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Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
//1121// | 3/4 | God Save the King Finis [incomplete] (t) | AM-A | Hoff MS, 1797 | No. 1, after end of tune | GF |
//11211+/11215//4345/6671+//11211+/11213 |
C | Miss Demaries of Perth's Reel (t) | IC-S | Vogel Marches, 1802 | 5 | PF |
//1-1-2-1-/1-1+//531/27-5-//2-3-2-/2-6 | 6/8 | Old Health, The (t) | DA-E | Walsh CD-3.5, 1754 | 37 | VN//OB/GF |
//112/11//15-/3-5-//1/2 | Hertford Quick Step (t) | MS-E | English BL Add MSS | PF | ||
//11/2//11/2//11/21// | 2/4 | AM-A | Morris MS, 1776 | 3v | FI | |
//112/112//112/1//1 | 2/4 | Federal Overture-Tune 3 (t), or Caira (at) | AI-A | Gent's Amus, 1794 | 43 | 2GF |
//112112//1121//12345365 | 2/4 | Ah Ca Ira (t), or March 52 (at) | IC-E | Button Whit-1, 1806 | 62-63 | 2GF/2VN/2FL/2FI |
//112/112//112/1//1234/5365// | 2/4 | Ah Ca Ira (t) | IC-E | Cahusac Flute, 1798 | 30 | FL |
//112/112//112/1//1234/5365// | 2/4 | Ah! Ca Ira (t) | AM-A | Cushing MS, 1805 | 134-135 | 2MI |
//112/112//112/1//1234/5365 | 2/4 | Caira (t) | AM-A | Dickinson MS, 1800 | 119 | 2CL/2GF/2OB,B |
//112/112//112/1//1234/5365//5443 | 2/4 | Ah Ca Ira (t) | IC-E | Cahusac Flute, 1792 | 30 | GF |
//112/112//112/1//1234/565// | C(ed) | Cari Ira (t) | AM-A | Patten MS, 1800 | 24 | MI |
//112/112//1/1234//5 | 2/4 | Ah Caira (t) | AI-A | Gent's Amus, 1794 | 37 | GF/VN |
//112/112//11234//5 | 2/4 | Ah Caira (t) | AI-A | Gent's Amus, 1795 | 37 | GF |
//112/112//1/1234//5365/5434 | 2/4 | Ca Ira (t) | AI-A | American Sheet Music | PF | |
//112/112//1/1234//5365/5434 | 2/4 | Ca Ira (t) | AI-A | Phila Pock Comp, 1794 | 29 | GT/CL |
//112/112//1/1234//5365/5443 | 2/4 | Come Let Us Dance (t) | AM-A | Clark, I. MS, 1801 | 19 | FI/VN |
//112112//11234//53655443 | 2/4 | Ah Ca Ira (t) | IC-E | Goulding Fife, 1790 | 29 | FI |
//112/112//1/1234//5365/5443// | 2/4 | Ca Ira (t) | DA-E | Wilson Companion, 1816 | 108 | MI |
//112/112//1/1234//565/443 | 2/4 | Ah! Ca Ira! (t) | IC-S | Aird 4, 1796 | 41 | FI/GF/VN |
//112/112//1/1234//565/5443 | 2/4 | Ah! Ca! Ira (t) | AI-A | Balls Amus 2, 1815 | 16 | FL/FI/VN |
//112/112//1/1234//565/5443 | 2/4 | Ah! Ca Ira (t) | IC-E | Bland Clar, 1798 | 10 | CL |
//112/112//1/1234//565/5443 | 2/4 | Ca Ira (t) | IC-F | Bonjour Recueil, 1800 | 5:7 | VN/FL |
//112/112//1/1234//565/5443 | 2/4 | Ca Ira(french) (t) | AM-A | Kingsley MS, 1795 | I,3 | MI |
//112/112//1/1234//565/5443 | 2/4 | Ca Ira (t) | AM-A | Murphey MS, 1790 | 9 | MI |
//112/112//1/1234//565/5443// | 2/4 | Ah! Ca Ira (t) | AI-E | Shirley CD, 1805 | 3 | PF |
//112/112//112/4321//223/223 | 2/4 | Downfall of Paris, The (t) | AI-A | American Sheet Music | 1 | PF |
//112112//1124321//223223 | 2/4 | Fall of Paris, The (t) | IC-E | Andrews Fife, 1808 | 28 | FI/GF |
//112/112//112/4321//223/223 | 2/4 | Fall of Paris (t) | AI-A | Balls Amus 1, 1815 | 3 | FL/FI/VN |
//112/112//112/4321//223/223// | 2/4 | Downfall of Paris (t) | IC-E | Cahusac Flute, 1798 | 17 | FL |
//112/112//112/4321//223/223 | 2/4 | Fall of Paris, The (t) | IC-S | Calvert Coll, 1790 | 17 | V,VC/HA/PF |
//112/112//112/4321//223/223 | 2/4 | Downfall of Parais (t) | AI-A | Camp Dupont, 1816 | 6-7 | 2GF/FI/VN,PF |
//112/112//112/4321//223/223 | 2/4 | Downfall of Paris (t) | AI-A | Dubois Clar, 1818 | 22-23 | 2CL |
//112/112//112/4321//223/223// | 2/4 | Fall of Paris, The (t) | MS-S | Fife MS, 1780 | 691,75r | 1FI OR 2FI/VN |
//112112//1124321//223223 | 2/4 | Downfall of Paris (t) | AI-A | Instrum Asst-2, 1807 | 14-15 | 2MI,B |
//112/112//112/4321//223/223// | 2/4 | Down Fall of Paris (t) | AM-A | Johnson, S. MS, 1807 | 2-3 | FI |
//112/112//112/4321//223/223// | 2/4 | AM-A | Litten MS, 1800 | 19 | VN | |
//112/112//112/4321//223/223// | 2/4 | 7th Regt Quick March (t), or Surrender of Paris (at) | MS-C | Molyneaux MS-1, 1788 | 5 | GF |
//112/112//112/4321//223/223// | 2/4 | The Downfall of Paris (t) | IC-E | Naval Compendium, 1800 | 20-21 | 2FL/VN,PF |
//112/112//112/4321//223/223 | 2/4 | Fall of Paris (t) | AI-A | Riley Flute 1, 1814 | 23 | FL |
//112/112//112/4321//223/223 | AM-A | Shattuck MS, 1801 | 58 | MI | ||
//112/112//112/4321//223/223 | 2/4 | Fall of Paris, The (t) | IC-S | Watlen Marches, 1798 | 30-31 | PF+GF |
//112/112//112/4321//223/223// | 2/4 | Downfall of Paris, The (t) | AM-E | Wheatstone Clarinet, 1801 | 62 | CL |
//112/112//112/4321//223/223// | 2/4 | Downfall of Paris (t) | AM-E | Wheatstone Clarinet, 1801 | 85 | MI |
//112/112//112/4321//223/223// | 2/4 | Downfall of Paris (t) | DA-E | Wilson Companion, 1816 | 124 | MI |
//112/112//1134//5655443//32112 | 2/4 | Ah Ca Ira (t) | AI-A | Evening Amuse, 1796 | 21 | GF/VN |
//112//112//113//554321+1+1+535 | AM-A | Van Renssel. MS, 1782 | I,7 | KB | ||
//112/112//123/5321//223/223 | 2/4 | Down Paris (t) | AM-A | Shattuck MS, 1801 | 78 | MI |
//112/112//123/5321//223/223 | 2/4 | Downfall of Paris (t) | AM-A | Shattuck MS, 1801 | 78 | MI |
//1//121/121//31/11+//76 | 2/4 | Preussicher Gren: March No 33 Selchow (t) | MS-G | Darmstadt MS 1225 | 365-66 | 2MI |
//112/112//13455/543//6565/543 | C/ | No.8 (t) | MS-G | Darmstadt MS 1188 | 6V | 2OB,2HN,TR,B |
//112/112//134//565/43//2 | C/ | Austrian March (t) | IC-E | Holmes Hn Duets, 1763 | 1 | 2HN/GT/GF/VN |
//112/112//15-/1234//543/456 | C | Grenadier Marche de Waldeck (t) | MS-G | Darmstadt MS 1224 | 75 | MI |
//1+1+2+/1+1+2+//1+5/343//24/57 | 2/4 | Mire Dans Mes Yeaux Tes Yeux (t) | AM-A | Van Schaack MS, 1820 | 59 | FI/FL |
//1/12//1/12//17-1/217-6- | C/ | Marche des Janissaires, La (t) | MS-F | Philidor MS, 1705 | 31 | OB,B |
//1/12//112//3/34//34 | C | Walsegger Grenadier Marche (t) | MS-G | Darmstadt MS 1224 | 177 | MI |
//112//1//1234/565//5443/32// | 2/4 | Columbia. National Airs (t) | AI-A | Johnson, F. Cotillions | 7 | PF |
//112/11//2/54//3/25 | C/ | Marche Wilhelmus de Nassau (t) | MS-G | Darmstadt MS 1223 | 4TR,TI | |
//112/11//2/54//3/25 | C/ | Marsche Fur Wilhelmus V. Nassau (t) | MS-G | Darmstadt MS 1223 | 2OB,2CL,2HN,2TR | |
//112/11//2/54//3/25 | C | Bataille de Belle Alliance. Wilhelmus Van Nassauwe (t) | IC-N | Netherlands Sheet Music | PF | |
//112/11//2/55-4//3/25 | C/ | 2 Pieces. Willhelmus V. Nassau (t) | MS-G | Darmstadt MS 1223 | 2OB,2CL,2HN,2TR | |
//1-12/11//31/2//53/5432// | 2/4 | Garman Spaw, The (t) | MS-C | Molyneaux MS-1, 1788 | 13 | GF |
//1+1+2+/1+1//3456/51+//61+/51+ | C/ | To Celia (t), or New Song, A (at) | SS-E | SS, Huntington-1 | 41 | 2VN,VO,KBF |
//1+1+2+/1+1//3456/51+//61+/51+//3 | C/ | To Celia (t), or Song, A (at) | SS-E | SS, Harvard | 1 | VO,KBF |
//1/12//1/145//6567/66 | AM-A | Wilson MS, 1782 | 19V | FL/OB | ||
//112/1//17-1/6-4-//6-7-1/5-12 | C/ | Printz Moritz Grandir Marsch (t) | MS-G | Darmstadt MS 1224 | 338 | MI |
//11/2121+//11/1231//4231/4222+// | C/ | Grant's Rant (t) | MS-S | Young MS-2, 1734 | 81r | MI |
//11212//112//33434//332//131//5-15- | 3/4 | Hunting Song, A (t) | SS-E | SS, Harvard | 1 | VO,KBF+GT |
//112/1212//3234/3434//555/543 | C/ | French Mariens March, The (t) | MS-E | Shepherd MS, 1787 | 44 | MI |
//112/1212//334/3434//555/5 | C/ | French Mareins March, The (t) | MS-S | Fife MS, 1780 | 72,8r | 1FI OR 2FI/VN |
//112/1212//334/3434//555/543 | 2 | Marche de la Marine (t) | MS-F | Marches MS, 1795 | 4R | VN |
//112/1212//334/3454 | C | Colonel Thornton's March (t) | AM-A | Van Schaack MS, 1820 | 33 | 2FL |
//112/12//17-1/6-4-//6-7-1/5-12 | C/ | Prinz Moritz (t) | MS-G | Darmstadt MS 1224 | 163 | MI |
//112/1//217-/16-4-//6-7-1/5-12 | 2/4 | Printz Moritz (t) | MS-G | Darmstadt MS 1224 | 249,255 | 2FL |
//11/212//31/112//33/434 | 6/8 | Quick Step (t) | IC-S | Pandean Coll 1, 1810 | 16 | PF |
//11/2123//11/2123//11/2123//1 | 2/4 | Lovely ladies sprigs of fashion (fl) | TW-E | Farmer, 1787 | 34-36 | VO,MI,B |
//11/2123//11/2123//123/4321// | 2/4 | Pantaloon. No. 6 (t) | AI-A | Augustus Cots, 1805 | 3 | PF |
//11/212//31+/1+53//42/316-// | 6/8 | Jacksons Bottle of Claret (t) | AI-A | Gilfert Gents PC, 1802 | 36 | GF/VN |
//112/1231//15-5-/122/334/3454// | C | Garb of Old Gaul, The (t) | MS-S | Fife MS, 1780 | 623,67r | 1FI OR 2FI/VN |
//11/212//31/17-//6-6-/21 | 6/8 | Finale (t) | TW-E | Prize, 1793 | 12-13 | 3VO,KB |
//112/1231//2-2-2-6-5-/6-2-2-6-//17-12/1 234// |
C/ | Shandy, The. A Retreat. A Cuntry Dance (t) | MS-S | Fife MS, 1780 | 34,4v | 1FI OR 2FI/VN |
//11212//312//33434//534//55656//1+56 | 3/8 | Air (t) | IC-E | Holmes Hn Duets, 1763 | 6 | 2HN/GT/GF/VN |
//11212//312//33434//535//56543//45432 | 3/4 | Zapffenst. No 18. V. Zweybrucken (t) | MS-G | Darmstadt MS 1225 | 287-88 | 2MI |
//11212/31234//55654/355 | C | March for H. M.61st Regiment (t) | IC-E | Williamson Troops, 1798 | PF | |
//11/212//31/424//351/212//1 | 6/8 | Duetto 1. Rondo (t) | AM-A | Hiester MS-1, 1793 | 24-25 | HA,4 HANDS |
//11/212//31/42//53/212 | 6/8 | Quick Step (t) | AM-A | Beach MS, 1801 | 56 | MI |
//11/212//31/42//53/212 | 6/8 | Pas de Manoeuvre (t) | IC-F | French Sheet Music | 2FLP,2CL,TR,2HN | |
//11/212//31/434//351/212 | 6/8 | Smith Duet 1-2. Rondo, Vivace (t) | AI-A | Smith Duets, 1793 | 4-5 | HA/PF,4 HANDS |
//11/212//3/1//6-6-/2// | 6/8 | Fille Pastorale, La (French) (t) | DA-E | Wilson Companion, 1816 | 160 | MI |
//1/12//123/21 | 2/4 | Lee Rigg, The (t) | IC-S | Aird 1, 1782 | 16 | FI/VN/GF |
//112/12321//1//334/34543//3 | C/ | Song, A (t) | SC-E | Pills 5, 1719-20 | 249-50 | VO |
//112/12321+2+//1+2+3+2+543/3543//356765 /5321567-65 |
C | Favourite Air, A (t) | SC-E | Clio-3, 1762 | 152 | VO,HAF |
//11212/321//4332/23217-//1/65//543 | C | In Praise of Musick (t) | SS-E | SS, Harvard | 1-2 | 2VO,B |
//112/12321//445/432//112/3234 | C | John Come Kiss Me Now (t) | IC-S | Aird 4, 1796 | 31 | FI/GF/VN |
//112/12321//445/432//112/3234 | C | John Come Kiss Me Now (t) | MS-S | Gillespie MS, 1768 | 66-67 | VN |
//112/1232//15-/12//334 | C | March of the 42 or old Highland Regt (t) | IC-E | Reid Minuets, 1781 | 28-29 | 2VN,2FH,B |
//112/1232//15-/12//334/3454 | C | Highland March, The (t) | AM-A | Aborn MS, 1790 | 99 | MI |
//112/1232//15-/12//334/3454 | C/ | Highland March, The (t) | AI-A | American Sheet Music | KB | |
//112/1232//15-/12//334/3454 | C | Highland March, The (t) | IC-E | Astor Guitar, 1800 | 15 | GT |
//112/1232//15-/12//334/3454 | C | Highland March, The (t) | IC-E | Bremner Airs, 1761 | 9 | 2VN/GF,B |
//112/1232//15-/12//334/3454 | C | March 8 (t) | IC-S | Corri Marches, 1791 | 8 | HA/PF |
//112/1232//15-/12//334/3454 | C | Highland March, The (t) | IC-E | Preston Marches, 1804 | 9 | 2GF/VN,VC/PF |
//112/1232//15-/12//334/3454 | C | Highland March, The (t) | IC-S | Sime Marches, 1789 | 29 | HA/PF |
//112/1232//15-/12//334/3454 | C | Capt. Reids March (t), or 13th Regts March (at) | IC-E | Skillern Amus, 1785 | 28 | 2GF |
//112/1232//15-/12//435/3454// | C | Highland March, The (t) | AM-A | Brown, J. MS, 1782 | 1:15 | |
//112/1232//15-5-//11212//334/3454 | C | March 4 (t) | IC-E | Reid Marches, 1795 | 2 | 4CL,FL,2HN,2BS,TR,SPT |
//112/1232//15-5-/112//334/3454 | C | Highland Character, The (t) | IC-E | English Sheet Music | 2 | KBF |
//112/1232//15-5-/112//334/3454 | C | Highland Character, The (t) | SC-S | Scots MM-3, 1790 | 218-219 | VO,PFF |
//112/1232//15-5-/122//334/3454 | Song 225 (t), or Highland March (at) | SC-E | Calliope, 1788 | 418-419 | VO | |
//112/1232//15-5-/122//334/3454 | C/ | Highland March (t) | SC-S | Edinburgh MM-1, 1792 | 133-135 | VO |
/11//212/321//55/44//33/212// | 6/8 | Petite Laitiere, La. Contredanse (t) | DA-F | Bouin CD LC-1, 1780 | 16 Feuille | MI |
//11/212//3/23//23/43//2 | 2/4 | Air & Chorus for the Procession (t) | TW-E | Maid/Oaks, 1774 | 31-33 | 2VO,KBF |
//11/212//323/427-//11/212//31 | 6/8 | Duetto (t) | TW-E | Auld Robin Gray, 1794 | 40-41 | 2VO,KB |
//1-1/212//323/432//16-/4-5- | C/ | Mellacholly Madam (t) | PL-E | Playford 3-2, 1726 | 71 | VN |
//1-1/212//323/432//16-/4-5- | C/ | Quadrille, The (t) | DA-E | Walsh CD-2.2, 1735 | 54 | VO/OB/GF/FL |
//1-1/212//323/432//16-/4-5- | C/ | Quadrille, The (t) | DA-E | Walsh CD-3.2, 1749 | 54 | VN/OB/GF |
//1-1/212//323/432//16-/4-5- | C/ | Mellancholly Mdm. (t) | DA-E | Walsh NCDM-3, 1728 | 143 | VN/OB/FL |
//11/212//332/117-//6-6-/22// | 2/4 | Hampton (t) | AI-A | Carrs PC, 1800 | 24 | GF/VN/FL |
//112123//321//334345//543//51+6 | 3/4 | Countess of Coventries Minuet (t) | MS-S | Gillespie MS, 1768 | 75 | VN |
//1/12//12//3/34//3 | 2/4 | Favorite Song, A (t) | SS-E | SS, Harvard | 1 | VO,B+GF |
//112/12//334/31/22/2 | 2/4 | Allamando (t) | AM-A | Hiester MS-2, 1793 | 51 | KB |
//1-1-2-1-2-/3-3-4-3-2-//1-3-4-5-4-/3-3- 2-2--1-0-//1-1-2-3-4 |
C | Madison's March (t) | AI-A | American Sheet Music | 2 | PF |
//1+1+2+1+2+//3+3+4+3+4+//5+3+1+5/62+1+7 //1+/5- |
C | Sonata 2. Andante (t) | IC-E | Rockeman & Alters, 1773 | 4-5 | 2CL,2HN,BS |
//112/12//334/34//535/42 | AM-A | Dance Tunes MS, 1798 | 27 | FI/GF/OB | ||
//11/212//33/434//671+/543// | 6/8 | Rejoice Rejoice (t) | IC-E | Parry Fife, 1812 | 17 | 2FI |
//1/12//12//3/34//35 | 2/4 | Favorite Song to the tune of the Milanese March, A (t), or Milanese March, | IC-E | English Sheet Music | 1 | KB+GF |
//11212/33435//1112/32//3234/3234 | C/ | IC-E | Forest Harmony-2, 1733 | 41 | 2HN/GF/TR/VN | |
//11/212//343/212//321/16-5- | 6/8 | Caledonian Hunt's Delight (t) | SS-E | SS, Harvard | 1 | 2VO,B |
//11212//343423//454534//565654//321 | 3 | Song, A (t) | SS-E | SS, Folger-C42.2 | 70,2-71 | VO,KB+F |
//11/212//343/55//44/33 | 6/8 | Milk Maid, The (t) | IC-S | Aird 2, 1785 | 48 | FI/VN/GF |
//11/212//343/55//44/33 | 6/8 | Milkmaid, The (t) | DA-E | Bride CD, 1776 | III,9 | VN/OB/GF |
//11/212//343/55//44/33 | 6/8 | Milk Maid, The (t) | DA-E | Thompson CD-4, 1780 | 43 | VN/GF/OB |
//11/212//343/55//44/33// | 6/8 | Milk Maid, The (t) | DA-E | Thompson CD-4a, 1780 | 43 | VN/GF/OB |
//112/1234//51/11+//765/65 | 2/4 | No 62. Hechinger Zapffenst. (t) | MS-G | Darmstadt MS 1225 | 331 | MI |
//112/1234//512/11+//765/65 | C/ | Felsinger Zapfen Streich (t) | MS-G | Darmstadt MS 1224 | 177 | MI |
//11/2123//454/31//24/7-2 | C/ | Italian March (t) | IC-E | Skillern Amus, 1785 | 22-23 | 2GF |
//112/12//345/56//5543/4432 | 2/4 | General Hamilton's March (t) | AI-A | Robinson Coll, 1820 | 36 | 2MI |
//112/12//345/56//5543/4432 | 2/4 | General Hamilton's March (t) | AI-A | Robinson Coll, 1826 | 42 | 2MI |
//112/12//345/56//5543/4432 | 2/4 | Genl Hamiltons March (t) | IC-E | Skillern Amus, 1785 | 67 | 2GF |
//11/212//345/671+//11/212 | 6/8 | Mrs Spens Monro's Jig (t) | IC-S | Aird 4, 1796 | 9 | FI/GF/VN |
//11/212//345/671+//11/212// | 6/8 | Mr. Spence Muno's Gigg (t) | MS-S | Fife MS, 1780 | 138,12r | 1FI OR 2FI/VN |
//11/2123//4/5//764/5676// | C/ | No 3 (t) | AM-A | Bevens MS, 1825 | 4v-5r | FI |
//11/212//351+/2+//2+1+/2+1+2+ | 6/8 | Vaga'ry, The (t) | IC-S | Lady Coll, 1796 | 5 | PF |
//11/212//351+/54//353/212//1 | 6/8 | Minuetto (t) | AM-A | Hiester MS-1, 1793 | 54-55 | HA,4 HANDS |
//11/212//353/212//321/16-5-// | 6/8 | Ye Banks and Braes (t) | IC-E | Hyde Bugle, 1818 | 28 | 2BU,B |
//11/212//353/212//321/16-5- | 6/8 | Banks O'doon, The (t) | AI-A | Riley Flute 1, 1814 | 58 | FL |
//11/212//353/212//321/16-5-// | 6/8 | Bonny Doon (t) | AM-A | White, G. MS, 1790 | 118 | VN |
//11/212//353/23//424/313 | 6/8 | Quick Step (t) | AI-A | Webb Divs 1, 1828 | 3 | 2CL,2HN,2BS,2FL,FLP,TR,BU, |
//11/212//3/543//321/7-16- | 6/8 | Welch Harper (t) | IC-E | Balls Amus 3, 1830 | 4 | FL/VN |
//11/212//3/543//321/7-16- | 6/8 | Welsh Harper (t) | AI-A | Riley Flute 2, 1817 | 40 | FL |
//11/212//3/543//321/7-16- | 6/8 | Welch Harper, The (t) | AM-A | Williams, J. MS, 1799 | 31 | CL |
//11/212//35/54//33/212 | 6/8 | Stirling Volunteers Quick March, The (t) | IC-S | Watlen Marches, 1798 | 7 | PF+GF |
//11212//35-5-6-//11212//35-1-3-5-//3 | 3/4 | Raving Winds Around Her Blowing (t) | SC-S | Scots MM-2, 1788 | 181 | VO,PFF |
//11212//36-3//636//5432//11212// | C3 | New Mineut, A (t) | IC-E | Apollo's Banquet 1-2, 1678 | A61 | VN |
//11/2124//32/342//11/2123 | 2/4 | En Amour C'est Village (t) | AI-A | Riley Flute 3, 1820 | 5 | FL |
//11/2124//32/35432//11/2123 | C | Andantino (t) | IC-E | Astor Guitar, 1800 | 14 | GT |
//11/2127-//11/2127-//11/22 | 2/4 | Caledonian Beauty, The (t) | IC-S | Aird 4, 1796 | 14 | FI/GF/VN |
//11/2127-//11/2127-//11/22 | 2/4 | Caledonian Beauty, The (t) | IC-S | Aird 4, 1796 | 33 | FI/GF/VN |
//11/2127-//11/2127-//11/22 | 2/4 | Escapade, L' (t) | DA-E | Cantelo CD, 1785 | 21 | KB |
//112/13//112/13//6-16-//7-27- | 2/4 | Battle of Waterloo, The. Quick Step (t) | AI-A | American Sheet Music | PF | |
//1+121/3153//1+53+1+/2+765 | C | Lieutenant and His Family Meet (t) | TW-E | Choice/Harleq, 1781 | 50 | HAF |
//11213/15-3-//33435/321//556543/434545/ / |
C | March (t) | IC-E | Prelleur Modern, 1731 | 13 | RC |
//112/13//223/24//35/5432 | 2/4 | AM-A | Beach MS, 1801 | 36 | MI | |
//112/13//223/24//35/5432// | 2/4 | Kiss My Lady (t) | AM-A | Washburn MS, 1816 | 6 | GF |
//112/13//32/24//43/35 | 2/4 | Col House's Quick Step (t) | AI-A | Riley Flute 1, 1814 | 65 | FL |
//112/1//334/3//35/31 | C | Bareyther Grenadier Marche (t) | MS-G | Darmstadt MS 1224 | 182 | MI |
//112/1//345/1//33/256 | 2/4 | Grenadier March de Bevern (t) | MS-G | Darmstadt MS 1224 | 175 | 2MI |
//1+/1+2+//1+35/1+35//1+/1+2+ | C/ | Marche (t) | MS-G | Darmstadt MS 1223 | OB,2CL,TR,2BS | |
//112/1353//2123/212//3234/3454// | C | General Washingtons March (t) | AM-A | Bush MS, 1779 | 35 | VN |
//112/1353//2123/212//3234/3454//311 | C | Brother Soldiers All Hail! (t), or Favorite New Patriotic Song, A (at) | AI-A | American SS-SM | 1-2+3 | VO,PF/GT/CL+FL/VN |
//112/1353//2123/212//3234/3542 | C | Washingtons 3d March (t) | AM-A | Ives MS, 1800 | 26 | 2MI |
//112/1353//2123/212//3234/3542 | C | Washington's Grand March (t) | AM-A | Kingsley MS, 1795 | I,53 | 2MI |
//112/1353//2123//212//3434/3454//3 | C | General Washingtons March (t) | AI-A | Gent's Amus, 1794 | 24 | GF/VN |
//112/1353//223/2464//3556 | C | Katherine Ogie (t) | IC-E | Preston Clar, 1797 | 21 | CL |
//112/13//556/53//11/22 | 2/4 | Battle of Leipsig, The. Finale (t) | IC-E | English Sheet Music | PF,VN/FL,VC | |
//112/13//556/53//42/17- | 2/4 | Young's Quick Step (t) | AI-A | Merrimack Coll, 1833 | 59 | 2MI,B |
//112/13//556/53//44/27- | 2/4 | Quick Step (t) | AI-A | Goodale Dir, 1819 | 50 | 2CL |
//112/13//556/53//44/27- | 2/4 | Quickstep (t) | AI-A | Goodale Dir, 1829 | 54 | 2CL |
//112/13//556/53//4654/3543 | 2/4 | Grand Union March & Quick Step, The. Quick Step (t) | IC-E | English Sheet Music | HA/PF+GF | |
//112/1432//17-15-/4-3-2-1-//223/2543// | C/ | Capper Fay (t), or Mrs. Salvins Real (at) | MS-E | Vickers MS, 1770 | 4a | MI |
//112/15-//111/134//565/454 | C | Duke of Richmond's March (t) | IC-S | Aird 6, 1803 | 70-71 | 2FI/2VN/2GF |
//112/15-//111/134//565/454 | C | Duke of Richmond's March (t) | IC-E | Skillern Amus, 1785 | 92-93 | 2GF |
//112/15-//1/134//565/454 | C | March (t) | TW-E | Deserter, 1773 | 15 | KB |
//112/15-//1/134//565/454 | C | March In the Deserter (t) | IC-S | Stewart Airs, 1788 | 3:135 | GF/VN/FI |
//112/15-//1212/1234//334/31 | C/ | Trumpet Air (t) | IC-E | Holmes Hn Duets, 1763 | 4 | 2HN/GT/GF/VN |
//112//15-//1212//3//1 | C/ | Air 14 (t) | BA-E | Prisoners Op, 1730 | T16-8,M6-7 | VO |
//112/15-//1232/1 | 2 | Slow Scotch (t) | AI-A | Cooper System, 1836 | 224 | FI,DR(NOT) |
//112/15-//1232/1// | 2 | Slow Scotch (t) | AI-A | US Tactics, 1835 | 5 | FI,DR |
//112/15-//1232/1//567/1+5 | 2/4 | Scotch, The (t) | AI-A | Ashworth D&F, 1812 | 28 | FI |
//112/15-//1232/1//567/1+5 | 2/4 | Scotch, The (t) | AM-A | Beach MS, 1801 | 102 | MI |
//112/15-//1232/1//567/1+5 | 2/4 | Slow Scotch (t) | AI-A | Camp Dupont, 1816 | 8 | 2GF/FI/VN,PF |
//112/15-//1232/1//567/1+5 | Quick Step of the Coldstream (t) | MS-E | English BL Add MSS | PF | ||
//112/15-//1232/1//567/1+5// | 2/4 | Scotch Revaley, The (t) | MS-S | Fife MS, 1780 | 51,6r | 1FI OR 2FI/VN |
//112/15-//1232/1//567/1+5// | 2/4 | Scotch Reveillee, The (t) | MS-C | Molyneaux MS-1, 1788 | 45 | GF |
//112/15-//1232/1//567/1+5 | C/ | Scotch Reveile (t) | IC-E | Potter Fife, 1817 | 19 | FI |
//112/15-//1232/1//567/1+5 | 2/4 | Scotch Reveille, The (t) | AI-A | Rumrille D&F, 1817 | 39 | FI |
//112/15-//1232/1//567-1+5//5654/3// | 2/4 | Revalle 7, The (t) | AM-A | Johnson, S. MS, 1807 | 33 | FI |
//112/15-//1232/1//567/1+6// | C/ | Scotch (t) | AM-A | Bevens MS, 1825 | 22v-23r | FI |
//112/15-//123/4321//34/565 | C | Marsch (t) | MS-G | Darmstadt MS 1223 | OB,2CL,2HN,2TR, | |
//112/15-//123/4321//34/565 | C/ | Marche (t) | MS-G | Darmstadt MS 1223 | 4CL,2HN,2TR,BS | |
//112/15-//123/4321//34/565 | C | Leib: Marche (t) | MS-G | Darmstadt MS 1223 | PF | |
//112/15-//123/4321//34/565 | C/ | Marche (t) | MS-G | Darmstadt MS 1224 | 375 | HA |
//112/15-//12/3//556/53// | 2/4 | Canadian Set, The. No. 2 (t) | AI-A | Terpsichorean Cots, 1831 | 2 | PF |
//112/15-//132/1//567/1+5// | 2/4 | Scotch Revalle, The (t) | AM-A | Boynton MS, 1799 | 26R | 1 FI |
//112/15-//1/3//223/26- | C/ | Duke of Luxemburgh's March (t) | PL-E | Playford 1-10, 1698 | 176 | VN |
//112/15-//1/3//223/26- | C/ | Duke of Luxemburgh's March (t) | PL-E | Playford 1-12, 1703 | 176 | VN |
//112/15-//1/3//223/26- | C/ | Duke of Luxemburgh's March (t) | PL-E | Playford 1-13, 1706 | 176 | VN |
//112/15-//1/3//223/26- | C/ | Duke of Luxemburgh's March (t) | PL-E | Playford 1-14, 1709 | 176 | VN |
//112/15-//1/3//223/26- | C/ | Duke of Luxemburgh's March (t) | DA-E | Walsh CD-1.1, 1718 | 189 | VN/OB/FL |
//112/15-//1/3//223/26- | C/ | Duke of Luxemburghs March (t) | DA-E | Walsh CD-2.3, 1735 | 270 | VN/OB/GF/CF |
//112/15-//1/3//223/26-//2/4 | C/ | Duke of Luxemburgh's March (t) | PL-E | Playford 1-09, 1695 | 176 | VN |
//112/15-//1/3//223/26-//2/4 | C/ | Duke of Luxemburgh's March (t) | PL-E | Playford 1-15, 1713 | 176 | VN |
//112/15-//1/3//223/26-//2/4 | C/ | Duke of Luxemburgh's March (t) | PL-E | Playford 1-16, 1716 | 176 | VN |
//112/15-//1/3//223/26-/2/4 | C/ | Duke of Luxemburgh's March (t) | PL-E | Playford 1-17, 1721 | 176 | VN |
//112/15-//1/3//223/26-/2/4 | C/ | Duke of Luxemburgh's March (t) | PL-E | Playford 1-18, 1728 | 176 | VN |
//112/15-//13/5//445/334 | 2/4 | Wentworth House (t) | AI-A | Balls Amus 1, 1815 | 18 | FL/FI/VN |
//112/15-//13/5//445/334 | 2/4 | Wentworth House (t) | AI-A | Riley Flute 2, 1817 | 44 | FL |
//112/15-//15-12/3234//56/5656 | C/ | Genius of England (t) | SC-E | Clio-1, 1758 | 12-16 | VO,HAF |
//112/15-//15-12/3234//56/5656 | C | Sixth Song In the Last Act of Don Quixote (t) | SC-E | Pills 1, 1719-20 | 215-9 | VO |
//112/15-3-1-//114/3531//112/15-3-1-// | C/ | Steer the Guile (t) | MS-E | Vickers MS, 1770 | 28 | MI |
//1+1+2+/1+5//31/31//556/52// | 2/4 | Inconstante, L' (t) | DA-G | Gehra CD, 1780 | 3 | 2 VN, 2 GF, 2 FH, B |
//1+/1+2+//1+5/31//42/27- | 2/4 | Motm Grove, The(ed) (t) | AM-A | Shattuck MS, 1801 | 92 | MI |
//1+1+2+/1+531//4227-/1357//1+1+2+/1+531 // |
C/ | Bretys of the World (t) | AM-A | Treat MS, 1779 | 20r | FI/GF |
//112/15-//334/31//223/27- | 2/4 | Allemande (t) | IC-S | Aird 1, 1782 | 28 | FI/VN/GF |
//112/15-//334/31//223/27- | 2/4 | Allemande Francoise (t) | IC-S | Stewart Airs, 1788 | 3:162 | GF/VN/FI |
//112/15-//334/31//24/7-2 | 2/4 | Just In Time (t) | DA-E | Thompson CD-6.6, 1794 | 63 | MI |
//112/15-//334/31//556/543 | C/ | Prusian March (t) | IC-E | Holmes Hn Duets, 1763 | 1 | 2HN/GT/GF/VN |
//112/15-3-5-//111/12//3 | 2/4 | Dog and Gun (t) | AI-A | Instrum Asst, 1800 | 33 | 2VN/2GF/2CL/2OB,BVIOL |
//112/15-3-5-//111/12//3234/5 | C | Dog and Gun, The (t), or Segar (at) | AM-A | Huntington MS, 1817 | III.47 | FL/VN |
//112/15-3-5-//111/12//3234/5321 | C | Dog and Gun (t) | AM-A | Commonplace MS, 1811 | 3 | MI |
//112/15-3-5-//111/12//3234/5321// | C | Dog and Gun (t) | AM-A | White, G. MS, 1790 | 125 | 2 VN, B |
//112/15-3-5-//111/12//3234/5321 | C | Dog and Gun (t) | AI-A | Whiteley Prec, 1816 | 21 | CL,OB,FL,BS |
//112/15-3-5-//112/112//334/5321 | C | My Dog and My Gun (t) | AM-A | Cabot MS, 1784 | 17 | GF |
//1/1215-3-5-//112/112//33/45321 | My Dog & Gun (t) | AM-A | Dickinson MS, 1800 | 25 | CL/GF/OB | |
//112/15-3-5-//112/112//334/5321 | C | My Dog My Gun, and Mistress (t) | AM-A | Van Renssel. MS, 1782 | I,8 | VO,KB |
//112/15-3-5-//112/112//334/5321 | C | My Dog & My Gun (t) | AM-A | Van Renssel. MS, 1782 | II,3 | GT |
//112/15-3-5-//11/212//334/5321 | My Dog & My Gun (t) | AM-A | Shattuck MS, 1801 | 13 | MI | |
//112/15-3-5-//112/12//334/5321 | C | My Troop (t) | AM-A | Shattuck MS, 1801 | 17 | MI |
//1121/5-3-5-//112/12//3345/321// | C/ | Dog and Gun (t) | AM-A | White, G. MS, 1790 | 30 | VN |
//112/15-3-5-//112/124//334/7421 | C/ | My Dog & My Gun (t) | AM-A | Trumbull MS, 1801 | b:10v | MI |
//112/15-3-5-//117-12/112//334/5321 | C/ | My Dog and Gun. A Short Troop for the G. Parade (t) | AM-A | Brown, N. MS, 1781 | 45R | 2FI |
//11215-3-5-//117-12//112-//3345321 | 3/4 | Dog & Gun (t) | AM-A | Hosmer MS, 1798 | 55 | MI |
//112/15-3-5-//117-12/112//334/5321 | 3/4 | Dog and Gun (t) | AM-A | Pomeroy MS, 1790 | 5 | GF |
//112/15-3-5-//131/4321//1234/5432 | 2/4 | Demo. or Fedl Rage No Mater Which (t) | AM-A | Morse MS, 1811 | 28 | MI,B |
//112/15-5-//1232/1//232/26-6-// | 6/4 | Union, The (t) | IC-E | Apollo's Banquet 1-8, 1701 | 54-55 (34v-35r) | VN |
//11/21//5-/5-5-//11/23 | 2/4 | Jolly Drummer (t) | AM-A | Perkins MS, 1790 | 36 | MI |
//112/15-//5-5-12/3234//56 | C/ | Song with a Trumpet, A (t) | SS-E | SS, Folger-C42.1 | 180-181 | VO,KB |
//112/15-//6-/5-//112/15- | 2/4 | Marmotte, La (t) | IC-F | Bonjour Recueil, 1800 | 4:5 | VN/FL |
//112/15-6-7-//112332/112//3654/32112 | C/ | Gren. March V. Fischer (t) | MS-G | Darmstadt MS 1224 | 328,330 | 2MI |
//112/15-6-7-//112332/112//3654/32112 | C/ | Fischer (t) | MS-G | Darmstadt MS 1225 | 229 | MI |
//1/12//16-/46-//16-/46- | 2/4 | Lord Mc Donald's Reel (t) | AM-A | Van Schaack MS, 1820 | 1 | FI/FL |
//1//1//2//1//7-// | C/ | Miserere, 3 Parts (t) | MS-E | Fitzwilliam MS-2, 1609 | 442-445 | VI |
//112/17-//112/353//223/21 | 2/4 | Spirits of Ireland (t) | AM-A | Hooves MS, 1817 | 39 | FI |
//112/17-//112/353//223/21 | 2/4 | Spirits of Ireland (t) | AI-A | Robbins D&F, 1812 | 27 | FI |
//112/17-//11+/53//64/27-// | 2/4 | Quadrille Anglais. Contredanse (t) | DA-F | Bouin CD LC-3 , 1780 | 133 Feuille. 5. Vol | MI |
//11/217-1//2/17-6-5-//113/224 | 2/4 | Pas Redouble (t) | IC-F | Lefevre Marches, 1793 | 2CL,2FL,2HN,TR,2BS,SPT,BD,C | |
//11/217-1//22/3212//332/13// | 2/4 | Promenade. 69 (t) | AM-A | Johnson, F. MS, 1820 | 42-43 | PF |
//11/217-1//22/3212//33/5432 | 2/4 | Edmund Led In Blindfold (t) | AI-A | American Sheet Music | PF | |
//11/217-1//2/2//33/35 | 2/4 | Pas de Manoeuvre (t) | IC-F | French Sheet Music | 2FLP,2CL,TR,2HN | |
//11/217-1//2/242//7-6-5-/6-7-// | 2/4 | French Opera Dance (t) | AM-A | Duport MS-2, 1800 | 26v | VN |
//11/217-1//23/227-//5-5-/55 | 2/4 | Fowler, The (t), or Favorite Song, A (at) | AI-A | American SS-SM | 1-2 | KB,VO+GT |
//11/217-1//23/227-//5-5-/55 | 2/4 | Aria (t) | AM-A | Hiester MS-2, 1793 | 44 | KB |
//1121//7-12//334//321 | 3/4 | King's Anthem, The (t) | IC-S | Aird 3, 1788 | 200 | FI/GF/VN |
//1121//7-12//334//321//2 | 3/4 | God Save Great Washington (t) | AI-A | Evening Amuse, 1796 | 14 | GF/VN |
//1121//7-12//334//321//217- | 3/4 | God Save the King, with Variation (t) | AM-A | Aborn MS, 1790 | 57 | 2MI |
//1121//7-12//334//321//217- | 3/4 | God Save the King (t) | AI-A | Whiteley Prec, 1816 | 51 | CL,OB,FL,BS |
//1121//7-12//334//321//217-//1 | 3/4 | Battle of Prague, The. 6th Part (t) | AI-A | American SS-SM | 6 | PF/HA |
//1121//7-12//334//321//217-//1 | 2/4 | Battle of Prague, The. God Save the King (t) | AI-A | American SS-SM | 6 | PF |
//1121//7-12//334//321//217-//1 | 3/4 | Victory of Salamanca, The. Band (t) | AI-A | American Sheet Music | PF,VN | |
//1121//7-12//334//321//217-//1 | 3/4 | Battle of Prague, The. God Save the King (t) | AI-A | American Sheet Music | PF/HA,VN,B | |
//1121//7-12//334//321//217-//1 | 3/4 | His Majesty's Review. God Save the King (t) | AI-A | American Sheet Music | PF | |
//1121//7-12//334//321//217-//1 | 3/4 | Let That Stand There (t) | AI-A | Caladonian Muse, 1798 | 104 | VO/PF/VN |
//1121//7-12//334//321//217-//1 | 3/4 | Siege of Valenciennes, The. God Save the King (t) | IC-E | English Sheet Music | PF/HA,VN | |
//1121//7-12//334//321//217-//1 | 3/4 | His Majesty's Review. God Save the King (t) | IC-E | English Sheet Music | PF | |
//1121//7-12//334//321//217-//1 | 3/4 | God Save America (t) | AI-A | Glazier Clar, 1828 | 15 | CL |
//1121//7-12//334//321//217-//1// | 3/4 | God Save the King (t) | MS-C | Molyneaux MS-1, 1788 | 7 | GF |
//1121//7-12//334//321//217-//1 | 3/4 | Let That Stand There (t) | AI-A | Scots MM, 1797 | 104 | HA/PF |
//1121//7-12//334//321//217-//1// | 3/4 | Selection From the Battle of Prague, God Save the King (t) | AI-A | Willig Flute, 1795 | 18 | GF |
//1121//7-12//334//321//217-1//1 | 3/4 | God Save the King, with Vars (t) | IC-I | Logier Bugle, 1813 | 30 | BU |
//1121//7-12//334//321//234217-//1 | 3/4 | God Save the King (t) | IC-S | Calvert Coll, 1790 | 1 | V,VC/HA/PF |
//1121//7-12//3354//321//3217-//1 | 3/4 | Bataille de St Chaumont. God Save the King (t) | IC-N | Netherlands Sheet Music | PF | |
//11/217-1//2342/4321//4564/6543//2 | C | Beau and Monkey Coming from the Museum (t) | TW-E | Choice/Harleq, 1781 | 40 | HAF |
//1+1+2+1+71+2+//54323212//123234567//42 55656//55// |
C (3 ed) | Courant by Thomas Strengthfield (t) | MS-E | Rogers MS, 1656 | 77 | VI |
//11/217-1//2/5-5-5-//33/3212 | C | Nothing Else to Do (t) | AI-A | Herrick Preceptor, 1807 | 68 | MI,B |
//1/1217-1//32/2//3/56 | 2/4 | William the Brave (t) | AI-A | Riley Flute 4, 1826 | 3 | FL |
//11/217-//135/427-//165/432// | 6/8 | Hessian Granadier's March (t) | AM-A | Treat MS, 1779 | 3v | FI/GF |
//11/217-//15-1/313//56/54 | 6/8 | Mes Chers Enfans (t) | IC-F | Bonjour Recueil, 1800 | 4:2 | VN/FL |
//11/217-//15-3-/345//11/217- | 6/8 | Cure de Not'village, Le (t) | IC-F | Bonjour Recueil, 1800 | 3:7 | VN/FL |
//11//217-//15-3//432//31 | 3/4 | Favourite Song, A (t) | SC-E | Clio-3, 1762 | 148-149 | VO,HAF+GF |
//1/1217-//15-/3-5-//3/3432// | 2/4 | Quick March by Nye (t) | MS-C | Molyneaux MS-1, 1788 | 31 | GF |
//11/217-1//6-/2-323//11/17-24//43 | 2/4 | TW-E | Maid/Oaks, 1774 | 11-12 | KBF | |
//1/121//7-5-/1//7-1/27-5- | 6/4 | Lanstram Wake (t) | DA-E | Johnson CD-3, 1744 | 23 | VN/GF |
//1/121/7-6-5-//1/7-1/27-5- | 9/8 | Astrope Wells (t) | MS-E | Hammersley MS, 1790 | 61B | MI |
//1/121/7-6-5-//1/7-1/27-5- | 9/8 | Astrope Wells the New Way (t) | DA-E | Johnson CD-3, 1744 | 45 | VN/GF |
//1/121/7-6-5-//1/7-1/27-5- | 9/8 | Astrope Wells the New Way (t) | DA-E | Walsh CD-3.6, 1754 | 78 | VN/OB/GF |
//1//1/217-6-//5-1/7-2 | 2/4 | Strike the Cymbal (t) | AI-A | Riley Flute 2, 1817 | 2-3 | FL |
//112//17-6-5-2//17-6-5-2//17-6-5-3//445 //3321 |
3/4 | Minuetto (t) | AI-A | Webb Divs 2, 1828 | 5 | 2CL,CLS,2HN,2BS,2FL,FLP,TR, |
//112/17-6-5-4-3-2-1-//112/2432//112/17- 6-5-4-3-2-1- |
C/ | Miss Robertsons Reel (t) | MS-S | Gillespie MS, 1768 | 111 | VN |
//112-/17-6-5-4-3-2-1-//113/24345 | C | Stur the Guill (t) | DA-E | Rutherf CD-1, 1750 | 15 | VN/FL/OB,HAF |
//112/17-6-5-4-3-2-1-//113/24345//112 | C | Stur the Guill (t) | DA-E | Rutherf CD-2.2, 1760 | 58 | MI |
//1+1+2+1+76//543//443344556677//1+5351/ /15565432//7 |
3/4 | Minet (t) | MS-M | Garcia MS, 1772 | 80 [190] | MI |
//1+1+/2+1+76//55/535//44/5432 | C | Sheriden's Hornpipe (t) | AI-A | Balls Amus 1, 1815 | 34 | FL/FI/VN |
//1+1+/2+1+76//55/55//62+/1+767//1+ | C | Washington and Independence (t), or Favorite Patriotic Song, A (at) | AI-A | American SS-SM | 1-2 | KB,VO |
//11/217-6-//5-5-/5-6-7-//11/1234 | 2/4 | Pas de Manoevre (t) | IC-F | French Sheet Music | 2FLP,2CL,TR,2HN | |
//11217-6-5-5-6-117-11// | Official Branle, The (t) | DA-F | Arbeau Orchesography, 1589 | 173-174 | DR/MI | |
//11+2+1+//7655//6425-4//3211//1+2+3+3+/ /3+ |
3/4 | Minueto (t) | MS-M | Garcia MS, 1772 | 86 [202] | MI |
//1+1+/2+1+76//55/6543//21 | 2/4 | Our grotto was the sweetest place (fl) | TW-E | Inkle & Yarico, 1787 | 36-37 | VO,HAF |
//1/12//17-/6-5-//6-/16- | 2/4 | Erin Gobrah (t), or Exile of Erin, (at) | AM-A | Clark, I. MS, 1801 | 56 | FI/VN |
//112/17-6-5-//6-16-/6-5-3-1//5-5-3-/5-4 -1 |
Exile of Erin (t) | AM-A | Commonplace MS, 1811 | 20 | MI | |
//1/12//17-/6-5-//6-7-/12// | 2/4 | Allemand 6 (t) | DA-E | Fishar Minuets, 1785 | 23 | KB |
//112/17-//6-7-12/3217-//6-/3-5- | C/ | Whig & Tory (t) | AM-A | Dance Tunes MS, 1798 | 11 | FI/GF/OB |
//11/21//7-6-/7-5-//11/217-6-// | 2 | Coque Berte, La (t) | IC-F | Leclerc Recueil-1, 1729 | 48 | HAF |
//11/21//7-6-7-/5-5-//12/42 | 6/8 | Fennel Seed (t) | AM-A | Spicer MS, 1797 | 152-154 | VO |
//11217-6-7-5-6-6-5-117-1// | C/ | Clog Branle, The (t) | DA-F | Arbeau Orchesography, 1589 | 163-165 | DR/MI |
//1+1+2+/1+771+//6567/6531+//5432/135//6 77 |
C | Erin Go Bragh (t) | AM-A | Willis MS, 1795 | 52 | MI |
//1+1+2+/1+771+//6567/6536//5432/1235 | C | Sa Mhuir Ni Dilis Eilin Og (t) | IC-S | Aird 6, 1803 | 54 | FI/VN/GF |
//112/17-7-1//6-5-6-7-/6-5-3-6-//5-4-3-2 -/1-2-3-5- |
C | Exile of Erin (t) | AI-A | Firth Cl, 1832 | 28 | CL |
//112/17-7-1//6-5-6-7-/6-5-3-6-//5-4-3-2 -/1-2-3-5- |
C | Savournah Deelish (t) | AI-A | Riley Flute 1, 1814 | 13 | FL |
//1+1+2+/1+771+//6567/6536//5432/1235 | C | Erin Go Bragh (t) | AI-A | Riley Flute 3, 1820 | 79 | FL |
//1+1+2+/1+771+//6567/6536//5432/1235 | C/ | Oh the moment was sad when my love and I parted (fl) | TW-E | Surrender/Cal, 1792 | 10-11 | OB,BS,VO |
//112212//2317-5-5-//5-11131//7-5-7-2 | 3/4 | Appollo Turn'd Shepherd (t) | AM-A | Dickinson MS, 1800 | 81 | CL/GF/OB |
//11//2/212//3////11 | 2 | Marche des Pompes Funebres Pour les Grandes Ceremonies (t) | MS-F | Philidor MS, 1705 | 38 | 3OB,DR |
//112212//34321//34321//334434//5//56543 // |
3/4 | IC-E | Forest Harmony-1, 1733 | 7 | 2HN/GF/TR/VN | |
//1/12212//35/432117-//1 | C/ | Song, A (t) | SS-E | SS, Folger-C42.2 | 72 | TR,VO,B+FL |
//1/12212//35/432117-//1 | C/ | Song, A (t) | SS-E | SS, Folger-C42.3 | 250 | TR,VO,B,KB+FL |
/11//22/17-6-5-//53/3135//4342/17-6-5-// |
2/4 | Couronne, La. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 126 Feuille | MI |
//11/22//17-6-5-/5-6-7-//11/22 | 2/4 | Moderato (t) | IC-I | Logier Bugle, 1813 | 19 | BU |
//11/22//17-6-5-/5-6-7-//11/22//4 | 2/4 | Air by Pleyel (t) | AI-A | Elegant Exts, 1798 | 12 | GF/VN |
//1+1+/2+2+//2+1+76/3//654/34 | C | New Song, A (t) | AI-A | American Periodicals | VO,KB | |
//1/1//2/22//3/65 | C | Drive Hockee Thro' the Water (t) | DA-E | Johnson CD-3, 1744 | 76 | VN/GF |
//11/22//3111/116-7-1//22/33 | C | Portsmouth March (t) | AI-A | Herrick Preceptor, 1807 | 30 | 2MI,B |
//11/22//3111/15-//53/24 | C | Slow March Composed for the Lawyer's Corps (t) | IC-I | Irish Sheet Music | 1 | PF+GF |
//11/22//311/117-//6-42/7-54 | C | Siege & Surrender of Valenciennes, The. General March (t) | IC-S | Scottish Sheet Music | PF/HA | |
//11/22//31/11//22/33 | 2/4 | Exeter March (t) | AI-A | Herrick Preceptor, 1807 | 33 | 2MI,B |
//11/22//3/11//22/7-6-7- | 6/8 | Capt. Burnet of the 4th N. B. (t), or Dumfries-Shire Militia's Quick Step ( | IC-S | Finch Marches, 1805 | 5 | PF |
//11/22//3/11//6-6-/22// | 2/4 | Battle of N Orleans. No. 10 (t) | AM-A | Johnson, F. MS, 1820 | 6 | PF |
//11/22//3/12//33/22// | 6/8 | Pauvre Fille, La (t) | IC-F | Leclerc Recueil-2, 1737 | 127 | HAF |
//11/22//3131/4242//5321/4217-// | C/ | Merry Girls Country Dance, The (t) | DA-E | Fishar Minuets, 1785 | 17 | KB |
//11/22//313/27-2//17-1/7-5- | 6/4 | Song, A (t) | SC-E | Pills 5, 1719-20 | 304-5 | VO |
//11/22//31/42//31/7-1 | 2/4 | My Harp Alone (t) | AI-A | Blake Amus 1, 1824 | 6 | CL |
//11/22//31/5-//17-1/5-4- | 6/8 | Pilgrim, The (t) | AM-A | Hudson MS, 1772 | 2 | VN/FI |
//11/223//1/5-5-//15-13/2123// | 2/4 | Allemand 5 (t) | DA-E | Fishar Minuets, 1785 | 22 | KB |
//11/22//31/5-//6-7-1/5-4- | 6/8 | Pilgrim, The (t) | AI-A | Riley Flute 2, 1817 | 84 | FL |
//11/22//31/5-//6-7-1/5-4- | 6/8 | Once Formidable Sir Hugh, The (t) | SS-E | SS, Boston PL-1 | 116,1-2 | VO,HAF+GT |
//11/22//31/5-//6-7-1/5-4- | 6/8 | Pilgrim, The (t) | SS-E | SS, Boston PL-2 | 80 | VO,KBF+GF |
//11/22//31/5-//6-7-1/5-4- | 6/8 | AM-A | Williams, W. MS, 1775 | 17 | FI | |
//11/22//31/5-//6-7-1/5-4-//3-1- | 6/8 | Odds bobs! she's wond'rous pretty! (fl) | TW-E | Flitch/Bacon, 1778 | 42 | VO,2VN,HAF |
//11/22//31/5-//6-7-1/5-4-//3-1- | 6/8 | Mouses Nest, The (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//11/22//31+6/52//3531 | C | March 9 (t) | IC-E | Thompson March, 1770 | 4 | 2VN/2GF/2OB,2FH,BF |
//11/22//31+6/54//3631/2427- | C/ | Bellisle March, The (t) | MS-I | Regan MS, 1764 | 7 | MI |
//11//22//31/7-1//2123/2 | 2/4 | Clock of Lombardy, The. The Band Plays During the General Repast (t) | AI-A | American Sheet Music | PF | |
//11/22//317-6-/5-//6-5-4-/3-4-// | C | New Song, A (t) | AM-A | Brown, J. MS, 1782 | 1:47 | |
//1+1+/2+2+//3+1+76/5//654/34 | C | Song, A (t) | AM-A | Marchant MS, 1783 | 11 | VO,KB |
//11/22//3/2 | C/ | Playhouse Hubbub, The (t), or Favorite Catch, A (at) | SS-E | SS, Boston PL-2 | 85 | VO |
//11/22/321/22//345/43//21/1// | C/ | Almaine (t) | MS-E | Rogers MS, 1656 | 66 | VI |
//11/22//32/12//33/44 | 2/4 | Lafayette's March (t) | AI-A | American Sheet Music | 2 | PF |
//1122//3214//3321//7-6-5-5-//1122 | 3/4 | Oh! softly flow thou briny tide (fl) | TW-E | Pirates, 1792 | 87 | 3VO,KB |
//1122/3215-//3344/5434//51+1+76/5115 | C | Finale (t) | TW-E | Quaker, 1777 | 38-40 | 3VO,KBF |
//11/22//321/5//44/33 | 6/8 | Cotillion (t) | AI-A | Riley Flute 2, 1817 | 89 | FL |
//11/22//3/2//17-/6-2//5- | C/ | Playhouse Hubbub, The (t), or Favorite Catch, A (at) | SS-E | SS, Harvard | 1 | VO |
//11/22//32/17-//6-6-/22// | 2/4 | No. 1. 2d Quadrille (t) | AI-A | Andre Cotillions, 1812 | 6 | PF |
//11/22//32/17-//6-6-/22// | 2/4 | 6 (t) | AI-A | Andre Cots-1, 1812 | 5 | PF |
//11/22//32/17-//6-6-/22// | 2/4 | No. 1. 2d. Quadrille (t) | AI-A | Andre Cots-2, 1812 | 6 | PF |
//11/22//32/31//21/21 | 6/8 | Cadmus, The (t) | AI-A | American Sheet Music | PF | |
//11/22//32/31//21/21// | 6/8 | Cadmus, The. No. 6 (t) | AI-A | Johnson, F. Cotillions | 3 | PF |
//11/22//323/13//21/7-127-// | C/ | Galeries D'Amour, Les (t) | DA-F | Feuillet Recueil, 1706 | 39-44 | MI |
//11/22//323/13//21/7-127-// | C/ | Galeries Damour, Les (t) | MS-G | Jayme MS, 1717 | 5 | MI |
//11/22//323/13//21/7-127-// | C/ | Galeries D'Amour, Les (t) | IC-F | Leclerc Recueil-1, 1729 | 3 | HAF |
//11/22//3/232//11/33// | 6/8 | Chasse (t) | AM-E | Wheatstone Clarinet, 1801 | 61 | CL |
//11/22//323/23//21/7-127-// | C/ | Galleries D'Amour, Les Contre-Danse Angloise (t) | IC-F | Pointel Airs, 1700 | 7 | MI,B |
//11/22//323/41//143/12// | 6/8 | Crazy Jane (t) | AM-A | Irving MS, 1796 | 87 | 1 MI |
//11/22//3/23//43/21 | 2/4 | Poco Allegro (t) | IC-E | Longman Clar, 1780 | 19 | 2CL |
//11/22//3234/51//434/2 | C/ | Battle of the Nile, The (t) | AM-A | Dean MS, 1800 | I.111 | MI |
//11/22//3234/51//434/213 | C | Battle of the Nile, The (t) | AI-A | American Sheet Music | 2 | PF+FL |
//11/22//3234/51//434/213 | C/ | Valenciennes March (t) | AI-A | Bacon Clar, 1818 | 18 | CL |
//11/22//3234/5-1//434/213 | C/ | Valenciennes March (t) | AM-A | Beach MS, 1801 | 77 | 2MI,B |
//11/22//3234/51//434/213// | C/ | Valincennes March (t) | AM-A | Bevens MS, 1825 | 1v | FI |
//11/22//3234/51//434/213 | C/ | Valenciennes March (t) | AI-A | Klemm Clar, 1825 | 18 | CL |
//11/22//3234/51//434/213 | C/ | Valeciennes March (t) | AI-A | Martial Music, 1807 | 20 | 2CL/2OB,BS |
//11/22//3234/51//434/213 | C | Battle of the Nile (t) | AI-A | Paff Amus 1, 1812 | 1 | FL/VN |
//11/22//3234/51//434/213 | C/ | Battle of the Nile, The (t) | AI-A | Shaw Gentlemen, 1807 | 34 | 2CL/VN, FL,BS/VC |
//11/22//3234/51//434/27-1 | C | Battle of the Nile (t) | IC-E | Balls Amus 3, 1815 | 7 | FL/VN |
//11/22//3234/51//434/27-1 | C | Battle of the Nile (t) | IC-E | Balls Amus 3, 1830 | 7 | FL/VN |
//11/22//3234/51//434/27-1 | C | Battle of the Nile, The (t) | AI-A | Riley Flute 2, 1817 | 35 | FL |
//11/22//3234/51//44/33 | 2/4 | Quick Step (t) | AM-A | Beach MS, 1801 | 56 | MI |
//11/22//3234/51//44/33 | 2/4 | Pas de Manoeuvre (t) | IC-F | French Sheet Music | 2FLP,2CL,TR,2HN | |
//11/22//3234/53//43 | C | Battle of the Nile, The (t), or Britannia Rules the Waves, (at) | SS-E | SS, Harvard | 1-2 | VO,KB |
//11/22//32/34//54/32 | 6/8 | Bataille de Jena. Fanfare (t) | AI-A | American Sheet Music | PF | |
//11/22//3234/55//11/22// | 2/4 | Coradin, La (t) | AI-A | Hewitt Cots-1, 1803 | 3 | PF |
//1122/32//4321/217-6-5-5-//1122/32// | C | Renard, Le (t) | DA-E | Straight & Skillern CD, 1775 | 97 | VN/GF/OB |
//1/1//2/2//3/3 | 2/4 | French Air (t) | AI-A | Ashton Clar, 1825 | 17 | CL |
//1/1//2/2//3/3 | 2/4 | French Air (t) | AI-A | Firth Cl, 1832 | 17 | CL |
//11/22/3/3//11/7-1//2 | 2/4 | Tracazierra, La (t) | MS-M | Garcia MS, 1772 | 23 | MI |
//11/22//33/123//44/33// | 2/4 | Federation, The (t) | AM-A | Duport MS-2, 1800 | 8v | VN |
/11//22/33//123/44//33/2342// | 2/4 | Federation, The. Third Sett (t) | AI-A | Blake Cots, 1804 | 14 | PF/VN/GF |
/11//22/33//123/44//43/2342// | 2/4 | Federation, The (t) | AM-A | Roth MS, 1790 | 66 | KB |
//11/22//3/31//32/34// | C/ | Now Is the Month of Maying (t) | IC-E | Playford Skill, 1674 | 64 | 2VO |
//11/22//3/3//22/33 | 2/4 | Allegro (t) | IC-E | Brooks Pieces, 1796 | 2 | 2CL,2HN,BS |
//11/22//33/22//35/543 | 6/8 | Moderato (t) | IC-E | Wragg Oboe, 1792 | 64 | 2OB |
//11/22//3/32//32/34 | C | Come Now for Jest & Smiling (t) | IC-S | Aird 3, 1788 | 191 | FI/GF/VN |
//11/22//3/32//32/34 | C | Allegro (t) | IC-S | Sime Marches, 1789 | 24 | HA/PF |
//11/22//3/32//32/34//5 | C | Finale (t) | TW-E | Duenna, 1775 | 58 | VO,HAF |
//11/22//333/312//31/42 | C | Russian March (t) | IC-S | Aird 4, 1796 | 36 | FI/GF/VN |
//11223//33445//5651+6 | 3/4 | Minuet by Mr Blank (t) | AM-A | Hawkins MS, 1794 | II,25 | GF |
//11/22//33/34//565/434 | 6/8 | French Girl, The (t) | AM-A | Dean MS, 1800 | I.28 | MI |
//11/22//33/43217-6-//5-3-4-5-6-7-/17-13 21// |
C | Princeton Grand March, The (t) | AI-A | Johnson, F. Sheet Music | 1-2 | PF |
//11/22//33/44//543/432 | 6/8 | Who's Afraid (t) | AI-A | Fifer's Comp, 1805 | 23 | 2FI |
//11/22//33/44//543/432 | 6/8 | Who's Afraid (t) | IC-S | Stewart Airs, 1788 | 2:96 | GF/VN/FI |
//11/22//33/44//543/432 | 6/8 | Who's Afraid (t) | DA-E | Thompson CD-4, 1780 | 69 | VN/GF/OB |
//11/22//33/44//543/432// | 6/8 | Who's Afraid (t) | DA-E | Thompson CD-4a, 1780 | 71 | VN/GF/OB |
//11/22//33/44//543/432//1 | 6/8 | Who's Afraid (t) | AI-A | Norman CD, 1799 | 24 | MI |
//11/22//33/44//552/442 | 2/4 | Pas Redouble (t) | IC-F | Lefevre Marches, 1793 | 2CL,2FL,2HN,TR,2BS,SPT,BD,C | |
//11/22//3/345//543/231// | 2/4 | Rebencia Ing[lesi]a, La (t) | MS-M | Garcia MS, 1772 | 76 | MI |
//11/22//3432/11//4 | 2/4 | Duetto by Mozart (t) | AI-A | Gent's Amus, 1794 | 74 | 2GF/2VN |
//11/22//34/32//1+/22 | C/ | Timber Toe (t) | DA-E | Skillern CD, 1780 | 30 | VN/GF/OB |
//11/22//3432/123//44/33 | 2/4 | Enfant Cheri (t) | IC-F | Bonjour Recueil, 1800 | 2:2 | VN/FL |
//11/22//3432/123//44//33//2 | 2/4 | My rising spirits thronging in sportive brisk array (fl) | TW-E | Pirates, 1792 | 72-73 | VO,KB |
//11/22//3/4321//7-7-/11 | 2/4 | Holms' March (t) | AI-A | Herrick Preceptor, 1807 | 17 | 2MI,B |
//11/22//34/322//31/17-// | 6/8 | Triumph of Wine, The (t) | AM-A | Irving MS, 1796 | 86 | 1 MI |
//11/22//343/234//565/565// | 6/8 | Miss Mc.Farlane's High Dance (t) | AI-A | Hewitt Fashionable, 1807 | 8 | PF |
/11//22/343//25-/11//22/ | 6/4 | Conty, La. Dance Francoise (t), or Venitienne, La (at) | IC-F | Pointel Airs, 1700 | 35 | MI,B |
//1+1/2234//3/5//1+1/2234//3/4 | 6/8 | When real joys we miss (fl) | TW-E | Artaxerxes, 1762 | 28-29 | VO,HA |
//11/2234//3/66//22 | C/ | Oh! What Charms to Us Belong (t) | SC-E | Vocal Music, 1775 | 224-225 | VO/VN/GF |
//11/22//3453/11217-//6-4543/21 | C | March Composed for the Loyal Essex Regiment of Fencible Infantry, A (t) | IC-E | English Sheet Music | 4 | 2CL,2OB/GF,2HN/ |
//11/22//34/531//6-6-/43 | 6/8 | Linnen Hall (t) | IC-S | Aird 2, 1785 | 46 | FI/VN/GF |
//11/22//34/531//6-6-/43 | 6/8 | Lilling Hall (t) | DA-E | Bride CD, 1776 | III,13 | VN/OB/GF |
//11/22//34/531//6-6-/43// | 6/8 | Linnen Hall (t) | MS-S | Fife MS, 1780 | 674,73r | 1FI OR 2FI/VN |
//11/22//34/531//6-6-/43 | 6/8 | Lilling Hall (t) | DA-E | Longman CD, 1781 | 93 | VN/OB/GF |
//11/22//34/531//6-6-/43// | 6/8 | Linen Hall, The (t) | MS-C | Molyneaux MS-1, 1788 | 52 | GF |
//11/22//34/531//6-6-/43 | 6/8 | Linnen Hall (t) | DA-E | Thompson CD-4, 1780 | 77 | VN/GF/OB |
//11/22//34/531//6-6-/43// | 6/8 | Linnen Hall (t) | DA-E | Thompson CD-4a, 1780 | 76 | VN/GF/OB |
//11/22//34/53//43/21// | C/ | Nouvelle Figure, La (t) | DA-F | Feuillet Recueil, 1706 | 184-190 | MI |
//11/22//34/53//43/21// | 2 | Nouvelle Fig, La (t) | MS-G | Jayme MS, 1717 | 17 | MI |
//11/22//34/53//43/21// | C/ | Nouvel Figure, La (t) | IC-F | Leclerc Recueil-1, 1729 | 12 | HAF |
//1122/3453//4321/15-//1 | C/ | New Vegarie, The (t) | PL-E | Playford 1-04, 1670 | 139 | VN |
//1122/3453//4321/15-//1 | C/ | New Vagary, The (t) | PL-E | Playford 1-06, 1679 | 139 | VN |
//1122/3453//4321/15-//11 | C/ | New Vagary, The (t) | PL-E | Playford 1-07, 1686 | 139 | VN |
//1122/3453//4321/15-//1122 | C/ | New Fagary, The (t) | PL-E | Playford 1-11, 1701 | I,62 | VN |
//1122/3453//4321/15-//1122 | C/ | New Fagary, The (t) | PL-E | Playford 1-17, 1721 | 62 | VN |
//1122/3453//4321/15-//1122 | C/ | New Fagary, The (t) | PL-E | Playford 1-18, 1728 | 62 | VN |
//1122/3453//4321/15-//1122/3 | C/ | New Fagary, The (t) | PL-E | Playford 1-14, 1709 | 62 | VN |
//1122/3453//4321/15-//1122/3 | C/ | New Fagary, The (t) | PL-E | Playford 1-15, 1713 | 62 | VN |
//1122/3453//4321/15-//1122/3 | C/ | New Fagary, The (t) | PL-E | Playford 1-16, 1716 | 62 | VN |
//1122/3453//4321/15-//1122/3453// | C/ | New Vagary, The (t), or Lady Caseltons Delight, The (at) | IC-E | Apollo's Banquet 1-1, 1670 | 137 | VN |
//1122/3453//4321/15-//1122/3453 | C/ | New Vagarie, The (t) | PL-E | Playford 1-05, 1675 | 139 | VN |
//1122/3453//4321/15-//1122/3453 | C/ | #47 (t), or New Figgary, The (at) | PL-E | Playford 1-3b, 1665 | II,49 | VN |
//1122/3453//4321/15-//1122/3453// | C/ | Te Nuw Vegarie Contre-Danse Angloise (t) | IC-F | Pointel Airs, 1700 | 1 | MI,B |
//1122/3453//4321/15-//1122/3453 | C/ | New Fagary, The (t) | DA-E | Walsh CD-1.1, 1718 | 75 | VN/OB/FL |
//1122/3453//4321/35-//11 | C/ | New Fagary, The (t) | PL-E | Playford 1-09, 1698 | II,40 | VN/FL |
//11/22/3454/353//11/2342// | 2/4 | Domino, Le (t) | DA-G | Gehra CD, 1780 | 6 | 2 VN, 2 GF, 2 FH, B |
//11/22//34/55//44/33 | 2/4 | Air from Figaro (t) | IC-S | Pandean Coll 2, 1810 | 5-6 | PF |
//11/22//34/55//54/43 | 2/4 | Harmonie. Rondo (t) | IC-E | English Sheet Music | 2CL,2OB,(2HN),2 | |
//11/22//351+7/6543//44/33 | 2/4 | Jardiniere, La (t) | AI-A | Riley Flute 2, 1817 | 57 | FL |
//11/22//35/223//1/5- | 2/4 | Oh Pescator Dell Onda (t) | AI-A | Riley Flute 3, 1820 | 55 | FL |
//11/22//35/223//1/5- | 2/4 | O Pescator Del Onda (t) | AI-A | Riley Flute 4, 1826 | 29 | FL |
//11/22//353/135//44/33// | 2/4 | Captain Sargents (Light Infantry Company's) Quick March (t), or Light Infan | AI-A | Gentlemen's PC, 1802 | 11 | 2GF |
//11/22/3532/11//5-3-/5-3-5-3- | C/ | Robin & Rachel (t) | DA-E | Walsh NCDM-3, 1728 | 53 | VN/OB/FL |
//11/22//353/212//321/16-5- | 6/8 | Bonnie Doon (t) | AM-A | Beach MS, 1801 | 138 | KB |
//11/22//353/212//321/16-5- | 6/8 | Bonny Doon (t) | AI-A | Blake Amus 2, 1824 | 19 | CL |
//11/22//353/212//321/16-5- | 6/8 | Bonnie Doon (t) | AM-A | Canfield MS, 1823 | 78 | FL |
//11/22//353/212//321/16-5- | 6/8 | Bonnie Doon (t) | AM-A | Clark, I. MS, 1801 | 55 | FI/VN |
//11/22//353/212//321/16-5- | 6/8 | Bonny Doon (t) | AM-A | Gaylord MS, 1816 | 19v | MI,B |
//11/22//353/212//321/16-5- | 6/8 | Banks O' Doon, The (t) | SC-S | Scots MM-4, 1792 | 387 | VO,PF |
//11/22//3542//11/17-13 | 2/4 | Gosselina, La (t) | AI-A | Riley Flute 1, 1814 | 26 | FL |
//112/23//556/53//44/27- | 2/4 | Allegro (t) | AM-A | Williams, J. MS, 1799 | 59 | 2CL |
//11/22//4323/11//3212/7-5- | 2/4 | Allegro Scherzando (t) | IC-S | Pandean Coll 2, 1810 | 24 | PF |
//11/22//53/1117-//6- | C/ | Federal Overture-Tune 2 (t), or Marselles March (at) | AI-A | Gent's Amus, 1794 | 42 | 2GF |
//11/22//53/1117-//6- | C/ | Medley Duetto (t), or Federal Overture, Tune 2 (at) | AI-A | Gent's Amus, 1795 | 42 | 2GF |
//11/22//53/1117-//6- | C | Marseilles March (t) | AI-A | Military Amus, 1796 | 11 | 2GF/2VN/2FI/2OB |
//11/22//53/1117-//6-427- | C/ | Merseills March (t) | AM-A | Allen, Joel, MS, 1800 | 9V | MI |
//11/22//53/1117-//6-427- | C | Marseilles March, The (t) | IC-E | Andrews Fife, 1808 | 26 | FI/GF |
//11/22//53/1117-//6-427- | C | Marseilles March (t) | AM-A | Canfield MS, 1823 | 49 | FL |
//11/22//53/1117-//6-427- | C/ | Hymn des Marseillois, L' (t) | MS-C | Frobisher MS, 1793 | 28-30 | VO,HA |
//11/22//53/1117-//6-427- | C/ | Marseilles Hymn, The (t) | AM-A | Hosmer MS, 1799 | 11 | VO |
//11/22//53/1117-//6-4/27-// | C/ | Marseillois March (t) | AM-A | Litten MS, 1800 | 9 (37) | VN |
//11/22//53/1117-//6-427- | C | Marseilles Hymn (t) | AM-A | Murphey MS, 1790 | 11 | MI |
//11/22//53/1117-//6-427- | C/ | Marshall de War, The (t) | MS-E | Russell MS, 1812 | 14-15 | FI |
//11/22//53/1117-//6-4/27-// | C | Marseilles March (t) | AM-E | Wheatstone Clarinet, 1801 | 73 | 2CL |
//11/22//53/1117-//6-427- | C/ | Ye sons of France awake to glory (fl) | AM-A | Williams, S. MS, 1795 | 96 | VO,KB |
//11/22//53/1117-//6-427-//1 | C/ | Marseilles Hymn, The (t), or Marche des Marseillois (at) | AI-A | American SS-SM | 1-3 | VO,KB |
//11/22//53/1117-//6-427-//1 | C/ | Marseilles Hymn, The (t), or Marche des Marseillois (at) | AI-A | American SS-SM | 1-3 | KB,VO |
//11/22//53/1117-//6-427-//1 | C/ | Marseilles Hymn, The (t) | AI-A | American Sheet Music | 2 | PF |
//11/22//53/1117-//6-427-//1 | FUS | Marche des Marseillois (t) | AI-A | American Sheet Music | VO | |
//11/22//53/1117-//6-427-//1 | C | Marseille's March (t) | AI-A | Balls Amus 2, 1815 | 28 | FL/FI/VN |
//11/22//53/1117-//6-427-//1 | C/ | Marseillois March and Hymn, The (t) | AM-A | Beach MS, 1801 | 91 | MI |
//11/22//53/1117-//6-427-//1 | C | Marseilles Hymn, The (t) | AM-A | Beach MS, 1801 | 106-7 | KB |
//11/22//53/1117-//6-427-//1/ | C | Marseilles March (t) | IC-E | Cahusac Flute, 1798 | 28 | FL |
//11/22//53/1117-//6-427-//1 | C | Marseilles Hymn (t) | AM-A | Curtiss MS, 1800 | 4 | 2VN |
//11/22//53/1117-//6-427-//1 | C | Marseilles Hymn, The (t) | AI-A | Evening Amuse, 1796 | 22 | GF/VN |
//11/22//53/1117-//6-427-//1 | C | Marseillois Hymn (t) | AI-A | Glazier Clar, 1828 | 16 | 2CL |
//11/22//53/1117-//6-427-//1 | C | Marseilles' Grand March (t) | AI-A | Merrimack Coll, 1833 | 93 | 2MI,B |
//11/22//53/1117-//6-427-//1 | Marseilles March (t) | AM-A | Williams, J. MS, 1799 | 45-46 | 2CL | |
//11/22//53/1117-//6-427-//1/ | C | Marseillois March (t) | IC-E | Wilson Fife, 1805 | 37 | FI |
//11/22//53/1117-//6-427-//112// | C | Marseilles Hymn (t) | AM-A | Washburn MS, 1816 | 12 | GF |
//11/22//53/1131//6-427- | C | Hymne de Marseillois (t) | AM-A | Allen, W. MS, 1790 | 141 | MI,B |
//11/22//53/1131//6-4/27-// | C/ | Marseillois March (t) | AM-A | Irving MS, 1796 | 12-13 | 2 MI |
//11/22//53/1131//6-427-//1 | C/ | Battle of Gemmappe, The. Marseioise, The (t), or Sonata, A (at) | AI-A | American SS-SM | 2-3 | PF ; PF |
//11/22//53/1131//6-427-//1 | 2 | Marche des Marseillois (t) | IC-F | Bonjour Recueil, 1800 | 1:4 | VN/FL |
//11/22//53/117-//6-427- | C | Marche des Marsiellois (t) | IC-S | Aird 4, 1796 | 2 | FI/GF/VN |
//11/22/53/117-//6-427-//1 | C | Marche des Marseillois (t) | IC-S | Watlen Marches, 1798 | 10-11 | PF+GT/FL |
//11/22//53/117-//6-44/27- | C | Ye Sons of Freedom Wake to Glory (t), or Marsellois Hymn (at) | AI-A | Riley Flute 3, 1820 | 36 | FL |
//11/22//53/15-//6-6-6-/217-6- | C/ | Lord Cornwallis's March (t) | AM-A | Curtiss MS, 1800 | 32 | 2VN |
//11/22//53/15-//6-7-/217-6- | C | Lord Cornwallis's March (t) | IC-S | Aird 6, 1803 | 61 | FI/VN/GF |
//11/22//53/15-//6-7-/217-6- | C | Lord Cornwallis's March (t) | AI-A | Balls Amus 1, 1815 | 9 | FL/FI/VN |
//11/22//53/15-//6-7-/217-6- | C | Two Favorite New Marches. Lord Cornwallis's (t), or Lord Cornwallis's March | IC-E | English Sheet Music | 2 | PF+GF |
//11/22//53/15-//6-7-/217-6-// | Lord Cornwalliss March (t) | AM-A | Litten MS, 1800 | 21 (37) | VN | |
//11/22//53/31+//1 | C | Ye silly loon (fl) | TW-E | Siege/Gibraltar, 1780 | 16 | VO,OB,BS |
//1/1//2/2//54 | 2/4 | Favorite Song, A (t) | SS-E | SS, Boston PL-1 | 186,1-3 | VO,HA |
//1/1//2/2//54 | 2/4 | Favorite Song, A (t) | SS-E | SS, Huntington-2 | 133,1-3 | VO,KB |
//11/22//54/3217-//6-65/4321 | C/ | Hail! la Fayette! (t), or Marsellois Hymn (at) | AI-A | American Sheet Music | VO,KB | |
//11/22//54/35-//6-7-/217-6- | C | Lord Cornwallis March (t) | AI-A | Dubois Clar, 1818 | 11 | CL |
//11/22//54/35-//6-7-/217-6- | C | Lord Cornwallis's March (t) | AI-A | Fifer's Comp, 1805 | 62 | 2FI |
//11/22//54/35-//6-7-/217-6- | C | Lord Cornwallace's March (t) | AI-A | Martial Music, 1807 | 36 | 2CL/2OB,BS |
//11/22//5654/3432//11/22 | 2/4 | Black Dance (t) | AM-A | Shattuck MS, 1801 | 93 | MI |
//11/22//5654/3434//11/22 | 2/4 | Black Dance (t) | AM-A | Kingsley MS, 1795 | I,14 | MI |
//11/22//5654/3453//11/22 | 2/4 | Black Dance (t) | AI-A | Riley Flute 2, 1817 | 80 | FL |
//11/22//6-2/17-//12/36 | 2/4 | Mrs. Coleman's Delight (t) | DA-E | Thompson CD-6.7, 1795 | 78 | MI |
//11/22//7-/1//223/4321 | 2/4 | Silver Miners. Thema by Gyrowets (t) | IC-S | Pandean Coll 1, 1810 | 28-29 | PF |
//11//22/7-1//24//31/11 | C/ | Fryar and the Nun, The (t) | PL-E | Playford 1-01, 1651 | 84 | VN |
//112/27-5-7-//113/51+53//17-12/27-5-1// |
C | Lucky Hit, The. Country Dance (t) | AI-A | Francis's Ballroom, 1798 | 13 | KB |
//11/22//7-6-5-/5-6-7-//11/22// | 2/4 | Rondo (t) | AM-A | Irving MS, 1796 | 27 | 2 MI |
//11/22//7-7-/1//33/44 | 6/8 | Cotillon (t) | IC-S | Stewart Airs, 1788 | 1:30-31 | GF/VN/FI |
//1123//111//4654//22//4565// | C 3-1 | Phil Porter's Lamentation (t) | MS-E | Rogers MS, 1656 | 92 | VI |
//1123//1115-//1123 | Yankee Doodle (t) | AM-A | Eells MS, 1789 | 119 | MI | |
//11/23//11/17-//6-6-/7-5- | 6/8 | Petite Fillette, Une (t) | IC-F | Bonjour Recueil, 1800 | 1:3 | VN/FL |
//112/311//222345/6223//4564/3453 | C | Foot's Vagaries (t) | DA-E | Johnson CD-5, 1750 | 42 | VN/GF |
//112/311//222345/6223//4564/3453 | C | Foot's Vagaries (t) | MS-E | Rainstorp MS, 1747 | 31 | MI |
//1/12//31/1//2/23 | 2/4 | Foots Vigaries (t), or Green Grows the Rushes (at) | AM-A | Aborn MS, 1790 | 75 | MI |
//1/12//31/1//2/23 | 2/4 | Green Grow the Rushes O (t) | AM-A | Beach MS, 1801 | 21 | MI |
//1/12//31/1//2/23 | 2/4 | Green Grows the Rushes O (t) | AI-A | Riley Flute 1, 1814 | 50 | FL |
//112/311//223/4223//4564/3453 | Green Grows the Rushes (t) | MS-E | Hammersley MS, 1790 | 80B | MI | |
//112/311//223/422//4564/3453 | C | Green Grow the Rushes, Oh! (t) | AM-A | Commonplace MS, 1811 | 27 | MI |
//1123//1123//111+76//655654//4331+76//6 55654 |
C | Surrender of Toulon, The. The Storm (t) | IC-S | Scottish Sheet Music | PF/HA | |
//11/23//11/23//11/43//217-6- | 2/4 | Hewitt Sonata-1. Rondo (t) | AI-A | Hewitt Sonatas, 1795 | 4-5 | PF |
//1123/1123//1235/43423//1123/1123// | C | IC-E | Forest Harmony-1, 1733 | 4 | 2HN/GF/TR/VN | |
//11+2+3+/11+2+3+//2+1+2+3+/65//671+6/53 1+6 |
C | Do or I Die (t) | DA-E | Johnson CD-7, 1756 | 30 | VN/GF |
//1123//1123//27-5-5-7-5- | 6/8 | New Riged Ship, The (t) | AM-A | Murphey MS, 1790 | 26 | MI |
//11/23//11/23//424/313// | 2/4 | Pigeons Trott, The (t) | MS-C | Molyneaux MS-2, 1788 | 71 | 1 OR 2 GF |
//11/23//11/25-//11/23 | 2/4 | Yankey Doodle (t) | AM-A | Huntington MS, 1817 | III.30 | FL/VN |
//11/23//11/27-//11/23 | 2/4 | Yanky Doodle (t) | IC-S | Aird 1, 1782 | 36 | FI/VN/GF |
//11/23//11/27-//11/23//1/7-// | 2/4 | Yankey Dudle with Variations (t) | MS-S | Fife MS, 1780 | 905,96v | 1FI OR 2FI/VN |
//112/3113//223/4223//4564/3433 | C/ | Green Grows the Rushes O (t) | AM-A | Turner MS, 1788 | I,25 | VN |
//112/3113//223/4223//4564/3453// | C/ | Green Grows the Rushes O (t) | MS-S | Fife MS, 1780 | 632,68r | 1FI OR 2FI/VN |
//112/3113//223/4223//4564/3453// | C/ | Green Grow the Rushes (t) | AM-A | Hoff MS, 1797 | No. 182 | GF |
//112/3113//223/4223//4564/3453 | C | Green Grows the Rushes (t) | AI-A | Steele Fife, 1815 | 24 | FI |
//112/3113//2323/4224//4564/3453 | C | Green Grows the Rushes (t) | AM-A | Murphey MS, 1790 | 7 | MI |
//11/23//113/27-//11/23//1/17- | 2/4 | Yankee Doodle (t) | AM-A | Belknap MS, 1784 | 44R | MI |
//1/12//31+/1//3-/3- | 2/4 | Sailor Boy Capering Ashore, The (t) | AI-A | Elegant Exts, 1794 | 20-21 | GF/VN/VO |
//1/12//31/1//3-/3-4- | 2/4 | Sailor Boy, The (t), or Favorite Sea Song, A (at) | AI-A | American SS-SM | 1-2 | VO,KB |
//1/12//31/1//3-/3-4-//5-3-1- | 2/4 | Song 52 (t), or Sailor Boy Capering Ashore, The (at) | AI-A | American MM, 1798 | 135-136 | VO |
//1123//1135//432//12//3323//4434 | 3/4 | Zapffenstreich (t) | MS-G | Darmstadt MS 1224 | 314 | MI |
//1123//1135//432//12//3323//4434 | 3/4 | Zapffenst. No 38. V. Mayntz der Alte (t) | MS-G | Darmstadt MS 1225 | 309-10 | 2MI |
//112/3113//6-6-7-/5-3-3-5-//112/3113 | C/ | Whim, The (t) | DA-E | Thompson CD-3, 1773 | 91 | VN/GF/OB |
//112/3113//6-6-7-/5-3-3-5-//112/3113// | C/ | Whim, The (t) | DA-E | Thompson CD-3a, 1773 | 92 | VN/GF/OB |
//11/2311//4-4-3-4-/5-3-1-//117-1/27-5-/ / |
6/8 | Hottentots Troop. A Quick Step (t) | MS-S | Fife MS, 1780 | 395,41r | 1FI OR 2FI/VN |
//112311//4465322//3453456563//454312311 // |
3 | Porters Lamentation (t) | PL-E | Playford 1-03a, 1657 | II,47 | VN |
//1/12//3/11//6-7-/12//7-5- | C/ | Three Glorious Things (t) | SC-E | Pills 4, 1719-20 | 127-9 | VO |
//11/23//11/7-5-//11/23 | 2/4 | Yankee Doodle, An Original American Air (t) | AI-A | American SS-SM | 1-4 | PF |
//11/23//11/7-5-//11/23 | 2 | Yankee Doodle (t) | AI-A | American SS-SM | 2 | VO,KB |
//11/23//11/7-5-//11/23 | 2/4 | Yanky Doodle (t) | AI-A | American Sheet Music | KB | |
//11/23//11/7-5-//11/23 | 2/4 | Yankee Doodle (t) | AI-A | American Sheet Music | PF | |
//11/23//11/7-5-//11/23 | 2/4 | Yanke Doode (t) | AM-A | Bellamy MS, 1799 | 49 | MI |
//11/23//11/7-5-//11/23 | 2/4 | Yankee Doodle (t) | AI-A | Blake Amus 2, 1824 | 22 | CL |
//11/23//11/7-5-//11/23 | 2/4 | Yankee Doodle (t) | AI-A | Camp Dupont, 1816 | 8 | 2GF/FI/VN,PF |
//11/2+3+//11/7-5//11/2+3+ | 2/4 | Return of Ulysses (t) | IC-E | Preston Bassoon, 1790 | 17 | BS |
//11/23//11/7-5-//11/23 | C | Air 4, Act Ii (t) | TW-E | Two To One, 1784 | 26 | VO,HA |
//1123/117-5-//1123/17-//1123/4321 | C | American Ballad, The (t) | TW-E | Enchanted Cas, 1787 | 13 | VO,KB |
//1123//117-//6-4321//7- | 3/4 | Song 156 (t) | SC-E | Convivial, 1782 | 310-312 | VO |
//1123//117-//6-4321//7-7-1//2 | 3 | Song, A (t) | SC-E | Pills 3, 1719-20 | 303-6 | VO |
//11+2+3+1+/1+765//471+2+1+/7654 | C | Quartetto (t) | TW-E | Shipwreck, 1796 | 17-21 | VN,4VO,PF |
//11/231//21/33//3/6-6-5- | 3/2 | Air 9 (t) | BA-E | Jovial Crew, 1731 | 11 | VO |
//112/31/2//16-2/7-5-//1 | 3/2 | Young Strephon (t) | PL-E | Playford 2-1, 1713 | 108 | VN/OB |
//112/31/2//16-2/7-5-//1 | 3/2 | Young Strephon (t) | PL-E | Playford 2-2, 1714 | 108 | VN/OB |
//112/31/2//16-2/7-5-//1 | 3/2 | Young Strephon (t) | DA-E | Walsh NCDM-2, 1710 | 116 | VN/OB/FL |
//112/31/2//16-2/7-5-//112 | 3/2 | Young Strephon (t) | PL-E | Playford 2-3, 1718 | 108 | VN |
//112/31/2//16-2/7-5-//112 | 3/2 | Young Strephon (t) | PL-E | Playford 2-4, 1728 | 108 | VN |
//112312//16-27-5-//112312//5-15-3-1- | 3/2 | Young Strephon (t) | DA-E | Walsh CD-1.2, 1719 | 127 | VN/OB |
//112/31//223/42//3531/2427- | 2/4 | MS-E | Brown, W. MS, 1797 | 4 | MI | |
//11231/22342//3/6//5564/3342 | C | March 5 (t) | IC-I | Elfort Marches, 1785 | 9 | KB+GF |
//112/31//223/42//5654/3432// | C/ | Slow March, A (t) | MS-S | Fife MS, 1780 | 121v | 1FI OR 2FI/VN |
//11231//22342//7-7-127-//12315-//11231/ /22342// |
3/8 | Farewell Waltz-Made at Northfork In 1825 - No.59 (t) | AM-A | Duport MS-1, 1780 | 58 | VN |
//11231//22342//7-7-127-//12315-//11231/ /22342// |
3/8 | Duport's Farewell In 1825, Waltz (t) | AM-A | Duport MS-2, 1800 | 29r | VN |
//11231//22342//7-7-127-//12315-//11231/ /22342// |
3/8 | Duport Last Waltz at Doctr Dabney (t) | AM-A | Duport MS-3, 1825 | 31 | KB |
//112/312//34/3//443/221// | 2/4 | Giorget, La. 3d. Set (t) | AI-A | Cotillion Party, 1818 | 16 | VN/GF/ PF |
//112//312//35-//6-5-6-//111+ | 3/4 | Oh Ono Chrio (t) | SC-S | Scots MM-1, 1787 | 90 | VO,PF |
//1/1231//2/5-5//321/2 | C/ | Duke of Gloucester's March, The (t) | PL-E | Playford 1-15, 1713 | 254 | VN |
//1/1231//2/5-5//321/2 | C/ | Duke of Gloucester's March, The (t) | PL-E | Playford 1-16, 1716 | 254 | VN |
//1/1231//2/5-5//321/217- | C/ | Duke of Gloucester's March, The (t) | PL-E | Playford 1-11, 1701 | I,254 | VN |
//1/1231//2/5-5//321/217- | C/ | Duke of Gloucester's March, The (t) | PL-E | Playford 1-12, 1703 | 254 | VN |
//1/1231//2/5-5//321/217- | C/ | Duke of Gloucester's March, The (t) | PL-E | Playford 1-13, 1706 | 254 | VN |
//1/1231//2/5-5//321/217- | C/ | Duke of Gloucester's March, The (t) | PL-E | Playford 1-14, 1709 | 254 | VN |
//1/1231//2/5-5//321/217- | C/ | Duke of Gloucester's March, The (t) | PL-E | Playford 1-17, 1721 | 254 | VN |
//1/1231//2/5-5//321/217- | C/ | Duke of Gloucester's March, The (t) | PL-E | Playford 1-18, 1728 | 254 | VN |
//1/1231//2/5-5//321/217- | C/ | Duke of Gloucester's March (t) | DA-E | Walsh CD-1.1, 1718 | 268 | VN/OB/FL |
//1/1231//2/5-5//321/217-// | C/ | Lord Cathcarts March (t) | DA-E | Walsh CD-3.4, 1747 | 204 | VN/OB/GF |
//1/1231//2/5-54//31/217- | Duke of Gloucesters March, The (t) | MS-E | English BL Add MSS | VN/FL | ||
//1/1231//2/5-54//31/217- | C/ | Duke of Gloucester's March, The (t) | SC-E | Pills 6, 1719-20 | 47 | VO |
//1/1231//2/5-55//31/217- | C/ | Valiant Soldier's and Sailor's Loyal subjects Health (t) | SC-E | Pills 6, 1719-20 | 116-8 | VO |
//1+1+2+3+1+//2+55//5434//523//445/3 | 3/4 | Chacona de Arlequina (t) | MS-M | Garcia MS, 1772 | 73 [176] | MI |
//1+1+2+3+1+//2+5//554//443//23454//3 | 3/4 | Arleguina Biega (t) | MS-M | Garcia MS, 1772 | 75 [180] | MI |
//1/1231//25-/5-//6-/6-7-16- | 2/4 | Peace and Plenty (t) | IC-E | Bremner Oboe, 1775 | 22 | OB |
//1/1231//25-/5-//6-/6-7-16- | 2/4 | Peace & Plenty (t) | DA-E | Johnson CD-3, 1744 | 1 | VN/GF |
//1/1231//25-/5-//6-/6-7-16- | 2/4 | Peace and Plenty (t) | IC-E | Simpson Oboe, 1746 | 22 | OB |
//1/1231//25-/5-//6-/6-7-16- | 2/4 | Peace and Plenty (t) | DA-E | Walsh CD-2.2, 1735 | 33 | VO/OB/GF/FL |
//1/1231//25-/5-//6-/6-7-16- | 2/4 | Peace and Plenty (t) | DA-E | Walsh CD-3.2, 1749 | 33 | VN/OB/GF |
//11/23//12/7-5-//11/23 | 2/4 | Yankee Doodle (t) | AM-A | Beach MS, 1801 | 76 | 2MI,B |
//1/1231//27-/5-//6-/6-7-16- | 2/4 | Quick March of the South Fencibles (t) | IC-S | Stewart Airs, 1788 | 1:52 | GF/VN/FI |
//11/23//13/17-//11/23 | 2/4 | Yankee Doodle: with Variations (t) | AI-A | Whiteley Prec, 1816 | 69-71 | CL,OB,FL,BS |
//1123/13-//2-1-2-3-/6-5-//15-/1232 | C/ | Air 42 (t) | BA-E | Highland Fair, 1731 | 64 | VO |
//1123/13-//2-1-2-3-/6-5-//15-/1232 | C | Hymn to Venus, A (t) | SS-E | SS, Folger-C42.4 | 124 | VO,KB+FL |
//1123/13-//2-1-2-3-/6-5-//15-/1232 | C | Hymn to Venus, A (t) | SS-E | SS, Harvard | 1,DUP | VO/GF,B+FL |
//1123/13-//2-1-2-3-/6-5-//15-/1232 | C | Hymn to Venus, A (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//1123/13-//2-1-2-3-/6-5-//15-/1232 | C/ | To a Lady, Who Was Disgusted at Some Words of the author's (t) | SC-E | Watts MM-1, 1729 | 133-35 | VO/VN+FL |
//1123/13-//2-1-2-3-/6-5-6-//11/1232// | C | I Wish My Love Were In a Myre (t) | IC-S | Scots Tunes (C), 1730 | 31 | HA/SP/VN/GF |
//1123/13-/2-1-2-3-/6-5-6-//15-/1232 | C | I Wish My Love Were In a Myre (t) | IC-S | Stuart, 1724 | II,28-29 | HA |
//1+1+2+3+/1+3//2123/656//1+5/1+2+3+2+// 1+7/65// |
C | Belville (t) | AM-A | Cushing MS, 1805 | 99-100 | MI |
//11/23//13/27-//11/23// | 2/4 | Yankee Doodle (t) | AM-A | Adams, W. MS, 1795 | 15 | MI |
//11/23//13/27-//11/23 | 2/4 | Yankee Doodle (t) | AI-A | American SS-SM | 1-2 | KB,VO+FL |
//11/23//13/27-//11/23 | 2/4 | Siege of Tripoli, The. Finale. Yankee Doodle (t) | AI-A | American Sheet Music | PF | |
//11/23//13/27-//11/23 | Battle of New Orleans. Yankee Doodle (t) | AI-A | American Sheet Music | PF | ||
//11/23//13/27-//11/23 | 2/4 | Yankee Doodle (t) | AI-A | American Sheet Music | PF | |
//11/23//13/27-//11/23 | 2/4 | New Yankee Doodle (t) | AI-A | American Sheet Music | VO/KB+FL | |
//11/23//13/27-//11/23 | 2/4 | Yankee Doodle (t) | AI-A | American Sheet Music | KB | |
//11/23//13/27-//11/23 | 4 | Yankee Doodle (t) | AM-A | Commonplace MS, 1809 | 11R | CL/FL |
//11/23//13/27-//11/23 | 2/4 | Yankee Doodle (t) | AI-A | Dubois Clar, 1818 | 8 | CL |
//11/23//13/27-//11/23// | 2/4 | Yanky Doodle (t) | AI-A | Gilfert Gents PC, 1802 | 1 | GF/VN |
//11/23//13/27-//11/23 | 2/4 | Yankee Doodle (t), or Lexington March, (at) | SS-E | SS, Boston PL-2 | 15 | VO,KB+MI |
//11/23//13/27-//11/23 | 2/4 | Yankee Doodle (t), or Lexington March, The (at) | SS-E | SS, Huntington-2 | 108 | VO,KB,MI |
//11/23//13/27-//11/23// | 2/4 | Yankee Doodle (t) | AM-A | Washburn MS, 1816 | 1 | GF |
//11/23//13/27-//11/23// | 2/4 | Yankee Doodle (t) | AI-A | Willig Fife, 1826 | 15 | FI |
//1+12+3+/1+3+2+7//1+2+3+/1+7//1+2+3+/1+ 3+2+7 |
C | Yankee Doodle(ed) (t) | AM-A | Herreshoff MS, 1790 | 3R | MI |
//112/31//345/26-//17-1/6-21//6-5- | 6/4 | Well Dispos'd Organ Blow'r, The (t) | SS-E | SS, Harvard | 1 | VO+FL |
//1/12/31/34/5//5/ | Psal.113 (t) | IC-E | Playford Skill, 1674 | 87-88 | 2VO | |
//112/3135//1122123//112/3135// | 2/4 | Opera Reel (t) | AM-A | Bevens MS, 1825 | 26r | FI |
//11/23//13/55//11/23 | Water Music.... (t) | AI-A | American SS-SM | 2 | KB | |
//112/31//42/35//223/42 | 2/4 | Expedition, A Quick Step, The (t) | IC-E | English Sheet Music | 2CL,BS | |
//1/1231//44/27-//6-16-/7-27- | 2/4 | Kien Long (t) | DA-E | Thompson CD-6.8, 1796 | 93 | MI |
//11/231//4/4//33/217-// | 2 | Allemande du Devin de Village. Contredanse (t) | DA-F | LaCuisse Rep CD LC-3, 1765 | 88 Feuille 3. Vol | KB |
//112/315-//11212/31//334 | C | Air (t) | IC-E | Delightful-2, 1745 | II,16 | 2GF |
//112/315-//11212/31//334/531 | C/ | Air (t) | AM-A | Aborn MS, 1790 | 52-53 | 2MI |
//112/315-//11234/55//222/3234 | C | Song 88 (t), or Sweet Rosy Morning, The (at) | SC-E | Calliope, 1788 | 171 | VO |
//112/315-//11234/55//222/3234 | C | Sweet Rosy Morning, The (t) | IC-E | Thompson Hunting, 1770 | 1:21 | VO/HA/VN+GF |
//112/315-//11234/55//222/3234 | C | Song 5 (t) | SC-E | Vocal Enchant, 1783 | 10-11 | VO |
//1+1+2+/3+1+51+//667/1+535//4321/6543 | 2/4 | Wigans Wind Mill (t) | IC-S | Stewart Airs, 1788 | 3:136 | GF/VN/FI |
//112/3153//11+76//5543//23/432 | C | Divertimento 1. Allegro (t) | IC-E | Rathgen Divs, 1780 | 2-3 | 2CL,2HN,BS |
//112/31//53/1+6//54/32// | 2/4 | Plaisirs de la Societe, Les (t) | DA-F | Landrin Potpourri, 1785 | 68 | MI |
//112/31//53/1+6//54/32 | 2/4 | Plaisirs de la Societe, Les (t) | IC-S | Stewart Airs, 1788 | 1:43 | GF/VN/FI |
//11231//531+6//5432 | 2/4 | Little Devil, The (t) | DA-E | Thompson CD-5, 1788 | 67 | VN/GF/OB |
//112/31//53/1+6//54/32// | 2/4 | Little Devil, The (t) | DA-E | Thompson CD-5a, 1788 | 67 | VN/GF/OB |
//1+12/3153//2345/671+2//3+2+1+/7654// | C | Bedford Races, The (t) | MS-S | Fife MS, 1780 | 277,29r | 1FI OR 2FI/VN |
//1+12/3153//2345/671+//3+2+1+/654 | C/ | Figure 3, The (t) | DA-E | Thompson CD-2, 1765 | 73 | VN/GF/OB |
//1+12/3153//2345/671+//3+2+1+/654// | C/ | Figure 3, The (t) | DA-E | Thompson CD-2a, 1765 | 73 | VN/GF/OB |
//1+12/3153//2345/671+//3+2+1+/7654// | C/ | Figer, The (t) | MS-E | Vickers MS, 1770 | 118 | MI |
//112//31//534 | 2/4 | Ladies' Excuse, The (t) | AI-A | Fifer's Comp, 1805 | 38 | 2FI |
//1/12//3/1//5/34 | 2/4 | Ladies Excuse, The (t) | AM-A | Nixon MS, 1776 | 84 | FI |
//1+12/3153//4262/4567/1+12 | C/ | Trip to the thatcht House (t) | DA-E | Longman CD, 1781 | 43 | VN/OB/GF |
//112/31//534/53//61+/72+ | C/ | Anglois, Les (t), or English Cotillon, The (at) | AM-A | Otis MS, 1793 | 40 | VN/FL |
//112/31//535/65//1+5/6567// | C | Graces, The (t) | AM-A | Treat MS, 1779 | 20r | 2 GF |
//1+12/3153//6424/567//1+6671+ | C/ | Jolly-Boy, The (t) | PL-E | Playford 1-12, 1703 | 317 | VN |
//1+12/3153//6424/567//1+6671+/2+ | C/ | Jolly-Boy (t) | PL-E | Playford 1-15, 1713 | 317 | VN |
//1+12/3153//6424/567//1+6671+/2+ | C/ | Jolly-Boy (t) | PL-E | Playford 1-16, 1716 | 317 | VN |
//1+12/3153//6424/567//1+6671+/2+ | C/ | Jolly-Boy (t) | PL-E | Playford 1-17, 1721 | 317 | VN |
//1+12/3153//6424/567//1+6671+/2+ | C/ | Jolly-Boy (t) | PL-E | Playford 1-18, 1728 | 317 | VN |
//1+12/3153//6424/567/1+6671+/2+222+1+ | C/ | Iolly Boy, The (t) | DA-E | Johnson CD-2, 1742 | 44 | MI |
//1+12/3153//6424/567//1+6671+/2+222+1+ | C/ | Jolley-Boy, The (t) | PL-E | Playford 1-11, 1701 | II,5 | VN |
//1+12/3153//6424/567//1+6671+/2+222+1+ | C/ | Jolly-Boy, The (t) | PL-E | Playford 1-13, 1706 | 317 | VN |
//1+12/3153//6424/567//1+6671+/2+222+1+ | C/ | Jolly-Boy (t) | PL-E | Playford 1-14, 1709 | 317 | VN |
//1/12//31/53//64/27-// | 2/4 | 4 Bijoux, Les (t) | MS-F | 4 Comtesses MS, 1775 | 22v-23r | MI |
//1/12//31/53//64/27-// | 2/4 | Impromptu de Rossignol, L. Allemande (t) | DA-F | Bouin CD LC-1, 1780 | 51 Feuille, 2 Vol. | MI |
//1+/12/31//53/671+/75//1+ | 3/2 | Old Abigal's Delight (t) | PL-E | Playford 1-12, 1703 | 335 | VN |
//1+/12/31//53/671+/75//1+ | 3/2 | Old Abigail's Delight (t) | PL-E | Playford 1-13, 1706 | 335 | VN |
//1+/12/31//53/671+/75//1+ | 3/2 | Old Abigal's Delight (t) | PL-E | Playford 1-14, 1709 | 335 | VN |
//1+/12/31//53/671+/75//1+ | 3/2 | Old Abigal's Delight (t) | PL-E | Playford 1-15, 1713 | 335 | VN |
//1+/12/31//53/671+/75//1+ | 3/2 | Old Abigal's Delight (t) | PL-E | Playford 1-16, 1716 | 335 | VN |
//1+/12/31//53/671+/75//1+ | 3/2 | Old Abigal's Delight (t) | PL-E | Playford 1-17, 1721 | 335 | VN |
//1+/12/31//53/671+/75//1+ | 3/2 | Old Abigal's Delight (t) | PL-E | Playford 1-18, 1728 | 335 | VN |
//1+1/231//5367/1+75//1+1/2365 | Old Abigail's Delight (t) | PL-E | Playford 1-11, 1701 | II,23 | VN | |
//1+1231//53671+75//1+12365 | 3/2 | Old Abigail's Delight (t) | DA-E | Walsh CD-1.1, 1718 | 346 | VN/OB/FL |
//1+1231//53671+75//1+12365//45645 | 3/2 | Old Abigail's Delight (t) | DA-E | Walsh CD-2.3, 1735 | 179 | VN/OB/GF/CF |
//1+12//31+54//31+32//12//31531+3//22+75 24 |
3/4 | Madame Vallouis (t), or Favorite Minuet (at) | SS-E | SS, Huntington-1 | 6 | KB |
11231/543//22223/432//11112/33334// | C/ | March (t) | IC-E | Apollo's Banquet 1-8, 1701 | 21r,112 | VN |
//112/31//5456/5//1+5/31 | 2/4 | Fahnen Trupp (t) | MS-G | Darmstadt MS 1224 | 139 | MI |
//112/31//55/5//1+5/31 | 2/4 | Marwitz Oder Bredow (t) | MS-G | Darmstadt MS 1224 | 250,256 | 2FL |
//112/31//55/5//1+5/31 | 2/4 | Preussicher Gren: March No 9 Marwitz Oder Bredow (t) | MS-G | Darmstadt MS 1225 | 353-54 | 2MI |
//1+1+2+3+1+//555//55656//53//13-5-1//25 -7-2 |
3/8 | Allemande (t) | IC-G | Grosheim March, 1802 | 6-7 | HA/PF |
//112/31//6-21//7-17-6-7-/12//5- | 2/4 | Air from Don Giovanni (t) | IC-S | Pandean Coll 2, 1810 | 21-22 | PF |
//112/31//6-21//7-7-7-/12//5-4 | 2/4 | La Ci Darem la Mano (t) | AI-A | Riley Flute 4, 1826 | 45 | FL |
//1+/1+2+3//1+6/53//21 | C/ | Scotch Song, A (t) | SS-E | SS, Folger-C42.4 | 277 | VO,KB+FL |
//1+/1+2+3+//1+6/53//21/23// | C/ | Scotch Tune, A (t) | IC-E | Apollo's Banquet 1-8, 1701 | 4r,19 | VN |
//1+/1+2+3+//1+6/53//21/23 | C/ | Scotch Song, A (t) | SC-E | Pills 1, 1719-20 | 251-2 | VO |
//1+/1+2+3+//1+6/53//21/23 | 2 | Juspers Maggot (t) | PL-E | Playford 2-1, 1713 | 118 | VN/OB |
//1+/1+2+3+//1+6/53//21/23 | 2 | Juspers Maggot (t) | PL-E | Playford 2-2, 1714 | 118 | VN/OB |
//1+/1+2+3+//1+6/53//21/23 | 2 | Jusper's Maggot (t) | PL-E | Playford 2-3, 1718 | 118 | VN |
//1+/1+2+3+//1+6/53//21/23 | 2 | Jusper's Maggot (t) | PL-E | Playford 2-4, 1728 | 118 | VN |
//1+/1+2+3+//1+6/53//21/23 | C/ | Jasper's Maggot (t) | DA-E | Walsh CD-1.2, 1719 | 137 | VN/OB |
//1+/1+2+3+//1+6/53//21/23//16- | C/ | Scotch Song, A (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//1+/1+2+3+//1+6/53//21/23//16- | C/ | Scotch Song, A (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//1+1+2+3+/1+653//2123/16-1//1+1+2+3+/1+ 653 |
C | Farewell My Pretty Moggie (t) | IC-E | Caledonian PC, 1760 | V,8 | GF/VN |
//1+1+2+3+//1+6//553//355//1+1+2+3+// | C3 | Scotch Minuet, A (t) | IC-E | Apollo's Banquet 1-6, 1690 | B55 | VN |
//1+1+2+3+//1+6//553//355//1+1+2+3+//1+6 // |
3 | Scotch Minuet, A (t) | IC-E | Apollo's Banquet 1-7, 1693 | 63 | VN/FL |
//112/31//65/55//4543/25 | 2/4 | All by the Shady Greenwood Tree (t) | AI-A | Riley Flute 4, 1826 | 66 | FL |
//11/23//17-1/23//16-/4-2-// | 6/8 | Oxford Scoller, The (t) | MS-S | Fife MS, 1780 | 434,45r | 1FI OR 2FI/VN |
//11/23//17-1/7-//6-/5-1// | 3 | Dam'sells Dance, The (t) | IC-E | Apollo's Banquet 1-1, 1670 | 75 | VN |
//112/31//734/53//51+/72+ | C | Hecate (t) | AI-A | Hulbert Variety, 1803 | 7 | OB/FI |
//1+1+2+3+/1+765//2123/16-5//1+1+2+3+/2+ 1+75// |
C | Farewell My Pretty Witty Paggy (t) | AM-A | Brown, J. MS, 1782 | 1:5 | |
//11/23//1+7/65//65/61+ | 2/4 | O My Love Is Like the Red Rose (t) | AI-A | Ashton Clar, 1825 | 26 | CL |
//1-1-2-3-/17-6-5-//6-5-6-1/2123//217-6- 5-4-3-2-/3-4-5-5- |
C | O My Love's Like the Red Rose (t) | AI-A | Riley Flute 3, 1820 | 74-75 | FL |
//1+12/31+//765/66//543 | 6/4 | Chorus to Harvest Home (t) | SS-E | SS, Folger-C42.2 | 152 | 2CORNI,2VN,2OB,2VO,KBF |
//1+/1+2+3+//1+7/65//6/671+ | 2/4 | Newport Assembly (t) | DA-E | Thompson CD-4, 1780 | 71 | VN/GF/OB |
//1+/1+2+3+//1+7/65//6/671+// | 2/4 | Newport Assembly (t) | DA-E | Thompson CD-4a, 1780 | 70 | VN/GF/OB |
//1+1+2+3+1+//771+2+7//1+1234//567//6567 //1+ |
3/4 | Espanoleta, La (t) | MS-M | Garcia MS, 1772 | 78V [187] | MI |
//112/32//111/15-//6-16-/5-13 | C/ | York Volunteers' March (t) | AI-A | Bacon Marches, 1816 | 8 | MI |
//112/32//111/15-//6-16-/5-13 | C/ | York Volunteers'march (t) | AI-A | Martial Music, 1807 | 26-27 | 2CL/2OB,BS |
//112/32//111/15-//6-5-/6-7- | C | Ever Memorable Battle of Bannockburn, The. Grand Chorus (t) | IC-S | Scottish Sheet Music | 3VO,PF,VN | |
//1/1232//11/13//55/51+ | 2/4 | Quick Step (t) | AI-A | American Sheet Music | KB | |
//1+1+2+3+2+//1+13//55432//1 | 3/8 | Union of Bacchus and Venus, The (t) | SC-S | Edinburgh MM-1, 1792 | 353-355 | VO |
//1123/21//15-5-6-/5-4-3-3-//3-5-5-1 | C/ | Sung In the Beggar's Wedding (t) | SC-E | Watts MM-5, 1731 | 118-119+120 | VO,HA+FL |
//1123/21//15-5-6-/5-4-3-3-//3-5-5-1/122 3 |
C/ | Air 9 (t) | BA-E | Lovers Opera, 1730 | 13 | VO |
//1123/21//15-5-7-1/5-3-//3-5-5-1/12 | C/ | De'll Take the Wars (t) | PL-E | Playford 1-17, 1721 | 219 | VN |
//1123/21//15-5-7-1/5-3-//3-5-5-1/12 | C/ | De'll Take the Wars (t) | PL-E | Playford 1-18, 1728 | 219 | VN |
//1/123//21//15-/6-7-1 | 2/4 | De'el Take the Wars (t) | AI-A | Riley Flute 2, 1817 | 11 | FL |
//1123/21//15-6-7-1/5-3-//3-5-5-1 | C/ | Song, A (t) | SS-E | SS, Folger-C42.4 | 248 | VO,KB+FL |
//1123/21//15-6-7-1/5-3-//3-5-5-1/122 | C/ | De'il Take the Wars (t) | PL-E | Playford 1-09, 1698 | I,27 | VN/FL |
//1123/21//15-6-7-1/5-3-//3-5-5-1/1223 | C | De'el Take the Wars (t) | AM-A | Aborn MS, 1790 | 70 | MI |
//1123/21//15-6-7-1/5-3-//3-5-5-1/1223 | C/ | Air 13, Act I (t) | BA-E | Beggar's Wed, 1729 | T20-21M3-4 | VO |
//1123/21//15-6-7-1/5-3-//3-5-5-1/1223 | C | Air 1 (t) | BA-E | Cobler's Op-2, 1729 | T8M1 | VO |
//1123/21//15-6-7-1/5-3-//3-5-5-1/1223 | C/ | Song 147 (t) | SC-E | Convivial, 1782 | 290-291 | VO |
//1123/21//15-6-7-1/5-3-//3-5-5-1/1223 | C/ | De'll Take the Wars (t) | MS-E | Hammersley MS, 1790 | 50 | MI |
//1123/21//15-6-7-1/5-3-//3-5-5-1/1223 | C/ | Scotch Song, A (t) | SC-E | Pills 1, 1719-20 | 294-5 | VO |
//1123/21//15-6-7-1/5-3-//3-5-5-1/1223 | C/ | De'il Take the Wars (t) | PL-E | Playford 1-11, 1701 | I,219 | VN |
//1123/21//15-6-7-1/5-3-//3-5-5-1/1223 | C/ | De'il Take the Wars (t) | PL-E | Playford 1-12, 1703 | 219 | VN |
//1123/21//15-6-7-1/5-3-//3-5-5-1/1223 | C/ | Song, A (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//1123/21//15-6-7-1/5-3-//3-5-5-1/1223 | C/ | Song, A (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//1123/21//15-6-7-1/5-3-//3-5-5-1/1223 | C/ | De'il Take the Wars (t) | DA-E | Walsh CD-1.1, 1718 | 233 | VN/OB/FL |
//1123/21//15-6-7-1/5-3-//3-5-5-1/1223 | C/ | De'il Take the Wars (t) | DA-E | Walsh CD-3.1, 1754 | 164 | VN/OB/GF |
//1123/21//15-6-7-1/5-3-//3-5-5-1/123 | C | Air 29 (t) | BA-E | Decoy, 1733 | T39M9 | VO |
//1123/21//15-6-7-1/5-3-//7-5-5-1/1223 | C/ | De'il Take the Wars (t) | PL-E | Playford 1-15, 1713 | 219 | VN |
//1123/21//15-6-7-1/5-3-//7-5-5-1/1223 | C/ | De'il Take the Wars (t) | PL-E | Playford 1-16, 1716 | 219 | VN |
//1123/21//16-6-7-1/5-3-//3-5-5-1/1223 | C/ | De'il Take the Wars (t) | PL-E | Playford 1-13, 1706 | 219 | VN |
//1123/21//16-6-7-1/5-3-//3-5-5-1/1223 | C/ | De'il Take the Wars (t) | PL-E | Playford 1-14, 1709 | 219 | VN |
//1123/21//16-6-7-1/5-3-//3-5-5-1/1223 | C/ | De'il Take the Wars (t) | DA-E | Walsh CD-2.1, 1731 | 113 | VN/OB/GF/RC |
//112/321//17-6-5-/2//17-12/31+ | C | Tell Me Jessy Tell Me Why (t) | SC-S | Scots MM-6, 1803 | 618 | VO,PF |
//1+1+2+3+2+//1+1+76//55653//212//3 | 3/4 | Village (t) | TW-E | Harlequin's Mus, 1792 | 29 | HA |
//1+1+2+3+2+//1+1+76//55653//212//33231 | 3/4 | Polonese, The (t) | TW-E | Perseus & Andr, 1763 | 2 | HA/GF/VN/GT |
//11/23//21/17-//6-6-/7-5- | 6/8 | Savoyards, The (t) | DA-E | Thompson CD-6.3, 1791 | 25 | MI |
//112/321//2123/14//321/15-5-6- | C | Hymn (t) | AM-A | Ives MS, 1800 | 11 | KB |
/112//321/217-//15-/112//321/ | 2 | Depit Amoureux, Le (t) | IC-F | Leclerc Recueil-2, 1737 | 119 | HAF |
//112/321//223/432//112/321 | C/ | Goddess, The (t) | AM-A | Parkman MS, 1721 | 42 | MI |
//112/321//22/765//456/765 | C | Sic a Wife as Willie Had (t) | SC-S | Scots MM-4, 1792 | 389 | VO,PF |
//112321//232125-//112321//1315-//35/35/ / |
3 | IC-E | Musicks Hand-Maid-2, 1689 | 19r-21v | VI/HA/SP | |
//11/23//21/23//43 | 6/8 | Fanfare Qui Signifie Que le Cerf Donne a l'Eau (t) | IC-F | Boivin Tons, 1731 | 5 | 2HN/GF/OB/VN/VA |
//11232//123//432//3217-1//316-//27-5// | 3/4 | Minuet by Sigr. Arigoni (t) | IC-E | Johnson Flute, 1760 | 13 | GF |
//112/3212//34342/3432//112/3212 | C | Sam Jones. Virginian (t) | IC-S | Aird 1, 1782 | 53 | FI/VN/GF |
//112/321//234/531//123423/45654 | 6/4 | Paspe, A (t) | PL-E | Playford 1-10, 1698 | 151 | VN |
//1123212//3453112//34234565432//3454342 7-7-1//27-6-217-6-44// |
C3 | Paspe (t) | IC-E | Apollo's Banquet 1-5, 1687 | A30 | VN |
//1123212//3453112//34234565432//3454342 7-7-1//27-6-217-6-44// |
C3 | Paspe (t) | IC-E | Apollo's Banquet 1-6, 1690 | A30 | VN |
//112/321//23/55//63/5432 | C/ | My Collier Laddie (t) | SC-S | Scots MM-4, 1792 | 372 | VO,PF |
//1+12/321321//556/765765//1+ | C | Overture (t) | TW-E | Love/Village, 1795 | 1-5 | VO,HA |
//112/3213//22223/6567//1+2+1+6/5313// | C/ | Lennox Love to Blantyre (t) | IC-S | Stewart Reels, 1775 | 9 | VN/GF,VC/HA |
//1123//21//33345//43 | 3/4 | Lady Coventry's Minuet (t) | AM-A | Pomeroy MS, 1790 | 20 | 2GF |
//1123//21//33345//43 | 3/4 | Duetto for Two Voices (t) | SS-E | SS, Folger-C52 | 187 | 2VO,B |
//112//321//334//534//54321//15-131 | 3/4 | Hark Forward the Cry, A Hunting Tune (t) | MS-E | Shepherd MS, 1787 | 63-64 | MI |
//1+12//321//3+34//543//5+3+4+3+4+//5+3+ 4+3+4+// |
3/8 | Minuet Majore (t) | IC-E | Italian Pieces, 1770 | 3 | 2GF, 2CL/OB/VN, 2HN, BS/VC |
//1123/21//3345/43//5656/4545 | C | Adagio (t) | IC-E | Delightful-2, 1745 | II,3 | 2GF |
//1/123/21//351+/6//565 | 3/2 | Lads and Lasses (t) | PL-E | Playford 3-2, 1726 | 78 | VN |
//112321//351+6//565454343 | 3/2 | Appollo and Daphne (t) | DA-E | Walsh CD-1.1, 1718 | 1 | VN/OB/FL |
//1/123/21//351+/6//565/454/343 | 9/3(ED) | Lads and Lasses (t) | DA-E | Walsh NCDM-3, 1728 | 58 | VN/OB/FL |
//112321//351+6//565454343//25-12321 | 3/2 | Apollo and Daphne (t) | DA-E | Walsh CD-2.1, 1731 | 115 | VN/OB/GF/RC |
//112321//351+6//565454343//25-12321 | 3/2 | Apollo and Daphne (t) | DA-E | Walsh CD-3.1, 1754 | 169 | VN/OB/GF |
//112321//4223432//321234 | 3:I | Woolly and Georgey (t) | PL-E | Playford 1-11, 1701 | I,248 | VN |
//112321//4223432//321234 | 3/4 | Woolly and Georgey (t) | DA-E | Walsh CD-1.1, 1718 | 264 | VN/OB/FL |
//112321//4223432//321234//5 | 3/4 | Woolly and Georgey (t) | PL-E | Playford 1-12, 1703 | 248 | VN |
//1/123/21//42/234/32//32/12/34//5 | 3/4 | Woolly and Georgey (t) | PL-E | Playford 1-14, 1709 | 248 | VN |
//112321//4223432//321234//5 | 3/4 | Woolly and Georgey (t) | PL-E | Playford 1-17, 1721 | 248 | VN |
//112321//4223432//321234//5 | 3/4 | Woolly and Georgey (t) | PL-E | Playford 1-18, 1728 | 248 | VN |
//112321//4223432//321234//565- | 3/2 | Air 33 (t) | BA-E | Village Opera, 1729 | 42 | VO |
//112321//4223432//321234//565- | 3/4 | Wooly and Georgey (t) | DA-E | Walsh CD-2.1, 1731 | 112 | VN/OB/GF/RC |
//112321//4223432//321234//565- | 3/4 | Wooly and Georgey (t) | DA-E | Walsh CD-3.1, 1754 | 159 | VN/OB/GF |
//112321//4223432//321234//565-//1 | Song, A (t) | SC-E | Pills 3, 1719-20 | 297-8 | VO | |
//112321//4223432//321234//565-//1 | 3/4 | Woolly and Georgey (t) | PL-E | Playford 1-15, 1713 | 248 | VN |
//112321//4223432//321234//565-//1 | 3/4 | Woolly and Georgey (t) | PL-E | Playford 1-16, 1716 | 248 | VN |
//112321//4223432//321234//565//171 | 3/2 | Air 18 (t) | BA-E | Chambermaid, 1730 | 21 | VO |
//112/321//44/432//112 | C/ | Election Song, Proper to Be Sung After Chusing a New Chair-Man (t) | SS-E | SS, Folger-C42.4 | 42 | VO+FL |
//112/321//44/432//112/334 | C | John Come Kiss Me Now(b) (t) | SC-S | Scots MM-4, 1792 | 315 | VO,PF |
//1123/21//5-1/15-//11/23/21// | C/ | Scotch Tune, A (t) | IC-E | Apollo's Banquet 1-8, 1701 | 4v,22 | VN |
//1/12//32/15-//1/5-4- | 2/4 | Don't You Remember (t) | IC-E | Astor Guitar, 1800 | 17 | GT |
//1/12/32/15-//1/5-4- | 2/4 | Don't You Remember (t) | AI-A | Dubois Clar, 1818 | 18 | CL |
//1/1232//1/5-//31/53 | 2/4 | How Imperfect Is Expression (t) | DA-E | Cantelo CD, 1785 | 15 | KB |
//1/1232//1/5//31/53 | 2/4 | AM-A | Turner MS, 1788 | I,56 | VN | |
//11232/15-3-5-//111/1123//43/21 | C | New Somersetshire March, The (t) | IC-E | English Sheet Music | 1 | KB |
//112/321//5456/5//1+5/321 | C/ | Fahnen Tropp No 16. V. Zweibrucken (t) | MS-G | Darmstadt MS 1225 | 31-32 | 2MI |
//1-1-2-/3-2-1-//5-4-5-6-/5-//6-4-6-/5-3 -5- |
C/ | Fahnen Troupp Holstein (t) | MS-G | Darmstadt MS 1224 | 244,246 | 2MI |
//112/321//55-/24//311/127- | 2/4 | Ciel Sait Que Toujours J'ai Dit Non, Le (t) | IC-F | Vanderhagen Am, 1776 | 2 | 2CL,2HN,2BS |
//11232//15-5-//3-1-5-//5-5-//11212 | 3/4 | Tantivy Hark Foward Huzza (t), or Favorite Hunting Song, The (at) | AI-A | American SS-SM | 1-2 | KB,VO |
/112//321/55//5/6564//5453/ | 2/4 | Turbulente Quike, La (t) | AM-A | Duport MS-2, 1800 | 5v | VN |
//112/321//556/543//44/432 | C/ | March (t) | IC-E | Warlike Musick, 1760 | 35 | GF/VN/HA |
//1-1-2-/3-2-1-//5-5-6-/7-6-5-//112/3215 43 |
C | Lo Giers March (t) | AM-A | Curtiss MS, 1800 | 25 | 2VN |
//112/321//5-6-5-4-/3-2-3-1-//112/321 | C | Adjutant Wilders March (t) | AM-A | Shattuck MS, 1801 | 67 | MI |
//11232//15-6-//7-217-//6-5-//1232 | 3/4 | My Apron, Deary (t), or Song 32 (at) | SC-E | Orpheus Cal-1, 1733 | T68MOP69 | VO,HA |
//11232//15-6-//7-217-//6-5-//1232 | 3/4 | My Apron, Deary (t) | SC-E | Watts MM-3, 1730 | 74-75 | VO,HA+FL |
//112/32//15-7-6-5-4-3-2-/3-1//23/43// | C/ (8/40 | Goe From My Window (t) | MS-E | Fitzwilliam MS-1, 1609 | 42-46 | VI |
//112/32//15-7-6-/5-4-3-2-//3-1//23/43// |
C/ (8/4) | Goe From My Window (t) | MS-E | Fitzwilliam MS-1, 1609 | 153-157 | VI |
//1-12/3216-//5-3-1-3-/2-2-//1-12/3216- | C/ | Thistle's Beard, The (t) | IC-E | Caledonian PC, 1760 | XII,18 | GF/VN |
//11+2+/3+2+1+6//5313/223//11+2+/3+2+1+6 // |
C | Beard of the Thistle, The (t) | MS-S | Fife MS, 1780 | 779,85r | 1FI OR 2FI/VN |
//112321//6-5-//5-6-1/2123//112321 | 3/4 | Walace's Lament (t) | IC-E | Caledonian PC, 1760 | VII,7 | GF/VN |
//112321//6-6-7-15-3-//565671+//77 | 3:I | Punch-Bowl, The (t) | PL-E | Playford 1-11, 1701 | I,302 | VN |
//112321//6-6-7-15-3-//565671+//77 | 3/4 | Punch Bowl, The (t) | PL-E | Playford 1-13, 1706 | 302 | VN |
//112321//6-6-7-15-3-//565671+//77//1+ | 3/4 | Punch-Bowl, The (t) | PL-E | Playford 1-17, 1721 | 350 | VN |
//112321//6-6-7-15-3-//565671+//77//1+ | 3/4 | Punch-Bowl, The (t) | PL-E | Playford 1-18, 1728 | 350 | VN |
//112/3217-//111/12//3 | C | Essex March (t) | AI-A | Instrum Asst, 1800 | 54-55 | 2VN/2GF/2CL/2OB,BVIOL |
//112/3217-//111/12//334/5432 | C/ | Essex March (t) | AI-A | Merrimack Coll, 1833 | 62-63 | 2MI,B |
//1/123//217-/1//1+/531 | 6/8 | Hanover Hall (t) | DA-E | Johnson CD-6, 1751 | 84 | VN/GF |
//112/32//17-12/15-//223/43 | C | March 10 (t) | IC-E | Reid Marches, 1795 | 5 | 4CL,FL,2HN,2BS,TR,SPT |
//1+1+2+3+//2+1+71+5//654//345//13+2+//1 +7 |
3/8 | Moore In Armour, to Fight Ye Dragon (t) | SS-E | SS, Harvard | 1 | VO,KBF+FL |
//11+2+3+/2+1+7//1+76/51+//654/351+3 | C | Maggies Lamentation (t) | IC-E | Caledonian PC, 1760 | VIII,12 | GF/VN |
//112/32//17-21/15-//223 | C | March for the 1st Battn 60th Regt General Haldimand's (t) | IC-E | Reid Marches, 1778 | 20-21 | 2CL/2OB/2GF,2FH,BS |
//1-12/3217-//5-3-1-3-/2-2-3-//1-12/3217 - |
C | Beard of the Thistle, The (t) | IC-S | Aird 6, 1803 | 12 | FI/VN/GF |
//112/321//7-6-/17-//6-5-/6-7-// | C/ | Bouree D'Amadis, Rondeau Dance Francoise (t) | IC-F | Pointel Airs, 1700 | 43 | MI,B |
//112/321//7-6-/25-//112//3432// | C/ | Samardique, La (t) | DA-F | Dezais Recueil, 1712 | 70-79 | MI |
//112/321//7-6-/25-//112/3432// | C/ | Samardique, La (t) | MS-G | Jayme MS, 1717 | 33 | MI |
//112/321//7-6-/25-//112/3432// | C/ | Samardique, La (t) | IC-F | Leclerc Recueil-1, 1729 | 17 | HAF |
/112//321/7-6-//25-/112//3432/ | C/ | Somardique, La Contre-Danse Angloise (t) | IC-F | Pointel Airs, 1700 | 5 | MI,B |
//112/321//7-6-/25-//112/3432// | C/ | Sawnay (t) | IC-N | Pointel Recueil, 1688 | 23 | MI/B |
//112/321//7-6-/25-//12/3432// | C/ | Sawney (t) | IC-E | Apollo's Banquet 1-7, 1693 | 13 | VN |
//112/321//7-6-/25-//12/3432 | C | Air 9 (t) | BA-E | Fool's Opera, 1731 | 8 | VO |
//112/321//7-6-/25-//12/3432 | C | Song, A (t) | SC-E | Pills 1, 1719-20 | 316-7 | VO |
//112/321//7-6-/25-//12/3432 | C/ | Sawney and Jockey (t) | PL-E | Playford 1-06, 1679 | 169 | VN |
//112/321//7-6-/25-//12/3432 | C/ | Sawney and Jockey (t) | PL-E | Playford 1-08, 1690 | 155 | VN |
//112/321//7-6-/25-//12/3432 | C/ | Sawney Was Tall (t) | PL-E | Playford 1-09, 1695 | 96 | VN |
//112/321//7-6-/25-//12/3432 | C/ | Sawney Was Tall (t) | PL-E | Playford 1-10, 1698 | 96 | VN |
//112/321//7-6-/25-//12/3432 | C/ | Sawney Was Tall (t) | PL-E | Playford 1-11, 1701 | I,96 | VN |
//112/321//7-6-/25-//12/3432 | C/ | Sawney Was Tall (t) | PL-E | Playford 1-12, 1703 | 96 | VN |
//112/321//7-6-/25-//12/3432 | C/ | Sawny Was Tall (t) | PL-E | Playford 1-13, 1706 | 96 | VN |
//112/321//7-6-/25-//12/3432 | C/ | Sawny Was Tall (t) | PL-E | Playford 1-14, 1709 | 96 | VN |
//112/321//7-6-/25-//12/3432 | C/ | Sawney Was Tall (t) | PL-E | Playford 1-15, 1713 | 96 | VN |
//112/321//7-6-/25-//12/3432 | C/ | Sawney Was Tall (t) | PL-E | Playford 1-16, 1716 | 96 | VN |
//112/321//7-6-/25-//12/3432 | C/ | Sawney Was Tall (t) | DA-E | Walsh CD-1.1, 1718 | 108 | VN/OB/FL |
//112/321//7-6-/25-//12/3432 | C/ | Sawney Was Tall (t) | DA-E | Walsh CD-2.1, 1731 | 140 | VN/OB/GF/RC |
//112/321//7-6-/25-//12/3432 | C/ | Sawney Was Tall (t) | DA-E | Walsh CD-3.1, 1754 | 188 | VN/OB/GF |
//112/321//7-6-/25-//12/3432//15/55- | C/ | Sawney and Jockey (t) | PL-E | Playford 1-07, 1686 | 169 | VN |
//112/321//7-6-/25-//12/3433// | C/ | Sawney (t) | IC-E | Apollo's Banquet 1-5, 1687 | 47 | VN |
//112/321//7-6-/25-//12/3433// | C/ | Sawney (t) | IC-E | Apollo's Banquet 1-6, 1690 | 27 | VN |
//112/321//7-6-/25-//22/3432 | C/ | Sawney Was Tall (t) | PL-E | Playford 1-17, 1721 | 96 | VN |
//112/321//7-6-/25-//22/3432 | C/ | Sawney Was Tall (t) | PL-E | Playford 1-18, 1728 | 96 | VN |
//1+1+2+3+//2+1+765//771+//21//3456 | 3/4 | Eske Side (t) | IC-E | Caledonian PC, 1760 | II,8 | GF |
//112/321//7-6-7-1/25-//12/3432 | C | Corn Riggs (t) | AI-A | Blake Amus 3, 1825 | 24 | CL |
//112/321//7-6-7-1/25-//12/3432 | C | Corn Riggs (t) | AM-A | Bolling MS, 1785 | 38 | VN/VO |
//112/321//7-6-7-1/25-//17-/3432 | C | Corn-Riggs (t) | SC-S | Scots MM-1, 1787 | 94 | VO,PFF |
//1+1+2+/3+2+1+//7671+/2+5//667 | C | March for the 70th Regt General Tryon's (t) | IC-E | Reid Marches, 1778 | 22-23 | 2CL/2OB/2GF,2FH,BS |
//112/321//7-6-7-1/25-//6-6-7-/17-6-// | C | Gen. Tryon's March (t) | AM-A | Irving MS, 1796 | 51 | 2 MI |
//1+1+2+/3+2+1+//7671+2+5//667/1+76 | C | Gen Tyson's March (t) | AI-A | Martial Music, 1807 | 12 | 2CL/2OB,BS |
//112//321//7-7-1//234//223// | 3 | Brauls, The, By Monsieur Peasable. Leading Braul (t) | IC-E | Apollo's Banquet 1-5, 1687 | A72.2 | VN |
//112//321//7-7-1//234//223// | 3 | Brauls, The, By Monsieur Peasable. Second Braul (t) | IC-E | Apollo's Banquet 1-6, 1690 | A62.2 | VN |
//112//321//7-7-1//234//223//4434// | 3 | Second Braul (t) | IC-E | Apollo's Banquet 1-7, 1693 | 40 | VN/FL |
//1/123//2/212//321/5 | C | March (t) | IC-E | Warlike Musick, 1760 | 75 | GF/VN/HA |
//1123/2234//1123/3217-//1123/2234// | C | Who'd a Thought It (t) | DA-E | Sancho Minuet, 1770 | 15 | HP |
//1123/2234//31+6/54//3531/2427-// | C/ | Belisle March, The (t) | AM-A | Hoff MS, 1797 | No. 9 | GF |
//1123/2234//31+6/54//3531/2427- | C | Belisle March (t) | AM-A | White, O. MS, 1775 | 7 | MI |
//1123/2234//31+6/54//3531/2427- | C/ | Belisle March (t) | AI-A | Williams Fife, 1819 | 32-33 | FI |
//1/123//2/234//321/217-// | 6/8 | Wooden Shoos (t) | MS-E | Vickers MS, 1770 | 54 | MI |
//1/123//2/234//335/311 | 2/2 | Sally's Taste (t) | DA-E | Johnson CD-8, 1758 | 89 | VN/GF |
//1/123//2/234//345/43 | 2/4 | Quick Step, A (t) | AM-A | Gaylord MS, 1816 | 5v | MI |
//1/123//2/234//345/654 | 6/8 | Witches, The (t) | IC-S | Stewart Airs, 1788 | 2:106 | GF/VN/FI |
//1123/2234//35/1//5-5-6-/5-4-3-4-// | C/ | Jittanitta, La (t) | MS-M | Garcia MS, 1772 | 3 | MI |
//1/123//2/234//35/31 | 2/4 | Fort William (t) | DA-E | Johnson CD-5, 1750 | 41 | VN/GF |
//1/123//2/234//35/31// | 2/4 | Rambert, La (t) | DA-N | St. Flour Contredanses, 1757 | 18 | KB |
//1/123//2/234//35/31 | 2/4 | Sally's Taste (t) | DA-E | Thompson CD-2, 1765 | 12 | VN/GF/OB |
//1/123//2/234//35/31// | 2/4 | Sally's Taste (t) | DA-E | Thompson CD-2a, 1765 | 12 | VN/GF/OB |
//1/123//2/234//35/31// | 2/4 | Sally's Taste (t) | DA-E | Universal Magazine | 2:225, 1757 | MI |
//1123//2234//354321//7-6-//5-4-//3-5-1/ / |
3/4 | Captain Read's Minuet (t) | AM-A | Ormsby MS, 1758 | 289 | VN |
//1123//2234//3651 | 2/4 | Young Colin (t) | SC-E | Clio-1, 1758 | 17 | VO,HA |
//1123/2234//43/34//53/6543 | C/ | No 65. Alle Vicaro (t) | MS-G | Darmstadt MS 1225 | 335-36 | 2MI |
//1/123//2/234//531/427-// | 6/8 | Granili, La (t) | AI-A | Hewitt Cots-1, 1803 | 11 | PF |
//1123/224//31+6/544//3531/2427-//1 | C | Bellisle March (t), or Review, The (at) | SS-E | SS, Harvard | 1,DUP | VO,KBF+GT |
//1/1232//25-/5-//6-/6-7-16- | 2/4 | Peace and Plenty (t) | IC-E | Johnson Oboe, 1750 | 11 | OB |
//112/323//11/17-6-//5-5-/5-3- | C | Air 26 (t) | BA-E | Cobler's Op-2, 1729 | T29M8 | VO |
//1123//231//217-6-5-//127-//1123// | C3 | Minuet (t) | IC-E | Apollo's Banquet 1-6, 1690 | B19 | VN |
//11232//312//34323//115-//11212//3 | 3/4 | Rafa, La, Minuet (t), or Minuet (at) | MS-M | Garcia MS, 1772 | 17 | MI |
//1123232/12//3345454/334//5555435/44443 24// |
C | March (t) | IC-E | Forest Harmony-4, 1744 | 1 | 2HN/GF/TR/VN |
//1/1232//32/32//1/1234// | 2/4 | Canadian Set, The. No. 4 (t) | AI-A | Terpsichorean Cots, 1831 | 3 | PF |
//112/3232323232323212//334/545454545454 5434//5323212/5656545/// |
C/ | Praeludium (t) | MS-E | Fitzwilliam MS-2, 1609 | 248-249 | VI |
//112/323//43/1+//56/34//21 | 2/4 | With fun my disgrace I'll parry (fl) | TW-E | Midas-1, 1764 | 11 | VO,HAF |
//1123234//321234//5671+//5654543//65544 6// |
3/4 | New Minuet, A (t) | DA-E | London Magazine | 557, 1757 | MI,B |
//112//323//432//17-1//27-5-//317-6-//5- |
3/4 | Toast, A (t) | AI-A | American SS-SM | 3 | VO,B |
//112//3234//32342//3217-6-7-//112//3234 // |
3/4 | Passapie 1. Demn. de 8 Figs. para bailar (t) | DA-P | Minguet CD, 1760 | 12-13 | MI |
//112//3234//32342//321767//15-6-5-4-5-2 5//35-6-5-4-5-35-// |
3/4 | Passapie Viejo (t) | DA-P | Ferriol Reglas-1, 1745 | after III:257 | MI |
//112//3234//32342//321767//15-6-5-4-5-2 5//35-6-5-4-5-35-// |
[6/8] | Passapie Viejo (t) | DA-P | Ferriol Reglas-2, 1745 | 57- | MI |
//1123234//345456567//671+71+2+1+2+3+//2 +2+3+4+3+//1 |
3/4 | Alderman's House (t) | TW-E | Harlequin Dr. F, 1766 | 10 | HAF,GF/VN |
//112/3234//34/55//6543/2 | C/ | Fidlers Maggot (t) | PL-E | Playford 1-15, 1713 | 318 | VN |
//112/3234//34/55//6543/2 | C/ | Fidlers Maggot (t) | PL-E | Playford 1-16, 1716 | 318 | VN |
//112/3234//34/55//6543/2 | C/ | Fidler's Maggot (t) | PL-E | Playford 1-17, 1721 | 318 | VN |
//112/3234//34/55//6543/2 | C/ | Fidler's Maggot (t) | PL-E | Playford 1-18, 1728 | 318 | VN |
//112/3234//34/55//6543/25 | C/ | Fidlers Magott (t) | PL-E | Playford 1-11, 1701 | II,6 | VN |
//112/3234//34/55//6543/25 | C/ | Fidler's Maggot (t) | PL-E | Playford 1-12, 1703 | 318 | VN |
//112/3234//34/55//6543/25 | C/ | Fidlers Maggot (t) | PL-E | Playford 1-13, 1706 | 318 | VN |
//112/3234//34/55//6543/25 | C/ | Fidlers Maggot (t) | PL-E | Playford 1-14, 1709 | 318 | VN |
//112/3234//34/55//6543/25 | C/ | Fidler's Maggot (t) | DA-E | Walsh CD-1.1, 1718 | 331 | VN/OB/FL |
//112/3234//34/55//6543/25 | C/ | Fidler's Maggot (t) | DA-E | Walsh CD-2.1, 1731 | 128 | VN/OB/GF/RC |
//112/3234//34/55//6543/25 | C/ | Fidler's Maggot (t) | DA-E | Walsh CD-3.5, 1754 | 153 | VN//OB/GF |
//112//323434//56545//3432//112//323434 | 3 | Descente du Drapeau (des Boulonnais), La (t) | MS-F | Philidor MS, 1705 | 49-50 | OB,B+DR |
//1123/234//3/55555//54556/543// | 6/4 | Assemblée,L' (t) | IC-F | Marguery Drum, 1774 | 14 | OB/FI,DR |
//1123/234//3/55555//5456/543 | 6/4 | Assemblee, L' (t) | IC-F | French Ordinances | App.14 | OB/FI,DR |
//112//323453//432//31531//112// | C (=3 ed) | Galliards Gygge, A (t) | MS-E | Nevell MS, 1591 | 54-57 | VI |
//112/3234//543//46-/2321 | C/ | Churchill's March (t) | PL-E | Playford 2-1, 1713 | 133 | VN/OB |
//112/3234//543//46-/2321 | C/ | Churchill's March (t) | PL-E | Playford 2-2, 1714 | 133 | VN/OB |
//112/3234//543//46-/2321 | C/ | Churchill's March (t) | PL-E | Playford 2-3, 1718 | 133 | VN |
//112/3234//543//46-/2321 | C/ | Churchill's March (t) | PL-E | Playford 2-4, 1728 | 133 | VN |
//112/3234//543//46-/2321 | C/ | Churchill's March (t) | DA-E | Walsh CD-1.2, 1719 | 152 | VN/OB |
//112/3234//543//46-/2321 | C/ | Churchhills March (t) | DA-E | Walsh NCDM-2, 1710 | 113 | VN/OB/FL |
//112/324//32342/336-//112/324// | 6/4 | Passepied Dance Francoise (t) | IC-F | Pointel Airs, 1700 | 38 | MI,B |
//1/12//3/2//4/3//25 | 2/4 | Sad Musidora (t) | SS-E | SS, Folger-C42.3 | 212 | VO,KB+FL |
//1/12//3/2//4/3//25//43/21//7-17-1//2 | 2/4 | Sad Musidora (t) | SS-E | SS, Folger-C42.2 | 67 | VO,KB+F |
//112324//3455-//6-7-17-27-2-//1-//7-7-1 213//2344-// |
3/4 | Air. For German flute Violin and Bass (t) | DA-E | Sancho Minuet, 1770 | 12 | GF,VN,B |
//1/123//24-//4-3-2-/3-5-//1 | 2 | Sonatina. Poco Allo. (t) | IC-E | Delightful-2, 1745 | VI,10 | GF |
//112/325-//112/325 | C | Air 9 (t) | BA-E | Lottery, 1732 | 15 | VO |
//1123/252//1321/7-5-7-//15-6-7-/1234// | Musette, The (t), or Ammerans Goddess, The (at) | MS-E | Vickers MS, 1770 | 139 | MI | |
//1123//25-2//3123//27-12 | 3/8 | Song In the Opera of Pyrrhus and Demetrius, A (t) | SC-E | Pocket Comp, 1725 | 42-43 | VO,HAF+FL |
//1123/25//313/427//1+653/4246 | C | Glover's Stone (t) | DA-E | Johnson CD-4, 1748 | 58 | VN/GF |
//1123/25//313/427//1+653/4246 | C | Glovers Stone (t) | MS-E | Rainstorp MS, 1747 | 15 | MI |
//1123/25//4321/25//3161/27-57- | C | Gavota (t) | AM-A | Bolling MS, 1790 | 23 | VN/GT |
//1/123//2/5-5-//1/123 | 6/8 | Battle of Jena, The. La Victoire Est a Nous (t) | AI-A | American Sheet Music | PF,VN | |
//1123//25-//5-//1123//25-2//3123//27-1 | 3/8 | Appear all ye graces; o gratie accorete (fl) | SS-E | SS, Folger-C42.1 | 9 | VO,KB+FL |
//1/123//2/5-5-//1/123//2/5-5- | 6/8 | Bataille d'Austerlitz. La Victoire Est a Nous (t) | IC-F | French Sheet Music | 2CL,2HN,2BS;FLP | |
//1123/25//5432/13//6-23/4321//7- | C/ | On Cupid and Bacchus (t), or Fancy, The (at) | SS-E | SS, Harvard | 1 | VO,KBF+FL |
//1/123//2555/55-5-//1/123 | 6/8 | Battle of New Orleans. La Victoire Est a Nous (t) | AI-A | American Sheet Music | PF | |
//1123/25-//57-/1//43/4565 | C | Borrowed Kiss, The (t) | SC-E | Vocal Music, 1778 | 256-257 | VO/VN/GF |
//1123/257-//142/7-//15- | C | Delia (t) | SC-E | Calliope, 1746 | II,137 | VO,B+GF |
//1123/257-//142/7-//15-6-7- | C | To Delia (t) | SS-E | SS, Folger-C42.4 | 249 | VO,KB+FL |
//1123/257-//142/7-//15-6-7-/6-7-1 | C | Musette (t) | AM-A | Aborn MS, 1790 | 71 | MI |
//1123/257-//142/7-//15-6-7-/6-7-1 | C | Musette (t) | AM-A | Bolling MS, 1785 | 13 | VN/VO |
//1123/257-//142/7-//15-6-7-/6-7-1 | C | Musette In the Amorous Goddess (t) | IC-E | Bremner Airs, 1761 | 92-93 | VN/GF,B |
//1123/257-//142//7-//15-6-7-/6-7-1// | C | Delia (t) | IC-E | Johnson Flute, 1760 | 20 | GF |
//1123/257-//142/7-//15-6-7-/6-7-1 | C/ | Delia (t) | IC-E | Johnson Oboe, 1750 | 17 | OB |
//1123/257-//142/7-//15-6-7-/6-7-1 | C | Delia (t) | SC-E | Muses Delight, 1754 | 55 | VO,HA |
//1123/257-//142/7-//15-6-7-/6-7-1 | C | Musette In the Amorous Goddess (t) | IC-E | Preston Marches, 1804 | 92-93 | GF/VN,VC/PF |
//1123/257-//142/7-//15-6-7-/6-7-1 | C | Musette (t) | SS-E | SS, Huntington-1 | 98 | VO,KB+GF |
//1123/257-//142/7-//15-6-7-/6-7-1//2343 |
C | Musette (t) | IC-E | Delightful-2, 1745 | I,2 | GF |
//1/123//2/6//54/32 | 2 | British Carnival (t) | DA-E | Johnson CD-8, 1758 | 81 | VN/GF |
//1/123//27-//15-/6-7-1 | 2/4 | De'el Tak the War (t) | SS-E | SS, Huntington-2 | 34 | VO,KBF |
//1/123//27-//15-/6-7-1//5-/3- | 2/4 | De'el Tak the War (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//1+1+2+3+/2+75//6671+/36//5321 | C/ | Jockey Was a Dowdey Lad (t) | PL-E | Playford 1-13, 1706 | 347 | VN |
//1+1+2+3+/2+75//6671+/36//5321/24 | C/ | Dowdy Lad (t) | DA-E | Johnson CD-2, 1742 | 87 | MI |
//1/123//27-/6-5-//13/51// | 2/4 | New Ministry, The (t) | MS-C | Molyneaux MS-1, 1788 | 67 1/2 -67 3/4 | GF |
//1/123//27-/6-5-//13/51 | 2/4 | New Ministry, The (t) | DA-E | Thompson CD-3, 1773 | 24 | VN/GF/OB |
//1/123//27-/6-5-//13/51// | 2/4 | New Ministry, The (t) | DA-E | Thompson CD-3a, 1773 | 24 | VN/GF/OB |
//1123/27-6-5-//6-46-/5-35-//4-24-/3-5-1 5-// |
C | Dying Believers, The (t) | AM-A | Brown, J. MS, 1782 | 1:40 | |
//11/232//7-6-7-/1//24/351 | 6/8 | Genl Carleton's Quick March (t) | IC-S | Aird 2, 1785 | 57 | FI/VN/GF |
//11/232//7-6-7-/1//24/351// | [6/8] | General Carleton's Quick March (t) | MS-C | Molyneaux MS-2, 1788 | 38 | 1 OR 2 GF |
//1/123//27-/7-//17-6-/5-6-4- | 6/8 | Miss Heysham's Fancy (t) | DA-E | Johnson CD-5, 1750 | 83 | VN/GF |
//112/331//2345/667//1+334/321 | C | Fairy King (t) | IC-S | Aird 5, 1797 | 27 | FI/VN/GF |
//11/2//3/31442 | 2/4 | Germans Paw, The (t) | AM-A | Shattuck MS, 1801 | 24 | MI |
//112/332//112/323//443/223 | 2/4 | Russian Grotesque Air, A (t) | IC-S | Pandean Coll 3, 1810 | 25 | PF |
//112/332//17-12/5-5-//112/321 | C | Mister Clark (t) | AI-A | Blake Amus 1, 1824 | 15 | CL |
//1+1+2+3+3+2+1+7//1+32135//1+1+2+3+2+3+ 1+//1+72+1+76//6671+ |
3/4 | Coolun (t) | AI-A | Riley Flute 1, 1814 | 95 | FL |
//11233217-//13-2-1-3-5-//1123231//17-21 7-6-//6-6-7-17-127-6- |
3/4 | Coolun (t) | AM-A | Canfield MS, 1823 | 95 | FL |
//1/12//3/32//2/27- | 2/4 | French Allemand (t) | AM-A | Beck MS, 1786 | 8 | 2GF |
//11/23//3/23//12/34 | 6/4 | Sourcillade, La (t) | MS-F | Philidor MS, 1705 | 54 | HN |
//112//333//34/54//321//33 | 2/2 | Grand Te Deum (t) | AM-A | Van Schaack MS, 1820 | 60-66 | KB |
//1/12//3/3//3/43 | 2/4 | Bewildered Maid, The (t) | AM-A | Beach MS, 1801 | 84-86 | VO,PF |
//112333432236-//6-7-5-6-7-16-// | C/ | Pease Branle (t), or Margueritotte, Pease Branle (at) | DA-F | Arbeau Orchesography, 1589 | 157-159 | DR/MI |
//1/12//3/3//3/43//3/13 | 2/4 | Bewildered Maid (t) | AI-A | Riley Flute 2, 1817 | 44 | FL |
//1//12/3//3//34/5 | C | Concerto 4. Allegro (t) | IC-E | Bremner Mil Con, 1774 | 2OB/CL/FL/VN,2HN,BS | |
//11/23//3/35//11/23 | 6/4 | Huntsman's Delight, The (t) | IC-E | Simpson Horn, 1745 | 6 | 2HN |
//11/23//3/35//11/23 | 6/4 | Huntsman's Delight, The (t) | IC-E | Thompson Horn, 1755 | 14 | 2HN |
//112/3335//3/113//5556/534 | C | Grenadier's March (t) | IC-E | Andrews Fife, 1808 | 15 | FI/GF |
//112/3335//3/113//5556/534 | C | Granadiers March (t) | IC-E | Clementi Fife, 1815 | 12 | FI |
//112/3335//3113//5556/534 | C | Grenadiers March (t) | IC-E | Goulding Fife, 1790 | 16 | FI |
//112/3335//3/113//5556/534 | C | Grenadiers March (t) | IC-E | Longman Fife, 1770 | 13 | FI |
//112/3335//3/113//5556/534 | C | Grenadiers March (t) | IC-E | Longman Fife, 1780 | 12 | FI/GF |
//112/3335//3/113//5556/534 | C | Scotch Granadiers March, The (t) | IC-E | Rutherford Fife, 1756 | 14 | FI |
//112/3335//3/113//5556/534 | C | Grenadiers March (t) | IC-E | Skillern Fife, 1780 | 13 | FI/GF |
//112/3335//3/113//5556/534 | C | Grenadiers March (t) | IC-E | Thompson Fife, 1760 | 13 | FI |
//112/3335//3/113//5556/534 | C | Grenadiers March (t) | IC-E | Thompson Fife, 1770 | 13 | FI |
//112/3335//3/113//5556/534// | C | Grenadiers March (t) | IC-E | Thompson Fife, 1786 | 13 | FI/FL |
//1/123//34/21//5/5443// | C | Prelude (t) | IC-E | Musicks Hand-Maid-2, 1689 | 28v | VI/HA/SP |
//1123//342//231//17-27-5-//1123 | 3/8 | Emperor of Russia's Waltz (t) | AI-A | Riley Flute 2, 1817 | 60 | FL |
//112//334//3142/5361//7-1 | 2/4 | Duett (t) | IC-S | Stewart Marches, 1761 | 24 | 2VN/GF/OB |
//112/33//43/21//6-6-/7-1// | C/ | Boree Fountain Bleau (t) | IC-E | Apollo's Banquet 1-1, 1670 | 219 | VN |
//112/33//43/21//6-6-/7-1// | C/ | Fountain Bleau, La (t) | IC-E | Apollo's Banquet 1-2, 1678 | A18 | VN |
//112/33//43/21//6-6-/7-1// | C/ | Fountain Bleau, La (t) | IC-E | Apollo's Banquet 1-5, 1687 | A15 | VN |
//112/33//43/21//6-6-/7-1// | C/ | Fountain Bleau, La (t) | IC-E | Apollo's Banquet 1-6, 1690 | A15 | VN |
//112/33//43/21//6-6-/7-1// | C/ | Fontainbleau, La (t) | IC-E | Apollo's Banquet 1-7, 1693 | 21 | VN/FL |
//112/33//43/21//6-6-/7-1//25-// | C/ | Boree Fountain Bleau (t) | IC-E | Apollo's Banquet 1-1, 1670 | 205 | VN |
//1/12//3/34//44/3//2/3// | C/ (8/4) | Psalme [140]. 3 (t) | MS-E | Fitzwilliam MS-2, 1609 | 151-157 | VI |
//112//334//5//112//7-6-5-// | C3 | Theater Tune, A (t) | IC-E | Apollo's Banquet 1-5, 1687 | 61 | VN |
//112/334//51/21//43 | C | March 25th Regt. (t) | IC-E | Preston Clar, 1797 | 12 | CL |
//112/334//51/21//43/65 | C | March 25th Regt (t) | IC-S | Aird 6, 1803 | 63 | FI/VN/GF |
//112/334//51/21//43/65 | C | March of the 25th Regiment (t) | IC-E | Andrews Fife, 1808 | 25 | FI/GF |
//112/334//51/21//43/65 | C | Mr Munroe's March (t) | AI-A | Balls Amus 1, 1815 | 2 | FL/FI/VN |
//112/334//51/21//43/65 | C | March 35 (t) | IC-E | Button Whit-2, 1806 | 60 | 2GF/2VN/2FI |
//112/334//51/21//43/65 | C | March 25th Reg. T (t) | AI-A | Dubois Clar, 1818 | 19 | CL |
//112/334//51/21//43/65 | C | March 25th Regt (t) | IC-E | Preston Bassoon, 1790 | 14 | BS |
//112/334//51/21//43/65 | C | March of the 25th Regt (t) | IC-E | Preston Fife, 1796 | 20 | FI/GF |
//112/334//51/21//43/65 | C | March 25th Regt (t) | IC-E | Preston Oboe, 1780 | 10 | OB |
//112/334//51/21//43/65 | C | Prince of Wales's March (t) | IC-E | Skillern Amus, 1785 | 86 | 2GF |
//112/334//51/21//43/65 | C | March 25 Regt (t) | IC-S | Stewart Airs, 1788 | 2:85 | GF/VN/FI |
//112/334//51/21//43/65// | C | Coxheath March (t) | IC-E | Thompson Fife, 1786 | 25 | FI/FL |
//112/334//51/21//43/65 | C | March 35 (t) | IC-E | Thompson Pocket, 1790 | 60 | 2GF/VN/FI |
//112/334//51+51+/55//5464/4353 | 2/4 | Bossi's Rondo (t) | AI-A | Balls Amus 2, 1815 | 11 | FL/FI/VN |
//112/334//51+/5//61+/51+ | 2/4 | Lady Clive's Favorite (t) | AI-A | Balls Amus 2, 1815 | 10 | FL/FI/VN |
//112/334//51+71+/5//61+71+/51+71+ | 2/4 | Quick Step (5th Co Washington Guards) (t) | AI-A | American Sheet Music | PF | |
//112/334//51+71+/5//61+71+/51+71+ | 2/4 | Wragg's Rondo (t) | AI-A | Riley Flute 3, 1820 | 60 | FL |
//112/334//51+76/55//61+71+/543 | C/ | Fahnen Tropp No 20 (t) | MS-G | Darmstadt MS 1225 | 33-34 | 2MI |
//112/334//5313/21//43/65 | C | March of the 25 Regt (t) | IC-S | Sime Marches, 1789 | 25 | HA/PF |
//112/334//53/1//42/2 | 2/4 | March 1 (t) | IC-E | Ross Waltzes, 1800 | 21-22 | PF/HA+TRI,TA |
//1-1-2-/3-3-4-//5-3-4-5-/4-2-3-4-//3-1- 2-3-/2-5- |
C | IC-E | Forest Harmony-2, 1733 | 27 | 2HN/GF/TR/VN | |
//112/334//5345/4234//3123/25 | C | Air by Handel (t) | IC-E | Longman Horn, 1785 | 26-27 | 2HN |
//112/334//5345/4234//3123/25 | C | Air (t) | IC-E | Thompson Horn, 1755 | 21 | 2HN |
//112//334//54+2+1+7//1+//13//243 | 3/4 | Menuetto 1 (t) | IC-E | Flack Divs, 1776 | 26 | 2CL,2HN,BS |
//112/334//543//223/445//654 | C/ | Sir John Guise's March (t) | MS-E | English BL Add MSS | 2MI,B | |
//11/2//33/4//543/234 | 2/4 | Cardiganshire March, The (t) | IC-E | Oswald Marches, 1759 | 5 | 2MI |
/112//334/55//1/112//334/ | 2 | Dificille, La (t) | IC-F | Leclerc Recueil-2, 1737 | 129 | HAF |
//112/33455//311/12//333/32 | C/ | March and Qs... Baltimore Yagers. No.1 (t) | AI-A | American Sheet Music | 3 | PF |
//112/334//553/113//227-/5-6-7- | 2/4 | Pas de Manoeuvre (t) | IC-F | French Sheet Music | 2FLP,2CL,TR,2HN | |
//112/334//553/1//223/423 | C/ | March (t) | IC-E | Valentine March, 1787 | 1 | 2VN,2OB/FL,2HN,VA,BF |
/112//334/55//31/43//21/ | 2 | Bergers, Les (t) | DA-F | Landrin Potpourri, 1785 | 92 | MI |
//112/334//553/434//51/6-143// | C/ | Quick Step (t) | MS-C | Molyneaux MS-2, 1788 | 58 | 1 OR 2 GF |
//112//334//554//332//115-//112 | 3 | Air 21 (t) | IC-N | Roger Airs, 1716 | 1:12 | 2CH/TR/OB/VN/FL/CL/HN |
//112/334//55/534//55/654// | C/ | Prince George's March (t) | IC-E | Apollo's Banquet 1-5, 1687 | 100 | VN |
//112/334//55/534//55/654// | C/ | Prince George's March (t) | IC-E | Apollo's Banquet 1-6, 1690 | 56 | VN |
//112/334//55/534//55/654//3 | C/ | Prince George's March (t), or #31 (at) | PL-E | Playford 1-07, 1686 | AI,12 | VN |
//112/334//555/5//223/435 | C/ | Loyal Health, A (t) | AM-A | Nixon MS, 1776 | 87 | 2FI |
//11/2334//5555//224/435//66/6// | C/ | Loyal Health (t) | AM-A | Brown, J. MS, 1782 | 1:38 | |
//112//334//55/5654//31/15- | 2/4 | Duet. No.1 (t) | AI-A | Williams Fife, 1826 | 17 | 2FI |
//112/334//556/223 | If You're Not to Proud (t) | IC-E | Cahusac Flute, 1792 | 24 | GF | |
//112/334//556/223//4654/3565 | C/ | If You're Not Too Proud for a Word of Advice (t) | IC-E | Cahusac Flute, 1788 | 24 | GF |
//112/334//556/223//4654/3565// | If You're Not to Proud (t) | IC-E | Cahusac Flute, 1798 | 24 | FL | |
//112/334//556/223//4654/3565 | C/ | Advice to the Fair (t) | IC-E | Thompson Oboe, 1790 | 20 | OB |
//112//334//556//5431//112//334 | 3/4 | Andante (t) | IC-E | Wragg Oboe, 1792 | 33 | 2OB |
//112/334//556/765 | C | My Days (t) | SS-E | SS, Folger-C52 | 157,2-158,1 | VO,KB+GF |
//112/334//556/765//1+5 | C | My Days Have Been (t) | SS-E | SS, New York PL-C695 | 117(127),1-2 | VO,HA+GF |
//112/334//556/765//1+5/31 | C | My Days Have Been So Wond'rous Free (t) | SC-S | Edinburgh MM-2, 1793 | 33-35 | VO |
//112/334//556/765//1+5/31 | C | Ah! cruel maid, how hast thou chang'd (fl) | SC-E | Ritson, 1783 | TI,258-259;MIII,140-14 | VO |
//112/334//556/765//1+5/31//5 | C | Ah! cruel maid how hast thou chang'd (fl) | TW-E | Duenna, 1775 | 41-43 | VO,HAF |
//112/334//5653/2323//1234/1234 | 2/4 | Dance (t) | IC-E | Holmes Hn Duets, 1763 | 9 | 2HN/GT/GF/VN |
//112/334//5654/31//112/343// | 2/4 | Grecian Dance, The (t) | AI-A | Carrs PC, 1800 | 2 | GF/VN/FL |
//1/12//3/34//56/56// | 2/4 | Colonne No. 1 (t) | DA-N | Trappeniers Recueil, 1780 | 2-3 | VN,B |
//112/334//567/1+5//654/354//321 | C/ | Favourite Catch, A (t) | SS-E | SS, Harvard | 1 | 3VO |
//112//335//5112 | 3 | Advice to a Miser (t) | SC-E | Pills 6, 1719-20 | 109 | VO |
//112/33//55/2//4321/7-1 | 2/4 | Royal Perth Volunteers Quick Step (t) | IC-S | Vogel Marches, 1802 | 6 | PF |
//11234//212//33456//434//555//555 | 3/4 | IC-E | Forest Harmony-2, 1733 | 42 | 2HN/GF/TR/VN | |
//1/12//34/21//5/5654// | C/ | Almon (t) | IC-E | Musicks Hand-Maid-2, 1689 | 28v-29r | VI/HA/SP |
//112/3423//111/15-//223/4534// | C | March Zemire & Azor (t) | AM-A | Cushing MS, 1805 | 120-121 | 2MI |
/11//23/42//31/55//67/ | 2 | Poussette, La (t) | IC-F | Leclerc Recueil-2, 1737 | 115 | HAF |
//11/2342//323/46-//7-12/21 | C | King Shall Enjoy, The (t) | IC-E | Caledonian PC, 1760 | II,20 | GF |
//11/2342//33/1351+//11/2342 | 2/4 | Trip to Newmarket, A (t) | DA-E | Johnson CD-7, 1756 | 7 | VN/GF |
//11/23//42/3434//5671+/4 | C | Ye Streams That Round My Prison Creep (t), or Favorite Song In the Musical | AI-A | Musical Rep-1, 1796 | 26-27 | FL,VO,KB |
//1/12//3/42//36-/5-6- | 2/4 | Pennsylvania Quick Step (t) | AI-A | American Sheet Music | PF | |
//1123//425//35//565432//17-1234//521 | 3 | Generale des Dragons du Roy, La (t) | MS-F | Philidor MS, 1705 | 16 | 3OB,B+DR |
//1/1//23/42//5/54 | 2/4 | Black Dance (t) | MS-E | Carter MS, 1792 | 6 | MI |
//11/2342//5654/3432// | 2/4 | Blac Danse (t) | DA-F | Landrin Anglaise-1, 1760 | 2-3 | MI |
//11/2342//5654/3432//11/2344 | 2/4 | Farmer's Jigg, The (t) | AM-A | Gaylord MS, 1816 | 2v | MI |
//11/2342//5654/353//11 | 2/4 | Black Dance, The (t) | DA-E | Longman CD, 1781 | 50 | VN/OB/GF |
//11/2342//5654/353//11/2342 | 2/4 | Black Dance, The (t) | IC-S | Aird 1, 1782 | 18 | FI/VN/GF |
//11/2342//5654/353//11/2342 | 2/4 | Black Dance (t) | AM-A | Beck MS, 1786 | 62 | GF |
//11/2342//5654/353//11/2342// | 2/4 | Black Dance, The (t) | AM-A | Brown, J. MS, 1782 | 1:33 | |
//11/2342//5654/353//11/2342 | 2/4 | Black Dance (t) | DA-E | Skillern CD, 1780 | 18 | VN/GF/OB |
//11/2342//5654/353//11/2342// | 2/4 | Black Dance (t) | DA-E | Straight & Skillern CD, 1775 | 18 | VN/GF/OB |
//11/2342//5654/353//11/2342 | 2/4 | Black Dance, The (t) | DA-E | Thompson CD-3, 1773 | 71 | VN/GF/OB |
//11/2342//5654/353//11/2342// | 2/4 | Black Dance, The (t) | DA-E | Thompson CD-3a, 1773 | 70 | VN/GF/OB |
//11/2342//5654/353//11/2342 | 2/4 | Black Dance (t) | AM-A | Van Renssel. MS, 1782 | I,35 | KB |
//1/123/42//6-212//143/3221// | 3 [6/2] | Leaves Bee Greene, The (t) | MS-E | Fitzwilliam MS-2, 1609 | 381-383 | VI |
//11/23//42/7-//11/31 | 2/4 | Moderato (t) | IC-E | Brooks Pieces, 1796 | 3 | 2CL,2HN,BS |
//11/234//31/15-//6-6-/4321 | C/ | Dumfries Volunteers, The (t) | SC-S | Scots MM-6, 1803 | 565 | VO,PF |
//1/12//34/31//2/27- | 2/4 | Scotch Allemande (t) | AM-A | Turner MS, 1788 | I,26A | VN |
//11234//31+7//654//54565//11234//51+7// |
3/8 | Troop (t) | AI-A | Willig Fife, 1826 | 10 | FI |
//112/3432//111/1//334 | C/ | Turkish March (t) | IC-E | Thompson March, 1759 | 16 | VN/FL/OB |
//112/3432//111/1//334/5 | C | Turkish March (t) | IC-E | Warlike Musick, 1760 | 38-39 | GF/VN/HA |
//112/3432//111/1//334/5654 | C | Warwickshire March, The (t) | IC-E | Bennett Fife, 1770 | 17 | FI ; FI |
//112/3432//111/1//334/5654 | C/ | Turkish March (t) | IC-E | Handel March 1, 1768 | 16 | VN/GF/OB |
//112/3432//111/1//334/5654 | C | Warwickshire March, The (t) | IC-E | Handel March 2, 1770 | 7 | VN/GF/OB |
//112/3432//111/1//334/5654 | C | Warwickshire March, The (t) | IC-E | Longman Fife, 1770 | 29 | FI |
//112/3432//111/1//334/5654// | C | Royal Forresters March, The (t) | IC-E | Longman March 3, 1770 | 6 | 2VN/OB/GF, 2HN, B |
//112/3432//111/1//334/5654 | C | Turkish March, The (t) | MS-I | Regan MS, 1764 | 31 | MI |
//112/3432//111/1//334/5654 | C/ | Royal Forresters March, The (t) | IC-S | Stewart Airs, 1788 | 2:80-81 | GF/VN/FI |
//112/3432//111/1//334/5654 | C/ | Warwickshire March, The (t) | AM-A | Swan MS, 1775 | 25R | 2MI |
//112/3432//111/1//334/5654 | C | Warwickshire March, The (t) | IC-E | Thompson Fife, 1770 | 29 | FI |
//112/3432//111/1//334/5654 | C/ | Turkish March (t) | IC-E | Thompson Oboe, 1758 | 16 | OB |
//112/3432//111/1//334/5654 | C | Warwickshire March, The (t) | AI-A | Willig Fife, 1805 | 17 | FI |
//1123/4321//1+1+76/5432//1123/4321// | C/ | Havannah Fleet Is Comeing (t) | MS-E | Vickers MS, 1770 | 13 | MI |
//11/234//32/1//17-6-/5-1// | C/ | Nouvelle Espagnolette, La (t) | DA-E | Straight & Skillern CD, 1775 | 88 | VN/GF/OB |
//11/234//32/1//1+765/671+5 | 2/4 | Cotillon (t) | IC-S | Aird 2, 1785 | 29 | FI/VN/GF |
/11//234/32//1/1+765//671+5/ | 2/4 | Pouvoir de la Beaute, Le (t) | DA-E | Gallini Cots, 1770 | 17 | KB |
//11/234//321/2//11/234- | 6/4 | Air 6, Act Ii (t) | BA-E | Female Parson, 1730 | 29 | VO |
//11/23//43/2//1/23//43/2//1 | 6/8 | To thee I yield my pow'r divine (fl) | BA-E | Tragedy/Chronon, 1734 | T23M7 | VO |
//11/23//4/3//217-/12 | C | Wives and Sweethearts (t), or Saturday Night, (at) | SC-S | Edinburgh MM-1, 1792 | 212-214 | VO |
//11/234//3/21//7-17-/6-7- | C/ | Air 2 (t) | BA-E | Devil To Pay-1, 1731 | 2-3 | VO |
//11/234//321/7-5- | 3 | Jenny Pluck Pears,1 (t) | PL-E | Playford 1-07, 1686 | 7 | VN |
//11/234//321/7-5-//11 | 3 | Jenny Pluck Pears,1 (t) | PL-E | Playford 1-05, 1675 | 7 | VN |
//11/234//321/7-5-//11 | C3 | Jenny Pluck Pears,1 (t) | PL-E | Playford 1-08, 1690 | 7 | VN |
//11/234//321/7-5-//11/234//321/22 | 3 | Jenny Pluck Pears (t) | PL-E | Playford 1-04, 1670 | 7 | VN |
//11/23//4321/7-6-//5-4-/3-5- | C/ | Devonshire March, The (t) | IC-E | Oswald Marches, 1759 | 7 | 2MI |
//1-12/34-3-//2-23/45-4-//3-5 | C | March for the 76th Regt Lord Macdonald's Highlanders (t) | IC-E | Reid Marches, 1778 | 28-29 | 2CL/2OB/2GF,2FH,BS |
//1-12/34-3-//2-23/45-4-//3-5/4321 | C | March of Lord Mcdonald's Highlanders (t) | IC-S | Aird 6, 1803 | 67 | FI/VN/GF |
//1-12/34-3-//2-23/45-4-//3-5/4321 | C | Lord Mc Donald's March (t) | AI-A | Bacon Marches, 1816 | 9 | MI |
//11+2+/3+43//22+3+/4+54//35+/4+3+2+1+// |
C | March of Lord Mcdonald's Highlanders (t) | MS-S | Fife MS, 1780 | 682,74r | 1FI OR 2FI/VN |
//1-12/34-3-//2-23/45-4-//3-5/4321 | C | Lord Mcdonald's March (t) | AI-A | Martial Music, 1807 | 9 | 2CL/2OB,BS |
//1-12/34-3-//2-23/45-4-//3-565/4321// | C | Lord Macdonald's March (t) | AM-A | Irving MS, 1796 | 29 | 2 MI |
//11/234//323/15-//11/234 | 6/8 | Dukes of Conflans Cotillion (t) | AM-A | Beck MS, 1786 | 58 | GF |
//11/234//323/15-//11/234 | 6/8 | New French Cottillion (t) | AM-A | Brown, N. MS, 1781 | 14R | FI |
/11//234/323//15-/11//234/ | 6/8 | Double Inconstence, La (t) | DA-F | Landrin Potpourri, 1785 | 38 | MI |
//11/234//323/15-//121/234 | 6/8 | Call It What You Please (t) | AM-A | Gaylord MS, 1816 | 13v | MI |
//11/234//323/15-//1/234 | 6/8 | Double Inconstance, Le (t) | IC-S | Stewart Airs, 1788 | 2:100 | GF/VN/FI |
//11/23432//32/34543//2 | C | Favourite Hunting Song, A (t) | SC-E | Calliope, 1746 | II,156-158 | VO,B,MI |
//1-1-2-/3-4-3-2-//3-3-4-/5-6-5-4-//5-3- /5-6-5-4- |
C/ | Air 68 (t) | IC-N | Roger Airs, 1716 | 2:17 | 2CH/TR/OB/VN/FL/CL/HN |
//11/234//32/345//243/231 | 6/8 | Saint Hubert, La (t) | IC-F | Boivin Tons, 1731 | 11 | 2HN/GF/OB/VN/VA |
//112//343//23//454 | 3 | Gelding of the Devil by Dick the Baker of Mansfield town, The (t) | SC-E | Pills 3, 1719-20 | 147-50 | VO |
//11/234//324/7-5- | 3 | Jenny Pluck Pears,1 (t) | PL-E | Playford 1-06, 1679 | 7 | VN |
//1/12343//25-1/17-6-//5- | C | Song In the Opera of Pyrrhus and Demetrius (t) | SC-E | Pocket Comp, 1725 | 22-23 | VO,HAF+FL |
//1+1/234//32/55//543 | 6/8 | Soairs, Les (t) | IC-S | Stewart Airs, 1788 | 1:47 | GF/VN/FI |
//112//343//34321//21217-//7-1//232 | 3/8 | And to the brisk fandango air (fl) | TW-E | Midnight Wand, 1793 | 25-27 | 2VO,KB |
//11234//343//13217-//1234//321 | 3/4 | 149th Psalm Tune (t) | AM-A | Van Renssel. MS, 1782 | I,12 | KB |
//1/1/2/34/3//4/4//3/3//1/1/2// | 3 [3/2] | Saint Thomas Wake (t) | MS-E | Fitzwilliam MS-1, 1609 | 131-134 | VI |
//11/234//353/15-//4-4-/3-4-5- | 2/4 | AM-A | Psalmody MS, 1798 | 128 | MI | |
//1/12//34/35//43/2// | C | Paris (t) | AM-A | Boynton MS, 1799 | 4 | 1 FI |
//1+1/23//43/65//43/2123//32 | C/ | Come Ye Nymphs (t) | SS-E | SS, Harvard | 1-2 | VO,KB,GF+GT |
//11234//43/322//42/212 | 2/4 | Quick March (t) | AM-A | Otis MS, 1793 | 24 | 2VN/2FL |
//1123/4444/4321/7-5-127-1//1217-123212/ 34323 |
C/ | Two Part Song Between Tigranis & Cleora, A (t) | SS-E | SS, Harvard | 1 | 2VO,B+2FL |
//1/123//4/456//54/323// | C/ [6/4] | Sellinger's Round (t) | MS-E | Fitzwilliam MS-1, 1609 | 248-253 | VI |
//112//345//123//234 | 3/4 | Air 19, Act Iii (t) | BA-E | Beggar's Opera, 1728 | T54M15 | VO |
//112//345//123//234 | 3/4 | Air 60 (t) | BA-E | Beggar's Opera, 1765 | 88 | VO |
//112//345//123//234 | 3/4 | Britons Strike Home (t) | AM-A | Hawkins MS, 1794 | II,11 | GF |
//112//345//123-//234 | 3/4 | Air 26 (t) | BA-E | Quaker's Opera, 1728 | 48 | VO |
//112//345//123//234//5- | 3/4 | Air 60 (t) | BA-E | Beggar's Opera, 1777 | 109-110 | VO |
//1-1-2-//3-4-5-//1-2-3-//2-3-4-//5-4-3- |
3/4 | Air 1 (t) | BA-E | Britons Strike, 1739 | 6 | VO |
//112//345//123//234//543 | 3/4 | Briton's Strike Home (t) | MS-S | Gillespie MS, 1768 | 25 | 2VN |
//112//345//123//234//543//2 | 3/4 | Britons Strike Home (t) | IC-E | Astor Oboe, 1800 | 14 | OB |
//112//345//123//234//543//2 | 3/4 | Siege of Valenciennes, The. Britons Strike Home (t) | IC-E | English Sheet Music | PF | |
//112//345//123//234//543//2 | 3/4 | Britons Strike Home (t) | IC-E | Longman Flute, 1769 | 19 | GF |
//112//345//123//234//543//2 | 3/4 | Britons Strike Home (t) | IC-E | Longman Horn, 1785 | 25 | 2HN |
//112//345//123//234//543//2 | 3/4 | Surrender of Toulon, The. Toulon In Sight. Britons Strike Home (t) | IC-S | Scottish Sheet Music | PF/HA | |
//112//345//123//234//543//2 | 3/4 | Britons Strike Home (t) | IC-E | Thompson Horn, 1755 | 28 | 2HN |
//112//345//123//234//543//2// | 3/4 | Britons Strike Home (t) | IC-E | Thorowgood Guitar, 1763 | 16 | GT |
//112//345//123//234//56543//2// | 3/4 | Britons Strike Home (t) | IC-E | Hill Flute, 1762 | 19 | GF |
//1+/1234//5/1234//51+ | 2/4 | Hessen-Casselscher Grenad. March Von Printz Wilhelm No 1 (t) | MS-G | Darmstadt MS 1224 | 169 | MI |
//1+/1234//5/1234//51+/35 | 2/4 | March Printz Wilhelm V. Hessen (t) | MS-G | Darmstadt MS 1225 | 151-52 | 2MI |
//112//345//123//543 | 3/4 | Britons Strike Home (t) | AM-A | Beck MS, 1786 | 121 | GF |
//1+1234//5//1+3+//72+ | 3/4 | Minuet Giardini (t) | AM-A | Allen, Joel, MS, 1800 | 10V | MI |
//1/1234//51+5/353//42/17-// | 2/4 | Quatre Berceaux, Les. Quadrille Allemand a Douze (t) | DA-F | Bouin CD LC-1, 1780 | 55 Feuille, 2 Vol. | MI |
//1+1234//51+//54321//2+3+4+//3+1671+ | 3/4 | Banks of Sligoe, The (t) | IC-E | Caledonian PC, 1760 | II,8 | GF |
//11234//51+5//6654 | 3 | Draper's Maggot (t) | DA-E | Walsh CD-1.1, 1718 | 217 | VN/OB/FL |
//11234//51+5//6654//5543 | 3 | Cupids Guess (t) | DA-E | Walsh NCDM-2, 1710 | 136 | VN/OB/FL |
//11234//51+5//6654//5543//4432 | Drapers Maggot (t) | PL-E | Playford 1-13, 1706 | 362 | VN | |
//11234//51+5//6654//5543//4432 | 3:I | Drapers Maggot (t) | PL-E | Playford 1-14, 1709 | 203 | VN |
//11234//51+5//6654//5543//4432 | 3:I | Drapers Maggot (t) | PL-E | Playford 1-15, 1713 | 203 | VN |
//11234//51+5//6654//5543//4432 | 3:I | Drapers Maggot (t) | PL-E | Playford 1-16, 1716 | 203 | VN |
//11234//51+5//6654//5543//4432//3 | 3:I | Draper's Maggot (t) | PL-E | Playford 1-17, 1721 | 203 | VN |
//11234//51+5//6654//5543//4432//3 | 3:I | Draper's Maggot (t) | PL-E | Playford 1-18, 1728 | 203 | VN |
//11/234//51+/75//66/71+2+ | 6/4 | St. James's Bason (t) | DA-E | Johnson CD-1, 1740 | 8 | MI |
//11/234//51+/75//66/71+2+// | 6/8 | St. James Bason (t) | MS-E | Vickers MS, 1770 | 110 | MI |
//11/234//51+/75//66/71+2+ | 6/4 | St James Bason (t) | DA-E | Walsh CD-2.3, 1735 | 198 | VN/OB/GF/CF |
//11/234//51+/75//66/71+2+ | 6/4 | St. Jame's Bason (t) | DA-E | Walsh CD-3.3, 1749 | 186 | VN/OB/GF |
//11234//51+7//654 | 3/8 | Troop (t) | IC-E | Andrews Fife, 1808 | 10 | FI/GF |
//11234//51+7//654 | 3/8 | Troop (t) | IC-E | Bennett Fife, 1770 | 8 | FI ; FI |
//11234//51+7//654 | 3/8 | Troop (t) | AI-A | Fifer's Comp, 1805 | 72 | 2FI |
//11234//51+7//654 | 3/8 | Troop (t) | IC-E | Goulding Fife, 1790 | 19 | FI |
//11234//51+7//654 | 3/8 | Troop (t) | IC-E | Longman Fife, 1780 | 9 | FI/GF |
//11234//51+7//654 | 3/8 | Troop (t) | IC-E | Preston Fife, 1796 | 8 | FI/GF |
//11234//51+7//654 | 3/8 | Troop (t) | IC-E | Rutherford Fife, 1756 | 7 | FI |
//11234//51+7//654 | 3/8 | Troop (t) | IC-E | Skillern Fife, 1780 | 9 | FI/GF |
//11234//51+7//654 | 3/8 | Troop (t) | IC-E | Thompson Fife, 1760 | 8 | FI |
//11234//51+7//654 | 3/8 | Troop (t) | AI-A | Village Fifer, 1808 | 14 | FI |
//11234//51+7//654 | 3/8 | Troop (t) | AI-A | Willig Fife, 1805 | 8 | FI |
//11234//51+7//654//54565//11234 | 3/8 | Troop (t) | IC-E | Thompson Fife, 1770 | 8 | FI |
//11234//51+7//654//54565//11234//51+7 | 3/8 | Troop (t) | IC-E | Clementi Fife, 1815 | 9 | FI |
//11234//51+7//654//54565//11234//51+7// |
3/4 | Troop, A (t) | MS-S | Fife MS, 1780 | 44,5v | 1FI OR 2FI/VN |
//11234//51+7//654//54565//11234//51+7 | 3/8 | Troop (t) | IC-E | Longman Fife, 1770 | 9 | FI |
//11234//51+7//654//54565//11234//51+7// |
3/8 | Troop (t) | IC-E | Thompson Fife, 1786 | 9 | FI/FL |
//11/234//51+/76//66/71+2+ | 6/4 | St. James's Bason (t) | MS-E | Hammersley MS, 1790 | 28 | MI |
//112/34//5/222//32/2// | C/ | Vocal Lesson. Sing to the King of Kings (t), or Sing to the King of Kings ( | MS-E | Rogers MS, 1656 | 109 | VI |
//11/234//52+/75//66/671+//2+ | 6/4 | Basem, La (t) | MS-M | Garcia MS, 1772 | 129 | MI |
//11234//531+//425//11+7//1+54 | 3/4 | Gay Bacchus One Evening Invited His Frinds (t) | SC-E | Vocal Music, 1778 | 253-255 | VO/VN/GF |
//11//2345//315 | 2/4 | Air 13 (t) | BA-E | Lottery, 1732 | 21 | VO |
//1123453/1+531//5-5-5-/5- | C | Lieutenant Arrested (t) | TW-E | Choice/Harleq, 1781 | 40 | HAF |
//1+1/2345//31/65//671/43 | C | Oiseau Royal Cotillon, L' (t) | AM-A | Greenwood MS, 1785 | 11 | MI |
//11234//531//6-6-17-2//1565//42454//313 43 |
3/4 | Tempo di Minuetto (t) | IC-E | Valentine March, 1787 | 2 | 2VN,2OB/FL,2HN,VA,BF |
//112345/3214//217-7/217-2//111345 | C/ | Hambleton's Rant (t) | DA-E | Johnson CD-1, 1740 | 59 | MI |
//11/23//45/321//44/24//321/5 | C/ | Song, A (t) | SC-E | Pills 3, 1719-20 | 202-3 | VO |
//11/23//45/321//44/25 | C/ | O Mother, Roger (t) | PL-E | Playford 1-09, 1695 | 166 | VN |
//11/23//45/321//44/25 | C/ | O Mother, Roger (t) | PL-E | Playford 1-10, 1698 | 166 | VN |
//11/23//45/321//44/25 | C/ | O Mother, Roger (t) | PL-E | Playford 1-11, 1701 | I,166 | VN |
//11/23//45/321//44/25 | C/ | O Mother, Roger (t) | PL-E | Playford 1-12, 1703 | 166 | VN |
//11/23//45/321//44/25 | C/ | O Mother, Roger (t) | PL-E | Playford 1-13, 1706 | 166 | VN |
//11/23//45/321//44/25 | C/ | O Mother Roger (t) | PL-E | Playford 1-14, 1709 | 166 | VN |
//11/23//45/321//44/25 | C/ | O Mother, Roger (t) | PL-E | Playford 1-15, 1713 | 166 | VN |
//11/23//45/321//44/25 | C/ | O Mother, Roger (t) | PL-E | Playford 1-16, 1716 | 166 | VN |
//11/23/45/321//44/25 | C/ | O Mother, Roger (t) | PL-E | Playford 1-17, 1721 | 166 | VN |
//11/23/45/321//44/25 | C/ | O Mother, Roger (t) | PL-E | Playford 1-18, 1728 | 166 | VN |
//11/23//45/321//44/25// | C/ | Preno Do (t) | IC-N | Pointel Recueil, 1688 | 21 | MI/B |
//11/23//45/321//44/25 | C/ | O Mother, Roger (t) | DA-E | Walsh CD-1.1, 1718 | 179 | VN/OB/FL |
//11/23//45/321//44/25 | C/ | O Mother Roger (t) | DA-E | Walsh CD-2.1, 1731 | 32 | VN/OB/GF/RC |
//11/23//45/321//44/25 | C/ | O Mother Roger (t) | DA-E | Walsh CD-3.1, 1754 | 56 | VN/OB/GF |
//1+12/3453//2345/671+2+//4+3+2+1+/671+6 |
C/ | Hornpiper Pipes (t) | AM-A | Shattuck MS, 1801 | 100 | MI |
//1/1234//5/33//25/25// | 2/4 | Hunter's Chorus, The (t) | AI-A | Admired Cots-1.3, 1825 | 1-2 | PF |
//1/1234//5/33//25/25 | 2/4 | Rondo Allegro (t) | AI-A | American Sheet Music | PF | |
//1/1234//5/33//25/25 | 2/4 | Hunter's Chorus, The (t) | AI-A | Ashton Clar, 1825 | 22 | CL |
//1/1234//5/33//25/25 | 2/4 | Hunter's Chorus, The (t) | AI-A | Firth Cl, 1832 | 22 | CL |
//1-/1-2-3-4-//5-/3-3-//2-5-/2-5- | 2/4 | Hunter's Chorus (t) | AI-A | Merrimack Coll, 1833 | 30-31 | 2MI,B |
//1/1234//5/33//25/25 | 2/4 | Huntsmen's Chorus In der Freyschutz (t) | IC-E | Purday Bugle, 1830 | 18 | BU |
//1/1234//5/33//25/25// | 2/4 | Hunters Chorus (t) | AM-A | Pynchon MS, 1797 | 28r | MI |
//1/1234//5/33//25/25 | 2/4 | Jager Chor (t) | AI-A | Riley Flute 3, 1820 | 85 | FL |
//1/1234//5/33//434/25 | C/ | Ages, Les (t) | IC-S | Stewart Airs, 1788 | 3:124-25 | GF/VN/FI |
//1/12//3/4//53/45// | C/ | Christmas Hymn (t) | AM-A | Winnington MS, 1810 | 10 | KB |
//112/3453//456/453//12/3432 | 3/4 | Go Where Glory Waits Thee (t) | AI-A | Paff Amus 2, 1812 | 10 | FL/VN |
//1123453//456453//123432//1//1123453 | 3/4 | Go Where Glory Waits Thee (t) | AI-A | Riley Flute 1, 1814 | 18 | FL |
//1123453//456453//123432//1115-//112345 3 |
3/4 | #47 (t), or Maid of the Valley, The (at) | IC-E | Bunting, 1796 | 26 | PF |
//1123453//456453//123432//13153//1+1+76 71+ |
3/4 | Favorite Irish Air, A (t) | IC-I | Logier Bugle, 1813 | 31 | BU |
//1+12/3453//4567/2+1+765//61+71+/3+1+1+ 6// |
C | Fourteenth of February (t) | DA-E | Wilson Companion, 1816 | 86 | MI |
//1/1234//53/53//64/1+6 | 2/4 | Reel, A (t) | AM-A | Turner MS, 1788 | I,50 | VN |
11/2345//3/567//1+2+71+/656// | C/ | Almaine (t) | MS-E | Rogers MS, 1656 | 76 | VI |
//1/1234//54//3/2 | 2/4 | Vulcans March (t) | IC-S | Aird 4, 1796 | 47 | FI/GF/VN |
//1-/1-2-3-4-//5-4-//3-/2-//1-2- | 2/4 | Vulcans March (t) | IC-S | Watlen Marches, 1798 | 3 | PF/FL/VN |
//112//34//543//212//112//34 | 3/4 | Mr. Scots Tune (t) | IC-E | Simpson Horn, 1746 | 3R | HN |
//112//345//432//1//32 | 3/4 | Hope Thou Nurse (t) | MS-E | Carter MS, 1792 | 2 | MI |
//11-2-3-4-//5-4-3-//6-6-17-2//12//321 | 3/8 | New Song, A (t) | SC-E | Clio-3, 1762 | 190-191 | VO,HAF+GF |
//1+1234//543//667//1+1+//2+2+2+ | 3/4 | British Tarrs, The (t) | SS-E | SS, Boston PL-2 | 106 | VO,KBF+GT |
//1+1234//5451+//651+2+3+//435//666//551 + |
3/4 | Oh leave me in pity (fl) | TW-E | Maid/Mill, 1765 | 64-65 | VO,HAF |
//1+/1234//55/31//1+/1231 | 2/4 | Mrs Gray (t) | AI-A | Riley Flute 3, 1820 | 1 | FL |
//11234//553//44346//24//315//227- | 3/8 | Waltz (t) | AI-A | Balls Amus 1, 1815 | 31 | FL/FI/VN |
//11234//5535//4424 | 3/8 | Troop for the Colours (t) | IC-E | Andrews Fife, 1808 | 10 | FI/GF |
//11234//5535//4424 | 3/8 | Troop for the Colours (t) | AI-A | Fifer's Comp, 1805 | 73 | 2FI |
//11234//5535//4424 | 3/8 | Troop for the Colours (t) | IC-E | Goulding Fife, 1790 | 19 | FI |
//11234//5535//4424 | 3/4 | First Minuetto (t) | AI-A | Instrum Asst-2, 1807 | 41 | 2MI,B |
//11234//5535//4424 | 3/8 | Troop for the Colours (t) | IC-E | Longman Fife, 1780 | 9 | FI/GF |
//11234//5535//4424 | 3/8 | Troop for the Colours (t) | IC-E | Preston Fife, 1796 | 9 | FI/GF |
//11234//5535//4424 | 3/8 | Troop (t) | IC-E | Rutherford Fife, 1756 | 8 | FI |
//11234//5535//4424 | 3/8 | Troop for the Colours (t) | IC-E | Skillern Fife, 1780 | 9 | FI/GF |
//11234//5535//4424 | 3/8 | Troop for the Colours (t) | IC-E | Thompson Fife, 1760 | 9 | FI |
//11234//5535//4424 | 3/8 | Troop for the Colours (t) | AI-A | Village Fifer, 1808 | 15 | FI |
//11234//5535//4424//331 | 3/8 | Troop for the Colours (t) | AM-A | Shattuck MS, 1801 | 106 | MI |
//11234//5535//4424//331//22432 | 3/8 | Troop for the Colours (t) | IC-E | Thompson Fife, 1770 | 9 | FI |
//11234//5535//4424//331//22432//11+1 | 3/8 | Troop for the Colors (t) | IC-E | Clementi Fife, 1815 | 9 | FI |
//11234//5535//4424//331//22432//11+1 | 3/8 | Oxfordshire March, The (t) | IC-E | Handel March 2, 1770 | 5 | VN/GF/OB |
//11234//5535//4424//331//22432//11+1 | 3/8 | Troop for the Colours (t) | IC-E | Longman Fife, 1770 | 9 | FI |
//11234//5535//4424//331//22432//11+1// | 3/8 | Troop for the Colours (t) | IC-E | Wilson Fife, 1805 | 21 | FI |
//11234//5535//4424//331//22432//11+1// | 3/8 | Troop for the Colours (t) | IC-E | Wilson Fife, 1805 | 27 | FI |
//11234//5535//4424//3313//22432//11+1 | 3/4 | Minuetto (t) | IC-E | Longman Horn, 1785 | 32-33 | 2HN |
//11234//5535//4424//3313//22432//11+1 | 3/4 | Minuetto (t) | IC-E | Thompson Horn, 1755 | 17 | 2HN |
//11234//5535//4424//331//44654//11+1// | 3/8 | Troop for the Colours (t) | IC-E | Thompson Fife, 1786 | 9 | FI/FL |
//11234//5535//54424//43313//322432//11+ 1 |
3/4 | Light Minuetto (t) | AI-A | Merrimack Coll, 1833 | 69 | 2MI,B |
//11234//553//664//5545//11234//553 | 3/8 | Madame Bonaparte's Waltz (t) | IC-S | Pandean Coll 1, 1810 | 31 | PF |
//11234//553//664//5565//11234//553 | 3/8 | Madam Buonapart's Waltz (t) | AI-A | Balls Amus 1, 1815 | 33 | FL/FI/VN |
//11234//553//664//5565//11234//553 | 3/8 | Waltz (t) | IC-E | Jouve Marches, 1799 | PF,TAM,CYM/TRI | |
//11234//553//664//5565/11234//553//6671 +6// |
3/8 | Cumberland Waltz (t) | AI-A | Gilfert Gents PC, 1802 | 12-13 | GF/VN |
//11234//554//35//123 | 3/4 | Song 16 (t) | SC-E | Vocal Enchant, 1783 | 32-34 | VO |
//11/2345/5//456/7654/21// | 3/4 | County of Terone, The. a Retreat (t) | MS-S | Fife MS, 1780 | 29a,3v | 1FI OR 2FI/VN |
//1/1234//55/51+//71+/71+ | 2/4 | Quick Step In Oscar & Malvina (t) | AM-A | Beach MS, 1801 | 46 | MI,2HN |
//1-/1-2-3-4-//5-5-/5-1//7-1/7-1 | C | Quick March In Oscar & Malvina (t) | AM-A | Curtiss MS, 1800 | 20 | 2VN |
//1/1234//55/51+//71+/71+// | 2/4 | Oscar & Malvina (t) | AM-A | Cushing MS, 1805 | 124 | MI |
//1-/1-2-3-4-//5-5-/5-1//7-1/7-1 | 2/4 | Quick March (t) | AI-A | Herrick Preceptor, 1807 | 19 | 2MI,B |
//1-/1-2-3-4-//5-5-/5-1//7-1/7-1 | Handel's Quick March (t) | AI-A | Hulbert Fife, 1811 | 22 | FI | |
//11234//5551+//71+71+ | 2/4 | Second Quick March (t) | AI-A | Instrum Asst-2, 1807 | 10 | 2MI,B |
//1-/1-2-3-4-//5-5-/5-1//7-1/7-1 | 2/4 | Lincoln Quick Step (t) | AI-A | Merrimack Coll, 1833 | 28 | 2MI,B |
//1/1234//55/51+//71+/71+// | 2/4 | Quick March In Oscar &c. (t) | AM-A | Pierian MS, 1810 | 10 | MI,B |
//1/1234//55/51+//71+/71+//5 | 2/4 | Quick March In the Pantomime of Oscar and Malvina (t) | AI-A | Musical Rep-1, 1796 | 25 | KB |
//1+1234//55-//5+3+5+//4+2+71+//2435//54 3// |
3 | Menuet 1 (t) | DA-F | Landrin Potpourri, 1785 | 4 | MI |
//11234//5553//6664//5553//4442//3331// | 3/4 | Prince of Eales Waltz (t) | AM-A | Bevens MS, 1825 | 21v-22r | FI |
//1/1234//55/54//334/5432// | C/ | Granadeers March, The (t) | IC-E | Apollo's Banquet 1-5, 1687 | 78 | VN |
//1/1234//55/54//334/5432 | C/ | Granadeers March, The (t) | PL-E | Playford 1-07, 1686 | 196 | VN |
//1/1234//55/54//334/5432 | C/ | Grandiers March, The (t) | PL-E | Playford 1-08, 1690 | 182 | VN |
//1/1234//55/54//334/5432 | C/ | Granadiers March, The (t) | PL-E | Playford 1-09, 1695 | 123 | VN |
//1/1234//55/54//334/5432 | C/ | Granadiers March, The (t) | PL-E | Playford 1-10, 1698 | 123 | VN |
//1/1234//55/54//334/5432 | C/ | Granadiers March, The (t) | PL-E | Playford 1-11, 1701 | I,123 | VN |
//1/1234//55/54//334/5432 | C/ | Granadiers March, The (t) | PL-E | Playford 1-12, 1703 | 123 | VN |
//1/1234//55/54//334/5432 | C/ | Granadiers March, The (t) | PL-E | Playford 1-13, 1706 | 123 | VN |
//1/1234//55/54//334/5432 | C/ | Granadiers March (t) | PL-E | Playford 1-14, 1709 | 123 | VN |
//1/1234//55/54//334/5432 | C/ | Granadiers March (t) | PL-E | Playford 1-15, 1713 | 123 | VN |
//1/1234//55/54//334/5432 | C/ | Granadiers March (t) | PL-E | Playford 1-16, 1716 | 123 | VN |
//1/1234//55/54//334/5432 | C/ | Grenadiers March (t) | PL-E | Playford 1-17, 1721 | 123 | VN |
//1/1234//55/54//334/5432 | C/ | Grenadiers March (t) | PL-E | Playford 1-18, 1728 | 123 | VN |
//1/1234//55/54//334/5432 | C/ | Grenadiers March (t) | DA-E | Walsh CD-1.1, 1718 | 136 | VN/OB/FL |
//1/1234//55/54//334/5432 | C/ | Grenadiers March (t) | DA-E | Walsh CD-2.1, 1731 | 99 | VN/OB/GF/RC |
//1/1234//55/54//334/5432 | C/ | Grenadiers March (t) | DA-E | Walsh CD-3.6, 1754 | 186 | VN/OB/GF |
//1+1234/555//535+/5+4+4+3+//2+7-123/444 |
C | Governor Strong's March (t) | AI-A | American Sheet Music | 1 | PF |
//1+1234/555//535+/5+4+4+3+//2+7-123/444 // |
C | Governor Strongs March (t), or Duettino I (at) | AI-A | Gentlemen's PC, 1802 | 2 | 2GF |
//1/1234//555/555//311/1 | 6/8 | Federal Overture-Tune 7 (t), or Carmagnole, La (at) | AI-A | Gent's Amus, 1794 | 44 | 2GF |
//112/34//55-/5-//5-5-6- | C/ | Old Tom of Bedlam (t) | SS-E | SS, Folger-C42.4 | 307 | VO+FL |
//1+1+2+/3+4+//5+5/5//556/7567 | C/ | Song 3, Act I (t) | BA-E | Penelope, 1728 | T24M11 | VO |
//1+1+2+/3+4+//5+5/5//556/7567 | C/ | Song 48 (t), or Tom of Bedlam (at) | SC-E | Ritson, 1783 | TII,146-148;MIII,268-2 | VO |
//1+1+2+/3+4+//5+5/5//556/7567 | C/ | Old Tom of Bedlam (t) | SS-E | SS, Folger-C42.1 | 164 | VO+FL |
//1+1+2+/3+4+//5+5/5//556/7567//1+1 | C/ | Old Tom of Bedlam (t) | SS-E | SS, Harvard | 1 | VO+FL |
//11-2-3-4-/5-5-5-7-5-//1332/17-1217-12/ /3554 |
C/ | March 20 (t) | IC-E | Thompson March, 1771 | 10-11 | 2CL/2VN/2FL/2OB,2FH,BF |
//1-1-2-/3-4-//5-5-6-5-4-/3-5-5-//6-6-16 -/5-3-4-5- |
C/ | Genl la Fayette's Grand March (t) | AI-A | American Sheet Music | 3 | PF |
//1-1-2-3-4-/5-5-6-7-//111/15-6-7-//1123 4/5567 |
C | Battle, The. Arrivo Al Campo (t) | IC-E | English Sheet Music | 15 | PF,VN,VC |
//11234/5567//1+135/1+//6/5345 | C | Lord Robt Berties March (t) | IC-E | Skillern Amus, 1785 | 34-35 | 2GF |
//11234//55671+//2+2222//24+3+2+//1+14// 3451+// |
3/4 | Minuet, A (t) | AM-A | Ormsby MS, 1758 | 301 | VN |
//11234//55-6-7-1//22345//66-7-12//32343 2343234//3 |
3/4 | Danaise, La (t) | MS-M | Garcia MS, 1772 | 77V [185] | MI |
//1+12/34//55-6-/7-1//234/5 | 6/4 | Catch Club, The (t) | PL-E | Playford 1-15, 1713 | 305 | VN |
//1+12/34//55-6-/7-1//234/5 | 6/4 | Catch Club, The (t) | PL-E | Playford 1-16, 1716 | 305 | VN |
//1+12/34//55-6-/7-1//234/534 | Catch Club, The (t) | PL-E | Playford 1-11, 1701 | I,305 | VN | |
//1+12/34//55-6-/7-1//234/534 | 6/4 | Catch Club, The (t) | PL-E | Playford 1-12, 1703 | 305 | VN |
//1+12/34//55-6-/7-1//234/534 | 6/4 | Catch Club, The (t) | PL-E | Playford 1-13, 1706 | 305 | VN |
//1+12/34//55-6-/7-1//234/534 | 6/4 | Catch Club, The (t) | PL-E | Playford 1-14, 1709 | 305 | VN |
//1+12/34//55-6-/7-1//234/534 | 6/4 | Catch Club, The (t) | PL-E | Playford 1-17, 1721 | 305 | VN |
//1+12/34//55-6-/7-1//234/534 | 6/4 | Catch Club, The (t) | PL-E | Playford 1-18, 1728 | 305 | VN |
//1+1/2/34//55-6-/7-1//234/534 | 6/4 | Catch Club (t) | DA-E | Walsh CD-1.1, 1718 | 319 | VN/OB/FL |
//11234//55675//1+1+32+1+//71+71+//67564 5 |
3/4 | Minuet by Mr. Ward, A (t) | AM-A | Simpson MS, 1750 | II,14 | FL |
//11234/55675//1+3+3+/2+1+765432//11321/ 55765 |
C/ | Hungarians Delight, The (t) | DA-E | Johnson CD-5, 1750 | 80 | VN/GF |
//11234//561//7-7-7-2//1315- | 3/4 | Mennuet (t) | MS-E | Brown, W. MS, 1797 | 66-67 | 2MI |
//1+12//345//645342//12//31+7 | 3/8 | Blaze of Charms, The (t) | SC-E | Musical Ent-2, 1740 | 29 | VO,HAF+FL |
//1+12/345//654/321//1+71+/671+ | 6/8 | Poor Tom (t) | DA-E | Bride CD, 1776 | IV,94 | VN/OB/GF |
//1+12/345//654/321//1+71+/671+ | 6/8 | Poor Tom (t) | DA-E | Thompson CD-5, 1788 | 92 | VN/GF/OB |
//1+12/345//654/321//1+71+/671+// | 6/8 | Poor Tom (t) | DA-E | Thompson CD-5a, 1788 | 92 | VN/GF/OB |
//1/1234//565/453//42/17-// | 2/4 | 4 Cerceaux, Les (t) | MS-F | 4 Comtesses MS, 1775 | 7v-8r | MI |
/112//34/56//5/567//1+7/ | 2 | Bouquet de Vilage, Le (t) | IC-F | Leclerc Recueil-2, 1737 | 77 | HAF |
//11234//56//561+//35321//2 | 3/4 | Mary Scott (t) | IC-E | Simpson Record, 1745 | 21 | RC |
//11234//56//561+//35321//235 | 3/4 | Mary Scot (t), or Song 19 (at) | SC-E | Orpheus Cal-1, 1733 | T38-39MOP38 | VO,HA |
//11234//56//561+//35321//235 | 3/4 | Mary Scot (t) | SC-E | Watts MM-2, 1729 | 140-141 | VO/VN |
//11234//56//561+//35321//235//6 | 3/4 | Mary Scot the Flower of Yarrow (t) | SC-E | Calliope, 1746 | I,64 | VO,B+FL |
//11234//56//561+//35321//235//6 | 3/4 | Mary Scot (t) | SS-E | SS, Harvard | 1 | VO/GF,B+FL |
//11234//56//561+//35321//235//6 | 3/4 | Mary Scot (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//11234//56//5671+//35321//235 | 3/4 | Love Return'd (t) | SC-E | Musical Ent-2, 1740 | 99 | VO,HAF+FL |
//1/123//456/66//6/543//21 | 6/8 | Was I sure a life to lead (fl) | TW-E | Maid/Mill, 1765 | 34-35 | VO,HAF |
//11-/2-3-//4-5-6-/7-12//123/234 | 6/8 | Wind Mill, The (t) | DA-E | Rutherf CD-1, 1750 | 31 | VN/FL/OB,HAF |
//11-/2-3-//4-5-6-/7-12/123/234//321 | 6/8 | Wind Mill, The (t) | DA-E | Rutherf CD-2.2, 1760 | 48 | MI |
//1+12/345//671+/2+2//3+3/456// | C/ | New La Rustick, The (t) | IC-E | Apollo's Banquet 1-1, 1670 | 213 | VN |
//1/1-2-3-4-5-6-7-//12345654/343217-6-5- //6-5-4-3-4-5-6-7-/12345671+// |
C/ | Praeludium (t) | MS-E | Fitzwilliam MS-1, 1609 | 180 | VI |
//112345671+/5434//34/32 | C | Poor Children Three (t) | SC-E | Musical Ent-2, 1740 | 24 | VO,HAF+FL |
//1+1234//5672+1+76//53+2+1+7//1+765//4 | 3/4 | Garner's Air (t) | AI-A | Instrum Asst, 1800 | 76 | VN/GF/CL/OB,BVIOL |
//1+1234//5672+1+76//53+2+1+7//1+765//43 42+1+2+//3231+71+ |
3/4 | Garner's Air (t) | AM-A | Woodruff MS, 1803 | 87-88 | MI,B |
//11+2/34/56/75//1+2+1+7/62/565/54 | 12/8 | Air 12 (t) | BA-E | Generous Free, 1731 | 21 | VO |
//112/34//56/765//1+71+ | 6/4 | Marriage Whim. A Song, The (t) | SS-E | SS, Folger-C42.3 | 245 | VO,KB+FL |
//11-2-3-4-//5-7-7-//13//7-2//11-2-3-4-/ /5-1234 |
3/4 | Minuetto (t) | AM-A | Curtiss MS, 1800 | 104 | 2VN |
//112//35//123//234//343 | 3 | Brittains Strike Home (t) | AM-A | Parkman MS, 1721 | 33 | MI |
//112//35//123//234//543 | 3 | Britons Strike Home (t) | IC-E | Delightful-1, 1763 | I,23 | 2GF |
//112//35//123//234//543 | 3 | Britons Strike Home (t) | SC-E | Muses Delight, 1754 | 202 | VO,HA |
//112//35//123//234//543 | 3 | Britains Strike Home (t) | SS-E | SS, Folger-C42.2 | 124,1 | VO,KB+F |
//112//35//123//234//543 | 3 | Britons Strike Home (t) | SS-E | SS, Folger-C42.2 | 153 | VO,KB+F |
//112//35//123//234//543 | 3 | To Arms and Britons Strike Home (t) | SS-E | SS, Folger-C42.3 | 344 | VO,KB+FL |
//112//35//123//234//543//2 | 3/4 | Battle of Waterloo, The (t), or Britons Strike Home (at) | AI-A | American Sheet Music | 2VO,PF | |
//112//35//123//234//543//2 | 3/4 | Grand Military Sonata, A. Britons Strike Home (t) | IC-E | English Sheet Music | 2VO/PF | |
//112//35//123//234//543//2 | 3/4 | Siege of Quebec. National Air (t), or Britons Strike Home (at) | IC-E | English Sheet Music | HA/PF,VN,VC | |
//112//35//123//234//543//2 | 3/4 | Britannia. Britons Strike Home (t) | IC-E | English Sheet Music | PF | |
//112//35//123//234//543//2 | 3/4 | Battle of Vittoria. Britons Strike Home (t) | IC-N | Netherlands Sheet Music | PF | |
//112//35//123//234//543//32 | 3/4 | Siege of Valenciennes, The. The Duke of York to His Soldiers (t) | AI-A | American Sheet Music | HA/PF | |
//112//35//123//234//56543//2// | 3 | Ayre (t) | IC-E | Apollo's Banquet 1-8, 1701 | 9v,55 | VN |
//112/35//1234/5//5-6-7-/12 | C | His Majesty's Review of the Volunteer Corps of London. The Volunteers (t) | AI-A | American Sheet Music | 11 | PF |
//112/35//1234/5//5-6-7-/12 | C | His Majesty's Review. The Volunteers March to Their Respective Stations (t) | IC-E | English Sheet Music | 11 | PF |
//112//35//127-//12 | 3/4 | Psalm 104 (t) | IC-E | Cahusac Flute, 1788 | 38 | GF |
//112//35//127-//12//321//7-1// | 3/4 | Psalm 104 (t) | IC-E | Cahusac Flute, 1798 | 34 | FL |
//112//35//127-//12//321//7-1// | 3/4 | 149th Psalm, to the (t) | MS-S | Miller, J. MS, 1798 | [108] | FI |
//112//35//127-//12//321//7-1 | 3/4 | My Soul Praise the Lord (t) | IC-E | Purday Bugle, 1830 | 22 | BU |
//112//35//127-//12//321//7-1// | 3/2 | Dead March In Saul (t) | AM-A | Winnington MS, 1810 | [62] | KB |
//112//35//127-//12//321//7-1//217-6-5- | 3/4 | Psalm 104 (t) | IC-E | Cahusac Flute, 1792 | 34 | GF |
//112//35//127-//12//321//7-123 | 3/4 | Dead March, The (t) | IC-E | Potter Fife, 1817 | 23 | 2FI |
//112/3513//2/5-//6-4321/7-54 | C/ | Queen Elizabeth at Tilbury (t) | SS-E | SS, Boston PL-2 | 125 | VO,KB+GF |
//11-2-/3-5-//135/65//4321/7-6-//7-123/2 |
C | Banquo's Ghost (t) | IC-E | Caledonian PC, 1760 | II,6 | GF |
//112/35//25-/23//46 | 2 | Song, A (t) | SS-E | SS, Folger-C42.1 | 250 | VO,KB+FL |
//112/35//25-/23//46 | 2 | Song, A (t) | SS-E | SS, Folger-C42.4 | 497 | VO,KB+FL |
//112/35//25-/23//46/7-5//3 | 2 | New Song, A (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//1/123//53/13//5-/5-23 | 2/4 | #27 (t), or Quick March.#27 (at) | IC-E | Hinde 3, 1775 | 14 | GF/VN/OB+PF |
//1/12/353/15-//2/23 | 6/8 | Trip to Epping, A (t) | DA-E | Johnson CD-8, 1758 | 12 | VN/GF |
//112/35321//25-5-/5-5-//223/432 | C | March No. 1 (t) | AI-A | Williams Fife, 1826 | 10 | 2FI |
//1123/5331+//1123/532//1123/531+// | C | Saw Ye Johnny Coming (Old Scotch) (t) | DA-E | Wilson Companion, 1816 | 40 | MI |
//1123/5331+//1123/537//1+765/6537 | C | Fee Him Father Fee Him (t) | IC-S | Aird 5, 1797 | 50 | FI/VN/GF |
//1123/5331+//1123/537//1+765/6537 | C | Saw Ye Johnnie Cummin? (t) | SC-S | Scots MM-1, 1787 | 10 | VO,PF |
//112//35353//4334 | 3/4 | How Sweet Thro the Wood Lands (t) | AM-A | Greenwood MS, 1785 | 40 | MI |
//1123//536//5323 | 3/4 | Donnel and Flora (t) | SC-S | Edinburgh MM-2, 1793 | 176-178 | VO |
//1123//536//5323//521+//11123//531+ | 3/4 | Donnel and Flora (t), or Ballad On... General Burgoyne and His Gallant Army | SS-E | SS, Harvard | 1 | VO,KBF |
//1123//536//5323//531+ | 3/4 | Song 51 (t), or Donnel and Flora (at) | SC-E | Calliope, 1788 | 96-97 | VO |
//1123//536//5323//531+//11123 | 3/4 | Donald and Flora (t) | SC-S | Scots MM-3, 1790 | 261 | VO,PFF |
//1+12/354//311/12//3135/1+543 | C | President Madison's March (t) | AI-A | American Sheet Music | 1 | 2CL,2HN,B |
//1+1+2+3//54321//3451+2+3 | 3/4 | Favourite Cantata, A (t) | SC-E | Clio-2, 1759 | 2-3 | VO,HAF |
//1+1+2+3+//54321//3451+2+3+//2+5//654 | 3/4 | Song on a Goldfinch Flying Out at the Window... (t) | SS-E | SS, New York PL-C694 | 58 | VO,HAF |
//1+1+2+3+//54321//3451+2+3+//2+5//6541+ 71+ |
3/4 | Goldfinch to Chloe, The (t) | SS-E | SS, Boston PL-2 | 25 | VO,KB |
//1+1+2+3+//54321//3451+2+3+//2+5//6541+ 71+//5431+ |
3/4 | Song on a Goldfinch Flying Out at the Window While a Lady was Playing (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//1+1+2+3+/54//321/3543//27/27// | C/ | Kiss Me Fast My Mama is Comeing (t) | AM-A | Bevens MS, 1825 | 14v | FI |
//112/3543//222/2432//111/1321 | C | Tempest of War, The (t) | AM-A | Nixon MS, 1776 | 71 | FI |
//1/12/35/43/2//3/ | C/ | Psal.125 (t), or Ten Commandement Tune (at) | IC-E | Playford Skill, 1674 | 82 | 2VO |
//1+/1+2+3+54//3/54//351+2+/765 | C | Favourite Song In Ye Opera of Flavius, A (t) | SC-E | Pocket Comp, 1725 | 140-142 | VO,AI,HAF |
//1123/5-5-//17-12/12321//4456/ | C/ | Air 12 (t) | BA-E | Chambermaid, 1730 | 14 | VO |
//1123/5-5-//17-12/12321//4456/5321 | C/ | Air 21 (t) | BA-E | Village Opera, 1729 | 29 | VO |
//1123//5532//2235//6556//1+2+3+2+1+ | 3/4 | Lassie Lost Her Silken Snood, The-1 (t) | IC-E | Caledonian PC, 1760 | XII,22 | GF/VN |
//1123/5-5-6-//112/321//446/5321 | C/ | Bonny Jane (t) | AM-A | Woodruff MS, 1803 | 57 | MI |
//112//35-5-6-//112//35- | 3/4 | M'gregor Aruaro (t) | SC-S | Edinburgh MM-2, 1793 | 297-298 | VO |
//1123/5-6-//112/12321//46/5321 | C | Bonney Jean (t) | MS-S | Gillespie MS, 1768 | 42 | VN |
//1123/5-6-//112/12321//46/5321 | C | Bonny Jean (t) | AI-A | Riley Flute 2, 1817 | 67 | FL |
//1123/5-6-//112/321//46/5321 | C | Song 89 (t), or Bonny Jean (at) | SC-E | Calliope, 1788 | 172-173 | VO |
//1+123/5-6-//112/321//46/5321 | C/ | Bonny Jean (t) | SC-S | Edinburgh MM-2, 1793 | 278-280 | VO |
//1123/5-6-//112/321//46/5321//2321/6- | C | Bonny Jean (t) | SC-S | Scots MM-1, 1787 | 55 | VO,PF |
//1123/5-6-//12/321//46/5321 | C | Bonny Jane (t) | IC-E | Caledonian PC, 1760 | II,11 | GF |
//1123/5-6-//12/321//46/5321 | C | Bonny Jeane (t) | MS-E | Hammersley MS, 1790 | 107 | KB |
//1123/5-6-//12/321//46/5321// | C | Bonny Jean (t) | IC-E | Peacock Scotch Airs, 1762 | 33 | VN/GF/VC, HAF |
//1123/5-6-//12/321//46/5321 | C | Bonny Jean (t) | IC-S | Stuart, 1724 | IV,88-89 | HA |
//1123/5-6-//12/321//46/5321//2321 | C/ | Bonny Jean (t) | IC-E | Thumoth, 1785 | 18-19 | GF/VN,HAF |
//11/235//6/1+//531/123 | 6/8 | Gigg (t) | IC-E | Caledonian PC, 1760 | II,36 | GF |
//1123/5-6-//17-12/321//4456 | C/ | Bonny Jean (t) | SC-E | Calliope, 1746 | I,12 | VO,B+FL |
//1123/5-6-//17-12/321//4456 | C/ | Bonny Jean (t) | SS-E | SS, Folger-C42.3 | 52 | VO,KB+FL |
//1123/5-6-//17-12/321//4456/4321 | C/ | Bonny Jean (t) | AM-A | Ives MS, 1800 | 61 | KB |
//1123/5-6-//17-12/321//4456/5321 | C/ | Air 7, Act Iii (t) | BA-E | Female Parson, 1730 | 47 | VO |
//1123/5-6-//17-12/321//4456/5321 | C/ | Bonny Jean (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//1123/5-6-//17-12/321//4456/5321 | C/ | Bonny Jean (t) | SC-E | Watts MM-1, 1729 | 113-15 | VO/VN+FL |
//1123/5-6-/17-12/321//46/5321 | C | Bonny Jean (t) | AI-A | Caladonian Muse, 1798 | 121-22 | VO/PF/VN |
//1123/5-6-/17-12/321//46/5321//2 | C | Bonny Jean (t) | AI-A | Scots MM, 1797 | 121-22 | VO,HA/PF |
//112/35//61+72+/1+//3135/1+531 | 2/4 | Stickney's Favourite (t) | AI-A | Robbins D&F, 1812 | 31 | FI |
//1123/5-6-5-3-//1321/6-16- | C | Auld Land Syne (t) | SC-S | Scots MM-5, 1797 | 426 | VO,PF |
//11/235//653/216-//11/235 | 6/8 | Linkin Laddie, The (t) | SC-S | Scots MM-3, 1790 | 246 | VO,PF |
//11/235//653/23//11/235 | 6/8 | Hey, Jenny, Come Down to Jock (t) | SC-S | Scots MM-2, 1788 | 175 | VO,PFF |
//11/235//653/23//11/235 | 6/8 | Hey Jenny Come Down to Jock (t) | AI-A | Village Fifer, 1808 | 31 | 2FI |
//1123//5653//561+34 | 3/4 | Mari Nighean Deorsa, Highland Air (t) | IC-S | Aird 6, 1803 | 41 | FI/VN/GF |
//112/35//6567/1+6 | C | Norths March (t) | AM-A | Clarke MS, 1800 | 3 | MI |
//112/356//71+7/61//135/567 | 6/8 | #15 (t), or Open the Door Softly (at) | IC-E | Bunting, 1796 | 8 | PF |
//11235//7-6-5-17-//6-6-7-16-//3-37-//1 | 3/4 | Fair Eliza (t) | SC-S | Scots MM-4, 1792 | 379 | VO,PF |
//112/36-3//436/535//663 | When maids live to thirty (fl) | SS-E | SS, Folger-C42.2 | 159 | VO,KB+F | |
//112/36-3//436/535//663 | 6/4 | When maids live to thirty yet never repented (fl) | SS-E | SS, Folger-C42.3 | 431 | VO+FL |
//112/36-3//436/535//663/443 | 3 | When maids live to thirty, yet never repented (fl) | SC-E | Pills 5, 1719-20 | 98-99 | VO |
//112/365//5/43//322/1265 | 6/8 | Lesson for Each Pretty Maid, A (t) | AI-A | Riley Flute 4, 1826 | 34 | FL |
//1+12/365//66-7-/121//7-36-/5-7-1//16- | C/ | Mohocks, The (t), or Song, A (at) | SC-E | Pills 6, 1719-20 | 336-7 | VO |
//1123/6-6-7-//112/321//3213/5327-// | C | Bonny Jean (t) | AM-A | Bevens MS, 1825 | 9v | FI |
//1123/6-6-7-//112/321//3213/5327- | C | Bonny Jean (t) | AI-A | Steele Fife, 1815 | 20 | FI |
//112//37-//17-12//7-//333//4// | C3 | Will Cloris Cast Her Sun-bright Eye (t) | IC-E | Playford Skill, 1674 | 67 | 2VO |
//112/37-//17-16-/5-5-//112/321 | C | Flitch of Bacon, The (t) | AI-A | Whiteley Prec, 1816 | 21 | CL,OB,FL,BS |
//112/37-//5-3-3//32/21//154// | C/ | Bore St. Andrew (t) | IC-E | Apollo's Banquet 1-2, 1678 | A53 | VN |
//11/24//31/27-//14/353 | 6/8 | Choice of Harlequin, The (t) | DA-E | Thompson CD-5, 1788 | 67 | VN/GF/OB |
//11/24//31/27-//14/353// | 6/8 | Choice of Harlequin, The (t) | DA-E | Thompson CD-5a, 1788 | 67 | VN/GF/OB |
//112/4321//22/4//35/43// | 2/4 | Allemande (t) | MS-C | Molyneaux MS-2, 1788 | 86 | 1 OR 2 GF |
//112/4321//3555/567//1+64/6531 | C/ | Harry Bluff (t) | AI-A | Riley Flute 4, 1826 | 60 | FL |
//112/4321//4345/6671+//5653/4321 | C | On Hearing a Young Lady Sing (t) | SC-S | Scots MM-5, 1797 | 453 | VO,PF |
//112/4321//7-6-7-1/25-//112/3432// | C | Corn Riggs Are Bonny (t) | IC-E | Hyde Bugle, 1818 | 12 | BU |
//1124//3543//2543//5555 | 3/2 | Air 14 (t) | BA-E | Devil To Pay-1, 1731 | 18 | VO |
//112//4456//7654 | 3/4 | MS-E | Brown, W. MS, 1797 | 83 | MI | |
//1/124//5/5567//54/3214 | 3/4 | Frenet Ha' (t) | IC-S | Aird 5, 1797 | 24 | FI/VN/GF |
//11/25-//1/132//143/25-// | 3 [=6/4] | Opera, L' (t) | IC-N | Pointel Recueil, 1688 | 18 | MI/B |
//1125-//117-//11234//5545//66756//45342 5// |
3 | Corant (t) | IC-E | Musicks Hand-Maid-2, 1689 | 27v | VI/HA/SP |
//112//5-12//334//321//215-//1 | 3/4 | God Save the King (t) | IC-E | Longman Horn, 1785 | 27 | 2HN |
//112//5-12//334//321//215-//1 | 3/4 | God Save the King (t) | IC-E | Thompson Horn, 1755 | 26 | 2HN |
/11/25-/234//3/543//231/7-1// | 6/8 | Mari Retrouvré, La. Contre-Danse Française (t) | DA-F | Landrin CD BL-2, 1775 | 86 Feuille | MI |
//11/25//31/17-//6-6-/2321 | 2/4 | In Former Times We France Did Rout (t) | SC-S | Edinburgh MM-2, 1793 | 308-310 | VO |
//11/25//3127-/1//222/17-16- | 2/4 | No.3 (t) | IC-E | Raimondi March, 1785 | 10-14 | 2OB/CL/VN,2HN,2TR,2BS,TI+PF |
//11/25//315-/11//11/25 | 6/8 | Je Suis Nee (t) | IC-F | Bonjour Recueil, 1800 | 2:3 | VN/FL |
//11/25-//3213/2321//7-5-/1231 | C/ | Gripe and Shifter; an Epigram (t) | SC-E | Pocket Comp, 1725 | 64 | VO,HAF+FL |
//112/5321//6567/1+//5321/4217- | C/ | Cozeners, The (t) | DA-E | Thompson CD-4, 1780 | 33 | VN/GF/OB |
//112/5321//6567/1+//5321/4217-// | C/ | Cozeners, The (t) | DA-E | Thompson CD-4a, 1780 | 31 | VN/GF/OB |
//112/545//671+6/535 | C | Northampton Matross, The (t) | AI-A | Hulbert Fife, 1807 | 16 | FI |
//1+1/25//65//671+6/71+2+1+ | Mock Match, The (t) | PL-E | Playford 1-11, 1701 | I,231 | VN | |
//1+1/25//6/5//671+/71+2+// | C/ | Hage, La (t) | MS-G | Jayme MS, 1717 | 41 | MI |
//11//2654//3 | 3/2 | Song 11 (t) | SC-E | Ritson, 1783 | TII,92;MIII,233-235 | VO |
//11//2654//3//67//1+765 | 3/2 | Nor on beds of fading flow'rs (fl) | SS-E | SS, Folger-C52 | 77,1-78,1 | MI,VO,KB |
//1127-//112//3342//321//7-127-6-5-//6-1 7-6-5-4-// |
3/4 | Hunting Song, A (t) | AM-A | Brown, J. MS, 1782 | 1:35 | |
//112//7-112//334//321//217- | 3/4 | God Save the King (t) | MS-E | Carter MS, 1792 | 1 | MI |
//112//7-12 | 3/4 | God Save the King (t) | IC-E | Longman Flute, 1769 | 19 | GF |
//112//7-//122//31 | 3 | Air 12, Act Iii (t) | BA-E | Love/Riddle, 1729 | T63M93 | VO |
//112//7-//122//31//444 | 3 | Air 10 (t), or to Her Cimon Singing (at) | BA-E | Damon & Phill, 1729 | 25 | VO |
//112//7-//122//31//444//3// | 3 | Air 10 (t) | BA-E | Damon & Phill, 1749 | 25 | VO |
//11//27-/1//22/3234 | 2/4 | Ye Shepherds Tell Me (t) | AI-A | Riley Flute 3, 1820 | 94 | FL |
//112//7-12//33234//321 | 3/4 | God Save the King (t) | AM-A | Greenwood MS, 1785 | 10 | 2MI |
//112//7-12//33234//321//2343217- | 3/4 | God Save Great Washington (t) | AM-A | Van Renssel. MS, 1782 | I,13 | KB |
//112//7-12//334 | 3/4 | God Save the King (t) | IC-E | Andrews Fife, 1808 | 16 | FI/GF |
//112//7-12//334 | 3/4 | AM-A | Bolling MS, 1785 | 55 | VN,B | |
//112//7-12//334 | 3/4 | God Save America (t) | AI-A | Fifer's Comp, 1805 | 9 | 2FI |
//112//7-12//334 | 3/4 | God Save America (t) | AI-A | Hazeltine D&F, 1810 | 43 | 2FI |
//112//7-12//334 | 3/4 | God Save America (t), or Lesson No 3 (at) | AI-A | Martial Music, 1807 | 4 | 2CL/2OB,BS |
//112//7-12//334 | 3/4 | God Save America (t) | AI-A | Phila Songster, 1789 | 3-4 | 2VO:(S)B |
//112//7-12//334 | 3/4 | God Save the King (t) | IC-E | Preston Fife, 1796 | 16 | FI/GF |
//112//7-12//334 | 3/4 | God Save America (t) | AM-A | Stiles MS, 1807 | 21 | MI |
//112//7-12//334 | 3/4 | God Save America (t) | AM-A | Thompson MS, 1790 | 59-61 | VO,B |
//112//7-12//334 | 3/4 | God Save America (t) | AI-A | Village Fifer, 1808 | 18 | 2FI |
//112//7-12//334//321 | 3/4 | God Save the King (t) | AM-A | Beck MS, 1786 | 120 | GF |
//112//7-12//334//321 | 3/4 | God Save the King (t) | AM-A | Bellamy MS, 1799 | 31 | 2MI,B |
//112//7-12//334//321 | 3/4 | MS-E | Brown, W. MS, 1797 | 8 | MI | |
//112//7-12//334//321 | 3/4 | God Save the King (t) | MS-E | Brown, W. MS, 1797 | 30 | MI |
//112//7-12//334//321 | MS-E | Brown, W. MS, 1797 | 82 | MI | ||
//112//7-12//334//321 | 3/4 | God Save the King (t) | AM-A | Cabot MS, 1784 | 27 | GF |
//112//7-12//334//321 | 3/4 | God Save the King (t) | IC-E | Cahusac Flute, 1788 | 16 | GF |
//112//7-12//334//321 | 3/4 | God Save the King (t) | AM-A | Clark, I. MS, 1801 | 15 | FI/VN |
//112//7-12//334//321 | 3/4 | God Save the King (t) | AM-A | Dickinson MS, 1800 | 57 | CL/GF/OB |
//112//7-12//334//321 | 3/4 | God Save the King (t) | AM-A | Greenwood MS, 1785 | 37 | MI |
//112//7-12//334//321 | 3/4 | God Save the King (t) | AM-A | Hawkins MS, 1794 | II,1 | GF |
//112//7-12//334//321 | 3/4 | God Save the King (t) | AM-A | Hosmer MS, 1798 | 25 | MI |
//112//7-12//334//321 | 3/4 | God Save the King (t) | AM-A | Spicer MS, 1797 | M87T113 | 2VO |
//112//7-12//334//321 | 3/4 | Masonic Song, A (t) | AM-A | Spicer MS, 1797 | 113-114 | VO |
//112//7-12//334//321//2 | 3/4 | God Save America (t) | AI-A | Instrum Asst, 1800 | 25 | 2VN/2GF/2CL/2OB,BVIOL |
//112//7-12//334//321//217- | 3/4 | God Save the Governor (t) | AM-A | Commonplace MS, 1809 | 1R | CL/FL |
//112//7-12//334//321//217- | 3/4 | God Save the King (t) | IC-E | Longman Oboe, 1770 | 13 | OB |
//112//7-12//334//321//217- | 3/4 | God Save the King (t) | MS-I | Regan MS, 1764 | 1,4 | MI |
//112//7-12//334//321//217- | 3/4 | God Save the King (t) | IC-E | Thompson Oboe, 1758 | 25 | OB |
//112//7-12//334//321//217- | 3/4 | God Save America (t) | AI-A | Williams Fife, 1819 | 18 | FI |
//112//7-12//334//321//217-//1 | 3/4 | God Save the King (t) | IC-E | Astor Oboe, 1800 | 12 | OB |
//112//7-12//334//321//217-//1 | 3/4 | God Save America (t) | AM-A | Beach MS, 1801 | 74 | 2MI,B |
//112//7-12//334//321//217-//1 | 3/4 | God Save the King (t) | IC-E | Cahusac Flute, 1792 | 16 | GF |
//112//7-12//334//321//217-//1// | 3/4 | God Save the King (t) | IC-E | Cahusac Flute, 1798 | 16 | FL |
//112//7-12//334//321//217-//1 | 3/4 | God Save the King (t) | IC-E | Cahusac Oboe, 1790 | 12 | OB |
//112//7-12//334//321//217-//1 | 3/4 | God Save America (t) | AM-A | Canfield MS, 1823 | 13 | 2FL |
//112//7-12//334//321//217-//1 | 3/4 | God Save the King (t) | AM-A | Curtiss MS, 1800 | 1 | 2VN |
//112//7-12//334//321//217-//1// | 3/4 | God Save the King (t) | MS-S | Fife MS, 1780 | 311,32v | 1FI OR 2FI/VN |
//112//7-12//334//321//217-//1// | 3/4 | God Save the Congress (t) | AM-A | Gansevoort MS, 1778 | 1 | FL |
//112//7-12//334//321//217-//1// | 3/4 | God Save the Congress (t) | AM-A | Gansevoort MS, 1778 | 3 | FL |
//112//7-12//334//321//217-//1 | 3/4 | God save great George our king (fl) | TW-E | Genius, 1784 | 31 | VO,HA |
//112//7-12//334//321//217-//1// | 3/4 | God Save the King (t) | IC-E | Hill Flute, 1762 | 12 | GF |
//112//7-12//334//321//217-//1// | 3/4 | God Save the King (t) | IC-E | Hyde Bugle, 1818 | 10 | BU |
//112//7-12//334//321//217-//1// | 3/4 | God Save the King (t) | IC-E | Hyde Bugle, 1818 | 10 | BU |
//112//7-12//334//321//217-//1// | 3/4 | God Save the King (t) | IC-E | Johnson Flute, 1760 | 17 | GF |
//112//7-12//334//321//217-//1 | 3/4 | God Save America (t) | AI-A | Merrimack Coll, 1833 | 24 | 2MI,B |
//112//7-12//334//321//217-//1 | 3/4 | God Save Great George Our King (t) | MS-E | Miscellany MS, 1810 | 2CL/OB,2HN,BS | |
//112//7-12//334//321//217-//1 | 3/4 | Grande Bataille de Waterloo, La. Air Anglais National (t) | IC-N | Netherlands Sheet Music | PF | |
//112//7-12//334//321//217-//1 | 3/4 | God Save America (t) | AM-A | Nixon MS, 1776 | 99 | FI |
//112//7-12//334//321//217-//1// | 3/4 | God Save the King (t) | IC-E | Preston Cello, 1785 | 26-27 | 2VC |
//112//7-12//334//321//217-//1 | 3/4 | God Save the King (t) | IC-E | Preston Oboe, 1780 | 10 | OB |
//112//7-12//334//321//217-//1 | 3/4 | Surrender of Toulon, The. Keys of the Garrison Deliver'd to the British (t) | IC-S | Scottish Sheet Music | PF/HA | |
//112//7-12//334//321//217-//1 | 3/4 | God Save the Congress (t) | AM-A | Swetland MS, 1780 | 2FI | |
//112//7-12//334//321//217-//1 | 3/4 | God Save the King (t) | IC-E | Thompson Oboe, 1770 | 10 | OB |
//112//7-12//334//321//217-//1 | 3/4 | God Save the King (t) | IC-E | Thompson Oboe, 1790 | 12 | OB |
//112//7-12//334//321//217-//1// | 3/4 | God Save the King (t) | IC-E | Thorowgood Guitar, 1763 | 5 | GT |
//112//7-12//334//321//217-//1 | 3/4 | God Save the King (t) | AM-A | Van Schaack MS, 1820 | 35 | 2FL |
//112//7-12//334//321//217-//1// | 3/4 | God Save the King (t) | AM-E | Wheatstone Clarinet, 1801 | 77 | MI |
//112//7-12//334//321//217-//1 | 3/4 | God Save Great Washington (t) | AI-A | Willig Flute, 1795 | 22 | 2 GF |
//112//7-12//334//321//217-//1// | 3/4 | God Save the King (t) | IC-E | Wilson Fife, 1805 | 50 | FI |
//112//7-12//334//321//217-//1//555// | 3/4 | God Save the King (t) | AM-A | Treat MS, 1779 | 13 | FI/GF |
//112//7-12//334//321//217-//1//555// | 3/4 | God Save the King (t) | AM-E | Wheatstone Clarinet, 1801 | 58 | CL |
//112//7-12//334//321//24217-//1// | 3/4 | God Save the King with Variations (t) | AM-A | Irving MS, 1796 | 24-25 | 2 MI |
//112//7-12//334//321//27-1 | 3/4 | God Save the King (t) | IC-E | Astor Guitar, 1800 | 13 | GT |
//112//7-12//334//321//27-1 | 3 | Loyal Song, A (t) | SC-E | Muses Delight, 1754 | 152-153 | 2VO |
//112//7-12//334//321//27-1 | 3/4 | God Save the King (t) | IC-E | Preston Clar, 1797 | 8 | CL |
//112//7-12//334//321//27-1 | 3/4 | Cape Breton and Cherburg (t) | SS-E | SS, Boston PL-1 | 41 | VO,HA |
//112//7-12//334//321//27-1 | 3/4 | God Save the King (t) | IC-E | Thompson Clar, 1785 | 9 | CL |
//112//7-12//334/321//27-1//1 | 3/4 | Loyal Song, A (t) | SC-E | Calliope, 1746 | II,167 | 2VO+FL |
//112//7-12//334//321//27-1//1 | 3/4 | God Save the King (t) | IC-E | Goulding Clar, 1803 | 8 | CL |
//112//7-12//334//321//27-1//1 | 3/4 | God Save the King (t) | IC-E | Longman Bassoon, 1780 | 8 | BS |
//112//7-12//334//321//27-1//1 | 3/4 | God Save the King (t) | IC-E | Longman Bassoon, 1780 | 9 | 2BS |
//112//7-12//334//321//27-1//1 | 3/4 | God Save the King (t) | IC-E | Longman Clar, 1780 | 8 | CL |
//112//7-12//334//321//27-1//1 | 3/4 | God Save the King (t) | IC-E | Preston Bassoon, 1790 | 11 | BS |
//112//7-12//334//321//432//3 | 3/4 | Song 50 (t), or Ode for the Fourth of July, An (at) | AI-A | American MM, 1798 | 130-132 | 4VO:SA(T)B |
//112//7-12//334//32//27-1 | 3/4 | God save great George our king (fl) | SS-E | SS, Folger-C52 | 53 | 2VO+FL |
//112//7-12//334//521//27-1//1 | 3/4 | God Save the King (t) | IC-E | Bland Clar, 1798 | 8 | CL |
//112//7-12//3354//321//217-//1 | 3/4 | Battle of Waterloo, The. God Save the King (t) | AI-A | American Sheet Music | PF | |
//112//7-12//3354//321//217-//1 | 3/4 | Battle of Egypt, The. God Save the King (t) | IC-I | Irish Sheet Music | PF | |
//112//7-12//3354//321//3217-//1 | 3/4 | Britannia. God Save the King (t) | IC-E | English Sheet Music | PF | |
//1/12//7-/13//2/23 | C/ | Entree au Temple d'Appollon de l'Opera Alceste (t) | IC-G | Grosheim March, 1802 | 2 | HA/PF |
//1127-//13/24//354/32//121/17-6-5- | C | March 3 (t) | IC-I | Elfort Marches, 1785 | 5 | KB+GF |
//112//7-13//334//321//217- | 3/4 | God Save America (t) | AI-A | Robinson Coll, 1818 | 48 | FI,DR |
//11/27-//1/5-//33/42//3 | 2/4 | Air 2, Act Iii (t) | TW-E | Two To One, 1784 | 40-41 | VO,VN,HA |
//1127-//15-3-5-//17-1321//17-17-//6- | 3/4 | O Cherub Content (t) | SC-S | Scots MM-6, 1803 | 526 | VO,PF |
//112/7-16-//343/21//112/7-16-// | 3 | Saraband Fourth (t) | IC-E | Apollo's Banquet 1-1, 1670 | 183 | VN |
//112//7-16-//343//21//553//456// | C3 | Spanish Saraband, A (t) | IC-E | Apollo's Banquet 1-2, 1678 | A3 | VN |
//112//7-22//334//321//217- | God Save Washington (t) | AM-A | Van Renssel. MS, 1782 | I,34 | KB | |
//112/7-3//6-12/32343//436/253// | 3 | Menuet Anglois (t) | MS-F | Lorin MS-1, 1685 | 14v-15r | MI |
//112/7-3//6-12/32343//536/253// | 6/4 | Menuet de La Reine, Le (t) | DA-F | Feuillet Recueil, 1706 | 89-93 | MI |
//112/7-3//6-12/32343//536/253// | 6/4 | Menuet de La Reine, Le (t) | MS-G | Jayme MS, 1717 | 9 | MI |
//112/7-3//6-12/32343//536/253/ | 6/4 | Menuet de La Reine, Le (t) | IC-F | Leclerc Recueil-1, 1729 | 7 | HAF |
//112//7-3//6-12//32343//536//253// | 3 | Menuet (t) | IC-N | Pointel Recueil, 1688 | 6 | MI/B |
//1127-5-//1127-5-//17-1234//527-5-//112 7-5-//1127-5-// |
3/8 | Quick Step (t) | IC-E | Naval Compendium, 1800 | 17 | 2FL/VN,PF |
//1+1+/2+752+//3+1+/1+//66/1+646//53 | C | Finale, Act Ii-4 (t) | TW-E | Pirates, 1792 | 64-69 | 5VO,KB |
//11/27-5-//531/27-5-//55/65 | 6/8 | Ranelagh Garden (t) | IC-S | Stewart Airs, 1788 | 3:137 | GF/VN/FI |
//11/27-5-//531/27-5-//55/65 | 6/8 | Harlequin Every Where (t) | DA-E | Thompson CD-5, 1788 | 79 | VN/GF/OB |
//11/27-5-//531/27-5-//55/65// | 6/8 | Harlequin Every Where (t) | DA-E | Thompson CD-5a, 1788 | 79 | VN/GF/OB |
//1/12//7-5-/5-7-//1/1234// | 2/4 | Prince of Wales's Fancy (t), or C. McIntosh's Reel (at) | MS-C | Molyneaux MS-2, 1788 | 56 | 1 OR 2 GF |
//112//7-6-5-//112//3 | 3/4 | Song 149 (t) | SC-E | Convivial, 1782 | 294 | VO |
//112//7-6-5-//112//3 | 3 | Ballad, A (t) | SC-E | Pills 5, 1719-20 | 129-30 | VO |
//112/7-7-1//7-217-//16-/6-3 | C/ | Maid's Morris (t) | PL-E | Playford 1-17, 1721 | 145 | VN |
//112/7-7-1//7-217-//16-/6-3 | C/ | Maid's Morris (t) | PL-E | Playford 1-18, 1728 | 145 | VN |
//1+/1+2+//7/7//65/67 | 2/4 | Catoes Farewell (t) | AM-A | Dickinson MS, 1800 | 130 | CL/GF/OB |
//112/7-7-6-//5-6-7-1/217-2//3217-/6-5-/ / |
C/ | Onaghs Lock (t) | MS-S | Miller, J. MS, 1798 | 49 | FI |
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