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Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
//6-6-6-1//22323//216-5-6-1//2232//17-6- 5-3-2-//1-1-2-1-// |
Mable Kelly (t) | IC-I | Neal's Irish Tunes, 1724 | 14 | VN/GF/OB | |
/6-6-//6-12/321//42/31//7-21/7-16-// | 6/8 | Dandilly, La. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 214 Feuille | MI |
//6661+2+/3+2+3+5+//55576/5675//6661+2+ | C/ | Davie Rea (t) | DA-E | Rutherf CD-2.2, 1760 | 71 | MI |
//6-6-6-12/3235//5-5-5-7-6-/5-7-127-//6- 6-6-12/3236// |
C | Struen Robertsons Rant (Scotch) (t) | DA-E | Wilson Companion, 1816 | 57 | MI |
//66-/6-12//66-/6-12//35/23// | 6/8 | Joy be with you (t) | MS-C | Molyneaux MS-1, 1788 | 51 | GF |
//6-6-6-/127-//6-/3//323/15-5-//5- | 6/4 | My Daddy (t), or English Song, An (at) | SS-E | SS, Harvard | 1 | VO,KB,B |
//6-6-6-/13//37-7-/25-5-//6-6-1/17-25- | C | Marche Religieuse (t) | IC-S | Pandean Coll 2, 1810 | 23 | PF |
//6-6-/6-13//6-6-/6-24//321/7-32// | 6/8 | Fêtes Villageoises, Les. Contredanse Française (t) | DA-F | Bouin CD LC-1, 1780 | 53 Feuille, 2 Vol. | MI |
//6-6-6-13/6767-//11135/1+2+1+6//6-6-6-1 3/671+6 |
C/ | Rowles, The (t) | DA-E | Johnson CD-4, 1748 | 33 | VN/GF |
//6-6-6-/16-//1/5//21/7-6- | C | Brays of Angus, The (t) | DA-E | Johnson CD-2, 1742 | 27 | MI |
//666/1+6//1+/5+//2+1+/76//5 | C | Brays of Angus, The (t) | DA-E | Rutherf CD-2.1, 1756 | 87 | VN/GF/OB |
//6-6-6-16-/224//6-6-6-16-/7-7-3/6-6-6-1 6-/2346// |
C/ | Up and War Em All Willy (t) | MS-E | Vickers MS, 1770 | 131 | MI |
//6-6-6-16-/7-124//6-6-6-16-/3136-//2413 /7-124// |
C/ | Keep the Country Bony Lass (t) | MS-E | Vickers MS, 1770 | 132 | MI |
//6661+6/75+//2+1+76/5675//6661+6/76+ | C/ | Breas of Angus a Reel (t) | MS-S | Gillespie MS, 1768 | 105 | VN |
//6-6-/6-17-2//11/4//317-2/16-5-7-//6-5- |
2/4 | Trio (t) | TW-E | Pirates, 1792 | 24-25 | 3VO,KB |
//6661+/761+//3335/321//6666/1+1+2+1+ | C | Dear to Me Is My Hero (t) | IC-S | Aird 5, 1797 | 71 | FI/VN/GF |
//6/6//61+7//61+7/63+//1+61+3+ | C | TW-E | Harlequin Sorc, 1752 | 2 | HA | |
//666/1+76//666/1+76//61+3+/3+2+1+// | 6/8 | Woodford Ship, The (t) | AM-A | Litten MS, 1800 | 18 (43) | VN |
//6/6//6/2//3455/5543// | 2 | Chapeliere, La (t) | MS-C | Trois-Rivieres MS, 1768 | 39 | MI |
//6/66//31+//76/65435// | C/ (8/4) | Pavana (t) | MS-E | Fitzwilliam MS-2, 1609 | 200-201 | VI |
//6-6-6-32/16-16-//6-6-6-32/16-16-//6-6- 6-32/16-16-// |
C/ | Jenne Camrons Rant (t) | MS-E | Vickers MS, 1770 | 163 | MI |
//6663+/3+2+76+//6666/7657//6663+/3+2+3+ 6+ |
C | Black Lassie's No Canty, The (t) | IC-S | Aird 6, 1803 | 19 | FI/VN/GF |
/6-6-6-//33/42//3/7-7-7-//17-/6-5-// | 2 | Savoyarde, La ou Les Marmotes (t) | DA-F | LaCuisse Rep CD LC-3, 1765 | 79 Feuille 3. Vol | KB |
//6//66/33//51+/5 | C | Whites Town L M (t) | MS-A | Bellamy MS, 1799 | 76 | BI |
//666//34/32//17-/12//36/ | 2 | Nouveau Monde, Le (t) | IC-F | Leclerc Recueil-2, 1737 | 119 | HAF |
//6-6-6-36-/1234//5225/5-5-5-27-//6-6-6- 36-/1234// |
C/ | Hilland Tune (t) | IC-E | Scotch Tunes (Y), 1720 | 24 | VN |
//6-6-6-36-/3235//5-5-5-27-/25-27-//6-6- 6-36-/3235// |
C/ | Real of Kilwining (t) | MS-E | Vickers MS, 1770 | 145 | MI |
//6-6-6-/36-//56-/36//53/27- | 2/4 | Hopeton House (t) | IC-S | Aird 1, 1782 | 22 | FI/VN/GF |
//6-6-6-36-/56-36//5327-/5-6-7-2//6-6-6- 36-/56-36 |
C | Hopetoun House (t) | IC-S | Aird 6, 1803 | 7 | FI/VN/GF |
//6663+6/5+63+6+//5+3+2+7/5672+//6663+6/ 5+63+6+ |
C/ | Hopelon House a Reel (t) | MS-S | Gillespie MS, 1768 | 100 | VN |
//6-6-6-36-/56-37//5327-/5-6-13//6-6-6-3 6-56-36// |
C/ | Hopeton House (t) | IC-S | Stewart Reels, 1775 | 11 | VN/GF,VC/HA |
//6-6-/6-3//676/5//654/321 | 6/8 | 3 Merry Boys, The (t), or Barkin's Whim, (at) | DA-E | Johnson CD-3, 1744 | 23 | VN/GF |
//6-6-6-37-/16-1//7-225/7-5-5-1//7-6-5-7 -/1234// |
C/ | Miss Henny Mitchelson Reel (t) | IC-S | Stewart Reels, 1775 | 49 | VN/GF,VC/HA |
//6-//6-6-//43236-//217-12//7-3- | 3/8 | Amorous Swain's Complaint, The (t) | SS-E | SS, Folger-C42.1 | 49 | VO,KB+FL |
//6//66//4+3+2+3+6//2+1+71+2+//73//436 | 3/8 | Amorous Swains Complaint, The (t) | SS-E | SS, Folger-C42.4 | 31 | VO,KB+FL |
//6//66//4+3+2+3+6//2+1+71+2+//73//436// 5 |
3/8 | Swain's Complaint, The (t) | SC-E | Calliope, 1746 | I,87 | VO,HAF+FL |
//66-64//436//656//436//122 | 3/4 | Oh Cephalus farewell (fl) | SS-E | SS, Folger-C42.2 | 28 | MI,VO,KB+FL |
//66-6-4//436//656//436//122 | 3/4 | Oh Cephalus farewell (fl) | SS-E | SS, Folger-C42.3 | 143 | MI,VO,B,KBF+FL |
//6/6//6/5//1+/2+//1+/2+4+// | C/ (8/4) | Miserere. 3 Parts (t) | MS-E | Fitzwilliam MS-2, 1609 | 230-231 | VI |
//6-6-6/51//432/33//32 | C | Blow Ye Bleak Winds (t) | IC-E | Delightful-2, 1745 | IV,4 | GF |
//6-6-6/51//432/33//324/436 | C | Generous Distress'd, The (t) | SC-E | Clio-3, 1762 | 138-139 | VO,HAF |
//6-6-6/51//432/333//324/436 | C | Generous Distrest Lover, The (t) | SC-E | Muses Delight, 1754 | 168 | VO,HA |
//6/66//51+//76/56//3 | C | Bataille de St Chaumont. Chant Francais National (t) | IC-N | Netherlands Sheet Music | PF | |
//6-665/323//1234/5313//6-665/323// | C/ | Reel, A (t) | MS-S | Fife MS, 1780 | 833,90r | 1FI OR 2FI/VN |
//6-6-/6-53//27-6-5-/5-6-7-5-//17-12/312 3 |
C | Auld Man's Mare's Dead, The (t) | SC-S | Scots MM-5, 1797 | 500 | VO,PF |
//66/653//66/653//567/1+53 | 6/8 | Irish Air, An (t) | IC-S | Aird 4, 1796 | 66 | FI/GF/VN |
//6-6/654//3/1//7-5/543 | C/ | Red House, The (t) | AM-A | Allen, W. MS, 1790 | 9-10 | MI/VO,B |
//6-6/654//3/1//7-5/543//27-/ | C/ | Maison Ruge, La (t) | MS-G | Jayme MS, 1717 | 17 | MI |
//6-6/654//3/1//7-5/543//2/7- | C/ | Air 9 (t) | BA-E | Polly, 1729 | T12M3-4 | VO,B |
/66//654/3217-//16-/33//323/ | 2 | Petit Ras, Les (t) | DA-F | Landrin Potpourri, 1785 | 80 | MI |
//66654/3217-6-1+//7654/331+//71+71+/71+ 76// |
C/ (8/4) | Fall of the Leafe, The (t) | MS-E | Fitzwilliam MS-2, 1609 | 423 | VI |
//6-6/654//321/7-6-5-//6-6/1+7 | 6/8 | Return Hameward (t) | SC-S | Scots MM-6, 1803 | 572 | VO,PF |
//6-6/654//321/7-6-5-//6-6/671+7 | 6/8 | Spinning Wheel, The (t) | IC-S | Aird 2, 1785 | 72 | FI/VN/GF |
//6-6/654//321/7-6-5-//6-6/671+7// | 6/8 | Spinning Wheel, The (t) | MS-S | Fife MS, 1780 | 491,52r | 1FI OR 2FI/VN |
//66/654//3217-/6-6-7-//17-6-7-/17-12//3 |
C/ | Plague of Dependance, The (t) | SS-E | SS, Harvard | 1 | VO,KBF+FL |
//6-6/654//3217-/6-7-//1234/5 | C/ | Contented Farmer, The (t) | SC-E | Calliope, 1746 | I,122 | VO,HAF+FL |
//6-6/654//3217-/6-7-//1234/56// | C | Contented Farmer, The (t) | AM-A | Brown, J. MS, 1782 | 1:52 | |
//6-6/654//3217-/6-7-//1234/56 | C/ | Air 13 (t) | BA-E | Devil To Pay-1, 1731 | 17 | VO |
//6-6/654//3217-/6-7-//1234/56 | C/ | Air 7 (t) | BA-E | Devil To Pay-2, 1731 | 10 | VO |
//6-6/654//3217-/6-7-//1234/56 | C/ | Roger's Wish (t) | DA-E | Johnson CD-1, 1740 | 30 | MI |
//6-6/654//3217-/6-7-//1234/56 | C | Contented Farmer, The (t) | SC-E | Muses Delight, 1754 | 171 | VO,HA |
//6-6/654//3217-/6-7-//1234/56 | C/ | Contented Farmer, The-1 (t) | SC-E | Musical Ent-2, 1740 | 42-43 | VO,HAF+FL |
//6-6/654//3217-/6-7-//1234/56 | C/ | Roger's Wish-1 (t) | DA-E | Walsh CD-2.2, 1735 | 109 | VO/OB/GF/FL |
//6-6/654//3217-/6-7-//1234/56 | C/ | Roger's Wish-1 (t) | DA-E | Walsh CD-3.2, 1749 | 109 | VN/OB/GF |
//6-6/654//3217-/67-//2234 | C/ | Contented Country Farmer, The (t) | SS-E | SS, Folger-C42.3 | 396 | VO,KB+FL |
//6-6/654//3217-/6-7-//7234 | C/ | Contented Country Farmer, The (t) | SS-E | SS, Folger-C42.2 | 201 | VO,KB+F |
//66-/654//33/3//44-/432 | C/ | Old Way's Best (t) | DA-E | Johnson CD-1, 1740 | 57 | MI |
//66-/654//33/3//44-/432 | C/ | Old Way's Best, The (t) | DA-E | Walsh CD-2.3, 1735 | 66 | VN/OB/GF/CF |
//66-/654//33/3//44-/432 | C/ | Old Way's Best, The (t) | DA-E | Walsh CD-3.3, 1749 | 78 | VN/OB/GF |
//66-/654//33/3//44-/432//11 | C/ | Card Table (t) | TW-E | Perseus & Andr, 1763 | 5 | HA/GF/VN/GT |
/66//654/3423//16-/33//323/ | 2 | Petits Rats, Les (t) | IC-F | Leclerc Recueil-1, 1729 | 36 | HAF |
//6-6/6543//42/7-2//5-5/5432 | C/ | Kelsterne Gardens (t) | PL-E | Playford 3-2, 1726 | 82 | VN |
//6-6/6543//42/7-2//5-5/5432 | C/ | Kelsterne Gardens (t) | DA-E | Walsh NCDM-3, 1728 | 110 | VN/OB/FL |
//666//543//43217-6-//3 | 3 | Bartholomew-Fair, A Catch (t) | SC-E | Pills 2, 1719-20 | 296-7 | VO |
//6-6/654//3451/7-6-5//6-3 | 6/8 | Fair and Soft (t) | SC-E | Amaryllis, 1760 | II,10 | FL,VO,HAF+GF/FL |
//6-6/654//3451/7-6-5-//6-3 | 6/4 | Inconstant, The (t) | SS-E | SS, Folger-C42.1 | 125 | VO,KB+FL |
//6-6/654//3451/7-6-5//6-3 | 6/4 | Inconstant, The (t) | SS-E | SS, Folger-C42.4 | 268 | VO,KB+FL |
//6-6/654//3451//7-6-5//6-3/671+7 | 6/4 | Inconstant, The (t) | SC-E | Muses Delight, 1754 | 200-201 | VO,HA |
//6-6/654//3451/7-6-5-//6-3/671+7 | 6/4 | Inconstant, The (t) | SC-E | Musical Ent-1, 1740 | 91 | VO,KB+FL |
//6-6/654//3451/7-6-5-//6-3/671+7//6 | 6/4 | Inconstant, The (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//6-6/654//3451/7-6-5-//6-3/671+7//6 | 6/4 | Inconstant, The (t) | IC-E | Simpson Record, 1745 | 24 | RC |
//6-6/654//3451//7-6-5-//6-3/671+7//66- | 6/4 | Inconstant, The (t) | IC-E | Delightful-2, 1745 | I,14 | GF |
//666/5//444/3//555/41+4// | 6/8 | Sorciere, La (t) | DA-E | Longman Cot, 1770 | 5 | HA/VN/GF/OB |
//666/5//444/3//666/51+4//342 | 6/8 | Quick March.#13 (t) | IC-E | Hinde Longman, 1775 | 7 | FI/GF/VN/OB,PF/HA |
//66/654//543/42//66/62+1+2+ | 2/4 | Sigh, The (t) | DA-E | Johnson CD-6, 1751 | 78 | VN/GF |
//66/654//55/51+7//671+/54 | Joan's Placket (t) | PL-E | Playford 1-13, 1706 | 30 | VN | |
//6/66//5/51+//76/56 | C/ | Battle of Navarino. Vive Henri Iv (t) | AI-A | American Sheet Music | PF,VN | |
//6/66//5/51+//76/56 | 2 | Vive Henri Quatre (t) | IC-F | Bonjour Recueil, 1800 | 2:6 | VN/FL |
//66/65//5/34//44/432// | 2/4 | Gray Galmachree (t) | AM-A | Hoff MS, 1797 | No. 215 | GF |
//66/6//5/55 | 6/8 | Rouges March, The (t) | AM-A | Thompson MS, 1777 | 36 | FI |
//666/555//1/12//343/217-6-//3 | C/ | Air 1 (t) | BA-E | Lovers Opera, 1730 | 2 | VO |
//666/555//12//343/217-6- | C/ | Song 72 (t), or Diogenes Surly and Proud (at) | SC-E | Calliope, 1788 | 137-139 | VO |
//666/555//12//343/217-6- | C/ | Song 32 (t), or Tipling Philosophers, The (at) | SC-E | Ritson, 1783 | TII,34-37;MIII,199-200 | VO |
//666/555//12/343//217-6- | C/ | Tippling Philosophers, The (t) | SS-E | SS, Folger-C42.1 | 120 | VO,KB+FL |
//666/555//12/343//217-6- | C/ | Tippling Philosophers, The (t) | SS-E | SS, Folger-C42.4 | 252 | VO,KB+FL |
//666/555//12//343/217-6- | C/ | Tippling Philosopher, The (t) | SC-E | Watts MM-1, 1729 | 154-57 | VO/VN+FL |
//666/555//12//343/217-6-//3 | C/ | Song 36 (t), or Diogenes Surly and Proud (at) | AI-A | American MM, 1798 | 100-102 | VO |
//666/555//12//343/217-6-//3 | C/ | Song 69 (t) | SC-E | Convivial, 1782 | 138-140 | VO |
//666/555//12//343/217-6-//3 | C/ | Diogenes Surly and Proud (t) | SC-S | Edinburgh MM-2, 1793 | 294-296 | VO |
//666/555//12/343//217-6-/3 | C/ | Tipling Philosophers, The (t) | PL-E | Playford 3-2, 1726 | 49 | VN |
//666/555//12/343//217-6-/3 | C/ | Tipling Philosophers, The (t), or Song, A (at) | SS-E | SS, Harvard | 1 | VO,MI+FL |
//666/555//12/343//217-6-/33 | C | Air 1, Act I (t) | BA-E | Beggar's Wed, 1729 | T8M1 | VO |
//666/555//444/333//432/17-6- | 6/4 | Contented Swain, The (t) | AM-A | Perkins MS, 1790 | 51 | MI,B |
//666/5555//6666/333//666/5 | Song, A (t) | SC-E | Pills 3, 1719-20 | 87 | VO | |
//6-6655//565434/3//6-7- | C/ | Song for 2 Voices, A (t) | SS-E | SS, Folger-C42.4 | 337 | 2VO,B,/KB |
//6-6655//565434/3//6-7-/1234 | C/ | Song for Two Voices, A (t) | SS-E | SS, Folger-C42.1 | 184 | 2VO,B |
//666//555//666//75//1+1+1+//777 | 3 | Folies d'Espagnes (t) | IC-F | Bonjour Recueil, 1800 | 3:6 | VN/FL |
//666//555//666//777//1+1+1+//771+ | 3 | Marche du Regiment du Roy.2e Air (t), or Folies d'Espagne, Les (at) | MS-F | Philidor MS, 1705 | 13-14 | 3OB,B+DR |
//666//555//666//777//1+1+1+//771+// | 3 | Folies D'Espagne, Les Dance Francoise (t) | IC-F | Pointel Airs, 1700 | 37 | MI,B |
//666/555//666/777//1+76/666//5 | 6/4 | Contented Swain, The (t) | AM-A | Brown, H. MS, 1797 | 32-33 | VO,B |
//666/555//7-/12//343/217-6-//37 | C/ | Air 4 (t) | BA-E | Trick For Trick, 1735 | 9 | VO |
//666//556//44654//33//11234// | 3 | 4 Faces, Les (t) | MS-C | Trois-Rivieres MS, 1768 | 29 | MI |
//666/55654//33234/555//666/55654 | 6/4 | Appel, L' (t) | IC-F | French Ordinances | App.14 | OB/FI,DR |
//666/55654//33234/555//666/55654// | 6/4 | Appel, L' (t) | IC-F | Marguery Drum, 1774 | 14 | OB/FI,DR |
//666/55//666/33//43/22//33/1234 | C/ | Air 17 (t) | BA-E | Fashionable, 1730 | 23 | VO |
//666/55//676/33//44/22 | C/ | Fart, The (t) | SC-E | Pills 1, 1719-20 | 28-32 | VO |
//6665/6//1+1+/73//67-12/3 | C | Song, A (t) | SS-E | SS, Folger-C42.3 | 74 | VO,KB+FL |
//6-6/65//61+/5321//6-2/23 | C | Port Rorie Dall. Irish (t) | IC-S | Aird 3, 1788 | 174 | FI/GF/VN |
//6665//62+2+1+//61+654//412//3432 | 3/4 | #56 (t), or Isabella Burk (at) | IC-E | Bunting, 1796 | 30 | PF |
//6-6-/6-5-//6-3-16-/3//3432127-1/23217- 6-5-6- |
C/ | Song In the Play Call'd the Rival Sisters, A (t) | SS-E | SS, Folger-C42.1 | 69+69,2 | VO,KB+MI |
//6-6-/6-5-//6-316-/3//3432127-1/23217-6 -5-6-//5- |
C | Celia Has a Thousand Charms (t) | SC-E | Calliope, 1746 | I,156-157 | VO,B+FL |
/66//65/654//33/66//65/ | 2 | Allure, L' (t) | IC-F | Leclerc Recueil-2, 1737 | 106 | HAF |
//66/65//654/33//67/65 | C | Charlotte's Rant (t) | DA-E | Skillern CD, 1780 | 98 | VN/GF/OB |
//66/65//654/33//67/65// | C | Charlotte's Rant (t) | DA-E | Straight & Skillern CD, 1775 | 26 | VN/GF/OB |
//6-6/65//6/67//1+5/54// | C/ | Princesse Royall (t) | IC-E | Musicks Hand-Maid-1, 1678 | 56 | VI/HA |
//6-6/65//667//1+5/54//3123// | C/ | Princess Royal, La (t) | IC-E | Apollo's Banquet 1-1, 1670 | 200 | VN |
//6-6/65//667//1+5/54//3123// | C/ | Princess Royal, La (t) | IC-E | Apollo's Banquet 1-2, 1678 | A32 | VN |
//6-6/65//667//1+5/54//3123// | C/ | Princess Royal, La (t) | IC-E | Apollo's Banquet 1-5, 1687 | A14 | VN |
//6-6/65//667//1+5/54//3123// | C/ | Princess Royal, La (t) | IC-E | Apollo's Banquet 1-6, 1690 | A14 | VN |
//6-6/65//667//1+5/54//3123// | C/ | Princess Royal, La (t) | IC-E | Apollo's Banquet 1-7, 1693 | 21 | VN/FL |
//6-6/65//667//1+5/54//46-/ | C/ | Iambae (t) | IC-E | Apollo's Banquet 1-1, 1670 | 176 | VN |
//6-6-/6567//1+653/21//2 | C | Reel, A (t) | AM-A | Shattuck MS, 1801 | 19 | MI |
//6-665/671+6//5332/7-6-7-5-//6-664/671+ 2+ |
Bell Reel (t) | AM-A | Bremner MS, 1756 | 16 | VN/VO | |
//6-665/671+6//5432/127-5-//6-665/62+1+2 +//7657 |
C | Knit the Pocky (t) | DA-E | Longman CD, 1781 | 71 | VN/OB/GF |
//6-665/671+6//5432/127-5-//6-665/671+2+ // |
C/ | Lady Mcintoshe's Reel (t) | IC-S | Stewart Reels, 1775 | 20 | VN/GF,VC/HA |
//66/656//71+7/654//654/654 | 6/8 | Young Widow, The (t) | AM-A | Turner MS, 1788 | I,63 | VN |
//6-6/656//72+1+/765//42+/31+ | 6/8 | Irish Lasses (t) | IC-S | Aird 2, 1785 | 11 | FI/VN/GF |
//6-6/656//72+1+/765//42+/31+// | 6/8 | Irish Lasses (t) | MS-S | Fife MS, 1780 | 509,54r | 1FI OR 2FI/VN |
//66-6/56//73-7/67//1+ | 3/2 | Ever Happy (t) | PL-E | Playford 2-3, 1718 | 60 | VN |
//66-6/56//73-7/67//1+ | 3/2 | Ever Happy (t) | PL-E | Playford 2-4, 1728 | 60 | VN |
//66-6/56//73-7/67//1+3/21/7- | 3/2 | Ever Happy (t) | PL-E | Playford 2-1, 1713 | 60 | VN/OB |
//66-6/56//73-7/67//1+3/21/7- | 3/2 | Ever Happy (t) | PL-E | Playford 2-2, 1714 | 60 | VN/OB |
//66-6/56//73-7/67//1+3/21/7- | 3/2 | Ever Happy (t) | DA-E | Walsh NCDM-2, 1710 | 56 | VN/OB/FL |
//66-656//73-767//1+3217-5//66-671+2+//3 +11+2+3+ |
3/2 | Ever Happy (t) | DA-E | Walsh CD-2.2, 1735 | 154 | VO/OB/GF/FL |
//66-656//73-767//1+3217-5//66-671+2+//3 +11+2+3+ |
3/2 | Ever Happy (t) | DA-E | Walsh CD-3.2, 1749 | 154 | VN/OB/GF |
//66-656//74-767//1+3217-5//66-671+ | 3/2 | Ever Happy (t) | DA-E | Walsh CD-1.2, 1719 | 78 | VN/OB |
//6-6/65676/1+76//5-5/54565/765// | 3/4 (9/4) | Tune by Mr. J. Eccles, A (t) | IC-E | Apollo's Banquet 1-8, 1701 | 16v,88 | VN |
//6//6//65+6//765//665566//776677 | 3/4 | Ship Wreck, The (t) | TW-E | Auld Robin Gray, 1794 | 32-33 | KB |
//66/656//77/767//1+1+/1+3+2+1+ | C | Shays (t) | AM-A | Perkins MS, 1790 | 34 | MI,B |
//66/657//62/245//66/67 | 2/4 | Quick Time Old Continental March (t) | AM-A | Murphey MS, 1790 | 12 | MI |
//6-6-6-6-/1231//4231/4231//6-6-6-6-/123 1 |
C/ | Scotch Contention (t) | MS-E | Hammersley MS, 1790 | 24B | MI |
//6-6-6-6-/1231//4231/4231//6-6-6-6-//12 31 |
C/ | Right Scots Contention, The (t), or Duke of Athos Rant, The (at) | DA-E | Johnson CD-2, 1742 | 68 | MI |
//6-6-6-6-/1231//4231/4231//6-6-6-6-/123 1 |
Scotch Contention, The (t) | MS-E | Rainstorp MS, 1747 | 9 | MI | |
//6-6-6-6-/1231//4231/4231//6-6-6-6-/123 1 |
C/ | Duke of Athols Rant, The (t) | DA-E | Walsh CD-2.2, 1735 | 183 | VO/OB/GF/FL |
//6-6-6-6-/1231//4231/4231//6-6-6-6-/123 1 |
C/ | Duke of Athols Rant, The (t) | DA-E | Walsh CD-3.2, 1749 | 183 | VN/OB/GF |
//6-6-6-/6-1//332/133//3222/2111 | C | General Montgomery's March (t) | AI-A | Martial Music, 1807 | 39 | 2CL/2OB,BS |
//6-6-6-6-1/34//5325/7-5-27-//6-6-6-6-1/ 31+// |
C | Earl Breadalbain's Reel (Scotch) (t) | DA-E | Wilson Companion, 1816 | 75 | MI |
//6-6-6-/6-1//5-5-5-/5-12//333/332// | C/ | Mount Vernon (t) | AM-A | Bevens MS, 1825 | 6v | FI |
//6-6-6-/6-1//5-5-5-/5-12//333/332 | 2/4 | Mount Vernon (t) | AM-A | Clarke MS, 1800 | 3 | MI |
//6-6-6-/6-1//5-5-5-/5-12//333/332 | C | Mount Vernon (t) | AM-A | Kingsley MS, 1795 | II,6 | MI |
//6-6-6-/6-1//5-5-5-/5-12//333/332 | C | Mount Vernon (t) | AM-A | Trumbull MS, 1801 | a:2-3 | 2MI,(MI),B |
//66661+/561+2+//3+1+2+3+/2+1+65//66661+ /561+2+ |
C/ | Edmonton Assembly, The (t) | DA-E | Johnson CD-8, 1758 | 44 | VN/GF |
//6-66/61+//561+/531//6-66/671+// | C | Todlen Hame (Old Scotch) (t) | DA-E | Wilson Companion, 1816 | 46 | MI |
//66/66//1+/61+//76/75// | 2 | Anonime, L' (t) | IC-F | Leclerc Recueil-1, 1729 | 63 | HAF |
//666/61+6//455/51+6//444/456// | 2/4 | Sigh Not for Love (t) | AM-A | Cushing MS, 1805 | 129-131 | MI |
//66661+/6653//32212/3223//565653/531+ | C | Favourite Highland Quick Step 73 Regt, A (t) | IC-S | Aird 2, 1785 | 25 | FI/VN/GF |
//66661+/6653//32212/3223//565654/531+// |
C | Favourite highland Quick March 73rd Regt, A (t) | MS-C | Molyneaux MS-2, 1788 | 31 | 1 OR 2 GF |
//66661+/6654//32212/3223//565652/531+// |
C | Scotch Quick Step, A (t) | MS-S | Fife MS, 1780 | 327,34r | 1FI OR 2FI/VN |
//6666/1+666//5333/3111//1111/2333 | 6/8 | Hi Ri Ri ri Ho-2 (t) | IC-E | Caledonian PC, 1760 | XII,17 | GF/VN |
//66/66//1+6/66//57/77 | 2/4 | Major Minor (t) | AM-A | Akerman MS, 1795 | 42 | 2VO/MI:(S)A |
//66661+/757//665/4223//66661+/756// | C/ | We Are All Merry (t) | IC-S | Stewart Reels, 1775 | 40 | VN/GF,VC/HA |
//6+66//61+765//63+//4+3+2+//1+76 | 3/4 | Faithless Nymph, The (t) | SS-E | SS, Boston PL-1 | 110,1-2 | VO,HAF |
//666/63+1+6//533/33//777/72+4+2+ | C | Russian March Composed on General Suvoroff's Taking Ismael, A (t) | IC-E | English Sheet Music | 2 | PF |
//66663/16-6-1//7-525/7-5-5-5//66663/16- 6-1// |
C | Wedderburns Reel (Scotch) (t) | DA-E | Wilson Companion, 1816 | 77 | MI |
//666/63//16-/6-1//7-55/7-6-6-55// | C/ | Weddeburn House. A Reel (t) | MS-S | Fife MS, 1780 | 587,63r | 1FI OR 2FI/VN |
//666/63+1+//777/74+2+//1+2+7/675 | 6/8 | Trip from Stade, A (t) | DA-E | Thompson CD-2, 1765 | 56 | VN/GF/OB |
//666/63+1+//777/74+2+//1+2+7/675// | 6/8 | Trip From Stade, A (t) | DA-E | Thompson CD-2a, 1765 | 57 | VN/GF/OB |
//6-6-6-/6-3//27-/32//7-7-7-/7-5 | 2/4 | Quick Step, A (t) | AM-A | Gaylord MS, 1816 | 14r | MI |
//666/634//543/2//12/3332 | 6/4 | Cap O Blunder (t) | AM-A | Allen, W. MS, 1790 | 24 | 2VO |
//666/634//543/2//12/3332 | 6/4 | Capt O'blunder (t) | AI-A | Songsters Asst, 1800 | 35-36 | VO |
//666/634//543/2//12/3332 | 6/4 | Capt O'blunder (t) | AM-A | Spicer MS, 1797 | 24-25 | 2VO |
//666/63456//777/767//1+1+1+/1+2+1+2+ | C | Jolley's March (t) | AI-A | Herrick Preceptor, 1807 | 54 | 2MI,B |
//6-/6-//6-/6-5-//1/1 | 2/4 | Collin and Betsey (t) | AI-A | Select Songster, 1786 | 28-29 | VO |
//666-//651+//2+1+//73 | 3 | Song 51 (t), or Passionate Shepherd to His Love, The-1 (at) | SC-E | Ritson, 1783 | TI,228-229;MIII,115 | VO |
//6-6-/6-6//53/1//53/51 | C/ | Song on the Victory Over the turks, A (t) | SC-E | Pills 1, 1719-20 | 300-1 | VO |
//6-6-/6-6//53/1//53/51//7-16-7- | Dialogue Between Bowman the Tory, and Prance the Runagado, A (t) | SS-E | SS, Harvard | 1 | VO | |
//6-6-/6-6//53/1//53/52 | C/ | Vienna (t) | PL-E | Playford 1-09, 1695 | 130 | VN |
//6-6-/6-6//53/1//53/52 | C/ | Vienna (t) | PL-E | Playford 1-10, 1698 | 130 | VN |
//6-6-/6-6//53/1//53/52 | C/ | Vienna (t) | PL-E | Playford 1-14, 1709 | 130 | VN |
//6-6-/6-6//53/1//53/52 | C/ | Vienna (t) | PL-E | Playford 1-15, 1713 | 130 | VN |
//6-6-/6-6//53/1//53/52 | C/ | Vienna (t) | PL-E | Playford 1-16, 1716 | 130 | VN |
//6-6-/6-6//53/1//53/52 | C | Vienna (t) | DA-E | Walsh CD-1.1, 1718 | 143 | VN/OB/FL |
//6-6-/6-6//53/1//53/52 | C/ | Vienna (t) | DA-E | Walsh CD-2.1, 1731 | 42 | VN/OB/GF/RC |
//6-6-/6-6//53/1//53/52 | C | Vienna (t) | DA-E | Walsh CD-3.1, 1754 | 82 | VN/OB/GF |
//6-6-/6-6//53/1//53/52//7-12 | C/ | Vienna (t) | PL-E | Playford 1-17, 1721 | 130 | VN |
//6-6-/6-6//53/1//53/52//7-12 | C/ | Vienna (t) | PL-E | Playford 1-18, 1728 | 130 | VN |
//6-6-/6-6//53/1//53/52//7-127- | C/ | Vienna (t) | PL-E | Playford 1-11, 1701 | I,130 | VN |
//6-6-/6-6//53/1//53/52//7-127-/5- | C/ | Vienna (t) | PL-E | Playford 1-12, 1703 | 130 | VN |
//6-6-/6-6//53/1//53/52//7-127-/5- | C/ | Vienna (t) | PL-E | Playford 1-13, 1706 | 130 | VN |
//6-6-/6-6//53/1//53/61// | C/ | Vienna (t) | MS-F | Lorin MS-1, 1685 | 22v-23r | MI |
//6-6-/6-6//53/1//53/61//7-127-/5- | C/ | Vienna (t) | PL-E | Playford 1-08, 1690 | 189 | VN |
//66-/6-6//53+2+//3+1+2+7/65 | C/ | Old Maid In Tears, The (t) | PL-E | Playford 2-3, 1718 | 339 | VN |
//66-/6-6//53+2+//3+1+2+7/65 | C/ | Old Maid In Tears, The (t) | PL-E | Playford 2-4, 1728 | 339 | VN |
//66-/6-6//53+2+//3+1+2+7/65 | C/ | Old Maid In Tears (t) | DA-E | Walsh CD-1.2, 1719 | 355 | VN/OB |
//6666+/5+3+2+3+//1+553/561+5//6666+3+2+ 3+//1+675/6666// |
C | Lock Ness. A Troop (t) | MS-S | Fife MS, 1780 | 39,5r | 1FI OR 2FI/VN |
//6-6-6-6/5323//15-5-3-/5-6-15-//6-6-6-6 /5323 |
C | Loch Ness (t) | IC-S | Aird 2, 1785 | 15 | FI/VN/GF |
//6-6-6-6/5323//15-5-3-/5-6-15-//6-6-6-6 /5323 |
C/ | Lochness (t) | IC-S | Aird 6, 1803 | 7 | FI/VN/GF |
//6-6-6-6/5323//15-5-3-/5-6-15-//6-6-6-6 /5323// |
C | Lock Ness (t) | MS-C | Molyneaux MS-2, 1788 | 29 | 1 OR 2 GF |
//666//653453//666//75675//1+1+3+2+1+//7 72+1+7 |
3/4 | Follies of Spain, The (t) | AM-A | Woodruff MS, 1803 | 67-68 | MI |
//66-/6-6//5/345//43/2342 | C/ | Charmer, The (t) | PL-E | Playford 2-3, 1718 | 331 | VN |
//66-/6-6//5/345//43/2342 | C/ | Charmer, The (t) | PL-E | Playford 2-4, 1728 | 331 | VN |
//66665/3551+//66665/1+2+3+2+//1+665/356 6+ |
C/ | Bonnie Annie (t) | AM-A | Read MS, 1798 | 10 | MI |
//6-6-6-6-5-/3-5-5-1//6-6-6-6-7-/1232//1 7-6-7-/1 |
C/ | Bonnie Annie (t) | AM-A | Huntington MS, 1817 | III.53 | FL/VN |
//6-6-6-6-5-/3-5-5-1//6-6-6-6-7-/1232//1 7-6-7-15-/3-5-5-1 |
C/ | Bonnie Annie (t) | IC-S | Stewart Airs, 1788 | 3:135 | GF/VN/FI |
//66665/3551+//66667/1+2+3+2+//1+7671+5/ 3551+ |
C/ | Bonny Annie (t) | IC-S | Aird 3, 1788 | 209 | FI/GF/VN |
//6-6-/6-6//53/6-//53/61//7- | C/ | Vienna (t) | PL-E | Playford 1-07, 1686 | 203 | VN |
//6-6-/6-6//543/1//53/61// | C/ | Vienne, La (t) | IC-N | Pointel Recueil, 1688 | 19 | MI/B |
//6-6-//6-6//54//34 | 3 | Crafty Mistriss's Resolution, The (t) | SC-E | Pills 2, 1719-20 | 160-2 | VO |
//6-6-/6-6//54/34//543/231// | 6/4 | Excuse Me Contre-Danse Angloise (t) | IC-F | Pointel Airs, 1700 | 12 | MI,B |
//6-6-/6-6//54/34//565 | 6/4 | Punchionello (t) | SS-E | SS, Folger-C42.3 | 361 | VO,KB+FL |
//6-6-/6-6//54/34//565/2 | C3 | Excuse Me (t) | PL-E | Playford 1-09, 1695 | 115 | VN |
//6-6-/6-6//54/34//565/231// | 6/4 | Excuses My (t) | DA-F | Feuillet Recueil, 1706 | 25-32 | MI |
//6-6-/6-6//54/34//565/231 | 6/4 | Excuse Me (t) | MS-E | Hammersley MS, 1790 | 46 | MI |
//6-6-/6-6//54/34//565/231// | 6/4 | Exuses My (t) | MS-G | Jayme MS, 1717 | 3 | MI |
//6-6-/6-6//54/34//565/231// | 6/4 | Excuses My (t) | IC-F | Leclerc Recueil-1, 1729 | 2-3 | HAF |
//6-6-/6-6//54/34//565/231// | 3 | Excuse My (t) | MS-F | Lorin MS-1, 1685 | 20v-21r | MI |
//6-6-/6-6//54/34//565/231 | 3 | Excuse Me (t) | PL-E | Playford 1-08, 1690 | 174 | VN |
//6-6-/6-6//54/34//565/231 | 6/4 | Excuse Me (t) | PL-E | Playford 1-10, 1698 | 115 | VN |
//6-6-/6-6//54/34//565/231 | 6/4 | Excuse Me (t) | PL-E | Playford 1-11, 1701 | I,115 | VN |
//6-6-/6-6//54/34//565/231 | 6/4 | Excuse Me (t) | PL-E | Playford 1-12, 1703 | 115 | VN |
//6-6-/6-6//54/34//565/231 | 6/4 | Excuse Me (t) | PL-E | Playford 1-13, 1706 | 115 | VN |
//6-6-/6-6//54/34//565/231 | 6/4 | Excuse Me (t) | PL-E | Playford 1-14, 1709 | 115 | VN |
//6-6-/6-6//54/34//565/231 | 6/4 | Excuse Me (t) | PL-E | Playford 1-15, 1713 | 115 | VN |
//6-6-/6-6//54/34//565/231 | 6/4 | Excuse Me (t) | PL-E | Playford 1-16, 1716 | 115 | VN |
//6-6-/6-6//54/34//565/231 | 6/4 | Excuse Me (t) | PL-E | Playford 1-17, 1721 | 115 | VN |
//6-6-/6-6//54/34//565/231 | 6/4 | Excuse Me (t) | PL-E | Playford 1-18, 1728 | 115 | VN |
//6-6-/6-6//54/34//565/231 | 6/4 | Air 43 (t) | BA-E | Polly, 1729 | T45M18-9 | VO,B |
//6-6-/6-6//54/34//565/231 | 6/4 | Excuse Me (t) | DA-E | Walsh CD-1.1, 1718 | 128 | VN/OB/FL |
//6-6-/6-6//54/34//565/231 | 6/4 | Excuse Me (t) | DA-E | Walsh CD-2.1, 1731 | 126 | VN/OB/GF/RC |
//6-6-/6-6//54/34//565/231 | 6/4 | Excuse Me (t) | DA-E | Walsh CD-3.1, 1754 | 189 | VN/OB/GF |
//6-6-/6-6//54/34//565/231//7- | 6/4 | Air 3 (t) | BA-E | Mock Lawyer-M, 1733 | 1 | VO |
//6-6-/6-6//54/34//565/231//7- | 3 | Excuse Me (t) | PL-E | Playford 1-07, 1686 | 188 | VN |
//66/66+//5+4+/3+4+//5+6+5-/3+2+1+ | 6/4 | Punchinello (t) | SC-E | Watts MM-6, 1731 | 60-62 | VO,HA |
//6-6-/6-6//54/34//565/321//7- | 6/4 | Punchionello (t) | SS-E | SS, Harvard | 1 | VO,B |
//6-6-/6-6//54/34//565/321//7-/5-//141 | 6/4 | Air 4 (t) | BA-E | Prisoners Op, 1730 | T4-5M2 | VO |
//6666551+2+1+76656//63+1+3+2+1+76// | C/ | Washerwomen's Branle (t) | DA-F | Arbeau Orchesography, 1589 | 155-157 | DR/MI |
//66/66//55/55//66/61+ | C | Scolding Wife (t) | AM-A | Shattuck MS, 1801 | 61 | MI |
//66/66//55/55//66/66 | C | Scolding Wife (t) | AM-A | Allen, W. MS, 1790 | 19 | MI/VO,B |
//66665//666//1+//74+/2+3+2+3+ | Croaking of the Toad, The (t) | SC-E | Clio-3, 1762 | 3-5 | VO,HA | |
//666/65//666/67//1+71+/2+1+2+ | C/ | Trois Grandes Marches Militaires (t) | MS-E | English BL Add MSS | BAND(27 PARTS) | |
//66/66//5671+/2+4//34/32 | C | Battalla de Baylen, La. Sorrow of the Patriots (t) | AI-A | American Sheet Music | PF | |
//66/66//61+/76//55/55 | 2/4 | Battle of Navarino. Russian Air (t) | AI-A | American Sheet Music | PF,VN | |
//6666/61+76//5555/575//6666/61+76 | C | Cassack, The (t) | AI-A | Blake Amus 1, 1824 | 7 | CL |
//6666/61+76//5555/5765//6666/61+76 | C | Cossack, The (t) | AI-A | Blake Bassoon, 1826 | 25 | 2CL/FL/VN,HN,B |
//6-6-6-6-/6-17-6-//5-5-5-5-/5-7-6-5-//6 -6-6-7-/1236 |
C | Cossack, The (t) | AI-A | Riley Flute 4, 1826 | 12 | FL |
//6666/61+//76567/35//676543/46-24// | C | Favourite Air, A (t) | IC-E | Prelleur Modern, 1731 | 44-45 | OB |
//6666/61+76//5675/33+2+7//1+765/6432// | 2/4 | Little Finger, The. Minore (t) | AM-A | Johnson, F. MS, 1820 | 17 | PF |
//6666/6356//7777/7367//1+1+1+1+/732 | C/ | Cape Breton (t) | DA-E | Johnson CD-6, 1751 | 75 | VN/GF |
/666//66/54//3/1+1+1+//1+1+/ | 2 | Cordonniere, La (t) | IC-F | Leclerc Recueil-2, 1737 | 87 | HAF |
/6-6-//6-6/6543//1/53//61/ | C/ | Vienne, La (t) | IC-F | Leclerc Recueil-1, 1729 | 6 | HAF |
//6-6-/6-6//6543/1//53/61// | C/ | Vienne Contre-Danse Angloise (t) | IC-F | Pointel Airs, 1700 | 14 | MI,B |
/6-6-//6-6/6543//1/53//63/2342// | C/ | Vienne (t) | DA-F | Feuillet Recueil, 1706 | 81-88 | MI |
/6-6-//6-6/6543//2/53//61/ | C/ | Vienne (t) | MS-G | Jayme MS, 1717 | 9 | MI |
//66-66-/654//55-55-/543//44-54- | C | Fair Susan (t) | SS-E | SS, Folger-C42.4 | 262 | VO,KB+FL |
//6-66-//6-6-5-6-//7-7-123//16-12//336 | 3 | Air (t) | IC-E | Delightful-1, 1763 | I,20 | GF |
//6-66-//6-6-5-6-//7-7-123//16-12//336// 572// |
3 | Air In Astyanax (t) | IC-E | Prelleur Modern, 1731 | 29 | VN |
//666/66//57/77//1+6 | C | Oh what a plague is love (fl) | TW-E | Damon & Phil, 1768 | 23-27 | 2VO,HAF |
//6-6-6-6-6-/6-31//7-7-7-7-7-/7-31//1232 1321/7-1217-217- |
C | Missouri March (t) | AI-A | Goodale Dir, 1819 | 58-59 | 2CL,2FL,2HN,BS, |
//6-6-6-6-6-/6-31//7-7-7-7-7-/7-31//1232 1321/7-1217-217- |
C | Missouri March (t) | AI-A | Goodale Dir, 1829 | 62-63 | 2CL,2FL,2HN,BS, |
//6-6/6-6//6-654//31+/31+ | C/ | Compleat Couple, The (t) | DA-E | Johnson CD-2, 1742 | 24 | MI |
//6-6/6-6//6-654//31+/31+ | C/ | Compleat Couple, The (t) | DA-E | Walsh CD-2.3, 1735 | 136 | VN/OB/GF/CF |
//6-6/6-6//6-654//31+/31+ | C/ | Compleat Couple, The (t) | DA-E | Walsh CD-3.3, 1749 | 134 | VN/OB/GF |
//666//6665//444//44//333 | 3 | Catholick Brother a Song, The (t) | SS-E | SS, Folger-C42.4 | 238 | VO+FL |
//666//6665//444//44//333//366//622 | 3 | Catholick Brother, The (t), or Song, A (at) | SS-E | SS, Harvard | 1,DUP | VO+FL |
//666//6665//444//44//333//366//622 | 3 | Catholick Brother, The (t), or Song, A (at) | SS-E | SS, Harvard | 1 | VO+FL |
//666//6665//444//44//333//366//622 | 3 | Catholick Brother, The (t), or Song, A (at) | SS-E | SS, Harvard | 1 | VO+FL |
//6-6666/6561+//5653/1231//6-6666/6561+/ / |
C/ | Drunken Wives In Pearson's Close, The (t) | MS-S | Young MS-3, 1740 | 11 | VN/OB/GF |
//6-6-/6-6-//6-6/5//63/32//17-/6- | 6/8 | Yes your wealth I hold at naught (fl) | TW-E | Midas-1, 1764 | 40 | VO,HAF |
//6-666/6-6-//6-3+3+/4+3+//6-6-6-6-/6-6- |
2 | Marche Lugubre (t) | IC-F | French Sheet Music | 2FLP,2CL,2TR,2H | |
//66/66//66/656//1+64/44// | 6/8 | Grecian Quick Step (t) | AM-A | Washburn MS, 1816 | 20 | GF |
//66-6-6-6-6-6-6-/1133661+1+//73333333/5 5773+3+77//1+6-6-6- |
C | Hurry (t) | TW-E | Harlequin Sorc, 1752 | 10 | HA |
//6-6-6-6-/6-6-6-6-//17-1//144/3322//333 3/35 |
C | Commodore Decatur's Funeral March (t) | AI-A | American Sheet Music | KB | |
//6-6-6-/6-6-6-//6-/6-//6-3 | 6/8 | Pour la Requete Ou le Defaut (t), or Defaut, ou Le (at) | IC-F | Dampierre Tons, 1734 | 3 | HN |
//666/6+6//666/6+3+//4+3+/2+1+ | C/ | Trip to Abbotsbury (t) | DA-E | Walsh CD-3.6, 1754 | 11 | VN/OB/GF |
//66/66//66/66/66/66//6 | 4/4 | AM-A | Akerman MS, 1795 | 23 | VO/MI | |
//666/666//6671+7/671+1+2+2+/3+ | 6/8 | Andantino Tire de Boccherini (t) | AI-A | Musical Jnl-2, 1800 | II,13-16 | PF |
//66-6-6-6-/6-712//3217-3/16-6-1+ | C | Grenadier Enters and Fights with Harlequin, The (t) | TW-E | Choice/Harleq, 1781 | 32 | HAF |
//66+6+6/667//1+71+4+/3+2+1+7//66+6+6/66 7 |
C | Scotch Baulk, The (t) | DA-E | Johnson CD-4, 1748 | 37 | VN/GF |
//66+6+6/667//1+71+4+/3+2+1+7//66+6+6/66 7 |
C | Scotch Baulk, The (t) | DA-E | Walsh CD-2.4, 1747 | 51 | MI |
//66+6+6/667//1+71+4+/3+2+1+7//66+6+6/66 7// |
C | Scotch Baulk, The (t) | DA-E | Walsh CD-3.4, 1747 | 51 | VN/OB/GF |
//66666/737//1+1+6/2+1+7657//66666/737 | Deel Stick Ye Minester (t) | MS-E | Hammersley MS, 1790 | 63 | MI | |
//66666/737//1+76/7557//66666//737 | C/ | De'il Stick the Minister (t) | DA-E | Walsh CD-2.4, 1747 | 165 | MI |
//66666/737//1+76/7557//66666//737// | C/ | De'il Stick the Minister (t) | DA-E | Walsh CD-3.4, 1747 | 165 | VN/OB/GF |
//66/66//675/434//55/765 | 6/8 | Priest In His Boots, The (t) | AM-A | Turner MS, 1788 | I,46 | VN |
//6-6-6-//6-7-11//1233//367//1+76//1+76 | 3/4 | Battle of Salamanca, The. Spanish March (t), or Spanish March (at) | IC-E | English Sheet Music | PF | |
//6+6+//6-6-7-//1//1++1++//6//6561+ | 3/4 | Battle of Navarino. Desperate Situation of the Greeks (t) | AI-A | American Sheet Music | 21,4 | PF,VN |
//6/66//67/1+//1+1+71+71+765// | C (8/4) | Praeludium. 1 (t) | MS-E | Fitzwilliam MS-1, 1609 | 391-393 | VI |
//6//6//667/1+1+76//5 | C | Overture de Demophon (t) | AI-A | American SS-SM | 1-4 | PF |
//6-6-6-6-7-/1231//22223/4236//6-6-6-6-7 -/1335// |
C/ | Drunken Wives of Fachabus, The (t) | MS-S | Fife MS, 1780 | 824,89v | 1FI OR 2FI/VN |
//66667/1+2+3+1+//75+2+5+/75+75//66667/1 + |
C/ | Broughty Castle (t) | AI-A | Norman CD, 1799 | 16 | MI |
//6-6-6-/6-7-//1233/323//4321/217-6-// | C/ | Slow March (t) | MS-S | Fife MS, 1780 | 855,92r | 1FI OR 2FI/VN |
//6-6-6-/6-7-//1233/323//4321/217-6- | C/ | Slow March (t) | IC-I | Holden Marches, 1795 | 13 | VN,PF |
//6-6-6-/6-7-//1233/323//4321/217-6-// | C | Minnor March (t) | MS-S | Miller, J. MS, 1798 | [6] | FI |
//66667/1+2+3+5+//5552+5/752+7//66667/1+ 2+3+1+ |
C | Miss Bain's Strathsy (t) | IC-S | Aird 5, 1797 | 54 | FI/VN/GF |
//6-6-6-/6-7-//127-1/6-3//43/2321 | C/ | Wellington's Victory. March of the French Army, at a Distance (t) | IC-I | Irish Sheet Music | PF | |
//6-6-6-6-7-//13-7-//17-6-//7-5-3-7-//33 331//22227-// |
3/4(ed) | Deal Stick the Minister, The (t) | IC-E | Scotch Tunes (P), 1700 | 16 | VN/FL |
//6-6-6-/671+//76/43//17-6- | C3 | Blue Petticoats (t), or Green Garters, (at) | PL-E | Playford 1-08, 1690 | 96 | VN |
//6-6-6-/671+//76/43//17-6- | C/3 | Blue Petticoats (t), or Green Garters, (at) | PL-E | Playford 1-10, 1698 | 47 | VN |
//6-6-6-/671+//76/43//17-6-/671+ | C3 | Blew Petticoats (t), or Green Garters, (at) | PL-E | Playford 1-06, 1679 | 96 | VN |
//6-6-6-/671+//76/43//17-6-/671+ | C3 | Blue Petticoats (t), or Green Garters, (at) | PL-E | Playford 1-09, 1695 | 47 | VN |
//6-6-6-/671+//76/43//17-6-/671+//7 | C3 | Blue Petticoats (t), or Green Garters, (at) | PL-E | Playford 1-07, 1686 | 96 | VN |
//6-6-6-/671+//76/43//17-6-/671+//76/6 | C3 | Blew Petticoats (t), or Green Garters, (at) | PL-E | Playford 1-04, 1670 | 96 | VN |
//6-6-6-/671+//76/43//17-6-/671+//76/6 | C3 | Blew Petticoats (t), or Green Garters, (at) | PL-E | Playford 1-05, 1675 | 96 | VN |
//6-6-6-/6-7-2//332/7-5//337-/226- | 6/8 | Auld Maid of Fife, The (t) | IC-E | Caledonian PC, 1760 | VII,21 | GF/VN |
//66/66/7/37//1+/7 | 2/4 | This Is No Mine Ain House (t) | AI-A | Scots MM, 1797 | 153-54 | VO,HA/PF |
//6-6-/6-6-//7-/3-7-//1/7-6- | 2/4 | This Is No Mine Ain House (t) | AI-A | Caladonian Muse, 1798 | 153-54 | VO/PF/VN |
//66/66//7/37//1+/76 | 2/4 | This Is No Mine Ain House (t) | SC-S | Scots MM-3, 1790 | 225 | VO,PF |
//66/66//76/4+3+2+//1+76/5671+//7 | 6/8 | But Think O Ye False Eyes (t) | IC-E | Delightful-2, 1745 | V,5 | GF |
//66/66//77/71+2+//3+2+/1+6 | C/ | Pressing Constable, The (t) | SC-E | Pills 6, 1719-20 | 235-8 | VO |
//6666/77//73+/1+761+//73+/1+76 | C | Silent Love (t), or Secret Love, The(ed) (at) | SS-E | SS, Harvard | 1 | VO,KBF |
//6-6-/6-7-//11/7-6-//44/32// | 2/4 | Chercheuse d'Oiseaux, La (t) | DA-N | St. Flour Contredanses, 1757 | 25 | KB |
//66/67//1+2+3+2+//1+76/765//61 | C/ | Ask if yon damask rose be sweet (fl) | SS-E | SS, Harvard | 1-2 | VO,KBF,2VN,VA |
//66/67//1+2+3+/3+1+//1+76/765//6 | C | Ask If Yon Damask Rose Be Sweet (t) | SC-S | Edinburgh MM-2, 1793 | 240-242 | VO |
//6-6-/6-7-//123/32//17-6-/7-6-5- | C | Favourite Song, A (t) | SC-E | Clio-2, 1759 | 120 | VO,HAF |
//6-6-/6-7-//123/32//17-6-/7-6-5- | C | Susannah (t) | SC-E | Muses Delight, 1754 | 105 | VO,HA |
//6-6-/6-7-//123/32//17-6-/7-6-5- | C/ | Song 109 (t) | SC-E | Vocal Enchant, 1783 | 218-219 | VO |
//66/67//1+2+3+/3+2+//1+76/765//6 | C/ | Let rakes and libertines resigned (fl) | TW-E | Love/Village, 1795 | 29-30 | VO,HA |
//66-/6-7-12//33-/3-4- | C | Merry Tom (t) | DA-E | Walsh CD-2.4, 1747 | 140 | MI |
//66-/6-7-12//33-/3-4-// | C | Merry Tom (t) | DA-E | Walsh CD-3.4, 1747 | 140 | VN/OB/GF |
//6-6-/6-7-12//336//531/427-//316-/17-6- 5- |
C | Bed Chamber, The (t) | IC-S | Stewart Airs, 1788 | 2:72 | GF/VN/FI |
//6-/6-//6-7-/12//343/21// | 2/4 | Evaporee, L' (t) | DA-N | St. Flour Contredanses, 1757 | 86 | KB |
//66-/6-7-/123//432/316-/27-5- | 9/8 | Billingsgate Ballet (t) | TW-E | Enchanted Cas, 1787 | 17 | KB |
//66/671+2+//3+6/53//55/2+1+ | 2/4 | Bonie Lass Made the Bed to Me, The (t) | SC-S | Scots MM-5, 1797 | 460 | VO,PF |
//66-/6-7-//1/2//367/1+76// | 6/8 | Sauteuse, La, 1re (t) | IC-F | Leclerc Recueil-2, 1737 | 105 | HAF |
//6-6/671+//5432/123//43/6543// | C/ | Boyn Water, The (t) | MS-S | Miller, J. MS, 1798 | 18 | FI |
//66/671+//55/53//22/234//3 | 6/8 | Tho' time has from your lordship's face (fl) | TW-E | Haunted Tower, 1789 | 33 | VO,KB |
//66/671+//55/54//33/345 | 6/8 | Somebody (t) | IC-S | Aird 6, 1803 | 36 | FI/VN/GF |
//6-6-/6-7-1//5-5-/5-4-//3-3-/3-4-5- | 6/8 | Somebody (t) | AI-A | Blake Amus 2, 1824 | 15 | CL |
//66/671+//55/54//33/345 | 6/8 | Somebody (t) | IC-E | Bland Clar, 1798 | 9 | CL |
//66/671+//55/54//33/345// | 6/8 | Somebody (t) | AM-A | Brown, J. MS, 1782 | 1:60 | |
//66/671+//55/54//33/345 | 6/8 | Little Sombody (t) | AM-A | Dean MS, 1800 | I.26 | MI |
//66/671+//55/54//33/345 | 6/8 | Somebody (t) | SC-S | Edinburgh MM-2, 1793 | 43-44 | VO |
//66/671+//55/54//33/345 | 6/8 | Somebody (t) | AI-A | Glazier Clar, 1828 | 18 | 2CL |
//66/671+//55/54//33/345 | 6/8 | Somebody (t) | AM-A | Hosmer MS, 1798 | 35 | MI |
//66/671+//55/54//33/345// | 6/8 | Somebody (t) | AM-A | Irving MS, 1796 | 16-17 | 2 MI |
//66/671+//55/54//33/345// | 6/8 | Somebody (t) | AM-A | Patten MS, 1800 | 18 | MI |
//66/671+//55/54//33/345 | 6/8 | Somebody (t) | IC-E | Preston Fife, 1796 | 28 | FI/GF |
//66/671+//55/54//33/345// | 6/8 | Somebody (t) | AM-A | Pynchon MS, 1797 | 3r | MI |
//66/671+//55/54//33/345 | 6/8 | Somebody (t) | AM-A | Van Schaack MS, 1820 | 2 | FI/FL |
//66/671+//55/54//33/345 | 6/8 | Somebody (t) | AM-A | Woodruff MS, 1803 | 100 | MI |
//66/671+//55/54//33/345//2 | 6/8 | Song 67 (t), or Somebody (at) | AI-A | American MM, 1798 | 172-174 | VO,B |
//66/671+//55/54//33/345//2 | 6/8 | Pastorale (t) | AI-A | Gent's Amus, 1794 | 59 | GF/VN/VO |
//6-6/671+6//5342/123//432/6543// | C/ | Prince Jame's March (t) | AM-A | Boynton MS, 1799 | 13R | 1 FI |
//6-6/671+6//5432/123//42/6543//22 | C | Byne Water (t), or Battle of the Boyne (at) | AM-A | Stiles MS, 1807 | 8 | MI |
//6-6/671+6//5432/123//432/6543// | 2/4 | Boyne Water (t) | AM-A | Johnson, S. MS, 1807 | 43 | FI |
//6-6/671+6//5432/123//432/6543// | C/ | Boyne Water, The (t) | AM-A | Treat MS, 1779 | 10 | FI/GF |
//6-/6-//6-7-/1//6-/6- | 2/4 | Pas Redouble des Fetes d'Eleusis (t) | IC-F | Capelle Cle, 1816 | T256M638 | MI |
//66/67//1+6/633//55/1+2+3+ | 6/8 | Two Songs. Song 1 (t) | SS-E | SS, Harvard | 1 | VO/FL,B |
//6-6/6-7-/1//6-6/53/26-5-//6- | 6/4 | Sword Dance, The (t), or Scrum, (at) | PL-E | Playford 2-1, 1713 | 158 | VN/OB |
//6-6/6-7-/1//6-6/53/26-5-//6- | 6/4 | Sword Dance, The (t), or Scrum, (at) | PL-E | Playford 2-2, 1714 | 158 | VN/OB |
//6-6/6-7-/1//6-6/53/26-5-//6- | 6/4 | Sword Dance, The (t), or Strum, (at) | PL-E | Playford 2-3, 1718 | 158 | VN |
//6-6/6-7-/1//6-6/53/26-5-//6- | 6/4 | Sword Dance, The (t), or Strum, (at) | PL-E | Playford 2-4, 1728 | 158 | VN |
//6-6/67/1//6-6/53/26-5-//6-6/6-7-/1 | C/ | Sword Dance, The (t) | DA-E | Walsh NCDM-2, 1710 | 95 | VN/OB/FL |
//6-6/6-7-/1//6-6/53/27-5- | 9/4 | Sword Dance (t) | MS-E | Hammersley MS, 1790 | 54B | MI |
//6-6/6-7-/1//6-6/53/27-5- | 9/8 | Irish Fair-6 (t), or Favorite Comic Dance, A; (at) | SS-E | SS, Huntington-2 | 102,1-3 | KB |
//6-6/6-7-/1//6-6/53/27-5-//6-6/6-7-/1 | 9/4 | Strum, or (t), or Sword Dance, The (at) | DA-E | Walsh CD-1.2, 1719 | 177 | VN/OB |
//66/67//1+6/653//55/1+2+3+ | 6/8 | Song In the Modern Prophets, A (t) | SC-E | Pills 1, 1719-20 | 105-6 | VO |
//6-6/671+6//71+2+7/671+6//6-6/671+6 | 2/4 | Dick of the Green (t) | DA-E | Walsh CD-3.3, 1749 | 39 | VN/OB/GF |
//66-67//1+671+671+//75-71+//2+71+2+71+2 +//1+6-1+2+ |
3/4 | Hill's Minuet (t) | DA-E | Johnson CD-3, 1744 | 33 | VN/GF |
//66-67//1+671+671+//75-71+//2+71+2+71+2 +//1+6-1+2+ |
3/4 | Fair and Softly (t) | DA-E | Walsh NCDM-3, 1728 | 106 | VN/OB/FL |
//66-67//1+671+//75-71+//2+71+2+71+2+//1 + |
3/4 | Fair and Softly (t) | PL-E | Playford 3-2, 1726 | 51 | VN |
//6-6/67//1+6/75//335/27- | C/ | Windham Quick Step (t) | AM-A | Thompson MS, 1777 | 39 | FI |
//6-6-6-7-/17-1//217-1/217-//6-3/34 | C | Jew Broker, The (t) | AM-A | Williams, S. MS, 1795 | 75 & 77 | VO,KB |
//66-/6-7-17-12//343/21217-//7-6-/67767 | 6/4 | Duncie's Corrant (t) | DA-E | Johnson CD-3, 1744 | 29 | VN/GF |
//6/6-6-7-/17-12//34/32/17-//7- | 3/2 | Lady Mary's Courant (t) | PL-E | Playford 2-1, 1713 | 154 | VN/OB |
//6/6-6-7-/17-12//34/32/17-//7- | 3/2 | Lady Mary's Courant (t) | PL-E | Playford 2-2, 1714 | 154 | VN/OB |
//6/6-6-7-/17-12//34/32/17-//7- | 3/2 | Lady Mary's Courant (t) | PL-E | Playford 2-3, 1718 | 154 | VN |
//6/6-6-7-/17-12//34/32/17-//7- | 3/2 | Lady Mary's Courant (t) | PL-E | Playford 2-4, 1728 | 154 | VN |
//6/6-6-7-/17-12//34/32/17-//7- | 3/2 | Lady Marys Corrant (t) | DA-E | Walsh NCDM-2, 1710 | 25 | VN/OB/FL |
//66-6-7-17-12//343217-//7-6-677//1+1123 234 |
3/2 | Lady Mary's Courant (t) | DA-E | Walsh CD-1.2, 1719 | 173 | VN/OB |
//66/671+//71+76/53//1+1+7/1+3+ | 2/4 | Dead March (t) | AI-A | Camp Dupont, 1816 | 13 | 2GF/FI/VN,PF |
//66/671+//75/35//654/456// | 6/4 | Manches Vertes, Les (t) | DA-F | Feuillet Recueil, 1706 | 17-24 | MI |
//66/671+//755/55//66/6+ | 6/4 | Buckingham House (t) | PL-E | Playford 2-3, 1718 | 130 | VN |
//66/671+//755/55//66/6+ | 6/4 | Buckingham House (t) | PL-E | Playford 2-4, 1728 | 130 | VN |
//66/671+//755/57//66/6+7+6+ | 6/4 | Buckingham House (t) | DA-E | Walsh CD-1.2, 1719 | 151 | VN/OB |
//66/671+76//54363//43/21 | C/ | Air 10 (t) | BA-E | Whim, 1734 | 19-20 | VO |
//66/671+76//54363//43/21//7- | C/ | Despairing Lover, The (t) | SC-E | Watts MM-6, 1731 | 106-108+109 | VO,HA+FL |
//66/67//1+76562+1+7/1+765/62+1+7//1+765 671+2+/3+3 |
C/ | New Year's Ode for 1736-7, Pt.1 (t) | SC-E | Musical Cent-1, 1737 | 50-54 | VO,HAF+FL |
//6-6-/6-7-1//7-/7-3-//7-7-/7-12 | 6/8 | Nouvelles Fanfares a Deux Trompes Pour Sonner en Concert Pendant (t) | IC-F | Dampierre Tons, 1734 | 26-27 | 2HN |
//66/671+//77/71+2+//1+ | 6/4 | Mary and Dorothy, The (t) | PL-E | Playford 3-2, 1726 | 63 | VN |
//66/672+//3+6/653//55/5671+ | C | Johnie Cope (t) | SC-S | Scots MM-3, 1790 | 242-243 | VO,PF |
//66/672+//3+6/653//55/5671+//2+ | C | Johnny Cope (t), or Favorite Scottish Ballad, A (at) | SS-E | SS, Harvard | 1-2 | VO,PF/HARP |
//6-6-/6-7-//3/2//3/3-7- | 2/4 | Duke of Gordon Has Three Daughters, The (t) | SC-S | Scots MM-5, 1797 | 431-432 | VO,PF |
//6-6-6-7-//5-3-4-5-3-//6-6-6-1//7-5-6-7 -5-//1112//7-7-217- |
3/4 | Folies d'Espagne, Les (t) | IC-S | Pandean Coll 2, 1810 | 7 | PF |
//6667//53453//666//75675//1+1+2+//772+1 +7 |
3/4 | Tolia d'Espangna (t) | IC-I | Logier Bugle, 1813 | 25 | BU |
//666/753//666/753//665/432 | 6/8 | In Dear Little Ireland (t), or Favorite Duett, A (at) | AI-A | American SS-SM | 1-2 | 2VO,KB |
//666/753//666/753//665/432 | 6/8 | Duet (t) | TW-E | Shipwreck, 1796 | 28-29 | VO,PF |
//6667/5672+//3+667/5333//6667/5672+ | C | Tibbie Fowler (t) | SC-S | Scots MM-5, 1797 | 452 | VO,PF |
//6667//653453//6667//1+75675//1+1+1+2+/ /1+772+1+7// |
3/4 | Folies d' Espagne, Les (t) | DA-E | Wilson Companion, 1816 | 176 | MI |
//6-6/67//6/53//56/75 | 2/4 | Sweet Mally (t) | IC-S | Aird 1, 1782 | 44 | FI/VN/GF |
//6-6/67//6/53//56/75// | 2/4 | Bonnet Makers of Dundee, The (t) | MS-S | Miller, J. MS, 1798 | 20 | FI |
//6-6/67//6/53//56/75// | 2/4 | Sweet Molly (Old Scotch) (t) | DA-E | Wilson Companion, 1816 | 76 | MI |
//6-6-/6-7-6-5-//4-4-/4-5-4-3-//2-2-/5-4 - |
2/4 | Saust's Rondo (t) | AI-A | Balls Amus 2, 1815 | 20 | FL/FI/VN |
//6-6-6-7-/6-6-6-3//5327-/5-5-5-5//3235/ 676-5 |
C | My Harry Was a Gallant Gay (t) | SC-S | Scots MM-3, 1790 | 218 | VO,PF |
//66/676//67/1+2+//3+4+/3+1+6 | 6/4 | Trip to Comus's Court (t) | DA-E | Walsh CD-3.6, 1754 | 15 | VN/OB/GF |
//6-6-6-/7-7-7-//21/7-16-//7-3- | 6/8 | Retraite, La (t) | IC-F | Dampierre Tons, 1734 | 11 | HN |
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