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| Stress | Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
| 564 | //5315//61+53//4653 | C/ | Jacks Favourite (t) | AM-A | Cabot MS, 1784 | 16 | GF |
| 564 | //55431+76//65//4432 | 3/4 | Minueto (t) | MS-M | Garcia MS, 1772 | 91 [212] | MI |
| 564 | //55671+76//65//427-5- | 3/4 | Minueto (t) | MS-M | Garcia MS, 1772 | 93 [216] | MI |
| 564111 | //55//6/4567//1+1//1/1 | C | Ye Fates Who O'er Our Lives Preside (t) | SC-E | Vocal Music, 1775 | 230-233 | VO/VN/GF |
| 564113 | //5311/6123//4422/1+//1+1+55/3 | C | Reveille, The.1st (t) | AM-A | Hooves MS, 1817 | 40 | FI |
| 564113 | //5311/6123//4422/1+//1+1+55/331+1+ | C | Reveille, The (t) | AI-A | Robbins D&F, 1812 | 55-57 | FI |
| 564113 | //5311/6123//4422/1+//1+1+55/331+1+ | C | Revellie.1st (t) | AM-A | Van Schaack MS, 1820 | 4 | FI/FL |
| 564113 | //5311/6123//4422/1+6//1+1+55/331+ | C | Revalee, The (t) | AI-A | Hulbert Fife, 1807 | 22 | FI |
| 564114 | //555//654323//4345-21//17-6-5-6-7-//11- 1-123//4217-6-5-6-7-// |
3/4 | Rt. Honble. Lady Isabella Turnour's Minuet (t) | DA-E | Fishar Minuets, 1785 | 2 | KB |
| 56412 | //545/65//435//12/212 | C | Air (t) | AM-A | Aborn MS, 1790 | 59 | 2MI |
| 564141 | //53+2+71+//63+2+71+//432567//1+65//4321 67//1+ |
3 | Minuet (t) | IC-E | Delightful-2, 1745 | VI,16 | GF |
| 5642 | //51+765//671+//46543//254 | 3/4 | English Padlock, The (t) | AM-A | Beck MS, 1786 | 147 | GF |
| 5642 | //51+765//671+//46543//254 | 3/4 | English Padlock, The (t) | AM-A | Swan MS, 1775 | 26R | MI |
| 564212 | //55/6543//44/2//1231/2342// | 2/4 | Louisa (t) | AI-A | Gentlemen's PC, 1802 | 6 | 2GF |
| 564212 | //55/6543//44/2//1231/2342// | 2/4 | Duetto Pleyel, Allegretto (t) | AI-A | Willig Flute, 1795 | 25 | 2 GF |
| 564212 | //57/65//4564/217-//13/21 | C | Ensign's Favorite (t) | AI-A | Hulbert Variety, 1803 | 6 | OB/FI |
| 5642123 | //55/6-543//44/2//1231/2342//3 | 2/4 | Duetto In 3 Movements (t) | AI-A | Gent's Amus, 1794 | 26-27 | 2GF/2VN |
| 564214 | //555/653//456/217-//123/453// | 3 | Saraband First. to Dance with Castinets (t) | IC-E | Apollo's Banquet 1-1, 1670 | 180 | VN |
| 564214 | //5/6715//43/2//1413/423456123456765// | C/ | [Fantasia]. 25 (t) | MS-E | Fitzwilliam MS-2, 1609 | 333-335 | VI |
| 56421464 | //555/654//456/217-//123/453//625/45 | C3 | #37 (t), or Saraband (at) | PL-E | Playford 1-3b, 1665 | II,46 | VN |
| 564222 | //545653/671+//43/2//2123/23 | C | Favourite Song, The (t) | SS-E | SS, Huntington-2 | 125,1-2 | VO,KBF |
| 564223 | //51+765//671+//46543//254//254//361+ | 3/4 | English Padlock, The (t) | SS-E | SS, Boston PL-2 | 3 | VO,KB+GF |
| 56423 | //51+765//671+//46543//254//361+ | 3/4 | English Padlock, The (t) | AM-A | Turner MS, 1788 | I,50 | VN |
| 56423 | //51+765//671+//46543//254//361+ | 3/4 | English Padlock, The (t) | SS-E | SS, Huntington-1 | 91 | VO,KBF+GF |
| 564234 | /555//65/43//2/321//432/ | 6/8 | Pieross, Les (t) | MS-C | Trois-Rivieres MS, 1768 | 60 | MI |
| 564235 | //5/65//4/24//3/54 | 2/4 | Millers Wedding, The (t) | AM-A | Perkins MS, 1790 | 35 | MI |
| 56424 | //5//671+//43//27-1//423 | 3/8 | Slow Air (t) | IC-E | Delightful-1, 1763 | III,16 | 2GF |
| 56424 | //5//671+//43//27-1//423 | 3/8 | Larghetto (t) | IC-E | Delightful-1, 1763 | V,20 | 2GF |
| 56425 | //5311+/653//42+3/234//5311+ | C/ | Merry Councellors, The (t) | DA-E | Rutherf CD-2.1, 1756 | 74 | VN/GF/OB |
| 56425 | //5-4-3-4-5-//6-7-17-6-5-//4-5-6-4-//2-3 -4-3-2-3-1-//5-4-3-4 |
3/4 | Zapfen Streich (t) | MS-G | Darmstadt MS 1224 | 193 | MI |
| 564254 | /55//65/43//22/55//43 | 2 | Qu'a L'Envy Chacun Se Presse (t) | IC-N | Pointel Recueil, 1688 | 11 | MI/B |
| 564255 | //51+/653//43234/21//56/517-1 | C | Favourite Song In the Opera of otho, A (t) | SC-E | Pocket Comp, 1725 | 72-74 | VO,HAF+FL |
| 564256 | //5151/6151//4231/25-//5151/6151 | 2/4 | Peggy of the Green (t) | DA-E | Bride CD, 1776 | III,96 | VN/OB/GF |
| 564256 | //5151/6151//4231/25-//5151/6151 | 2/4 | Peggy of the Green (t) | DA-E | Thompson CD-4, 1780 | 12 | VN/GF/OB |
| 564256 | //5151/6151//4231/25-//5151/6151// | 2/4 | Peggy of the Green (t) | DA-E | Thompson CD-4a, 1780 | 12 | VN/GF/OB |
| 564256 | //5-15-1//6-6-15-5-//4424313//217-6-5-5- ////5-15-1//6-6-15-13 |
3/4 | Favorite Pollacca, A (t) | IC-E | English Sheet Music | PF | |
| 564256 | //51+/65//43/25-//53/61+72+// | C | Cavalier, Le (t) | DA-E | Longman Cot, 1770 | 24 | HA/VN/GF/OB |
| 564256 | //5311+/653//42+3/234//5311+/653 | C/ | Merry Councellor, The (t) | DA-E | Johnson CD-4, 1748 | 79 | VN/GF |
| 564256 | //5311+/654//42+2+3/22234//5311+/654// | C/ | Mery Counseler, The (t) | MS-E | Vickers MS, 1770 | 96 | MI |
| 564256 | //5311+/654//42+3/234//5311+/653 | C/ | Merry Councellors, The (t) | MS-E | Rainstorp MS, 1747 | 26 | MI |
| 564256 | //543211+/65//4321/217-6-5-//543211+/654 321+ |
C/ | Beauté', La (t) | DA-E | Thompson CD-5, 1788 | 74 | VN/GF/OB |
| 564256 | //543211+/65//4321/217-6-5-//543211+/654 321+// |
C/ | Beauté, La (t) | DA-E | Thompson CD-5a, 1788 | 74 | VN/GF/OB |
| 564256 | //57/65//4/2//55/64// | 2 | Phenix, Le (t) | IC-F | Leclerc Recueil-2, 1737 | 99 | HAF |
| 56427 | //51//65//43//234//7-1 | 3/4 | Bell-Mans Song, The (t) | SS-E | SS, Folger-C42.4 | 342 | VO+FL |
| 564275 | //5/65//43/21//7-2/5-7- | C | Two Original Russian Airs, Air 2 (t) | AI-A | Musical Jnl-1, 1800 | I,28 | 2FL/2VN/2VO |
| 5643 | //51+71+5//656//454654//3 | 3/4 | Air 28 (t) | BA-E | Decoy, 1733 | T37M9 | VO |
| 5643 | //55//65/43//33 | 2/4 | How Imperfect Is Expression (t) | IC-E | Cahusac Flute, 1788 | 19 | GF |
| 5643 | //55//65/43//33 | 2/4 | Sung by Mrs. Abington In Twelfth Night (t) | IC-E | Longman Pb, 1778 | 8-9 | VO/GF |
| 5643 | //55//65/43//33 | 2/4 | How Imperfect Is Expression (t) | AM-A | Beck MS, 1786 | 136 | GF |
| 5643 | //55//65/43//33 | 2/4 | How Imperfect Is Expression (t) | AM-A | Bellamy MS, 1799 | 8-9 | 2MI,B |
| 5643 | //55//65/43//33 | 2/4 | How Imperfect Is Expression (t) | AM-A | Greenwood MS, 1785 | 39 | MI |
| 5643 | //55//65/43//33 | 2/4 | How Imperfect Is Expression (t) | AM-A | Hosmer MS, 1798 | 65 | MI |
| 5643 | //55//65/43//33 | 2/4 | How Imperfect Is Expression (t) | SC-E | Calliope, 1788 | 268-269 | VO |
| 56431 | //5431+76//65/4//351+642/17-234 | C | Andre (t) | AM-A | Allen, W. MS, 1790 | 90 | VO |
| 56431 | //54321//65//432//32345//17-6- | 3/8 | Amorous Beggar, The (t) | SC-E | Monthly Melody, 1760 | II,20-21(19-20) | VO,HA |
| 56431 | //54321//65//432//32345//17-6- | 3/8 | Amorous Beggar, The (t) | SS-E | SS, Boston PL-1 | 31,1-2 | VO,HAF |
| 564332 | //51+71+7-//656//434654//3212//34321//25 -5 |
3/4 | Duel, The (t) | TW-E | Perseus & Andr, 1763 | 9 | HA/GF/VN/GT |
| 56434 | //545/65//43//323/43 | 2/4 | Favourite Duetto, A (t) | IC-E | Delightful-1, 1763 | IV,2-3 | 2GF |
| 564342 | //55//65/43//33//43/21 | 2/4 | How Imperfect Is Expression (t) | AI-A | Reinagle Fav-1, 1789 | 14 | PF/HA,VO |
| 564342 | //55//65/43//33//43/21 | 2/4 | How Imperfect Is Expression (t) | IC-E | Astor Guitar, 1800 | 22 | VO,GT |
| 564342 | //55//65/43//33//43/21 | 2/4 | How Imperfect (t) | IC-E | Cahusac Flute, 1792 | 19 | GF |
| 564342 | //55//65/43//33//43/21 | 2/4 | Andantino (t) | AM-A | Hiester MS-1, 1793 | 56-57 | HA,4 HANDS |
| 564342 | //55//65/43//33//43/21 | 2/4 | How Imperfect Is Expression (t) | AM-A | Turner MS, 1788 | I,33 | VN |
| 564342 | //55//65/43//33//43/21 | 2/4 | Song, A (t) | AM-A | Van Renssel. MS, 1782 | I,3 | VO,KB |
| 564342 | //55//65/43//33//43/21 | 2/4 | How Imperfect, &c. (t) | AM-A | Van Renssel. MS, 1782 | II,2 | VO,GT |
| 564342 | //55//65/43//33//43/21 | 2/4 | Song 123 (t) | SC-E | Vocal Enchant, 1783 | 246-247 | VO |
| 564342 | //55//65/43//33//43/21 | 2/4 | How Imperfect (t) | SS-E | SS, Boston PL-2 | 240 | VO,KB+GF+GT |
| 564342 | //55//65/43//33//43/21 | 2/4 | How Imperfect Is Expresssion (t) | AI-A | Blake Amus 2, 1824 | 8 | CL |
| 564342 | //55//65/43//33//43/21 | 2/4 | How Imperfect Is Expression (t) | AI-A | Glazier Clar, 1828 | 12 | CL |
| 564342 | //55//65/43//33//43/21 | 2/4 | How Imperfect Is Expression (t) | AI-A | Riley Flute 1, 1814 | 31 | FL |
| 564342 | //55//65/43//33//43/21 | 2/4 | How Imperfect Is Expression (t) | IC-E | Longman Bassoon, 1780 | 10 | 2BS |
| 564342 | //55//65/43//33//43/21 | 2/4 | How Imperfect Is Expression (t) | IC-E | Thompson Oboe, 1790 | 22 | OB |
| 564342 | //55//65/43//33//43/21 | 2/4 | How Imperfect Is Y Expression (t) | AM-A | Herreshoff MS, 1790 | 10R | MI |
| 564342 | //55//65/43//33//43/21 | 2/4 | How Imperfect Is Expression (t) | AM-A | Trumbull MS, 1801 | b:6r | 2MI |
| 564342 | //55//65/43//33//43/21// | 2/4 | How Imperfect (t) | IC-E | Cahusac Flute, 1798 | 19 | FL |
| 564342 | //55//65/43//33//43/21// | 2/4 | How Imperfect Is Expression (t) | IC-E | Preston Cello, 1785 | 18 | 2VC |
| 5643421 | //55//65/43//32//43/21//1 | 2/4 | How Imperfect Is Expression (t) | AI-A | Select Songster, 1786 | 34-35 | VO |
| 56434213 | //545/65//43//323/43//21//1+71+/3+5// | 2/4 | Favourite Air by Sigr Hasse (t) | IC-E | Johnson Flute, 1760 | 29 | GF |
| 56434213 | //55//65/43//33//43/21//13/35// | 2/4 | How Imperfect Is Expression (t) | AM-A | Adams, W. MS, 1795 | 37 | MI |
| 5643452 | /55//65/43//32/43//51/223// | 2/4 | Bagatelle, La. Contredanse Française (t) | DA-F | Bouin CD LC-2 , 1780 | 161 Feuille 5. Vol | MI |
| 56435 | //5-6-5-4-3-/6-5-5-//4-3-4-5-4-3-/3-2-1- 0-1-2-3-4-//5-6-5-4- |
C | Much Admired Austrian Retreat, The (t) | IC-E | English Sheet Music | 2 | KB |
| 564354 | //55/65//45654/3//51+/425 | C | Grave (t) | IC-S | Stewart Marches, 1773 | 24 | 2VN/GF/OB,VC/HA |
| 5643552 | //51/65/4/3//534/56/2 | 12/8 | Media (t) | SS-E | SS, Folger-C42.2 | 68 | VO,KB+F |
| 5643552 | //51/65/4/3//534/56/2 | 12/8 | Media (t) | SS-E | SS, Harvard | 1 | VO,KB+FL |
| 5643552 | //51/65/4/3//534/56/2 | 12/8 | Shoud er'e the fair disdain you (fl) | SS-E | SS, Harvard | 1 | VO,B+FL |
| 5643552 | //51/65/4/3//5354/56/2 | 12/8 | Shoud ere the fair disdain you (fl) | SS-E | SS, Folger-C42.2 | 83 | VO,KB+F |
| 564356 | //51+5/61+3//4545432/3215//51+5/61+3 | C/ | Favourite Song, A (t) | SS-E | SS, Harvard | 1-2 | VN,VO,2B+FL |
| 564356 | //51+5/61+3//4545432/3215//51+5/61+3 | C/ | Favourite Song, A (t) | SS-E | SS, Harvard | 1-2 | VN,VO,2B+FL |
| 564356 | //5311+/665//42+2+4/334//5311+/653 | C/ | Merry Councellours (t) | MS-E | Hammersley MS, 1790 | 83B | MI |
| 564356 | //53/65//432/34//565/643 | 6/8 | Lucy (t) | SC-E | Clio-2, 1759 | 146-147 | VO,HAF+MI |
| 564356 | //5-6-5-4-3-/6-5-5-//4-3-4-5-4-3-/3-217- 123-4-//5-6-5-4-3-/6 |
C/ | Austrian Retreat, The (t) | IC-E | English Sheet Music | 2 | PF+GF |
| 564356 | //56543/655//434543/3217-1234//56543/655 4 |
C | Austrian Retreat (t) | AI-A | Balls Amus 2, 1815 | 8 | FL/FI/VN |
| 564356 | //56543/655//434543/3217-1234//56543/655 4 |
C/ | Austrian Retreat, The (t) | AI-A | Dubois Clar, 1818 | 17 | CL |
| 564356 | //56543/655//434543/3217-1234//56543/655 4 |
C | Austrian Retreat, The (t) | IC-E | English Sheet Music | 4 | 2CL,2FLP,2HN,TR |
| 564356 | //56543//655//434543//3217-1234//56543// 6554// |
3/4 | Sol Begat (t) | MS-S | Fife MS, 1780 | 169c,15v | 1FI OR 2FI/VN |
| 564356 | //56543/655//434543/32321234//56543/6554 // |
C | Austrian Retreat, The (t) | AM-A | Litten MS, 1800 | 21 | VN |
| 564357 | //51+//651+//431+//32//51+//71+2+765// | 3/4 | Minuet (t) | IC-E | Prelleur Modern, 1731 | 11 | VN |
| 5643623 | /571+//65/434//345/6-5-1//234/351// | 6/8 | Rejouissanse Dartoisr, La. Contre-Danse Française (t) | DA-F | Bouin CD LC-2 , 1780 | 103 Feuille | MI |
| 5643623 | /571+//65/434//345/6-7-1//234/352// | 6/8 | Rejouissanse Dartois, La. Contre-Danse Française (t) | DA-F | Landrin CD BL-2, 1775 | 103 Feuille | MI |
| 564364 | //543//651+3//432//3//653//4 | 3/8 | His soverign power without our aid made us of clay (fl) | AM-A | Dawes MS, 1790 | 9-10 | VO,HA |
| 5644 | //53234//655443//423//43 | 3/4 | Dame nature in framing a creature so fair (fl) | TW-E | Castle/Andalus, 1782 | 36 | VO,HA |
| 56442 | //5551+5//65//42+754//43//2 | 3/4 | Minueto (t) | MS-M | Garcia MS, 1772 | 81[192] | MI |
| 564423 | //551+76//654//44654//43//234//345// | 3/4 | Milan Minuet (t) | DA-E | Wilson Companion, 1816 | 165 | MI |
| 564427 | //5/6543//4/432//231/7- | 6/4 | Song, A (t) | SC-E | Pills 3, 1719-20 | 170-1 | VO |
| 564453 | //54321//65//4//43217-//564//323// | 3/8 | Favourite Song In the Opera of Scipio (t) | IC-E | Prelleur Modern, 1731 | 26-27 | HA |
| 564453 | //5432171+/65//46423531/4-5-7-6-5-//5-4- 5-4-5-/345 |
Stepney's Hornpipe (t) | AM-A | Nixon MS, 1776 | 23 | FI | |
| 56445346 | //5/65//43//4/54//33//43//65 | 2/4 | Polly Willis (t) | SC-E | Calliope, 1746 | II,81 | VO,B+FL |
| 564465 | //531/65//45654/435//6/5 | C | Interlude 1st (t) | AM-A | Ives MS, 1800 | 34 | KB |
| 5645 | //5671+/6543//4321+/56 | C/ | Air 35 (t) | BA-E | Fashionable, 1730 | 44 | VO |
| 5645 | //5671+/6543//4321/56 | C/ | Air 13 (t) | BA-E | Merry Cobler, 1735 | 24 | VO |
| 564516 | //553/665//4321/567//1+71+5/6532// | C/ | Macedonian, The (t) | AM-A | Bevens MS, 1825 | 19r | FI |
| 564534 | //5/6543//4/5432//3135/4321// | C | St James's Park. Cotillion (t) | DA-E | Fishar 12 CD, 1775 | 8 | KB |
| 5645341 | /55//66/44//5/33//432/17-// | 2/4 | Tuillerie, La. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 62 Feuille | MI |
| 5645342 | //5315/65//427-2/5//316-3/43//27-5-2 | C | Save me from excess of joy (fl) | TW-E | Judgment/Paris, 1745 | 9-10 | 2VN,VA,VO,KBF |
| 564556 | //53/66//42/5//53/66// | 6/8 | Malbrouc (t) | AM-A | Duport MS-2, 1800 | 1v | VN |
| 564563 | //51+/6543//4321/55//61+71+2+/3+1+4+3+ | C | Bonny Boat Man, The. with Variation (t) | IC-E | Caledonian PC, 1760 | II,28 | GF |
| 564563 | //5-1/6-5-4-3-//4-3-2-1-/5-5-//6-7-12/31 43 |
C | Boatman (t) | AI-A | Riley Flute 1, 1814 | 5 | FL |
| 564563 | //51+/6543//4321/55//671+2+/3+4+5+4+3+ | C | Bonny Boatman (t) | MS-E | Hammersley MS, 1790 | 109 | KB |
| 564563 | //5671+/6543//4321/56//671+2+/3+4+5+4+3+ |
C/ | Air 26 (t) | BA-E | Highland Fair, 1731 | 42 | VO |
| 564563 | //5671+/6543//4321/56//671+2+/3+4+5+4+3+ |
C | Bonny Boat Man, The (t) | DA-E | Johnson CD-2, 1742 | 22 | MI |
| 564563 | //5671+/6543//4321/56//671+2+/3+4+5+4+3+ |
C/ | Bonny Boatman, The (t) | DA-E | Walsh CD-2.3, 1735 | 33 | VN/OB/GF/CF |
| 564563 | //5671+/6543//4321/56//671+2+/3+4+5+4+3+ |
C/ | Bonny Scot, The (t) | SC-E | Watts MM-2, 1729 | 129-131 | VO/VN+FL |
| 564563 | //5671+/6543//4321/56//671+2+/3+4+5+4+3+ |
C/ | Bonny Boatman, The (t) | DA-E | Walsh CD-3.3, 1749 | 45 | VN/OB/GF |
| 564656 | //56/6543//46/61+//56/6543 | 2/4 | Miss Forbes's Strathspey (t) | IC-S | Gibb New Coll, 1798 | 35 | PF/VN,VC |
| 5647 | //5542//665//454217-//7-12 | 3 | Irish Wooing, An (t) | SC-E | Pills 4, 1719-20 | 325 | VO |
| 564725 | //531+/65//421/7-1//234/567 | 6/8 | What's That to You (t) | DA-E | Thompson CD-1, 1757 | 45 | VN/GF/OB |
| 564725 | //531+/65//421/7-1//234/567 | 6/8 | What's That to You (t) | DA-E | Johnson CD-7, 1756 | 91 | VN/GF |
| 564725 | //531+/65//421/7-1//234/567// | 6/8 | What's That to You (t) | DA-E | Thompson CD-1a, 1757 | 47 | VN/GF/OB |
| 564726 | //51+1+5/651+//4321/7-1//2345/657 | C | Palaemon and Pastora (t) | SC-E | Clio-3, 1762 | 56 | VO,HAF |
| 564726 | //51+1+5/651+//4321/7-1//2345/657 | C | Palaemon and Pastora (t) | SS-E | SS, Huntington-1 | 51 | VO,KBF+GT |
| 5647261 | //51+1+5/651+//4321/7-1//2345/657//1+432 |
C | Farewel, my Pastora, no longer your swain (fl) | TW-E | Chaplet, 1750 | 16-17 | 2VN,VO,KBF |
| 56476 | //55/6543//4321/7-1//6-3 | Song In Praise of Begging, A (t), or Beggers Rival'd, The (at) | SS-E | SS, Folger-C42.2 | 151 | VO,KB+F | |
| 56476 | //55/6543//4321/7-1//6-3 | Song In Praise of Begging, A (t), or Beggers Rival'd, The (at) | SS-E | SS, Folger-C42.3 | 330 | VO,KB+FL | |
| 564764 | //55/6543//4321/7-1//6-3/4321 | C | Happy Beggars, The (t) | SC-E | Muses Delight, 1754 | 156-157 | VO,HA |
| 5647647 | //55/6453//4321/7-1//6-3/4321//7- | C | Happy Beggars, The (t) | SC-E | Calliope, 1746 | II,85 | VO,HAF+FL |
| 5647647 | //55/6543//4321/7-1//6-3/4321//7- | Song In Praise of Begging, A (t), or Beggers Rival'd, The (at) | SS-E | SS, Harvard | 1 | VO,B+FL | |
| 5647647 | //55/6543//4321/7-1//6-3/4321//7-2 | C/ | Song In Praise of Begging, A (t), or Beggars Rivall'd, The (at) | SC-E | Pills 6, 1719-20 | 338-9 | VO |
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