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Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
//15+4+//13+2+//1+71+2+7//1+5//15+4+//13 +2+// |
3/8 | Tayche, El: Francesa (t) | DA-P | Piferrer CD, 1768 | 10 | MI |
//15-4-/1-3-//5-4-/1-3-//5-11/7-6- | Quick Step, A (t) | AM-A | Nixon MS, 1776 | 81 | FI | |
//1+54217-//1353+2+//64+3+2+//3+71+//3+1 +71+51+71+3+1+7 |
3 | Minuet by Mr. Petsold (t) | IC-E | Delightful-2, 1745 | VI,2 | GF |
//15/421//7-24654/35-//6-17-11 | C | By hope possess'd (fl) | SS-E | SS, Folger-C42.4 | 143 | VO,KB+FL |
//1542316//5423127-1//5-2432//3454534231 27-//15 |
3/2 | Hornpipe (t) | IC-E | Delightful-1, 1763 | VI,36 | 2GF |
//1+5/42//31/75//1+5/42// | 2/4 | 2. First Sett (t) | AI-A | Geib Cots, 1816 | 1 | MI,B |
//1+5/42//31/75//1+5/42// | 2/4 | 2. First Set (t) | AI-A | Geib Cots, 1818 | 1 | PF |
//1+5/42//31/75//1+5/42// | 2/4 | First Set. 3 (t) | AI-A | Paff Cots-2, 1814 | 3 | PF |
//1+5/42//31/75//1+5/42 | 2/4 | Six Cotillions-Ii (t) | AI-A | Riley Flute 1, 1814 | 38 | FL |
//154/27-42//154/1+154//154/77-42// | C/ | Merry Annie (t) | MS-S | Young MS-2, 1734 | 61v-63r | MI |
//154/31+1+//1+1+/653//35/5432// | C | Ain Duo Calaths, No 30 (t) | AM-A | Bevens MS, 1825 | 73r | 2 MI |
//1+/54//311/11//7-17-6-6-6-/5-1 | C | West London Slow March, The (t) | IC-E | English Sheet Music | 4 | 2CL,2HN,TR,2BS, |
/1+//543/1+1+//1/2345//6543/2545// | 2 | Jeu d'Amour, Le. Contre-Danse Française (t) | DA-F | Landrin CD BN, 1775 | 20 Feuille | KB |
//1+/54//3/11//234/54 | 4 | Marche Religieuse (t) | IC-F | French Sheet Music | 4CL,2HN,2BS | |
//1+/54/311//27-7-/16-6-/7-5-5-// | 4/9 [=9/4] | Hilland Dance, A (t) | IC-E | Wright Extraordinary, 1715 | [29] | MI |
//1+/54//31/1//6/54//3 | 2/4 | Begone I discharge you, Away from my sight (fl) | TW-E | Haunted Tower, 1789 | 62-63(60-61) | 2VO,KB |
//1+/54//311//7-2/54 | 2 | Trip to Teddington (t) | DA-E | Walsh CD-3.5, 1754 | 61 | VN//OB/GF |
//1+54//311//7-2/54//315 | 2 | Trip to Teddinton (t) | DA-E | Johnson CD-5, 1750 | 9 | VN/GF |
//1+54//311//7-2/54//315// | 2 | Trip to Teddington (t) | DA-E | London Magazine | 421, 1750 | MI |
//1+54/31//1+76/5//645/61+ | C | Grenadier Aptropp (t) | MS-G | Darmstadt MS 1224 | 65 | MI |
//15-4-//3-12//15-4-//3-12//314 | 2 | Junketting Bout, The (t) | DA-E | Johnson CD-6, 1751 | 27 | VN/GF |
//15-4-//3-12//15-4-//3-12//314 | 2 | Junketting Bout, The (t) | DA-E | Walsh CD-3.5, 1754 | 5 | VN//OB/GF |
//15-4-//3-12//15-4-//3-12//314//315// | 2 | Junketting Bout, The (t) | DA-E | Universal Magazine | 2:30, 1752 | MI |
//15-4-/3-1//224/35-//15-4-/3-5 | C/ | Genl Mathew's March (t) | IC-E | Skillern Amus, 1785 | 30-31 | 2GF |
//1+54/31+//2+3+1+3/21//561+/71+ | C | Lovely Lass of Inverness, The (t) | IC-E | Caledonian PC, 1760 | I,9 | GF |
//1+54/31+//2+3+1+3/21//5671+/71+ | C | Lovely Lass of Inverness, The (t) | SC-S | Scots MM-5, 1797 | 414 | VO,PF |
//1+54/31//2432/345//1+54/31 | C | Reel, A (t) | AM-A | Perkins MS, 1790 | 47 | MI |
//1+/54//31//26/54//43 | 2/4 | Lucy Gray (t) | IC-E | Hook Songs, 1805 | 2CL,2FL,2HN,2BS/SPT | |
//154/3127-//12-5-4-5-/3-1-3-4-//5-3-/6- 7-// |
C/ [ed] | Allmand. Mr. Ja Graves (t) | IC-E | Theater Musick-3, 1700 | 12 | VN |
//1+54/313//217-1/212325//1+54/313 | C/ | Number One (t) | DA-E | Johnson CD-3, 1744 | 98 | VN/GF |
//1+54/313//217-1/212325//1+54/313 | C/ | Number One (t) | DA-E | Walsh CD-3.5, 1754 | 94 | VN//OB/GF |
//1+54/31+//3+2+1+7/1+765//1+54/31+ | C/ | Round About, The (t) | DA-E | Thompson CD-3, 1773 | 85 | VN/GF/OB |
//1+54/31+//3+2+1+7/1+765//1+54/31+// | C/ | Round About, The (t) | DA-E | Thompson CD-3a, 1773 | 73 | VN/GF/OB |
//1+54/31+//3+2+1+7/1+765//1+54/31+ | C/ | Drive the Devil (t) | AM-A | Williams, W. MS, 1775 | 17 | FI |
//154//313//242//7-5-7-//13/24// | 2/4 | Handsome Jewess, The (t) | AM-A | Brown, J. MS, 1782 | 1:29 | |
//154//313//242//7-5-7-//13/24 | 2/4 | Handsome Jewels, The (t) | DA-E | Longman CD, 1781 | 84 | VN/OB/GF |
//1+54//313//24/32 | 2/4 | Shrewsbury Lasses, The (t) | DA-E | Thompson CD-4, 1780 | 90 | VN/GF/OB |
//1+54//313//24/32// | 2/4 | Shrewsbury Lasses, The (t) | DA-E | Thompson CD-4a, 1780 | 90 | VN/GF/OB |
//154//313//244//7-5-7-//1324//3 | 2/4 | Handsome Jewess, The (t) | DA-E | Bride CD, 1776 | III,20 | VN/OB/GF |
//1/54//313/27-5-//6-16-/242 | 6/8 | Gallant Blakeney (t) | AM-A | Aborn MS, 1790 | 70 | MI |
//1/54/313/27-5-//6-16-/242 | 6/8 | Gallant Blakeney (t) | DA-E | Johnson CD-8, 1758 | 92 | VN/GF |
//1/54//313/27-5-//6-16-/242 | 6/8 | Gallant Blakeney (t) | DA-E | Thompson CD-1, 1757 | 80 | VN/GF/OB |
//1/54//313/27-5-//6-16-/242// | 6/8 | Gallant Blakeney (t) | DA-E | Thompson CD-1a, 1757 | 81 | VN/GF/OB |
//1/54//313/27-5-//6-16-/242//7- | 6/8 | Chances, The (t) | DA-E | Rutherf CD-2.2, 1760 | 16 | MI |
//1+54/313453//11+1+2+/765//1+54/313453/ / |
C/ | Coffee and Tea (t) | MS-E | Vickers MS, 1770 | 33 | MI |
//1+/54//31/3453//27/27 | C/ | Colol D Harts Delight a Quick Step (t) | AM-A | Thompson MS, 1777 | 38 | FI |
//1+/54//31/34//5/4//31 | 2/4 | Rear'd Midst the War-Empurpled Plain, &c. (t), or Death Song of An Indian C | AI-A | American SS-SM | 1-2 | 2VN,2CL,2FH,VA,VO,B |
//1+54//313//456//26//2+1+7 | 3/4 | Norfolk Miller Excis'd, The (t) | SS-E | SS, Folger-C42.4 | 12 | VO,KB+FL |
//1+54//313//456//26//2+1+7//656 | 3/4 | Norfolk Miller Excis'd, The (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//1+/54//31/35//1+1+3+/2+2+4+ | C | Queen's Grand March (t) | IC-S | Aird 6, 1803 | 63 | FI/VN/GF |
//1/5-4-//3-1-/3-5-//113/224 | C | Queen's March (t) | IC-E | Balls Amus 3, 1830 | 35 | FL/VN |
//1/5-4-//3-1-/3-5-4-3-//2-7-/2-7- | C | Kelley's Delight (t) | AM-A | Hooves MS, 1817 | 43 | FI |
//1/5-4-//3-1-/3-5-4-3-//2-7-/2-7- | C | Kelley's Delight (t) | AI-A | Robbins D&F, 1812 | 45 | FI |
//154/31//35/567//1+7/65 | C/ | St. Brides (t) | PL-E | Playford 2-1, 1713 | 17 | VN/OB |
//154/31//35/567//1+7/65 | C/ | St. Brides (t) | PL-E | Playford 2-2, 1714 | 17 | VN/OB |
//154/31//35/567//1+7/65 | C/ | St. Brides (t) | PL-E | Playford 2-3, 1718 | 17 | VN |
//154/31//35/567//1+7/65 | C/ | St. Brides (t) | PL-E | Playford 2-4, 1728 | 17 | VN |
//154/31//35/567//1+7/65 | C/ | St Brides (t) | DA-E | Walsh CD-1.2, 1719 | 34 | VN/OB |
//154/31//35/567//1+7/65 | C/ | St. Brides (t) | DA-E | Walsh CD-2.2, 1735 | 193 | VO/OB/GF/FL |
//154/31//35/567//1+7/65 | C/ | St. Brides (t) | DA-E | Walsh CD-3.2, 1749 | 193 | VN/OB/GF |
//1+54/3135//6461+/7572+//3+1+/4+2+// | C/ | Quick Step, A (t) | MS-S | Fife MS, 1780 | 233,24v | 1FI OR 2FI/VN |
//1+54/3135//6461+/7572+//3+1+4+2+/5+3+2 +1+// |
C | Morpeth Rant (t) | DA-E | Wilson Companion, 1816 | 137 | MI |
//1+/54//313/6//71+2+/432 | 6/8 | Irish Baulk (t) | DA-E | Johnson CD-4, 1748 | 92 | VN/GF |
//1+/54//313/6//71+2+/432 | 6/8 | Irish Baulk (t) | DA-E | Walsh CD-2.4, 1747 | 65 | MI |
//1+/54//313/6//71+2+/432// | 6/8 | Irish Baulk (t) | DA-E | Walsh CD-3.4, 1747 | 65 | VN/OB/GF |
//15/4//31+/4//32/17-// | 2/4 | Wenceslas, La. Contre-Danse Allemande (t) | DA-F | Landrin CD BN, 1775 | 2 Feuille | KB |
//1+54//314//34513/4227//1+54//314// | C | Welcome to the Town Again (t) | IC-E | Peacock Pipe, 1805 | 1 | PI/GF/VN |
//154/315//1+2+1+/71+//535/432 | 6/4 | Marshall Broglio Escape (t) | DA-E | Walsh CD-2.3, 1735 | 150 | VN/OB/GF/CF |
//154/315//1+2+1+/71+//535/432 | 6/4 | Marshal Broglio Escape (t) | DA-E | Walsh CD-3.3, 1749 | 140 | VN/OB/GF |
//1+54/315-//1234/52//365/434257- | C | Old Englands a lion stretch'd out at his ease (fl) | TW-E | Farmer, 1787 | 38-39 | 2CL,KB,VO |
//1+/5431+/51+//31+7/6543//342/2567 | 2/4 | Irish March, The (t) | AM-A | Belknap MS, 1784 | 44V | MI |
//1+54//315-//13/2342 | 2/4 | Europa (t) | DA-E | Thompson CD-2, 1765 | 88 | VN/GF/OB |
//1+54//315-//132342 | 2/4 | Europa (t) | DA-E | Thompson CD-3, 1773 | 83 | VN/GF/OB |
//1+54//315-//13/2342/31/1 | 2/4 | Quick March.#4 (t) | IC-E | Hinde Longman, 1775 | 2 | FI/GF/VN/OB,PF/HA |
//1+54//315-//13/2342//315//646// | 2/4 | Europa (t) | DA-E | Thompson CD-3a, 1773 | 15 | VN/GF/OB |
//1+54/31//531/242//1+54/31// | 6/8 | Humors of Dublin, The. A Quick Step (t) | MS-S | Fife MS, 1780 | 391,40v | 1FI OR 2FI/VN |
//1+/54//3153/15-5-//11/7-123 | C | Massachusetts March (t) | AM-A | Huntington MS, 1817 | III.45 | FL/VN |
//1+/54//3153/15-5-//1/7-17-12123 | C | Massachusetts March (t) | AI-A | Merrimack Coll, 1833 | 33 | 2MI,B |
//1+/54//3153/15-5-//1/7-17-12323 | C | Massachusetts March (t) | AI-A | American Periodicals | KB | |
//1+/54//3153/15-5-//1/7-17-12323 | C | Massachusetts March (t) | AM-A | Beach MS, 1801 | 49 | 2MI,2HN,B |
//1+/54//3153/15-5-//1/7-17-12323 | C | Massachusetts March (t) | AI-A | Goodale Dir, 1829 | 32 | 2CL/FL,2HN,BS |
//1+/54//3153/15-5-//1/7-17-12323 | C | Massachusetts March (t) | AI-A | Instrum Asst-2, 1807 | 13 | 2MI,2HN,B |
//1+54/3153//2345/622+7//1+54/3153// | C/ | Reel, A (t) | MS-S | Fife MS, 1780 | 821,89v | 1FI OR 2FI/VN |
//1+54/3153//2727/27-42//1+54/3153// | C/ | Kiss Hir Fast Hir Mothers Comeing (t) | MS-E | Vickers MS, 1770 | 30 | MI |
//1+54/3153//2727/27-7//1+54/3153 | C | Dundee Reel (t) | AM-A | Psalmody MS, 1798 | 5 | MI |
//1+54/3153//2747/27-42//1+54/3153// | C/ | Quick Step, A (t) | MS-S | Fife MS, 1780 | 659b,71v | 1FI OR 2FI/VN |
//1+54/3153//2747/27-42//1+54/3153// | C/ | Sir John Stuart of Garntullie's Rant (t) | IC-S | Stewart Reels, 1775 | 29 | VN/GF,VC/HA |
//1+54/3153//4564/22+3+//4+3+2+3+/4+3+2+ 1+// |
C | Sky Lark Hornpipe, The (t) | AI-A | Carrs PC, 1800 | 8 | GF/VN/FL |
//1/5-4-//3-1/5-3-//4-5-/6-7- | 2/4 | Come Let Us Join the Festive Dance (t) | AI-A | Riley Flute 2, 1817 | 13 | FL |
//1+/543//1+/543//1+5/43// | 6/8 | Promenade de Colisée, La.. Contre-Danse Française (t) | DA-F | Bouin CD LC-2 , 1780 | 109 Feuille | MI |
//1+/543//1+543//1+543// | 6/8 | Promenade du Colisée, La. Contre-Danse Française. (t) | DA-F | Landrin CD BL-2, 1775 | 109 Feuille | MI |
//1+543//15431//7-1//117-//5-112//34321/ / |
3/4 | In Cashel Town, I'd Lay Her Down (t) | AM-A | Hoff MS, 1797 | No. 180 | GF |
//1+5/43//1+5/43//5/4 | 2/4 | Apron My Dear, The (t) | DA-E | Thompson CD-3, 1773 | 60 | VN/GF/OB |
//1+5/43//1+5/43//5/4// | 2/4 | Apron My Dear, The (t) | DA-E | Thompson CD-3a, 1773 | 30 | VN/GF/OB |
//1+/54//315//64/1+76 | C/ | Pilgarlick (t) | DA-E | Walsh CD-3.5, 1754 | 24 | VN//OB/GF |
//1+54//31+653//212//351+7//6 | 3/4 | Absence (t) | SC-S | Scots MM-2, 1788 | 191-192 | VO,PF |
//1+543/1+654//6543/217-6-//5-135/5-7-24 //4321 |
2/4 | Cotillions-2 (t), or Taming of Shrew, The (at) | TW-E | Jubilee, 1770 | 38 | HA |
//154/321 | C/ | Song, A (t) | SS-E | SS, Folger-C42.2 | 55 | VO,KB+F |
//15432/11//1/123//217-6-/5-7-24 | C | General Lampton's March (t) | IC-E | Skillern Amus, 1785 | 53 | 2GF |
//15432/11//1/123//217-6-/5-7-24 | C | General Lampton's March (t) | IC-S | Stewart Marches, 1761 | 74-75 | 2VN/GF/OB,VC/HA |
//15432/1111//26543/2222//3531/247- | C/ | Andante (t) | IC-S | Stewart Marches, 1773 | 26-27 | 2VN/GF/OB,VC/HA |
//1+/5432//111/1//5/217-6- | C/ | March 5 (t) | IC-E | Thompson March, 1771 | 3 | 2CL/2VN/2FL/2OB,2FH,BF |
//15432/11+1//15432/11+1//26543/234//35- 5- |
6/8 | Wood Cutters, The (t) | IC-E | Delightful-2, 1745 | I,2-3 | GF |
//1/5432//111/1//5-4-3-/5-4-3- | C | Slow March (t) | IC-E | Coleman Marches, 1790 | 40-41 | HA |
//1+5432//111//212//35//1+7//65// | 3/8 | 5th Troop, The (t) | MS-S | Fife MS, 1780 | 843,91r | 1FI OR 2FI/VN |
//15-4-3-2-//1-11-//2-22-//3-33-//4-4543 //25432 |
3 | Minuet (t) | IC-E | Walsh Oboe, 1715 | 16 | OB |
//1+54/32//11/123//22/234 | 6/4 | Laughing Vicar, The (t) | PL-E | Playford 2-3, 1718 | 322 | VN |
//1+54/32//11/123//22/234 | 6/4 | Laughing Vicar, The (t) | PL-E | Playford 2-4, 1728 | 322 | VN |
//1+54/32//11/123//22/234 | 6/4 | Urania (t) | PL-E | Playford 3-2, 1726 | 129 | VN |
//1+54/32//11/123//22/234 | 6/4 | Hellen and Paris (t) | DA-E | Walsh CD-1.1, 1718 | 12 | VN/OB/FL |
//1+54/32//11/123//22/234 | 6/4 | Hellen and Paris (t) | DA-E | Walsh CD-2.1, 1731 | 94 | VN/OB/GF/RC |
//1+54/32//11/123//22/234 | 6/4 | Hellen and Paris (t) | DA-E | Walsh CD-3.6, 1754 | 140 | VN/OB/GF |
//154//3211//1-5-4-//3-2-1-1-//5366//425 5//3234 |
3 | Minuet (t) | IC-E | Delightful-2, 1745 | I,5 | GF |
//15-4-3-2-//1-1234//513//217-6-5-//15-4 -3-2-//1-1231// |
3/4 | Minuet by Signior Lacatelli, A (t) | AM-A | Ormsby MS, 1758 | 301 | VN |
//1+54/321//1+3+/2+1+7//61+6/543 | 6/8 | Mr. Jones's Inquiry (t) | DA-E | Johnson CD-6, 1751 | 85 | VN/GF |
//15-4-/3-2-1-//1/3//243/217- | 6/8 | Merry Cobler, The (t) | DA-E | Thompson CD-6.1, 1789 | 5 | MI |
//1+5432//115-//11324//435//6672+1+71+// 65543// |
3/4 | Retreat, A (t) | MS-S | Fife MS, 1780 | 21,2v | 1FI OR 2FI/VN |
//1+54/321//1+54/321//1+54/321 | 6/8 | Beaver, The (t) | DA-E | Thompson CD-2, 1765 | 10 | VN/GF/OB |
//1+54/321//1+54/321//1+54/321// | 6/8 | Beaver, The (t) | DA-E | Thompson CD-2a, 1765 | 8 | VN/GF/OB |
//1+54/321//1+54/321//1+54/321// | 6/8 | Beaver, The (t) | DA-E | Universal Magazine | 1:362, 1758 | MI |
//1+54/321//1+54/321//23/45// | 6/8 | Quick Step to the 1st Batel of Royals (t) | MS-S | Fife MS, 1780 | 381,39v | 1FI OR 2FI/VN |
//1+54/321//1+54/321//23/45 | 6/8 | Quick March No.16 (t) | IC-E | Hinde 2, 1772 | 11 | GF/VN/OB,PF |
//1+54/321//1+54/321+//23/45 | 6/8 | Hibernian Frolick (t) | DA-E | Rutherf CD-1, 1750 | 50 | VN/FL/OB,HAF |
//1+54/321//1+54/321//23/45//642 | 6/8 | Hibernian Frolick (t) | DA-E | Rutherf CD-2.2, 1760 | 39 | MI |
//1+54/321//1+54/321//456/51+3 | 6/8 | Humours of Limerick, The (t) | IC-S | Aird 3, 1788 | 179 | FI/GF/VN |
//1+54/321//1+54/321//456/51+3/422 | 6/8 | Limerick Lasses, The (t) | DA-E | Rutherf CD-2.2, 1760 | 22 | MI |
//1543/21//15/67/1+//22+ | 3/2 | English Pasby, The (t) | PL-E | Playford 1-12, 1703 | 276 | VN |
//1543/21//15/67/1+//22+ | 3/2 | English Pasby, The (t) | PL-E | Playford 1-13, 1706 | 276 | VN |
//1543/21//15/67/1+//22+ | 3/2 | English Pasby, The (t) | PL-E | Playford 1-14, 1709 | 276 | VN |
//1543/21//15/67/1+//22+1+7/65// | 3/2 | Paspe, A (t) | IC-E | Apollo's Banquet 1-8, 1701 | 49 (32r) | VN |
//15/4321//156/71+//22+/1+765 | 6/4 | Blackbird, The (t) | SC-E | Pills 2, 1719-20 | 204-6 | VO |
//1543/21//15/67/1+//22+1+7/65 | 3/4 | English Pasby, The (t) | PL-E | Playford 1-11, 1701 | I,276 | VN |
//1543/21//15/67/1+//22+17-/65 | 3/2 | English Pasby, The (t) | PL-E | Playford 1-15, 1713 | 276 | VN |
//1543/21//15/67/1+//22+17-/65 | 3/2 | English Pasby, The (t) | PL-E | Playford 1-16, 1716 | 276 | VN |
//1543/21//15/67/1+//22+1+7/65 | 3/2 | English Pasby, The (t) | PL-E | Playford 1-17, 1721 | 276 | VN |
//1543/21//15/67/1+//22+1+7/65 | 3/2 | English Pasby, The (t) | PL-E | Playford 1-18, 1728 | 276 | VN |
//154321//15671+//22+1+765 | 3/2 | English Paspy (t) | DA-E | Walsh CD-1.1, 1718 | 289 | VN/OB/FL |
//154321//15671+//22+1+765 | 3/2 | English Paspy (t) | DA-E | Walsh CD-3.1, 1754 | 91 | VN/OB/GF |
//154321//15671+//22+1+765//25645 | 3/2 | English Paspy (t) | DA-E | Walsh CD-2.1, 1731 | 62 | VN/OB/GF/RC |
//154/321//1/7-1//27-5-/434 | 6/8 | Song 167 (t), or Lucy, the Fair Queen of Hearts (at) | SC-E | Calliope, 1788 | 314-316 | VO |
//15-4-3-/2-1-17-//15-4-3-/3-2-4-3-//6-5 -17-/7-6-6-5- |
C | I've Been Roaming (t) | AI-A | Riley Flute 4, 1826 | 18 | FL |
//15-4-/3-2-1-//222/212//316-/5-3-5- | 6/8 | Old Condly's Tune (t), or Drunk Every Night & Dry the Next Morning (at) | AM-A | Clarke MS, 1800 | 17 | MI |
//15-4-//3-2-1-//2222//212 | 3/4 | O Kelly (t) | AM-A | Greenwood MS, 1785 | 67 | MI |
//15-4-//3-2-1-//22222//212//316-//5-3-5 - |
3/4 | Troop, A (t) | AM-A | Gaylord MS, 1816 | 6r | 2MI |
//154/321//222/23//46/531 | 6/8 | Wedding Day, The (t) | DA-E | Thompson CD-2, 1765 | 57 | VN/GF/OB |
//154/321//222/23//46/531// | 6/8 | Wedding Day, The (t) | DA-E | Thompson CD-2a, 1765 | 59 | VN/GF/OB |
//1+54/3212//22/5-//13321/24432 | 2/4 | March (t) | MS-G | Darmstadt MS 1225 | 155-56 | 2MI |
//1+54//32//122//3//123 | 3/4 | Toper's Request, The (t) | SC-E | Calliope, 1746 | II,28 | VO,B+FL |
//1+54//32//122//3//123 | 3/4 | Song, A (t) | SS-E | SS, Folger-C42.4 | 503 | VO,KB+FL |
//154/321//231/7-6-5-//15-25-/35-43 | 2/4 | 3d(camperdown) Medley Dance.7th Part (t) | IC-S | Gibb New Coll, 1798 | 21 | PF/VN,VC |
//1+54/321//2342/17-6-5-//1+54/32 | 2/4 | Spring, The (t) | DA-E | Skillern CD, 1780 | 6 | VN/GF/OB |
//1+5/4321//2342/17-6-5-//6-7-16-/7-123 | C | Steam Boat Hornpipe (t) | AI-A | Riley Flute 2, 1817 | 87 | FL |
/15//4321/2342//4321/6-6-//5-4-3-/ | C/ | Nouvelle Volante, La (t) | DA-E | Fishar 16 Cot, 1780 | 10 | KB |
//1+54//321//2343//25-//254 | 3 | Damon and Cloe (t) | SC-E | Watts MM-1, 1729 | 138-39 | VO/VN+FL |
//1+/5432//12/34//5/217-6-// | 2/4 | No. 11 (t) | DA-E | Leichte Englische, 1795 | 11 | MI |
//1+/54//32/12//34/56 | 2/4 | Dick Grimstead (t) | DA-E | Thompson CD-2, 1765 | 26 | VN/GF/OB |
//1+/54//32/12//34/56// | 2/4 | Dick Grimstead (t) | DA-E | Thompson CD-2a, 1765 | 27 | VN/GF/OB |
//1+/54//32/12//34/56 | 2/4 | Cox Heath (t) | DA-E | Thompson CD-4, 1780 | 81 | VN/GF/OB |
//1+/54//32/12//34/56// | 2/4 | Cox Heath (t) | DA-E | Thompson CD-4a, 1780 | 83 | VN/GF/OB |
//1+54/321//234/5//671+/543 | 6/8 | Royal Marquee (t) | DA-E | Skillern CD, 1780 | 29 | VN/GF/OB |
//1+54/32//12/35//1+54/32 | 6/8 | Gay Florimel (t) | SC-E | Clio-1, 1758 | 82 | VO,HAF+MI |
//1+54/32//123/5-5-//6-7-1/16 | 6/8 | Poor Gentleman (t) | AI-A | Blake Amus 1, 1824 | 9 | CL |
//1+/5432//1/2//365/443 | C | City Guards Grand March & Quick Step, The (t) | AI-A | American Sheet Music | 2 | PF |
//1+/5432//1/2//365/443 | C/ | City Guard's March (t) | AI-A | Glazier Fife, 1830 | 32 | FI |
//1+54/321//254/321//23/45 | 6/8 | Quick March 1st Battn Royals (t) | IC-S | Aird 2, 1785 | 22 | FI/VN/GF |
//15/4321//25-/5-//6-5-/43 | C | Shepherds Evening, The (t) | SS-E | SS, Harvard | 1 | VO,KBF+GF |
//15/4321//25-/5-//6-5-/43 | C | Shepherd's Evening, The (t) | SS-E | SS, Harvard | 1 | VO,KBF+GF |
//15/4321//25-/5-//6-5-/43 | C | Shepherd's Evening, The (t) | SS-E | SS, Huntington-2 | 79 | VO,KBF+GF |
//1+5/43//21/27-5-//1+5/4 | 6/8 | Coronation, The (t) | DA-E | Thompson CD-2, 1765 | 55 | VN/GF/OB |
//1+5/43//21/27-5-//1+5/4// | 6/8 | Coronation, The (t) | DA-E | Thompson CD-2a, 1765 | 55 | VN/GF/OB |
//15-4-3-2-//1-31//217-6-7-//5-7-//11212 //33434 |
3/4 | Turf Macaroni, The (t) | IC-E | Thompson Hunting, 1770 | 2:15(52) | VO/HAF/VN/GF |
//15-4-3-2-/1-31//22323//231//22323 | 3/4 | Turf Macaroni, The (t) | SS-E | SS, Boston PL-2 | 89 | VO,KB |
//1+/5432//13/13//24/6-7- | 2/4 | Quick March (t) | IC-E | Coleman Marches, 1790 | 19 | HA |
//1+54/321//3+2+1+/2+75//1+54/321 | 6/8 | Curtissimo's Frolick (t) | DA-E | Johnson CD-7, 1756 | 93 | VN/GF |
//1+54/321//3+2+1+/2+75//1+54/321 | 6/8 | Curtissimo's Frolick (t) | DA-E | Thompson CD-1, 1757 | 46 | VN/GF/OB |
//1+54/321//3+2+1+/2+75//1+54/321// | 6/8 | Curtissimo's Frolick (t) | DA-E | Thompson CD-1a, 1757 | 44 | VN/GF/OB |
//1+54/321//321/3557//1+54/321 | C | Mother Gillum (t) | DA-E | Johnson CD-6, 1751 | 60 | VN/GF |
//1+/54//321/321//7-1/23 | 6/8 | Lap Dog, The (t) | DA-E | Johnson CD-7, 1756 | 12 | VN/GF |
/15//4321/3217-//15-/13//32/24// | 2 | Czar Pierre, Le ou La Moscovite. Contredanse Nouvelle (t) | DA-F | LaCuisse Rep CD LC-2, 1764 | 57 Feuille 2. Vol | KB |
//1+/54//32/13//2/2 | C | Erbachisch. Grenadier March (t) | MS-G | Darmstadt MS 1224 | 3 | MI,B |
//1+/54//32/13//2/2 | March (t) | MS-G | Darmstadt MS 1224 | 171 | MI | |
//1+/54//32/13//2/2 | 2/4 | Grenadier Marche Von Prinz Georg Von Darmstadt (t) | MS-G | Darmstadt MS 1224 | 216 | MI |
//1+543//2134//51+72+1+76//651+76//54642 1//17-71+2+ |
3/4 | Farewell, Ungrateful Traytor. Canzonett (t) | AI-A | Goodale Dir, 1819 | 65 | 3MI,B |
//1+543//2134//51+72+1+76//651+76//54642 1//17-71+2+ |
3/4 | Farewell, Ungrateful Traytor. Canzonett (t) | AI-A | Goodale Dir, 1829 | 69 | 3MI,B |
//1+5432//135 | 3/4 | Blush of Aurora, The (t) | SC-S | Edinburgh MM-1, 1792 | 60-63 | VO |
//1+/54/32//135/135/135 | Whats That to You (t) | MS-E | Hammersley MS, 1790 | 77B | MI | |
//1+/54/32//135/135/135 | 9/4 | Harlequin's Maggot (t) | DA-E | Johnson CD-4, 1748 | 7 | VN/GF |
//1+5432//135//1+5432//135//65645 | 3/4 | Minuet (t) | IC-E | Delightful-1, 1763 | VI,12 | 2GF |
//1+5/4321//35/55//1+2+ | C | Inconstancy Requited (t) | SC-E | Monthly Melody, 1760 | II,9 | VO,HA |
//1+54/321//355/567//1+54/321 | 6/8 | London Association (t) | DA-E | Bride CD, 1776 | III,7 | VN/OB/GF |
//1+54/321//355/567//1+54/321// | 6/8 | Rose In the Haycock (t) | MS-S | Fife MS, 1780 | 222,23r | 1FI OR 2FI/VN |
//1+54/321//355/567//1+54/321//7-22 | 6/8 | Role In the Haycock (t) | DA-E | Longman CD, 1781 | 79 | VN/OB/GF |
//1/54//32/1//43/21 | C | AM-A | Van Renssel. MS, 1782 | I,62 | KB | |
//1+54//321//43//22//32 | 3/4 | Damon and Celia (t) | SC-E | Calliope, 1746 | I,121 | 2VO,B+FL |
//1+54//321//43//22//32//3445//5 | 3/4 | Damon and Celia (t) | SC-E | Watts MM-5, 1731 | 190-192 | 2VO+2FL |
//1+54321//4+3+4+2+3+1+2+71+//1357654323 45//654327-6-17-5-//1+5 |
3/2 | Trip to Tunbridge Wells, A (t) | DA-E | Johnson CD-3, 1744 | 10 | VN/GF |
//1/543//21/43//651/1+76// | C | Favourite Air In Rodelinda, A (t) | IC-E | Prelleur Modern, 1731 | 32-33 | VN |
//154/321//456/56-1//642 | 6/8 | Cardinal Cap, The (t) | DA-E | Johnson CD-6, 1751 | 43 | VN/GF |
//1/54//32/1//5/1+2+ | 2/4 | Cappuchine, The (t) | DA-E | Johnson CD-4, 1748 | 55 | VN/GF |
//1+/54//32/15-//12/345 | 6/8 | Richbel's Drums (t) | DA-E | Johnson CD-4, 1748 | 61 | VN/GF |
//1+5432//15-1//27-5-7-24//3231//5456//5 654// |
3/4 | Madam Landesiefs Minuett (t) | AM-A | Hoff MS, 1797 | No. 98 | GF |
//1+/5432//15-/15-//1/543 | C | Overture (t) | TW-E | Midas-1, 1764 | 2-6 | HAF |
//1+54/321/521/7-6-5-//6-14/351+ | 6/8 | Lady Holderness's Jigg (t) | DA-E | Johnson CD-6, 1751 | 42 | VN/GF |
//1+54/321//521/7-6-5-//6-14/351+ | 6/8 | Lady Holderness's Jig (t) | DA-E | Thompson CD-1, 1757 | 6 | VN/GF/OB |
//1+54/321//521/7-6-5-//6-14/351+// | 6/8 | Lady Holderness's Jigg (t) | DA-E | Thompson CD-1a, 1757 | 6 | VN/GF/OB |
//1+5/4321//524/3513//254/345 | C/ | Song by Dibdin (t) | AM-A | Psalmody MS, 1798 | 40-45 | VO/MI |
//1+/5432//15-4-3-2-/1-1//7-5-15-/25-35- // |
2/4 | Bonne Amitie, Le (t) | DA-E | Purtin Cot, 1775 | 24-25 | HA/VN,B/GF/OB/BS |
//1+/54/321//5/64+3+/2+1+7//4/34/567 | 3/9[=9/8] | How Can You Do So (t) | DA-E | Johnson CD-7, 1756 | 95 | VN/GF |
//1543215-//6-4322//51+71+654324//3217-1 //3543235//2527-// |
3/4 | Hasse's Comic Tune. No.5 (t) | AI-A | Herrick Preceptor, 1807 | 74 | MI,B |
//1+/54//32/15//65/4+3+ | C | Glasgow Volunteers March, The (t) | IC-S | Scottish Sheet Music | 2 | 2CL,2HN,TR,2BS+ |
//1+54//321//56543 | 3/4 | Air 4 (t) | BA-E | Sequel To Flora, 1732 | T11M2 | VO |
//15/4321//5654/3//12/31 | C/ | General March (t) | MS-G | Darmstadt MS 1225 | 1-2 | 2MI |
//15/4321//5654/3//12/32 | C/ | General Marche (t) | MS-G | Darmstadt MS 1224 | 59 | MI |
//15/4321//5654/3//12/32 | C/ | Generall March (t) | MS-G | Darmstadt MS 1224 | 71 | MI |
//15/4321//5654/3//12/32 | C/ | General Marche (t) | MS-G | Darmstadt MS 1224 | 77 | MI |
//15/4321//5654/3//12/32 | C/ | General Marsch (t) | MS-G | Darmstadt MS 1224 | 337 | MI |
//1+5+4+3+2+/1+5//6664+3+2+1+76/655//444 2+1+7654/35671+3// |
C/ | March. Maestoso (t) | IC-E | Italian Pieces, 1770 | 10 | 2GF, 2CL/OB/VN, 2HN, BS/VC |
//15/4321//5671+/1+765//15/4321 | C/ | To the Absent Florinda (t) | SC-E | Watts MM-5, 1731 | 27-29 | VO,HA+FL |
//15-4-/3-2-1-//5-6-7-/123//4321/1 | C | Jacks Fidelity (t) | AI-A | Elegant Exts, 1796 | 26-27 | GF/VN/VO |
//15-4-/3-2-1-//5-6-7-/123//4321/17-27- | C | Song 101 (t), or Polly Ply (at) | AI-A | American MM, 1798 | 265-267 | VO |
//154//321+//654321 | 3/8 | Favourite Song, A (t) | SC-E | Clio-1, 1758 | 57 | VO,HA |
//154//321//654321//7-5- | 3/8 | Song 26 (t) | SC-E | Ritson, 1783 | TI,131;MIII,60-61 | VO |
//1+54/321//654/35//5531/5531// | C | March In Honour of Adml Nelson (t) | IC-E | Naval Compendium, 1800 | 19 | 2FL/VN,PF |
//154/321//654/432//355-/6-1 | 6/4 | Hare Hatch (t) | PL-E | Playford 3-2, 1726 | 147 | VN |
//154/321//654/432//355-/6-1 | 6/4 | Hare Hatch (t) | DA-E | Walsh NCDM-3, 1728 | 118 | VN/OB/FL |
//1+54321/65//4654/3567//1+54321/61+72+/ / |
C | Hows Army (t) | DA-E | Fishar 12 CD, 1775 | 4 | KB |
//154//32//165//46-//7-1232 | 3 | Pastoral Sonnet, A (t) | SS-E | SS, Folger-C42.4 | 69 | VO,KB+FL |
//1/54/321//656/6-7-1/7- | 9/4 | Pultney Green (t) | DA-E | Johnson CD-5, 1750 | 99 | VN/GF |
//15/4321//66/535//442/335// | 2/4 | Allegretto Moderato (t) | MS-C | Molyneaux MS-2, 1788 | 11-12 | 2 GF |
//1+54/321//66/6//567/1+2+3+ | 6/8 | Trip to Quebec, A (t) | DA-E | Thompson CD-2, 1765 | 99 | VN/GF/OB |
//1+54/321//66/6//567/1+2+3+// | 6/8 | Trip to Quebec, A (t) | DA-E | Thompson CD-2a, 1765 | 98 | VN/GF/OB |
//15/4321//671+/1+765//1+3/456 | C/ | Molly's Country Farmer (t) | SS-E | SS, Folger-C42.3 | 65 | VO,KB+FL |
//15/4321//671+/1+765//1+3/456//2 | C/ | Molly's Country Farmer (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//1+54//321//671+//65//51+//1+74 | 3/8 | Sonata. Cantabile (t) | IC-E | Delightful-2, 1745 | V,8 | GF |
//1/5//4-3/21//7-/1 | 2/4 | Gavot (t) | IC-E | Bremner Airs, 1761 | 30-31 | 2VN/GF |
//1/5//4-3/21//7-/1 | 2/4 | Gavot (t) | IC-E | Preston Marches, 1804 | 30-31 | 2GF/VN |
//154/321//7-12/15-//6-5-/4-5-3-// | 6/8 | Engelsche Tans, De (t) | DA-N | Hummel CD, 1780 | 3 | KB |
//1/5432//17-12/15//671+/5321 | C/ | Royal Cheshire Militia March, The (t) | IC-S | Stewart Airs, 1788 | 3:159 | GF/VN/FI |
//1+54/321//7-12/27-5-//1+54/32 | 6/8 | Commodore Howes Ramble (t) | DA-E | Thompson CD-2, 1765 | 14 | VN/GF/OB |
//1+54/321//7-12/27-5-//1+54/32// | 6/8 | Commodore Howe's Ramble (t) | DA-E | Thompson CD-2a, 1765 | 15 | VN/GF/OB |
//1+54/321//7-12/27-5-//1+54/321// | 6/8 | Commodore Howe's Ramble (t) | DA-E | Universal Magazine | 2:249, 1758 | MI |
//1+54/321//7-12/27-5-//1+54/421// | 6/8 | Commodore Howe's Ramble (t) | DA-E | London Magazine | 213, 1759 | MI |
//1+/54//3/21//7-1/23 | 2/4 | Parson In the Suds, The (t) | IC-S | Aird 1, 1782 | 47 | FI/VN/GF |
//1+/54//3/21//7-1/23 | 2/4 | Parson In the Suds, The (t) | DA-E | Johnson CD-6, 1751 | 53 | VN/GF |
//1+/54//3/21//7-1/23//42 | 2/4 | Parson In Ye Sudds, The (t) | DA-E | Rutherf CD-2.1, 1756 | 50 | VN/GF/OB |
//1+54/321//7-123/4223//1+54/321// | C/ | Devil In a Bush, The (t) | MS-E | Vickers MS, 1770 | 21b | MI |
//1+54/321//7-123/4227//1+54/321 | C/ | Kineathrens Reel (t) | MS-S | Gillespie MS, 1768 | 112 | VN |
//1+54/321//7-123/4227//1+7671+5/321 | C/ | Miss Bruce's Reel (t) | IC-S | Stewart Airs, 1788 | 2:107 | GF/VN/FI |
//1+54/321//7-123/4227//1+767/1+543// | C/ | Reel, A (t) | MS-S | Fife MS, 1780 | 154,14r | 1FI OR 2FI/VN |
//1+54/321//7-123/4227//1+7671+5/4321 | C/ | Col Wemys's Reel (t) | IC-S | Aird 4, 1796 | 10 | FI/GF/VN |
//1+//54321//7-//1234//3456//1234// | 3/8 | Si Scherzasi (t) | IC-E | Prelleur Modern, 1731 | 46-47 | OB |
//1+54//32//17-//12345554//3123325-//11+ 7 |
3/2 | Canone by Mr. Geminiani (t) | IC-S | Stewart Marches, 1761 | 38-39 | 2VN/GF/OB,VC/HA |
//154/321//7-12/5-//15-1/321 | 6/8 | O Fie (t) | DA-E | Johnson CD-7, 1756 | 34 | VN/GF |
//1/54//321/7-12//5-17-/6-7-1 | 6/8 | Favourite Song, A (t) | SC-E | Clio-3, 1762 | 44-46 | VO,HAF |
//154/321//7-12/5-//3-5-1/321 | 6/8 | N. O. (t) | DA-E | Johnson CD-7, 1756 | 1 | VN/GF |
//154/321//7-12/5-4-3-//4-24-/3-13- | 6/8 | Pembroke's Maggots (t) | DA-E | Bride CD, 1776 | III,54 | VN/OB/GF |
//1/54//321/7-12//5-//543/ | 6/8 | Come Ever Smiling Liberty (t) | IC-E | Hyde Bugle, 1818 | 30 | 2BU,B |
//1+54/321//7-12/5-6-7-//123/234 | 6/8 | Kate's Delight (t) | DA-E | Bride CD, 1776 | III,25 | VN/OB/GF |
//15/4321//7-127-/5-4-//3-1-17-/6-4-43 | C | Beggar's Dance, The (t) | IC-E | Caledonian PC, 1760 | X,3 | GF/VN |
//1/54//3217-/143//3243 | C | March & Quick Step, A (t) | IC-S | Scottish Sheet Music | 2 | PF+GF |
//1/5-4//3217-/15-5-//342/127- | C | March (t) | AM-A | Beach MS, 1801 | 52 | 2MI,2HN,B |
//154/3217-//15//671+/54 | 2 | Amorous Protector, The (t) | SC-E | Muses Delight, 1754 | 100-101 | VO,HA |
//154/3217-//15//671+/54//3 | 2/4 | Of Ev'ry Sweet (t), or Sonatina (at) | IC-E | Delightful-2, 1745 | VI,3 | GF |
//154//321//7-16-//6-7-1//217-//1 | 3/4 | Glee (t) | TW-E | Castle/Andalus, 1782 | 59-61 | 4VO,B |
//1+5+4+/3+2+1+7//1+76/5432//13211/1234 | C | March 2 (t) | IC-E | Longman Evening, 1780 | 26 | 2GF |
//1+5/4321//7-2/2//6-16-/7-27- | C/ | Doubtful Shepherd, The (t) | DA-E | Bride CD, 1776 | III,90 | VN/OB/GF |
//1+5/4321//7-2/2//6-16-/7-27- | C/ | Doubtful Shepherd, The (t) | DA-E | Thompson CD-4, 1780 | 6 | VN/GF/OB |
//1+5/4321//7-2/2//6-16-/7-27-// | C/ | Doubtful Shepherd, The (t) | DA-E | Thompson CD-4a, 1780 | 6 | VN/GF/OB |
//1+5/4321//7-246/55-//6-4/3217- | C/ | Ye Fair Possess'd (t) | AM-A | Mass. MS, 1790 | 31 | FL |
//15/43//21/7-6-5-//12/34// | C/ | Chestnut, The (t) | MS-E | Rogers MS, 1656 | 46 | VI |
//15+4+//3+2+1+765//543//345-//5-4+3+ | 3/4 | Minuet (t) | IC-S | Stewart Marches, 1773 | 10-11 | 2VN/GF/OB,VC/HA |
//1+54321//7-6-7-5-//4565432//3231//4321 21 |
3 | Sonatina. Minuet (t) | IC-E | Delightful-2, 1745 | VI,13 | GF |
//15-/4321//7-7-7-/7-15-//14-/15-3-1- | C | Ware Volunteers Slow March, The (t) | IC-E | Bridgeman March, 1800 | 18 | FI,PF |
//1+5/43//2/23//2/5-// | 2/4 | Harriot, The (t) | DA-E | Skillern CD, 1782 | 12 | MI |
//1+5/43//2/24//32/17-//17-12/17// | 2/4 | Allemande 8 (t) | DA-E | Fishar 16 Cot, 1780 | 42-43 | KB |
//154//323//1 | 2/4 | Doubling of the Troop (t) | IC-E | Rutherford Fife, 1756 | 17 | FI |
//15//43231//1+54321 | 2/4 | Doublings When Colours Are Received (t) | AI-A | Fifer's Comp, 1805 | 6 | 2FI |
//1/5//4323/1//1+5/4321 | 2/4 | Doublings.-When Colors Are Received (t) | AI-A | Glazier Fife, 1830 | 34 | FI |
//1/5//4323/1//1+5/4321 | 2/4 | Doublings.-When Colors Are Moved (t) | AI-A | Robinson Coll, 1818 | 51 | FI,DR |
//1/5//4323/1//1+5/4321 | 2/4 | Doublings.-When Colors Are Received (t) | AI-A | Robinson Coll, 1820 | 67 | MI |
//1/5//4323/1//1+5/4321 | 2/4 | Doublings.-When Colors Are Received (t) | AI-A | Robinson Coll, 1826 | 67 | MI |
//15//43231//1+54321 | 2/4 | Doublings When Colours Are Received (t) | AI-A | Village Fifer, 1808 | 10 | FI |
//1/5//4323/1//1+5/4321 | 2/4 | Doublings When Colours Are Received (t) | AI-A | Williams Fife, 1819 | 12 | FI |
//1/5//4323/1//1+5/4321 | 2/4 | Doublings When Colours Are Received (t) | AI-A | Williams Fife, 1826 | 7 | 2FI |
//1+54//3231//23323//4//42+4 | 3/4 | Italian Minuet (t) | IC-E | Waylet Oboe, 1745 | 9 | OB |
//1/5//4323/13//21/43 | C | March of Victory (t) | AI-A | American Sheet Music | KB | |
//1+5//4323//1+3//217-1//5-3//31122// | 3/4 | Lord Eglington's Minuet (t) | IC-E | Bremner Recorder, 1765 | 22 | FL |
//1+54/323//135/1+1+1+//1+54/323 | 6/8 | Pizarro (t) | AI-A | Blake Amus 1, 1824 | 11 | CL |
//1+54/323//135/1+1+1+//1+54/323 | 6/8 | Paddy O Doody's Description of Pizarro (t) | SS-E | SS, Harvard | 1-2 | VO,KB |
//1+54/323//135//1+1+1+7//1+54/323 | 6/8 | No Magic Like Gold (t), or True Stockwell Conjurer, The (at) | SS-E | SS, Boston PL-2 | 163 | VO,KB+GF |
//1+54/323//135/1+1+7 | 6/8 | Pox of your pother about this or that, A (fl) | TW-E | Midas-1, 1764 | 64 | VO,HAF |
//15-4-3-2-//3-1-3-5-1//2117-//1//27-5-1 23//432 |
3/4 | Liberty. A Retreat (t) | AM-A | Gaylord MS, 1816 | 16r | MI |
//15-4-3-2-//3-1-3-5-1//23217-6-//7-5-7- 24//354321 |
3/4 | Bay Minuet (t) | AM-A | Otis MS, 1793 | 39 | VN/FL |
//1+54/323//135/1+5//1+54/323 | 6/8 | E: O: (t) | SS-E | SS, Boston PL-1 | 148,1-2 | VO,HA+GT |
//1+/54//323/143//27/27 | C | Washington's Favorite (t) | AI-A | Hulbert Fife, 1807 | 14 | FI |
//1/5-4-//3-2-3-/1-4-3-//2-7-/2-7- | C | Washington's Favorite (t) | AI-A | Hulbert Fife, 1811 | 14 | FI |
//1+/54//323/143//27/27 | C | Washington's Favorite (t) | AI-A | Hulbert Variety, 1803 | 5 | OB/FI |
//1+/54//323/15-//113/224// | 2/4 | Shepoards Quick Step, The (t) | MS-S | Fife MS, 1780 | 803,88r | 1FI OR 2FI/VN |
//1+54//3231//621//7-6-7-5- | 3/4 | Prince of Wales's Minuet, The (t) | AM-A | Greenwood MS, 1785 | 11 | MI |
//1++5+4+3+2+3+1+//6+5+4+3+2+1+75//64341 +4342+434//64+3+27-//1++5+4+3+2+ |
3/2 | Guzling Palmers Delight (t) | DA-E | Johnson CD-2, 1742 | 45 | MI |
//15-43//2317-//15-43//7-6-5-1-3-5-//15- 43 |
3/4 | Sonatina. Vivace (t) | IC-E | Delightful-2, 1745 | VI,10 | GF |
//1+5432//3215//1+2+7//1+1+2+//3+2+1+76/ /2+1+765 |
3/4 | Laughing Bacchanalian, The (t) | SS-E | SS, Harvard | 1 | VO,KB+GF |
//1+5432//32351+//2+3+2+1+76//7571+2+ | 3/4 | Bay Minuet (t) | AM-A | Cabot MS, 1784 | 16 | GF |
//1+5432//32351+//2+3+2+1+76//7571+2+ | 3/4 | Bay Minuet (t) | AM-A | Mass. MS, 1790 | 9 | FL |
//15//432//33//217-//15- | 3 | Aria Nel Mitridate (t) | SC-E | Muses Delight, 1754 | 206-207 | VO,HA |
//1+543/2342//11+/1+76//71+2+3+/4+6+5+4+ // |
C/ | Colpies Hornpipes (t) | MS-E | Vickers MS, 1770 | 66 | MI |
//154/323//4321/12//321 | C | Perfections of True Love, The (t) | SS-E | SS, Folger-C42.2 | 144 | VO,KB+F |
//154/323//4321/12//321/2451 | C | Perfections of True Love, The (t) | SS-E | SS, Folger-C42.3 | 321 | VO,KB+FL |
//154/323//4321/12//321/2451//7- | C | Perfections of True Love, The (t) | SC-E | Calliope, 1746 | I,139 | VO,B+FL |
//154/323//4321/12//321/2451//7- | C | Perfections of True Love, The (t) | SS-E | SS, Harvard | 1 | VO,KBF+FL |
//154/323//4321/12//321/2451//7- | C | Perfections of True Love, The (t) | SS-E | SS, Harvard | 1 | VO,KBF+FL |
//154/323//4321/12//321/2451//7- | C | Perfections of True Love, The (t) | AM-A | Simpson MS, 1750 | II,9 | FL |
//154/323//4321/12//321/2452 | C | Air 52 (t) | BA-E | Achilles, 1733 | 67 | VO |
//154/323//4321/12//321/3451 | C/ | Perfections of Love (t) | DA-E | Johnson CD-1, 1740 | 84 | MI |
//1/543//23/432//345/321 | 6/8 | Ensign, The (t) | DA-E | Johnson CD-5, 1750 | 28 | VN/GF |
//15-43//234//517-1//325-32//1143//6432 | 3/4 | Oh! Love Is Like a Damask Rose (t) | AI-A | Riley Flute 4, 1826 | 43 | FL |
//1+5432//351+//2+3+1+7//1+5 | Liberty a Retreat (t) | AM-A | Hudson MS, 1772 | 12 | VN/FI | |
//1+/5432//35/5//671+6/543// | 2/4 | MS-M | Garcia MS, 1772 | 154 | MI | |
//1+/5432//35/5//671+6/543 | 2/4 | By Slip (t), or Merry Begotton, (at) | MS-E | Hammersley MS, 1790 | 85B | MI |
//1+/5432//35/5//671+6/543 | 2/4 | By. Slip, The (t), or Merry Begotten, (at) | DA-E | Johnson CD-6, 1751 | 18 | VN/GF |
//154/3235//6-4-6-1/7-5-72//3142/5321// | C/ | Bakers Hornpipe (t) | AM-A | Johnson, S. MS, 1807 | 22 | FI |
//154//323//645346//43 | 3/4 | Favourite Song In the Opera of Vespasian, A (t) | SC-E | Pocket Comp, 1725 | 112-115 | VO,HAF+FL |
//1+//543//243217-//11-//3-5-13//27-1//6 - |
3/4 | Minueto (t) | MS-M | Garcia MS, 1772 | 91V [213] | MI |
//15-4-3-/2-432//4342/17-6-5-//15-4-3-/2 -432// |
C | Carravan, The. E. (t) | DA-E | Sancho Minuet/Cot/Dance, 1767 | 13 | HP |
//1+543/246//5432/17-6-5-//1+543/2464// | C | All is well that Ends well (t) | DA-E | Fishar 12 CD, 1775 | 3 | KB |
//1543//24654//351+/461+//351+3/2432 | C/ | Leith Scots Measure, The (t) | IC-E | Caledonian PC, 1760 | XII,19 | GF/VN |
//154//32//654 | 3 | Jenny Pluck Pears,2 (t) | PL-E | Playford 1-07, 1686 | 7 | VN |
//154//32//654//3 | C3 | Jenny Pluck Pears,2 (t) | PL-E | Playford 1-08, 1690 | 7 | VN |
//1543//2654//31+7/1+653//2123/232 | C/ | Bell of Craigfoodie, The (t) | IC-E | Caledonian PC, 1760 | IX,21 | GF/VN |
//154//32//654//321 | Jenny Pluck Pears,2 (t) | PL-E | Playford 1-05, 1675 | 7 | VN | |
//154//32//654//321 | Jenny Pluck Pears,2 (t) | PL-E | Playford 1-06, 1679 | 7 | VN | |
//154//32//654/32//154// | C (=3 ed) | Battell, The. the Buriing of the Dead (t), or Buriing of The Dead, The (at) | MS-E | Nevell MS, 1591 | 38 | VI |
//154//32//654//32//154// | C (=3 ed) | Battle, The. the Burying of the Dead (t), or Burying of The Dead, The (at) | MS-E | Rogers MS, 1656 | 40 | VI |
//1+5/43//27-5-/27-5-//1+5/4 | 6/8 | Duke of York, The (t) | DA-E | Thompson CD-2, 1765 | 60 | VN/GF/OB |
//1+5/43//27-5-/27-5-//1+5/4// | 6/8 | Duke of York, The (t) | DA-E | Thompson CD-2a, 1765 | 60 | VN/GF/OB |
//154//332//117- | 2/4 | Sonata Ital (t) | AM-A | Bolling MS, 1785 | 51 | VN/VO |
//1+/54//3/32//12/34//5 | C/ | Jovial Beggars, The (t) | SC-E | Watts MM-5, 1731 | 63-65 | VO,HA+FL |
//1/5-43//32/42//511/247-2 | C | Paix Universelle, La. Hymne a la Divinite (t) | IC-N | Netherlands Sheet Music | PF | |
//15-4-/3-34//5654/4321//351+7/6543 | C | Edinr. Defensive Band's March, The (t) | IC-S | Stewart Airs, 1788 | 1:8 | GF/VN/FI |
//154//342//115-//1//154 | 3:I | Joan Sanderson (t), or Cushion Dance, The (at) | PL-E | Playford 1-14, 1709 | 3 | VN |
//1+/54//3423/112345//65/4321 | C/ | Federal March as Performed In the Grand Procession... (t) | AI-A | American SS-SM | 1 | PF/VN/GF |
//1+/54//3423/112345//65/4321 | C | Faederal March (t) | AI-A | Reinagle Fav, 1789 | 16 | PF/VN/GF |
//154//34/23//154 | 2/4 | As You Like Me (t) | MS-E | Rainstorp MS, 1747 | 18 | MI |
//154//34/23//154//3/2 | 2/4 | As You Like It (t) | MS-E | Hammersley MS, 1790 | 91 | MI |
//154//34/23//154//3/2 | 2/4 | As You Like Me (t) | DA-E | Johnson CD-4, 1748 | 55 | VN/GF |
//154//34/23//154//3/2 | 2/4 | Trip to the Jubilee (t) | DA-E | Rutherf CD-2.1, 1756 | 28 | VN/GF/OB |
//1+/5/434/3//1+/5 | 12/8 | Stocking, The. Air 3 (t) | SS-E | SS, New York PL-C695 | 107,5-6 | VN/GF,VO,HA |
//1+54//3432/123//4543/234 | 2/4 | Cook In a Hurry, The (t) | DA-E | Johnson CD-6, 1751 | 73 | VN/GF |
//1+54//34321//456543//32//1+765 | 3/8 | Song, A (t) | SC-E | Calliope, 1746 | I,57 | VO,HAF+FL |
//1+//543//432//17-15-//6- | 3/4 | Love In Low Life (t) | SC-E | Musical Cent-2, 1740 | 33 | 1/2VO+FL |
//1+//543//432//17-15-//6-//5-7-1 | 3/4 | Dreadnought (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//1+//543//432//17-15-//6-//5-7-1 | 3/4 | Oh where will you hurry my dearest (fl) | TW-E | True Blue, 1765 | 3 | VO,B |
//1+/543//432/315-//1+/54 | 6/8 | Lets Begin Again (t) | DA-E | Rutherf CD-2.2, 1760 | 20 | MI |
//1+//543//432//3231//51+3+ | 3/4 | Oh Where Will You Hurry (t) | IC-E | Delightful-1, 1763 | IV,25 | GF |
//1+5/43//4/44//2+7/54 | 2/4 | I Won't Be a Nun (t) | AI-A | Riley Flute 3, 1820 | 76 | FL |
//1+5/43//44/45//62/22 | 2/4 | I Won't Be a Nun (t) | AI-A | Blake Amus 1, 1824 | 8 | CL |
//15-4-/3-4-5-//124/3127-//15-4-/3- | 2/4 | Buck's Delight (t) | AM-A | Huntington MS, 1817 | III.55 | FL/VN |
//1+/54//345/13//234/7-2 | 2/4 | Miss Garricks Allemande (t) | IC-S | Stewart Airs, 1788 | 1:36 | GF/VN/FI |
//1+54/345//15-/5-12//3234/543 | C/ | Zapffenstreich (t) | MS-G | Darmstadt MS 1224 | 316 | 2MI |
//1+/54/345//1+/564/3// | 9/8 | Picolo, The, or Bangor Volunteers (t) | IC-E | Parry Fife, 1812 | 12 | 2FI |
//1+54/34517//1+3+1+/71+2+57//1+54/34514 +// |
C/ | Can House, The (t) | MS-E | Vickers MS, 1770 | 39 | MI |
//1+54/34//527-/5-7-2//131/253// | 2/4 | No. 19 (t) | DA-G | Feldtenstein Chorographie,1776 | Tabula 6 | MI |
//1+54/3453//1+51+2+3+//1+5/3453// | C/ | Miss Nelley Fergusons Reel (t) | MS-S | Fife MS, 1780 | 818,89r | 1FI OR 2FI/VN |
//1+54/345315//4321/7-127-5-//1+54/34531 1+ |
C/ | Sr. Dillbury Didle (t) | DA-E | Johnson CD-7, 1756 | 60 | VN/GF |
//1/54//3453/27-5-//6-7-16-/5/3-1- | 6/8 | Don't You Teaze Me (t) | DA-E | Johnson CD-7, 1756 | 33 | VN/GF |
//1+54/34543//2343/25-//3-5-13-/2-4-24 | C/ | New Merry Dancers, The (t) | DA-E | Skillern CD, 1780 | 64 | VN/GF/OB |
//1+54/34543//2343/25-//3-5-13-/2/4/24// |
C/ | New Merry Dancers, The (t) | DA-E | Straight & Skillern CD, 1775 | 34 | VN/GF/OB |
//1+/54//3454/3432//11+/2+3+4+ | C/ | Compleat Britain, The (t) | PL-E | Playford 2-3, 1718 | 336 | VN |
//1+/54//3454/3432//11+/2+3+4+ | C/ | Compleat Britain, The (t) | PL-E | Playford 2-4, 1728 | 336 | VN |
//1+/54//3454/3432//11+/2+3+4+ | C/ | Compleat Britain (t) | DA-E | Walsh CD-1.2, 1719 | 352 | VN/OB |
//15-4-//3-4-5-5-//1231//234//3436//3433 // |
C/ (ed) | Minuet (t) | IC-E | Theater Musick-1, 1698 | 9 | VN |
//1+54/3456//1+53/23+//1+54/3454+ | C/ | Miss Hamiltons Reel (t) | DA-E | Thompson CD-4, 1780 | 15 | VN/GF/OB |
//1+54/3456//1+53/23+//1+54/3454+// | C/ | Miss Hamiltons Reel (t) | DA-E | Thompson CD-4a, 1780 | 17 | VN/GF/OB |
//15-4-/3-4-5-6-//15-4-/2-3//15-4-/3-4-5 -4 |
C/ | Miss Hamilton's Reel (t) | AM-A | Gaylord MS, 1816 | 5v | MI |
//1+/54//34/56//1+5/43 | 2/4 | Lads of Glascow (t) | DA-E | Skillern CD, 1780 | 59 | VN/GF/OB |
//1+543/4561+7//1+543/2342+7//1+543/46+5 +4+ |
C/ | Widow's Joak (t) | DA-E | Johnson CD-4, 1748 | 18 | VN/GF |
//1+543/4561+7//1+543/2342+7//1+543/46+5 +4+ |
C/ | Widdow's Joak, The (t) | DA-E | Walsh CD-2.4, 1747 | 34 | MI |
//1+543/4561+7//1+543/2342+7//1+543/46+5 +4+ |
C/ | Widdow's Joak, The (t) | DA-E | Walsh CD-3.4, 1747 | 34 | VN/OB/GF |
//15-4-/3-4-5-//6-21/7-6-5-//17-1/234// | 6/8 | Miss [ ] (t) | MS-S | Miller, J. MS, 1798 | [43] | FI |
//1+54/345//6427-/12//313/535 | C | Happy Milkman, The (t) | SS-E | SS, Boston PL-2 | 36 | VO,KB |
//1+54//345//642//7-1//3+1+6//45 | 3/4 | Minuet by Jomelli (t) | IC-S | Stewart Marches, 1761 | 78-79 | 2VN/GF/OB,VC/HA |
//1+5/43//456/51+//65/43 | 2/4 | New Song, A (t) | SC-E | Clio-2, 1759 | 112 | VO,HA |
//1+543/45654//3217-/12//3453/671+1 | C | Rover Reclaim'd, The (t) | SS-E | SS, Boston PL-1 | 73 | VO,HAF+GF |
//1/5-4-3-//4-5-6-/5-//6-7-1/234 | 6/8 | Seven Stars, The (t) | AM-A | Nixon MS, 1776 | 10 | FI |
//15-4-/3-4-5-//6-7-1/234//543/21//1 | C/ | Hunt, The (t) | SC-E | Pills 6, 1719-20 | 197-8 | VO |
//1+54//34567//1+2+3+54//34567//1+77665 | 3/4 | Minuet 11th (t) | IC-E | Reid Minuets, 1781 | 15 | 2VN,2FH,B |
//1+5/43//4567//1+5/43 | 2/4 | Are You Sure the News Is True? (t) | AM-A | Allen, W. MS, 1790 | 17 | 2VO,B |
//1+54/345//671+/765//1+2+3+/2+3+4+// | 6/8 | Gravers Flight, The (t) | DA-E | Straight & Skillern CD, 1775 | 87 | VN/GF/OB |
//1+54/345//671+/767//1+76/543 | 6/8 | Hunting Song, A (t) | SC-E | Amaryllis, 1760 | I,78-79 | GF,VO,HAF+FL/GF+FL |
//1+54/345//671+/767//1+76/543//643 | 6/8 | New Hunting Song Tune, A (t) | AM-A | Simpson MS, 1750 | II,13 | FL |
//1+54/3457//1+53/27//1+54/3454+ | C/ | Earl of Carlisle's Reel (t) | DA-E | Skillern CD, 1780 | 37 | VN/GF/OB |
//1+54/3457//1+53/27//1+54/3454+ | C/ | Ross House (t) | DA-E | Skillern CD, 1780 | 67 | VN/GF/OB |
//1+54/3457//1+53/27//1+54/3454+// | C/ | Ross House (t) | IC-S | Stewart Reels, 1775 | 26 | VN/GF,VC/HA |
//1+54/3457//1+53/27//1+54/3454+// | C/ | Ross House (t) | DA-E | Straight & Skillern CD, 1775 | 38 | VN/GF/OB |
//1+543/463//4321/7-25-//1231/4253 | C/ | City Mell, The (t) | DA-E | Johnson CD-8, 1758 | 44 | VN/GF |
//1543//4653//2321//11//13543 | 3/4 | Yemon O Nock (t) | IC-E | Thumoth, 1785 | 28-29 | GF/VN,HAF |
//1543//4653//24321//11//13543 | 3/4 | Yemon O Nock-1 (t) | IC-E | Caledonian PC, 1760 | XI,10 | GF/VN |
//1+543/4654//3543/4654//3515/4616 | C/ | Fishes Hornpipe (t) | AM-A | Dickinson MS, 1800 | 61 | CL/GF/OB |
//1+543/4654//3543/4654//3515/4616 | C/ | Fishes Hornpipe (t) | AM-A | Gleason MS, 1800 | MI | |
//1543/46-7-2//343565/67671+2+//1+553+/2 +554+ |
C | TW-E | Harlequin Sorc, 1752 | 16 | HA | |
//15-4-3-5-/11-1//23432/315//6416/5315 | C | Gavot (t) | IC-E | Bremner Oboe, 1775 | 12 | OB |
//15-4-3-5-/11-1//23432/315//6416/5315 | C | Gavot (t) | IC-E | Simpson Oboe, 1746 | 12 | OB |
//15-4-/3-5-//11212/34//55/6543 | C | Col Dalrymple's March (t) | IC-S | Gibb New Coll, 1798 | 22 | PF/VN,VC |
//1+54/351+//1+2+1+/2+75//1+54/351+ | 6/8 | Petite, La (t) | DA-E | Thompson CD-4, 1780 | 51 | VN/GF/OB |
//1+54/351+//1+2+1+/2+75//1+54/351+// | 6/8 | Petite, La (t) | DA-E | Thompson CD-4a, 1780 | 53 | VN/GF/OB |
//1+54/351/1+3+//2+75/432/31 | 9/8 | Ostrich Tune (t) | TW-E | Harlequin Sorc, 1752 | 10 | HA |
//15-4-3-5-/1212//35321/2325- | C/ | March (t) | IC-E | Musica Bell, 1733 | 22 | FL/VN/OB |
//15-4-3-5-/1212//35321/2325-//1 | C/ | Duke of Marlborough's March (t) | PL-E | Playford 2-3, 1718 | 29 | VN |
//15-4-3-5-/1212//35321/2325-//1 | C/ | Duke of Marlborough's March (t) | PL-E | Playford 2-4, 1728 | 29 | VN |
//15-4-3-5-/1212//35321/2325-//15-4- | C/ | Duke of Marlborows' March, The (t) | DA-E | Walsh NCDM-2, 1710 | 62 | VN/OB/FL |
//15-4-3-5-/1212//35321/2325-//15-4-3-5- |
C/ | Dukes of Ormond's March, The (t) | MS-E | English BL Add MSS | HA | |
//15-4-3-5-/1212//35321/2325-//15-4-3-5- /1212 |
C/ | Duke of Marlborough's March (t) | DA-E | Walsh CD-1.2, 1719 | 46 | VN/OB |
//15-4-3-5-/1212//45321/2321//15-4- | C/ | Duke of Marlborough's March (t) | PL-E | Playford 2-1, 1713 | 29 | VN/OB |
//15-4-3-5-/1212//45321/2321//15-4- | C/ | Duke of Marlborough's March (t) | PL-E | Playford 2-2, 1714 | 29 | VN/OB |
//1+54//35//1+2+3+2+//76//543//671+3//32 |
3/4 | Happy Lover, The (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//1/5-4-//3-5-/1-3//21/7-127- | C/ | Leicestershire Slow March (t) | AI-A | Fifer's Comp, 1805 | 42 | 2FI |
//1+/54//35/13+//2+1+/71+2+7 | C/ | Leicester Slow March (t) | AI-A | Instrum Asst-2, 1807 | 100 | 2MI,B |
//1+/54//35/13//217-2/135 | C/ | Duke of Bedfords March (t) | AM-A | Psalmody MS, 1798 | 70-71 | MI |
//1+/54//351+3+//2+1+76/5432//351+3+// | C/ | Aria. Allegro (t) | IC-E | Italian Pieces, 1770 | 14 | 2GF, 2CL/OB/VN, 2HN, BS/VC |
//1/5-4-//3-5-/13//327-2/2135 | C | March of the 21 Regt (t) | IC-S | Sime Marches, 1789 | 27 | HA/PF |
//1+54//351+3//42//1//1+1+7 | 3/8 | True Mason, The (t) | SC-E | Musical Ent-2, 1740 | 1 | VO,HAF+FL |
//1+54//351+3//42//1//1+1+7 | 3/8 | True Mason, The (t) | SS-E | SS, Folger-C42.4 | 323 | VO,KB+FL |
//15-4-/3-5-1//565/54//343/212 | 6/8 | Twins of Latona, The (t) | AM-A | Cary MS, 1797 | 35 | VO |
//15-4-/3-5-1//565/54//343/212// | 6/8 | Twins of Latona, The (t) | AM-A | Irving MS, 1796 | 63 | 1 MI |
//15-4-/3-5-1//565/54//343/212 | 6/8 | Twins of Latona, The (t) | AM-A | Pomeroy MS, 1790 | 15 | GF |
//1+/54//35/1+7//1+3+ | C/ | Canton 68th Psalm (t) | AM-A | Swan MS, 1775 | 32R-34R | 4VO:SA(T)B |
//154//352//154//32//1 | 3 | Epitaph, The (t) | SC-E | Pills 4, 1719-20 | 328-9 | VO |
//1+/54//35/23//12 | 2/4 | Dear Is My Little Native Vale (t) | SS-E | SS, Folger-C52 | 107-108 ; LONDON | 2VN,VO,B,2FL,2FH |
//1+54/35/25/12//345/671+ | 6/8 | Prince George (t) | DA-E | Johnson CD-6, 1751 | 62 | VN/GF |
//154/353//1+1+1+/1+5//671+7/6543 | C/ | March (t) | AM-A | Van Schaack MS, 1820 | 44 | FI/FL |
//1+/54//35/31//1+1+/71+// | 2/4 | Quick Step, A (t) | MS-S | Fife MS, 1780 | 238,25r | 1FI OR 2FI/VN |
//1+/54//35/31//1+/2+3+ | 2/4 | Mc. Leane (t), or Ladies Favourite, The (at) | DA-E | Johnson CD-6, 1751 | 85 | VN/GF |
//1+/54//35/31//1+/2+3+// | 2/4 | Sauterelle, La (t) | DA-N | St. Flour Contredanses, 1757 | 12 | KB |
//1+54/3531//1+71+/2+1+71+5//1+54/3531 | C/ | Surrender of Calias (t) | IC-S | Aird 4, 1796 | 42 | FI/GF/VN |
//1+/54//353/15-//22/224// | C/ | Toscet (t) | MS-S | Fife MS, 1780 | 169b,15v | 1FI OR 2FI/VN |
//1+54/354//342/12//345/624 | 6/8 | Tell me not of face thats fair (fl) | SC-E | Amaryllis, 1760 | II,72 | GF,VO,HAF+FL |
//1+54/354//342/12//345/624//5 | 6/8 | Moderate Lover, The (t) | SC-E | Calliope, 1746 | II,79 | VO,HAF+FL |
//1+/54//3546/51+7//62+/1+7// | C | Burbanks March (t) | AM-A | Pierian MS, 1810 | 33 | 2MI,B |
//1+/54//3546/51+7//62+/71+//1+2+3+4+/5+ 567 |
C/ | John B March (t) | AM-A | Belknap MS, 1784 | 53R | MI |
//1+/54//3555/3555//1+51+5/1+531// | C/ | Slow March (t) | MS-S | Fife MS, 1780 | 865,93r | 1FI OR 2FI/VN |
//1+/54//35/55//67/1+2+ | C/ | Puss In a Corner (t) | DA-E | Walsh CD-3.6, 1754 | 46 | VN/OB/GF |
//1+54/35//6543/24//5432/13 | Buskin (t) | PL-E | Playford 1-11, 1701 | I,284 | VN | |
//1+54/35//6543/24//5432/13 | C/ | Buskin (t) | PL-E | Playford 1-12, 1703 | 284 | VN |
//1+54/35//6543/24//5432/13 | C/ | Buskin (t) | PL-E | Playford 1-13, 1706 | 284 | VN |
//1+54/35//6543/24//5432/13 | C/ | Buskin (t) | PL-E | Playford 1-14, 1709 | 284 | VN |
//1+54/35//6543/24//5432/13 | C/ | Buskin (t) | PL-E | Playford 1-15, 1713 | 284 | VN |
//1+54/35//6543/24//5432/13 | C/ | Buskin (t) | PL-E | Playford 1-16, 1716 | 284 | VN |
//1+54/35//6543/24//5432/13 | C/ | Buskin (t) | PL-E | Playford 1-17, 1721 | 284 | VN |
//1+54/35//6543/24//5432/13 | C/ | Buskin (t) | PL-E | Playford 1-18, 1728 | 284 | VN |
//1+54/35//6543/24//5432/13 | C/ | Buskin (t) | DA-E | Walsh CD-1.1, 1718 | 298 | VN/OB/FL |
//1+54/35//6543/24//5432/13 | C/ | Buskin (t) | DA-E | Walsh CD-2.1, 1731 | 104 | VN/OB/GF/RC |
//1+54/35//6543/24//5432/13 | C/ | Buskin (t) | DA-E | Walsh CD-3.1, 1754 | 149 | VN/OB/GF |
//1+/543//61+6/5321//252/31 | C | Favourite Song, A (t) | SC-E | Clio-4, 1778 | 58-59 | VO,HAF+MI |
//1+/543//61+6/5321//252/31 | C | Sung by Mr. King In Cymon (t) | IC-E | Longman Pb, 1778 | 54-55 | VO/GF |
//1+5/436//1+74+3+/2+1+7//1+5/4365 | C | Wanderer Fix'd, The (t) | SC-E | Muses Delight, 1754 | 104-105 | VO,HA |
//1+/54//36/23//12//32/34 | 2/4 | Dear Is My Little Native Vale (t) | AM-A | Williams, S. MS, 1795 | 79-81 | VO,KB |
//1+54//36//25//11//35//1+ | 2/4 | Poor Mary (t) | AI-A | Musical Jnl-1, 1800 | I,18-19 | FL/VN/VO |
//1+54//36//25//11//35//1+1+ | 2/4 | Poor Mary (t) | AI-A | Musical Jnl-2, 1800 | I,18-19 | VO,PF |
//1+/543/6//345/234/31//1+ | 3:I | Mr. Eaglesfield's New Hornpipe (t) | PL-E | Playford 1-11, 1701 | I,209 | VN |
//1+/543/6//345/234/31//1+ | 3/2 | Mr. Eaglesfield's New Hornpipe (t) | PL-E | Playford 1-13, 1706 | 209 | VN |
//1+/543/6//345/234/31//1+ | 3/2 | Mr. Eaglesfield's New Hornpipe (t) | PL-E | Playford 1-14, 1709 | 209 | VN |
//1+/543/6//345/234/31//1+ | 3/2 | Mr. Eaglesfield's New Hornpipe (t) | PL-E | Playford 1-15, 1713 | 209 | VN |
//1+/543/6//345/234/31//1+ | 3/2 | Mr. Eaglesfield's New Hornpipe (t) | PL-E | Playford 1-16, 1716 | 209 | VN |
//1+/543/6//345/234/31//1+ | 3/2 | Mr. Eaglesfield's New Hornpipe (t) | PL-E | Playford 1-17, 1721 | 209 | VN |
//1+/543/6//345/234/31//1+ | 3/2 | Mr. Eaglesfield's New Hornpipe (t) | PL-E | Playford 1-18, 1728 | 209 | VN |
//1+/543/6//345/234/31//1+1+7 | 3 | Mr. Eaglesfield's New Hornpipe (t) | PL-E | Playford 1-09, 1698 | I,17 | VN/FL |
//1+/543/6//345/234/31//1+1+7 | 3/2 | Mr. Eglesfield's New Hornpipe (t) | PL-E | Playford 1-12, 1703 | 209 | VN |
//1+5436//34523431//1+1+7654345 | 3/2 | Eaglesfield's New Hornpipe (t) | DA-E | Walsh CD-1.1, 1718 | 223 | VN/OB/FL |
//1+543/6432//4321/27-6-5-//1+543/643 | C | Lincolnshire Lasses (t) | DA-E | Thompson CD-2, 1765 | 49 | VN/GF/OB |
//1+543/6432//4321/27-6-5-//1+543/643// | C | Lincolnshire Lasses (t) | DA-E | Thompson CD-2a, 1765 | 54 | VN/GF/OB |
//1+543//6432//517-1 | 2/4 | Nun's Dance, The (t) | DA-E | Thompson CD-5, 1788 | 32 | VN/GF/OB |
//1+5/43//64/32//51/7-1// | 2/4 | Nun's Dance, The (t) | DA-E | Thompson CD-5a, 1788 | 32 | VN/GF/OB |
//1+5/436//512/321//543/25 | 6/8 | Truth Imparted, The (t) | SS-E | SS, Boston PL-2 | 73 | VO,KBF+GF |
//1+/54//365/5//565/545 | 2/4 | Rondo (t) | AI-A | Herrick Preceptor, 1807 | 21 | MI,B |
//1+54/37-//12/35//543/61 | C | Festing's March (t) | DA-E | Johnson CD-1, 1740 | 90 | MI |
//1+54/37-//12/35//543/61 | C | Air by Mr. Festing (t) | IC-S | Stewart Marches, 1761 | 96 | 2VN/GF/OB,VC/HA |
//154//37-//17-6-/5-4-3-2- | C/ | March 6 (t) | IC-E | Valentine March, 1759 | 2 | OB, 3 OTHER UNKNOWN PARTS |
//1+/54//41//26/54//454/32//34/6//1+ | 2/4 | Lucy Gray of Allendale (t) | AI-A | Elegant Exts, 1796 | 16 | GF/VN/VO |
//1+5//44323//2217-1//7-5-//1123123//432 17-6- |
3/4 | Nightingale. Minuetto (t) | AI-A | Webb Divs 2, 1828 | 4 | 2CL,CLS,2HN,2BS,2FL,FLP,TR, |
//15//44323//2217-1//7-6-//1123234//4321 7-6-// |
3/4 | Nightingall, The (t) | MS-S | Fife MS, 1780 | 714,77v | 1FI OR 2FI/VN |
//154//43234//561+//71+2+71+//53+2+ | 3/8 | Lark, The (t) | SC-E | Calliope, 1746 | II,54 | VO,HAF+FL |
//154//43234//561+//71+2+71+//53+2+ | 3/8 | Invocation to the Lark, An (t) | SS-E | SS, Folger-C42.4 | 28 | VO,KB+FL |
//1+54/45642//531/7-127-5//1+54/45642// | Moor the Keel Canny Laddy (t) | MS-E | Vickers MS, 1770 | 17 | MI | |
//15-4-5-//25-4-5-//32342//321//7-117-1 | 3/4 | Whine not pine not (fl) | SS-E | SS, Folger-C42.3 | 471 | VO,KB+FL |
//1+5//4531+//2316//17-6-7-5-//1+6//564 | 3/4 | Minuet by Handel (t) | AM-A | Psalmody MS, 1798 | 3 | MI |
//1+5//4531+//2316//7-6-7-5-//1+ | 3/8 | Menuet (t) | AM-A | Aborn MS, 1790 | 67 | MI |
//1+5//4531+//2316//7-6-7-5-//1+ | 3/8 | Minuet In Alcina (t) | IC-E | Delightful-1, 1763 | III,21 | GF |
//1+5-//4531+//2316//7-6-7-5-//1+ | 3/8 | Minuet (t) | IC-E | Delightful-1, 1763 | IV,8 | 2GF |
//1+5//4531+//2316//7-6-7-5-//1+6 | 3/8 | Minuet (t) | IC-E | Waylet Oboe, 1745 | 4 | OB |
//1+5//4531+//2316//7-6-7-5-//1+6//5642+ |
3/8 | Minuet (t) | IC-E | Bremner Airs, 1761 | 61 | VN/GF,B |
//1+5//4531+//2316//7-6-7-5-//1+6//5642+ |
3/8 | Minuet (t) | IC-E | Preston Marches, 1804 | 61 | GF/VN,VC/PF |
//1+545/31//646/246-1/7-5-//7-243 | Ratcliff-Cross (t) | PL-E | Playford 3-2, 1726 | 194 | VN | |
//1+54531//646246-17-5-//7-243217-6-5-5 | 3/2 | Ratcliff Cross (t) | DA-E | Walsh CD-2.1, 1731 | 25 | VN/OB/GF/RC |
//1+54531//646246-17-5-//7-243217-6-5-5 | 3/2 | Ratcliff Cross (t) | DA-E | Walsh CD-3.1, 1754 | 49 | VN/OB/GF |
//1+5/4531//64642/6-17-5-//6-14321/7-6-5 -5// |
6/4 | Cadendas, Las (t), or Rattcliff Cross (at) | MS-M | Garcia MS, 1772 | 59 | MI |
//1+54531//646426-17-5-//7-243217-6-5-5/ /317-15-17-21//41+3+1+4+3+ |
3/2 | Ratcliff Cross (t) | DA-E | Johnson CD-1, 1740 | 16 | MI |
//1+545//321/165//4534/2312 | C/ | Oswald's Scotch Measure (t) | IC-E | Caledonian PC, 1760 | IV,25 | GF/VN |
//15/45//32/32//15 | 6/8 | Fanfares, Que l'on Ne Doit Sonner Qu'a la Veue du Cerf (t) | IC-F | Boivin Tons, 1731 | 2 | 2HN/GF/OB/VN/VA |
//1+/5453//6/4342//51/27-// | 2/4 | Belle Pinture de Lucy, La. Allemande (t) | DA-F | Bouin CD LC-1, 1780 | 34 Feuille, 2 Vol. | MI |
//15-/4-5-4-3-2-//11/1217-12//33/212321/ /7-16-5-6-7-/5- |
C | Sung by the Genius of Columbia &c (t) | AI-A | Columbus, 1799 | 4 | VO/FL/VN,KB |
//1+5454//32127-//15-3-3-2-//3-1-3-5-3// 25-7-24//3 |
3/4 | Balcony (t) | TW-E | Harlequin Sorc, 1752 | 2-3 | HA |
//1+/545//43/234//54/345// | C | 6th Regts Slow March (t), or Blacksmith's March (at) | MS-C | Molyneaux MS-1, 1788 | 12-13 | GF |
//1+/545//6/323//43/234 | C | March (t) | AM-A | Van Schaack MS, 1820 | 6 | 2FL |
//1+545/6434//5313/23//4567/1+564 | 2/4 | London Assembly (t) | DA-E | Skillern CD, 1780 | 9 | VN/GF/OB |
//1+5//4565//1+5//4565 | 3/4 | Shepherdesses pretty lasses (fl) | SC-E | Amaryllis, 1760 | II,26 | FL/GF,VO,HAF |
//15-/4-5-6-5-//25-/4-5-6-5-//31/43 | 2/4 | Te, l'e (t) | AI-A | Riley Flute 1, 1814 | 25 | FL |
//1+5/4565//2+5/4565//3+1+/4+3+// | 2/4 | Eté, L' (t) | AI-A | Willig Cots, 1815 | 5 | PF |
//1+/5456//5/3234//5/44//3 | 2/4 | Mill Scene (t) | TW-E | Elopement, 1768 | 14 | HAF |
//1+5/4565//4321/1232//51+7/6543 | C | Inscrib'd on a Window (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//1+/545/6//543/223/445//64 | 3 | Anna Maria (t) | PL-E | Playford 1-09, 1698 | I.31 | VN/FL |
//1+/545/6//543/223/445//64 | 3:I | Anna Maria (t) | PL-E | Playford 1-11, 1701 | I,228 | VN |
//1+/545/6//543/223/445//64 | 3/2 | Anna Maria (t) | PL-E | Playford 1-12, 1703 | 228 | VN |
//1+/545/6//543/223/445//64 | 3/2 | Anna Maria (t) | PL-E | Playford 1-13, 1706 | 228 | VN |
//1+/545/6//543/223/445//64 | 3/2 | Anna Maria (t) | PL-E | Playford 1-14, 1709 | 228 | VN |
//1+/545/6//543/223/445//64 | 3/2 | Anna Maria (t) | PL-E | Playford 1-15, 1713 | 228 | VN |
//1+/545/6//543/223/445//64 | 3/2 | Anna Maria (t) | PL-E | Playford 1-16, 1716 | 228 | VN |
//1+/545/6//543/223/445//64 | 3/2 | Anna Maria (t) | PL-E | Playford 1-17, 1721 | 228 | VN |
//1+/545/6//543/223/445//64 | 3/2 | Anna Maria (t) | PL-E | Playford 1-18, 1728 | 228 | VN |
//1+5456//543223445//6453234 | 3/2 | Anna Maria (t) | DA-E | Walsh CD-1.1, 1718 | 242 | VN/OB/FL |
//1+5456//543223445//6453234//31531 | 3/2 | Anna Maria (t) | DA-E | Walsh CD-2.1, 1731 | 135 | VN/OB/GF/RC |
//1+5/4565//4353/12//32/1351+ | 2/4 | Arch Duke Charles of Austria's Quick March (t) | IC-E | English Sheet Music | 3CL,2HN,2BS+PF | |
//1+54/5654//51+/53+//2+5+/567// | 2/4 | AM-A | Johnson, F. MS, 1820 | 59 | MI | |
//154/567//47-5432/47-42//154/5671+// | C/ | Hatton Reel (t) | MS-S | Young MS-2, 1734 | 82v | MI |
//1+54/642//531/27-6-5-//1+54/642// | C/ | Houmours of Potrat (t) | MS-E | Vickers MS, 1770 | 139 | MI |
//15/465//43/234//561/12//3/5 | 6/4 | Song, A (t), or Lorenzo You Amuse the Town (at) | SC-E | Pills 6, 1719-20 | 302-3 | VO |
//15/465//43/234//561/12//3/55 | 6/4 | Song, A (t) | SC-E | Pills 1, 1719-20 | 320-2 | VO |
//1+54//671+//65434//321//23432 | 3/4 | Minuet (t) | AM-A | Van Renssel. MS, 1782 | I,33 | KB |
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