Previous Index Page | Incipit Index Page |
Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
//5-6-7-1 | C | AM-A | Brown, J. MS, 1782 | 1:51 | ||
//5-6-7-//111/1112//333/3334//5313/5313 | C | Jefferson's March (t) | AM-A | Trumbull MS, 1801 | a:4-5 | 2MI,(MI),MI,B |
//5-6-7-//111123//3222531 | C | Baron Steubens (t) | AM-A | Dickinson MS, 1800 | 37 | CL/GF/OB |
//5-6-7-11112333455543222 | AM-A | Hudson MS, 1772 | 28 | VN/FI | ||
//5-6-7-1/11//1233/35//43/21// | 2/4 | Honey Moon (t) | AM-A | Bevens MS, 1825 | 15r | FI |
/5-6-7-1//11/13//22/24//31/13// | 2/4 | Colly Flower, The. Second Sett (t) | AI-A | Blake Cots, 1804 | 10 | PF/VN/GF |
//567/1+1+//1+2+1+/76//533/32 | 6/8 | Slip It In Easy (t) | MS-E | Hammersley MS, 1790 | 24 | MI |
//567/1+1+//1+2+1+/76//533/32 | 6/8 | Slip It In Easy (t) | DA-E | Walsh CD-2.2, 1735 | 5 | VO/OB/GF/FL |
//567/1+1+//1+2+1+/76//533/32 | 6/8 | Slip It In Easy (t) | DA-E | Walsh CD-3.2, 1749 | 5 | VN/OB/GF |
//567/1+1+//1+5/65//234/55// | 2/4 | Cottillon No. 2 (t) | DA-G | Feldtenstein Chorographie,1776 | Tabula 8 | MI |
//5-6-7-/11//1/7-23//432/321 | 2/4 | King's March, The (t) | IC-S | Stewart Airs, 1788 | 1:20 | GF/VN/FI |
//567/1+1+//1+765/1+1+//33/44// | C/ | Life Like a Sea In Constant Motion (t) | AM-A | Litten MS, 1800 | 19 (45) | VN |
//567/1+1+//1+76/5//671+/71+2+ | C/ | Pearo (t) | MS-E | Hammersley MS, 1790 | 41 | MI |
//5-6-7-11216-5-6-1121//23453212232 | AM-A | Hudson MS, 1772 | 25 | VN/FI | ||
//5-6-//7-1//12321//7-6-5-5-//231//17-1 | 3/8 | Shepherd why so lost in gazing (fl) | TW-E | Maid/Oaks, 1774 | 46-48 | 2VO,KBF |
//5-6-7-/11//232/212//343/321 | Black Joak (t) | DA-E | Johnson CD-1, 1740 | 15 | MI | |
//5-6-7-/11//232/212//343/321 | 6/4 | Black Joke (t) | DA-E | Thompson CD-2, 1765 | 94 | VN/GF/OB |
//5-6-7-/11//232/212//343/321// | 6/4 | Black Joke (t) | DA-E | Thompson CD-2a, 1765 | 92 | VN/GF/OB |
//5-6-7-/11//232/212//343/321 | 6/4 | Black Joak (t) | DA-E | Walsh CD-2.1, 1731 | 27 | VN/OB/GF/RC |
//5-6-7-/11//232/212//343/321 | 6/4 | Black Joak (t) | DA-E | Walsh CD-3.1, 1754 | 57 | VN/OB/GF |
//5-6-7-/11//232/212//343/321//232/217-/ / |
6/4 | Palomar, El (t) | MS-M | Garcia MS, 1772 | 22 | MI |
//5-6-7-1//123//43 | C/ | Sweet Country Life (t) | AM-A | Pomeroy MS, 1790 | 11 | GF |
//5-6-7-/112//343/215-//343/231 | C | Country Life (t), or In the Sweet Month of May (at) | AM-A | Gaylord MS, 1816 | 11r | MI |
//5-6-7-1//123//45- | Sweet Country Life, The (t) | AM-A | Eells MS, 1789 | 7 | MI | |
//5-6-7-/11//31/3//53/5432 | 2/4 | Prince Ferdinand (t) | DA-E | Thompson CD-3, 1773 | 28 | VN/GF/OB |
//5-6-7-/11//31/3//53/5432// | 2/4 | Prince Ferdinand (t) | DA-E | Thompson CD-3a, 1773 | 32 | VN/GF/OB |
//5-6-7-//1131//5-5-15-//3-3-5-3-//1-5-6 -7-//17-1231//6-6-42 |
3/4 | Smith's or Hayden's Minuet (t) | AM-A | Trumbull MS, 1801 | b:7r | MI |
//5-6-7-/11//3217-/13//543/321 | C | Mr Gassners Favorite (t) | AI-A | Riley Flute 3, 1820 | 33 | FL |
//5671+/135//1+3+1+/2+757//64+6/54+5// | 2/4 | Quick Step, A (t) | MS-S | Fife MS, 1780 | 455,47v | 1FI OR 2FI/VN |
/5-6-7-//11/43//25/17-1//6-43/ | 6/8 | Fourlane Venetienne, La (t), or Barbariuole, La (at) | DA-E | Gallini Cots, 1770 | [49] | KB |
//5-/6-7-//1/1//44/6-7- | 2/4 | Savoyard, La (t) | IC-S | Stewart Airs, 1788 | 2:110 | GF/VN/FI |
//567//1+1//4534 | 2/4 | Cloe Sleeping (t) | SC-E | Clio-1, 1758 | 139 | VO,HA |
//567/1+1+//567/1+//1+2+/3+1+//53 | C | Chorus of Bards and Peasants (t) | TW-E | Oscar & Malvina, 1791 | 14-21 | 4VO,KB |
/567//1+1+/567//1+2+1+/567//1+1+/ | 3 | Tabulation for the Fife or Arigot In Triple time (t) | DA-F | Arbeau Orchesography, 1589 | 44-46 | DR/MI |
//5-6-7-1/1//5-6-7-1/25//3/12345 | C/ | Bank, The (t) | IC-E | Longman Fife, 1770 | 17 | FI |
//5-6-7-1/1//5-6-7-1/25//3/12345 | C | Bank, The (t) | IC-E | Preston Fife, 1796 | 16 | FI/GF |
//5-6-7-1/1//5-6-7-1/25//3/12345 | C/ | Bank, The (t) | IC-E | Skillern Fife, 1780 | 17 | FI/GF |
//5-6-7-1/1//5-6-7-1/25//3/12345 | C/ | Bank, The (t) | IC-E | Thompson Fife, 1760 | 17 | FI |
//5-6-7-1/1//5-6-7-1/25//3/12345 | C/ | Bank, The (t) | IC-E | Thompson Fife, 1770 | 17 | FI |
//5-6-7-1/1//5-6-7-1/25//3/12345// | C | Bank, The (t) | IC-E | Thompson Fife, 1786 | 17 | FI/FL |
//567/1+1//65/43//65/43 | 6/8 | Song 48 (t) | SC-E | Convivial, 1782 | 102 | VO |
//5671+//1+71+//2+754//43/5 | 2/4 | From Clime to Clime (t), or Favorite Cantata, A. Air 1 (at) | SS-E | SS, New York PL-C695 | 84,1 | VO,HA |
//5-/6-7-//1/17-1//5-6-5-/4-3-2- | 6/8 | Jigg (t) | IC-S | Pandean Coll 1, 1810 | 19 | PF |
//5671+//1+76//534231//321//5671+ | 3/4 | Minuet (t) | IC-E | Delightful-2, 1745 | III,14-15 | GF |
//56//71+//1+7654//323//465432//354321// |
3/8 | Minuet (t) | IC-E | Prelleur Modern, 1731 | 21 | VN |
//567/1+//1+76/56//543/24 | 2/4 | Fahnen-Trupp a 100 Schritte In der Minutte (t) | IC-G | Bavarian March, 1807 | 42 | 2FI,DR |
//567/1+1+//76/5//671+/71+2+ | C/ | New Pero (t) | IC-E | Delightful-1, 1763 | III,23 | GF |
//567/1+1+//76/5//671+/71+2+ | C/ | New Pierot (t) | DA-E | Johnson CD-1, 1740 | 14 | MI |
//567/1+1+//76/5//671+/71+2+ | C/ | New Pierot (t) | DA-E | Walsh CD-2.3, 1735 | 36 | VN/OB/GF/CF |
//567/1+1+//76/5//671+/71+2+ | C/ | New Pierot (t) | DA-E | Walsh CD-3.3, 1749 | 48 | VN/OB/GF |
//5-6-7-/121//232/212//343/321 | 6/8 | Brunetta the Belle (t) | SS-E | SS, Harvard | 1 | VO,B |
//5-6-7-/121//232/213//343/321 | 6/8 | Song 33 (t) | SC-E | Convivial, 1782 | 76-78 | VO |
//56/7-121//432/3211+//2716/7-56-4 | C/ | Tent and Brandy (t) | MS-E | Hammersley MS, 1790 | 87B | MI |
//56/7-121//432/3211//2716/7-56-4 | C/ | Tent and Brandy (t) | DA-E | Johnson CD-6, 1751 | 33 | VN/GF |
//56/7-121//432/3211+//2716/7-56-4 | C/ | Tent and Brandy (t) | DA-E | Thompson CD-1, 1757 | 19 | VN/GF/OB |
//56/7-121//432/3211+//2716/7-56-4// | C/ | Tent and Brandy (t) | DA-E | Thompson CD-1a, 1757 | 19 | VN/GF/OB |
//5-/6-7-/12//1//5-/6-7-/12 | 3/2 | Ordonanse Pour le Fifre, L' (t) | MS-F | Philidor MS, 1705 | 2 | FI |
/5-6-7-//121/5-6-7-//1/5-6-7-//123/ | 6/8 | Brunne, La, a quatre (t) | DA-F | Dezais Livre, 1725 | 53-57 | MI |
/567//1+2+1+/567//1+/567//1+2+3+/ | 6/8 | Brune, La (t) | IC-F | Leclerc Recueil-1, 1729 | 26-27 | HAF |
//5671+2+1+/752+7//44+/641+6//5671+2+1+/ 752+7 |
C/ | Duke of Roxburgh's Reel (t) | DA-E | Skillern CD, 1780 | 42 | VN/GF/OB |
//5671+/2+1+75//62222/4564//5671+/2+1+76 |
C/ | Lads of Elgin a Reel, The (t) | MS-S | Gillespie MS, 1768 | 106 | VN |
//5671+//2+1+765//43216427-/1 | C | 3 Rolls, The (t) | AM-A | Brown, N. MS, 1781 | 32R | 3FI |
//5/67//1+2+1+//76/7567//1+// | C/ | Battell, The. the Morris (t), or Morris, The (at) | MS-E | Nevell MS, 1591 | 39 | VI |
//5-6-7-1/221//221/234//112/16- | 2/4 | Shady Grove (t) | AI-A | Hazeltine D&F, 1810 | 32 | FI,DR |
//5-6-7-122//123455//4343 | 2/4 | Troop (t) | AI-A | Village Fifer, 1808 | 13 | FI |
/5-6-7-1//22/3453//2/1316-//7-27-5-/6-16 -4-// |
2/4 | Sylvander (t) | AM-A | Brown, J. MS, 1782 | 1:35 | |
//5-6-7-1/22//543/22//5-6-7-1/22 | 2/4 | Wasser March (t) | MS-G | Darmstadt MS 1225 | 83-84 | 2MI |
/5-6-7-1//22/543//22/5-6-7-1//22/ | 2 | Dragonne, La (t) | IC-F | Leclerc Recueil-2, 1737 | 100 | HAF |
//5671+2+//25456//53217- | 3 | What You Please (t) | DA-E | Walsh CD-1.1, 1718 | 63 | VN/OB/FL |
//5671+2+//25456//53217- | 3 | What You Please (t) | DA-E | Walsh CD-3.1, 1754 | 99 | VN/OB/GF |
//5-6-7-1/22//6-43/217-6-//5-6-7-1/22 | 2/4 | Dragonne, La (t) | IC-S | Stewart Airs, 1788 | 1:38 | GF/VN/FI |
//5-6-7-/12//3135/4321//7-5-7-/5-6-7-1// |
2/4 | Flowers of Edingburgh, The (t) | AM-A | Boynton MS, 1799 | 23R | 1 FI |
//5-6-7-/12//3135/4321//7-6-5-/5-6-7-1 | C/ | Flowers of Edinburgh. Country Dance (t) | AM-A | Brown, N. MS, 1781 | 23R | FI |
//5-6-7-/12//3135/4321//7-6-5-/5-6-7-1 | C/ | Flowers of Edin Burgh, The (t) | AM-A | Murphey MS, 1790 | 32 | MI |
//5-6-7-/12//3135/4321/7-6-/5-6-7-//131/ 6-// |
2/4 | Flowers of Edingburgh, The (t) | AM-A | Johnson, S. MS, 1807 | 9 | FI |
//5-6-7-/12//3135/4321//7-6-7-/5-6-7-1 | C(ED | Flowers of Edinburgh (t) | AM-A | Dance Tunes MS, 1798 | 25 | FI/GF/OB |
//5-6-7-/12//3135/4321//7-6-7-/5-6-7-1 | C/ | Flowers of Edingburgh (t) | AM-A | Marchant MS, 1783 | 55 | KB |
//5-6-7-/12//3/2//1 | 2/4 | Geschw. Marsch (t) | IC-G | Walch Pieces, 1822 | 5 | BAND(18 PARTS) |
//567/1+2+//3+2+/1+56//77/65 | C | Bonie Lad That's Far Awa, The (t) | SC-S | Scots MM-4, 1792 | 328 | VO,PF |
//5-6-7-1/2321//7-5-7-1/21//5-6-7-1/2324 |
AM-A | Hooves MS, 1817 | 118 | FI | ||
//56/71+//2+/3+//2+1+7/6 | Jovial Beggars, The (t) | PL-E | Playford 1-11, 1701 | I,70 | VN | |
//567/1+2+3+//2+1+76/51+//62+/57//1+1 | C | When the maid whom we love no entreaties can move (fl) | TW-E | Duenna, 1775 | 28-29 | VO,HAF |
//5-6-7-/123//2/1+//765/432// | 6/8 [ed] | Millers Maid, The (t) | AM-A | Hoff MS, 1797 | No. 284.4 | GF |
//5671+2+//3+2+1+765//444//35-4-//5-4-3- 2-//3-1-1+765 |
3/4 | Menuetto (t) | MS-E | Band Scores MS, 1820 | 16r-18v | BAND(15 PARTS) |
//5671+/2+3+//2+1+76/6561+//45/1+765// | C/ | Brink of Enverty, The (t) | AM-A | Brown, J. MS, 1782 | 1:55 | |
//56/71+//2+/3+//2+1+7/67 | 6/4 | Jovial Beggars, The (t) | PL-E | Playford 1-12, 1703 | 70 | VN |
//5-6-7-//123//232//25-//6-11 | 3/4 | Oh Bonny Lass (t), or Perticular Favorite Scotch Song, A (at) | SS-E | SS, Harvard | 1 | VO,KB+GT/FL |
//5-6-7-/123//234/456//671+/531 | 6/8 | Trip to the Grove (t) | AM-A | Brown, H. MS, 1797 | 48 | MI |
//5671+/2+3+//2+4+2+7/1+3+//2+77/1+6// | C | Air Degule (t) | AM-A | Brown, J. MS, 1782 | 1:53 | |
//5-6-7-/12//3/25-//121 | 6/8 | Antiochus (t) | SS-E | SS, Folger-C42.2 | 49,2-51,1 AND 51,2-52, | MI,VO,KB+FL |
//5-6-7-/12//32/5-//5-6-7-1/24 | 2/4 | Trumpet Air (t) | IC-E | Bremner Oboe, 1775 | 16 | OB |
//5-6-7-/12//32/5-//5-6-7-1/24 | 2/4 | Trumpet Air (t) | IC-E | Simpson Oboe, 1746 | 16 | OB |
//5-6-7-/12//327-1/221//7-25/54321// | C [6/2] | Galiarda (t) | MS-E | Fitzwilliam MS-2, 1609 | 125-127 | VI |
//5-6-7-/123//27-5-4-/4-3-17-//6-7-12/34 543 |
C | Song 54 (t), or Winter (at) | SC-E | Ritson, 1783 | TI,232-233;MIII,117-11 | VO |
//5-6-7-/123//27-5-4-/4-3-17-//6-7-12/34 543//32 |
C | Song 172 (t) | SC-E | Convivial, 1782 | 340-341 | VO |
//5-6-7-/123//27-5-4-/4-3-17-//6-7-12/3- 4543//32 |
C | When the Trees Are All Bare (t) | SC-E | Vocal Music, 1778 | 194-195 | VO/VN/GF |
//5-6-7-/123//365/432//316-/5-12 | 6/8 | Irish Fair-8 (t), or Favorite Comic Dance, A; (at) | SS-E | SS, Huntington-2 | 102,1-3 | KB |
//5-6-7-//123//421//7-5-5-//5-6-7-//123 | 3/4 | Presto (t) | MS-E | Miscellany MS, 1810 | 2CL/OB,2HN,BS | |
//5-6-7-//123//423//5-6-7-//123//21 | 3/8 | Turn thee round I pray thee (fl) | TW-E | Duenna, 1775 | 56 | VO,B |
//5-6-7-//123//425//316-//217-6-5-4- | 3/4 | River Dee, The (t) | AM-A | Van Renssel. MS, 1782 | II,7 | VO,GT |
//5-6-7-/123//425/316-//217-6-5-4-/3-5-1 |
6/4 | Banks of the Dee, The (t) | AM-A | Van Renssel. MS, 1782 | II,4 | GT,VO |
//5-/6-7-//1/23//42//7-5- | 2/4 | Quick March (t) | AI-A | Riley Flute 4, 1826 | 41 | FL |
//5-6-7-123427-5-316-5-7-11 | Constant Charley (t) | AM-A | Dickinson MS, 1800 | 25 | CL/GF/OB | |
//567/1+2+3+//4+2+/75//567/1+2+3+// | 6/8 | Wreath, The. No. 3 (t) | AI-A | Johnson, F. Cotillions | 3 | PF |
//56/7-1//234/3 | C | Miranda-1 (t) | SS-E | SS, Folger-C52 | 116,2-117,2 | MI,VO,KBF |
//5-6-7-//123//43//21232//5-6-7- | 3/8 | Gentle Gales (t) | SS-E | SS, Huntington-2 | 97,1-2 | VO,KB |
//5-6-7-//123//43//21232//5-6-7- | 3/8 | Gentle Gales (t) | SS-E | SS, New York PL-C695 | 118(128),1-2 | VO,B |
//5-6-7-/123//43/217-6-5-//6-7-1/234 | 6/4 | Always Drunk and Never Sober (t) | MS-E | Hammersley MS, 1790 | 73B | MI |
//5-6-7-/123//43/217-6-5-//6-7-1/234 | 6/4 | Always Drunk and Never Sober (t) | DA-E | Johnson CD-3, 1744 | 72 | VN/GF |
//5-6-7-/123//43/217-6-5-//6-7-1/234// | 6/4 | Always drunk and Never Sober (t) | DA-N | Willsim Recueil, 1755 | 16 | MI |
//5-//6-7-1//234//3231//6- | 3/8 | Minuet (t) | IC-E | Delightful-1, 1763 | IV,33 | GF |
//5//671+//2+3+4+//3+2+3+1+//6//57-1 | 3/4 | Hackny Minuet (t) | IC-E | Bremner Oboe, 1775 | 27 | OB |
//5//671+//2+3+4+//3+2+3+1+//6//57-1 | 3/8 | New Song, A (t) | SC-E | Calliope, 1746 | II,1 | VO,HAF+FL |
//5//671+//2+3+4+//3+2+3+1+//6//57-1 | 3/4 | Hackny Minuet (t) | IC-E | Simpson Oboe, 1746 | 27 | OB |
//5-//6-7-1//234//345//5-//6-7-1 | 3/8 | Sonata 4. Allemande (t) | IC-E | Rockeman & Alters, 1773 | 9 | 2CL,2HN,BS |
//5-6-7-/1234/5//2/7-12/3123//4/4/4// | 3 [3/2] | Galiard to the Pavan (t) | MS-E | Fitzwilliam MS-1, 1609 | 129-130 | VI |
//5-6-7-/123//454/321//316-/5-12 | 6/8 | Langole (t) | AI-A | Robbins D&F, 1812 | 41 | FI |
//5-6-7-/123//454/432//316-/5-12 | 6/8 | Banks of the Dee, The (t) | SC-S | Scots MM-6, 1803 | 532 | VO,PF |
//5-6-7-/123//454/432//316-/6-5-1// | Lango Lee (t) | MS-C | Molyneaux MS-1, 1788 | 50 | GF | |
//567/1+2//345/61//7-24/342 | 6/8 | Jugler, The (t) | DA-E | Walsh CD-3.5, 1754 | 72 | VN//OB/GF |
//567/1+2//345/61//7-24/343// | 6/8 | Juggler, The (t) | DA-E | London Magazine | 133, 1751 | MI |
//5-6-7-/123//456/531//316-/6-5-6- | 6/8 | Lango Lee (t) | AM-A | Nixon MS, 1776 | 69 | FI |
//5-6-7-/1234//567/1+53//61+/51+// | 6/8 | Lasses Tickled Me, The (t), or Cowitch (at) | DA-E | Walsh CD-3.4, 1747 | 201 | VN/OB/GF |
//5-6-7-/1234//567/753//61+/51+ | 6/8 | Lasses Tickled Me, The (t), or Cowitch, (at) | DA-E | Walsh CD-2.4, 1747 | 201 | MI |
//5-6-7-/1234//567/756-//61+/51+ | 6/8 | Lasses Tickled Me, The (t), or Cowitch, (at) | DA-E | Johnson CD-3, 1744 | 71 | VN/GF |
//5671+//2345//7-123//6-5-//7-7-6-7-//11 7-1// |
3/8 | Air by Mr Weideman (t) | AM-A | White, G. MS, 1790 | 38 | VN |
//5-6-7-//123//464 | 6/4 | Banks of the Dee, The (t) | AM-A | Pomeroy MS, 1790 | 1 | GF |
//5-6-7-/123//464/531//316-/5-12 | 6/4 | Banks of the Dee (scotch) (t) | AM-A | Cary MS, 1797 | 59 | VO |
//5-6-7-/123//465//432 | 6/8 | It Was Summer, So Softly the Breezes (t) | SC-E | Vocal Music, 1778 | 236-237 | VO/VN/GF |
//5-6-7-/123//465/432//316-/5-12 | 6/8 | Lango Lee (t) | IC-E | Clementi Fife, 1815 | 19 | FI |
//5-6-7-/123//465/432//316-/5-12 | 6/8 | Song 185 (t) | SC-E | Convivial, 1782 | 364-365 | VO |
//5-6-7/123//465/432//316-/5-12// | 6/8 | Lango Lee (t) | MS-S | Fife MS, 1780 | 445,46r | 1FI OR 2FI/VN |
//5-6-7-/123//465/432//316-/5-12 | 6/8 | Lango Lee (t) | IC-E | Longman Fife, 1780 | 19 | FI/GF |
//5-6-7-/123//465/432//316-/5-12 | 6/8 | Irishman's Journey to London, The (t) | SS-E | SS, Harvard | 1 | VO,KB |
//5-6-7-/123//465/432//316-/5-12 | 6/8 | Lango Lee (t) | IC-E | Skillern Fife, 1780 | 18 | FI/GF |
//5-6-7-/123//465/432//316-/5-12 | 6/8 | Medley(ed) (t) | TW-E | Son-In-Law, 1780 | 18-19 | VO,HAF |
//5-6-7-/123//465/432//316-/5-12 | 6/8 | New Lango Lee (t) | DA-E | Thompson CD-4, 1780 | 26 | VN/GF/OB |
//5-6-7-/123//465/432//316-/5-12// | 6/8 | New Lango Lee (t) | DA-E | Thompson CD-4a, 1780 | 27 | VN/GF/OB |
//5-6-7-/123//465/432//316-/5-12 | 6/8 | Lango Lee (t) | IC-E | Thompson Fife, 1770 | 22 | FI |
//5-6-7-/123//465/432//316-/5-12// | 6/8 | Lango Lee (t) | IC-E | Thompson Fife, 1786 | 18 | FI/FL |
//5-6-7-/123//465/432//316-/5-12 | 6/8 | Lango Lee (t) | IC-E | Thompson Oboe, 1770 | 11 | OB |
//5-6-7-/123//465/432//316-/5-12 | 6/8 | New Lango Lee (t) | IC-E | Thompson Oboe, 1790 | 29 | OB |
//5-6-7-/123//465/432//316-/5-12 | 6/8 | Paddy Bull's Expedition (t) | AI-A | Young's Vocal, 1793 | 32-33 | VO,PF |
//5-6-7-/123//465/432//316-/5-13 | 6/8 | Lango Lee (t) | IC-E | Goulding Fife, 1790 | 14 | FI |
//5-6-7-/123//465/432//316-/5-43 | 6/8 | Banks of the Dee, The (t) | AM-A | Bolling MS, 1790 | 29 | VO/VN/GT |
//5-6-7-/123//465/432//316-/5-54 | 6/8 | New Lango Lee (t) | DA-E | Skillern CD, 1780 | 55 | VN/GF/OB |
//5-6-7-/123//465/432//316-/5-6-1 | 6/8 | Lango Lee (t) | IC-S | Aird 1, 1782 | 9 | FI/VN/GF |
//5-6-7-/123//465/432//316-/5-6-1 | 6/8 | Song 10 (t), or Banks of the Dee, The (at) | AI-A | American MM, 1798 | 34-38 | VO |
//5-6-7-/123//465/432//316-/5-6-1// | 6/8 | Banks of the Dee (t) | AM-A | Boynton MS, 1799 | 17R | 1 FI |
//5-6-7-/123//465/432//316-/5-6-1 | 6/8 | New Lango Lee (t) | AM-A | Cabot MS, 1784 | 19 | GF |
//5-6-7-/123//465/432//316-/5-6-1 | 6/8 | Song 52 (t), or Banks of the Dee, The (at) | SC-E | Calliope, 1788 | 98-100 | VO |
//56-7-/123//465/432//316-/5-6-1 | 6/8 | Banks of the Dee, The (t) | SC-S | Edinburgh MM-2, 1793 | 148-150 | VO |
//5-6-7-/123//465/432//316-/5-6-1// | 6/8 | Lango Lee (t) | AM-A | Hoff MS, 1797 | No. 127 | GF |
//5-6-7-/123//465/432//316-/5-6-1// | 6/8 | New Lango Lee (t) | AM-A | Irving MS, 1796 | 54 | 1 MI |
//5-6-7-/123//465/432//316-/5-6-1// | 6/8 | 2me de l'Embasadeur (t) | DA-F | Landrin Anglaise-1, 1760 | 8-9 | MI |
//5-6-7-/123//465/432//316-/5-6-1// | 6/8 | Lango Lee Dance (t) | MS-E | Malecot MS, 1779 | 41 | VN |
//5-6-7-/123//465/432//316-/5-6-1 | 6/8 | Banks of the Dee, The (t), or Favourite Song, A (at) | SS-E | SS, Boston PL-2 | 104 | VO,KBF |
//5-6-7-/123//465/432//316-/5-6-1 | 6/8 | Lango Lee (t), or Favorite Irish Song, A (at) | SS-E | SS, Harvard | 1 | VO,KBF+GT |
//5-6-7-/123//465/432//316-/5-6-1 | 6/8 | Lango Lee (t), or Favorite Irish Song, A (at) | SS-E | SS, Huntington-2 | 76 | VO,KB+GT |
//5-6-7-/123//465/432//316-/5-6-1 | 6/8 | Paddy Bull's Expedition (t) | AM-A | Spicer MS, 1797 | 36-38 | VO |
//5-6-7-/123//465/432//316-/5-6-1// | 6/8 | New Langolee or Banks of the Dee (t) | AM-A | Treat MS, 1779 | 4v | FI/GF |
//5-6-7-/123//465/432//316-/5-6-1 | 6/8 | New Lango Lee (t) | AM-A | Van Schaack MS, 1820 | 19 | FI/FL |
//5-6-7-/123//465/432//316-/5-6-1 | 6/8 | Song 106 (t) | SC-E | Vocal Enchant, 1783 | 212-213 | VO |
//5-6-7-/123//465/432//316-/5-6-1// | 6/8 | Banks of the Dee (t) | AM-A | White, G. MS, 1790 | 26 | VN |
//5-6-7-/123//465/432//316-/5-6-12 | 6/8 | Banks of the Dee, The (t) | IC-E | Preston Oboe, 1780 | 21 | OB |
//5-6-7-/123//465/432//316-/5-6-1//3 | 6/8 | Banks of the Dee, The (t), or Favorite Song, A (at) | SS-E | SS, Harvard | 1 | VO,KBF |
//5-6-7-/123//465/432//316-/5-6-1//3 | 6/8 | Banks of the Dee, The (t), or Favorite Song, A (at) | SS-E | SS, Harvard | 1 | VO,KBF |
//5-6-7-/123//465/432//316-/5-6-1//342/1 5- |
6/8 | New Lango Lee (t) | IC-E | Thompson Record, 1768 | 23 | RC |
//5-6-7-/123//465/432//316-/5-6-7- | 6/8 | Banks of the Dee (t) | MS-E | Carter MS, 1792 | 14 | MI |
//5-6-7-/123//465/432//316-/5-6-7- | 6/8 | Banks of the Dee, The (t) | AM-A | Murphey MS, 1790 | 26 | MI |
//5-6-7-/123//46-5/432//316-/5-6-7- | 6/8 | Lango Lee (t), or Favorite Irish Song, A (at) | SS-E | SS, New York PL-C694 | 57 | HAF,VO+GT |
//5-6-7-/123//465/432//321/5-6-1 | 6/8 | Banks of the Dee, The (t) | AM-A | Eells MS, 1789 | 23 | MI |
//5-6-7-/123//465/43//316-/5-4 | 6/8 | River Dee, &c., The (t) | AM-A | Van Renssel. MS, 1782 | I,30 | VO,KB |
//5-6-7-/123//465/43322//316-/5-12 | 6/8 | New Langolee, The (t) | AM-A | Otis MS, 1793 | 38 | VN/FL |
//5-6-7-//123//5-16-17-2//1//333//55-5- | 3/4 | Robin Adair (t) | AI-A | Glazier Fife, 1830 | 26 | FI |
//5-6-7-//12-3//5-16-17-2//1//5-6-7- | 3/4 | Robin Adair (t) | AM-A | Canfield MS, 1823 | 39 | FL |
//5-6-7-//123//5-16-17-2//1//5-6-7- | 3/4 | Robin Adair (t) | AI-A | Riley Flute 1, 1814 | 3 | FL |
//5-6-7-//123//5-16-17-2//1//5-6-7-//123 |
3/4 | Robin Adier (t) | AM-A | Commonplace MS, 1811 | 25 | MI |
//5-6-7-//123//5-16-17-2//1//5-6-7-//123 |
3/4 | Robin Adair (t) | AI-A | Firth Cl, 1832 | 27 | CL |
//5-6-7-//123//5-16-17-2//1//5-6-7-//123 // |
3/4 | Robin Adair (t) | IC-E | Hyde Bugle, 1818 | 11 | BU |
//5-6-7-//123//5-16-17-2//1//5-6-7-//123 |
3/4 | Robin Adier (t) | AI-A | Paff Amus 2, 1812 | 9 | FL/VN |
//567//1+2+3+//51+61+72+//3+1+//567 | 3/4 | Robin Adair (t) | AM-A | Hiester MS-2, 1793 | 64 | MI |
//5-6-7-//123//5-16-17-2//7-1//5-6-7- | 3/4 | Robin Adair (t) | AI-A | Williams Fife, 1826 | 9 | 2FI |
//5-/6-7-//12/35-//323/4321 | 2/4 | Popular New Quick Step, A (t) | AI-A | American Sheet Music | 2 | PF |
//567//1+2+3+//5+4+3+2+62+//1+76567//1+5 56524//355657-2// |
3/4 | Miss Augusta Harwards Minuet (t) | DA-E | Fishar Minuets, 1785 | 8 | KB |
//5-6-7-/123//565/531//323/16-5- | 6/8 | St Patricks Day In the Morning (t) | AM-A | Bellamy MS, 1799 | 53 | MI |
//5-6-7-/123//565/531//323/16-5- | 6/8 | St Patrick's Day In That Morning (t) | AM-A | Perkins MS, 1790 | 5 | MI |
//567//1+2+3+//567 | 3/4 | Aileen Aroon. Irish (t) | IC-S | Aird 5, 1797 | 29 | FI/VN/GF |
//567//1+2+3+//567 | 3/4 | Air 18, Act Iii (t) | BA-E | Beggar's Wed, 1729 | T63M12 | VO |
//5-6-7-//123//5-6-7-//1 | 3/4 | Robin Adair (t) | SC-S | Edinburgh MM-2, 1793 | 304-305 | VO |
//567//1+2+3+//567//1+5//567 | 3/4 | Roast Beef of Old England, The-3 (t) | SS-E | SS, Folger-C52 | 34-35 | MI,VO,KB |
//567//1+2+3+//567//1+5//567//1+2+3+ | 3/4 | Roast Beef of Old England, The. Air 3 (t) | SS-E | SS, Harvard | 1-4 | VO/VN/GF,HAF |
//5-6-7-//123//5-6-7-//15-//5-6-7-//123 | 3 | Roast Beef Cantata, The. Air 3 (t) | SS-E | SS, Harvard | 1-4 | VO,KBF |
//5-6-7-//123//5-6-7-//15-//6- | 3/4 | How Sweet and How Pleasing (t) | SC-E | Vocal Music, 1778 | 151-513 | VO/VN/GF |
//567//1+2+3+//567//1+//56561+ | 3/4 | Ellin Aroon (t) | DA-E | Johnson CD-2, 1742 | 86 | MI |
//567//1+2+3+//567//1+//56561+ | 3/4 | Irish Fair-2 (t), or Favorite Comic Dance, A; (at) | SS-E | SS, Huntington-2 | 102,1-3 | VO,KB |
//567//1+2+3+//567//1+//56561+ | 3/4 | Ailen Aroon (t) | IC-E | Thumoth, 1785 | 26-27 | GF/VN,HAF |
//567/1+2+3+//567//1+5//6561+2+ | 3/4 | Aileen Aroon (t), or Favorite Irish Ballad, A (at) | SS-E | SS, Huntington-1 | 143 | VO,KB |
//567//1+2+3+//567//1+5//6561+2+ | 3/4 | Aileen Aroon (t), or Favorite Irish Ballad, A (at) | SS-E | SS, New York PL-C695 | 96 | VO,B |
//5-6-7-//123//5-6-7-//15-//6-5-6-12//21 23// |
3/4 | Alian a Roon (t) | IC-E | Preston Cello, 1785 | 25 | 2VC |
//5-6-7-//123//5-6-7-//15-//6-5-6-12//22 3// |
3/4 | Aileen Aroon (t) | IC-E | Goulding Cello, 1799 | 34 | VC |
//5-6-7-//123//5-6-7-//1//5-6-7-//123 | 3/4 | Robin Adair (t) | AI-A | Blake Amus 3, 1825 | 23 | CL |
//5-6-7-//123//5-6-7-//1//5-6-7-//123 | 3/4 | Robin Adair (t) | IC-I | Logier Bugle, 1813 | 31 | BU |
//5-6-7-//123//5-6-7-//1//5-6-7-//123 | 3/4 | Robin Adair (t) | IC-E | Purday Bugle, 1830 | 13 | BU |
//5-6-7-//123//5-7-1//2///37- | 2/4 | Oh Wherefore Whefore weep My Sister Dear (t) | AI-A | Riley Flute 4, 1826 | 69 | FL |
//5671+2+5/1+46//752+5/71+2+5+//752+5/1+ 46 |
C/ | Tullock Gorm Reel (t) | MS-S | Gillespie MS, 1768 | 110 | VN |
//5671+2+5/1+46//752+5/71+2+5+//752+5/1+ 46// |
C | Reel of Tulloch Gorum (Scotch) (t) | DA-E | Wilson Companion, 1816 | 63 | MI |
//5-6-7-125/27-7-5//27-7-5/27-//5-6-7-12 5/27-7-5 |
C/ | Jackie Latten (t) | MS-S | Gillespie MS, 1768 | 62-63 | VN |
//5671+2+//54//351+654//54//357-21//1461 +76// |
3/4 | Mrs. Carry's Minuet (t) | DA-E | Fishar 12 CD, 1775 | 21 | KB |
//5671+2+//71+//3+2+1+71+//2+5//1+7654// 3212// |
3/4 | Minuet (t) | IC-E | Prelleur Modern, 1731 | 11 | VN |
//5/67//1+2+/7//1+5/435// | 6/8 | Knight Errant, The. No. 5 (t) | AI-A | Johnson, F. Cotillions | 4 | PF |
/5-6-7-//1/27-//31/7-2//13/43// | 2/4 | No. 2. Second Sett of Cotillions (t) | AM-A | Washburn MS, 1816 | 13-14 | GF |
/5//67/1+2+//7/56//71+/ | 2 | Chalumeau, Le (t) | IC-F | Leclerc Recueil-3, 1738 | 145 | HAF |
//5-6-/7-1//27-/5-7-//6-5-/6-7- | 2/4 | Single Dragg Set to Music, The (t) | AI-A | Robbins D&F, 1812 | 13 | DR,FI |
/5-6-7-//1/313//2/345//6-43/ | 6/8 | Bien Croune[?] (t) | MS-F | 4 Comtesses MS, 1775 | 6v-7r | MI |
//5-6-7-/131//7-12/1//7-12/1 | 6/8 | Winter Hill Retreat (t) | AM-A | Nixon MS, 1776 | 31 | FI |
//5-6-/7-1//3/21//32/22 | 2/4 | To Ladies Eyes (t) | AI-A | Riley Flute 3, 1820 | 78 | FL |
//5671+//32142//321456//5 | 3/4 | Air In Areadne (t) | AM-A | Beck MS, 1786 | 84 | GF |
//5671+//32142//321456//5//5 | 3/4 | Minuet In Ariadne (t) | IC-E | Simpson Record, 1745 | 11 | RC |
//5671+//32142//321456//5//51+2+ | 3/4 | Favourite Minuet In Ariadne, A (t) | IC-E | Delightful-1, 1763 | V,9 | 2GF |
//5-6-7-1//3-2-1-4-2-//3-2-1-4-5-6-//5-/ /5-131//321456 |
3/4 | Air In Ariadne (t) | IC-E | Bremner Airs, 1761 | 68 | 2VN/GF |
//5-6-7-1//3-2-1-4-2-//3-2-1-4-5-6-//5-/ /5-131//321456 |
3/4 | Air In Ariadne (t) | IC-E | Preston Marches, 1804 | 68 | 2GF/VN |
//5671+//32142//321456//5//51+3+2+ | 3/4 | Favourite Aire, A (t) | SC-E | Calliope, 1746 | I,37 | VO,B+FL |
//5671+//32142//321456//5//51+3+2+ | 3/4 | Submissive Admirer, The (t) | SC-E | Musical Ent-1, 1740 | 9 | VO,KB+FL |
//5671+//32142//321456//5//51+3+2+ | 3/4 | Air In Ariadne (t) | AM-A | Psalmody MS, 1798 | 12-15 | 3MI |
//5671+//32142//321456//5//51+3+2+ | 3/4 | How Is It Possible (t) | SS-E | SS, Boston PL-2 | 244 | VO,KBF+GF |
//5671+//32142//321456//5//51+3+2+ | 3/4 | Minuet In Ariadne, with Variations (t) | SS-E | SS, New York PL-C695 | 55,1-4 | HA/PF+GF/GT |
//5-6-7-1//3-2-1-4-2-//3-2-1-4-5-6-//5-/ /5-132 |
3/4 | Minuet In Ariadne (t) | IC-E | Waylet Oboe, 1745 | 3 | OB |
//5671+//32142//321456//5//51+3+2+//3+2+ 1+3+4+5+// |
3/4 | Minuet In Ariadne (t) | IC-E | Johnson Flute, 1760 | 24 | GF |
//5671+//32142//321456//5//51+3+2+//3+2+ 1+4+5+6+// |
3/4 | Minuet In Ariadne (t) | IC-E | Goulding Cello, 1799 | 16 | VC |
//5671+/323451//45342312/7-5-345//456/21 23454// |
C/ (8/4) | Almain, An (t) | MS-E | Fitzwilliam MS-2, 1609 | 266 | VI |
//5671+//33142//321456//5//51+3+2+ | 3/4 | Favourite Minuet, A (t) | SS-E | SS, Folger-C42.4 | 400 | VO,KB+FL |
//567/1+3//45/1//134/51+ | C/ | Peace and Plenty (t), or Old Oxford, (at) | PL-E | Playford 2-3, 1718 | 242 | VN |
//567/1+3//45/1//134/51+ | C/ | Peace and Plenty (t), or Old Oxford, (at) | PL-E | Playford 2-4, 1728 | 242 | VN |
//5-//6-//7-//1//34543//517-6-5-3- | 3/4 | Lesson for the Organ (t) | AM-A | Woodruff MS, 1803 | 75 | MI |
//567/1+3//456/555//1+56/531 | 6/8 | How provoking your doubts (fl) | TW-E | Siege/Belgrade, 1791 | 67 | VO,KBF |
//56/71+//3/4//56/71+// | 2/4 | Allemande 4 (t) | DA-E | Fishar 16 Cot, 1780 | 39 | KB |
//567/1+34//567/1+3//42+42+/31+31+ | C | March (t) | MS-G | Darmstadt MS 1224 | 79-89 | 2OB/VN,2HN,B |
//567/1+3//456/76//54 | Cuckow, The (t) | SS-E | SS, Folger-C42.2 | 156 | VO,KB+F | |
///5-6-7-//1/3//5-/3 | 2/4 | Defeat of the French at the Nile (t) | AM-A | Woodruff MS, 1803 | 16 | MI |
//567/1+//353/1//331/442 | 2/4 | Lord Loudon's Grenadiers March (t) | AM-A | Beck MS, 1786 | 45 | GF |
//5671+//3531//331442 | 2/4 | Lord Loudons Grenadiers March (t) | IC-E | Bennett Fife, 1770 | 12 | FI ; FI |
//567/1+//353/1//331/442 | 2/4 | Lord Loudons Grenadiers March (t) | IC-E | Longman Fife, 1770 | 22 | FI |
//5671+//3531//331442 | 2/4 | Lord Loudons Granadiers March (t) | IC-E | Rutherford Fife, 1756 | 12 | FI |
//5671+//3531//331442 | 2/4 | Lord Loudons Grenadiers March (t) | IC-E | Thompson Fife, 1760 | 22 | FI |
//567/1+//353/1//331/442 | 2/4 | Lord Loudon's Grenadiers March (t) | IC-E | Thompson Fife, 1770 | 26 | FI |
//567/1+//353/1//331/442 | 2/4 | Lord Loudons Granidears (t) | AM-A | Thompson MS, 1777 | 29 | FI |
//5671+//3531//331442 | 2/4 | Lord Loudon's Grenadiers March (t) | AI-A | Willig Fife, 1805 | 12 | FI |
//5-/6-7-//1/35//43/21231 | 2/4 | Hope Sweet Deceiver (t) | AM-A | Van Renssel. MS, 1782 | I,29 | VO,KB |
//5-6-7-1/3//5-6-7-1/25//3/12345 | C/ | Bank, The (t) | IC-E | Goulding Fife, 1790 | 15 | FI |
//567/1+3+5//671+6/55//4321/1346//3 | C | Unfortunate Sailor, The (t) | AI-A | American SS-SM | 1-2 | VO,VN,KB+FL |
/5-6-7-//13/6531//7-2/6542//13/6531// | 2/4 | Charlotte. No. 4 (t) | AI-A | Johnson, F. Cotillions | 4 | PF |
//56//7-1//432//31234//56//7-1 | 3/4 | Menuet (t) | MS-G | Darmstadt MS 1224 | 340 | MI |
//5//671+//43//27-1//423 | 3/8 | Slow Air (t) | IC-E | Delightful-1, 1763 | III,16 | 2GF |
//5//671+//43//27-1//423 | 3/8 | Larghetto (t) | IC-E | Delightful-1, 1763 | V,20 | 2GF |
/567//1+/453//21/42+4//32+3/232// | 6/8 | Cocote, La. Contredanse (t) | DA-F | LaCuisse Rep CD LC-2, 1764 | 45 Feuille 2. Vol | KB |
/567//1+/453//2/472+//31+3/ | 6/8 | Paisanne Allemande, La (t) | DA-N | St. Flour Contredanses, 1757 | 76 | KB |
//5/671+//5/1//424/313// | 6/8 | Besogne, La (t) | DA-N | Echo, 1758 | 81 | KB |
//5671+/51+53//11//2343/5432//3453 | 2/4 | Battle of Trenton, The. General Rejoicing (t) | AI-A | American Sheet Music | PF | |
//5671+/51+53//11//2343/5432//3453 | 2/4 | Siege & Surrender of Valenciennes, The. Rejoicing (t) | IC-S | Scottish Sheet Music | PF/HA | |
//5671+/51+53//11//2343/5432//3453/11+ | 2/4 | Battle of Trenton, The. General Rejoicing (t) | AI-A | American SS-SM | 12-14 | PF |
//5/67//15//1+/76 | 2/4 | Vicar, The (t) | AM-A | Perkins MS, 1790 | 37 | MI |
//56//7-1//5-2435 | 3/4 | Favorite Minuet for 2 Flutes, A (t) | IC-E | Longman Pb, 1778 | 24-26 | 2FL |
//56//7-1//5-2435//3+//43//671+765 | 3/4 | Minuet 12(van Maldere) (t) | IC-E | Longman Evening, 1780 | 14 | 2GF |
//5671+/531//432/2+1+7//651+/71+6 | C | Lilles of France, The (t) | MS-S | Gillespie MS, 1768 | 44 | VN |
//5/671+//53/21//15-/5-6-// | C/ (2/4 ed | Sweet Poll of Plymouth. A Song (t) | MS-S | Fife MS, 1780 | 619,66v | 1FI OR 2FI/VN |
//5-6-7-//15-3//25-4//3217-6-//5-6-7- | 3/8 | Danish Waltz (t) | AI-A | Riley Flute 2, 1817 | 74 | FL |
//567/1+53+//2+54/35//61+6/51+5 | 6/4 | From the Hill of Parnassus (t) | AM-A | Otis MS, 1793 | 37 | VN/FL |
//567/1+53//425/31//123/456 | 6/8 | Philpots Delight (t) | DA-E | Johnson CD-2, 1742 | 84 | MI |
//567/1+53//425/31//123/456 | 6/8 | Cuckfield Place (t) | DA-E | Johnson CD-3, 1744 | 2 | VN/GF |
//567/1+53//425/31//123/456 | 6/8 | Cuckfield Place (t) | DA-E | Walsh CD-2.2, 1735 | 32 | VO/OB/GF/FL |
//567/1+53//425/31//123/456 | 6/8 | Cuckfield Place (t) | DA-E | Walsh CD-3.2, 1749 | 32 | VN/OB/GF |
//567//1+53//427-//1121//567//1+53 | 3/8 | Valtz (t) | IC-F | Bonjour Recueil, 1800 | 2:7 | VN/FL |
//5-6-7-1/5-3//4321/6-//5-6-7-1/5-34 | C | Song 70 (t), or Busk Ye, Busk Ye (at) | SC-E | Calliope, 1788 | 134-135 | VO |
//5-6-7-1/5-3//4321/6-//5-6-7-1/5-34 | C | Busk Ye, Busk Ye (t) | SC-S | Edinburgh MM-2, 1793 | 108-109 | VO |
//5-6-7-1/5-3//4321/6-//5-6-7-1/5-34 | C | Busk Ye (t) | IC-E | Schetky Coll, 1800 | 1 | 2CL,2FL,2HN,BS |
//5-6-7-1/5-3//4321/6-//5-6-7-1/5-34 | C | Busk Ye, Busk Ye (t) | SC-S | Scots MM-1, 1787 | 65 | VO,PF |
//567/1+5//3453/1//24/3 | 2/4 | Merry Swabbs, The (t) | DA-E | Bride CD, 1776 | II,9 | VN/OB/GF |
//567/1+53//462+/2+//135/7-24// | 6/8 | Petro's Fancy (t) | DA-E | Thompson CD-3a, 1773 | 81 | VN/GF/OB |
//567/1+53//462+/2+//135/7-24 | 6/8 | Petro's Fancy (t) | AM-A | Turner MS, 1788 | I,14 | VN |
//567/1+53//542/232//17-1/7-13// | 6/8 | Chaldeene, La. No. 18 (t) | AI-A | Augustus Cots, 1805 | 9 | PF |
//5/671+//535//424/313//2 | 2/4 | March V. Hanover (t) | MS-G | Darmstadt MS 1225 | 141-42 | 2MI |
//5/671+//5/4//31+3/41+4//51+5 | 6/8 | Moore's Engagement to Margery (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//5/671+//5/4//31+3/41+4//51+5/61+6 | 6/8 | Moore's Engagement to Margery (t) | SC-E | Musical Ent-2, 1740 | 8 | HAF,VO |
//5/671+//5/4//31+3/41+4//51+5/61+6//51+ 5/41+4 |
6/8 | If thats all you ask, my sweetest and featest compleatest (fl) | TW-E | Dragon/Wantley, 1738 | 17 | OB/VN,VA,VO,HAF |
//567/1+54//313/567//1+54/42// | 6/8 | Humours of Westmeath, The (t) | MS-C | Molyneaux MS-1, 1788 | 44 | GF |
//567/1+54//321/112//34321/5671+ | C/ | Anna (t) | AM-A | Ives MS, 1800 | 27 | 2MI |
//5-6-7-/15-4-//3-2-1-/1-1-2-//3-4-3-2-1 -/5-6-7-1 |
C | Anna (t), or Adieu, The (at) | AI-A | Riley Flute 2, 1817 | 90 | FL |
//567/1+54//321/112//34321/5671+//5 | C | Anna (t), or Adieu, The (at) | AI-A | American SS-SM | 1-2 | KB,VO |
//5/6715//43/2//1413/423456123456765// | C/ | [Fantasia]. 25 (t) | MS-E | Fitzwilliam MS-2, 1609 | 333-335 | VI |
//56//7-1//5-43//21//43423 | 3/4 | Minuet (t) | IC-E | Delightful-1, 1763 | I,34 | 2GF |
//567/1+54/321//567/1+53/42 | 9/8 | Rakes of West Meath (t) | DA-E | Johnson CD-4, 1748 | 72 | VN/GF |
//567/1+54/321//567/1+53/42 | 9/8 | Irish Fair-1 (t), or Favorite Comic Dance, A; (at) | SS-E | SS, Huntington-2 | 102,1-3 | KB |
//567/1+54/321//567/1+53/42 | 9/8 | Rakes of Westmeath, The (t) | IC-E | Thumoth, 1785 | 76-77 | GF/VN,HA |
//56//71+543//3//3+2+1+76//4+//2+1+765// 3+ |
3/4 | Behold Me on (t) | IC-E | Delightful-2, 1745 | IV,11 | GF |
//56/71+//5434/423//4321/7-127-// | 2/4 | Gavotte for a Young Lady No.9 (t) | AM-A | Duport MS-1, 1780 | 6 | VN |
//5/6//71+/54//34/543 | C/ | 3ter Wacht March V. Smo (t) | MS-G | Darmstadt MS 1225 | 179-80 | 2MI |
//56/71+//543/543//56/71+// | 2/4 | Mains, Les. F. (t) | DA-E | Sancho Minuet/Cot/Dance, 1767 | 15 | HP |
//5/67//1+/54//54/32//3 | 2/4 | Charms of Nature, The (t) | AI-A | American Periodicals | VO,KB | |
//567/1+5//54/3//131/242 | 2/4 | Brunette, Le (t) | DA-E | Bride CD, 1776 | II,8 | VN/OB/GF |
//567/1+5//54/3//131/242 | 2/4 | Brounett, La (t) | DA-E | Bride CD, 1776 | IV,85 | VN/OB/GF |
//567/1+5//54/3//131/242 | 2/4 | Bruntte, La (t) | IC-S | Stewart Airs, 1788 | 2:84 | GF/VN/FI |
//5671+5/543//132/242//532117-6-5-//5 | C | Brunetta, La (t), or Pop the Question, (at) | DA-E | Bride CD, 1776 | III,87 | VN/OB/GF |
//5671+5/543//132242/532117-6-5-//5671+5 /5436 |
C | Brunetta, La (t), or Pop the Question, (at) | DA-E | Thompson CD-4, 1780 | 3 | VN/GF/OB |
//5671+5/543//132242/532117-6-5-//5671+5 /5436// |
C | Brunetta, La (t), or Pop the Question (at) | DA-E | Thompson CD-4a, 1780 | 5 | VN/GF/OB |
//5-/6-//7-/1//5-5-/5-4-3-4- | 2/4 | Vergatter (t) | MS-G | Darmstadt MS 1224 | 329,331 | 2MI |
//5-6-7-/15-5-//5-6-7-/13//53/53 | 6/8 | Quick March (t) | IC-S | Rose Marches, 1796 | 10 | PF/HA |
//567/1+5//5654/3//131/242 | 2/4 | Love and Opportunity (t) | IC-S | Aird 2, 1785 | 58 | FI/VN/GF |
//567/1+5//5654/3//131/242// | 2/4 | Love and Opportunity (t) | AI-A | Gilfert Gents PC, 1802 | 37 | GF/VN |
//567/1+5//5654//3//131/242// | 2/4 | Love & Opportunity (t), or Brunetta, La (at) | MS-C | Molyneaux MS-2, 1788 | 40 | 1 OR 2 GF |
//5/67//1+/5//61+/76 | C | Chester (t) | AM-A | Dickinson MS, 1800 | 27 | 2CL/2GF/2OB |
//5/67//1+/5//61+/76 | C/ | Chester (t) | AI-A | Hulbert Fife, 1807 | 10 | FI |
//5/67//1+/5//61+/76 | C/ | Chester. A Death Beat (t) | AI-A | Hulbert Fife, 1811 | 10 | FI |
//5/67//1+/5//61+/76// | C/ | Chester a Quick Step for Sunday (t) | AM-A | Morris MS, 1776 | 67r-7v | 2 FI |
//5/67//1+5//61+/76 | AM-A | Remington MS, 1778 | 1 | FI | ||
//567//1+5//64//2 | 3 | Song, A (t) | SC-E | Pills 4, 1719-20 | 305 | VO |
//567//1+//56432//21//65671+654//3234532 1 |
3/4 | 2d Medley Dance.6th Part (t) | IC-S | Gibb New Coll, 1798 | 15 | PF/VN,VC |
//5671+/564//342/12//34 | 6/8 | Amyntor (t) | SS-E | SS, Harvard | 1 | VO,KB+GF |
//5671+5/6453//2772/46//5671+5 | C | Lasses Likes Nea Brandy (t) | DA-E | Longman CD, 1781 | 65 | VN/OB/GF |
//5671+5/6453//2772/46//5671+5/6453// | C/ | Lick the Ladle Sandie (t) | IC-S | Stewart Reels, 1775 | 21 | VN/GF,VC/HA |
//567//1+56//5432//3567//1+76//6 | 2/4 | Song 100 (t), or Charms of Nature, The (at) | AI-A | American MM, 1798 | 263-264 | VO,B |
//5/67//1+//565/565//5 | 2/4 | Fislier March (t) | MS-G | Darmstadt MS 1225 | 69-70 | 2MI |
//5/67//1+//565/565//5 | 2/4 | Fislier March (t) | MS-G | Darmstadt MS 1225 | 129-30 | 2MI |
//5/671+//5/671+//53 | 2/4 | Hessen-Casselscher Grenad. March Von Printz Wilhelm No +2[ (t) | MS-G | Darmstadt MS 1224 | 169 | MI |
//5671+/5671+//54/2432//1321/7-217-// | 2/4 | Ete, L' (t) | AI-A | Hewitt Cots-1, 1803 | 16 | PF |
//5671+/5671+//54/2432//1321/7-217-// | 2/4 | Ete, L' (t) | AI-A | Hewitt Cots-2, 1803 | 16 | PF |
///567//1+/567//1+765/4321 | C | Quintetto. Allegro (t) | IC-E | Longman Clar, 1780 | 28-31 | 2CL,2HN,BS |
//5-6-7-/15-7-//13131/5-6-5-//6-6-6-/17- 6- |
6/8 | Love Sounds the Trumpet of Joy (t) | AI-A | Riley Flute 3, 1820 | 61 | FL |
//5-6-7-/15-7-//13131/5-//6-6-6-/17-6- | 6/8 | Love Sounds the Trumpet of Joy (t) | AI-A | Paff Amus 4, 1817 | 24 | FL/VN |
//567/1+57//654/431//545/3143// | C/ (8/4) | Giles Farnaby's Dreame (t) | MS-E | Fitzwilliam MS-2, 1609 | 260-261 | VI |
//5-/6-7-16-//5-11/117-12//323/43 | C/ | Carter's March (t), or President's March(index) (at) | AM-A | Canfield MS, 1823 | 99 | FL |
//5-/6-7-16-//5-11/12//323/43 | C/ | Duke of Kent's March (t) | AI-A | Glazier Fife, 1830 | 27 | FI |
//56/71+//65/1+7//65/43//32 | 2/4 | Signor cranky then addio (fl) | TW-E | Son-In-Law, 1780 | 26-27 | VO,HAF |
//567/1+6//53/1+//567/1+3 | 2/4 | Distiller, The (t) | DA-E | Johnson CD-8, 1758 | 2 | VN/GF |
//567/1+6//53/1+//567/1+3// | 2/4 | Sutherland Reel (Scotch) (t) | DA-E | Wilson Companion, 1816 | 78 | MI |
//5671+//653+//2+754//435//465432//7-1// |
3/4 | Maiden's Resolution, The (t) | IC-E | Bremner Recorder, 1765 | 17 | FL |
//5/671+//6/5//43/21// | 2/4 | Ah It Serves You Right (t) | DA-E | Straight & Skillern CD, 1775 | 77 | VN/GF/OB |
//567/1+6//5432/11+//1+76/543 | C | Lover's Message, The (t) | SC-E | Watts MM-1, 1729 | 136-37 | VO/VN+FL |
//5671+/6543//234321/55//671+2+ | C/ | Bonny Boatman, The (t) | SC-E | Calliope, 1746 | I,25 | VO,B+FL |
//5671+/6543//234321/55//671+2+/3+4+5+4+ 3+ |
C | Generous Lassie, The (t) | SC-E | Musical Ent-1, 1740 | 92 | VO,KB+FL |
//5671+/6543//234321/55//671+2+/3+4+5+4+ 3+ |
C/ | Bonny Scot, The (t) | SS-E | SS, Boston PL-2 | 109 | VO,KB+FL |
//5671+/6543//234321/55//671+2+/3+4+5+4+ 3+ |
C/ | Bonny Scot, The (t) | SS-E | SS, Folger-C42.3 | 501 | VO,KB+FL |
//5671+/6543//234321/55//671+2+/3+4+5+4+ 3+//2+ |
C/ | Bonny Scot, The (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//5671+/6543//4321+/56 | C/ | Air 35 (t) | BA-E | Fashionable, 1730 | 44 | VO |
//5671+/6543//4321/56 | C/ | Air 13 (t) | BA-E | Merry Cobler, 1735 | 24 | VO |
//5671+/6543//4321/56//671+2+/3+4+5+4+3+ |
C/ | Air 26 (t) | BA-E | Highland Fair, 1731 | 42 | VO |
//5671+/6543//4321/56//671+2+/3+4+5+4+3+ |
C | Bonny Boat Man, The (t) | DA-E | Johnson CD-2, 1742 | 22 | MI |
//5671+/6543//4321/56//671+2+/3+4+5+4+3+ |
C/ | Bonny Boatman, The (t) | DA-E | Walsh CD-2.3, 1735 | 33 | VN/OB/GF/CF |
//5671+/6543//4321/56//671+2+/3+4+5+4+3+ |
C/ | Bonny Boatman, The (t) | DA-E | Walsh CD-3.3, 1749 | 45 | VN/OB/GF |
//5671+/6543//4321/56//671+2+/3+4+5+4+3+ |
C/ | Bonny Scot, The (t) | SC-E | Watts MM-2, 1729 | 129-131 | VO/VN+FL |
//567/1+654//345/5 | C | Night Piece (t) | IC-E | Oswald Airs, 1758 | 3 | 2VN/2GF/2GT |
//5/671+6//54/35//45/34 | 2/4 | Adagio (t) | IC-E | Brooks Pieces, 1796 | 5 | 2CL,2HN,BS |
//5/671+6//54/35//45/34 | 2/4 | Adagio (t) | IC-E | Eley Pieces 3, 1790 | 4 | 2CL,2OB/CL, 2HN,TR,2BS |
//5/671+6//54/35//45/34//3 | C | Thus ev'ry hope obtaining the doubtful conflict o'er (fl) | TW-E | No Song No Sup, 1790 | 31-33 | 2VO,HA/PF |
//567/1+654//4/323//1/2343 | 3/2 | Nine Elms (t) | PL-E | Playford 3-2, 1726 | 162 | VN |
//5671+654//4323//12343//2111 | 3/2 | Nine Elms (t) | DA-E | Walsh CD-2.1, 1731 | 29 | VN/OB/GF/RC |
//5671+654//4323//12343//2111 | 3/2 | Nine Elms (t) | DA-E | Walsh CD-3.5, 1754 | 144 | VN//OB/GF |
//5671+655//51+1+//1+71+2+1+7//1+//5671+ 655//51+1+ |
3/4 | Duett (t) | TW-E | Haunted Tower, 1789 | 52-53 | 2VO,KB |
//5/671+6//555/53//445/334 | C/ | Slow (t) | IC-E | Eley Pieces 2, 1790 | 1 | 2CL,2OB/CL,2HN,TR,2BS |
//5/671+6//5/671+6//53+/2+1+// | 2/4 | Allegritto by Giordani (t) | MS-C | Molyneaux MS-1, 1788 | 67 1/2 | GF |
//5/67//1+/6//61+/76//5 | C | Chester (t) | AM-A | Dawes MS, 1790 | 8 | HA |
//567/1+6//645/1+5//534/2+4 | 2/4 | IC-E | Delightful-1, 1763 | VI,34-35 | 2GF | |
//56/7//1+671+//2+1+765//6567/1+2+3+2+// |
C/ | Eighte Pavian, The (t) | MS-E | Nevell MS, 1591 | 121-124 | VI |
//5-6-7-17-1/212312//34553/321//5/5// | C (8/4) | King's Morisco, The (t) | MS-E | Fitzwilliam MS-2, 1609 | 373 | VI |
//5-6-7-/17-1//212/31+6//565/543 | 6/8 | La Fayette's Welcome to the U. States In 1824. Quick Step (t) | AI-A | American Sheet Music | PF | |
//5-6-7-/17-1//212/323//6-7-1/2345// | C/ | Ayre (t) | IC-E | Musicks Hand-Maid-1, 1678 | 42 | VI/HA |
//5671+71+2+//1+53//1351+57//6544//2462+ 671+ |
3/4 | IC-E | Delightful-1, 1763 | VI,25 | 2GF | |
//5671+/71+//2+1+7/1+564534231//3+3+/2+2 +// |
3 [6/4] | Barafostus' Dream. 3 (t) | MS-E | Fitzwilliam MS-2, 1609 | 94-99 | VI |
//567/1+71+2+1+//733 | C/ | Opera Song by An Eminent Master, An (t) | SC-E | Pocket Comp, 1725 | 56-59 | VO,HAF+FL |
//5671+//71+//2+1+7654//35//671+654 | 3 | Jessy Moore (t) | SC-E | Muses Delight, 1754 | 164-165 | VO,HA |
//5-6-7-/17-1//22/212//33/321 | 6/8 | Air 59 (t) | BA-E | Fashionable, 1730 | 81 | VO |
//5-/6-7-//17-/12//3/21//7- | C | Overture (t) | TW-E | Midnight Wand, 1793 | 1-13 | VN,PF |
//5-6-7-/17-1/232/217-//135/5 | 6/8 | Black Joke (t) | AM-A | Huntington MS, 1817 | IV.75 | FL/VN |
//5-6-7-/17-1//232/217-//135/543 | 6/8 | Sprig of Shillelah (t) | AI-A | Riley Flute 1, 1814 | 92 | FL |
//567/1+71+//53/345//654/321 | 6/8 | Rope Dance, The (t) | IC-S | Aird 3, 1788 | 197 | FI/GF/VN |
//5671+71+543215 | Stanfords Hornpipe (t) | AM-A | Cary MS, 1797 | 124 | VN | |
//5671+71+55//44334321// | C/ | Haut Barrois, A Branle (t) | DA-F | Arbeau Orchesography, 1589 | 135-137 | DR/MI |
//5671+//71+//56543//32//666 | 3/8 | Warrington Waits (t) | PL-E | Playford 3-2, 1726 | 113 | VN |
//5671+//71+//56543//32//666 | 3/8 | Warrington Waits (t) | DA-E | Walsh NCDM-3, 1728 | 124 | VN/OB/FL |
//5-6-7-/17/1//5-7-1/27-// | 6/8 | Patrick O Neale (t) | MS-S | Fife MS, 1780 | 291,30r | 1FI OR 2FI/VN |
//5/671+//7543//2/1 | C/ | Neat, Mr John (t) | DA-E | Walsh CD-1.2, 1719 | 14 | VN/OB |
//5/671+//7543//2/1 | C/ | Neat Mr John (t) | DA-E | Walsh CD-2.2, 1735 | 187 | VO/OB/GF/FL |
//5/671+//7543//2/1 | C/ | Neat Mr. John (t) | DA-E | Walsh CD-3.2, 1749 | 187 | VN/OB/GF |
//5671+755//5437555//1+755545//3111567// 1+755543 |
6/8 | Old Man, The (t) | AM-A | Kingsley MS, 1795 | II,1 | MI |
//5671+//7651+//1+7654//3215//671+//7 | 3/4 | Paspie de Princeza (t) | MS-M | Garcia MS, 1772 | 170 | MI |
//5-6-7-//17-6-5-//123//4321//2216-// | C3 | Galliarde for the Victorie, The (t) | MS-E | Nevell MS, 1591 | 40-42 | VI |
//5671+//76//51324//3231//51+3+ | 3/4 | Minuet, A (t) | MS-S | Gillespie MS, 1768 | 78 | VN |
//5671+//76//51+42+74//435//61+72+1+5 | 3/8 | Choice, The (t) | IC-E | Delightful-2, 1745 | III,25 | GF |
//5671+//765//1+5//671+//5 | 3/4 | Ye Zephyrs Where's My Blushing Rose(r) (t) | AI-A | Moller & Capron, 1793 | 19-20 | VO,KB+GF/GT |
//5671+//76//51+7654//32//351524 | 3/4 | Ward's Menuet (t) | AM-A | Aborn MS, 1790 | 91 | MI |
//5671+76//5313//2345642//7-6-5-34//5671 +76 |
3/4 | Rondo Grazioso (t) | AM-A | Hiester MS-1, 1793 | 42 | HA |
//567/1+76//531/333//444/671+ | 6/8 | Double Drag (t) | AM-A | Brown, N. MS, 1781 | 9R | FI |
//567/1+76//531/333//444/671+ | 6/8 | Quick Step, A (t) | AM-A | Clark, I. MS, 1801 | 11 | FI/VN |
//5671+/76//5321/23432//1351+/76// | C | Saville House; or, The Prince's Birth-Day (t) | DA-E | Universal Magazine | 1:319, 1760 | MI |
//5671+/76//5321/23432//1351+76// | C/ | Princess Birth Day, The (t) | MS-E | Vickers MS, 1770 | 141 | MI |
//5671+/76//5321/25-2//5671+/76// | C | Caledonian Rant (t) | DA-E | London Magazine | 196, 1757 | MI |
//5671+/76//5321/25-2//5671+/76// | C | Caledonian Rant, The (t) | DA-E | Universal Magazine | 1:178, 1757 | MI |
//567/1+76//534/556//4 | C/ | Song Made on the Downfall, or Pulling Down of Chairing-Cross: (t) | SC-E | Pills 3, 1719-20 | 32-4 | VO |
//567/1+76//5346/6532//165 | C/ | Wounded Hussar, The (t) | AI-A | American SS-SM | 1-2 | VO,KB,20B,2FH+FL |
//567/1+76//5346/6542//165/512 | C | Wounded Houssar (t) | AI-A | Riley Flute 2, 1817 | 78 | FL |
//5671+76//543//1+61+72+//1+15//427-4//3 |
3/4 | Minuett (t) | MS-M | Garcia MS, 1772 | 98V [227] | MI |
//5671+76//5432//1234//2134//5671+2+ | 3/4 | Robins Complaint (t) | IC-E | Caledonian PC, 1760 | VIII,5 | GF/VN |
//5671+76//5432//1234//2134//5671+2+ | 3/4 | Song 116 (t) | SC-E | Vocal Enchant, 1783 | 232-233 | VO |
//5671+76//543//23456543//24217-1 | 3/4 | Miss Peargmans Minuet (t) | AM-A | Mass. MS, 1790 | 34 | FL |
//56/71+//765/432//56/71+ | 6/8 | Sup of Good Drink (t) | AM-A | Williams, W. MS, 1775 | 41 | FI |
//567/1+76/543//422/222/235// | 9/8 | Eveillee, L', contredanse (t) | DA-N | Echo, 1758 | 12 | KB |
//5/67//1+/76//5456/5456 | 2/4 | Austrian Grenadiers Quick March, The. Trio (t) | IC-E | Eley Pieces 1, 1790 | 8 | 2CL,2HN,TR,BS |
//567/1+76//5/535//44/424 | 6/8 | Favourite Song, A (t) | SC-E | Clio-2, 1759 | 118 | VO,HAF |
//567/1+765//5434/32//16/5432 | C | In Praise of the Fair Sex (t) | SS-E | SS, Boston PL-2 | 222 | VO,KB |
//567/1+76//55/543//456/543 | Prussian's Dance (t) | MS-E | Hammersley MS, 1790 | 99 | MI | |
//567/1+76//55/543//456/543 | 6/8 | Prussian Dance, The (t) | DA-E | Rutherf CD-1, 1750 | 46 | VN/FL/OB,HAF |
//567/1+76//55/543//456/543 | 6/8 | Prusian's Dance, The (t) | DA-E | Thompson CD-2, 1765 | 11 | VN/GF/OB |
//567/1+76//55/543//456/543// | 6/8 | Prusian's Dance, The (t) | DA-E | Thompson CD-2a, 1765 | 10 | VN/GF/OB |
//567/1+76//55/543//456/543// | 6/8 | Prussian's Dance, The (t) | DA-E | Universal Magazine | 1:208, 1758 | MI |
//567/1+76//55/543//456/543//231 | 6/8 | Quick March.#16 (t), or Prussian Quick March, The (at) | IC-E | Hinde Longman, 1775 | 9 | FI/GF/VN/OB,PF/HA |
//567/1+76//55/543//456/543//231 | 6/8 | Prusian Dance, The (t) | DA-E | Rutherf CD-2.2, 1760 | 44 | MI |
//567/1+76//555/54//3 | 6/8 | Chamber (t) | TW-E | Harlequin's Mus, 1792 | 28 | HA |
//567/1+76//564/34//5 | 6/8 | Term Full Long as the Siege of Old Troy, A (t) | SC-E | Vocal Music, 1775 | 112-113 | VO/VN/GF |
//567/1+76//564/34//54321/671+ | 6/8 | Tis Time Enough Yet (t) | SC-E | Clio-3, 1762 | 14-15 | VO,HAF |
//5-6-7-/17-6-//5-6-5-3-/2-1-//5-12/321 | C | Hail to the Chief (t) | AI-A | American Sheet Music | 3VO/PF | |
//5-6-7-/17-6-//5-6-5-3-/2-1-//5-12/321 | C | March & Chorus... Lady of the Lake (t) | AI-A | American Sheet Music | 4 | PF |
//5-6-7-/17-6-//5-6-5-3-/2-1-//5-12/321 | C | Hail to the Chief (t) | AI-A | American Sheet Music | 3VO/PF | |
//567/1+76//5653/21//51+2+/3+2+1+ | C | Hail to the Chief (t) | AI-A | Bacon Clar, 1818 | 26 | CL |
//567/1+76//5653/21//51+2+/3+2+1+ | C | Hail to the Chief (t) | AM-A | Beach MS, 1801 | 136 | MI |
//567/1+76//5653/21//51+2+/3+2+1+ | C | Hail to the Chief (t) | AI-A | Blake Amus 1, 1824 | 17 | CL |
//5-6-7-/17-6-//5-6-5-3-/2-1-//5-12/321 | C | Hail to the Chief (t) | AM-A | Canfield MS, 1823 | 71 | FL |
//567/1+76//5653/21//51+2+/3+2+1+ | C | Hail to the Chief (t) | AI-A | Firth Cl, 1832 | 25 | CL |
//567/1+76//5653/21//51+2+/3+2+1+ | C | Hail to the Chief (t) | AM-A | Kingsley MS, 1795 | II,5 | MI |
//567/1+76//5653/21//51+2+/3+2+1+ | C | Hail to the Chief (t) | AI-A | Klemm Clar, 1825 | 26 | CL |
//5-6-7-/17-6-//5-6-5-3-/2-1-//5-12/321 | C | Hail to the Chief (t) | AI-A | Riley Flute 2, 1817 | 76-77 | FL |
//567/1+76//5653/21//51+2+/3+2+1+ | C | Hail to the Chief (t) | AM-A | Woodruff MS, 1803 | 104 | MI |
//5-6-7-/17-6-//5-6-5-3-/2-1-5-//5-12/3 | C | Hail to the Chief (t) | AM-A | Huntington MS, 1817 | III.39 | FL/VN |
//567/1+76//5653/215//51+2+/3+2+1+// | C | Wreaths for the Churtain (t) | AM-A | Washburn MS, 1816 | 12 | GF |
//567/1+//7/6//565/54//3 | 6/8 | Paysana Nueba (t) | MS-M | Garcia MS, 1772 | 74V [179] | MI |
//5671+76/565//5433/217-2//216-7-1231/23 423456// |
C/ (8/4) | Alman (t) | MS-E | Fitzwilliam MS-2, 1609 | 159 | VI |
//567/1+76//565/54//3452/3452 | 6/8 | Montags (t) | MS-G | Darmstadt MS 1225 | 85-86 | 2MI |
//5/6//71+/76//56/65 | C/ | Temple, The (t) | PL-E | Playford 1-12, 1703 | 274 | VN |
//5/6//71+/76//56/65 | C/ | Temple, The (t) | PL-E | Playford 1-13, 1706 | 274 | VN |
//5/6//71+/76//56/65 | C/ | Temple, The (t) | PL-E | Playford 1-14, 1709 | 274 | VN |
//5/6//71+/76//56/765 | C/ | Temple, The (t) | DA-E | Walsh CD-1.1, 1718 | 286 | VN/OB/FL |
//5/6//71+/76//56/765 | C/ | Temple, The (t) | DA-E | Walsh CD-3.1, 1754 | 163 | VN/OB/GF |
//5/671+//76/57//64/24 | 2/4 | New Daniel Cooper (t) | AM-A | Hawkins MS, 1794 | II,16 | GF |
//5/671+//76/57//64/24// | 2/4 | New Daniel Cooper (t) | AM-A | Hoff MS, 1797 | No. 168 | GF |
//5/671+//76/57//64/24// | 2/4 | New Daniel Cooper (t) | DA-E | Thompson CD-1a, 1757 | 89 | VN/GF/OB |
//5671+//76/57//64/24//5/5 | 2/4 | Daniel Couper (t) | MS-S | Gillespie MS, 1768 | 97 | VN |
//5/671+//76/57//64/34// | 2/4 | Baroc, La (t) | DA-N | St. Flour Contredanses, 1757 | 36 | KB |
//5/671+/7657//6434/55//313313/27-227-2/ / |
C/ | New Dannal Cooper (t) | MS-E | Vickers MS, 1770 | 7b | MI |
//5671+/7657//6434/55//313313/424424 | C/ | Daniel Cooper (t) | MS-E | Hammersley MS, 1790 | 90 | MI |
//5671+/7657//6434//55//313313/424424 | C/ | New Daniel Cooper (t) | DA-E | Johnson CD-6, 1751 | 20 | VN/GF |
//5671+/7657//6434/55//313313/424424 | C/ | New Daniel Cooper (t) | MS-E | Rainstorp MS, 1747 | 36 | MI |
//5671+/7657//6434/55//5671+ | C/ | Will with a Wisp (t) | DA-E | Rutherf CD-2.1, 1756 | 59 | VN/GF/OB |
//5671+/7657//6434/6434//5/5// | C/ | MS-M | Garcia MS, 1772 | 159 | MI | |
//5-6-7-/17-//6-/6-5-//4-3-/3-2-3-1- | 2/4 | Erbaci's Favorite (t) | AI-A | Balls Amus 2, 1815 | 4 | FL/FI/VN |
//5671+76//65//65432//32121//5671+76 | 3/4 | Plaintive Swain (t) | SS-E | SS, Boston PL-2 | 132 | VO,KB+GT |
//5671+76//65//65432//32121//5671+76 | 3/4 | Tout mon bien et pour ma maitresse (fl) | SS-E | SS, Huntington-1 | 171 | VO,KB |
//5/6//71+/76-6//56/65 | C/ | Temple, The (t) | PL-E | Playford 1-15, 1713 | 274 | VN |
//5/6//71+/76-6//56/65 | C/ | Temple, The (t) | PL-E | Playford 1-16, 1716 | 274 | VN |
//5671+76//65671+76//651+3+3//42+42+4//3 1+31+3//223554 |
3/4 | Largo (t) | IC-E | Flack Divs, 1776 | 5 | 2CL,2HN,BS |
//5-6-7-//17-6-7-1//27-5-//12212//3//321 23// |
Sefauchi's Farwell (t) | IC-E | Musicks Hand-Maid-2, 1689 | 22r-22v | VI/HA/SP | |
//5/671+//767//6424 | 2/4 | New Daniel Cooper (t) | DA-E | Thompson CD-1, 1757 | 87 | VN/GF/OB |
//5-6-7-2/1//5-6-7-2/1//4242/3131 | 2/4 | 4th Medley Dance.4th Part (t) | IC-S | Gibb New Coll, 1798 | 27 | PF/VN,VC |
//5-6-7-/22//345/65//27-/22// | C | Chaple to Church (t) | AM-A | Brown, J. MS, 1782 | 1:50 | |
//5-6-7-2/31+//5321/216-//11+/532//16-2 | C | Gates of Edinburgh, The (t) | DA-E | Rutherf CD-2.1, 1756 | 1 | VN/GF/OB |
//5-6-/7-2//3232/57-//6-5-7-2/7-1 | C | Favourite Song, A (t) | SC-E | Clio-4, 1778 | 28-29 | VO,HAF+GF |
//5-6-7-/234//465/432//316-/5-7-2 | 6/8 | Lango Lee (t) | AM-A | Hawkins MS, 1794 | II,22 | VN/FL |
//5672+//543//432//3231//651+//71+// | 3/8 | Minuet for His Honor by Signr Lardini (t) | AM-A | Tuesday Club MS, 1745 | Talley, p. 227-228 | 2MI,B |
//567/321//123/656//7-2/234// | [6/4] | Jigg, A (t) | IC-E | Wright Extraordinary, 1715 | [19] | MI |
//567/345//67/1+7//654/321// | 3 | Mr. Lock's Tune (t) | IC-E | Apollo's Banquet 1-1, 1670 | 114 | VN |
//56/7//36/543 | C | Fly, The (t) | SS-E | SS, Huntington-2 | 6 | 2VO,KBF+FL |
/5-6-7-5-//11/11//5-/15-13//2123/ | 2/4 | Foire de Brie, La (t) | DA-F | Landrin Potpourri, 1785 | 42 | MI |
//5-6-7-5-/11//11/5-//15-13/25-24// | 2/4 | Foire de Bris, La (t) | DA-E | Randall Cots, 1768 | 14-15 | KB |
//5-6-7-5-/11//11/5-//15-13/25-24// | 2/4 | Paire de Bris, La. Cottillon (t) | MS-E | Vickers MS, 1770 | 158b | MI |
/5-6-7-5-//11/11//5-/17-13//2124/ | 2 | Jolie, La (t) | MS-C | Trois-Rivieres MS, 1768 | 46 | MI |
//5-6-7-5-/112//3135/432//317-6-/5-6-7-1 |
C | Flowers of Edingburgh, The (t) | AM-A | Shattuck MS, 1801 | 71 | MI |
//5-6-7-5-/12//3135/4321//7-6-/5-6- | C/ | Flowers of Edenburough (t) | AM-A | Thompson MS, 1777 | 50 | FI |
//5-6-7-5-/12//3135/4321//7-6-/5-6-7-1// |
C | Flowers of Edinburg: (t) | AM-A | Adams, J. MS, 1808 | 2r | MI |
//5-6-7-5-/12//323/4321//7-6-/5-6-7-1 | C | Flowers of Edinburgh (t) | AM-A | Clark, I. MS, 1801 | 22 | FI/VN |
/5-6-7-5-//123/43//2/5-6-7-5-//123/ | 2 | Cotillon de Pantain (t) | IC-F | Leclerc Recueil-2, 1737 | 96 | HAF |
//5675/1+3+//2+1+6/1+6//5675/1+3+ | 6/8 | Jackson's Humours of Panteen (t) | AM-A | Turner MS, 1788 | I,69 | VN |
//5-6-/7-5-//1/3//43/21//7- | 2/4 | Rose of Sharon-5 (t) | AM-A | Hiester MS-1, 1793 | 3-4 | KB,VO |
//5675//1+345 | 3/4 | Song 5 (t) | SC-E | Convivial, 1782 | 10-13 | VO |
//5675//1345//6543//254564//5 | 3 | Parley, Between Two West Countrymen on Sight of a Wedding, A (t) | SC-E | Pills 3, 1719-20 | 132-6 | VO |
//56751+67555554321// | Montarde Branle, The (t) | DA-F | Arbeau Orchesography, 1589 | 167-169 | DR/MI | |
//5-6-7-5-/17-12//3135/4321//7-6-/5-6-7- 1 |
C | Flowers of Edinburgh, The (t) | AI-A | Hulbert Variety, 1803 | 6 | OB/FI |
//5-6-7-5-/17-12//3135/4321//7-6-/5-6-7- 1 |
C | Flowers of Edinburgh (t) | AI-A | Steele Fife, 1815 | 20 | FI |
//5-6-7-5-/17-12//3135/4321//7-6-/5-6-7- 1 |
C | Flowers of Edinburgh, The (t) | AM-A | Van Schaack MS, 1820 | 11 | FI/FL |
//5-6-7-5-/17-12//3135/4322//7-6-/5-6-7- 1 |
C | Flowers of Edinburgh, The (t) | AI-A | Hulbert Fife, 1807 | 13 | FI |
//5-6-7-5-/17-12//3135/4322//7-6-/5-6-7- 1 |
C | Flowers of Edinburgh, The (t) | AI-A | Hulbert Fife, 1811 | 13 | FI |
//5/675//1+/76//5/423 | 2/4 | Merry Shady Woods, The (t) | AM-A | Perkins MS, 1790 | 49 | MI |
//567/53//422/311//567/53// | 6/8 | Irish Gigg (t) | MS-S | Fife MS, 1780 | 950,100v | 1FI OR 2FI/VN |
//5675/432//1/2//345/654 | 6/8 | Pallet, The (t) | DA-E | Johnson CD-6, 1751 | 63 | VN/GF |
//5-6-/7-5-6-4-//3-1-/1-1-2-//3-4-/5-6-7 -5- |
2/4 | Quick Step (t) | AM-A | Brown, N. MS, 1781 | 38R | FI |
//5675/6666//5675//3333//5 | C/ | Prince's Welcome to Inverness, The (t) | AI-A | Scots MM, 1797 | 137 | HA/PF |
//5-6-7-5-/6-6-6-6-//5-6-7-5-//3-3-3-3-/ /5-6-7-5-/6-6-6-6- |
C/ | Prince's Welcome Into Inverness, The (t) | AI-A | Caladonian Muse, 1798 | 137 | VO/PF/VN |
//567567/1+1+3+//2+765/5432//567567/1+1+ 3+// |
C | Hessian Troops (t) | DA-E | Fishar 12 CD, 1775 | 5 | KB |
//567/567/2//567/567/1+6 | 9/8 | Black as a Cole (t) | MS-E | Hammersley MS, 1790 | 61 | MI |
//567/567//5/52//567/567 | 6/4 | Spanish Gypsie (t) | DA-E | Walsh CD-1.1, 1718 | 44 | VN/OB/FL |
//567/567//5/52//567/567 | 6/4 | Spanish Gypsie (t) | DA-E | Walsh CD-3.1, 1754 | 65 | VN/OB/GF |
//5676//5232//5676 | 2/4 | March In the Deserter (t) | IC-E | Longman Fife, 1780 | 24 | FI/GF |
//56/7654//31/12//3234/5675// | C/ | Hornpipe (t) | MS-C | Molyneaux MS-1, 1788 | 69 | GF |
//56/7654//31/12//3234/5675// | C | Hornpipe (t) | MS-C | Molyneaux MS-2, 1788 | 59 | 1 OR 2 GF |
//56/765//671+/2+75//61+/1+ | 6/4 | Air 17 (t) | BA-E | Old Man-1, 1735 | 27 | VO |
//5676/567//1+71+5/431//133+1+/71+54 | C | Bonny Lass of Aberdeen (t) | AM-A | Beck MS, 1786 | 63 | GF |
//56/76//56/7//1+/76 | 6/4 | Disappointed Widow, The (t) | PL-E | Playford 3-2, 1726 | 68 | VN |
//56/76//56/7//1+/76 | 6/4 | Disapointed Widdow, The (t) | DA-E | Walsh NCDM-3, 1728 | 155 | VN/OB/FL |
//56/76//56/7//1+/76// | 6/8 | Disappointed Widow (Old English) (t) | DA-E | Wilson Companion, 1816 | 92 | MI |
//56/76//56/7//1+/76//5/3 | 6/4 | Air 1 (t) | BA-E | Polly, 1729 | T1M1 | VO,B |
//5-6-/7-6-//5-6-7-6-/5-24//3213/217- | C | Hamilton's Funeral March (t) | AM-A | Woodruff MS, 1803 | 94 | MI |
//5676/5676//532//5676/57-6+ | C/ | O'er the Hills and Far Away (t) | MS-E | Hammersley MS, 1790 | 53 | MI |
//5676/5676//53/32//5676/5675 | C/ | Over the Hills and Far Away (t) | IC-E | Caledonian PC, 1760 | VII,23 | GF/VN |
//5676/5676//53/32//5676/5675 | C | Quick March (t) | IC-E | Hinde 1, 1770 | 6 | GF/VN/OB |
//56/7//67/1+//2+2+/2+2+// | C | Dernière étude: Adagio (t) | IC-F | Buhl Trumpet, 1825 | 59 | 4TR |
//567/671+//71+2+/671+//765/434// | 6/8 | Guirlande, La (t) | DA-E | Straight & Skillern CD, 1775 | 82 | VN/GF/OB |
//56/7671+71+71+767//1+1+/1+7/1+72+7//3+ 5+4+3+/1+1+56// |
C/ | Margott Laborez. 14 (t) | MS-E | Fitzwilliam MS-1, 1609 | 332-334 | VI |
//567/71+2+//2/22 | 3 | Grayes Inn Mask,3 (t) | PL-E | Playford 1-05, 1675 | 56 | VN |
//567//765//45654//321//257//2+1+// | 3/4 | Minuet for the Poet Laureat (t) | AM-A | Tuesday Club MS, 1745 | 12/232 | 2MI,B |
Next Index Page | Incipit Index Page |