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| Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
| //551/11+1+//531/123//422/21+ | 6/8 | Osmund's Favorite (t) | AI-A | Hulbert Variety, 1803 | 11 | OB/FI |
| //5-5-/11//12/321//24- | C/ | School of Anacreon, The-1 (t), or Cantata, A (at) | SS-E | SS, Folger-C52 | 20-22 | MI,VO,KB |
| //55/1+1+//1+2+/3+2+1+//2+4/321 | C | School of Anacreon, The. A Favourite Cantata (t) | SC-E | Clio-2, 1759 | 34-39 | VO,HAF |
| //55/1+1+//1+2+/3+2+1+//2+4/321 | C | School of Anacreon, The (t) | SC-E | Ritson, 1783 | TII,341;MIII,296-303 | VO |
| //55/1+1+//1+2+3+2+/2+1//32/12 | C/ | Rimus's Gavat (t) | PL-E | Playford 3-2, 1726 | 175 | VN |
| /5-5-//11/1234//543/217-6-//5-5/ | 2 | Cavalier, Le (t) | DA-F | Landrin Potpourri, 1785 | 12 | MI |
| //5-5-11//13115-5-//3-3-1-5-5-1//5-5-3-3 -1-5-//5- |
3 | Premier Appel (t) | MS-F | Philidor MS, 1705 | 53 | HN |
| //5-5-/11//13/35//43/21 | 2/4 | Honey Moon (t) | AM-A | Beach MS, 1801 | 98 | MI |
| //5/5//1+/1+//1+6/54// | 2/4 | I Sold a Guiltless Negro Boy (t) | AM-A | Cushing MS, 1805 | 94 | MI |
| //5/5//1+1+//1+6/54//3 | 2/4 | Negro, Boy the (t) | AI-A | American SS-SM | 1-2 | VO,KB+FL |
| //55//1+1+//1+654//334//5 | 2/4 | I Sold a Guiltless Negro Boy (t), or Sentimental Ballad, A (at) | AI-A | Musical Rep-1, 1796 | 14-15 | VO,KB |
| //55//1+1+//1+654//334//567//1+ | 2/4 | Song 30 (t), or I Sold a Guiltless Negro Boy (at) | AI-A | American MM, 1798 | 82-84 | VO |
| //5-5-//112/1232//15-5-/1 | C | Highland Character, The (t) | AI-A | Scots MM, 1797 | 149-50 | VO,HA/PF |
| //5-5-//112/1232//15-5-/112//334/3454 | C | Highland Character, The (t) | AI-A | Caladonian Muse, 1798 | 149-50 | VO/PF/VN |
| //5-5-/11//212/3//5-5-/11 | 6/8 | Morgiana In Ireland (t) | IC-E | Balls Amus 3, 1815 | 9 | FL/VN |
| //5-5-/11//212/3//5-5-/11 | 6/8 | Morgiana In Ireland (t) | IC-E | Balls Amus 3, 1830 | 9 | FL/VN |
| //5-5-/11//212/3//5-5-/12 | 6/8 | Morgiana In Ireland (t) | AI-A | Firth Cl, 1832 | 25 | CL |
| //5-5-/11//212/3//5-5-12 | 6/8 | Morgiana (t), or Captn Muligan (at) | AI-A | Riley Flute 3, 1820 | 35 | FL |
| //5-5-/11//212/36-//5-5/11 | 6/8 | Morgiana In Ireland (t) | AI-A | Paff Amus 2, 1812 | 7 | FL/VN |
| //5-5-/11//212/36-//5-5-/12 | 6/8 | Captain Mulagin (t) | AI-A | Merrimack Coll, 1833 | 85 | 2MI,B |
| //5-5-/11//22/22//33/321 | 6/8 | Coal Black Joak, The (t) | SS-E | SS, Folger-C42.3 | 129 | VO,KB+FL |
| //5-5-/11//22/22//33/321 | 6/8 | Coal Black Joak (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
| //5-5-/11//22/22//33/321 | 6/8 | Coal Black Joak (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
| //5-5-/11//22/2//33/321 | 6/8 | Coal Black Joak, The (t) | SS-E | SS, Folger-C42.2 | 33 AND 37 | VO,KB+F |
| //5-5-/11//22//33 | 6/8 | Coal Black Joke, The (t) | SS-E | SS, Folger-C42.3 | 324 | VO,KB+FL |
| //5-5-//1/1//22//3/33 | C/ | Damon & Clora, A Favorite Dialogue (t) | AI-A | American SS-SM | 2-3 | 2VO/2FL/2GT,KB |
| //5-5-/11//22/33//43/42//1/7- | 6/8 | Song 71 (t) | SC-E | Vocal Enchant, 1783 | 150-151 | VO |
| //5-5-//1/1//23 | C | Damon & Clora (t) | AM-A | Perkins MS, 1790 | 48-50 | 2VO:(S)B |
| //5-5-//1/1//2/3 | C/ | Damon and Clora-A Musical Dialogue (t) | AM-A | Pickman MS, 1785 | 76-79 | 2VO |
| //5-5-1//12312//25-//5-5-3-3-1-5-//5-5-/ /3-3-1-1--2--2- |
3 | Pour la Voye (t) | MS-F | Philidor MS, 1705 | 52 | HN |
| //5-5-/11//232/212//343/321 | 6/8 | Air 10, Act I (t) | BA-E | Beggar's Wed, 1729 | T17-18M3 | VO |
| //5-5-/11//232/212//343/321 | 6/8 | Capt. Smythe's Quick March (t) | IC-E | Hinde 1, 1770 | 2-3 | GF/VN/OB |
| //5-5-/11//232/212//343/321/ | 6/8 | Black Jack (t) | MS-E | Vickers MS, 1770 | 50 | MI |
| //5-5-/11//232/212//344/321 | 6/8 | Black Joake (t) | AM-A | Hawkins MS, 1794 | II,47 | GF |
| /5-5-//11/2342//31/2342//321/ | 2 | Cotillon (t) | IC-F | Leclerc Recueil-2, 1737 | 87 | HAF |
| //5-5-/11//2342/323//36-/7-12 | C/ | Restoration of King Charles, The (t) | PL-E | Playford 3-2, 1726 | 36 | VN |
| //5-5-/11//2342/323//46-/7-12 | C/ | Trusty Dick (t), or King Enjoys His Own, The (at) | DA-E | Johnson CD-1, 1740 | 32 | MI |
| /55//1+1+/2342//4321/461+4//351+5/5443// |
2/4 | Menuit & Gavotte Belong to Miss K Henne & Proformd by Her: Gavotte (t) | AM-A | Duport MS-1, 1780 | 11 | MI |
| //5-5-//1/1//23//43/21 | C | Damon and Clora (t) | AI-A | Select Songster, 1786 | 5-7 | 2VO |
| //5-5-//1/1//2/3//43/21//7- | C | Damon, and Clora (t) | SS-E | SS, New York PL-C694 | 25 | 2VO |
| /55//11/234//32/321//7-1/ | 2 | Petits Sauts de Bordeaux, Les (t) | IC-F | Leclerc Recueil-2, 1737 | 76 | HAF |
| //5-5-/11//234/32//355-/11 | 6/8 | Petit Doit, Le (t) | DA-E | Johnson CD-8, 1758 | 38 | VN/GF |
| //5-5-/11//234/32//355-/11 | 6/8 | Petit Doit, Le (t), or De'el on Twa Sticks, (at) | DA-E | Rutherf CD-1, 1750 | 27 | VN/FL/OB,HAF |
| //5-5-/11//234/32//355-/11 | 6/8 | Petit Doit, La (t), or De'el on Twa Sticks, (at) | DA-E | Rutherf CD-2.2, 1760 | 50 | MI |
| //5-5-/112//3434/55//5654/33 | C/ | Air 73 (t) | IC-N | Roger Airs, 1716 | 2:19 | 2CH/TR/OB/VN/FL/CL/HN |
| //55-//112/34//5 | 3 | Mountebank Song, The. Part 1 (t) | SC-E | Pills 5, 1719-20 | 308-10 | VO |
| //5-5-/11//2345/31//217-6-/5-// | 2/4 | Paysan Allemande, La (French) (t) | DA-E | Wilson Companion, 1816 | 157 | MI |
| //5-5-/11//2345/31//2345/31 | 2/4 | Paysan Allemande, La (t) | AI-A | Riley Flute 3, 1820 | 28 | FL |
| /5-5-//11/2345//323/4321//7-1/ | C/ | Bredaels Biertie. a 6 Deuxieme Air Danse Hollandoise (t) | IC-F | Pointel Airs, 1700 | 26 | MI,B |
| //5-5-/11//2345/323//46-/7-1//21/1 | C/ | When the King Comes Home In Peace (t) | AM-A | Simpson MS, 1750 | II,11 | FL |
| //5-5-/11//2345/323//46-/7-3// | C/ | When the King Enjoys His Own Again (t) | MS-E | Rogers MS, 1656 | 8 | VI |
| //5-5-11/3217-15-//436/6-217-5-//5-5-11/ 3217-15- |
C | Cleghorn's Rant (t) | IC-S | Aird 3, 1788 | 211 | FI/GF/VN |
| //5-5-/11//33/11//22/17-6-7- | 2/4 | Bataille de St Chaumont. Rejouissance des Francais Avec les Armees (t) | IC-N | Netherlands Sheet Music | PF | |
| //5-5-11/3311//5-/2-5-2-//5-/2-5-2-5-15- 3 |
C | Versammeln der Hornisten (t) | IC-G | Hanoverian Inf, 1821 | 53 | HN |
| /5-5-//11/33/5/6545//44/ | 2/4 | Charity (t) | AM-A | Duport MS-2, 1800 | 15r | VN |
| //5-5-11/343211//1133/565433//545655/434 544 |
C/ | Air 49 (t) | IC-N | Roger Airs, 1716 | 2:8 | 2CH/TR/OB/VN/FL/CL/HN |
| //5/5-//1/13//5/5-// | 2/4 | Ariel Call (t) | AM-A | USS N. Carolina MS, 1825 | BU | |
| //5-5-/113//5-5-/6-7-12//3456/6543// | 2/4 | Paris, La (t) | AI-A | Berault Cots, 1805 | 6 | PF |
| //5-5-/113//7-/6-7-12//345/6543 | 2/4 | French Cotillion's First Sett-7 (t) | AM-A | Marchant MS, 1783 | 78 | KB |
| //551//152+//3+15+//5+4+3+//15+3+//2+12+ 4+ |
3/8 | Soft Arno's Stream (t) | IC-E | Preston Bassoon, 1790 | 18 | BS |
| //5-5-1//15-3//315//43//153 | 3/8 | Rondo d'Henry 4th (t) | IC-E | Astor Guitar, 1800 | 19 | VO,GT |
| //5-5-1//15-3//315//543//153//24 | 3/8 | Avec le Juex-A Favorite French Air (t) | AM-A | Commonplace MS, 1809 | 6R | CL/FL |
| //5-5-1//15-3//315//543//153//24// | 3/8 | French Air (t) | IC-E | Hyde Bugle, 1818 | 17 | 2BU,B |
| //5-5-/11//54/33//32/11 | C/ | Air 72 (t) | IC-N | Roger Airs, 1716 | 2:19 | 2CH/TR/OB/VN/FL/CL/HN |
| //5-5-/1-1-//5-5-/1-1- | 6/8 | Affirmative (t) | IC-E | Potter Bugle, 1817 | 9 | BU |
| //5-//5-1/15-//5-1/1//5-5-/3-3- | 6/8 | Running, The (t) | IC-E | Simpson Horn, 1745 | 2 | HN |
| //5-5-/11//5-5-/11//5-5-/5-5- | 6/8 | Forward March (t) | AI-A | Cooper System, 1836 | 239 | BU |
| //5-5-/11//5-5-/11//5-5-/5-5- | 6/8 | March by the Right Flank (t) | AI-A | Cooper System, 1836 | 240 | BU |
| //5-5-/11//5-5-/11//5-5-/5-5- | 6/8 | March by the Left Flank (t) | AI-A | Cooper System, 1836 | 240 | BU |
| //5-5-/11//5-5-/11//5-5-/5-5- | 6/8 | Marcher En Avant (t) | IC-F | French Ordinances | App.25 | BU |
| //5-5-/11//5-5-/11//5-5-/5-5- | 6/8 | Marcher Par le Flanc Droit (t) | IC-F | French Ordinances | App.25 | BU |
| //5-5-/11//5-5-/11//5-5-/5-5- | 6/8 | Marcher Par le Flanc Gauche (t) | IC-F | French Ordinances | App.25 | BU |
| //5-5-/11//5-5-/11//5-5-/5-5-// | 6/8 | En Avant (t) | IC-F | Lelouterel Clairon, 1825 | pl. 6 | BU |
| //5-5-/11//5-5-/11//5-5-/5-5-// | 6/8 | Par Le Flanc Droite (t) | IC-F | Lelouterel Clairon, 1825 | pl. 6 | BU |
| //5-5-/11//5-5-/11//5-5-/5-5-// | 6/8 | Par Le Flanc Gauche (t) | IC-F | Lelouterel Clairon, 1825 | pl. 6 | BU |
| //55/1+1+//55/1+1+//55/55// | 6/8 | Forward March (t) | AI-A | US Tactics, 1835 | 20 | BU |
| //55/1+1+//55/1+1+//55/55// | 6/8 | March by the Right Flank (t) | AI-A | US Tactics, 1835 | 21 | BU |
| //55/1+1+//55/1+1+//55/55// | 6/8 | March by the Left Flank (t) | AI-A | US Tactics, 1835 | 21 | BU |
| /55-//1+1/55-//1/543//21/7-1// | 2/4 | Spectacles ou la Salle des Spectacles, Les. Contredanse Nouvelle (t) | DA-F | LaCuisse Rep CD LC-2, 1764 | 34 Feuille 2. Vol | KB |
| //5-5-/11//5-5-/25-//31/42 | 6/8 | Angler, The (t) | AI-A | Musical Jnl-1, 1800 | I,38-39 | FL/VN/VO |
| //5-5-/11//5-5-/25-//31/42 | 6/8 | Angler, The (t) | AI-A | Musical Jnl-2, 1800 | I,40 | VO,PF |
| /55//1+1+/55//31/55//1+1+/ | 6/8 | Petarade, La (t) | IC-F | Leclerc Recueil-1, 1729 | 34 | HAF |
| //5-5-11//5-5-3-3-1-5-//5- | 3 | Premier Appel (t) | MS-F | Philidor MS, 1705 | 52 | HN |
| /5-5-//11/5-5-//3/3217-//6-6-/ | 2/4 | Ball Masque, Le (t) | AM-A | Duport MS-2, 1800 | 17v | VN |
| /55//1+1+/55//3/3432//12/ | 2 | Cotillon Qui Va Toujours (t) | IC-F | Leclerc Recueil-1, 1729 | 33 | HAF |
| /55//11/55//34/51//43/212// | 2/4 | Swallow, The. Second Sett (t) | AI-A | Blake Cots, 1804 | 10 | PF/VN/GF |
| //55/1+1+//5675/1+5//1+2+/3+2+3+// | C/ | Tenor Conqwest (t) | AM-A | Brown, J. MS, 1782 | 1:48 | |
| //5/5//1/1//65/64 | 2/4 | Spanish Quick Step (t) | AI-A | Riley Flute 4, 1826 | 3 | FL |
| //55/1+1+//66/22//55/11// | 2/4 | 3. Third Sett (t) | AI-A | Geib Cots, 1815 | 2 | PF |
| //55/1+1+//66/22//55/11// | 2/4 | 3. First Set (t) | AI-A | Geib Cots, 1818 | 2 | PF |
| //55/1+1+//66/22//55/11 | 2/4 | Six Cotillions-Iii (t) | AI-A | Riley Flute 1, 1814 | 38 | FL |
| //55/1+1+//66/22//55/33// | 2/4 | 4. First Sett (t) | AI-A | Geib Cots, 1816 | 2 | MI,B |
| //55/1+1+//6/6+4+2+//77/2+1+71+// | 2/4 | No. 3 (t) | IC-A | Johnson, F. Cotillions | 2 | PF |
| //55/1+1+//665/4321//7-2/5-7-// | 2/4 | Tosite, La (t) | AI-A | Hewitt Cots-1, 1803 | 25 | PF |
| //5-5-/117-//1/31/543 | C/ | Genius, The (t) | SC-E | Watts MM-4, 1730 | 17-19 | VO,HA+FL |
| //5-/5-1//1/7-1//6-42/17- | 2/4 | Trip to Clumber, A (t) | IC-S | Aird 2, 1785 | 13 | FI/VN/GF |
| //5/51+//1+/71+//64+2+/1+7 | 2/4 | Trip to Clumber, A (t) | IC-S | Aird 2, 1785 | 13 | GF |
| //5/51+//1+/71+/64+2+/1+7 | 2/4 | Duff, The (t) | DA-E | Thompson CD-7.1, 1797 | 11 | MI |
| //5-5-/11//7-5-/13//22/33 | 2/4 | Siege of Valenciennes, The. Military Rondo (t) | IC-E | English Sheet Music | 2CL,2HN,TR,2BS | |
| //55/1+1+/75//65/671+/2// | 9/8 | Lady Cawdor (Irish) (t) | DA-E | Wilson Companion, 1816 | 29 | MI |
| //5-/5-1//17-/7-//13/6-2//1 | 2/4 | Chorus (t) | TW-E | Midnight Wand, 1793 | 40-41 | VO,FL,KB |
| //551+1+//771+76//565454 | 2/4 | Doublings (t) | IC-E | Andrews Fife, 1808 | 11 | FI/GF |
| //55/1+1+//77/1+76//565/454 | 2/4 | Doublings (t) | IC-E | Clementi Fife, 1815 | 10 | FI |
| //551+1+//771+76//565454 | 2/4 | Doublings (t) | AI-A | Fifer's Comp, 1805 | 6 | 2FI |
| //55/1+1+//77/1+76//565/454 | 2/4 | Doublings (t) | AI-A | Glazier Fife, 1830 | 34 | FI |
| //551+1+//771+76//565454 | 2/4 | Doublings (t) | IC-E | Goulding Fife, 1790 | 9 | FI |
| //55/1+1+//77/1+76//565/454 | 2/4 | Doublings (t) | IC-E | Longman Fife, 1770 | 10 | FI |
| //551+1+//771+76//565454 | 2/4 | Doublings (t) | IC-E | Longman Fife, 1780 | 10 | FI/GF |
| //551+1+//771+76//565454 | 2/4 | Doublings (t) | IC-E | Preston Fife, 1796 | 10 | FI/GF |
| //55/1+1+//77/1+76//565/454 | 2/4 | Doublings (t) | AI-A | Robinson Coll, 1818 | 51 | FI,DR |
| //55/1+1+//77/1+76//565/454 | 2/4 | Doublings (t) | AI-A | Robinson Coll, 1820 | 67 | MI |
| //55/1+1+//77/1+76//565/454 | 2/4 | Doublings (t) | AI-A | Robinson Coll, 1826 | 67 | MI |
| //551+1+//771+76//565454 | 2/4 | Doublings (t) | IC-E | Rutherford Fife, 1756 | 16 | FI |
| //551+1+//771+76//565454 | 2/4 | Doublings (t) | IC-E | Skillern Fife, 1780 | 10 | FI/GF |
| //551+1+//771+76//565454 | 2/4 | Doublings (t) | IC-E | Thompson Fife, 1760 | 9 | FI |
| //55/1+1+//77/1+76//565/454 | 2/4 | Doublings (t) | IC-E | Thompson Fife, 1770 | 9 | FI |
| //55/1+1+//77/1+76//565/454// | 2/4 | Doublings (t) | IC-E | Thompson Fife, 1786 | 10 | FI/FL |
| //551+1+//771+76//565454 | 2/4 | Doublings (t) | AI-A | Village Fifer, 1808 | 11 | FI |
| //55/1+1+//77/1+76//565/454 | 2/4 | Doublings (t) | AI-A | Williams Fife, 1819 | 11 | FI |
| //55/1+1+//77/1+76//565/454 | 2/4 | Doublings (t) | AI-A | Williams Fife, 1826 | 7 | 2FI |
| //551+/1+772+//2+444/43351+//1+6664+3+2+ 1+7/1+1+3+ |
C | Dis Moi Donc Quand Je Te Quitte (t) | IC-F | Vanderhagen Am, 1776 | 3 | 2CL,2HN,2BS |
| //551+//1+773+2+3+//4+3+2+1+76/54//43/13 |
C | Parade. Allegro Moderato (t) | MS-G | Darmstadt MS 1223 | 2OB,TR,2BS | |
| /5-5-//1/2123//23/32//12/ | 2 | De Mon Pot &c (t) | IC-F | Leclerc Recueil-2, 1737 | 119 | HAF |
| //5-5-/12//23/21//23/21// | 3 | Coll. Middleton's March (t) | IC-E | Apollo's Banquet 1-1, 1670 | 37 | VN |
| //5-5-/12//23/21//23/21// | 3 | Montrosses March (t) | IC-E | Musicks Hand-Maid-1, 1678 | 36 | VI/HA |
| //5-5-/12//23/21//23/21//23/6-5-//6-11/1 |
3 | Scots Rant (t) | PL-E | Playford 1-03a, 1657 | II,50 | VN |
| //5-5-/12//23/21//23/21//23/6-5-//6-11/1 |
3 | #30 (t), or Scots Rant (at) | PL-E | Playford 1-3b, 1665 | II,43 | VN |
| //5-5-/1//22/3//2323/1212 | C | French March, A (t) | IC-E | Bremner Airs, 1761 | 49 | 2VN/GF |
| //5-5-/1//22/3//2323/1212 | C/ | French March (t) | AM-A | Hooves MS, 1817 | 30 | 2FI |
| //5-5-/1//22/3//2323/1212 | C | French March, A (t) | IC-E | Preston Marches, 1804 | 49 | 2GF/VN |
| //5-5-/1//22/3//2323/1212 | C/ | French March (t) | AI-A | Village Fifer, 1808 | 63 | 2FI |
| //5-5-/1//22/3//2323/1212//3 | C | Quick March (t) | AI-A | Instrum Asst, 1800 | 30 | 2VN/2GF/2CL/2OB,BVIOL |
| //5-5-122/3453//255/677//1+112/32143221/ / |
C | Care Mura In the Opera of Parthenope (t) | IC-E | Prelleur Modern, 1731 | 41 | RC |
| //55/1//22/5-//6-7-/12 | 2/4 | Moderato (t) | IC-E | Brooks Pieces, 1796 | 7 | 2CL,2HN,BS |
| //55-12//3134//5654321//1345//6765432//1 6-654543 |
3 | Marche Suisse, La.1er Air (t) | MS-F | Philidor MS, 1705 | 19 | OB,B+DR |
| //5/5//123/15-//123/3 | 2/4 | Kiss and Away, A (t) | DA-E | Johnson CD-7, 1756 | 19 | VN/GF |
| //5-/5-12//315-3-/1-//222/212 | C/ | Capt. Baillies March (t) | IC-S | Lady Coll, 1796 | 1 | PF |
| /5-5-//123/17-1//22-/234//321/ | 6/8 | Marin, Le (t) | MS-F | 4 Comtesses MS, 1775 | 37v | MI |
| //5-5-1/2321//232/16-//6-5-6-1 | C/ | Gilderoys Last Farewel, The (t) | SC-E | Pills 5, 1719-20 | 39-41 | VO |
| //5-5-/123//213//456/54//324// | C/ | Princess Orleance, La (t) | IC-E | Apollo's Banquet 1-2, 1678 | A22 | VN |
| //5-5-/123//213//456/54//324// | C/ | Princess Orleance, La (t) | IC-E | Apollo's Banquet 1-6, 1690 | A22 | VN |
| //5-5-/123//213//456/54//325// | C/ | Princess Orleans, La (t) | IC-E | Apollo's Banquet 1-1, 1670 | 201 | VN |
| //5-5-/123//213//456/54//325// | C/ | Princess Orleance, La (t) | IC-E | Apollo's Banquet 1-5, 1687 | A22 | VN |
| //5-5-/123//213//456/54//325// | C/ | Princess Orleans, La (t) | IC-E | Apollo's Banquet 1-7, 1693 | 19 | VN/FL |
| //5-5-/123//213//456-/54//325//36/45//5 | C/ | #67 (t), or Princesse Orleans (at) | PL-E | Playford 1-3b, 1665 | II,54 | VN |
| //55/1+2+3+2+//1+653/2123//55/1+2+3+2+ | C | Gi'e the Lasses Mair O'it (t) | IC-S | Aird 3, 1788 | 211 | FI/GF/VN |
| //551+2+/3+2+2+5//61+1/3217-//5567/1+63/ / |
C3 | Gun-fleet, The (t) | IC-E | Apollo's Banquet 1-5, 1687 | 42 | VN |
| //551+2+//3+2+2+5//61+1+3//2234//5567/1+ 663// |
C3 | Gun-fleet, The (t) | IC-E | Apollo's Banquet 1-6, 1690 | 23 | VN |
| //551+2+/3+2+5//61+1/3217-//5567/1+63// | C/ | Running Bore, The, to the Gun-fleet tune (t) | IC-E | Apollo's Banquet 1-2, 1678 | A13 | VN |
| //5-5-//12342//5311//622//27-5-5-//12342 |
3/4 | Still the Lark Finds Repose (t), or Favourite Rondo, The (at) | SS-E | SS, Boston PL-1 | 82,1-4 | VO,KB+GF |
| //5/512//3/43//2/32 | 6/8 | Gypsy's Serenade (t) | AI-A | Riley Flute 4, 1826 | 73 | FL |
| //5-5-/12//3456/5-//46-4/34//34 | C | Let My Fair-One Only Be (t) | SC-E | Vocal Music, 1775 | 238-239 | VO/VN/GF |
| //5-5-/123//6-7-1/234//321/7-6-5432 | 6/8 | Cherry Cheek'd Patty (t) | AI-A | Riley Flute 3, 1820 | 39 | FL |
| //5-5-1/3 | C | Turn to the Left (t) | IC-E | Jones Bugle, 1805 | 4 | BU |
| //5/51+3+//1+/1+53//2/247-// | 6/8 | Fancy Dance for a Cadrill - Proform at Boston 1795 No.18 (t) | AM-A | Duport MS-1, 1780 | 15 | VN |
| //5-5-131+31/5-131+31//5-25752/5-25752// 4-6-1641/4-6-1641 |
Arpegio (t) | IC-E | Astor Guitar, 1800 | 12 | GT | |
| //5-5-1/321//12/5-5-//114/322 | C | Song 8 (t) | AI-A | Hopkinson Songs, 1788 | 11-12 | HA/PF,VO |
| //551/321//232/26//551/321 | 6/4 | Cock Up Your Beaver (t) | SC-S | Scots MM-4, 1792 | 319 | VO,PF |
| //551/321//232/46//54/32 | 6/4 | Air 25 (t) | BA-E | Village Opera, 1729 | 34 | VO |
| //551/321//232/46//54/32//11+5/345 | 6/4 | Air 19 (t) | BA-E | Highland Fair, 1731 | 32 | VO |
| //5-5-//132/15-//132/11//242/17-1//2 | Dorothy Dump (t) | AI-A | Gent's Amus, 1795 | 36 | GF/VO | |
| //5-5-/13//22/25-//123/5-2 | 6/8 | First Regt of Guards March (t) | IC-E | Clementi Fife, 1815 | 30 | FI |
| //5-5-/13//22/25-//123/5-2 | 6/8 | First Regt of Guards March (t) | IC-E | Longman Fife, 1780 | 30 | FI/GF |
| //5-5-/13//22/25-//123/6-2 | 6/8 | First Regt of Guards March (t) | IC-E | Skillern Fife, 1780 | 30 | FI/GF |
| /5-5-//1/33//1/7-5-//11/212// | 6/8 | Chasse, La. First Set (t) | AI-A | Schaffer Cot, 1809 | 1 | PF/VN,BA |
| //551+3+//3+2+2+//3+/4+2+75//43 | 2/4 | Sonata 1. Andante (t) | IC-E | Rockeman & Alters, 1773 | 3 | 2CL,2HN,BS |
| /55//13/33//5-5/642//531/43// | 6/8 | Plaisirs de Léchard, Les. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 211 Feuille | MI |
| //551+/335//11/1//242/7-27- | 2/4 | Pas Redouble (t) | IC-F | French Sheet Music | FLP,3CL,2TR,2HN | |
| /551+//335/113//5-/5365//5432/ | C/ | Independance Cotilion (t) | DA-E | Fishar Minuets, 1785 | 12 | KB |
| //5-5-/13//42/7-5-//31/6-4- | 6/8 | Constant Charle (t) | AM-A | Perkins MS, 1790 | 38 | MI |
| //5-5-//1345//54321//234321 | 3/4 | When In War on the Ocean (t) | AM-A | Shattuck MS, 1801 | 110 | MI |
| //55/1+3//46/65//4321/7-6-5- | C | Sailors Welcome Home, The (t) | AI-A | Riley Flute 3, 1820 | 25 | FL |
| //5-/5-13531//5- | C | Achtung (t) | IC-G | Hanoverian Inf, 1821 | 53 | HN |
| //55/1+3//54/456//53/2465 | 2/4 | Twilight Dews (t) | AI-A | Riley Flute 4, 1826 | 48 | FL |
| //5-5-13//5-5-13//131313//5-5-13//5-5-13 //5-5-13// |
3/8 | Appel, L' (t) | IC-F | Lelouterel Clairon, 1825 | pl. 6 | BU |
| //5-5-13//5-5-13//434343//4217-13//5-5-1 3//5-5-13// |
3/8 | Waltz (t) | AI-A | American Sheet Music | PF | |
| //55/1+4//33/565//4321/17-65//4 | C | Lovely Nan (t) | AI-A | Elegant Exts, 1798 | 2-3 | GF/VN/VO |
| //5-/5-//1-/5-/1 | C | Form Line on the Right Centre Compy (t) | IC-E | Potter Bugle, 1817 | 8 | BU |
| //5-5-15-/1123232//11231/3345454//33455/ 56544 |
C/ | Air 13 (t) | IC-N | Roger Airs, 1716 | 1:7 | 2CH/TR/OB/VN/FL/CL/HN |
| //5-5-15-//1231//345654//565456//5453//5 65434 |
3/4 | Air 64 (t) | IC-N | Roger Airs, 1716 | 2:16 | 2CH/TR/OB/VN/FL/CL/HN |
| //5-/5-//15-/15-15-//15-/1- | C | Form Column on the Right Centre compy (t) | IC-E | Potter Bugle, 1817 | 8 | BU |
| //5/51+//53/1//2/24 | C/ | Canterbury Tale (t) | DA-E | Walsh CD-3.5, 1754 | 46 | VN//OB/GF |
| //551+/5313//531+6/5313//4642/3531// | 2/4 | British March, A (t) | AM-A | Johnson, S. MS, 1807 | 1 | FI |
| //5/5//1+5/31//5/5// | 2/4 | [Qldschritt Nro. IX. Trio (t) | IC-H | Pfeifer-Ordonnanz, 1819 | 14-15,34-35 | 2FI |
| //5/51+53//5/4//3/3531 | 2/4 | Concerto 12. Andante (t) | IC-E | Bremner Mil Con, 1774 | 2OB/CL/FL/VN,2HN,BS | |
| //55/1+5//35//4345/3456//53/334// | 2/4 | Speranca, La. 3d. Set (t) | AI-A | Cotillion Party, 1818 | 14 | VN/GF/ PF |
| //551+53//5435-//1122//312315332//5571+5 3//5424 |
3/4 | Pleyels Minuett Alla Russe (t) | IC-S | Pandean Coll 3, 1810 | 33 | PF |
| //55/1+543//22/2//5-15-1/6-16-1// | C/ | Hornpipe 2 (t) | DA-E | Fishar Minuets, 1785 | 25 | KB |
| //5-5-1-//5-5-1- | Enemy Is Infantry, The (t) | IC-E | Barber Bugle, 1804 | Pl.1 | BU | |
| //5-5-1-//5-5-1- | Enemy Is Infantry, The (t) | AM-A | Beach MS, 1801 | 72 | BU | |
| //5-5-1-//5-5-1- | Enemy Is Infantry, The (t) | IC-E | British Bugle, 1798 | PL.8 | BU | |
| //5-5-1-//5-5-1- | Enemy Is Infantry, The (t) | IC-E | British Bugle, 1799 | PL.8 | BU | |
| //5-5-1-//5-5-1- | Enemy Is Infantry, The (t) | IC-E | Cooper Guide, 1806 | 3 | BU | |
| //551//551// | 3/4 | Fire by Platoons or Divisions (t) | AI-A | Duane Compendium, 1809 | xviii | BU |
| //5-5-1-//5-5-1- | 3/4 | To the Left (t) | AI-A | Duane Riflemen, 1812 | 103 | BU |
| //5-5-1-//5-5-1- | Enemy Is Infantry, The (t) | IC-E | Gilbert Bugle, 1804 | 3 | BU | |
| /5-5-//15-5-/1// | 2/4 | Halte (t) | IC-F | Lelouterel Clairon, 1825 | pl. 6 | BU |
| //5-5-/1-//5-5-/1- | C | Enemy Is Infantry, The (t) | IC-E | Potter Bugle, 1817 | 9 | BU |
| //5-5-1-//5-5-1- | Enemy Is Infantry, The (t) | AI-A | US Riflemen, 1824 | PL14 | BU | |
| //5-5-/1-//5-5-/1-//5- | 2/4 | Alarm (t) | AM-A | Bugle MS, 1800 | 1 | BU |
| //5-5-/1-//5-5-/1-//5-//1 | 2/4 | Alarm (t) | AI-A | Hoyt Cavalry, 1813 | Pl 14 | TR,BU |
| //551+//551+//51+1+//55//1// | Enemy Are In Open Column, The (t) | IC-E | Hyde Bugle, 1818 | 45 | BU | |
| //5-5-1//5-5-1//5-11//5-5-//1- | 3/8 | Enemy Are In Open Column, The (t) | IC-E | Potter Bugle, 1817 | 10 | BU |
| //551+551+551+// | On Discovering the Enemy (t) | IC-E | Hyde Bugle, 1818 | 44 | BU | |
| /5-5-//15-5-/15-5-//13/5//4321/7-123// | 2/4 | Apollo, The. Second Sett (t) | AI-A | Blake Cots, 1804 | 11 | PF/VN/GF |
| //5/51+//5/51+//61+/51+ | 2/4 | Parsons Whim (t) | DA-E | Johnson CD-5, 1750 | 44 | VN/GF |
| /5-5-//15-5-/311//531/1+5//1+5/43// | 6/8 | Nouvelle Daphinne, La. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 48 Feuille | MI |
| /55//1+/55//31/345//43/ | 6/4 | Micareme, La (t) | IC-F | Leclerc Recueil-2, 1737 | 92 | HAF |
| //5-5-1//5-5-3//5-11//217-12//5-5-2//5-5 -4 |
3/8 | Lady Charlotte Campbell's New Waltz (t) | IC-S | Pandean Coll 1, 1810 | 5 | PF |
| //5-5-/1//55/3//5-5-/1 | 6/8 | Stop to Bait (t) | IC-E | Jones Bugle, 1805 | 4 | BU |
| //551+//557//664//53//442 | 3/8 | Mr. Sanderson's Waltz (t) | DA-E | Thompson CD-7.4, 1800 | 44 | MI |
| //5/51+5//6/61+6//535 | 6/8 | When First This Humble Roof I Knew (t) | IC-E | Preston Clar, 1797 | 20 | CL |
| //5/51+5//6/61+6//535/432 | 6/8 | When First This Humble Roof I Knew (t) | IC-E | Preston Oboe, 1780 | 17 | OB |
| //551+5/662+//1+51+5/653//2235/6666 | C/ | Lass Amongst the Achtenoch, The (t) | IC-S | Aird 6, 1803 | 13 | FI/VN/GF |
| //55/1+62+//772+/4//2+5/3+1+6 | C | Favourite Hunting Song, A (t) | SC-E | Clio-3, 1762 | 174-176 | VO,HAF+GF |
| //551+64//3555-13//2445-7-2//1335-13//55 1+64//3551+64// |
3/8 | Waltz (t) | AM-A | Washburn MS, 1816 | 10 | GF |
| //551+64//3555-13//2445-7-2//1335-13//55 1+64//3555-13 |
3/8 | Columbian Waltz (t) | AI-A | Goodale Dir, 1829 | 97 | 2MI |
| //551+6//44/434/54 | 2/4 | Italian Song, An (t) | SS-E | SS, Boston PL-1 | 35 | VO,HAF |
| //551+6//44//434/54//43 | 2/4 | Italian Song, An (t) | SC-E | Monthly Melody, 1760 | II,24 | VO,HAF |
| //551+/6543//51+71+/6543//5-131/5-131// | 2/4 | 61st Regts. Hornpipe, The (t) | MS-S | Fife MS, 1780 | 109,9r | 1FI OR 2FI/VN |
| //55-/16//55-/1//3456/5321 | 2/4 | Duke's Favorite (t) | AI-A | Robinson Coll, 1818 | 24 | FI,DR |
| //55-/16//55-/1//3456/5321 | C | Duke's Favorite (t) | AI-A | Robinson Coll, 1820 | 27 | MI |
| //55-/16//55-/1//3456/5321 | C | Duke's Favorite (t) | AI-A | Robinson Coll, 1826 | 31 | MI |
| //5-5-1/6-5-6-1//2/1235-//4321/6-// | C/ | Poor But an Honnist Soldier, A (t) | MS-S | Fife MS, 1780 | 588,63r | 1FI OR 2FI/VN |
| //551661// | Enemy Have Infantry, The (t) | IC-E | Hyde Bugle, 1818 | 45 | BU | |
| //551+/661+//556/535//442/331// | 6/8 | Feaderall Dance (t) | AM-A | Hoff MS, 1797 | No. 52 | GF |
| //551+//662+//1+76567//1+2+3+34//551+//6 62+ |
3/8 | Lady Cholmondly's Waltz (t) | IC-E | Balls Amus 3, 1830 | 13 | FL/VN |
| //551+//662+//1+76567//1+2+3+34//551+//6 62+// |
3/8 | Lady Madison's Waltz (t) | AI-A | Hewitt Fashionable, 1807 | 17 | PF |
| //551+//662+//1+76567//1+2+3+34//551+//6 62+ |
3/8 | Lady Cholmondly's Waltz (t) | AI-A | Paff Amus 1, 1812 | 14 | FL/VN |
| //551+//662+//1+76567//1+2+3+34//5571+// 661+2+ |
3/8 | Waltz (t) | AM-A | Beach MS, 1801 | 95 | MI |
| //5-5-/1//6-6-/2//7-5-/6-7- | 2/4 | Siege of Valenciennes, The. Answer of the British Troops (t) | AI-A | American Sheet Music | HA/PF | |
| //5-5-1//6-6-2//7-5-6-7-5-//17-123//5-5- 1 |
3/8 | Lady Chondmondley's Waltz (t) | AI-A | Robinson Coll, 1826 | 53 | 2MI |
| //5-5-1//6-6-2//7-5-6-7-5-//17-123//5-5- 1 |
3/8 | Lady Cholmondley's Waltz (t) | AI-A | Whiteley Prec, 1816 | 61 | 2MI,B |
| //5-5-1//6-6-2//7-5-6-7-5-//17-123//5-5- 1 |
3/8 | Lady Cholmondley's Waltz (t) | AI-A | Williams Fife, 1819 | 42-43 | FI |
| //5-5-1//6-6-2//7-5-6-7-5-//17-123//5-5- 1//6-6-2 |
3/8 | Chondmondley's Waltz (t) | AI-A | Merrimack Coll, 1833 | 88 | 2MI,B |
| //551+//662+//765671+//1+2+3+34//551+//6 62+// |
3/4 | Lady Cholmondly's Waltz (t) | AM-A | Winnington MS, 1810 | 12 | KB |
| //551+6//65535//544332//231//5351+6 | 3/4 | Kiss, The (t) | SC-E | Clio-4, 1778 | 54-55 | VO,HA+MI |
| //551+6//65535//544332//231//5351+6 | 3/4 | Kiss, The (t) | SS-E | SS, New York PL-C694 | 36,BETWEEN 46-7 | HA,VO+GT |
| //551+6//65535//544332//35//51351+ | 3/4 | Kiss, Can You Blame Me for This (t) | SS-E | SS, New York PL-C695 | 11 | VO,HA+GT |
| //551/665//5443/325//665 | 2/4 | As northern winds ye other day (fl) | SC-E | Calliope, 1746 | I,106 | VO,B+FL |
| //551/665//5443/325//665/67671+//7 | 2/4 | As northern winds the other day (fl) | SS-E | SS, Folger-C42.4 | 79 | VO,KB+FL |
| //551+//666//51+3542//11//551+//666 | 3/8 | Lovers, who listen to reason's persuasion (fl) | TW-E | Pirates, 1792 | 26-27 | VO,KB |
| //55/1+//671+/5//1+71+5/67// | 2/4 | Feldschritt Nro. VI [Quick Step #6] (t) | IC-H | Pfeifer-Ordonnanz, 1819 | 18-19,38-39 | 2FI |
| //5-5-/17-12//3135/4321//17-6-7-/5-6-7-1 |
C/ | Hornpipe (t), or Flowers of Edinburgh (at) | AM-A | Hiester MS-2, 1793 | 49 | KB |
| //5-5-/17-1//232/212//343/321 | 6/8 | Black Joak, The (t), or Belly So White, (at) | MS-I | Regan MS, 1764 | 33 | MI |
| //55/1+//71+2+7/1+1//55/1+ | C/ | Merry Joblon's Humour (t) | DA-E | Johnson CD-7, 1756 | 17 | VN/GF |
| /55//1+/71+2+7//1+/565//43/ | 2 | Cotillon (t) | IC-F | Leclerc Recueil-3, 1738 | 153 | HAF |
| //5-5-/17-//13/2//13/21 | 2/4 | Little Muses (t) | AM-A | Perkins MS, 1790 | 40 | MI |
| //551+71+//35513//2447-2//13334//551+71+ //35513 |
3/4 | Spanish Dance (t) | AI-A | Riley Flute 4, 1826 | 89 | FL |
| //55/1+72+//2+1+76/5//56/45 | 2 | Wright's Humour (t) | DA-E | Johnson CD-1, 1740 | 39 | MI |
| //5-5-1/7-5-5-//5-5-3/25-5-//7-7-5/47-7- 12// |
C/ (8/4) | Toye, A (t) | MS-E | Fitzwilliam MS-2, 1609 | 421 | VI |
| //55/1+765//1+1+/4564//3453/2342 | 2 | Guichen, La (t) | MS-F | Galoubet MS, 1790 | 15 | PI |
| //551+//7651+//7651+//654//431+//654 | 2/4 | Marcia 11 (t) | MS-F | Marce MS, 1785 | 24r-v | 2OB,2HN,B |
| //55-//17-6-//5-43//322//543 | 3/4 | Remonstrance, The (t) | SS-E | SS, Boston PL-1 | 34 | VO,HAF |
| //5-5-1/7-6-5-4-//3-4-4-/5-5-//4-3-2-1-/ 2-2-6-5- |
2/4 | Why Hast Thou Taught Me to Love thee (t) | AI-A | Riley Flute 4, 1826 | 49 | FL |
| //55/1+76//54/3//531/642 | 6/4 | Cambrian Glory, The (t), or Ode, An; (at) | SC-E | Pills 2, 1719-20 | 208-12 | VO |
| //55/1+76//54/3//531/642 | 6/4 | St. Albans (t) | PL-E | Playford 1-11, 1701 | I,259 | VN |
| //55/1+76//54/3//531/642 | 6/4 | St. Albans (t) | PL-E | Playford 1-12, 1703 | 259 | VN |
| //55/1+76//54/3//531/642 | 6/4 | St. Albans (t) | PL-E | Playford 1-13, 1706 | 259 | VN |
| //55/1+76//54/3//531/642 | 6/4 | St. Albans (t) | PL-E | Playford 1-14, 1709 | 259 | VN |
| //55/1+76//54/3//531/642 | 6/4 | St. Albans (t) | PL-E | Playford 1-15, 1713 | 259 | VN |
| //55/1+76//54/3//531/642 | 6/4 | St. Albans (t) | PL-E | Playford 1-16, 1716 | 259 | VN |
| //55/1+76//54/3//531/642 | 6/4 | St. Albans (t) | PL-E | Playford 1-17, 1721 | 259 | VN |
| //55/1+76//54/3//531/642 | 6/4 | St. Albans (t) | PL-E | Playford 1-18, 1728 | 259 | VN |
| //55/1+76//54/3//531/642 | 6/4 | St Albans (t) | DA-E | Walsh CD-1.1, 1718 | 271 | VN/OB/FL |
| //55/1+76//54/3//531/642 | 6/4 | St Albans (t) | DA-E | Walsh CD-2.1, 1731 | 78 | VN/OB/GF/RC |
| //55/1+76//54/3//531/642 | 6/4 | St. Albans (t) | DA-E | Walsh CD-3.1, 1754 | 118 | VN/OB/GF |
| //5/51+76//5/51+76//5/434 | 6/8 | Chloe Gen'rous as Fair (t) | SC-E | Clio-3, 1762 | 42-43 | VO,HAF |
| //55/1+765//53/5//444/43454 | C | Duetto No.2 (t) | AM-A | Curtiss MS, 1800 | 132-33 | 2VN |
| //5/5//1+765/53//56-6-/6//622 | C | Face which frequently displays an index of the mind, The (fl) | TW-E | Quaker, 1777 | 28-30 | VO,KBF |
| //5-5-/17-//6-/5-5-//4-3-4-/2-5- | 6/8 | Favourite Quick Step, A (t) | IC-E | English Sheet Music | 3 | 2CL,2HN,BS/PF,V |
| //55/1+76//55/51+//64+2+/72+4// | 6/8 | Danseuse, La (t) | DA-N | St. Flour Contredanses, 1757 | 70 | KB |
| //55/1+76//55/534//565/543 | 6/8 | Quick Step (t) | IC-S | Gibb New Coll, 1798 | 5 | PF/VN,VC |
| //551+//765//65//321 | 3 | Song, A (t) | SC-E | Pills 4, 1719-20 | 251 | VO |
| //5/5//1+76/56//56/56 | C/ | March V. Smo (t) | MS-G | Darmstadt MS 1225 | 193-94 | 2MI |
| //5//51+76/56765432//1//11// | C/ | Tirsi, Di Luca Marenzio 1a. Parte. 1 (t), or Intavolatadi Pietro Philippi ( | MS-E | Fitzwilliam MS-1, 1609 | 280-282 | VI |
| //551+76//654//44654//43//234//345// | 3/4 | Milan Minuet (t) | DA-E | Wilson Companion, 1816 | 165 | MI |
| //5-5-1/7-7-2//113/224//335/113// | 2/4 | Sphinx, The (t) | AI-A | Willig CD-4, 1812 | 3 | PF/VN |
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