Text |
Incipit |
Gnr-Cntry |
Short Title |
Page |
Instrument |
Qu'a L'Envy Chacun Se Presse (t) |
/55//65/43//22/55//43 |
IC-N |
Pointel Recueil, 1688 |
11 |
MI/B |
Quadran Pavan, The (t) |
//315/5432//311+/1+765//64/1+1+7// |
MS-E |
Fitzwilliam MS-1, 1609 |
99-106 |
VI |
Quadran Paven, The (t) |
//1112/3234//5654/4432343//4/4445// |
MS-E |
Fitzwilliam MS-2, 1609 |
103-110 |
VI |
Quadrill or Double Cotillion (t) |
//13/56//533/323//13/56// |
AI-A |
Francis's Ballroom, 1798 |
15 |
KB |
Quadrilla, La (t) |
//536/531+//536/531+//54+3+/2+ |
MS-M |
Garcia MS, 1772 |
49 |
MI |
Quadrille (bt) |
//1+3+2+7//51+54//3451+//51+5//1+3+ 2+7 |
SS-E |
SS, Folger-C42.3 |
411 |
VO+FL |
Quadrille (t) |
//11/131//6-6-/6-7-1//2345/6521// |
DA-E |
Zwolfe Englische Tanze, 1791 |
7 |
2VN,B,FH,OB,2FL,2CL,2BS,TY |
Quadrille (t) |
//15-/13//15-/13//15-/113//1 |
DA-E |
Zwolfe Englische Tanze, 1791 |
8 |
2VN,B,FH,OB,2FL,2CL,2BS,TY |
Quadrille (t) |
//17-12/31//17-12/31//17-12/3234//5 5-/5-// |
DA-E |
Zwolfe Englische Tanze, 1791 |
9 |
2VN,B,FH,OB,2FL,2CL,2BS,TY |
Quadrille Allemande. Contredanse (t) |
|
DA-F |
Bouin CD LC-3 , 1780 |
134 Feuille. 5. Vol |
|
Quadrille Anglais. Contredanse (t) |
//112/17-//11+/53//64/27-// |
DA-F |
Bouin CD LC-3 , 1780 |
133 Feuille. 5. Vol |
MI |
Quadrille Ballad, The (t) |
//1+3+2+7//51+54//3451+//51+5//1+3+ 2+7 |
SS-E |
SS, Folger-C42.3 |
411 |
VO+FL |
Quadrille Ballad, The (t) |
//1327-//5-15-4-//3-4-5-1//5-11//13 27- |
SS-E |
SS, Harvard |
1 |
VO+FL |
Quadrille, &c. (bt) |
//34/51//45/67//1+76/543//2 |
SC-E |
Watts MM-5, 1731 |
193-195 |
VO,HA |
Quadrille, Le. 1e (t) |
/17-1//6-3/42//3/17-1//23/ |
IC-F |
Leclerc Recueil-1, 1729 |
70 |
HAF |
Quadrille, Le, 2e (t) |
/5//6/5654//32/143//27-/ |
IC-F |
Leclerc Recueil-2, 1737 |
91 |
HAF |
Quadrille, quadrille, &c. (bt) |
//1327-//5-15-4-//3-4-5-1//5-11//13 27- |
SS-E |
SS, Harvard |
1 |
VO+FL |
Quadrille, The (t) |
//1-1/212//323/432//16-/4-5- |
DA-E |
Walsh CD-2.2, 1735 |
54 |
VO/OB/GF/FL |
Quadrille, The (t) |
//1-1/212//323/432//16-/4-5- |
DA-E |
Walsh CD-3.2, 1749 |
54 |
VN/OB/GF |
Quadrilles, Les. ou Contredanses Extraites (t) |
//545/656//545/656//567/1+2+7// |
DA-F |
LaCuisse Rep CD LC-2, 1764 |
54 Feuille 2. Vol |
KB |
Quadrillo, El (t) |
//6/5654//31/143//217-/12//3 |
MS-M |
Garcia MS, 1772 |
35 |
MI |
Quaker (t) |
//3234/55-16-//5-4-5-6-/5-531//6-7- 12/2642 |
TW-E |
Enchanted Cas, 1787 |
18 |
KB |
Quaker Grace, The (at). Resolution, The (t), or |
//15-/6-17-//11-/2-17-//15-/6-7-1 |
PL-E |
Playford 1-13, 1706 |
357 |
VN |
Quaker Sermon, The (t) |
//6/32//17-/16-//27-/5-// |
AM-A |
Tuesday Club MS, 1745 |
Talley, 104-106 (see NB) |
MI |
Quakers Comical Song, The (t) |
//53/44//5/53//44 |
SS-E |
SS, Folger-C42.4 |
45 |
VO,KB+FL |
Quakers Comical Song, The (t) |
//53/44//5/53//44/32//2 |
SS-E |
SS, Harvard |
1 |
VO,B+FL |
Quakers Dance (t) |
//1/1/5-//1/1/7- |
MS-E |
Hammersley MS, 1790 |
50B |
MI |
Quakers Dance, Danc'd In the Play-House, The (t) |
//6/32//17-/16-//27-/5- |
DA-E |
Walsh CD-1.2, 1719 |
72-73 |
VN/OB |
Quakers Dance, The (t) |
//6/32//17-/16-//27-/5- |
PL-E |
Playford 2-1, 1713 |
52-53 |
VN/OB/VO |
Quakers Dance, The (t) |
//6/32//17-/16-//27-/5- |
PL-E |
Playford 2-2, 1714 |
52-53 |
VN/OB/VO |
Quakers Dance, The (t) |
//6/32//17-/16-//27-/5- |
PL-E |
Playford 2-3, 1718 |
52-53 |
VN/VO |
Quakers Dance, The (t) |
//6/32//17-/16-//27-/5- |
PL-E |
Playford 2-4, 1728 |
52-53 |
VN/VO |
Quakers Dance, The (t) |
//6/32//17-/16-//27-/5- |
DA-E |
Walsh NCDM-2, 1710 |
79 |
VN/OB/FL |
Quakers Grace, The (at). Resolution (t), or |
//1+5/61+7//1+1/21+7//1+5/6 |
PL-E |
Playford 1-14, 1709 |
344 |
VN |
Quaker's Grace, The (at). Resolution (t), or |
//1+5/61+7//1+1/21+7//1+5/671+2 |
PL-E |
Playford 1-15, 1713 |
344 |
VN |
Quaker's Grace, The (at). Resolution (t), or |
//1+5/61+7//1+1/21+7//1+5/671+2 |
PL-E |
Playford 1-16, 1716 |
344 |
VN |
Quaker's Grace, The (at). Resolution (t), or |
//1+5/61+7//1+1/21+7//1+5/671+2 |
PL-E |
Playford 1-17, 1721 |
344 |
VN |
Quaker's Grace, The (at). Resolution (t), or |
//1+5/61+7//1+1/21+7//1+5/671+2 |
PL-E |
Playford 1-18, 1728 |
344 |
VN |
Quaker's Grace, The (at). Resolution (t), or |
//1+5/61+7//1+1/21+7//1+5/671+2 |
DA-E |
Walsh CD-1.1, 1718 |
354 |
VN/OB/FL |
Quaker's Grace, The (at). Resolution (t), or |
//1+5/61+7//1+1/21+7//1+5/671+2 |
DA-E |
Walsh CD-2.1, 1731 |
133 |
VN/OB/GF/RC |
Quaker's Song, The (t) |
//53/44//5/53//44/32//2/25 |
SC-E |
Pills 5, 1719-20 |
105-6 |
VO |
Quaker's Song, The (t) |
//554/321//5/34//4567/1+7//1+1+7/66 |
SC-E |
Pills 6, 1719-20 |
301 |
VO |
Quakers Wedding (it) |
|
BA-E |
Lovers Opera, 1729 |
28 |
|
Quakers Wedding (it) |
//6-7-/12//3/2//12/7-6-//33 |
BA-E |
Lovers Opera, 1730 |
30 |
VO |
Quakers Wedding, The (t) |
//1+1+1+/1+34//564/35//657/1+3+5+ |
DA-E |
Thompson CD-6.2, 1790 |
23 |
MI |
Quakers Wife, The (t) |
//123/5-3//21/7-6-5//123/5-5-// |
MS-E |
Vickers MS, 1770 |
27 |
MI |
Quaker's Wife, The (it) |
|
BA-S |
William & Lucy, 1780 |
19 |
|
Qual nave smarita (fl) |
//3216//7-15-//6-5-4//325 |
SC-E |
Pocket Comp, 1725 |
148-149 |
VO,HAF+FL |
Quand Champ des le Matin. French Tune (t) |
//45/32//1/32//7-1/5-6-//16-/6- |
AM-A |
Simpson MS, 1750 |
I,5-6 |
2FL |
Quand Je Bois du Vin (t) |
//34/32//15/5//35/5 |
IC-F |
Bonjour Recueil, 1800 |
4:5 |
VN/FL |
Quand le Bien Aime (t) |
//323/42//1/54//323/464 |
IC-F |
Bonjour Recueil, 1800 |
2:4 |
VN/FL |
Quand Le Cerf Sort de L'Eau (t) |
/111//15-1/212//31/353//12/ |
IC-F |
Diderot Chasse, 1763 |
2:2:5 |
HN |
Quand on Scait Aimer Et Plair (it) |
|
BA-E |
Midas-2, 1764 |
27 |
|
Quand une belle me triche |
/5-1//13/21//25-/7-1//23/ |
DA-N |
Echo, 1758 |
76-77 |
KB |
Quanto dolci quanto care (fl) |
//3217-2//11+76//54321//7- |
SC-E |
Pocket Comp, 1725 |
132-134 |
VO,AI,HAF |
Quarrels of lovers add's me they're a jest, The (fl) |
//1+5/1+//2+5/4//354/321//5 |
TW-E |
Maid/Mill, 1765 |
54-56 |
5VO,HAF |
Quart Pot, The (t) |
//113/5313//224/6424//113/5313// |
DA-E |
Straight & Skillern CD, 1775 |
75 |
VN/GF/OB |
Quarter Day (t) |
//34513/2435//1+2+3+2+1+/71+65//345 13/2435 |
DA-E |
Johnson CD-5, 1750 |
36 |
VN/GF |
Quarter Round. Cotilion (t) |
|
AM-A |
New Harmony MS, 1826 |
4 |
|
Quarter Round, The (at). Plaisire de Chateney (t), or |
//34/22//1234/5//34/223// |
AM-A |
Duport MS-2, 1800 |
1r |
VN |
Quarter-Day |
|
BA-E |
Quarter-Day, 1798 |
19 |
|
Quartetto (t) |
//24/427-5-/6-2/34//54/32//1 |
TW-E |
Maid/Mill, 1765 |
27-30 |
3VO,HAF,MI |
Quartetto (t) |
//111/11//11/1//7-7-7-/7-7- |
TW-E |
Oscar & Malvina, 1791 |
10-13 |
4VO,KB |
Quartetto (t) |
//5/565//43/3//243/217-//1 |
TW-E |
Padlock, 1768 |
20-21 |
2VO,KBF |
Quartetto (t) |
//5654/33//3432/15//5654/3 |
TW-E |
Padlock, 1768 |
21 |
2VO,KBF |
Quartetto (t) |
//1/11//6-/6-6//5/434//3 |
TW-E |
Padlock, 1768 |
21-22 |
2VO,KBF |
Quartetto (t) |
//3-5-15-//3-5-//1232//2//143//365 |
TW-E |
Padlock, 1768 |
22 |
VO,KBF |
Quartetto (t) |
//1+3+2+/1+765//44/44//55/1+1+//7 |
TW-E |
Padlock, 1768 |
22 |
VO,KBF |
Quartetto (t) |
//6-6-/7-7-//1/44//33/66//5 |
TW-E |
Padlock, 1768 |
23 |
4VO,KB |
Quartetto (t) |
//15-12/33//2123/44//17-12/3456 |
TW-E |
Poor Soldier, 1782 |
25 |
VO,KB |
Quartetto (t) |
//11+2+3+1+/1+765//471+2+1+/7654 |
TW-E |
Shipwreck, 1796 |
17-21 |
VN,4VO,PF |
Quatre Amis, Les (t) |
|
DA-E |
Karpeles Cotillions, 1780 |
Book 4, No. 22 |
|
Quatre Amis, Les (t) |
|
DA-E |
Karpeles Cotillions, 1780 |
Book 5, No. 47 |
|
Quatre Associés, Les (at). Société, La (t), Contredanse No |
/656//3/21//7-/123//4321/7-16-7-// |
DA-F |
LaCuisse Rep CD LC-2, 1764 |
40 Feuille 2. Vol |
KB |
Quatre Berceaux, Les. Quadrille Allemand a Douze (t) |
//1/1234//51+5/353//42/17-// |
DA-F |
Bouin CD LC-1, 1780 |
55 Feuille, 2 Vol. |
MI |
Quatre Commeres, Les. Contredanse Française (t) |
/5434//51+/53+//5/5435//4324/3213// |
DA-F |
Bouin CD LC-1, 1780 |
92 Feuille, 4 Vol. |
MI |
Quatre Comtesses, Les. Contredanse Allemande (t) |
//5/5654//3/3432//15-/15-// |
DA-F |
Bouin CD LC-3 , 1780 |
132 Feuille. 5. Vol |
MI |
Quatre Cousine, Les. Contredanse (t) |
/135//1+53+/54//32/32//345/43// |
DA-F |
LaCuisse Rep CD LC-1, 1762 |
13 Feuille |
MI |
Quatre Doubles Allemandes, Les. Contredanse (t) |
/1-3-5-//13/5//5-/432//4321/3217-// |
DA-F |
LaCuisse Rep CD LC-1, 1762 |
15 Feuille |
KB |
Quatre Marches, Huit Allemandes de Differens Maitres |
|
IC-G |
Grosheim March, 1802 |
12 |
HA/PF |
Quatre Nimphes, Les (t) |
/1234//55/1231//5-/5-17-1//5-17-1/5 -435// |
DA-E |
Gallini Cots, 1770 |
4 |
KB |
Quatre Nymphes, Les. Contredanse (t) |
/53//31/35-//5-/6-7-1//5-1/43// |
DA-F |
LaCuisse Rep CD LC-2, 1764 |
48 Feuille 2. Vol |
KB |
Quatre Princes au Bal, Les. Contredanse Polonese (t) |
//55-/7-6-5-//2/5//5/43// |
DA-F |
Bouin CD LC-3 , 1780 |
135 Feuille. 5. Vol |
MI |
Quatre Saisons, Le (t) |
//15-/31//53/1+5//43/21// |
DA-E |
Siret Cot, 1775 |
2-5 |
KB |
Quatre Saisons, Les (t) |
//35/64//53/15//42/7-2// |
DA-N |
Baland CD, 1780 |
8 |
VN/GF |
Quatre Saisons, Les (t) |
//123/234//345/13//21/7-1// |
DA-E |
Gallini Cots, 1770 |
12 |
KB |
Quatre Sauts, Les (t) |
/6671+//76/56//3/63/73/1+7//6/ |
IC-F |
Leclerc Recueil-1, 1729 |
52 |
HAF |
Quatre Sou et Demi (t) |
//13/313//22/27-2//13/313// |
IC-F |
Leclerc Recueil-2, 1737 |
78 |
HAF |
Quatre Sultanes, Les (t) |
|
DA-E |
Karpeles Cotillions, 1780 |
Book 4, No. 15 |
|
Quatre Veuves, Les. Contredanse (t) |
/111//1/222//2/43//21/7-1// |
DA-F |
LaCuisse Rep CD LC-1, 1762 |
8 Feuille |
KB |
Quatre-Vents, Les. Contredanse Nouvelle (t) |
/1351+//11+/7654//31/3551//2557-/13 21// |
DA-F |
LaCuisse Rep CD LC-3, 1765 |
93 Feuille 3. Vol |
KB |
Quatres Nieces, Les. Contredanse Allemande (t) |
//1+/3+2+1+7//1+3/45//65/67// |
DA-F |
Bouin CD LC-1, 1780 |
3 Feuille |
MI |
Quatres Princes, Les. Contre-Danse Française (t) |
/1+2+7//1+1/345//64/671+//543/543// |
DA-F |
Landrin CD BL-2, 1775 |
97 Feuille |
MI |