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Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
//6-6-3//113//6-7//17-1234//53453//66-17 -2// |
3 | Minuet by Mr. Eccles (t) | IC-E | Apollo's Banquet 1-8, 1701 | 8r,48 | VN |
//6-6-3//113//6-7-//17-1234//53453//66-7 -// |
3/4 (ed) | Minuet (t) | IC-E | Theater Musick-1, 1698 | 21 | VN |
//66/3+1+//2+7/55//66/3+1+//6 | 3 | Stingo (t), or Oyl of Barley, The (at) | PL-E | Playford 1-07, 1686 | 84 | VN |
//6-6-/31//27-/5-5-//6-6-/31//6-/1 | C | Stingo, or the Oyle of Barly (t), or Oyle of Barley, The (at) | PL-E | Playford 1-01, 1651 | 10 | VN |
//6-6-/31//27-/5-5-//6-6-/31//6-/1 | 3 | Stingo (t), or Oyl of Barley, The (at) | PL-E | Playford 1-05, 1675 | 84 | VN |
//6-6-/31//27-/5-5-//6-6-/31//6-/1 | 3 | Stingo (t), or Oyl of Barley, The (at) | PL-E | Playford 1-06, 1679 | 84 | VN |
//6-6-/31//27-/5-5-//6-6-/31//6-/1 | C3 | Stingo (t), or Oyl of Barley, The (at) | PL-E | Playford 1-08, 1690 | 41 | VN |
//66-/31//45/37//1+1/3453 | C/ | Song In Sir Anthony Love (t) | SC-E | Pills 6, 1719-20 | 79-80 | VO |
//6-6/316/316-//7-5/27-5/27-5-//6-7-12/3 6/56 |
9/8 | Mrs. Jumpo (t) | DA-E | Johnson CD-7, 1756 | 82 | VN/GF |
//6-6/316-//3-1/7-27-5-//6-6/316-// | C/ | Muskingum (t) | AM-A | Bevens MS, 1825 | 13v | FI |
//6-6-3//16-//36//5//5 | 3 | Song, A (t) | SC-E | Pills 3, 1719-20 | 215-16 | VO |
//663/17-16-7-//12212/33//43217-127-/321 7-6-7- |
C/ | Thyrsis, I wish as well as you (fl) | SC-E | Watts MM-1, 1729 | 38-39 | VO/VN |
//6-6/31//7-2/7-27-5-//6-6/31 | 2/4 | Jacob Ezlers Tune (t) | AM-A | Thompson MS, 1777 | 48 | FI |
//6/63//1+/75//64/32 | 2/4 | Ruckholt House (t) | DA-E | Johnson CD-5, 1750 | 16 | VN/GF |
//663//17-6-3//671+2+//57//31+ | 3/4 | Maid's Complaint, The (t) | SS-E | SS, Folger-C42.1 | 101 | VO,KB+FL |
//663//17-6-3//671+2+//57//31+ | 3/4 | Maid's Complaint, The (t) | SS-E | SS, Folger-C42.4 | 234 | VO,KB+FL |
//6-//6//31+7//6543//53 | 3 | Song, A (t) | SS-E | SS, Folger-C42.2 | 99 | VO,KB+F |
//663/1+76//5/634//55/6545// | 3 | Corant La Bovenett (t) | IC-E | Apollo's Banquet 1-1, 1670 | 170 | VN |
//663/1+76//5/634//55/6545//3 | 3 | Corant la Bovanet (t) | PL-E | Playford 1-03a, 1657 | II,37 | VN |
//663/1+76//5/634//55/6545//3 | 3 | # 8 (t), or Corant la Bovanet (at) | PL-E | Playford 1-3b, 1665 | II,36 | VN |
//6-6321//7-1217-6-5-//6-656327-//17-6-7 -6-7-5-6- |
3/2 | London's Loyalty (t) | DA-E | Walsh CD-2.1, 1731 | 148 | VN/OB/GF/RC |
//6-6/321//7-5/217-//6-4/321 | 6/8 | Petticoat Wooing (t) | DA-E | Johnson CD-6, 1751 | 35 | VN/GF |
//6-6/321//7-5/217-//6-4/321 | 6/8 | Petticoat Wooing (t) | DA-E | Walsh CD-3.5, 1754 | 34 | VN//OB/GF |
//663+2+//1+767//1+762+1+7654//543//3436 5 |
3/4 | Swain In Extacy, The (t) | SS-E | SS, Boston PL-2 | 87 | VO,KBF+FL |
/66//3/234//3/123//321/ | 6/8 | Dominicaine, La (t) | IC-F | Leclerc Recueil-2, 1737 | 97 | HAF |
//6-6-//32//345//5-5-//6-6- | 3 | Juice of Barley, The (t) | PL-E | Playford 1-07, 1686 | AIII,2 | VN |
//6-6-//32//345//5-5-//6-6- | 3 | Cold and Raw (t) | PL-E | Playford 1-07, 1686 | AIII,6 | VN |
//6-6-//32//345//5-5-//6-6- | C3 | Cold and Raw (t) | PL-E | Playford 1-08, 1690 | 211 | VN |
//6-6-//32//345//5-5-//6-6- | C3 | Cold and Raw (t) | PL-E | Playford 1-09, 1695 | 146 | VN |
//6-6-//32//345//5-5-//6-6- | C3 | Cold and Raw (t) | PL-E | Playford 1-10, 1698 | 146 | VN |
//6-6-//32//345//5-5-//6-6- | 3:I | Cold and Raw (t) | PL-E | Playford 1-11, 1701 | I,146 | VN |
//6-6-//32//345//5-5-//6-6-//31 | C3 | Juice of Barly (t) | PL-E | Playford 1-08, 1690 | 207 | VN |
//6-6-32/36-36//5357-/5-6-7-2//6-6-32/6- 6-34 |
C | Hopetoun House, A Strathspey (t) | IC-S | Gibb New Coll, 1798 | 27 | PF/VN,VC |
/66//33/1217-//6-6-/66//33/ | 2 | Cotillon de Nanterre (t) | IC-F | Leclerc Recueil-1, 1729 | 36 | HAF |
//6-6-3/313//353/23//5-5-2/27-2 | 6/8 | Highland Dance, A (t) | IC-S | Aird 5, 1797 | 72 | FI/VN/GF |
//66331//433127-//16-27-16-//5-6-7-//663 31//16-2437-// |
3 | Scotch Tune by Mr. Morgan (t) | IC-E | Apollo's Banquet 1-8, 1701 | 17r,89 | VN |
//663+//3+2+1+2+3+//661+//53235//61+ | 3/4 | She's Sweetest When She's Naked (t) | IC-E | Caledonian PC, 1760 | I,26 | GF |
//6-6-3//32123//6-6-1//5-3-2-3-5-//6-1// 21235 |
3/4 | She's Sweetest When She's Naked (t) | AM-A | Nixon MS, 1776 | 11 | FI |
//663/3217-//123/6-7//1+76/747 | 2 | Song, A (t) | SC-E | Pills 6, 1719-20 | 323-4 | VO |
/6-6-//33/23//17-1/27-//3/ | 2 | Ma Mere Marie moy (t) | IC-F | Leclerc Recueil-2, 1737 | 88 | HAF |
//6-6-3/323//27-53/27-5-//6-6-3/323 | C | O Mally's Meek, Mally's Sweet (t) | SC-S | Scots MM-6, 1803 | 617 | VO,PF |
/66//33/2342//3/2342//3/ | 2 | Pintierre, La (t) | MS-C | Trois-Rivieres MS, 1768 | 44 | MI |
//6-6-/3-3-3-//1-/1-3-//6-7-/121 | 6/8 | Mitilde, La (t) | IC-F | Dampierre Tons, 1734 | 23 | HN |
//6-6-33345//671+7676//551+3454//32121// 6-5-6-7-123345// |
C 3-1 | Sarabande: Thomas Strengthfield (t) | MS-E | Rogers MS, 1656 | 82-83 | VI |
//6-6-//33//43//67 | 2/4 | Air 17 (t) | BA-E | Lottery, 1732 | 27 | VO |
/6-6-//33/65//43/65//43/ | 2 | Jean Gille (t) | IC-F | Leclerc Recueil-2, 1737 | 73 | HAF |
//6-6-//3-3-//6-6-//5-5-//1+ | 3 | Ground Bass, The (t) | SS-E | SS, Folger-C42.1 | 263 | BI |
//6/6//3+/3+//6/671+76//6 | 6/8 | Harlequin Reclines on the Sopha (t) | TW-E | Choice/Harleq, 1781 | 9 | HAF |
//663/423//17-6-/212//334/245//6/7 | 3 | Corant la Princes (t) | PL-E | Playford 1-03a, 1657 | II,37 | VN |
//663/423//17-6-/212//334/245//6/7 | 3 | # 9 (t), or Corant la Princes (at) | PL-E | Playford 1-3b, 1665 | II,36 | VN |
/6-6-//3/432//36-/6-1//7-2/17-// | 2 | Simonnette, La.. Contredanse Française (t) | DA-F | Bouin CD LC-1, 1780 | 93 Feuille, 4 Vol. | MI |
//6/6-3//434/567//1+/765// | 3 | Contredance nouvelle (t) | MS-F | Lorin MS-1, 1685 | 11v-14r | MI |
//6/63//4/44//32/17-//6- | 2/4 | Zooks why shou'd I sit down and grieve (fl) | TW-E | Maid/Mill, 1765 | 50-51 | VO,HAF |
//6/63//65//1/26 | 2/4 | Davids Lamentation (t) | MS-A | Gardner MS, 1788 | 1 | VO/FI |
//6/6/3//6/6/7//6 | Irish Ground, The (t) | PL-E | Playford 1-11, 1701 | I,244 | VN | |
//663/6//71+443//3 | C/ | Dialogue Betwixt Oliver Cromwell and Charon, A (t) | SS-E | SS, Folger-C42.4 | 367-368 | VO,KB+FL |
//663//67//1+76 | 3/4 | Air 19, Act I (t) | BA-E | Beggar's Wed, 1729 | T24-25M5 | VO |
//663//67//1+76//7 | 3 | Love of No Party: A New Song (t) | SC-E | Pills 1, 1719-20 | 68-9 | VO |
//663/67//1+76/7//663/665 | 6/8 | Jolley Brisk Tarr, The (t) | SS-E | SS, Harvard | 1 | VO/GF,KBF |
//663//67//1+76//7//666 | Love of No Party (t) | SS-E | SS, Folger-C42.2 | 25 | VO+FL | |
//663//67//1+76//7//666 | Love of No Party (t) | SS-E | SS, Folger-C42.3 | 171 | VO+FL | |
//663//67//1+76//7//666//5 | Love of No Party (t) | SS-E | SS, Harvard | 1 | VO+FL | |
//663773/1+31+773//632167-6/7-566-//3+2+ 3+4+2+4+/3+2+1+75// |
[C/] | Fancy, A (t) | IC-E | Wright Extraordinary, 1715 | [33] | MI |
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