Early American Secular Music and Its European Sources, 1589-1839
Incipit Index: 527

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Incipit  Time Text Gnr-Cntry  Short Title Page Instrument 
//5/27-//14-/6-1//5/27-  2/4  Twig the Mercer (t)  DA-E  Thompson CD-1, 1757  71  VN/GF/OB 
//5/27-//14-/6-1//5/27-//  2/4  Twig the Mercer (t)  DA-E  Thompson CD-1a, 1757  70  VN/GF/OB 
//52+/72+//1+6/1+765//351+3+/1+2+75  2/4  Savoyards Return (t)  AI-A  Paff Amus 4, 1817  10  FL/VN 
//5-2-/7-//25-/1//25//452//127-//6-  Dialogue, A (t)  SS-E  SS, Folger-C42.2  112,2-113,1  VO,KB+F 
//527-2/5-77//7525/22+2+//2+72+/1+76  2/4  Second Troop of Horse Guards Foot March, The (t)  IC-E  Hinde 1, 1770  16  2MI 
//52+/73+//2+765/6432//52+/73+  Come Sweet Lass (t)  IC-E  Caledonian PC, 1760  II,33  GF 
//5-2/7-5-2/32//5-2/7-5-2/52//5-  C3  Fit's Come on Me Now, The (t)  PL-E  Playford 1-07, 1686  205  VN 
//52+7//53+1+//52+7//63+2+1+76  3/4  Allegro (t)  AM-A  Pomeroy MS, 1790  28  GF 
//5+2+75//5+2+75//1+76546  2/4  2d Baltimore Royal (t)  AM-A  Dance Tunes MS, 1798  11  FI/GF/OB 
/52//7-6-5-/234//52/52//7-6-5-//6-5-4-//
 
6/8  Catalana, La (t)  DA-P  Minguet CD, 1760  11  MI 
/52+//76/54//3/234//21/  Amoureuse, L (t)  MS-G  Jayme MS, 1717  15  MI 
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