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Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
//56-//5 | Halt (t) | AM-A | Beach MS, 1801 | 72 | BU | |
//56-//5 | Halt (t) | IC-E | British Bugle, 1798 | PL.8 | BU | |
//56-//5 | Halt (t) | IC-E | British Bugle, 1799 | PL.8 | BU | |
//56-//5// | To Halt; Also No. 19. to Annull. No. 4 (t), or to Annull. No. 19 (at) | IC-E | British Bugle, 1813 | 12 | BU | |
//56-//5 | Halt (t) | IC-E | British Bugle, 1824 | 55 | BU | |
//56-//5// | Halt; Also to Annull. No. IV. (t), or to Annull. (at) | IC-E | British Bugle, 1833 | 321 | BU | |
//56-//5 | Halt (t), or to Annul, Also (at) | AI-A | Gardner Compend, 1819 | PL19 | BU | |
//56-//5 | To Halt (t), or to Annul; Annuls Every Previous Sound, Except No.5, Also (a | AI-A | US Riflemen, 1824 | PL13 | BU | |
//5-6-5-/11//212/3//5-6-5-/11 | 6/8 | Morgiane In Ireland (t) | MS-E | Russell MS, 1812 | 36 | FI |
//5-6-5-/11//234/3//46-6-/7-1 | 6/8 | Mother Quoth Hodge, The New Way (t) | DA-E | Thompson CD-1, 1757 | 90 | VN/GF/OB |
//5-6-5-/11//234/3//46-6-/7-1// | 6/8 | Mother Quoth Hodge, The New Way (t) | DA-E | Thompson CD-1a, 1757 | 90 | VN/GF/OB |
//5-6-5-/11//234/3//46-6-/7-1//217- | 6/8 | Mother Quoth Hodge the New Way (t) | DA-E | Rutherf CD-2.1, 1756 | 18 | VN/GF/OB |
//565//1+12//35432//336//656//61+675//6 | 3/8 | Colins Serenade (t) | SS-E | SS, Harvard | 1 | VO,KB |
//565/1+1+//321/11//5-6-7-/123//2 | 6/8 | Bastas, El (t) | MS-M | Garcia MS, 1772 | 96 | MI |
/5-6-5-//11/33//15/31+//565/543// | 6/8 | Bigoute, La. Fifth Sett (t) | AI-A | Blake Cots, 1804 | 27-28 | PF/VN/GF |
//565/1+1+//343/55//11/212// | 6/8 | Fare Well (t) | IC-E | Peacock Pipe, 1805 | 5 | PI/GF/VN |
/5-6-5-//11/427-//1/1-3-5-//135/424// | 6/8 | Traits Galants, Les. Contredanse Française (t) | DA-F | Bouin CD LC-1, 1780 | 91 Feuille, 4 Vol. | MI |
//565/1+1+//671+/5//565/44 | 2/4 | Vergatter a 100 Schritt In der Minutte (t) | IC-G | Bavarian March, 1807 | 35 | 2FI,DR |
//5-6-5-1//17-1//27-5-5//432//66//54321/ / |
3/4 | Point du Jour, Le. Minuet (t) | DA-E | Randall Cots, 1768 | 2-3 | KB |
//5651+//1+76//54//33//245 | 3/4 | Power of Love, The (t) | SC-E | Musical Ent-1, 1740 | 76 | VO,KB+FL |
//5-6-/5-1//1/7-6-//5-5-6-/4-3-4-5- | 2/4 | Quick Time (t) | AI-A | American Sheet Music | PF,FL/VN | |
//5651+/1+765//61+6/6543//4567/1+3+2+ | C | Highland Laddie, The (t) | AI-A | Riley Flute 2, 1817 | 12 | FL |
//5-6-5-1/17-6-5-//6-16-/6-5-4-3-//4-5-6 -7-/132 |
C | New Hand Laddie, The (t) | MS-E | Shepherd MS, 1787 | 27 | 2MI |
//5651+/1+765//61+6/6543//4567/1+3+2+ | C | Air 3, Act Iii (t) | TW-E | Two To One, 1784 | 42 | VO,HA |
//5651+/1+765//71+6/6543//4567/1+3+2+ | C | Tartan Plaidy, The (t) | AI-A | Young's Vocal, 1793 | 42 | VO,PF |
//565/1+//1+772+1+//1+776/6554//43 | 2/4 | Concerto 7. Andantino (t) | IC-E | Bremner Mil Con, 1774 | 2OB/CL/FL/VN,2HN,BS | |
//565/1+2+1+//3+2+1+/1+5//345/565// | 6/8 | Health to the Duches (t) | MS-C | Molyneaux MS-2, 1788 | 22 | 1 OR 2 GF |
//565/1+2+1+//3+2+1+/1+55//345/565 | 6/8 | I can't for my life guess the cause of this... (fl) | TW-E | Deserter, 1773 | 7 | VO,KBF |
//5-6-5-//121//321//2343//6-7-15-//6-7-1 5-// |
3/4 | York Minuet (t) | DA-E | London Magazine | 541, 1755 | MI,B |
//565/1222//355/566//72+2+1+1+7// | 3 [6/2] | Galiarda. I (t) | MS-E | Fitzwilliam MS-2, 1609 | 405 | VI |
//5-6-5-/123//212/351+3-4-//5-6-5-/543 | 6/8 | Donald the Pride of Dumblane (t) | AI-A | Riley Flute 2, 1817 | 22 | FL |
//565/1+2+3+//2+1+7/1+5//641+/531 | 6/8 | Jemmy and Nanny (t) | AM-A | Beck MS, 1786 | 123 | GF |
//565/1+2+3+//2+1+7/1+5//641+/531 | 6/8 | Jemmy and Nanny (t) | SC-S | Edinburgh MM-2, 1793 | 88-90 | VO |
//565/1+2+3+//2+1+7/1+5//641+/531 | 6/8 | Jemmy and Nanny (t) | SS-E | SS, Boston PL-2 | 234 | VO,KBF+GT |
//565/1+2+3+//2+1+7/1+5//641+/531 | 6/8 | Jemmy & Nanny (t) | SS-E | SS, Huntington-1 | 110 | VO,KB+GT |
//565/1+2+//3+2+/2+5//671+/1+53 | C/ | Gun Fleet, The (t) | PL-E | Playford 1-17, 1721 | 13 | VN |
//565/1+2+//3+2+/2+5//671+/1+53 | C/ | Gun Fleet, The (t) | PL-E | Playford 1-18, 1728 | 13 | VN |
//5-6-5-/123//234-/34//565/254//321/1 | 6/4 | Song, A (t) | SC-E | Pills 5, 1719-20 | 272-3 | VO |
//56//51/23//31/25-//1/2 | 2/4 | Allegro (t) | IC-E | Delightful-2, 1745 | II,3 | 2GF |
//5-6-5-/12//343/21//35/2 | 6/4 | Never Love Thee More (t) | PL-E | Playford 1-15, 1713 | 110 | VN |
//5-6-5-/12//343/21//35/2 | 6/4 | Never Love Thee More (t) | PL-E | Playford 1-16, 1716 | 110 | VN |
//5-6-5-/12//343/21//53/2 | C3 | Never Love Thee More (t) | PL-E | Playford 1-08, 1690 | 169 | VN |
//5-6-5-/12//343/21//53/21 | 6/4 | Love for Ever (t) | MS-E | Hammersley MS, 1790 | 45B | MI |
//5-6-5-/12//343/21//53/21 | C3 | Never Love Thee More (t) | PL-E | Playford 1-09, 1695 | 110 | VN |
//5-6-5-/12//343/21//53/21 | C3 | Never Love Thee More (t) | PL-E | Playford 1-10, 1698 | 110 | VN |
//5-6-5-/12//343/21//53/21 | 6/4 | Never Love Thee More (t) | PL-E | Playford 1-11, 1701 | I,110 | VN |
//5-6-5-/12//343/21//53/21 | 6/4 | Never Love Thee More (t) | PL-E | Playford 1-12, 1703 | 110 | VN |
//5-6-5-/12//343/21//53/21 | 6/4 | Never Love Thee More (t) | PL-E | Playford 1-13, 1706 | 110 | VN |
//5-6-5-/12//343/21//53/21 | 6/4 | Never Love Thee More (t) | PL-E | Playford 1-14, 1709 | 110 | VN |
//5-6-5-/12//343/21//53/21 | 6/4 | Never Love Thee More (t) | PL-E | Playford 1-17, 1721 | 110 | VN |
//5-6-5-/12//343/21//53/21 | 6/4 | Never Love Thee More (t) | PL-E | Playford 1-18, 1728 | 110 | VN |
//5-6-5-/12//343/21//53/21 | 6/4 | Never Love Thee More (t) | DA-E | Walsh CD-2.1, 1731 | 41 | VN/OB/GF/RC |
//5-6-5-/12//343/21//53/21 | 6/4 | Never Love Thee More (t) | DA-E | Walsh CD-3.1, 1754 | 77 | VN/OB/GF |
//5-6-5-/12//343/21//53/21//6- | 3 | Never Love Thee More (t) | PL-E | Playford 1-07, 1686 | 183 | VN |
//5-6-5-/12//343-/22//36-7-/123- | 6/4 | Air 7 (t) | BA-E | Don Quixote Eng, 1734 | 26-27 | VO |
//5-6-5-/12//34-3/22//36-7-/123- | 6/4 | Air 22 (t) | BA-E | Momus Turnd Fab, 1729 | 34 | VO |
//5-6-5-/12//343/22//36-7-/123 | 6/4 | Air 12 (t) | BA-E | Whim, 1734 | 32-33 | VO |
//5-6-5-/12//343/22//36-7-/123//1 | 6/4 | Air 5 (t) | BA-E | Britons Strike, 1739 | 20 | VO |
//5-6-5-/12//343/22//36-7-/123-//217- | 6/4 | Air 5 (t) | BA-E | Boarding School, 1733 | 14 | VO |
//5-6-5-/12//343/22//36-7-/123//217-/1 | 6/4 | Air 4 (t) | BA-E | Lovers Opera, 1730 | 8 | VO |
//5-6-5-/12//343/22//36-7-/123//217-/12 | 6/4 | Air 12 (t) | BA-E | Merry Cobler, 1735 | 21 | VO |
//5-6-5-/12//343/2//36-7-/123 | 6/4 | Mother Quoth Hodg (t) | MS-E | Hammersley MS, 1790 | 34B | MI |
//5-6-5-/12//343/2//36-7-/123 | 6/4 | Mother Quoth Hodge (t) | DA-E | Johnson CD-1, 1740 | 33 | MI |
//5-6-5-/12//343/2//36-7-/123 | 6/4 | Mother Quoth Hodge (t) | DA-E | Walsh CD-2.3, 1735 | 141 | VN/OB/GF/CF |
//5-6-5-/12//343/2//36-7-/123 | 6/4 | Mother Quoth Hodge (t) | DA-E | Walsh CD-3.6, 1754 | 179 | VN/OB/GF |
//5-6-5-/12//344/21//53/21 | 6/4 | Never Love Thee More (t) | DA-E | Walsh CD-1.1, 1718 | 122 | VN/OB/FL |
//56//51234//51+//765//122 | 3 | Minuet (t) | IC-E | Delightful-2, 1745 | V,6 | GF |
//56//51234//51+//76751+//12212 | 3/8 | Favourit Song, A (t) | SS-E | SS, Folger-C42.3 | 156 | VO,KB+FL |
//56//51234//51+//76751+//12212//32312 | 3/4 | Favourit Song, A (t) | SS-E | SS, Folger-C42.2 | 35 | VO,KB+F |
//565/1+23//454/712//343 | 6/8 | False Damon (t) | SC-E | Calliope, 1746 | II,136 | VO,B+FL |
//565/1+23//454/712//343/643 | 6/8 | If you would keep your Damon true (fl) | SC-E | Amaryllis, 1760 | II,45 | GF,VO,HAF+FL |
//56//51234//551+//76751+//12212//32312/ / |
3/8 | Favourite Air In the Opera of Floridant (t) | IC-E | Prelleur Modern, 1731 | 25 | HA |
//56//51234//5517-//76751+ | 3/8 | Favourite Song In the Opera of Floridante, A (t) | SC-E | Pocket Comp, 1725 | 98 | VO,HAF+FL |
//565123//5435-6-7-//12354342//17-334//5 65123 |
3/4 | Village Maiden, The (t) | IC-E | Thompson Clar, 1785 | 10 | CL |
//565/1+2+3+//564/3//65/71+//3/2 | 6/8 | IC-E | Broderip Harp, 1790 | 17 | HA | |
//565//131//4321//12//323123//434234 | 3/8 | Richmond Minuet (t) | IC-E | Simpson Horn, 1746 | 14 | 2HN |
//565/1+3+1+/72+7//565/1+3+1+/3+4+5+// | 9/8 | Kissing & Drinking (t) | AM-A | Litten MS, 1800 | 4 (31) | VN |
//565//13//212/13//51+6/531// | 6/8 | Juliana (t) | DA-E | Wilson Companion, 1816 | 118 | MI |
//565/13//2123/1234//565/43// | 2/4 | Church Call, The (t) | MS-S | Fife MS, 1780 | 55,6r | 1FI OR 2FI/VN |
//565/1+3+//2+1+6/1+6//565/1+3+// | 6/8 | Wish the Cat From Hunderthas Babel (t) | MS-S | Fife MS, 1780 | 458,47v | 1FI OR 2FI/VN |
//5-6-5-1//3217-//6-5-6-2//4321//7-17-2/ /6545// |
3/4 | Monongahela Waltz, The (t) | AI-A | Johnson, F. Sheet Music | 2 | PF |
//5-6-5-/13//22/23//123/6-2 | 6/8 | Rondo, A (t) | IC-S | Aird 6, 1803 | 19 | FI/VN/GF |
//5-6-5-/13//22/23//123/6-2 | 6/8 | Duke of York's Cotillon (t), or March 13 (at) | IC-E | Button Whit-1, 1806 | 20-21 | 2GF/2VN/2FL/2FI |
//5-6-5-/13//22/23//123/6-2// | 6/8 | Duke of York's Cotillon (t) | IC-E | Cahusac Flute, 1798 | 27 | FL |
//5-6-5-/13//22/23//123/6-2 | 6/8 | Duke of Yorks Quick Step, The (t) | IC-E | Goulding Fife, 1790 | 9 | FI |
//5-6-5-/13//22/23//123/6-2// | 6/8 | Duke of York's Cotillion (t) | AM-A | Irving MS, 1796 | 35 | 2 MI |
//565/1+3+//2+2+/2+3+//1+2+3+/62+ | 6/8 | Quick Step (t) | AM-A | Johnson, S. MS, 1807 | 48 | FI |
//5-6-5-/13//22/23//123/6-2//1 | 6/8 | Duke of York's Cotillon (t) | IC-E | Cahusac Flute, 1792 | 27 | GF |
//5-6-5-/13//22/24//123/6-2// | 6/8 | Duke of York's Cotillon (t) | AM-A | Cushing MS, 1805 | 133 | 2MI |
//565/1+3+//2+72+/1+5//646/757// | 6/8 | American Ladies Country Dance, The (t) | DA-E | Fishar Minuets, 1785 | 16 | KB |
//565/1+3+/2+75//671+/543/27-5- | 9/8 | Sussex Downs (t) | IC-S | Stewart Airs, 1788 | 3:164 | GF/VN/FI |
//5-6-5-/13//321/135//56/543// | 6/8 | Juliana. 80 (t) | AM-A | Johnson, F. MS, 1820 | 48-49 | PF |
//5-6-5-/13//327-/134//56/543 | 6/8 | Juliana (t) | AI-A | Riley Flute 1, 1814 | 62 | FL |
//56/51+34//5567/56//5323/43 | C | Abelard to Eloisa (t) | IC-E | Thompson Clar, 1785 | 15 | CL |
//565//1+3//46//53//323//4654// | 3/8 | Masamiellos, From (t) | AM-A | Johnson, F. MS, 1820 | [69] | MI |
//5-6-5-1/3-5-3-//2-21/17-6-5-//1232/13- 4- |
C | Cottagers Daughter, The (t) | IC-E | Bland Clar, 1798 | 18 | CL |
//5651+/353//22+1+/1+765//1+2+3+2+/1+34/ / |
C | Cottager's Daughter (t) | AM-A | Cushing MS, 1805 | 112-113 | MI |
//5651+/353//22+1+/1+765//1+2+3+2+/1+34 | C | Cottager's Daughter, The (t) | IC-E | Hook Songs, 1805 | 2CL,2FL,2HN,2BS/SPT | |
//5-6-5-/13//536/531//42/31 | 6/8 | Lots of Kisses (t) | AI-A | Riley Flute 3, 1820 | 19 | FL |
//5/6//5/13//5/4 | 2/4 | Elberfelt (t) | MS-G | Darmstadt MS 1225 | 231 | MI |
//5-6-5-/15-//12/32//7-5-/15- | 6/8 | Hobson's Choice (t) | DA-E | Johnson CD-2, 1742 | 38 | MI |
//5/6//5/1+53//11/2124// | 2/4 | Signal. 40 (t) | AM-A | Johnson, F. MS, 1820 | 27 | PF |
//5/6//5/1+53//11/2125// | 2/4 | Signal, The. No. 7 (t) | AI-A | Johnson, F. Cotillions | 5 | PF |
//5651+/5313//5653/234//5651+/5 | C/ | Highland Plaid, A Country Dance, The (t) | AM-A | Huntington MS, 1817 | IV.73 | FL/VN |
//565/1+//531/4//321/7-12 | 6/8 | Toast, The (t) | DA-E | Johnson CD-5, 1750 | 6 | VN/GF |
//565/1+//531/4//321/7-12// | 6/8 | Toast, The (t) | DA-E | London Magazine | 37, 1751 | MI |
//565/1+//531/4//321/7-12 | 6/8 | Toast, The (t) | DA-E | Walsh CD-3.5, 1754 | 50 | VN//OB/GF |
//565/1+5//323/13//27-/12 | 2/4 | Zappen Streich (t) | MS-G | Darmstadt MS 1224 | 229 | MI |
//5-6-5-/153//242/7-5-//123/217-6-5-//16 - |
6/8 | Wand'ring Village Maid, The. 1st Part (t) | AI-A | American SS-SM | 1 | KB,VO |
//56/51+/5342/353//11/1234 | C/ | Upon My Honour (t) | SC-E | Clio-3, 1762 | 140-141 | VO,HA |
//56/51+//53/43//13/23//4327-/1 | 2/4 | Rosy Morn (t) | AI-A | Phila Songster, 1789 | 6-7 | 2VO |
//5-6-/5-1//5-34//53/123//2 | C/ | Song 152 (t) | SC-E | Convivial, 1782 | 298-299 | VO |
//5-6-/5-1//5-34//53/123//217- | C/ | Ralph's Going to the Wars (t) | SC-E | Pills 5, 1719-20 | 136-7 | VO |
//565/1+5//35/12//33/345 | 6/8 | When Rural Lads and Lasses Gay (t) | SC-S | Edinburgh MM-1, 1792 | 194-196 | VO |
//565/1+5//35/12//33/345 | 6/8 | He Piped So Sweet (t) | AM-A | Hosmer MS, 1799 | 9 | GF |
//565/1+5//35/12//33/345// | 6/8 | When Rural Lads and Lasses Gay (t) | AM-A | Irving MS, 1796 | 69 | 1 MI |
//565/1+5//35/12//33/345 | 6/8 | Quoz (t) | DA-E | Thompson CD-6.3, 1791 | 30 | MI |
//565/1+5//35/12//33/345 | 6/8 | When Rural Lads and Lasses Gay (t) | AM-A | Williams, J. MS, 1799 | 24 | CL |
//565/1+5//35/12//33/345//522 | 6/8 | When Rural Lads and Lasses Gay (t), or Favourite Song, A (at) | AI-A | American SS-SM | 1-2 | VO,KB,FL+GF |
/565//1+5/432//11/121//65/543// | 6/8 | Nouvelle Gara, La (t) | AM-A | Washburn MS, 1816 | 5 | GF |
//5651+//543//243657-//1//11213//22343 | 3 | Minuetto (t) | AM-A | Curtiss MS, 1800 | 17 | 2VN |
//565/1+5//432/6-7-//14/6-7-// | 6/8 | Galantrie (t) | DA-N | Hummel CD, 1780 | 5 | KB |
//565/1+5//434/31//223/445 | 6/8 | Bob Logic's Fancy (t) | AI-A | Riley Flute 3, 1820 | 77 | FL |
//565/1+5//4/354//321/7-1//212 | 6/8 | Molinett, El (t) | MS-M | Garcia MS, 1772 | 107 | MI |
//565/1+5//44/2//351+5/564//3 | 2/4 | Duetto with Variations (t) | AI-A | Gent's Amus, 1794 | 11-12 | 2GF/2VN |
//56/51+//54/43//13/32// | C/ | When the Rosy Morn Appearing. Trio In Rosina (t) | AM-A | Adams, W. MS, 1795 | 20 | 3FL |
//56/51+//54/43//13/32 | C | Care Thou Canker. A Favourite Catch (t) | IC-S | Aird 3, 1788 | 204 | FI/GF/VN |
//56/51+//54/43//13/32 | C | Rosy Morn, The (t) | IC-S | Aird 6, 1803 | 20 | FI/VN/GF |
//56/51+//54/43//13/32 | C | When the Rosy Morn Appearing (t) | AI-A | Blake Amus 2, 1824 | 4 | CL |
//56/51+//54/43//13/32 | C | Care Thou Canker (t) | IC-E | Bland Clar, 1798 | 29 | 2CL |
//56/51+//54/43//13/32 | C | Care Thou Canker (t) | AI-A | Dubois Clar, 1818 | 8 | CL |
//56/51+//54/43//13/32 | C | When the Rosy Morn Appearing. As a Duet (t) | AI-A | Evening Amuse, 1796 | 15 | 2GF/2VN |
//56/51+//54/43//13/32 | C | Care Thou Canker (t) | AI-A | Fifer's Comp, 1805 | 13 | 2FI |
//56/51+//54/43//13/32 | C | Care, Thou Canker (t) | AI-A | Glazier Clar, 1828 | 14 | CL |
//56/51+//54/43//13/32 | C | Care Thou Canker (t) | AI-A | Hazeltine D&F, 1810 | 48 | 2FI |
//56/51+//54/43//13/32// | C | Favorite Catch, A (t) | AM-A | Irving MS, 1796 | 69 | 3 MI |
//56/51+//54/43//13/32 | C | Care Thou Canker (t) | IC-E | Preston Bassoon, 1790 | 30 | 2BS |
//56/51+//54/43//13/32 | C | Care Thou Canker (t) | IC-E | Preston Oboe, 1780 | 32 | 2OB |
//56/51+//54/43//13/32 | C | Trio (t) | TW-E | Rosina, 1783 | 6-8 ; HARPER,MISS | 3VO,VN,KB |
//56/51+//54/43//13/32 | C | Queenstown Heights (t) | AI-A | Rumrille D&F, 1817 | 33 | FI |
//56/51+//54/43//13/32 | C/ | Rosy Morn (t) | AM-A | Trumbull MS, 1801 | b:5r | MI |
//56/51+//54/43//13/32 | C | Care, Thou Canker (t) | AI-A | Williams Fife, 1819 | 19 | FI |
//56/51+//54/43//13/32 | C | Care Thou Canker (t) | AM-A | Williams, J. MS, 1799 | 15 | CL |
//56/51+//54/43//13/32// | C | When the rosy Morn appearing (t) | AM-A | Winnington MS, 1810 | 11 | KB |
//56/51+//54/43//13/322 | C | Care Thou Canker (t) | AM-A | Curtiss MS, 1800 | 23 | 2VN |
//56/51+//54/43//13/322 | C | When the Rosy Morning Appearing (t) | AM-A | Hosmer MS, 1799 | 8 | GF |
//56/51+//54/43//13/32//224/43 | C | In Rosina (t) | AM-A | Dawes MS, 1790 | 36-37 | VO,HA |
//56/51+//54/43//13/33// | C | Rosina (t) | AM-A | Winnington MS, 1810 | [after 11] | KB |
//56/51+//54/43//32/123// | C | Care Thou Canker (t) | AM-A | Cushing MS, 1805 | 97 | MI |
/565//1+/545//321/345//43/21// | 6/4 | Micareme (t) | IC-E | Feuillet Further, 1710 | 31-34 | MI |
//5-6-5-/15-/5//23-2/525- | 6/8 | Song Sung by Mrs. Ayliff In Love Triumphant (t) | SC-E | Pills 6, 1719-20 | 72-74 | VO |
//565/1+55//432/353//255/167//1+ | 6/4 | Fair Sex Vindicated, The (t) | SS-E | SS, Harvard | 1 | VO,KBF+GT |
//565/1+5//5/4//3432/17- | 2/4 | Andante (t) | IC-E | Flack Divs, 1776 | 15 | 2CL,2HN,BS |
//565/15//6/51+//41+/31+ | 6/8 | Rigadoon (t) | IC-E | Delightful-1, 1763 | IV,28 | GF |
//565/15//6/51+//41+/31+// | 6/8 | Rigadoon (t) | IC-E | Prelleur Modern, 1731 | 17 | GF |
//56/51+//56/51+//543/432 | C | March Set by Mr. Arne (t) | IC-E | Bremner Oboe, 1775 | 16 | OB |
//56/51+//56/51+//543/432 | C | March In Zara (t) | IC-E | Delightful-1, 1763 | II,9 | 2GF |
//56/51+//56/51+//543/432 | C | March by Mr. Arne (t) | IC-E | Handel March 1, 1768 | 14 | VN/GF/OB |
//56/51+//56/51+//543/432// | C | March In Zara (t) | IC-E | Johnson Flute, 1760 | 36 | GF |
//56/51+//56/51+//543/432 | C | March (t) | IC-E | Johnson Oboe, 1750 | 11 | OB |
//56/51+//56/51+//543/432 | C | March (t) | IC-E | Simpson Horn, 1745 | 14-15 | 2HN |
//56/51+//56/51+//543/432 | C | March Set by Mr. Arne (t) | IC-E | Simpson Oboe, 1746 | 16 | OB |
//56/51+//56/51+//543/432 | C | March by Mr. Arne (t) | IC-E | Thompson March, 1759 | 14 | VN/FL/OB |
//56/51+//56/51+//543/432 | C | March by Mr. Arne (t) | IC-E | Thompson Oboe, 1758 | 14 | OB |
//56/51+//56/51+//543/432 | C | March by Mr. Arne (t) | IC-E | Warlike Musick, 1760 | 43 | GF/VN/HA |
//5-6-/5-1//5-6-/5-1//7-1/23// | 2/4 | No. 24 (t) | DA-E | Leichte Englische, 1795 | 24 | MI |
//565/1+//565/32//565//1+ | 6/8 | Lads of Footscray (t) | DA-E | Johnson CD-4, 1748 | 11 | VN/GF |
//56/51+//5654/35//4/3 | C/ | Gren: March V. Schoffheim (t) | MS-G | Darmstadt MS 1225 | 133-34 | 2MI |
//565/1+5//67/1+5//1+3+1+/51+5 | 6/8 | Duettino (t) | AM-A | Ives MS, 1800 | 24 | 2MI |
//565/1+57//646/2+7 | 6/8 | Ballad In the Modern Taste, A (t) | SC-E | British Amus, 1762 | 7 | VO,HAF |
//565/1+57//646/2+7//1+3+1+ | 6/8 | Ballad In the Modern Taste, A (t) | SC-E | Monthly Melody, 1760 | I,2+I,7 | VO,HAF+GT |
//565/1+57//646/2+7//1+3+1+/2+72+ | 6/8 | Ballad In the Modern Taste, A (t) | SS-E | SS, Boston PL-1 | 2 | VO,VN,HAF |
//56/51+//64/34//56/51+ | 2/4 | Finale to the Woodman (t) | IC-E | Eley Pieces 3, 1790 | 2-3 | 2CL,2OB/CL, 2HN,TR,2BS |
//56/51+//64/51+//64/53//32 | C | Jenny May (t) | SC-S | Edinburgh MM-2, 1793 | 166-167 | VO |
//5-6-5-16-/5-17-//6-6-4-3-/2-5-//3-2-1- 6-7-16-/4-3-2-6- |
C/ | Grenadier Guarde March (t) | MS-G | Darmstadt MS 1224 | 91,93,96,105 | 2OB,TR,B |
//56/51+6//5342/12//31+/7654 | 2/4 | New Years Day (t) | SC-E | Clio-4, 1778 | 81 | VO,HAF+MI |
//5/6//5/1+//65/4//3 | 2/4 | Allegro E Alternately.1st Part (t) | IC-E | Delightful-2, 1745 | V,5 | GF |
//56/51+//65/43//21/43// | 2/4 | Quick Step, A (t) | MS-S | Fife MS, 1780 | 377,39r | 1FI OR 2FI/VN |
//5651+//6543//2143 | 2/4 | Bed of Roses, The (t) | DA-E | Thompson CD-5, 1788 | 39 | VN/GF/OB |
//56/51+//65/43//21/43// | 2/4 | Bed of Roses, The (t) | DA-E | Thompson CD-5a, 1788 | 39 | VN/GF/OB |
//56/51+//65/43//21/43//2123/234// | 2/4 | Bed of Roses, The (t) | AI-A | Willig Flute, 1795 | 23 | 2 GF |
//5651+6//543//432//3435651+//654 | 3/4 | Sigh not your hours away (fl) | TW-E | Enchanter, 1760 | 17-20 | 2TR,2VN,VA,KBF,VO |
//56/51+//65/53//27-/43 | 2/4 | Rose In Bloom, The (t) | MS-E | Carter MS, 1792 | 31 | MI |
//5-6-//5-16-//5-5-4-//3-//2-3-//2-17- | 3/4 | Revelle. Leib Men. Trio (t) | MS-G | Darmstadt MS 1225 | 7-8 | 2MI |
//5/651+6//56/35//45/34//3/2 | 2/4 | Duo (t) | AI-A | Musical Jnl-1, 1800 | II,10-12 | 2FL/2VN |
//565/1+71+//2+75/54//351+/531 | 6/8 | Madam Mara's Fancy (t) | AI-A | Balls Amus 2, 1815 | 9 | FL/FI/VN |
//565/1+71+//2+75/54//351+/531 | 6/8 | Madam Maria's Fancy (t) | AI-A | Riley Flute 1, 1814 | 57 | FL |
//56/51+71+//56/51+71+ | 2/4 | Night Piece (t) | IC-E | Oswald Airs, 1758 | 18 | 2VN/2GF/2GT |
//56//51+71+//56//565434//56//5 | 3/4 | Minueto de Al Sides (t) | MS-M | Garcia MS, 1772 | 70V [172] | MI |
//5/6//51+7/1+76//543/234 | 6/8 | AM-A | Bolling MS, 1790 | 63 | VN/GT | |
//5-6-5-/17-//6-/5-1//234/543// | 6/8 | Promenade a quatre, La (t) | DA-E | Gallini Cots, 1770 | 18 | KB |
//565//1+76//534 | 3/8 | Singling of a Troop (t) | IC-E | Andrews Fife, 1808 | 16 | FI/GF |
//565//1+76//534 | 3/8 | Singling of a Troop, The (t) | IC-E | Bennett Fife, 1770 | 11 | FI ; FI |
//565//1+76//534 | 3/8 | Singling of a Troop, The (t) | IC-E | Goulding Fife, 1790 | 11 | FI |
//565//1+76//534 | 3/8 | Singling of a Troop, The (t) | IC-E | Longman Fife, 1780 | 15 | FI/GF |
//565//1+76//534 | 3/8 | Singling of a Troop, The (t) | IC-E | Preston Fife, 1796 | 15 | FI/GF |
//565//1+76//534 | 3/8 | Singling of a Troop (t) | IC-E | Rutherford Fife, 1756 | 15 | FI |
//565//1+76//534 | 3/8 | Singling of a Troop, The (t) | IC-E | Skillern Fife, 1780 | 16 | FI/GF |
//565//1+76//534 | 3/8 | Singling of a Troop, The (t) | IC-E | Thompson Fife, 1760 | 16 | FI |
//565//1+76//534 | 3/8 | Singling of a Troop, The (t) | AI-A | Willig Fife, 1805 | 11 | FI |
//565//1+76//534//5345//671+ | 3/8 | Singling of a Troop, The (t) | IC-E | Thompson Fife, 1770 | 16 | FI |
//565//1+76//534//5345//671+//543 | 3/8 | Singling of a Troop, The (t) | IC-E | Clementi Fife, 1815 | 15 | FI |
//565//1+76//534//5345//671+//543 | 3/8 | Singling of a Troop, The (t) | IC-E | Longman Fife, 1770 | 17 | FI |
//565//1+76//534//5345//671+//543// | 3/8 | Singling of a Troop by Mr. Weideman, The (t) | IC-E | Thompson Fife, 1786 | 16 | FI/FL |
//565//1+76//534//5345//671+//543// | 3/8 | Singling of a Troop, The (t) | AI-A | Willig Fife, 1826 | 9 | FI |
//56/51+//76/54//31/24 | C/ | March V. Smo (t) | MS-G | Darmstadt MS 1225 | 199-200 | 2MI |
//5-6-/5-17-6-//5-4-3-4-/5-17-6-//5-6-7- 12/3143 |
C | New Volunteers March, The (t) | AI-A | American Sheet Music | 1 | PF |
//565/1+765//54343/3//3243 | C | Indulgent pow'rs if ever you mark'd a tender vow (fl) | SS-E | SS, New York PL-C695 | 123(133) | VO,HA |
//565/1+76//555/54//351+/531// | 6/8 | Chasse Royal Cotillion (t) | DA-E | Wilson Companion, 1816 | 163 | MI |
//56/51+//7/6//56 | 2 | On Wings of Rapture (t) | AI-A | Hill Airs, 1803 | 5 | 2VN |
//565/1+76//565/1+76//5 | 6/8 | To tell you the truth (fl) | TW-E | Lionel & Clar, 1768 | 12-13 | VO,HAF |
//56/51+/76//56//53+/2+1+ | 2/4 | Air du Tableau Parlant (t) | SS-E | SS, New York PL-C695 | 90(99),1-2 | VO,B,MI |
//565//1+76//5654//31 | 3/8 | Vivace Moderato (t) | AM-A | Hiester MS-1, 1793 | 19-21 | KB,VO |
//5-//6-5-17-6-5-//6-5-//5-3-6-5-4-3-//4 -3-//3-2-4-3-2-1- |
3/8 | Air by Dr. Green (t) | IC-S | Stewart Marches, 1761 | 72 | VN/GF/OB,VC/HA |
//565/1+76//6/5323//423/217-6-// | 3 | Theater Dance, A (t) | IC-E | Apollo's Banquet 1-1, 1670 | 154 | VN |
//565/1+76//655/54//351+/531 | 6/8 | Rondo No 2 (t) | AM-A | Hosmer MS, 1799 | 8 | GF |
//565/1+77//66///71+7/2+1+7 | 2/4 | Concerto 3. Andante (t) | IC-E | Bremner Mil Con, 1774 | 2OB/CL/FL/VN,2HN,BS | |
/565//22/454//31/345//671+/342// | 6/8 | Moissonneurs, Les. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 165 Feuille | MI |
//56/52//3/15//65/43//27-/ | 6/8 | Belle de Nuit, La (t) | IC-F | Leclerc Recueil-3, 1738 | 141 | HAF |
//5652/3217-6-//7-1234/534//22342/6543// |
C/ (8/4) | Alman (t) | MS-E | Fitzwilliam MS-2, 1609 | 375 | VI |
//565/234//43/1+53//1+64/321 | 6/8 | Gunersbury House (t) | DA-E | Thompson CD-2, 1765 | 30 | VN/GF/OB |
//565/234//43/1+53//1+64/321// | 6/8 | Gunersbury House (t) | DA-E | Thompson CD-2a, 1765 | 30 | VN/GF/OB |
//565/23//454/6-7-//121/17-// | 3 | Bondman's Dance, The (t) | IC-E | Musicks Hand-Maid-1, 1678 | 54 | VI/HA |
//5/65//2/5//1/23 | Frenship (t) | AM-A | Shattuck MS, 1801 | 93 | MI,B | |
//5-6-5-/25-//454/27-2//121/34// | 6/8 | Marion Ailon (t) | MS-S | Young MS-3, 1740 | 19 | VN/OB/GF |
//5-6-5-/27-5-//4/35//232/26-4- | 6/8 | Saucy Eyes, The (t) | DA-E | Johnson CD-7, 1756 | 13 | VN/GF |
//56/53//11/12//6-1/4321//12 | 2/4 | Song 146 (t) | SC-E | Convivial, 1782 | 288-290 | VO |
//5653//1113//6-14321//134//5- | 2/4 | My Jeany and I Have Toil'd (t) | SC-E | Vocal Music, 1778 | 62-64 | VO/VN/GF |
//5653/1116//5136-/25-5-34//5654/1116 | C | Mr. Gray's Reel (t) | DA-E | Thompson CD-7.4, 1800 | 38 | MI |
//565/311+//1+767/1+71+//2+1+2+/3+2+3+// |
3 [6/4] | Corrato (t) | MS-E | Fitzwilliam MS-2, 1609 | 309 | VI |
//565/311+//1+767/1+71+//2+1+2+/3+2+3+// |
3 [6/4] | Corranto (t) | MS-E | Fitzwilliam MS-2, 1609 | 414 | VI |
/5-6-5-//3-1-1/212//31/5-1//6-4/ | 6/8 | Bientot faite, La (t) | DA-E | Gallini Cots, 1770 | 37 | KB |
//565//31//121/7-6-7-//16-5-/15-//3- | 6/4 | Song, A (t) | SC-E | Pills 3, 1719-20 | 300-1 | VO |
//565//31//127-//5-6-7-//123//543 | 3/8 | Waltz from la Donna Del Lago (t) | AI-A | Riley Flute 4, 1826 | 85 | FL |
//56/531//1+/531//7-125-/531 | 6/8 | Honey Moon, The (t) | DA-E | Johnson CD-4, 1748 | 50 | VN/GF |
//56/531//1+/531//7-125-/531 | 6/8 | Honey Moon, The (t) | DA-E | Walsh CD-2.4, 1747 | 39 | MI |
//56/531//1+/531//7-125-/531 | 6/8 | Honey Moon, The (t) | DA-E | Walsh CD-3.4, 1747 | 39 | VN/OB/GF |
//56/53//12/15-//3-4-/3-5- | 2/4 | Duet (t) | AI-A | Shaw Gentlemen, 1807 | 28 | 2FL |
//56/53//12/15-//3-4-/3-5-//11 | 2/4 | Harlequin Meets the Maid Servant (t) | TW-E | Lord-Mayors Day, 1782 | 9 | KB |
//56/53//12/15-//3-4-/3-5-//11/1 | 2/4 | Air (t) | AI-A | Musical Jnl-1, 1800 | II,20 | 2FL/2VN |
//56/53//12//16-/6-6- | C/ | Hey Makers, The (t) | DA-E | Walsh CD-1.2, 1719 | 248 | VN/OB |
//56/53//12//17-/6-6- | C/ | Hay Makers, The (t) | PL-E | Playford 2-3, 1718 | 226 | VN |
//56/53//12//17-/6-6- | C/ | Hay Makers, The (t) | PL-E | Playford 2-4, 1728 | 226 | VN |
//56/531+//22/234//536/531+ | 6/8 | Barley Mow, The (t) | DA-E | Thompson CD-4, 1780 | 74 | VN/GF/OB |
//56/531+//22/234//536/531+// | 6/8 | Barley Mow, The (t) | DA-E | Thompson CD-4a, 1780 | 75 | VN/GF/OB |
//56/53//1/23//54/27- | 2/4 | Rose, The (t) | AI-A | Blake Amus 3, 1825 | 4 | CL |
//56/53//1/23//54/27- | 2/4 | Rose, The (t) | AI-A | Riley Flute 1, 1814 | 19 | FL |
//5653/1+2+3+//5653/642//5653/1+2+3+5// | C | Salop Quick Step (t) | IC-E | Parry Fife, 1812 | 5 | 2FI |
//5-6-/5-3-1-//2-3-5-/6-7-//1232/16-5- | 6/8 | Country Dance In the Genii (t) | IC-S | Stewart Airs, 1788 | 2:70 | GF/VN/FI |
//56531/25-//12125/32125-//56531/25- | C/ | Air (t) | IC-E | Delightful-1, 1763 | II,23 | 2GF |
//565/313//1+2+1+/765//5+5+/3+2+1+ | 3/4 | Allegro (t) | AM-A | Pomeroy MS, 1790 | 18 | GF |
//565/313//1+2+1+/765//5+5+/3+2+1+ | 6/8 | AM-A | Turner MS, 1788 | I,63 | VN | |
//565//3131//565 | 3/8 | Jovial Fellow, The (t) | SC-E | Clio-2, 1759 | 161 | VO,HAF |
//5653/131//6-16-/55//1346/5313// | C | Poor Recruit (t) | AM-A | Irving MS, 1796 | 3v-4r | 2 MI |
//565/313//1+71+/531//345/1+2+3+// | 6/8 | Stony Point (t) | AM-A | Bush MS, 1779 | 32v-33 | VN |
//5-6-5-/3-1-3-//17-6-7-1/5-3-1-//3-4-5- /12-3 |
6/8 | Stoney Point (t) | AM-A | Brown, N. MS, 1781 | 1R | FI |
//5-6-5-/3-1-3-//17-6-7-1/5-3-1-//3-4-5- /123 |
6/8 | Stone Point Quick Steep (t) | AM-A | Brown, N. MS, 1781 | 6R | FI |
//5-6-/5-3-//132/132//11/22// | 2/4 | AM-A | Irving MS, 1796 | 155 | 1 MI | |
//56/531//3+/2+1+7//671+/5 | C3 | Ladies Delight, The (t) | PL-E | Playford 1-08, 1690 | 148 | VN |
//56/531//3+/2+1+7//671+/531//2 | C3 | Mulberry Garden, The (t), or #5 (at) | PL-E | Playford 1-07, 1686 | AI,3 | VN |
//56/531//3+/2+1+7//671+/534//2 | C3 | Ladies Delight, The (t) | PL-E | Playford 1-06, 1679 | 162 | VN |
//56/531//3+/2+1+7//671+/534//22 | C3 | Ladies Delight, The (t) | PL-E | Playford 1-07, 1686 | 162 | VN |
//565//313//343//15-1//121234//343456 | 3/4 | Air 36 (t) | IC-N | Roger Airs, 1716 | 2:1 | 2CH/TR/OB/VN/FL/CL/HN |
//565/313//42/16-//42/6-7- | 6/8 | Langolee (t) | AM-A | Dance Tunes MS, 1798 | 14 | FI/GF/OB |
//565/313//453/234//565/3 | C3 | Valentine's Day (t) | PL-E | Playford 1-08, 1690 | 158 | VN |
//565/313//453/234//565/3 | C3 | Valentine's-Day (t) | PL-E | Playford 1-09, 1695 | 99 | VN |
//565/313//453/234//565/3 | 6/4 | Valentine's-Day (t) | PL-E | Playford 1-14, 1709 | 99 | VN |
//565/313//453/234//565/313 | C3 | Valentine's Day (t) | PL-E | Playford 1-06, 1679 | 172 | VN |
//565/313//453/234//565/313 | C3 | Valentine's Day (t) | PL-E | Playford 1-07, 1686 | 172 | VN |
//565/313//453/234//565/313 | 6/4 | Valentine's Day (t) | PL-E | Playford 1-10, 1698 | 99 | VN |
//565/313//453/234//565/313 | 6/4 | Valentine's Day (t) | PL-E | Playford 1-11, 1701 | I,99 | VN |
//565/313//453/234//565/313 | 6/4 | Valentine's-Day (t) | PL-E | Playford 1-12, 1703 | 99 | VN |
//565/313//453/234//565/313 | 6/4 | Valentine's Day (t) | PL-E | Playford 1-13, 1706 | 99 | VN |
//565/313//453/234//565/313 | 6/4 | Valentine's-Day (t) | PL-E | Playford 1-15, 1713 | 99 | VN |
//565/313//453/234//565/313 | 6/4 | Valentine's-Day (t) | PL-E | Playford 1-16, 1716 | 99 | VN |
//565/313//453/234//565/313 | 6/4 | Valentine's-Day (t) | PL-E | Playford 1-17, 1721 | 99 | VN |
//565/313//453/234//565/313 | 6/4 | Valentine's-Day (t) | PL-E | Playford 1-18, 1728 | 99 | VN |
//565/313//453/234//565/313// | 3 [=6/4] | Valentine, La (t) | IC-N | Pointel Recueil, 1688 | 18 | MI/B |
//565/313//453/234//565/313 | 6/4 | Valentine's Day (t) | DA-E | Walsh CD-1.1, 1718 | 110 | VN/OB/FL |
//565/313//453/234//565/313 | 6/4 | Valentines Day (t) | DA-E | Walsh CD-2.1, 1731 | 124 | VN/OB/GF/RC |
//565/313//453/234//565/313 | 6/4 | Valentine's Day (t) | DA-E | Walsh CD-3.1, 1754 | 181 | VN/OB/GF |
//565/313//454/234//565/313// | 3 | Valentines Day (t) | MS-F | Lorin MS-1, 1685 | 15v-16r | MI |
//5653/1+34//5653/4234//5653/1+765 | C/ | One More Dance and Then (t) | DA-E | Johnson CD-8, 1758 | 42 | VN/GF |
//565/31//35/1+5//676/42//345/1+2+1+ | 6/4 | Air 49 (t) | BA-E | Highland Fair, 1731 | 75 | VO |
//565/31//351+/75//676/42 | 6/8 | Sang 5 (t) | BA-E | Gentle Shepherd, 1775 | 32-33 | VO |
//56/531+3//531+3/2+22//3456/531+// | C | Lord MacDonalds Reel (Scotch) (t) | DA-E | Wilson Companion, 1816 | 61 | MI |
//56/531+3//531+3/2+2234//5653/531+3// | C | Jack Ratlin (t) | AI-A | Carrs PC, 1800 | 18 | GF/VN/FL |
//56/531+3//531+3/2+223//5 | C | Lady Macdonalds Reel(ed) (t) | AM-A | Hooves MS, 1817 | 19 | FI |
//56/531+3//531+3/2+223//5456/531+3 | C/ | Lord Mcdonald's Reel (t) | IC-S | Aird 4, 1796 | 7 | FI/GF/VN |
//56/531+3//531+3/2+223//5456/531+3// | C/ | Lady Mcdonalds Reel (t) | MS-S | Fife MS, 1780 | 152,13v,14r | 1FI OR 2FI/VN |
//56/531+3//531+3/2+223//5456/531+3// | C | Lord Macdonals Reel (t) | AM-A | Litten MS, 1800 | 11 (16) | VN |
//56/531+3//531+3/2+223//5456/531+3 | C | Lord Mac Donald's Reel (t) | AI-A | Riley Flute 1, 1814 | 32 | FL |
//56/531+3//531+3/2+223//5456/531+3 | C | Lady Macdonald's Reel (t) | AI-A | Village Fifer, 1808 | 51 | FI |
//56/531+3//531+3/2+223//56/531+3// | C | Lord Mcdonald's Reel (t) | AM-A | Irving MS, 1796 | 131 | 1 MI |
//56/531+3//531+3/2+223//56/531+3// | C | Lord Mcdonalds Reel (t) | AM-A | Litten MS, 1800 | 15 (16) | VN |
//56/531+3//531+3/2+223//56/5653 | C/ | Mcdonalds Reel (t) | AM-A | Cary MS, 1797 | 113 | VN |
//56/531+3//531+3/2+223//56/5653 | C/ | Mc Donald's Reel (t) | AM-A | Trumbull MS, 1801 | b:3r | MI |
//56/531+3//531+3/2+23//5456/531+3 | C | Reel (t) | AI-A | Balls Amus 2, 1815 | 22 | FL/FI/VN |
//56/531+3//531+3/2+23//56/531+3 | C | Little Peggy Loves Me (t) | AI-A | Steele Fife, 1815 | 22 | FI |
//56/531+3//531+3/422//56/531+3 | C | Lady Mc Donald's Reel (t) | AM-A | Commonplace MS, 1811 | 9 | MI |
//56/531+3//531+3/422//56/531+3 | C | Lady Mc Donalds Reel (t) | AM-A | Woodruff MS, 1803 | 14 | MI |
//56/5313//531+3/5313//4642/3531// | 2/4 | Grants Hornpipe (t) | MS-S | Miller, J. MS, 1798 | 69 | FI |
//56/531+3//531+3/6223//56/531+3// | C | Lord Macdonalds Reel (t) | AM-A | Patten MS, 1800 | 27 | MI |
//56/5313//531+6/5313//4642/3531// | C | Grants Rant (t) | MS-E | Malecot MS, 1779 | 40 | VN |
//56/5313//531+6/5313//4642/3531 | C/ | Grants Rant (t) | DA-E | Thompson CD-3, 1773 | 71 | VN/GF/OB |
//56/5313//531+6/5313//4642/3531// | C/ | Grants Dance (t) | DA-E | Thompson CD-3a, 1773 | 70 | VN/GF/OB |
//56/5313//531+6/5313//4642/3531// | C/ | New Hornpipe (t), or Grants Rant (at) | MS-E | Vickers MS, 1770 | 127 | MI |
//56/5313//5356/5313//4642/3531 | 2/4 | Chester Castle (t) | IC-S | Stewart Airs, 1788 | 2:81 | GF/VN/FI |
//565/31//35/4//23/21 | 2/4 | Yankee Doodle (t) | AI-A | Robinson Coll, 1818 | 40 | FI,DR |
//565/313//543/25-//15-/25-// | 6/8 | Seasons, The (t) | AM-A | Hoff MS, 1797 | No. 147 | GF |
/565//313/543//25-/15-//25-/ | 6/8 | Four Seasons Dance (t) | MS-E | Malecot MS, 1779 | 41 | VN |
//565/313//543/25-//15-/25- | 6/8 | Four Seasons, The (t) | AM-A | Shattuck MS, 1801 | 89 | MI |
//565/313//543/25-//15-/25- | 6/8 | Four Seasons, The (t) | DA-E | Thompson CD-4, 1780 | 26 | VN/GF/OB |
//565/313//543/25-//15-/25-// | 6/8 | Four Seasons, The (t) | DA-E | Thompson CD-4a, 1780 | 27 | VN/GF/OB |
//565/313//543/25-//15-/25- | 6/8 | Four Seasons, The (t) | AM-A | Van Schaack MS, 1820 | 1 | FI/FL |
//565/313//543/25-//15-/25-// | 6/8 | Four Seasons, The (t) | AM-A | White, G. MS, 1790 | 98 | VN |
/565//313/543//25-/15-//25-/342// | 6/8 | Four Seasons (t) | DA-E | Straight & Skillern CD, 1775 | 18 | VN/GF/OB |
//565/313//543/25-//25-/25- | 6/8 | Four Seasons, The (t) | AM-A | Hawkins MS, 1794 | II,20 | GF |
//565/313//565/313//535/1+64// | 6/8 | Lads of the Loe, The. A Quick Step (t) | MS-S | Fife MS, 1780 | 635,68v | 1FI OR 2FI/VN |
//5653/13567//1+3+1+6/5323//1335/51+1+3+ |
C | Oe'r Highlands and Lowlands (t) | AI-A | Riley Flute 2, 1817 | 92 | FL |
//5653/14+//3+4+3+2+/1+5//1+2+1+6/5653// |
C/ | Hornpipe, A (t) | MS-S | Fife MS, 1780 | 783,85v | 1FI OR 2FI/VN |
//565/31//453/234//564/35 | C3 | Maid In the Moon, The (t) | PL-E | Playford 1-06, 1679 | 87 | VN |
//565/31//453/234//564/35 | C3 | Maid In the Moon, The (t) | PL-E | Playford 1-08, 1690 | 42 | VN |
//565/31//453/234//564/35//5 | C3 | Maid In the Moon, The (t) | PL-E | Playford 1-07, 1686 | 87 | VN |
//565/31//453/234//564/35//542/33 | C3 | Maid In the Moon, The (t) | PL-E | Playford 1-04, 1670 | 87 | VN |
//565/31//453/234//564/35//542/33 | C3 | Maid In the Moon, The (t) | PL-E | Playford 1-05, 1675 | 87 | VN |
//565/31//456/67//1+2+1+ | C | Bess of Bedlam (t) | SS-E | SS, Folger-C42.4 | 318,2-319,1 | VO,KB+FL |
//565/315//1+71+/531//345/671+ | Stony Point (t) | AM-A | Mass. MS, 1790 | 1 | FL | |
//565/315//1+7671+/531//345/1+2+3+ | 6/8 | Stony Point (t) | AM-A | Dickinson MS, 1800 | 21 | CL/GF/OB |
//565/315//1+7671+/531//345/1+2+3+ | 6/8 | Stony Point (t) | AM-A | Pomeroy MS, 1790 | 9 | GF |
//56/531//53/123//4/712// | 3 | Sweet Betty (t) | IC-E | Apollo's Banquet 1-1, 1670 | 140 | VN |
//56531//53123//47-12//317//1+561// | C3 | Sweet Betty (t) | IC-E | Apollo's Banquet 1-2, 1678 | 49 | VN |
//565/31+//53/13//23/42 | 6/8 | I'm In Haste (t) | IC-E | Bland Clar, 1798 | 13 | CL |
//565/31+//53/13//23/42//1 | 6/8 | I'm In Haste (t) | AI-A | American SS-SM | 1-2 | VO,KB+GT |
//5653/1+53//42/23//4321/7-134// | C | Hornpipe (t) | AM-A | Bevens MS, 1825 | 27r | FI |
//56/5315-//6-1/135//65/432 | C/ | Maggy of Drumlanrig (t) | IC-E | Caledonian PC, 1760 | IX,24 | GF/VN |
//565/315//61+7/1+1+5//641+/531+ | 6/4 | Song 41 (t), or Twaddle, The (at) | AI-A | American MM, 1798 | 111-114 | VO |
//565/315//61+7//1+1+5//641+/531+ | 6/4 | Twaddle, The (t) | SC-S | Edinburgh MM-2, 1793 | 96-98 | VO |
//565/315//61+7/1+5//641+/531+ | 6/4 | Song 38 (t), or Lass with the Golden Locks, The (at) | SC-E | Ritson, 1783 | TI,210-211;MIII,103 | VO |
//5-6-5-/3-1-5-//6-17-/15-//6-4-1/5-3-1 | 6 | Lass with Her Golden Locks, The (t) | IC-E | Thompson Oboe, 1758 | 26 | OB |
//5653/1+5654//31/12//317-1/3454321 | C | How Sweet the Love That Meets Return (t) | IC-S | Aird 6, 1803 | 48 | FI/VN/GF |
//5653/1+5654//31/12//317-1/3454321 | C | Song 215 (t), or How Sweet's the Love (at) | SC-E | Calliope, 1788 | 402-403 | VO |
//5653/1+5654//31/12//317-1/3454321 | C/ | How Sweet My Love (t) | SC-S | Edinburgh MM-1, 1792 | 30-31 | VO |
//5653/1+5654//31/12//317-1/3454321 | C | How Sweet the Love That Meets Return (t) | AM-A | Marchant MS, 1783 | 19 | VO,KB |
//5653/1+5654//31/12//3171/3454321 | C | How Sweet the Love That Meets Return (t) | IC-E | Preston Bassoon, 1790 | 17 | BS |
//5653/1+5654//31/12//317-1/3454321 | C | How Sweet the Love That Meets Return (t) | AI-A | Riley Flute 2, 1817 | 37 | FL |
//5653/1+5654//31/12//317-1/3454321 | C | How Sweet the Love That Meets Return (t) | SS-E | SS, Boston PL-1 | 147,1-4 | VO,HA+GT+GF |
//56/53//1+/567//57/556// | C/ | I Lock'd Up All My Treasure - Quaker (t) | AM-A | Adams, W. MS, 1795 | 21 | MI |
//56/53//1+/567//67/556 | C | I Lock'd Up All My Treasure (t) | AM-A | Beck MS, 1786 | 141 | GF |
//56/53//1+/567//67/556 | C | I Lock'd Up All My Treasure (t) | IC-E | Longman Bassoon, 1780 | 15 | BS |
//56/53//1+/567//67/556 | C | I Lock'd Up All My Treasure (t) | IC-E | Longman Clar, 1780 | 10 | CL |
//56/53//1+/567//67/556// | 6.8 | I Lock'd Up All My Treasure (t) | MS-E | Malecot MS, 1779 | 45? | VN |
//56/53//1+/567//67/556 | C | I Lock'd Up All My Treasure (t) | IC-E | Thompson Oboe, 1790 | 34 | OB |
//56/53//1+/567//67/556 | C | Song 126 (t) | SC-E | Vocal Enchant, 1783 | 252-253 | VO |
//56/53//1+/567//67/556//4 | C | I lock'd up all my treasure (fl) | AI-A | Gent's Amus, 1794 | 65 | GF/VN/VO |
//56/53//1+/567//67/556//4 | C | I lockd up all my treasure (fl) | TW-E | Quaker, 1777 | 10 | VO,KBF |
//565/31//6-1/5-1//7-12/231 | 6/8 | Song 206 (t), or Kilkenny Is a Handsome Place (at) | SC-E | Calliope, 1788 | 384-385 | VO |
//565/31+/62+/71+//656/43// | 3 | Don Gusman's Jigg (t) | IC-E | Apollo's Banquet 1-1, 1670 | 160 | VN |
//565/316//422/25//1+2+1+76/543 | 6/8 | Thing, The (t) | SS-E | SS, Boston PL-2 | 77 | VO,KB |
//56/531//6-4/25-//3-4-5-/12//7- | C/ | Song, A (t) | SC-E | Pills 3, 1719-20 | 110-11 | VO |
//56/531+6//5321/6-1 | C | Enraptured Swain, The (t) | SS-E | SS, Boston PL-2 | 43 | VO,KB+GT |
//5653/1+653//26/652+4+ | C/ | Shepherd's Invitation, The (t), or Favorite Scotch Air, A (at) | SS-E | SS, Boston PL-1 | 106,1-4 | 2VN,VO,HAF,2HN+GT |
//5653/1+6//5653/153//2345/62 | C | No lav'rocks e'er so sweetly sung (fl) | TW-E | Auld Robin Gray, 1794 | 16-17 | VO,KBF |
//56/531+6//5653/2123//56/531+3 | C | Miss Helen Grant's Reel (t) | IC-S | Aird 5, 1797 | 37 | FI/VN/GF |
//56/531//671+/1+76//565/531 | 6/8 | #24 (t), or Jigg (at) | IC-E | Bunting, 1796 | 14 | PF |
//565/3+1+//71+/2+5//565/3+1+// | 6/8 | Trip to Ballston, A. No. 12 (t) | AI-A | Johnson, F. Cotillions | 7 | PF |
//565321//121//5-11353//323//46464 | 3/4 | Of where shall I wander (fl) | SS-E | SS, Huntington-2 | 129,1-2 | VO,KB |
//56/5321//1+2+/1765//6 | C | Pretty Nancy's Delight (t) | AI-A | Norman CD, 1799 | 14 | MI |
//5-6-5-/321//16-4-/3-5-//13-4-/5-6-4- | 6/8 | Then Prythee No More Come to Woo (t) | AI-A | Paff Amus 2, 1812 | 22 | FL/VN |
//56/5321//1+76/55//6434/51 | C | Jenny, A New Song (t) | SC-E | Clio-2, 1759 | 129 | VO,HAF |
//56/5321//2123/6-1 | C | Birks of Invermay, The (t) | AI-A | Scots MM, 1797 | 1L-R | VO,HA/PF |
//56/5321//2123/6-1//5- | C | Smiling Morn, The Breathing Spring, The (t) | SC-E | Vocal Music, 1778 | 56-57 | VO/VN/GF |
//56/5321//2123/6-1//5-6-5-3- | C | Birks of Endermay, The (t) | SS-E | SS, Folger-C42.3 | 310 | VO,KB+FL |
//56/5321//2123/6-1//5-6-5-3- | C | How Oft Lousa Hast Thou Said (t) | SS-E | SS, New York PL-C694 | 9 | HA,VO |
//56/5321//2123/6-1//5-6-5-3- | C | Birks of Endermay, The (t) | SS-E | SS, New York PL-C695 | 105 | VO,HA+GF |
//56/5321//2123/6-1//5-6-5-3- | C | Berks of Endermay, The (t) | IC-E | Thumoth, 1785 | 2-3 | GF/VN,HAF |
//56/5321//2123/6-1//5-6-5-3-/3-4-5-1-2- // |
C | Birks of Envermay (t) | MS-E | Malecot MS, 1779 | 15 | VN |
//56/5321//2123/6-1//5-6-5-3-/5-1-2- | C | Berks of Endermay, The (t) | IC-E | Caledonian PC, 1760 | II,21 | GF |
//56/5321//2123/6-1//5-6-5-3-/5-14- | C/ | Birks of Endermay, The (t) | AM-A | Kingsley MS, 1795 | I,26 | MI |
//56/5321//2123/6-1//5-6-5-3-/5-15- | C | Birks of Endermay (t) | AM-A | Beck MS, 1786 | 155 | GF |
//56/5321//2123/6-1//5-6-5-3-/5-15- | C | How Oft' Louisa (t) | IC-E | Cahusac Flute, 1788 | 28 | GF |
//56/5321//2123/6-1//5-6-5-3-/5-15- | C | How Oft' Louisa (t) | IC-E | Cahusac Oboe, 1790 | 19 | OB |
//56/5321//2123/6-1//5-6-5-3-/5-15- | C | Birks of Invermay, The (t) | AI-A | Caladonian Muse, 1798 | 1 | VO/PF/VN |
//56/5321//2123/6-1//5-6-5-3-/5-15- | C | Song 77(79) (t), or Birks of Invermay (at) | SC-E | Calliope, 1788 | 152-153 | VO |
//56/5321//2123/61//5-6-5-3-/5-15- | C | Louisa (scotch Song) (t) | AM-A | Cary MS, 1797 | 19 | VO |
//56/5321//2123/6-1//5-6-5-3-/5-15- | C | How Oft Louisa (t) | AM-A | Hawkins MS, 1794 | II,18 | GF |
//56/5321//2123/6-1//5-6-5-3-/5-15-// | C | Birks of Invermay, The (t) | AM-A | Irving MS, 1796 | 41 | 1 MI |
//56/5321//2123/6-1//5-6-5-3-/5-15-// | C | How oft Louisa. Song (t) | MS-C | Molyneaux MS-1, 1788 | 34 | GF |
//56/5321//2123/6-1//5-6-5-3-/5-15-// | C | Birks of Endermay (t) | MS-C | Molyneaux MS-1, 1788 | 60-61 | GF |
//56/5321//2123/6-1//5-6-5-3-/5-15- | C | Persuasive Lover, The (t) | SC-E | Musical Ent-2, 1740 | 48 | VO,HAF+FL |
//56/5321//2123/6-1//5-6-5-3-/5-15- | C | Birks of Endermay, The (t), or Song 43 (at) | SC-E | Orpheus Cal-2, 1733 | T98MOP98+II,4 | VO,HA+GF |
//56/5321//2123/6-1//5-6-5-3-/5-15-// | C | Birks of Invermay (t) | IC-E | Peacock Scotch Airs, 1762 | 20 | VN/GF/VC, HAF |
//56/5321//2123/6-1//5-6-5-3-/5-15-// | C | How Oft Louisa (t) | AM-A | Pynchon MS, 1797 | 9r | MI |
//56/5321//2123/6-1//5-6-5-3-/5-15- | C | Berks of Endermay, The (t) | AI-A | Riley Flute 1, 1814 | 28 | FL |
//56/5321//2123/6-1//5-6-5-3-/5-15- | C | Birks of Invermay, The (t) | SC-S | Scots MM-1, 1787 | 73 | VO,PF |
//56/5321//2123/6-1//5-6-5-3-/5-15-//3- | C | How oft Louisa, hast thou said (fl) | TW-E | Duenna, 1775 | 50 | VO,HA |
//56/5321//2123/6-1/5-6-5-3-/5-15-//3- | C | Birks of Invermay, The (t) | SS-E | SS, Harvard | 1 | VO,KBF+GF |
//56/5321//2123/6-1//5-6-5-3-/5-15-//3- | C | Birks of Indermay (t) | AM-A | Simpson MS, 1750 | II,7 | FL |
//56/5321//2123/6-1//5-6-5-3-/5-25- | C | Birks of Invermay, The (t) | SC-S | Edinburgh MM-1, 1792 | 20-21 | VO |
//56/5321//2123/6-1//5-6-5-3-5-//5-15-// 3- |
C | Birks of Endermay, The (t) | SS-E | SS, Harvard | 1 | VO,KBF,B |
//56/5321//2123/6-1//5-6-5-3-/5-6-7-15-/ / |
C | Berks of Endermay, The (t) | IC-E | Johnson Flute, 1760 | 31 | GF |
//56/5321//2123/6-1//5-6-5-4-/5-15- | C | How Oft Louisa (t) | AM-A | Beck MS, 1786 | 99 | GF |
//5/65321//2123/6-1//5-6-5-4-/5-4- | C | Col. Favorite (t) | AI-A | Robinson Coll, 1820 | 37 | MI |
//5/65321//2123/6-1//5-6-5-4-/5-4- | C | Col. Favorite (t) | AI-A | Robinson Coll, 1826 | 44 | MI |
//56/5321//2123/6-6//5-6-5-3-/5-1// | C | Birks of Envery, The (t) | AM-A | Bevens MS, 1825 | 4v | FI |
//5653//2121//671+565 | 2/4 | Seventh Duetto (t) | AI-A | Instrum Asst-2, 1807 | 80 | 2MI,B |
//56/53//21/21//67/1+565 | 2/4 | Lachrimoso (t) | IC-E | Wragg Oboe, 1792 | 59 | 2OB |
//56/53/21//23/27-/6-5-//12 | 3/2 | Pauls Alley (t) | PL-E | Playford 2-1, 1713 | 26 | VN/OB |
//56/53/21//23/27-/6-5-//12 | 3/2 | Pauls Alley (t) | PL-E | Playford 2-2, 1714 | 26 | VN/OB |
//56/53/21//23/27-/6-5-//12 | 3/2 | Pauls Alley (t) | PL-E | Playford 2-3, 1718 | 26 | VN |
//56/53/21//23/27-/6-5-//12 | 3/2 | Pauls Alley (t) | PL-E | Playford 2-4, 1728 | 26 | VN |
//565/321//232/7-6-5-//121/6-5-3-// | 6/8 | Paul's Alley (Old English) (t) | DA-E | Wilson Companion, 1816 | 94 | MI |
//565321//2327-6-5-//1216-5-3-//2-5-3-1- |
3/2 | Paul's Alley (t) | DA-E | Walsh CD-1.2, 1719 | 43 | VN/OB |
//5+6+5+3+2+1+//2+3+2+765//1+2+1+653//25 31//351+64 |
3/2 | Paul's Alley (t) | DA-E | Walsh CD-2.2, 1735 | 189 | VO/OB/GF/FL |
//5+6+5+3+2+1+//2+3+2+765//1+2+1+653//25 31//351+64 |
3/2 | Paul's Alley (t) | DA-E | Walsh CD-3.2, 1749 | 189 | VN/OB/GF |
//56/53//21/23//43/45 | 2/4 | Loudon, The (t) | IC-S | Aird 3, 1788 | 156 | FI/GF/VN |
//5-6-/5-3-//2-1-/2-3-//4-3-/4-5- | 2/4 | Quick Step 17 (t) | IC-S | Corri Marches, 1791 | 15 | HA/PF |
//5-6-5-3-/2-1-2-3-4-//5-6-5-3-/16-5-3-/ /5-6-5-3-/2-1-2-5 |
C/ | Welcome from the Havanna (t) | DA-E | Thompson CD-3, 1773 | 14 | VN/GF/OB |
//5-6-5-3-/2-1-2-3-4-//5-6-5-3-/16-5-3-/ /5-6-5-3-/2-1-2-5 |
C/ | Welcome from the Havanna (t) | AM-A | Turner MS, 1788 | I,4 | VN |
//5653/21234//5653/1+653//5653/2125+3+// |
C/ | Medecin Extravagante, Le (t) | DA-E | Hurst Cot, 1775 | 13 | KB |
//5653/21234//5653/1+653//5653/2125+3+// |
C/ | Welcome From the Havanna (t) | DA-E | Thompson CD-3a, 1773 | 93 | VN/GF/OB |
//5653/2123//5653/1+653//5653/2123+ | C/ | Tyo (t), or Bonny Scotchman, The (at) | DA-E | Johnson CD-5, 1750 | 75 | VN/GF |
//56/5321//31234/6-1//5-1/2321// | C/ | Scotch Morisco, A (t) | IC-E | Apollo's Banquet 1-1, 1670 | 79 | VN |
//5653/2134//5653/1315-//6-143/2312 | C/ | Harlequin Nabob (t) | DA-E | Thompson CD-5, 1788 | 35 | VN/GF/OB |
//5653/2134//5653/1315-//6-143/2312// | C/ | Harlequin Nabob (t) | DA-E | Thompson CD-5a, 1788 | 35 | VN/GF/OB |
//5653//2135//5765//61+51+2+//3+2+1+3//2 135 |
3/4 | Sally Roy (t) | AI-A | Blake Amus 3, 1825 | 9 | CL |
//56/5321//356/56//1+2+/1+2+3+2+1+ | C | Hilloch of Hay, The (t) | IC-E | Caledonian PC, 1760 | XII,10 | GF/VN |
//56/5321//36/65//1+2+/1+2+3+2+1+ | C/ | Air 9 (t) | BA-E | Fashionable, 1730 | 13 | VO |
//56/5321//36/65//1+2+/1+2+3+2+1+ | C/ | Morning-Break, The (t) | SC-E | Watts MM-2, 1729 | 70-71 | VO/VN |
//56/5321//36/65//1+2+/3+2+1+ | C/ | Air 46 (t) | BA-E | Village Opera, 1729 | 54 | VO |
//56/5321+//36/65//1+2+/3+2+1+//1+ | C/ | Air 24 (t) | BA-E | Chambermaid, 1730 | 25 | VO |
//56/5321//367/65//1+2+/3+4+3+2+//1+765 | C/ | On the Jewel In the tower (t) | SS-E | SS, Harvard | 1 | VO+FL |
//56/5321//43/21//53/67//1+543/2 | C/ | Song, A (t) | SC-E | Pills 6, 1719-20 | 264 | VO |
//56/5321//4456/234//5456/531+2+ | C | Whar' Esk Its Silver Stream (t) | SC-S | Scots MM-6, 1803 | 522 | VO,PF |
//56/5321//4456/234//56/5356 | C/ | I'll Never See Him More (t) | IC-E | Caledonian PC, 1760 | VI,16 | GF/VN |
//565//321//453//2 | 3/4 | Song 70 (t) | SC-E | Convivial, 1782 | 140-141 | VO |
//565//321//453//26-7- | 3/4 | Song 16 (t), or Hundred Years Hence, An (at) | SC-E | Ritson, 1783 | TII,14-16;MIII,184 | VO |
//565//321//453//26-7-//1 | 3 | Town Gallant, The (t) | SC-E | Pills 3, 1719-20 | 175-7 | VO |
//565/321//453/26-7-//17-1/234//4 | 6/4 | Song, A (t) | SC-E | Pills 3, 1719-20 | 168-9 | VO |
//56/53+2+1+//45/42+1+7//1+543/2126 | C | When Henry Languish'd (t) | AI-A | Riley Flute 1, 1814 | 67 | FL |
//56/5321//46/234//56/5351+ | C | Resolved Lass, The (t) | SC-E | Musical Ent-2, 1740 | 68 | VO,HAF+FL |
//565/321//467/1+6//531/4-6-2 | 6/4 | Vigo (t) | PL-E | Playford 1-12, 1703 | 349 | VN |
//565/321//467/1+6//531/4-6-2 | 6/4 | Vigo (t) | PL-E | Playford 1-13, 1706 | 349 | VN |
//565/321//467/1+6//531/4-6-2 | 6/4 | Vigo (t) | PL-E | Playford 1-14, 1709 | 328 | VN |
//565/321//467/1+6//531/4-6-2 | 6/4 | Vigo (t) | PL-E | Playford 1-15, 1713 | 328 | VN |
//565/321//467/1+6//531/4-6-2 | 6/4 | Vigo (t) | PL-E | Playford 1-16, 1716 | 328 | VN |
//565/321//467/1+/6//531/4-6-2 | 6/4 | Vigo (t) | PL-E | Playford 1-17, 1721 | 328 | VN |
//565/321//467/1+/6//531/4-6-2 | 6/4 | Vigo (t) | PL-E | Playford 1-18, 1728 | 328 | VN |
//565/321//467/1+6//531/4-6-2 | 6/4 | Vigo (t) | DA-E | Walsh CD-1.1, 1718 | 340 | VN/OB/FL |
//565/321//467/1+6//531/4-6-2 | 6/4 | Vigo(ed) (t) | DA-E | Walsh CD-2.1, 1731 | 129 | VN/OB/GF/RC |
//565/321//467/1+6//531/4-6-2 | 6/4 | Vigo (t) | DA-E | Walsh CD-3.5, 1754 | 155 | VN//OB/GF |
//56/5321//56/5432//56/7671+ | C/ | Coy Belinda, and False Amindor (t) | SC-E | Pills 6, 1719-20 | 52-3 | VO |
//56/5321//61+/2+1+76//56/5321 | C | Moon Beams Dancing, The (t) | SS-E | SS, Boston PL-1 | 96,1-3 | VO,HA |
//565/3+2+1+//656/1+64//565/3+2+1+ | 6/8 | Merry Hae I Been Teethin a Heckle (t) | SC-S | Scots MM-3, 1790 | 279 | VO,PF |
//5-6-5-/321//6-5-6-/16-4-//5-6-5-/321 | 6/8 | Lord Breadalbane's March (t), or Boddick Na Mbrigs (at) | IC-S | Scottish Sheet Music | KB | |
//565/3+2+1+//656//1+656//565/3+2+1+ | 6/8 | How Sweet This Lone Vale (t) | SC-S | Scots MM-6, 1803 | 588 | VO,PF |
//56//53/21//7-1/23 | 2/4 | Quick Step 2d Regt (t) | IC-S | Aird 2, 1785 | 43 | FI/VN/GF |
//56//53/21//7-1/23 | 2/4 | #9 (t), or Quick March.#9 (at) | IC-E | Hinde 3, 1775 | 4 | GF/VN/OB+PF |
//56//53/21//7-1/23 | 2/4 | Miss Burchell's Humour (t) | DA-E | Johnson CD-7, 1756 | 90 | VN/GF |
//56//53/21//7-1/23 | 2/4 | Mr Buches Humour (t) | AM-A | Perkins MS, 1790 | 5 | MI |
//56//53/21//7-1/23 | Miss Burchell's Humour (t) | DA-E | Thompson CD-1, 1757 | 48 | VN/GF/OB | |
//56/5321//7-1/23//2/34// | 2/4 | Quick Step to the 2nd Regt, A (t) | MS-S | Fife MS, 1780 | 352,36v | 1FI OR 2FI/VN |
//56//53/21//7-1/23//2//56// | 2/4 | Miss Burchell's Humour (t) | DA-E | Thompson CD-1a, 1757 | 48 | VN/GF/OB |
//5/6//53/21//7-22 | 2/4 | Miss Mcneil's Fancy (t) | IC-S | Aird 4, 1796 | 37 | FI/GF/VN |
//56/532//2123/51//5-6-5-3-/5-15-//3- | C/ | Birks of Invermay, The (t) | AI-A | Select Songster, 1786 | 47-48 | VO |
//56/53//231/7-6-5-//123/42// | 3 | Maypole Alley (t) | IC-E | Apollo's Banquet 1-1, 1670 | 69 | VN |
//56/53//23/42//56/53 | 2/4 | Sows Tail to Geordie, The (t) | IC-S | Aird 2, 1785 | 67 | FI/VN/GF |
//565/32//351+/75//676/42 | 6/8 | How Can I Be Sad on My Wedding Day (t) | IC-E | Caledonian PC, 1760 | V,12 | GF/VN |
//565/323//543/25-//15-/25-// | 6/8 | 4 Seasons, The (t) | MS-S | Fife MS, 1780 | 431,44v | 1FI OR 2FI/VN |
//56/53//32/17//1+2+/3+2+3+//1+ | 6/4 | You tell me Dick you've lately read (fl) | SS-E | SS, Harvard | 1,DUP | VO,B |
//56/53//32/17//1+2+/3+2+3+//1+/1+3+ | 6/4 | Song, A (t) | SC-E | Pills 6, 1719-20 | 331-3 | VO |
//565/33//323/15-//131/242 | 6/4 | Emerson's Quick Step (t) | AI-A | Merrimack Coll, 1833 | 36 | 2MI,B |
//565/33//343/11//7-2/54 | C/ | Allegro (t) | IC-E | Brooks Pieces, 1796 | 15 | 2CL,2HN,BS |
/565//33/4//2/313//531/ | 6/8 | Caraman, La (t) | AM-A | Duport MS-2, 1800 | 19r | VN |
//565/33//4/2//313/531// | 6/8 | Caraman, La (t) | MS-S | Fife MS, 1780 | 195,20r | 1FI OR 2FI/VN |
//5+6+5+3+3+5+4+3+2+//1+54321//5-7-7-224 //351+//5-7-7-224//351+2+// |
3/4 | Minuet 14 (t) | DA-E | Fishar 16 Cot, 1780 | 34 | KB |
/565//33/64//22/44//123/43// | 6/8 | Gayta, La: Francesa (t) | DA-P | Piferrer CD, 1768 | 21 | MI |
//565/342//17-1/27-5-//5-6-5-/5-6-5- | 6/8 | Jolly Young Waterman, The (t) | AM-A | Van Schaack MS, 1820 | 14 | FI/FL |
//56/5342//21/65//56/535//61+ | C | Air 43 (t) | BA-E | Achilles, 1733 | 54 | VO |
//56//53//42234//321//56//53// | C/ | Minuet of Mr. Tollett's, A (t) | IC-E | Apollo's Banquet 2, 1691 | 17 | VN/FL |
//5653/4224//351+3/222234//5654/351+6 | C/ | Skater, The (t) | DA-E | Johnson CD-5, 1750 | 77 | VN/GF |
//56/5342//3127-/12//3135/6543 | C | Mussette An Allegretto (t) | AI-A | Riley Flute 2, 1817 | 32 | FL |
//56/53//42/31//6-5-/6-1//7-2 | 2/4 | Trincalo's Reel (t) | TW-E | Jubilee, 1770 | 36 | HA |
//56/53//42/343//23/43// | 2/4 | How Sweet the Breath of Milky Kine (t) | AM-A | Irving MS, 1796 | 4v-5r | 2 MI |
//56/53//42/634//56/5 | 3 | Have at Thy Coat, Old Woman (t) | PL-E | Playford 1-09, 1695 | 45 | VN |
//56/53//42/634//56/5 | 6/4 | Have at Thy Coat, Old Woman (t) | PL-E | Playford 1-14, 1709 | 45 | VN |
//56/53//42/634//56/5 | 6/4 | Have at Thy Coat, Old Woman (t) | PL-E | Playford 1-15, 1713 | 45 | VN |
//56/53//42/634//56/5 | 6/4 | Have at Thy Coat, Old Woman (t) | PL-E | Playford 1-16, 1716 | 45 | VN |
//56/53//42/634//56/52 | 6/4 | Have at Thy Coat, Old Woman (t) | PL-E | Playford 1-10, 1698 | 45 | VN |
//56/53//42/634//56/52 | 6/4 | Have at Thy Coat, Old Woman (t) | PL-E | Playford 1-11, 1701 | I,45 | VN |
//56/53//42/634//56/52 | 6/4 | Have at Thy Coat Old Woman (t) | PL-E | Playford 1-12, 1703 | 45 | VN |
//56/53//42/634//56/52 | 6/4 | Have at Thy Coat, Old Woman (t) | PL-E | Playford 1-13, 1706 | 45 | VN |
//56/53//42/634//56/52 | 6/4 | Have at Thy Coat, Old Woman (t) | DA-E | Walsh CD-1.1, 1718 | 58 | VN/OB/FL |
//56/53//42/634//56/52 | 6/4 | Have at Thy Coat Old Woman (t) | DA-E | Walsh CD-2.1, 1731 | 150 | VN/OB/GF/RC |
//56/53//42/634//56/52 | 6/4 | Have at Thy Coat Old Woman (t) | DA-E | Walsh CD-3.1, 1754 | 204 | VN/OB/GF |
//56/53//42/634//56/52//311 | C/ | Have at Thy Coat Old Woman (t) | PL-E | Playford 1-02, 1652 | 38 | VN |
//56/53//42/634//56/52//311 | C/ | Have at Thy Coat Old Woman (t) | PL-E | Playford 1-04, 1670 | 48 | VN |
//56/53//42/634//56/52//311 | C/ | Have at Thy Coat Old Woman (t) | PL-E | Playford 1-05, 1675 | 48 | VN |
//56/53//42/634//56/52//311 | C/ | Have at Thy Coat Old Woman (t) | PL-E | Playford 1-06, 1679 | 48 | VN |
//56/53//42/634//56/52//311 | C/ | Have at Thy Coat Old Woman (t) | PL-E | Playford 1-07, 1686 | 48 | VN |
//56/53//42/634//56/52//311 | C/ | Have at Thy Coat Old Woman (t) | PL-E | Playford 1-08, 1690 | 60 | VN |
//56/53//42/634//56/53//11 | C/ | Have at Thy Coat Old Woman (t) | PL-E | Playford 1-03a, 1657 | I,38 | VN |
//56/53//42/634//56/53//11 | C/ | Have at Thy Coat Old Woman (t) | PL-E | Playford 1-3b, 1665 | I,38 | VN |
//565/343//121/6-7-6-//5-6-7-/121//6 | 6/8 | In verity damsel thou surely wilt find (fl) | TW-E | Quaker, 1777 | 34-35 | VO,KBF |
//5/65//3/43//1/23 | C | Battles of Lake Champlain and Plattsburg, The. Cries of the Wounded (t) | AI-A | American Sheet Music | PF | |
//565//343//15-3//123//456543 | 3/8 | Short Troop as Played by the 28th Regt (t) | IC-S | Scottish Sheet Music | PF | |
//565/343//17-1/234//345/453 | 6/4 | Retraitte (de Savoye), La (t) | MS-F | Philidor MS, 1705 | 26 | 3OB,B+DR |
//5653/4321//7-123/27-5-4-//3-5-4-6-/5-7 -16 |
C/ | Lottery, The (t) | DA-E | Thompson CD-5, 1788 | 71 | VN/GF/OB |
//5653/4321//7-123/27-5-4-//3-5-4-6-/5-7 -16// |
C/ | Lottery, The (t) | DA-E | Thompson CD-5a, 1788 | 71 | VN/GF/OB |
//5653/4342//316-2/17-6-5-//5-542/316-2 | C | Windsor Jubilee (t) | AI-A | Goodale Dir, 1819 | 83 | MI,B |
//5653/4342//316-2/17-6-5-//5-542/316-2 | C | Windsor Jubilee (t) | AI-A | Goodale Dir, 1829 | 87 | MI,B |
//56//53434//56//53434//51+ | 3/8 | Musical Hodge Podge-4 (t) | SC-E | Musical Cent-2, 1740 | 1-2+52 | VO,KB+FL |
//56//53434//56//53434//51+ | 3/8 | Musical Hodge Podge, The-4 (t) | SS-E | SS, Folger-C42.1 | 28,2-30,1 | VO,KB |
//56//53434//56//53434//5545 | 3/8 | Air (t) | IC-E | Delightful-1, 1763 | II,34 | 2GF |
//56//53434//56//53434//5545 | 3/8 | Musical Hodge Podge-5 (t) | SC-E | Musical Cent-2, 1740 | 2+52 | VO,KB+FL |
//56/5//34/35//1+7/65// | C | Boston (t) | AM-A | White, G. MS, 1790 | 90-91 | (S)TB |
//565/345//11/15//1+2+3+/2+3+4+// | 6/8 | Tems Chaud, Le (t) | IC-F | Leclerc Recueil-2, 1737 | 96 | HAF |
//56/534//51+/53+//67/643// | 2/4 | Bruce's Address. A Cotillion (t) | AI-A | Riley Cots-1, 1824 | 2 | PF |
//56/5345//32123/5117-//133/66// | Ayre (t) | IC-E | Musicks Hand-Maid-1, 1678 | 68 | VI/HA | |
//56/53/45//34/23/12 | 3/2 | Marche Hollandaise (t) | MS-F | Philidor MS, 1705 | 22-23 | 3OB,B+DR |
//565/345//453/2123//11 | C | New Boe Peep (t) | PL-E | Playford 1-01, 1651 | 83 | VN |
//565//345/545//1121//565//345 | 3/8 | Arbeit (t) | MS-G | Darmstadt MS 1225 | 53-54 | 2MI |
//56//534//56//515//1+7 | 3/4 | Secret, The (t) | SS-E | SS, Huntington-1 | 95 | VO,KB+FL |
//56//534//56//515//1+7//634//56543 | 3/4 | Secret, The (t), or Song, A (at) | SS-E | SS, Harvard | 1,DUP | VO,B+FL |
//56534//56534//51+5//543//6 | 3/4 | Come then pining peevish lover (fl) | TW-E | Lionel & Clar, 1768 | 40-42 | VO,HAF |
//56/534//56/534//5432/1234// | C/ | Keele Cranke (t) | IC-E | Scotch Tunes (P), 1700 | 3 | VN/FL |
//5-6-/5-3-4-//5-6-/5-3-4-//5-4-3-2-/1-2 -3-4- |
C | AM-A | Van Schaack MS, 1820 | 52-53 | FI/FL | |
//56/534//56/534//5432/1234// | C | Gillicrankie (t) | AM-A | White, G. MS, 1790 | 117 | VN |
//5653/45//65//672+/323//7-121 | C/ | Scotch Song, A (t) | SC-E | Pills 5, 1719-20 | 102-4 | VO |
//5653/461+6//51+2+/3+12//351+7/6 | C | Streamlet That Flow'd Round Her Cot, The (t) | AI-A | Elegant Exts, 1794 | 9 | GF/VN/VO |
//5653/461+6//51+2+/3+12//351+7/63+2+4// |
C/ | Streamlet, The (on an Overlay) (t) | AM-A | Adams, W. MS, 1795 | 43 | MI |
//5653/461+6//51+2+/3+12//351+7/63+2+4// |
C | Streamlet, The (t) | AI-E | Shirley CD, 1805 | 2 | PF |
//5653/461+6//51+2+/3+12//351+7/63+2+4 | C | Streamlet, The (t), or Favorite New Song, A (at) | AI-A | Young's Vocal, 1793 | 56 | VO,PF |
//5653/461+6//51+2+/3+12//351+7/63+2+4// 5 |
C | Song 71 (t), or Streamlet That Flow'd Round Her Cot, The (at) | AI-A | American MM, 1798 | 181-182 | VO |
//5653/461+6//51+2+/3+12//351+7/63+2+4// 5 |
C | Streamlet that flow'd, The (fl) | AI-A | Gent's Amus, 1794 | 25 | GF/VN/VO |
//5653/461+6//51+2+/3+12//351+7/63+2+4// 5 |
C | Streamlet, The (t) | AI-A | Musical Rep-2, 1799 | 96 | VO,KB |
//5-6-5-3-/4-6-16-//5-12/31-2-//3-5-17-/ 6-424- |
C | Streamlet, The (t) | AI-A | Balls Amus 2, 1815 | 36 | FL/FI/VN |
//5-6-5-3-/4-6-16-//5-12/31+7//7665/5443 // |
C | Streamlet That Flow'd Round Her Cot, The (t) | AM-A | Irving MS, 1796 | 78 | 1 MI |
//5-6-5-3-/4-6-16-//5-12/31+7//7665/5443 |
C | Streamlet, The (t) | AI-A | Riley Flute 1, 1814 | 95 | FL |
//5-6-5-3-/4-6-16-//5-12/31+7//7665/5443 // |
C | Streamlet That Flowd, The (t) | AI-A | Willig Flute, 1795 | 16 | GF |
//5653/461+6/51+2+/3+22//351+7/6 | C | Streamlet, The (t) | AI-A | Reinagle Fav-2, 1789 | 9 | VO,PF |
//5653/46//65//671+/321 | C/ | Scotch Song, A (t) | SS-E | SS, Folger-C42.4 | 145 | VO+FL |
//5653//511+76/531+3//234//535321 | 3/4 | Bonny Susie (t) | IC-E | Caledonian PC, 1760 | V,26-27 | GF/VN |
//5653/51+2+//2+1+/65//6765/6765 | C/ | Scotch Song, Sung to the King at Windsor, A (t) | SC-E | Pills 2, 1719-20 | 30-31 | VO |
//5-6-5-3-/5-12//3112/16-7-//1216- | 2/4 | Bonny Broom, The (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//5653/51+2+//3+2+1+5/67//1+2+1+6/5653 | C | Damon (t), or Scotch Ballad, A (at) | SS-E | SS, Boston PL-1 | 60 | VO,HAF |
//5-6-/5-3-//5-/12//334/223 | 2/4 | 2d Compny of Independent Artillery's March (t) | AI-A | Camp Dupont, 1816 | 19 | 2GF/FI/VN,PF |
//5653/51+3+1+//5321/2123//5653/51+3+1+ | C/ | Allegretto In Oscar & Malvina (t) | IC-E | Eley Pieces 2, 1790 | 9 | 2CL,2OB/CL,2HN,TR,2BS |
//5653/51+3+1+//5321/2123//5653/51+3+1+/ / |
C | Telegraph, The. A Scotch Quick Step (t) | MS-S | Fife MS, 1780 | 321,33v | 1FI OR 2FI/VN |
//5653/51+3+1+//5321/2123//5653/51+3+1+/ / |
C/ | Little Fannys Love (t) | AM-A | Litten MS, 1800 | 25 (21) | VN |
//56/535//1+/31+53//4/22+74 | Trio by J. H. Ives (t) | AM-A | Psalmody MS, 1798 | 101 | 2MI | |
//56/535//1+3+/1+5671+//5321/23 | Song, A (t) | SC-E | Pills 6, 1719-20 | 320 | VO | |
//56/53//51+/53//4321/1234//5/5 | C | Tranent Muir (t) | SC-S | Scots MM-2, 1788 | 103-104 | VO,PF |
//56/53//51+71+/6543//51+/71+// | 2/4 | No 6. (t) | AM-A | Pierian MS, 1810 | 19 | MI |
//565/35//25/31//6-21/234// | 6/8 | Adeline. 62 (t) | AM-A | Johnson, F. MS, 1820 | 39 | PF |
//56/53//53+/1+//1+765/5675// | C/ | Jacksons Victory (t) | AM-A | Bevens MS, 1825 | 10r | FI |
//5653//53121//432116-5-//5-65//5435 | 3/4 | Ah, Why Thus Abandon'd, &c (t) | SC-S | Scots MM-3, 1790 | 270 | VO,PF |
//565/353/123//2+1+7/1+76/534//531+/531+ /234 |
9/4 | Hedge Cake (t) | DA-E | Walsh CD-3.3, 1749 | 23 | VN/OB/GF |
//56/5353//13+2+/1+76//56 | C | Slighted Lover, The (t) | SC-E | Calliope, 1746 | I,38 | VO,HAF+FL |
//56/5353//13+2+/1+76//56/531+3 | C | Ardent Lover, The (t) | SC-E | Muses Delight, 1754 | 128-129 | VO,HA |
//56/5353//13+2+/1+76//56/5353 | C | Slighted Lover, The (t) | SC-E | Musical Ent-1, 1740 | 6 | VO,KB+FL |
//5653/5313//22+2+3+/4+3+2+1+//5653/5321 |
C | Auld Rob the Laird (t) | IC-S | Aird 4, 1796 | 73 | FI/GF/VN |
//5653/531+3//561+3/1116//5313/5555+4+ | C/ | Drunken Scotchman, The (t) | DA-E | Thompson CD-1, 1757 | 30 | VN/GF/OB |
//5653/531+3//561+3/1116//5313/5555+4+// |
C/ | Drunken Scotchman, The (t) | DA-E | Thompson CD-1a, 1757 | 30 | VN/GF/OB |
//5653/531+3//561+3/2226//5313/5555+4+// |
C/ | IC-E | Geoghegan Pastoral, 1746 | 14 | BP | |
//5653/531+3//561+3/2226//5313/5555+4+// |
C/ | Highland Rant, A (t) | MS-C | Molyneaux MS-1, 1788 | 50 | GF |
//5653/531+3/561+3/2226//5313/5555+4+// | C/ | Cow Bitt of the Millers Thum (t) | MS-E | Vickers MS, 1770 | 76 | MI |
//5653/531+3//5653/2222//5653/5555+5 | C/ | Lady Cathcart's Reel (t) | DA-E | Thompson CD-7.3, 1799 | 32 | MI |
//56/5353//23+2+/1+76//56 | C | Favourit Scotch Song, A (t), or Slighted Lover, The (at) | SS-E | SS, Folger-C42.4 | 114 | VO,KB+FL |
//56/5353//23+2+/1+76//56/5353 | C | Favourite Scotch Song, A (t), or Slighted Lover, The (at) | SS-E | SS, Folger-C42.1 | 52 | VO,KB+FL |
//56/5353//23+2+/1+76//56/5353//2 | C | Slighted Lover, The (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//56/5353//23+2+/1+76//56/5353//2 | C | Slighted Lover, The (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//56/5353//33+2+/1+76//56//5353//2 | C | Favourit Scotch Song, A (t), or Slighted Lover, The (at) | SS-E | SS, Harvard | 1 | VO,KBF+FL |
//565/353//464/234//353/131 | 6/8 | Miss Riddle's Fancy (t) | IC-S | Campbell Coll, 1796 | 6 | PF/VN+2FL |
//5-6-5-3-5-3-/4-6-4-2-//3-5-3-1-3-1-/2- 2-0--2-//5-6-5-3-5-3 |
C | Poor Soldier, The (t) | IC-S | Calvert Coll, 1790 | 12 | V,VC/HA/PF |
//56/53//5356/51+//5432/1234// | 2/4 | Kellie Crankey a favourite Welsh [?] tune (t) | MS-S | Miller, J. MS, 1798 | 60 | FI |
//5653/5413//22+2+3+/4+3+2+1+//5653/5313 |
C | Jamie O' the Glen (t) | SC-S | Scots MM-5, 1797 | 420 | VO,PF |
//5653/543//4542/432//311+5/311+5 | C | Lasses of Linlithgow (t) | DA-E | Johnson CD-6, 1751 | 29 | VN/GF |
//5653/543//4542/432//311+5/311+5 | C | Lasses of Linlithgow (t) | DA-E | Walsh CD-3.5, 1754 | 9 | VN//OB/GF |
//5/6//5/35//54/24 | 6/8 | Ode on the Return of Peace (t) | SS-E | SS, Boston PL-1 | 151,1-4 | 2VN,HA,4VO |
//565/35//54/27-//15-/31// | 2/4 | Africa (t) | AM-A | Cushing MS, 1805 | 143 | MI |
//565/35//543/24//345/543 | 6/8 | Reveille a 100 Schritte Auf Die Minutte (t) | IC-G | Bavarian March, 1807 | 34 | 2FI,DR |
//565/35//565/12//323/4321// | 2/4 | IC-E | Forest Harmony-1, 1733 | 2 | 2HN/GF/TR/VN | |
//5653/561+2+//3+5+2+3+/1+661+//5653/561 +2+// |
C/ | Funnie Eye (t) | MS-S | Fife MS, 1780 | 893,95r | 1FI OR 2FI/VN |
//5653/561+2+//3+5+2+3+/1+665//5653/561+ 2+// |
2/4 | Farewell to Limerick The (t), or Croppy's Retreat (at) | AM-A | Litten MS, 1800 | 23 (40) | VN |
//5653/561+3+//5653/22//5653/561+3+// | C/ | Banks of Gray, The (t) | AM-A | Litten MS, 1800 | 30 (21) | VN |
//5653/561+6//5653/2234//5653/561+6 | C/ | Mr Robertson of Law's Strathspey (t) | IC-S | Aird 6, 1803 | 2 | FI/VN/GF |
//5653/565//1+/2+1+76//6 | C | In the prattling hours of youth (fl) | TW-E | Summer Amuse, 1779 | 22 | VO/VN,HA |
//5653/5651+//3+2+1+7/1+3+1+//1+765/1+3+ 1+// |
C | Air (t) | IC-E | Preston Cello, 1785 | 34 | 2VC |
//5653/5653//211234/551+//6765/6561+65 | C | Killycrankie (t) | IC-S | Aird 2, 1785 | 7 | FI/VN/GF |
//5-6-5-3-/5-6-5-3//2123/6-16-//5-6-5-3- /2-17-6- |
C | Bannock Burn (t) | AI-A | Riley Flute 2, 1817 | 3 | FL |
//56/53//56/53//43/21 | 2/4 | Tom O'bedlam (t) | SS-E | SS, Harvard | 1 | VO,B |
//56/53//56/53//43/21//7-6- | 2/4 | Young Jockey He Courted Sweet Mog (t) | SC-E | Vocal Music, 1778 | 217-219 | VO/VN/GF |
//56/53//56/534//5432/1234 | C/ | Gilly Cranky (t) | IC-E | Caledonian PC, 1760 | III,26-27 | GF/VN |
//56//53//56//53//543//25- | 3/4 | Echo (t) | IC-E | Delightful-1, 1763 | VI,15 | 2GF |
//5653/5653//55/54//321/3217-// | 2/4 | Allemande (t) | DA-E | Purtin Cot, 1775 | 32 | HA/VN,B/GF/OB/BS |
//5653/5653//61+53/422//5653/5671+ | C | Scots Dance, The (t) | DA-E | Thompson CD-6.6, 1794 | 69 | MI |
//5653/5654//351+3/32234//5654/351+3+ | C/ | Miss Hamilton of Bangowre's Strathspey (t) | IC-S | Aird 4, 1796 | 53 | FI/GF/VN |
//5653/565//571+3/322//5653/571+ | C | Bruce's Address to His Army (t) | SC-S | Scots MM-6, 1803 | 596 | VO,PF |
//5-6-5-/3-5-//6-6-/5-3-5-//5-6-5-/12 | 6/8 | Farmers of the Border, The (t) | IC-S | Calvert Coll, 1790 | 20 | V,VC/HA/PF |
//56/53567//1+65321/6-34//56/3+2+1+2+ | C | Mother's Lament for the Death of Her Son, A (t) | SC-S | Scots MM-3, 1790 | 280 | VO,PF |
//5653/61+1+6//5323/15//1+71+2+/7765 | C | Song 137 (t), or Gramachree Molly (at) | SC-E | Calliope, 1788 | 259-260 | VO |
//56/53//61+/53//11/13//3 | 2/4 | Signal to engage shall be, The (fl) | TW-E | Seraglio, 1776 | 42-43 | VO,KBF |
//565/365/313//53/353/56// | 9/8 | Stannop In Wardale (t) | MS-E | Vickers MS, 1770 | 30 | MI |
//56/5365//4323/7-5-//5- | C | When Late I Wander'd Through the Grove (t) | SC-E | Vocal Music, 1775 | 58-59 | VO/VN/GF |
//56536543//45425432//12346543//53234 | 3/4 | Spring Newly Drawing, The (t) | AM-A | Hawkins MS, 1794 | II,56 | GF |
//56/53//6/671+//543/21// | C/ | Will You Go to Flanders (t) | AM-A | Brown, J. MS, 1782 | 1:7 | |
//5-6-5-3-/6-7-16-//5-3-13-/15-//17-12/1 7-6-5- |
C | Gramachrie (t) | AI-A | Blake Bassoon, 1826 | 9 | BS |
//5653/671+6//5313/2123//5653 | C | Gramachree (t) | DA-E | Longman CD, 1781 | 74 | VN/OB/GF |
//5653/671+6//5313/2123//5653/671+ | C/ | Gramachree Molly (t) | DA-E | Thompson CD-4, 1780 | 34 | VN/GF/OB |
//5653/671+6//5313/2123//5653/671+// | C/ | Gramachree Molly (t) | DA-E | Thompson CD-4a, 1780 | 32 | VN/GF/OB |
//5653/671+6//5313/2123//5653/671+6 | C | Gramachree (t) | DA-E | Skillern CD, 1780 | 44 | VN/GF/OB |
//5653/671+6//5313/2123//5653/671+6// | C | Gramachree (t) | DA-E | Straight & Skillern CD, 1775 | 44 | VN/GF/OB |
//5653/671+6//5321/15//1+71+2+/1+765 | C | Had I a Heart (t) | SS-E | SS, Boston PL-2 | 253 | VO,KBF+GF+GT |
//5653/671+6//532/15//1+71+2+/1+765// | C | Gra Ma Chree Molly with the Variations set by Barnstorf Rackeman (t) | MS-C | Molyneaux MS-2, 1788 | 21-22 | 1 OR 2 GF |
//56/53//67/1+6//53/23 | 2/4 | Gramachree Molly (t) | IC-E | Purday Bugle, 1830 | 19 | BU |
//5653/671+6//5323/11//5653/671+6 | C | Gramachree (t) | AM-A | Van Renssel. MS, 1782 | I,18-19 | VO,KB |
//5653/671+6//5323/1234567//1+2+3+2+1+76 5/4345671+4// |
C | Gramachree Molly (t) | IC-E | Cahusac Flute, 1798 | 19 | FL |
//5653/671+6//5323/1234567//1+2+3+2+1+76 5/4345671+4 |
C | Gramachree Molly (t) | AM-A | Greenwood MS, 1785 | 30 | MI |
//5653/671+6//5323/1234567//1+2+3+2+1+76 5/4345671+4 |
C | Gramacree Molly (t) | AI-A | Riley Flute 2, 1817 | 84 | FL |
//5653/671+6//5323/125//1+ | C | Had I a Heart for Falsehood fram'd (t) | SS-E | SS, New York PL-C694 | 4 | HA,VO |
//5653/671+6//5323/14//1+71+2+/1+765 | C | Gramachree Molly (t) | AM-A | Akerman MS, 1795 | 65 | VO |
//5653/671+6//5323/15//1+1+1+2+ | C | Had I a Heart (t) | SS-E | SS, New York PL-C695 | 5 | VO,HA+GF,GT |
//5653/671+6//5323/15//1+71+2+ | C | Gramachree (t), or Irish Air, An (at) | SS-E | SS, Harvard | 1 | VO,KB,B |
//5653/671+6//5323/15//1+71+2+/1+65 | C | Had I a heart for falsehood fram'd (fl) | TW-E | Duenna, 1775 | 21 | VO,HAF |
//5653/671+6//5323/15//1+71+2+/1+765 | C | Gramachree (t) | AI-A | Blake Amus 3, 1825 | 20 | CL |
//5653/671+6//5323/15//1+71+2+/1+765 | C | Had I a Heart for Falshood fram'd (t) | IC-E | Cahusac Oboe, 1790 | 18 | OB |
//5-6-5-3-/6-7-16-//5-3-2-3-/1-5-//17-12 /17-6-5- |
C | One Morning Very Early (t) | AI-A | Caladonian Muse, 1798 | 20 | VO/PF/VN |
//56/53//671+6//5323/15//1+71+2+/1+765 | C | Gramachree My Molly (t) | MS-E | Carter MS, 1792 | 21 | MI |
//5653/671+6//532/315//1+71+2+/1+765 | C | Gramachree (t) | AM-A | Dawes MS, 1790 | 5 | VO,HA |
//5653/671+6//5323/15//1+71+2+/1+765 | C | MS-C | Frobisher MS, 1793 | 14 | HA | |
//5653/671+6//5323/15//1+71+2+/1+765 | C | Air No.2 (t) | IC-E | Hyde Trumpet, 1798 | 53 | TR |
//5653/671+6//5323/15//1+71+2+/1+765// | C/ | Had I a Heart for Falsehood Framed (t) | AM-A | Irving MS, 1796 | 121 | 1 MI |
//5653/671+6//5323/15//1+71+2+/1+765// | C | Gramachree (t) | MS-C | Molyneaux MS-1, 1788 | 37 | GF |
//5653/671+6//5323/15//1+71+2+/1+765 | C | Gramachree Molly (t) | IC-E | Preston Bassoon, 1790 | 15 | BS |
//5653/671+6//5323/15//1+71+2+/1+765// | C | Had I a Heart (t) | IC-E | Thompson Fife, 1786 | 25 | FI/FL |
//5653/671+6//5323/15//1+71+2+/1+765//6 | C | One Morning Very Early (t) | AI-A | Scots MM, 1797 | 20L-R | VO,HA/PF |
//5653/671+6//5323/15//1+71+2+/7-65 | C | Maid In Bedlam, The (t) | SC-S | Scots MM-1, 1787 | 46-47 | VO,PF |
//5653/671+6//5323/1//56567/1+71+2+ | C | Strephon and Polly (t) | AI-A | Select Songster, 1786 | 10-11 | VO |
//5653/671+6//5323/1567 | C | Gramachree Molly a Favorite Irish Air (t) | SS-E | SS, Folger-C52 | 183 | VO,KB+GT |
//5653/671+6//5323/1567 | C | Gramachree Molly (t) | IC-E | Thompson Record, 1768 | 26 | RC |
//5653/671+6//5323/1567 | C | Gramachree Molly (t) | AM-A | Van Schaack MS, 1820 | 32 | FI/FL |
//5653/671+6//5323/1567//1+ | C | As Down on Banna's Banks I Stray'd (t), or Favorite Irish Air, A (at) | SC-E | Vocal Music, 1775 | 56-57 | VO/VN/GF |
//5653/671+6//5323/1567//1+7 | C | One Morning Very Early (t) | SC-E | Vocal Music, 1775 | 214-215 | VO/VN/GF |
//5653/671+6//5323/1567//1+71+2+ | C | Gramachree Molly (t), or Favorite Irish Air, A (at) | SS-E | SS, Harvard | 1 | VO,KBF+GT |
//5653/671+6//5323/1567//1+71+2+ | C | Gramachree Molly (t), or Favorite Irish Air, A (at) | SS-E | SS, Harvard | 1 | VO,KBF+GT |
//5653/671+6//5323/1567//1+71+2+ | C | Gramachree Molly (t), or Favorite Irish Air, A (at) | SS-E | SS, Harvard | 1 | VO,KBF |
//5653/671+6//5323/1567//1+71+2+/1+765 | C | Strephon & Polly (t) | AM-A | Cary MS, 1797 | 57-58 | VO |
//5653/671+6//5323/1567//1+71+2+/1+765// |
C | Gramachree Molly (t) | AI-A | Gilfert Gents PC, 1802 | 33 | GF/VN |
//5653/671+6//5323/1567//1+71+2+/1+765 | C | Favourite Irish Air, A (t) | AM-A | Greenwood MS, 1785 | 66 | MI |
//5653/671+6//5323/1567//1+71+2+/1+765 | C | Gramachree Molly (t) | AM-A | Hawkins MS, 1794 | II,21 | GF |
//5653/671+6//5323/1567//1+71+2+/1+765 | C | Gramachree Molly (t) | IC-E | Longman Pb, 1778 | 30-31 | VO/GF |
//5653/671+6//5323/1567//1+71+2+/1+765 | C | Gramachree (t) | AI-A | Paff Amus 4, 1817 | 27 | FL/VN |
//5653/671+6//5323/1567//1+71+2+/1+765 | C | Gramachree Molly (t) | IC-E | Preston Oboe, 1780 | 11 | OB |
//5653/671+6//5323/1567//1+71+2+/1+765 | C | Maid In Bedlam, The (t) | SS-E | SS, Harvard | 1 | VO,KBF+GT |
//5653/671+6//5323/1567//1+71+2+/1+765 | C | Maid In Bedlam, The (t) | SS-E | SS, Huntington-2 | 48 | VO,KBF+GT |
//5653/671+6//5323/1567//1+71+2+/1+765 | C | Gramachree Molly (t) | IC-E | Thompson Oboe, 1790 | 23 | OB |
//5653/671+6//5323/1567//1+71+2+/1+765// |
C | Gramachree Molly (t) | AM-E | Wheatstone Clarinet, 1801 | 82 | MI |
//5653/671+6//5325/15//1+71+2+/1+765 | C | Gramachree Molly (t) | IC-E | Longman Bassoon, 1780 | 10 | BS |
//565/3//671+/6//53/42 | 2/4 | Graw Mecree a Troop (t) | AM-A | Thompson MS, 1777 | 35 | FI |
//5653/671+6//5423/15//1+71+2+/1+765 | C | Had I a Heart (t) | SC-S | Edinburgh MM-2, 1793 | 130-131 | VO |
//56/53//67/1+6//56/53 | 2/4 | Ptalaemon to Pastora (t) | AI-A | American Periodicals | VO,KB | |
//5653/672+1+76//5313/2123//5653/672+1+7 6// |
C/ | Quick March of the 3d. Regt. of Guards, 1773 (t) | IC-E | English Sheet Music | 1 | KB |
//56/53//67/61+//56/53 | 2/4 | Mrs. Shaws Fancy (t) | DA-E | Thompson CD-6.2, 1790 | 19 | MI |
//5653/6761+//5653/323//4567/1+2+3+4+ | C/ | New Corn Riggs (t) | DA-E | Skillern CD, 1780 | 8 | VN/GF/OB |
//56/537-6-//56/537-6-//543/437-6- | C | Glinquich's Bush-1 (t) | IC-E | Caledonian PC, 1760 | X,23 | GF/VN |
//5654//135313//4656//46352//5653 | 3/4 | Zabinus (t) | DA-E | Walsh NCDM-3, 1728 | 90 | VN/OB/FL |
//5654/1+5654//31/12//317-1/3454321 | C | When first I ken'd young Sandy's face (fl) | AM-A | Dawes MS, 1790 | 35 | VO,HA |
//565/423//1/165//543/321 | 6/8 | My Pretty Gazelle (t) | AI-A | Riley Flute 4, 1826 | 90 | FL |
//56542//31//2346//53//56542//31// | 3/8 | Madam Nouville's Waltz (t), or Celebrated National Waltz, The (at) | AM-A | Irving MS, 1796 | 149 | 1 MI |
//5/65//4/24//3/54 | 2/4 | Millers Wedding, The (t) | AM-A | Perkins MS, 1790 | 35 | MI |
//565//4243//565//4243//11324//33546// | 3/8 | Minuet (t) | IC-E | Forest Harmony-4, 1744 | 19 | 2HN/GF/TR/VN |
//5-6-/5-4-2-5-//3-1-/5-12//32/1321 | C | Sentinel, The (t) | AI-A | Paff Amus 4, 1817 | 18 | FL/VN |
//56/543//1123/4//22/17- | 2/4 | Queene Harts, The (t) | AM-A | Gibbs MS, 1777 | 12 | FI |
//56/54//31/123//42/2321// | 2/4 | Iemmies Bawbee (t) | AI-A | Paff CD, 1799 | 1-2 | PF/FL/VN |
//56/54//31/123//43/21 | C | Bra-Boy (t) | AM-A | Commonplace MS, 1797 | 24 | FI |
//56/54//31/123//46-/21// | 2/4 | Polly Put the Kettle On (t) | AI-A | Carrs PC, 1800 | 4 | GF/VN/FL |
//5654//311//25-5-//311//5654 | 3/8 | Bohemian Waltz (t) | AI-A | Riley Flute 1, 1814 | 91 | FL |
//5654//311//25-5-//311//5654//311 | 3/8 | Bohemian Waltz (t) | AI-A | American Sheet Music | KB | |
//5654//311//25-5-//31234//55654//311// | 3/8 | Lieber Augustine (t) | IC-E | Hyde Bugle, 1818 | 13 | BU |
//5654//311//25-5-//31234//5654//311// | 3/8 | Augustin Waltz, L' (t) | DA-E | Wilson Companion, 1816 | 143 | MI |
//5654//311//27-7-//311//5654//311 | 3/4 | Lieber Augustine (t) | AI-A | Riley Flute 3, 1820 | 13 | FL |
//5654/311/311//5654/311/234// | 9/8 | Humours of airfield (t) | MS-C | Molyneaux MS-1, 1788 | 58 | GF |
//56/54//31/13//43/21 | 2/4 | Queen of Hearts, The (t) | IC-S | Aird 1, 1782 | 5 | FI/VN/GF |
//56/54//31/13//43/21 | 2/4 | Queen of Hearts, The (t) | AM-A | Kingsley MS, 1795 | I,8 | MI |
//56/54//31/13//43/21// | Quen of Harts (t) | AM-A | Morris MS, 1776 | 19v | FI | |
//56/54//31/13//43/21 | 2/4 | Queen of Hearts, The (t) | AM-A | Perkins MS, 1790 | 4 | MI |
//56/54//31/13//43/21 | 2/4 | Queen of Hearts (t) | AM-A | White, O. MS, 1775 | 12 | MI |
//56/54//31/13//43/21//7-27-6-/5-1// | 2/4 | Queen of Hearts (t) | AM-A | Boynton MS, 1799 | 13R | 1 FI |
//5654/3113//4321/7-5-5-2//3113/4221+// | C/ | Queen of Hearts, The (t) | MS-C | Molyneaux MS-2, 1788 | 48 | 1 OR 2 GF |
//5654/3113//4321/7-5-5-4//3113/4221+ | C/ | Queen of Hearts (t) | AM-A | Williams, W. MS, 1775 | 11 | FI |
//56/54//31/13//46-/21 | 2/4 | Jenny's Bawbie (t) | SC-S | Scots MM-5, 1797 | 512 | VO,PF |
//56/54//31/13//46-/21 | 2/4 | Jenny's Babee.2d Quick Step (t) | IC-S | Scottish Sheet Music | KB | |
//5654/3113//6-6-6-21/7-5-5-3//5654/3113 |
C/ | Jenny's Babee (t) | IC-S | Aird 4, 1796 | 29 | FI/GF/VN |
//5654/3113//6-6-6-21/7-5-5-3//5654/3113 |
C/ | Janny's Babee (t) | IC-S | Watlen Marches, 1798 | 13 | PF/FL/VN |
//5654//311//422//311//5654//311// | 3/8 | Troop Minero (t) | MS-S | Fife MS, 1780 | 912,97v | 1FI OR 2FI/VN |
//5654/311//6-121/6-5-5-//5654/311// | C | Molly Put The Kettle On (t) | AM-A | Bevens MS, 1825 | 32r | FI |
//5654/311//6-121/6-5-5-//5654/311 | C | Molly Put the Kettle on (t) | AM-A | Commonplace MS, 1811 | 11 | MI |
//5654/311//6-121/6-5-5-//5654/311 | C | Molly Put the Kittle on (t) | AM-A | Hooves MS, 1817 | 114 | FI |
//565/4311//6-121/6-5-5-//5654/311 | C | Molly Put the Kettle on (t) | AI-A | Steele Fife, 1815 | 18 | FI |
//5654/311//6-121/7-5-5-//5654/311// | C | Molly put the Kettle on (t) | AM-A | White, G. MS, 1790 | 112-113 | VN |
//56/54//31/1//6-2/21 | 2/4 | Barney Leave the Girls Alone (t) | AM-A | Beach MS, 1801 | 23 | MI |
//56/54//31/1//6-2/21 | 2/4 | Polly Put the Kettle on (t) | AI-A | Blake Amus 3, 1825 | 5 | CL |
//56/54//31/1//6-2/21 | 2/4 | Polly Put the Kettle on (t) | AM-A | Trumbull MS, 1801 | a:15 | MI |
//56/54//31/1//6-2/21// | 2/4 | Molly put the Kettle on (t) | AM-A | Winnington MS, 1810 | 17 | KB |
//5654/311//6-221/7-5-5-//5654/3117-// | C | Jennys Bawbee (Old Scotch) (t) | DA-E | Wilson Companion, 1816 | 67 | MI |
//5654/3116-//6-221/7-5-5-//5654/3116- | C/ | Molly Put the Kettle on and We Will Take tea (t) | AM-A | Cary MS, 1797 | 120 | VN |
//565/43//1+2+1+/76//565/43 | 2/4 | Galopade (t) | AI-A | Riley Flute 4, 1826 | 91 | FL |
//56/54//3/1//24/32 | 2/4 | Air (t) | IC-E | Holmes Hn Duets, 1763 | 7 | 2HN/GT/GF/VN |
//5654/31//27-/1234//5654/31 | 2/4 | Free on the Mountains (t) | AI-A | Riley Flute 1, 1814 | 87 | FL |
//5/6//5/4//31/27-//15- | 6/8 | Ladies ladies (fl) | TW-E | Lionel & Clar, 1768 | 44-47 | VO,HAF |
//56/54//3/1//3//2 | 2/4 | TW-E | Enchanted Cas, 1787 | 12 | KB | |
//5654/3135//66/51+//671+6/71+2+3+// | C | Hornpipe, A (t) | MS-S | Fife MS, 1780 | 511,54r | 1FI OR 2FI/VN |
//5-654//313//6-7-1325//543553//2331//7- |
3/4 | If we must die why die we must (fl) | TW-E | Trip/Portsmouth, 1773 | 16-17 | VO,KBF+GT/GF |
//5654//31+//54//32343//5654//31+ | 3/8 | Vergatter (t) | MS-G | Darmstadt MS 1225 | 49-50 | 2MI |
//5654//31555//5523//4543 | 3/2 | Air 6 (t) | BA-E | Achilles, 1733 | 8 | VO |
//56/54//3/15//61+/71+2+1+//1+/1+2+ | 3 | Song, A (t) | SC-E | Pills 6, 1719-20 | 211-2 | VO |
//565/431+//564/3//343/212 | 6/8 | 3d(camperdown) Medley Dance.4th Part (t) | IC-S | Gibb New Coll, 1798 | 20-21 | PF/VN,VC |
//5-6-5-4-/3-1//5-6-5-4-/3-1//5-/6-5-4-3 - |
2/4 | Col: Forbes's Quick Step (t) | AI-A | Riley Flute 1, 1814 | 17 | FL |
//5-654//31//6-7-1325//543 | 3/4 | Song 178 (t) | SC-E | Convivial, 1782 | 352-353 | VO |
//5-654//31//6-7-1325//543 | 3/4 | Blue-Eyed Patty (t), or Origin of the Patten, The (at) | SC-S | Edinburgh MM-2, 1793 | 114-116 | VO |
//5-654//31//6-7-1325//543 | 3/4 | Sweet Ditties Would My Patty (t) | SC-E | Vocal Music, 1778 | 128-129 | VO/VN/GF |
//5654/31+7//65/54//343/321 | 6/8 | 3d(camperdown) Medley Dance.6th Part (t) | IC-S | Gibb New Coll, 1798 | 21 | PF/VN,VC |
//56/5432//111/1324//3153//6543// | C/ | Slow March, A (t) | MS-S | Fife MS, 1780 | 857,92r | 1FI OR 2FI/VN |
//56/5432//111/1324//3153/6543 | C/ | 31st Regiment's March, The (t) | AM-A | Kingsley MS, 1795 | I,29 | MI |
//56/5432//111/1324//3153/6543// | C | 37 Regt March, The (t) | MS-S | Miller, J. MS, 1798 | 53 | FI |
//56/5432//11/13//24/7-2 | 2/4 | Leap Over the Garter (t) | IC-S | Aird 4, 1796 | 40 | FI/GF/VN |
//5654//321//1+2+3+//2+1+2+//5654//321// |
3 | St. Albands, The (t) | IC-E | Apollo's Banquet 1-8, 1701 | 50-51 (32v-33r) | VN |
//56/5432//1/12//33/4522 | C/ | Falling of Tune, The (t) | IC-E | Barriffe Mars, 1639 | FI | |
//565432//113//224//315-//565432 | 3/8 | Sicilian Waltz, A (t) | AI-A | Riley Flute 1, 1814 | 47 | FL |
//5654/32//11/5654/32/1 | 2 | Air 22 (t) | BA-E | Decoy, 1733 | T30M7 | VO |
//56/54//3/2//1/1//56/54//32/1 | 2/4 | If I cannot plague the lubber (fl) | TW-E | Midas-1, 1764 | 14-15 | VO,HAF |
//565432//117-1//2212//311//5 | 3/8 | Six Favorite German Waltzen-2 (t) | AI-A | Musical Jnl-1, 1800 | II,26 | FL/VN |
//565432//117-1//2212//311//5 | 3/8 | Six Favorite German Waltzen-1 (t) | AI-A | Musical Jnl-2, 1800 | II,26-28 | PF |
//56//5432/11+//76/71+//2+ | C/ | New Song on the Last Campaign and the Duke of Marlbroughs Return, A (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//565/4321//2123/1234//565/4321 | 2/4 | Doctor's or Church Call (t), or Parley, The (at) | AI-A | Camp Dupont, 1816 | 11 | 2GF/FI/VN,PF |
//565/43//2123/1234//565/43 | 2/4 | Church Call (t) | AI-A | Ashworth D&F, 1812 | 34 | FI |
//565/43//2123/1234//565/43 | 2/4 | Church Call (t) | AM-A | Beach MS, 1801 | 103 | MI |
//565/43//2123/1234//565/43// | 2/4 | Singledrag (t) | AM-A | Bevens MS, 1825 | 1r | FI |
//565/43//2123/1234//565/43 | C | Reveille, The.5th (t) | AM-A | Hooves MS, 1817 | 41 | FI |
//565/43//2123/1234//565/43 | 2/4 | Church and Recruiting Call, The (t) | IC-E | Potter Fife, 1817 | 20 | FI |
//565/43//2123/1234//565/43 | 2/4 | Parley, The (t), or Church Call (at) | AI-A | Riley Flute 3, 1820 | 87 | FL |
//565/43//2123/1234//565/43 | 2/4 | Parley, The (t), or Church Call (at) | AI-A | Rumrille D&F, 1817 | 34 | FI |
//565/43//2123/1234//565/43 | C | Revellie.5th (t) | AM-A | Van Schaack MS, 1820 | 4 | FI/FL |
//5654/32//12/31//4543/21// | 2/4 | Quick Step (t) | IC-E | Naval Compendium, 1800 | 13 | 2FL/VN,PF |
//56/54//3/2//123/21 | C/ | Grenadier Marche Von Jung Koenigseck (t) | MS-G | Darmstadt MS 1224 | 181 | MI |
//56/54//32/12//34/32 | 2 | Tout Ensemble, Le (t) | DA-E | Johnson CD-6, 1751 | 29 | VN/GF |
//56/54//32/12//34/32// | 2 | Tout Ensemble, Le (t) | DA-E | Universal Magazine | 2:127, 1752 | MI |
//56/54//32/12//34/32 | 2 | Tout Ensemble, Le (t) | DA-E | Walsh CD-3.5, 1754 | 7 | VN//OB/GF |
//565432//123//43//21232//565432//123// | 3 | Minuet, A (t) | IC-E | Apollo's Banquet 2, 1691 | 8 | VN/FL |
//56543//212//34321//25-5 | 3/4 | Gen'l Elliot's Minuet (t) | AM-A | Swan MS, 1775 | 23R | MI |
//56/543//21/23//456/53// | 3 | Dance In the Play of Mackbeth, The (t) | IC-E | Apollo's Banquet 1-1, 1670 | 11 | VN |
//56/543//21/23//456/53// | 3 | Dance In the Play of Macbeth, The (t) | IC-E | Apollo's Banquet 1-7, 1693 | 10 | VN |
//56543//2123//45653//2112//23217-// | C3 | Dance In the Play of Macbeth, The (t) | IC-E | Apollo's Banquet 1-2, 1678 | 13 | VN |
//56543//2123//45653//2112//23217-// | C3 | Dance In the Play of Macbeth, The (t) | IC-E | Apollo's Banquet 1-5, 1687 | 13 | VN |
//56543//2123//45653//2112//23217-// | C3 | Dance In the Play of Macbeth, The (t) | IC-E | Apollo's Banquet 1-6, 1690 | 11 | VN |
//5654//321//24+3+2+1+7//671+1//1351+3+5 +//2+1+765// |
3/4 | German Minuet, A (t) | AM-A | Ormsby MS, 1758 | 290 | VN |
//5-6-/5-4-//3-/2-//1-3-1-/2-1-2-3-4- | 2/4 | Mousquetirer Marche Von Nassau (t) | MS-G | Darmstadt MS 1224 | 299 | MI |
//565/4321//3123/5-1//5-6-5-4-/5-4- | C | Col. Favorite (t) | AI-A | Robinson Coll, 1818 | 28 | FI,DR |
//56/54//32/13//25-/6-7-//1/1 | 3/4 | Country Man's Delight, The (t) | SC-E | Pills 4, 1719-20 | 122-6 | VO |
//56/54//32/13//56/53// | 2/4 | Betty Blue (t) | IC-E | Thorowgood Guitar, 1763 | 7 | GT |
//56/54//32/13//56/5432 | C/ | Betty Blue (t) | DA-E | Johnson CD-8, 1758 | 26 | VN/GF |
//56/54//32/13//56/5432 | C/ | Betty Blue (t) | DA-E | Thompson CD-1, 1757 | 77 | VN/GF/OB |
//56/54//32/13//56/5432// | C/ | Betty Blue (t) | DA-E | Thompson CD-1a, 1757 | 76 | VN/GF/OB |
//5654321//43427-127-1//5654321//43427-1 27-1//133551+//1+ |
3/4 | Minuetto Italiano (t) | IC-S | Pandean Coll 1, 1810 | 18 | PF |
//56/5432//15/31//65/67 | C/ | True Topers-1 (t) | SC-E | Musical Cent-2, 1740 | 38 | 4VO,KB+FL |
//56/5432//15/31//65/67//1+ | C/ | True Topers, The (t) | SS-E | SS, Harvard | 1 | VO,B+MI |
//56//54//32//15//671+ | 3 | Comicall Parly Between Two Countrymen on Sight of a Wedding, A (t) | SS-E | SS, Folger-C42.4 | 433 | VO+FL |
//56/5432//15-/6-7-//16/54 | 2 | Lib the Loun (t), or Balgeny (at) | DA-E | Johnson CD-8, 1758 | 90 | VN/GF |
//5-//6-5-4-//3-2-1-//654//3 | 3/4 | Adagio (t) | IC-S | Stewart Marches, 1773 | 20-22 | 2VN/GF/OB,VC/HA |
//5654/321//66/5//671+6/71+ | C | Old Father John (t) | AM-A | Perkins MS, 1790 | 19 | MI |
//5/6//543/21//6-7-1/5-1 | 6/8 | Gamester, The (t) | IC-S | Stewart Airs, 1788 | 2:74 | GF/VN/FI |
//5/6//543/21//6-7-1/5-3 | 6/8 | Parlour, The (t) | IC-S | Aird 3, 1788 | 170 | FI/GF/VN |
//5654//321//671+6//554343//5654//321 | 3/4 | Royal Familys Minuet, The (t) | IC-E | Preston Oboe, 1780 | 12 | OB |
//56/543//21/67//56/561+3 | C | Nancy's to the Greenwood Gone (t) | MS-E | Hammersley MS, 1790 | 107B | KB |
//565432//17-11+//1+71+2+1+7654//43435// 1+76343 |
3/4 | Favourite Air, A (t) | SC-E | Clio-3, 1762 | 92-93 | VO,HAF+GF |
/565//432/17-//11+/72+4//351/7-24// | 6/8 | Stanislas, La. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 81 Feuille | MI |
//565//432//17-1//23 | 3/8 | Song 45 (t) | SC-E | Ritson, 1783 | TI,38;MIII,16 | VO |
//5654/32//17-12/321//2343/2343// | 2/4 | Little Dance (t) | DA-E | Walsh CD-3.4, 1747 | 6 | VN/OB/GF |
//565//432//17-1//23/434 | 3/8 | Desponding Lover, The (t) | SC-E | Calliope, 1746 | I,146 | VO,HAF+FL |
//565//432//17-1//23//434 | 3/8 | Rival, The (t), or Desponding Lover, The (at) | SC-E | Musical Ent-1, 1740 | 19 | VO,KB+FL |
//565//432//17-1//23//434 | 3/8 | Rival or Desponding Lover, The (t) | SS-E | SS, Folger-C42.3 | 135 | VO,KB+FL |
//565432/17-12//34543/25//651+7/65 | 6/8 | Complaining Lover, The (t) | SC-E | Calliope, 1746 | I,5 | VO/GF,B+FL |
//565432/17-12//34543/25//651+7/65 | 6/8 | Complaining Maid, The (t) | SS-E | SS, Folger-C42.3 | 27 | VO,KB+FL |
//565432/17-12//34543/25//651+7/65 | 6/8 | Complaining Lover, The (t) | SC-E | Watts MM-4, 1730 | 132-133 | VO,HA+FL |
//56//54321//7-12//5- | 3/4 | Favourite Minuet Sung at the Theatre Royal, A (t) | SC-E | Pocket Comp, 1725 | 39 | VO,HAF+FL |
//56//54321//7-12//5- | 3 | Air 5 (t) | BA-E | Silvia, 1731 | 8 | VO |
//5/6//543/21//7-12/5-1// | 6/8 | Harlequin Ranger (t) | MS-E | Malecot MS, 1779 | 8 | VN |
//56//54321//7-12//5-//12 | 3 | Air 22 (t) | BA-E | Jovial Crew, 1731 | 30 | VO |
//56//54321//7-12//5-//12 | 3 | Reproof, The (t) | SC-E | Watts MM-2, 1729 | 90-91 | VO/VN+FL |
//56//54321//7-12//5-//12212 | 3/4 | Polish Minuet, The (t), or Miss Kitty Grevil's Delight, (at) | SS-E | SS, Folger-C42.4 | 168 | VO,KB+FL |
//56//54321//7-12//5-//12212//31425 | 3/4 | Polish Minuet, The (t), or Miss Kitty Grevil's Delight, (at) | SS-E | SS, Harvard | 1,DUP | VO,B+FL |
//56//54321//7-12//5-//12212//31425 | 3/4 | Polish Minuet, The (t), or Miss Kitty Grevil's Delight, (at) | SS-E | SS, Harvard | 1 | VO,B+FL |
//56//54321//7-12//5-//12212//31425 | 3/4 | Polish Minuet, The (t), or Miss Kitty Grevil's Delight, (at) | SS-E | SS, Harvard | 1 | VO,B+FL |
//56//54321//7-12//5-//12//31425 | 3 | Minuet Alternat.1st Minuet (t) | IC-E | Delightful-2, 1745 | VI,4 | GF |
//5654321//7-125-//123//322//35321//234 | 3/4 | Song (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//56543//217-1//4-6543-5//24321-3 | 3/4 | Weydiman's Minuet (t) | AM-A | Hawkins MS, 1794 | II,38 | GF |
//56543//217-1//4-6543-5//2-4321-3//2-43 -54- |
3/4 | Menuet (t) | AM-A | Aborn MS, 1790 | 29 | MI |
//56543//217-1//4-6543-5//2-4321-3//2-43 -54- |
3 | Minuet (t) | IC-E | Delightful-1, 1763 | III,22 | GF |
//5-6543//217-1//4-6543-5//2-4321-3//2-4 3-54- |
3/4 | Weidmans Minuet (t) | MS-S | Gillespie MS, 1768 | 87 | VN |
//56543//217-1//4-6543-5//2-4321-3//2-43 -54-6 |
3/4 | Weideman's Minuet (t) | AM-A | Canfield MS, 1823 | 112 | FL |
//56543//217-1//4-6543-5//2-4321-3//2-43 -54-6 |
3/4 | Weydiman's Minuet (t) | IC-E | Waylet Oboe, 1745 | 14 | OB |
//56543//217-1//4-6543-5//2-4321-3//2-43 -54-6//217-6-5-// |
3/4 | Weidiman's Minuet (t) | IC-E | Johnson Flute, 1760 | 23 | GF |
//56543//217-1//4-6543-5//2-4321-3//2-43 -54-6//217-6-5- |
3/4 | Minuet 4 (t) | IC-E | Longman Evening, 1780 | 34-35 | 2GF |
//56543//217-1//4-6543-5//2-4321-3//2-43 -54-6//217-6-5// |
3/4 | Widiman's Minuet (t) | AM-A | Ormsby MS, 1758 | 282 | VN |
//5/65//43/21//7-2/5-7- | C | Two Original Russian Airs, Air 2 (t) | AI-A | Musical Jnl-1, 1800 | I,28 | 2FL/2VN/2VO |
//5//654321//7-5-15-25-//15-25-35-//4 | 3/8 | Waltzer (t) | AI-A | Linley Asst-1, 1796 | 19 | PF |
//56543/217-5-6-/1234//576/543/234//3/21 // |
C [3/2] | Galliarda to My L.[ord] Lumley's Paven (t) | MS-E | Fitzwilliam MS-1, 1609 | 54-56 | VI |
//565/43//2/17-//6-7-1/231// | 3 | New Dance, A (t) | IC-E | Apollo's Banquet 1-1, 1670 | 24 | VN |
//56543//217-//6-7-1231//2254//32145// | C3 | New Dance, A (t) | IC-E | Apollo's Banquet 1-2, 1678 | 66 | VN |
//5/6//543/21//7-7-1/5-1 | 6/8 | Parlor, The (t), or Harlequin Ranger(alias) (at) | DA-E | Johnson CD-7, 1756 | 11 | VN/GF |
//56/54//32/234//52/234//52/25// | 2/4 | Galopada, La (t) | MS-M | Garcia MS, 1772 | 71 | MI |
//565/4323//11/217-1//22/3212// | 2/4 | Lucine, La (t) | AM-A | Duport MS-2, 1800 | 13v | VN |
//565/432//31/17-1//232 | 6/4 | Health to the Jolly Lad & Lass, A (t) | SS-E | SS, Folger-C42.4 | 377 | VO+FL |
//565/432//31/17-1//232/26-2 | 6/4 | Song 67 (t) | SC-E | Convivial, 1782 | 134-135 | VO |
//565/432//31/17-1//232/26-2 | 6/4 | Rowling Eye, The (t) | PL-E | Playford 3-2, 1726 | 50 | VN |
//565/432//31/17-1//232/26-2 | 6/4 | Rowling Eye, The (t) | DA-E | Walsh CD-2.3, 1735 | 282 | VN/OB/GF/CF |
//565/432//31/17-1//232/26-2 | 6/4 | Rowling Eye, The (t) | DA-E | Walsh CD-3.5, 1754 | 160 | VN//OB/GF |
//565/432//31/17-1//232/26-2 | 6/4 | Rowling Eye, The (t) | DA-E | Walsh NCDM-3, 1728 | 50 | VN/OB/FL |
//565/432//31/17-1//232/26-2//7- | 6/4 | Health to the Jolly Lad & Lass, A (t) | SS-E | SS, Harvard | 1 | VO+FL |
//5654/323//1234/321//7-127-5-6- | 6/8 | Chain Cotillon (t) | AM-A | Cabot MS, 1784 | 16 | GF |
//565//432//315//67//1+3+2+//71+2+7// | 3 | IC-E | Musicks Hand-Maid-2, 1689 | 3v-4r | VI/HA/SP | |
//565//432//321////7-122222//17-6- | 6/8 | Echo Arioso (t) | MS-G | Darmstadt MS 1223 | 3OB,TR,2BS | |
//565/432//321/7-7-//121/321 | 6/8 | Honour (t) | SS-E | SS, Boston PL-2 | 237 | VO,KB |
//5654/32//32343/21//231252/3212 | C | Adagio (t) | IC-E | Forest Harmony-2, 1733 | 32 | 2HN/GF/TR/VN |
//56/5432//33/6-45//65/4321// | C | March for Sir John (t) | AM-A | Tuesday Club MS, 1745 | 12/228-229 | 2MI,B |
//5//6//5/43//234 | 2/4 | Air (t) | IC-S | Stewart Marches, 1773 | 48-49 | 2VN/GF/OB,VC/HA |
//56/54//323/42//1 | C/ | Chorus (t) | SS-E | SS, Folger-C42.3 | 346 | 3VO,B,KBF+2FL |
//56/54//3234/31 | C/ | Nancy Crow (t) | SC-E | British Amus, 1762 | 8 | VO,HAF |
//5/6//543/234//31 | 2 | Sonatina (t), or Un Jour le Grand Collecteur (at) | IC-E | Delightful-2, 1745 | VI,28 | 2GF |
//56/54//3234/31//21 | C/ | Nancy Crow (t) | SC-E | Monthly Melody, 1760 | I,10+I,14 | VO,HAF+GF/GT |
//56/54//3234/31//21/43 | C/ | Nancy Crow (t) | SS-E | SS, Boston PL-1 | 10 | VO,HAF |
/565//43/234//31/53//25-5-/53// | 6/8 | Plumes, Les. Contre-Danse Française. (t) | DA-F | Landrin CD BL-2, 1775 | 178 Feuille, Vol. 6 | MI |
//5654/3234//543/25-//5654/3234 | C | Grenadier Marche Von Oranien Friesland (t) | MS-G | Darmstadt MS 1224 | 189 | MI |
//56//54//3234//5-5-1 | 2/4 | Air 38 (t) | BA-E | Polly, 1729 | T40M16 | VO,B |
//5/6//54/3234//5/6 | C/ | 1ster Wacht March V. Smo (t) | MS-G | Darmstadt MS 1225 | 175-76 | 2MI |
//56/54//32/34//56/53 | C/ | Matilok Whim (t) | MS-E | Hammersley MS, 1790 | 92B | MI |
//56/54//32/34//56/53//2 | C | Betty Blue (t) | DA-E | Rutherf CD-2.2, 1760 | 50 | MI |
//56/54//32/34//56/53//2/2 | C | Betty Blue (t) | DA-E | Rutherf CD-1, 1750 | 30 | VN/FL/OB,HAF |
//56/54//32/34//56/55// | 2 | Turc, La (t) | DA-F | Landrin Potpourri, 1785 | 76 | MI |
//565//432//35//641+646//654321//7- | 3/4 | As Careless I Cross'd (t) | SS-E | SS, Harvard | 1 | VO,KBF+GT |
//5-6-/5-4-//3-2-//4-5-4-3-//2-1-//4-5-4 -3-//6-7-6-5- |
3/4 | Hasse's Minuet (t) | AI-A | Herrick Preceptor, 1807 | 44 | 2MI,B |
//56543//251//132435//435//1+5321//45671 +2+// |
3/4 | Sweet Passions of Love (t) | AM-A | Hoff MS, 1797 | No. 199 | GF |
//56//543//251//7-121//51+ | 3/4 | Glee, A (t) | SS-E | SS, Huntington-2 | 90 | 3VO |
//565/432//5/62+//2+3+2+/1+6//4+/2+ | C3 | Health to Betty, A (t) | PL-E | Playford 1-04, 1670 | 46 | VN |
//565/432//565/432//31+5/5432 | 6/8 | Around the Huge Oak (t) | AI-A | Balls Amus 1, 1815 | 23 | FL/FI/VN |
//565/432//565/432//31+5/5432 | 6/8 | Ere Around This Huge Oak (t) | AM-A | Beach MS, 1801 | 115 | KB |
//565/432//565/432//351/2 | 6/8 | Ere around the huge oak (fl) | AI-A | Gent's Amus, 1794 | 5 | GF/VN/VO |
//565/432//565/432//351/241 | 6/8 | E're Round the Huge Oak (t) | AI-A | Elegant Exts, 1796 | 20 | GF/VN/VO |
//565/432//565/432//351/247- | 6/8 | Ere Around the Huge Oak (t) | IC-S | Aird 6, 1803 | 14 | FI/VN/GF |
//565/432//565/432//351/247- | 6/8 | Ere Around the Huge Oak (t) | AI-A | Riley Flute 1, 1814 | 43 | FL |
//565/432//565/432//351/247-//1 | 6/8 | Ere around the huge oak that o'er shadows yon mill (fl) | TW-E | Farmer, 1787 | 10 | VO,KB |
//565/432//565/432//351/247-//1/1 | 6/8 | Ere Around the Huge Oak (t) | SC-S | Edinburgh MM-1, 1792 | 342-343 | VO |
//56/5432//5671+/55//4654/3543// | 2/4 | Trip to Beth Easton, A (t) | AM-A | Brown, J. MS, 1782 | 1:32 | |
//56/5432//5671+/55//4654/3543 | 2/4 | Trip to Bath Easton, A (t) | DA-E | Longman CD, 1781 | 36 | VN/OB/GF |
//56/5432//5671+/55//4654/3543 | 2/4 | Bath Assembly, The (t) | MS-E | Russell MS, 1812 | 33 | FI |
//56/5432//5671+/55//4654/3543 | 2/4 | Trip to Bath Easton, A (t) | DA-E | Thompson CD-4, 1780 | 60 | VN/GF/OB |
//56/5432//5671+/55//4654/3543// | 2/4 | Trip to Bath Easton, A (t) | DA-E | Thompson CD-4a, 1780 | 60 | VN/GF/OB |
//56543//257-//132435//43 | 3/4 | Sweet Passion of Love (t) | IC-E | Longman Pb, 1778 | 52-53 | VO/GF |
//56543//257-//132435//435 | 3/4 | Sweet Passion of Love (t) | IC-E | Cahusac Flute, 1788 | 22 | GF |
//56543//257//132435//435 | 3/4 | Sweet Passion of Love (t) | AM-A | Greenwood MS, 1785 | 15 | MI |
//56543//257-//132435//435 | 3/4 | This Cold Flinty Hearth (t) | AM-A | Hawkins MS, 1794 | II,27 | GF |
//56543//257-//132435//435//1+5321 | 3/4 | Sweet Passion of Love (t) | AI-A | American SS-SM | 1 | VO,KB |
//56543//257-//132435//435//1+5321 | 3/4 | Sweet Passion of Love (t) | IC-E | Cahusac Flute, 1792 | 22 | GF |
//56543//257-//132435//435//1+5321 | 3/4 | Favourite Song, A (t) | SC-E | Clio-4, 1778 | 84-85 | VO,HAF+MI |
//56543//257-//132435//435//1+5321 | 3/4 | Sweet Passion of Love (t), or Favorite Song In Cymon (at) | SS-E | SS, New York PL-C695 | 42 | VO,HA+GF/GF |
//56543//257-//132435//435//1+5321 | 3/4 | Song 70 (t) | SC-E | Vocal Enchant, 1783 | 148-149 | VO |
//56543//257-//132435//435//1+5321//4567 1+2+// |
3/4 | Sweet Passion of Love (t) | IC-E | Cahusac Flute, 1798 | 22 | FL |
//565/432//7/62+//2+3+2+/1+ | C/3 | Health to Betty, An (t) | PL-E | Playford 1-10, 1698 | 55 | VN |
//565/432//7/62+//2+3+2+/1+6 | C3 | Health to Betty, A (t) | PL-E | Playford 1-06, 1679 | 46 | VN |
//565/432//7/62+//2+3+2+/1+6 | C3 | Health to Betty, A (t) | PL-E | Playford 1-09, 1695 | 55 | VN |
//5-6-5-/4-3-2//7-/6-2//232/16-//4/2 | C3 | Health to Betty, A (t) | PL-E | Playford 1-05, 1675 | 46 | VN |
//5-6-5-/4-3-2//7-/6-2//232/16-//4/2 | C3 | Health to Betty, A (t) | PL-E | Playford 1-07, 1686 | 46 | VN |
//565/432//7/62+//2+3+2+/2+6//4+2+ | C3 | Health to Betty, A (t) | PL-E | Playford 1-08, 1690 | 57 | VN |
//56543//3235-//132435//5543435//1+3+2+1 +7//2+1+71+535 |
3/4 | Sweet Passion of Love (t) | AI-A | Riley Flute 3, 1820 | 26 | FL |
//5-6-5-4-//3-3-2-3-//5-4-4-2-3-4-//3-2- 7-1//234567//1+765 |
3/4 | Minuetto (t) | IC-E | Eley Pieces 3, 1790 | 6-7 | 2CL,2OB/CL, 2HN,TR,2BS |
//5654//3323//544234//327-1//234567//1+7 65// |
3/4 | Menuet "Dorset's" [ms] (t) | AI-A | Gentlemen's PC, 1802 | 22-23 | 2GF |
//5654/33//2657-/1//5752/37- | C | Suppression of Genius, The (t) | SS-E | SS, Boston PL-2 | 86 | VO,KBF |
//56543333//5-6-5-4-3-//45432222//4-5-4- 3-2-//56531+6//54532+1+76 |
3/4 | Siege of Valenciennes, The. Lamentation of the French (t) | IC-E | English Sheet Music | PF/HA,VN | |
//5654/33//3432/11//6-5-/6-7- | 2/4 | New Windsor Forest (t) | DA-E | Thompson CD-6.1, 1789 | 11 | MI |
//5654/33//3432/131//6-42/7-54// | C/ | Slow March (t) | MS-S | Fife MS, 1780 | 643,69v | 1FI OR 2FI/VN |
//5654/33//3432/131//6-42/7-54 | C/ | Col. Ward's Troop (t) | IC-I | Holden Marches, 1795 | 17 | VN,PF |
//5654//33/3432/131//6-427-54//3432/134/ / |
/C | AM-A | Johnson, S. MS, 1807 | 21 | FI | |
//5654/33//3432/15//5654/3 | 2/4 | Quartetto (t) | TW-E | Padlock, 1768 | 21 | 2VO,KBF |
//56543//34321//217-//17-121//1-3-5-//13 5// |
3/8 | Grosse Tiroloise, La (t) | DA-N | Markordt CD-1, 1771 | 10 | VN/GF |
/5654//33/44//53/53//53/2123//2/5654// | 2/4 | Farewell to Paris (t) | AM-A | Johnson, F. MS, 1820 | 64 | MI |
//5654/334//51+/5//44/22 | 2/4 | Pas Redouble (t) | IC-F | Lefevre Marches, 1793 | 2CL,2FL,2HN,TR,2BS,SPT,BD,C | |
//5-6-5-4-//3-3-4-5-6-//5-6-5-4-3-4-//2- 5-//3-5-//3-5- |
3 | Air 6 (t) | IC-N | Roger Airs, 1716 | 1:4 | 2CH/TR/OB/VN/FL/CL/HN |
//56/54//3/35//45/42 | 2/4 | Bellisle's March (t) | AM-A | Allen, W. MS, 1790 | 86 | 2VO |
//5654//335//4543 | 2/4 | Time Yet Enough (t) | AM-A | Hitchcock MS, 1800 | 12 | 2VO,KB |
//5654/33//64/2//4543/22 | 2/4 | Allegretto (t) | AM-A | Ives MS, 1800 | 24-25 | 2MI |
//5654/342//1351+7654//351/6-43 | 6/8 | Hunting Song (t) | SS-E | SS, Boston PL-2 | 247 | VO,KB+GF/GT |
//5654/342//1351+/7654//351/6-43//32 | 6/8 | Hunting Song (t) | SS-E | SS, Harvard | 1 | VO,KB+GF/GT |
//5/6//5434/21//5-5-/5-12 | C | Sussex March, The (t) | IC-E | Oswald Marches, 1759 | 25 | 2MI |
//56/54//34/217-//12/5-1// | C/ | Bore (t) | IC-E | Apollo's Banquet 1-5, 1687 | B22 | VN |
//56/54//34/217-//12/5-1// | C/ | Bore (t) | IC-E | Apollo's Banquet 1-6, 1690 | B23 | VN |
//565434/2315-//17-1213/1313//15-5654/34 23 |
C/ | Air 25 (t) | IC-N | Roger Airs, 1716 | 1:15 | 2CH/TR/OB/VN/FL/CL/HN |
//565434/2315-//17-1213/1313//15-5654/34 23 |
C/ | Air 43 (t) | IC-N | Roger Airs, 1716 | 2:5 | 2CH/TR/OB/VN/FL/CL/HN |
//56543//42345//67654//36//56543//4 | 3/4 | Burea, La. Minueto (t) | MS-M | Garcia MS, 1772 | 71V [174] | MI |
//565/434//243/35//565/1+14 | 12/8 | Winterbourn Frolick (t) | MS-E | Rainstorp MS, 1747 | 35 | MI |
//565/434//3/1//565/434 | 6/8 | My son has enough at home (fl) | TW-E | Recruiting Serj, 1770 | 16-17 | VO,2VN,BF |
//56/543432//111/124//3153/6543 | C | March of the 37th Regt (t) | IC-S | Aird 3, 1788 | 218 | FI/GF/VN |
//56/543432//111/124//3153/6543//53/2123 4// |
C | 37 Regt. (t) | AM-A | Johnson, S. MS, 1807 | 39 | FI |
//5654/3432//11+/1+1//3+2+1+7/6543// | C | Ancram (t) | DA-N | Andrez Recueil, 1780 | 12 | VN/FL/OB, B |
//5654/3432//11/123//42/22 | 2/4 | Quick Step (t) | AI-A | Webb Divs 2, 1828 | 6 | 2CL,CLS,2HN,2BS,2FL,FLP,TR, |
//5654/3432//11/15-//6-5-/6-7- | 2/4 | Miss Camp's Air (t) | AM-A | Hooves MS, 1817 | 27 | FI |
//56543432//1115-//6-5-6-7- | 2/4 | Miss Camp's Air (t) | AI-A | Village Fifer, 1808 | 43 | 2FI |
//5654/3432//112/15-//17-12/3234 | 2/4 | Grenadier March No 4 (t) | MS-G | Darmstadt MS 1224 | 243,245 | 2MI |
//5654/3432//112/15-//17-12/3234 | 2/4 | Preussicher Gren: March No 31 (t) | MS-G | Darmstadt MS 1225 | 365-66 | 2MI |
//5654/3432//11/23//42/22 | 2/4 | Trip to Dunkirk, A (t) | IC-S | Aird 5, 1797 | 33 | FI/VN/GF |
//5654/3432//11/23//42/22// | 2/4 | Trip to Dunkirk, A (t) | MS-S | Fife MS, 1780 | 595,64r | 1FI OR 2FI/VN |
//5654/3432/11+76/535//654564/5321 | C/ | Miss Margarets Delight (t) | DA-E | Thompson CD-5, 1788 | 64 | VN/GF/OB |
//5654/3432/11+76/535//654564/5321// | C/ | Miss Margarets Delight (t) | DA-E | Thompson CD-5a, 1788 | 64 | VN/GF/OB |
//5654//3432//121//5-12//3432//121 | 3/4 | Air 41 (t) | IC-N | Roger Airs, 1716 | 2:4 | 2CH/TR/OB/VN/FL/CL/HN |
//5654//3432//12//312//312//31 | 3/4 | Air 26 (t) | IC-N | Roger Airs, 1716 | 1:15 | 2CH/TR/OB/VN/FL/CL/HN |
//56/543//4321/23//43/2321 | C/ | Song 31 (t) | SC-E | Ritson, 1783 | TI,26-27;MIII,12 | VO |
//56/543//4321/23//43/2321//7-6 | C/ | Song, A (t) | SC-E | Pills 5, 1719-20 | 156-7 | VO |
/5654//3432/15-//11/5654//3432/ | 2 | Nacreon, La (t) | DA-F | Landrin Potpourri, 1785 | 96 | MI |
/5654//3432/15-6-7-//15-/15-6-7-//15-/ | 2 | Tourbillon. 1e (t) | IC-F | Leclerc Recueil-1, 1729 | 55 | HAF |
//56/543//4321/61+//56/561+3 | C | Song 2 (t), or Nansy's to the Green Wood Gane (at) | SC-E | Calliope, 1788 | 2-3 | VO |
//56/543//4321/61+//56/561+3 | Sang 6 (t) | BA-E | Gentle Shepherd, 1775 | 36 | VO | |
//5-6-/5-4-3-//4-3-2-1-/6-1//5-6-/5-6-13 - |
C | Nancy's to the Greenwood Gane (t) | IC-S | Stewart Airs, 1788 | 3:154-55 | GF/VN/FI |
//56/543//4321/61+//56/561+3 | C | Nancy's to the Green Wood Gane (t) | IC-S | Stuart, 1724 | II,40-41 | HA |
//56/543//4321/61+//56/561+3//5 | C | Nansys to the Green Wood Gane (t) | IC-E | Caledonian PC, 1760 | I,3 | GF |
//56/543//4321/61+//56/5653 | C | Scornfu' Nancy (t), or Song 13 (at) | SC-E | Orpheus Cal-1, 1733 | T25-27MOP25 | VO,HA |
//56/543//4321/61+//56/5653 | C/ | Air 8 (t) | BA-E | Patie & Peggy, 1730 | 9 | VO |
//56/543//4321/61+//56/5653 | C/ | Air 8 (t) | BA-E | Patie & Peggy, 1731 | 8 | VO |
//5-6-/5-4-3-//4-3-2-1-/6-1//5-6-/5-6-5- 3- |
C | Nancy to the Greenwood Gane (t) | AI-A | Riley Flute 2, 1817 | 86 | FL |
//56/543//4321/61+//56/5653 | C/ | Scornfull Nancy (t) | DA-E | Walsh CD-2.3, 1735 | 118 | VN/OB/GF/CF |
//56/543//4321/61+//56/5653 | C/ | Scornfull Nancy (t) | DA-E | Walsh CD-3.3, 1749 | 118 | VN/OB/GF |
//56/543//4321/61+//56/5653//5 | C | Nancy's to the Green-Wood Gane (t) | SC-S | Scots MM-1, 1787 | 50-51 | VO,PF |
//56/543//4321/61+//56/5653//56/1+1+3 | C/ | Air 27 (t) | BA-E | Highland Fair, 1731 | 43 | VO |
//5654/3432//17-/1//15/35//15/61+// | 2/4 | Quick Stept (t) | AM-A | Johnson, S. MS, 1807 | 34-35 | FI |
//56/54//3/43//217-/12 | C/ | Retraite Vite (t) | IC-N | Hummel Div Mil, 1770 | 6 | 2FL |
//5654/3432//17-12/15-//1/212 | C/ | Marche des Mousquetaires.5e Air (t) | MS-F | Philidor MS, 1705 | 8 | 3OB,B+DR |
//5654//3432//17-/12//34/32 | 2/4 | Presto (t) | IC-S | Stewart Marches, 1773 | 90-91 | 2VN/GF/OB,VC/HA |
//56/5434//3231/2323//45/4321// | C/ | IC-E | Musicks Hand-Maid-2, 1689 | 4v-5r | VI/HA/SP | |
//56/543//432/31//333/35 | C/ | March (t) | IC-E | Musica Bell, 1733 | 19 | FL/VN/OB |
//5//654//34323//17-1234//5545//654 | Mr. Paisible's Tunes for the French Haut-Boy(7) (t) | IC-E | Sprightly Comp, 1695 | 11 | OB/FL/VN | |
//5/654//3/432//5/17-1 | C/ | Farewell, ye friends of early youth (fl) | AI-A | American Periodicals | VO,KB | |
//565/434//33/33//454/323//2 | 6/8 | Star that bids the lark arise, The (fl) | TW-E | Mariners, 1793 | I,36-37 | VO,KBF |
//565/434//351+/3+1+5//63+2+/2+1+7 | 6/8 | Oxford Road Pantheon (t) | AM-A | Mass. MS, 1790 | 33 | FL |
//565/434//351+/3+1+5//644+/2+1+7 | 6/8 | Wood House, The (t) | DA-E | Thompson CD-3, 1773 | 9 | VN/GF/OB |
//565/434//351+/3+1+5//644+/2+1+7// | 6/8 | Wood House, The (t) | DA-E | Thompson CD-3a, 1773 | 6 | VN/GF/OB |
//5/6543//4/432//231/7- | 6/4 | Song, A (t) | SC-E | Pills 3, 1719-20 | 170-1 | VO |
//56/5434//433/121//7-2434 | C/ | Vous Que J'viens d'Cueillir Pour Elle (t) | IC-F | Vanderhagen Pcs, 1787 | 21:6 | 2CL,2HN,2BS |
//565/43//44/42+3+//4+3+2+1+/7654 | 2/4 | Presto (t) | IC-S | Pandean Coll 1, 1810 | 25 | PF |
//5/6//5434/51+//1/2 | C/ | Count Saxe's March (t) | AM-A | Aborn MS, 1790 | 85 | MI |
//5/6//5434/51+//1/2 | C/ | Count Saxe's March (t) | IC-E | Clementi Fife, 1815 | 29 | FI |
//5/6//5434/51+//1/2 | C/ | Count Saxes March (t) | IC-E | Handel March 1, 1768 | 11 | VN/GF/OB |
//5/6//5434/51+//1/2 | C/ | Count Saxes March (t) | AM-A | Hawkins MS, 1794 | II,3 | GF |
//5/6//5434/51+//1/2 | C/ | Count Saxe's March (t) | IC-E | Longman Fife, 1770 | 19 | FI |
//5/6//5434/51+//1/2 | C/ | Count Saxe's March (t) | IC-E | Longman Fife, 1780 | 29 | FI/GF |
//5/6//5434/51+//1/2 | C/ | Count Saxes March (t) | MS-I | Regan MS, 1764 | 10 | MI |
//5/6//5434/51+//1/2 | C/ | Count Saxes March (t) | MS-E | Shepherd MS, 1787 | 30 | MI |
//5/6//5434/51+//1/2 | C/ | Count Saxes March (t) | IC-E | Skillern Amus, 1785 | 90-91 | 2GF |
//5/6//5434/51+//1/2 | C/ | Count Saxe's March (t) | IC-E | Skillern Fife, 1780 | 29 | FI/GF |
//5/6//5434/51+//1/2 | C/ | Count Sax's March (t) | IC-S | Stewart Airs, 1788 | 1:56 | GF/VN/FI |
//5/6//5434/51+//1/2 | C/ | Count Saxe's March (t) | IC-E | Thompson Fife, 1760 | 19 | FI |
//5/6//5434/51+//1/2 | C/ | Count Sax's March (t) | IC-E | Thompson Fife, 1770 | 19 | FI |
//5/6//5434/51+//1/2 | C/ | Count Saxes March (t) | IC-E | Thompson March, 1759 | 11 | VN/FL/OB |
//5/6//5434/51+//1/2 | C/ | Count Saxes March (t) | IC-E | Thompson Oboe, 1758 | 11 | OB |
//5/6//5434/51+//1/2 | C/ | Count Saxes March (t) | IC-E | Thompson Oboe, 1770 | 19 | OB |
//5/6//5434/51+//1/2 | C/ | Count Saxe's March (t) | IC-E | Warlike Musick, 1760 | 77 | GF/VN/HA |
//5/6//5434/51+//1/2// | C/ | Count Saxes March (t) | AM-A | White, G. MS, 1790 | 40 | VN |
//56/543451//23/217-125-//56/543451 | C/ | Sweet If You Love Me (t) | DA-E | Johnson CD-7, 1756 | 57 | VN/GF |
//5/654//345/1//234/21 | 6/8 | Gigg (t) | IC-S | Stewart Marches, 1773 | 54-55 | 2VN/GF/OB,VC/HA |
//5654//345//1234//25-//5654//345// | 3 | Britannia, The (t) | IC-E | Apollo's Banquet 1-8, 1701 | 54 (34v) | VN |
//5654//3451+2+//3+4+3+2+1+//2+34//5654 | 3/4 | Love Will Find Out the Way (t) | SC-S | Scots MM-2, 1788 | 157 | VO,PFF |
//56/54//345/123//454/321// | 6/8 | Chapelle, La (t) | IC-F | Leclerc Recueil-3, 1738 | 162 | HAF |
//5-6-5-4-/3-4-//5-1-/5-1-//5-6-5-4-/3-4 - |
C | Betty Martin (t) | AM-A | Trumbull MS, 1801 | b:11r | MI |
//5654//3451+//5654//433+1+//2+ | 3/4 | While Phillis Refuses My Love to Requite (t) | SC-E | Vocal Music, 1775 | 22-23 | VO/VN/GF |
//5654//3451+//5654//433+1+//2+51+71+ | 3/4 | Easy and Gay (t) | SS-E | SS, Boston PL-2 | 284 | VO,KB+GF/GT |
//5654//3451+//5654//433+1+//2+51+71+ | 3/4 | Easy and Gay (t) | SS-E | SS, Huntington-2 | 36 | VO,KB+GF+GT |
/56//54/34//5/1+7//1+2+/ | C/ | Traquenard, Le (t) | IC-F | Leclerc Recueil-1, 1729 | 29 | HAF |
//5654/345//2343/234//5654/345 | C/ | Will You Go to Sherff Muir (t) | IC-E | Caledonian PC, 1760 | VI,10-11 | GF/VN |
//5654/3453//11/24//35/1+71+ | 2/4 | Fair American, The (t) | AM-A | Cary MS, 1797 | 104 | VN |
//5654/3453//11/24//35/1+71+ | 2/4 | Fair American, The (t) | AM-A | Kingsley MS, 1795 | I,51 | MI |
//5654/34//5321/7-1//2343/4 | 2/4 | Cheshunt Statute (t) | DA-E | Bride CD, 1776 | III,27 | VN/OB/GF |
//56/543//45/3//32/321// | C/ | Gavott, A (t) | IC-E | Apollo's Banquet 1-1, 1670 | 156 | VN |
//5-6-5-4-3-4-/5-3-3-//4-2-2-/3-1-1- | 6/8 | Field Marshal Count Suwarrows Troop. March (t) | IC-E | Pick Divs, 1800 | 8-9 | PF |
//5654/3453//4543/322//5653/351+7 | C | Southland Jenny, A (t) | SC-S | Scots MM-4, 1792 | 318 | VO,PF |
//5654/345//3567/1+2+3+//3+/3+4+5+// | 3 | Corant, A (t) | IC-E | Apollo's Banquet 1-1, 1670 | 7 | VN |
//5//654//345432//1 | 3/4 | Air 18 (t) | BA-E | Quaker's Opera, 1728 | 34 | VO |
//5//654//345432//11+7//165//143 | 3/8 | Minuet (t) | AM-A | Simpson MS, 1750 | II,16 | FL |
//5//654//345432//1//1+76 | 3/8 | Look down from your window my dear (fl) | SS-E | SS, Folger-C42.3 | 29 | VO,KB+FL |
//5//654//345432//1//1+76//54321 | 3/8 | Look from your window my dear (fl) | SS-E | SS, Harvard | 1 | VO,B+FL |
//5//654//345432//1//1+76//54321 | 3/8 | Look from your window my dear (fl) | SS-E | SS, Harvard | 1 | VO,B+FL |
//5654/34//5432/145//32/312// | 3 | Modena, La (t) | IC-E | Apollo's Banquet 1-7, 1693 | 28 | VN/FL |
//565434//5432145//32312//7-6-5-16-6-//2 7-1212// |
C3 | Modena, La (t) | IC-E | Apollo's Banquet 1-5, 1687 | A41 | VN |
//565434//5432145//32312//7-6-5-16-6-//2 7-1212// |
C3 | Modena, La (t) | IC-E | Apollo's Banquet 1-6, 1690 | A41 | VN |
//5/6543//4/5432//3135/4321// | C | St James's Park. Cotillion (t) | DA-E | Fishar 12 CD, 1775 | 8 | KB |
//56543//45432//34321//25-5//5654//3 | 3/4 | Bretana, La (t) | MS-M | Garcia MS, 1772 | 70V [172] | MI |
//5/65//43//4/54//33//43//65 | 2/4 | Polly Willis (t) | SC-E | Calliope, 1746 | II,81 | VO,B+FL |
//56//54345//56//54345 | 3/8 | Air 21 (t) | BA-E | Silvia, 1731 | 24 | VO |
//56//54345//56//54345//51+ | 3/8 | Pastoral, A (t) | SC-E | Calliope, 1746 | I,152 | VO,HAF+FL |
//56//54345//56//54345//51+ | 3/8 | Pastoral Made In Ye Year 1715 (t) | SC-E | Musical Cent-1, 1737 | 15 | VO,HAF+FL |
//56//54345//56//54345//51+ | 3/8 | Pastoral (t) | SS-E | SS, Folger-C42.4 | 290 | VO,KB+FL |
//56//54345//56//54345//51+ | 3/8 | Air 24 (t) | BA-E | Village Opera, 1729 | 32 | VO |
//56//54345//56//54345//51+ | 3/8 | Pastoral (t) | SC-E | Watts MM-3, 1730 | 20-21 | VO,HA+FL |
//56//54345//56//54345//71 | 3/8 | Air 14 (t) | BA-E | Chambermaid, 1730 | 16 | VO |
//565434//5566//5671+7654 | 2/4 | Yankee March (t) | AI-A | Village Fifer, 1808 | 68 | 2FI |
//5/6//54/34//5/6 | 2/4 | Sicilian Mariners Hymn, The (t) | AM-A | Beach MS, 1801 | 18 | MI |
//5-/6-//5-4-/3-4-//5-/6- | 2/4 | Sicelian Mariners Hymn (t) | AI-A | Blake Amus 2, 1824 | 6 | CL |
//5/6//54/34//5/6 | 2/4 | Mariner's Hymn (t) | AM-A | Commonplace MS, 1811 | 26 | MI |
//5/6//54/34//5/6 | 2/4 | Mariners Hymn (t) | AM-A | Eells MS, 1789 | 131 | 2GF |
//5/6//54/34//5/6// | 2/4 | Sicilian Mariner's Hymn (t) | AI-A | Gentlemen's PC, 1802 | 19 | 2GF |
//5/6//54/34//5/6// | 2/4 | Sicilian Mariners Hymn, The (t) | IC-E | Hyde Bugle, 1818 | 21 | 2BU,B |
//5/6//54/34//5/6// | 2/4 | Prayer of the Sicilian Mariners (t) | AM-A | Irving MS, 1796 | 35 | 2 MI |
//5/6//54/34//5/6// | 2/4 | Sicilian Mariners Prayer (t) | AM-A | Pierian MS, 1810 | 9 | MI,B |
//5/6//54/34//5/6 | 2/4 | Sicilian Mariner's Hymn, The (t) | IC-E | Purday Bugle, 1830 | 20 | 2BU |
//5/6//54/34//5/6 | 2/4 | Sicilian Mariner's Hymn (t) | AI-A | Riley Flute 1, 1814 | 32 | FL |
//5/6//54/34//5/6 | 2/4 | Sicilian Mariners Hymn (t) | AI-A | Webb Divs 1, 1828 | 6 | 2CL,2HN,2BS,2FL,FLP,TR,BU, |
//5/6//54/34//5/6 | 2/4 | Sicilian Marriner's Hymn (t) | AI-A | Williams Fife, 1819 | 35 | FI |
//5/6//54/34//5/6 | 2/4 | Sicilian Mariners Hymn, The (t) | AM-A | Williams, S. MS, 1795 | 93 | VO,KB |
//5654//345//6-143//25//44//4313 | 3/4 | Winde Gentle Ever Green (t) | IC-E | Bland Clar, 1798 | 30 | 2CL |
//5654//345//6-1434//325//544 | 3/4 | Soft Pity Never Leaves the Gentle Breast (t) | SS-E | SS, New York PL-C694 | 7 | HA,3VO |
//5654//345//6-1434//325//544//43 | 3/4 | Soft pity never leaves the gentle breast (fl) | TW-E | Duenna, 1775 | 39 | 3VO,B |
//56/54//34/5//64+/2+7 | 2/4 | Lord Rawdon's Quick March (t) | IC-S | Stewart Airs, 1788 | 2:93 | GF/VN/FI |
//5/6//54/34//5/6//5 | 2/4 | Prayer of the Sicilian Mariners (t) | AI-A | Gent's Amus, 1794 | 25 | 2GF/2VN/2VO |
//5654/345//66/5//671+7/1+2+4+ | C | First of August (t) | MS-E | Carter MS, 1792 | 14 | MI |
//5654/345//66/5//671+7/66 | C | Weavers March, The (t), or 21st of August, (at) | IC-S | Aird 1, 1782 | 60 | FI/VN/GF |
//56/54//34/56//71+/75// | 2/4 | Creef Fair (t) | MS-E | Vickers MS, 1770 | 153b | MI |
//5/6//54/351//11+1/11+1 | 6/8 | Song 19 (t) | SC-E | Convivial, 1782 | 44-45 | VO |
//5/6//54/351//11+1/11+1 | 6/8 | Whitson Holliday (t) | MS-E | Hammersley MS, 1790 | 34B | MI |
//5/6//54/351//11+1/11+1 | 6/8 | Air 14, Act Iii (t) | BA-E | Love/Riddle, 1729 | T63-64M94 | VO |
//5/6//54/351//11+1/11+1 | 6/8 | Parson Among the Peas, The (t) | SC-E | Pills 1, 1719-20 | 38-39 | VO |
//5/6//54/351//11+1/11+1 | 6/8 | Whitsun-Holidays (t), or Parson In the Peas, The (at) | PL-E | Playford 2-3, 1718 | 230 | VN |
//5/6//54/351//11+1/11+1 | 6/8 | Whitsun-Holidays (t), or Parson In the Peas, The (at) | PL-E | Playford 2-4, 1728 | 230 | VN |
//5/6//54/351//11+1/11+1 | 6/8 | Parson Among the Peas, A New Song, The (t) | SS-E | SS, Folger-C42.2 | 24 | VO,KB+F |
//5/6//54/351//11+1/11+1 | 6/8 | Parson Among the Pease a New Song, The (t) | SS-E | SS, Folger-C42.3 | 174 | VO+FL |
//5/6//54/351//11+1/11+1 | 6/8 | Parson Among the Pease, The (t), or New Song, A (at) | SS-E | SS, Harvard | 1,DUP | VO+FL |
//5/6//54/351//11+1/11+1 | 6/8 | Parson Among the Pease, The (t), or New Song, A (at) | SS-E | SS, Harvard | 1 | VO,B+FL |
//5/6//54/351//11+1/11+1 | 6/8 | Parson Among the Pease, The (t), or New Song, A (at) | SS-E | SS, Harvard | 1 | VO,B+FL |
//5/6//54/351//11+1/11+1 | 6/8 | Parson In the Pease, or the (t), or Whitson Holidays (at) | DA-E | Walsh CD-1.2, 1719 | 252 | VN/OB |
//5/6//54/351//11+1/11+1// | 6/8 | Parson In the Pease (Old English) (t) | DA-E | Wilson Companion, 1816 | 107 | MI |
//5/6//54/351//11+1/11+1//7-1/27-5- | 6/8 | Air 12 (t) | BA-E | Damon & Phill, 1729 | 27-28 | VO |
//5/6//54/351//11+1/11+1//7-1/27-5- | 6/8 | Whitson Holiday (t) | AM-A | Simpson MS, 1750 | II,13 | FL |
//5/6//54/351//11+1/11+1//7-1/27-5-//41 | 6/8 | Air 12 (t) | BA-E | Damon & Phill, 1749 | 27 | VO |
//5-6-5-4-/3-5-//1-1-/1-3-//4-5-6-5-/4-3 - |
2/4 | Quick Step (t) | AM-A | Beach MS, 1801 | 27 | MI |
//5654/35//11/13//4565/43 | 2 | Duettino (t) | AM-A | Curtiss MS, 1800 | 84 | 2VN |
//5654/35//11/13//4565/43 | 2/4 | Florida Quick March (t) | AI-A | Goodale Dir, 1819 | 40 | 2CL,2FL,2HN,B |
//5654/35//11/13//4565/43 | 2/4 | Florida Quick March (t) | AI-A | Goodale Dir, 1829 | 44 | 2CL,2FL,2HN,B |
//565435//1113//456543 | 2/4 | First Duetto (t) | AI-A | Instrum Asst-2, 1807 | 15 | 2MI,B |
//5-/6-5-4-3-//5-1/13//21/23 | C/ | Wormley Volunteers Quick March, The (t) | IC-E | Bridgeman March, 1800 | 22 | FI,PF |
//5/6543//51+/1+3//2+1+/2+3+// | 2/4 | Quick Step, A (t) | MS-S | Fife MS, 1780 | 541,58r | 1FI OR 2FI/VN |
//5654/35//1+2+/1+5//45/42 | 2/4 | Lord Moira's Fancy (t) | DA-E | Thompson CD-6.7, 1795 | 77 | MI |
//5654//351+//2+2+72+7//1+3+5//5654//351 + |
3/4 | Waltz (t) | AI-A | Glazier Fife, 1830 | 18 | 2FI |
//5-6-5-4-3-/5-12//34321/7-25//1217-6-/5 -1354//32 |
C | Virgins First Love, The (t), or Favorite Ballad, A (at) | TW-E | Enchanted Cas, 1787 | 10-11 | VO,KB |
//5-6-5-4-/3-5-13//2321/216-7-//5-6-5-4- /3-5-13 |
C | Way to Paris, The (t) | AI-A | Riley Flute 3, 1820 | 31 | FL |
//5-6-5-4-//3-5-13//432/17-1//321/7-16- | 6/8 | Lady Cochran's Favorite (t) | AI-A | Riley Flute 3, 1820 | 50 | FL |
//56/54//35-/13//56/54// | 2/4 | No. 13 (t) | DA-G | Feldtenstein Chorographie,1776 | Tabula 5 | MI |
//5654//351+531//5654//351+531//6656//54 3 |
3/4 | Stratford Minuet (t) | TW-E | Jubilee, 1770 | 33 | HA |
//565//435-//2//232//52 | 3/4 | Favourite Minuet, A (t) | SC-E | Pocket Comp, 1725 | 127 | VO,HAF+FL |
//5654/35-//3432/15-//6-1/7-2// | 2/4 | Allamande by Phi Roth (t) | AM-A | Hoff MS, 1797 | No. 223 | GF |
//5/6543/5434//5/6543/51+// | 3/2 | Berwick Johnney (Scotch) (t) | DA-E | Wilson Companion, 1816 | 25 | MI |
//56/54//3/54//35/43 | C | Sung by Isabella Young (t) | SC-E | Clio-2, 1759 | 60-61 | VO,HAF+MI |
//5654/35//5654/33//224/ | 2/4 | No. 4. 2d. Quadrille (t) | AI-A | Andre Cots-2, 1812 | 7 | PF |
//5654/35//5654/33//224/5-5-7-// | 2/4 | No. 4. 2d Quadrille (t) | AI-A | Andre Cotillions, 1812 | 7 | PF |
//5654/35//5654/33//224/5-5-7-// | 2/4 | 9 (t) | AI-A | Andre Cots-1, 1812 | 6 | PF |
//5654/35//5654/35//65/67// | 2/4 | Forte piano, La (t) | MS-F | 4 Comtesses MS, 1775 | 3v-4r | MI |
//56//543//56//515//1+7//634 | 3/4 | Secret, A Song, The (t) | SS-E | SS, Folger-C42.3 | 215 | VO,KB+FL |
//5654/3567//1+543/27-6-5-//5654/3567 | C | Infant, The (t) | DA-E | Thompson CD-3, 1773 | 56 | VN/GF/OB |
//5654/3567//1+543/27-6-5-//5654/3567// | C | Infant, The (t) | DA-E | Thompson CD-3a, 1773 | 46 | VN/GF/OB |
//5654/3567//1+543/27-6-5-//5654/3567 | C | Infant, The (t) | AM-A | Turner MS, 1788 | I,14 | VN |
//5654/36//43/21//1+71+7/61+72+//71+/2+ | C/ | Song, A (t) | SC-E | Pills 6, 1719-20 | 322 | VO |
//5/6543/6543//42/21/7-2 | 6/4 | Dysart Hornpipe (t) | IC-S | Gibb New Coll, 1798 | 4 | PF/VN,VC |
//565436543//5654351+//565436543//422446 //51156543 |
3/4 | Berwick Jockey (t) | DA-E | Thompson CD-7.1, 1797 | 2 | MI |
//5-6-5-4-3-/6-5-5-//4-3-4-5-4-3-/3-2-1- 0-1-2-3-4-//5-6-5-4- |
C | Much Admired Austrian Retreat, The (t) | IC-E | English Sheet Music | 2 | KB |
//5-6-5-4-3-/6-5-5-//4-3-4-5-4-3-/3-217- 123-4-//5-6-5-4-3-/6 |
C/ | Austrian Retreat, The (t) | IC-E | English Sheet Music | 2 | PF+GF |
//56543/655//434543/3217-1234//56543/655 4 |
C | Austrian Retreat (t) | AI-A | Balls Amus 2, 1815 | 8 | FL/FI/VN |
//56543/655//434543/3217-1234//56543/655 4 |
C/ | Austrian Retreat, The (t) | AI-A | Dubois Clar, 1818 | 17 | CL |
//56543/655//434543/3217-1234//56543/655 4 |
C | Austrian Retreat, The (t) | IC-E | English Sheet Music | 4 | 2CL,2FLP,2HN,TR |
//56543//655//434543//3217-1234//56543// 6554// |
3/4 | Sol Begat (t) | MS-S | Fife MS, 1780 | 169c,15v | 1FI OR 2FI/VN |
//56543/655//434543/32321234//56543/6554 // |
C | Austrian Retreat, The (t) | AM-A | Litten MS, 1800 | 21 | VN |
//56//54//42//15//671+//71+2+//2+ | Comicall Parly Between Two Countrymen on Sight of a Wedding, A (t) | SS-E | SS, Harvard | 1,DUP | VO+FL | |
//5654//43323//544234//327-1//234567 | 3/4 | Minuetto (t) | AI-A | Whiteley Prec, 1816 | 63 | 2MI,B |
//565//444//3351+//2234//3351+//1+76562+ |
3/8 | Generale, La (t) | IC-F | French Ordinances | App.19 | DR,FI |
//5654//444//444//4543//222//5654// | 3/8 | Waltz (t) | AM-A | Pierian MS, 1810 | 3 | MI,B |
/565//44/453//25-/135//135/ | 6/8 | Diligente, La (t) | DA-E | Fishar 16 Cot, 1780 | 9 | KB |
/565//4/454//3/345//671+/342// | 6/8 | Moissoneurs, Les. Contre-danse Française (t) | DA-F | Bouin CD LC-1, 1780 | 31 Feuille, 2 Vol. | MI |
//5-6-5-4-//4-5-5-12//34321 | 3/4 | Love Will Find Out the Way (t) | IC-S | Aird 5, 1797 | 60 | FI/VN/GF |
//5654//511+//2+7//1+ | 3/4 | Minuet In Italian and English, A (t) | SC-E | Pocket Comp, 1725 | 8 | VO,HAF+FL |
//5654/534//511+6/534//51+ | C | Lovely Nancy (t) | SC-E | Calliope, 1746 | II,36 | VO,HAF+FL |
//5654/534//511+6/534//51+/71+2+4 | C/ | Lovely Nancy (t) | AM-A | Swan MS, 1775 | 1R | VO,B |
//5654/534//55/1//51+1+7/1+5 | C | Russischer Grenadier Marche (t) | MS-G | Darmstadt MS 1224 | 177 | MI |
//5654/534//55/1//51+1+7/1+5 | C/ | Russicher Gren: March (t) | MS-G | Darmstadt MS 1225 | 221 | MI |
//565/454//343/21//345/654 | 6/8 | Fortunate Roam, The. A Pastorale (t) | AI-A | American Periodicals | VO,KB | |
//565/454//343/232//123/427- | 6/8 | Southampton Room (t) | DA-E | Skillern CD, 1780 | 53 | VN/GF/OB |
//565/454//343/232//123/427-// | 6/8 | Southampton Room (t) | DA-E | Straight & Skillern CD, 1775 | 47 | VN/GF/OB |
//565/454//351+/3+75//64+3+/2+1+7// | 6/8 | Oxford Road to Pantheon (t) | AM-A | Adams, W. MS, 1795 | 17 | MI |
//565/454//371+/3+1+6//64+3+/2+1+7 | 6/8 | Oxford Road to Pantheon (t) | AM-A | Otis MS, 1793 | 32 | 2VN/2FL |
//5654/55//5/12//3432/33// | 2/4 | Finale. No. 5 (t) | AI-A | Johnson, F. Cotillions | 7 | PF |
//5/6//5/4//5/6//5/1+//2+/1+// | C/ (8/4) | Salvator Mundi (t) | MS-E | Fitzwilliam MS-1, 1609 | 163-169 | VI |
//5/6//5456/534//5456/36 | 2/4 | Carey, Mr.(m) (t) | SS-E | SS, Folger-C42.4 | 335 | VO,KB+FL |
//5/6//5456/534//5456/56//65/1 | 2/4 | Carey, Mr.(m) (t) | SS-E | SS, Folger-C42.1 | 194 | VO,KB |
//5654/5654//51+/3432//35/1231 | 2/4 | Rondo (t) | IC-E | Balls Amus 3, 1815 | 14 | FL/VN |
//5654/5654//51+/3432//35/1231 | 2/4 | Rondo (t) | IC-E | Balls Amus 3, 1830 | 14 | FL/VN |
//5-6-5-4-/5-6-5-4-//5-1/3-4-3-2-//3-5-/ 1-2-3-1 |
2/4 | Rondo (t) | AI-A | Paff Amus 1, 1812 | 16 | FL/VN |
//5/654//571+//545/654//51+ | 2/4 | March V. Smo (t) | MS-G | Darmstadt MS 1225 | 191-92 | 2MI |
//5654/671+6//5323/1567//1+71+2+/1+765 | C | Gramakree Molly (t) | AM-A | Cabot MS, 1784 | 28 | GF |
//5654/671+6//5434/3567//1+71+6/1653 | C | Gramachree Molly (t) | AM-A | Greenwood MS, 1785 | 75 | MI |
//5654/671+7//5434/1234567//1 | C | Gramachree Molly (t) | IC-E | Cahusac Flute, 1792 | 19 | GF |
//5-6-5-//5-1-12//34321//25-17- | 3/4 | Song, A (t) | SC-E | Pills 5, 1719-20 | 283 | VO |
//5-6-5-/5-12//343/255-//5-6-5-/5-12 | 6/8 | O Hie Thee Home Willy (t) | AI-A | Riley Flute 1, 1814 | 37 | FL |
//565/51+3+//1+11/111//565/52+4+ | 6/8 | Virtue Throws Off Her Disguise (t) | TW-E | Choice/Harleq, 1781 | 51 | HAF |
//5-6-5-/5-13//135//454/654/321 | 9/8 | He'll Stay a Great While (t) | SS-E | SS, Boston PL-1 | 137,1-3 | VO,HA+GT |
//5655/1+3+//2+1+7657/1+765432//13 | C/ | Song, A (t) | SS-E | SS, Folger-C42.1 | 64 | VO,KB+FL |
//5655/1+3+//2+1+7657/1+765432//13 | C/ | Song In She Wou'd & She Wou'd Not, A (t) | SS-E | SS, Folger-C42.1 | 70 | VO,KB |
//5655/1+3+//2+1+7657/1+765432//13/51+3 | C/ | Song In She Wou'd and She Wou'd Not (t) | SC-E | Pills 5, 1719-20 | 228-30 | VO |
//5655/1+3+//2+1+7657/1+765432//13/51+3 | C/ | Song, A (t) | SS-E | SS, Folger-C42.4 | 159 | VO,KB+FL |
//565/51+//3+/3+2+1+//1+7/76// | 6/8 | Even as the Sun (t) | AI-A | Johnson, F. Cotillions | 31 | PF |
//5-6-5-//5-133//212//35//5//531 | 3/8 | Scotland (t) | AM-A | Marchant MS, 1783 | 73 | VO,KB |
//5-6-5-/5-13//32/15//54 | 6/8 | Gia Riede Primavera (t) | SS-E | SS, Folger-C42.1 | 199 | 2VO,B |
//565//51+3+//454//472+//34//567 | 3/4 | Divertimento 3. Menuetto (t) | IC-E | Rathgen Divs, 1780 | 8 | 2CL,2HN,BS |
//565/51+3//461+/565//453/212 | 6/8 | Song 38 (t), or Sweet Little Girl That I Love, The (at) | AI-A | American MM, 1798 | 106-107 | VO |
//565/51+3//461+/565//453/212 | 6/8 | Sweet Little Girl That I Love, The (t) | AI-A | Elegant Exts, 1794 | 18-19 | GF/VN/VO |
//565/51+3//461+/565//453/212// | 6/8 | Sweet Little Girl That I Love, The (t) | AM-A | Irving MS, 1796 | 80 | 1 MI |
//565/51+3//461+/565//453/212//1 | 6/8 | Sweet Little Girl That I Love, The (t), or Favorite Song, A (at) | AI-A | American SS-SM | 1-2 | VO,KB+GT |
//565//513//543//2343//232//233445 | 3/8 | Concerto 5. Larghetto (t) | IC-E | Bremner Mil Con, 1774 | 2OB/CL/FL/VN,2HN,BS | |
//565/51+//454/41+//3434/543 | 6/8 | Siciliano (t) | IC-E | Forest Harmony-3, 1736 | 9 | 2HN/GF/TR/VN |
//565/51+5//31/17-1//22/7-6-7- | 6/8 | Tennessee (t) | AI-A | Duport CD, 1800 | 16 | PF |
//565/51+5//313/223//454 | 6/8 | Song, A (t) | SC-E | Calliope, 1746 | II,143 | MI,VO,B |
//565/51+5//313/223//454/42+4//432 | 6/8 | Good Mother (t) | IC-E | Delightful-2, 1745 | I,19 | GF |
//565/51+//53/13//23/42 | 6/8 | I'm In Haste (t) | AI-A | Blake Amus 3, 1825 | 27 | CL |
//565/51+5//432/35//671+/531 | 6/8 | Fie Shepherd Fie (t) | SS-E | SS, Huntington-2 | 25 | VO,KB |
//565//51+5//566554//33//343 | 3/8 | Song 111 (t), or On Music (at) | AI-A | American MM, 1798 | 297-300 | 2VO,B |
//565//51+5//566554//33//343//233445 | 3/8 | On Musick (t) | AI-A | American Periodicals | VO,KB | |
//565/51+5//5//7//1+ | 6/8 | Adagio Pastoral (t) | IC-E | Flack Divs, 1776 | 2 | 2CL,2HN,BS |
//5/65//5/1+//62+/1+7 | 2/4 | Presto (t) | IC-E | Flack Divs, 1776 | 28 | 2CL,2HN,BS |
//565/51+6//531/234//565/51+5 | C | Highland Mary (t) | AI-A | Riley Flute 1, 1814 | 95 | FL |
//565/51+6//531/234//565/51+6 | 6/8 | Turk and No Turk (t) | DA-E | Thompson CD-5, 1788 | 35 | VN/GF/OB |
//565/51+6//531/234//565/51+6// | 6/8 | Turk and No Turk (t) | DA-E | Thompson CD-5a, 1788 | 35 | VN/GF/OB |
//565/51+6//564/55//1324/34543 | C | Ah Seek to Know (t) | AI-A | Reinagle Fav-2, 1789 | 1-4 | VO,PF |
//565/51+7//531/234//565/51+5 | C | My Mary Dear, Departed Shade (t) | SC-S | Scots MM-3, 1790 | 288 | VO,PF |
//565/51+7//6561+/53//4654/351+2+ | C | Song 168 (t), or Friend and the Lover, The (at) | SC-E | Calliope, 1788 | 316-318 | VO |
//56552//317-5-//17-1212//3334//545671+/ / |
C3 | Country Dance, A (t) | IC-E | Apollo's Banquet 1-2, 1678 | 77 | VN |
//565/523//454/4313//51+65/51+1 | C | Braes of Balquhither (t) | AI-A | Blake Amus 1, 1824 | 4 | CL |
//565/523//454/4313//51+65/51+1 | C | Braes of Balquhither (t) | AI-A | Blake Bassoon, 1826 | 18 | 2CL/FL/VN,HN,B |
//565/523//454/4313//51+65/51+1// | C | Braes of Balquither (t) | AM-A | Irving MS, 1796 | 132 | 1 MI |
//565/523//454/4313//51+65/51+2// | C | Braes of Balquihither, The (t) | AM-A | White, G. MS, 1790 | 99 | VN |
//565/5234//56/53//23/27- | 6/8 | Valediction, La (t) | AI-A | Hulbert Fife, 1807 | 9 | FI |
//565/5234//56/53//23/27- | 6/8 | Valediction, La (t) | AI-A | Hulbert Fife, 1811 | 9 | FI |
//5-6-5-/5-23//4654/4313//15-6-5-/6-246 | Braes O'balquhither, The (t) | AI-A | Riley Flute 3, 1820 | 62 | FL | |
//565/523//46/654//321/17-1//2 | 6/8 | Make room my good neighbours of evry degree (fl) | TW-E | Maid/Oaks, 1774 | 40-41 | VO,KBF |
//565/5+2+//4+1+/1+64//565/5+2+ | 6/4 | Hills and Away to New Bigging, The (t) | MS-E | Hammersley MS, 1790 | 64 | MI |
//5655+//2+72+5+//5655+2+76 | C/ | Welcome Here Again (t) | AM-A | Williams, W. MS, 1775 | 11 | FI |
//565/531+//1+2+3+/55//61+7/1+2+3+ | 6/8 | Soger Laddie, The (t) | SS-E | SS, Boston PL-2 | 93 | VO,KB+GF |
//5-6-5-/5-3-1-//132/15-//6-7-1/16-2 | 6/8 | When Pensive I Thought of My Love (t) | AM-A | Canfield MS, 1823 | 80-81 | PF |
//565/531//1+3+2+/1+5//671+/1+62+// | 6/8 | Song, A (t) | MS-S | Fife MS, 1780 | 713,77v | 1FI OR 2FI/VN |
//565/531//1+3+2+/1+5//671+/1+62+// | 6/8 | When Pensive I Thought of My Love (t) | AM-A | Irving MS, 1796 | 139 | 1 MI |
//565/531//1+3+2+/1+5//671+/1+62+ | 6/8 | When Pensive I Thought of My Love (t) | AI-A | Riley Flute 1, 1814 | 85 | FL |
//5-6-5-/5-3-1-//132/15-//6-7-1/16-2 | 6/8 | When Pensive I Thought on My Love (t) | AM-A | Williams, J. MS, 1799 | 34 | CL |
//565/531//1+3+2+/1+5//671+/1+62+ | 6/8 | When Pensive I Thought of My Dove (t) | AM-A | Williams, S. MS, 1795 | 85 | VO,KB |
//565/531//1+3+2+/1+5//671+/1+62+//1+ | 6/8 | When Pensive I Thought on My Love (t), or Favorite New Song, A (at) | AI-A | American SS-SM | 1-2 | KB,VO+GF |
//5-6-5-/5-3-1-//1/5-//6-7-1/16-2 | 6/8 | When Pensive I Thought on My Love (t) | AI-A | Paff Amus 1, 1812 | 9 | FL/VN |
//565/531//1+/5//671+/1+62+// | 6/8 | While Pensive I Thought on My Love (t) | AM-A | Washburn MS, 1816 | 9 | GF |
//565/531//1+71+/531//135/1+3+5+ | 6/8 | Stony Point (t) | AM-A | Spicer MS, 1797 | 57 | MI |
//565//531//17-24//43 | 3/4 | Henry Cull'd the Flowrets Bloom (t) | AM-A | Beck MS, 1786 | 107 | GF |
//565//531//17-24//43//1+75 | 3/4 | Henry Cull'd the Flowrets Bloom (t) | AM-A | Hiester MS-1, 1793 | 84-85 | HA |
//565//531//17-24//43//432 | 3/4 | Henry Cull'd (t) | AI-A | Riley Flute 2, 1817 | 14 | FL |
//565//531//17-24//43//432//1 | 3/4 | Henry cull'd the flowrets bloom (fl) | TW-E | Rosina, 1783 | 26-27 | MI,KB,VO |
//565/531//1+76/55//565/531 | 6/8 | India Bill, The (t) | DA-E | Thompson CD-5, 1788 | 38 | VN/GF/OB |
//565/531//1+76/55//565/531// | 6/8 | India Bill, The (t) | DA-E | Thompson CD-5a, 1788 | 38 | VN/GF/OB |
//565/531//23/456//531/6-21// | 6/8 | 5th of November Country Dance, The (t) | DA-E | Fishar Minuets, 1785 | 15 | KB |
//565/531//27-5-/5-4-//3-5-1/315-// | C | Ten Clubs (t) | DA-E | L & L Cot, 1775 | 35 | MI |
//565/531//27-5-/5-4-//3-5-1/315-// | C[=6/8] | Commere, La (t) | DA-E | Longman Cot, 1770 | 2 | HA/VN/GF/OB |
//565/531//27-5-/5-6-7-//1 | 6/8 | When Jove Had Resolv'd to Create the Round Earth (t) | SC-E | Vocal Music, 1778 | 20-21 | VO/VN/GF |
//565/531//27-5-/5-6-7-//131/6-64 | 6/8 | Women, Wit, and Wine (t) | IC-E | Longman Pb, 1778 | 90-91 | VO/GF |
//565/531//35/66//55/4+3+// | 6/8 | Charms of the Fair, The (t) | MS-C | Molyneaux MS-1, 1788 | 19 | GF |
//565/531//356/765//676/642 | 6/8 | Wedding-Day, The (t) | SC-S | Scots MM-2, 1788 | 151-152 | VO,PF |
//565/531//43/2//53/154 | C | Maltese Boatman Song (t) | AI-A | Riley Flute 4, 1826 | 74 | FL |
//565/531//454/427-//123/5-1 | 6/8 | Belle Assemblee, La (t) | DA-E | Bride CD, 1776 | IV,86 | VN/OB/GF |
//565/531//454/427-//123/5-1 | 6/8 | Belle Assemblee, La (t) | DA-E | Longman CD, 1781 | 97 | VN/OB/GF |
//565/531//454/427-//123/5-1 | 6/8 | Belle Assembleé, La (t) | DA-E | Thompson CD-5, 1788 | 88 | VN/GF/OB |
//565/531//454/427-//123/5-1// | 6/8 | Belle Assembleé, La (t) | DA-E | Thompson CD-5a, 1788 | 88 | VN/GF/OB |
//565/531/531//565/531/27-5- | 9/8 | Marquesan, The (t) | DA-E | Thompson CD-7.4, 1800 | 39 | MI |
//565//531+//54321//7-22//133/246// | 3/8 | Short Troop (t) | MS-C | Molyneaux MS-2, 1788 | 45 | 1 OR 2 GF |
//565/531//565/531//1+76/543// | 6/8 | Trip to Scotland, A. A Quick Step (t) | MS-S | Fife MS, 1780 | 283,29v | 1FI OR 2FI/VN |
//565/531//565/531/1+76/543// | 6/8 | Trip to Oatland (t) | MS-E | Malecot MS, 1779 | 40 | VN |
//565/531//565/531//1+76/543 | 6/8 | Trip to Oatland (t) | DA-E | Skillern CD, 1780 | 24 | VN/GF/OB |
//565/531//565/531//1+76/543 | 6/8 | Trip to Oatland (t) | IC-S | Stewart Airs, 1788 | 3:126 | GF/VN/FI |
//565/531//565/531//1+76/543 | 6/8 | Trip to Oatelands (t) | DA-E | Thompson CD-4, 1780 | 66 | VN/GF/OB |
//565/531//565/531//1+76/543// | 6/8 | Trip to Oatelands (t) | DA-E | Thompson CD-4a, 1780 | 66 | VN/GF/OB |
//565/531//565/531//1+76/543//422 | 6/8 | Trip to Oatelands (t) | DA-E | Longman CD, 1781 | 3 | VN/OB/GF |
//565/531//565/531//6-67/1+76 | 6/8 | For Sally Sigh (t) | SS-E | SS, Boston PL-2 | 270 | VO,HAF+GT/GF,HARP |
//5-6-5-/5-3-1-//5-6-5-/5-4-2-//5-3-1-/1 -2-3- |
6/8 | La Fayette's Quick Step (t) | AI-A | American Sheet Music | PF | |
//565/531//565/542//531/123 | 6/8 | La Fayette's Quick Step (t) | AI-A | Riley Flute 3, 1820 | 68 | FL |
//5-6-5-//5-3-1-//5-6-7-//17-121//5-6-5- //5-3-1- |
3/8 | Reveille (t) | MS-G | Darmstadt MS 1224 | 328,330 | 2MI |
//565/531//61+1+/1+//5- | 6/8 | Shrubbery (t) | TW-E | Harlequin's Mus, 1792 | 29 | HA |
//5-6-5-/5-31//6-4-/4-6-//5-6-5-/5-31 | 6/8 | Blink O'er the Burn (t) | AI-A | Riley Flute 4, 1826 | 20 | FL |
//565/531+/654321//565/531+/72 | 9/8 | Sutors of Selkirk with Variations (t) | IC-S | Stewart Airs, 1788 | 3:140 | GF/VN/FI |
//565/531//671+/1+//565/531 | 6/8 | Trip to Kew, A (t) | DA-E | Thompson CD-3, 1773 | 30 | VN/GF/OB |
//565/531//671+/1+//565/531// | 6/8 | Trip to Kew, A (t) | DA-E | Thompson CD-3a, 1773 | 36 | VN/GF/OB |
//565/531//671+/1+76//5 | 6/8 | Come Tell Me, Dear Phillis, Come Tell Me, I Pray (t) | SC-E | Vocal Music, 1778 | 32-33 | VO/VN/GF |
//565/531//6-7-6-/6-34//565/531 | 6/8 | Banks of the Shannon, The (t) | DA-E | Longman CD, 1781 | 96 | VN/OB/GF |
//565/53+1+//7/771+//2+7/2+4 | 6/8 | Rondo (t) | IC-E | Brooks Pieces, 1796 | 12 | 2CL,2HN,BS |
//565/532//11/131//6-1/5-5 | C | Sapling Oak, The (t) | IC-E | Balls Amus 3, 1815 | 29 | FL/VN |
//565/532//11/131//6-1/5-5 | C | Sapling Oak, The (t) | IC-E | Balls Amus 3, 1830 | 29 | FL/VN |
//565/532//11/131//6-1/5-5 | C | Sapling oak lost in the dell, The (fl) | TW-E | Siege/Belgrade, 1791 | 26-27 | VO,KBF |
//565//53+2+//1+3+2+1+7//1+5//51+7 | 3/4 | Amynta (t) | AI-A | Phila Pock Comp, 1794 | 10-12 | GT/CL/VO |
//565/532//321/1121//6-121/16-5- | C | Hotshunk Narwonar (t), or Winebago War Song (at) | AM-A | Canfield MS, 1823 | 95 | FL |
//56/55//32/32//56/55//1/1// | 2/4 | Turca, La (t) | MS-M | Garcia MS, 1772 | 74 | MI |
//56/55//3234/55//65/43// | C/ | Onder de Linde Groene. A 4 Danse Hollandoise (t) | IC-F | Pointel Airs, 1700 | 20 | MI,B |
//565//53342//1146//517-123//32565//5334 2 |
3/4 | My Native Land I Bade Adieu (t) | IC-E | Balls Amus 3, 1815 | 32 | FL/VN |
//565//53342//1146//517-123//32565//5334 2 |
3/4 | My Native Land I Bade Adieu (t) | IC-E | Balls Amus 3, 1830 | 32 | FL/VN |
//565//53342//1146//517-123//32565//5334 2 |
3/4 | My Native Land I Bade Adieu (t) | AI-A | Paff Amus 1, 1812 | 14 | FL/VN |
//565//53//42//13//325 | 3/8 | Arno's Vale (t) | SC-E | Amaryllis, 1760 | I,13 | GF,VO,HAF+FL |
//565/534//51+6/512//343 | 6/8 | Address'd to the Ladies at Ranelagh (t) | SS-E | SS, Harvard | 1 | VO,KB |
//565/534//51+6/512//343/253 | 6/8 | Song 71 (t), or For Ranelagh (at) | SC-E | Ritson, 1783 | TI,252-253;MIII,133-13 | VO |
//565/534//51+6/512//343/253 | 6/8 | Song 173 (t) | SC-E | Vocal Enchant, 1783 | 346-348 | VO |
//565/534//531+/531//6-7-1/231// | 6/8 | Rossie House (t) | MS-S | Fife MS, 1780 | 771,84v | 1FI OR 2FI/VN |
//56/55//34/55//4/3// | C/ | Branle de Mousquet. A 8 Danse Hollandoise (t) | IC-F | Pointel Airs, 1700 | 24 | MI,B |
//565/534//566/512//343/253 | 6/8 | Song 133 (t), or Ye Belles and Ye Flirts (at) | SC-E | Calliope, 1788 | 252-253 | VO |
//565/535//112/355//1+2+1+/3+2+3+ | 6/4 | Air 6 (t) | BA-E | Village Opera, 1729 | 9 | VO |
//565/535//112/355//1+2+1+/3+2+3+//1+3+7 1+ |
6/4 | Air 3 (t) | BA-E | Chambermaid, 1730 | 4 | VO |
//5-6-5-/5-3-5-//12/34//27-5-/5-6-4- | 6/8 | New Soldier's Delight, The (t) | AM-A | Huntington MS, 1817 | III.36 | FL/VN |
//565/535//123/432//312/345 | 6/8 | While Misers All Night (t), or Song 20 (at) | SC-E | Calliope, 1788 | 36-37 | VO |
//565/535//123/432//312/345 | 6/8 | Happy Clubb, The (t), or New Song, A (at) | SS-E | SS, Harvard | 1 | VO,B |
//565/535//123/434//567/1+53 | 6/8 | Happy Clubb, The (t) | AM-A | Turner MS, 1788 | I,42 | VN |
//565/535//1+2+3+4+5+3+/1+5//671+/564 | 6/8 | Season for Love, The (t) | SS-E | SS, Boston PL-2 | 94 | VO,KBF+GF |
//565/535//424/3135//5 | C | In Airy Dreams Soft Fancy Flies (t) | SC-E | Vocal Music, 1778 | 14-15 | VO/VN/GF |
//565/535//424/3135//51+7654/312//1 | C | Song, A (t) | AM-A | Dawes MS, 1790 | 38 | VO,HA |
//565/535//424/3135//57654/312 | C/ | In Airy Dreams (t) | AM-A | Pickman MS, 1785 | 16-17 | VO,KB |
//5-6-5-/5-3-5-//5-17-/6-7-1//5-3-1-/1-0 -1- |
6/8 | Quick March (t) | IC-E | Coleman Marches, 1790 | 8-9 | HA |
//565/535//51+7/671+//531/17-1// | 6/8 | Romance by Haydn, Allegro (t) | AI-A | Willig Flute, 1795 | 29 | 2 GF |
//565/535//646/1+64//535/424//3 | 6/4 | Timely Warning, The (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//565/535//646/531//565/531 | 6/8 | Don Front In Brass (t) | DA-E | Thompson CD-1, 1757 | 64 | VN/GF/OB |
//565/535//646/531//565/531// | 6/8 | Don Front In Brass (t) | DA-E | Thompson CD-1a, 1757 | 62 | VN/GF/OB |
//565/535//646/553//121/121 | 6/8 | Tit for Tat (t) | DA-E | Skillern CD, 1780 | 8 | VN/GF/OB |
//565/535//6/51+//671+/2+1+7 | 6/8 | Trip to Windsor (t) | MS-E | Carter MS, 1792 | 25 | MI |
//56/553//56/553//23/227- | 6/8 | Double Drag (t) | AM-A | Brown, N. MS, 1781 | 11R | FI |
//565/536//531+/531//232/524 | 6/4 | Nothing New (t) | SC-E | Clio-2, 1759 | 164-165 | VO,HAF |
//565/53//655//544/433 | 6/8 | By the Side of a Willow Weeping (t) | AI-A | Riley Flute 3, 1820 | 23 | FL |
//565/53//656/543//454/3 | 6/4 | Song, A (t) | SC-E | Pills 3, 1719-20 | 162-3 | VO |
//565/542//11/12//454/421// | Ken You Not You Little Jack Rob (t) | MS-E | Vickers MS, 1770 | 155b | MI | |
//565/54//313/11//565/535// | 6/8 | Over the Water to Charly (t) | MS-E | Vickers MS, 1770 | 35 | MI |
//565/5432//1/11//565/5432 | C | Tis But Fancy's Sketch (t) | AI-A | Blake Amus 1, 1824 | 23 | CL |
//5/65//5432/12//32 | C/ | Song Call'd the Pilgrim, A (t) | SS-E | SS, Folger-C42.3 | 146 | VO,KB+FL |
//5/65//5432/12//32/43// | C/ | Round O (t) | IC-E | Apollo's Banquet 1-8, 1701 | 3v,17 | VN |
//5/65//5432/12//32/43 | C/ | Song Called the Pilgrim, A (t) | SS-E | SS, Folger-C42.2 | 31 | VO,KB+F |
//5/65//5432//12//32/43//23/2 | C/ | Pilgrim, The (t) | SC-E | Pills 4, 1719-20 | 310 | VO |
//5/65//5432/1//32/43// | C | Air 58 (t) | BA-E | Beggar's Opera, 1777 | 109 | VO |
//5/65//5432/1//32/43//2123/2 | C | Air 17, Act Iii (t) | BA-E | Beggar's Opera, 1728 | T54M15 | VO |
//5/65//5432/1//32/43//2123/2 | C | Air 58 (t) | BA-E | Beggar's Opera, 1765 | 88 | VO |
//565/54//32/1//565/535 | 6/8 | Ligrum Cus, Irish (t) | IC-S | Aird 5, 1797 | 39 | FI/VN/GF |
//565/54//32/1//565/535// | 6/8 | Singel Dragg, A (t) | MS-S | Fife MS, 1780 | 615,66r | 1FI OR 2FI/VN |
//565/54//32/1//565/535// | 6/8 | Lacrum Cush (t) | MS-C | Molyneaux MS-1, 1788 | 7 | GF |
//565/54//32/1//565/535// | 6/8 | Lacrum Cush, Slow. (t), or Irish Medely (at) | MS-C | Molyneaux MS-1, 1788 | 26 | GF |
//5-6-5-/5-4-//3-2-/1-//5-6-5-/5-3-5- | 6/8 | Lacrum Cush (t) | AI-A | Riley Flute 1, 1814 | 14 | FL |
//565/54//323/1//55/535 | 6/8 | Lantrum's Curse (t) | DA-E | Johnson CD-3, 1744 | 32 | VN/GF |
//565//5433//234321//7-2 | 3 | Song by a Person of Honour, A (t) | SC-E | Pills 5, 1719-20 | 281-2 | VO |
//565//543//42//13 | 3/8 | Song 49 (t), or Arnos Vale (at) | SC-E | Ritson, 1783 | TI,225;MIII,112 | VO |
//565//543//42//13//315 | 3/8 | Arno's Vale (t) | SS-E | SS, Huntington-1 | 109 | VO,KBF+FL |
//565//543//42//13//325 | 3/8 | Arno's Vale (t) | AM-A | Aborn MS, 1790 | 83 | MI |
//565//543//42//13//325 | 3/8 | Arno's Vale (t) | SC-E | Calliope, 1746 | II,91 | VO,B+MI |
//565//543//42//13//325 | 3/8 | Arno's Vale (t) | IC-E | Delightful-1, 1763 | V,30 | 2GF |
//565//543//42//13//325 | 3/8 | Arno's Vale (t) | SC-E | Muses Delight, 1754 | 175 | VO,HA |
//565//543//42//13//325 | 3/8 | Arno's Vale (t) | IC-E | Preston Oboe, 1780 | 21 | OB |
//565//543//42//13//325 | 3/8 | Arno's Vale (t) | SS-E | SS, New York PL-C694 | 90 | VO,HAF+FL |
//565//543//42//13//325 | 3/8 | Song 64 (t) | SC-E | Vocal Enchant, 1783 | 136-137 | VO |
//565//543//42//13//325//5435//6 | 3/8 | Symphonia (t) | IC-E | Delightful-2, 1745 | VI,27 | 2GF |
//565//543//42//13//325//545 | 3/8 | Arno's Vale (t) | IC-E | Thumoth, 1785 | 62-63 | GF/VN,HA |
//565/543//421/7-6-5-//121 | 6/4 | Favourite Song of Hook or by Crook, The (t) | SS-E | SS, New York PL-C695 | 48,1-2 | VO,MI,B |
//565/543//421/7-6-5//121/315// | 6/8 | Hook or by Crook (t) | MS-E | Malecot MS, 1779 | 33 | VN |
//565/543//425/35-//17-1/223 | 6/8 | Expedition, The (t) | SS-E | SS, Boston PL-2 | 42 | VO,KB |
//565/543//432/16//51+6/543//3 | 6/8 | Ellen of the Dee (t) | AI-A | Musical Rep-2, 1799 | 92-93 | VO,KB |
//5655434//33+1+53//5655434//33+1+71+2+1 +71+//661+71+2+1+76//5 |
3/4 | Italian Minuett (t) | IC-S | Pandean Coll 1, 1810 | 14 | PF |
//565/543//454/321//232/217- | C | Honest Robin (t) | PL-E | Playford 3-2, 1726 | 33 | VN |
//565/543//454/321//232/217- | C/ | Lovely Charmer a Song, The (t) | SS-E | SS, Folger-C42.3 | 479 | VO,KB+FL |
//565/543//454/765432//345/543 | 6/4 | Fickle Fanny (t) | PL-E | Playford 3-2, 1726 | 150 | VN |
//565/543//454/765432//345/543 | 6/4 | Fickle Fanny (t) | DA-E | Walsh NCDM-3, 1728 | 126 | VN/OB/FL |
//565/54//345/671+//565/54 | 6/8 | Cream of the Jest, The (t) | DA-E | Johnson CD-7, 1756 | 55 | VN/GF |
//565/543//565/543//42/23// | 6/8 | Chaste Diana (t) | MS-S | Fife MS, 1780 | 241,25v | 1FI OR 2FI/VN |
//565/543//565/54//343/321 | 6/8 | Cockade, The (t) | AM-A | Perkins MS, 1790 | 35 | MI |
//565/543//64/234//51 | 6/8 | Under the Greenwood Tree (t) | SS-E | SS, New York PL-C695 | 47,1-2 | VO,B |
//565/543//64/234//51 | 6/8 | Young Colin, Having Much to Say (t) | SC-E | Vocal Music, 1775 | 254-257 | VO/VN/GF |
//565/543//64/234//51/7-1 | 6/8 | Under the Greenwood Tree (t) | SS-E | SS, Huntington-2 | 111,1-2 | VO,KB |
//565/543//646/61+7//1+5/64 | 6/8 | Song 194 (t), or Kiss the Cold Winter Away (at) | SC-E | Calliope, 1788 | 360-362 | VO |
//565/543//646/61+7//1+5/64 | 6/8 | Hey for a lass and a bottle to cheer (fl) | TW-E | Castle/Andalus, 1782 | 48-49 | VO,HA |
//565/543//646/61+7//1+5/64 | 6/8 | Kiss the Cold Winter Away (t) | SC-S | Edinburgh MM-1, 1792 | 50-52 | VO |
//565/54/365/54/353/427-// | 6/8 | Marianne Italienne, La (t) | DA-N | St. Flour Contredanses, 1757 | 67 | KB |
//565/543//671+/1+76//51+5/543 | 6/8 | Shepherd and Dolly, The (t), or New Song, A (at) | SS-E | SS, Boston PL-2 | 92 | VO,KB+GT |
//565/543//671+/5//454/345 | 6/8 | Vergatter (t) | MS-G | Darmstadt MS 1225 | 77-78 | 2MI |
//565/543//671+/55//643/231 | 6/8 | Colonel Tarleton's Quick Step (t) | IC-S | Scottish Sheet Music | PF | |
//5-6-5-/5-4-3-//6-7-1/5-5-//6-4-3-/2-3- 1 |
6/8 | Colonel Tarleton's Quick March (t) | IC-S | Stewart Airs, 1788 | 1:6 | GF/VN/FI |
//565/5443//234/345//671+/1+53+1+ | C | Morning Invitation, The-2 (t) | SS-E | SS, Boston PL-1 | 87,1-2 | VO,FL,HAF |
//56/55//44/3//33//33/321// | 2/4 | Quick (t) | MS-S | Fife MS, 1780 | 174b,17r | 1FI OR 2FI/VN |
//56//5551+//1+3 | 2 | Air 55 (t) | BA-E | Polly, 1729 | T59M24 | VO,B |
//565/55//32/13//565/535//6 | 6/8 | Nature to woman still so kind (fl) | TW-E | Haunted Tower, 1789 | 14 | VO,KB |
//565/554//345/15//1+ | 6/8 | There Was Once It Was Said (t) | SC-E | Vocal Music, 1775 | 98-101 | VO/VN/GF |
//565/554//345/15//1+2+1+2+/3+2+3+ | 6/8 | Transformation, The (t), or Bull Turn'd into a Mayor, A (at) | SS-E | SS, Boston PL-2 | 76 | VO |
//565/554//345/15//1+2+1+2+/3+2+3+ | 6/8 | Vicar and Moses (t) | SS-E | SS, Huntington-2 | 32 | VO,KB |
//565/55//565/55//567 | 2 | Last Air of the Famous Cantata Diana on Mount Latmos, The (t) | SS-E | SS, Folger-C42.3 | 185 | VO,KB+FL |
//565//55//65//66-5//63 | 3 | Joy to the Bridegroom (t) | SS-E | SS, Folger-C42.4 | 495 | VO,KB+FL |
//565/564//323/15 | 6/8 | As soon as her doating piece (fl) | TW-E | Midas-1, 1764 | 54 | VO,HAF |
//56556//43//2343657-//11-//12113//2343 | 3/8 | Minuet 2(lisbon) (t) | IC-E | Longman Evening, 1780 | 2 | 2GF |
//565/565//1+1/17-1//232/234 | 6/8 | Duke of Belluno's Quick Step (t) | AI-A | Riley Flute 4, 1826 | 31 | FL |
//565/565//1+5/13//55/55 | 2/4 | Gren. Marche Regiment de Ferssen (t) | MS-G | Darmstadt MS 1224 | 357 | 2MI |
//565/565//1+5/31//55/55 | 2/4 | Preussicher Gren: March No 24 Ferssen (t) | MS-G | Darmstadt MS 1225 | 361-62 | 2MI |
//565/565//1+5/534//565 | 6/4 | Air 21 (t) | BA-E | Beggar's Opera, 1777 | 54-55 | VO |
//565/565//1+5/534//565 | 6/8 | Would You Have a Young Virgin (t), or Poor Robbin's Maggot, (at) | PL-E | Playford 2-1, 1713 | 148 | VN/OB |
//565/565//1+5/534//565 | 6/8 | Would You Have a Young Virgin (t), or Poor Robbin's Maggot, (at) | PL-E | Playford 2-2, 1714 | 148 | VN/OB |
//565/565//1+5/534//565 | 6/8 | Wou'd You Have a Young Virgin (t), or Poor Robin's Maggot, (at) | PL-E | Playford 2-3, 1718 | 148 | VN |
//565/565//1+5/534//565 | 6/8 | Wou'd You Have a Young Virgin (t), or Poor Robin's Maggot, (at) | PL-E | Playford 2-4, 1728 | 148 | VN |
//565/565//1+5/534//565 | 6/8 | Mr. Durfeys Song (t) | SS-E | SS, Folger-C42.3 | 495 | VO,KB+FL |
//565/565//1+5/534//565 | 6/8 | Mr. Durfeys Song (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//565/565//1+5/534//565 | 6/4 | Would You Have a Young Virgin, &c (t) | AM-A | Simpson MS, 1750 | II,2 | FL |
//565/565//1+5/534//565/565 | 6/4 | Air 21 (t) | BA-E | Beggar's Opera, 1765 | 45-46 | VO |
//565/565//1+5/534//565/565 | 6/8 | Song 28 (t) | SC-E | Convivial, 1782 | 67-68 | VO |
//565/565//1+5/534//565/565 | 6/4 | Air 13 (t) | BA-E | Generous Free, 1731 | 22 | VO |
//565/565//1+5/534//565/565 | 6/8 | Wou'd You Have a Young Virgin (t) | MS-E | Hammersley MS, 1790 | 54B | MI |
//565/565//1+5/534//565/565// | 6/8 | Fille de 15 Ans, La (t) | IC-F | Leclerc Recueil-2, 1737 | 100 | HAF |
//565/565//1+5/534//565/565 | 6/4 | Air 3 (t) | BA-E | Lover His Own R, 1736 | 5 | VO |
//565/565//1+5/534//565/565 | 6/8 | Song In the Last Act of the Modern Prophets, A (t) | SC-E | Pills 1, 1719-20 | 132-33 | VO |
//565/565//1+5/534//565/565 | 6/8 | Song, A (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//565/565//1+5/534//565/565 | 9/8 | Poor Robin's Maggot, or (t), or Wou'd You Have a Young Virgin (at) | DA-E | Walsh CD-1.2, 1719 | 167 | VN/OB |
//565/565//1+5/534//565/565 | 6/8 | Shilly Shally All Folly (t) | DA-E | Walsh NCDM-2, 1710 | 19 | VN/OB/FL |
//565/565//1+5/534//565/565//2+ | 6/4 | Air 3, Act Ii (t) | BA-E | Beggar's Opera, 1728 | T22M6 | VO |
//565/565//31/17-1//22/7-6-7-/ | 6/8 | Miss Burr Faverett New York 1799 No.30 (t) | AM-A | Duport MS-1, 1780 | 27 | VN |
//565/565//34/55//565/1+76//6 | 6/8 | Social Pow'rs (t) | DA-E | Longman CD, 1781 | 12 | VN/OB/GF |
//565/565//34/5//565/1+76 | 6/8 | Social Pow'rs, The (t), or Favourite Song, A (at) | SS-E | SS, Huntington-2 | 51 | VO,KB+GF/GT |
//565/565//34/5//565/1+76//6 | 6/8 | Social Pow'rs, The (t), or Favourite Song, A (at) | SS-E | SS, Harvard | 1 | VO,B+GF/GT |
//565565//345//5651+76//65//5 | 6/8 | Come then all ye social pow'rs (fl) | TW-E | Lionel & Clar, 1768 | 74-77 | BS,VO,HAF |
//565/565//51+/35//543/432 | 6/8 | Donerstags Vergatter. Trio (t) | MS-G | Darmstadt MS 1225 | 89-90 | 2MI |
//565/565//51+5/5//43/2//1 | 6/8 | Jigg (t) | IC-E | Delightful-2, 1745 | II,4 | 2GF |
//5-6-5-/5-6-5-//5-/2-//1-/2- | 2/4 | Vergatter (t) | MS-G | Darmstadt MS 1224 | 329,331 | 2MI |
//565/565//53//453/21//1// | 3 | Phil. Porter's Dream (t) | IC-E | Apollo's Banquet 1-1, 1670 | 38 | VN |
//565/565//543/234//55/12//3/2 | 6/8 | Cadena Genoveisa, La (t) | MS-M | Garcia MS, 1772 | 31 | MI |
//565/565//553//453/21//11 | 3 | Porters Dream (t) | PL-E | Playford 1-03a, 1657 | II,50 | VN |
//565/565//553//453/21//11 | 3 | #28 (t), or Porters Dream (at) | PL-E | Playford 1-3b, 1665 | II,43 | VN |
//5-6-5-/5-6-5-//5/5//464/321// | 6/8 | Dishabiole, La (t) | DA-N | Baland CD, 1780 | 5 | VN/GF |
/565//565/565//31/565//565/ | 6/8 | Reverense Angloise, La (t) | IC-F | Leclerc Recueil-2, 1737 | 106 | HAF |
//5-6-5-/5-6-5-//5-6-5-/3-3-4-//5-6-5-/1 -2- |
C/ | Vergatterung (t) | MS-G | Darmstadt MS 1224 | 77 | MI |
//5-6-5-/5-6-5-//5-6-5-/3-3-4-//5-6-5-/1 -2- |
6/8 | Figatre (t) | MS-G | Darmstadt MS 1224 | 139 | MI |
//565/565//565/34//55 | 2/4 | Vergatrung (t) | MS-G | Darmstadt MS 1224 | 148 | MI |
//565/565//565/34//55/12 | 2/4 | Vergatterung (t) | MS-G | Darmstadt MS 1224 | 151 | MI |
//565/565//567/1+3//454/454 | 6/8 | Apollo and Daphne (t) | SC-E | Watts MM-2, 1729 | 30-32 | VO/VN |
//565/565//567/1+3//534/434 | 6/8 | Song 124 (t) | SC-E | Convivial, 1782 | 250-252 | VO |
//565//565//567/1+76//5432/312 | 2 | Boure (t) | MS-G | Darmstadt MS 1224 | 79-89 | 2OB/VN,2HN,B |
//565/565//6/5//454/343 | 6/8 | Giga (t) | IC-E | Delightful-1, 1763 | VI,24 | 2GF |
//565/565//65/534//565/565 | 6/4 | Air 2 (t) | BA-E | Livery Rake, 1733 | 5 | VO |
//565/565//67/1+5//565//565 | 6/8 | Half Moon, The (t) | DA-E | Thompson CD-3, 1773 | 46 | VN/GF/OB |
//565/565//67/1+5//565//565// | 6/8 | Half Moon, The (t) | DA-E | Thompson CD-3a, 1773 | 84 | VN/GF/OB |
//565/565//671+/757//1+3/65 | First Song In the Modern Prophets, The (t) | SC-E | Pills 1, 1719-20 | 172-4 | VO | |
//565/565//671+/757//1+3/65 | 6/8 | Two Songs. Song 2 (t) | SS-E | SS, Harvard | 1 | VO/FL,B |
//565//566771+//1+77665//543//27-1//432 | 3/8 | Divertimento 4. Largo (t) | IC-E | Rathgen Divs, 1780 | 10 | 2CL,2HN,BS |
//565//567//1+1+2+3+2+1+//1+765//1+2+3+1 +76//54435 |
3/4 | Summer's Day, The (t) | SS-E | SS, Harvard | 1 | VO,KB+GF/GT |
//565/567-//1+1+3+/1+55//543/543 | 6/8 | Mischevious Bee (t) | AI-A | Blake Amus 1, 1824 | 19 | CL |
//5-6-5-/5-6-7-//113/15-5-//5-4-3-/5-4-3 - |
6/8 | Mischievious Bee (t) | AI-A | Riley Flute 3, 1820 | 29 | FL |
//5-6-5-/5-6-7-//121/1//1-/2-3-4- | 6/8 | Konigs Viegattrung (t) | MS-G | Darmstadt MS 1224 | 332 | MI |
//565/567//1+2+1+/1+3+2+//1+ | 6/8 | To live sole and retire is all my desire (fl) | SC-E | Vocal Music, 1775 | 26-27 | VO/VN/GF |
//5-6-5-/5-6-7-//121/17-1//232/321 | 6/8 | Ode for the New Year (t) | AI-A | American Periodicals | VO,KB | |
//5-6-5-/5-6-7-//1217-/11-2-3-4-/5-6-5-/ 5-4-3- |
6/8 | Vagadrung de Roy (t) | MS-G | Darmstadt MS 1224 | 142 | 2FL |
//5-6-5-/5-6-7-//1217-/11-3-//5-6-5-/5-4 -3- |
6/8 | Alt Konigs Vergatterung (t) | MS-G | Darmstadt MS 1224 | 239,242 | 2MI |
//5-6-5-/5-6-7-/123/11//212 | 12/8 | Fantastico (t) | AM-A | Hiester MS-1, 1793 | 86 | HA |
//5-6-5-/5-6-7-/123/11//212/234/323/15- | 12/8 | Fantastico (t) | AM-A | Van Renssel. MS, 1782 | I,65 | KB |
//5-6-5-//5-6-7-12//3217-6-//5-5-5-//5-6 -5-//5-21232// |
3/4 | Johnson's Dream Waltz (t) | AI-A | Johnson, F. Sheet Music | 1-2 | PF |
//5-6-5-/5-6-7-//1/31//6-6-/6-7-1 | 6/8 | Two Marches... East York Militia. Quick march (t) | IC-E | English Sheet Music | 4 | 2CL,2HN,2BS+PF |
//565/567//1+3+2+/1+6//51+5/543//3 | 6/8 | Man, The (t) | SS-E | SS, Harvard | 1 | VO,B |
//565/567//1+54/315//1+1+7/7654 | C | Thorn, The (t) | AI-A | Blake Amus 2, 1824 | 7 | CL |
//565/567//1+54/315//1+1+7/7654// | C/ | Thorn, The (t) | AM-A | Litten MS, 1800 | 13 (42) | VN |
//5-6-5-/5-6-7-//15-4-/3-1-5-//117-/7-6- 5-4- |
C | Thorn, The (t) | AI-A | Riley Flute 1, 1814 | 67 | FL |
//56/55//67/1+76 | C | Hessian Grenadiers March (t) | AM-A | Morse MS, 1811 | 75 | 2MI,B |
//565/567//61+7/1+77//1+555/654 | 6/8 | In the prime of the year when soft nightingales sing (fl) | TW-E | Fair American, 1782 | 20-21 | VO,KB |
//565/567//766/61+66//531/16-7- | 6/8 | Leap Year (t) | SC-S | Edinburgh MM-2, 1793 | 193-196 | VO |
//5-6-/5-6-112//4321/6-7-15-4-3-//5-6-/5 -6-112 |
C | Flowers of the Forest (t) | AI-A | Caladonian Muse, 1798 | 129-30 | VO/PF/VN |
//56/561+1+2+//4+3+2+1+/671+543//56/561+ 1+2+ |
C | Flowers of the Forest (t) | AI-A | Scots MM, 1797 | 129-30 | VO,HA/PF |
//5-6-5-6-/1212//321/212//321/235 | C | Nunc Est Bibendum (t) | IC-E | Caledonian PC, 1760 | XI,17 | GF/VN |
//56//561+//321//235 | 3/4 | Mary Scot (t) | SC-S | Scots MM-1, 1787 | 74 | VO,PF |
//5656//1+3+3+1+//5321// | C | Gramachree Molly (t) | AM-A | White, G. MS, 1790 | 65 | VN |
//565/61+//345/21//1+2+3+/671+// | 3 | Saraband (t) | IC-E | Musicks Hand-Maid-1, 1678 | 15 | VI/HA |
//5-6-5-//6-13//543//2343//232//233445// 65432 |
3/8 | No.28 (t) | AM-A | Williams, J. MS, 1799 | 19-20 | CL |
//565/61+7//1+1+/777//765/671+//5 | 6/8 | Waggoner, The (t) | AI-A | American SS-SM | 2-3 | VO,KB |
//565/61+7//1+1+/777//765/671+//5 | 6/8 | Waggoner, The (t) | AI-A | Gent's Amus, 1794 | 38-39 | GF/VN/VO,B |
//565/61+7/1+1+/777//765/671+//5 | 6/8 | Waggoner, The (t) | AI-A | Gent's Amus, 1795 | 38-39 | GF/VO,B |
//5656/31+//1+776/65//6765/1+5 | C/ | Lilly shrinks on yonder plain, The (fl) | TW-E | Maid/Oaks, 1774 | 50 | VO,KBF |
//5/6564//51/1//321/27-//1 | 2/4 | Air 18, Act Iii (t) | BA-E | Love/Riddle, 1729 | T69-70M96 | VO |
//5656/4545//32/1//1 | Miranda-2 (t) | SS-E | SS, Folger-C52 | 118 | MI,VO,KBF | |
//5656/51+3+1+//5656/51+3+1+//5671+/6543 // |
2/4 | Brandywine. No. 1 (t) | AI-A | Johnson, F. Cotillions | 1 | PF |
//56/56//51+/34//56/56 | 2/4 | We'll Dance All Night (t) | DA-E | Thompson CD-2, 1765 | 58 | VN/GF/OB |
//56/56//51+/34//56/56// | 2/4 | We'll Dance All Night (t) | DA-E | Thompson CD-2a, 1765 | 56 | VN/GF/OB |
//56/56//5/1+//35/46 | 2/4 | Air (t) | IC-E | Balls Amus 3, 1815 | 28 | FL/VN |
//56/56//5/1+//35/46 | 2/4 | Air (t) | IC-E | Balls Amus 3, 1830 | 28 | FL/VN |
//56/56//51+/54//3//55/55 | 2/4 | 2ter Wacht March V. Smo (t) | MS-G | Darmstadt MS 1225 | 175-76 | 2MI |
//56/56//51+6/5342//111/222 | C/ | Commodore Decatur's Turkish March (t) | AI-A | American Sheet Music | PF | |
//56565//3215-//6-13 | 3/4 | Favourite Song, A (t) | SC-E | Clio-2, 1759 | 18-19 | VO,HA |
//56565//3215-//6-13//654//3215- | 3/4 | Song 121 (t) | SC-E | Vocal Enchant, 1783 | 242-243 | VO |
//56565//3215-//6-13//654//3215-//123454 |
3/4 | New Song, A (t) | SS-E | SS, Harvard | 1 | VO,KB |
//5656/5321//671+6/5321//6565/4321 | C | Forrister's Hornpipe (t) | AI-A | Balls Amus 2, 1815 | 6 | FL/FI/VN |
//56/56//5321/7-121//671+/51+ | C | Retirement (t) | SS-E | SS, Boston PL-1 | 48 | VO,HAF+GF |
//5656//534//56543//21232//5656//534// | 3 | Minuet (t) | IC-E | Apollo's Banquet 1-8, 1701 | 2r,9 | VN |
//565653/53134//565653/42234//565653/1+6 53 |
C/ | Teneloses Frolick (t) | DA-E | Johnson CD-5, 1750 | 78 | VN/GF |
//56/5653//5321/2+3+//51+/5653//53+/2+1+ 1+3+// |
C/ | Peggy Was the Pretiest Lass In Aw the town (t) | IC-E | Scotch Tunes (P), 1700 | 8 | VN/FL |
//56/5653//5321/2+3+//56/5653 | C/ | Scotch Song, A (t) | SC-E | Calliope, 1746 | I,8 | VO/GF,B+FL |
//56/5653//5321/2+3+//56/5653 | C/ | Scotch Song, A (t) | SC-E | Pills 6, 1719-20 | 25 | VO |
//56/5653//5321/2+3+//56/5653 | C/ | No Defence Against Love (t) | SS-E | SS, Harvard | 1,DUP | VO,B+FL |
/5//6/5654//3/143//217-/ | 2 | Cadrille, Le (t) | DA-F | Landrin Potpourri, 1785 | 10 | MI |
//56/56543//143217-/1231//56/56543 | C | Cadrille, La (t) | IC-S | Stewart Airs, 1788 | 3:118 | GF/VN/FI |
//5/6//5654/3//143/27- | 2 | Cadrille, Le (t) | MS-G | Darmstadt MS 1224 | 219 | 2MI |
//56/56//5432/1//1+1+2+/3+2+1+7 | C/ | Broom: The Bonny Bonny Broom (t) | PL-E | Playford 1-09, 1695 | 12(21) | VN |
//56/56//5432/1//1+1+2+/3+2+1+7 | C/ | Broom: The Bonny Bonny Broom (t) | PL-E | Playford 1-10, 1698 | 21 | VN |
//56/56//5432/1//1+1+2+/3+2+1+7 | C/ | Broom: The Bonny, Bonny Broom (t) | PL-E | Playford 1-11, 1701 | I,16 | VN |
//56/56//5432/1//1+1+2+/3+2+1+7 | C/ | Broom: The Bonny Bonny Broom (t) | PL-E | Playford 1-12, 1703 | 16 | VN |
//56/56//5432/1//1+1+2+/3+2+1+7 | C/ | Broom: The Bonny, Bonny Broom (t) | PL-E | Playford 1-13, 1706 | 16 | VN |
//56/56//5432/1//1+1+2+/3+2+1+7//6 | C/ | Broom: The Bonny Bonny Broome (t) | PL-E | Playford 1-01, 1651 | 74 | VN |
//56/56//5432/1//1+1+2+/3+2+1+7//6 | C/ | Broome; the Bonny Bonny Broome (t) | PL-E | Playford 1-02, 1652 | 12 | VN |
//56/56//5432/1//1+1+2+/3+2+1+7//6 | C/ | Broom: The Bonny Bonny Broom (t) | PL-E | Playford 1-03a, 1657 | I,12 | VN |
//56/56//5432/1//1+1+2+/3+2+1+7//6 | C/ | Broom: The Bonny Bonny Broom (t) | PL-E | Playford 1-04, 1670 | 31 | VN |
//56/56//5432/1//1+1+2+/3+2+1+7//6 | C/ | Broom: The Bonny Bonny Broom (t) | PL-E | Playford 1-05, 1675 | 31 | VN |
//56/56//5432/1//1+1+2+/3+2+1+7//6 | C/ | Broom: The Bonny Bonny Broom (t) | PL-E | Playford 1-06, 1679 | 31 | VN |
//56/56//5432/1//1+1+2+/3+2+1+7/6 | C/ | Broom: The Bonny Bonny Broom (t) | PL-E | Playford 1-07, 1686 | 31 | VN |
//56/56//5432/1//1+1+2+/3+2+1+7//6 | C/ | Broom: The Bonny Bonny Broom (t) | PL-E | Playford 1-08, 1690 | 28 | VN |
//56/56//5432/1//1+1+2+/3+2+1+7//6 | C/ | Broom: The Bonny Bonny Broom (t) | PL-E | Playford 1-3b, 1665 | I,12 | VN |
//5-6-/5-6-//5-4-3-2-/1-1//7-1/23 | C | Duke of Cumberland's March, The (t) | IC-E | Handel March 2, 1770 | 6 | VN/GF/OB |
//56/56//5432/11+//71+/2+3+// | C | Duke of Cumberlands March, The (t) | IC-E | Longman March 4, 1770 | 12 | 2VN/OB/GF, 2HN, B |
//56/5654//32125-/3454//345/345// | C | IC-E | Forest Harmony-1, 1733 | 11 | 2HN/GF/TR/VN | |
/5//6/5654//32/143//27-/ | 2 | Quadrille, Le, 2e (t) | IC-F | Leclerc Recueil-2, 1737 | 91 | HAF |
//565//654//32343//565//654//3 | 3/8 | Neujahr Stuck (t) | MS-G | Darmstadt MS 1225 | 73-74 | 2MI |
//56/56//54/3//3234/34 | C/ | Zapffenstr. (t) | MS-G | Darmstadt MS 1225 | 53-54 | 2MI |
//56/56//54/3//3234/34 | C/ | Schweitzer Zapffenstr. No 12 (t) | MS-G | Darmstadt MS 1225 | 281-82 | 2MI |
//5656//543//4217-//17-15-1//234//32325 | 3 | Nous Etions Dans Cette Etage encore (t) | MS-F | Darmstadt MS 1187 | 2CL,2HN,2BS | |
//5656//543//432//323434//5656 | 3/4 | IC-E | Delightful-1, 1763 | 2GF | ||
//5656//543//432//32343//5656//543// | 3/4 | IC-E | Geoghegan Pastoral, 1746 | 12 | BP | |
//5656/5434//5671+76/57-1+5//1+765 | C/ | Claret the Best Remedy Against Love (t) | SS-E | SS, Folger-C42.3 | 475 | VO,KB+FL |
//56/56//543/54//321/7-1//25- | 2/4 | When you meet a tender creature (fl) | TW-E | Maid/Mill, 1765 | 61 | VO,HAF |
//5/6//56/54//3/6// | 2/4 | Prickley March, The (t) | MS-S | Fife MS, 1780 | 49,6r | 1FI OR 2FI/VN |
//5-6-/5-6-//5-5/5//6432/32//11- | 2/4 | March (t) | IC-E | Delightful-2, 1745 | I,12 | GF |
//5-6-/5-6-5-6-//5-3-///4-5-/4-5-4-5- | 2/4 | Andante (t) | IC-E | Flack Divs, 1776 | 11 | 2CL,2HN,BS |
//5-6-/5-6-//5-6-5-4-/5-//4-3-2- | C | Zapfen Streich (t) | MS-G | Darmstadt MS 1224 | 193 | MI |
//56/56//56/5//654 | 2/4 | Wurtenberger Grenadier March (t) | MS-G | Darmstadt MS 1224 | 291-93 | 2MI |
//5-6-/5-6-//5-6-/5-//6-5-4-/5- | C | Marche de Wurttemberg, Pour les Grenadier (t) | MS-G | Darmstadt MS 1224 | 19-20 | 2MI |
//5-6-/5-6-//5-6-/5-//6-5-4-/5- | C | Wurtemberger Grenadier March (t) | MS-G | Darmstadt MS 1224 | 209 | MI |
//5-6-/5-6-//5-6-/5-//6-5-4-/5- | C/ | Wurtemberger Grenadier March(ed) (t) | MS-G | Darmstadt MS 1224 | 283 | MI |
//5-6-/5-6-//5-6-/5-//6-5-4-/5- | 2/4 | Gr M Printz Von Bade (t) | MS-G | Darmstadt MS 1224 | 285 | MI |
//56/56//56/5//654/5 | 2/4 | Grenadier March (t) | MS-G | Darmstadt MS 1224 | 287 | MI |
//5-6-/5-6-//5-6-/5-//6-5-4-/5- | 2/4 | Marche (t) | MS-G | Darmstadt MS 1224 | 340 | MI |
//5-6-5-6-/5-6-5-//6-5-4-5-/4-3-2-3-//3- 2-3-4-5-6-5-4-/3- |
C | Grenad. March. Colloperad (t) | MS-G | Darmstadt MS 1224 | 6 | MI,B |
//5-6-/5-6-//5-6-/5-//6-5-6-1 | 2/4 | Grenadier March Von Alt Wurtenberg (t) | MS-G | Darmstadt MS 1224 | 303-5 | 2MI |
//56/56//56/5//6561+/5 | 2/4 | March V. Alt Wurtenberg (t) | MS-G | Darmstadt MS 1225 | 131-32 | 2MI |
//56/5656//565656//51+76/5321// | [2/4] | Eliza. No. 10 (t) | AI-A | Johnson, F. Cotillions | 6 | PF |
//565656/56565656//515/654//3 | C | Favourite Song In the Opera of Camilla (t) | SC-E | Pocket Comp, 1725 | 24-25 | VO,HAF+FL |
/5-6-//5-/6-5-6-7-//11/2342//4321/ | 2/4 | Four Spades (t) | DA-E | L & L Cot, 1775 | 16 | MI |
//5-6-5-/6-5-6-//7-6-7-/1//5-6-5-/5-4-3- |
6/8 | Vag. D. Lamot (t) | MS-G | Darmstadt MS 1224 | 142 | 2FL |
//5-6-5-/6-5-6-//7-6-7-/1//5-6-5-/5-4-3- 4- |
6/8 | Lamotte Vergatterung (t) | MS-G | Darmstadt MS 1224 | 239,242 | 2MI |
//5-6-5-/6-5-6-//7-6-7-/1//5-6-5-/5-4-3- 4- |
6/8 | Viegattrung Von Lamotte (t) | MS-G | Darmstadt MS 1224 | 332,157 | 2MI |
//565/656//767/671+//2+1+7 | C3 | Gallopping Nag, The (t) | PL-E | Playford 1-09, 1695 | 14 | VN |
//565/67//1+1/11+//76/54 | 3 | Green-Goose Fair (t), or Solomons Jigg, (at) | PL-E | Playford 1-06, 1679 | 100 | VN |
//565/67//1+1/1+2+1+//76/54//342/1+ | C | Solomons Jigge (t) | PL-E | Playford 1-02, 1652 | 98 | VN |
//5-/6-5-6-7-//12/15-//4-3-/2-1- | 2/4 | Quick March (t) | IC-E | Coleman Marches, 1790 | 42-43 | HA |
//5-6-/5-6-7-//12/3212 | 2/4 | Rose Tree (t) | AM-A | Shattuck MS, 1801 | 75 | MI |
//5-/6-//5-6-7-/14-//3-2-/1- | C/ | Lucy & Collin (t) | SS-E | SS, Folger-C42.3 | 140 | VO,KB+FL |
//5/6//567/1+4//32/1 | C/ | Lucy & Collin (t) | SS-E | SS, Harvard | 1 | VO,KB+MI |
//5-/6-//5-6-7-/14-//3-2-/1- | C/ | Lucy & Colin (t) | SS-E | SS, Huntington-1 | 87 | VO,KB+FL |
//5-/6-5-6-7-//1/7-123//42/17- | 2/4 | Allemande Vienna (t) | MS-E | Shepherd MS, 1787 | 22 | MI |
//5/6567//1+765/4321//4565/4321// | 2/4 | Jasuel, La. Contredanse Nouvelle (t) | DA-F | Bouin CD LC-1, 1780 | 2 Feuille | MI |
//5-6-5-/6-7-6-//7-6-7-/121//5-/5-6-5- | 6/8 | Musquetier Marche Von Prentzlau (t) | MS-G | Darmstadt MS 1225 | 386-87 | 2MI |
5-6-//5-7-1/5-43//217-1//321//7-23452// | 3 | 4. Menuet. 2me. Feuille de Menuet du Wauxhall (t) | DA-F | Landrin CD BN, 1775 | 38 Feuille | MI |
//5657//2+72+7//6761+ | 2/4 | March 36 (t) | IC-E | Button Whit-2, 1806 | 61 | 2GF/2VN/2FI |
//5-6-5-7-/5-6-5-//5-6-5-/3-3-4-//5-6-5- /1-2- |
C | Vergatterung (t) | MS-G | Darmstadt MS 1224 | 59 | MI |
//56/57//65/43//44/46// | C/ | Farmington Quickstep (t) | AM-A | Bevens MS, 1825 | 10v-11r | FI |
//5657//71+5//671+76//65//57 | 3/4 | Take, Oh! Take Those Lips Away (t) | SS-E | SS, Huntington-2 | 128,1-2 | VN,VO,HA+FL/GT |
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