | Song of Diana, The (t) | IC-E | Thompson Hunting, 1770 | 1:32-33 | VO/HAF/VN/GF |
//1+5/535//565/543//1+3/323// | 6/8 | Money In Both Pockets. A Quick Step (t) | MS-S | Fife MS, 1780 | 341,35v | 1FI OR 2FI/VN |
//1+5/5//35/5//67/1+2+// | 2/4 | Bonaparty In a Knapsack (t) | MS-S | Fife MS, 1780 | 778,85r | 1FI OR 2FI/VN |
//15/535/61+//15/543/21 | 6/8 | Jamy Come Try Me-2 (t) | IC-E | Caledonian PC, 1760 | II,34 | GF |
//15/535/61+//15/543/21// | 2/4 [=9/8] | Lasses of Sterling (t) | MS-E | Vickers MS, 1770 | 57 | MI |
//15/535//61+3/21//15/535// | 6/8 | Sham Boy, The (t), or Marquis of Granby, The (at) | MS-E | Vickers MS, 1770 | 36 | MI |
//15/535//61+3/21//1+76/531 | 6/8 | Trip to the Spaw (t) | DA-E | Johnson CD-7, 1756 | 29 | VN/GF |
//15/535//61+6/531//15/535// | 6/8 | Over the Water to Charly (t) | AM-A | Hoff MS, 1797 | No. 6 | GF |
//1+553+5//61+72+1+//2+4+3+2+1+//2+1+765 //2+552+5//3+553+5// |
3/4 | Minuet 6 (t) | DA-E | Sancho Minuet/Cot/Dance, 1767 | 7 | HP |
//15/535//646/1+//15/531 | 6/8 | Vicar & Moses (t) | DA-E | Thompson CD-3, 1773 | 93 | VN/GF/OB |
//15/535//646/1+//15/531// | 6/8 | Vicar & Moses (t) | DA-E | Thompson CD-3a, 1773 | 96 | VN/GF/OB |
//15/535//646/5//424/313 | 6/8 | Cotillon (t) | IC-E | Longman Horn, 1785 | 23 | HN |
//1+5/53//56/51+//1+5/53 | 2/4 | Quick Step 2 (t) | IC-S | Corri Marches, 1791 | 2 | HA/PF |
//1+553/56//531+3/25//3556/51+1+2+//3+1+ 71+ |
C/ | Strephon and Celia (t) | SC-E | Watts MM-6, 1731 | 100-101 | VO,HA |
//1+5/535//65/535//1+5/535// | 6/8 | Miss Thorps Fancey (t) | MS-S | Fife MS, 1780 | 791,86v | 1FI OR 2FI/VN |
//1+5/535//65/535//1+5/543 | 6/8 | Miss Sharp's Fancy (t) | IC-S | Aird 4, 1796 | 43 | FI/GF/VN |
//1+5/53//56/561+2+//3+2+1+7/6765 | 2/4 | My Dearie An Thou Die (t) | IC-S | Aird 2, 1785 | 70 | FI/VN/GF |
//1+5/53//56/561+2+//3+2+1+7/6765// | 2/4 | My Dearie an thou die (t) | MS-C | Molyneaux MS-2, 1788 | 44 | 1 OR 2 GF |
//15/535//671+1/21//15/535 | 6/8 | Shamboy (t) | DA-E | Thompson CD-1, 1757 | 39 | VN/GF/OB |
//15/535//671+3/21+ | 6/8 | Shambuy (t) | DA-E | Rutherf CD-1, 1750 | 1 | VN/FL/OB,HAF |
//15/535//671+3/21//15/535 | 6/8 | Marquis of Granby. Shambuy (t) | IC-S | Aird 1, 1782 | 34 | FI/VN/GF |
//15/535//671+3/21//15/535// | 6/8 | Shambuy (t) | IC-E | Bremner Recorder, 1765 | 23 | FL |
//15/535//671+3/21//15/535 | 6/8 | Merry Traveler (t) | MS-E | Hammersley MS, 1790 | 90 | MI |
//15/535//671+3/21//15/535 | 6/8 | Quick March (t) | IC-E | Hinde 1, 1770 | 7 | GF/VN/OB |
//15/535//671+3/21//15/535 | 6/8 | Pot Stick (t) | DA-E | Johnson CD-4, 1748 | 11 | VN/GF |
//15/535//671+3/21//15/535 | 6/8 | Shamboy (t) | DA-E | Johnson CD-7, 1756 | 90 | VN/GF |
//15/535//671+3/21//15/535// | 6/8 | Shambuy (t) | MS-E | Malecot MS, 1779 | 8 | VN |
//15/535//671+3/21//15/535 | 6/8 | Shambuy (t) | DA-E | Rutherf CD-2.2, 1760 | 55 | MI |
//15/535//671+3/21//15/535 | 6/8 | Shamby (t) | MS-E | Shepherd MS, 1787 | 28 | MI |
//15/535//671+3/21//15/535// | 6/8 | Shamboy (t) | DA-E | Thompson CD-1a, 1757 | 41 | VN/GF/OB |
//15/535/671+3/21//15/535 | 6/8 | Sham-buy (t), or Irish Lilt, The (at) | DA-E | Walsh CD-3.6, 1754 | 70 | VN/OB/GF |
//15/535//671+3/21//15/535// | 6/8 | Over the Water to Charlie (t) | AM-A | Winnington MS, 1810 | 4 | KB |
//15/535//6713/21//15/535//6 | 6/8 | Shamby (t) | AM-A | Simpson MS, 1750 | I,8 | FL+FL |
//15/535//671+3/21//15/535//61+ | 6/8 | Over the Water (t) | IC-E | Thompson Record, 1768 | 20 | RC |
//15-/5-3-5-//6-7-1/4-3-//2-3-4-/3-2-1- | 6/8 | Rewellige (t) | MS-G | Darmstadt MS 1224 | 334 | MI |
//15/535//671+/531//15/535// | 6/8 | Charley (t) | AM-A | Duport MS-2, 1800 | 27v | VN |
//15/535//671+6/531//15/535 | 6/8 | Over the Water to Charley (t) | AI-A | Hulbert Fife, 1811 | 18 | FI |
//1+5/535//671+/72//21/432 | 6/4 | Katy's Beauty. on Madam K. W. (t) | SC-E | Pills 4, 1719-20 | 66 | VO |
//1+5/535//671+/72//21/432 | Scotland (t) | PL-E | Playford 1-10, 1698 | 199(202) | VN | |
//1+5/535//671+/72//21/432 | 6/4 | Scotland (t) | PL-E | Playford 1-11, 1701 | I,19 | VN |
//1+5/535//671+/72//21/432 | 6/4 | Scotland (t) | PL-E | Playford 1-13, 1706 | 19 | VN |
//1+5/535//671+72//21/432// | 6/4 | Escossoise, L' (t) | IC-N | Pointel Recueil, 1688 | 14 | MI/B |
//1+5/535/671+//72/21/432//1+ | 9/4 | Scotland (t) | PL-E | Playford 1-12, 1703 | 19 | VN |
//1+5/535/671+//72/23/432//1+ | 9/4 | Scotland (t) | PL-E | Playford 1-14, 1709 | 19 | VN |
//1+5/535/671+//72/23/432//1+ | 9/4 | Scotland (t) | PL-E | Playford 1-17, 1721 | 19 | VN |
//1+5/535/671+//72/23/432//1+ | 9/4 | Scotland (t) | PL-E | Playford 1-18, 1728 | 19 | VN |
//15/535/671+//72/23/432//1+5 | 9/4 | Scotland (t) | PL-E | Playford 1-15, 1713 | 19 | VN |
//15/535/671+//72/23/432//1+5 | 9/4 | Scotland (t) | PL-E | Playford 1-16, 1716 | 19 | VN |
//1+5/535/671+//72/23/432//1+5/535/671+ | 9/4 | Scotland (t) | DA-E | Walsh CD-1.1, 1718 | 33 | VN/OB/FL |
//1+5/535/671+//72/23/432//1+5/535/671+ | 9/4 | Scotland (t) | DA-E | Walsh CD-2.1, 1731 | 137 | VN/OB/GF/RC |
//1+5/535/671+//72/23/432//1+5/535/671+ | 9/4 | Scotland (t) | DA-E | Walsh CD-3.5, 1754 | 75 | VN//OB/GF |
//1+5/535//676/567//1+2+3+/4+3+ | 6/8 | Venus's Girdle (t) | DA-E | Thompson CD-7.1, 1797 | 6 | MI |
//15/535//771+6/531//15/535 | 6/8 | Shamboy (t) | AI-A | Hulbert Fife, 1807 | 17 | FI |
//1+553//64-21//7-25-7- | 2/4 | Albany Volunteer's Quick March (t) | AI-A | Martial Music, 1807 | 41 | 2CL/2OB,BS |
//15/536/531//46-/6-7-1/7-5-7-// | 9/8 | Galea, La (t) | MS-M | Garcia MS, 1772 | 79 | MI |
//1+5/53//666/61+//1+5/53 | 2/4 | Trip to the North (t) | DA-E | Johnson CD-8, 1758 | 59 | VN/GF |
//15-/5-42//3531/217-6-//5-53/217-6-// | Mills Hornpipe (t) | MS-E | Vickers MS, 1770 | 127 | MI | |
//1+5/54//31/12//35/31 | 2/4 | Banks of Tweed (t) | DA-E | Skillern CD, 1780 | 86 | VN/GF/OB |
//1+5/54//31/12//35/31// | 2/4 | Banks of Tweed (t) | DA-E | Straight & Skillern CD, 1775 | 8 | VN/GF/OB |
//1+5/54//31/15//1+/2+// | 2/4 | Quick Step, A (t) | MS-S | Fife MS, 1780 | 522,55r | 1FI OR 2FI/VN |
//1+5/54//31/15//1+/2+1+2+ | 2/4 | Warbler. C. D., The (t) | AM-A | Cary MS, 1797 | 45 | VN |
//1+5/54//31/15//1+/2+1+2+ | 2/4 | Warbler, The (t) | AM-A | Kingsley MS, 1795 | I,45 | MI |
//1+554/3115//671+2+3+4+/3+2+5//671+53 | C/ | Quite Prodigious (t) | DA-E | Rutherf CD-2.1, 1756 | 43 | VN/GF/OB |
//1+554/3115//671+2+3+4+/3+2+5//671+53/6 71+53 |
C/ | Quite Prodigious (t) | MS-E | Hammersley MS, 1790 | 74B | MI |
//1+554/3115//671+2+3+4+/3+2+5//671+53/6 71+53 |
C/ | Quite Prodigious (t) | MS-E | Rainstorp MS, 1747 | 13 | MI |
//1554/311//6-221/7-5-5-//5654/3113 | C | Barney Leave the Girls Alone (t) | AI-A | Riley Flute 2, 1817 | 47 | FL |
//15/54//3/123//42/31 | 2/4 | Holden's Favorite Quick March (t) | AI-A | Whiteley Prec, 1816 | 36 | CL,OB,FL,BS |
//1+554//3123//43/2 | C | Barbadoe's (t) | AM-A | Cary MS, 1797 | 115 | VN |
//15/54//3/13//42/31 | 2/4 | Quick March (t) | IC-I | Holden Marches, 1795 | 10-11 | VN,PF |
//1+/554//31/3453//1+3/32+ | C/ | Coffee and Tea (t) | MS-E | Hammersley MS, 1790 | 35B | MI |
//1+/554//31/3453//1+3/32+ | C/ | Coffee and Tea (t) | DA-E | Johnson CD-3, 1744 | 54 | VN/GF |
//1+/554//31/3453//1+3/32+ | C/ | Coffee and Tea (t) | DA-E | Walsh CD-2.4, 1747 | 193 | MI |
//1+/554//31/3453//1+3/32+// | C/ | Coffee and Tea (t) | DA-E | Walsh CD-3.4, 1747 | 193 | VN/OB/GF |
//1+5/543//1+5/543//671+/543// | 6/8 | Rosiere, La (t) | MS-F | 4 Comtesses MS, 1775 | 8v-9r | MI |
//1+5//54//32//1 | C | Amid a thousand racking woes (fl) | TW-E | Artaxerxes, 1762 | 17-21 | VO,HA |
//1//554//32/1 | C/ | Song, A (t) | SS-E | SS, Folger-C42.4 | 360 | VO,KB+FL |
//1+5/54//32/11//12/34//5 | C | Air 10 (t) | BA-E | Decoy, 1733 | T13-14M3 | VO |
//1+554/3211//1234/55//51+1+1+/1+ | C | Stagg Chace, The (t) | SS-E | SS, Harvard | 1 | VO |
//1+5/54//3/21//12/34 | C/ | Air 8, Act I (t) | BA-E | Beggar's Wed, 1729 | T23-24M2 | VO |
//1+5/54//3/21//12/34 | A Beging We Will Go (t) | MS-E | Hammersley MS, 1790 | 56 | MI | |
//1+5/54//3/21//12/34 | /C | Air 10 (t) | BA-E | Quaker's Opera, 1728 | 18 | VO |
//1+5/54//321//12/34 | C/ | Jovial Crew, The (t) | DA-E | Walsh CD-2.3, 1735 | 215 | VN/OB/GF/CF |
//1+5/54//321//12/34 | C/ | Jovial Crew, The (t) | DA-E | Walsh CD-3.6, 1754 | 131 | VN/OB/GF |
//1+5/54//321//12/34 | C/ | Jovial Crew, The (t) | DA-E | Walsh NCDM-3, 1728 | 146 | VN/OB/FL |
//1+5/54//3/21//12/34// | 2/4 | There was a Jovial Beggar (t) | AM-A | White, G. MS, 1790 | 46 | VN |
//1+5/54//3/21+//1+2/34//5 | C | Air 17 (t) | BA-E | Lovers Opera, 1730 | 20 | VO |
//1+5/54//3/21//12/34//5 | C | Jovial Beggars (t) | IC-E | Simpson Record, 1745 | 10 | RC |
//1+554/321//1234/5//1+1+1+/1+1+1+ | C/ | Song, A (t) | SC-E | Pills 3, 1719-20 | 265-6 | VO |
//1+554/321//1234/5//1+1+1+/1+1+2+ | C/ | Toping Song, A (t) | SC-E | Pills 6, 1719-20 | 200-1 | VO |
//1+554/321//1234/55//51+1+1+/1+1+ | C/ | Air 51 (t) | BA-E | Polly, 1729 | T55M21-2 | VO,B |
//1+5/54//3/21//12/34//6 | C | Air 8 (t) | BA-E | Don Quixote Eng, 1734 | 29-30 | VO |
//1554321//15671+//22+2+1+765 | 3/2 | Air 49 (t) | BA-E | Jovial Crew, 1731 | 62 | VO |
//155/4321//156/71+//22+2+/1+765 | 3/2 | Air 37 (t) | BA-E | Silvia, 1731 | 41 | VO |
//15/54//3/21//17-/16-//4 | C | Air 41 (t) | BA-E | Decoy, 1733 | T54M13 | VO |
//1+554/321//22+2+3+/4+3+2+3+//1+654/31+ 1+6// |
C/ | Captain Lockard's Real (t) | MS-E | Vickers MS, 1770 | 14 | MI |
//15/54//32/12//35-/5-7- | C/ | Kensington-Court (t) | PL-E | Playford 1-09, 1695 | 161 | VN |
//1+5/54//32/15-//11/1234 | C | Old England great in arts and arms (fl) | TW-E | Highland Reel, 1788 | 42-43 | VO,KB |
//1+5/54//32/154//33/31+7// | C/ | Gauot (t) | IC-E | Theater Musick-2, 1699 | 29 | VN |
//1+55432/15//6 | 6/8 | Blessing on Brandy and Beer, A (t), or Favorite Song In the Magician No Con | AI-A | Musical Rep-1, 1796 | 6-7 | VO,KB |
//1+5/54/321/5//63/21/ | 12/8 | Favourite Air In the Opera of Ptolomy, A (t) | IC-E | Prelleur Modern, 1731 | 38-39 | RC |
//15-54//3215//676543//23217-2//5-17-2// 5- |
3/4 | No.1 (t) | MS-G | Darmstadt MS 1188 | 3R | 2OB,2HN,TR,B |
//1+5/54//32/165//6565/6 | C/ | Eccles's Maggot (t) | PL-E | Playford 2-3, 1718 | 117 | VN |
//1+5/54//32/165//6565/6 | C/ | Eccles's Maggot (t) | PL-E | Playford 2-4, 1728 | 117 | VN |
//1+5//54//32/165//6565/6543 | C/ | Eccles's Maggot (t) | PL-E | Playford 2-1, 1713 | 117 | VN/OB |
//1+5//54//32/165//6565/6543 | C/ | Eccles's Maggot (t) | PL-E | Playford 2-2, 1714 | 117 | VN/OB |
//1+5/54//32/165//6565/6543 | C/ | Eccle's Maggot (t) | DA-E | Walsh CD-1.2, 1719 | 136 | VN/OB |
//1+5/54//32/165//6565/6543 | C/ | Eccles's Maggot (t) | DA-E | Walsh CD-3.6, 1754 | 113 | VN/OB/GF |
//1+5//54//32/165//6565/6543 | C/ | Eccles Magot (t) | DA-E | Walsh NCDM-2, 1710 | 126 | VN/OB/FL |
//1+5/54//3/2//17-12/11+// | 2 | Cephise, La (t) | IC-F | Leclerc Recueil-2, 1737 | 99 | HAF |
//15/54//32/17//1+2+1+/765 | 6/8 | Air 54 (t) | BA-E | Silvia, 1731 | 63 | VO |
/15//543/217-//15-/15//543/ | 2/4 | Rondo: Allegro (t) | IC-E | Welcker Cots, 1768 | 9 | GT |
//15/54//32//17-/16- | C | Air 2, Act Ii (t) | BA-E | Beggar's Wed, 1729 | T27M6 | VO |
//15/54//32//17-/16-//4 | C | Roger and Nell (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//15/54//32//17-/16-//4 | C | Young Roger of Ye Vale (t) | SS-E | SS, Harvard | 1 | VO+FL |
//15/54//32//17-/16-//43 | C | Young Roger of the Vale (t) | SS-E | SS, Folger-C42.3 | 529 | VO+FL |
/15//5/4321//7-5-/17-1//21/43// | 2/4 | Guirlandes, Les. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 25 Feuille | MI |
/15//5/4321//7-5-/17-1//21/43// | 2/4 | Guirlandes, Les. Contre-Danse Française (t) | DA-F | Landrin CD BN, 1775 | 25 Feuille | KB |
//1+5/54//32/21//12/34//5 | C/ | Lord Mayor's Day. Air 4 (t) | SS-E | SS, Harvard | 4 | VO,KB |
//15/543//22+//2+1+7//1+ | C | Overture (t) | TW-E | Enchanter, 1760 | 1-5 | 2VN,VA,B |
//15-/5-4-3-//2-2/23//46-/21 | C | Bonny Jaime O' (t) | DA-E | Bride CD, 1776 | I,9 | VN/OB/GF |
//15/5432//24/4323//1117-6-/5-5-5-5- | C | Troop March Composed for the Berkshire Militia (t) | IC-E | English Sheet Music | 4 | 2CL,2HN,TR,2BS+ |
//1+5/54//323/15//1+71+ | 6/8 | Oxford Bowlers, The (t) | SS-E | SS, Folger-C42.4 | 410 | VO,KB+FL |
//1+5/54//32+3/15//1+71+/62+1+ | 6/8 | Oxford Bowlers, The (t) | SS-E | SS, Folger-C42.1 | 238 | VO,KB+FL |
//1+5/54//323/15//1+71+/63+1+ | 6/8 | Oxford Bowlers, The (t) | PL-E | Playford 3-2, 1726 | 124 | VN |
//1+5/54//323/15//1+71+/63+1+ | 6/8 | Oxford Bowlers, The (t) | DA-E | Walsh NCDM-3, 1728 | 84 | VN/OB/FL |
//1/55//43231/7-1217-6-//5/22 | C/ | Marche Militaire (t) | IC-F | French Sheet Music | 2FLP,2CL,TR,2HN | |
//1+5/5432//323/15//65/43 | 6/8 | Vigaterung (t) | MS-G | Darmstadt MS 1224 | 166 | MI |
//1+5/5432//323/15//65/43 | 6/8 | Viegatterung (t) | MS-G | Darmstadt MS 1224 | 337 | MI |
//15/543//23/4//321/123 | 6/8 | Bonny Lass (t) | DA-E | Johnson CD-1, 1740 | 54 | MI |
//15/543//23/4//321/123 | 6/8 | Bonny Lass (t) | DA-E | Walsh CD-2.3, 1735 | 260 | VN/OB/GF/CF |
//15/543//23/4//321/123 | 6/8 | Bonny Lass (t) | DA-E | Walsh CD-3.3, 1749 | 200 | VN/OB/GF |
//1+5/543//234/4654 | C/ | Song 5 (t) | SS-E | SS, Folger-C52 | 178,2 | VO,B |
//1+5/543//234/4654//3567/1+543 | C | Come Ye Party Jangling Swains (t) | AM-A | Turner MS, 1788 | I,43 | VN |
//1+5/543//234/4654//3567/1+564 | C | Invitation, The (t) | SC-E | Clio-4, 1778 | 80 | VO,HAF |
//1+5/543//234/4754//3567/1+564// | C/ | Invitation, The (t) | AM-A | Brown, J. MS, 1782 | 1:10 | |
//15/54//32/34//52//1 | 2/4 | Burea de Overnia (t) | MS-M | Garcia MS, 1772 | 72 [175] | MI |
/15//543/2345//31/15//567/ | 2 | Gentil, La, Prosigue (t) | DA-P | Ferriol Reglas-1, 1745 | IV:70 | MI |
/15//543/2345//31/15//567/ | 2 | Gentil, La, Prosigue (t) | DA-P | Ferriol Reglas-2, 1745 | 70 | MI |
/15//543/2345//3/2123//14/ | 2 | MS-C | Trois-Rivieres MS, 1768 | 22 | MI | |
//15/543//237-/15-//15/543 | 2/4 | Oak's, The (t) | DA-E | Thompson CD-4, 1780 | 29 | VN/GF/OB |
//15/543//237-/15-//15/543// | 2/4 | Oak's, The (t) | DA-E | Thompson CD-4a, 1780 | 28 | VN/GF/OB |
/15//54/32/43/21//2/ | 2/4 | Enfantine, L' (t) | AM-A | Duport MS-2, 1800 | 10v | VN |
//15/54//324/3217-//1 | C/ | Madman thus at times we see, The (fl) | TW-E | Maid/Mill, 1765 | 22-23 | VO,HAF |
//15/543//24/432//33/35 | Duke Hulisetons March (t) | AM-A | Shattuck MS, 1801 | 19 | MI | |
//1+5/543//24/461+//5432/3513//323 | 2/4 | Nancy of the Vale (t), or Pastoral Ballad, A (at) | AI-A | American SS-SM | 1-2 | VO,KB |
//1/5-//5/43//2/5-//117-/6-4-//44- | 2/4 | No no thou vain deceiver (fl) | SS-E | SS, Folger-C42.3 | 101 | VO,KB+FL |
//15//543//26//61+//15//5345// | C3 | Mr. Dyer's Scotch Tune (t) | IC-E | Apollo's Banquet 1-5, 1687 | B6 | VN |
//15//543//26//61+//15//5345// | 3 | Scotch Tune, A (t) | IC-E | Apollo's Banquet 1-7, 1693 | 44 | VN/FL |
//15/543//26/671+//134/535 | 6/8 | Song 252 (t), or We're Gaily Yet (at) | SC-E | Calliope, 1788 | 466 | VO |
//15/543//26/671+//134/535 | 6/8 | We're Gayly Yet (t) | DA-E | Johnson CD-5, 1750 | 25 | VN/GF |
//15/543//26/671+//134/535// | 6/8 | We're Gayly Yet (t) | DA-E | Universal Magazine | 185, 1749 | MI |
//15/543//26/671+//134/535//15 | 6/8 | We're Gayly Yet (t) | SS-E | SS, Harvard | 1 | VO,B |
//15/543//26/671+//134/535//15 | 6/8 | We're Gayly Yet (t) | SS-E | SS, Harvard | 1,DUP | VO,B |
//15/543//26/671+//13/535 | 6/8 | Song 140, Part 1 (t) | SC-E | Convivial, 1782 | 276 | VO |
//1+5/54//33/21//12/34//5 | 2/4 | Song 158 (t) | SC-E | Convivial, 1782 | 314-315 | VO |
//1+5/54//33/21//12/34//5 | 2/4 | A Fighting He Will Go (t) | SS-E | SS, Harvard | 1 | VO,KB |
//1+5/54//33/21//12/34//5 | 2/4 | A Sailing We Will Go (t), or Favourite Sea Song, A (at) | SS-E | SS, Harvard | 1 | VO,KB+GT |
//1+5/543//321/15//1+76/765//55 | C/ | Strephon and Flavia (t) | SC-E | Watts MM-6, 1731 | 24-25 | VO,HA |
//15/54//332//11+7//665//443 | 2/4 | Duett by Mr. Festing (t) | IC-S | Stewart Marches, 1761 | 53 | 2VN/GF/OB |
//1/5543//3/2//123/21//2/5-// | 2/4 | Huson Tattoo, The (t) | MS-S | Fife MS, 1780 | 57,6v | 1FI OR 2FI/VN |
//1+5/54//3/32//12/34// | C/ | Huntsmans Delight, The (t) | AM-A | Brown, J. MS, 1782 | 1:52 | |
//1+5/54//3/32//12/34 | C/ | Huntsman's Delight, The (t) | SC-E | Muses Delight, 1754 | 210-211 | VO,HA |
//1+5/54//3/32//12/34//5 | C/ | Stag Chace, The (t) | SC-E | Watts MM-6, 1731 | 145-151 | VO,HA+FL |
//15/54//3321/7-6-5-//11/2345// | C/ | Ayre, An (t) | IC-E | Musicks Hand-Maid-1, 1678 | 3 | VI/HA |
//1+55//433//31531+76//543//1+55//433// | 3/4 | Menuetto En Qualler (t) | AM-A | Gansevoort MS, 1778 | 19 | FL |
//15/54//33/32//11+/1+7 | 2/4 | Welcome from Hanover (t) | DA-E | Johnson CD-6, 1751 | 99 | VN/GF |
//15/54//33/32//11+/1+7 | 2/4 | Welcome from Hanover (t) | DA-E | Thompson CD-1, 1757 | 3 | VN/GF/OB |
//15/54//33/32//11+/1+7// | 2/4 | Welcome From Hanover (t) | DA-E | Thompson CD-1a, 1757 | 5 | VN/GF/OB |
//1+5543//42217-//11111+//1111+767//1+55 43 |
3/2 | Early Glass (t) | MS-E | Hammersley MS, 1790 | 36 | MI |
//15//54342//43521//12//35//25 | 3/4 | Minuet (t) | IC-E | Simpson Horn, 1745 | 21 | 2HN |
//15/54//34/32//17-/16-//4 | C | Air 25 (t) | BA-E | Momus Turnd Fab, 1729 | 38 | VO |
/15//543/432//31/15//543/ | 2 | Cotillon de Versaille (t) | IC-F | Leclerc Recueil-1, 1729 | 47 | HAF |
//1+55//434444//5-7-242+4//433//1+72+1+1 +72+1+1+//3+2+ |
3/8 | Divertimento 5. Adagio (t) | IC-E | Rathgen Divs, 1780 | 12 | 2CL,2HN,BS |
/15//543/45//1/15//543/ | 2 | Ma Comere (t) | IC-F | Leclerc Recueil-1, 1729 | 55 | HAF |
//1-5-5-/4-3-4-5-//1-3-3-/2-1-2-3-//1-5- 5-/5-4-3-2- |
C | March de General Palafox (t), or General Palafox's March (at) | AI-A | American Sheet Music | 2 | PF |
//15-/5-4-//3-4-5-/1//6/54// | C/ | Lover's Loadstone, The (t) | DA-E | Universal Magazine | 2:262, 1760 | MI |
//15/54//34/51+//7656/5434 | C | Duetto by Swindle (t) | AM-A | Curtiss MS, 1800 | 92 | 2VN |
//1+5/54//3453/15-//1232/2342 | C | Earls March (t) | AM-A | Kingsley MS, 1795 | I,14 | MI |
//1+5/54//3453/15-//13/2342 | 2/4 | Quick Step 25th Regt (t) | IC-S | Aird 1, 1782 | 1 | FI/VN/GF |
//1+5/54//3453/15-//13/2342 | 2/4 | Quick Steep 25th Regt March (t) | AM-A | Brown, N. MS, 1781 | 38R | FI |
//1+554//345315-//132342 | 2/4 | 25th Regt March (t) | AM-A | Dance Tunes MS, 1798 | 17 | FI/GF/OB |
//1+5/54//3453/15-//13/2342// | 2/4 | Quick Step to the 52nd Regment (t) | MS-S | Fife MS, 1780 | 560,60r | 1FI OR 2FI/VN |
//1+5/54//3454/35-//6-6-1/7-7-2// | 2/4 | No. 21 (t) | DA-E | Leichte Englische, 1795 | 21 | MI |
//15-/5-4-//3-4-5-/5-//1234 | 2/4 | Long Live the King (t) | DA-E | Johnson CD-4, 1748 | 58 | VN/GF |
//1+/5//5434/5//5435/4324//3213/2567 | 2/4 | Welch Rabit, The (t) | DA-E | Johnson CD-6, 1751 | 72 | VN/GF |
//1+554//3455//6/671+76 | 2/4 | Adagio (t) | IC-E | Longman Clar, 1780 | 21 | 2CL |
//1+5/543//456/5//671+/2+3+4+ | Moon and Seven Stars, The (t) | IC-S | Aird 1, 1782 | 4 | FI/VN/GF | |
//1+5/543//456/5//671+/2+3+4+ | 6/8 | 7 Stars, The (t) | AM-A | Commonplace MS, 1797 | 9 | FI |
//15-/5-4-3-//4-5-6-/5-//6-7-1/234 | 6/8 | Seven Stars (t) | AI-A | Hazeltine D&F, 1810 | 28 | FI,DR |
//15-/5-4-3-//4-5-6-/5-//6-7-1/234 | 6/8 | Seven Stars, The (t) | AM-A | Hooves MS, 1817 | 18 | FI |
//1+5/543//456/5//671+/2+3+4+ | 6/8 | Moon & Seven Stars, The (t) | AM-A | Kingsley MS, 1795 | I,35 | MI |
//1+5/543//456/5//671+/2+3+4+ | 6/8 | Seven Stars, The (t) | AM-A | Perkins MS, 1790 | 1 | MI |
//1+5/543//456/5//671+/2+3+4+//3+2+1+/76 5 |
6/8 | Seven Stars, The (t) | AM-A | Belknap MS, 1784 | 25R | MI |
//15/543//46/632//15/521 | C | Tide Come In, The (t) | IC-S | Calvert Coll, 1790 | 22 | V,VC/HA/PF |
/15//543/46//65/51+//1+76/ | 2 | Nouvelle Charte, La (t) | DA-F | Landrin Potpourri, 1785 | 26 | MI |
//15/543//46/671+//531+/531 | 6/8 | Life We Love, The (t) | IC-S | Aird 3, 1788 | 177 | FI/GF/VN |
//15/543//46/671+//531+/531 | 6/8 | Life We Love, The (t) | IC-E | Caledonian PC, 1760 | IV,27 | GF/VN |
//1+5/54/35//1+5/54/3//13/24/35 | 3/2 | Master Tommys Manner (t) | AM-A | Remington MS, 1778 | 5 | FI |
//1+55435//1+5543//132435//427-21//13243 5 |
3/2 | Master Tommy's Married (t) | SS-E | SS, Harvard | 1 | VO,B |
//15/543//7-2/27-5-//15/531// | 6/8 | Danoise, La (t) | DA-N | St. Flour Contredanses, 1757 | 90 | KB |
//15/54//4/32//11/22 | 6/8 | Culloden Volunteers Quick Step (t) | IC-E | English Sheet Music | PF | |
//15-/5-4-//4-3-/2-1-//1-2-/3-4- | 2/4 | Such a Beaty I Did Grow (t) | AI-A | Riley Flute 3, 1820 | 47 | FL |
//1+554/4321//1234/55//51+1+1+ | C/ | Lamplighter, The-1 (t), or Cantata, A; (at) | SS-E | SS, Folger-C52 | 23-24 | MI,VO,KB |
//1+554/4321//1234/55//51+1+1+/1+1+1+1+/ / |
C | Nykey Numscull (t) | AI-A | Carrs PC, 1800 | 4 | GF/VN/FL |
//1+554/4321//3551+/1+2+3+//4+3+2+1+/761 +6 |
C | New Jockey (t), or Favourite Scotch Song, A (at) | SS-E | SS, Boston PL-2 | 225 | VO,KB+GT |
//15-5-4-/4-3-2-1-//3-5-5-1/124//4321 | C | My Laddie Is Gang'd Far Away (t) | SC-E | Vocal Music, 1778 | 238-239 | VO/VN/GF |
//1+554/4332//1234/55//51+1+1+ | C | No difference of character (fl) | TW-E | Midas-1, 1764 | 9 | VO,HAF |
//1+554/4332//1234/55//51+1+1+/1+1+1+1+ | C | Here good folks, here's a doctor rare (fl) | SS-E | SS, Boston PL-2 | 299 | VO,KB+GT |
//15/54//43/32//21/27- | 2/4 | On Riait de Ma (t) | IC-F | Bonjour Recueil, 1800 | 2:2 | VN/FL |
//1554/4332//2443/3221//1554/4332 | C/ | IC-E | Forest Harmony-2, 1733 | 31 | 2HN/GF/TR/VN | |
//15-/5-4-5-//25-/5-4-5-//323/46-2 | 6/8 | Tammany Quick Step (t) | AI-A | American Sheet Music | PF | |
//1+5/545//31/17-1//22/234 | 6/8 | Romanella, La (t) | IC-S | Pandean Coll 1, 1810 | 6 | PF |
//15/545//31+/1+71+//5/3+// | 2/4 | Julie Anglaise, La (t) | DA-F | Landrin CD BN, 1775 | 21 Feuille | KB |
//1+/5//5453/15-//11/22 | C | March (t) | IC-E | Jouve Marches, 1799 | PF,TAM,CYM/TRI | |
//15/5//4534/21 | 3 | #54 (t), or Saraband Fourth (at) | PL-E | Playford 1-3b, 1665 | II,50 | VN |
//15/5//4534/21//123/234// | 3 | Second Saraband (t) | IC-E | Musicks Hand-Maid-1, 1678 | 33 | VI/HA |
//15/545//64/24//31/17-1 | 6/8 | Mary of the Dale (t) | SS-E | SS, Boston PL-1 | 181,1-2 | VO,HA |
//15/545//64/434//51+/531 | 6/8 | New Years Day (t) | DA-E | Skillern CD, 1780 | 12 | VN/GF/OB |
//1/5//545/654//545/654 | C/ | Marche des Barbets a la Paye du Prince d'orange, La (t) | MS-F | Philidor MS, 1705 | 29 | OB,B |
//155/51+1+//1+6662+/2+1+7675//5551+// | C/ (8/4) | Alman (t) | MS-E | Fitzwilliam MS-2, 1609 | 312 | VI |
//1-5-5-//5-11//311//15-//1-5-5-//5-11 | 3/8 | Retreat, The (t) | AI-A | Cooper System, 1836 | 236 | BU |
//1-5-5-//5-11//311//15-//1-5-5-//5-11 | 3/8 | Retraite, La (t) | IC-F | French Ordinances | App.25 | BU |
//1-5-5-//5-11//311//15-//1-5-5-//5-11 | 3/8 | Retraite, La (t) | IC-F | French Ordinances | App.26 | 3BU |
//155//51+1+//3+1+1+//1+5//155//51+1+// | 3/8 | Retreat, The (t) | AI-A | US Tactics, 1835 | 17 | BU |
//15-/5-5-//12/13//5 | 2/4 | Capt Mackintosh's Fancy (t) | IC-E | Cahusac Flute, 1792 | 25 | GF |
//15-5-/5-12//311/134//51/2343 | C | Installation March (t) | AM-A | Canfield MS, 1823 | 116 | FL |
//15-5-/5-12//311/134//51/2343 | C | Installation March (t) | AI-A | Goodale Dir, 1819 | 45 | 2MI,B |
//15-5-/5-12//311/134//51/2343 | C | Installation March (t) | AI-A | Goodale Dir, 1829 | 49 | 2MI,B |
//15-5-/5-12//311/134//51/2343 | C | Installation March (t) | IC-E | Hyde Trumpet, 1798 | 50 | 3TR |
//15-5-/5-1231//25-5-/5-2342//3513/6-27- 6-7- |
C/ | Marche No 1, La (t) | MS-G | Darmstadt MS 1224 | 365f,366-68 | KB+2CL,2HN,2TR, |
//15-5-5-/1236//5321/7-2232//15-5-5-/123 6// |
C | Lady Shaftsbury (t) | AM-A | Patten MS, 1800 | 5 | MI |
//15-5-//5-131//25-5-//5-242//357-1//135 -6- |
3/4 | Menuetto 1 (t) | IC-E | Flack Divs, 1776 | 9 | 2CL,2HN,BS |
//15-/5-5-//1/313//55/55 | 6/8 | Mail Coach, The (t) | IC-E | Jones Bugle, 1805 | 6 | BU |
//15-5-/5-13//217-/1123//3221/17-6-5-//5 -4- |
C | True Blue (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//15-5-//5-13//217-//15-5-//6-4-1//15-4- |
3/4 | New Hunting Song, A (t) | IC-E | Thompson Hunting, 1770 | 1:6-7 | VO/HAF/VN/GF |
//15-5-//5-13//217-//15-//6-4-1 | 3/4 | Song 32 (t) | SC-E | Vocal Enchant, 1783 | 64-66 | VO |
//15-/5-5//13/23//4 | C/ | Go high, go low, in every state (fl) | TW-E | Summer Amuse, 1779 | 26-27 | VO/VN,HA |
//15-/5-5-//13/23//455/54//43/23// | C | Blow high, blow low (t) | AM-A | White, G. MS, 1790 | 96 | VN |
//15-/5-5-//13/23//456 | C | Blow high blow low let tempests tear (fl) | TW-E | Seraglio, 1776 | 16-17 | VO,KBF |
//15-/5-5-//13/23//456/54 | C | Blow High Blow Low (t) | IC-E | Cahusac Flute, 1788 | 32 | GF |
//15-/5-5-//13/23//456/54 | C | Song 251 (t), or Blow High, Blow Low (at) | SC-E | Calliope, 1788 | 464-465 | VO |
//15-/5-5-//13/23//456/54 | C | Blow High, Blow Low (t) | SC-S | Edinburgh MM-1, 1792 | 41-43 | VO |
//15/55//13+/2+3+//4+5+6+/5+4+ | C | Blow High Blow Low (t) | IC-E | Longman Bassoon, 1780 | 14-15 | BS |
//15-/5-5-//13/23//456/54 | C | Song 55 (t) | SC-E | Vocal Enchant, 1783 | 118-119 | VO |
//1+55/51+3//543/2654//31/643 | 6/8 | My Blue Ey'd Maid (t) | AI-A | Riley Flute 2, 1817 | 49 | FL |
//15/55//14/44//15/556 | 2/4 | Grovenor's March (t) | AI-A | Herrick Preceptor, 1807 | 28 | 2MI,B |
//15-5-5-/15-15-//15-5-5-/15-15-//3111/3 131// |
2/4 | Philadelphia Grays Quick Step. Bugle Calls at Camp (t) | AI-A | Johnson, F. Sheet Music | 1 | BU |
//1+55/51+5//311/131//7-22/135 | 6/8 | Duke of Yorks Troop, The (t) | AM-A | Kingsley MS, 1795 | I,39 | MI |
//1+//5//551+5/3+1+53//2343 | 2/4 | Concerto 10. Andante (t) | IC-E | Bremner Mil Con, 1774 | 2OB/CL/FL/VN,2HN,BS | |
//15-5-/5-15-4-3-2-1-//111/15-//6-4-16-/ 5-3-1-3- |
C/ | Washington's New March (t) | AI-A | Paff Amus 4, 1817 | 23 | FL/VN |
//1/5-5-5-//1/5-5-5-//15-/12 | 2/4 | Alte Dessauer, Der (t) | MS-G | Darmstadt MS 1223 | 4TR | |
//1-5-5-5-/1-5-5-5-//1-5-1-5-/1-5-5-5-// 1-1-/1- |
Advance (t) | IC-E | Barber Bugle, 1804 | Pl.1 | BU | |
//1-5-5-5-/1-5-5-5-//1-5-1-5-/1-5-5-5-// 1-1-/1- |
March (t) | AM-A | Beach MS, 1801 | 72 | BU | |
//1-5-5-5-/1-5-5-5-//1-5-1-5-/1-5-5-5-// 1-1-/1- |
March (t) | IC-E | British Bugle, 1798 | PL.7 | BU | |
//1-5-5-5-/1-5-5-5-//1-5-1-5-/1-5-5-5-// 1-1-/1- |
March (t) | IC-E | British Bugle, 1799 | PL.7 | BU | |
//1555/1555//1515/1555//11/1// | To March; Also No. 13. Forwards After Obliquing. No. 3 (t), or Forwards aft | IC-E | British Bugle, 1813 | 12 | BU | |
//1-5-5-5-/1-5-5-5-//1-5-1-5-/1-5-5-5-// 1-1-/1- |
To March; also Forwards After Obliquing (t) | IC-E | British Bugle, 1824 | 55 | BU | |
//1555/1555//1515/1555//11/1// | Advance, The; Also Forwards; After Obliquing. No. III. (t), or Forwards aft | IC-E | British Bugle, 1833 | 321 | BU | |
//1-5-5-5-/1-5-5-5-//1-5-1-5-/1-5-5-5-// 1-1-/1- |
C | Turn Out Skirmishers (t) | AM-A | Bugle MS, 1800 | 2 | BU |
//1-5-5-5-/1-5-5-5-//1-5-1-5-/1-5-5-5-// 1-1-/1- |
C | March (t) | IC-E | Cooper Guide, 1806 | 3 | BU |
//1555/1555//1515/1555//11/1// | C | Forming the Line (t) | AI-A | Duane Compendium, 1809 | xviii | BU |
//1-5-5-5-/1-5-5-5-//1-5-1-5-/1-5-5-5-// 1-1-/1- |
C | Enemy Has Artillery, The (t) | AI-A | Duane Riflemen, 1812 | 105 | BU |
//1-5-5-5-/1-5-5-5-//1-5-1-5-/1-5-5-5-// 1-1-/1- |
To March (t), or Forwards After Obliquing, Also (at) | AI-A | Gardner Compend, 1819 | PL19 | BU | |
//1-5-5-5-/1-5-5-5-//1-5-1-5-/1-5-5-5-// 1-1-/1- |
C | Turn Out Skirmishers (t) | AI-A | Hoyt Cavalry, 1813 | Pl 13 | TR,BU |
//1555/1555//1515/1555//11/1// | C | Slow March (t) | IC-E | Hyde Bugle, 1818 | 43 | BU |
//1-5-5-5-1-5-5-5-1-5-1-5-1-5-5-5-1-1-1- |
Advance (t) | IC-E | Jones Bugle, 1805 | 3 | BU | |
//1-5-5-5-/1-5-5-5-//1-5-1-5-/1-5-5-5-// 1-1-/1- |
C | Advance and Fire (t) | IC-E | Potter Bugle, 1817 | 5 | BU |
//1-5-5-5-/1-5-5-5-//1-5-1-5-/1-5-5-5-// 1-1-/1- |
C | March (t) | IC-E | Potter Bugle, 1817 | 6 | BU |
//1-5-5-5-/1-5-5-5-//1-5-1-5-/1-5-5-5-// 1-1-/1- |
To March (t), or Forwards After Obliquing, Also (at) | AI-A | US Riflemen, 1824 | PL13 | BU | |
//1555/1555//1515/1555//11/151+// | March and Fire (t) | IC-E | Hyde Bugle, 1818 | 44 | BU | |
//155/5//155/5//155/5 | C | Vghetto (t) | IC-G | Fantini Modo, 1638 | 15 | TR |
//15-5-5-//15-5-5-//15-5-5-//1123//1//51 11 |
3/4 | Air 9 (t) | BA-E | Plot, 1735 | 25-27 | VO |
//1+555/1+555//1+555/1+1+2+3+//4+2+2+2+/ 4+2+2+2+// |
2/4 | Masamiella (t) | AM-A | Johnson, F. MS, 1820 | [71-72] | MI |
//15-5-5-//15-5-5-//15-5-5-//32112//1 | 3/4 | Raree Show Ballad, The (t), or English Missisippi, The (at) | SS-E | SS, Folger-C42.3 | 125 | VO+FL |
//15-5-5-//15-5-5-//15-5-5-//32123//1 | 3 | Song, A (t) | SC-E | Pills 3, 1719-20 | 312-3 | VO |
//15-5-5-//15-5-5-//15-5-5-//32123//1 | 3/4 | Raree Show Ballad, The (t), or English Missisippi, The (at) | SS-E | SS, Harvard | 1 | VO |
//15-5-5-//15-5-5-//32123//1 | 3/4 | Air 14, Part 2 (t) | BA-E | Fashionable, 1730 | 20 | VO |
//1+555/1+642//7-11/27-12//3235/7645 | C | Garde a Vous (t) | AI-A | Riley Flute 4, 1826 | 72 | FL |
//1+555//1+666//5653//21//5 | 2/4 | Farmyard (t) | TW-E | Harlequin's Mus, 1792 | 27 | HA |
//15-5-5-22/25-5-5-12//3231234/511//15-5 - |
C/ | Richmond Hill (t) | PL-E | Playford 2-3, 1718 | 354 | VN |
//15-5-5-22/25-5-5-12//3231234/511//15-5 - |
C/ | Richmond Hill (t) | PL-E | Playford 2-4, 1728 | 354 | VN |
//15-5-5-22/25-5-5-12//3231234/555 | C/ | March (t) | IC-E | Musica Bell, 1733 | 22 | FL/VN/OB |
//15-5-5-22/25-5-5-12//3231234/555//5222 23/4444 |
C/ | Richmond Hill (t) | DA-E | Walsh CD-1.2, 1719 | 373 | VN/OB |
//1+55//5//2+55//5//1+2+26//543 | 3/4 | Gentle maid ah! why suspect me! (fl) | TW-E | Duenna, 1775 | 23 | VO,HAF |
//1+55/531//1+1+1+/1+5//641+6//5313 | C/ | March In Memory of Washington (t) | AM-A | Canfield MS, 1823 | 31 | 2FL |
//1+55/531//1+1+1+/1+5//641+6/5313 | C/ | March In Memory of Washington (t) | AI-A | Whiteley Prec, 1816 | 42-43 | CL,OB,FL,BS |
//1+/555//31/115-11//33133/55255 | C/ | Marsch Bey Gelegenheit des Allgemeinen Aufrufs In Wienn (t) | IC-G | Viennese March, 1798 | 1 | PF |
//15-/5-5-//31/11//53/13 | 2/4 | Marche du Siege de Lille (t), or Pas Redouble Des Bordelais, Ou Le (at) | IC-F | French Sheet Music | 2 | VO |
//15-5-5-//3111//7-123 | 2/4 | Allemand le Grand (t) | DA-E | Thompson CD-5, 1788 | 55 | VN/GF/OB |
//15-/5-5-//31/11//7-1/23// | 2/4 | Allemand Le Grand (t) | DA-E | Thompson CD-5a, 1788 | 55 | VN/GF/OB |
//15-/5-5-//31/12//53/13 | 2/4 | Nouveau Pas Redouble (t) | IC-F | Capelle Cle, 1816 | T255M434 | MI |
//15-5-5-/3-1-//15-5-12/31//13535353/146 46464 |
C | IC-E | Forest Harmony-2, 1733 | 17 | 2HN/GF/TR/VN | |
//1+55//531//22342//31567 | 3/8 | Lady Villiers Delight (t) | DA-E | Thompson CD-4, 1780 | 35 | VN/GF/OB |
//1+55//531//22342//31567/1+55//531// | 3/8 | Lady Villier's Delight (t) | DA-E | Thompson CD-4a, 1780 | 34 | VN/GF/OB |
//1+55//531//234/3 | 3/4 | Minuet by Abel (t) | IC-E | Longman Pb, 1778 | 19 | GF |
//1+55//531//234//35//456//51+3+// | 3/4 | Minuet by Mr Abel (t) | AM-A | White, G. MS, 1790 | 62 | 2 VN |
//1+/555//31/35//1+11/15-5- | C/ | Willis'grand March & Quick Step (t) | AI-A | American Sheet Music | 2 | PF |
//1+/555//31/35//1+1+1+/2+1+2+ | C | Marche (t) | IC-F | Vanderhagen Pcs, 1787 | 18:3 | 2CL,2HN,2BS,TR |
//1/5-5-5-//32/111//6-6-2/2117- | C | General Suwarrow Grand March (t) | IC-S | Scottish Sheet Music | 3 | PF |
//1+55/53//21/15 | C | Song 8 (t) | SS-E | SS, Folger-C52 | 95,2-96,1 | MI,VO,KB |
//1+5/55//3+/2+1+//2+5/55 | 2 | Jemmy Dancers, The (t) | DA-E | Walsh CD-3.6, 1754 | 14 | VN/OB/GF |
//15-5-/5-32//15-5-/5-5//432//321 | C | Hertfordshire March, The (t) | IC-E | Oswald Marches, 1759 | 12 | 2MI |
//15-/5-5//321/7-6-5-//13/17-6- | 2/4 | Tear, The (t) | IC-E | Thompson Clar, 1785 | 23 | CL |
//155/53+2+3+1+//2+77/74+3+4+2+//3+55 | 2/4 | March 15 (t) | IC-E | Thompson March, 1770 | 7 | 2VN/2GF/2OB,2FH,BF |
//155/53+2+3+1+//2+77/74+3+4+2+//3+55/55 +4+3+ |
2/4 | March 17 (t) | IC-E | Thompson March, 1775 | 18-19 | OR/HA/PF |
//1+55/533//111/13+3+//3+2+4+3+/2+1+71+/ / |
C | 13 Regmt of Light Dragoons March (t) | MS-S | Miller, J. MS, 1798 | 56 | FI |
//15-5-/5-3-//311/15-//6-7-1/5-3-1-// | 6/8 | Quick Step, A (t) | MS-S | Fife MS, 1780 | 660,71v | 1FI OR 2FI/VN |
//1+55/533//311/12//313/531+ | 6/8 | AM-A | Turner MS, 1788 | I,59 | VN | |
//1+55//533//311//13//46543 | 3/8 | General Browns Waltz (t) | AI-A | Riley Flute 1, 1814 | 81 | FL |
//1+55/533//311/1353//2435/5443// | 2/4 | Slow March by B. Rackeman (t) | MS-C | Molyneaux MS-2, 1788 | 18 | 1 OR 2 GF |
//15-5-/5-3-3-//3-1-1-/1-5-5-//1153 | C | Elliots March (t) | IC-S | Stewart Marches, 1773 | 8-9 | 2VN/GF/OB,VC/HA |
//1+55//533//311+2+3+//2+1+765//3+1+65// 4621 |
3/4 | Hessian Minuet, A (t) | IC-E | Delightful-2, 1745 | V,24 | 2GF |
//1+55/533//3135/1+3+3+//3+1+3+3+/2+72+2 +// |
C | Slow March by [Mr.?] Gray (t) | MS-C | Molyneaux MS-1, 1788 | 35 | GF |
//1+55/533//3423/113//27-13/5543// | 2/4 | 5. First Sett (t) | AI-A | Geib Cots, 1816 | 3 | MI,B |
//1+55//533//466//67//1+53+2+ | 3/4 | Song 25 (t) | SC-E | Vocal Enchant, 1783 | 50-51 | VO |
//15-5-//5-3-3-//4-6-6-//6-7-//15-32//15 -135 |
3/4 | Female Hunter, The (t) | IC-E | Thompson Hunting, 1770 | 2:1 | VO/HAF/VN/GF |
//15-5-/5-34//5456/5432 | C | Count Bulkley's March (t) | IC-E | Skillern Amus, 1785 | 66-67 | 2GF |
//1/55//5/34//5/5 | 2/4 | Row Dow Dow (t) | AM-A | Hawkins MS, 1794 | II,51 | GF |
//1+5/55//34/55//1+3+1+/54 | 2/4 | Bienfacile, La (t) | AI-A | Riley Flute 2, 1817 | 64 | FL |
//1+555//3455//1+3+1+54 | 2/4 | Bienfacile, La (t) | DA-E | Thompson CD-5, 1788 | 76 | VN/GF/OB |
//1+5/55//34/55//1+3+1+/54// | 2/4 | Bienfacile, La (t) | DA-E | Thompson CD-5a, 1788 | 76 | VN/GF/OB |
//1+555//3455//1+555 | 2/4 | March 28 (t) | IC-E | Button Whit-1, 1806 | 36-37 | 2GF/2VN/2FL/2FI |
//1+5/55//3455//1+5/55 | 2/4 | Opera Dance (t) | IC-E | Cahusac Flute, 1788 | 31 | GF |
//1+555//3455//1+555 | 2/4 | Opera Dance (t) | AI-A | Instrum Asst-2, 1807 | 24 | 2MI,B |
//1+5/55//34/55//1+5/55 | 2/4 | Opera Dance (t) | IC-E | Longman Clar, 1780 | 15 | 2CL |
//1+5/55//34/55//1+5/55 | 2/4 | Opera Dance (t) | IC-E | Preston Clar, 1797 | 21 | CL |
//15-5-5-/3-4-5-6-5-5-4-//3-3-4-2-2-3-/1 --2--2--2-//15-5-5-/ |
C | Turkish March (t) | AI-A | American Sheet Music | PF | |
//1+55/535//311/7-221//125/7-16- | Miller Asleep In His Mill, The (t) | AM-A | Shattuck MS, 1801 | 33 | MI | |
//1+55/535//311/7-221//7-25/7-16- | 6/4 | Miller, The (t) | AM-A | Allen, W. MS, 1790 | 75 | VO,B |
//1+55/535//311/7-221//7-25/7-16- | 6/4 | Miller, The (t) | AM-A | Dickinson MS, 1800 | 144V | 2V0:(S)B |
//1+55//535//432//17-12153//3264 | 3/4 | Lucinda (t), or Weeping Fair, The (at) | AM-A | Van Renssel. MS, 1782 | I,10 | VO,KB |
//15-5-5-/3-5-5-5-//15-5-5-/3-1//7-123/4 565 |
2/4 | Grand Trumpet Quick Step (t) | AI-A | American Sheet Music | 2 | PF |
//1+555/3555//6421/17-6-5-//5-111/6-111 | 2/4 | Hobson's Choice (t) | MS-C | Frobisher MS, 1793 | 46 | HA |
//1+55/54//311/12//3135/1+531// | C/ | Slow March, A (t) | MS-S | Fife MS, 1780 | 179,17v | 1FI OR 2FI/VN |
//1+555//43/111//2313/51+5//432/ | C | Bunker's Hill. A Slow March (t) | MS-S | Fife MS, 1780 | 188,19r | 1FI OR 2FI/VN |
//1+55/54//311/1234//3135/1+531// | C/ | Slow March (t) | AM-A | Hoff MS, 1797 | No. 103 | GF |
//1+/5554//31/123//43/21 | 2/4 | Barbadoes (t) | AM-A | Bellamy MS, 1799 | 46 | MI |
//15-5-/5-4-//3-1-2-3-4-5-6-7-/1//22-2-/ 2-217-1 |
C | Governor Miller's Grand March (t) | AI-A | American Sheet Music | 2 | PF |
//1+55//543//1+33//321//1+6464//1+5353 | 3/4 | Minue (t) | MS-F | Marce MS, 1785 | 2v-3r | 2OB,2HN,B |
//1+55//54321//1+2+3+3+//3+ | 3/4 | Air 19 (t) | BA-E | Polly, 1729 | T22M8 | VO,B |
//1+555/4321//1235/56//1+1+1+1+ | C/ | Basket Woman, The (t) | SS-E | SS, Folger-C42.3 | 354 | VO+FL |
//1+55/54321//666/67//1+3+2+1+76/51+76+5 4 |
6/8 | Generous Toaper, The (t) | SS-E | SS, Boston PL-1 | 127,1-2 | VN,CO,VO,HAF+GF |
//1+55/54321//7-122/254//345 | 6/8 | Now the Hill-Tops Are Burnish'd (t) | SC-E | Vocal Music, 1778 | 188-189 | VO/VN/GF |
//1+55/54321//7-122/254//345/65432 | 6/8 | New Hunting Song, A (t) | AM-A | Marchant MS, 1783 | 38 | VO,KB |
//1+55/54321//7-122/254//345/65432 | 6/8 | Hill Tops, The (t) | AM-A | Pickman MS, 1785 | 9-10 | VO,KB |
//1+55/54321//7-122/254//345/65432 | 6/8 | New Hunting Song, A (t) | IC-E | Thompson Hunting, 1770 | 1:14 | VO/HA/VN+GF/GT |
//1+55/54321//7-122/254//345/65432 | 6/8 | Song 13 (t) | SC-E | Vocal Enchant, 1783 | 26-27 | VO |
//15/554//32/17-1//27-/13 | 2/4 | Donna Donna Donna Della (t), or Favorite Song, A (at) | AI-A | American SS-SM | 1-2 | VO,KB |
//1+55/54+//3+2+1+77/71+//65/1+654// | C | Cumberland Militia March, The (t) | IC-E | Longman March 4, 1770 | 3 | 2VN/OB/GF, 2HN, B |
//15-5-/5-4//3217-7-/7-1//6-5-/16-5-4- | C | Cumberland March, The (t) | IC-E | Oswald Marches, 1759 | 5 | 2MI |
//1+55/5432//3511/15-//6-144/4321 | C/ | March (t) | IC-E | Valentine March, 1787 | 5 | 2VN,2OB/FL,2HN,VA,BF |
//1+55//543//2654//432//31234 | 3/4 | While Over the Mountain-Brow Peeps the Young Morn (t) | SC-E | Vocal Music, 1778 | 2-3 | VO/VN/GF |
//1/5+5+5+//4+3+4+/2+//5-/4+4+ | 6/4 | Viewing of the Tombs, The (t) | TW-E | Genius, 1784 | 16 | HA |
//1+55/543//464/353//464/354+ | 6/4 | Hook & Crook (t) | AM-A | Allen, W. MS, 1790 | 72 | VO,B |
//1+55/5454//333/35//51+35/5443 | C | Earl of Balcarra's March (t) | IC-S | Aird 4, 1796 | 49 | FI/GF/VN |
//1+55/5454//333/35//51+35/5443 | C | Earl of Balcarres March, The (t) | IC-S | Watlen Marches, 1798 | 2 | PF/FL/VN |
//15-5-/5-5-//1232//3456//543/432 | C | General Keith's March (t) | IC-E | Bremner Airs, 1761 | 38-39 | 3VN/FL |
//15-5-/5-5-//1232//3456//543/432 | C | General Keith's March (t) | IC-E | Preston Marches, 1804 | 38-39 | 3VN/FL |
//1-/5-5-//5-5-/1-/5-5- | 2 | Ton Bas du Guet Ou Retraite, Le (t), or Retraite, Ou (at) | IC-F | Lecoq Madeleine, 1720 | 7 | TR |
//15555/15555//15555/1+5555//15/15555 | C | Butta la Tenda (t) | IC-G | Fantini Modo, 1638 | 15-16 | TR |
//1+55/55//1+55/555//2+55/5 | 6/8 | Old Women's Song, The (t) | SS-E | SS, Harvard | 1 | VO,KBF+GF/GT |
//1+55/55//1+55/555//2+55/555 | 6/8 | Old Womans Song, The (t) | SS-E | SS, Huntington-2 | 31 | VO,KBF+GT |
//1+55/55/1+66//1+55/55/1+ | 9/8 | Walley Honey (t) | DA-E | Johnson CD-1, 1740 | 9 | MI |
//1+55/55/1+66//1+55/55/1+//1+55/55/1+66 |
9/8 | Walley Honey (t) | DA-E | Walsh CD-2.1, 1731 | 1 | VN/OB/GF/RC |
//1+55/55/1+66//1+55/55/1+//1+55/55/1+66 |
9/8 | Walley Honey (t) | DA-E | Walsh CD-3.1, 1754 | 2 | VN/OB/GF |
//1//5//55//51+//76//5// | 3/8 | Wilson's Waltz March (t) | DA-E | Wilson Companion, 1816 | 181 | MI |
//15/55//5/3//123/27- | 6/8 | Hunt the Squirrel (t) | AM-A | Eells MS, 1789 | 31 | MI |
//155/55//3/12//343/21//1/11 | 3/8 | Triumphs of Peace, The (t), or Widdows and Maids Rejoycing, The (at) | SC-E | Pills 6, 1719-20 | 278-9 | VO |
//155/55//3/12//343/321//3/1 | 6/8 | Song 32 (t) | SC-E | Convivial, 1782 | 74-76 | VO |
//1+5/55//5/3//22/212//31 | 2/4 | Air 6 (t) | TW-E | Two To One, 1784 | 17-19 | VO,HA |
//1+555//533//123//15 | 2/4 | I tremble to think that my soldier so bold (fl) | TW-E | Surrender/Cal, 1792 | 26-7 | PF,VO |
//15-5-5-/5-3-5-//5-/1-3-5-//15-5-5-/5-3 -5- |
2/4 | Appel, L' (t) | IC-F | French Ordinances | App.18 | TR |
//15-5-5-5-//3-5-5-//15-5-5-5-//5-5-//15 -5-5-5-//3-5-3- |
3/4 | Officers Call (t) | IC-E | Broderip Sounds, 1799 | 6 | TR |
//15-5-5-5-//3-5-5-//15-5-5-5-//5-5-//15 -5-5-5-//3-5-3- |
3/4 | Officers Call (t) | IC-E | Hyde Trumpet, 1798 | 14 | TR |
//1+5555//355//1+5555//55//1+5555//353// |
3/8 | Officers Call (t) | IC-E | Hyde Bugle, 1818 | 36 | TR |
//1+555/5355//561+2+/3+2+1+//1+661+/6561 + |
C | O Mither Dear (t) | SC-S | Scots MM-2, 1788 | 133 | VO,PF |
//1+555/5355/561+2+/3+2+1+//4+661+/6561+ |
C | O Mither Dear, I Gin to Fear (t), or Song 37 (at) | SC-E | Orpheus Cal-2, 1733 | T83-84MOP84 | VO,HA |
//15-5-/5-5-4-//3-1-1-/1-5-5-//6-4-4-/2- 2-1- |
C | Brooklyn Grand March, The (t) | AI-A | American Sheet Music | 2 | PF,FL/CL/VN |
//15-5-5-//5-4-3-2-1-//1233//3//3455 | 3/4 | Song, A (t) | SS-E | SS, Folger-C42.3 | 192 | VO,KB+FL |
//155/554//43/3//45/6-6-7-//1 | 6/8 | Your lord ship is welcome among us (fl) | TW-E | Peeping Tom, 1786 | 29-31 | VO/VN,HAF |
//15-5-/5-5-//5-/123//25-5-/5-5- | 2/4 | No.10 (t) | MS-G | Darmstadt MS 1188 | 7V | 2OB,2HN,TR,B |
//15-/5-5-5-5-//13/51+//75-/5-5-5-5- | C/ | Ouverture de Chimene (t) | IC-F | Vanderhagen Pcs, 1787 | 16:2-3 | 2CL,2HN,2BS |
//1555/55//1555/55//1555/55 | C | Allo Stendardo (t) | IC-G | Fantini Modo, 1638 | 14 | TR |
//1+55/555//1+55/555//3+3+3+/3+4+2+ | 6/8 | Bath Carnival (t) | DA-E | Thompson CD-4, 1780 | 50 | VN/GF/OB |
//1+55/555//1+55/555//3+3+3+/3+4+2+// | 6/8 | Bath Carnival (t) | DA-E | Thompson CD-4a, 1780 | 51 | VN/GF/OB |
//1+55/555/1+66//1+55/555/4+3+2+//1+55/5 55/1+66 |
9/8 | Hallow Fair (t), or There's Fouth of Braw Jockies (at) | SC-S | Scots MM-5, 1797 | 462-463 | VO,PF |
//1+55/555//2+55/555//5+4+3+/2+1+7 | 6/8 | Song 115 (t), or Old Woman's Song, The (at) | SC-E | Calliope, 1788 | 218-219 | VO |
//1+55/555//2+55/555//5+4+3+/2+1+7//1+ | 6/8 | Old Womans Song, The (t) | TW-E | Harlequin's Inv, 1759 | 1 | VO,KBF+GF/GT |
//1+5555/5315//4321/7-1225//4321/34551+ | C/ | Pretty Sally (t) | DA-E | Johnson CD-7, 1756 | 46 | VN/GF |
//1+5555/5315//4321/7-1225//4321/34551+/ / |
C/ | Pretty Sally (t) | DA-E | London Magazine | 433, 1753 | MI |
//1+5555//53333//31111//7-5//671+543//4 | 3/4 | Minueto (t) | MS-M | Garcia MS, 1772 | 95V [221] | MI |
//1+5555/5356//1+5555/3+2+3+//1+6666/656 1+ |
C/ | Jannie Dang the Weaver a Reel (t) | MS-S | Gillespie MS, 1768 | 109 | VN |
//1+5555/5356//1+5555/3+2+3+//1+6666/656 1+// |
C/ | Jannie Dang the Weaver (t) | IC-S | Stewart Reels, 1775 | 13 | VN/GF,VC/HA |
//1+5555//54321//1+2+3+3+//3+ | 3/4 | Trumpet Minuet (t) | DA-E | Walsh CD-2.3, 1735 | 166 | VN/OB/GF/CF |
//1+5555//54321//1+2+3+3+//3+ | 3/4 | Trumpet Minuet (t) | DA-E | Walsh CD-3.3, 1749 | 156 | VN/OB/GF |
//15-5-5-5-//5-4-3-2-1-//1233//3//3455 | 3/4 | Trumpet Minuet (t) | PL-E | Playford 3-2, 1726 | 34 | VN |
//15-5-5-5-//5-4-3-2-1-//1233//3//3455 | 3/4 | Trumpet Minuet (t) | DA-E | Walsh NCDM-3, 1728 | 130 | VN/OB/FL |
//15-5-5-5-//5-4-3-2-1-//1233//3//3455// 54321 |
3 | Song, A (t) | SS-E | SS, Harvard | 1,DUP | VO,B+FL |
//1+5555/54331+1+//1+53+3+3+1+5+3+/2+1+1 1//15-333155/54322+2 |
C/ | Marche Pour les Corces. Favorite (t) | MS-F | Darmstadt MS 1187 | 2CL,2HN,BS | |
//1+55/55//54/335//4345/4654 | C | New March for the Royal Edinburgh Volunteers, A (t) | IC-S | Scottish Sheet Music | 2 | PF |
//1+5555//543//432//31234//51+5555//543/ / |
3/4 | Artillery Troop, The (t) | AM-A | Morris MS, 1776 | 13v | FI |
//1+55/55//5/5//2+55/55// | 2/4 | Allemanda (t) | IC-E | Forest Harmony-4, 1744 | 17 | 2HN/GF/TR/VN |
//1+5/55//55/5//65/1+5 | 2/4 | What vagabonds are these I hear (fl) | TW-E | Duenna, 1775 | 9-11 | 3VO,HAF,MI,B |
//1+55/55//565/565//1+44/44 | 6/8 | Apples for Ladies (t) | AM-A | Shattuck MS, 1801 | 88 | MI |
//1+5555/5656//1+5555/3+2+1+//3+6666/656 1+// |
C/ | Jenny Dang the Weaver (t) | AM-A | White, G. MS, 1790 | 46 | VN |
//1/5-5-5-5-//5-6-7-17-12/35-5-//2/5-5-5 -5- |
C | President Jackson's Grand March (t) | AI-A | American Sheet Music | 3 | PF |
//15555/653//13333/26-//15555/653 | C/ | Strathspey Wriggle, The (t) | IC-E | Caledonian PC, 1760 | X,7 | GF/VN |
//15-/5-5-//5-6-5-3-5-3-/1-3-//4-4-/4-5- 4- |
2/4 | Light Quadrille (t) | AI-A | Riley Flute 4, 1826 | 36 | FL |
//1+555//565//355432//3 | 3/4 | Mr Novers Minuet (t) | MS-E | Brown, W. MS, 1797 | 18 | MI |
//1+5/55//5654/3//42/17- | 2/4 | Allegro (t) | IC-S | Sime Marches, 1789 | 25 | HA/PF |
//1+55/55//6543/5432//351+5/4321 | C | Col Ferrier's March (t) | IC-S | Gibb New Coll, 1798 | 13 | PF/VN,VC |
//15-5-5-/5-6-5-4-3-5-4-//3-3-4-2-2-3-/1 --2--2-5-//15-5-5-/5 |
C/ | Siege of Quebec. March of Victory (t) | IC-E | English Sheet Music | HA/PF,VN,VC | |
//15-/5-5-//5-6-5-4-/3-5-//6-6-/7-7- | 2/4 | Linen-Hall Quick March (t) | IC-I | Irish Sheet Music | PF | |
//1/5//555/654//5/432 | C | Grenadier March. V. Alt Wurtenberg (t) | MS-G | Darmstadt MS 1224 | 6 | MI,B |
//15-/5-5-//5-6-/6-//443/221 | 2/4 | Quick March (general Calvin Jones) (t) | AI-A | American Sheet Music | PF | |
//155/55//671+2+/7675//1+76/556// | C/ | Cockley, La (t) | IC-E | Apollo's Banquet 1-2, 1678 | A24 | VN |
//155/55//671+2+/7675//1+7/6556//45/5 | C/ | #66 (t), or Cokeley, La (at) | PL-E | Playford 1-3b, 1665 | II,54 | VN |
//155/55//671+2+/7675//1+7/656// | C/ | Cokley, La (t) | IC-E | Apollo's Banquet 1-1, 1670 | 209 | VN |
//15/55//56/7//1+71+/2+7 | C | Hero Comes, The (t) | AI-A | Caladonian Muse, 1798 | 177 | 3VO(SSB) |
//1555/61+//5321/17//1+71+2+/765 | C | Will You to Flanders (t) | IC-E | Caledonian PC, 1760 | I,36 | GF |
//1+55/5//633/3//243/231 | 6/8 | Fantocini, The (t) | DA-E | Thompson CD-3, 1773 | 94 | VN/GF/OB |
//1+55/5//633/3//243/231// | 6/8 | Fantocini, The (t) | DA-E | Thompson CD-3a, 1773 | 97 | VN/GF/OB |
//1+55/564//342/12//345/543//622 | 6/8 | Bachellor Miller, A (t), or Favorite New Song, A (at) | SS-E | SS, Harvard | 1 | VO,KB |
//1+5/55//64/46//53/21//3 | 2/4 | If a Body Loves a Body (t) | AI-A | American SS-SM | 1-2 | VO,KB |
//15-5-/5-6-4-6-//5-3-2-3-2/3-15-3-//1-0 -1-0-/1-2-3-4- |
C/ | Grand March... Battle Monument (t) | AI-A | American Sheet Music | 2 | PF |
//15-/5-5-//6-/5-//13/24//321 | 2 | Lady Elizabeth's Delight (t) | DA-E | Rutherf CD-2.2, 1760 | 61 | MI |
//155/56//531/11//456/643//2 | 6/4 | Air 2, Act Iii (t) | BA-E | Female Parson, 1730 | 36 | VO |
//155/56//531/13//456/654 | 6/4 | Air 8 (t) | BA-E | Devil To Pay-1, 1731 | 8 | VO |
//1+55//5654//311 | 3/8 | Duke of York's Troop (t) | AM-A | Hawkins MS, 1794 | II,50 | GF |
//1+55//5654//311 | 3/8 | Duke of York's Troop (t) | AI-A | Martial Music, 1807 | 21 | 2CL/2OB,BS |
//1+55//5654//311 | 3/8 | Duke of York's Troop (t) | IC-E | Preston Fife, 1796 | 19 | FI/GF |
//1+55//5654//311//1321 | 3/8 | Duke of York's Troop (t) | IC-S | Aird 4, 1796 | 5 | FI/GF/VN |
//1+55//5654//311//1321 | 3/8 | Duke of York's Troop (t) | AM-A | Hosmer MS, 1798 | 17 | MI |
//1+55//5654//311//1321//7-22 | 3/8 | Duke of York's Troop (t) | AI-A | Military Amus, 1796 | 10-11 | 2GF/2VN/2FI/2OB |
//1+55//5654//311//1321//7-22 | 3/8 | Duke of York's Troop (t) | AI-A | Riley Flute 1, 1814 | 24 | FL |
//1+55//5654//311//1321//7-22 | 6/8 | Duke of York's Troop (t) | AI-A | Steele Fife, 1815 | 14 | FI |
//1+55//5654//311//1321//7-22//1335 | 3/8 | Duke of Yorks Troop, The (t) | IC-E | Astor Oboe, 1800 | 21 | OB |
//1+55//5654//311//1321//7-22//133//543/ / |
3/8 | Duke of York's Troop, The (t) | MS-C | Molyneaux MS-1, 1788 | 40 | GF |
//1+55//5654//311//1321//7-22//135 | 3/8 | Duke of Yorks Troop and 2 Waltz's, The (t) | AI-A | American Sheet Music | 2 | PF |
//1+55//5654//311//1321//7-22//135 | 3/8 | Duke of York's Troop (t) | AI-A | Balls Amus 1, 1815 | 7 | FL/FI/VN |
//1+55//5654//311//1321//7-22//135// | 3/4 | Duke of Yorks Troop (t) | AM-A | Bevens MS, 1825 | 20v-21r | FI |
//1+55//5654//311//1321//7-22//135 | 3/8 | Duke of Yorks Troop (t) | AI-A | Blake Amus 2, 1824 | 21 | CL |
//1+55//5654//311//1321//7-22//135 | 3/8 | Duke of Yorks Troop, The (t) | IC-E | Bland Clar, 1798 | 18 | CL |
//1+55//5654//311//1321//7-22//135 | 3/8 | Short Troop (t) | AI-A | Camp Dupont, 1816 | 10 | 2GF/FI/VN,PF |
//1+55//5654//311//1321//7-22//135 | 3/8 | New Short Troop (t) | IC-E | Eley Pieces 1, 1790 | 2 | 2CL,2HN,TR,BS |
//1+55//5654//311//1321//7-22//135 | 3/8 | Favorite Troop, The.(duke of York) (t) | IC-E | English Sheet Music | 2 | PF+GF/CL |
//1+55//5654//311//1321//7-22//135// | 3/8 | Duke of Yorks Short Troop, The (t) | MS-S | Fife MS, 1780 | 170,16r | 1FI OR 2FI/VN |
//1+55//5654//311//1321//7-22//135 | 3/8 | Duke of York's Troop (t) | AM-A | Huntington MS, 1817 | III.33 | FL/VN |
//1+55//5654//311//1321//7-22//135 | 3/8(ED) | Duke of York's Troop, The (t) | IC-E | Preston Bassoon, 1790 | 25 | BS |
//1+55//5654//311//1321//7-22//135 | 3/8 | Duke of Yorks Troop, The (t) | MS-E | Russell MS, 1812 | 8-9 | FI |
//1+55//5654//311//1321//7-22//135 | 3/8 | Favorite Troop, The (t) | IC-S | Watlen Marches, 1798 | 22-23 | HA/PF+GF/GT |
//1+555/654//31+53/13//517-1/2 | C | Yes, These Were the Scenes (t) | SC-E | Vocal Music, 1775 | 24-25 | VO/VN/GF |
//1+555/654//31+53/13//517-1/231+ | C | Song, A (t) | SS-E | SS, Huntington-1 | 122 | VO,KB+GT/GF |
//1+55//565432//135//51+//1+73+//3+2+4+ | 3/4 | Song 103 (t), or Strew the Sweet Roses of Pleasure Between (at) | AI-A | American MM, 1798 | 271-273 | VO,B |
//1+55//565432//135//51+//1+73+//3+2+4+ | 3/4 | Strew the Sweet Rose of Pleasure Between, and (t) | AI-A | American Periodicals | VO,KB | |
//155/565432//31+1+/1+7//65/43 | C/ | March (t) | IC-E | Valentine March, 1769 | 3 | 2VN,2OB,2HN,BF |
//1+55/5654//333/33//23/43 | C | Capt. Campbell of Aird's March (t) | IC-S | Finch Marches, 1805 | 3 | PF |
//1+55//5654//511//131//7-22//135// | 3/8 | Duke of York's Troop, The (t) | AM-A | Hoff MS, 1797 | No. 124 | GF |
//1-5-/5-5-//6-5-4-5-/4-3-2-3-//3-2-3-4- 5-6-5-4-/3- |
C | March des Genadiers (t) | MS-G | Darmstadt MS 1224 | 289 | MI |
//1+5/55//65/51+//61+/51+ | 2/4 | IC-E | Delightful-1, 1763 | VI,26 | 2GF | |
//1+55/5655432//311/13+2+//5+3+1+ | C | March... Armed Association of Chippenham (t) | IC-E | English Sheet Music | 3 | PF+GF |
//1+5/55//65/5//55/567// | 2/4 | Feldschritt Nro. IX [Quick Step #9] (t) | IC-H | Pfeifer-Ordonnanz, 1819 | 22-23 | 2FI |
//1+5/55//65/55//654/321 | 6/8 | Quick Step (t) | IC-S | Gibb New Coll, 1798 | 13 | PF/VN,VC |
//1+5/55//65/55//65/67// | 2/4 | 6. (t) | DA-P | Ibarra 24 CD, 1775 | I:6 | 2VN |
//1+5/55//65/5//64+3+/2+1+ | C/ | Mrs. Sewels Delight (t) | DA-E | Bride CD, 1776 | III,12 | VN/OB/GF |
//1+5/55//6/5//61+/31//42/23+2+//1+5/55/ /6 |
2/4 | Trip to Stratford Upon Avon, A (t) | DA-E | Bride CD, 1776 | III,26 | VN/OB/GF |
//15//55//65/671+//71+//1+1+/ | 3 | Witches Dance, The (t) | IC-E | Apollo's Banquet 1-1, 1670 | 63 | VN |
/15//55/6567//51+7/6567//21+7/ | 2 | Cotillon (t) | IC-F | Leclerc Recueil-2, 1737 | 126 | HAF |
//15-5-/5-6-7-//12/131//23/4321// | C | Republican March (t) | AM-A | Pierian MS, 1810 | 33 | 2MI,B |
//15-5-/5-6-7-//12/131//23/4321 | C | Glover's March (t) | AM-A | Stiles MS, 1807 | 6-7 | MI |
//15-5-/5-6-7-//1232/11234//56/5434 | C | New March Composed for the Corps of Light Horse Volunteers, A (t) | IC-E | English Sheet Music | 3 | 2CL,2HN,TR,2BS, |
//15/55//671+/2+7//1+7/1+2+// | 3 | Jigg, A (t) | IC-E | Musicks Hand-Maid-1, 1678 | 51 | VI/HA |
//15-5-5-6-7-//135//544227-//15-4-3-2-1- //15-5-5-6-7-//135// |
3/4 | Miss Willis's Minuet (t) | DA-E | Fishar 12 CD, 1775 | 22 | KB |
//1//55/567//15//66/75 | C | Protection P. M. (t) | AM-A | Dean MS, 1800 | II.5 | VO |
//15-/5-6-//1/123//21/23 | 6/8 | Giga-1 (t) | IC-E | Caledonian PC, 1760 | VIII,20 | GF/VN |
//15-/5-6//1/123//21/23// | 6/8 | Lee Rig, The, Giga (t) | AM-A | Irving MS, 1796 | 96 | 1 MI |
//15-/5-6-//1/13//21/23// | C/ | Lee Rig, The, Slow (t) | AM-A | Irving MS, 1796 | 96 | 1 MI |
//1+5/561//1654/355//456 | C | Rural Content (t) | SS-E | SS, Folger-C52 | 3 | MI,VO,KB+GF/GT |
//15-5-6-/1231//27-6-5-/2342 | C/ | Boyers Maggot (t) | DA-E | Rutherf CD-1, 1750 | 37 | VN/FL/OB,HAF |
//15-5-6-/1231//27-6-5-/2342//3112 | C/ | Boyer's Maggot (t) | DA-E | Rutherf CD-2.2, 1760 | 36 | MI |
//15-5-6-/1231//27-6-5-/2342//3112/3453 | C/ | Jenny Jessamy (t) | AM-A | Beck MS, 1786 | 17 | GF |
//15-5-6-/1231//27-6-5-/2342//3112/3453 | C/ | Jenny Jessamy (t) | DA-E | Longman CD, 1781 | 55 | VN/OB/GF |
//15-5-6-/1231//27-6-5-/2342//3112/3453 | C/ | Boyers Maggot (t) | DA-E | Thompson CD-2, 1765 | 5 | VN/GF/OB |
//15-5-6-/1231//27-6-5-/2342//3112/3453/ / |
C/ | Boyers Maggot (t) | DA-E | Thompson CD-2a, 1765 | 4 | VN/GF/OB |
//15-5-6-/1231//27-6-5-/2342//3112/3453/ / |
C/ | Boyer's Maggot (t) | DA-E | Universal Magazine | 2:83, 1758 | MI |
//15-5-6-/1231//7-6-5-/2342//3112/3453 | C/ | Miss's Whim (t) | DA-E | Johnson CD-6, 1751 | 2 | VN/GF |
//15-5-6-/1236//5321/7-2232//15-5-6-/123 6 |
C | Here's to Thy Health My Bonie Lass (t) | SC-S | Scots MM-5, 1797 | 511 | VO,PF |
//15-5-6-/1236//5331/216-//15-5-6-/1233+ |
C/ | Lord Bamfs's Reel (t) | AM-A | Williams, S. MS, 1795 | 92-93 | KB |
//15-/5-6-13//5-6-/5-12//3217-/6-16-5-// 6- |
C | My Dearie An Ye Die (t) | IC-E | Caledonian PC, 1760 | I,10-11 | GF |
//1+5/5+61+3//56/51+2+//3+2+1+7/6765//6 | C | My Deary, If Thou Die (t) | SC-S | Scots MM-1, 1787 | 83 | VO,PF |
//15-5-6-/15-5-6-//15-5-6/223//15-5-6-/1 231+// |
C/ | Tamavuiln (t) | MS-S | Young MS-2, 1734 | 76r | MI |
//15-5-/6-17-6-//5-/111//22/3235 | C | Major Monro's March (t) | IC-S | Scottish Sheet Music | 3 | 2CL,2HN,2BS/PF |
//1+55/633//43454/315-//1+ | C | Overture (t) | TW-E | Two To One, 1784 | 4-7 | HA |
//15/56//34/5//123/234 | 6/8 | Princess Amelias Birthday (t) | MS-E | Hammersley MS, 1790 | 26B | MI |
//15/56//34/5//123/234 | 6/8 | Princess Amelia's Birthday (t) | DA-E | Johnson CD-2, 1742 | 14 | MI |
//15/56//34/5//123/234 | 6/8 | Princess Amelia's Birth Day (t) | DA-E | Walsh CD-2.2, 1735 | 30 | VO/OB/GF/FL |
//15/56//34/5//123/234 | 6/8 | Princess Amelia's Birth Day (t) | DA-E | Walsh CD-3.2, 1749 | 30 | VN/OB/GF |
//1+55/634//513/27-//316-/425// | 3 | Italian Dance, An (t) | IC-E | Apollo's Banquet 1-1, 1670 | 177 | VN |
//1+55/634//513/27-//316-/425//456/65 | 3 | #79 (t), or Chicani, A (at) | PL-E | Playford 1-3b, 1665 | II,58 | VN |
//15/56//34/5//17-1/23 | 6/8 | Norea's Wish-2 (t) | IC-E | Caledonian PC, 1760 | XI,6 | GF/VN |
//1+5/564//31/123//4 | 6/8 | Yorks Camp, The (t) | AI-A | Norman CD, 1799 | 2 | MI |
//1+5/564//31/123//42/321 | 6/8 | York Camp (t) | AI-A | Fifer's Comp, 1805 | 68 | 2FI |
//1+5/56//4/3//1234/56 | 2/4 | Burgo Master (t) | DA-E | Johnson CD-4, 1748 | 10 | VN/GF |
//15/56//4/34//23/12 | C/ | Marche Francaise, La.2e Air (t) | MS-F | Philidor MS, 1705 | 3 | 3OB,B |
//1+5564//34531//5342 | 3/4 | My Trim-Built Wherry (t) | SC-S | Edinburgh MM-1, 1792 | 54-55 | VO |
//1+5/5//64/4//35/31 | 2/4 | Trap Ball (t) | DA-E | Thompson CD-3, 1773 | 41 | VN/GF/OB |
//1+5/5//64/4//35/31// | 2/4 | Trap Ball (t) | DA-E | Thompson CD-3a, 1773 | 52 | VN/GF/OB |
//1+55/644//533/422//1+55/644 | 6/8 | Ye Warwickshire Lads (t) | AM-A | Greenwood MS, 1785 | 27 | MI |
//1+55/644//53/5 | 6/8 | Warwickshire Lad, The (t) | SS-E | SS, Folger-C52 | 149,1 | VO,KB+GT |
//1+55/644//53/5//1+55/644// | 6/8 | Warwickshire Lads & Lasses, The (t) | MS-S | Fife MS, 1780 | 287,30r | 1FI OR 2FI/VN |
//1+55/644//53/5//1+55/644 | 6/8 | Ye Warwickshire Ye Lad and Ye Lasses (t) | AM-A | Hawkins MS, 1794 | II,8 | GF |
//1+55/644//53/5//1+55/644 | 6/8 | Temple Hall Legion, The (t), or Rioters Nonsuited, The (at) | SS-E | SS, Boston PL-2 | 38 | VO,KB |
//1+55/644//53/5//1+55/644 | 6/8 | Parliament Man, The (t) | SS-E | SS, Boston PL-2 | 84 | VO,KB |
//1+55/644//53/5//1+55/644 | 6/8 | Down with the Dutch (t) | SS-E | SS, Boston PL-2 | 294 | VO,KB |
//1+55/644//53/5//1+55/644//53 | 6/8 | Warwickshire Lad, The (t) | TW-E | Jubilee, 1770 | 11 | VO,HAF |
/15//56/45//3/3234//34/ | 2 | Poivre, Le (t) | IC-F | Leclerc Recueil-1, 1729 | 39 | HAF |
//15-5-6-/5-12//34321/21//15-5-6-/5-564 | C | Royal Cottager, The (t) | SC-S | Edinburgh MM-2, 1793 | 160-161 | VO |
//1+5/5653//1+/1+1+2+//3+2+1+6/1+653// | C/ | My Dearie and thou die (t) | IC-S | Craig Scots Tunes, 1730 | 11 | HA/SP |
//1+5/5653//1+/1+1+2+//3+2+1+6//1+653// | C/ | My Dearie and Thou Die (t) | IC-S | Scots Tunes (C), 1730 | 11 | HA/SP/VN/GF |
//1+5/565//3+1+/1+//1+76/543 | 6/8 | Young Quaker, The (t) | DA-E | Thompson CD-5, 1788 | 48 | VN/GF/OB |
//1+5/565//3+1+/1+//1+76/543// | 6/8 | Young Quaker, The (t) | DA-E | Thompson CD-5a, 1788 | 48 | VN/GF/OB |
//15-/5-6-5-//31/121//533/654- | 6/8 | Come and feast thy ravish'd sight (fl) | TW-E | Choice/Harleq, 1781 | 16-19 | VO,HAF |
//1+5/565//3+1+/1+6//535/432// | 6/8 | Quick Step, A (t) | MS-S | Fife MS, 1780 | 425,44r | 1FI OR 2FI/VN |
//15/56//5/3//123/21 | 6/8 | Hunt the Squirrel (t) | IC-E | Caledonian PC, 1760 | XI,5 | GF/VN |
//1556//5/3//123/21 | 6/4 | Hunt the Squirill (t) | MS-E | Hammersley MS, 1790 | 52B | MI |
//15/56//5/3//123/21 | 6/4 | Hunt the Squiril (t) | PL-E | Playford 1-14, 1709 | 357 | VN |
//15/56//5/3//123/21 | 6/4 | Hunt the Squiril (t) | PL-E | Playford 1-15, 1713 | 357 | VN |
//15/56//5/3//123/21 | 6/4 | Hunt the Squiril (t) | PL-E | Playford 1-16, 1716 | 357 | VN |
//15/56-//5/3//123/21 | 6/4 | Hunt the Squiril (t) | PL-E | Playford 1-17, 1721 | 357 | VN |
//15/56-//5/3//123/21 | 6/4 | Hunt the Squiril (t) | PL-E | Playford 1-18, 1728 | 357 | VN |
//15/56//5/3//123/21// | 6/4 | Air 34 (t) | BA-E | Polly, 1729 | T36M14 | VO,B |
//15/56//5/3//123/21 | 6/4 | Hunt the Squiril (t) | DA-E | Walsh CD-1.1, 1718 | 16 | VN/OB/FL |
//15/56//5/3//123/21 | 6/4 | Hunt the Squiril (t) | DA-E | Walsh CD-2.1, 1731 | 13 | VN/OB/GF/RC |
//15/56//5/3//123/21 | 6/4 | Hunt the Squiril (t) | DA-E | Walsh CD-3.1, 1754 | 25 | VN/OB/GF |
//155//653//12321//12321//155 | Hunt the Squirrel (t) | AM-A | Wilson MS, 1782 | 2R | FL/OB | |
//15/56//53//123/217- | 6/4 | Air 33 (t) | BA-E | Fashionable, 1730 | 42 | VO |
//15/56//5/3//123/217- | 6/4 | Air 15 (t) | BA-E | Lottery, 1732 | 24 | VO |
//15/56//5/3//123/217- | 6/4 | Air 10 (t) | BA-E | Silvia, 1731 | 12 | VO |
//15/56//5/3//123/217-//123/217- | 6/4 | Air 22 (t) | BA-E | Generous Free, 1731 | 48 | VO |
//15-/5-6-5-//32/17-6-//5-6-7-/135 | 6/8 | Quick March (t) | IC-S | Rose Marches, 1796 | 9 | PF/HA |
//15/56//5/323//453/2 | 6/4 | Noint the Teazer (t) | PL-E | Playford 2-3, 1718 | 257 | VN |
//15/56//5/323//453/2 | 6/4 | Noint the Teazer (t) | PL-E | Playford 2-4, 1728 | 257 | VN |
//15/56//5/323//453/217- | 6/4 | Zealand (t) | PL-E | Playford 3-2, 1726 | 192 | VN |
//15/56//5/323//453/217- | 6/4 | Noint the Teazer (t) | DA-E | Walsh CD-1.2, 1719 | 279 | VN/OB |
//15/56//5/323//453/217- | 6/4 | Noint the Teazer (t) | DA-E | Walsh CD-2.2, 1735 | 99 | VO/OB/GF/FL |
//15/56//5/323//453/217- | 6/4 | Noint the Teazer (t) | DA-E | Walsh CD-3.2, 1749 | 99 | VN/OB/GF |
//15/56//5/334//51/7-67-//1 | 6/4 | Air 21 (t) | BA-E | Momus Turnd Fab, 1729 | 32 | VO |
//1+5/56//53/345//6543/4321// | C/ | An Woode's Lamentation on Ye Refusall of His Half Pence (t) | IC-E | Apollo's Banquet 1-1, 1670 | 52 | VN |
//1+5/56//53/345//6543/4321// | C/ | Antick Dance, An (t) | IC-E | Apollo's Banquet 1-2, 1678 | 32 | VN |
//1+5/56//53/345//6543/4321// | C/ | Antick Dance, An (t) | IC-E | Apollo's Banquet 1-5, 1687 | 28 | VN |
//1+5/56//53/345//6543/4321// | C/ | Antick Dance, An (t) | IC-E | Musicks Hand-Maid-1, 1678 | 39 | VI/HA |
//1+5/56//53/345//6543/4321//7-5-/5-3 | C/ | #34 (t), or Antick Dance (at) | PL-E | Playford 1-3b, 1665 | II,45 | VN |
//1+556/5335//671+543/25//1+556/543671+ | C | Bush, The (t) | DA-E | Johnson CD-5, 1750 | 79 | VN/GF |
//15/565//343/217-//6-7-1/7-6-5-// | 3 | Betty Copes Jigg (t) | IC-E | Apollo's Banquet 1-1, 1670 | 111 | VN |
//1+556/535//6151/7225//1+556/531// | C/ | Lady Ann Steuart (t) | MS-S | Fife MS, 1780 | 830,90r | 1FI OR 2FI/VN |
//1+5/5653//56/53+2+//1+6/61+65 | C | My Dearie If Thou Die (t) | IC-S | Stuart, 1724 | V,110-111 | HA |
//15/5654//31+/1+76//531+5/6543 | 2/4 | Andante (t) | IC-S | Sime Marches, 1789 | 14-15 | HA/PF |
/15//56/5432//32/32//12/ | 2 | Cocaigne, La (t) | IC-F | Leclerc Recueil-2, 1737 | 130 | HAF |
//15/565//43/234//51/12 | 6/8 | Hemp Dressers, The (t) | IC-S | Aird 2, 1785 | 38 | FI/VN/GF |
//15/565//43/234//51/12 | 6/4 | Air 11, Act Ii (t) | BA-E | Beggar's Opera, 1728 | T30M7 | VO |
//15/565//43/234//51/12 | 6/4 | Air 29 (t) | BA-E | Beggar's Opera, 1777 | 68 | VO |
//15/565//43/234//51/12 | 6/8 | Giga-2 (t) | IC-E | Caledonian PC, 1760 | VIII,21 | GF/VN |
//15/565//43/234//51/12// | 6/8 | Hemp Dressers, The (t) | MS-S | Fife MS, 1780 | 673,73r | 1FI OR 2FI/VN |
//15/565//43/234//51/12// | 6/8 | Hemp Dressers, The (t) | MS-C | Molyneaux MS-2, 1788 | 35 | 1 OR 2 GF |
//15/565//43/234//51/12//1/5//25 | 6/4 | Air 29 (t) | BA-E | Beggar's Opera, 1765 | 55 | VO |
//15/565//43/234//51/122 | 6/8 | De'il's Awa with the Exciseman, The (t) | AI-A | Riley Flute 1, 1814 | 58 | FL |
//15/565//43/234//51/122 | 6/8 | De'il's Awa Wi' Th'exciseman, The (t) | SC-S | Scots MM-4, 1792 | 412 | VO,PF |
//15/56//543/234//51/12//34 | 6/4 | Song 2, Act Iii (t) | BA-E | Penelope, 1728 | T51M15 | VO |
//15/565//43/234//561/12 | 6/4 | Song 9 (t) | SC-E | Convivial, 1782 | 20-21 | VO |
//15/56//54/32//351/351 | Sr. Miles for Ever (t) | MS-E | Hammersley MS, 1790 | 31B | MI | |
//1+//5//56543////2+//4 | 3/8 | Presto (t) | IC-E | Flack Divs, 1776 | 7 | 2CL,2HN,BS |
/15//56/54//32/44//33/ | 2 | Grand Mere, La (t) | IC-F | Leclerc Recueil-2, 1737 | 117 | HAF |
//1+5/5654//33/3432//1234/5675 | 2/4 | Allegretto (t) | MS-E | Miscellany MS, 1810 | 2CL/OB,2HN,BS | |
//1-5-/5-6-5-4-//3-3-/3-4-3-2-//1-3-4-/5 -6-5-4- |
C/ | Air 60 (t) | IC-N | Roger Airs, 1716 | 2:14 | 2CH/TR/OB/VN/FL/CL/HN |
/1+5//5654/33//3432/17-1//212/ | 2/4 | Grand Cotillion Call the Sam No.26 (t) | AM-A | Duport MS-1, 1780 | 23 | VN |
//15/565//4/334//51/217-//1 | 6/4 | That pimp's in a piteous condition (fl) | BA-E | Patron, 1729 | 20 | VO |
/15//56/54//3/43//27-/ | 2 | Galopade, La (t) | IC-F | Leclerc Recueil-1, 1729 | 60 | HAF |
//15/565//43/4//345/6 | C3 | Alchurch (t) | PL-E | Playford 1-08, 1690 | 213 | VN |
//15/565//43/4//345/671+ | C3 | Alchurch (t) | PL-E | Playford 1-09, 1695 | 152 | VN |
//15/565//43/4//345/671+ | C3 | Alchurch (t) | PL-E | Playford 1-10, 1698 | 152 | VN |
//15/565//43/4//345/671+ | 3/4 | Alchurch (t) | PL-E | Playford 1-11, 1701 | I,152 | VN |
//15/565//43/4//345/671+ | 3/4 | Alchurch (t) | PL-E | Playford 1-13, 1706 | 152 | VN |
//15/565//43/4//345/671+ | 3/4 | Alchurch (t) | PL-E | Playford 1-14, 1709 | 152 | VN |
//15/565//43/4//345/671+ | 3/4 | Alchurch (t) | PL-E | Playford 1-17, 1721 | 152 | VN |
//15/565//43/4//345/671+ | 3/4 | Alchurch (t) | PL-E | Playford 1-18, 1728 | 152 | VN |
//15565//434//345671+ | 3/4 | Alchurch (t) | DA-E | Walsh CD-1.1, 1718 | 165 | VN/OB/FL |
//1-5-5-6-5-/4-3-4-5-3-4-3-//2-1-2-3-1-5 -4-5-/3-2-//3-3-3-4- |
C/ | Air 7 (t) | IC-N | Roger Airs, 1716 | 1:4-5 | 2CH/TR/OB/VN/FL/CL/HN |
//1+5/5654//3456/557//1+51+2+/3+6+5+4+// |
C/ | Stage Hornpipe, The (t) | MS-E | Vickers MS, 1770 | 65 | MI |
/1+//55/654//3/531//2465/4321// | C/ | Soirée de Vienne, La. Contre-Danse Française. (t) | DA-F | Landrin CD BL-2, 1775 | 105 Feuille | MI |
//15/565//43/5//345/671+ | 3/4 | Alchurch (t) | PL-E | Playford 1-15, 1713 | 152 | VN |
//15/565//43/5//345/671+ | 3/4 | Alchurch (t) | PL-E | Playford 1-16, 1716 | 152 | VN |
//15/565//44/432//15/56//5/43// | 2/4 | Drum March, A (t) | MS-S | Fife MS, 1780 | 763,83v | 1FI OR 2FI/VN |
//15/56//5/454//33/232 | 6/8 | Installation, The (t) | DA-E | Thompson CD-3, 1773 | 90 | VN/GF/OB |
//15/56//5/454//33/232// | 6/8 | Installation, The (t) | DA-E | Thompson CD-3a, 1773 | 78 | VN/GF/OB |
//15/56//5/454//33/232 | 6/8 | Installation, The (t) | AM-A | Turner MS, 1788 | I,21 | VN |
//15-/5-6-//5-4-5-6-/5-12//3232/17-6-5-/ / |
C/ | AM-A | Johnson, S. MS, 1807 | 23-24 | FI | |
//1+55/655//1+543/21//43/655 | C | Loyal Borrowstounness Volunteers Slow and Quick March, The (t) | IC-S | Scottish Sheet Music | 2 | PF |
//1+55//655//1+55//54343//1+55//655 | 3/8 | Waltz (t) | IC-S | May Marches, 1800 | 9 | PF |
//1+5//565//53//343//151//313 | 3/8 | Concerto 10. Presto (t) | IC-E | Bremner Mil Con, 1774 | 2OB/CL/FL/VN,2HN,BS | |
//1+5/565//543/234//531/123 | 6/8 | Royal Glasgow Volunteer's Jig, The (t) | IC-S | Aird 1, 1782 | 17 | FI/VN/GF |
//1+5/565//543/234//531/123 | 6/8 | Royal Glasgow Volunteers Jigg, The (t) | AM-A | Murphey MS, 1790 | 35 | MI |
//1+55//655//4342//35//1+ | 2/4 | Ladies and gentlemen (fl) | TW-E | Summer Amuse, 1779 | 38-41 | VO/VN,HA |
//15-5-/6-5-5-//5-11/132//15-5-/6-5-5- | 6/8 | Quick Step (edinburgh Royal Highland Volunteers) (t) | IC-S | Scottish Sheet Music | PF | |
//15/56//55-/5-5//43/21 | C/ | Zapffenst. No 16. V. Waldeck der Alte (t) | MS-G | Darmstadt MS 1225 | 285-86 | 2MI |
//15/56//55-/5-5//43/27-1 | C/ | Zappenstreich de Waldeck Regiment (t) | MS-G | Darmstadt MS 1224 | 265 | MI |
//15/56//561+2+/1+5//641+6/4+3+2+1+/ | C/ | Hornpipe, A (t) | MS-S | Fife MS, 1780 | 118,10r | 1FI OR 2FI/VN |
//1+55//65//6+3+1+ | 2/4 | Quick March (t) | AI-A | Martial Music, 1807 | 44 | 2CL/2OB,BS |
//15/565//65/6//51/123 | 6/8 | Hareum Starum (t) | DA-E | Johnson CD-2, 1742 | 88 | MI |
//15-/5-6-5-//6-6-/421//15-/5-6-5- | 6/8 | Duettino (t) | IC-E | Thompson Clar, 1785 | 25 | 2CL |
//15-/5-6-5-//6-6-/427-//15-/5-6-5- | 6/8 | Guigue (t) | IC-E | Flack Divs, 1776 | 20-21 | 2CL,2HN,BS |
//15-5-/6-5-6-7-//127-/135//424/321 | C/ | Slow March (t) | IC-S | Rose Marches, 1796 | 11 | PF/HA |
//1+5/56//65/54//43/21// | 2/4 | Foi Juree, La (t) | DA-N | Echo, 1758 | 57 | KB |
//1+5/56//65/6//5355/4244// | 2/4 | La Borde, La (t) | DA-E | Longman Cot, 1770 | 16 | HA/VN/GF/OB |
//1+55//667//1+32//21//1+76// | C3 | Saraband, A (t) | IC-E | Apollo's Banquet 1-2, 1678 | A4 | VN |
//1+55//667//1+32//21//1+76// | C3 | Saraband (t) | IC-E | Apollo's Banquet 1-5, 1687 | A3 | VN |
//1+55//667//1+32//21//1+76// | C3 | Saraband (t) | IC-E | Apollo's Banquet 1-6, 1690 | A4 | VN |
//15/567//1+1/12//323/434// | 6/8 | 2nd Church Call, The (t) | MS-S | Fife MS, 1780 | 62,6v | 1FI OR 2FI/VN |
//15-/5-6-7-//1234/5//543/217-1//1 | C | Chorus (t) | TW-E | Pirates, 1792 | 70-71 | 4VO,KB |
//15-/5-6-7-//1234/5//543/217-1//1 | C | Chorus (t) | TW-E | Pirates, 1792 | 74-75 | 4VO,KB |
//1+/5//5/67//1+2+/7 | C | Weathersfield Ps136d W L M (t) | AM-A | Bellamy MS, 1799 | 72-73 | VO,B |
//1+5/567//1+3/345//651+5/4321 | Dream, The (t), or Ode, An (at) | SS-E | SS, Huntington-1 | 28 | VO,KBF | |
//1+5/567//1+3/345//651+5/4321//1 | C/ | Dream, The (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//1+5/567//1+3/345//651+5/4321//1 | C/ | Dream, The (t), or Ode, An (at) | SS-E | SS, Harvard | 1 | VO,KBF |
//1+5/567//1+3/345//651+5//4321//1 | C/ | Dream, The (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//1+5/567//1+53/11+//75/5671+ | C | On the Way to the Field (t) | AI-A | Hazeltine D&F, 1810 | 25 | FI,DR |
//1+5/567//1+5/51+//71+/2+3+// | 2 | Bacante, Le (t) | DA-F | Feuillet Recueil, 1706 | 113-120 | MI |
//1+5/567//1+5/51+//71+/2+3+// | C | Vacante, La (t) | MS-M | Garcia MS, 1772 | 73V [177] | MI |
//1+5/567//1+5/51+//71+/2+3+// | 2 | Bacante, La (t) | MS-G | Jayme MS, 1717 | 11 | MI |
//1+5/567//1+5/51+//71+/2+3+// | 2 | Baccante, La (t) | IC-F | Leclerc Recueil-1, 1729 | 8 | HAF |
//1+5/567//1+5/567//1+76/54 | 2/4 | Trop (t) | MS-G | Darmstadt MS 1224 | 247 | MI |
//1+5/567//1+5/567//1+76/54 | 2/4 | Tropp Im Rettiriren (t) | MS-G | Darmstadt MS 1225 | 15-16 | 2MI |
//1/5-5-6-7-//17-/11//2341/7-13 | C/ | Caelia's Complaint (t) | SC-E | Pills 3, 1719-20 | 152-3 | VO |
//1+5/567//1+71+/55//656/234// | 6/8 | Willing Maid, The (t) | AM-A | Brown, J. MS, 1782 | 1:46 | |
//1+5/567//1+71+/55//656/234 | 6/8 | Willing Maid, The (t) | SC-E | Clio-1, 1758 | 48 | VO,HA+MI |
//1-5-/5-6-7-//17-6-/5-//15-/5-4-3- | C/ | Grenadier March No 3 (t) | MS-G | Darmstadt MS 1224 | 243,245 | 2MI |
//15-/5-6-7-//17-6-/5-//6-6-5-/6-5-4-3- | C/ | Fahnen Troupp Bredow (t) | MS-G | Darmstadt MS 1224 | 244,246 | 2MI |
//15/567//43/4//345/671+ | 3/1 | Alchurch (t) | PL-E | Playford 1-12, 1703 | 152 | VN |
//1+/5//56/7//5432+1+// | C/ [8/4] | Pavana. 1 (t) | MS-E | Fitzwilliam MS-1, 1609 | 384-387 | VI |
//15575/47-2342//1553/151+6//71+7575/47- 2342 |
C | Empty Purse, The (t) | IC-S | Aird 5, 1797 | 18 | FI/VN/GF |
//1557/6453//1556/77-2342//2556/6456// | C/ | Lads of Boot, The (t) | AM-A | Hoff MS, 1797 | No. 166 | GF |
//1557/6453//1556/77-2342//2557/6456//74 47 |
C/ | Lads of Boot, The (t) | DA-E | Rutherf CD-2.1, 1756 | 100 | VN/GF/OB |
//15/57//64/53//15/57 | 2/4 | Lady Jane Stuarts Reel (t) | AM-A | Perkins MS, 1790 | 8 | MI |
//1+5/57//77767/5575//2+4/4452 | C | Song 39 (t) | SC-E | Vocal Enchant, 1783 | 80-82 | VO |
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