Aaron Olwell has been playing music for more than half of his life. Fiddler’s conventions, trips to the All-Ireland Fleadh Cheiol, house parties, and square dances take up much of his time. He makes wooden flutes in the Olwell Flute Shop his father founded almost 30 years ago. He recorded the underground CD sensation Light & Hitch, one of the few bands to sell out a first pressing of albums without playing any gigs. Most recently Aaron has focused on the more humorous side of music, including pump-organs, chocolate flutes, clarinet duets, and the double slide whistle. He has been on Staff at the Augusta Heritage Center's workshops in Elkins, WV and he won first place in fiddle at the 2014 Appalachian Stringband Festival (aka Clifftop). He also plays clarinet in Boxcar Speakeasy, a roots jazz band.
Adam Oliver Brown
Adam Oliver Brown grew up spending his summers at Pinewoods Camp as the child of program director and staff members, where he learned many folk crafts from morris and mumming to marble-machine making. As a young adult, he has co-founded the internationally performing and award-winning Maple Morris youth dance troupe and been a performing member of the Thames Valley International morris team for 80% of his life so far. As a pretend adult, Dr. Brown is also known as a professor of Science Education and Science Communication in the Dept. of Biology at the University of Ottawa in Canada.
Harmony of Song & Dance at Pinewoods
Alexander Mitchell, Berklee College of Music graduate, is an acoustic multi-instrumentalist who plays fiddle, mandolin, guitar and has an amazing singing voice! Alexander started playing fiddle in 1978 after hearing bluegrass music. Since then he has been cultivating such diverse styles as Appalachian, bluegrass, Celtic, Klezmer, traditional roots dance music, ballroom, sizzling hot swing and jazz.
Alistair Brown has been singing the old songs, and new songs written by people who like the old songs, since he was fifteen years old. His songs range from big ballads, comic ditties, songs of struggles (usually unsuccessful) against temptation, odes to conviviality and songs of unashamed sentimentality; to outrageously funny stories from a master of the art - all this accompanied by anglo concertinas and button accordion. He is a regular performer in clubs and festivals in the U.K., Australia and New Zealand, as well as all over North America. He's been a frequent staffer at Pinewoods since 1980. He has entertained school children with songs and stories, been MC at many festivals and concerts, been guest soloist with three different symphony orchestras, and appeared on numerous radio and television programmes. He has run courses on folk music in university and summer music camps, and has taught folk dance for many years.
Born and raised in the Boston area, Amy McFarland started playing piano as a young child, studying everything from classical to folk to jazz and popular music, and her style reflects these varied influences. Amy learned to vamp in elementary school, and began playing for contra dances a few years later. She moved to the Midwest to go to college, and was an active musician in the Chicago dance scene in the 1980s, before moving in 1994 to rural Madison, WI. Since then she has played for dances and festivals around the U.S., for contra, English country dance, Irish ceili and set dancing, Scottish country dance, Cape Breton sets, couple dances, International, and many other styles. She has also taught in numerous settings, including workshops, group classes and private lessons, on piano and broader topics of musicianship. She has taught and performed at Folklore Village in Wisconsin, UW-Madison’s Continuing Studies (including their School of the Arts in Rhinelander), Milwaukee Irish Fest, the Door County Folk Festival, NEFFA, and others. For 19 years she was a member of The Last Gaspé band in Madison, and now she performs with Maria Terres in the duo Rare Privilege.
Andrea Cooper’s first time at Pinewoods was at Family Week when she was 13, an experience that has remained a highlight of her life. Since then, her music has taken her to places as far as Eek, Alaska and as close as New Bedford, Massachusetts. She has had the pleasure of teaching banjo, tin whistle, art and children’s classes at various music and dance camps including the Friday Harbor Irish Music Week on San Juan Island, Maine Fiddle Camp, Algoma Trad in Ontario and Family Week at Pinewoods.
Andrew Shaw was dragged kicking and screaming to his first country dance as a teenager in the 60s but has got over that and is now one of the UK's most sought after English country dance leaders, highly regarded for his detailed knowledge, high standards and clear, good-humoured, instruction. His interest in late 17th/early 18th century dances, especially those composed by Nathaniel Kynaston, has resulted in the publication of 5 collections of dance reconstructions, Elephants Stairs being the latest. This is his 4th visit to Pinewoods.
Andrew VanNorstrand is an accomplished singer, songwriter, multi-instrumentalist and producer from upstate New York. As a member of the Great Bear Trio, Giant Robot Dance and the Andrew & Noah Band he has toured extensively all over North America and has been a featured performer and instructor at many well-known festivals and music camps. His repertoire incorporates a wide range of musical genres and he loves exploring the connections between music and dance.
Andy Shore had been calling and teaching Modern Western Square Dancing (MWSD) since 1989. In 2005 Andy discovered the joys of Contra Dancing and, since attending the contra caller workshop at CDSS Pinewoods American Week in 2007, has been an avid Contra caller as well. Andy has taught hundreds of square dancers - from absolute beginners to Challenge level (C1) - and his knowledge of both squares and contras makes him uniquely capable of clearly and effectively relating new square dance moves to experienced contra dancers. Andy calls contras and modern squares regularly in the San Francisco and Monterey Bay areas of Northern California.
Ann Percival is a pianist, guitarist and singer, erstwhile social worker and artist. Anne's dancing days started when her Norwegian grandparents took her dancing at the Sons of Norway hall in Brooklyn. At Girl Scout Camp she discovered that she loved singing. She has in recent years found special enjoyment teaching visual arts and crafts. She is a founding member of Wild Asparagus and the O-Tones and is an exceptional dance musician for contras, squares and swing. Her vivacious personality and amazing repertoire of swing, gospel and other songs of many traditions are sure to keep everyone in camp jumpin' and jivin'.
Anna Gilbert Duveneck
Anna Gilbert believes that creativity is a kindness best shared with others. From childhood, Anna’s passion for connectedness both within herself and with others has fueled her artistic endeavors and explorations. Her passionate spirit is highlighted in her dance instruction encouraging individuals to honor and enjoy their dance at all levels.
Anna delights in the nexus of melody, movement, and community. As a dance leader, she channels the discipline of her day job as a certified Iyengar Yoga instructor, teaching efficiently and effectively, and calling every body to move confidently, with ease and grace. She is increasingly interested in how the skills one develops on the dance floor can translate into life wisdom. Anna is also an accomplished musician, most recently playing the recorder for English dances, weekends, and balls with her band Hot Toddy.
Annie Fain Liden Barralon
Annie Fain Liden Barralon is a native of the crafts and music/dance community of Brasstown, NC and is now the Music & Dance Coordinator for the John C. Campbell Folk School. She teaches a variety of classes at the school including book arts, clawhammer banjo, Appalachian clogging, and waltz clogging. Annie Fain plays banjo and banjo uke for the all-woman string band, Blue Eyed Girl, and has danced with both Loafers Glory Clog Morris and the Green Grass Cloggers. She continues to sell her handmade books, greeting cards, and original watercolors regionally and is a member of the Southern Highland Craft Guild.
American Dance & Music Week at Pinewoods
Arthur Davis has been singing and playing music for as long as he can remember. As a dance musician, he has played with the bands Gallimaufry and now Cloud Ten, bringing a sense of classic New England piano playing and old-time banjo. As a singer, he has spent much of the last few years aboard various sailing ships, singing sea songs to accompany the daily work of operating a sailing vessel as well as singing songs just about anywhere he can. When not playing music, Arthur sails on ships and does environmental science in Vermont.
Hailing from Honolulu, Audrey Knuth moved to Boston in 2008 to attend Berklee College of Music and to explore the thriving New England folk scene. After graduating, Audrey has made a name for herself in the music community, as a dance fiddler and audio engineer. With her bands, The Free Raisins, The Gaslight Tinkers, Audacious (with Larry Unger) and Wake Up Robin, she has travelled across the US and Europe, playing for dances and concerts. She’s equally adept at teaching workshops, and has been on staff at various camps including Pinewoods, Ashokan Northern Week, BACDS American week and Halsway Manor. Audrey’s fiddle playing can be described as rhythmically lively; she's guaranteed to get you up and dancing.
Barbara Finney is one of the East Coast's top English country dance leaders. Described as "articulate, genial and serene," she is known for her clear teaching and welcoming presence. Her varied dance background includes teaching and performing baroque, renaissance, morris, longsword and Scottish as well as English country dance. A regular dance leader at the Country Dance Society, Boston Centre, Barbara has led workshops across the U.S. and in Canada, has taught at many dance weeks and has served as program director for CDSS English Dance Week at Pinewoods. She dances longsword with Still River Sword and was a member of Ingrid Brainard's Cambridge Court Dancers, a troupe known for the accuracy of its historical reconstructions.
Barbara Greenberg began fiddling during her college years and has been "dancing" on the band stand or a dance floor since 1980. Playing both Contra and English Country dance music with Hold The Mustard, A Joyful Noise, A Band Named Bob and Reunion, she is highly sought after to play and teach at dance weekends and camps. She has recorded 7 albums of dance music with her bands and has traveled internationally with them. When Barbara is not fiddling, she is preparing the next wave of fiddlers and violinists in her studio teaching.
Betsy Blachly Chapin
Betsy Blachly Chapin works as a music educator at Bank Street School for Children with children age 1-6, and adults in the graduate school. Every week there is a family singing "assembly"! Her past experiences include being Program Director for CDSS Family Week at Buffalo Gap and a Teachers Training Week, being staff for CDSS Family Weeks at Pinewoods and Timber Ridge. She has created a "Guitar Institute" for classroom teachers, and also has a small music therapy practice. Life is good, and it starts with Pinewoods.
Bettie Zakon-Anderson has been dancing most of her life and enjoys sharing the fun of music and dance with people of all ages. She has taught a variety of couples dances, from hambo and waltz to swing and Zydeco, at camps and weekends throughout the U.S. for the past twenty years. She is the business manager of Vävstuga, a Swedish weaving school in Shelburne Falls, MA.
Beverly Francis finds English country dance endlessly fascinating after more than four decades. She is Country Dance New York’s leader of longest standing and has called dances up and down the East coast as well as across the country and in Canada. She has been on the staff at several previous Pinewoods weeks. Beverly is known for the clarity of her calling and her broad knowledge of dance history. These skills, coupled with a subtle sense of humor, enhance her rapport with dancers. A former member of Ring o’ Bells Morris and New World Sword, Beverly also has a particular fondness for Jane Austen’s country dance.
Bill Peek is the Music Director and Organist at the historic First Unitarian Church in Brooklyn, New York. He also teaches at the Portledge School in Locust Valley, NY, where he directs the choral music program, teaches music theory and coaches chamber and jazz ensembles. He has been playing music for English country dancing for many years and can be heard on several recordings.
Bill Tomczak started playing clarinet at the age of 9. After a typical round of high school bands and concerts, he entered Northwestern University as a music major and studied under several teachers from the Chicago Symphony. In 1979, he discovered the world of International Folk Dancing and has been playing for folk dance of one kind or another ever since. The International repertoire provided a solid ground for all his subsequent work with Balkan, Klezmer, Greek, contra dance and jazz. He developed a reputation as a tasteful and innovative improviser who learned to blend seamlessly into a wide variety of fiddle styles, practically defining a whole new tradition for contra dance clarinet and saxophone playing. Bill now plays for contra dancing and English Country Dancing with The Latter Day Lizards, Corkscrew and Fine Companions. He has recorded with The Latter Day Lizards, BLT, Wild Asparagus and Yankee Ingenuity and appears on the recordings "Cascade of Tears" and "Gypsy Wine" with Mary Lea and friends.
Bill Wellington is a storyteller, fiddler, banjo player, songwriter, and dance caller who has entertained audiences throughout America for over thirty years. Widely known for his Radio Woof recordings and performances, he is a hit with kids and parents alike.
Musician, scholar and educator Bob Walser’s musical career spans decades and continents. In the early 1980s he made his living as a shantyman (!) at Mystic Seaport, one of the largest maritime museums in the US. Since then he has presented Folklore In Action folk music and dance programs as an artist-in-residence in schools across the USA, and performed as a singer, dance leader and dance musician from Maine to California and overseas. As a scholar, Bob earned his Ph.D. in ethnomusicology at the University of London, School of Oriental and African Studies. His research in Folk Music and Music Education has been published in the Folk Song Journal and Folk Life (UK) and publications by World Music Press. In addition, he has three CDs for The Old and New Tradition label to his credit as well as guest appearances on recordings in the US, France and England.
Bob Wiemken began his musical life as a French hornist many years ago and continued pursuing modern brass for some 18 years. Eventually, however, he became inexplicably enamored of the double-reed instruments and leapt at the chance to begin playing early reeds in the Collegium while a graduate student in Classics at the University of Pennsylvania. That began a long love affair with medieval through early Baroque double-reed instruments that has only crescendoed over the past 27 years of playing, exploring, studying, maintaining, servicing and, above all, making reeds for shawms, dulcians, bassoon, krumhorns and more, for himself and many others. As Artistic Co-Director of Piffaro, The Renaissance Band, he has performed worldwide, recorded extensively, built over 100 programs of Renaissance and early Baroque music and commissioned new works for early winds and chorus. He has been very fortunate to perform with many of the world’s leading early music ensembles, in festivals in North and South America and throughout Europe, and in spaces contemporary with the music that helped him define the role, sound and capabilities of double reeds in historic performance settings. He is an eager and well-appreciated teacher and lecturer in college and university settings, having directed the Early Music Ensembles at the Esther Boyer College of Music and Dance at Temple University for 20 years, bringing the world of early reeds to modern players. He also teaches regularly at festivals and workshops throughout the country. Currently, in addition to his performing, researching, recording and educating responsibilities, he continues to attempt to plumb the depths of early reed construction, design and technique in an effort to understand the mysteries of these glorious instruments. www.piffaro.org/players/bob-wiemken
Brad Battey has been playing for dances for almost as long as he can remember. A high-energy fiddler, he can be found playing contra and English dances around Ann Arbor most weeks with Big Fun, The Ruffwater String Band, or other fabulous SouthEast Michigan musicians. He has played for dance weeks and weekends from Illinois to Denmark and Cape Breton to Texas. He has also been known to play fiddle and nyckelharpa for English and Scandinavian couple dancing.
Brad Foster, from Amherst, MA, has been dancing and teaching English country, contras and squares, and morris and sword for over 40 years. He is well known for sharing the joy found in dance, and has taught throughout the U.S., Canada and Europe, including at Berea, Pinewoods, Mendocino, John C. Campbell Folk School and Augusta. He is Executive and Artistic Director Emeritus of the Country Dance and Song Society, after 28 years as Director. He is also a founder of the Bay Area Country Dance Society as well as co-founder of their Mendocino English and American dance weeks.
Recent 3Arts awardee and Violinist/Fiddler Brandi Berry, whose "four-string acrobatics" and "indispensable skill" (TimeOut Chicago) have been praised as "alert [and] outstanding" (Chicago Classical Review), has also been noted for her "riffs.. powered by a flashing blur of bow arm, [as they] rolled out with irresistible glee" (Washington Post). She has appeared with numerous ensembles including but not limited to Kings Noyse, Apollo's Fire, Newberry Consort, Ars Lyrica Houston, Bach Society Houston, Musica Angelica, Toronto's Classical Music Consort, Indianapolis Baroque Orchestra, Mountainside Baroque, and Ensemble Phoenix Munich. Ms. Berry has also performed on numerous series throughout the U.S. and Canada including at the Library of Congress, a repeat performer on the Dame Myra Hess series, Ars Musica Chicago, the 2010 CMC Springtime Handel Festival in Toronto, the Boston, Berkeley, Chicago, Indianapolis, and Madison Early Music Festivals, Kansas City's Friends of Chamber Music, Early Music Now, Chicago's Classical Music Mondays at the Cultural Center, and the Academy of Early Music in Ann Arbor. She has also appeared with various bluegrass and country bands in Texas and in Chicago as part of the Chicago Barn Dance Company, the Irish American Heritage Center, Glenwood Arts Festival, and others. On the air, Ms. Berry has been heard on the Live and Impromptu series of Chicago's WFMT classical radio station, WNUR, and Wisconsin Public Radio. Brandi serves on the faculty of DePaul University as co-director of their Baroque Ensembles program, as string faculty for the Madison Early Music Festival and fiddle faculty for the Old Town School of Folk Music. A student of Stanley Ritchie and Cynthia Roberts, she holds degrees in violin performance from Indiana University and the University of North Texas. Ms. Berry is artistic director of the Bach & Beethoven Ensemble.
Bruce has been part of Boston's contra and English country dance community since the mid-70s as a dancer and musician. His rock solid piano and guitar accompaniment is sought after by many of New England's best contra dance musicians. Bruce also plays piano for English country dancing, appearing frequently in Jamaica Plain (MA), as well as other New England venues. As part of Boston's traditional music scene, he plays guitar at Irish sessions and in performance with the West Newton Ceili Band, and drives the rhythm at Old Time music jams on the banjo ukelele. In the early 90s, Bruce took up the button accordion, and has played for the Pinewoods Morris Men, Ha'Penny Morris, and the Commonwealth Morris Men. Bruce has collaborated on four recordings of New England contra dance music.
Madison, Wisconsin caller Carol Ormand is beloved throughout the dance community for her smooth and unflappable style, wickedly fun dances, and penchant for keeping all the dancers on the floor smiling. Carol’s enthusiasm, paired with her clear and efficient teaching, creates a delightful dancing experience for beginners and veteran dancers alike. Her relaxed style will keep you coming back for more. When she's not calling, you're likely to find her fiddling, taking photographs, singing, quilting, dancing, or examining beach sand through a hand lens.
Catherine Miller started out as a classically-trained violinist, playing for Iowa barn dances on the side. After moving to Boston, she became active in the folk music scene and can now be found playing for Scottish and English country dance, contra, and international dances in the New England area and across the country.
Chip Prince, originally from New Hampshire (via Utah and California), is a lifelong pianist who also dabbles in choral singing, euphonium playing, and background acting. His main gig, when he has one, is playing keyboards for (and occasionally conducting) Broadway shows in New York and on the road. He first found folk dancing in 1975 as a freshman in college but didn’t pursue Contra and English until 2000. He was a member of the English band Hudson Crossing, and now mostly plays on Tuesdays for Country Dance * New York. Current contra dance bands are The Three Wise Guys and Gig Economy, but in truth, Chip will play with just about anyone who will let him. Chip is thrilled to be attending Pinewoods for his very first time.
Lynn “Chirps” Smith has played fiddle for more than thirty years. He specializes in playing Midwestern dance tunes. Over the years he has played with the Indian Creek Delta Boys (with fiddler Garry Harrison), The Polecats (with fiddler Mark Gunther), and The Volo Bogtrotters. Current bands include dance bands the Little Egypt Pepsteppers and VigorTones, as well as his latest group, the New Bad Habits. Chirps has played square & contra dances for almost as long as he has played fiddle. Early on he cultivated a strong interest in Midwestern fiddle music- he is a lifelong resident of Illinois after all. The Delta Boys searched out senior fiddlers in IL and collected & learned many fine old tunes. He has learned a lot from fiddlers in the surrounding states as well. He has taught classes at August Heritage Workshops (Elkins, WV), the University of Wisconsin String-Along Weekend, the Festival of American Fiddle Tunes in Port Townsend, Washington, the Montana Fiddle Camp, Blue Ridge Old-Time Week (Mars Hill, NC), and numerous weekend workshops at festivals and dance weekends across the country. In 1997 he was recognized as a master Illinois fiddler and awarded an Illinois Arts Council Apprenticeship Grant with teenager Stephanie Coleman (now an acclaimed fiddler in her own right).
Chris Levey has led both English Country and morris dancing for over 35 years. For the last 15 years he has focused his morris teaching on the particular energy that youth bring to the tradition. Once they have mastered traditional styling, he guides them in taking ownership by adapting the form with their own group choreography. He is the founder and coach of the Green Mountain Morris, a teenage boys’ troupe, and Catamount Morris, a mixed tween-age team. He co-founded Oak Apple Morris (WI) and played the fool there and for sides in NJ and VT. Chris served as a member of the CDSS Governing Board and as the founding chair of its Youth Task Group.
Campers' Week at Pinewoods
A Maryland boy, Chris tramped off to the hills of western Pennsylvania to study books and banjos. There he woodshedded with old hill cats in barns outside of abandoned steel and coal towns playing any instrument he could take a turn on. Hitting mountain trails, biking over rough terrain, and rafting down rivers, all with a banjo on his back. Chris’s deep jazz pocket and graceful Kentucky-style banjo are only outmatched by the snarlyness of his beard.
Chris Rua( recorders, winds) has completed a 10 year world tour with Cirque du Soleil and is very happy to be home and looks forward to returning to Pinewoods. She graduated magna cum lauda from the Crane School of Music at Potsdam, NY with a focus in oboe. After moving to Boston in the late 70s, she became inspired by the teachings and approach to sound of Marleen Montgomery, an innovative music teacher of the time. Chris then became involved in early music and since has taught, performed, recorded and toured with such ensembles as the Early Music New York, The Christmas Revels, Piffaro, and Ex Umbris. Chris has played for English Country dancing from California to England, with Bare Necessities, at English Country dance Balls and at other dance weeks including the Berea Christmas Week, Buffalo Gap and English & American Week at Pinewoods. It has been one of her most favorite ways of making music. Besides teaching for many years at Pinewoods, Chris also directed Early Music Week from 1999-2001.
Chris Welles taught himself to play finger-style guitar as a kid by wearing out his country blues and jazz records, and went on to study at the Berklee College of Music. Now an accomplished singer and guitarist in the folk, blues and jazz genres, Chris moves audiences with the sound of his voice and the rhythm and subtlety of his playing. Chris is the lead singer of roots trio Outrageous Fortune, a Boston-based jug band; a baritone and soloist in the jazz choir Boston Jazz Voices; and a member of the Papa Delta Charlie jazz trio. He has appeared at venues as varied as Boston First Night, Fenway Park, the Boston Cyclorama and WGBH TV. He has taught music at the Cambridge Center for Adult Education and the Club Passim Music School, and teaches guitar to students of all ages.
Cindy Kallet is a songwriter, singer and guitarist who has taught and performed extensively throughout North America. She tours as a solo performer, as half of the duo, Cindy Kallet and Grey Larsen, and as a third of the trio, Kallet, Epstein and Cicone. She adores teaching at music camps, and loves to help nurture the harmony-singing, songwriting and guitar-playing potential in all of us.
Cis Hinkle has delighted contra and square dancers since 1985 with her skilled teaching, welcoming manner, playful enthusiasm and masterful selection of dances. She is in great demand at music and dance festivals all over the U.S., England and Denmark, and is currently coordinator for Dance Week at the Augusta Heritage Workshops in Elkins, WV. When not on the road, Cis teaches tai chi classes in her native Atlanta, GA.
Claudio Buchwald was born into a musical family and raised in Peru until age ten, and delighted in and adopted some of the new music forms he met here in the U.S. He has toured in Africa and South America with the David Holt Trio and plays old-time music with The Monks. Claudio plays also for contras and squares, English country dancing, morris and salsa. Claudio currently plays piano with dance bands The Cocks of the North and Evening Star. During the school year, he teaches first and second grade at the Harmony School in Bloomington, Indiana.
Colleen Reed has been playing with music with babies, toddlers and preschoolers for 8 years as a Music Together teacher. A musician since she picked up a flute at age 10, she has always loved making connections through music with other people - in bands, orchestras, a fife and drum group, and playing for social dances. She never thought she could teach music, but found her passion for creating community and encouraging music making through taking Music Together classes when her son was a baby. Music play and improvisation -- either with kids or with other musicians at a dance -- create magical moments that keep her coming back for more. Colleen plays regularly for English Country Dances in the DC area and weaves cool tunes for contra dances with her band Triple Helix.
Corey Walters is a musician and dancer currently living in Montague, MA. As a practitioner of the flute, mandolin, and melodeon, he is equally at home playing for a variety of dance styles. In addition to being a regular musician at the weekly English Country Dance in Amherst, MA, he plays for English, Contra, and Irish Set Dancing throughout the east coast in a number of ensembles including Phoenix, Black River Ironworks, and The Sunny Banks. In addition he dances and plays with the Marlboro Morris Men, Oxbow Morris, and Maple Morris.
Crispin grew up with both parents morris dancing, and started dancing himself with Great Western Morris in 2006. Since, he has also performed with Morris Offspring, Maple Morris, and Hammersmith Morris Men. In 2014, he won the John Gasson Solo Jig Competition at Sidmouth Folk Festival, and returned to the competition to win the audience appeal prize in 2016. He has been foreman of Great Western Morris, has led morris workshops at a number of UK festivals, and is very excited to come and do morris at Pinewoods. He currently lives in Bristol, dances with Nonesuch Morris, and also enjoys playing fiddle and singing shape note.
Crispin Youngberg grew up in the UK morris community with both parents dancing, and started dancing himself with Great Western Morris in 2006. Since then he has danced with other teams including Morris Offspring, Maple Morris, and Hammersmith Morris Men. In 2014, he won the John Gasson Solo Jig Competition at Sidmouth Folk Festival, and returned to the competition to win the audience appeal prize in 2016. He has been foreman (dance instructor) of Great Western Morris, has led morris workshops at a number of UK folk festivals, and is very excited to teach morris at Pinewoods. Crispin lives in Western Massachusetts and dances with the Marlboro Morris Men, and also enjoys playing fiddle and singing shape note.
Hailing from Columbus, Dan Blim has been dancing English, Contra, Scottish for over 15 years, and enjoys dabbling in a handful of other styles. He has been a caller around the Midwest and Philadelphia area over the last 10 years. Off the dance floor, he teaches musicology at Denison University and makes a lot of puns.
Dan Meyers holds an MM in Early Music Performance from the Longy School of Music, where he studied recorder with Sonja Lindblad and Renaissance winds with Dan Stillman, and a BA degree in music and English literature from Whitman College, where he studied modern trombone with David Glenn. He spent two seasons as a musician with the Utah Shakespearean Festival, and has been a performer at several early music venues in the U.K. and Ireland, where he received a Watson Fellowship for ethnomusicology studies. He is a founding member of the English consort Seven Times Salt, and has performed with the Boston Shawm and Sackbut Ensemble, Schola Cantorum of Boston, and the Cambridge Revels. He also performs Irish traditional music on uilleann pipes, whistle, and flute; his piping was featured on the soundtrack of the award-winning documentary film "Rooters: The Birth of Red Sox Nation."
Dana Parkinson began contra dancing in 2009 and was immediately fascinated by the way folk dance and music fostered connections and communities. By 2010 she was calling, and has since been bringing her sweet and sassy style to dance weekends across the U.S. and Canada. Dana is best known for her creative programming, sense of humor, and no-nonsense walkthroughs. Though she is a full-time graduate student at Indiana University, she continues to call dance weekends because she could never live without the dance community, her extended family.
Daniel Beerbohm, on clarinet, flute and penny whistle, spices his English and contra dance playing from a rich background of swing, Klezmer and classical music. He performs extensively with Hold The Mustard, A Joyful Noise, and Reunion, at dances along the East coast and occasionally westward.
Daphna Mor has performed throughout Europe and the U.S. as a soloist and as an ensemble player. Her appearances include solo recitals in Croatia, Germany and Switzerland; Recitals at the Metropolitan Museum of Art and Trinity Church, New York; Soloist with The New York Collegium; Soloist with New York Early Music Ensemble; Soloist at Carnegie Hall with Little Orchestra Society, Orchestra member with the New York Philharmonic; City Opera, Mostly Mozart. Lincoln Center; Piffaro- The Renaissance Band and Repast. Awards include First Prize in Settimane Musicali di Lugano Solo Competition and two-time winner of The Boston Conservatory Concerto Competition. Ms. Mor received her Bachelor of Music degree from The Boston Conservatory with highest honors as Valedictorian of the class of 2000. Ms. Mor acts as musician to the education department of The Metropolitan Museum of Art. She is a frequent teacher in early music workshops around the U.S. Ms. Mor is frequently involved in performing of contemporary music. This season she was featured as a soloist with The Metropolis Ensemble, performing the world premiere of Tears, Puffes, Jumps, and Galliard by David Bruce. In 2009 she joined St Luke’s Orchestra to perform the NY premiere of The Flowering Tree, composed and conducted by John Adams. Ms. Mor is an active World Music musician as well. Ms. Mor has appeared on such prestigious stages as Summer Stage, Central Park, NY; and in festivals all over the U.S., Canada, Poland, Italy, Spain, Germany, Slovenia, Austria, Greece and Israel. She appears on Sting’s New CD If On a Winter’s Night on the Deutsche Gramophone label and is a musician at residence at B’nai Jeshurun Synagogue in New York City.
Daron Douglas is a captivating fiddler for American and English dance traditions. She plays with the dance bands Foxfire and Goldcrest. Daron also brings a rich repertoire of songs from her great-grandmother, who was one of Cecil Sharp's informants in the southern mountains. She has been on the staff at CDSS dance camps, at Ashokan and at the John C. Campbell Folk School in Brasstown, NC. She now lives and plays music in New Orleans.
Dave Landreth has toured and taught old-time banjo for decades, as a solo performer and with the Allen Street String band, The Combine, Knock Knock Hoosiers, Dugout Canoe, the Hoosier Crackerjacks, the Vigortones, the Elder Bullies, and as duo with Chirps Smith and all have appeared at festivals, dances, dance camps, workshops and venues of all sizes. He is often heard to say “Playing with these guy is a blast and if it wasn’t I wouldn’t do it”
David Cantieni has brought innovative spice to contra dancers for more than 20 years with his prowess and musicality on flute, saxophone and bombarde in bands including Swallowtail and Wild Asparagus.
David Macemon was fortunate to be introduced to dance when he was invited to help start a high school based performing group that demonstrated English Country Dance, Contra, Morris and Sword dancing. He has been dancing and teaching ever since. David is known for his patient and clear teaching style and communicates the joy of dancing through his teaching and enthusiasm. He has been on staff for dance weeks and weekends around the country including Pinewoods, Buffalo Gap, Mendocino, Hey Days, and Berea Christmas Country Dance School. He is a regular caller for the weekly Portland Country Dance Community's English dance, monthly advanced dance series, and teaches dance English, Contra, Morris and Sword at the Renaissance School or Arts and Sciences in Portland OR.
David Schonfeld is a folk dancer and woodwind player based in West Hartford, CT. He has degrees in Music and Music Theory from CCNY and Yale. He also studied South Indian classical music for many years, both in the U.S. and in Madras (now Chennai) on a Fulbright, concentrating on vina. David plays oboe, clarinet, and recorder and has been focusing on baroque oboe since 2013. Participation in the Amherst Early Music Festival has deepened his appreciation for early music. David has done international folk dance since 1983 and is a core member of Always on Sunday, in Wethersfield, CT. Since 1988 he has been a member of IFD dance bands, first A Different Village, and later Hijaz. He has prepared many transcriptions for use in these bands.
David Smukler has been dancing since the mid-sixties, and calling for dances since 1981. He is an engaging teacher who presents a wide variety of dances, including plenty of New England contras, assorted squares, singing calls, triplets, mixers, old chestnuts and freshly minted dances. David infuses the energy of contras and squares into his calling for English dancing, and the grace of English dancing into his contras and squares. David is also the author (with David Millstone) of Cracking Chestnuts: The Living Tradition of Classic American Contra Dances, published by CDSS. www.davidsmukler.syracusecountrydancers.org
Debbie Jackson is a versatile pianist, singer and event organizer who has been playing regularly for contra and English country dancing for over 20 years. As a happy music collaborator, she enjoys composing new tunes, improvising with chording and interpreting music to connect with dancers. She also plays in various swing, folk and couple dance ensembles throughout the Midwest. Debbie has performed in Denmark, Austria, Turkey, France, Ukraine and the Slovak Republic. Her new solo CD will be available at camp.
Deborah Clark Colón
Laugh, and the fiddle laughs with you. Deborah Clark Colón has played her way across ten time zones, from a French pub to an Alaskan contra dance. She has performed, recorded, and taught Irish fiddle for over 25 years, and contributed three tracks to Gaelic Storm's Billboard World Music charting album Special Reserve, recorded on Nashville's Music Row. Where next? Adventure beckons.
For twenty years DeLaura Padovan has been honored to share her enthusiasm and joy at Family Weeks. She is a family dance leader, singer and organic farmer. A pioneer of living life the best way possible, DeLaura spends her time homeschooling two teenage daughters, playing ukulele and marimba, milking goats and creating one thing out of another. DeLaura is a dedicated local foods activist in the King George, Virginia region.
Donna Hunt calls contra and square dances with interesting choreography and variations. She is known for utilizing clear, concise instructions to minimize teaching time and maximize dance time. She offers programs of exciting dances in a variety of figures and formations for the dancers’ enjoyment. Donna infuses the dancers with confidence, regardless of their skill level, and she enjoys guiding new dancers and challenging experienced ones.
Dorothy Cummings has been participating in English county dance since March 1997, when the New York Times ran Linda Wolfe's article "In Step with Austen: English Country Dancing." She benefited from a calling apprenticeship at CDNY in 2009-2012 and leads ecd at CDNY, the NYC metro area, the Hudson Valley, and further afield. She is fascinated by the variety of ways that people learn and motivated to ease the learning process. To dance well, people need to keep dancing. With crisp diction, lively musicality, and personal warmth, Dorothy promotes an encouraging and rewarding ecd experience to keep dancers coming back.
Doug Plummer is perhaps the best known photographic chronicler of the contra dance scene nationwide, which he has been doing since he started dancing in the late 1980s. He is a professional photographer and documentary filmmaker who works nationwide on advertising and institutional campaigns. His self-published Contradance Calendar, a photographic showcase of dance communities nationwide, is in its fifth year. He is working on a feature length documentary, Take Hands, on how a contra dance series can bring together a community in Oregon. He currently serves on the board of CDSS, and he also plays piano for contra dances.
Earl Gaddis was originally trained as a classical violinist, with a special passion for Baroque music. But his orientation shifted when he discovered the excitement of small-ensemble improvisation for dancers, with its unique opportunities for creating interesting harmonies, countermelodies, and rich musical textures on the spur of the moment. He is now a full-time dance musician who has been playing violin and viola for various combinations of English, Scottish, American, and international dancing for more than fifty years. He plays at dance camps, workshops, balls, festivals, and dances throughout the U.S., in Canada, and abroad. As a member of Bare Necessities Earl has made eighteen recordings of English Country Dance music so far, and he has recorded with a number of other musicians as well. He lives in great contentment on ten acres of woods in Plainwell, MI with his wife, Sherry Brodock.
Eden MacAdam-Somer is one of the most exciting and versatile musicians performing today. Hailed by the New York Times as reflecting "astonishing virtuosity and raw expression," her music transcends genre through soaring violin, sweet vocals, and percussive dance, weaving in and out of the many cultures that have formed her experience. Her travels have carried her across the contiguous U.S., Alaska, Hawaii, to Afghanistan, India, China, Iceland, Israel, and the U.K. Eden is a full-time faculty member at New England Conservatory, where she teaches improvisation and serves as Co-Chair of the Department of Contemporary Improvisation. She also makes frequent visits to Kabul, Afghanistan, where she works with young Afghan musicians as guest faculty member at the Afghanistan National Institute of Music and collaborates with local artists. Her solo album, My First Love Story, was listed as one of the top ten jazz albums of 2015 in the Boston Globe. In addition to her work in Boston, Eden maintains an active international performance and recording career as a soloist and with such bands as Notorious Folk, the Klezmer Conservatory Band, and Hebrew National Salvage.
Ellie Grace was born into a deep musical tradition and began her life-long love affair with Appalachian clogging at the ripe old age of five. She has spent her life performing professionally as a singer, multi-instrumentalist, songwriter, and dancer, first as a young member of her family band and now as an independent artist. She has toured internationally with her sister duo (Leela & Ellie Grace), the Dirk Powell Band, the all-female old-time trio Blue Eyed Girl, and several percussive dance companies. Ellie is a passionate and dynamic teacher, having taught at camps, schools, and festivals across the country for well over twenty years. In May of 2015, Ellie will be the first Appalachian clogger to graduate from Smith College in Northampton, MA with an MFA in Dance. Whether she is performing for an audience of thousands or teaching one on one, it is apparent the joy she takes in sharing her love of dance and music with people of all ages!
Emily Miller was born in Kansas and raised in Hong Kong, where her family band performed traditional American music on television shows and in shopping malls throughout the city. Her main musical role these days is as singer in a honky tonk country band the Sweetback Sisters, which tours regularly around the U.S. and the world. When she's off the road, she plays fiddle for her local square dance in her new home of Elkins, WV.
Emily Troll plays fiddle and accordion and currently hails from Portland, ME. An avid lover of French-Canadian and Old-time traditions, she's spent many years at Pinewoods and Maine Fiddle camp honing her skills as informally as possible. You'll often see Emily playing with her all-girl band, Anadama. When she's not playing, she's probably dancing. When she's not dancing, she's probably teaching second grade, or taking a long walk on the beach.
Eric Haas has taught at New England Conservatory, Tufts University and Wheaton College, as well as numerous early music workshops, including Amherst Early Music, the Long Island Recorder Festival and the Mideast Workshop. Mr. Haas is well known for his many transcriptions and editions for recorder. He performs on recorder and early flutes with lutenist Chris Henriksen as Pentimento and with the Renaissance flute consort Travessada. He served for many years as Music Director of the Boston Recorder Society and manages the retail division of the von Huene Workshop, Inc.
Eric Maring, known to his young students as “Mr. M”, is an early childhood music specialist, a performing songwriter with several recordings to his credit, a dance caller, and a multi-instrumentalist. He studied piano as a young child, marveling at the works of Scott Joplin. Later he pursued guitar and tabla studies, traveling to France, Spain and India to study with some of the great virtuosos on those instruments. He holds an M.Ed from University of Maryland and teaches music at four pre-schools in the D.C. area including the University of Maryland’s Center for Young Children, the National Archives, and for the Levine School of Music’s early-childhood outreach program. He also performs in festivals and elementary schools, teaches guitar and piano to young musicians, and teaches music classes for children and parents at his home studio in College Park, MD. Most importantly, he is the proud father of two sons – Leo and Julian, both budding musicians.
CDSS at Timber Ridge
Erik Talvitie has attended Campers' Week since he was 6, and has attended most of those morning gatherings so he's totally qualified to be your host. He looks forward to getting out of the way so you can share your songs, stories, dances, special talents, and the finest in hand-crafted, artisanal announcements.
Erik Weberg has called dances and festivals around the country from Seattle to Boston, from Fairbanks to Tucson and most places between. Equally adept at contra and English calling, Erik chooses dances that are tailor-made for the occasion at hand, matching the dances to experience level of the crowd and providing a wealth of variety in the program. Erik’s ability to connect with dancers and his sly sense of humor insure an upbeat, congenial atmosphere on the floor as well as a terrific dance experience. This combination of attributes explains why he is in continual demand as a caller at week end and week-long dance camps as well as a favorite on Friday and Saturday nights in his home base, Portland, OR. Erik is also involved with the musical end of the dance world. He plays flute, harmonicas, bombardes (yes, plural), and Scottish small pipes.
Erika Roderick has been dancing her whole life. A graduate from Tom Kruskal’s “Rapper Academy”, Great Meadows Morris and Sword, where she was a founding member of Candyrapper, she now helps teach rapper and morris every week! She lives in Cambridge, MA and currently dances with Muddy River Morris, Orion Longsword, Candyrapper VSOP and Maple Morris. When she isn’t busy dancing, she is a Fifth Grade teacher in Boston. She is looking forward to being back at Ogontz this summer!
Ethan Hazzard-Watkins performs traditional and original music with infectious energy, passion and grace. His fiery, lyrical fiddling fuses elements of Irish, French Canadian and New England styles, along with influences from swing, blues and classical music. Based in Brattleboro, VT, Ethan tours extensively with the bands Elixir and The Figments. From April 2008 to April 2009 Ethan was Youth Projects Intern for the Country Dance and Song Society, where he worked to encourage young people to get involved in traditional dance and music.
Revels in Dance & Song at Ogontz
One of the best known and loved contra callers in the country, George Marshall's mission is to share the joy of dance! While working on the summer trail crew in the White Mountains of New Hampshire during the early seventies George discovered square and contra dancing, he was immediately hooked and became an avid dancer. In his first year at college, George helped start the band Swallowtail and began calling and playing. Based in Belchertown, Massachusetts, he is a full time musician/caller/dance teacher and tours nationally. Most of the time he can be found calling/playing with Wild Asparagus and Swallowtail but also calls with other wonderful bands. George specializes in teaching and calling New England style contra dances he has collected throughout the country. He is known for his knack of matching music to dance and his smooth, concise teaching and presentation. He plays English concertina and bodhran and has recorded on eight albums. In addition to performing, George produces music and dance events including week long winter dance vacations on St. Croix in the Caribbean and on the Big Island of Hawaii.
American Dance & Music Week at Pinewoods
Gillian has been teaching and performing sword dancing on both sides of the Atlantic since 2004. Hailing from the vigorous folk scene surrounding Boston, MA, she also indulges in morris, pub singing, percussive stepdance, and social dancing of many stripes. Her teaching has been described as "engaging, high energy, and accessible". She currently leads Orion Longsword and dances with Candyrapper VSOP and Muddy River Morris. In her copious free time she enjoys social singing, cooking for dance events, and recreational data analysis.
Gus Voorhees is a button accordionist, fiddler and hurdy-gurdy player from Washington, DC, making expressive, convention challenging traditional music. He has a degree in Music and Anthropology from Beloit College and has studied with Chris Wood, with the English Acoustic Collective, and in Donegal at the Glencolmcille fiddle week. He has been morris dancing for over a decade with Foggy Bottom Morris Men, Thames Valley International and Maple Morris.
Haley Hewitt is one of the most exciting, innovative, and gifted harp players of the up-and-coming generation. Playing Scottish music, but also interested in traditional music from around the world, Haley has been breaking boundaries and pushing the limits of what is possible for the instrument. She is interested in producing and promoting new compositions for the harp, recently releasing an EP-length recording of her collaboration project with composer Michael O'Sullivan. She is currently working on a recording project of her own newly composed material and looking forward to a 2015 full-length album release. Haley came to the lever harp at the age of 9, after studying piano for a few years. She took to the instrument and its music, and competed extensively throughout her early years. At the age of 12, she began studying the classical pedal harp as well. After several years of performing with professional, community and school orchestras and smaller ensembles, working with composers and performing new work, she attended the Hartt School of Music on full scholarship and obtained a Bachelor in Music Degree in Harp in 2011. Haley moved to Scotland in September 2011 to study lever harp as a Masters Degree student in the Scottish Music Department at the Royal Conservatoire of Scotland under Scottish harp phenomenon Corrina Hewat. She graduated at the top of her class in 2013, and returned to the U.S. to pursue her career in playing, teaching, and writing music on the harp. Upon her return, she founded the Celtic Harp department at Neighborhood Music School and the Connecticut Harp Circle, which has since developed a faithful following. In September 2013, she was crowned USA National Scottish Harp Champion by the Scottish Harp Society of America, sponsored by the Clan Currie Society. In July 2014 Haley moved to Boston, MA in pursuit of more opportunities to grow and develop as a traditional musician. It is her dream to form a program for the advanced study of the lever harp in the United States.
Early Music Week at Pinewoods
Henry Chapin is fortunate to have spent summers across Long Pond from Pinewoods Camp. He first experienced camp at 8 years old. When he is not working to restore the almost-lost art of singing to New York City school communities, Henry calls traditional American Family dances. Through a CDSS Outreach grant, he calls Family dances at the 92nd Street Y. Henry freely admits he doesn’t do much without the invaluable teamwork of his partner Betsy. Recently, they have created the Adult/Teacher/Parent/Grandparent Guitar Institute, teaching and modeling uses of traditional American folksong in classrooms and homes.
Ira Bernstein is regarded as one of the most versatile and accomplished performers of percussive step dancing (clog, tap and step dancing) in America, and in particular as one of the foremost southern Appalachian flatfooters in the world. His repertoire is a wide array of dances that all share a common thread: the production of rhythmic, percussive sounds. The dances are more than movements accompanied by music; they are movements that make music, and as such, they are part of the music. In a very literal sense, IRA is a drummer: his feet are the sticks and the floor is the drum, which is why he refers to his art as TEN TOE PERCUSSION.
CDSS at Timber Ridge
Jean Monroe, having been knocked flat by a Bare Necessities CD, went to hear them play live, was asked if she wanted to dance, and promptly fled. Within a short time she had discovered English country dancing anyway, followed by dance piano and a life-changing trip to a dance musicians’ course at Pinewoods English Week. For the past decade she has played for vintage, contra, English, and ritual dancers in the Northeast and beyond. A classically-trained pianist whose style has been described as “sprightly” and “thoughtful,” Jean enjoys adding hand-percussion and melodica riffs to dance accompaniment. Bands include contra/English band Gotham Carnival, Regency band Lady Jane’s Delight (both with fiddler Julia Hartman), and early-music-turned-dance-band Paradise Bird. Jean loves playing in historical contexts but also dreams of electro-English dances under black lights. When not at a dance she can be found singing anything choral, playing ragtime, and accompanying the music-hall singers of the Old Howard Troupe, courtesy of whom she once drove straight from church choir to a performance in a burlesque expo.
Jeanne Morrill has performed and taught voice for nearly forty years (yikes), working with all kinds of singers (from “tone deaf” to professionals) and styles (traditional, classical, pop, Broadway, you name it!). She loves providing the tools that can help each individual discover their own best voice, using her own bag of tricks (Alexander, Feldenkreis, yoga, vocal and theatre improvisation, classical training, what she has learned from her own voice teachers over the years, meditation, years of performing many kinds of music, and a little psychology thrown in!). In addition to giving private voice lessons, Jeanne has led workshops and classes at Pinewoods & Ogontz dance camps, NEFFA, and many festivals and other venues, working with all levels and age groups. She also teaches piano, loves to knit and dance (of course), creates mandalas and cozies up with her honey and our sweet kitty.
Jeff Davis has had a life full of traditional music. Music has taken him to Norway, Ireland, Canada, Ireland, The Netherlands, but he always remembers that it all began with an unlikely event: folk song collector Frank Warner gave a concert at his school and, a few years later, took the sixteen-year-old to Pinewoods where Jeff met North Carolina singer, banjo-player Frank Proffitt, Kentuckian Jean Ritchie, Matha's Vineyard singer/collector Gale Huntington, upstate New York singer/collector Larry Older. Of course, there was also Phil Merrill playing the concertina on his stoop, Abbott's Bromley danced through the woods, and the Coppers' "Good Ale." He became convinced that good folk music comes from all over the place and that each tradition has to carefully tended. Jeff now plays, banjo, fiddle, mandocello, and more; still collects old music from archives and field recordings; still plays at festivals hither and yon, still works with kids through Young Audiences of Massachusetts. He is delighted to be back at Pinewoods again where, for him, it all began.
Harmony of Song & Dance at Pinewoods
Jeff Warner is among the nation’s foremost performer/interpreters of traditional music. His songs from the lumber camps, fishing villages and mountain tops of America connect 21st century audiences with the everyday lives–and artistry–of 19th century Americans. “Providing more than just rich entertainment, Jeff will leave you with a deeper appreciation of the land you live in” (Caffé Lena, Saratoga, NY). His songs, rich in local history and a sense of place, bring us the latest news from the distant past. The 2016 recipient of the CDSS Lifetime Contribution Award, Jeff first came to Pinewoods as a staff child and spent years there as a student, teacher, program chair and CDSS board member: "Pinewoods and CDSS have been important to me for a very long time. I’m happy to be back after a long hiatus."
Jennifer Kahly is a certified Montessori teacher and a homeschooling mom. She enjoys sharing art, science, literature, and games with kids of all ages. She has taught at Montessori schools, a Waldorf school, a homeschool enrichment center, a local arts council, and public schools and recently helped found and teach a homeschool cooperative in her county. She weaves families from vastly different backgrounds into a cohesive learning and playing group. Jennifer has organized and called a few family dances near her home. Jennifer met her husband Brian on the dance floor of the Timber Ridge playhouse. They live in Terra Alta, WV with their fifteen year old daughter and five year old son. Jennifer and Brian raise organic livestock on their 150-acre farm they named after an old time tune collected in WV, Possum Tail Farm.
Jenny leads English country dances for all ages. A lively caller, her goal is to make everyone happy -- the hardcore dancers, the musicians, the now-and-then dancers, those with high energy, and those who are feeling less spry, the ones eager to learn new dances, the ones who love old favorites. Occasionally you’ll see her playing backup piano, or calling a contra or Scottish dance. And yes, she crafts a new dance now and again. Jenny lives near Philadelphia and recently served 2 terms as the VP of the CDSS board.
Jeremy Carter-Gordon grew up singing and dancing at Pinewoods. He recently completed an MA in Dance Knowledge, Practice, and Heritage, and currently studies at the Eric Sahlström Institute in Sweden. Jeremy sings with Windborne, a quartet that studies and performs polyphonic singing traditions from around the world. He is known for his banjo picking and powerful bass voice, along with a joyous enthusiasm for song and dance.
Jess Eliot Myhre
Jess is an American roots musician, drawing influences from early rural and urban sounds across the board. She performs swing and blues music on clarinet and voice, and likes to thump along to old time, bluegrass, and country on upright bass and guitar. A native Floridian, Jess grew up singing in church and swinging from banyan trees. After performing in hip hop and funk bands at Wesleyan University, she moved to New Orleans and became mesmerized by the big, uproarious glory of the old sounds of the street bands and second lines. She dusted off her lonely old clarinet, built herself her iconic frog washboard, and turned a 180 towards the traditional. She now performs all over this big country, playing American Roots music in performance halls, swing dances, contra dances, square dances, house concerts, and busking in your city's streets.
Jesse Milnes learned to play the fiddle from his father, folklorist Gerry Milnes. Growing up in central West Virginia, he was exposed to the music of masters like Melvin Wine, Sarah Singleton and Woody Simmons. He plays a variety of fiddle styles from old-time to country, and also performs his own brand of fingerpicking on guitar. From 2008 to 2013 he toured with neo-traditional honky-tonk band the Sweetback Sisters, traveling across the U.S. and several European countries. Now, he performs as a duo with his wife, Emily Miller, and as a fiddler for square dances throughout West Virginia. When not playing music he repairs fiddles at Smakula Fretted Instruments near Elkins, WV.
Joan Kimball, artistic co-director and a founding member of Piffaro, The Renaissance Band, has toured and concertized with the ensemble throughout the U.S., Europe, and parts of South America, and has performed with many of the leading early music artists and ensembles in this country. She gave full time to early music performance in 1980 after a number of years as an educator, and still treasures her work with students of all ages. She teaches recorder and early winds to children and adults and is on the music faculty of The Philadelphia School, an elementary and middle school, where she has a full roster of private recorder students and recorder ensembles. Joan also organizes Piffaro’s educational programs, initiated a residency in a Philadelphia School district elementary school where she taught recorder and percussion to third grade classes, and plans special outreach projects built around Piffaro’s concert series. In addition, she collaborates with instrument maker Joel Robinson of New York City on the construction of Medieval and Renaissance bagpipes and is a maker of double reeds for Renaissance shawms, dulcians and capped winds. Joan teaches bagpipe, recorder and double reed classes at summer music workshops and festivals. In addition to her recordings with Piffaro she can also be heard on Vanguard Classical, Eudora and Vox Amadeus. www.piffaro.org/players/joan-kimball
Jody Kruskal of NYC is known for his distinctive American sound on the Anglo concertina. His harmonic and rhythmic style has energized dancers with the contra bands Grand Picnic, Squeezology, Hog Wild, Dressed Ship, Ten Gallon Cat, The Thistle Biscuits and Strumbow Squeezeblow. Jody calls barn dances for wedding and community events and sings old songs at folk clubs and festivals across the U.S and Britain. He is a freelance educator, teaching music and dance in elementary schools, summer camps and pre-K programs. Jody writes new music too, composing original scores for theater and dance productions, concert works for gamelan with the new music ensembles Son of Lion and Music for Homemade Instruments, video games and gaming sites, as well as hundreds of fiddle tunes for traditional dancing.
Joel Rosen began his studies of Chinese martial arts in high school under the instruction of Sifu Calvin Chin. His interest in Chinese culture and language led him to Beijing, where he lived and worked for six years after college. Joel recently returned to the Boston area to continue his training at Calvin Chin's Martial Arts Academy, where he helps teach Tai Chi and Kung Fu classes to students of all ages.
John Dexter is an extraordinary teacher of morris dance style, and, thanks to his founding and shaping of the respected Binghamton and Bouwerie Boys sides and the American Travelling Morrice, is highly respected among the cognoscenti. John was a member of the original Village Morris Men in the late 60s, the team that inspired the founding of numerous new teams throughout the States. He's also a professional violist, performing worldwide with the Manhattan String Quartet.
English Dance Week at Pinewoods
John Krumm has been performing traditional and vintage music for over 38 years. He is perhaps best known as a caller of square and contra dance, but he also has an international reputation as a composer of rounds. He composes for the people he knows and their situations and celebrations. John sees American traditional dance at its best as an expression of the individual in the context of a caring and creative community, and as a celebration of our ability to enter into such communities as we make our way through a fast-changing world. In his dance teaching he draws on his experience with the dances and children's games of the U.S., Québec and the British Isles to help contemporary communities express their “solidarity in diversity.” John sings and plays guitar, fiddle, banjo, piano and mandolin. He teaches all of the above plus a variety of music theory and composition classes. Having 33 years experience in progressive education as a music and dance specialist, he also enjoys helping other teachers to develop their art.
Family Week at Ogontz
John Mayberry, from Toronto, Ontario, went to his first dance at two weeks old, carried in a basket. His love of dance, music, performance and craft has led to a career including carpentry, performance, writing, teaching, directing and almost everything else. He is the Fool of the Toronto Morris Men, an accomplished traditional singer, an experienced street theater and mumming performer and a professor of theatre production in the Department of Theatre, York University, Toronto. In 2006 John danced as the fool with the Toronto Morris Men in the Carnival Parade in Santiago de Cuba.
John Roberts has been singing English folk songs since the early 1960s, when he joined a local folk club in his native Worcestershire. Coming to the U.S. as a graduate student in 1968, he soon joined with Tony Barrand to form a duo which has lasted ever since. While continuing to work with Tony, and with the seasonal performances of Nowell Sing We Clear, John has continued to work as a solo performer, accompanying a broad repertoire of British Isles songs on concertina and banjo.
Jon Berger initially encountered English country and Morris dance at the California Renaissance Faires in the mid 1970s, where he learned his first tunes by actual oral tradition; that is, from people singing them to him. He has played for English country and contra dances in the San Francisco Bay Area since the early 1980s, as well as Berkeley Morris and Apple Tree Morris and assorted other display-dance teams. He can be heard on several highly regarded English country dance recordings, including two with his band Persons of Quality. Jon also plays in a Celtic band, Greenhouse, and a straight-ahead American rock band called the String Rays. (Not to be confused with the no-space Stringrays.) He is a former member of the Celtic rock band Tempest, with whom he toured for two years.
Josh Burdick studied piano, violin, and musicianship at the Peabody Prep in Baltimore, and (during the summer) at the Walden School for Young Composers in New Hampshire. He took up folk-dancing in college, in Philadelphia, where he has often played piano and violin for English, Scottish, and contra dancing. He has since relocated to Ann Arbor, where he works as a computational biologist, and continues to play for dancing.
June Rowlands is a yoga practitioner of nearly 30 years who believes ‘Yoga for All’ has far-reaching health benefits and can be enjoyed by anyone who wants to sample it. She is trained by, and holds a Diploma from The British Wheel of Yoga and teaches in a general Hatha style. June not only works with school teachers to integrate yoga into the school curriculum, but teaches yoga to private clients and regular weekly classes in her community. June has taught yoga in the U.K., New Zealand, Hong Kong, Singapore, Thailand and India. Her love of folk music and dance spans 40 years as she thrived in the role of Squire and Musician for Meridian Morris (London), Ring O’ Bells (New York) and Hong Kong Morris (Hong Kong). June is a fun-loving fiddler and along-side her accordion-playing husband John, continues to play and dance at many U.K. folk festivals and pub sessions. June first appeared on staff at Pinewoods running Children’s Games classes in 1981 and is thrilled to return as staff. She feels it is a ‘home-coming’!
English Dance Week at Pinewoods
Kalia Kliban has been part of the Bay Area dance community since the mid-80s, performing and teaching morris, longsword, American and English clog and English country dance. She is program director for BACDS's upcoming Fall Frolick weekend and has also programmed BACDS Family Week. Her clear and humorous teaching style has gotten feet tapping at camps and gatherings throughout California and beyond.
Karen Ann Hoffman
Karen Ann Hoffman is a citizen of the Oneida Nation of Wisconsin. Her works are in the permanent collections of the: Smithsonian Institution -NMAI, The Wisconsin State Museum, The New York State Museum, Indianapolis Childrens' Museum, Memorial Hall Museum, Deerfield, MA, Nerman Museum of Contemporary Art, Overland Park, KS , and the Iroquois Indian Museum, Howes Caverns, NY. Karen Ann’s award winning Beadwork has been displayed at: Mitchell Museum of the American Indian, Evanston, IL; Bergstrom-Mahler Museum, Appleton, WI; The Neville Museum, Green Bay, WI; The Castellani Art Museum, Niagara Falls, NY; The Ukrainian National Museum, Chicago, IL Karen Ann was a member of the Skanikwat Project, Nakuru, Kenya, Africa. The project, led by Samuel Thomas, used tribal beadwork as a medium to foster peace across languages, races, religions, and continents.
Kari Sickenberger is a singer and songwriter from Asheville, NC. She and musical partner, Laurelyn Dossett founded the band Polecat Creek and made three records together with world class banjo player Riley Baugus. Kari has also toured with and sung on recordings by Ginny Hawker and Tracy Schwarz. She teams up with Vollie McKenzie in the Asheville band, The Western Wildcats, a classic country and honky tonk dance quintet, and she regularly teaches private and public singing and harmony workshops. Kari draws on her vast experience as a world traveler and a Spanish and English teacher and her lifelong love for and experience with music to create a safe and encouraging environment for new and experienced singers alike.
Kari Smith has been teaching adults and children various forms of seasonal display dance for 30 years. She is the foreman of Guiding Star Clog Morris, and a founding member of The New Dancing Marleys. When she is not at camp, she teaches educators to integrate the arts across the curriculum in addition to her anti-bias educational work around gender diversity. She loves to sing and dance, and to get others singing and dancing!
Karl Clark Colón
Changeling and Wild Rumpus guitarist Karl Clark Colón is the perfect Celt: a delicate cross between a scholarly monk and a professional wrestler. One moment he's quietly hunched over his guitar, eyes closed, creating intimate soundscapes to highlight a quiet tune, but in the blink of an eye he's stamping, shouting and leaping from the rafters in the spirit of a reel. His unstoppable sense of beat and dance floor fun make him a hit with dancers on both sides of the Atlantic.
Kathy Anderson is widely admired for her exciting squares, quirky contras, and swift, clear teaching. She has long been a favorite caller across the U.S., Canada, England and Denmark. Kathy's smooth delivery and intriguing repertoire make for an entertaining and engaging dance experience.
Kathy Reid-Naiman is a full time children's performer, member of Mariposa in the Schools and the Children's Music Network. She has been working as a folk-musician since her early teens and comes from a musical family. She has been playing music with Arnie Naiman as Ragged but Right for many years. She is a multi-instrumentalist who plays guitar, fiddle, Appalachian dulcimer, banjo ukulele, and autoharp. She has been on staff at Campers’ Week at Pinewoods and Family Week at Ogontz many, many times over the past 27 years.
Kathy Talvitie, from the Delaware Valley, is active in the dance community as a musician, dancer, organizer and composer. In addition to playing piano with Hold the Mustard and A Joyful Noise, Kathy plays guitar with the contra band Raise the Roof and is a member of the Fiddlekicks clogging team.
Keith Murphy has been immersed in music and dance since his childhood days in Newfoundland. His distinctive rhythmic sound on guitar, mandolin, piano and foot percussion has helped drive several great contra dance bands including Nightingale, Wild Asparagus and Assembly. Having performed at many dance events throughout the U.S. and Canada as well as overseas, he brings a wealth of experience and sophistication to his playing.
Kelly Bosworth is a singer, a songwriter, an obsessive harmonizer, a guitar player, and music teacher. Although she hails from the coolest town in the world - Portland, Oregon - she currently resides in another pretty cool place: Bloomington, Indiana. She is working towards a graduate degree in Ethnomusicology at Indiana University and she studies the complex intertangling mess of music, community, emotion, and identity.
A Kentucky native now living in Houston, TX, Kendall Rogers is a piano player who also dabbles in accordion, DADGAD guitar, bodhran and whistle. In addition to being a regular member of the Houston-based Irish band The Jig is Up!, Kendall enjoys participating in contra and English Country dancing, whether playing, dancing, calling or running the sound board. This year he also joined the board of directors for the Houston Area Traditional Dance Society. Kendall has also led piano workshops at the O'Flaherty Irish Music Retreat and Youth Camp for the last several years, in addition to playing piano at their ceilis.
Kevin Carr has played fiddle for dancing for about forty years, with the Hillbillies from Mars in California, with Les Tetes de Violon In Quebec, with the Family Carr and Verdegaio in Galicia and Oregon, and with Wake the Dead in the outer spheres. He enjoys telling stories and playing bagpipes from around the world, occasionally at the same time. And he really was once kidnapped by faeries.
Family Week at Ogontz
Larry Edelman has called and played for dances for going on 40 years, delighting both novice and veteran dancers with his humor, enthusiasm, skillful teaching, knowledge of dance history, and colorful calling. Also a musician, he plays fiddle, mandolin, and guitar in the Soda Rock Ramblers, the Percolators, and the Prairie Chickens. Larry travels widely and has called dances and taught hundreds of workshops at camps throughout the U.S. and in Europe, including the Festival of American Fiddle Tunes, Ashokan, Augusta, Pinewoods, Lady of the Lake, Rocky Mountain Fiddle Camp, and many more. He has served as the coordinator of Dance Week at the Augusta Heritage Arts Workshop and CDSS's American Dance Week at Pinewoods. Larry is an avid researcher of square dancing and video producer. During the 1980s while collecting traditional square dances in southwestern Pennsylvania, he was awarded a Fellowship in Folk Arts from the Pennsylvania Council on the Arts to study with elder caller Jerry Goodwin, and produced the movie Dance to the Music and Listen to the Calls that documented the apprenticeship. Larry also produced Yee Haw, a quirky and informative movie of how square dancing has been portrayed in historical, non-theatrical motion pictures. He is currently producing several documentaries on a variety of topics, including the Lancers as danced at the Independence Grange Hall in Independence, PA in 1985, on couples dances at rural square dances, and a documentary of an older southwestern fiddler. Larry is a Consultant to the Square Dance History Project. Over the past few years, Larry has been studying and collecting traditional music and dances from the southwest. Hear Larry call a dance.
Larry Unger has been a prolific tunesmith and full time musician for over 20 years, and probably logs more road miles each year than any other contra dance musician, playing guitar, banjo, piano and bass with numerous bands. Larry's broad musical interests include old-time, blues and swing AND he's a great teacher too.
Laura Parsons is a contra, English and morris dancer who lives in the DC area. She saw her first Northwest Morris in 1991 and immediately wanted to jump in. Several CDSS weeks, workshops, and parades later, she became a founding member and foreman of the Arlington Northwest Morris team from Arlington, VA. Laura’s morris dance goals are for you to have maximum fun, to make some noise, and to put on a good show.
Laura Robertson has been performing percussive dance for thirty years, and began her long-term love of wooden shoe clogging at Pinewoods in the very early '90s. She has been teaching wooden shoe clog, Appalachian clog and English ritual dances at dance weeks and weekends while she was part of the internationally renowned Footworks percussive dance team. She now runs a ritual team in Baltimore that showcases multiple percussive dances from many traditions around the world. She was thrilled to be a part of the London cast of Riverdance for a short while and very happy to be back at Pinewoods to dance again! Wooden shoes are still her favorite style!
American Dance & Music Week at Pinewoods
Lauren Breunig grew up steeped in folk music and dance: attending Family Week at Pinewoods, singing Shape Note music in friends' living rooms, contra dancing often and energetically, and touring with Village Harmony singing camps. She is also a founding member of Windborne, a Vermont-based folk band that specializes in traditional vocal music from the US and around the world. When she's not making music, Lauren works as a circus artist and instructor, performing aerial fabric, trapeze, and partner acrobatics.
Laurie Cumming is a founding member of Toronto Women’s Sword and has been wending her way in and out of sword dance for over 25 years. She has long been a fan of old Ontario-style step dance learning routines from the repertoire of the Alec Mulligan. More recently her newest passion is the South East Asian dance form known as Bollywood. Laurie’s collaborative and enthusiastic teaching style inspires her students to bravely tackle new movement challenges. In her away-from-camp life, Laurie enjoys teaching junior and middle school students in the Toronto District School Board.
Leela Grace is a Missouri native, and Portland, Oregon transplant, who has performed and taught nationally for over 25 years, first with her family, and now as a solo performer and in a duo with her sister, Ellie Grace. Leela's soaring vocals, driving old-time banjo playing, powerful percussive dance and disarming teaching style make her a favorite at venues and camps across the continent. As a teacher of music and dance, Leela has inspired literally thousands of school children, banjo students, percussive dancers and singers of all ages through the classes, school assemblies, camps and lessons that she has taught across the U.S. and Canada over the years. Leela is known as a kind, entertaining, experienced teacher who offers clear, understandable instruction to singers, musicians and dancers of all levels.
Linda Nelson has been an avid dancer since the early 1970s, and a dance leader since 2001. Linda is one of the regular ECD teachers for Country Dance Society, Boston Centre (2004 to the present), and was co-founder, organizer, and leader of an ECD series (2001-2011) on Cape Cod, MA, where she lived for 40 years. Linda has also taught at Pinewoods and other venues around the northeast, with a special interest in keeping classic dances alive, along with enjoying the very best of the new choreographies and reconstructions.
Liza Malamut regularly appears as a sackbut specialist with the country's premier early music groups. Engagements have included performances with the Handel & Haydn Society, Boston Camerata, Music of the Baroque, Seraphic Fire, The Sebastians, Trinity Baroque, the Boston Early Music Festival, Piffaro, Baroque Orchestration X, Apollo's Fire, The Green Mountain Project, Mercury! The Orchestra Redefined, Dark Horse Consort, Boston Baroque, and others. Liza is the recipient of a 2017-2018 American Dissertation Completion Fellowship from the American Association of University Women for her work on the integration of historical performance practice with mainstream teaching. She looks forward to receiving the Doctor of Musical Arts Degree in Historical Trombone from Boston University in Spring 2018. Liza has given master classes and coachings at Boston University, Eastman School of Music, Indiana University, Tufts University, Loyola University, University of Central Oklahoma, and Northeastern University. In 2015, Liza served as Visiting Lecturer in Sackbut at Indiana University’s Jacobs School of Music, and she continues to teach students in her home city of Boston. Liza holds degrees from the Eastman School of Music and Boston University, where she studied modern trombone with John Marcellus and Don Lucas, respectively. After receiving her Master of Music degree, she spent a year touring the United States with her Indiana-based chamber ensemble, appearing with the Buffalo Symphony, the Saint Paul Chamber Orchestra, and at many other venues across America. Her work with children and students has inspired various large-scale outreach projects, including several family-friendly productions of Heinrich Schütz's Weihnachtshistorie, staged in New York and Boston in collaboration with the New York-based vocal collective Musica Nuova; and Singen und Sagen: Music for Hope in a Time of War, a concert of works by Michael Praetorius in collaboration with the Schola Cantorum of Rochester. For these and other projects, she has been the recipient of the Paul R. Judy Polyphonic Grant and the 2017 Early Music America Outreach Grant.
Louise Siddons has been a dance caller and teacher for nine years, and a dancer since her mother taught her to box-step waltz in third grade. Her repertoire as a teacher ranges from English country dance and contra to waltz and swing, with a smattering of anything else she can find in between—most recently, Irish set dances. One of her particular joys as a dance caller is to find the sweet spot in which people have fun while learning something new. In pursuit of that goal, she calls everything from birthday parties to Jane Austen Society balls. A professor of art history, her dancing is informed by her intellectual commitment to a phenomenological understanding of social and cultural history. Her professional obsessions are likely also responsible for her curiosity about—and investment in—the ongoing question of how folk and social dances reflect and respond to diverse community needs.
Lucy Huzzard has been dancing clog since childhood and now tours with the hugely successful Demon Barbers/The Lock In as a clog dancer. She studied Folk and Traditional Music at Newcastle University on her trusty melodeon (now traded in for a bigger model) and spent a year in Sweden studying Swedish folk dance at the Eric Sahlström Institute. She has also competed at the Dancing England Rapper Tournament (DERT) multiples times as well as judging the competition in 2016 and has danced and played for Cotswold morris. She's thrilled to be invited to teach on this side of the pond and hopes to spread the folk dance love!
lydia ievins, from Montague, MA, plays fiddle regularly for English, contra and couple dancing. Her love for creating rich harmonic lines led her into exploring the vibrant traditions of Swedish fiddling; she has thus discovered that the nyckelharpa makes a striking addition to English country dance. As an avid dancer herself, she infuses her playing with rhythmic clarity and sensitive phrasing to produce eminently danceable music.
Lynda Johnson is the Revels Production Manager and The Christmas Revels Children’s Stage Manager. She is the co-founder and director of Marblehead Little Theater Children’s Theater and BackYard Youth Theater and simultaneously has owned and operated Grasshopper Day Care, a family day care business, since 1983. At Revels she collaborates with Revels artistic and education staff in school projects and residencies. Her ongoing goal is to foster and create children’s communities well as lending her lifelong skills to the optimization of children's learning through drama and music.
Mack Ramsey has been a lifelong specialist in performance on early instruments, playing sackbut, recorder, Renaissance flute and classical era trombones. He is a member of the early brass ensemble, Dark Horse Consort, and he frequently appears with baroque orchestras, such as Tafelmusik Baroque Orchestra, Boston’s Handel and Haydn Society, Trinity Wall Street Baroque Orchestra, Clarion Society, Apollo’s Fire and Mercury Houston. Other ensembles include New York’s Green Mountain Project, Tenet, Piffaro, Toronto Consort, and Pacific Musicworks. Overseas, he has performed and recorded with the Taverner Consort, directed by Andrew Parrott and with the Gabrieli Consort, directed by Paul McCreesh.
Margaret Bary performs rapper and longsword with Half Moon Sword and hosts the New York sword dance festival along with her team. An avid Contra and English country dancer, she is currently an apprentice caller at CDNY’s weekly English Dance. Margaret serves as Performing Arts Department Chair at Brooklyn Friends School where she teaches dance, incorporates folk and sword dance into her creative dance curriculum, and calls the annual family dance. She is active on the board of the New York State Dance Education Association and with Pourparler, a national organization of teachers of folk dance.
Maria Terres began playing violin at the age of 9. As a teenager in Boston she was taken to her first contra dance and began playing dance music shortly after. She has been a dance fiddler since then in a variety of styles and communities throughout the country. In addition to New England contra dances, she plays for Irish dance (set dances, ceili dances, and Irish step dancing competitions, or feisanna), English country dance, Scottish country dance. She’s also at home with Scandinavian, Quebecois and other styles. She has taught privately, most recently under the auspices of the Milwaukee Irish Fest School of Music. She has developed numerous music and dance workshops, including school programs as a cultural partner with the Arts and Community Education (ACE) program with the Milwaukee Symphony Orchestra for almost 20 years. In addition, she composes music, has provided music for theater, and worked as a studio musician. She was a long-time member of Last Gaspé of Madison, Wisconsin. Currently she is a member of the duo Rare Privilege with her music partner Amy McFarland. Her diverse musical interests include jazz and improvisational playing, classical, theater, and ethnic traditions of all types. Basically, if it can be played on the fiddle she’s ready and willing to make it sing.
Mark Roberts’ long and varied musical career has included extensive touring and recording, playing more instruments than you can imagine with The Clayfoot Strutters, The Sevens, The Red Clay Ramblers, Childsplay and Touchstone. He’s played for Broadway shows and movie soundtracks and we think he is one of the finest dance musicians in the country.
Martha Owen began her adventure in spinning at the John C. Campbell Folk School, (founded in 1925), in Brasstown, NC in 1978. Since 1980 her extended family has included sheep and angora rabbits. Also a banjo player (since 1973) and known to tell a story or two, Martha’s interest in sheep and wool, music and dance, have carried her quite literally and joyfully around the world. Some say she is a wool nerd but her sheep say she is outstanding in her field! Martha became a member of the Southern Highlands Craft Guild in 1988, is now a Resident Artist at the John C. Campbell Folk School, and co-owner of Yarn Circle in Murphy, NC, a store catering to fiber enthusiasts.
American Dance & Music Week at Pinewoods
Soon after moving to Boston in 1978 Mary Lea encountered musicians who serendipitously became her musical trail buddies in the English country dance band, Bare Necessities, and in other bands that offered up music for contra, couple, international and vintage dancing. Playing both violin and viola, she is known for her tone, passion and creativity with the ECD repertoire and has played for dancers around the country, across the seas and on the seas for workshops, dance weekends, cruises and music and dance weeks. Surprisingly, playing for dancing and teaching fiddle became her day job, and she feels fortunate that that was the case. Along the way Mary has also been involved in numerous recording projects, including the CDS Boston English Country Dance series, Gary Roodman's recordings, and other projects of her own. Besides birding and reading, she has taken up painting in oils, studying Portuguese fiendishly, and helping run various long-standing dance events and concerts in her hometown of Brattleboro VT.
Mary Wesley is a dance leader, caller, and organizer for contras, squares, morris, and family and community dances. A native of Vermont, she travels throughout New England and beyond to follow and share her love of dance. She is a founding member of Burlington's Mad Robin Callers Collective, a group dedicated to fostering new callers. Mary also works in the Education Dept. at CDSS and makes radio and video documentaries. Her friendly enthusiasm is sure to please.
Harmony of Song & Dance at Pinewoods
Matthew Duveneck started waltzing when he was in his mother’s womb and hasn't stopped since. He embraces many folk dance traditions and especially loves Morris and couples dancing with a particular passion for Argentine Tango. During the last ten years he has found a fine balance between his passion for forest ecology research and dance— traveling around North America for both. Matthew is currently a professor at The New England Conservatory of Music, Boston where he teaches science electives and a social dance class.
Meg Ryan, from Northampton, MA, is an outstanding performer and teacher of both English and Anglo-American clog dance styles. She has studied under some of the masters of the traditions of English clog, including Pat Tracey and Alex Woodcock. Meg has performed in England, Canada and the U.S., and is a member of The New Dancing Marleys, who perform the routines of Anna Marley of Rockville, CT. She also teaches and performs Northwest Morris with Guiding Star Clog Morris from Greenfield, MA.
English Dance Week at Pinewoods
Mel Luedders has had fun singing and playing with children, adults, and teachers in the Northwest for the last 30 years. She directs the Spokane Community Choir where ALL voices are welcome and joyful sounds are made weekly. She is also the Director of Plum Tree School, a preschool where young folks play, sing, dance, explore the outdoors, and make all kinds of things. Mel works with teachers as an adjunct professor for Lesley University in Cambridge, MA. She gets to travel to towns large and small throughout the west to help teachers learn how music can be included in all kinds of learning and how to trust their own inner musician. She sings and plays with the little ones every year at Fiddle Tunes in Port Townsend WA, and at Lady of the Lake Family Week on Lake Coeur d’Alene in Idaho.
Melissa Running discovered folk dance in college (PE credit! With music!) and hasn't stopped since. She plays piano for English, Scottish, and contra, plays nyckelharpa for English and Scandinavian dance and the occasional concert, and calls English across the country, most often locally in the suburbs of DC, Maryland side. Aside from music and dance activities, she works at linguistic precision as a technical writer and editor, and knits with the zeal of the newly converted.
Mia Bertelli hails from the mountains of New Mexico, where she grew up eating raspberries and singing at every chance she could get. Her love of song led her to Vermont at the age of fifteen, where she threw herself into the polyphonic singing camps of Village Harmony and never looked back. Since then she has been filling kitchens, streets, concert halls, vegetable gardens, and public restrooms with song, both in the northeast and overseas. Her irrepressible inclination to harmonize and great love of playful nuance have mostly gotten her into all the right sorts of trouble, so she counts them among her blessings. She has toured with choral groups, small group ensembles, and solo, performing a wide variety of musical genres spanning traditional polyphonic singing and fiddling, solo ballads, country harmony, Swedish cattle-calling, pop, soul, and jazz. As a musician, she and is known for her sensitivity, playfulness, and mellifluous ornamentation. As a teacher, she aims to impart the tools to sing out confidently, listen closely, fearlessly navigate improvised harmony, and build a library of songs that you can’t help but want to sing.
Michael Gorin is a long-time fixture in the traditional music and dance community - morris dancer and musician with the Bouwerie Boys; Half Moon Sword's fiddler; and founding member of Grand Picnic, NYC's renowned high-energy contra dance band. He also performs with the rather less renowned Jansson Brothers Swedish Family Orchestra (From Sweden).
Michelle Roderick came to the Boston area in the early 70s for college, and for the vibrant folk dance and music community. As a member of The Mandala Folk Dance Ensemble, Michelle performed in one of the early Revels in Cambridge. She has been dancing and singing with Revels ever since. She served as Revel’s Education Director for the past 6 years, and taught many singing games, play party and dance workshops for children. Michelle ran her own Preschool in Sudbury for 25 years and loves passing on these wonderful traditions to young children best of all. “Two of my favorite places to be on earth are with Revels and Pinewoods Camp with my family. Combining both of these, at this week in Ogontz, is going to be a dream come true!“
Nathaniel Jack grew up in the folk community of eastern Massachusetts, learning the joys of music and dancing from an early age. As a teenager, he wrote several contra dances that have been called across the U.S. and abroad. He has danced with diverse groups including Beside the Point Rapper, The Harvard Ballroom Dance Team, The Bouwerie Boys Morrice Dancers, and Them Bad Apples Blues. At folk events, he is often seen singing late into the night, and is seldom seen at breakfast.
English Dance Week at Pinewoods
Natty Smith was raised in the New England folk dance community. He began Morris dancing on Tom Kruskal's children's team Hop Brook and then Great Meadows Morris and Sword in Sudbury, MA. He currently dances and plays for Candyrapper VSOP, Pinewoods Morris Men, Maple Morris, and Thames Valley International. Natty’s distinctive fiddle style, influenced by New England contra dance traditions traditional English styles, can be heard all over New England, Canada, and often England in the spring and summer. Since fiddling for morris and sword can’t pay the bills, Natty also teaches High School English in Salem, MA.
A member of the groups Genticorum and Crowfoot, as well as the Alex Kehler & Nicholas Williams Duo, Nicholas has earned a reputation as a versatile and innovative musician in the traditional music communities of Québec and New England. Equally at home on piano, accordion, and blackwood flute, his passions for musical exploration intertwine with his love of community connection through music and dance. He is becoming increasingly recognized as a song leader, having led sessions at the Northeast Heritage Music Week, and Ashokan Northern Week, as well as his weekly singing group in Waterville, Québec.
A soulful fiddler, mandolinist and spellbinding tunesmith, Oliver Scanlon began his journey of musical discovery with a stint in the Vermont Youth Orchestra, picking up the viola when he was nine. Shortly after he was introduced to his mentor Pete and the immense parallel universe of fiddle music! His keen interest in fiddling led him to seek further learning and performing opportunities through Mark Sustic’s “Fiddleheads” program, and soon he began attending music camps where he studied various styles with Alan Jabbour, Kimberley Fraser, Andrea Beaton, Eric Favreau and other master fiddlers. In 2013 he both co-founded Pete's Posse and became the youngest member of Pete’s long running dance band The Clayfoot Strutters. Recognized not only for his classy and mesmerizing playing, but also for being a meticulous sound tech, Oliver stays quite busy when not on the road with the Posse!
Patrick Sauber is one of those astounding multi-instrumentalists who feels as at home on the 5-string as he does on the mandolin and guitar. Patrick works occasionally with Laurie Lewis, the Bladerunners and Loafers' Glory, adding a punch musically and vocally that everybody's talking about.
American Dance & Music Week at Pinewoods
Paul Brown is an acclaimed teacher and performer of American roots music for voice, fiddle, banjo and guitar. He grew up with traditional music in his home, learning his first songs from his Virginia-born mother. He currently plays with Terri McMurray in the Mountain Birch Duo, and with various string bands. Paul has produced numerous recordings from his own fieldwork and other sources. He spent years learning from master fiddlers, banjo players and singers in the south. He has won the banjo prize several times at the Appalachian String Band Music Festival, where he's also won the senior fiddle prize and has been named a master artist. A retired NPR journalist and world newscaster, he now produces and hosts the Across the Blue Ridge program on public radio in North Carolina, exploring southern traditional music and culture.
Paul Oorts, a Belgian native, displays his musical versatility on things with strings and on musette accordion. He plays Celtic and continental European repertoire in duo with his wife, Karen Ashbrook, as well as English, Scottish, vintage and contra with Goldcrest and various DC area bands.
CDSS at Timber Ridge
Paul Prestopino plays all the fretted instruments, plus harmonicas and the occasional recorder. He began his professional musical career in 1961 as accompanist with the Chad Mitchell Trio, played behind Peter, Paul & Mary for fifteen years, and has recorded with numerous folk, pop, and rock-and-roll artists. He currently divides his time between work as a designer/builder/maintainer of pro audio equipment, backing up various folk musicians, and playing for contra and English country dances. Paul has played with Hold The Mustard since its formation in 1980.
Paul Woodiel is a New York-based purveyor of a broad array of violin and fiddle styles. His mentor Leonard Bernstein called him “…a first-class performer who combines spirituality with intellect.” Paul’s diverse freelance career finds him equally at home in the concert hall, the theatre, the recording studio, as well as a player for dancing of many sorts. A Broadway pit veteran, he has dozens of productions to his credit, including Ragtime, Sunset Boulevard, West Side Story, and Sting’s The Last Ship. A three-time New England Fiddle Contest champion, he performs widely with pianist Susie Petrov and piper/flutist Chris Layer as the Scottish trio Local Hero. He has performed as a soloist at Carnegie Hall, 92nd St. Y, the Miller Theater at Columbia, The Bard Festival, the Moab Music Festival, and the Sherman Chamber Ensemble. As a studio player, has worked as a mercenary on countless advertising jingles, from sugary “Irish” breakfast cereals to dubious weight loss medications. His many film credits include Woody Allen films and Carter Burwell scores, and he is heard on recordings for Tony Bennett, Sting, Fall Out Boy, and over 20 Broadway cast albums. Paul began fiddling as a teen, playing contras with Ralph Sweet and Jim Gregory and ECD demos with CT based Reel Nutmeg as early as 1977. He has enjoyed a long relationship with social dance fiddling, particularly for English, Scottish, and contra dancing, as well as vintage and ragtime era genres. He is delighted to return to Pinewoods, for his third experience at English Week.
Pete Sutherland is a warm voiced singer, songsmith and accomplished multi-instrumentalist, known equally for his potent originals and his intense recreations of age old ballads and fiery fiddle tunes. Pete has been on staff at dance and music camps coast to coast and is a widely known year-round teacher and performer at home. Sutherland is a veteran of many touring and recording groups including Metamora, Rhythm In Shoes, The Woodshed Allstars, Woods Tea Company, Ira Bernstein’s Ten Toe Percussion and is a founding member of the long running ‘contradance jamband’ The Clayfoot Strutters. He is also a producer with over 80 projects under his belt, and a prolific songwriter covered by the likes of Cathy Fink and Marcy Marxer, Jay Ungar and Molly Mason, Nightingale and Altan.
Peter Davis's multi-instrumentalism includes clarinet, alto sax, 5-string & tenor banjo, piano, guitar, mandolin and whistle as well as an intuitive approach to a variety of musical genres including traditional folk, blues, vintage pop and jazz forms. His many musical projects range from his own swing dance band, Lindy Hop Heaven, to blues, country and roots Americana with Annie and the Hedonists, to traditional music and dancing in the rocked-out contra dance band The Clayfoot Strutters and as part of Jay Ungar and Molly Mason's band. Peter is also the current Program Director of the Flurry Festival of Traditional Dance and Music which will be celebrating its 30th anniversary in 2017.
Ralph Gordon is a uniquely versatile musician, bringing more than 45 years of musical experience to the bass and cello. He is equally at home in folk, old time, swing, jazz, blues, bluegrass, klezmer, chamber group settings and all styles of music for dancers. Ralph, classically trained, studied music at West Virginia University and the Manhattan School of Music. He left Manhattan to perform with the New Jersey Symphony, then toured with Fred Waring and the Pennsylvanians. He eventually returned to West Virginia where he joined the ground breaking folk ensemble, Trapezoid. Nine years and four recordings later he left the group in 1986 to become a free-lance musician. He toured with Freyda and Acoustic Attatude and has been a member of Childsplay for 20 years. Ralph has performed with many individuals and groups in a multitude of musical styles and settings from weddings and special events to Carnegie Hall, the Kennedy Center, Blues Alley and Strathmore Hall. Ralph has played at festivals across the country and venues around the world. He is a sought after freelance artist and session musician in the Washington/Baltimore metropolitan area. He can be heard on many recordings, often contributing to arranging and producing. He teaches bass and performance classes at summer and weekend camps across the country.
Rebecca King’s classical piano training took a detour when she began playing for folk dances. She found that English Country Dance music was the perfect combination of classical chamber music with the improvisation of jazz. She plays for dances throughout the San Francisco Bay Area, and has played in England, Italy, and throughout the U.S. She has recorded 2 albums with the trio Persons of Quality, including Farnicle Huggy for Andrew Shaw, played on Dances from the Greenery for Sharon Green, and released a solo piano CD and book of her own compositions titled Nearer & Farther. Listen at rebeccakingmusic.com.
Rebecca McGowan is a dancer and teacher in the Boston area, where she began step dancing as a child with Clare Sullivan and later with Kieran Jordan. Drawing on the musicality of older-style step dance and the joy of social dance traditions, Rebecca is interested in exploring step dance as music and making Irish dance lyrical and approachable. Rebecca currently performs as part of Kieran Jordan Dance and in collaboration with musicians and dancers including Jackie O’Riley. She teaches sean-nós and step dancing classes for children and adults.
Renee Brachfeld is a professional storyteller and juggler, baker, home school mom and cat lover. Her work has taken her from Anchorage to Miami, from London, England to Saskatoon Saskatchewan. Her performances combine the wonder of storytelling with the unbridled joy of juggling. Renee lives in Washington DC with husband Mark Novak, daughter Kaziah, and Farfel, the wonder cat, who is at home destroying the furniture.
CDSS at Timber Ridge
Rob Rohr is a fiddler and Morris dancer hailing from Toronto, Ontario. Rob's fiddling draws from Quebecois, English, Irish and New England fiddling traditions. Rob plays each month with Sweet Felons All at Another Bloody Folk Club and frequently plays Quebec square and contra dances across southern Ontario with Les frères Gemme, Mango chaud point and St.-p'tit-Claude. Rob fiddles for local dance sides, Toronto f Morris Men and Toronto Women's Sword, and each month shares the joys of the music of French Canada at his session, TOQueTrad . Rob also dances with the Toronto f Morris Men, and has convincingly acquired the status of "Cirque du Soleil's Worst Dancer" while dancing in the 2015 Pan Am Games Opening Ceremony. Rob's favourite quote - "A frequent lower chromatic neighbour to scale step five does not a Lydian mode make." Rob's favourite pastime - creating new and creative alternates to Quebecois curses.
Robert Mills began his musical career as a piano major. In 1983 his cousin dragged him to a contra dance and sent his life on a different path. He plays piano, fiddle and accordion for Contra, English, Morris and Rapper dancing.
Having been a dancer since he was four, Robert Moir was introduced to English Country Dance by his wife Hazel when they moved from London to Newcastle upon Tyne in 1972. In due course he was recruited to join the calling team, and eventually led two weekly classes as well as being involved in dance events in the North East, Yorkshire, the Lake District and North Wales. When they moved south to Gloucestershire, Robert soon became known to the dance community in the South West and then nationally in the UK. He has called in most parts of the UK, and is currently involved in a series of special Sunday afternoon events at Cecil Sharp House in London. Robert has been invited to participate on several occasions in events in the US and also in Belgium and the Netherlands. Because of his dancer-friendly teaching Robert is much in demand to pass on his own love of dance to others. Both Robert and Hazel are members of the Pat Shaw Liaison Group which was set up initially to organize and encourage others to join in the centenary celebrations of Pat Shaw’s birth. See patshaw.info for more information.
Robin Davis has been participating in community folk music and dance activities much of her life, including healthy doses of Cotswold and Northwest clog morris. A retired professional baker, Robin now teaches preschool. She enjoys gathering children and adults together to DO ART, such as modular origami, Ukranian egg dying, bookbinding, printing and paper collage. She sings with the River Singers, a large multi-cultural choir, and a hospice singing group called Hallowell. She has led children's classes at Pinewoods, Ogontz and Lady of the Lake family weeks.
Got whistle? Robin Kynoch has one, and she's not afraid to use it! Robin has been playing tin whistle for contras, English and ritual dancing for over 30 years and has been playing at Campers' Week for almost that long. She also plays at Irish sessions and ceilidh dances, and is a member of several Irish musical groups in the Boston area. Robin knows lots of tin whistle tricks and is currently learning how to play the Irish button accordion and the fiddle, "truly humbling" experiences.
Rodney Miller was designated a "Master Fiddler" in 1983 by the National Endowment for the Arts. He is widely considered to be the foremost exponent of New England style fiddling, a uniquely American blend of French Canadian and Celtic influences. Over the past 40 years, he has toured the U.S., British Isles, Australia and Denmark, performed and taught at hundreds of music and dance festivals, and recorded over ten fiddle albums. Rodney is currently playing in the contradance bands: Stringrays, Rhythm Raptors and Jigjazz.
In 1999, Rodney represented the state of New Hampshire, playing traditional fiddle music at the Smithsonian Folklife Festival in Washington, D.C. He has also appeared on Garrison Keillor’s "A Prairie Home Companion," performed live with the Twyla Tharp Modern Dance Company at the debut of a modern dance choreographed by Ms. Tharp set to Rodney's fiddle music.
Ross Harriss plays contextual and sophistically engaging tunes for contra, English and couple dancing. He currently resides in Princeton, NJ and can often be seen at local dances as a dancer, musician or sound person.
Campers' Week at Pinewoods
Sarah Henry is a long-time member and leader of both Ring o' Bells Morris and Half Moon Sword. Sarah has been a creative force behind lots of fun stuff at recent Campers' Weeks -- everything from rapper, English clog, longsword, and morris to 'bacca pipes, string figures, giant puppets, and pysanky eggs. In "real" life, Dr. Sarah is a historian and museum curator and administrator.
Sasha Hsuczyk was born and raised in Los Angeles, CA. Her first few years of college were spent in Ireland attending the University of Limerick's undergraduate program in traditional Irish music, where she studied the fiddle. It was there in the traditional music section of the library that she discovered a copy of the Sacred Harp. She completed her undergraduate degree in Western Massachusetts at Hampshire College, earning a certificate in ethnomusicology. While living in New England she became deeply involved with the Sacred Harp singing community and eventually went on to chair one of the largest Sacred Harp singing conventions in the world. She has traveled all over the east coast to sing, with several pilgrimages to Alabama and Georgia. She currently resides in Pennsylvania, where she works as a vegetable farmer and musician.
Scott Kessel began drumming in preschool and grew up to study with jazz legend Ed Blackwell, to immerse himself in West African drumming and to tour with groups playing everything from reggae to honkytonk to zydeco to original rock. For the last 15 years, he has been harmony singer and percussionist for the folk/roots quartet Rani Arbo & Daisy Mayhem, playing the “Drumship Enterprise” -- a recycled drum kit comprised of cardboard and wooden boxes, cat food tins and a vinyl suitcase. When not on tour, he teaches workshops in Mindfulness and is the lead artist at Kidcity Children's Museum in Middletown, CT.
Shane Clark grew up contra dancing, and has carried that love of rich music, enthusiastic play, and community connection into every other area of her life. Shane is particularly interested in how diversity and individual expression can strengthen community, and seeks to create dance environments that are accessible, inclusive, and fun for everyone. Shane teaches Blues and Improvised Partner Dance internationally, and is pioneering a new style of dance teaching that allows everyone to simultaneously develop leading and following skills on and off the dance floor. Shane is excited to share her passion for the history, music, and grounded movements of Blues with her contra family!
Shira Kammen has spent well over half her life exploring the worlds of early and traditional music as a multi-instrumentalist and vocalist. A member for many years of Ensembles Alcatraz, Project Ars Nova and Medieval Strings, she has also worked with Sequentia, Hesperion XX, the Boston Camerata and the King's Noyse, and is the founder of Class V Music, an ensemble dedicated to performance on river rafting trips. She has performed and taught in the U.S., Canada, Europe, Israel, Morocco, Latvia, Russia, Japan and on the Colorado and Rogue rivers. Shira happily collaborated with singer/storyteller John Fleagle for 15 years and performs now with a diversity of collaborators, including storyteller Patrick Ball, the English country dance band Roguery, medieval ensembles Fortune's Wheel and Tapestry, and the California Revels, among many others. She occasionally has played on movie and television soundtracks, when weird medieval instruments are called for.
Stefan Amidon grew up singing with his family and picked up many instruments along the way. Primarily a drummer, Stefan has played with many folk bands such as Popcorn Behavior/Assembly, Lissa Schneckenberger, Matt and Shannon Heaton, and Wild Asparagus. Currently he is most active as a drummer with country/honky-tonk band The Sweetback Sisters and Irish-rooted contra dance band, Magic Foot. Stefan also has much experience leading shape note singing at festivals and camps, and at Oberlin College. He graduated from Oberlin Conservatory with a degree in Jazz Performance, which he is not really sure what to do with beyond hanging it on the wall.
Stefan Read has over 20 years of morris dancing experience as a core member of the Toronto f. Morris Men, Thames Valley International, Maple Morris and other sides around North America and the UK. He is a co-founder of Maple Morris and co-produced and performed in Must Come Down and Rootbound, Maple Morris' 2011 and 2013 stage shows with the UK's Morris Offspring. More recently, he was one of six morris dancers who performed at the opening ceremonies of the 2015 Pan Am games in Toronto, and founded and coordinates the Pan Am spin-off project Learn Every Dance which brings together Toronto-based ethnic dance groups for monthly dance workshops. Stefan has honed his morris teaching skills through numerous workshops, Maple Morris sessions, and by leading practices for the Toronto f. Morris Men.
Stephanie West is a clog and sword dancer from the north of Sheffield, home to the famous Grenoside Sword Dancers and the Sheffield Carol tradition. Growing up in a folkie family, Steph first started dancing as a child in junior Cotswold team Morris Minors, before discovering rapper dancing at age 15. After starting out with Triskele Sword in Sheffield, Steph went on to found the two-time DERT winning team Star and Shadow in Newcastle. Along with Star and Shadow, Steph also performs with Four Corner Sword, a peripatetic, mixed team that specializes in traditional dances. Steph has also been dancing English clog, predominantly in the Lancashire style, for over 10 years and has danced with a wide range of teams as well as performing solo. Having recently moved to Lancashire, Steph is focusing on developing her clog dance repertoire and is currently both performing and teaching with the Oakenhoof Voluntary Folk Arts group in her home village of Littleborough.
Steve Hickman is a world class fiddler, a master hambonist, a passionate historian, and an organic homesteader, specializing in wild blueberries and Shiitake mushroom production. Since the 1970s, he has been the backbone of untold numbers of mid-Atlantic dance bands and has taught hambone to several generations of Family Week campers. He has toured internationally with groups including Childsplay.
Steve Pike, a recently retired teacher from Madison, WI, has been calling a variety of contras, squares and other dances for over twenty years at venues from Alaska to New Mexico to New York to Denmark. His clear, concise, laid-back teaching style emphasizes the joy of dancing while building a sense of community among dancers and musicians.
Steve Roderick started Morris Dancing in 1975 and is a member of the Pinewoods Morris Men. He has helped introduce many new generations to Morris and Sword dancing as a past teacher to Banbury Cross, Hop Brook and Great Meadows children’s morris teams. He has been a Biology teacher at Lincoln Sudbury High School for almost 30 years. Steve also has danced with Mandala Folk Dance Ensemble and Orion Longsword. He has been on staff at Pinewoods Camp, and looks forward to this week at Ogontz!
Revels in Dance & Song at Ogontz
Steve Rosen has been a driving force in the Midwest old time scene for 35 years, laying down guitar rhythms and driving banjo with the Volo Bogtrotters, as well as dozens of other bands, has played for hundreds of dances, festivals and bars, mostly old time as well as bluegrass and country, and teaches banjo and fiddle at the Old Town School of Folk Music. One of his favorite hobbies is run-on sentences.
Steve Zakon-Anderson has been calling contras, leading workshops for callers and teaching couples dance for over 25 years. He has performed at dance camps and festivals in 36 states, including Pinewoods, Ogontz, Buffalo Gap, Lady of the Lake, Augusta and Brasstown. His own dance compositions are well known to dancers and other callers. Steve's clear teaching, energetic calling and sense of humor have made him a favorite of dancers of all ages and abilities.
Stuart Kenney is one of the most popular upright bass and five-string banjo players on the U.S. contra dance and acoustic folk music circuit. His regional musical interests sweep from Southwest Louisiana to Acadia and back to New England. Stuart toured with the late cajun master fiddler Mr. Dewey Balfa. He is a founding member of many great bands including The JEMS, StringRays, Tidal Wave, The Sevens, Airdance, and he spent 14 years touring with the legendary contra dance band Wild Asparagus. After contributing to more than 50 studio recordings, in 2014 he released his highly acclaimed solo recording, Red Case, featuring his original compositions--hauntingly beautiful melodies and ancient rhythms. In addition, Stuart's innovative teaching style has been presented at Jay Ungar’s Fiddle and Dance, Maine Fiddle Camp, Port Townsend Fiddle Tunes, Pinewoods American Week, Bay Area CDS American Week (where he was Program Director for 2015 and 2016), and countless folk music and dance events around the country and overseas. Although Stuart's music has brought him coast to coast and beyond, his musical home is at the Guiding Star Grange in Greenfield, MA, where he plays for and hosts the TopHill Music and Dance Series.
Sue Hulsether calls dances for groups of all ages and abilities, equally at home at a dance hall, school, barn, or camp. Her dance repertoire includes squares, contras, circles, reels, play parties, and singing games -- as well as teaching the rhythmic delights of flatfoot clogging and spoons. Following a career in music education, she has been working as a full-time caller for 12 years and is recognized for her clear teaching, welcoming manner on the mic, and engaging humor.
Sue Rosen has been dancing all of her life and attended her first callers workshop at Campers’ Week at Pinewoods in 1989. Since then she's become one of New England's favorite callers and has written contras that have become part of the standard repertoire of dance callers across the country and overseas.
Susan Michaels is a long-time dance caller from Los Angeles where she has been calling dances for more than 20 years! She will also a storyteller, delighting all with her heart-warming and wacky stories.
By day, Susie Petrov teaches young people to sing, dance and be nice to each other as an elementary school music teacher in the Boston area. Her teaching tradition emphasizes using the student’s native folk music to learn their musical “mother tongue” to better prepare them to explore the wider music world. Her oldest students have performed the Longsword dance every year since 1990. On weekends and during school vacations, Susie plays for, teaches and calls for Scottish dancing. Her appearances in 2015-16 will take her from Boston to Minneapolis, to New York (Pipes of Christmas), to a ski and dance weekend in Oslo, and the New Harmony Music Festival and School in Indiana. In July, she directs and teaches music teachers how to share dancing with their students at the Kodály Music Institute.
Terri McMurray shows up with a sharp wit, a memorable smile and great chops on 5-string banjo, banjo uke, and guitar. She looked and listened hard during her many years around some of the great master traditional musicians in North Carolina and southern Virginia, and it shows in her playing. She co-founded the Old Hollow String Band with Riley Baugus and Kirk Sutphin, and has since performed with the Toast String Stretchers, the Mostly Mountain Boys and the Mountain Birch Duo with Paul Brown. Terri is a well-loved teacher known for her engaging manner and has taught at camps from Pinewoods to the Bluff Country Gathering to the Festival of American Fiddle Tunes to the FOATMAD old time music weekend in England.
Tim Ball is a versatile fiddler and guitarist who grew up in Watkins Glen and currently lives in Newfield, NY. A staple of the contra dance and Irish music scenes in western New York for the better part of a decade, Tim has toured widely with contra dance bands such as Tempest and Tunescape, and performs with well-known rennaisance festival bands Empty Hats and Cantiga. He holds a degree from Ithaca College in classical violin performance, and has also studied early music, jazz improvisation, Suzuki Pedagogy, and the Creative Ability Development method. Tim maintains a private violin and fiddle studio in Ithaca, NY, and teaches regularly at camps including the Kanack School of Music fiddle camp and the Ithaca Suzuki Institute.
Tom Besford was born into a family of traditional dancers with parents who performed in the North West morris revival teams, Horwich Prize Medal Morris Men and Rivington Morris. During almost 10 years living in the North East of England, Tom became Squire of both the Sallyport Sword Dancers and the Newcastle Kingsmen, leading sides to success at the annual Dancing England Rapper Tournaments in 2006, 2009, 2010, 2011 and 2012. Along with his wife, Stephanie, they have formed a number of new teams including Star & Shadow Rapper and Four Corner Sword. A member of the High Spen Blue Diamonds, Tom is an avid fan of all traditional long and short sword dancing; he regularly teaches workshops, gives talks and contributes to publications about all aspects of the dance. Now living once again in Lancashire, Tom is the Foreman of his original North West morris side in Horwich, and sword dances locally with his new side Medlock Rapper, hosts of DERT 2016 in Manchester.
Tom Kruskal plays Anglo concertina for the Pinewoods Morris Men and Orion Sword. His playing for display dance is strong, driving, rhythmic and attentive to the needs of the dancers and the dance. Tom has been inspiring young people to dance English ritual since 1990 when he started Hop Brook Morris and Sword. This group of 10-13 year olds continues today. In 1996 he started a high school-aged rapper team, Velocirapper, which rapidly exploded into Great Meadows Morris and Sword - a consortium of teen rapper teams - including Candyrapper, Beside the Point, Scrambled Six, Pocketflyers etc. Tom is the founder of Dance America Rapper Tournament, CDSS Lifetime Contribution Award recipient, and a past board member for both CDSS and Pinewoods Camp.
English Dance Week at Pinewoods
Tom Roby picked up folk dancing during undergraduate days at Swarthmore, and it turned into a lifelong addiction to a wide variety of dance styles. On the choreographed side, he has called English and contra dances and taught Balkan dances on both coasts and in the Midwest. On the improvisational side, he has taught regular classes in Hungarian dancing and waltz, including frequently at Mostly Waltz for Boston. He enjoys getting others moving to music as quickly as possible and helping them discover the invisible secrets of dancing well.
Tom Sauber has been in the forefront of the traditional old-time music scene for more years than he cares to admit. An accomplished fiddle and 5-string banjo player, and a compelling singer, he has appeared on countless recording projects and movie soundtracks, and has a healthy teaching schedule to boot. Tom's love of the music has brightened up many sessions and performances with people like Alice Gerrard, Mike Seeger, Dirk Powell and Mark Graham.
American Dance & Music Week at Pinewoods
Tresne Hernandez has been bouncing and grooving ever since her brother first brought her to a swing dance in 2006. Then, in 2008, she fell in love - with blues dancing! Since then, her love has extended to Waltz, Contra, West African, Ecstatic, Contact Improv, and beyond. She delights in sharing her love of dance, and has been teaching since 2009. She is constantly amazed at the incredible opportunity dance gives us to connect with each other and be in community. Currently living in Oakland, CA, she hosts and teaches at a blues/fusion dance (Shades of Blues) in San Francisco. You can also find her miming and clowning, frolicking in the redwood forests, and leading improv workshops and theater of the oppressed gatherings.
Dynamic is certainly the word to use to describe Tristan Henderson! He played a variety of music genres before jumping into traditional music and is quickly becoming a sought after accompanist, session musician and performer in Vermont. His unique ability to play any instrument with strings (and a few without) was set into motion when he picked up the guitar at the age of ten. Tristan is an adventurous and powerful rhythm player who can also hold his own on melody, singing or picking, and he never ceases to inspire with his boundless energy and joyful performances. He was a 2013 winner of the Young Tradition Vermont talent contest with bagpiper Hazen Metro and in addition to Pete’s Posse he can be found performing with Atlantic Crossing, Cape Breton duo ‘Ben Miller & Anita MacDonald’, and anywhere else his diverse bag of tricks is desired.
Val Mindel is a longtime musician, teacher and workshop leader, known for bringing out the best in singers, whatever their level. Her specialty is the close, buzzy harmony that makes American old-time, bluegrass and country harmony so compelling. She has taught at numerous music camps – here in the U.S. at Augusta Vocal Week, Ashokan Southern Week, Voice Works, Allegheny Echoes and others and in the U.K. at Sore Fingers fall and spring camps. In addition to her solo work, Val teaches and performs in various combinations, including with California-based Any Old Time, with singer/multi-instrumentalist Joe Newberry and with daughter and old-time country musician Emily Miller and her husband Jesse Milnes (they have two CDs together: In the Valley and Close to Home), and has just published a book, So You Want to Sing Folk Music, part of the “So You Want To Sing” series for Rowman & Littlefield and the National Association of Teachers of Singing. Val teaches classes across the country and abroad as well as regular workshops at Brooklyn’s growing old-time music school, Jalopy. She lives in Elkins, WV.
Zara Bode has the sound and spirit of an old school starlet. Since attending performance art high school and university and now years on the road she has gained a wealth of knowledge in a variety of musical styles including: jazz, gospel, world music, and has played the lead in many musicals. Regardless of the genre, Zara has continued to melt hearts with her soulful voice and easy going stage presence. She continues to bring audiences to their feet as lead singer in acclaimed country and honky tonk group The Sweetback Sisters, finding herself on many a main stage at music festivals and performance venues around the world.