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Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
/5342//11/1+71+7//65/53+//42+/31+// | 2 | Nouveau Plaisirs de Meudon, Les. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 203 Feuille | MI |
//53/42//1/1+//1+7/65// | 2/4 | Listen to the Voice of Love (t) | AM-A | Litten MS, 1800 | 15 (43) | VN |
//53/42//11+//1+7/65 | 2/4 | Listen to the Voice of Love (t) | AI-A | Riley Flute 1, 1814 | 35 | FL |
//53/42//11+//1+7/65//1+ | 2/4 | Listen Listen to the Voice of Love (t) | AI-A | American SS-SM | 1-2 | KB,VO+FL/GT |
//53/42//11+//1+7/65//1+ | 2/4 | Listen Listen to the Voice of Love (t), or Favorite New Song, A (at) | AI-A | American SS-SM | 1 | KB,VO |
//53/42//11+//1+7/65//1+2+// | 2/4 | O Listen to the Voice of Love (t) | IC-E | Hyde Bugle, 1818 | 32 | 2BU,B |
//53/42//11+//1+7/65//1+2+//3+1+/4+2+ | 2/4 | Listen to the Voice of Love (t) | IC-E | Hook Songs, 1805 | 2CL,2FL,2HN,2BS/SPT | |
//5-3-4-2-/1-1//7-216-/5-4-3-1-//3-5-/4- 6- |
2/4 | Tis Love In the Heart (t) | AI-A | Riley Flute 3, 1820 | 32 | FL |
//53/42//11+/76//54/32// | 2/4 | Plaisirs du Colissée, Les. Allemande (t) | DA-F | Bouin CD LC-1, 1780 | 59 Feuille, 2 Vol. | MI |
//5342/11+76//6555/5543//2464/4321// | 2/4 | 3me Absacienne, La (t) | AI-A | Hewitt Cots-2, 1803 | 6 | PF |
//5342/11+76//6555/5543//2465/4321 | 2/4 | Flore, La (t) | AI-A | Riley Flute 1, 1814 | 27 | FL |
//5342/11+76//6555/5543//2465/4321// | 2/4 | Flore, La (t) | AI-A | Willig Cots, 1815 | 4-5 | PF |
//53/42//12/34//51+/7642 | C | Rose Will Cease to Blow (t) | AI-A | Riley Flute 4, 1826 | 78 | FL |
//534//21//234//5-//6-1// | C3 | I Often for My Jenny Strove (t) | IC-E | Apollo's Banquet 1-6, 1690 | B60 | VN |
//534//21//234//5-//6-1 | C3 | I Often for My Jenny Strove (t) | PL-E | Playford 1-08, 1690 | 220 | VN |
//534//21//234//5-//6-1 | C3 | I Often for My Jenny Strove (t) | PL-E | Playford 1-09, 1695 | 160 | VN |
//534//21//234//5-//6-1 | C3 | I Often for My Jenny Strove (t) | PL-E | Playford 1-10, 1698 | 160 | VN |
//534//21//234//5-//6-1 | 3:I | I Often for My Jenny Strove (t) | PL-E | Playford 1-11, 1701 | I,160 | VN |
//534/21//234/5-//6-1/35 | 6/4 | Frynpan Pudding (t), or I Ofon for Jenny Strove (at) | MS-E | Hammersley MS, 1790 | 48 | MI |
//534/21//234/5-//6-1/35 | 6/8 | Air 51 (t) | BA-E | Jovial Crew, 1731 | 65 | VO |
//534/21//234/5-//6-1/35 | 6/4 | I Often for My Jenny Strove (t) | PL-E | Playford 1-12, 1703 | 160 | VN |
//534/21//234/5-//6-1/35 | 6/4 | I Often for My Jenny Strove (t) | PL-E | Playford 1-13, 1706 | 160 | VN |
//534/21//234/5-//6-1/35 | 6/4 | I Often for My Jenny Strove (t) | PL-E | Playford 1-14, 1709 | 160 | VN |
//534/21//234/5-//6-1/35 | 6/4 | I Often for My Jenny Strove (t) | PL-E | Playford 1-15, 1713 | 160 | VN |
//534/21//234/5-//6-1/35 | 6/4 | I Often for My Jenny Strove (t) | PL-E | Playford 1-16, 1716 | 160 | VN |
//534/21//234/5-//6-1/35 | 6/4 | I Often for My Jenny Strove (t) | PL-E | Playford 1-17, 1721 | 160 | VN |
//534/21//234/5-//6-1/35 | 6/4 | I Often for My Jenny Strove (t) | PL-E | Playford 1-18, 1728 | 160 | VN |
//534/21//234/5-//6-1/35 | 6/4 | I Often for My Jenny Strove (t) | DA-E | Walsh CD-1.1, 1718 | 173 | VN/OB/FL |
//534/21//234/5-//6-1/35 | 6/4 | I Often for My Jenny Strove (t) | DA-E | Walsh CD-2.1, 1731 | 20 | VN/OB/GF/RC |
//534/21//234/5-//6-1/35 | 6/4 | I Often for My Jenny Strove (t) | DA-E | Walsh CD-3.1, 1754 | 41 | VN/OB/GF |
//5342/1321//7-127-/5-16-4-//3-5-13/4321 |
C | Lassells Hornpipe (t) | AI-A | Riley Flute 2, 1817 | 61 | FL |
//5342/1321//7-127-/5-5-4-//3-5-13/4321/ / |
2/4 | AM-A | Bevens MS, 1825 | 55r | FI | |
//5342/1321//7-127-/5-5-4-//3-5-13/4321/ / |
2/4 | AM-A | Johnson, S. MS, 1807 | 51-52 | FI | |
//5342/1321//7-127-/5-6-5-4-//3-5-13/432 1// |
Primes Hornpipe (t) | AM-A | Bevens MS, 1825 | 27r | FI | |
//5342/1321//7-127-/5-6-5-4-//3-5-17-/6- 4-21 |
C/ | John's Hornpipe (t) | AI-A | Riley Flute 4, 1826 | 40 | FL |
//5342//132435//1+564 | 2/4 | Captain Lee's March(ed) (t) | AI-A | Instrum Asst-2, 1807 | 101 | 2MI,B |
//5342/15//61+72+/1+6//5321 | C/ | Faithfull Shepherdess, The (t) | SC-E | Amaryllis, 1760 | I,48 | GF,VO,HAF+FL |
//5342/15//61+72+/1+76//5321 | 2 | Faithful Shepherdess, The (t) | IC-E | Thumoth, 1785 | 58-59 | GF/VN,HA |
//5342/15//61+72+/1+76//5321/6-234 | C | At Setting Day (t) | IC-E | Caledonian PC, 1760 | VII,17 | GF/VN |
//534215//61+72+/1+76//5321/6-234 | C | Could Aught of Song (t) | SC-S | Scots MM-5, 1797 | 509 | VO,PF |
//5342/15//61+72+/1+76//5321/6-4 | C | At Setting Day (t) | AM-A | Aborn MS, 1790 | 27 | MI |
//5342/15//61+72+/1+76//5321/6-4 | C | Faithful Shepherdess, The (t) | SC-E | Muses Delight, 1754 | 50 | VO,HA |
//5342/15//61+72+/1+76//5321/6-4 | 2 | Faithfull Shepherdess, The (t) | SS-E | SS, Folger-C42.4 | 93 | VO,KB+FL |
//5342/15//61+72+/1+76//5321/6-4 | 2 | Faithfull Shepherdess, The (t) | SS-E | SS, Huntington-1 | 18 | VO,KB+FL |
//5342/15//61+72+/1+76//5321/6-4 | C/ | Faithful Shepherdess, The (t) | AM-A | Swan MS, 1775 | 3R | VO,B |
//5342/15//61+72+/1+76//5321/6-4 | C | Song 111 (t) | SC-E | Vocal Enchant, 1783 | 222-223 | VO |
//5342/15//61+72+/1+76//5321/6-4//32 | 2 | Faithful Shepherdess, The (t) | SC-E | Calliope, 1746 | II,63 | VO,B+FL |
//5342/15//61+72+/1+76//5321/6-4//32 | 2 | At Setting Day (t) | IC-E | Delightful-2, 1745 | I,27 | GF |
//5342/15//61+72+/1+76//5321/6-4//32 | C | New Song, A (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//53/4217-//11/113//21/43 | 2/4 | La Fayette's Grand March. Quick Step (t) | AI-A | American Sheet Music | PF | |
//534217-//111//6111//111//6 | 3/4 | When the chace of day is done (fl) | TW-E | Inkle & Yarico, 1787 | 14-17 | VO,HA,MI |
//534217-//11+6//5654 | 3/8 | If Love's a Sweet Passion (t) | SC-E | Clio-2, 1759 | 149-150 | VO,HAF |
//5-34217-//11+6//5654//4334//534217- | 3/8 | How pleasing is beauty how sweet are the charms (fl) | SS-E | SS, Folger-C52 | 49 | MI,VO,KB |
//534217-//11+6-//5654//4334//534217- | 3/8 | How Pleasing Is Beauty (t) | SC-E | Vocal Music, 1775 | 162-163 | VO/VN/GF |
//53//42//17-1//217-6-5-//53//42 | 3/8 | Presto (t) | IC-E | Flack Divs, 1776 | 3 | 2CL,2HN,BS |
//53/4217-//1321/7-6-5-4-//3-5-13/5-7-23 |
C/ | Gardner's Hornpipe (t) | IC-S | Campbell Coll, 1796 | 9 | PF/VN+2FL |
//53/4217-//15-/6-7-1//5-135 | 2/4 | # 3 (t), or President, The (at) | AI-A | Duport Cot, 1800 | 5-6 | MI |
//5342//17-5-13//6-42//17-131//51+76//4 | 3/4 | How Happy Was My Humble Lot (t), or Favorite Ballad, A (at) | AI-A | American SS-SM | 1-2 | VO,KB+FL+GT |
//5/34//2/23//1/12 | C/ | Retraitte (des Mousquetaires), La (t) | MS-F | Philidor MS, 1705 | 10 | 3OB,B+DR |
//53/42//23/12//34/23 | C/ | De L'aimable Objet (t) | IC-F | Vanderhagen Pcs, 1787 | 15:5 | 2CL,2HN,2BS |
//53//42//31 | 2/4 | Third Duett (t) | AI-A | Instrum Asst-2, 1807 | 44 | 2MI,B |
//53/42//3/1 | 2/4 | Jack Austin's Humour (t) | DA-E | Thompson CD-1, 1757 | 37 | VN/GF/OB |
//5-3/4-2//3-1/111//3/2212// | 2/4 | AM-A | Duport MS-3, 1825 | 32 | KB | |
//53/42//31/11+//53/4321 | C/ | Sound Country Lass, The (t) | SC-E | Pills 4, 1719-20 | 206-7 | VO |
//53/42//3112//31+/64//3/22 | 2/4 | My Own Native Isle (t) | AI-A | Riley Flute 3, 1820 | 83 | FL |
//53/42//31/1//53/42 | 2/4 | Miss Molly's Wigg (t) | DA-E | Thompson CD-4, 1780 | 24 | VN/GF/OB |
//53/42//31/1//53/42// | 2/4 | Miss Molly's Gigg (t) | DA-E | Thompson CD-4a, 1780 | 24 | VN/GF/OB |
//53/42//31/2//3453/2342 | C | March, A (t) | IC-E | English Sheet Music | 3 | PF/HA/OR |
//53/42//31/27-//1234/53// | 2/4 | Rose, La (t) | DA-N | St. Flour Contredanses, 1757 | 16 | KB |
//53/42//31/27-//1234/53 | 2/4 | Mrs Middleton's Dance (t) | DA-E | Walsh CD-2.3, 1735 | 48 | VN/OB/GF/CF |
//53/42//31/27-//1234/53 | 2/4 | Mrs. Middleton's Dance (t) | DA-E | Walsh CD-3.3, 1749 | 60 | VN/OB/GF |
//53/42//3127-/13//323/434// | C | Damatus War Schon Lange Zeit (t) | AM-A | Hoff MS, 1797 | No. 251 | GF |
//5342/3127-//13/5-45//6453/4231 | 2/4 | Favorite Rondo In the Gipsy Style, A (t) | AI-A | American SS-SM | 2-5 | KB |
//53/42//31/27-5-//53/42 | 6/8 | Well Done Jock (t) | IC-S | Aird 1, 1782 | 32 | FI/VN/GF |
//5342/3127-//5-545/3234//5342/3127- | C/ | Corus Gig (t) | AM-A | Cary MS, 1797 | 121 | VN |
//53/4231//5-17-1/217-1/25-//53 | C/ | Trip to Farleigh, A (t) | DA-E | Rutherf CD-2.1, 1756 | 81 | VN/GF/OB |
//53/4231//5-17-1/217-125-//53/4231 | C/ | Trip to Farleigh (t) | DA-E | Johnson CD-4, 1748 | 79 | VN/GF |
//5342/317-5-//6-7-15-3-/4-2-2-//5342/31 7-5-//6-7-15-4-/3-1 |
Nine Hairs (t) | AM-A | Belknap MS, 1784 | 45V | MI | |
//53/42//31/7-6-5-//53/42 | 6/8 | Well Done Jock (t) | AM-A | Kingsley MS, 1795 | I,37 | MI |
//53/42//31/7-6-5-//6-7-1/234 | 6/8 | Moon Shine (t) | AM-A | Beck MS, 1786 | 35 | GF |
//53+/42+//32+/1+531//7-6/6542// | 2/4 | National Sckotisch (t) | AM-A | Bevens MS, 1825 | 68v | FI |
//53/42//321/7-6-//45/32//21 | C/ | Song, A (t) | SC-E | Pills 4, 1719-20 | 287 | VO |
//53/42//3235/25-//11/55 | C | Strephon & Delia (t) | AM-A | Allen, W. MS, 1790 | 76 | 2VO |
//534/2332//16-6-/123//365/6 | 6/4 | Before I Became a Free Mason (t) | AM-A | Spicer MS, 1797 | 72-73 | VO |
/53//4/234//31/53//4/217-// | 6/8 | Don Francois. First Sett (t) | AI-A | Blake Cots, 1804 | 3 | PF/VN/GF |
//53/4//234/321//53/4 | 6/8 | Dame Francois (t) | AM-A | Beck MS, 1786 | 11 | GF |
//53/4//234/321//53/4// | 6/8 | Cotillon (t) | AM-A | Bush MS, 1779 | 29 | VN |
/53//4/234//33/53//4/ | 6/8 | Dames Francoise (t) | MS-F | 4 Comtesses MS, 1775 | 33v-34r | MI |
/53//4/234//33/53//4/ | 6/8 | Lecon indiscrette, La (t) | DA-N | Echo, 1758 | 2-3 | KB |
/53//4/234//33/53//4/ | 6/8 | Dame Francoisse (t) | DA-F | Landrin Potpourri, 1785 | 42 | MI |
/53//4/234//33/53//4/ | 2 | Dame francoise (t) | MS-C | Trois-Rivieres MS, 1768 | 61 | MI |
//5342/35//671+6/51//7-1/23 | C | Damon (t), or New Song, A (at) | SS-E | SS, Harvard | 1 | VO,KB+FL |
//5342/35//671+6/51//7-1/23 | C | Damon (t), or New Song, A (at) | SS-E | SS, Harvard | 1 | VO,KB+FL |
//534237-//17-1//465432//33 | 3/4 | Song 19 (t), or In Imitation of Cornelius Gallus (at) | SC-E | Ritson, 1783 | TI,189-190;MIII,88-89 | VO |
//534237-//17-1//465432//33//2453 | 3/4 | My goddess Celia heavenly fair (fl) | SS-E | SS, Folger-C42.3 | 82 | VO,KB+FL |
//534237-//17-1//465432//33//2453//2 | 3/4 | My goddess Celia heavenly fair (fl) | SC-E | Calliope, 1746 | I,14 | VO,HAF+FL |
//534237-//17-1//465432//33//2453//25 | 3/4 | Celia the Fair (t), or New Song, A (at) | SS-E | SS, Harvard | 1 | VO,KBF+FL |
//534237-//17-1//465432//33//2453//25 | 3/4 | My goddess Celia, heav'nly fair (fl) | SC-E | Watts MM-4, 1730 | 124-125 | VO,HA+FL |
//534/25//12/25-//536/434// | 3 | Round O, A (t) | IC-E | Apollo's Banquet 1-7, 1693 | 13 | VN |
//53425//1225-//536434//2111//27-16-2// | C3 | Theater Tune, A (t) | IC-E | Apollo's Banquet 1-5, 1687 | 60 | VN |
//53425//1225-//536434//2111//27-16-2// | C3 | Round O, A (t) | IC-E | Apollo's Banquet 1-6, 1690 | 34 | VN |
//5/3//4/2//5/2 | C/ | Three Sheep Skins (t) | PL-E | Playford 1-14, 1709 | 47 | VN |
//53/42//53/13//23/432 | 6/8 | When a Little Merry He (t) | AI-A | Blake Amus 3, 1825 | 13 | CL |
//53/42//53/13//23/432 | 6/8 | When a Little Merry He (t) | AM-A | Van Schaack MS, 1820 | 11 | FI/FL |
//53/42//53/13//23/432 | 6/8 | Purse, The (t) | AM-A | Williams, S. MS, 1795 | 41 | VO,KB |
//53/42//53/13//23/432 | 6/8 | Favorite Song, A (t) | AI-A | Young's Vocal, 1793 | 57 | VO,PF |
//53/42//53/13//23/432//5 | 6/8 | When a little merry he (fl) | AI-A | Gent's Amus, 1794 | 36-37 | GF/VN/VO |
//53/42//53/13//23/432//5 | 6/8 | When a little merry he (fl) | AI-A | Gent's Amus, 1795 | 36-37 | GF/VO |
//53/42//5/31//345/543 | 6/8 | Forum, The. Cotillon (t) | IC-S | Stewart Airs, 1788 | 3:128 | GF/VN/FI |
//53/42//53/21//23 | 6/4 | Boys and Girls Come Out to Play, The New Way (t) | PL-E | Playford 3-2, 1726 | 60 | VN |
//5342/535//5342/535//5342//535// | 3 [6/4] | Grounde, A. 2 (t) | MS-E | Fitzwilliam MS-2, 1609 | 87-93 | VI |
//53/42//53/56//5533/442// | C/ (4/2) | Up T[ails] All. 32 (t) | MS-E | Fitzwilliam MS-2, 1609 | 360-365 | VI |
//53//42/7-5-//13/13//2123/2344 | 2/4 | Austrian Quick Step (t) | IC-S | Pandean Coll 2, 1810 | 20 | PF |
//5-3-4-/3-1-3-//2-2-2-/2-4-5-//4-2-3-/2 -0-2- |
C | 1st Battn Breadalbane Fencibles New March (t) | IC-S | Scottish Sheet Music | 2 | 2CL,2HN,TR,2BS+ |
//534//31//7-12342//43156//534//3153 | 3/4 | Troop (t) | IC-E | Griesbach Divs, 1795 | 4 | 4CL,2FL,2HN,TR, |
//53/4321//61+76//543/2342//31 | C | Hornpipe (t) | IC-E | Delightful-2, 1745 | I,22 | GF |
//53/4321//61+76//5432342//31 | C/ | Favourite Gavot, A (t) | IC-E | Delightful-2, 1745 | VI,4 | GF |
//5-343/217-1//6-7-12/7-5-5-3//5-343/217 -1 |
C | Lord Collingwood's Reel (t) | AI-A | Goodale Dir, 1819 | 73 | MI,B |
//5-343/217-1//6-7-12/7-5-5-3//5-343/217 -1 |
C | Lord Collingwood's Reel (t) | AI-A | Goodale Dir, 1829 | 77 | MI,B |
//53/4321//7-2/5-4//35/31 | 2/4 | Siege of Valenciennes, The. Fife & Drum (t) | IC-E | English Sheet Music | PF/HA,VN | |
//53/43//217-6-/5-23//46-/7-6-7- | C/ | Jovial Beggars, The (t) | PL-E | Playford 1-09, 1698 | II,41 | VN/FL |
//53/43//217-6-/5-23//46-/7-6-7-//1 | C/ | May-Hill (t), or Jovial Crew, or The; (at) | PL-E | Playford 1-07, 1686 | AI,5 | VN |
//53/43//217-6-/5-3//46-/7- | C/ | Twenth-Ninth of May, The (t) | PL-E | Playford 1-08, 1690 | 193 | VN |
//53/43//217-6-/5-3//46-/7- | C/ | Twenty Ninth of May, The (t) | PL-E | Playford 1-14, 1709 | 39 | VN |
//53/43//217-6-/5-3//46-/7-6-7-// | C/ | 29th of May, The (t) | IC-E | Apollo's Banquet 1-5, 1687 | 84 | VN |
//53/43//217-6-/5-3//46-/7-6-7- | C/ | Twenth-Ninth of May, The (t) | PL-E | Playford 1-09, 1695 | 39 | VN |
//53/43//217-6-/5-3//46-/7-6-7- | C/ | Twenty-Ninth of May, The (t) | PL-E | Playford 1-10, 1698 | 39 | VN |
//53/43//217-6-/5-3//46-/7-6-7- | C/ | Twenty Ninth of May, The (t) | PL-E | Playford 1-11, 1701 | I,39 | VN |
//53/43//217-6-/5-3//46-/7-6-7- | C/ | Twenty-Ninth of May, The (t) | PL-E | Playford 1-12, 1703 | 39 | VN |
//53/43//217-6-/5-3//46-/7-6-7- | C/ | Twenty-Ninth of May, The (t) | PL-E | Playford 1-13, 1706 | 39 | VN |
//53/43//217-6-/5-3//46-/7-6-7- | C/ | Twenty-Ninth of May, The (t) | PL-E | Playford 1-15, 1713 | 39 | VN |
//53/43//217-6-/5-3//46-/7-6-7- | C/ | Twenty-Ninth of May, The (t) | PL-E | Playford 1-16, 1716 | 39 | VN |
//53/43//217-6-/5-3//46-/7-6-7- | C/ | Twenty-Ninth of May, The (t) | PL-E | Playford 1-17, 1721 | 39 | VN |
//53/43//217-6-/5-3//46-/7-6-7- | C/ | Twenty-Ninth of May, The (t) | PL-E | Playford 1-18, 1728 | 39 | VN |
//53/43//217-6-/5-3//46-/7-6-7- | C/ | 29th of May, The (t) | DA-E | Walsh CD-1.1, 1718 | 52 | VN/OB/FL |
//53/43//217-6-/5-3//46-/7-6-7- | C/ | 29th of May, The (t) | DA-E | Walsh CD-2.1, 1731 | 51 | VN/OB/GF/RC |
//53/43//217-6-/5-3//46-/7-6-7- | C/ | 29th. of May, The (t) | DA-E | Walsh CD-3.5, 1754 | 141 | VN//OB/GF |
//53/43//217-6-/5-3//46-/7-6-7-//1 | C/ | Twenty-Ninth of May, The (t) | PL-E | Playford 1-07, 1686 | 207 | VN |
//53/432//31/1+1+2+//1+71+/2+1+76 | C/ | Marche des Dragons Ecossais (t) | MS-F | Philidor MS, 1705 | 30 | MI |
/5//3/4323//11/7-1//5-1/ | 2 | Tracassiere, La (t) | IC-F | Leclerc Recueil-2, 1737 | 124 | HAF |
//53/4323//16-/11//15/3453 | C | Scottish Medley Overture-5 (t) | TW-E | Auld Robin Gray, 1794 | 3 | KB |
//5-34/323//4321/7-17-//6-67/1+76 | C | Rosline Castle a Dead March (t) | AM-A | Nixon MS, 1776 | 27 | FI |
//5/34//3/23//7-12/17-// | 3 | Figure Dance, A (t) | IC-E | Apollo's Banquet 1-1, 1670 | 125 | VN |
//534//323//7-1217-//17-6-5-6-7-//12345/ / |
C3 | Theatre Tune, A (t) | IC-E | Apollo's Banquet 1-2, 1678 | 41 | VN |
//53/43//27-6-/5-2//323/47-// | C/ | Jovial Crew, The (t) | IC-E | Apollo's Banquet 1-1, 1670 | 25 | VN |
//53/43//27-6-/5-2//323/47-// | C/ | Jovial Crew, The (t) | IC-E | Apollo's Banquet 1-2, 1678 | 64 | VN |
//53+/43+/3//22+/6/71+2+7// | 3/2 | Ribchester Bridge Hornpipe (t) | IC-E | Marsden Hornpipes, 1705 | 3 | VN |
//5/3//43/42//3/5//1+ | C | Beauty and Musick (t) | SC-E | Watts MM-6, 1731 | 196-197 | VO,HA |
//534//342//35-//6-7-1234//543//32 | 3/8 | Fond reason, Ah! where art thou fled (fl) | SS-E | SS, Harvard | 1 | VO,KBF |
//53434//51+5//64545//61+6//571+//571+ | 3/4 | Concerto 4. Minuetto (t) | IC-E | Bremner Mil Con, 1774 | 2OB/CL/FL/VN,2HN,BS | |
//5/3434//5/3434//51/3217- | 2/4 | Quick March (t) | IC-S | Rose Marches, 1796 | 12 | PF/HA |
//53434//551+76//54345//327-1//555 | 3/4 | Largo (t) | IC-E | Delightful-1, 1763 | IV,9 | 2GF |
//53434//554//321212//334//56545//642 | 3/4 | Pursuit, The (t) | AI-A | American Periodicals | 2VO | |
//5343455//565//661+71+2+1+76//675//4422 1//55331// |
3/4 | Retreat (t) | MS-S | Fife MS, 1780 | 887,94v,95r | 1FI OR 2FI/VN |
//53/4346//51+765432/1217-1//22/335 | C | Follies of a Day (t) | AI-A | Riley Flute 2, 1817 | 60 | FL |
//53//442//113113 | 2/4 | Quick March (t) | AI-A | Martial Music, 1807 | 41 | 2CL/2OB,BS |
//5-3-4-/4-53//212/316-//5-3-5-6-13- | 6/8 | Come Haste to the Wedding (t) | SS-E | SS, Huntington-1 | 29 | 2VO,KB+GF+GT |
//53/44//5/53//44 | 6/4 | Quakers Comical Song, The (t) | SS-E | SS, Folger-C42.4 | 45 | VO,KB+FL |
//53/44//5/53//44/32//2 | 6/4 | Quakers Comical Song, The (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//53/44//5/53//44/32//2/25 | 6/4 | Quaker's Song, The (t) | SC-E | Pills 5, 1719-20 | 105-6 | VO |
//5-/3-4-//5-1/11//7-1/23//1 | 2/4 | Tears that exhale from the spring of good nature (fl) | AI-A | Gent's Amus, 1794 | 60 | GF/VN/VO |
//5-/3-4-//5-1/11//7-1/23//1 | 2/4 | Tears that exhale (fl) | TW-E | Prisoner, 1792 | 14-15 | VO,KBF,2FH |
//5345//112//34345//21//5345 | 3/8 | Praise of Bacchus, The (t) | SC-E | Calliope, 1746 | I,16 | 2VO,HAF+FL |
//5345//112//34345//21//5345 | 3/8 | In Praise of Bacchus (t) | SC-E | Musical Ent-1, 1740 | 35 | 2VO,KB+2FL |
//5345//112//34345//21//5345 | 3/4 | Bacchus assist us to sing thy great glory (fl) | SS-E | SS, Folger-C42.4 | 104 | 2VO+2FL,B |
//5345//112//34345//21//5345//112 | 3/8 | Air 53 (t) | BA-E | Achilles, 1733 | 68 | VO |
//5345//112//34345//21//5345//112// | 3/4 | Air by Correlli (t) | IC-E | Hill Flute, 1762 | 19 | GF |
//5345//112//34345//21//5345//112 | 3/8 | Minuet (t) | IC-S | Stewart Marches, 1761 | 4 | 2VN/GF/OB,VC/HA |
//534/51//1+65/51//62/51 | C | Dead March & Monody. Monody (t) | AI-A | American SS-SM | 1-2 | VO,KB+2VO/2FL/2VN/2CL/2GT |
//534/51//21/1//123/4// | C/ | Turn Amarillis to Thy Swain (t) | IC-E | Playford Skill, 1674 | 68-69 | 2VO |
//5/34//5/1//23/45 | C | See the Conquering Hero (t) | IC-E | Thompson Record, 1768 | 24 | RC |
//5/34//5/1//2345/43 | C | See the Conquering Hero Comes (t) | IC-S | Aird 3, 1788 | 199 | FI/GF/VN |
//5/34//5/1//2345/43 | C | La Fayette's Grand March and Quick Step (t), or See the Conquering Hero Com | AI-A | American Sheet Music | 7 | PF |
//5/34//5/1//2345/43 | C | Coronation March, The (t) | IC-E | Bennett Fife, 1770 | 13 | FI ; FI |
//5/34//5/1//2345/43 | C/ | Duet In Judas Maccabeus (t) | IC-E | Bremner Airs, 1761 | 17 | 2VN/GF |
//5/34//5/1//2345/43 | C | March 14 (t) | IC-E | Button Whit-2, 1806 | 22-23 | 2GF/2VN/2FI |
//5/34//5/1//2345/43 | C/ | See the Conquering Hero (t) | AM-A | Canfield MS, 1823 | 35 | 2FL |
//5/34//5/1//2345/43 | C | See the Conquering Hero Comes (t) | AM-A | Clark, I. MS, 1801 | 14 | FI/VN |
//5/34//5/1//2345/43 | C | Coronation March (t) | IC-E | Clementi Fife, 1815 | 26 | FI |
//5/34//5/1//2345/43 | C | March at Coronation (t) | AM-A | Curtiss MS, 1800 | 135 | 2VN |
//5/34//5/1//2345/43 | C/ | Siege of Valenciennes, The. See the Conquering Hero Comes (t) | IC-E | English Sheet Music | PF | |
//5/34//5/1//2345/43// | C | See the Conquering Hero (t) | IC-E | Goulding Cello, 1799 | 20 | VC |
//5/34//5/1//2345/43 | C | Coronation March, The (t) | IC-E | Handel March 2, 1770 | 1 | VN/GF/OB |
//5/34//5/1//2345/43 | C | See the Conquering Hero (t) | AM-A | Hawkins MS, 1794 | II,12 | GF |
//5/34//5/1//2345/43 | C | Handel's March (t) | AM-A | Hosmer MS, 1799 | 2 | 2GF |
//5/34//5/1//2345/43// | C/ | See the Conquring Hero Comes (t) | IC-E | Hyde Bugle, 1818 | 20-21 | 2BU,B |
//5/34//5/1//2345/43 | C | See the Conquering Hero Comes (t) | IC-E | Longman Bassoon, 1780 | 28 | 2BS |
//5/34//5/1//2345/43 | C | Coronation March, The (t) | IC-E | Longman Fife, 1770 | 31 | FI |
//5/34//5/1//2345/43 | C | Coronation March (t) | IC-E | Longman Fife, 1780 | 26 | FI/GF |
//5/34//5/1//2345/43 | C | Coronation March, The (t) | IC-E | Longman Oboe, 1770 | 27 | OB |
//5/34//5/1//2345/43 | C/ | Coronation March, The (t) | IC-E | Longman Oboe, 1780 | 27 | 2OB |
//5/34//5/1//2345/43 | C/ | See the Conquering Hero (t) | AI-A | Martial Music, 1807 | 17 | 2CL/2OB,BS |
//5/34//5/1//2345/43// | C/ | See the Conqering Hero comes (t) | MS-S | Miller, J. MS, 1798 | 63 | FI |
//5/34//5/1//2345/43 | C | Battle of Vittoria. See the Conqu'ring Hero Comes (t) | IC-N | Netherlands Sheet Music | PF | |
//5/34//5/1//2345/43 | C | See the Conquering Hero (t) | IC-E | Preston Bassoon, 1790 | 29 | 2BS |
//5/34//5/1//2345/43 | C | See the Conq'ring Hero Comes (t) | IC-E | Preston Fife, 1796 | 17 | FI/GF |
//5/34//5/1//2345/43 | C/ | Duet In Judas Maccabeus (t) | IC-E | Preston Marches, 1804 | 17 | 2GF/VN |
//5/34//5/1//2345/43 | C | See the Conquering Hero (t) | AI-A | Riley Flute 2, 1817 | 50 | FL |
//5/34//5/1//2345/43 | C | See the Conq'ring (t) | SS-E | SS, Boston PL-1 | 188,1-2 | 2VO,HAF |
//5/34//5/1//2345/43 | C | Coronation March (t) | AM-A | Shattuck MS, 1801 | 109 | MI |
//5/34//5/1//2345/43 | C | Coronation March (t) | IC-E | Skillern Amus, 1785 | 7 | 2GF |
//5/34//5/1//2345/43 | C | Coronation March (t) | IC-E | Skillern Fife, 1780 | 26 | FI/GF |
//5/34//5/1//2345/43 | C | See the Conquering Hero Comes (t) | AM-A | Spicer MS, 1797 | 101 | MI |
//5/34//5/1//2345/43 | C | See the Conquering Hero (t) | IC-E | Thompson Clar, 1785 | 35 | 2CL |
//5/34//5/1//2345/43 | C | Coronation March, The (t) | IC-E | Thompson Fife, 1770 | 30 | FI |
//5/34//5/1//2345/43// | C | Coronation March (t) | IC-E | Thompson Fife, 1786 | 32 | FI/FL |
//5/34//5/1//2345/43 | C | March 23 (t) | IC-E | Thompson March, 1775 | 27 | OR/HA/PF |
//5/34//5/1//2345/43 | C | Coronation March (t) | IC-E | Thompson Oboe, 1770 | 14 | OB |
//5/34//5/1//2345/43 | C | Coronation March (t) | IC-E | Thompson Oboe, 1790 | 16 | OB |
//5/34//5/1//2345/43 | C | March 14 (t) | IC-E | Thompson Pocket, 1790 | 22-23 | 2GF/VN/FI |
//5/34//5/1//2345/43 | C | Coronation March, The (t) | AM-A | Turner MS, 1788 | I,40 | VN |
//5/34//5/1//2345/43 | C | March by Mr. Handel (t) | IC-E | Warlike Musick, 1760 | 65 | GF/VN/HA |
//5/34//5/1//2345/43 | C/ | See the Conquering Hero (t) | AI-A | Williams Fife, 1826 | 23 | 2FI |
//5/34//5/1//2345/43 | C | Coronation March, The (t) | AI-A | Willig Fife, 1805 | 13 | FI |
//5/34//5/1//2345/43// | C | Coronation March (t) | IC-E | Wilson Fife, 1805 | 39 | FI |
//5/34//5/1//2345/43//2 | C/ | See triumphant sits the bard (fl) | TW-E | Midas-1, 1764 | 65 | VO,HAF |
//5/34//5/1//2345/43/2 | C | Handels March (t) | AI-A | Military Amus, 1796 | 23 | 2GF/2VN/2FI/2OB |
//5/34//5/1//2345/43//2 | C | March 21 (t) | IC-E | Thompson March, 1770 | 10 | 2VN/2GF/2OB,2FH,BF |
//534/51+//3+2+1+/2+5//61+6/51+2+ | C/ | Prince George's March (t) | DA-E | Johnson CD-8, 1758 | 76 | VN/GF |
//534/51+//3+2+1+//77/567//1+71+3+/2+1+3 4// |
2/4 | Number 3. Second Sett of Cotillions (t) | AM-A | Washburn MS, 1816 | 14 | GF |
//5/34//51+/34//51/7-1// | 2/4 | Nouvelle, Guillet, La. Contredanse (t) | DA-F | Bouin CD LC-1, 1780 | 73 Feuille, 3 Vol. | MI |
//5345/135//6/5//434/254 | 6/8 | And Thou Wart Mine Only Dear (t) | DA-E | Thompson CD-1, 1757 | 20 | VN/GF/OB |
//5345/135//6/5//434/254// | 6/8 | And Thou Wer't Mine Only Dear (t) | DA-E | Thompson CD-1a, 1757 | 21 | VN/GF/OB |
//53451+51+//6456654//2212525//31+43231 | 3/4 | Musquetir Troupp (t) | MS-G | Darmstadt MS 1224 | 166 | MI |
//53451+51+//6654//27-12525//3211//55456 71+//7655 |
3/4 | Musquetier Abtrupp (t) | MS-G | Darmstadt MS 1224 | 139 | MI |
//5-3-4-/5-1//5-3-4-/5-1//242/131 | 6/8 | Merry Girls of York, The (t) | IC-S | Aird 2, 1785 | 32 | FI/VN/GF |
//534/51+//534/51+//2+4+2+/1+3+1+// | 6/8 | Merry Girls, The (t) | DA-N | Andrez Recueil, 1780 | 15 | VN/FL/OB, B |
//5-3-4-/5-1//5-3-4-/5-1//242/131 | 6/8 | Merry Girls, The (t) | DA-E | Johnson CD-5, 1750 | 21 | VN/GF |
//5-3-4-/5-1//5-3-4-/5-1//242/131 | 6/8 | Merry Girls of Epsom (t) | DA-E | Johnson CD-6, 1751 | 40 | VN/GF |
//5-3-4-/5-1//5-3-4-/5-1//242/131// | 6/8 | Albertine, L' (t) | DA-N | St. Flour Contredanses, 1757 | 44 | KB |
//5-3-4-/5-1//5-3-4-/5-1//242/131 | 6/8 | Merry Girls of York, The (t) | IC-S | Stewart Airs, 1788 | 2:100 | GF/VN/FI |
//5-3-4-/5-1//5-3-4-/5-1//242/131 | 6/8 | Merry Girls of Epsom (t) | DA-E | Thompson CD-1, 1757 | 4 | VN/GF/OB |
//5-3-4-/5-1//5-3-4-/5-1//242/131// | 6/8 | Merry Girls of Epsom (t) | DA-E | Thompson CD-1a, 1757 | 2 | VN/GF/OB |
//5-3-4-/5-1//5-3-4-/5-1//242/131//27-5- |
6/8 | Merry Girls of Epsom, The (t) | DA-E | Rutherf CD-2.1, 1756 | 6 | VN/GF/OB |
//5-3-4-/5-1//5-3-4-/5-1//243/131 | 6/8 | Merry Girls of York, The (t) | IC-S | Aird 2, 1785 | 33 | VN |
//5-3-4-/5-1//5-3-4-/5-1//243/131// | 6/8 | Merry Girls of New York, The (t) | AI-A | Gilfert Gents PC, 1802 | 21 | GF/VN |
//534/51+5//6445/61+6//53345/4224 | C | Ah Corrin Shun the Gaudy Wreath (t) | AI-A | Riley Flute 3, 1820 | 1 | FL |
//534//51+5//65//5//65 | 3/8 | Allegro (t) | MS-F | Darmstadt MS 1187 | 2CL,2HN,2BS | |
//534/51+//6/4//22/55// | 2/4 | Isle of France, The (t) | MS-S | Fife MS, 1780 | 125v | 1FI OR 2FI/VN |
//534/51+//64/5//543/432 | 2/4 | Cabinet, The (t) | DA-E | Johnson CD-5, 1750 | 40 | VN/GF |
//534//51+6//534//53217-1//5-43//567-213 //51+76543// |
3/4 | Chichester Minuet (t) | DA-E | Fishar 12 CD, 1775 | 15 | KB |
//534//51+//654 | 2/4 | Song for Two Voices, A (t) | SC-E | Clio-1, 1758 | 200 | 2VO,KBF |
//534/51+65//422/223//423/4654 | C | Alknomack (t), or Indian Warrior's Triumphant Death Song, The (at) | AM-A | Spicer MS, 1797 | 42 | VO |
//534/51+65//422/223//423/4654//314/1 | C/ | Indian Chief (t) | AI-A | Phila Songster, 1789 | 8 | VO |
//534/51+6//564/44//521+/765 | 6/8 | Young Patty (t) | SC-E | Clio-1, 1758 | 64 | VO,HAF |
//534/51//6567/1+1//11+/11+ | C/ | Bon Compagnion, Le (t) | DA-E | Walsh CD-3.6, 1754 | 38 | VN/OB/GF |
/5345//17-12/5-5-//5-/15-35-//4-2-75/2+7 65// |
2/4 | Passes-Passes, Les. Contredanse Nouvelle (t) | DA-F | LaCuisse Rep CD LC-2, 1764 | 64 Feuille 2. Vol | KB |
//534/51+71+//5631/26-6-//531/3341 | C | Greg's Pipes (t) | AM-A | Gaylord MS, 1816 | 20v | MI |
//5-3-4-5-17-17-6-/6-5-1351+//1+77665543 217-/15-31353 |
C | March 22 (t) | IC-E | Thompson March, 1771 | 11 | 2CL/2VN/2FL/2OB,2FH,BF |
//534/51+//7///423/42+4 | 2 | Duettino (t) | AM-A | Curtiss MS, 1800 | 94 | 2VN |
//534/51+7//6462+/1+765//1+2+3+1+/62+3+ | 2/4 | Miss Sackvile's Fancy (t) | IC-S | Aird 2, 1785 | 71 | FI/VN/GF |
//534/51+7//6462+/1+765//1+2+3+1+/62+3+/ / |
2/4 | Miss Sackwile's Fancey (t) | MS-S | Fife MS, 1780 | 490,51v | 1FI OR 2FI/VN |
//534/51+7//6462+/1+765//1+2+3+1+/62+3+ | 2/4 | Ticonderoga (t) | DA-E | Thompson CD-4, 1780 | 69 | VN/GF/OB |
//534/51+7//6462+/1+765//1+2+3+1+/62+3+/ / |
2/4 | Ticonderoga (t) | DA-E | Thompson CD-4a, 1780 | 71 | VN/GF/OB |
//5-3-4-//5-17-//6-5-4-//4-3-4-//5-17-// 17-6- |
3/8 | 4th Medley Dance.3d Part (t) | IC-S | Gibb New Coll, 1798 | 26-27 | PF/VN,VC |
//534/51+7//76/54//351+/642 | 6/8 | Maid of the Mountain (t) | AI-A | Paff Amus 4, 1817 | 10 | FL/VN |
//534/51+7//76/54//351+/642 | 6/8 | Maid of the Mountain, The (t) | AI-A | Riley Flute 1, 1814 | 42 | FL |
//5/34//5/2//2345/43 | C | Handle's March (t) | AM-A | Dickinson MS, 1800 | 123 | 2CL/2GF/2OB,B |
//5345/25//1456/17-1//27-1/2343//32 | C | Corner, The (t) | SS-E | SS, Harvard | 1-2 | VO,KBF+GF |
//5/3453//11/31//6-1/4321 | 2/4 | Chatsworth House (t) | DA-E | Bride CD, 1776 | II,12 | VN/OB/GF |
//534/53//1313/1313//423/42// | C/ | Browns Favorite (t) | AM-A | Bevens MS, 1825 | 31r | FI |
//534/53//1313/1313//423/42 | C(ED | Quick Step, A (t) | AM-A | Dance Tunes MS, 1798 | 20 | FI/GF/OB |
//53453/1353//42342/7-242//53453/1+564 | C/ | Luck's Burrow (t) | DA-E | Johnson CD-4, 1748 | 22 | VN/GF |
//5/3//4/5//3/154 | C/ | Retraite (des Dragons du Roy), La (t) | MS-F | Philidor MS, 1705 | 15 | 3OB,B+DR |
//534//5316//5654321 | 3/4 | Damon and Flavella (t) | SC-E | Clio-2, 1759 | 86-87 | VO,HA |
//534//5316//5654321//7-12345//6-7-12234 //5-7-2431// |
3/4 | When First by Fond Damon (t) | IC-E | Bremner Recorder, 1765 | 12 | FL |
//534//5316//5654321//7-12345//6-7-12234 //5-7-2431// |
3/4 | When First by Fond Damon (t) | IC-E | Hill Flute, 1762 | 17 | GF |
//534//5316//5654321//7-12345//6-7-12234 //5-7-2431// |
3/4 | When First My Fond Damon (t) | IC-E | Rutherfoord Violin, 1755 | 14 | VN |
//534//5316//5654321//7-2//213 | 3/4 | When first by fond Damon, Flavella was seen (fl) | SS-E | SS, Harvard | 1 | VO,KB |
//534//5316//5654321//7-2//213 | 3/4 | When First by Fond Damon (t) | SS-E | SS, Huntington-1 | 131 | VO,HA+GF/GT |
//534//5316//5654321//7-2//213 | 3/4 | When First by Fond Damon (t) | SS-E | SS, New York PL-C694 | 42 | HA,VO |
//534//5316//5654321//7-7-12//21123 | 3/4 | When first by fond Damon Flavella was seen (fl) | SC-E | Muses Delight, 1754 | 192 | VO,HA |
//5/34//531/6-5-//6-7-1/5-1 | Wakefield Hunt (t) | MS-E | Shepherd MS, 1787 | 65 | MI | |
//5/34//531/6-5-//6-7-1/5-3 | 6/8 | Wakefield Hunt (t) | DA-E | Bride CD, 1776 | III,13 | VN/OB/GF |
//5/34//531/6-5-//6-7-1/5-3// | 6/8 | Mr. Jacksons Delight Quick Step (t) | MS-S | Fife MS, 1780 | 196,20r | 1FI OR 2FI/VN |
//5/34//531/6-5-//6-7-1/5-3 | 6/8 | Wakefield Hunt (t) | DA-E | Longman CD, 1781 | 93 | VN/OB/GF |
//5/34//531/6-5-//6-7-1/5-3 | 6/8 | Wakefield Hunt (t) | DA-E | Thompson CD-4, 1780 | 78 | VN/GF/OB |
//5/34//531/6-5-//6-7-1/5-3// | 6/8 | Wakefield Hunt (t) | DA-E | Thompson CD-4a, 1780 | 78 | VN/GF/OB |
//534/53+//2+1+2+/3+1+6//545/671+3// | 6/8 | Trip to the Dargle. Irish Lilt... Drury L (t) | DA-E | Straight & Skillern CD, 1775 | 92 | VN/GF/OB |
//53/45//321/27-//17-6-5-7-// | C/ | Running Bore, Another Tune to the (t) | IC-E | Apollo's Banquet 1-2, 1678 | A12 | VN |
//53/45//32/15//53/45 | C/ | A la Mode de France (t) | PL-E | Playford 1-09, 1695 | 52 | VN |
//53/45//32/15//53/45 | C/ | A la Mode de France (t) | PL-E | Playford 1-10, 1698 | 52 | VN |
//53/45//32/15//53/45 | C/ | A la Mode de France (t) | PL-E | Playford 1-11, 1701 | I,52 | VN |
//53/45//32/15//53/45 | C/ | A la Mode de France (t) | PL-E | Playford 1-13, 1706 | 52 | VN |
//53/45//32/15//53/45 | C/ | A la Mode de France (t) | PL-E | Playford 1-15, 1713 | 52 | VN |
//53/45//32/15//53/45 | C/ | A la Mode de France (t) | PL-E | Playford 1-16, 1716 | 52 | VN |
//53/45//32/15//53/45 | C/ | A la Mode de France (t) | PL-E | Playford 1-17, 1721 | 52 | VN |
//53/45//32/15//53/45 | C/ | A la Mode de France (t) | PL-E | Playford 1-18, 1728 | 52 | VN |
//53/45//32/15//53/45 | C | A la Mode de France (t) | DA-E | Walsh CD-2.1, 1731 | 116 | VN/OB/GF/RC |
//53/45//32/15//53/45//3 | C/ | All a Mode de France (t) | PL-E | Playford 1-01, 1651 | 49 | VN |
//53/45//32/15//53/45//3 | C/ | All a Mode de France (t) | PL-E | Playford 1-02, 1652 | 3 | VN |
//53/45//32/15//53/45//3 | C/ | Al la Mode d'France (t) | PL-E | Playford 1-04, 1670 | 27 | VN |
//53/45//32/15//53/45//3 | C/ | Al la Mode de France (t) | PL-E | Playford 1-05, 1675 | 27 | VN |
//53/45//32/15//53/45//3 | C/ | Al la Mode de France (t) | PL-E | Playford 1-06, 1679 | 27 | VN |
//53/45//32/15//53/45//3 | C/ | Al la Mode d'France (t) | PL-E | Playford 1-07, 1686 | 27 | VN |
//53/45//32/15//53/45//3 | C/ | A la Mode de France (t) | PL-E | Playford 1-08, 1690 | 24 | VN |
//53/45//32/15//53/45//3 | C/ | A la Mode de France (t) | PL-E | Playford 1-12, 1703 | 52 | VN |
//53/45//32/15//53/45//3 | C/ | A la Mode de France (t) | PL-E | Playford 1-14, 1709 | 52 | VN |
//534/53+//2+1+/65//534/53+ | 6/4 | Air 9, Act I (t) | BA-E | Beggar's Opera, 1728 | T11M3 | VO |
//534/53+//2+1+/65//534/53+ | 6/4 | Air 9 (t) | BA-E | Beggar's Opera, 1765 | 31 | VO |
//534/53+//2+1+/65//534/53+ | 6/4 | Air 9 (t) | BA-E | Beggar's Opera, 1777 | 37 | VO |
//534/53+//2+1+/65//534/53+//2+1+2+ | 6/4 | Air 34 (t) | BA-E | Fashionable, 1730 | 42 | VO |
//534/53+2+//1+71+/66//531/17-1 | 6/8 | Hunsdon Volunteers Quick March, The (t) | IC-E | Bridgeman March, 1800 | 23 | FI,PF |
//53/45//323/15//53/45//3/3 | C/ | None Such (t) | PL-E | Playford 1-03a, 1657 | I,71 | VN |
//53/45//323/15//53/45//3/3 | C/ | None Such (t) | PL-E | Playford 1-3b, 1665 | I,71 | VN |
//534/53+//2+3+4+2+/71+//534/53+ | 6/4 | Air 14 (t) | BA-E | Decoy, 1733 | T18M4 | VO |
//534/53+//2+3+4+2+/71+//534/53+ | 6/4 | May Fair (t) | DA-E | Walsh CD-1.2, 1719 | 174 | VN/OB |
//534/53+//2+3+4+2+/71+//534/53+ | 6/4 | May Fair (t) | DA-E | Walsh CD-3.6, 1754 | 114 | VN/OB/GF |
//534/53+//2+3+4+3+2+/71+//534/5 | 6/4 | May Fair (t) | PL-E | Playford 2-1, 1713 | 155 | VN/OB |
//534/53+//2+3+4+3+2+/71+//534/5 | 6/4 | May Fair (t) | PL-E | Playford 2-2, 1714 | 155 | VN/OB |
//534/53+//2+3+4+3+2+/71+//534/5 | 6/4 | May Fair (t) | PL-E | Playford 2-3, 1718 | 155 | VN |
//534/53+//2+3+4+3+2+/71+//534/5 | 6/4 | May Fair (t) | PL-E | Playford 2-4, 1728 | 155 | VN |
//53/45//32/5//53/45//3 | C/ | Al la Mode de France (t) | PL-E | Playford 1-03a, 1657 | I,3 | VN |
//53/45//32/5//53/45//3 | C/ | Al la Mode de France (t) | PL-E | Playford 1-3b, 1665 | I,3 | VN |
//5/3453//4/2342//31/5-3 | 2/4 | Chaplet, The (t) | DA-E | Walsh CD-3.5, 1754 | 21 | VN//OB/GF |
//534/534//427-/12//321/432 | 6/8 | Sweet Little Girl of the Lakes (t) | AI-A | Riley Flute 3, 1820 | 38 | FL |
//534/534//51/15//43/217-6- | C/ | Radamistus (t) | PL-E | Playford 3-2, 1726 | 156 | VN |
//534/534//51/15//43/217-6- | C/ | Radamistus (t) | DA-E | Walsh NCDM-3, 1728 | 132 | VN/OB/FL |
//534534//51+56//534531/7-123//27-1234/5 762+// |
12/8 | Anniversary Ode of the Tuesday Club, for the Year: 1750, Pastorale (t) | AM-A | Tuesday Club MS, 1745 | 7/148 | 2MI,B |
//5/34//5/34//51+/76 | C | March In the Opera of la Locanda (t) | IC-E | Astor Oboe, 1800 | 15 | OB |
//5/34//5/34//51+/76 | C | March In la Locamia (t) | AI-A | Martial Music, 1807 | 36-37 | 2CL/2OB,BS |
//5/34//5/34//51+/76 | 2/4 | Maestoso (t) | MS-E | Miscellany MS, 1810 | 2CL/OB,2HN,BS | |
//5-3-4-/5-3-4-//5-321/17-6-5-//1531/6-6 42 |
C | Mrs Poe (t) | AI-A | Riley Flute 3, 1820 | 93 | FL |
//5-3-4-/5-3-4-//5-32/1//5-43/2 | C | When the Lute and the Pipe (t) | AI-A | Riley Flute 4, 1826 | 28 | FL |
//5-3-4-/5-3-4-//5-32/15-5-//5-43/232 | 2/4 | Swiss Boy, The (t) | AI-A | Riley Flute 4, 1826 | 61 | FL |
//534534/53451+//645645/64561+6//534534/ 534567 |
12/8 | My Own Whim (t) | DA-E | Johnson CD-8, 1758 | 57 | VN/GF |
//534534/53451+//645645/64561+6//534534/ 534567 |
12/8 | My Own Whim (t) | DA-E | Walsh CD-3.6, 1754 | 25 | VN/OB/GF |
//534/534//534/534//513/543//32 | C | Ye good men and wives (fl) | TW-E | Flitch/Bacon, 1778 | 48-49 | 2VN,KBF,VO |
//5/34//5/34//54/32 | 2/4 | Marche des Grenadiers (t) | IC-N | Hummel Div Mil, 1770 | 4 | 2FL |
//534/5345//4534/22//321/7-123// | 2/4 | Susan. No. 8 (t) | AI-A | Johnson, F. Cotillions | 5 | PF |
//534/5345//4534/22//321/7-123// | 2/4 | Sasou (t) | AM-A | Johnson, F. MS, 1820 | 61-62 | MI |
//534/534//5456/51//534 | 2 | Air 54, Part 1 (t) | BA-E | Polly, 1729 | T58M23 | VO,B |
//534/534//5456/51//534/5 | 2 | Marlborough, The (t) | PL-E | Playford 1-14, 1709 | 345 | VN |
//534/534//5456/51//534/5 | 2 | Marlborough, The (t) | PL-E | Playford 1-15, 1713 | 345 | VN |
//534/534//5456/51//534/5 | 2 | Marlborough, The (t) | PL-E | Playford 1-16, 1716 | 345 | VN |
//534/534//5456/51//534/5 | 2 | Marlborough, The (t) | PL-E | Playford 1-17, 1721 | 345 | VN |
//534/534//5456/51//534/5 | 2 | Marlborough, The (t) | PL-E | Playford 1-18, 1728 | 345 | VN |
//534/534//5456/51//534/543// | 2 | Marlborough, The (t) | IC-E | Apollo's Banquet 1-8, 1701 | 53 (34r) | VN |
//534/534//5456/51//534/543 | 2 | Marlborough, The (t) | PL-E | Playford 1-13, 1706 | 359 | VN |
//534/534//5456/51//534/543 | 2 | Marlborough, The (t) | DA-E | Walsh CD-1.1, 1718 | 355 | VN/OB/FL |
//534/534//5456/51//534/543 | 2 | Marlborough, The (t) | DA-E | Walsh CD-2.1, 1731 | 142 | VN/OB/GF/RC |
//534/534//5456/51//534/543 | 2 | Marlborough, The (t) | DA-E | Walsh NCDM-2, 1710 | 51 | VN/OB/FL |
//5345//345456//515//345//432123//2 | Marlborough, The (t) | AM-A | Parkman MS, 1721 | 41R-41V | MI | |
//5/34//5/34//5/51+76 | 6/8 | Air of a French Opera (t) | AM-A | Pickman MS, 1785 | 53 | KB |
//5345345//5//5345345//671+1+76//5 | 2/4 | Sweet nightingale queen of the spray (fl) | TW-E | Maid/Oaks, 1774 | 52-53 | VO,KBF |
//534//534//55671+2+1+76//543//423//423 | 3/8 | Concerto 11. Larghetto (t) | IC-E | Bremner Mil Con, 1774 | 2OB/CL/FL/VN,2HN,BS | |
//5/3453//4564/2//4321/6543 | C | Right Honorable Henry Dundas's Royal Edinburgh Volunteers March, The (t) | IC-S | Scottish Sheet Music | 2 | PF |
//534/534//567//1+ | C | As you mean to set sail for the land of delight (fl) | TW-E | Choice/Harleq, 1781 | 54-55 | VO,HAF |
//5-3-4-/5-3-4-//5-6-7-/112//353/3115- | C | Song 114 (t), or Land of Delight, The (at) | SC-E | Calliope, 1788 | 216-217 | VO |
//5-3-4-/5-3-4-//5-6-7-/112//353/3115- | C | Land of Delight, The (t) | SC-S | Edinburgh MM-1, 1792 | 22-24 | VO |
//534/534//567/1+3+//645/61+ | C/ | Duetto (t) | AM-A | Kingsley MS, 1795 | I,1 | 2MI |
//534/5351+//71+2+/1+6//51+34 | C/ | March 23 (t) | IC-E | Thompson March, 1771 | 12 | 2CL/2VN/2FL/2OB,2FH,BF |
//5/3453//5/3453//53/1+5 | 2/4 | Gordian Knott (t) | DA-E | Walsh CD-3.6, 1754 | 45 | VN/OB/GF |
//5/345//4/2//33/123 | 6/8 | By Baby Bunting (t) | AI-A | Musical Jnl-1, 1800 | I,40 | 2FL/2VN/2VO ; FL/VN/VO |
//5/345//4/234//31/5-3 | Chaplet (t) | MS-E | Hammersley MS, 1790 | 90B | MI | |
//5345/4234//315-3/27-5-//15-31/4264 | C/ | Chaplet, The (t) | IC-S | Aird 3, 1788 | 205 | FI/GF/VN |
//5345/4234//315-3/27-5-//15-31/4264//35 5-7- |
C/ | Chaplet, The (t) | DA-E | Rutherf CD-2.1, 1756 | 31 | VN/GF/OB |
//5345/4234//315-3/27-5-//15-31/5364 | C/ | Chaplet (t) | DA-E | Johnson CD-6, 1751 | 96 | VN/GF |
//5345/4234//315-3/27-5-//15-31/5364 | C/ | Chaplet (t) | DA-E | Thompson CD-1, 1757 | 9 | VN/GF/OB |
//5345/4234//315-3/27-5-//15-31/5364// | C/ | Chaplet (t) | DA-E | Thompson CD-1a, 1757 | 11 | VN/GF/OB |
//5/34//54/24//31/7-2 | 2/4 | Miss Harriots Fancy (t) | MS-E | Carter MS, 1792 | 34 | MI |
//534/5432//111/5-5-5-//3-3-/4-4- | C | Grand March of the Hampstead Loyal Association, The (t) | IC-E | English Sheet Music | 3 | 2CL,FL,2HN,TR,2 |
//534/54+3+//2+1+2+/3+1+6//534/51+3 | 6/8 | Rural Felicity (t) | AM-A | Van Renssel. MS, 1782 | I,20 | VO,KB |
//5-3-4-/5-43//212/316-//5-3-5-/5-6-7-// |
6/8 | Haste to the Wedding (t) | AM-A | White, G. MS, 1790 | 23 | VN |
//53454/32//17-1217-/15-5-5-3//27-123/25 64433// |
C | Di Roy March XVII (t) | IC-E | Longman March 4, 1770 | 9 | 2VN/OB/GF, 2HN, B |
//5/345//432/17-6-//5-5-/3-3- | 2/4 | Duke of Yorks New Quick March, The (t) | IC-E | Astor Oboe, 1800 | 17 | OB |
//5/345//432/17-6-//5-5-/3-3- | 2/4 | Duke of York's New Quick March (t) | AI-A | Fifer's Comp, 1805 | 30 | 2FI |
//5345//4/32//3243//2121// | 3 | His Rest (t) | MS-E | Fitzwilliam MS-2, 1609 | 261 | VI |
//5/34//5/43//42/7-2 | 2/4 | Lady Barnsleys Fancy (t) | DA-E | Thompson CD-4, 1780 | 80 | VN/GF/OB |
//5/34//5/43//42/7-2// | 2/4 | Lady Barnsleys Fancy (t) | DA-E | Thompson CD-4a, 1780 | 81 | VN/GF/OB |
//534//543//544//423//432//43 | 3/4 | Sestetto (t) | TW-E | Siege/Belgrade, 1791 | 50-54 | 6VO,KBF |
//534/55-//132/7-1//6-4/23 | C/ | Song, A (t) | SC-E | Pills 3, 1719-20 | 211-12 | VO |
//53/455-//132/7-1//6-5-/23// | C/ | Why Is Your Faith--ful Slave Disdain'd (t) | IC-E | Apollo's Banquet 1-6, 1690 | B51 | VN |
//534/551+//534/51//456 | 6/8 | Venus with Her Train of Gossips (t), or City-Wife, Ye Best Procurer, Ye (at | SS-E | SS, Folger-C42.4 | 134 | VO,KB+FL |
//534/551+//534/51//456/543//2 | 6/8 | Venus, with Her Train of Gossips (t), or City Wife, Ye Best Procurer, Ye (a | SS-E | SS, Harvard | 1 | VO,B+FL |
//534/55//1+76/543//5432/4321 | C/ | Review March (t) | AI-A | Whiteley Prec, 1816 | 40 | CL,OB,FL,BS |
//534/55+3+//2+1+2+/3+1+5//535/61+3 | 6/8 | Rural Felicity (t) | AM-A | Pomeroy MS, 1790 | 9 | GF |
//5-3-4-/5-53//212/316- | 6/8 | Song 7 (t) | SS-E | SS, Folger-C52 | 179,2-180,1 | VO,B |
//534/55+3+//2+1+2+/3+1+6 | 6/8 | Come Haste to the Wedding (t) | IC-E | Thompson Record, 1768 | 9 | RC |
//534/55+3+//2+1+2+/3+1+6//534/61+3 | 6/8 | Come Haste to the Wedding (t) | AI-A | Fifer's Comp, 1805 | 41 | 2FI |
//534/55+3+//2+1+2+/3+1+6//535/5671+// | 6/8 | Come Haste to the Wedding (t) | MS-S | Fife MS, 1780 | 288,30r | 1FI OR 2FI/VN |
//534/55+3+//2+1+2+/3+1+6//535/61+3// | C/ | Come Haste to the Wedding (t) | AM-A | Bush MS, 1779 | 19v-20 | VN |
//5-3-4-/5-53//212/316-//5-3-5-/6-13- | 6/8 | Come Haste to the Wedding (t) | AM-A | Commonplace MS, 1811 | 13 | MI |
//534/55+3+//2+1+2+/3+1+6//535/61+3 | 6/8 | Come Hast to the Wedding (t) | AM-A | Dickinson MS, 1800 | 25 | CL/GF/OB |
//534/55+3+//2+1+2+/3+1+6//535/61+3 | 6/8 | Rural Felicity (t) | AM-A | Eells MS, 1789 | 25 | MI |
//5-3-4-/5-53//212//316-//5-3-5-/6-13-// |
6/8 | Song (t) | TW-E | Elopement, 1768 | (19) | 2VO,KB+GT |
//5-3-4-/5-53//212/316-//5-3-5-/6-13-// | 6/8 | Come haste to the Wedding (t) | AI-A | Gilfert Gents PC, 1802 | 28 | GF/VN |
//534/55+3+/2+1+2+/3+1+6//535/61+3 | 6/8 | Rural Felicity (t) | AI-A | Instrum Asst-2, 1807 | 12 | 2CL,2HN,B |
//534/55+3+//2+1+2+/3+1+6//535/61+3// | 6/8 | Come Haste to the Wedding (t) | AM-A | Irving MS, 1796 | 53 | 1 MI |
//5-3-4-/5-53//212/316-//5-3-5-/6-13- | 6/8 | Rural Felicity (t) | AI-A | Merrimack Coll, 1833 | 71 | 2MI,B |
//534/55+3+//2+1+2+/3+1+6//535/61+3 | 6/8 | Come Haste to the Wedding (t) | AM-A | Otis MS, 1793 | 24 | VN/FL |
//5-3-4-/5-53//212/316-//5-3-5-/6-13- | 6/8(ED) | Come Haste to the Wedding (t) | AI-A | Riley Flute 1, 1814 | 76 | FL |
//5-3-4-/5-53//212/316-//5-3-5-/6-13- | 6/4 | Come Haste to the Wedding (t) | SS-E | SS, Boston PL-2 | 320 | VO,KB+GF+GT |
//5-3-4-/5-53//212/316-//5-3-5-/6-13- | 6/8 | Song (t) | SS-E | SS, Huntington-2 | 10 | 2VO,KB+GT |
//5-3-4-/5-53//212/316-//5-3-5-/6-13- | 6/8 | Come Haste to the Wedding (t) | SS-E | SS, New York PL-C694 | 70 | 2VO,HAF+GF+GT |
//534/55+3+//2+1+2+/3+1+6//535/61+3 | 6/8 | Rural Felicity (t) | AM-A | Spicer MS, 1797 | 85 | MI |
//534/55+3+//2+1+2+/3+1+6//535/61+3 | 6/8 | Mason's Felicity (t) | AM-A | Spicer MS, 1797 | 107 | VO |
//5-3-4-/5-53//212/316-//5-3-5-/6-13- | 6/8 | Come Haste to the Wedding (t) | AI-A | Steele Fife, 1815 | 19 | FI |
//534/55+3+//2+1+2+/3+1+6//535/61+3// | 6/8 | Rural Felicity (t) | AM-A | Treat MS, 1779 | 2v | FI/GF |
//534/55+3+//2+1+2+/3+1+6//535/61+3 | 6/8 | Rural Felicity (t) | AI-A | Village Fifer, 1808 | 56 | FI |
//534/55+3+//2+1+2+/3+1+6//535/61+3// | 6/8 | Come Haste to the Wedding (t) | AM-A | Washburn MS, 1816 | 7 | GF |
//5-3-4-/5-53//212/316-//5-3-5-/6-13- | 6/8 | Come Haste to the Wedding (t) | AI-A | Williams Fife, 1819 | 25-26 | FI |
//534/55+3+//2+1+2+/3+1+6//535/61+3 | 6/8 | Come Hast to the Wedding (t) | AI-A | Willig Fife, 1805 | (25) | FI |
//5-3-4-5-53//212316-//5-3-5-6-14-//2-2- 2-2-5-//5-3-4-5-53 |
3/8 | Rural Felicity (t) | AI-A | Robinson Coll, 1818 | 46 | FI,DR |
//5-3-4-/5-53//212/316-//5-3-5-/6-16- | 6/8 | Rural Filisity, The (t) | AM-A | Dean MS, 1800 | I.22 | MI |
//534/55+3+//2+1+2+/3+1+6//535/671+3 | 6/8 | Rural Felicity (t) | IC-S | Aird 1, 1782 | 30 | FI/VN/GF |
//534/55+3+//2+1+2+/3+1+6//535/671+3 | 6/8 | Rural Felicity. A Song (t) | AM-A | Bolling MS, 1785 | 24 | VN/VO |
//534/55+3+//2+1+2+/3+1+6//535/671+3 | 6/8 | Small Pin Cushion, The (t) | IC-E | Caledonian PC, 1760 | X,8 | GF/VN |
//534/55+3+//2+1+2+/3+1+6//535/671+3 | 6/8 | Come Haste to the Wedding (t) | AM-A | Greenwood MS, 1785 | 4 | MI |
//534/55+3+//2+1+2+/3+1+6//535/671+3 | 6/8 | Quick March No.5 (t) | IC-E | Hinde 2, 1772 | 4 | GF/VN/OB,PF |
//534/55+3+//2+1+2+/3+1+6//535/671+3 | 6/8 | Rural Felicity (t) | AM-A | Murphey MS, 1790 | 4 | MI |
//534/55+3+//2+1+2+/3+1+6//535/671+3 | 6/8 | Rural Felicity (t) | DA-E | Thompson CD-3, 1773 | 96 | VN/GF/OB |
//534/55+3+//2+1+2+/3+1+6//535/671+3// | 6/8 | Rural Felicity (t) | DA-E | Thompson CD-3a, 1773 | 99 | VN/GF/OB |
//5-3-4-/5-53//212/316-//5-4-5-/6-13- | 6/8 | Come Haste to the Wedding (t) | SS-E | SS, Harvard | 1 | 2VO,KBF+GF+GT |
//534/55+3+//2+1+2+/4+1+6//535/61+3 | 6/8 | Rural Felicity (t) | AM-A | Shattuck MS, 1801 | 36 | MI |
//5-3-4-/5-54//212/316-//5-3-5-/6-13- | 6/8 | Come Haste to the Wedding (t) | AM-A | Cabot MS, 1784 | 28 | GF |
//534/55+4+//2+1+2+/3+1+6//535/61+3 | 6/8 | Come Haste to the Wedding (t) | AM-A | Hawkins MS, 1794 | II,1 | GF |
//5-3-4-/5-5-4-//3-4-5-/1-5-//1212/323// 11/1 |
6/8 | Song 76 (t) | SC-E | Convivial, 1782 | 152-153 | VO |
//534/55//535/15//1+2+1+/3+2+3+ | 6/8 | Vicar and Moses, The (t) | AM-A | Hawkins MS, 1794 | II,52 | GF |
//534/55//535/15//1+2+1+/3+2+3+ | 6/8 | Vicar & Moses, The (t) | AM-A | Van Schaack MS, 1820 | 20 | FI/FL |
//534/55//535/15//1+2+1+/3+2+3+//1+ | 6/8 | Vicar and Moses, The (t) | SS-E | SS, Harvard | 1 | VO |
//534/55//535/15//1+71+/2+1+2+// | 6/8 | Vicar & Moses, The (t) | MS-S | Fife MS, 1780 | 290,30r | 1FI OR 2FI/VN |
//5-3-4-/5-5-//5-3-5-/1-5-//17-1/323 | 6/8 | Vicar and Moses, The (t) | AM-A | Williams, J. MS, 1799 | 56 | CL |
//534/55//5456/51+6//54/43 | 2/4 | Hessian Dragoons March, The (t) | AM-A | Brown, N. MS, 1781 | 34R | FI |
//534/55//5456/51+6//54/43 | 2/4 | Hessian Dragoons March, The (t) | IC-E | Longman Fife, 1770 | 23 | FI |
//53455//545651+6//5443 | 2/4 | Hessian Dragoons March, The (t) | IC-E | Thompson Fife, 1760 | 23 | FI |
//534/55//5456/51+6//54/43 | 2/4 | Hessian Dragoons March, The (t) | IC-E | Thompson Fife, 1770 | 27 | FI |
//534/55//551+/55//61+/1+2+7// | 6/8 | How blest the Maid (t) | AM-A | White, G. MS, 1790 | 79 | VN |
/534//55/55//31/567//1+2+/ | 2 | Microscope, Le (t) | IC-F | Leclerc Recueil-3, 1738 | 154 | HAF |
//5-3-4-/5-5-//5-6-1/13//6-1/321 | C | Bonny Broom, The (t) | SC-E | Clio-2, 1759 | 26-27 | VO,HA+MI |
//534/55//561+/1+3+//61+/53+2+1+ | C | Bonny Broom, The (t) | AM-A | Hawkins MS, 1794 | II,36 | GF |
//534/55//561+/1+3+//61+/53+2+1+// | C/ | How Happy Were My Days Till Now (t) | AM-A | Hoff MS, 1797 | No. 198 | GF |
//5-3-4-/5-5-//5-6-1/13//6-1/5-321 | C | Bonny Broom, The (t) | SC-E | Muses Delight, 1754 | 82-83 | VO,HA |
//534/55//561+/1+3+//61+/53+2+1+// | C | How Happy Were My Days (t) | IC-E | Thorowgood Guitar, 1763 | 32 | GT |
//5-3-4-/5-5-//5-6-1/13//6-1/5-321//17- | C | How happy were my days 'till now (fl) | TW-E | Love/Village, 1795 | 20 | VO,HA |
//5-3-4-/5-5-//5-6-1321//6-1/5-321 | C/ | New Broom, The (t) | IC-E | Caledonian PC, 1760 | IX,17 | GF/VN |
//534/55//561+3+//61+6/53+2+1+ | C | Bonny Broom, The (t) | AM-A | Aborn MS, 1790 | 84 | MI |
//534/55//561+/3+//61+6/53+2+1+// | C | How Happy Were My Days Till Now (t) | IC-E | Hill Flute, 1762 | 26 | GF |
//534/55//565/55//534/543 | 2/4 | March (t) | MS-G | Darmstadt MS 1224 | 79-89 | 2OB/VN,2HN,B |
//534/55//5671+/53//445/334 | C/ | Field Marshall Count Suwarrows March (t) | IC-E | Pick Divs, 1800 | 18-19 | PF |
//5/34//55//6/1+6//6/5 | 2/4 | Sylvia (t) | AI-A | Reinagle Fav-2, 1789 | 10 | VO,PF |
//534/55//61+7/1+5//61+6 | 6/8 | Since Peggy's Charms, Divinely Fair (t) | SC-E | Vocal Music, 1775 | 210-211 | VO/VN/GF |
//534/55//61+76/535//5424/436543 | C/ | Barthelmon Duets-2. Andantino (t) | AI-A | Barthelemon, 1800 | 4-5 | PF,4 HANDS |
//534/55//65/1+//7536/5314//3 | 2/4 | Be by your friends advised (fl) | TW-E | Midas-1, 1764 | 10-11 | VO,HAF |
//5345565//422/223//423/4654 | C | AM-A | Eells MS, 1789 | 77 | MI | |
//5-/3-4-//5-/5-6-//5-4-//4- | 2/4 | Spanish March (t) | IC-S | Sime Marches, 1789 | 22-23 | HA/PF |
//534//5565//5432//5415 | 3/4 | Tho Prudence (t) | AM-A | Dickinson MS, 1800 | 97 | CL/GF/OB |
//534//556//65433//32431+6//5432 | 3/8 | Ah! how delightful the morning (fl) | TW-E | Lionel & Clar, 1768 | 6-7 | VO,HAF |
//534/55//671+ | 6/4 | Happy Pair, The (t) | SS-E | SS, Folger-C42.3 | 438 | VO+FL |
//5345/5671+//642/53421//3+1+ | 6/8 | Air by Mr. Handell (t) | IC-E | Simpson Record, 1745 | 14 | RC |
//5345/5671+//642/53421//3+1+6 | 6/8 | Address to Silvia, The (t) | SC-E | Calliope, 1746 | I,52 | VO,HAF+FL |
//5345/5671+//642/53421//3+1+6/2+71+65 | 6/8 | Air (t) | IC-E | Delightful-1, 1763 | I,18 | GF |
//5345/5671+//642/53421//3+1+6/2+71+65// / |
6/8 | Air by Mr. Handel In the Triumph of Time (t) | IC-E | Johnson Flute, 1760 | 26 | GF |
//5345/5671+//642/53421//3+1+6/2+71+65 | 6/8 | Address to Sylvia, The (t) | SC-E | Musical Ent-1, 1740 | 47 | VO,KBF+GF/FL |
//5345//5671+//642//53421//3+1+6//2+71+6 5 |
3/4 | Minuet (t) | AI-A | Shaw Gentlemen, 1807 | 26-27 | 2CL/VN, FL,BS/VC |
//534/55-//6-7-17-12/17-//1 | C | Charms of Idleness, The (t) | SC-E | Amaryllis, 1760 | II,13 | GF,VO,HAF+FL |
//534/55-//6-7-17-12/17-//123 | C | Goddess of Ease (t) | SC-E | Calliope, 1746 | II,178 | VO,B,MI |
//534/55-//6-7-17-12/17-//123234/345456 | C | Song 171 (t) | SC-E | Convivial, 1782 | 338-339 | VO |
//534/55-//6-7-17-12/17-//123234/345456 | C | Song 17 (t), or to Idleness (at) | SC-E | Ritson, 1783 | TII,99-100;MIII,237-23 | VO |
//534/55-//6-7-17-12/17-//123234/345456 | C | Idleness (t) | SS-E | SS, Boston PL-2 | 224 | VO,HA+GT,FL |
//534/55-//6-7-17-12/17-//123234/345456 | C | Idleness (t) | SS-E | SS, Huntington-1 | 164 | VO,HA,FL+GT |
//534/55-//6-7-17-12/17-//123234/345456/ /56543 |
C | Favourite Air, A (t) | IC-E | Delightful-2, 1745 | III,32 | GF |
//53456/215-//113224/345//66654/55543 | C/ | Mr. Phipps March (t) | IC-E | Simpson Horn, 1746 | 13 | 2HN |
//5/3456//2/15-//121/232 | 2/4 | Handle's Clarinet (t) | AM-A | Beach MS, 1801 | 57 | 2MI |
//5/3456//2/15-//121/232 | C/ | March (t) | IC-E | Bremner Oboe, 1775 | 26 | 2OB |
//5/3456//2/15-//121/232 | C/ | Presto (t) | IC-E | Forest Harmony-2, 1733 | 2 | 2HN/GF/TR/VN |
//5/3456//2/15-//121/232 | C/ | March (t) | IC-E | Johnson Oboe, 1750 | 27 | 2OB |
//5/3456//2/15-//121/232 | C/ | March (t) | IC-E | Simpson Oboe, 1746 | 26 | 2OB |
//5/3456//2/15-//121/232 | C/ | Clarinet, The (t) | IC-E | Thompson Oboe, 1758 | 25 | 2OB |
//5/3456//2/15-//121232/345// | C | Handel's Clarionett (t) | AM-A | Pierian MS, 1810 | 31 | 2MI,B |
//53456/215-//121232/345//6 | C | Handel's Clarionett (t) | AI-A | Instrum Asst, 1800 | 38-39 | 2VN/2GF/2CL/2OB,BVIOL |
//53456/215-//121232/345//66653/55543 | C/ | Handel's Clarionett (t) | AI-A | Whiteley Prec, 1816 | 52 | CL,OB,FL,BS |
//53456/215-//121232/345//66653/55543 | C/ | Handel's Clarionett (t) | AI-A | Williams Fife, 1819 | 33 | FI |
//53456/215-//121232/345//66654/55543 | C | Clarinet, The (t) | AM-A | Aborn MS, 1790 | 58 | 2MI |
//53456/215-//121232/345//66654/55543 | C | Handel's Clarinet (t) | AM-A | Allen, Joel, MS, 1800 | 2R | 2VN |
//53456/215-//121232/345//666-54/55543 | C | Handell's Clarinet (t) | AM-A | Allen, W. MS, 1790 | 83 | 2MI,B |
//53456/215-//121232/345//66654/55543 | C | Handel's Clarinet (t) | AM-A | Beck MS, 1786 | 31 | 2GF |
//53456/215-//121232/345//66654/55543 | C | Handel's Clarinet (t) | AM-A | Cabot MS, 1784 | 13 | 2GF |
//53456/215-//121232/345//66654/55543 | C/ | Handel's Clarionet (t) | AM-A | Canfield MS, 1823 | 28 | 2FL |
//53456/215-//121232/345//66654/55543 | C | Handles Clarinet (t) | AM-A | Dickinson MS, 1800 | 35 | 2CL/2GF/2OB/ |
//53456/215-//121232/345//66654/55543 | C | Handell's Clarinet (t) | AM-A | Hosmer MS, 1798 | 66 | MI |
//53456/215-//121232/345//66654/55543 | C | Handel's Clarionet (t) | AI-A | Merrimack Coll, 1833 | 48 | 2MI,B |
//53456/215-//121232/345//66654/55543 | C | Handells Clarinett (t) | AM-A | Otis MS, 1793 | 3 | 2VN/2FL |
//53456/215-//121232/345//66654/55543 | C/ | Handels Clarinet (t) | MS-E | Russell MS, 1812 | 2-3 | 2FI |
//53456/215-//121232/345//66654/55543 | C | Clarinet, The (t) | MS-E | Shepherd MS, 1787 | 36 | 2MI |
//53456/215-//121232/345//66654/55543 | C | Handels Clarionett (t) | AM-A | Stiles MS, 1807 | 16-17 | 2MI |
//53456/215-//121232/345//66654/55543 | C | Handles Clarionet (t) | AM-A | Van Schaack MS, 1820 | 10 | 2FL |
//53456/215-//121232/345//66654/55543// | C | Handels Clarinet (t) | AM-A | White, G. MS, 1790 | 86, bass p. 24 | VN |
//53456/215-//121232/345//66654/55543 | C | Handel's Clarionet (t) | AM-A | Williams, J. MS, 1799 | 37-38 | 2CL |
//53456/215-//121232/345//6665455543/444 323332// |
C | S Net, The (t) | AM-A | Patten MS, 1800 | 7-8 | 2 MI |
//53456/215-//121232/347//66654/55543 | C | Handels Clarinet (t) | AM-A | Clark, I. MS, 1801 | 18 | FI/VN |
//5/3456//2/15-//7-12232/134 | C | Handels Claronett (t) | AM-A | Curtiss MS, 1800 | 2-3 | 2VN |
//53456/216-//121232/345//66654/55543 | C | Handel's Clarinet (t) | AM-A | Kingsley MS, 1795 | I,5 | 2MI |
//53456/225-//121232/345//66654/5 | C | Handles Clarionett (t) | AM-A | Hooves MS, 1817 | 113 | FI |
//5/3456//32/15-//121/232 | C | Handel's Clarinet (t) | AI-A | Hulbert Fife, 1807 | 7 | FI |
//5/3456//32/15-//121/232 | C | Handel's Clarinet (t) | AI-A | Hulbert Fife, 1811 | 7 | FI |
//5-/3456//32/15-//121/232 | Granoe's March (t) | MS-I | Regan MS, 1764 | 28 | MI | |
//53456/3215-//121232/345//66654/55543 | C/ | Handles Clarionet (t) | AM-A | Williams, J. MS, 1799 | 79 | CL |
//53456/3217-//121222/345//66654/55543 | C/ | Handel's Clarinet (t) | AM-A | Dickinson MS, 1800 | 93 | 2CL/2GF/2OB,B |
//53/45//63/43//21/27-//1 | C/ | #65 (t), or Bore Pickadilla (at) | PL-E | Playford 1-3b, 1665 | II,54 | VN |
//534/564//5/1+//545/6543 | C | Merry Wakefield Town (t) | SS-E | SS, Boston PL-2 | 180 | VO,KB |
//534/56//511/123//424/313 | C | Grand March, A (t) | IC-E | English Sheet Music | 2 | PF+GF |
//534/56//512//3/4321//25- | 2/4 | Song, A (t) | SS-E | SS, Harvard | 1-2 | VO,KB+FL |
//534/56//512//3/4321//25-5//534/56 | 2/4 | Song, A (t) | SS-E | SS, Folger-C42.3 | 118 | VO,KB+FL |
//5-/3-4-5-6-//5-/1//32/21 | 2/4 | Victory of Salamanca, The. Quick Step (t) | AI-A | American Sheet Music | PF,VN | |
//534//56//51+4//35//1+64 | 3/8 | O beauteous queen unclose those eyes (fl) | SS-E | SS, Huntington-2 | 130,1-2 | 2VN,VO,KBF |
//534//56//51+4//35//1+64 | 3/8 | Song. from the Oratorio of Queen Esther, A (t) | SS-E | SS, New York PL-C694 | 22-23 | HAF,VO |
//534/56//5/1+//456/5432 | 2 | Bouree (t) | IC-E | Delightful-1, 1763 | VI,20 | 2GF |
//53456//51+//53456//51+//62+//51+// | 3/4 | New Bird Waltz (t) | AI-A | Johnson, F. Sheet Music | 2 | PF |
//534/56//51+/55//61+ | 6/8 | How Blest the Maid (t) | SS-E | SS, New York PL-C695 | 40 | VO,HA+GF |
//534/56//51+/55//61+/1+2+7//1+ | 6/8 | How Blest the Maid (t) | SC-S | Edinburgh MM-2, 1793 | 128-129 | VO |
//534/56//51+/55//61+/1+2+7//1+ | 6/8 | How blest the maid (fl) | TW-E | Love/Village, 1795 | 31 | VO,HA |
//5-3-4-//5-6-5-1//5-6-5-4-//4-3-//5-3-4 -//5-6-5-1 |
3/8 | Minuet by Jomelli (t) | IC-S | Stewart Marches, 1761 | 17 | 2VN/GF/OB,VC/HA |
//534//565//162//32343//534//565// | 3/4 | Lovely fair one sung by Mr Brett In the Way of the World (t) | AM-A | White, G. MS, 1790 | 66 | VN |
//534/56//51+/71+//534/56 | 2/4 | Marche 8 (t) | MS-G | Darmstadt MS 1224 | 53-55 | 2FL |
//53456/51+76//5434/51+76//5654/3432 | 2/4 | Zapffenstr. (t) | MS-G | Darmstadt MS 1225 | 83-84 | 2MI |
//53456/51+76//5434/51+76//5654/3432 | 2/4 | Zapffenst. No 44. V. Mayntz der Neue (t) | MS-G | Darmstadt MS 1225 | 315-16 | 2MI |
//53/456//53/1//53/456//6 | 2/4 | Kisses Sue'd for (t), or Favorite Song, A (at) | AI-A | American SS-SM | 1-2 | KB,VO+2FL |
//534/56//53+/1+//567/1+3+ | 2/4 | Col Waldron's Quick Step (t) | AI-A | Riley Flute 4, 1826 | 70-71 | FL |
//5/34//5/65//3/22 | 2/4 | Indian Chief, The (t) | AM-A | Kingsley MS, 1795 | TII,74-76MII,7 | MI/VO |
//534//56//534//5317-//534//56// | 3/4 | Retreat, A (t) | MS-S | Fife MS, 1780 | 29,3v | 1FI OR 2FI/VN |
//53456/53456//51+56543/322//345232 | C | Two Part Song, A (t) | SS-E | SS, Folger-C42.4 | 389 | 2VO,B/,KB+FL |
//53456/53456//51+56543/322//345232 | C | New Song, A (t) | SS-E | SS, Harvard | 1 | 2VO,B+FL |
//53456/53456//51+56543/322//345232 | C | Two Part Song, A (t) | SS-E | SS, Harvard | 1 | 2VO,B+FL |
//5-3-4-5-6-/5-3-4-5-6-//5-3-3-/5-5-4-4- //3-3-4-5-6-/5-3-4-5 |
C | Duke of Clarence's New March, The (t) | IC-E | English Sheet Music | 3 | KB |
//53456/53456//533/5544//33456/53456// | C | Duke of Clarence's March (t) | AM-A | Irving MS, 1796 | 32-33 | 2 MI |
//53456/53456//533/5544//33456/53456 | C | Duke of Clarence's New March, The (t) | IC-E | Preston Fife, 1796 | 25 | FI/GF |
//5/3456//5/3456//53/42 | 2/4 | Cottilon (t) | IC-S | Aird 3, 1788 | 199 | FI/GF/VN |
//5/3456//5/3456//53/42// | 2/4 | Grats, The (t) | AM-A | Brown, J. MS, 1782 | 1:24 | |
//5/3456//5/3456//53/42//1 | 2/4 | Gnats, The (t) | DA-E | Longman CD, 1781 | 31 | VN/OB/GF |
//53/456//53/456//543/217- | 6/8 | Minerve, La (t) | AI-A | Riley Flute 3, 1820 | 7 | FL |
//534/56//535/155//1+2+1+/3+2+3+ | 6/8 | On the Brest Fight (t) | SS-E | SS, Boston PL-2 | 149 | VO,KB |
//53456//535//66567//1+5//755 | 3/4 | Song 35 (t) | SC-E | Vocal Enchant, 1783 | 72-73 | VO |
//5/34//5/65//4/21 | 2/4 | Indian Chief, The (t) | AM-A | Perkins MS, 1790 | 43 | MI |
//5/34//5/65//4/22 | 2/4 | Indian Chief (t) | AM-A | Copp MS, 1799 | 1-2 | VO,B |
//5/34//5/65//4/22// | 2/4 | Complaint, The (t) | AM-A | Hoff MS, 1797 | No. 183 | GF |
//534/565//422/223//423/46 | C | Song 42 (t), or Indian Chief, The (at) | AI-A | American MM, 1798 | 114-115 | VO |
//534/565//422/223//423/4654 | C | Death of the Cherokee Indian, The (t) | AI-A | Blake Amus 3, 1825 | 17 | CL |
//534/565//422/223//423/4654 | C | Celebrated Death-Song of the Cherokee Indian, The (t) | SC-S | Edinburgh MM-1, 1792 | 289-290 | VO |
//534/565//422/223//423/4654 | C | Chereokee Indian's Death Song, The (t) | AI-A | Riley Flute 3, 1820 | 64 | FL |
//534/565//422/22//423/454// | C | Death of The Indian Warrior, The (t) | AM-A | Brown, J. MS, 1782 | 1:35 | |
//534/565//422/23//423/454 | C | Indian Warrior, The (t) | AM-A | Allen, W. MS, 1790 | 12 | MI/VO,B |
//534/565//422/23//423/454 | Indian Cheif (t) | AM-A | Cary MS, 1797 | 15 | 2VO | |
//534/565//422/23//423/454 | C | Indian Chief (t) | AM-A | Commonplace MS, 1811 | 22 | MI |
//534/565//422/23//423/454// | C | Indian Chief (t) | AM-A | Hoff MS, 1797 | No. 226a | GF |
//534/565//422/23//423/454 | C | Indian Chief (t) | AM-A | Hosmer MS, 1798 | 52-53 | MI |
//534/565//422/23//423/454 | C | Indian Warrior, The (t) | AM-A | Otis MS, 1793 | 18 | VN/FL |
//534/565//422/23//423/454 | C | Indian Chief (t) | AM-A | Shattuck MS, 1801 | 62 | MI |
//534/565//422/23//423/454 | C/ | Son of Alnomac, The (t) | AM-A | Van Renssel. MS, 1782 | I,74 | VO,KB |
//534/565//422/23//423/4654 | C/ | Dying Indian, The (t) | AM-A | Williams, J. MS, 1799 | 39 | 2CL |
//534/565//422/23//434/5654 | C | Indian Chief, The (t) | AM-A | Dean MS, 1800 | I.18 | MI |
//534/56//54/3//1234 | C/ | March, A (t) | IC-E | Delightful-2, 1745 | II,35 | 2GF |
//5-3-4-//5-6-5-4-3-//17-6-//6-5-//5-3-4 -//5-6-5-4-3- |
3/8 | MS-G | Darmstadt MS 1223 | 2CL,2HN,2TR,BS | ||
//5/34//5/6//54/32// | C/ | Suzanne. Tant Qu'on Vent Danse Hollandoise (t) | IC-F | Pointel Airs, 1700 | 19 | MI,B |
//5/34//5/6//54/32// | 2/4 | Sophie, La (t) | DA-N | St. Flour Contredanses, 1757 | 58 | KB |
//534/56//54/32//1234/543 | C | Westmorland March, The (t) | IC-E | Oswald Marches, 1759 | 26 | 2MI |
//534/565/432/321//534 | 6/8 | Bourrique, The (t) | DA-E | Longman CD, 1781 | 25 | VN/OB/GF |
//534/56//5432/321//534/51+ | C | Capt. Driver's Delight (t) | DA-E | Johnson CD-4, 1748 | 3 | VN/GF |
//534/565//432/321//535/565// | 6/8 | Bourrogue, The (t) | AM-A | Brown, J. MS, 1782 | 1:22 | |
//534//565//432//32345//534//565 | 3/4 | Triste Raison (t) | IC-F | Bonjour Recueil, 1800 | 2:2 | VN/FL |
//534//565//432/32345//534//565// | 3/4 | Church Hymn (t) | AM-A | Duport MS-3, 1825 | 04 | VO,KB |
//53456//543//25-35-45-//3231//53456//4 | 3/4 | Minueto (t) | MS-M | Garcia MS, 1772 | 81V [193] | MI |
//53456//543//314365//543//324364//5 | 3/4 | Minueto (t) | MS-M | Garcia MS, 1772 | 96V [223] | MI |
//53456//543351+//1+7654//32325//53456// 5433 |
3/4 | Love like the op'ning flow'r (fl) | TW-E | Pirates, 1792 | 22-23 | VO,KB |
//534//56//54342//345- | 3/4 | All I wish in her obtaining (fl) | TW-E | Love/Village, 1795 | 58 | VO,HA |
//534//56//54342//345//1+76 | 3/4 | All I Wish In Her Obtaining (t) | SS-E | SS, Huntington-1 | 3 | 2VO,KBF |
//534//56//54342//345//1+76 | 3/4 | All I Wish (t) | SS-E | SS, New York PL-C695 | 25 | 2VO,HA |
//534//56//54342//345//1+76//54321// | 3/4 | All I Wish (t) | IC-E | Thorowgood Guitar, 1763 | 30 | GT |
//534/56//5456//51+6//543//43// | 2/4 | Hussian Dragoons, The (t) | MS-S | Fife MS, 1780 | 71,8r | 1FI OR 2FI/VN |
//5345//6545//65342//36-2//132435//46251 4// |
3 [ed] | Saraband (t) | IC-E | Theater Musick-3, 1700 | 12 | VN |
//53/4565//5/1+//545 | C/ | Farmers Daughter of Merry Wakefield, The (t) | SS-E | SS, Folger-C42.4 | 257 | VO+FL |
//53/4565//5/1+//545/6543 | C/ | Young Phillis of Wakefeild (t) | PL-E | Playford 2-3, 1718 | 279 | VN |
//53/4565//5/1+//545/6543 | C/ | Young Phillis of Wakefeild (t) | PL-E | Playford 2-4, 1728 | 279 | VN |
//53/4565//5/1+//545/6543 | C | Farmers Daughter of Merry Wake Field a Song, The (t) | SS-E | SS, Folger-C42.1 | 118 | VO+MI |
//53/4565//5/1+//545/6543 | C/ | Young Phillis of Wakefield (t) | DA-E | Walsh CD-1.2, 1719 | 301 | VN/OB |
//53/4565//5/1+//545/6543//2 | C | Farmers Daughter of Merry Wake Field (t), or Song, A (at) | SS-E | SS, Harvard | 1 | VO+FL |
//534/565//534/565//531/531// | 6/8 | Bedford House (t) | DA-E | Straight & Skillern CD, 1775 | 56 | VN/GF/OB |
//534/565//535/15//1+2+1+/3+2+3+ | 6/8 | Vicar and Moses (t) | AI-A | Riley Flute 2, 1817 | 83 | FL |
//534//565//64+6//65 | Trio (t) | MS-E | Brown, W. MS, 1797 | 19 | MI | |
//53456/5656543//25- | C | Song In the Opera of Camilla, A (t) | SC-E | Pocket Comp, 1725 | 46-47 | VO,HAF+FL |
//534/56//5671+/5//534/5432 | 2/4 | March (t) | MS-G | Darmstadt MS 1225 | 79-80 | 2MI |
//5345//6567//1+6/54//32/1 | C | General Salute, The (t) | AM-A | Huntington MS, 1817 | III.36 | FL/VN |
//534//566452//5432//5315 | 3/4 | The Prudence May Press Me (t) | MS-E | Brown, W. MS, 1797 | 75 | MI |
//534/56//65/51+//1+/74//4/36 | 2/4 | To happy, happy ignorance (fl) | TW-E | Midas-1, 1764 | 7 | VO,HAF |
//534//5665//5432//531 | 3/4 | Sung by Mrs. Smith In the Deserter (t) | IC-E | Longman Pb, 1778 | 40 | VO/GF |
//534//5665//5432//5313//534 | 3/4 | Tho Prudence May Press Me (t) | SS-E | SS, Boston PL-2 | 69 | VO,KB |
//534//5665//5432//5315 | 3/4 | Tho Prudence May Press Me (t) | AM-A | Beck MS, 1786 | 115 | GF |
//534//5665//5432//5315 | 3/4 | Tho' Prudence May Press Me (t) | IC-E | Cahusac Flute, 1788 | 18 | GF |
//534//5665//5432//5315//534 | 3/4 | Tho Prudence May Press Me (t) | IC-E | Cahusac Flute, 1792 | 18 | GF |
//534//5665//5432//5315//534 | 3/4 | Tho' Prudence May Press Me (t) | IC-E | Cahusac Oboe, 1790 | 19 | OB |
//534//5665//5432//5315//534 | 3/4 | Tho Prudence My Press Me (t) | AI-A | Riley Flute 2, 1817 | 19 | FL |
//534//5665//5432//5315//534//5 | 3/4 | Tho Prudence (t) | AI-A | Evening Amuse, 1796 | 18 | GF/VN |
//534//5665//5432//5315//534//566 | 3/4 | Tho' prudence may press me (fl) | TW-E | Deserter, 1773 | 11 | VO,KBF |
//534//5665//5432//5315//534//5665// | 3/4 | Tho Prudence May Press Me (t) | IC-E | Cahusac Flute, 1798 | 18 | FL |
//534//5665//5432//5315//534//5665// | 3/4 | Air In the Deserter (t) | IC-E | Preston Cello, 1785 | 20 | 2VC |
//534//5665//5432//5315//534//5665 | 3/4 | Tho' Prudence May Press Me (t) | IC-E | Thompson Oboe, 1790 | 28 | OB |
//534//5665//5432//541 | 3/4 | Song In the Deserter, A (t) | AM-A | Dawes MS, 1790 | 2 | HA |
//534/56//6-7-/12//3265/4321 | C | Choice Song, A (t) | SC-E | Clio-3, 1762 | 16 | VO,HAF |
/5//3/4567//1+/11//43/ | 2 | Favorite, La (t) | IC-F | Leclerc Recueil-1, 1729 | 66 | HAF |
//534/567//1+1+/1+6//55/6543 | 2/4 | West London Quick March, The (t) | IC-E | English Sheet Music | 3 | 2CL,2HN,TR,2BS+ |
//534567//1+1+1+6//556543 | 2/4 | West London March (t) | AI-A | Instrum Asst-2, 1807 | 60-61 | 2CL,2HN,BS |
//534//5671+//1+76//655/534 | 3/8 | Cupid god of pleasing anguish (fl) | TW-E | Harlequin Dr. F, 1766 | 2-3 | VO,HAF |
//53456/7-1//25-7-24//32//517-151 | 3/4 | French Horn Minuet (t) | IC-E | Delightful-2, 1745 | II,24 | 2GF |
//5-3-4-//5-6-7-//132//11//135//54321 | 3/4 | Kate Kearney (t) | AI-A | Blake Amus 3, 1825 | 18 | CL |
//534/5671+//54/31//534/5671+ | C/ | Preussicher Gren: March No 3 V. Mu (t) | MS-G | Darmstadt MS 1225 | 349-50 | 2MI |
//534/567//1+54/33 | C | Blest as Th' Immortal Gods (t) | SS-E | SS, Folger-C52 | 156,2-157,1 | MI,VO,KB |
//534/567//1+54/33//344 | C | Blest as Th' Immortal Gods (t) | SS-E | SS, Folger-C52 | 16-17 | MI,VO,KB |
//534//5671+//545654321//21//641+654//53 1+543 |
3/8 | Minuetto (t) | IC-E | Humple Hn Duets, 1765 | 6 | 2HN |
//534/567//1+55/56//543/432// | C/ | Preston Castle March (t) | IC-E | Longman March 4, 1770 | 1 | 2VN/OB/GF, 2HN, B |
//5345/671+6//5345/67//1+71+6/5431 | C | Charlie He's My Darling (t) | SC-S | Scots MM-5, 1797 | 440 | VO,PF |
//5345/671+6//551+5/3513//6-242/7-654 | 2/4 | Serigni, La (t) | AI-A | Riley Flute 3, 1820 | 9 | FL |
//534/5671+//655///23/5432 | C/ | March V. Bayern (t) | MS-G | Darmstadt MS 1225 | 167-68 | 2MI |
//534/567//1+76/543//2 | 6/8 | When a lady of ton is surpriz'd in a snare (fl) | TW-E | Summer Amuse, 1779 | 34 | VO/VN,HA |
//534//567//1+7654//35//671+ | 3/4 | Baucis and Philemon (t) | SC-E | Amaryllis, 1760 | I,45 | GF,VO,HAF+FL |
//534//567//1+7654//35//671+//2+ | 3 | Baucis and Philemon (t) | SC-E | Calliope, 1746 | II,162 | VO,B,MI+FL |
//534//567//1+7654//35//671+//2+1+765 | 3 | Tho' Baucis and I are both ancient and poor (fl) | SS-E | SS, Harvard | 1 | VO,KB+FL |
//534/567//1+76/5//46/543 | 2/4 | Zapffenst. No 9. V. Wurtenberg (t) | MS-G | Darmstadt MS 1225 | 277-78 | 2MI |
//534//567//1+76//55//531+//536//2 | 3/8 | No more I'll heave the tender sigh (fl) | TW-E | Siege/Belgrade, 1791 | 65-66 | VO,KBF |
//534/567//1+76/56//51+6/543//2 | 6/8 | When first the dear youth passing by (fl) | SS-E | SS, Harvard | 1-2 | VO,KBF+GT |
//534/567//1+76/65//123/43 | C | Louis's Adieu (t) | IC-S | Aird 5, 1797 | 64 | FI/VN/GF |
//5-3-4-/5-7-//17-6-/5-//4-6-/5-4- | C/ | Wurtemberger Zapffen Streich (t) | MS-G | Darmstadt MS 1224 | 251,257 | 2FL |
//534/575//422/223//423/4654 | C | Indian Chief (t) | AM-A | Marchant MS, 1783 | 57 | VO,KB |
//5/34//57/65//4/22 | 2/4 | Alknomok (t) | AM-A | Canfield MS, 1823 | 16 | FL |
//5346/1+2+3+//2+765/1+1//7- | C | When night, & left upon my guard (fl) | AI-A | Gent's Amus, 1794 | 40-41 | GF/VN/VO |
//5346/1+2+3+//2+765/1+1//7- | C | When night,& left upon my guard (fl) | AI-A | Gent's Amus, 1795 | 40-41 | GF/VO |
//5346//2431//6-7-127-//5 | 3/4 | I Travers'd Judah's Barren Sand (t) | SC-S | Edinburgh MM-1, 1792 | 146-147 | VO |
//5346//2431//6-7-127-//5-5-12//3345 | 3/4 | I Travers'd Judah's Barren Sand (t) | AI-A | Riley Flute 2, 1817 | 4 | FL |
//5346//2431//6-7-127-//5-5-13 | 3/4 | Favourite Ballad from Robin Hood, A (t) | IC-S | Aird 3, 1788 | 223 | FI/GF/VN |
//5346//2431//6-7-127-//5-5-13//5 | 3/4 | I travers'd Judah's barren sand (fl) | AI-A | Gent's Amus, 1794 | 4-5 | GF/VN/VO |
//53/464//24/35353//131/6-4242// | 6/8 | New Brunswick Made at Newington Glouster Virginia 1821 No.47 (t) | AM-A | Duport MS-1, 1780 | 45 | VN |
//5/3464//3//44/22/34/55// | 2/4 | Bingham's Cotillion (t) | AI-A | Johnson, F. Cotillions | 2 | PF,GF/VN |
//5346/51+76//5343/42234//5346/51+76 | C | Tiddle Toddle (t) | AI-A | Riley Flute 1, 1814 | 26 | FL |
//53/46//53/1//5/1+6 | 2/4 | O Whither Can My William Stray (t) | AI-A | American SS-SM | 1-2 | VO,KB |
//5346/531+5//4654321/32234//5346/531+3 | C | Dutch Trot, The (t) | IC-S | Aird 4, 1796 | 61 | FI/GF/VN |
//5-3-4-6-/5-3-2-1-//1232/217-6-//5-6-5- 3-/4-5-4-2- |
C | Willy of the Clyde (t) | AI-A | Riley Flute 1, 1814 | 66 | FL |
//5346/53//217-6-/5-5 | C/ | Happy Pair, The (t) | SS-E | SS, Folger-C52 | 138,2-139,1 | VO,KB+GF |
//53/46//534/5//543/321//2 | 6/8 | Duett (t) | TW-E | Prize, 1793 | 4-5 | 2VO,KB |
//53/46//5/42//31/7-1// | 2/4 | Allemande 12 (t) | DA-E | Fishar 16 Cot, 1780 | 47 | KB |
//53/46//5432/123//43/21 | C | Zitti Zitti Piano (t) | AM-A | Canfield MS, 1823 | 110-11 | 2FL |
//5/3//46//54/32//35//1+/3+ | 2/4 | Song 90 (t), or Lovely Stella (at) | AI-A | American MM, 1798 | 238-241 | VO,KB |
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