Monthly Archives: July 2013

BVD Tour—The First Week

by Val Medve and Barb Seppeler

BVD—Barbara Seppeler (pianist), Val Medve (caller) and Dan Seppeler (caller)—accompanied by Tom Medve and (in part) Tom Grande, are touring New England this month (see their earlier blog). Here’s a diary of their first few days.

Val’s post, Thursday, July 11, 2013

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Ready to go (Tom Medve)

Getting ready to hit the road from our house in northern Vermont … Dan got a good rate on a minivan rental in the Rochester, NY area (his home base). We needed a vehicle large enough to carry all four of us (plus our Rochester dancing friend Tom Grande on parts of the tour), PLUS sound equipment, luggage, gadgets, calling/music aids/books, and Barb’s electric keyboard (a very long and heavy Roland FP-7). You can see how the van looked with everything loaded. Dan made a good choice of vehicle, because the seating areas were clear of “stuff” so we could ride very comfortably. Dan is doing all of the driving (bless his heart!).

Barb’s post: From the pianist’s point of view!

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Val & Barb at the CDSS Office (Dan Seppeler)

First stop: CDSS! We stopped off in Easthampton, MA to pick up some giveaways. Executive Director Rima Dael, and staff members Robin Hayden, Pat MacPherson, Jeff Martell, and Caroline Batson wished us well and sent us on our way!

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Reel Nutmeg dance, Windsor, CT (Dan Seppeler)

Our first adventure began in Windsor, CT at Helen Davenport-Senuta’s house for a potluck dinner before our first dance, which was a private party for members and guests of Reel Nutmeg, an English country dance performing troupe based in the Hartford area for over 30 years. We were astounded not only by the very warm reception, the great food and lively company, but also by Helen’s creative handiwork: the beautiful glass artworks (including 6 foot tall flowers) in the yard and stained glass windows inside. We were treated to a quick tour of the Monet-like garden pathways and then we were off to our dance venue. The dancers were delightful, as they were very advanced and responded so very quickly to both Val and Dan’s calling. I was very surprised to meet some dancers I knew so far from home. One of the highlights of the evening was Val’s rendition of Colin Hume’s The Sting in the Tail, which amused dancers as they progressed from their own three couple set into the other three couple set. I just had to end this dance with a slightly discordant “sting” on the end to suit the dance! Another highlight was Dan’s version of Giverny, a dance by Terry Glasspool to a tune by Charlene Thomson. It’s a dance we learned at the Binghamton Ball this past March. I love to play this, and the dancers seemed swept away with the lovely dance and tune. It was warm on the dance floor, but despite the heat and the brave fans, there were more than 24 dancers!

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At Billie’s home: Dan, Barb and Val collaborating on the upcoming New Haven dance (Tom Medve)

We stayed the night at Billie Lanz’s lovely home in Hartford. What an interesting experience we had, as Billie had portraits of her ancestors on her dining room wall, and showed us maps of her family’s farm from the 1700s! There was even an 18th century chair there. The dining room table was so pretty, all set in blue and white. Tom Grande met us at Billie’s house in the “Middle of the Night” and the next day we went to explore Hartford, where Val worked and lived in the 1980s.

Val again, later that day

I presented Helen, Reel Nutmeg’s co-director, with CDSS giveaways: two ECD book/CD sets. Helen will give the sets to Nutmeggers Luanne Stiles and John Lam, who hope to start an ECD group when they relocate to one of the Carolinas later this year.


Barb’s post: From the pianist’s point of view!, Friday, July 12, 2013

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The Abbey Road photo: Barb Seppeler, Tom Medve, Tom Grande, Val Medve (Dan Seppeler)

Enroute to Bushnell Park after lunching at City Steam (so Tom Medve could enjoy a brewed-on-premises beer), we were crossing the street, moving across the big painted white lines, and Dan took a photograph just like the Beatles’ Abbey Road cover! Val took us to the Bushnell Park carousel and we all took a ride. What fun!

Our dance that night in New Haven, CT was in the Undercroft of Christ Church. Yes, we were in the basement, with multiple fans running to keep us all cool. We improved our numbers of dancers, topping out at 28! Highlights included From Among Dragons by Leslie Lasseter, and Barn Elms from the Fallibroome Collection. Ooh, these are exquisite melodies! And once again I was surprised to run into a dancer I knew from Pinewoods!


Val’s post, Saturday, July 13, 2013

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The New Haven dancers (Tom Medve)

We received this lovely note via email from Susan Leff (an organizer, along with Barbara Ruth and Caroline Murphy, of Friday’s New Haven dance): “Many many thanks. The programs both Thursday and Friday night were delightful. Thank you for so carefully tailoring the program to the dancers. Our new dancers seemed happy, and all the rest of us had a lovely time. Thank you.”

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Tom Medve on his way (Val Medve)

And BVD travels onward…


Singing and Dancing in Macedonia

by David Millstone

Rehearsal in Monastery of Virgin Mary 6

Rehearsing songs in a historic church near Struga, southern Macedonia; photo by fellow camper Sophia Emigh

I’ve been a contra dancer for some 40 years and an English country dance enthusiast since 1987. For decades, the only singing I did was with my fifth grade students, who didn’t understand that I couldn’t really sing. With that background, what took me on a overseas trip with Village Harmony for two weeks of singing and dancing, Macedonian style?

It started when I told my wife, Sheila, who has spent years coming along with me to dance weekends and camps, that it was time that I accompanied her instead of vice versa. (“He makes it sound like that was a punishment I endured,” she quickly adds. “I love to dance.”) This was the trip she picked. “It’s okay,” I said. “I can just spend my time documenting the trip with photos and videos.” This was met by a steely gaze that quickly translated into “You Will Sing.”

So, there I am in southern Macedonia, a self-identified non-singer with little experience in folk dance, and after the first few days I’m ready to hide under the covers. It’s a Slavic language, many songs are based on an oriental scale with elaborate vocal ornamentation, and then there are those odd meters: 7/8, 9/8, and more. My hands can clap the rhythms, but not always connected to the tunes.

This is just the singing; let’s not discuss in detail my feet. Unlike country dancing, stepping one beat at a time and learning a series of different figures, these dances all come in the same simple formation but with unfamiliar demands on my body—slow steps and quick steps, weight shifts, hops and pivots, downbeats with an uplifted foot. “The music tells you what to do,” right? If so, this music was telling me, “Get out of the way of people who know what they’re doing.”

For there were many around me having no trouble. There were strong singers, accustomed to learning by ear and holding down a part. Some had come to Balkan camps before, some sing and dance Balkan in their home communities, some even speak Serbo-Croatian or Macedonian. Although I’m a totally competent country dancer, I was definitely Out of My League on this dance floor.

This tale of woe has a happy ending—I had a great time. A lot of that was thanks to my fellow campers. “I don’t sing,” I mentioned to a tenor near me early on. “What do you mean?” he said. “Everyone sings.” He wasn’t making a political statement, just presenting this as a fact. Lesson learned: stop making excuses, listen, and open your mouth. I discovered, too, that I wasn’t alone. Their solution? Give it a try, and so I did. Can’t sing this particular tenor line? Okay, I’ll stick with the bass part here… it’s simpler. Not sure how this section goes? Turned out I wasn’t the only one, as one of our leaders drilled the group on the same four bars of music until we all had it.

Same thing with the dancing. I practiced by myself behind the line, got coaching on the side from those who knew what to do, and gradually felt more comfortable. (Yes, dancing in 12/8 is still awkward.) Some of it was letting go of the notion that I had to be able to do everything well. Sometimes I stumbled around in line, doing fragments of a dance and gradually adding other pieces. No one pulled me out for remedial lessons, no one frowned; folks on either side trusted that I’d ask for help if needed. When we gave our final concerts, singing and dancing in small villages, the locals offered no critical judgments—they joined our chorus on many well-known songs, grinned at our pronunciation, reached out a hand and made space in line with a smile.

In a few days, it’ll be time to join the community chorus at Harmony of Song & Dance, CDSS’s next program at Pinewoods. I can’t wait. I get to sing again!

In addition to being a contra and English country dancer, caller, dance historian, videographer, co-author (Cracking Chestnuts), coordinator of the Square Dance History Project), and new international dancer and singer, David Millstone currently serves as CDSS’s President.


by Nathaniel Smith

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Maple Morris; photo by Sarah Pilzer

Maple Morris & Morris Offspring present Rootbound:
Celebrating the life of English folk dance in North America

with music by Ian Robb, Amelia Mason, Eric McDonald and Emily Troll
original lyrics by Susan Cooper

July 15, The Armory Performance Hall, 191 Highland Ave, Somerville, MA
July 19, The Berkeley Church, 315 Queen St E., Toronto, Canada




Rootbound_thumbMaple Morris (North America) and Morris Offspring (United Kingdom) are thrilled to invite you to their collaborative theatrical Morris dance production, Rootbound. A blend of vigorous dancing, musical exploration, vibrant costumes, and creative storytelling, Rootbound will tell the story of a dancer’s journey in the North American Morris dance community.

Morris is a surviving English traditional folk dance that has been performed since the 1400s and has been associated with seasonal and harvest rituals. The dance is vigorous and athletic and the high leaps are accented by the use of white handkerchiefs and bells. Laurel Swift of Morris Offspring describes Morris dancing as “a complex and energetic art form demanding athleticism, coordination, and musicality from its performers, expected to display both discipline and individuality at any moment. It is rich in material, forms and movement, rarely tapped by the wider arts world yet offering a unique source of artistic possibilities.”

Maple Morris is a community of young dancers from across North America who are dedicated to promoting creativity, leadership, and continued excellence in future generations of the North American Morris Revival. In 2011, Maple traveled to the UK to collaborate with England’s foremost innovators, Morris Offspring. The result was the production Must Come Down, a stage performance showcasing Morris dancing at its most inventive.

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Morris Offspring; photo by Alan Cole

The return leg of this collaboration this summer will see Maple Morris joined by Morris Offspring in a brand new stage production in Boston and Toronto. Rootbound will feature music by the powerful singer Ian Robb (of the folk trio Finest Kind:, Amelia Mason, Eric McDonald, and Emily Troll, words from acclaimed author Susan Cooper, and new Morris dance creations by Maple Morris and Morris Offspring.

Beer and wine will be available at both performances. Premium ($40) and general admission ($25) tickets are available at

For more information, visit our website:

Rootbound is supported in part by the Country Dance and Song Society’s Outreach Funds.

Addendum: See the Boston Globe 7/11/13 online article about the event,


The BVD Tour—July 11-25, 2013–an Intro

by Val Medve for BVD

BVD–Barb, Val and Dan; photo by Tom Medve

Gotta dance? We’ve got you covered! The BVD Tour is bringing English country dance to a community near you this summer. Join Barb Seppeler (pianist), Val Medve (caller), and Dan Seppeler (caller) for joyous dancing (and perhaps a CDSS gift item giveaway) in these communities: New Haven, CT; North Kingston, RI; Burlington,VT area; Nelson, NH; Norwich, VT; Whately, MA; Newton, MA. (A BVD tour Facebook page, with the complete dance schedule and details, will be coming soon. For now, see the current flyer below, or go to The Dance Gypsy, click search by “performer,” check the “all performers” option, and type Val Medve in the box.)

Barb and Dan Seppeler are from Newark, New York (outside of Rochester). Barb is a music teacher, choral director, composer and pianist. She plays English country dance at every opportunity, here in the northeast and in Canada. She has taken classes with Jacqueline Schwab (pianist for Bare Necessities) and is a member (and driving force) of several ECD bands, including Serendipity (playing for this year’s Jane Austen Ball in Rochester), Noteworthy, and Good Fortune. Dan, who in his “real life” is a programmer, has a love of logic and a playful personality that make him a fun and easy-to-understand English country dance teacher. In 2012, Barb and Dan started a popular weekly English country dance club for students at Hobart College.

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Current flyer; by Val Medve.

Val Medve’s interest in folk dance began in elementary school, when she was introduced to traditional Polish dance. After college, she danced recreationally in the Hartford and New Haven, CT, and Amherst, MA areas, enjoying New England contra dancing, English country dancing, and international folk dancing. That led to performing with two Hartford-based groups: Reel Nutmeg (English country dance) and Gwiazda (Polish dance). In 1985, she toured Eastern Europe with the Burlington, VT performing group, The Green Mountain Volunteers. After moving to Vermont in 1989, she danced with The Green Mountain Volunteers and Sleepy Hollow Morris. She is one of the teachers for the English country dance series at Elley-Long Music Center in Colchester and co-teaches an ECD class at the Wake Robin retirement community in Shelburne. In addition, she has taught ECD (and in some cases, international folk dance) at various festivals, including NOMAD, NEFFA, the Champlain Valley Folk Festival, and the Vermont International Festival. She has also taught at Jane Austen events sponsored by JASNA-VT and the Governor’s House in Hyde Park, VT. From 1990 to 2000, she and her husband Tom published The Dance Gypsy, a monthly hardcopy newsletter/calendar for 600 subscribers. During that time, she also compiled The Dance Gypsy’s Annual Summer Planner, a booklet with information about dance camps and dance festivals held all over the United States. Val and her husband Tom live in the Burlington, VT area and love to travel on dance adventures now that they are retired.