Previous Index Page | Incipit Index Page |
Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
//11/131+//11/11//22/234 | 6/8 | Rosette. Quick Step (t) | IC-S | Aird 2, 1785 | 13 | FI/VN/GF |
//11/131+//11/11//22/234 | 6/8 | Rosetta, La (t) | IC-S | Stewart Airs, 1788 | 1:4 | GF/VN/FI |
//11/13//11/13//22/25 | 2/4 | What You Please (t) | AM-A | Beach MS, 1801 | 105 | MI |
//1113/1113//2321/7-24//3111/1213 | C/ | Maggie Lawder (t) | SS-E | SS, Boston PL-2 | 183 | VO,KBF+FL |
//1113/1113//2321/7-24//3111/1213 | C/ | Maggie Lawder (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//1113/1113//2321/7-24//3111/1213 | C | Joyful Widower, The (t) | SC-S | Scots MM-1, 1787 | 99 | VO,PF |
//1113/1113//2321/7-24//3111/1213//5654/ 353 |
C/ | Maggy Lawder (t) | SS-E | SS, Huntington-2 | 55 | VO,KBF+FL |
//11/13//11/13//27-5-/5-53// | 6/8 | New Rigg'd Ship (t) | DA-E | Wilson Companion, 1816 | 122 | MI |
//11/13//11/13//27-5-/5-7- | 6/8 | New Rigged Ship (t) | AI-A | Goodale Dir, 1819 | 87 | MI,B |
//11/13//11/13//27-5-/5-7- | 6/8 | New Rigg'd Ship (t) | AI-A | Goodale Dir, 1829 | 91 | MI,B |
//11/13//11/13//27-5-/5-7-// | 6/8 | New Rigg'd Ship (t) | AM-A | Winnington MS, 1810 | 28-[28a] | KB |
//11/13//11/1//33/35 | Quick March (t) | IC-E | Gilbert Bugle, 1804 | 3 | BU | |
//11/13//11/1//33/35 | Quick March (t) | IC-E | Gilbert Bugle, 1804 | 10 | 3BU | |
//1113//1113//4254 | 2/4 | Quick March (t) | AI-A | Fifer's Comp, 1805 | 37 | 2FI |
//1113//1113//4254 | 2/4 | First Quick March (t) | AI-A | Instrum Asst-2, 1807 | 9 | 2MI,2HN,B |
//11/13//11/13//46/53 | 2/4 | March 4 (t) | IC-E | Ross Waltzes, 1800 | 25-26 | PF/HA+TRI,TA |
//11/13//11/13//54/27-// | 2/4 | Veglie, La. 2d. Set (t) | AI-A | Cotillion Party, 1818 | 8 | VN/GF/ PF |
//1-1-/1-3-//1-1-/1-5-//1-1-/1-1 | 2/4 | Windsor Park Fete (t) | IC-E | Pick Divs, 1800 | 5 | PF |
//11/13//11/15-//11/13 | 2/4 | Versammeln Zum Essen In der Menage (t) | IC-G | Hanoverian Inf, 1821 | 54 | HN |
//11/13//11/15-//11/13 | 6/8 | Mr. Buxtons Favorite (t) | IC-E | Jones Bugle, 1805 | 4 | BU |
//11/13//11/15-//11/13 | 2/4 | Drill Horn (t) | IC-E | Potter Bugle, 1817 | 13 | BU |
//1113/1115-//1113/1115-//1113/1115- | C | Drill (t) | IC-E | Cooper Guide, 1806 | 1 | BU |
//1113/1115-//1113/1115-//1113/1115-// | C | Drill (t) | IC-E | Hyde Bugle, 1818 | 42 | BU |
//1113/1115-//1113/15-//1113/1115- | C | Dinner Call (t) | IC-E | Broderip Sounds, 1799 | 14-15 | 3BU |
//1113/1115-//1113/15-//1113/1115- | C | Officers Dinner (t) | IC-E | Cooper Guide, 1806 | 1 | BU |
//1113/1115-//1113/15-//1113/1115-// | C | Dinner Call (t) | IC-E | Hyde Bugle, 1818 | 39 | 3BU |
//1113/1115-//1113/15-//1113/1115- | C | Dinner Call (t) | IC-E | Hyde Trumpet, 1798 | 20 | 3BU |
//1113/1115-//1113/15-5-115-//1113/1115- |
C | Forage (t) | AI-A | Duane Riflemen, 1812 | 106 | BU |
//11+1/31//1+1/51//654/321// | 6/8 | Crptic (t) | AI-A | Willig CD-4, 1812 | 2 | PF/VN |
//11/13//11/15-//6-5-4-/3-4-5-// | C/ | Dance In Ye Opera Call'd Ye Grove, A (t) | IC-E | Theater Musick-3, 1700 | 31-32 | VN, B |
//11/131//131/345//11/131 | 6/8 | So She Bid Me Tell You (t) | MS-E | Rainstorp MS, 1747 | 34 | MI |
//11/131//131/345//11/131 | 6/8 | Jigg to the Irish Cry (t) | IC-E | Thumoth, 1785 | 48-49 | GF/VN,HAF |
//11/131//131/345//11/131//11/131//131/3 45//11/131 |
6/8 | So She Bid Me Tell You (t), or So She Bid Me Tell You (at) | DA-E | Johnson CD-4, 1748 | 87 ; 87 | VN/GF |
//1+1/131/131/65//671+/535/ | 12/8 | Lards of Dunce (t) | MS-E | Vickers MS, 1770 | 40 | MI |
//111/311//3234/311//4565/316- | C3 | Lady Murray's Delight, The (t) | PL-E | Playford 1-08, 1690 | 109 | VN |
//1-1/1//31/1//43/21 | 2/4 | Islington Assembly (t) | DA-E | Johnson CD-7, 1756 | 77 | VN/GF |
//1-1/1//31/1//43/21 | 2/4 | Islington Assembly (t) | DA-E | Thompson CD-1, 1757 | 38 | VN/GF/OB |
//1-1/1//31/1//43/21// | 2/4 | Islington Assembly (t) | DA-E | Thompson CD-1a, 1757 | 39 | VN/GF/OB |
//1-1/1//31/1//43/21// | 2/4 | Islington Assembly (t) | DA-E | Universal Magazine | 2:29, 1754 | MI |
//1/11//3/11//5-/11 | 2/4 | Conquest of Belgrade, The. Trumpet Call (t) | IC-E | English Sheet Music | 11 | HA/PF |
//11/13//1/15-//11/13// | 2/4 | Carabo (t) | DA-F | Bouin CD LC-1, 1780 | 72 Feuille, 3 Vol. | MI |
//111//3+1+1+553//7-7-7-//4+2+2+71+//54/ /321// |
3/4 | M. dos menus Plaisirs [Menuet Nu. de Mr. Lahante] (t) | DA-F | Landrin CD BN, 1775 | 37 Feuille | MI |
//11/131//17-/5-5-//42/7-5-4-//3- | C | Duo (t) | TW-E | Fair American, 1782 | 22-23 | 2VO,KB |
//1+113/1211+//1+113/416-2+//1+543/1231/ / |
C/ | Thistle, The (t) | AM-A | Brown, J. MS, 1782 | 1:32 | |
//11/131//22/2//11/134// | 2/4 | 2d Troop of Horse Grenadiers March, The (t) | IC-E | Longman March 4, 1770 | 5 | 2VN/OB/GF, 2HN, B |
//11/131//22/23//11/131// | 6/8 | Fig for All Your Whinning, A (t) | AM-A | Brown, J. MS, 1782 | 1:45 | |
//11/131//22/23//11/131 | 6/8 | Song 184 (t), or You Must, Good Sir, Excuse Me (at) | SC-E | Calliope, 1788 | 344 | VO |
/11//131/22//232/11//13/ | 2/4 | Caulledflower; Maryland Dance (t) | AM-A | Duport MS-2, 1800 | 6r | VN |
//11/131//22/23//44/432 | C | Social Fire (t) | AM-A | Cary MS, 1797 | 61-62 | 2VO |
//111/31//222/42//111/31 | 2/4 | Austrian Quick Step (t) | IC-S | Pandean Coll 2, 1810 | 3 | PF |
//11/131//22/242//17-6-5-/1234// | C | Ashley's Ride (t) | AM-A | Litten MS, 1800 | 3 (23) | VN |
//111/31//222/7-2//333/53 | 6/8 | Whoza for France and Spain (t) | AM-A | Thompson MS, 1777 | 21 | FI |
//11131/2346//11131/5131//4635/2346// | C/ | Keep the Country Bonny Lassie (t) | IC-S | Stewart Reels, 1775 | 2 | VN/GF,VC/HA |
//11131/26-6-2//11131/4231//22231/26-6-2 // |
C/ | Balmoral's Rant (t) | MS-S | Young MS-2, 1734 | 54r | MI |
//11131/27-2//11131/4231//11131/27-2 | C/ | Duke's Reel, The (t) | DA-E | Johnson CD-4, 1748 | 38 | VN/GF |
//11131/27-2//11131/4231//11131/27-2 | C/ | Duke's Reel, The (t) | DA-E | Rutherf CD-2.1, 1756 | 40 | VN/GF/OB |
//11//131//27-5- | 3/8 | My Uncle Toby (t) | DA-E | Thompson CD-2, 1765 | 54 | VN/GF/OB |
//11131/27-5-//11131/4231 | C/ | Fidle Faddle (t) | DA-E | Johnson CD-2, 1742 | 29 | MI |
//1+11+3+1+/2+755//6461+6//5311//1+1+1+1 +1+ |
3/2 | Minuet (t) | AM-A | Turner MS, 1788 | I,77 | VN |
//1+1+/1+3+1+//2+75/5//66/671+ | 6/8 | Epping Forrest (t) | DA-E | Bride CD, 1776 | IV,92 | VN/OB/GF |
//1+1+/1+3+1+//2+75/5//66/671+ | 6/8 | Epping Forrest (t) | DA-E | Thompson CD-5, 1788 | 94 | VN/GF/OB |
//1+1+/1+3+1+//2+75/5//66/671+// | 6/8 | Epping Forrest (t) | DA-E | Thompson CD-5a, 1788 | 94 | VN/GF/OB |
//11131/27-5-7-//11131/5131//4 | C/ | British Navy New Yeer (t) | AI-A | Norman CD, 1799 | 15 | MI |
//11//131//27-5-//7-127-//11//131// | 3/8 | My Uncle Toby (t) | DA-E | Thompson CD-2a, 1765 | 53 | VN/GF/OB |
//11+/1+31//27/721//11+/1+31// | 6/8 | Cruds and Cream (t) | MS-E | Vickers MS, 1770 | 22b | MI |
//1+113/1311+//1+113/216-1+//1+112/1231 | C | Miss Frasier's Reel (t) | AM-A | Gaylord MS, 1816 | 5v | MI |
//1+113/1311+//1+113/216-1+//1+112/1231 | C/ | Miss Frassers Reel (t) | MS-S | Gillespie MS, 1768 | 111 | VN |
//1+113/1311+//1+113/216-1+//1+112/1231/ / |
C/ | Miss Frasers Reel (t) | IC-S | Stewart Reels, 1775 | 5 | VN/GF,VC/HA |
//1+113/131//1+113/216-//1+113/1231 | C/ | Miss Frassers Reel New Set (t) | MS-S | Gillespie MS, 1768 | 112 | VN |
//11131/3213//2227-2/7223//11151 | C/ | Ranting Highland Man (t) | DA-E | Longman CD, 1781 | 57 | VN/OB/GF |
//1-1-/1-3-1-3-//2-2-/2-4-2-4-//1-1-/1-3 -1-3- |
2/4 | Bagpipes (t) | AM-A | Gaylord MS, 1816 | 20v | MI |
//11/131//323/44//543/234// | 6/8 | Wild Irish (t) | AM-A | Johnson, S. MS, 1807 | 12-13 | FI |
//11/131//323/44//543/234 | 6/8 | Shiley Me Gile (t) | AI-A | Robbins D&F, 1812 | 38 | FI |
//11/131//323/44//543/234 | 6/8 | Wild Irish (t) | AM-A | Shattuck MS, 1801 | 25 | MI |
/11//13//1/33//111/11// | Enemys Infantry Are Advanceing, The (t) | IC-E | Hyde Bugle, 1818 | 45 | BU | |
//11/131/345//11/131/27-5-// | 6/8 | Long Room at Scarbray (t) | MS-E | Vickers MS, 1770 | 6a | MI |
//11/131/345//11/131/27-5-//11/131/345 | 9/8 | Long Room of Scarbrough, The (t) | IC-S | Aird 1, 1782 | 45 | FI/VN/GF |
//1-1-1-/3-1-//3-5-/1-//1-1-1-/3-1- | 2/4 | Serjeants Call (t) | IC-E | Broderip Sounds, 1799 | 6 | TR |
//111/31//35/1//111/31// | 2/4 | Sarjeants Call (t) | IC-E | Hyde Bugle, 1818 | 36 | TR |
//1-1-1-/3-1-//3-5-/1-//1-1-1-/3-1- | 2/4(ED) | Serjeants Call (t) | IC-E | Hyde Trumpet, 1798 | 14 | TR |
//111/3135//1+76/54//23/5432 | C/ | Capn Lawrence Macdowal's Slow March (t) | IC-S | May Marches, 1800 | 4-5 | PF |
//111/31//35//25/35//25/5 | C | Fitz Eustace (t) | AM-A | Cushing MS, 1805 | 138-140 | MI |
//111/313//535/1+5//671+6/535 | C/ | Federal Constitution & Liberty for Ever (t), or New Patriotic Song, A (at) | AI-A | American SS-SM | 1-2 | KB,VO+FL |
//111/31//35///5-/23 | C | Fitz Eustace (t) | AI-A | Paff Amus 2, 1812 | 20 | FL/VN |
//111/31//35///5-/23 | C | Fitz Eustace (t) | AI-A | Riley Flute 3, 1820 | 96 | FL |
//11/1313//555/5//1+1+/2+1+76 | C/ | Spanish Reel. A Quick Step (t) | AM-A | Thompson MS, 1777 | 39 | FI |
//1-1-1-/3-1-3-//5-5-5-/5-//5-3-5-/6-5-4 -3- |
C/ | Russian March (t) | AI-A | American Sheet Music | 2 | PF |
//1-1-1-/3-1-3-//5-5-5-/5-//5-3-5-/6-5-4 -3- |
C/ | Russian March (t) | AI-A | Glazier Fife, 1830 | 28 | 2FI |
//11/1313//55/567//1+1+/2+1+76// | 2/4 | Col Meigs Quick Step (t) | AM-A | Boynton MS, 1799 | 12R | 1 FI |
//11/1313//5-5-6-/7-6-7-5-//112/3231 | C/ | Quick Steep (t) | AM-A | Brown, N. MS, 1781 | 6R | FI |
//11131/4131//25-5-5-5-/7-127-//11131 | C | Three Milk Maids of Blantyre (t) | DA-E | Rutherf CD-2.2, 1760 | 84 | MI |
//11131/416-//11131/27-5-//11131/4231 | C | Tail Toddle (t) | IC-S | Aird 2, 1785 | 36 | FI/VN/GF |
//11131/416-//11131/27-5-//11131/4231// | C/ | Humors of the Fair, The (t) | MS-S | Fife MS, 1780 | 265,27v | 1FI OR 2FI/VN |
//11131/416-//11131/27-5-//11131/4231 | C/ | Tale Toddle (t) | MS-E | Hammersley MS, 1790 | 25 | MI |
//11131/416-//11131/27-5-//11131/4231// | C/ | Little Wot Yow Whaw Comeing (t) | MS-E | Vickers MS, 1770 | 19 | MI |
//11131/416-//11131/27-5-//11131/4231 | C/ | Tail Todle (t) | DA-E | Walsh CD-2.3, 1735 | 190 | VN/OB/GF/CF |
//11131/416-//11131/27-5-//11131/4231 | C/ | Tail Todle (t) | DA-E | Walsh CD-3.3, 1749 | 178 | VN/OB/GF |
//11131/4231//11131/25-7-5-//11131/4236- |
C/ | Fidle Fadle (t) | DA-E | Walsh CD-2.2, 1735 | 103 | VO/OB/GF/FL |
//11131/4231//11131/25-7-5-//11131/4236- |
C/ | Fidle Fadle (t) | DA-E | Walsh CD-3.2, 1749 | 103 | VN/OB/GF |
//11131/4231//25-5-5-5-/7-127-// | C/ | Lanox Love (t) | MS-E | Vickers MS, 1770 | 92 | MI |
//11131/4231//25-/5-5-5-/7-127-//11132/4 131 |
C/ | Lennox Love (t) | DA-E | Rutherf CD-2.2, 1760 | 75 | MI |
//11131/4231//274/27-7-2//11131 | C/ | Lady Doll St. Clair's Reel (t) | DA-E | Rutherf CD-2.2, 1760 | 83 | MI |
//111/31//4/27-//111/31 | C/ | Gilliam Callum (t) | DA-E | Johnson CD-2, 1742 | 2 | MI |
//111/31//42/7-6-5-//56/5-4-3 | C | Last Chorus (t) | TW-E | Choice/Harleq, 1781 | 70-71 | VO,HAF |
//11131/4446//11131/2325//11131/4561+ | C/ | Up to War a Willie (t) | MS-E | Rainstorp MS, 1747 | 8 | MI |
//11131/4446//11131/2325//11131/4561+ | C/ | Up and Warr a Willy (t) | DA-E | Walsh CD-2.2, 1735 | 102 | VO/OB/GF/FL |
//11131/4446//11131/2325//11131/4561+ | C/ | Up and Warr a Willy (t) | DA-E | Walsh CD-3.2, 1749 | 102 | VN/OB/GF |
//111/31//4/46//111/31// | 2/4 | Up and war them Willie, a Quick March (t) | MS-S | Miller, J. MS, 1798 | 23 | FI |
//11131/446//11131/225//11131/4564 | C | Up and Ware Them a Willie. with Variations (t) | IC-E | Caledonian PC, 1760 | III,1 | GF/VN |
//11131/446//11131/226//11131/4561+ | New Highland Dance (t) | MS-E | Hammersley MS, 1790 | 41 | MI | |
//111/31//45/46//111/31// | 2/4 | Divertissant, La (t) | DA-N | St. Flour Contredanses, 1757 | 60 | KB |
//11131/4546//11131/225//11131/461+6// | C/ | Up and Worst Them All Willy (t) | MS-S | Young MS-1, 1734 | 33v-34r | MI |
//11131/4546//11131//2325//11131/4561+// 5432 |
C/ | Up and War Them a Willie (t) | DA-E | Rutherf CD-2.1, 1756 | 36 | VN/GF/OB |
//111/3151//111/3151//42/115- | 2/4 | Old Maid, The (t) | AM-A | Hooves MS, 1817 | 52 | FI |
//1113151//112/5151//42/115- | 2/4 | Old Meid, The (t) | AM-A | Shattuck MS, 1801 | 66 | MI |
//11131/5131//11131/1+1//22242/6242 | C/ | Hey to the Jubilee (t) | DA-E | Johnson CD-6, 1751 | 34 | VN/GF |
//11131/5131//11131/1+1//22242/6242 | C/ | Hey to the Jubilee (t) | DA-E | Walsh CD-3.5, 1754 | 27 | VN//OB/GF |
//11131/5131//11131/53//45464/34353 | C | Dutchess of Montrose's Reel (t) | IC-S | Aird 4, 1796 | 46 | FI/GF/VN |
//11131/5131//11131/53//45464/34353// | C(ed) | Duthess of Montrose's Reel (t) | AM-A | Patten MS, 1800 | 9 | MI |
//11131/5131//22242/61+//11131/5131// | C/ | Mad French Man, The (t) | MS-E | Vickers MS, 1770 | 141 | MI |
//11131/5131//2747/2772//11131/5131 | C | Miss Corbet's Reel (t) | IC-S | Aird 5, 1797 | 8 | FI/VN/GF |
//11131/5131//2747/2772//11131/5131// | C | Miss Corbet's Reel (t) | MS-S | Fife MS, 1780 | 757,83r | 1FI OR 2FI/VN |
//11131/5-13-5-//1-1-1-/1-217-1//23212/3 65 |
C | President of Hayti's March, The (t) | AI-A | American Sheet Music | 2 | PF |
//11131/5-13-5-//1-1-1-/1-217-1//23212/3 65 |
C | President Boyer's Grand March (t) | AI-A | Riley Flute 3, 1820 | 81 | FL |
//1/1//131/5-//2/2// | 2 | Presto (t) | IC-E | Forest Harmony-4, 1744 | 5 | 2HN/GF/TR/VN |
//11131/531+//11131/127-5-//11131/531+3+ // |
C/ | Jany of the Green (t) | MS-E | Vickers MS, 1770 | 142 | MI |
//11131/531+//11131/7-17-5//11131/31531+ 2+ |
2/4 | Jenny of the Green (t) | DA-E | Johnson CD-8, 1758 | 89 | VN/GF |
//111/31531+//111/317-27-5-//111/31531+3 + |
2/4 | Jenny of the Green (t) | DA-E | Thompson CD-2, 1765 | 12 | VN/GF/OB |
//111/31531+//111/317-27-5-//111/31531+3 +// |
2/4 | Jenny of the Green (t) | DA-E | Thompson CD-2a, 1765 | 12 | VN/GF/OB |
//11131/531+//11131/7-27-5//11131/531+3+ // |
2/4 | Jenny of the Green (t) | DA-E | Universal Magazine | 2:129, 1757 | MI |
//111/3153//1+1/5//65467/1+2+3+4+ | 2/4 | Hessian March, A (t) | IC-S | Stewart Marches, 1761 | 5 | 2VN/GF/OB,VC/HA |
//11131/531+2+3+//2+753/2222//11131/531+ 2+3+ |
C/ | Lord Eglinton's Reel (t) | DA-E | Thompson CD-1, 1757 | 8 | VN/GF/OB |
//11131/531+2+3+//2+753/2222//11131/531+ 2+3+// |
C/ | Lord Eglington's Reel (t) | DA-E | Thompson CD-1a, 1757 | 9 | VN/GF/OB |
//11131/531+2+3+//2+753/2222//11131/531+ 2+3+ |
Lord Eglinton's Reel (t) | AM-A | Turner MS, 1788 | I,44 | VN | |
//11131/5313//11131/2346//5431+/531+3// | C/ | Riddle, The (t) | MS-E | Vickers MS, 1770 | 138 | MI |
//11131/531+3//4321+3/22225//33353/671+5 3 |
6/8 | Yea or No (t) | DA-E | Johnson CD-5, 1750 | 84 | VN/GF |
//1113153//1+3531+3//2224264 | C | Iveses Hornpipe (t) | AM-A | Cary MS, 1797 | 112 | VN |
//11//131//531//5-5-5-//131//531 | 3/8 | Vermindern Derselben (t) | IC-G | Hanoverian Inf, 1821 | 53 | HN |
//11-1/3153//25-5-/5-43//3265/5432 | C/ | Marche 1 (t) | IC-N | Colizzi Marches, 1795 | 2 | PF |
/1+1+//1+3+1+/5342//165/4321//7-1/43// | 2/4 | Nouvelle Magnenet, La. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 133 Feuille | MI |
//111/3153//422/24//3153/247-2 | C | Lord Nelson's March (t) | AI-A | Balls Amus 1, 1815 | 30 | FL/FI/VN |
/1+1+//1+3+1+5/3531//1-/33//2123/ | 2/4 | Ace Diamonds (t) | DA-E | L & L Cot, 1775 | 39 | MI |
//1/11//3/1//5-4-5-4-/5-6-4-5- | C/ | March from Alonso and Cora (t) | IC-S | Pandean Coll 3, 1810 | 30-31 | PF |
//1+1+1+3+/1+55//1+765/66//6666/7 | C/ | Song, on Bartholomew Fair, A (t) | SC-E | Pills 3, 1719-20 | 237-9 | VO |
//11/131//5-5/31//234/321 | 6/8 | Quick Step (t) | IC-E | Potter Sett, 1800 | 8-9 | 2FI,BU |
//11/131//5-5-/5-//11/131 | 6/8 | Serjeant's Call (t) | IC-E | Potter Bugle, 1817 | 13 | BU |
//11/131//5-5-/5-//11/131 | Non Commission'd Officer's Call (t) | IC-E | Potter Bugle, 1817 | 13 | BU | |
//1+1+/1+3+1+//55/51+5//3353/3212 | C/ | # 9 (t), or Experiment, The (at) | AI-A | Duport Cot, 1800 | 17-18 | MI |
//1+1+/1+3+1+//55/51+5//3353/3212// | 2 | Franch Contre Dance. Paris May 16th 1790-178 5th (t), or March (at) | AM-A | Duport MS-1, 1780 | 2 | VN |
//111/31//5///5-5-/2 | C | Fitz Eustace (t) | AI-A | Blake Amus 1, 1824 | 15 | CL |
//11/131//5-5/531//6-4/427- | 6/8 | Galatea, La (t) | DA-E | Thompson CD-5, 1788 | 75 | VN/GF/OB |
//11/131//5-5/531//6-4/427-// | 6/8 | Galatea, La (t) | DA-E | Thompson CD-5a, 1788 | 75 | VN/GF/OB |
//1+1+/1+3+1+//55/543//66/671+// | 6/8 | Gerard, La (t) | AI-A | Hewitt Cots-1, 1803 | 9 | PF |
//1/1//1/31//5-5-/5-5- | C/ | Concerto 10. Allegro (t) | IC-E | Bremner Mil Con, 1774 | 2OB/CL/FL/VN,2HN,BS | |
//11/131//5-5-/5-5-//11/131 | 6/8 | Empfang Von Lebensmitteln (t) | IC-G | Hanoverian Inf, 1821 | 54 | HN |
//11/131//5-55/531//6-44/427-// | 6/8 | Mutiny, The (t) | AM-A | Patten MS, 1800 | 16 | MI |
//11131//55575//1+535/4231//232/25- | 2/4 | Exile, The (t) | IC-E | Balls Amus 3, 1815 | 13 | FL/VN |
//11131/5653//1+2+1+3/2325-//11131/5653 | C/ | Tahtch'd House, The (t) | DA-E | Johnson CD-7, 1756 | 42 | VN/GF |
//11131/5653//1+2+1+3/2325-//11131/5653/ / |
C/ | Thatch'd House, The (t) | DA-E | London Magazine | 383, 1753 | MI |
//11131/5653//1+2+1+3/2325-//11131/5653 | C/ | Thach'd House, The (t) | DA-E | Thompson CD-1, 1757 | 36 | VN/GF/OB |
//11131/5653//1+2+1+3/2325-//11131/5653/ / |
C/ | Thach'd House, The (t) | DA-E | Thompson CD-1a, 1757 | 36 | VN/GF/OB |
/11//131/6-43//4/365//671+5/6432// | 2 | St. Julien, La. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 215 Feuille | 2 VN |
//11131/6-5-6-2//11131/2131//34521/6-5-6 -6// |
C/ | Strathspay Reel, A (t) | IC-S | Stewart Reels, 1775 | 50 | VN/GF,VC/HA |
//11/131//6-6-/6-21//7-5-/5-6-7- | 6/8 | Exchange, The (t) | AM-A | Beach MS, 1801 | 71 | MI |
//11/131//6-6-/6-7-1//2345/6521// | 2/4 | Quadrille (t) | DA-E | Zwolfe Englische Tanze, 1791 | 7 | 2VN,B,FH,OB,2FL,2CL,2BS,TY |
//11/131//7-24/427-//15-/6-17- | 6/8 | 2d Medley Dance.7th Part (t) | IC-S | Gibb New Coll, 1798 | 15 | PF/VN,VC |
//11/131/7-5-//11/123/432 | 9/8 | Why Did You Promise to Marry Me (t) | DA-E | Johnson CD-3, 1744 | 74 | VN/GF |
//11/131/7-5-//11/123/432 | 9/8 | Why Did You Promise to Marry Me (t) | DA-E | Walsh CD-3.5, 1754 | 89 | VN//OB/GF |
//11/131//7-6-/4//351/257- | 6/8 | Maid of Lodi, The (t) | AM-A | Canfield MS, 1823 | 23 | 2FL |
//11/131//7-6-/4//351/257- | 6/8 | Maid of Lodi: A Song, The (t) | AI-A | Whiteley Prec, 1816 | 65 | 2MI,B |
//11/131//7-6-/4//351/257- | 6/8 | Maid of Lodi, The (t) | AI-A | Williams Fife, 1826 | 12 | 2FI |
//11/131//7-7-/5-24//3/5-7-2 | C | Marche des Mousquetaires (t) | IC-F | Capelle Cle, 1816 | T254M474 | MI |
/111//321/111//321/135//543/212// | 6/8 | Voutrille, La. Second Sett (t) | AI-A | Blake Cots, 1804 | 9 | PF/VN/GF |
//11/132//11/15-//11/17- | C/ | March (t) | IC-E | Warlike Musick, 1760 | 58-59 | GF/VN/HA |
//11/132//11/15-//11/17-6- | C/ | March (t) | IC-E | Musica Bell, 1733 | 20 | FL/VN/OB |
//11/132//11/153//561+/3 | C | Caledonian March (t) | AM-A | Huntington MS, 1817 | III.49 | FL/VN |
//11/132//11/153//561+/321 | C/ | Caledonian March (t) | AM-A | Gaylord MS, 1816 | 23v | 2MI |
/1+1+//1+3+2+/1+1+//1+76/543//254/323// | 6/8 | Deux Frères, Les. Contredanse Nouvelle (t) | DA-F | LaCuisse Rep CD LC-3, 1765 | 72 Feuille 3. Vol | KB |
//11/132//11/17-6-//5-6- | C/ | Jolly Waterman, The (t) | SS-E | SS, Folger-C42.4 | 185 | VO,KB+FL |
//1+1+/1+3+2+//1+1+/1+76//56/5653//5 | C | Jolly Waterman, The (t) | SS-E | SS, Harvard | 1 | VO+FL |
//1+1+/1+3+2+/1+1+/1+76//56/5653//5 | C | Jolly Waterman, The (t) | SS-E | SS, Harvard | 1 | VO+FL |
//11/13//21/13//11/13 | 2/4 | Coming Thro' the Rye (t) | AM-A | Huntington MS, 1817 | III.41 | FL/VN |
//11/1+3//21/13//34/54//52 | C/ | Mr. Doggett's 2nd Song In the Comick Opera (t) | SC-E | Pills 2, 1719-20 | 114-6 | VO |
//1+1+/1+321//1+567/65//1+564/531+2 | C/ | Lord Kinnaird's Reel (t) | AM-A | Beck MS, 1786 | 53 | GF |
//1+1+/1+321//1+567/65//1+564/531+3// | C/ | Laird Kenards Reel (t) | AM-A | Hoff MS, 1797 | No. 184 | GF |
//1+1+/1+321//1+57/6567//1+563 | C/ | Ld. Kinaird's Reel (t) | DA-E | Longman CD, 1781 | 27 | VN/OB/GF |
//1+1+/1+321//1+57/6567//1+563/531+3 | C/ | Lord Kinairds Reel (t) | MS-S | Gillespie MS, 1768 | 108 | VN |
//1+1+/1+321//1+57/6567//1+563/531+3// | C/ | Lord Kinaird's Reel (t) | IC-S | Stewart Reels, 1775 | 17 | VN/GF,VC/HA |
//1+1+//1+321//1+57/6567//1+564/531+3// | C/ | Lord Kanreys Real (t) | MS-E | Vickers MS, 1770 | 9a | MI |
//11/13-2-1-//15-7-/6-5-6-7-//15-6-4-/6- 3-13-// |
C/ | Ld. Kinairds Reel (t) | AM-A | Brown, J. MS, 1782 | 1:23 | |
//11/13211//7-6-5-/5-432//1234/2345// | 2/4 | Polonaise, La (t) | AI-A | Hewitt Cots-2, 1803 | 10 | PF |
//11+/1321//21+/2432//3456/71+2+3+// | C/ | Hornpipe (t) | MS-E | Vickers MS, 1770 | 103b | MI |
//11/1321//22/22//334/35 | C | Adagio (t) | IC-E | Simpson Horn, 1745 | 24 | 2HN |
//11/1321//22/2432//1351+/71+53 | 2/4 | Armistice, The (t) | AM-A | Cary MS, 1797 | 105 | VN |
//11/1321//22/2432//1351+//71+53 | 2/4 | Armistice, The (t) | AM-A | Kingsley MS, 1795 | I,46 | MI |
//11-/1321//22-/2432//3231/6543 | C/ | Rigadoon (t) | IC-S | Stewart Airs, 1788 | 1:12 | GF/VN/FI |
//11+1321/22+2432//345671+2+3+/4+2+3+1+2 +765//11+1321 |
C | Cotillions-1 (t), or All's Well That Ends Well (at) | TW-E | Jubilee, 1770 | 38 | HA |
//11+13//212//311+//11+13//22123//1 | 3/8 | Russian Walz (t) | AI-A | American Sheet Music | KB | |
//1+1+1+/3+2+1+2+//3+1+1+/1+1+76//555/56 54 |
C | Marche (t) | IC-F | Vanderhagen Pcs, 1787 | 18:3 | 2CL,2HN,2BS,TR |
//1113/2123//1113/561+//1113/2123 | C/ | Miss J Somervell's Favourite Strathspey (t) | IC-S | Aird 4, 1796 | 66 | FI/GF/VN |
//1113/2123//1113/61+//1113/2123 | C/ | O Can Ye Labor Lea, Young Man (t) | SC-S | Scots MM-4, 1792 | 407 | VO,PF |
//11/13//21/23//11/35 | 2/4 | Auld Lang Syne (t) | AI-A | Blake Amus 1, 1824 | 4 | CL |
//11/13//21/23//11/35 | 2/4 | Auld Lang Syne (t) | AM-A | Canfield MS, 1823 | 52 | 2FL |
//11/13//21/23//11/35 | 2/4 | AM-A | Commonplace MS, 1809 | 11R | CL/FL | |
//11/13//21/23//11/35 | 2/4 | Auld Lang Syne (t) | AM-A | Commonplace MS, 1811 | 14 | MI |
//11/13//21/23//11/35 | 2/4 | Auld Lang Syne (t) | AI-A | Glazier Clar, 1828 | 12 | CL |
//11/13//21/23//11/35 | 2/4 | Auld Lang Syne (t) | AI-A | Glazier Fife, 1830 | 26 | FI |
//11/13//21/23//11/35// | 2/4 [ed] | Auld Lang Syne (t) | AM-A | Irving MS, 1796 | 114 | 1 MI |
//1113/2123//1135/61+//5331/2123 | C | Auld Lang Syne (t) | AI-A | Ashton Clar, 1825 | 18 | CL |
//1113/2123//1135/61+//5331/2123 | C | Auld Lang Syne (t) | AI-A | Firth Cl, 1832 | 18 | CL |
//1113/2123//1135/61+//5331/2123// | C | Auld Lang Syne (t) | IC-E | Hyde Bugle, 1818 | 30 | 2BU,B |
//1113/2123//1135/61+//5331/2123// | C | Auld Lang Syne (Old Scotch) (t) | DA-E | Wilson Companion, 1816 | 48 | MI |
//1+1/13//21/23+2+//1+1/13// | C/ | Donald Blew (t) | MS-S | Miller, J. MS, 1798 | 68 | FI |
//11/13//21/232//11/35 | C | Auld Lang Syne (t) | AI-A | Goodale Dir, 1829 | 78-79 | 2MI,B |
//1+113/2123+//4+2+3+1+/2+1+62+//1+113/2 123+// |
C/ | Lady Cunningham's Reel (t) | IC-S | Stewart Reels, 1775 | 37 | VN/GF,VC/HA |
//1+113/2123+//4+2+3+1+/2+1+62+//1+113/2 124+ |
C/ | Lady Cunningham's Reel (t) | DA-E | Skillern CD, 1780 | 11 | VN/GF/OB |
//11-1-3-/2-1-2-3//423/216-2//11-1-3-/2- 1-2-4 |
C/ | Lady Cunningham's Reel (t) | IC-S | Stewart Airs, 1788 | 2:91 | GF/VN/FI |
//11+/13//2123/4321//7-127-/5-3 | C/ | Air 30 (t) | BA-E | Village Opera, 1729 | 40 | VO |
//1113/21234//56543//215-//1113 | 3/4 | Desponding Negro, The (t) | AI-A | Elegant Exts, 1794 | 16-17 | GF/VN/VO |
//1113//21234//56543//215-//1113 | 3/4 | On Afric's Wide Plains (t) | AI-A | Riley Flute 2, 1817 | 43 | FL |
//1113//21234//56543//215-//1113//21234/ / |
3/4 | Desponding Negro (t) | AM-A | Adams, W. MS, 1795 | 33 | MI |
//1113//21234//56543//215-//1113//2134 | 3/4 | Song 64 (t), or Desponding Negro, The (at) | AI-A | American MM, 1798 | 166-168 | VO |
//1113//21234//56543//215-//1113//2134 | 3/4 | Desponding Negro (t) | IC-E | Balls Amus 3, 1815 | 19 | FL/VN |
//1113//21234//56543//215-//1113//2134 | 3/4 | Desponding Negro (t) | IC-E | Balls Amus 3, 1830 | 19 | FL/VN |
//1113//21234//56543//215-//1113//2134// |
3/4 | Desponding Negro, The (t) | AM-A | Irving MS, 1796 | 80 | 1 MI |
//1113/2123//5-3-5-6-/15-//1113/2123 | C | I Have Been Courting at a Lass (t) | IC-S | Aird 6, 1803 | 47 | FI/VN/GF |
//1113/2123//5-3-5-6-/15-//1113/2123// | C | I Have Been Courting at a Lass (t) | MS-S | Fife MS, 1780 | 695,75v | 1FI OR 2FI/VN |
//11/13//2123/5-5-//11/17-1321//17- | C | Mira and Colin (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//11/1321//25-/2432//31/3543 | C/ | Harvest Is In, The (t) | DA-E | Thompson CD-2, 1765 | 70 | VN/GF/OB |
//11/1321//25-/2432//31/3543// | C/ | Harvest Is In, The (t) | DA-E | Thompson CD-2a, 1765 | 68 | VN/GF/OB |
//11/13//21/254//351+7/65+4+3+ | 2/4 | Auld Lang Syne (t) | AI-A | Riley Flute 3, 1820 | 6 | FL |
//111/321//25-5-/5-//2343/5432 | C | Marquis de la Fayette's Grand March, The (t) | AI-A | American Sheet Music | 2 | PF |
//11/13//21/27-4//361+7/65+4+3+ | 2/4 | Auld Lang Syne (t) | AM-A | Beach MS, 1801 | 99 | PF |
//1+1+1/321//3+2+1+/2+75//1+54/345 | 6/8 | Norfolk Freeholders, The (t) | DA-E | Thompson CD-3, 1773 | 84 | VN/GF/OB |
//1+11/321//3+2+1+/2+75//1+54/345// | 6/8 | Norfolk Freeholders, The (t) | DA-E | Thompson CD-3a, 1773 | 17 | VN/GF/OB |
//111-/3-2-1-//321/27-5-//15-4-/3-4-5-// |
6/8 | Norfolk Freeholders, The (t) | MS-E | Vickers MS, 1770 | 162a | MI |
//11/132//132/15-//15-/3-5- | C/ | Hordley Hall (t) | PL-E | Playford 2-1, 1713 | 18 | VN/OB |
//11/132//132/15-//15-/3-5- | C/ | Hordley Hall (t) | PL-E | Playford 2-2, 1714 | 18 | VN/OB |
//11/132//132/15-//15-/3-5- | C/ | Hordly Hall (t) | PL-E | Playford 2-3, 1718 | 18 | VN |
//11/132//132/15-//15-/3-5- | C/ | Hordly Hall (t) | PL-E | Playford 2-4, 1728 | 18 | VN |
//11/132//132/15-//15-/3-5- | C/ | Hordly Hall (t) | DA-E | Walsh CD-1.2, 1719 | 35 | VN/OB |
/11//1/3213//25-/22//2/ | C/ | Joieusse, La (t) | DA-E | Purtin Cot, 1775 | 18-19 | HA/VN,B/GF/OB/BS |
//111/321//35/6-//111131//6-5/5-// | 6/8 [ed] | Rosin the Beau (t) | AM-A | Hoff MS, 1797 | No. 284.4 | GF |
//1/1//132/15-//1/1 | C/ | Clod Pole (t) | TW-E | Perseus & Andr, 1763 | 16 | HA/GF/VN/GT |
//1/1//132/15-//13/51+ | C/ | Middlesex March, The (t) | IC-E | Oswald Marches, 1759 | 16 | 2MI |
//111/321/531//111/32/27-5-// | 9/8 | Retreat (t) | MS-S | Fife MS, 1780 | 878,94r | 1FI OR 2FI/VN |
//1/1//1/32//15-/3-5- | 2/4 | Reed's March (t) | AM-A | Beach MS, 1801 | 71 | MI |
//1/1//1/32//15-/3-5- | 2/4 | Reed's March (t) | AI-A | Herrick Preceptor, 1807 | 49 | 2MI,B |
//11/132//15/54//15/54//4321/6-21 | C | Gallant Soldier (t) | AI-A | Riley Flute 3, 1820 | 4 | FL |
//11/1321//55/51+7//1+3/21// | 2/4 | Faille, La (t) | DA-N | St. Flour Contredanses, 1757 | 94 | KB |
//111321//5557//1+654//3231//11321//5551 + |
3/4 | Minuet 7(the Queens) (t) | IC-E | Longman Evening, 1780 | 8 | 2GF |
//11/1321//55/5753//4642/3454// | 2 | Matelote Holandaise, La (t) | DA-F | Landrin CD BL-1, 1775 | 121 Feuille | MI |
//1+1+1+3+2+/1+556//71+75/43217-2//1+1+1 +3+ |
C/ | Drunken Friday (t) | DA-E | Rutherf CD-2.2, 1760 | 97 | MI |
//1+1+1+3+2+/1+556//71+75/4327-7-6//1+1+ 1+3+2+/1+556// |
C/ | Drunken Friday (t) | IC-S | Stewart Reels, 1775 | 38 | VN/GF,VC/HA |
//1/1//132/16-5-//16-6-/6-6 | 6/8 | Blue Bonnets Over the Border, The (t) | AI-A | Glazier Fife, 1830 | 29 | 2FI |
//1/1/132/16-5-//16-6-/6-6-6-// | 6/8 | March, March, Etrick, &c. (t) | AI-A | Johnson, F. Cotillions | 1 | PF |
//1/1//132/16-5-//6-6-6-6-/6-6-6-6- | 6/8 | March! March, Etrick and Teviot Dale (t) | AI-A | Riley Flute 4, 1826 | 11 | FL |
//1/1//1/321//7-121/7-16-7-// | 2/4 | Cinderella (t) | AI-A | Cinderella Cots, 1831 | 5 | MI,B |
//111/321//7-12/27-5-//111/321 | 6/8 | Free Masons Lodge Double Drage Tune, The (t) | AM-A | Thompson MS, 1777 | 27 | FI |
//11/1321//7-123/465//4565/426-7-// | 2/4 | Ellen. 37 (t) | AM-A | Johnson, F. MS, 1820 | 25 | PF |
//11/13//217-12/5-5//54321/7-3 | C | Air 29 (t) | BA-E | Achilles, 1733 | 36 | VO |
//1+1+/1+3+2+1+71+//766/61+72+1+76//5345 6/5432 |
C | Marcia (t) | IC-E | English Sheet Music | 3 | FL/VN,KB+2GF |
//111+3+//2+1+75//653235//671+1//11 | 3/4 | Country Lassie (t) | SC-S | Scots MM-4, 1792 | 376-377 | VO,PF |
//1+1+/1+3+//2+1+76/51+//6543/25 | C | Hail Liberty (t) | AI-A | Blake Amus 1, 1824 | 20 | CL |
//1+1+/1+3+//2+1+76/51+//6543/25//1 | C | Let Washington Be Our Boast (t) | AI-A | American SS-SM | 1-2 | VO,KB+GT |
//1+/1+//1+3+2+//1+765/4321//7-7-/7-// | 2/4 | Devertissante, La (t) | AI-A | Hewitt Cots-1, 1803 | 23-24 | PF |
//1+1+/1+3+2+//1+/76//543/234 | 6/4 | Kitty's Frolick (t) | DA-E | Johnson CD-5, 1750 | 91 | VN/GF |
//11/132//1/7-6-//5-4-3-/2-3-4-// | 6/8 | Steel's Jigg (t), or Harliquins Jigg (at) | MS-E | Vickers MS, 1770 | 5a | MI |
/1+1+//1+3+/2+1+76//5/44/3456/1234// | [2/4] | Soirées de Passy, Les. Contredanse Française (t) | DA-F | Bouin CD LC-1, 1780 | 96 Feuille, 4 Vol. | MI |
//11+13+/2+1+7655//6435/34321//11+13+ | C | Sonata Allo. (t) | IC-E | Delightful-2, 1745 | V,29 | 2GF |
//1+1+1+//3+2+1+7//665//43//25-423//25-4 23 |
3/4 | Minue (t) | MS-F | Marce MS, 1785 | 4v-5r | 2OB,2HN,B |
//11/1321//7-6-7-1/23//4212/7-16-2 | C/ | March (t) | AI-A | Martial Music, 1807 | 8 | 2CL/2OB,BS |
//1113//2214//31+654 | C/ | Lovely Nancy with Variations (t) | AM-A | Mass. MS, 1790 | 20-21 | FL |
//11/13//22/2//11/13//2/5- | 2/4 | Finale (t) | TW-E | Children/Wood, 1793 | 27-30 | MI,VO,B |
//1113/22223//127-1/6-5-6-7-//1113/22223 // |
C/ | McPhersons Rant (t) | MS-S | Young MS-3, 1740 | 34 | VN/OB/GF |
//11/13//22/23//11/13 | 2/4 | March No.3 (t) | IC-E | Hyde Trumpet, 1798 | 37 | 3TR |
//11/13//22/2-3//113/225 | 2/4 | Favourite Rondo, A (t) | AI-A | Reinagle Fav, 1789 | 17-18 | PF/HA |
//11/13//22/23//15-/5-4-//3- | 6/8 | Now all in preparation (fl) | AI-A | Gent's Amus, 1794 | 41 | GF/VN/VO |
//11/13//22/23//15-/5-4-//3- | 6/8 | Now all in preparation for the nuptial celebration (bt) (fl) | TW-E | Haunted Tower, 1789 | 36 | VO,KB |
//1113//2223//31+653//232//1153 | 3/4 | Inconstant Fair One, The (t) | SS-E | SS, Folger-C42.4 | 388 | VO,KB+FL |
//1113//22234 | 3/4 | Lovely Nancy (t) | IC-E | Longman Flute, 1769 | 33 | GF |
/11//13/22//2342/17-6-5//6-17-2/ | 2/4 | Morales, La (t) | AM-A | Duport MS-2, 1800 | 17r | VN |
//1113//22234//31+653 | 3/4 | Lovely Nancy (t) | IC-E | Thompson Record, 1768 | 12 | RC |
//1113/22234//31+653//2 | 3/4 | Inconstant Fair-One, The (t) | SS-E | SS, Folger-C42.1 | 203 | VO,KB+FL/GT |
//1113//22234//31+653//232 | 3/4 | Lovely Nancy (t) | AM-A | Bellamy MS, 1799 | 44 | MI |
//1113//22234//31+653//232 | 3/4 | Lovely Nancy (t) | AM-A | Hosmer MS, 1798 | 8 | MI |
//1113//22234//31+653//232//1 | 3/4 | Strephons Complaint (t) | AM-A | Simpson MS, 1750 | II,9 | FL |
//1113//22234//31+653//232//1153 | 3/4 | Lovely Nancy (t) | DA-E | Johnson CD-3, 1744 | 46 | VN/GF |
//1113//22234//31+653//232//1153 | 3/4 | Inconstant Fair-One, The (t), or Strephon's Complaint, (at) | SC-E | Musical Ent-1, 1740 | 29 | VO,KB+FL |
//1113//22234//31+653//232//1153//22 | 3/4 | Inconstant Fair One, The (t) | SS-E | SS, Harvard | 1 | VO,KBF+FL |
//1113//22234//31+653//232//1153//22 | 3/4 | Inconstant Fair One, The (t) | SS-E | SS, Harvard | 1 | VO,KBF+FL |
//1113//22234//31+653//31+53//232//1153 | 3/4 | Lovely Nancy (t) | DA-E | Walsh CD-3.6, 1754 | 152 | VN/OB/GF |
//1113//22234//31+654//2321153 | 3/4 | Lovely Nancy (t) | AM-A | Gibbs MS, 1777 | 30 | FI |
//1113//22234//31+765//232 | 3/4 | Lovely Nancy (t) | AM-A | Eells MS, 1789 | 51 | MI |
//1113//22234//37653//232 | 3/4 | Lovely Nancy (t) | AM-A | Pomeroy MS, 1790 | 4 | GF |
//1113/2224//1113/543//1113 | C/ | Shrewsbury Rakes (t) | DA-E | Rutherf CD-2.1, 1756 | 75 | VN/GF/OB |
//1113/2224//1113/543//1113/2227 | C/ | Shrewsbury Rakes (t) | DA-E | Johnson CD-4, 1748 | 90 | VN/GF |
//11/13//22/24//11/21 | 2/4 | America (t) | AI-A | Robinson Coll, 1818 | 30 | FI,DR |
//11/13//22/24//31/13// | 2/4 | Cauliflower, The (t) | AI-A | Admired Cots-2.1, 1825 | 1 | PF |
//11/13//22/24//313/531// | 6/8 | Pas Seul (t) | AM-A | Duport MS-1, 1780 | 3 | VN |
//1113//2224//31+543 | 3/4 | Lovely Nancy (t) | AI-A | Willig Fife, 1805 | 28 | FI |
//1113//2224//31+543//232//1113 | 3/4 | Lovely Nancy (t) | AI-A | Riley Flute 1, 1814 | 37 | FL |
//1113//2224//31+543//232//1113 | 3/4 | Lovely Nancy with Variations (t) | SS-E | SS, Boston PL-2 | 197 | VO,KB |
//1113//2224//31+543//232//1113 | 3/4 | Lovely Nancy with Variations (t) | SS-E | SS, Harvard | 1 | VO,KBF+MI |
//1113//2224//31+543//232//1113//221+6// |
3/4 | Lovely Nancy with Variations (t) | AM-A | Irving MS, 1796 | 90-91 | 1 MI |
//1113//2224//31+543//232//1113//221+6// |
3/4 | Lovely Nancy with Variations (t) | MS-E | Malecot MS, 1779 | 3 | VN |
//1113//2224//31+543//232//1113//221+6// |
3/4 | Lovely Nancy with Variations (t) | IC-E | Thorowgood Guitar, 1763 | 10-11 | GT |
//1113//2224//31+653 | 3/4 | Lovely Nancy. A Retreat (t) | AM-A | Dance Tunes MS, 1798 | 9 | FI/GF/OB |
//1113//2224//31+653//232//11123//221+6 | 3/4 | Lovely Nancy (t) | IC-E | Longman Horn, 1785 | 24 | HN |
//1113//2224//31+653//232//11123//221+6 | 3/4 | Lovely Nancy (t) | IC-S | Stewart Airs, 1788 | 2:91 | GF/VN/FI |
//1113//2224//331+6//54//35321//24217-// |
3/4 | Bellisles Minuet (t) | AM-A | White, G. MS, 1790 | 47 | VN |
//11/13//22/24//3456/5432// | 2/4 | Kiss My Lady. A Quick Step (t) | MS-S | Fife MS, 1780 | 909,97r | 1FI OR 2FI/VN |
//1113//2224//351+543//232 | 3/4 | Lovely Nancy (t) | AM-A | Beck MS, 1786 | 1 | GF |
//1113//2224//351+543//3232//1113 | 3/4 | Lovely Nancy with Variation (t) | AM-A | Van Renssel. MS, 1782 | II,6 | VO,GT |
//11/13//22/24//354/321// | 6/8 | Pavillion, The (t) | AI-E | Shirley CD, 1805 | 3 | PF |
//1113//2224//36543//232//1113//221+6 | 3/4 | Lovely Nancy (t) | AM-A | Herreshoff MS, 1790 | 6R | MI |
//1113//2224//36543//232//1113//2265// | 3/4 | Lovely Nancy (t) | AM-A | Bush MS, 1779 | 22 | VN |
//11/13//22/25//41/13// | 3/4=24 | Quick Step, A (t) | MS-S | Fife MS, 1780 | 500,53r | 1FI OR 2FI/VN |
//11/13//22/25//54/32 | 2/4 | Battle of Wagram, The.2d Fanfare (t) | AI-A | American Sheet Music | PF | |
//111/3//22/26//111/3// | C/ | Scotch-Man's Dance In the Northern Lass, The (t) | IC-E | Apollo's Banquet 1-7, 1693 | 17 | VN |
//111/3//22/26-//111/3 | C/ | Scotch-Man's Dance (t), or #29 (at) | PL-E | Playford 1-07, 1686 | AI,11 | VN |
//111/3//22/26-//111/3 | Hilanders March, The (t) | PL-E | Playford 1-09, 1698 | II,32 | VN/FL | |
//111/3//22/26-//111/3 | C/ | Hilander's March, The (t) | PL-E | Playford 1-11, 1701 | I,236 | VN |
//111/3//22/26-//111/3 | C/ | Highlanders March, The (t) | PL-E | Playford 1-12, 1703 | 236 | VN |
//111/3//22/26-//111/3 | C/ | Hilanders March, The (t) | PL-E | Playford 1-13, 1706 | 236 | VN |
//111/3//22/26-//111/3 | C/ | Hilanders March (t) | PL-E | Playford 1-14, 1709 | 236 | VN |
//111/3//22/26-//111/3 | C/ | Hilandres March (t) | PL-E | Playford 1-15, 1713 | 236 | VN |
//111/3//22/26-//111/3 | C/ | Hilandres March (t) | PL-E | Playford 1-16, 1716 | 236 | VN |
//111/3//22/26-//111/3 | C/ | Highlander's March (t) | DA-E | Walsh CD-1.1, 1718 | 250 | VN/OB/FL |
//111/3//22/26-//111/3 | C/ | Highlander's March (t) | DA-E | Walsh CD-2.1, 1731 | 64 | VN/OB/GF/RC |
//111/3//22/26-//111/3 | C/ | Highlander's March (t) | DA-E | Walsh CD-3.5, 1754 | 135 | VN//OB/GF |
//11/13//22/26-//11/13//11/12// | C/ | Scotch-Man's Dance In the Northern Lass, The (t) | IC-E | Apollo's Banquet 1-6, 1690 | 59 | VN |
//111/3//22/26-//111/3//11/15-// | C/ | Scotch-Man's Dance In the Northern Lass, The (t) | IC-E | Apollo's Banquet 1-5, 1687 | 103 | VN |
//11132/3113//22245/6223//4564/3453 | C | Green Grows the Rushes (t) | AM-A | Beck MS, 1786 | 75 | GF |
//11132/3113//22245/6223//4564/3453 | C/ | Foot's Vagaries (t), or Green Grows the Rashes, (at) | DA-E | Rutherf CD-2.1, 1756 | 22 | VN/GF/OB |
//111/32//31/13//222/65// | 2/4 | Green grow the Rashes Quick March (t) | MS-S | Miller, J. MS, 1798 | 24 | FI |
//111/32//3113//222/65// | C/ | Lucky Black's Daughter (t) | MS-S | Young MS-1, 1734 | 28v-29r | MI |
//11132/3113//22265/6223//4346/543213// | C | Green Grow the Rushes O (Old Scotch) (t) | DA-E | Wilson Companion, 1816 | 67 | MI |
//11132/3113//22265/6223//4564/5313// | C/ | Foots Figaries (t), or Green Grows the Rushays (at) | MS-E | Vickers MS, 1770 | 46 | MI |
//11132/3113//22265/6223//46/543231 | C/ | John Black's Daughter (t) | MS-E | Hammersley MS, 1790 | 61 | MI |
//11132/3113//22265/6223//46/543231 | C/ | John Black's Daughter (t) | DA-E | Johnson CD-2, 1742 | 1 | MI |
//11132/3113//22265/6223//46/543231// | C/ | Green Grows the Rashes (t) | IC-S | Stewart Reels, 1775 | 13 | VN/GF,VC/HA |
//11132/3113//22265/6223//46/543231 | C/ | Iohn Black's Daughter (t) | DA-E | Walsh CD-2.2, 1735 | 45 | VO/OB/GF/FL |
//11132/3113//22265/6223//46/543231 | C/ | Iohn Black's Daughter (t) | DA-E | Walsh CD-3.2, 1749 | 45 | VN/OB/GF |
//11132/3116-//5-5-6-/223//11132/3116- | C | Honble Miss K Elphinston's (t) | IC-S | Aird 6, 1803 | 7 | FI/VN/GF |
//11/13//231/27-5-//11/135 | 6/8 | Royal Glasgow Volunteers Farewell, The (t) | IC-S | Aird 1, 1782 | 41 | FI/VN/GF |
//11/13//231/27-5//11/135 | 6/8 | Royal Glasgow Volunteer's Farewell, The (t) | AM-A | Gaylord MS, 1816 | 1v | MI |
//1/1//1323/15-//17-6-/5-4- | C/ | Her Killing Eyes (t) | PL-E | Playford 2-3, 1718 | 310 | VN |
//1/1//1323/15-//17-6-/5-4- | C/ | Her Killing Eyes (t) | PL-E | Playford 2-4, 1728 | 310 | VN |
//1/1//1323/15-//17-6-/5-4- | C/ | Her Killing Eyes (t) | DA-E | Walsh CD-1.2, 1719 | 333 | VN/OB |
//11/13//2321/6-5-//11/13 | C | Kind Robin Looes Me (t) | SC-S | Scots MM-5, 1797 | 492 | VO,PF |
//11/13//2322/2//33/35 | 2/4 | Hollowdrum, The (t) | AM-A | Shattuck MS, 1801 | 16 | MI |
//11/132//33/354//55/565 | 2/4 | Air (t) | IC-E | Holmes Hn Duets, 1763 | 2 | 2HN/GT/GF/VN |
//1/11//3234/35//23/42// | 2/4 | Rondo (t) | IC-E | Welcker Cots, 1768 | 17 | GT |
//1/1//1/3//23/44// | 2/4 | Suzette, La (t) | DA-F | Landrin Potpourri, 1785 | 78 | MI |
//1/1//13//23/44//4/3// | 2/4 | Ouverture des Assemblées, L. Contredanse Allemande (t) | DA-F | Bouin CD LC-3 , 1780 | 139 Feuille. 5. Vol | MI |
//1/1//13//23/45 | 2/4 | Quintetto. Tempo Gavotta (t) | IC-E | Longman Clar, 1780 | 33 | 2CL,2HN,BS |
//11/1324//3234/5456//5543/4432 | C | Lord Loudon's March (t) | AM-A | Bolling MS, 1785 | 20 | VN/VO |
//11/1324//333/3546//51+76/5432+ | C | Lesson by Morelli (t) | AM-A | Dean MS, 1800 | I.108 | MI |
//11/1324//33/3546//51+76/5432 | C/ | Rover (t) | AM-A | Dance Tunes MS, 1798 | 8 | 2FI/2GF/2OB |
//11/1324//33/3546//51+76/5432 | C | Harlequins Hornpipe (t) | AI-A | Riley Flute 1, 1814 | 77 | FL |
//11/1324//33/3546//51+76/5432 | C/ | Harlequins Gambols (t) | DA-E | Thompson CD-5, 1788 | 8 | VN/GF/OB |
//11/1324//33/3546//51+76/5432// | C/ | Harlequins Gambols (t) | DA-E | Thompson CD-5a, 1788 | 8 | VN/GF/OB |
//11/1324//33/3546//51+76/5432// | C | Harlequins Hornpipe (t) | DA-E | Wilson Companion, 1816 | 130 | MI |
//11/1324//33/3546//5365/4321// | 2/4 | Belle Liegeoise, La (t) | DA-E | Purtin Cot, 1775 | 30-31 | HA/VN,B/GF/OB/BS |
//11/1324//33/3546//61+76/5432 | C | Lessons by Morila (t) | AM-A | Dickinson MS, 1800 | 128 | 2CL/2GF/2OB,B |
/11//1/3243//65/1+5//65/43// | 2/4 | Villeflix, La. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 60 Feuille | MI |
//1/1//13//2/5//11 | 2/4 | Woodlark, The (t) | AI-A | Riley Flute 3, 1820 | 75 | FL |
//11/13//25/31//665 | C/ | To a False Fickle Mistress, Accusing Her Lover of Her Own fault, Love (t) | SS-E | SS, Folger-C42.3 | 379 | VO,KB+FL |
//1+1/13//254/35//1+6/21+76 | 2/4 | To Celia (t) | SC-E | Clio-3, 1762 | 160 | VO,HAF+GF |
//11/13//25-/54//32/12 | C | Intrepid Lover, for Two Voices, The (t) | SC-E | Musical Cent-2, 1740 | 30 | 2VO+FL |
//11/13//25-/54//32/12 | C | Intrepid Lover, The (t) | SS-E | SS, Folger-C42.3 | 93 | 2VO+FL |
//11-1-3//25-/5-4//321/7-1 | 6/8 | Trip to the Jerseys (t) | DA-E | Skillern CD, 1780 | 51 | VN/GF/OB |
//1+1+/1+3+//2+5/55//64/25 | 6/8 | Harlequin Gardener (t) | DA-E | Thompson CD-5, 1788 | 11 | VN/GF/OB |
//1+1+/1+3+//2+5/55//64/25// | 6/8 | Harlequin Gardener (t) | DA-E | Thompson CD-5a, 1788 | 11 | VN/GF/OB |
//1+1+/1+3+//2+5/55//64/25 | 6/8 | Spanish Dollars, The (t) | DA-E | Thompson CD-6.3, 1791 | 31 | MI |
//11/13//27-1/13//27-1/3 | 2/4 | Night Piece (t) | IC-E | Oswald Airs, 1758 | 11 | 2VN/2GF/2GT |
//11/13//27-/13//27-/15-// | 2/4 | Rondo Gavotte (t) | AI-A | Berault Cots, 1805 | 20 | PF |
//111327-13//5425313//27-5-6-7-1234 | 3/4 | Viotti's Pollacca (t) | IC-S | Aird 6, 1803 | 58 | FI/VN/GF |
//111327-13//5425313//27-5-6-7-1234//345 3217-6-5-5-//11132-1-- |
3/4 | Viotti's Pollacca (t) | AI-A | Balls Amus 2, 1815 | 2 | FL/FI/VN |
//1+113/27-7-2//1+114+/3+5+3+1+//1+113/2 7-7-4+// |
C/ | Room for Beauty (t) | MS-E | Vickers MS, 1770 | 41 | MI |
//11133//1//355/33355//3 | C | Sestetto (t) | TW-E | Midnight Wand, 1793 | 42-51 | 5VO,KB,MI |
//111/331//554/34321//554/345 | C | March (t) | AM-A | Van Schaack MS, 1820 | 42 | FI/FL |
//111//331//555-//111//15-5-5-//3-3-3-// 3- |
3/4 | Favorite New Hunting Song, A (t) | SS-E | SS, Harvard | 1 | VO,KB |
//111//331//555-//15-5-//112 | 3/4 | Song 27 (t) | SC-E | Vocal Enchant, 1783 | 54-55 | VO |
//1-/1-1-//3-/3-2-1-//2-/2-2- | 6/8 | Welcome the Nation's Guest. Introduction (t) | AI-A | American Sheet Music | 6 | PF |
//1113//321//3335//543//551+6 | 3/4 | Lady Coventry's Minuet (t) | AM-A | Kingsley MS, 1795 | I,28 | MI |
//11/13//321/353//4 | 2/4 | Asteria's Fields (t) | AI-A | Moller & Capron, 1793 | 21-22 | VO,KB |
//11/1332//1/5-113//33/3554//3 | C/ | Duettino (t) | TW-E | Maid/Oaks, 1774 | 48-49 | 2VO,KBF |
//1/1//13//3217-//1//3/3 | 2/4 | Rural Retreat, The (t) | AI-A | American Periodicals | VO,KB | |
/11//13/321//7-/24//351/247-// | 6/8 | Franceuil, La. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 110 Feuille | MI |
/11//13/321//7-/24//351/247-// | 6/8 | Franceüil, La. Contre-Danse Française. (t) | DA-F | Landrin CD BL-2, 1775 | 110 Feuille | MI |
//1+113//3221+//1+113/1+2+3+2+//1+113/32 23 |
C | Whigs of Fyffe, The (t) | DA-E | Rutherf CD-2.2, 1760 | 76 | MI |
//11/13//3/234//5432/3217- | 2/4 | Rondo In Adelina (t) | AI-A | Riley Flute 2, 1817 | 73 | FL |
//111/333//222/444//351+5/644+2+ | C | Union Volunteers, The. March (t) | IC-E | English Sheet Music | 3 | PF/HA |
//111/333//222/444//354/321 | 6/8 | Sinfonia-2, Presto (t) | AM-A | Psalmody MS, 1798 | 96,97 | MI |
//111/333//222/444//354/321 | 6/8 | Sinfonia-4, Presto (t) | AM-A | Psalmody MS, 1798 | 97 | MI |
//111/333//222/44//563/427- | 6/8 | Poor Jack (t) | AM-A | Spicer MS, 1797 | 46-48 | VO |
//111/333//222/555//354/321 | 6/8 | Grand Symphony. Allegro Presto (t) | AM-A | Woodruff MS, 1803 | 20 | MI |
//111/333//27-5-/6-4-5-4-//3-5-1/15-3 | 6/8 | Irish Drinking Song, An (t) | SC-S | Edinburgh MM-1, 1792 | 215-217 | VO |
//111/333//27-5-/6-5-4-//3-5-1/15-3 | 6/8 | Smallillow (t) | AI-A | Fifer's Comp, 1805 | 60 | 2FI |
//11/13/33//34/45/3// | 3 | Grief That Tortures Me, The (t) | DA-F | Arbeau Orchesography, 1589 | 115-118 | DR/MI |
/1//11/33//33/55//543/21232// | C | Handel's Water Piece (t) | AM-A | Pierian MS, 1810 | 18,36 | 2MI,B |
//111/3334//222/44//563/427-// | 6/8 | Poor Jack, A Favourite Song (t) | AM-A | Pynchon MS, 1797 | 12v | MI |
//1/11//3/33//5 | 2/4 | Tho' cause for suspicion appears (fl) | TW-E | Duenna, 1775 | 16-17 | VO,HAF |
//1-1-1-/3-3-3-//5-/15-//123/43 | C/ | Cornwall March, The (t) | IC-E | Oswald Marches, 1759 | 4 | 2MI |
//111//333//51+5//53//542//531 | 3/8 | New Stop Waltz (t) | AI-A | Goodale Dir, 1829 | 52 | 2MI,FL,B |
//111/333//51+767/1+6-7-//116/5432 | C | Jealousy (t) | AM-A | Mass. MS, 1790 | 26 | FL |
//111/333//53/15-17-//6-6-6-/6-432 | C/ | Duke of Cumberlands March (t) | IC-E | Pick Divs, 1800 | 10-11 | PF |
//111/333//534/56-543432//15-3-1- | C/ | Martial Song on Prince Eugene, A (t) | SS-E | SS, Folger-C42.3 | 446 | VO,KB+FL |
//111/333//534/56543432//15-3-1- | C/ | Martiall Song. on Prince Eugene, A (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//1-1-1-/3-3-3-//5-3-5-3-/1-5-//15-15-/1 5-3-1- |
C | Duke of York's March (t) | AI-A | Balls Amus 1, 1815 | 6 | FL/FI/VN |
//111/333//5353/15//1+51+5/1+531 | C | Duke of Yorks March, The (t) | IC-E | Bland Clar, 1798 | 17 | CL |
//111/333//5353/15//1+51+5/1+531 | C | Duke of Yorks March (t) | MS-E | Brown, W. MS, 1797 | 26-27 | MI |
//111/333//5353/15//1+51+5/1+531 | C/ | Duke of Yorks March (t) | MS-E | Brown, W. MS, 1797 | 32-33 | MI |
//111/333//5353/15//1+51+5/1+531 | C/ | Duke of Yorks March (t) | IC-E | Clementi Fife, 1815 | 18 | FI |
//111/333//5353/15//1+51+5/1+531 | C/ | Duke of Yorks March (t) | AM-A | Dickinson MS, 1800 | 13 | CL/GF/OB |
//111/333//5353/15//1+51+5/1+531 | C/ | Duke of Yorks March, The (t) | IC-E | Eley Pieces 1, 1790 | 1 | 2CL,2HN,TR,BS |
//1-1-1-/3-3-3-//5-3-5-3-/1-5-//15-15-/1 5-3-1- |
C | Duke of York's March (t) | AI-A | Firth Cl, 1832 | 26 | CL |
//111/333//5353/15//1+51+5/1+531 | C/ | Duke of York's March (t) | AM-A | Hosmer MS, 1798 | 16 | MI |
//111/333//5353/15//1+51+5/1+531// | C | Duke of York's March (t) | AM-A | Irving MS, 1796 | 30 | 2 MI |
//111/333//5353/15//1+51+5/1+531 | C/ | Duke of York's March, The (t) | AM-A | Kingsley MS, 1795 | I,32 | MI |
//111/333//5353/15//1+51+5/1+531 | C/ | Duke of York's March, The (t) | IC-E | Longman Fife, 1780 | 18 | FI/GF |
//1-1-1-/3-3-3-//5-3-5-3-/1-5-//15-15-/1 5-3-1- |
C/ | Duke of York's March (t) | AI-A | Merrimack Coll, 1833 | 60-61 | 2MI,B |
//1-1-1-/3-3-3-//5-3-5-3-/1-5-//15-15-/1 5-3-1- |
C | Duke of York's March (t) | AI-A | Riley Flute 1, 1814 | 45 | FL |
//111/333//5353/15//1+51+5/1+531 | C/ | Duke of Yorks March (t) | AM-A | Stiles MS, 1807 | 58-59 | MI |
//111/333//5353/15//151+5/1+531//1+51+5/ 1+531// |
C | The Duke of York's March (t) | IC-E | Naval Compendium, 1800 | 16-17 | 2FL/VN,PF |
//111/333//5353/15//1+51+5/1+531//5 | C | Duke of York's March (t) | AI-A | Military Amus, 1796 | 8-9 | 2GF/2VN/2FI/2OB |
//111/333//53531/51+51+51+531//555/5 | C | Duke of Yorks March, The (t) | AI-A | Evening Amuse, 1796 | 23 | GF/VN |
//111/333//5353/155//1+5/1+5// | C/ | Duke of York's March, The (t) | AM-A | Adams, W. MS, 1795 | 29 | MI |
//111/333//5353/155//1+51+5/1+531 | C | Duke of York's March (t) | IC-S | Aird 4, 1796 | 23 | FI/GF/VN |
//111/333//5353/155//1+51+5/1+531 | C | Duke of York's March (t) | AM-A | Allen, W. MS, 1790 | 122-123 | 2MI,B |
//1-1-1-/3-3-3-//5-3-5-3-/1-5-5-//15-15- /15-3-1- |
C | Duke of Yorks March, The (t) | AI-A | American Sheet Music | 1 | PF |
//1-1-1-/3-3-3-//5-3-5-3-/1-5-5-//15-15- /15-3-1- |
C | Duke of York's March, The (t) | AI-A | American Sheet Music | 1 | PF |
//1-1-1-/3-3-3-//5-3-5-3-/1-5-5-//15-15- /15-3-1- |
C | Siege of Valenciennes, The. Duke of York's Entrance Into Valenciennes (t) | AI-A | American Sheet Music | HA/PF | |
//111/333//5353/155//1+51+5/1+531 | C | Duke of York's March, The (t) | IC-E | Andrews Fife, 1808 | 27 | FI/GF |
//1-1-1-/3-3-3-//5-3-5-3-/1-5-5-//15-15- /15-3-1- |
C | Duke of Yorks March (t) | IC-E | Astor Oboe, 1800 | 24 | 2OB |
//1-1-1-/3-3-3-//5-3-5-3-/1-5-5-//15-15- /15-3-1- |
C | Duke of York's March (t) | AI-A | Bacon Marches, 1816 | 16 | MI |
//1-1-1-/3-3-3-//5-3-5-3-/1-5-5-//15-15- /15-3-1- |
C | Duke of Yorks March (t) | AI-A | Blake Amus 2, 1824 | 21 | CL |
//111/333//5353/155//1+51+5/1+531 | C | Duke of York's (t), or March 3 (at) | IC-E | Button Whit-1, 1806 | 4-5 | 2GF/2VN/2FL/2FI |
//111/333//5353/155//1+51+5/1+531// | C | Duke of York's March (t) | IC-E | Cahusac Flute, 1798 | 33 | FL |
//1-1-1-/3-3-3-//5-3-5-3-/1-5-5-//15-15- /15-3-1- |
C | Duke of York's March (t) | AI-A | Caladonian Muse, 1798 | 7-8 | VO/PF/VN |
//1-1-1-/3-3-3-//5-3-5-3-/1-5-5-//15-15- /15-3-1- |
C | Duke of York's March (t) | AM-A | Canfield MS, 1823 | 125 | FL |
//1-1-1-/3-3-3-//5-3-5-3-/1-5-5-//15-15- /15-3-1- |
C | Duke Yorks March (t) | AM-A | Curtiss MS, 1800 | 52-53 | 2VN |
//111/333//5353/155//1+51+5/1+531// | C/ | Duke of Yorks March, The (t) | AM-A | Duport MS-3, 1825 | 23 | KB |
//111/333//5353/155//1+51+5/1+531 | C | Siege of Valenciennes, The. Enter Valenciennes (t), or Duke of Yorks March | IC-E | English Sheet Music | PF/HA,VN | |
//111/333//5353/155//1+51+5/1+531 | C | Duke of York's March, The (t) | IC-E | English Sheet Music | 2 | KB+GF |
//111/333//5353/155//1+51+5/1+531 | C | Siege of Valenciennes, The. The Duke of York's March (t) | IC-E | English Sheet Music | PF | |
//111/333//5353/155//1+51+5/1+531 | C | Duke of Yorkes March (t) | AM-A | Hawkins MS, 1794 | II,48 | GF |
//111/333//5353/155//1+51+5/1+531// | C/ | Duke of Yorks March (t) | AM-A | Hoff MS, 1797 | No. 255 | GF |
//111/333//5353/155/1+51+5/1+531 | C | Duke of York's March (t) | AI-A | Martial Music, 1807 | 23 | 2CL/2OB,BS |
//111/333//5353/155//1+51+5/1+531 | C/ | Duke of Yorks March (t) | AM-A | Mass. MS, 1790 | 36 | CL |
//111/333//5353/155//1+51+5/1+531// | C/ | Duke of Yorks March, The (t) | MS-C | Molyneaux MS-1, 1788 | 30 | GF |
//111/333//5353/155//1+51+5/1+531 | C/ | Duke of Yorks March (t) | AM-A | Otis MS, 1793 | 36-37 | 2VN/2FL |
//111/333//5353/155//1+51+5/1+531 | C | Duke of York's March, The (t) | IC-E | Preston Fife, 1796 | 23 | FI/GF |
//111/333//5353/155/1+51+5/1+531 | C | Duke of York's March (t) | AI-A | Scots MM, 1797 | 7-8 | HA/PF |
//111/333//5353/155//1+51+5/1+531 | C/ | Duke of Yorks March (t) | AM-A | Shattuck MS, 1801 | 110 | MI |
//1-1-1-/3-3-3-//5-3-5-3-/1-5-5-//15-15- /15-3-1- |
C/ | Duke of York's March (t) | IC-S | Sime Marches, 1789 | 8 | HA/PF |
//1-1-1-/3-3-3-//5-3-5-3-/1-5-5-//15-15- /15-3-1- |
C | Duke of York's March (t) | AI-A | Steele Fife, 1815 | 25 | FI |
//1-1-1-/3-3-3-//5-3-5-3-/1-5-5-//15-15- /15-3-1- |
C | Duke of Yorks March (t) | AM-A | Trumbull MS, 1801 | b:2r | MI |
//1-1-1-/3-3-3-//5-3-5-3-/1-5-5-//15-15- /15-3-1- |
C/ | Duke of York's March, The (t) | IC-S | Watlen Marches, 1798 | 27 | PF/FL/VN |
//111/333//5353/155//1+51+5/1+531// | C | Duke of York's March (t) | AM-E | Wheatstone Clarinet, 1801 | 83 | MI |
//111/333//5353/155//1+51+5/1+531// | C | Duke of Yorks March (t) | AM-A | White, G. MS, 1790 | 114-115 | VN |
//111/333//5353/155//1+51+5/1+531// | C | Duke of York's March (t) | AI-A | Willig Fife, 1826 | 13 | FI |
//111/333//5353/155//1+51+5/1+531// | C | Duke of Yorks March (t) | AI-A | Willig Flute, 1795 | 20 | GF |
//111/333//5353/155//1+51+5/1+531// | C/ | Duke of York's March (t) | IC-E | Wilson Fife, 1805 | 36 | FI |
//1-1-1-/3-3-3-//5-3-5-3-/1-5-5-//15-15- /15-3-1- |
C | Duke of York's March (t) | IC-E | Wragg Oboe, 1792 | 55 | 2OB |
//111/333//5353/155//1+51+5/1+531//555 | C | Duke of Yorks March (t) | IC-E | Cahusac Flute, 1792 | 33 | GF |
//111/333//5353/155//1+51+5/1+531//7 | C | Duke of Yorck's March, The (t) | AI-A | American SS-SM | 1 | KB |
//111/333//5353/155//1+51+5/1+631 | C/ | Duke of York's March (t) | AM-A | Cary MS, 1797 | 108 | VN |
//1-1-1-/3-3-3-//5-3-5-3-/1-5-5-//15-15- /3- |
C | Siege of Valenciennes, The. Duke of York's Entrance Into Valenciennes (t) | IC-E | English Sheet Music | PF/HA,VN | |
//111/333//5353/1567//1+51+5/1+5331// | C/ | Duke of Yorks March, The (t) | MS-S | Fife MS, 1780 | 633,68r | 1FI OR 2FI/VN |
//111/333//5353/17//1+ | C | Duke of York's March (t) | AI-A | Instrum Asst, 1800 | 50-51 | 2VN/2GF/2CL/2OB,BVIOL |
//11/1//33/3//55/1+1+ | 2/4 | Dessau (t) | MS-G | Darmstadt MS 1224 | 252,258 | 2FL |
//11/1//33/3//55/1+1+ | 2/4 | Preussicher Gren: March No 36 Dessau (t) | MS-G | Darmstadt MS 1225 | 367-68 | 2MI |
//111/333//551+1+/553//111/333 | C/ | Grenadier Marche Von Dessau (t) | MS-G | Darmstadt MS 1224 | 211 | MI |
//111/333//555/1+1+1+//3+ | C | Music In the Procession-12 (t), or Trumpet Tune (at) | TW-E | Lord-Mayors Day, 1782 | 28 | KB |
//1-1-1-3-3-3-5-5-5-1115-5-5-3-3-3-5-5-5 -5-5-5-5- |
Charge (t) | IC-E | Broderip Sounds, 1799 | 10 | TR | |
//1113335551+1+1+5553335555555// | Charge (t) | IC-E | Hyde Bugle, 1818 | 38 | TR | |
//1-1-1-3-3-3-5-5-5-1115-5-5-3-3-3-5-5-5 -5-5-5-5- |
6/8(ED) | Charge (t) | IC-E | Hyde Trumpet, 1798 | 17 | TR |
//111/333//555/1+1+1+//6655/6677 | C/ | Divertimento 5. Allegro (t) | IC-E | Rathgen Divs, 1780 | 11 | 2CL,2HN,BS |
//1-1-1-3-3-3-/5-5-5-111//7-7-1223/42//3 342/2117- |
C/ | Captain Fotteral's Slow March (t) | AI-A | Mc Culloch, 1809 | 17 | KB+FL |
//111/333//555/1+//2343/2343 | C | Essex March, The (t) | IC-E | Oswald Marches, 1759 | 9 | 2MI |
//11/133//355/51+//56/5321 | C | Spring (t) | SS-E | SS, Boston PL-1 | 14 | VO,2VN,B |
//111/333//55-/5-//333/321//7- | 2/4 | With respect Sir to you be it spoken (fl) | TW-E | Quaker, 1777 | 32-33 | VO,KBF |
//111/333//55-5-/5-5-//6- | 2/4 | General Waynes New March (t) | AI-A | Military Amus, 1796 | 18 | 2GF/2VN/2FI/2OB |
//111/333//55-5-/5-5-//6-6-6-/17-6- | 2/4 | General Waynes New March (t) | AI-A | American Sheet Music | KB | |
//111//333//555//67//1+76//543 | 3/8 | Wertemberg Waltz (t) | AM-A | Morse MS, 1811 | 23 | MI,B |
//111/333//556/223//4654/3565 | C/ | Advice to the Fair (t) | AI-A | American Periodicals | VO,KB | |
//11/1//33/3//55/65 | C | Duke of Rutland's March (t) | IC-E | Skillern Amus, 1785 | 8 | 2GF |
//11/1//33/3//55/65 | C/ | Duke of Rutland's March, The (t) | IC-S | Stewart Marches, 1761 | 75 | 2VN/GF/OB,VC/HA |
//111//333//5571+//55//642//17-6-5-6-7- | 3/4 | Waltz (t) | IC-S | Pandean Coll 2, 1810 | 24 | PF |
//111/333//567/1+2+ | C | Marche (t) | IC-F | French Sheet Music | FLP,4CL,2OB,2TR | |
//111/333//567/1+2+ | C | Paer 2e. Marche (t) | IC-F | Paer Marches, 1810 | 2CL,2CLS,2OB,2BS,2HN,FLP,2T | |
//11/1//334/31 | C | Trumpet March (t) | IC-E | Musica Bell, 1733 | 21 | FL/VN/OB |
//1/1+1+//3+3+/5+//1+1+/3+ | C/ | Marche Allegretto. Auf Jede Minute 100 Schritte (t) | IC-G | Bavarian March, 1807 | 17-19 | BAND (16 PARTS) |
//1+11/3355//1+1+1+/1+3+1+//2+755/54// | C | Slow March, A (t) | MS-S | Fife MS, 1780 | 856,92r | 1FI OR 2FI/VN |
//1+11/3355//1+11/14+//3+2+3+4+/5+4+3+// |
C/ | March (t) | AM-A | Hoff MS, 1797 | No. 119 | GF |
//11-1-/3-3-5-5-//111/15-6-7-1//222/2543 |
C/ | March, A (t) | AM-A | Hosmer MS, 1798 | 13 | 2MI |
//1+11/3355//1+1+/1+3+2+4+//3+33/551+1+/ / |
2/4 | Aria. Allegro (t) | IC-E | Italian Pieces, 1770 | 14 | 2GF, 2CL/OB/VN, 2HN, BS/VC |
//1-1-/1-3-3-5-//5-113/3551+//1+1+/7654 | C/ | AM-A | Bellamy MS, 1799 | 42-43 | 2MI,B | |
//1-1-1-/3-3-5-5-//1133/55//45424/34312 | C/ | March (t) | IC-E | Valentine March, 1787 | 8 | 2VN,2OB/FL,2HN,VA,BF |
//1-1-1-/3-3-5-5-//1133/55//45424/34313/ / |
C/ | March (t) | AM-A | Irving MS, 1796 | 44 | 2 MI |
//111/3355//1+15-1/313535//1+535/5432 | C | March of the Fifth Company of the Washington Guards (t) | AI-A | American Sheet Music | 2 | PF |
//1+11/3355//1+1+76/555//641+6/4+2+72+// |
C/ | Slow March (t) | AM-A | Pierian MS, 1810 | 13 | MI |
//11-1-/3-3-5-5-//12//3234/343//217-6-/5 -2 |
C | Trumpet March, A (t) | IC-E | Delightful-2, 1745 | II,20 | 2GF |
//11-1-/3-3-5-5-//12//3234/3543 | C | Trumpet March (t) | AM-A | Bolling MS, 1785 | 21 | VN/VO |
//1+11/3355//1+2+//3+2+3+4+/3+5+4+3+//2+ 1+76/ |
C | Handels Trumpet (t) | IC-E | Longman March 4, 1770 | 5 | 2VN/OB/GF, 2HN, B |
//11-1-/3-3-5-5-//132/13//217-6-/5-543 | C | March of the Sharpshooters of Dobriluck, In Saxony (t) | AI-A | American Sheet Music | KB | |
//11-1/3-3-5-5-//133/134//555/54321 | C | March In the Battle of Lutzen (t) | AI-A | Paff Amus 4, 1817 | 22 | FL/VN |
//1+11/3355//1+3+3+/1+3+4+//5+5+5+/5+4+3 +2+1+ |
C/ | Military March In the Battle of Lutzen, A (t) | AI-A | Whiteley Prec, 1816 | 54-55 | 2MI,CL,B |
//11-1-/3-3-5-5-//133/134//555/54321 | C/ | March In the Battle of Lutzen (t) | AI-A | Williams Fife, 1826 | 26 | 2FI |
//1-1-1-/3-3-5-5-//133/51//222/55 | C/ | Wellington's Victory. Marquis Wellington's Grand March (t) | IC-I | Irish Sheet Music | PF | |
//1+11/3355//1+33/551+1+//3+55/1+1+3+3+ | C/ | Grand March (t) | AM-A | Psalmody MS, 1798 | 81 | MI |
//1-1-1-/3-3-5-5-//1/5-5-//1133/111 | C | Waterloo March and Introduction, The (t) | AI-A | American Sheet Music | KB | |
//1-1-1-3-3-5-5-//31111//247-7-7-//13//1 -1-3-3-5-5- |
3/4 | Tyrolese Song, The (t) | AM-A | Canfield MS, 1823 | 92 | FL |
//1113355//3+1+1+1+1+//2+4+777//1+3+//11 3355 |
3/4 | Tyrolese Song of Liberty (t) | AI-A | Firth Cl, 1832 | 26 | CL |
//111/3355//311/113//27-13/27-13 | C | Governor Joseph C. Yates Grand March (t) | AI-A | American Sheet Music | PF | |
//111/3355//311/131//1-7-6-5/3543// | C | Marsch Für Das K. K. Infanterie-Regiment Coloredo (t) | IC-G | Amon Marches, 1794 | 2 | PF |
//1+11/3355//3+2+/1+2+3+4+//5+4+3+2+/1+7 1+3+ |
C/ | General Cadwalader's March (t) | AI-A | American Sheet Music | 1 | PF |
//1+11/3355//3+2+/1+2+3+4+//5+4+3+2+/1+7 1+3+// |
C/ | General Cadwalader's March (t) | AI-A | Johnson, F. Sheet Music | 1-2 | PF |
//1113/416-//1131/27-5-//1113/4231 | C | Little Wat Ye Wha's Coming (t) | SC-S | Scots MM-6, 1803 | 591 | VO,PF |
//1+1/13//42/21+//2+2/45 | C/ | Round-Head, The (t) | SC-E | Pills 4, 1719-20 | 172-3 | VO |
//111//34321//567//1+7//62+1+ | 3/4 | Miss Mally Montgomrie S minuet (t) | MS-S | Gillespie MS, 1768 | 79 | VN |
//11+/1+3//4323/2//22+/2+5 | 2/4 | March 6 (t) | IC-E | Eastland March, 1787 | 12-13 | 2OB/GF/CL,BS |
/1113//444/43//11/31//7-2/7-5-// | Harmony Slow March (t) | AM-A | New Harmony MS, 1826 | 25 | MI | |
//11/13//44/454//33/34 | 2/4 | New Surry Quick Step (t) | IC-E | English Sheet Music | PF+PF,4HANDS | |
//1-1134/513//556543/4223//1-1134/5135 | C/ | Lord Alexr Gordon's Reel (t) | IC-S | Aird 4, 1796 | 58 | FI/GF/VN |
//1-1134/513//56543/4223//1-1134/5135// | C | Glenkindie's Reel (Scotch) (t) | DA-E | Wilson Companion, 1816 | 62 | MI |
//11/1345//313/12//11/1345 | 6/4 | Whip Her and Gird Her (t) | DA-E | Johnson CD-2, 1742 | 13 | MI |
//11/134//53/13//23/23 | 6/8 | Nancy Dawson (t) | AM-A | Herreshoff MS, 1790 | 8V | MI |
//11/1345//313/42//11/1345 | 6/4 | Whip Her and Gird Her (t) | MS-E | Hammersley MS, 1790 | 29B | MI |
//11/1345//313/42//11/1345// | 6/8 | Rafraichissante, La (t) | DA-N | St. Flour Contredanses, 1757 | 3 | KB |
//11/1345//313/42//11/1345 | 6/4 | Whip Her and Guird Her (t) | DA-E | Walsh CD-3.6, 1754 | 145 | VN/OB/GF |
//11/134//5313/5313//22/21+7 | 2/4 | East Nook of Fife, The (t) | IC-S | Aird 1, 1782 | 20 | FI/VN/GF |
//11/134//5313/5313//22/21+7//65/671+6// |
2/4 | East Nook of Fife (Old Scotch) (t) | DA-E | Wilson Companion, 1816 | 51 | MI |
//11/134//5313/543//22/21+7 | C | Rantin Dog the Daddie O't, The (t) | SC-S | Scots MM-3, 1790 | 286 | VO,PF |
//111345/314//27-4/27-2//111345/314 | C | Duke of Hamilton's Reel (t) | DA-E | Longman CD, 1781 | 71 | VN/OB/GF |
//111345/3212//217-7/217-2//111345//3434 |
C | Hambleton's Rant (t) | DA-E | Walsh CD-2.2, 1735 | 29 | VO/OB/GF/FL |
//111345/3212//217-7/217-2//111345//3434 |
C | Hambleton's Rant (t) | DA-E | Walsh CD-3.2, 1749 | 29 | VN/OB/GF |
//111345/3214//217-7/2172//111345/3214// |
Lady Hammeltons Rant (t) | MS-E | Vickers MS, 1770 | 84 | MI | |
//11/134//5351+/5321//6543/4321 | 6/8 | Wood's Hornpipe (t) | IC-S | Aird 6, 1803 | 26 | FI/VN/GF |
//11/134//5351+/5321//6543/4321// | C | Wood's Hornpipe (t) | MS-S | Fife MS, 1780 | 701,76r | 1FI OR 2FI/VN |
//11/134//5351+/5321//6543/4321// | C | Wood's Hornpipe (t) | DA-E | Wilson Companion, 1816 | 142 | MI |
//11/134//5353/1321//22/245 | 2/4 | Jenning's Hornpipe (t) | AM-A | Gaylord MS, 1816 | 7v | MI |
//11/134//5432/112//3234/3543// | C | Slow March, A (t) | MS-S | Fife MS, 1780 | 182,18r | 1FI OR 2FI/VN |
//11134/551+//5635/6221+//11134/551+ | C/ | Capt Sinclair's Reel (t) | IC-S | Aird 5, 1797 | 12 | FI/VN/GF |
//111//345//5-4321//17-5- | 3/4 | Sheep In the Clusters (t) | AM-A | Hosmer MS, 1798 | 41 | MI |
//111//345//5-4321//17-5-//6-7-1 | 3/4 | Song 23 (t), or Sheep In the Clusters (at) | AI-A | American MM, 1798 | 68-70 | VO |
//111//345//5-4321//17-5-//6-7-1//23432/ / |
3/4 | Sheep In the Clusters (t) | AM-A | Pynchon MS, 1797 | 18v | MI |
/11//134/55//567/1+2+3+//4+3+2+/3+2+3+// |
6/8 | Trop-Courte, La. Contredanse (t) | DA-F | LaCuisse Rep CD LC-2, 1764 | 55 Feuille 2. Vol | KB |
//111//3455//671+54//43 | 3/4 | In Vain You Tell (t) | AM-A | Ives MS, 1800 | 52 | 2VO,B |
//1//11/35//1+1+ | C | Newburgh (t) | MS-A | Bellamy MS, 1799 | 56 | VO |
//11/135//11/11//22/234// | 6/8 | Rosetta Quick Step, The (t) | MS-S | Fife MS, 1780 | 272,28v | 1FI OR 2FI/VN |
//11/135//11/11//22/234 | 6/8 | Rosetta, The (t) | DA-E | Longman CD, 1781 | 4 | VN/OB/GF |
//11/135//11/11//22/234 | 6/8 | Rosetta, The (t) | DA-E | Thompson CD-4, 1780 | 63 | VN/GF/OB |
//11/135//11/11//22/234// | 6/8 | Rosetta, The (t) | DA-E | Thompson CD-4a, 1780 | 65 | VN/GF/OB |
/1-1-//1-3-5-/11//11/2345//4321/ | 2/4 | Clement, La, Grand Contre Dance No.24 (t) | AM-A | Duport MS-1, 1780 | 21 | VN |
//11/135//1+1+/1+3//454/343// | 6/8 | Reverie, La (t) | DA-E | Gallini Cots, 1770 | 41 | KB |
//11135/11135//1+53+1/2+75432//11135/1+5 3+1 |
C/ | Taylor's Measure, The (t) | DA-E | Johnson CD-7, 1756 | 43 | VN/GF |
//11135/11135//1+53+1+/2+75432//11135/1+ 53+1+// |
C/ | Taylors Measure, The (t) | DA-E | London Magazine | 471, 1754 | MI |
//11135/11135//1+53+1+/2+75432//11135/1+ 53+1+ |
C/ | Man on the Wire, The (t) | DA-E | Thompson CD-1, 1757 | 33 | VN/GF/OB |
//11135/11135//1+53+1+/2+75432//11135/1+ 53+1+// |
C/ | Man on the Wire, The (t) | DA-E | Thompson CD-1a, 1757 | 35 | VN/GF/OB |
//11135/11135//1+53+1+/2+75432//11135/1+ 53+1+// |
C/ | Taylers Measure, The (t) | MS-E | Vickers MS, 1770 | 97 | MI |
//11135/11135//33332/33332//345565/4464 | 2/4 | Woodcot, The (t) | AM-A | Hudson MS, 1772 | 13 | VN/FI |
//111/35//111/46//111/3+5+// | 2/4 | Capricieuse, La (t) | DA-N | Echo, 1758 | 40 | KB |
//111/35//111/46//111/3+5+// | 2/4 | Cabriolet, Le (t) | DA-N | St. Flour Contredanses, 1757 | 31 | KB |
//111/35//111/46//111/3+5+ | 2/4 | Trumpeter Quadrille (t) | AM-A | Turner MS, 1788 | I,81 | VN |
//11/135//11/16//642/51+3 | 6/8 | Colo Bellamy's March (t) | AM-A | Bellamy MS, 1799 | 20-21 | 2MI,B |
//1-1-1-/3-5-//115-3-/1-5-//6-7-/217-6- | C | Emperor Alexander's March (t) | AI-A | American Sheet Music | KB | |
//1-1-1-3-5-/1213//2123/2323//1-1-1-3-5- /1213 |
C/ | Mouse Trap, The (t) | DA-E | Johnson CD-5, 1750 | 86 | VN/GF |
//1113/5131//2747/27-2//1 | C | Mrs. Murray of Abercarney's Strathspy (t) | AI-A | Scots MM, 1797 | 100 | HA/PF |
//1113/5131//2747/27-2//1113/5131 | C | Mrs. Murray of Abercarney's Strathspy (t) | AI-A | Caladonian Muse, 1798 | 100 | VO/PF/VN |
//11135/1+3+1+5//641+3/2222//11135/1+3+1 +5// |
C/ | Frolicksome Lasses, The (t) | DA-E | Straight & Skillern CD, 1775 | 63 | VN/GF/OB |
//1+1+1351+351+//3+2+1+//666-136136//1+7 6//542+2+//4311 |
3/4 | Polonaise (t) | IC-G | Walch Pieces, 1822 | 1 | BAND(18 PARTS) |
//111/35//1+35//54427-//111/12 | C | Gen: Abercrombie's March (t) | AI-A | Balls Amus 1, 1815 | 31 | FL/FI/VN |
//1/1//1/3-5-13//55/543 | C/ | Concert. Meister (t) | MS-G | Darmstadt MS 1225 | 139-40 | 2MI |
//1113/5135//6653/216-5-//1113/5135 | C | Miss Campbell's Strathsy (t) | IC-S | Aird 5, 1797 | 34 | FI/VN/GF |
//1113/5135//6653/216-5-//1113/5135// | C | Miss Cambles Strathspey (t) | MS-S | Fife MS, 1780 | 298,31r | 1FI OR 2FI/VN |
//11+//1351+//432//31234//567671+ | 3/4 | Lady Boyd's Minuet (t) | MS-S | Gillespie MS, 1768 | 77 | VN |
//11/135//146/135//6-43/254//3 | 6/8 | TW-E | Maid/Oaks, 1774 | 19-20 | KB | |
//111/35//1+5/31//5-5-5-/7-2 | 2/4 | Pray Be Civil (t) | DA-E | Johnson CD-5, 1750 | 24 | VN/GF |
//111/35//1+5/31//5-5-5-/7-2// | 2/4 | Pray Be Civil (t) | DA-E | Walsh CD-3.4, 1747 | 11 | VN/OB/GF |
//11135/1+531//5-5-5-7-2/427-5-//11135/1 +531// |
C/ | Pray Sir Be Civil (t) | MS-E | Vickers MS, 1770 | 94 | MI |
//11135/1+531//5-5-5-7-2/527-5-//11135/1 +531 |
C/ | Pray Sr. Be Civile (t) | MS-E | Hammersley MS, 1790 | 77B | MI |
//11135/1+543//4321/7-27-5-//11135/1+641 + |
C | Lord Spindle (t) | DA-E | Thompson CD-3, 1773 | 38 | VN/GF/OB |
//11135/1+543//4321/7-27-5-//11135/1+641 +// |
C | Lord Spindle (t) | DA-E | Thompson CD-3a, 1773 | 51 | VN/GF/OB |
//1+1/1351+//54/35//564/342 | AM-A | Van Renssel. MS, 1782 | II,5 | GT | ||
//1113/516-//1131/27-5-//1113/4231 | C | Assembling of the Clans (t) | AI-A | Blake Amus 1, 1824 | 3 | CL |
//11/1351+//646-2/17-6-5-//11/1234 | C | Noah's Dove (t), or Favorite Song, A (at) | SS-E | SS, Boston PL-1 | 138,1-2 | VO,HA+GT |
//1-1-/1-3-5-//16-/5-3-1-//2-2-/2-6- | 6/8 | Storam Assembly, A (t) | AM-A | Gaylord MS, 1816 | 23r | MI |
//111/35//1+71+2+/1+5//65/43 | 2/4 | Camberwell Frolick (t) | DA-E | Johnson CD-5, 1750 | 40 | VN/GF |
//111/351//7-22/223//422/7-5-6-7-5- | 6/8 | Batchelor's Hall (t) | IC-S | Aird 5, 1797 | 6 | FI/VN/GF |
//111/351//7-22/223//422/7-5-6-7-5- | 6/8 | Song 13 (t), or Batchelors Hall (at) | AI-A | American MM, 1798 | 42-44 | VO |
//111/351//7-22/223//422/7-5-6-7-5- | 6/8 | Bachelors Hall (t) | AM-A | Curtiss MS, 1800 | 126 | 2VN |
//111/351//7-22/223//422/7-5-6-7-5- | 6/8 | Batchelors Hall (t) | SC-S | Edinburgh MM-2, 1793 | 115(315)-317 | VO |
//111/351//7-22/223//422/7-5-6-7-5- | 6/8 | Batchelors Hall (t) | AI-A | Young's Vocal, 1793 | 5 | VO,PF |
//111/35//1+76/51+7//6543/4321 | C | March In Adelina (t) | AI-A | Riley Flute 2, 1817 | 75 | FL |
//11135//2224//31+543//31+543 | 3/4 | Lovely Nancy (t) | AM-A | Cabot MS, 1784 | M11T8 | VO/GF |
//11135/22246//5321/7-12342//11135/22246 |
C/ | Wansted House (t) | DA-E | Johnson CD-4, 1748 | 31 | VN/GF |
//1/11//35//23/42//323/1// | 2/4 | Allment, L' (t) | DA-E | Straight & Skillern CD, 1775 | 95 | VN/GF/OB |
//11/135//24/61+//531/212 | 6/8 | Miss Douglas's Fancy (t) | IC-S | Aird 6, 1803 | 28 | FI/VN/GF |
//11/135//24/61+//531/212// | 6/8 | Miss Douglas's Fancy (t) | MS-S | Fife MS, 1780 | 698,75v,76r | 1FI OR 2FI/VN |
//111/35//311/113//531/531 | C | Slow March (t) | IC-E | Gilbert Bugle, 1804 | 14-15 | 3BU |
//1+1+/1353//1+1+/1353//1+3+2+1+/72+1+7 | C | Chesapeake (t) | AI-A | Riley Flute 2, 1817 | 73 | FL |
//11/135//31/123//454/321 | 6/8 | Admiral Rodneys Triumph (t) | DA-E | Bride CD, 1776 | IV,86 | VN/OB/GF |
//11/135//31/123//454/321 | 6/8 | Admiral Rodneys Triumph (t) | DA-E | Thompson CD-5, 1788 | 88 | VN/GF/OB |
//11/135//31/123//454/321// | 6/8 | Admiral Rodneys Triumph (t) | DA-E | Thompson CD-5a, 1788 | 88 | VN/GF/OB |
//11135/3113//22246/4224//3557/71+53 | C/ | Mathews Frighted at the Highwayman (t) | DA-E | Johnson CD-7, 1756 | 48 | VN/GF |
//11135/3113//22246/4224//3557/71+53// | C/ | Mathews Frighted at the Highwayman (t) | DA-E | London Magazine | 527, 1753 | MI |
//111/3531//2/4642//311/3531 | C/ | March (t) | AM-A | Van Schaack MS, 1820 | 41 | FI/FL |
//11/13//531/27-5-//11/13// | 6/8 | Litchfield Race (t) | AM-A | Bevens MS, 1825 | 26r | FI |
//11/13//531/27-5-//11/13// | 6/8 | Litchfield Races (t) | MS-S | Fife MS, 1780 | 432,45r | 1FI OR 2FI/VN |
//11/13//531/27-5-//11/13 | 6/8 | Litchfield Races (t) | DA-E | Johnson CD-8, 1758 | 70 | VN/GF |
//11/13//531/27-5-//11/13// | 6/8 | Lithcfield Races (t) | DA-E | London Magazine | 389, 1755 | MI |
//11/13//531/27-5-//11/13 | 6/8 | Litchfield Races (t) | DA-E | Thompson CD-1, 1757 | 52 | VN/GF/OB |
//11/13//531/27-5-//11/13// | 6/8 | Litchfield Races (t) | DA-E | Thompson CD-1a, 1757 | 50 | VN/GF/OB |
//11/13//531/27-5-//11/13 | 6/8 | Litchfield Races (t) | DA-E | Thompson CD-3, 1773 | 52 | VN/GF/OB |
//11/13//531/27-5-//11/13// | 6/8 | Litchfield Races (t) | DA-E | Universal Magazine | 2:132, 1755 | MI |
//11/13//531/27-5-//11/13// | 6/8 | Litchfield Racess (t) | MS-E | Vickers MS, 1770 | 32 | MI |
//11/13//53/13//22/23 | 6/8 | Indian Philosopher (t) | AM-A | Allen, W. MS, 1790 | 26 | MI/VO,B |
//11/13//53/13//22/23// | 2/4 | Nancy Dawson (t) | AM-A | Brown, J. MS, 1782 | 1:36 | |
//11/13//53/13//22/23// | 6/8 | Nansy Dauson. A Quick Step (t) | MS-S | Fife MS, 1780 | 388,40r | 1FI OR 2FI/VN |
//11/13//53/13//22/23// | 2/4 | Nancy Dawson (t) | AM-A | Patten MS, 1800 | 24 | MI |
//11/13//53/13//23 | 6/8 | Gods were all call'd in to see, The (fl) | TW-E | Midas-1, 1764 | 50 | VO,HAF |
//11/13//53/13//23/23 | 6/8 | Nancy Dawson (t) | IC-S | Aird 1, 1782 | 40 | FI/VN/GF |
//11/13//53/13//23/23 | 6/8 | Nancy Dawson (t) | AI-A | Blake Amus 1, 1824 | 12 | CL |
//11/13//53/13//23/23 | 6/8 | Nancy Dawson (t) | MS-E | Brown, W. MS, 1797 | 5 | MI |
//11/13//53/13//23/23 | 6/8 | Quick March (t) | IC-E | Hinde 1, 1770 | 3 | GF/VN/OB |
//11/13//53/13//23/23 | 6/8 | Nancy Dawson (t) | AM-A | Kingsley MS, 1795 | I,28 | MI |
//11/13//53/13//23/23// | 6/8 | Nancy Dawsons Hornpipe (t) | AM-A | White, G. MS, 1790 | 25 | VN |
//11/13//53/13//23/23// | 6/8 | Nancy Dawson (t) | DA-E | Wilson Companion, 1816 | 89 | MI |
//11/135//313/432//11/135// | 6/8 | IC-E | Geoghegan Pastoral, 1746 | 10 | BP | |
//11/135//313/53//11/135// | 6/8 | Whipper and Girder (t), or Rangers Frolick (at) | MS-E | Vickers MS, 1770 | 34 | MI |
//11/1353//22/246//53/5432 | C | Installation March (t) | IC-E | Clementi Fife, 1815 | 27 | FI |
//11/1353//22/246//53/5432 | C | Installation, The (t) | IC-E | English Sheet Music | 1 | KB |
//11/1353//22/246//53/5432 | C | Installation March (t) | IC-E | Longman Fife, 1780 | 27 | FI/GF |
//11/1353//22/246//53/5432 | C | Installation March (t) | IC-E | Skillern Amus, 1785 | 24 | 2GF |
//11/1353//22/246//53/5432 | C | Installation March (t) | IC-E | Skillern Fife, 1780 | 27 | FI/GF |
//1-1-/1-3-5-3-//2-2-/2-4-6-//6-5-4-3-/5 -4-3-2- |
2 | Marche des Mousquetaires (t) | MS-F | Marches MS, 1795 | 4V | 2VN |
//1/1//13/53//2/23 | 2/4 | Marquis of Granby's Rant, The (t) | DA-E | Thompson CD-2, 1765 | 37 | VN/GF/OB |
//1/1//13/53//2/23// | 2/4 | Marquis of Granby's Rant, The (t) | DA-E | Thompson CD-2a, 1765 | 37 | VN/GF/OB |
//1113/5331+//1113/4221+//1113/531+5 | C | My dear ma'am how you clack away (fl) | TW-E | Farmer, 1787 | 22-23 | 2VO,KB |
//11/1353//4567/1+767//1+767/1+3// | C/ | Nelsons Hornpipe No 3 (t) | AM-A | Bevens MS, 1825 | 34r | FI |
//111/353//466/671+//543/432 | 6/8 | Mountaineers, The (t) | DA-E | Thompson CD-6.7, 1795 | 81 | MI |
//1-1-1-/3-5-3-5-//1-1-1-3-/2-1-2-3-//1- 1-1-/3-5-3-5- |
2/4 | Opera Reel (t) | AM-A | Canfield MS, 1823 | 86 | FL |
//11/1353//56421//7-7-/7-5-6-7-//1354/65 42 |
2/4 | Quick Step (t) | IC-E | Potter Bugle, 1817 | 3BU,TBN | |
//11135/4225//11151/3151//46543543/6223/ / |
C | Cromartie's Rant (Scotch) (t) | DA-E | Wilson Companion, 1816 | 70 | MI |
//1113//5423//1113 | 2/4 | Volunteer, The (t) | IC-E | Preston Fife, 1796 | 23 | FI/GF |
//11/13//54/23//11/13//2 | 2/4 | Volunteer, The (t) | SC-S | Edinburgh MM-2, 1793 | 46-48 | VO |
//11/135//427-/13//531/642 | 6/8 | I Have a Heart a Little heart (t) | AI-A | Paff Amus 2, 1812 | 15 | FL/VN |
//11/135//42/7-5-//135/6-42 | 6/8 | Siciliano (t) | TW-E | Midnight Wand, 1793 | 18-19 | VO,KB |
//11/13//5/4321 | 2/4 | London House, The (t) | DA-E | Thompson CD-6.5, 1793 | 53 | MI |
//11/135//4/32//135/7-25 | 6/8 | Capt. Catton's Maggot (t) | DA-E | Johnson CD-8, 1758 | 10 | VN/GF |
//11/135//43/21//4-5-5-5-/6-5-5-5- | C | Irish Brigade, The (t) | AM-A | Shattuck MS, 1801 | 62 | MI |
//11/135//432/17-1//22/23 | 6/8 | South Carolina (t) | AI-A | Duport CD, 1800 | 17 | PF |
//11/135//432/17-1//22/23// | 6/8 | English Dance Call Set Dance No.28 (t) | AM-A | Duport MS-1, 1780 | 25 | VN |
//11/135//4/34//531//6- | 6/8 | Lincoln Races (t) | DA-E | Bride CD, 1776 | III,4 | VN/OB/GF |
//11/135//4/34//531/6-7-// | 6/8 | Quick Step to the 45th Regt, A (t) | MS-S | Fife MS, 1780 | 351,36v | 1FI OR 2FI/VN |
//11/135//4/34//531/6-7- | 6/8 | Quick March No.2 (t) | IC-E | Hinde 2, 1772 | 2 | GF/VN/OB,PF |
//11/135//4/34//531/6-7- | 6/8 | Temple, The (t) | IC-S | Stewart Airs, 1788 | 2:70 | GF/VN/FI |
//11/13//54/42//321/17-1 | 6/8 | Danse Espagnole (t) | AI-A | Riley Flute 3, 1820 | 37 | FL |
//11/135//44/424//35-/6-7-// | 2/4 | Fêts de Toulouse, Les. Contre-Danse Allemande (t) | DA-F | Landrin CD BL-1, 1775 | 11 Feuille | MI |
//11/135//44/424//35-/6-7-// | 2/4 | Fetês de Toulouse, Les. Contre-Danse Allemande (t) | DA-F | Landrin CD BN, 1775 | 11 Feuille | KB |
//11135//44424//35-6-7- | 2/4 | Ville de Paris, La (t) | DA-E | Thompson CD-5, 1788 | 69 | VN/GF/OB |
//11/135//44/424//35-/6-7-// | 2/4 | Ville de Paris, La (t) | DA-E | Thompson CD-5a, 1788 | 69 | VN/GF/OB |
//11/135//5-35/15-//55-/43// | 6/8 | Provence, La. Contredanse Française (t) | DA-F | Bouin CD LC-1, 1780 | 83 Feuille, 3 Vol. | MI |
//111/35//53/551//21/3217-//1 | 2/4 | Could I each fault remember (fl) | TW-E | Duenna, 1775 | 12 | VO,HAF |
//1+1+1+3+//553//6671+6//553//4445 | 3/8 | Portuguese Waltz (t) | AI-A | Riley Flute 2, 1817 | 58 | FL |
//11135//543//23432//1 | 3/4 | Song 1 (t) | SS-E | SS, Folger-C52 | 175,1 | VO,B |
//11135//543//23432//15-1 | 3/4 | Fair Hebe (t) | AM-A | Beck MS, 1786 | 125 | GF |
//11135//543//23432//15-1 | 3/4 | Fair Hebe (t) | IC-E | Cahusac Flute, 1788 | 25 | GF |
//11135//543//23432//15-1 | 3/4 | Fair Hebe (t) | AM-A | Hawkins MS, 1794 | II,70 | GF |
//11135//543//23432//15-1 | 3/4 | Fair Hebe (t) | IC-E | Thompson Record, 1768 | 22 | RC |
//11135//543//23432//15-1//17-7-4-3//345 |
3/4 | Fair Harb (t) | AM-A | Herreshoff MS, 1790 | 7V | MI |
//11135//543//23432//15-1//17-7-5-3//345 // |
3/4 | Fair Phobe. A Favorite Retreat (t) | MS-S | Fife MS, 1780 | 37,4v | 1FI OR 2FI/VN |
//11135//543//23432//15-3//3225-3//345 | 3/4 | Fair Hebe (t) | IC-E | Longman Horn, 1785 | 24 | HN |
//111//35543/24332//13345/2222 | C/ | Duke Holstiens March (t) | AM-A | Mass. MS, 1790 | 8 | 2FL |
/111//35/543//26/654//321/7-16-// | 6/8 | Medzuk, Le. French Country Dance (t) | AM-A | Washburn MS, 1816 | 4 | GF |
//11/135//543/32//11/132// | 6/8 | Quick Step (t) | MS-C | Molyneaux MS-1, 1788 | 6 | GF |
/11//1/35//5434/22//23/4321// | 2/4 | Miss Charch's Fancy New York 1798 (t) | AM-A | Duport MS-1, 1780 | 28 | VN |
//1113/55553//1+71+2+1+3/212325-//11113/ 531+5 |
C/ | Soft and Sweet (t) | DA-E | Johnson CD-7, 1756 | 59 | VN/GF |
//1113/55556//561+5/33331//2224/66661+ | C/ | Cormick's Reel (t) | DA-E | Johnson CD-2, 1742 | 77 | MI |
//11135//5654//23432//15-1//117-5-1 | 3/4 | Fair Hebe (t) | MS-E | Carter MS, 1792 | 4 | MI |
//11135//5//671+54//43 | 3/4 | AM-A | Hudson MS, 1772 | 6 | VN/FI | |
//1+113/557//1+6432/247-2//1353/1+5// | C/ | Huntley Lodge (t) | AM-A | Brown, J. MS, 1782 | 1:24 | |
//1+113/557//6431/247-2//1353/51+5 | C/ | Huntley Lodge (t) | DA-E | Longman CD, 1781 | 29 | VN/OB/GF |
//1113/561+//6563/561+//1113/561+ | C | Favourite Highland Air, A (t) | IC-S | Aird 3, 1788 | 226 | FI/GF/VN |
//11/135//61+6/656//61+6/653// | 6/8 | AM-A | Bevens MS, 1825 | 48r | FI | |
//11135/6221+//11131/5131//4535/6221+ | C/ | King of Damascus (t) | IC-S | Stewart Airs, 1788 | 2:78 | GF/VN/FI |
//11135/6221+//11131/5131//4535/6221+ | C/ | King of Damascus' Reel (t) | DA-E | Walsh CD-3.6, 1754 | 168 | VN/OB/GF |
//11135/6221+//11132/5131//4535/6221+// | C/ | King of Damascus (t) | MS-S | Young MS-1, 1734 | 43v-44r | MI |
//11135/6321+//11131/5131//4535/6221+ | C/ | King of Damascus Reell (t) | DA-E | Johnson CD-2, 1742 | 43 | MI |
//11/135//643/22//11/532// | 6/8 | Quick March. Hey Jenny word Lament Jock (t) | MS-S | Miller, J. MS, 1798 | [18a] | FI |
//11-1-3-/5-6-5-3//234321/7-2232//11-1-3 -/5-6-5-1 |
C | Pas Seul-7 (t) | TW-E | Oscar & Malvina, 1791 | 31 | KB |
//1+113/5653+//2+3+4+3+2+1+/72+2+3+2+//1 +113/5654+ |
Lady Cunningham's Strathspey (t) | IC-S | Aird 4, 1796 | 54 | FI/GF/VN | |
//11-1-3-/5-6-5-3//234321/7-2232//11-1-3 -/5-6-5-4 |
C | Miss Cunningham's Strathspey (t) | IC-S | Aird 6, 1803 | 5 | FI/VN/GF |
//1113/5653//51+53/5653//4542/3431// | C | Speed the Plough (t) | DA-E | Wilson Companion, 1816 | 116 | MI |
//11/135//654/32//11/135// | 6/8 | Miss Wimbles Fancey. A Quick Step (t) | MS-S | Fife MS, 1780 | 556,60r | 1FI OR 2FI/VN |
//1113/5753//51+53/5753//4542/3531// | C/ | Speed the Plough (t) | AM-A | Johnson, S. MS, 1807 | 20 | FI |
//11136/5116//11131+/551+/22245/6226 | C/ | Craig Elachie (t) | IC-S | Aird 6, 1803 | 12 | FI/VN/GF |
/11//13/6-7-//1/11//13/6-7-// | 6/8 | Esperance, L' (t) | DA-E | Longman Cot, 1770 | 17 | HA/VN/GF/OB |
//11/137-2//11/137-2//17-6-/5-5-// | 2/4 | Allegro (t) | IC-E | Italian Pieces, 1770 | 1 | 2GF, 2CL/OB/VN, 2HN, BS/VC |
//11/141//641+6/54//356-4/3217- | C | Colin and Dolly (t) | SC-E | Clio-1, 1758 | 32 | VO,HAF |
//11/141//641+6/54//356-4/3217-//1 | C | Colin and Dolly (t) | SS-E | SS, Harvard | 1 | VO/GF,KBF |
//11/141//641+6/54//356-4/3217-//1 | C | Colin and Dolly (t), or Song, A (at) | SS-E | SS, Harvard | 1 | VO,KBF |
//11142/314//2345432/47-7-2//11142/313// |
C/ | Wedding In the West, The (t) | MS-E | Vickers MS, 1770 | 101 | MI |
//11/142//7-7-/7-5-4-7-//11/23 | C | Marche de la Nouvelle Orleans (t) | AI-A | American Sheet Music | KB | |
//1114/313//2427-2/7442//1114/311+6// | C/ | Blind Phillip Dead (t) | MS-E | Vickers MS, 1770 | 107 | MI |
//1-/1-//1-/4-3-2-//1-1-1-1-/4-3-2- | C | Battle of the Nile, The. Allegro Molto (t) | AI-A | American Sheet Music | PF | |
//111/4321//222/234//5353/5432 | C | Lord Bernard's March (t) | IC-S | Aird 3, 1788 | 221 | FI/GF/VN |
//1-1-/1-//4-3-2-1-/5-//6-17-2/15-6-5- | 2/4 | Buonaparte Cotillion (t) | AM-A | Van Schaack MS, 1820 | 20 | FI/FL |
//1/11//43/21//7-1/23//2 | Chorus (t) | TW-E | Enchanted Cas, 1787 | 26-29 | 4VO,KB | |
//11/143//22/254//3142/5361 | C | King of Naples Hornpipe (t) | AI-A | Balls Amus 2, 1815 | 31 | FL/FI/VN |
//11/143//22/254//3142/5361 | C | King of Naples Hornpipe (t) | AI-A | Riley Flute 1, 1814 | 2 | FL |
//11//1//43/27-//1// | C/ (4/2) | Pavana Chromatica. Mrs. Katherin Tregians Paven (t), or Mrs. Katherin Tregi | MS-E | Fitzwilliam MS-2, 1609 | 278-280 | VI |
/111//4/333//6/555//4+3+/2+1+7// | 6/8 | Plaisirs de L'isle Adam, Les. Contredanse Française (t) | DA-F | Bouin CD LC-1, 1780 | 95 Feuille, 4 Vol. | MI |
//11/14//345313//2223 | 6/8 | Nancy Dawson (t) | AM-A | Blake MS, 1776 | 18 | FI |
//1+1+1//442//323//6-2+1+//71+ | 3/4 | Roger & Ursley (t) | SS-E | SS, Folger-C42.3 | 81 | VO+FL |
//1+1+1//442//323//6-2+1+//71+2+//76 | 3/4 | Roger & Ursley (t) | SS-E | SS, Harvard | 1 | VO+MI |
//11/14//5123/2542//1351+/72+54 | 2/4 | Fancy Dipp'd Her Pen In Dew (t) | AI-A | Riley Flute 3, 1820 | 76 | FL |
//111//4531+//1+76//6565//432//543 | 3/4 | Sonata 5th (t) | AM-A | Hiester MS-2, 1793 | 10-12 | KB |
//11/1456//5342/35//6546 | C | Loves True Object (t) | SC-E | Monthly Melody, 1760 | II,1 | VO,HA |
//11/1456//5342/35//6546/5432 | C | Love's True Object (t) | SS-E | SS, Boston PL-2 | 196 | VO,KB+GT |
//1115- | Ton Bas (t) | IC-F | French Ordinances | App.13 | TR | |
//111/511//1/1//111/511//1 | C | Quintet (t) | TW-E | Quaker, 1777 | 22-25 | 3VO,KBF |
//11/15//11/112//321/543 | 2 | Grenadier Marche Von Guido Starenberg (t) | MS-G | Darmstadt MS 1224 | 215 | MI |
//11/15-//11/123//43/21 | 2/4 | Quick Step (t) | IC-E | English Sheet Music | 2CL,2HN,TR,2BS+ | |
//1-115-//1-115- | Enemy Is Cavalry, The (t) | IC-E | Barber Bugle, 1804 | Pl.1 | BU | |
//1-115-//1-115- | Enemy Is Cavalry, The (t) | AM-A | Beach MS, 1801 | 72 | BU | |
//1-115-//1-115- | Enemy Is Cavalry, The (t) | IC-E | British Bugle, 1798 | PL.8 | BU | |
//1-115-//1-115- | Enemy Is Cavalry, The (t) | IC-E | British Bugle, 1799 | PL.8 | BU | |
//1-115-//1-115- | Enemy Is Cavalry, The (t) | IC-E | Cooper Guide, 1806 | 3 | BU | |
//11+1+/5//11+1+/5// | C | Retreat (t) | AI-A | Duane Compendium, 1809 | xviii | BU |
//1-11/5-//1-11/5- | Disperse (t) | AI-A | Duane Riflemen, 1812 | 103 | BU | |
//1-115-//1-115- | Enemy Is Cavalry, The (t) | IC-E | Gilbert Bugle, 1804 | 3 | BU | |
//11+1+5//11+1+5// | Enemy Have Cavelry, The (t) | IC-E | Hyde Bugle, 1818 | 45 | BU | |
//1-/115-//1-/115- | C | Enemy Is Cavalry, The (t) | IC-E | Potter Bugle, 1817 | 9 | BU |
//1-115-//1-115- | Enemy Is Cavalry, The (t) | AI-A | US Riflemen, 1824 | PL15 | BU | |
//11/15-//11/15-//11/13 | 2/4 | Quick Step for H. M.1st Regiment of Bengal European Infantry (t) | IC-E | Williamson Troops, 1798 | PF | |
//1115-/1115-/1115-/111/1313531 | Autre Boute-Selle (t) | IC-F | Mersenne Harm, 1636 | 5:264 | TR | |
//11/15-//1/13//21/7-2 | 2/4 | Monsieur. A Troop (t) | AM-A | Gaylord MS, 1816 | 9r | MI |
//1/11//5-/11//43/21 | C/ | Chester (t), or Hiwells Taptoo for Lords-Day Evening (at) | AM-A | Williams, W. MS, 1775 | 57 | FI |
//11/1//5-1/1//5-1/1// | Chamade, La (t) | MS-E | Kusser MS, 1710 | 312 | TR | |
//1115-/115-/115-/11115- | Autre Charge Ou Chamade (t), or Chamade, Ou (at) | IC-F | Mersenne Harm, 1636 | 5:264 | TR | |
//1-1/15-1//15-1/15-4-//3-1/15-1 | 6/8 | Mad Cap (t) | DA-E | Johnson CD-4, 1748 | 77 | VN/GF |
//1-1/15-1//15-1/15-4-//3-1/15-1 | 6/8 | Mad Cap (t) | MS-E | Rainstorp MS, 1747 | 34 | MI |
//111/5-11//6-11/311//27-7-/4-7-7- | 6/8 | Smutty Joak, The (t) | DA-E | Walsh CD-3.5, 1754 | 29 | VN//OB/GF |
//11/15-//1/212//33/34 | C/ | Air des Hautbois, L' (t) | MS-F | Philidor MS, 1705 | 11 | 3OB,B+DR |
//11/15-1//22/212//3142/3142 | 2/4 | March (t) | IC-E | Simpson Horn, 1745 | 18-19 | 2HN |
//11/15-1//22/25-2//313/531 | 6/8 | Miss Green's Fancy (t) | AI-A | Goodale Dir, 1819 | 59 | MI,B |
//11/15-1//22/25-2//313/531 | 6/8 | Miss Green's Fancy (t) | AI-A | Goodale Dir, 1829 | 63 | MI,B |
//11/15-//1/2//3 | 2/4 | On Masonry (t), or New Song, A (at) | SC-E | Calliope, 1746 | I,65 | 2VO |
//1/1//15-12/31//3/3 | C/ | Marche du Depot (t) | MS-F | Marches MS, 1795 | 8V | 2VN |
//1/1//15-12/31//3/3 | C | Hessian Guards March (t) | IC-E | Skillern Amus, 1785 | 39 | 2GF |
//1/1//15-12/31//3/3 | C | French Guards March (t) | AM-A | Stiles MS, 1807 | 52-53 | MI |
//1115-//1231//3331//3453//55565//44454 | 3/4 | Wachtel (t) | MS-G | Darmstadt MS 1224 | 176 | 2MI |
//11/15-//1232/1//44/35// | C | Welsh air In St Davids Day (t) | AI-A | Gilfert Gents PC, 1802 | 23 | GF/VN |
//1+/1+//1+/5-//1/234 | 2/4 | Rosette Rosette. Duo (t) | IC-F | Vanderhagen Pcs, 1787 | 17:4 | 2CL,2HN,2BS |
//11/15-//13/11//23/25- | C | On the Intended French Invasion of England In 1798. March (t) | IC-E | English Sheet Music | 4 | KB |
//11/15-1//313/535//1+76/543 | 6/8 | Heiress, The (t) | DA-E | Thompson CD-5, 1788 | 19 | VN/GF/OB |
//11/15-1//313/535//1+76/543// | 6/8 | Heiress, The (t) | DA-E | Thompson CD-5a, 1788 | 19 | VN/GF/OB |
//1/1//15-1//31/5-1//32 | 2/4 | Quick Step (t) | IC-E | Potter Bugle, 1817 | 3BU,TBN | |
//11151/3213//2227-2/7225//11151/3213 | C | Ranting Highland Man (t) | MS-E | Hammersley MS, 1790 | 61 | MI |
//11151/3213//2227-2/7225//11151/3213 | C | Ranting Highland Man (t) | DA-E | Walsh CD-2.2, 1735 | 27 | VO/OB/GF/FL |
//11151/3213//2227-2/7225//11151/3213 | C | Ranting Highland Man (t) | DA-E | Walsh CD-3.2, 1749 | 27 | VN/OB/GF |
//11151/3213//43217-2/727-2//11151/3153/ / |
C/ | Ranting Highland Man, A (t) | MS-S | Young MS-1, 1734 | 35v-36r | MI |
//1//1//15-1//32//15-1//32 | 3/8 | Mahone Waltz (t) | AM-A | Hiester MS-2, 1793 | 66-67 | KB |
//1+1+1+//513//217- | 3/4 | Princess of Wales's Minuet (t) | IC-S | Aird 6, 1803 | 56 | FI/VN/GF |
//1+1+1+//513//217-//2//6642//532// | 3/4 | Princess of Wales Minuet (t) | AM-A | Litten MS, 1800 | 29 (34) | VN |
//11/15-13//22/25-24//31+53/2123 | C | March 32 (t) | IC-E | Button Whit-1, 1806 | 40-41 | 2GF/2VN/2FL/2FI |
//11/15-13//22/25-24//31+53/2123// | C | New March, A (t) | MS-S | Fife MS, 1780 | 696,75v | 1FI OR 2FI/VN |
//11/15-13//22/25-24//51+53/2123 | C | New March, A (t) | IC-S | Aird 6, 1803 | 34 | FI/VN/GF |
//11/15-13//22/25-24//6543/5432 | C/ | St. George's Day (t) | DA-E | Thompson CD-6.2, 1790 | 16 | MI |
//11/15-1//33/313//531/531 | 2/4 | Quick Time (t) | AI-A | Cooper System, 1836 | 235 | BU |
//11/15-1//33/313//531/531 | 2/4 | Pas Accelere, Le (t) | IC-F | French Ordinances | App.25 | BU |
//11/15-1//33/313//531/531 | 2/4 | Pas Accelere, Le (t) | IC-F | French Ordinances | App.26 | 3BU |
//11/15-1//33/313//531/531// | 2/4 | Pas Accéléré (t) | IC-F | Lelouterel Clairon, 1825 | pl. 6 | BU |
//11/15-1//33/313//531/531// | 2/4 | Quick Time (t) | AI-A | US Tactics, 1835 | 16 | BU |
//11/15-1//33/313//55/531 | 6/8 | Allegro (t) | IC-E | Gilbert Bugle, 1804 | 49 | 3BU |
//1+1+/1+51+//3+3+/3+1+3+//5+5+/5+4+3+// |
6/8 | Chasse (t) | IC-F | Buhl Trumpet, 1825 | 41 | 2TR |
//11/15-1//33/313//55/65// | 2/4 | 4. Third Sett (t) | AI-A | Geib Cots, 1815 | 2-3 | PF |
//11/15-1//33/313//55/65// | 2/4 | 4. First Set (t) | AI-A | Geib Cots, 1818 | 2 | PF |
//11/15-1//33/313//55/65 | 2/4 | Six Cotillions-Iv (t) | AI-A | Riley Flute 1, 1814 | 38-39 | FL |
//11/15-1//33/313//5654/3213// | 2/4 | Oraison, L' (t) | AM-A | Duport MS-2, 1800 | 18r | VN |
//11151/3453//2227-2/721+//11151/3453 | C/ | Ranting Highland Man (t) | MS-E | Hammersley MS, 1790 | 88B | MI |
//11/15-1//35/123//454/321 | 6/8 | La Fayette Cotillion (t) | AM-A | Van Schaack MS, 1820 | 29 | FI/FL |
//1/1//1/5-//13/53 | 2/4 | Concerto 1. Presto (t) | IC-E | Bremner Mil Con, 1774 | 2OB/CL/FL/VN,2H | |
//111/5-1//35/31//222/25-2// | 2/4 | Columbia (t) | AM-A | Johnson, F. MS, 1820 | 60 | MI |
//111/5-1//35/31//222/5-1 | 2/4 | Quick Step South Fencibles (t) | IC-S | Aird 2, 1785 | 20 | FI/VN/GF |
//111/5-1//35/31//222/5-1// | 2/4 | South Fencibles, The. Quick Step (t) | MS-S | Fife MS, 1780 | 379,39r | 1FI OR 2FI/VN |
//111/5-1//35/31//27-/5-7-// | 2/4 | Columbus, Virg[ini]a Dance Ball (t) | AM-A | Duport MS-2, 1800 | 2v | VN |
//1-/1-//1-5-/1-5-//1-/1- | Incline to the Left (t) | AM-A | Beach MS, 1801 | 72 | BU | |
//1-/1-//1-5-/1-5-//1-/1- | Incline to the Left (t) | IC-E | British Bugle, 1798 | PL.8 | BU | |
//1-/1-//1-5-/1-5-//1-/1- | Incline to the Left (t) | IC-E | British Bugle, 1799 | PL.8 | BU | |
//1-/1-//1-5-/1-5-//1-/1-// | To Incline to the Left. No. 12 (t) | IC-E | British Bugle, 1813 | 13 | BU | |
//1-/1-//1-5-/1-5-//1-/1- | Incline to the Left (t) | IC-E | British Bugle, 1824 | 55 | BU | |
//1-/1-//1-5-/1-5-//1-/1-// | Incline to the Left. No. X. (t) | IC-E | British Bugle, 1833 | 322 | BU | |
//1-/1-//1-5-/1-5-//1-/1- | Incline to the Left (t) | IC-E | Cooper Guide, 1806 | 3 | BU | |
//1/1//15/15//1/1// | C | Prepare to Fire (t) | AI-A | Duane Compendium, 1809 | xviii | BU |
//1-/1-//1-5-/1-5-//1-/1- | C | Form Sections (t) | AI-A | Duane Riflemen, 1812 | 104 | BU |
//1-/1-//1-5-/1-5-//1-/1- | To Incline to the Left (t) | AI-A | Gardner Compend, 1819 | PL20 | BU | |
//1-/1-//1-5-/1-5-//1-/1- | Incline to the Left (t) | IC-E | Gilbert Bugle, 1804 | 2 | BU | |
//1-/1-//1-5-/1-5-//1-/1- | C | Links Ziehen (t) | IC-G | Hanoverian Inf, 1821 | 53 | HN |
//1/1//15/15//1/1// | Face to the Left (t), or Incline to the Left (at) | IC-E | Hyde Bugle, 1818 | 44 | BU | |
//1-/1-//1-5-/1-5-//1-/1- | C | Incline to the Left (t) | IC-E | Potter Bugle, 1817 | 5 | BU |
//1-/1-//1-5-/1-5-//1-/1- | To Incline to the Left (t) | AI-A | US Riflemen, 1824 | PL14 | BU | |
//1-1-1-/5-1-5-//111/1//31/531 | C | Slow March (t) | IC-E | Gilbert Bugle, 1804 | 8-9 | 3BU |
//1-1-1-/5-1-5-//111/1//31/531 | C | Langsame Bewegung (t) | IC-G | Hanoverian Inf, 1821 | 53 | HN |
//1-1-1-/5-1-5-//111/1//31/531 | C | Honneurs An der Wache (t) | IC-G | Hanoverian Inf, 1821 | 53 | HN |
//11//15-//15-/15- | C | March (t) | IC-E | Oswald Airs, 1758 | 2-3 | 2VN/2GF/2GT |
//11/15-//15-15-/1//22/25-//2 | C/ | Three Divertimentos,2 (t) | AI-A | Musical Jnl-2, 1800 | II,34-36 | PF |
//1/1//15-/15-//3/3 | 6/8 | Miss Kings Fancy (t) | DA-E | Longman CD, 1781 | 78 | VN/OB/GF |
//11/15-//17-12/31//33/32 | C/ | Duo (t) | AM-A | Curtiss MS, 1800 | 150-51 | 2VN |
//111//5-17-1//2427-//15//333 | 3/4 | Hewitt Sonata-3 (t) | AI-A | Hewitt Sonatas, 1795 | 11-13 | PF |
//11151/7151//7542/7-124//11151/7151 | C/ | Sweet Mally a Reel (t) | MS-S | Gillespie MS, 1768 | 91 | VN |
//11/15//22/23//456/564// | 6/8 | Night's Intrigue, The (t) | DA-E | Universal Magazine | 1:81, 1756 | MI |
//1115-/2225-//3142/17-1215-//1 | C/ | Allmande, The (t) | AI-A | Norman CD, 1799 | 11 | MI |
//1115-/2225-//3142/17-1215-//1115-/2221 + |
C/ | Turkish Allemand (t) | AI-A | Fifer's Comp, 1805 | 55 | 2FI |
//11/15-//22/25-//323/4321 | 2/4 | Thing Without a Name, A (t) | SS-E | SS, Folger-C42.4 | 208 | VO,KB+FL |
//1/11//5/2//33/5432//121/1 | 2/4 | Ma Chere Amie (t) | SC-S | Edinburgh MM-1, 1792 | 114-115 | VO |
//1/11//5/2//33/5432//1217- | 2/4 | Song 214 (t), or Ma Chere Amie (at) | SC-E | Calliope, 1788 | 400-401 | VO |
//1/11//5/2//3/5432 | 2/4 | Ma Chere Amie (t) | AM-A | Allen, W. MS, 1790 | 108 | MI |
//1/11//5/2//3/5432 | 2/4 | Ma Che Amie (t) | AI-A | Balls Amus 1, 1815 | 22 | FL/FI/VN |
//1/11//5/2//3/5432 | 2/4 | Ma Chere Amie (t) | AI-A | Blake Amus 2, 1824 | 11 | CL |
//111//52//35432 | 2/4 | Ma Chere Amie (t) | AI-A | Instrum Asst-2, 1807 | 98-99 | 2MI,B |
//1/11//5/2//3/5432 | 2/4 | Ma Chere Ami Primo Sohr (t) | AM-A | Otis MS, 1793 | 21 | VN/FL |
//1/11//5/2//3/5432 | 2/4 | Ma Chere Amie (t) | AI-A | Reinagle Fav-2, 1789 | 7-8 | VO,PF |
//1/11//5/2//3/5432 | 2/4 | Ma Chere Amie (t) | AI-A | Riley Flute 2, 1817 | 36 | FL |
//1/11//5/2//3/5432//1 | 2/4 | Ma Chere Amie (t) | AM-A | Hiester MS-1, 1793 | 83 | KB,VO |
//11/15-//25-/35//43/21 | 6/8 | Counterfaitte, La (t) | IC-S | Aird 2, 1785 | 29 | FI/VN/GF |
//11/15-//25-/35//43/21// | 6/8 | Counterfaitte, La (t) | MS-S | Fife MS, 1780 | 671,73r | 1FI OR 2FI/VN |
//11/15-//25-/35//43/21 | 6/8 | Contrefatte, La (t) | DA-E | Thompson CD-4, 1780 | 49 | VN/GF/OB |
//11/15-//25-/35//43/21// | 6/8 | Contrefatte, La (t) | DA-E | Thompson CD-4a, 1780 | 49 | VN/GF/OB |
//1+1+/1+53/11//1+1+/1+53/1+2+3+// | 9/8 | Something New (t) | MS-E | Vickers MS, 1770 | 13 | MI |
//11/15-3//11/11//33/315 | 6/8 | Barouche Quick Step, The (t) | IC-E | English Sheet Music | 4 | 2BU,2CL,2FL,2HN |
//111/531//111/642//111/531 | 6/8 | Old Soldier, The (t) | AI-A | Robbins D&F, 1812 | 45 | FI |
//111/531+//1131/7-123//1111/531+765// | C/ | Harlequin Reel (t) | MS-S | Young MS-2, 1734 | 80v | MI |
//1+1+/1+53//1+1+/1+53//26/564 | 6/8 | Country Cottage (t) | DA-E | Skillern CD, 1780 | 84 | VN/GF/OB |
//1+1+/1+53//1+1+/1+53//26/564// | 6/8 | Country Cottage (t) | DA-E | Straight & Skillern CD, 1775 | 6 | VN/GF/OB |
//11/153//11/164//33/3432// | 2/4 | AM-A | Johnson, S. MS, 1807 | 53 | FI | |
//11/153//11/1//65/67// | C/ | MS-M | Garcia MS, 1772 | 152 | MI | |
//11/153//11/1//65/67 | C/ | Frank and Free (t) | DA-E | Johnson CD-6, 1751 | 17 | VN/GF |
//1/11+//531/123//416-/6-7-1 | 6/8 | Dumfries House (t) | IC-S | Aird 4, 1796 | 27 | FI/GF/VN |
//1/11+//531/123//416-/6-7-1// | 6/8 | Dumfries House (t) | MS-E | Malecot MS, 1779 | 7 | VN |
//1/11+//531/123//416-/6-7-1 | 6/8 | Dumfries House (t) | IC-S | Stewart Airs, 1788 | 3:127 | GF/VN/FI |
//1/11+//531/123//456/543//27-5- | 6/8 | Lenstick, The (t) | DA-E | Longman CD, 1781 | 39 | VN/OB/GF |
//1-/1-//1-/5//31/2 | C/ | March 27 (t) | IC-E | Button Whit-2, 1806 | 46-47 | 2GF/2VN/2FI |
//11+/1+531//222/24//3153/1+765 | 2/4 | Presto (t) | IC-S | Sime Marches, 1789 | 25 | HA/PF |
//11+/1531//222/25-//56-7-7-12/234654 | C | Dorsetshire March, The (t) | IC-E | Oswald Marches, 1759 | 8 | 2MI |
//11/1531//22/23//44/22//1 | 2/4 | Witch, The (t) | AI-A | American SS-SM | 1-2 | VO,KB |
//111//531//22342//7-5-5-//17-1234//531 | 3/8 | Waltz 1 (t) | IC-E | Ross Waltzes, 1800 | 1-3 | PF/HA+TRI,TA |
//1+/1//15+/3+1+/2+/5// | 2/4 | Sabran, La. Contre-Danse Allemande (t) | DA-F | Landrin CD BL-1, 1775 | 42 Feuille | MI |
//1/1//1/5+//3+1+/2+5 | C/ | March 27 (t) | IC-E | Thompson Pocket, 1790 | 46-47 | 2GF/VN/FI |
//11/15//313/42//11/15 | 6/8 | Ranger's Frolick (t) | IC-S | Aird 1, 1782 | 62 | FI/VN/GF |
//11/15//313/42//11/15 | 6/8 | Quick March (t) | IC-E | Hinde 1, 1770 | 3 | GF/VN/OB |
//11/15//313/42//11/15//27-2/432// | 6/8 | Rangors Fancy (t) | MS-S | Fife MS, 1780 | 212,22r | 1FI OR 2FI/VN |
//11/15//313/43//11/1345 | 6/4 | Rangers Frolick (t) | DA-E | Thompson CD-1, 1757 | 93 | VN/GF/OB |
//11/15//313/43//11/1345// | 6/4 | Ranger's Frolick (t) | DA-E | Thompson CD-1a, 1757 | 95 | VN/GF/OB |
//11/15//313/43//33 | 6/4 | Rangers Frolic (t) | DA-E | Rutherf CD-2.1, 1756 | 29 | VN/GF/OB |
//11+/1+5//3/14//35/13 | C/ | I'll Ay Ca' In by Yon Town (t) | SC-S | Scots MM-5, 1797 | 470-471 | VO,PF |
//11/15-//3153/1+5//6543/2345// | C/ | Kiss Your Partner (t) | DA-E | Straight & Skillern CD, 1775 | 68 | VN/GF/OB |
//1+1+/1+53//1+53/2//345/671+ | 6/4 | Soulton Jigg (t) | PL-E | Playford 2-1, 1713 | 2 | VN/OB |
//1+1+/1+53//1+53/2//345/671+ | 6/4 | Soulton Jigg (t) | PL-E | Playford 2-2, 1714 | 2 | VN/OB |
//1+1+/1+53//1+53/2//345/671+ | 6/4 | Soulton Jigg (t) | PL-E | Playford 2-3, 1718 | 2 | VN |
//1+1+/1+53//1+53/2//345/671+ | 6/4 | Soulton Jigg (t) | PL-E | Playford 2-4, 1728 | 2 | VN |
//1+1+/1+53//1+53/2//345/671+ | 6/4 | Soulton Jigg (t) | DA-E | Walsh CD-1.2, 1719 | 17 | VN/OB |
//1+1+/1+53//1+53/2//345/671+ | 6/4 | Soulton Jigg (t) | DA-E | Walsh CD-2.2, 1735 | 28 | VO/OB/GF/FL |
//1+1+/1+53//1+53/2//345/671+ | 6/4 | Soulton Jigg (t) | DA-E | Walsh CD-3.2, 1749 | 28 | VN/OB/GF |
//11+1+5/315//34515/3222+//3+2+1+71+5/31 5 |
C | I'll Gae Nae Mair to Your Town (t) | IC-E | Caledonian PC, 1760 | X,15 | GF/VN |
//11+/1+5//3/15//35/15 | 2/4 | We'll Gang Nae Mair to Yon Town (t) | IC-S | Aird 1, 1782 | 13 | FI/VN/GF |
//11+/1+5//3/15//35/15// | 2/4 | If Ye Kiss My Wife Ill Tell the Minister (t) | MS-S | Fife MS, 1780 | 927,98v | 1FI OR 2FI/VN |
//11+/1+5//3/15//35/15 | 2/4 | Well Gang Nae Mair to Yon Town (t) | AM-A | Murphey MS, 1790 | 21 | MI |
//11+1+5//315//3515/3222+//3+2+1+71+5/31 5 |
C/ | I'll Go No More to Yon Town (t) | AI-A | Paff Amus 2, 1812 | 6 | FL/VN |
//11+1+5/315//3515/3227//1+71+5/315// | C | Lass In Yon Town, The (Old Scotch) (t) | DA-E | Wilson Companion, 1816 | 47 | MI |
//11+/1+531//7-2/24//3453/1+765// | C/ | Hornpipe, A (t) | MS-S | Fife MS, 1780 | 646,70r | 1FI OR 2FI/VN |
//1-1/15//32/1315-//3-5-1-2-/2-321 | C/ | Aberdeen's Scotch Measure (t) | AM-A | Kingsley MS, 1795 | I,10 | MI |
//1-1/15//32/1315-//3-5-1-2-/3-321 | C/ | Aberdeens Scots Measure, The (t) | IC-E | Caledonian PC, 1760 | V,16 | GF/VN |
//11/153//22/24//345642/17-//1 | C | Come Genius of Our Happy Land (t), or Favorite Patriotic Song, A (at) | AI-A | American SS-SM | 1 | VO,KB |
//11/15-3//22/25-4//321/5-17-// | 6/8 | New Cottilon Al Demene (t) | MS-E | Vickers MS, 1770 | 159e | MI |
//111/53//2342/17-6-5-//111/321 | C | Hon Mr Ramsey Maule of Panmure's march, The (t) | IC-S | Scottish Sheet Music | 2 | 2CL,2HN,TR,BS/P |
//111/53//2343/17-6-5-//111/321 | C | Honble Ramsey Maule's March (t) | IC-S | Aird 5, 1797 | 17 | FI/VN/GF |
//111/5-3//27-/1//333/15 | C/ | Duke of Yorks New March, The (t) | IC-E | English Sheet Music | HA/PF/2VN/2FL | |
//11153/27-7-2//11153/6453//4631+ | C/ | Bob's Whim (t) | DA-E | Rutherf CD-2.1, 1756 | 60 | VN/GF/OB |
//11/15-//33/31//22/27-// | 2/4 | Allma (t) | AM-A | Hoff MS, 1797 | No. 265 | GF |
//11/15-//33/31//22/27-// | 2/4 | Nouvelle Provansale, La, No. 7 (t) | DA-N | Markordt 12 CD-1, 1775 | 10 | VN/GF |
//11/15-//33/31//55/51// | 2/4 | Quick Step (t) | AM-E | Wheatstone Clarinet, 1801 | 71 | 2CL |
//11/15-//33/31//55/53// | 2/4 | Quick Step (t) | IC-E | Naval Compendium, 1800 | 39 | 2FL/VN,PF |
//11/15-//33/35-//4565/4567// | 2/4 | Dixe (t) | DA-E | Zwolfe Englische Tanze, 1791 | 10 | 2VN,B,FH,OB,2FL,2CL,2BS,TY |
//11/15-//33/35//531/43// | 6/8 | Plaisirs Français, Les. Contre-Danse Française (t) | DA-F | Landrin CD BN, 1775 | 22 Feuille | KB |
//11+/1+//53+/3+//5+3+/4+2+// | 2/4 | Allemande du Cadrille, L'. Contre-Danse Allemande (t) | DA-F | Landrin CD BN, 1775 | 14 Feuille | KB |
//11+//15342//11111//15//6561+//5451+//4 341+// |
3/4 | Minuet 8th. (t) | DA-E | Sancho Minuet, 1770 | 7 | HP |
//11+1+//53//422//311//11+1+ | 3/8 | Red Flag Waltz, The (t) | AI-A | Riley Flute 2, 1817 | 30 | FL |
//11+1+//53//422//311//11+1+//53 | 3/8 | Dutch Skipper, The (t) | IC-S | Pandean Coll 2, 1810 | 30 | PF |
//11/15-//3/4//32/17-// | 2/4 | Plaisir de Mesieur, Le, No. 1 (t) | DA-N | Markordt 12 CD-1, 1775 | 4 | VN/GF |
//11/153//43/21//7-5-15-/25-35- | C | Duetto (t) | AM-A | Curtiss MS, 1800 | 98-99 | 2VN |
//111/53//432/31//66 | C | Song 12 (t) | SS-E | SS, Folger-C52 | 103,2-106,2 | MI,VO,KB |
//11+1+5/3454//2776/2342//11+1+5/3454+ | C/ | Bonny Lass, The (t) | MS-E | Carter MS, 1792 | 26 | MI |
//11/15-3-5-//111/112//334/5321// | C/ | Dog and Gun, The (t) | AM-A | Brown, J. MS, 1782 | 1:37 | |
//11/15-3-5-//11/12//334/5321 | C | Short Troop (t) | AM-A | Williams, J. MS, 1799 | 75 | CL |
//11/15-3-5-//11/12//334/5327- | C | Short Troop (t) | AM-A | Beach MS, 1801 | 75 | 2MI,B |
//1/1//15-/3-5-//1/12 | 2/4 | My Dog and My Gun (t) | AM-A | Greenwood MS, 1785 | 38,75 | 2MI |
//11153/5113//11153 | C/ | Pudding Moggie (t) | DA-E | Rutherf CD-2.2, 1760 | 65 | MI |
//111//5-3-5-//1231//2342 | 3/8 | Grove, The (t) | DA-E | Thompson CD-4, 1780 | 78 | VN/GF/OB |
//111//5-3-5-//1231//2342//111//5-3-5-// |
3/8 | Grove, The (t) | DA-E | Thompson CD-4a, 1780 | 78 | VN/GF/OB |
//11/15/35//22/22+/71+2+7//11/13/27- | 3/2 | Neddy Grooms Hornpipe (t) | DA-E | Walsh CD-3.3, 1749 | 133 | VN/OB/GF |
//111535//2222+71+2+7//11153453//111327- |
3/2 | Needy Grooms Hornpipe (t) | DA-E | Walsh CD-2.3, 1735 | 135 | VN/OB/GF/CF |
//11/1535//22/26//5654/3432// | 2/4 | Country Dance, A (t) | DA-E | Martin Misc Corr, 1759 | 878, 1758 | MI |
//1/11//5//3/53//15- | 2/4 | Retraite, La (t) | IC-F | French Ordinances | App.22 | TR |
//11/15-//35/321//51+3+/2+1+71+ | 6/8 | Euphronia (t) | DA-E | Walsh CD-2.3, 1735 | 84 | VN/OB/GF/CF |
//11/15-//35/321//51+3+/2+1+71+ | 6/8 | Euphronia (t) | DA-E | Walsh NCDM-3, 1728 | 16 | VN/OB/FL |
//11153/5353//22262/6261+//11153/5353// | C/ | Scoth Contention, The (t) | MS-E | Vickers MS, 1770 | 10a | MI |
//11+/1+535//46/61+//56/6543// | C | Swansea Hornpipe, The (t) | MS-S | Fife MS, 1780 | 117r | 1FI OR 2FI/VN |
//11/15-3-//55/531//12/323 | 6/8 | Legacy, The (t) | AI-A | Blake Amus 1, 1824 | 10 | CL |
//11/15-3-//55/531//12/323 | 6/8 | Legacy, The. Doublings of the Troop (t) | AI-A | Camp Dupont, 1816 | 10 | 2GF/FI/VN,PF |
//11/15-3-//55/531//12/323 | 6/8 | Legacy, The (t) | AM-A | Commonplace MS, 1811 | 12 | MI |
//11/15-3-//55/531//12/323// | C | Legacy, The (t) | MS-S | Fife MS, 1780 | 125v | 1FI OR 2FI/VN |
//11/15-3-//55/531//12/323 | 6/8 | Legacy, The (t) | AI-A | Hulbert Fife, 1811 | 13 | FI |
//11/15-3-//55/531//12/323 | 6/8 | Legacy (t) | AI-A | Paff Amus 1, 1812 | 24 | FL/VN |
//11/15-3-//55/531//12/323 | 6/8 | Legacy, The (t) | AI-A | Riley Flute 1, 1814 | 87 | FL |
//1+1+1+5/3555//671+2+/72+//3+2+1+7/6731 + |
C | Low Down In the Broom (t) | SS-E | SS, Huntington-1 | 1 | VO,HA+GT |
//11153/5653//11153/653//11153/5653// | C/ | Milk Maids of Balentrue, The (t) | MS-S | Fife MS, 1780 | 825,89v | 1FI OR 2FI/VN |
//11153/5656//5373/22226//11153/5656// | C/ | Mortans Maggot (t) | MS-E | Vickers MS, 1770 | 132 | MI |
//11153/6223//11153/1+353//4535/6223 | C | Lady Charlote Murray's Strathspey (t) | IC-S | Aird 6, 1803 | 17 | FI/VN/GF |
//11153/6223//11153/1+353//4535/6223// | C | Lady Charlotte Murray's Strathspey (t) | MS-S | Fife MS, 1780 | 707,76v | 1FI OR 2FI/VN |
/1+1+//1+53/642//543/217-6-//5-6-7-1/234 2// |
2/4 | Delices de la Paix, Les. Contredanse Nouvelle (t) | DA-F | LaCuisse Rep CD LC-2, 1764 | 31 Feuille 2. Vol | KB |
//1+1+/1+53//66/5//1+76/543 | 6/8 | Installation, The (t) | DA-E | Bride CD, 1776 | III,95 | VN/OB/GF |
//1+1+/1+53//66/5//1+76/543 | 6/8 | Installation, The (t) | DA-E | Thompson CD-4, 1780 | 11 | VN/GF/OB |
//1+1+/1+53//66/5//1+76/543// | 6/8 | Installation, The (t) | DA-E | Thompson CD-4a, 1780 | 10 | VN/GF/OB |
//1+1+/1+53//66/67//1+76/543 | 6/8 | Our Pleasure (t) | AM-A | Beck MS, 1786 | 85 | GF |
//1/1//1/5//42/6-7-// | 2/4 | Irresolue, L (t) | IC-E | Welcker Cots, 1768 | 1 | GT |
//1+1154/3111+7//1+1143/27-7-1+7//1+154/ 3113// |
C/ | Mumping Nelly (t) | MS-S | Young MS-3, 1740 | 21 | VN/OB/GF |
//1+1/154//31+/1+3+2+1+//2+2/22+1+// | C | College Hornpipe (t) | DA-E | Wilson Companion, 1816 | 135 | MI |
//1+1+1+54/3153//56747/27-42//1+1+1+54/3 153// |
C/ | Glenbuchet's Reel (t) | MS-S | Young MS-2, 1734 | 53v | MI |
//1+1+/1+54/321//1+1+/1+5/342// | 9/8 | Kiss In the Furz (t) | AM-A | Litten MS, 1800 | 17 (32) | VN |
//1/1//154/321//2/2// | 6/8 | No. 7 (t) | DA-E | Leichte Englische, 1795 | 7 | MI |
//1+1+/1+54//321/55//666 | C | Subscription Song, The (t) | SC-E | Amaryllis, 1760 | I,50-51 | GF,VO,HAF+FL |
//111//54//323//45//4321 | 3 | Song, A (t) | SC-E | Pills 5, 1719-20 | 36-38 | VO |
//1+1/154-3-//3-22/2654-//4-3-51/6-4-27- |
2/4 | Andantino (t) | IC-E | Longman Bassoon, 1780 | 24-25 | BS |
//11/154//33/332//11/17-6- | C/ | She Wou'd Not, and She Wou'd (t) | MS-E | Hammersley MS, 1790 | 72 | MI |
//1+1+1//543//425//1//1+27 | 3 | Song, A (t) | SS-E | SS, Folger-C42.2 | 223 | VO,KB+F |
//111/54//34/53//4321/7-2 | 2/4 | Ranting Roaring Highlandman, The (t) | IC-S | Aird 1, 1782 | 39 | FI/VN/GF |
//111/54//34/53//4321/7-2 | 2/4 | Ranting Roaring Highlandman, The (t) | AM-A | Gaylord MS, 1816 | 14v | MI |
//11154/3453//43217-2/7221+ | C/ | Ranting Highlandman, The. Quick Step (t) | IC-S | Scottish Sheet Music | PF+FI | |
//11154/3454//43217-2/7221+//11154/3454/ / |
C/ | Ranting Highlandman, The (t) | IC-S | Stewart Reels, 1775 | 6 | VN/GF,VC/HA |
//11/15-4-//3-4-5-6-/5-7-1//223/217-6- | C | Her Answer Was, I'm Too Young (t) | IC-S | Aird 5, 1797 | 46 | FI/VN/GF |
//11/15-4-//3-4-5-6-/5-7-1//223/217-6- | C | As I Went Out Ae May Morning (t) | SC-S | Scots MM-4, 1792 | 410 | VO,PF |
//11-/1-5-4-//3-4-5-6-/5-7-//6-5-/4-3- | C | Rogers's Hornpipe (t) | AM-A | Gaylord MS, 1816 | 7r | MI |
//1+1/154//351+/1+2+1+//2+2/22+1+// | 2/4 | Colledge Hornpipe (t) | AM-A | Cushing MS, 1805 | 100 | MI |
//1+1/154//351+/1+2+3+1+//2+2/22+1+// | C/ | Colledge Hornpipe (t) | AM-A | Johnson, S. MS, 1807 | 11 | FI |
//1+1/154//351+/1+2+3+1+//2+2/254// | C/ | Coledge Hornpipe, The (t) | AM-A | Hoff MS, 1797 | No. 100 | GF |
//1+1/154//351+/1+2+3+1+//2+2/254// | C/ | Colege Hornpipe, The (t) | AM-A | Hoff MS, 1797 | No. 106 | GF |
//1+1/154//351+/1+3+1+//2+2/22+1+// | C/ | Colledge Hornpipe. A Troop (t) | MS-S | Fife MS, 1780 | 574,62r | 1FI OR 2FI/VN |
//1+1/154//351+/1+3+1+//2+2/22+1+// | Collage Hornpipe, The (t) | AM-A | Litten MS, 1800 | 11 (19) | VN | |
//11-/1-5-4-//3-5-1/1321//21-/1-21 | C/ | Colledge Hornpipe (t) | AM-A | Dawes MS, 1790 | 37 | HA |
//11-/1-5-4-//3-5-1/1321//22-/2-21 | C/ | College Hornpipe, The (t) | AM-A | Beck MS, 1786 | 12 | GF |
//11-/1-5-4-//3-5-1/1321//22-/2-21 | C/ | College Hornpipe (t) | MS-E | Hammersley MS, 1790 | 105 | KB |
//11-/1-5-4-//3-5-1/1321//22-/2-21 | C/ | Horn Pippe (t) | AM-A | Ives MS, 1800 | 10 | KB |
//11-/1-/5-4-//3-5-1/1321//22-/2-21// | C/ | Colledge Hornpipe (t) | MS-E | Malecot MS, 1779 | 16-17 | VN |
//11-/1-5-4-//3-5-1/1321//22-/2-21 | Colledge Hornpipe, The (t) | AM-A | Remington MS, 1778 | 4 | FI | |
//11-/1-5-4-//3-5-1321//22-/2-21 | C | College Hornpipe (t) | AI-A | Steele Fife, 1815 | 22 | FI |
//1+1/154//351+3+2+1+//2+2/22+1+//72+5+6 +7+// |
C | College Hornpipe (t) | AM-A | Washburn MS, 1816 | 3 | GF |
//11-/1-5-4-//3-5-1321//25-/5-21//7-25 | Cotillion (t), or College Hornpipe (at) | AM-A | Hiester MS-2, 1793 | 69 | KB | |
//11-/1-5-4-//3-5-/132//22-/2-21// | 2/4 | Colledge Hornepipe (t) | AM-A | Johnson, S. MS, 1807 | 34 | FI |
//11-/1-5-4-//3-5-17-/1231//22-/2-21 | C/ | College Hornpipe (t) | AI-A | Merrimack Coll, 1833 | 74 | 2MI,B |
//1+1+/1+54//3531/52//4443/2221//2 | C/ | Sonata 6 (t) | AI-A | Linley Asst-2, 1796 | 19-21 | HA/PF |
//1+1/154//35/561+//46/64+ | C | Collidge Hornpipe (t) | AM-A | Shattuck MS, 1801 | 104 | MI |
//11/15-4-//55/531//12/323//6-7-/1 | 6/8 | Quick Step (t) | AM-A | Belknap MS, 1784 | 58R | MI |
//1-1-1-5-5-1/131//5-/1 | Skirmish (t) | AM-A | Beach MS, 1801 | 72 | BU | |
//1-1-1-5-5-1131//5-1 | Skirmish (t) | IC-E | British Bugle, 1798 | PL.7 | BU | |
//1-1-1-5-5-1131//5-1 | Skirmish (t) | IC-E | British Bugle, 1799 | PL.7 | BU | |
//1-1-1-5-5-1131//5-1// | To Skirmish. No. 10 (t) | IC-E | British Bugle, 1813 | 13 | BU | |
//1-1-1-5-5-1131//5-1 | To Skirmish (t) | IC-E | British Bugle, 1824 | 55 | BU | |
//1-1-1-5-5-1131//5-1 | Skirmish (t) | IC-E | Cooper Guide, 1806 | 3 | BU | |
//111551+1+3+1+//51+// | 3/4 | Form Column on the Right; Left; Centre (t) | AI-A | Duane Compendium, 1809 | xviii | BU |
//1-1-1-5-5-1131//5-1 | 3/4 | Order Arms (t) | AI-A | Duane Riflemen, 1812 | 103 | BU |
//1-1-1-5-5-1/131//5-/1 | To Skirmish (t) | AI-A | Gardner Compend, 1819 | PL20 | BU | |
//1-1-1-5-5-11315-1 | Skirmish (t) | IC-E | Gilbert Bugle, 1804 | 2 | BU | |
//1-1-1-5-5-1/131//5-/1 | To Skirmish (t) | AI-A | US Riflemen, 1824 | PL14 | BU | |
//1-1-1-5-5-1//1315-1//1 | C | Zerstreuen (t) | IC-G | Hanoverian Inf, 1821 | 53 | HN |
//111/5-5-//11/5-5-//11/5-5- | C | Fly and the Grasshopper, The (t) | SS-E | SS, Boston PL-2 | 64 | VO,KB |
//1/11//5/5//1+1+//75 | C | Odd's my life search England over (fl) | TW-E | Maid/Mill, 1765 | 20-21 | VO,HAF |
//1/1//1/5-//5-1/31 | 6/8 | Quick March (t) | AI-A | American Sheet Music | PF | |
//11/15//531/27-5-//6-6-/6-1 | 6/8 | Happy Pair (t) | AM-A | Beck MS, 1786 | 57 | GF |
//11/15//531/27-5-//6-6-/6-1 | 6/8 | Happy Pair, The (t) | DA-E | Thompson CD-2, 1765 | 75 | VN/GF/OB |
//11/15//531/27-5-//6-6-/6-1// | 6/8 | Happy Pair, The (t) | DA-E | Thompson CD-2a, 1765 | 77 | VN/GF/OB |
//1+1+1+/5533//1131/55//1+1+1+1+1+/2+2+2 +2+2+ |
C | Royal Dorsetshire March, The (t) | IC-E | English Sheet Music | 4 | 2CL,2FL,2HN,2TR |
//111/5-5-3-3-//333/115-5-//55/671+6// | C | Union March, The (t) | DA-E | Wilson Companion, 1816 | 180 | MI |
//1+1+1+/5533//5654/3345//6565/61+76// | C | Promenade March (t) | DA-E | Wilson Companion, 1816 | 179 | MI |
//1+1+/1+553//432//51/234//43 | C | With My Daphne I'll Repair (t) | SC-E | Vocal Music, 1775 | 78-79 | VO/VN/GF |
//111+/553//442/3127-//1 | C | Symphony (t) | TW-E | Thomas & Sally, 1761 | 25 | HAF |
//111/5-5-//3-5-3-/1-5-//111/2342 | C | Linen-Hall Slow March (t) | IC-I | Irish Sheet Music | PF | |
//111//554//314//345432//111// | 3 | Minuet (t) | IC-E | Apollo's Banquet 1-5, 1687 | B26 | VN |
//111//554//314//345432//111// | 3 | Minuet (t) | IC-E | Apollo's Banquet 1-6, 1690 | B27 | VN |
//111//554//314//345432//111//554// | 3 | Minuet (t) | IC-E | Apollo's Banquet 1-7, 1693 | 51 | VN/FL |
//111/5-5-4-//3-4-5-3-/1-5-3-//4-2/3-1 | C | La Fayette's Grand March (t) | AI-A | American Sheet Music | 2 | PF |
//111/55//443/21//443/21// | 3 | Lavolta (t) | DA-F | Arbeau Orchesography, 1589 | 122 | DR/MI |
//1/11//5/55//1+/1+ | 2/4 | Garner's Air (t) | AI-A | Herrick Preceptor, 1807 | 73 | MI |
//1+11/55-5-//11/1543//22/2654 | C | Leeds Volunteer's March, The (t) | IC-E | English Sheet Music | 3 | 2CL,2HN,B+OR/HA |
//111//555//1+1+1+//7655//64-3-//57-1//4 -3-2- |
3 | Minuet (t) | IC-E | Delightful-2, 1745 | I,6 | GF |
//1+1+1+//555//1123123//15-//11324//3354 6// |
3/4 | Hessian Minuet, The (t) | AM-A | White, G. MS, 1790 | 43 | VN |
//1+1+1+//555//1123123//5-//11324 | 3/4 | Minuet, A (t) | MS-S | Gillespie MS, 1768 | 84 | VN |
//11/1//55/5//1+1+/76 | 2/4 | Allegro (t) | IC-S | Sime Marches, 1789 | 28 | HA/PF |
//111/555//1+1+76/5//5432/1231 | C/ | March & Waltz at the Battle of Waterloo. March (t) | AI-A | American Sheet Music | 4 | PF |
//111/555//1+2+2+/3+1+7//665/443 | C/ | Rangers March, The (t) | AI-A | American Sheet Music | 1 | PF |
/111//55/5//123/432//31/ | 2 | Bequille, La (t) | IC-F | Leclerc Recueil-3, 1738 | 159 | HAF |
//111/5-5-5-//3-1-1-/1-1-1-//2-3-/4-5- | C/ | Major Laight's March (t) | AI-A | Bacon Marches, 1816 | 7 | MI |
//111/5-5-5-//3-1-1-/1-1-1-//2-3-/4-5- | C/ | German Legions March, The (t) | IC-S | Pandean Coll 3, 1810 | 28 | PF |
//111/5-5-5-//3-1-1-/1-123//222/2234 | C | Dibdin (t), or March 12 (at) | IC-E | Button Whit-1, 1806 | 18-19 | 2GF/2VN/2FL/2FI |
//1+1+1+/555//3/11+//2+/3+ | C/ | March (t) | MS-E | Band Scores MS, 1820 | 6r-7 | BAND(15 PARTS) |
//111//555//311//25-5-//111//555 | 3/6 | Jealous Don, The (t) | AI-A | Blake Amus 3, 1825 | 19 | CL |
//111//555//311//25-5-//111//555 | 3/8 | Jealous don won't you assume when we marry, The (fl) | TW-E | Pirates, 1792 | 82-83 | 2VO,KB |
//111/5-5-5-//3-/1-3-5-//4-5-4-5-/3-5-3- 5- |
C | Grand Neapolitan March, The (t) | IC-E | English Sheet Music | 3 | 2CL,2HN,TR,BS/P |
//1+1+1+/555//3/135//4545/3535 | C/ | Marche (t) | IC-G | Grosheim March, 1802 | 5 | HA/PF |
//111/555//323/1//11/555//3 | 6/8 | Air 3, Act Ii (t) | TW-E | Two To One, 1784 | 25 | VO,HA |
//111/5-5-5-//3-3-3-/1- | C | Salem Cadets' March (t) | AM-A | Beach MS, 1801 | 41 | 2MI,2HN,B |
//111/5-5-5-//3-3-3-/1-//5-6-5-6-/5-6-7- 1 |
C | Salem Cadet's March (t) | AI-A | American Sheet Music | 2 | PF |
//111/5-5-5-//3-3-3-/1-//5-6-5-6-/5-6-7- 1 |
C | Salem Independent Cadets March (t) | AM-A | Morse MS, 1811 | 82-83 | 2MI,B |
//1+1+1+/555//333/1//5656/5671+// | C | Salem Cadets March (t) | AM-A | New Harmony MS, 1826 | 24 | MI |
//1+1+1+/555//33432/135//4545 | C | Three New Marches-2. Buonaparte's March (t), or Mantuane, The (at) | AI-A | American SS-SM | KB | |
//111/5-5-5-//3-3-4-3-2-/1-5-//111/217-6 -5- |
C | Genl la Fayette's Reception March (t) | AI-A | American Sheet Music | 1 | PF |
//111/5-5-5-//3-3-5-3-/1-22//3232/3453 | C | Marcia Pomposo (t) | IC-E | Brooks Pieces, 1796 | 8 | 2CL,2HN,BS |
//111/5-5-5-//3-4-/5-17-//6-6-/23 | C | Captn Hamilton of Granges Slow March (t) | IC-S | May Marches, 1800 | 6 | PF |
//111/5-5-5-//3-4-/5-5-//6-2/4321 | C/ | Sea Fencibles' March (t) | AI-A | American Sheet Music | KB | |
//111/5-5-5-//3-5-3-/1-5-5-//113/224 | C | Battle of Salamanca, The. The Marquiss of Wellingtons Grand March (t), or M | IC-E | English Sheet Music | 9 | PF |
//1+1+1+/555//3542/15-5-//1234 | C | Mr Baillie Junr of Jerviswoode's March (t) | IC-E | English Sheet Music | KB | |
//111/5-5-5-//3-6-5-/5-7-7-//1232/17- | C/ | Marche du Leib Regiment (t) | MS-G | Darmstadt MS 1224 | 363-63j | 2OB,2CL,2HN,2TR |
//111/5-5-//554/335//445/334 | C | Jefferson's March (t) | AI-A | American Sheet Music | KB | |
//1+1/15//55-/5-5//565/6 | 6/4 | Venecian Embasador (t) | PL-E | Playford 2-1, 1713 | 67 | VN/OB |
//1+1/15//55-/5-5//565/6 | 6/4 | Venecian Embasador (t) | PL-E | Playford 2-2, 1714 | 67 | VN/OB |
//1+1/15//55-/5-5//565/6 | 6/4 | Venetian Embassador (t) | PL-E | Playford 2-3, 1718 | 67 | VN |
//1+1/15//55-/5-5//565/6 | 6/4 | Venetian Embassador (t) | PL-E | Playford 2-4, 1728 | 67 | VN |
//1+1/15//55-/5-5//565/671+ | 6/4 | Venetian Embassador (t) | DA-E | Walsh CD-1.2, 1719 | 85 | VN/OB |
//111/5-5-//564/335//445/334 | C/ | Jefferson's March (t) | AM-A | Trumbull MS, 1801 | b:6r | MI |
//111//555//654//34//543 | 3 | Roving Lover, The (t) | SS-E | SS, Folger-C42.4 | 160 | VO,KB+FL |
//1+1+1+//555//66//77//1+1+1+ | 3 | Catch, A (t) | SS-E | SS, Folger-C42.4 | 438 | VO+FL |
//1+1+1+//555//671+//5433//234//3211+5 | 3/4 | When the Squire Comes on (t) | TW-E | Elopement, 1768 | 9 | HAF |
//111//556543//111//5-5-6-5-4-3-//4- | 3/4 | Ladies Dressing Room-1 (t) | TW-E | Harlequin Dr. F, 1766 | 11 | HAF,GF/VN |
//111//55//654//3434//543 | 3/4 | When Youth and Beauty (t) | IC-E | Simpson Record, 1745 | 11 | RC |
//111//55//654//3434//543//27-1 | 3/4 | Power of Beauty, The (t) | SC-E | Watts MM-5, 1731 | 124-125 | VO,HA |
//111//55//654//43 | 3/4 | Song 18 (t) | SC-E | Ritson, 1783 | TI,15;MIII,6 | VO |
//111//55//654//43//543 | 3/4 | Tender Lover, The (t) | SC-E | Monthly Melody, 1760 | II,5 | VO,HAF |
//111//55//654//43//543 | 3/4 | Tender Lover, The (t) | SS-E | SS, Boston PL-2 | 74 | VO,2VN,KBF+GF/GT |
//1+1+1+/55//6666/53//222/6666//55 | C | Dear brother black leg all our schemes are undone (fl) | TW-E | Enchanted Cas, 1787 | 22 | VO,KB |
/111//55/67//1+5/1+2+1+//71+7/ | 6/8 | Bois, Les (t) | DA-F | Landrin Potpourri, 1785 | 2 | MI |
//11/15-//6-2/17-6-5-//112/4321 | 2/4 | Colin Clout (t) | SC-S | Scots MM-6, 1803 | 568 | VO,PF |
//1+1+/1+5//64/46//54/32 | 2/4 | Arioso (t) | IC-E | Wragg Oboe, 1792 | 40 | 2OB |
//1-1-1-5-6-/5-3-2-3-//1-1-1-5-6-/5-3-5- 6-//5-3-5-6-/5-3-5-6 |
C | Is Your Graith In Order. A Strathspey (t) | IC-S | Stewart Airs, 1788 | 3:152 | GF/VN/FI |
//1+1+/1+5//65/3//456/671+//2+1+/76 | C | Greenwood (t) | PL-E | Playford 1-01, 1651 | 16 | VN |
//1+1+/1+5//65/3//456/671+//2+1+/76 | C | Greenwood (t) | PL-E | Playford 1-02, 1652 | 30 | VN |
//11/15-//6-5-/3-//4-5-6-/7-6-// | C/ | Will You Walke the Woods So wilde (t) | MS-E | Nevell MS, 1591 | 144-148 | VI |
//1115-/6-5-3-//4-5-6-7-6-/217-6-//1115- /6/53/1// |
3 [12/4] | Woods So Wilde, The (t) | MS-E | Fitzwilliam MS-1, 1609 | 263-266 | VI |
//1+1+/1+5//65/35//456/671+ | 3 | Greenwood (t), or Huntsman, The (at) | PL-E | Playford 1-04, 1670 | 44 | VN |
//1+1+/1+5//65/35//456/671+ | 3 | Greenwood (t), or Hunts-Man, The (at) | PL-E | Playford 1-05, 1675 | 44 | VN |
//1+1+/1+5//65/35//456/671+//2+ | C3 | Greenwood (t), or Huntsman, The (at) | PL-E | Playford 1-08, 1690 | 56 | VN |
//1+1+/1+5//65/35//456/671+//2+3+1+/76 | 3 | Greenwood (t) | PL-E | Playford 1-03a, 1657 | I,30 | VN |
//1+1+/1+5//65/35//456/671+//2+3+1+/76 | 3 | Greenwood (t), or Hunts-Man, The (at) | PL-E | Playford 1-06, 1679 | 44 | VN |
//1+1+/1+5//65/35//456/671+//2+3+1+/76 | 3 | Greenwood (t), or Huntsman, The (at) | PL-E | Playford 1-07, 1686 | 44 | VN |
//1+1+/1+5//65/35//456/671+//2+3+1+/76 | 3 | Greenwood (t) | PL-E | Playford 1-3b, 1665 | I,30 | VN |
//1+1+1+5//6535//45676//2+1+767//1+1+1+5 // |
3 [3/2] | Woods So Wilde, The (t) | MS-E | Fitzwilliam MS-1, 1609 | 144-148 | VI |
//111/56/53/56//111/1+6// | 2/4 | Dunkcan Davison (t) | AM-A | Patten MS, 1800 | 12 | MI |
//11156/5356//1111+6/5323//11156/561+2+ | C/ | Ye'll Ay Be Wellcome Back Again (t) | MS-S | Gillespie MS, 1768 | 102 | VN |
//11156/5356//1111+6/5323//11156/561+2+/ / |
C/ | You'll Ay Be Welcome Back Again (t) | MS-S | Young MS-1, 1734 | 32v-33r | MI |
//11156/5356//1111+6/5323//11157/561+2+ | C/ | You Be Welcome Here Again (t) | DA-E | Johnson CD-3, 1744 | 9 | VN/GF |
//11156/5356//1111+6/5323//11167/561+2+ | C | You Be Welcom Here Again (t) | AM-A | Shattuck MS, 1801 | 74 | MI |
//11156/5356//1111+6/5323//11167/561+2+ | C/ | You Be Welcome Here Again (t) | DA-E | Thompson CD-3, 1773 | 81 | VN/GF/OB |
//11156/5356//1111+6/5323//11167/561+2+/ / |
C/ | You Be Welcome Here Again (t) | DA-E | Thompson CD-3a, 1773 | 47 | VN/GF/OB |
//11+1+//565432//111//223212//11+1+//565 432 |
3/8 | Waltz 5 (t) | IC-E | Ross Waltzes, 1800 | 14-17 | PF/HA+TRI,TA |
//1+1+/1+5//654/35//32/13 | C/ | Trip to Islington, A (t) | PL-E | Playford 2-1, 1713 | 69 | VN/OB |
//1+1+/1+5//654/35//32/13 | C/ | Trip to Islington, A (t) | PL-E | Playford 2-2, 1714 | 69 | VN/OB |
//1+1+/1+5//654/35//32/13 | C/ | Trip to Islington, A (t) | PL-E | Playford 2-3, 1718 | 69 | VN |
//1+1+/1+5//654/35//32/13 | C/ | Trip to Islington, A (t) | PL-E | Playford 2-4, 1728 | 69 | VN |
//1+1+/1+5//654/35//32/13 | C/ | Trip to Islington, A (t) | DA-E | Walsh CD-1.2, 1719 | 87 | VN/OB |
//1+1+/1+5//654/35//32/13 | C/ | Trip to Islington, A (t) | DA-E | Walsh CD-2.2, 1735 | 153 | VO/OB/GF/FL |
//1+1+/1+5//654/35//32/13 | C/ | Trip to Islington, A (t) | DA-E | Walsh CD-3.2, 1749 | 153 | VN/OB/GF |
//11156/5456//1111+6/5323//11156/561+2+/ / |
C/ | Welcome to the town (t) | MS-E | Vickers MS, 1770 | 17 | MI |
//11/15-//6-5-/5-//11/212 | 6/8 | Song 172 (t), or My Name's Honest Harry, O (at) | SC-E | Calliope, 1788 | 324-325 | VO |
//1//11/5-6-//5-5-//12/3 | C | Lenox (t) | AM-A | Dean MS, 1800 | II.1 | VO |
//1+1+/1+5//65/55//1+1+/2+1+2+ | 6/8 | Young May Moon, The (t) | AI-A | Glazier Clar, 1828 | 24 | CL |
//1+1+/1+5//65/55//1+1+/2+1+2+ | 6/8 | Young May Moon, The (t) | IC-E | Purday Bugle, 1830 | 16 | BU |
//11/15-//6-5-/5-6-7-//17-1/212// | 6/8 | I'll follow my Own Vagary O (t) | MS-C | Molyneaux MS-1, 1788 | 28 | GF |
//111//565//654 | 3/4 | Air 12, Act I (t) | BA-E | Beggar's Wed, 1729 | T19-20M3 | VO |
//1+1+/1+5//66/55//77/71+2+3+// | 2/4 | Eliza, La (t) | AI-A | Hewitt Cots-1, 1803 | 22 | PF |
//1+1+/1+5//66/63//42/54// | 2/4 | Masque, Le (t) | DA-G | Gehra CD, 1780 | 1 | 2 VN, 2 GF, 2 FH, B |
//11/15-6-7-//11/15-6-7-//12/3213// | 2/4 | Lodoiska (t) | AI-A | Hewitt Cots-2, 1803 | 2 | PF |
//11/15-//6-7-1/12//351+/531 | 6/8 | Hurley Burly, The (t) | DA-E | Johnson CD-6, 1751 | 28 | VN/GF |
//11/15-//6-7-1/12//351+/531 | 6/8 | Hurly Burly, The (t) | DA-E | Walsh CD-3.5, 1754 | 22 | VN//OB/GF |
//11/15-6-7-//117-1/6-//66/1+76 | C | Overture(ed) (t) | TW-E | No Song No Sup, 1790 | 1-3 | HA/PF |
//1/1//1/56-7-//11+76//55432 | C | Concerto 11. Allo Moderato (t) | IC-E | Bremner Mil Con, 1774 | 2OB/CL/FL/VN,2HN,BS | |
//11/15-//6-7-16-/6-5-4-3-//4-6-2-6-/4-6 -2-6- |
C/ | Devils Dream, The (t) | MS-E | Shepherd MS, 1787 | 45 | MI |
//1+/1+//1+567//1+7/67//1+5 | C/ | Overture de Blaise Et Babet (t) | AI-A | Reinagle Fav, 1789 | 21-24 | PF/HA |
//11//15-//7-1//2//2 | 3 | Song, A (t) | SC-E | Pills 3, 1719-20 | 37-9 | VO |
//11/15-7-//22/253//11+7/6543 | 2/4 | Country Dance (t) | AI-A | American Sheet Music | PF | |
//11/16-//12/3//22/22// | C/ | AM-A | Irving MS, 1796 | 110 | 1 MI | |
//11/16-//12/4//22/21 | 2/4 | Scots Wha Hae Wi'wallace Bled (t) | AI-A | Glazier Fife, 1830 | 27 | FI |
//1116-/124//2221/2345//6756/4565 | C | Scots Wha Hae Wi wallace Bled (t) | AM-A | Canfield MS, 1823 | 40 | FL |
//1116-/124//2221/245//6654/4565 | C | Bruce Address (t) | AM-A | Clark, I. MS, 1801 | 55 | FI/VN |
//11161/3153//2347-2/7225//11151/2153 | C | Wild Highland Man, The (t) | DA-E | Walsh CD-2.3, 1735 | 145 | VN/OB/GF/CF |
//11161/3153//2347-2/7225//11151/2153 | C | Wild Highland Man, The (t) | DA-E | Walsh CD-3.3, 1749 | 135 | VN/OB/GF |
//11/161+//6/5//531/17-1 | 6/8 | President (t) | AM-A | Morse MS, 1811 | 63 | MI |
//1+1+/1+61+//75/57//64/46// | 2/4 | AM-A | Bevens MS, 1825 | 49r | FI | |
//1116-/2123//5-5-6-5-/15-//1116-/2123 | C | Comin Thro' the Rye, First Sett (t) | SC-S | Scots MM-5, 1797 | 430 | VO,PF |
//11/16-//22/24//17-/6-5- | 6/8 | Allegro, An (t) | AI-A | Riley Flute 2, 1817 | 32 | FL |
//1+//1+1+6321//2 | 3/4 | New Bath Minuet, The (t) | AM-A | Bolling MS, 1785 | 46 | VN/VO |
//11/16-//33/31//22/27-// | 2/4 | Nouvelle Provensale, La, No. 7 (t) | DA-N | Markordt 12 CD-2, 1775 | 10 | VN/GF |
/11//16-/33//31/55//4321/7-123// | 2/4 | No. 1. Second Sett of Cotillions (t) | AM-A | Washburn MS, 1816 | 13 | GF |
//111//642//7-5-6-7-5-//134//522//1+65 | 3/8 | Duke of Bedford's Waltz (t) | AI-A | Balls Amus 2, 1815 | 33 | FL/FI/VN |
//1+1+/1+64//531/46//56/76 | 2/4 | Flying Colours, A Quick Step (t) | IC-E | English Sheet Music | 2CL,BS | |
//11/165/22/265//3135/1+51+3+ | C | Castle Garden March, The (t) | AI-A | American Sheet Music | PF | |
//11/16/531//22/231/7-6-5// | 6/4 [=9/8] | Roger Decoverely (t) | AM-A | Duport MS-2, 1800 | 28r | VN |
//11/16//531/2//4/321 | 6/8 | Corner House, The (t) | DA-E | Thompson CD-1, 1757 | 26 | VN/GF/OB |
//11/16//531/2//4/321// | 6/8 | Corner House, The (t) | DA-E | Thompson CD-1a, 1757 | 27 | VN/GF/OB |
//1+1+/1+6//531/353//1+1+/1+6// | 6/8 | Lessess Hopping (t) | MS-E | Vickers MS, 1770 | 162b | MI |
//11/16/531//6-2/231/7-5-// | 9/8 | Maltman Comes on Monday, The (Very Old Scotch) (t) | DA-E | Wilson Companion, 1816 | 23 | MI |
//11/16/531//6-2/23/7-5-// | 9/8 | Ould Roger de Coverley. A Retreat (t) | MS-S | Fife MS, 1780 | 35,4v | 1FI OR 2FI/VN |
//11+/16//5321/6-5//321/2356// | C/ | Scotch Measure, A (t) | IC-E | Scotch Tunes (Y), 1720 | 21 | VN |
//11/16//53/23//16-/12//3/5 | C | Scotch Song, A (t) | SC-E | Pills 3, 1719-20 | 307 | VO |
//1116/535//2227/27-7-2//1116/535// | C/ | Dukes Real, The (t) | MS-E | Vickers MS, 1770 | 21a | MI |
//1116/535//27/27-7-2//11116 | C/ | Cloak Bagg, The (t) | DA-E | Rutherf CD-2.1, 1756 | 72 | VN/GF/OB |
//11//16-//5-4-//3-5-//6-7-1234 | 6/8 | When youthful charms fly pleasures arms (fl) | TW-E | Enchanter, 1760 | 24-25 | VO,2VN,HAF |
//1/11//65//54/32//1 | 2/4 | Didst Thou But Know the Killing Smart (t) | SS-E | SS, Harvard | 1 | VO,KB |
//1+1+/1+6//55/54//33/345 | 6/8 | Union of All Parties, The (t) | AM-A | Trumbull MS, 1801 | a:6 | 2MI,(MI),B |
//11/165//55/7-1//5-6-/5- | C | Convent Bell, The (t), or Favorite Song, A (at) | AI-A | American SS-SM | 1 | VO,KB |
//111+6/561+//3332/332//111+6/5 | C/ | Mrs Mc Leod's Strathspey (t) | AM-A | Huntington MS, 1817 | III.39 | FL/VN |
//11/1//6-/6-6-//2/21//7- | 2/4 | Rush Light, The (t), or Additional Song, An (at) | AI-A | American SS-SM | 1-2 | KB,VO+FL |
//11/1//6-6-/6-//5-1/13 | 2/4 | Governor Mc Kean's Quick Step (t) | AI-A | American Sheet Music | PF | |
//1/11//6-/6-6//5/434//3 | 6/8 | Quartetto (t) | TW-E | Padlock, 1768 | 21-22 | 2VO,KBF |
//1+1+1+/66656//77/454545//661+7 | C | Beneath some hoary mountain (fl) | SS-E | SS, Folger-C42.1 | 55 | VO,KB+FL |
//111/6-6-//7-1/222//33/6-6- | C | Song 56 (t), or Fal De Ral Tit (at) | SC-E | Calliope, 1788 | 106-107 | VO |
//111/6-6-//7-1/222//33/6-6- | C | New Fal de Ral Tit, The (t) | SS-E | SS, Boston PL-1 | 136,1-2 | VO,HA |
//11/16-7-//11/123/44- | C/ | Honest Yorkshire Man, The (t) | SS-E | SS, Folger-C42.4 | 413 | VO,KB+FL |
//11+1+67/1+1//6-17-2/1//1345/671+2+//11 1/15- |
6/8 | Genl Glovers March (t) | AM-A | Boynton MS, 1799 | 9 | 1 FI |
//111/6-7-1//217-5-/11-//2-3-4-2-/3-4-5- 3- |
C/ | March (t) | IC-E | Valentine March, 1787 | 6 | 2VN,2OB/FL,2HN,VA,BF |
//1/11//6-7-/1//7-/7-1// | C/ | Praeludium (t) | MS-E | Fitzwilliam MS-2, 1609 | 22 | VI |
//11/17-1//11/17-1//3153/1+531// | C/ | Colledg Hornpipe, The (t) | MS-S | Fife MS, 1780 | 579,62v | 1FI OR 2FI/VN |
//11//17-11//25 | 2/4 | Air 8 (t) | BA-E | Devil Duke-2, 1732 | T17M10 | VO,HAF |
//11//17-11//25//31 | 2/4 | Air 13 (t) | BA-E | Decoy, 1733 | T17M4 | VO |
//1/1-//17-11//2/5//31 | 2/4 | Milk-Maid's Song, The (t) | SC-E | Watts MM-5, 1731 | 90-91+92 | VO,HA+FL |
//1/1//17-/11//2/5//31//1/1 | 2/4 | Churning Song, The (t) | SS-E | SS, Folger-C42.3 | 436 | VO,KB+FL |
//1/1//17-/11//2/5//31//1/1//17-//11 | 2/4 | Milk Maid's Song, The (t) | SS-E | SS, Folger-C42.2 | 186 | VO,KB+F |
//11/1+7//1+1/3453//22/2+1+ | Black Dish Bottom (t) | MS-E | Hammersley MS, 1790 | 38B | MI | |
//1+1+/1+7//1+1+/5//454/343 | 2/4 | Doublings of the Troop (t) | IC-E | Preston Fife, 1796 | 8 | FI/GF |
//11+/1+71+//15/535//11+/1+3+1+// | 6/8 | Buchs of Chorus, The (t) | AM-A | Hoff MS, 1797 | No. 35 | GF |
//11+/1+71+//15/535//11+/1+71+// | 6/8 | Backs of Corus, The (t) | AM-A | Morris MS, 1776 | 31r | FI |
//11+/1+71+//15/535//11+/1+71+ | 6/8 | Corus Gig (t) | AM-A | Shattuck MS, 1801 | 30 | MI |
/11//1/7-12//11/32//43/ | 6/8 | Pastorale, La (t) | AM-A | Duport MS-2, 1800 | 16v | VN |
//1/1//17-12/12//3/3 | 2/4 | Marche de Regiment General Leut. V. Bornstadt (t) | MS-G | Darmstadt MS 1223 | 2OB,2CL,2HN,2TR | |
//1/1//17-12/12//3/3 | 2/4 | Marche du Lieutenant General de Bornstadt (t) | MS-G | Darmstadt MS 1224 | 377 | HA |
//111//7-121//2343//4565//671+7//1+55 | 3/4 | Menuetto (t) | IC-E | Flack Divs, 1776 | 16 | 2CL,2HN,BS |
//11/17-1//217-1/2//22/212// | C/ | March (t) | AM-A | Irving MS, 1796 | 50-51 | 2 MI |
//11/17-1//217-1/2//22/212//3212/356//4 | C/ | Quick March (t) | TW-E | Surrender/Cal, 1792 | 4-6 | PF |
//1+1+/1+71+//2+/1+//72+/567// | 6/8 | Saratoga (t) | AI-A | Johnson, F. Cotillions | 12 | PF |
//11/17-1//217-/5-5-//123/543//3 | 6/8 | Brown Rondo-2 (t) | AI-A | Brown Rondos, 1787 | 3-4 | PF/HA |
//1+11+/71+/2+1+7654//3231//1+2+3+2+1+/7 65453 |
C/ | Inexorable, The (t) | SC-E | Musical Cent-2, 1740 | 40 | VO,KB+FL |
//1+11+/71+//2+1+7654/3231//1+2+3+2+1+/7 65453 |
C/ | Inexorable, The (t) | SC-E | Ritson, 1783 | TI,255-256;MIII,135 | VO |
//1+1+/1+71+//2+1+76/567//1+3/45// | C/ | Lady Nevil's Delight, The (t) | IC-E | Apollo's Banquet 1-1, 1670 | 86 | VN |
//1+1+/1+71+//2+1+76/567//1+3/45//3 | C/ | Lady Frances Nevills Delight, The (t) | PL-E | Playford 1-03a, 1657 | II,46 | VN |
//1+1+/1+71+//2+1+76/567//1+3/45//3 | C/ | #19 (t), or Lady Frances Nevills Delight, The (at) | PL-E | Playford 1-3b, 1665 | II,40 | VN |
//1//1//1/7-1//2//2 | 2 | Marche Polonaise (t) | MS-F | Philidor MS, 1705 | 30 | OB,B |
//11+/1+71+//22+1+/765//61+6/53+5 | 6/8 | Veteran, The (t) | DA-E | Johnson CD-4, 1748 | 42 | VN/GF |
//11+/1+71+//22+1+/765//61+6/53+5// | 6/8 | Croteste, La (t) | DA-N | St. Flour Contredanses, 1757 | 91 | KB |
//1-1/17-1//2-21/7-6-5-//6-16-/5-35-// | 6/8 | Veteran, The (t) | DA-E | Walsh CD-3.4, 1747 | 57 | VN/OB/GF |
//1-1/17-1//2-2/212//323/421 | 6/8 | Trip to Bristol (t) | DA-E | Skillern CD, 1780 | 14 | VN/GF/OB |
//1-1/17-1//2-2/212//323/421// | 6/8 | Trip to Bristol (t) | DA-E | Straight & Skillern CD, 1775 | 14 | VN/GF/OB |
//11/17-1//22/212//33/321// | 6/8 | Black Joke (t) | AM-A | Cushing MS, 1805 | 119 | MI |
//11/17-1//22/212//33/353 | 6/8 | French Country Dance (t) | AI-A | Glazier Clar, 1828 | 18 | 2CL |
//11/17-1//22/212//345/543// | 6/8 | Sudmaire, La (t) | DA-N | Baland CD, 1780 | 4 | VN/GF |
//11/17-1//22/212//35/13 | 6/8 | Mantle, The (t) | AI-A | Paff Amus 2, 1812 | 3 | FL/VN |
//11/17-1//22/212//35/543 | 6/8 | Governor Tompkins's Quick Step (t) | AI-A | American Sheet Music | KB | |
//11/17-1//22/212//35/543 | 6/8 | Governor Thompkins March of Salute. Quick Step (t) | AI-A | American Sheet Music | PF | |
//11/17-1//22/212//35/543 | 6/8 | Quick March (t) | AI-A | Fifer's Comp, 1805 | 31 | 2FI |
//11/17-1//22/212//35/543 | 6/8 | Wood Pecker a Quick March, The (t) | AM-A | Nixon MS, 1776 | 100 | FI |
//11/17-1//22/22//22/212//3 | 6/8 | Wretched Slave, The (t) | AI-A | American SS-SM | 1-2 | VO,KB |
//11/17-1//22/22//22/22//3 | 6/8 | Wretched Slave, The (t) | AI-A | American SS-SM | 1-2 | KB,VO |
//11/17-1//22/22//32/1234// | 2 | Nouvelle Jalousie, La (t) | MS-G | Jayme MS, 1717 | 24 | MI |
//11/17-1//22/22//33/44 | 6/8 | Andantino (t) | AI-A | Bacon Clar, 1818 | 25 | CL |
//11/17-1//22/22//33/44 | 6/8 | Andantino (t) | AI-A | Klemm Clar, 1825 | 25 | CL |
//11/17-1//22/231//17-6-5-/6-7-12 | 2/4 | Ashleys Flagg (t) | MS-E | Brown, W. MS, 1797 | 9 | MI |
//11/17-1//22/231//17-6-5-/6-7-12 | 2/4 | Ashleys Flagg (t) | MS-E | Brown, W. MS, 1797 | 34 | MI |
//11/17-1//22/232//1 | 2/4 | Astleys Hornpipe (t) | AI-A | Gent's Amus, 1794 | 29 | GF/VN |
//11/17-1//22/232//1 | 2/4 | Astleys Hornpipe (t) | AI-A | Gent's Amus, 1795 | 29 | GF |
//11/17-1//22/232//17-6-5-/6-17-// | C/ | Ashley's Hornpipe (t) | MS-S | Miller, J. MS, 1798 | [9] | FI |
//11/17-1//22/232//17-6-5-/6-7- | 2/4 | Astleys Hornpipe (t) | AI-A | Evening Amuse, 1796 | 22 | GF/VN |
//11/17-1//22/232//17-6-5-/6-7- | 2/4 | Astley's Hornpipe (t) | AM-A | Hosmer MS, 1798 | 21 | MI |
//11/17-1//22/234 | 6/8 | Turk's March, The (t) | AI-A | Willig Fife, 1805 | 12 | FI |
//11/17-1//22/234//31/13 | 6/8 | Capauchen, La (t) | DA-E | Thompson CD-5, 1788 | 82 | VN/GF/OB |
//11/17-1//22/234//31/13// | 6/8 | Capauchen, La (t) | DA-E | Thompson CD-5a, 1788 | 82 | VN/GF/OB |
//11/17-1//22/234//321/17-1 | 6/8 | Capuchin, The (t) | IC-S | Aird 2, 1785 | 4 | FI/VN/GF |
//11/17-1//22/234//321/17-1// | 6/8 | Revaley, A (t), or Copahen Quick Step, The (at) | MS-S | Fife MS, 1780 | 313,32v | 1FI OR 2FI/VN |
//1-1/17-1//2-2/234//35/7-1 | 6/8 | Friday's Frolick (t) | AM-A | Gaylord MS, 1816 | 9r | MI |
//11/17-1//22/234//55/543// | C/ | New Brauls, The. Gavot (t) | IC-E | Apollo's Banquet 1-5, 1687 | A71.4 | VN |
//11/17-1//22/234//55/543// | C/ | New Brauls, The. Gavot (t) | IC-E | Apollo's Banquet 1-6, 1690 | A61.4 | VN |
//11/17-1//22/234//55/543// | C/ | Gavot (t) | IC-E | Apollo's Banquet 1-7, 1693 | 39 | VN/FL |
//11/17-1//22/23//5-5-/6-7- | 6/8 | Advice to the Ladies (t) | AI-A | Six Songs, 1794 | 12 | VO,HA/PF |
//11/17-1//22/242//17-6-5-/6-17-2 | 2/4 | Astley's Ride (t) | AI-A | Balls Amus 2, 1815 | 10 | FL/FI/VN |
//11/17-1//22/242//17-6-5-/6-17-2// | 2/4 | Ashley's Ride. A Quick Step (t) | MS-S | Fife MS, 1780 | 198,20r | 1FI OR 2FI/VN |
//11/17-1//22/242//17-6-5-/6-17-2// | C | Astleys Hornpipe (t) | AM-A | Hoff MS, 1797 | No. 138 | GF |
//11/17-1//22/242//17-6-5-/6-17-2 | 2/4 | Astleys Ride (t) | AI-A | Riley Flute 1, 1814 | 44 | FL |
//11/17-1//22/242//17-6-5-/6-7-//13/53// |
2/4 | Astleys Ride (t) | DA-E | Wilson Companion, 1816 | 82 | MI |
//11/17-1//22/242//17-6-5-/7-5-27-// | 2/4 | Astleys Ride No 2 (t) | AM-A | Bevens MS, 1825 | 33r | FI |
//11/17-1//22/242//7-6-5-/6-7-// | 2/4 | Ashley's Hornpipe (t) | AM-A | Irving MS, 1796 | 6r | 2 MI |
//11/17-1//22/242//7-6-5-/6-7-// | 2/4 | Ashley's Hornpipe (t) | AM-A | Patten MS, 1800 | 5-6 | MI |
//11/17-1//22/2432//17-6-5-/6-7-// | 6/8 | Rickets Ride (t) | AM-A | Treat MS, 1779 | 16r | FI/GF |
//11/17-1//22/24//33/23 | 6/8 | Quick March (t) | IC-I | Logier Bugle, 1813 | 31 | BU |
//11/17-1//22/25//31/17-1 | 6/8 | Leith Volunteers, The. Quick March (t) | IC-S | Scottish Sheet Music | KB | |
//11/17-1//22/25//31/17-1 | 6/8 | Leith Volunteers Quick March (t) | IC-S | Watlen Marches, 1798 | 9 | PF/FL/VN |
//11/17-1//22/25//33/23 | 6/8 | Air In Tekeli (t) | AM-A | Beach MS, 1801 | 31 | 2MI,2HN,B |
//11/17-1//22/27-//7-7-/7-6-7- | 6/8 | How sacred and how innocent (fl) | MS-C | Frobisher MS, 1793 | 1-2 | VO,HA |
//11/17-1//22/31//54/321 | 6/8 | Jamie and Sue (t), or Favourite Dialogue, A (at) | SS-E | SS, Boston PL-1 | 172,1-2 | HA,2VO+GF |
//1+11+//71+2+//23432//3211//15-6-//7-12 // |
3/4 | Miss Macklin's Minuet (t) | DA-E | London Magazine | 204, 1762 | MI,B |
//11/17-1//2/23//44/32// | 6/8 | Dutchess of York's Favorite, The (t) | AI-E | Shirley CD, 1805 | 2 | PF |
//11/17-1//22/5//3/13 | 6/8 | Marchioness (t) | AM-A | Clark, I. MS, 1801 | 42 | FI/VN |
//11/17-1//22/5//33/11// | 6/8 | Marchionese (t) | AM-A | Treat MS, 1779 | 18r | FI/GF |
//11/17-1//22/5//33/13 | 6/8 | Marchioness, The (t) | AI-A | Fifer's Comp, 1805 | 40 | 2FI |
/11//17-1/22//5/353//17-1/ | 6/8 | Marchioness, The, A Set Dance (t) | AM-A | Duport MS-2, 1800 | 26r | VN |
//11/17-1//22/54//31/17-1 | 6/8 | Soldier's Dance (t) | IC-S | Aird 4, 1796 | 35 | FI/GF/VN |
//11/17-1//22/55//33/11 | 6/8 | Clemsford Races (t) | AI-A | Blake Amus 1, 1824 | 9 | CL |
//11/17-1//22/55//33/11// | 6/8 | Chelsford Races (t), or Marehones Cuntry Dance, The (at) | AM-A | Patten MS, 1800 | 13 | MI |
//11/17-1//22/55//33/11 | 6/8 | Chelmsford Races (t) | AI-A | Riley Flute 2, 1817 | 37 | FL |
//11/17-12//31/1//55/6543 | 2/4 | Boston Assembly (t) | AM-A | Kingsley MS, 1795 | I,13 | MI |
//11/17-1//23/12//31/543// | 6/8 | No. 5 (1st Quadrille) (t) | AI-A | Andre Cotillions, 1812 | 5 | PF |
//11/17-1//23/12//31/543// | 6/8 | 5 (t) | AI-A | Andre Cots-1, 1812 | 4 | PF |
//11/17-1//23/12//31/543// | 6/8 | No. 5 (t) | AI-A | Andre Cots-2, 1812 | 5 | PF |
//1/1//17-12/31//3/3/ | C/ | Hissian Guards March (t) | AM-A | Adams, W. MS, 1795 | 25 | MI |
//11/17-1//232/212//343/321// | 6/8 | Round the World for Spoart (t) | MS-S | Fife MS, 1780 | 534,57r | 1FI OR 2FI/VN |
//11/17-1//232/212//343/321// | 6/8 | Bleck Jock (t) | DA-N | Willsim Recueil, 1755 | 11 | MI |
//11/17-1//232/212//44/33// | 6/8 | Black Joke, The (t) | AM-A | Treat MS, 1779 | 12 | FI/GF |
//1+1/17-1//232/234//365/432// | 6/8 | Chasse de Diane, La. Contredanse Francaise et Allemande (t) | DA-F | Bouin CD LC-1, 1780 | 9 Feuille | MI |
//11/17-1//232/25//123/42//1 | 6/8 | Three years a sailors life I led (fl) | TW-E | No Song No Sup, 1790 | 34 | VO,HA/PF |
//11/17-12//33/3//21/25-// | 2/4 | Washington's Guards Quick March (t) | AI-A | Willig Fife, 1826 | 12 | FI |
//11/17-12//33/3234//53/42 | C | Concerto 9. Allegro (t) | IC-E | Bremner Mil Con, 1774 | 2OB/CL/FL/VN,2HN,BS | |
//111//7-12//333//321//217-//1// | 3/4 | God Save the King (t) | IC-E | Rutherfoord Violin, 1755 | 9 | VN |
//111//7-12//334//321//217- | 3/4 | God Save the King (t) | IC-E | Longman Oboe, 1780 | 13 | OB |
//11/17-1//2/3431//4542/56 | 2/4 | Rondo (t) | IC-E | Wragg Oboe, 1792 | 62 | 2OB |
//11+/1+71+//23/46//23/46 | 6/8 | Mrs Carey's Bridal Day (t) | DA-E | Thompson CD-3, 1773 | 15 | VN/GF/OB |
//11+/1+71+//23/46//23/46// | 6/8 | Mrs. Carey's Bridal Day (t) | DA-E | Thompson CD-3a, 1773 | 91 | VN/GF/OB |
/11//17-1/23//54/2435//4624/3213// | 2/4 | Dominique Pour la Main, La. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 200 Feuille | MI |
//11/17-1//2/35//5424/4321//2 | 2/4 | Finale (t) | TW-E | Fair American, 1782 | 50 | VO,KB |
//111/7-12//36-21/7-5-6-7-//111/7-12// | C/ | Collerd Herrins (t) | MS-S | Fife MS, 1780 | 845,91r | 1FI OR 2FI/VN |
//111/7-12//36-21/7-5-6-7-//111/7-12 | C/ | Caller Herring (t) | AI-A | Paff Amus 2, 1812 | 2 | FL/VN |
//11/17-1//247-2//11/17-1// | 6/8 | Basket Cotillion, The (t) | AM-A | Duport MS-2, 1800 | 33r | VN |
//1+1+/1+71+//2+5/1+7//1+76/543//21 | I Am a Friar of Orders Grey (t) | SS-E | SS, Harvard | 1 | VO,B | |
//1+1+1+//71+2+5//1+7654//3 | 3/4 | Song 41 (t), or Bacchanalian Rant, A (at) | SC-E | Ritson, 1783 | TII,43-44;MIII,213-214 | VO |
//11/17-1//2/5-2//33/323 | 6/8 | Quick Step (t) | IC-E | English Sheet Music | KB | |
//11/17-1//2/5//321/123// | 6/8 | Marchioness, The (t) | AM-A | Adams, W. MS, 1795 | 8 | MI |
//11/17-1//2/5//323/11 | 6/8 | Feathers, The (t) | AM-A | Beck MS, 1786 | 82 | GF |
//11/17-1//25-/5-6-7-//17-1/6-42// | 6/8 | Francis. No. 9 (t) | AI-A | Johnson, F. Cotillions | 6 | PF |
//11/17-1//25-/5-6-7-//17-1/6-42// | 6/8 | Cottillion. 75 (t) | AM-A | Johnson, F. MS, 1820 | 45 | PF |
//111/7-127-//111/15-//333/2342 | C/ | Cap't Rowley's March (t) | AM-A | Swan MS, 1775 | 18R | 2VN |
//11/17-127-//1234/23//43/21 | C | To the Genius of England (t) | SS-E | SS, Boston PL-2 | 37 | VO,KB+GF |
//11/17-1//27-5-/234//31/53 | 6/8 | Jeunes Beautes (t) | IC-F | Bonjour Recueil, 1800 | 2:2-3 | VN/FL |
//11/17-1//27-5-23//432321/217-17-6- | C/ | Air (t) | IC-E | Bremner Oboe, 1775 | 18 | OB |
//11/17-1//27-5-23//432321/217-17-6- | C/ | Suffield's Fancy (t) | DA-E | Johnson CD-3, 1744 | 26 | VN/GF |
//11/17-1//27-5-23//432321/217-17-6- | C/ | Air (t) | IC-E | Simpson Oboe, 1746 | 18 | OB |
//11/17-1//2/7-5-//33/323 | 6/8 | Capt. Montgomery's Fancy (t) | IC-S | Campbell Coll, 1796 | 2 | PF/VN+2FL |
//11/17-1//27-/5-5-//11/31// | 6/8 | Chant Russe (t) | DA-E | Wilson Companion, 1816 | 84 | MI |
//11/17-1//27-/5-5-//17-12/1234 | 2/4 | Georgetown United Blues Quick Step (t) | AI-A | American Sheet Music | PF | |
/11//17-1/27-5-//5-/436//51+5/ | 6/8 | 17, La (t) | MS-F | 4 Comtesses MS, 1775 | 27v-28r | MI |
/11//17-1/27-5-//5-/436//51+5/543// | 6/8 | Riché, La (t) | DA-F | Landrin CD BL-1, 1775 | 68 Feuille | MI |
//1/11//7-1/27-//5-/55 | 2/4 | Marche Aus der Oper Sargines (t) | IC-G | Grosheim March, 1802 | 4 | HA/PF |
//1+1+/1+71+//2+7/55//66/767 | 6/8 | Revolutionare, La (t), or Cottilion (at) | AM-A | Psalmody MS, 1798 | 78 | MI |
//11/17-1//27-5-/5-6-7-//11/212 | 6/8 | Capt. Partridge's Quick Step (t) | AM-A | Canfield MS, 1823 | 112 | FL |
//11/17-1//27-5-/5-6-7-//11/22// | 6/8 | AM-A | Johnson, S. MS, 1807 | 52-53 | FI | |
//11/17-1//27-/5-6-7-//11/35 | 6/8 | Chant Russe (t) | AI-A | Balls Amus 2, 1815 | 12 | FL/FI/VN |
//11/17-1//27-/5-6-7-//11/35 | 6/8 | Chant Russe (t) | AI-A | Riley Flute 1, 1814 | 10 | FL |
//11/17-1//27-/567//11/35// | 6/8 | Chantreus, The (t) | AM-E | Wheatstone Clarinet, 1801 | 59 | CL |
//11/17-1//27-/5-7-//11/321 | 6/8 | Hon Mr Ramsey Maule of Panmure's Quick Step, The (t) | IC-S | Scottish Sheet Music | 2CL,2HN,TR,BS/P | |
//1-1/17-1//27-5-7-/212//3131/424// | C | AM-A | Johnson, S. MS, 1807 | 35 | FI | |
//1-1/17-1//27-5-7-/212//3131/4242// | C/ | Lord Nelsons Hornpipe (t) | AM-A | Bevens MS, 1825 | 40r | FI |
//11/17-1//27-/6-7-//135/543// | 6/8 | Rondo (t) | AM-A | Hoff MS, 1797 | No. 224 | GF |
//11/17-1//3/11//257-/216- | 6/8 | Bonne Mere, La (t) | AI-A | American Sheet Music | PF | |
//11/17-1//31/5-3-//5-4-/2-4-// | 6/8 | Trenise, La. Quadrille (t) | AM-A | New Harmony MS, 1826 | 12 | MI |
//1-1/17-1/321//2-2231/7-6-5-//1-1/17-1/ 321 |
9/8 | Paddy O Snap (t) | AI-A | Riley Flute 1, 1814 | 77 | FL |
//1/1-1//7-/13//321/21-7-//1 | 3/2 | Europes Revels (t) | PL-E | Playford 1-12, 1703 | 229 | VN |
//1/1-1//7-/13//321/27- | Europes Revels (t) | PL-E | Playford 1-11, 1701 | I,229 | VN | |
//1/1-1/7-//13/321/27-//1 | 3/2 | Europes Revels (t) | PL-E | Playford 1-13, 1706 | 229 | VN |
//1/1-1/7-//13/321/27-//1 | 3/2 | Europes Revels (t) | PL-E | Playford 1-14, 1709 | 229 | VN |
//1/1-1/7-//13/321/27-//1 | 3/2 | Europes Revels (t) | PL-E | Playford 1-15, 1713 | 229 | VN |
//1/1-1/7-//13/321/27-//1 | 3/2 | Europes Revels (t) | PL-E | Playford 1-16, 1716 | 229 | VN |
//1/1-1/7-//13/321/27-//1/5- | 3/2 | Europes Revels (t) | PL-E | Playford 1-17, 1721 | 229 | VN |
//1/1-1/7-//13/321/27-//1/5- | 3/2 | Europes Revels (t) | PL-E | Playford 1-18, 1728 | 229 | VN |
//11-17-//1332127-//15-6-3-4- | 3/2 | Europe's Revels (t) | DA-E | Walsh CD-1.1, 1718 | 243 | VN/OB/FL |
//1+11+7//1+3+3+2+1+2+7//1+5634//55-1232 1 |
3/2 | Europe's Revels (t) | DA-E | Walsh CD-2.1, 1731 | 66 | VN/OB/GF/RC |
//11/17-1//3-4-/5-5-//6-7-/123//2 | 6/8 | When I was a little lad (fl) | AI-A | Volunteers, 1795 | 6 | VO,KB |
//11/17-1//432/3//7-7-/12 | C/ | Time, A Favorite Rondo (t) | AI-A | American SS-SM | 1-2 | KB,VO+GT |
//11/17-1//454/321//321/321 | 6/8 | Young Widow's Dance, The (t) | AM-A | Kingsley MS, 1795 | I,13 | MI |
//11/17-1//46/51+//565/43 | 6/8 | Pin-Maker's Address, The (t) | IC-E | Houghton Airs, 1791 | 14-16 | 2HN,2MI/VO,B |
//11/17-1//5-1/17-1//2/5-3//13/323 | C/ | Spaniard, The (t) | PL-E | Playford 1-03a, 1657 | I,91 | VN |
//11/17-1//5-1/17-1//2/5-3//13/323 | C/ | Spaniard, The (t) | PL-E | Playford 1-3b, 1665 | I,91 | VN |
//1117-1//5-15-3//217-6- | 2/4 | First of September (t) | AI-A | Fifer's Comp, 1805 | 69 | 2FI |
//11+1+7/1+5//1+54/3113//22+2+3+/2+7// | C/ | Cupperful (t) | MS-S | Fife MS, 1780 | 827,89v,90r | 1FI OR 2FI/VN |
//1+1+/1+71+//53/13//246/654 | 6/8 | Miss Platoff (t) | AI-A | Riley Flute 3, 1820 | 46 | FL |
//11/17-1//54/22//351/17-1 | 6/8 | Laurette (t) | IC-E | Balls Amus 3, 1815 | 1 | FL/VN |
//11/17-1//54/22//351/17-1 | 6/8 | Laurette (t) | AI-A | Paff Amus 1, 1812 | 22 | FL/VN |
//11/17-1//54/2//351/17-1 | 6/8 | Laurette (t) | AI-A | Riley Flute 1, 1814 | 77 | FL |
//11/17-1//55/24//33/17-1 | 6/8 | Ma Belle Coquette (t), or Favorite Song, A (at) | AI-A | American SS-SM | 1-2 | VO,KB |
//11/17-1//55/24//33/17-1//3 | 6/8 | Ma Belle Coquette (t), or Favorite Song, A (at) | AI-A | American SS-SM | 1-2 | VO,KB |
//11/17-1//55/24//33/17-1//3/15-// | 6/8 | Ma Belle Coquette (t) | AI-A | Willig Flute, 1795 | 24 | 2 GF |
//11/17-1//55/24//33/31 | 6/8 | Ma Belle Coquette (t), or Favorite Song, A (at) | AM-A | Hiester MS-2, 1793 | 17-19 | VO,KB |
//11/17-1//5-5-/5-1//22/212 | 6/8 | Marquis, The (t) | AI-A | American Sheet Music | PF | |
//11/17-1//6-1/5-1//5-6-7-/123 | 6/8 | Tekeli (t) | AI-A | Hulbert Fife, 1811 | 22 | FI |
//11/17-1//6-1/5-1//5-6-7-/123// | 6/8 | Tekeli (t) | AI-A | Willig CD-1, 1812 | 3 | PF/VN |
//11/17-1//6-1/5-//432/53 | 6/8 | President's Welcome to York, The (t) | AI-A | Riley Flute 2, 1817 | 1 | FL |
//11/17-1//6-1/5-5-//5-6-7-/123 | 6/8 | Tekeli (t) | IC-E | Balls Amus 3, 1830 | 1 | FL/VN |
//11/17-1//6-1/5-5-//5-6-7-/123 | 6/8 | Quick March In Texeli (t) | AM-A | Niles MS, 1813 | 30r | MI |
//11/17-1//6-1/5-5-//5-6-7-/123// | 6/8 | Tekeli (t) | AM-A | Winnington MS, 1810 | 24 | KB |
//11/17-1//6-1/5-//5-6-7-/123 | 6/8 | Air In Tekeli (t) | AM-A | Beach MS, 1801 | 36 | MI |
//11/17-1//6-1/5-//5-6-7-/123 | 6/8 | Tekeele (t) | AM-A | Hooves MS, 1817 | 44 | FI |
//11/17-1//6-1/5-//5-6-7-/123 | 6/8 | Tekeli (t) | IC-I | Logier Bugle, 1813 | 21 | BU |
//11/17-1//6-1/5-//5-6-7-/123 | 6/8 | Tekeli (t) | AI-A | Riley Flute 1, 1814 | 12 | FL |
//11/17-1//6-1/5-//5-6-7-/123 | 6/8 | Tekele (t) | AM-A | Shattuck MS, 1801 | 71 | MI |
//1+1+/1+71+//61+/5//567/1+2+3+// | 6/8 | Tekeli (t) | AM-A | White, G. MS, 1790 | 129 | VN |
//11/17-1//6-1/5-//5-6-7-/123// | 6/8 | Tekeli (t) | AM-A | White, G. MS, 1790 | 133 [132 skipped] | VN |
//11/17-1//6-2/21//7-6-5-/5-6-7-//1 | 6/8 | Duet (t) | TW-E | No Song No Sup, 1790 | 19 | 2VO,HA/PF |
//11/17-1//6-4/21//7-6-7-/5-6-7- | 6/8 | Quick Step (t) | AI-A | American Sheet Music | PF | |
//11/17-1//6-4-/3-4-5-//11/1 | 6/8 | Fandango, The (t) | DA-E | Thompson CD-4, 1780 | 15 | VN/GF/OB |
//11/17-1//6-4-/3-4-5-//11/1// | 6/8 | Fandango, The (t) | DA-E | Thompson CD-4a, 1780 | 17 | VN/GF/OB |
//1+1+1+71+//662+2+//1+76567//1+5//3+ | FUS, | Sonata by Pleyel (t) | AI-A | Musical Jnl-2, 1800 | II,6-12 | PF,FL/VN |
//1+1+/1+71+//66/62+1+//765/567// | 6/8 | Pandean Dance In Tekeli (t) | MS-S | Fife MS, 1780 | 108v | 1FI OR 2FI/VN |
//11/17-1//6-6-/6-2//7-5-/123// | C3 | New French Dance. Bore (t) | IC-E | Apollo's Banquet 1-5, 1687 | B28.2 | VN |
//11/17-1//6-6-/6-7-1//234/434// | 6/8 | Belle Remonde, La (t) | AM-A | Duport MS-2, 1800 | 12v | VN |
//11/17-1//6-7-1/234//31/17-1 | 6/8 | Fairies Revels (t) | AI-A | Riley Flute 2, 1817 | 25 | FL |
//1+1+1+//71+67//564//3232//666/531// | 3 | Saraband (t) | IC-E | Musicks Hand-Maid-1, 1678 | 65 | VI/HA |
//1/11//7-1//7-1/27-//15-3-1-// | 2/4 | Coaslin, La. Contredanse (t) | DA-F | LaCuisse Rep CD LC-3, 1765 | 77 Feuille 3. Vol | KB |
//1+1+/1+71+71+767//1+1/16//54/32// | C/ | Muscadin (t) | MS-E | Fitzwilliam MS-2, 1609 | 481-482 | VI |
//111//7-17-6-5-//23//23217-//34//34321 | 3/4 | Minuett (t) | AM-A | Van Schaack MS, 1820 | 40 | FI/FL |
//11/17-2//11/113//22/2343 | 2/4 | Quick Step (governor Tomkins) (t) | AI-A | American Sheet Music | PF | |
//1117-2//1127-2//17-1234//25-//1127-2// 1 |
Dialogue (t) | TW-E | Haunted Tower, 1789 | 24 | VO,KB | |
//1+1+//1+72+1+76//65//531//43//325642 | 3/2 | Nightingale, The (t) | AI-A | Riley Flute 3, 1820 | 27 | FL |
//1+/11//7-//2+/22//3 | C | Military Sonata (t) | AI-A | American Sheet Music | PF | |
//111//7-22//4454/32//111//7-22// | 6/8[3/4] | AM-A | Treat MS, 1779 | 15r | FI/GF | |
//1/1-1//7-/23//321/27- | Europes Revels (t) | PL-E | Playford 1-09, 1698 | II,25 | VN/FL | |
//11/17-23//43/65//4 | 2/4 | # 2 (t), or Constitution, The (at) | AI-A | Duport Cot, 1800 | 3-4 | MI |
//111//7-243//3217-//111//456//543 | 3/4 | My Country No More (t) | AI-A | Riley Flute 4, 1826 | 4 | FL |
//1+1+/1+72//55/55//62+1+/767 | 6/8 | Spanish Madrigal (t) | AI-A | Martial Music, 1807 | 24 | 2CL/2OB,BS |
//111/7-27-5-//111/7-27-5-//1 | C | Music In the Procession-1 (t), or March (at) | TW-E | Lord-Mayors Day, 1782 | 24 | KB |
//111//7-27-5//123//4642//17-121//7- | 3/8 | Favorite New German Waltz, A (t) | AI-A | Moller Waltz, 1802 | 1 | PF/FL/VN |
//111//7-27-5-//123//4642//17-121//7-27- 5-7- |
3/8 | Favorite New German Waltz, A (t) | AI-A | American Sheet Music | PF/FL/VN | |
//1/1+//1+72+7/5//4321/7-123// | 2/4 | Glowcester, French-Contre-Dance Made In 1825 - at Washington City (t) | AM-A | Duport MS-1, 1780 | 56 | VN |
//1/1+//1+72+7/5//4321/7-123// | 2/4 | Gloucester, Made at the Exchange, Gloucester 1824 (t) | AM-A | Duport MS-2, 1800 | 20r | VN |
//1/1+//1+72+7/5//4321/7-123// | 2/4 | Glouster, Franch Cotillion (t) | AM-A | Duport MS-3, 1825 | 03 | KB |
//11/17-32//15-/12//334/354 | C | Naval Victory, The (t) | SS-E | SS, Boston PL-2 | 67 | VO,KB+GF |
//1/11//7-4//32/17-//15- | C/ | Cox's Museum (t) | DA-E | Bride CD, 1776 | III,62 | VN/OB/GF |
/111//7-/444//3/1+7//6545/4321// | 2 | Plaisirs de Verneüil, Les. Contre-Danse Française. (t) | DA-F | Landrin CD BL-2, 1775 | 113 Feuille | MI |
/111//7-/444//3/1+7//65545/4321// | 2/4 | Plaisirs de Verneuil, Les. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 113 Feuille | MI |
//1+1+1+76/2+1+44//435567/671+44//432+2+ 1+7 |
C | Celia. A Cantata (t) | SS-E | SS, New York PL-C695 | 102,1-2 | VO,B,MI |
//11/17-6-//22/234//321/217- | 6/8 | Country Farmer (t) | MS-E | Rainstorp MS, 1747 | 14 | MI |
//1+1+1+/76//3+3+3+/2+1+//665/4321 | C | Marcia Funebre (t) | IC-G | Bavarian March, 1807 | 10-13 | BAND (16 PARTS) |
//111/7-6-//333/21//665/4321 | C | Turkish March (t) | IC-S | Pandean Coll 3, 1810 | 26 | PF |
//1+/11+//76//42/7-5 | C/ | Draw Cupid (t) | DA-E | Walsh CD-1.2, 1719 | 66 | VN/OB |
//1+/11+//76//42/7-5 | C/ | Draw Cupid (t) | DA-E | Walsh CD-2.2, 1735 | 169 | VO/OB/GF/FL |
//1+/11+//76//42/7-5 | C/ | Draw Cupid (t) | DA-E | Walsh CD-3.2, 1749 | 169 | VN/OB/GF |
//1+/11+//76//42/7-5//3 | C/ | Song, A (t) | SC-E | Pills 5, 1719-20 | 305-6 | VO |
//1+/11+//76//42/7-5//3 | C/ | Draw Cupid Draw (t) | PL-E | Playford 2-1, 1713 | 47 | VN/OB |
//1+/11+//76//42/7-5//3 | C/ | Draw Cupid Draw (t) | PL-E | Playford 2-2, 1714 | 47 | VN/OB |
//1+/11+//76//42/7-5//3 | C/ | Draw Cupid Draw (t) | PL-E | Playford 2-3, 1718 | 47 | VN |
//1+/11+//76//42/7-5//3 | C/ | Draw Cupid Draw (t) | PL-E | Playford 2-4, 1728 | 47 | VN |
//1+/11+//76//42/7-5//3 | C/ | Medlers Out of Season (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//1+/11+//76/42/7-5//33 | C/ | Song, A (t) | SS-E | SS, Folger-C42.1 | 119 | VO,KB+FL |
//1+/11+//76//42/7-5//33 | C/ | Song, A (t) | SS-E | SS, Folger-C42.4 | 258 | VO,KB+FL |
//1+/11+//76//42/7-5//33 | C | Air 40 (t) | BA-E | Silvia, 1731 | 46 | VO |
//1+/11+//76//42/7-5//33//36/65 | C | Air 7 (t) | BA-E | Merry Cobler, 1735 | 11-12 | VO |
//1-117-//6-443//65432//13-//2-3-4-//3-4 -5-// |
3/4 | 3. M. du Wauxhall [Menuet Nu. de Mr. Lahante] (t) | DA-F | Landrin CD BN, 1775 | 37 Feuille | MI |
//1+/1+//1+7/65//1+/1+// | 2/4 | Pretty Peggy of Darby O (t) | DA-E | Skillern CD, 1782 | 3 | MI |
//1+1+/1+765//1+1+1+/1+53//442/55 | C | Auld King Coul (t) | SC-S | Scots MM-5, 1797 | 486-487 | VO,PF |
//11/17-6-5-//111/17-6-5-//1111/1353 | C | Air 5 (t) | TW-E | Two To One, 1784 | 16 | VO,HA |
//111//7-6-5-//111//345//111//6-42 | 3/8 | Winds softly tell my love (fl) | TW-E | Farmer, 1787 | 24 | VO,KB |
//11/17-6-5-//11/17-6-5-//113/224 | 2/4 | Pas de Manoeuvre (t) | IC-F | French Sheet Music | 2FLP,2CL,TR,2HN | |
//1+1+/1+765//1+1+/1+765//1+5/1+5 | 2/4 | Love My Blindfold Heart to Wound (t) | AM-A | Turner MS, 1788 | I,30 | VN |
//11/17-6-5-//11/17-6-5-//33/317-1 | 2/4 | Conquest, The (t) | DA-E | Bride CD, 1776 | IV,91 | VN/OB/GF |
//1117-6-5-//1117-6-5-//33317-1 | 2/4 | Conquest, The (t) | DA-E | Thompson CD-5, 1788 | 91 | VN/GF/OB |
//11/17-6-5-//11/17-6-5-//33/317-1// | 2/4 | Conquest, The (t) | DA-E | Thompson CD-5a, 1788 | 91 | VN/GF/OB |
//11/17-6-5-//1117-6-5-//33/317-2// | 2/4 [ed] | Conquest, The, A Country Dance (t) | AM-A | Bush MS, 1779 | 29 | VN |
//11/17-6-5-//11/17-6-5-//6-7-17-/6-5-4- 3- |
2/4 | Pas Redouble (t) | IC-F | Vanderhagen Pcs, 1787 | 18:4 | 2CL,2HN,2BS |
//111/7-6-5-//112/3//444/342// | 3 | Francklyn (t) | IC-E | Apollo's Banquet 1-1, 1670 | 67 | VN |
//111//7-6-5-//112//3//444//432 | 3 | Air 47 (t) | BA-E | Jovial Crew, 1731 | 59 | VO |
//1+1/1+76//51+1//2432//345/15 | C/ | Serenade, The (t) | DA-E | Walsh CD-2.4, 1747 | 83 | MI |
//1+1/1+76//51+1//2432//345/15// | C/ | Serenade, The (t) | DA-E | Walsh CD-3.4, 1747 | 83 | VN/OB/GF |
//11/17-6-5-//11/3-3-//4-3-4-/5-353 | C/ | Sailors Allegory (t) | AI-A | Riley Flute 2, 1817 | 29 | FL |
//1+1+/1+765//1+1+/33//434/55 | C/ | Sailor's Alegory, The (t) | IC-S | Aird 5, 1797 | 11 | FI/VN/GF |
//1+1+/1+765//1+1+/33//434/55 | C | Sailor's Allegory (t) | AI-A | Balls Amus 1, 1815 | 23 | FL/FI/VN |
//1+1+/1+765//1+1+/33//434/55 | C/ | Sailor's Allegory (t) | AI-A | Young's Vocal, 1793 | 31-32 | VO,PF |
//1+1+/1+765//1+1+/33//434/55//1 | C/ | Sailor's Allegory, The (t) | SC-S | Edinburgh MM-2, 1793 | 299-300 | VO |
//1/1//1/7-6-//5-1//15-/5-1 | 2 | Marche des Bostangis (t) | IC-F | Capelle Cle, 1816 | T254M443 | MI |
//1/1//1/7-6-//5-1//15-/5-1 | 2/4 | Turks March (t) | IC-E | Musica Bell, 1733 | 12 | FL/VN/OB |
//1+/1+//1+/76//51+//1+5/51+//76/5671+// 2+ |
2/4 | Turks March (t) | IC-E | Warlike Musick, 1760 | 5 | GF/VN/HA |
//11/17-6-5-//12/3//43/21 | C/ | Lovers Quarrel (t) | IC-E | Bland Clar, 1798 | 16 | CL |
//1/11//7-6-/5-//134//5 | C | Overture (t) | TW-E | Poor Soldier, 1782 | 1-5 | HA/PF |
//11/17-//6-5-/1//7-123/44 | 2/4 | D'Orvilliers (t) | AM-A | Adams, J. Q. MS, 1786 | 4 | FL |
//1+/1+//1+76/5//1+76/543 | 6/8 | Oscar & Malvina (t) | IC-S | Aird 4, 1796 | 16 | FI/GF/VN |
//1/1//17-6-/5-//17-6-/5-4-3- | 6/8 | Oscar and Malvina. Highland March (t) | IC-E | English Sheet Music | 7 | PF |
//1+/1+//1+76/5//1+76/543 | 6/8 | Highland March (t) | TW-E | Oscar & Malvina, 1791 | 24 | KB |
//1+1+/1+76//53/1+3//533/3+1+ | 2/4 | Tattoo (t) | DA-E | Thompson CD-2, 1765 | 7 | VN/GF/OB |
//1+1+/1+76//53/1+3//533/3+1+// | 2/4 | Tattoo (t) | DA-E | Thompson CD-2a, 1765 | 7 | VN/GF/OB |
//1+1+//1+76//5//31//7-2 | 3/4 | Wiesbader Walzer (t) | AI-A | Riley Flute 1, 1814 | 60 | FL |
//11+/1+76//5/3//27/1+765 | 2/4 | Where Will Our Goodman Lye (t) | IC-S | Aird 1, 1782 | 33 | FI/VN/GF |
//11+/1+76//5/3//27/1+765// | 2/4 | Wher Will Our Goodman Lye (t) | MS-S | Fife MS, 1780 | 565,61r | 1FI OR 2FI/VN |
//11+/1+76//5/3//27/765 | Where Will Bonnie Ann Lay (t) | AM-A | Wilson MS, 1782 | 13V | FL/OB | |
//1-1/17-6-//5-3/321//7-16-/5-13- | 6/8 | Broad Bottom (t) | DA-E | Walsh CD-2.4, 1747 | 38 | MI |
//1-1/17-6-//5-3/321//7-16-/5-13- | 6/8 | Broad Bottom (t) | DA-E | Walsh CD-3.4, 1747 | 38 | VN/OB/GF |
//11+/1+76//54/32//11+/1+76//71+2+7 | 6/8 | Newgate Broth (t) | DA-E | Rutherf CD-2.1, 1756 | 31 | VN/GF/OB |
//11/17-6-//5-4-3-2-/1-1-//22/212//3457- |
C/ | Ridotta, The (t) | IC-E | Delightful-2, 1745 | I,10 | GF |
//1+1/1+76//54/321//1+54/345 | 6/8 | Chainey Row (t) | DA-E | Walsh CD-2.3, 1735 | 75 | VN/OB/GF/CF |
//1+1/1+76//54/321//1+54/345 | 6/8 | Chainey Row (t) | DA-E | Walsh NCDM-3, 1728 | 4 | VN/OB/FL |
//1/1//1+765/4321//2/2 | C | Lesson 7 (t) | IC-E | Broderip Harp, 1790 | 18-19 | HA |
//11/17-6-//5-4-3-2-/1-2-7-1//22/234 | C/ | Rivotta (t) | MS-E | Hammersley MS, 1790 | 60B | MI |
//11/17-6-//5-4-3-2-/1-2-7-1//22/234 | C/ | Ridotta, The (t) | DA-E | Walsh CD-3.6, 1754 | 146 | VN/OB/GF |
//1+1+/1+765432//13+4+2+/3+2+1+7654//35+ 6+4+/3+1 |
C | Divertimento 6. Allegro (t) | IC-E | Rathgen Divs, 1780 | 13 | 2CL,2HN,BS |
//11/17-6-//5-4-3-2-/1-6-7-1//22/234 | C/ | Ridotta, The (t) | DA-E | Johnson CD-2, 1742 | 1 | MI |
//1+1+/1+76//54/32//34/52 | C/ | Wat'ry God, The (t), or Celabrated Song Written on Lord Hawkes Victory Over | SS-E | SS, Harvard | 1 | VO,B+GT |
/1+1+//1+76/54//32/34//543/217-1// | 2/4 | Absences, La. Contredanse (t) | DA-F | LaCuisse Rep CD LC-1, 1762 | 26 Feuille | KB |
//1+1/1+76//543/445//64/551 | C/ | Sung In the Humours of Oxford (t) | SC-E | Watts MM-5, 1731 | 148-150 | VO,HA+FL |
//1+1/1+76//5434/543//456567/671+76 | C/ | St John's Day (t), or Parson Darrals Fancy, (at) | DA-E | Thompson CD-4, 1780 | 46 | VN/GF/OB |
//1+1/1+76//5434/543//456567/671+76// | C/ | St. John's Day (t), or Parson Darrals Fancy (at) | DA-E | Thompson CD-4a, 1780 | 44 | VN/GF/OB |
//1+1/1+76//543/45//64 | C/ | Song, A (t) | SS-E | SS, Folger-C42.4 | 197 | VO,KB+FL |
//1+1/1+76//543/45//64/543 | C/ | Oxford Act (t) | DA-E | Johnson CD-1, 1740 | 92 | MI |
//1+1/1+76//543/45//64/543 | C/ | Oxford Act (t) | DA-E | Walsh CD-3.3, 1749 | 36 | VN/OB/GF |
//1+1+/1+76//54/35//25/11+ | 6/8 | #58 (t), or Planxty Johnston (at) | IC-E | Bunting, 1796 | 31 | PF |
//11/17-6-//5-4-/3-6-7-//11/22 | 6/8 | Tailor Boy, The (t) | AM-A | Dean MS, 1800 | I.20 | MI |
//111+/76//5/44//4/33//3/41 | 6/4 | Jovial Tinker, The (t) | SC-E | Pills 5, 1719-20 | 61-64 | VO |
//1+11+765//45-3//2321//17-5-//1123234// 43217-6-// |
3/4 | Dutch Minuet, The (t) | AM-E | Wheatstone Clarinet, 1801 | 59 | CL |
//1+1+1+/765//4543/21//334/556// | Saraband (t) | IC-E | Musicks Hand-Maid-1, 1678 | 9 | VI/HA | |
//1/1//1+76/55-//1/1 | 2/4 | March (t) | MS-G | Darmstadt MS 1225 | 185-86 | 2MI |
//11+/1+76//55/33//27/765 | 2/4 | Where Wad Bonie Annie Ly (t) | SC-S | Scots MM-4, 1792 | 335 | VO,PF |
//1+1+/1+76//55/44//35/67 | 6/8 | Vergatter V. Schaumberg (t) | MS-G | Darmstadt MS 1225 | 97-98 | 2MI |
//1+1+1+//7655//444//3211//3+3+3+//2+1+7 7 |
3/4 | Tempo di Minuetto (t) | IC-E | Valentine March, 1769 | 5 | 2VN,2OB,2HN,BF |
//1+1/1+76//55/51+//44/464// | 6/8 | AM-A | White, G. MS, 1790 | 42 | VN | |
//1+1+/1+76//55/51+5//62+757// | 6/8 | Madrigal (t) | MS-C | Molyneaux MS-1, 1788 | 36 | GF |
//1+1+/1+76//55/5//321/7-1 | 2/4 | Trip to Flanders, A (t) | DA-E | Thompson CD-3, 1773 | 33 | VN/GF/OB |
//1+1+/1+76//55/5//321/7-1// | 2/4 | Trip to Flanders, A (t) | DA-E | Thompson CD-3a, 1773 | 35 | VN/GF/OB |
//1+1/1+76//55/543//44/42+4 | 6/8 | Quick Step 32d Regt (t) | IC-S | Aird 1, 1782 | 67 | FI/VN/GF |
//1+1/1+76//55/543//44/42+4// | 6/8 | Quick Step, A (t) | MS-S | Fife MS, 1780 | 211,21v,22r | 1FI OR 2FI/VN |
//1+1/1+76//55/543//44/42+4 | 6/8 | Tight Rope Dancer (t) | DA-E | Skillern CD, 1780 | 54 | VN/GF/OB |
//1+1/1+76//55/543//44/42+4// | 6/8 | Harlequin Tune (t) | IC-S | Stewart Reels, 1775 | 53 | VN/GF,VC/HA |
//1+1/1+76//55/543//44/42+4//43 | 6/8 | Tight Rope Dancer (t) | DA-E | Longman CD, 1781 | 10 | VN/OB/GF |
//1+1+/1+76//55/543//642/531 | 6/8 | Militia Dance, The (t) | DA-E | Thompson CD-2, 1765 | 33 | VN/GF/OB |
//1+1+/1+76//55/543//642/531// | 6/8 | Militia Dance, The (t) | DA-E | Thompson CD-2a, 1765 | 35 | VN/GF/OB |
//11+/1+76//55/545//64/434 | 2/4 | Mrs. Garrick's Delight (t) | DA-E | Walsh CD-3.6, 1754 | 37 | VN/OB/GF |
//1+1+/1+76//55/55//1+2+/767 | 6/8 | Bee Within a Damask Rose, &c., A (t) | AM-A | Van Renssel. MS, 1782 | I,48 | KB |
//1+1+/1+76//55/55//61+/656// | 6/8 | Madrigal, The (t) | IC-E | Cahusac Flute, 1798 | 27 | FL |
//1+1+/1+76//55/55//62+ | 6/8 | Madrigal (t) | IC-E | Preston Clar, 1797 | 18 | CL |
//1+1+/1+76//55/55//62+/757 | 6/8 | For Me My Fair (t) | AM-A | Beck MS, 1786 | 88 | GF,B |
//1+1+/1+76//55/55//62+/761+ | 6/8 | For Me My Fair (t) | SC-S | Edinburgh MM-1, 1792 | 56-57 | VO |
//1+1+/1+76//55/55//62+/767// | 6/8 | Madrigal, From Charles Caton's Papers (t) | AM-A | Adams, J. MS, 1808 | 3r | MI |
//1+1+/1+76//55/55//62+/767// | 6/8 | Madrigal, The (t) | AM-A | Adams, W. MS, 1795 | 12 | MI |
//1+1+/1+76//55/55//62+/767 | 6/8 | Madrigal, The (t) | IC-S | Aird 3, 1788 | 163 | FI/GF/VN |
//1+1+/1+76//55/55//62+/767 | 6/8 | Madrigal (t) | IC-E | Bland Clar, 1798 | 27 | CL |
//1+1+/1+76//55/55//62+/767 | 6/8 | Madrigal, The (t) | IC-E | Cahusac Flute, 1788 | 27 | GF |
//1+1+/1+76//55/55//62+/767 | 6/8 | Song 100 (t), or For Me My Fair (at) | SC-E | Calliope, 1788 | 194-195 | VO |
//1+1+/1+76//55/55//62+/767 | 6/8 | For Me My Fair (t) | AM-A | Cary MS, 1797 | 73 | VO |
//1+1+/1+76//55/55//62+/767 | 6/8 | Madrigal (t) | AI-A | Evening Amuse, 1796 | 29 | GF/VN |
//1+1+/1+76//55/55//62+/767 | 6/8 | Madrigal, The (t) | AI-A | Fifer's Comp, 1805 | 13 | 2FI |
//1+1+/1+76//55/55//62+/767// | 6/8 | Madrigal, The (t) | IC-E | Goulding Cello, 1799 | 18 | VC |
//1+1+/1+76//55/55//62+/767 | 6/8 | Madrigal (t) | IC-E | Goulding Fife, 1790 | 30 | FI |
//1+1+/1+76//55/55//62+/767 | C/ | Madrigal, The (t) | AM-A | Hosmer MS, 1798 | 40 | MI |
//11/17-6//55/55//62+/7-67- | 6/8 | Madrigal, The (t) | IC-E | Preston Bassoon, 1790 | 11 | BS |
//1+1+/1+76//55/55//62+/767// | 6/8 | Madrigal (t) | IC-E | Preston Cello, 1785 | 18-19 | 2VC |
//11/17-6-//5-5-/5-5-//6-2/7-6-7- | 6/8 | For You My Fair (t) | AI-A | Riley Flute 2, 1817 | 61 | FL |
//1+1+/1+76//55/55//62+/767 | 6/8 | Song 14 (t) | SC-E | Ritson, 1783 | TI,186;MIII,86-87 | VO |
//11/17-6-//5-5-/5-5-//6-2/7-6-7- | 6/8 | Madrigal (t) | AI-A | Robinson Coll, 1818 | 36 | FI,DR |
//11/17-6-//5-5-/5-5-//6-2/7-6-7- | 6/8 | Sweet Tally-O (t) | MS-E | Shepherd MS, 1787 | 2 | 2MI |
//1+1+/1+76//55/55//62+/767 | 6/8 | Madrigal (t) | IC-E | Thompson Clar, 1785 | 9 | CL |
//1+1+/1+76//55/55//62+/767 | 6/8 | Madrigal (t) | AI-A | Village Fifer, 1808 | 52 | FI |
//1+1+/1+76//55/55//62+/767 | 6/8 | Madrigal (t) | AM-A | Williams, J. MS, 1799 | 11 | CL |
//1+1+/1+76//55/55//62+/767//1+ | 6/8 | Sweet Tally Ho (t), or Favorite Song, A (at) | SS-E | SS, Harvard | 1 | VO,KB+GF |
//1+1+/1+76//55/55//62+/767//1+1+ | 6/8 | Madrigal, The (t) | IC-E | Cahusac Flute, 1792 | 27 | GF |
//1+1+/1+76//55/55//62+/767//1+1+/1+5 | 6/8 | My fair one blushing like a rose (fl) | TW-E | Castle/Andalus, 1782 | 51 | VO,HA |
//1+1+/1+76//55/55//62+/77 | 6/8 | Song 133 (t) | SC-E | Vocal Enchant, 1783 | 266-267 | VO |
//1+1+/1+76//55/55//656/767 | 6/8 | Madrigal (t) | AI-A | Riley Flute 2, 1817 | 2 | FL |
//1+1+/1+76//55/55//66/654 | 6/8 | Misers Feast, The (t) | SC-E | Clio-2, 1759 | 81 | VO,HAF |
//1+1+/1+76//55/55//66/654 | 6/8 | Misers Feast, The (t) | AM-A | Hiester MS-2, 1793 | 38 | KB |
//1+1+/1+76//55/55//66/654 | 6/8 | Burlesque Song for Two Voices, A (t) | SC-E | Musical Cent-2, 1740 | 42-43 | 2VO,KB+FL |
//1+1+/1+76//55/55//66/654//3 | 6/8 | Miser's Invitation, The (t), or New Ballad, A (at) | SS-E | SS, Harvard | 1 | VO,KBF+FL |
//1+1+/1+76//55/55//671+/765 | 6/8 | Madrigal, The (t) | AM-A | Otis MS, 1793 | 18 | VN/FL |
//1+1+/1+76//55/5//66/654// | 6/8 | Anglaise Americaine, L'. Contredanse Française (t) | DA-F | Bouin CD LC-2 , 1780 | 214 Feuille 8. Vol | MI |
/1+1+/1+76/55//65/466//543/ | 6/8 | Belle Honorine, La (t) | AM-A | Duport MS-2, 1800 | 18r | VN |
//1/1//1+76/55-6-7-//1/1 | C/ | Marche (t) | MS-G | Darmstadt MS 1224 | 326 | 2MI |
//11/17-6-//5-6-4-/3-//17-1/6-21 | 6/8 | Why Does Azure Deck the Sky (t) | AI-A | Paff Amus 2, 1812 | 16 | FL/VN |
//11/17-6-//5-6-4-/3-//17-1/6-21 | 6/8 | Why Does Azure Deck the Sky (t) | AI-A | Riley Flute 2, 1817 | 52 | FL |
//1+1/1+76//564/3//66-/654 | 6/8 | Coxheath Camp (t) | DA-E | Bride CD, 1776 | III,19 | VN/OB/GF |
//1+1/1+76//564/3//66-/654// | 6/8 | Keep it up, Contredanse Angloise (t) | DA-N | Echo, 1758 | 55 | KB |
//1+1/1+76//564/3//66-/654 | 6/8 | Keep It Up (t) | DA-E | Johnson CD-6, 1751 | 98 | VN/GF |
//1+1/1+76//564/3//66-/654 | 6/8 | Camp at Coxheath (t) | DA-E | Skillern CD, 1780 | 31 | VN/GF/OB |
//1+1/1+76//564/3//66-/654 | 6/8 | Keep It Up (t) | DA-E | Thompson CD-1, 1757 | 2 | VN/GF/OB |
//1+1/1+76//564/3//66-/654// | 6/8 | Keep It Up (t) | DA-E | Thompson CD-1a, 1757 | 3 | VN/GF/OB |
//1+1/1+76//564/3//66-/654//342 | 6/8 | Coxheath Camp (t) | DA-E | Longman CD, 1781 | 87 | VN/OB/GF |
//1+1+/1+7//6/56//44/43// | 3 | Figure Dance, A (t) | IC-E | Apollo's Banquet 1-1, 1670 | 96 | VN |
//1+1+1+7//656//4443//3321//234345// | C3 | Theatre Tune, A (t) | IC-E | Apollo's Banquet 1-2, 1678 | 59 | VN |
//1+1+/1+76//5654/35//25/15 | C | Carolan's Concert (t), or #42 (at) | IC-E | Bunting, 1796 | 23 | PF |
//1+/1+//1+76/5654//35/67// | 2/4 | Victory (t) | IC-E | Parry Fife, 1812 | 16 | 2FI |
//111/7-6-//5-6-/5-44//32/17- | C | Battle of New Orleans, The (t), or Gen Coffee's March (at) | AI-A | American Sheet Music | PF | |
//11/17-6-//5-6-5-/5-3-5-//11/212 | 6/8 | Go to the Devil and Shake Yourself (t) | AM-A | Shattuck MS, 1801 | 96 | MI |
//1+1/1+76//565/543//44/42+4 | 6/8 | Quick March No.14 (t) | IC-E | Hinde 2, 1772 | 10 | GF/VN/OB,PF |
//11+/1+76//56/654//365/432// | 6/8 | Nouvelle Aimée, La,. Contredanse Françai (t) | DA-F | Bouin CD LC-1, 1780 | 67 Feuille, 3 Vol. | MI |
/1+1+//1+765/66//5/61+35//4624/3513//27- 6-5-/ |
C/ | Religieuses, Les (t) | DA-E | Fishar 16 Cot, 1780 | 15 | KB |
//111+/765//671+/531//642/531 | 6/8 | Air 21 (t) | BA-E | Decoy, 1733 | T28M7 | VO |
//111+/765//671+/543//642/531 | 6/4 | Song In the Beggar's Wedding, A (t) | SC-E | Watts MM-5, 1731 | 40-41 | VO,HA+FL |
//1+/1+//1+76/567//1+76/543 | 6/8 | Lesslie's March (t) | IC-S | Aird 1, 1782 | 64 | FI/VN/GF |
//1+/1+//1+76/567//1+76/543 | 6/8 | Lasly's March (t) | IC-E | Caledonian PC, 1760 | II,36 | GF |
//1+/1+//1+76/567//1+76/543 | 6/4 | Lashley's March (t) | DA-E | Johnson CD-1, 1740 | 19 | MI |
//1/1//17-6-/5-6-7-//17-6-/5-4-3- | 6/8 | Lesley's Quick Step (t) | IC-S | Stewart Airs, 1788 | 2:77 | GF/VN/FI |
//1+/1+//1+76/567//1+76/543 | 6/4 | Lashley's March (t) | DA-E | Walsh CD-2.3, 1735 | 111 | VN/OB/GF/CF |
//1+/1+//1+76/567//1+76/543 | 6/4 | Lashley's March (t) | DA-E | Walsh CD-3.3, 1749 | 111 | VN/OB/GF |
//1+/1+/1+76/567//1+76/543//3453 | 6/8 | Fancy All (t), or Joan as Good as My Lady, (at) | SC-E | Watts MM-6, 1731 | 132-134+135 | VO,HA+FL |
//1+/1+//1+76/567//1+76/567// | 2/4 | Aria. Allegro (t) | IC-E | Italian Pieces, 1770 | 13 | 2GF, 2CL/OB/VN, 2HN, BS/VC |
//11/17-6-//6-5-4-/3-5-//111/17-1 | 6/8 | Jackey & the Cow (t) | AI-A | Riley Flute 3, 1820 | 72 | FL |
//1+1/1+76//65/51+//454/2+4 | 6/4 | Pedro's Dream (t) | SC-E | Muses Delight, 1754 | 134 | VO,HA |
//1+1+/1+7//66/65//44/545 | 6/8 | Pensylvania Quick March (t) | AM-A | Beck MS, 1786 | 43 | GF |
//11+/1+76//671+/543//454/321 | 6/4 | Bath Medley (t) | MS-E | Hammersley MS, 1790 | 35 | MI |
//11/17-6-//7-1/2321-//121/17-6- | Chirping of the Nightingale (t) | PL-E | Playford 1-05, 1675 | 11 | VN | |
//11/17-6-//7-1/232//121/17-6- | 3 | Chirping of the Nightingale (t) | PL-E | Playford 1-06, 1679 | 11 | VN |
//11/17-6-//7-1/232//121/17-6- | C3 | Chirping of the Nightingale (t) | PL-E | Playford 1-08, 1690 | 11 | VN |
//11/17-6-//7-1/232//121/17-6-//5-4-/3-1 - |
C | Chirping of the Nightingale (t) | PL-E | Playford 1-01, 1651 | 62(64 ED) | VN |
//1+1+/1+76//71+/2+3+2+//1+2+1+/1+76//54 /31 |
C | Chirping of the Nighingale (t) | PL-E | Playford 1-02, 1652 | 16 | VN |
//1+1+/1+76//71+/2+3+2+//1+2+1+/1+76//54 /31 |
3 | Chirping of the Nightingale (t) | PL-E | Playford 1-03a, 1657 | I,16 | VN |
//1+1+/1+76//71+/2+3+2+//1+2+1+/1+76//54 /31 |
Chirping of the Nightingale (t) | PL-E | Playford 1-04, 1670 | 11 | VN | |
//1+1+/1+76//71+/2+3+2+//1+2+1+/1+76//54 /31 |
3 | Chirping of the Nightingale (t) | PL-E | Playford 1-07, 1686 | 11 | VN |
//1+1+/1+76//71+/2+3+2+//1+2+1+/1+76//54 /31 |
3 | Chirping of the Nightingale (t) | PL-E | Playford 1-3b, 1665 | I,16 | VN |
//1+11+//767/1+6//51+76/5432 | 2/4 | Miss Johnsons March (t) | DA-E | Thompson CD-2, 1765 | 87 | VN/GF/OB |
//1+11+//767/1+6//51+76/5432//32/1// | 2/4 | Miss Johnsons March (t) | DA-E | Thompson CD-2a, 1765 | 89 | VN/GF/OB |
//1+1+1+/7671+//667/5456//555/4565// | 3 | French Saraband, A (t) | IC-E | Apollo's Banquet 1-1, 1670 | 178 | VN |
//1+1+/1+76//765/2+//432/456//656/42 | C | Silver Faulken, The (t) | PL-E | Playford 1-02, 1652 | 112 | VN |
//1+1+/1+76//77/3//66/56// | 2 | Calotine 2e (t) | IC-F | Leclerc Recueil-1, 1729 | 49 | HAF |
//1+1+/1+76//77/73//66/6 | 6/4 | Princess, The (t) | PL-E | Playford 1-13, 1706 | 281 | VN |
//1+1+/1+76//77/73//66/6 | 6/4 | Princes, The (t) | PL-E | Playford 1-14, 1709 | 281 | VN |
//1+1+/1+76//77/73//66/6 | 6/4 | Princes, The (t) | PL-E | Playford 1-15, 1713 | 281 | VN |
//1+1+/1+76//77/73//66/6 | 6/4 | Princes, The (t) | PL-E | Playford 1-16, 1716 | 281 | VN |
//1+1+/1+76//77/73//66/6 | 6/4 | Princess, The (t) | PL-E | Playford 1-17, 1721 | 281 | VN |
//1+1+/1+76//77/73//66/6 | 6/4 | Princess, The (t) | PL-E | Playford 1-18, 1728 | 281 | VN |
//1+1+/1+76//77/73//66/61+7 | Princess, The (t) | PL-E | Playford 1-11, 1701 | I,281 | VN | |
//1+1+/1+76//77/73//66/61+7 | 6/4 | Princess, The (t) | PL-E | Playford 1-12, 1703 | 281 | VN |
//1+1+/1+76//77/73//66/61+7 | 6/4 | Princess (t) | DA-E | Walsh CD-1.1, 1718 | 293 | VN/OB/FL |
//1+1+/1+76//77/73//66/61+7 | 6/4 | Princess (t) | DA-E | Walsh CD-2.1, 1731 | 62 | VN/OB/GF/RC |
//1+1+/1+76//77/73//66/61+7 | 6/4 | Princess (t) | DA-E | Walsh CD-3.1, 1754 | 92 | VN/OB/GF |
//1/11//7-/7-//1/123 | 6/8 | Julia, to the Wood Robin (t) | AM-A | Beach MS, 1801 | 128-29 | VO,KB |
//1/11//7-/7-//1/123 | 6/8 | Wood Robin, The (t) | AI-A | Blake Amus 2, 1824 | 4 | CL |
//1/11//7-/7-//1/123 | 6/8 | Wood Robin, The (t) | AM-A | Commonplace MS, 1811 | 33 | MI |
//1/11//7-/7-//1/123 | 6/8 | Wood Robin (t) | AI-A | Riley Flute 1, 1814 | 34 | FL |
//1/11//7-/7-//1/123//2 | 6/4 | Wood Robin, The (t) | AI-A | American SS-SM | 1 | KB,VO |
//111/7-7-//12/311//6- | C | How sweet when the silver moon is blinking (fl) | AI-A | Gent's Amus, 1794 | 52 | 2VO/2GF/2VN |
//1-1/17-//7-16-/5-34//55/531 | 6/8 | Honours of War, The (t) | DA-E | Thompson CD-6.7, 1795 | 79 | MI |
//11/17-7-//22/212//323/43 | C/ | Why should I vain fears discover (fl) | TW-E | Inkle & Yarico, 1787 | 31-33 | VO,HAF,MI |
//1+//1+//1+7//756//6554//44+2+//6+// | 3 | IC-E | Musicks Hand-Maid-2, 1689 | 15v-17r | VI/HA/SP | |
//111/7-7-//5-6-7-1/27-5-//111/7-7-// | C/ | French Reel (t) | AM-A | Bevens MS, 1825 | 18r | FI |
//1+1+1+/77//66/51+//54/32 | C/ | Jilt, The (t) | SC-E | Watts MM-2, 1729 | 176 | VO/VN+FL |
//1+1+1+/77//66/51+//54/32//1 | C/ | Song 121 (t) | SC-E | Convivial, 1782 | 247 | VO |
//11+1+776//65//45-44332//21//3215321// | 6/8 | Minuet, A (t) | DA-E | Martin Misc Corr, 1759 | 136, 1755 | MI |
//1-117-/7-6-6-5-//5313/2123//1-117-/7-6 -6-5- |
C/ | Meynell, The. A Quick March (t) | IC-E | English Sheet Music | PF | |
//1-117-/7-6-6-5-//5313/2123//1-117-/7-6 -6-5- |
C/ | Miss Meynells Reel (t) | DA-E | Thompson CD-3, 1773 | 9 | VN/GF/OB |
//1-117-/7-6-6-5-//5313/2123//1-117-/7-6 -6-5-// |
C/ | Miss Meynells Reel (t) | DA-E | Thompson CD-3a, 1773 | 6 | VN/GF/OB |
//1-117-/7-6-6-5-//5313/2123//1-117-/7-6 -6-5- |
C/ | Miss Meynells Reel (t) | AM-A | Turner MS, 1788 | I,2 | VN |
//111/7-7-//6-6-/5-//5-5/4 | C | Dialogue Between Sly and Lovett, A (t) | SS-E | SS, Folger-C42.3 | 269 | VO,KB+FL |
//111/7-7-//6-6-/5-//5-5/4 | C | Dialogue Between Sly and Lovett, A (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//11+1+7766/55665544//331+1+7766/5544332 2//15-6-7-1234/5 |
C | Pursuit (t) | TW-E | Genius, 1784 | 12 | HA |
//1+1+1+//777//1+34//51+ | 3/4 | Catch, for Three Voices, A (t) | AI-A | Phila Songster, 1789 | 5 | 3VO |
//111//7-7-7-//13-6-//5-1//6-6-2//5-5-1 | 3/4 | How Great Is the Pleasure (t) | IC-E | Hyde Trumpet, 1798 | 54 | 3TR |
//1+1+1+/777//555/55//366/671+ | 6/4 | Air 27 (t) | BA-E | Village Opera, 1729 | 37 | VO |
//1+1+1+/777//555/55//366/671+//41 | 6/4 | Air 16 (t) | BA-E | Chambermaid, 1730 | 19 | VO |
//1+1+1+/777//555/55//366/671+//533/3 | 6/4 | Air 19 (t) | BA-E | Fashionable, 1730 | 25 | VO |
//1+1+1+/777//61+76/53//666/533 | C | Silent 'oh Moyle (t) | AI-A | Riley Flute 1, 1814 | 69 | FL |
//111/7-7-7-//6-17-6-/6-5-3-//6-6-6-/6-5 -3- |
C/ | Irish Air, An (t) | IC-I | Logier Bugle, 1813 | 23 | BU |
//1+1+1+//7776//555//5 | 3/4 | Air 17 (t) | BA-E | Quaker's Opera, 1728 | 32 | VO |
//1+1+1+/777//666/5//666 | Ballad of Andrew and Maudlin, A (t) | SC-E | Pills 2, 1719-20 | 19-20 | VO | |
//1+1+1+//777//6671+6//53//444//333// | 3/8 | Swaby (t) | AM-A | Hoff MS, 1797 | No. 237 | GF |
//11+1//7-//7-77-//6-//6-66-//5-6-7-// | 3/4 | Minuet (t) | IC-E | Prelleur Modern, 1731 | 13 | VN |
Next Index Page | Incipit Index Page |