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Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
//343/123//25-/5-5-//123/234 | 2/4 | Vergatter (t) | MS-G | Darmstadt MS 1224 | 329,331 | 2MI |
//3431/2327-//15-/5-7-//1234/32 | C | Marche 2 (t) | MS-G | Darmstadt MS 1224 | 53-55 | 2FL |
//343123//454234//536453//3212//343123 | 3/4 | When the Heart Is at Ease (t), or Scotch Song (at) | SS-E | SS, Boston PL-1 | 156,1-2 | VO,HA+GT |
//3431/3431//2222/5432//3431 | C | Favorite Ballad of the Raree Shew, The (t) | TW-E | Enchanted Cas, 1787 | 14-15 | VO,KB |
//34/31//35/5//1+5/61+//1+5/61+//34/31 | 2/4 | Scotch Medley-3 (t) | TW-E | Highland Reel, 1788 | 7 | KB |
//34/31//35/5//1+5/65 | 2/4 | Quick Step (t) | AI-A | Blake Amus 2, 1824 | 24 | CL |
//34/31//43/21//7-6-/7-5-// | 2/4 | Mistriss Wallach's Dance. 31 (t) | AM-A | Johnson, F. MS, 1820 | 22 | PF |
//34/31//45/42//34/31 | C/ | AM-A | Dance Tunes MS, 1798 | 13 | FI/GF/OB | |
//3431/4661+//566543/345212 | C | Banks of the Shannon, The (t) | SC-S | Edinburgh MM-1, 1792 | 248-251 | VO |
//3431/4661+//566543/345212//3431/4661+ | C | Banks of Shannon (t) | AI-A | Riley Flute 2, 1817 | 51 | FL |
//3431/4661+//566543/345212//3431/4661+ | C | Banks of Shannon, The (t) | IC-E | Thompson Clar, 1785 | 16 | CL |
//34/31//53/1+5//45/41//64/1+6 | 2/4 | Gambler's Catch (t) | TW-E | Choice/Harleq, 1781 | 20-26 | 2VN,6VO,HA |
//34/31+//5321/21//5-6-12/35 | C | Gallow Shiels (t) | MS-E | Hammersley MS, 1790 | 108B | KB |
//3431+/5321//2325/27-6-5-//6-7-6-7-/16- 5-3- |
C | High Borlace, The (t) | DA-E | Walsh CD-3.6, 1754 | 16 | VN/OB/GF |
//34//31+5//556//51+5//667//1+51+// | 3/4 | Minuet 13th with Horn Acompanyments. (t) | DA-E | Sancho Minuet, 1770 | 10-11 | HP,2HN |
//3431/5661+//566543/345212//3431/4661+ | C | Bank of Sharon (t) | AM-A | Hawkins MS, 1794 | II,78 | GF |
//34//316-136-//432//17-//16-3-17-3-//7- 6-3-17-3-// |
3/4 | Minuet (t) | IC-E | Prelleur Modern, 1731 | 14 | VN |
//34/316-//316-/33- | 6/8 | Fame's an eccho prattling double (fl) | SS-E | SS, Folger-C52 | 71,1-2 | MI,VO,KB |
//34/31+6//5321/23//12 | C/ | Ah, The poor shepherd's mournful fate! (fl) | SC-E | Watts MM-4, 1730 | 94-96 | VO,HA |
//34/31+6//5321/23//12/3234 | C/ | Air 14 (t) | BA-E | Highland Fair, 1731 | 24-25 | VO |
//34/31+6//5321/23//12/3234 | C | Gallowshields (t), or Song 41 (at) | SC-E | Orpheus Cal-1, 1733 | T91-92MOP91-92 | VO,HA |
//34/31+6//5321/23//12/3234//65/351+ | C | Ah! the Poor Shepherd's Mournful Fate (t) | SC-S | Scots MM-2, 1788 | 158 | VO,PFF |
//34/31+6//5321/23//12/3235// | C | Gallow Shiels (t) | IC-E | Peacock Scotch Airs, 1762 | 31 | VN/GF/VC, HAF |
//343//16-6//655//1+2+1+//733+ | 3 | Two Part Song, A (t) | SS-E | SS, Folger-C42.1 | 284 | 2VO+FL |
//343//166//655//1+2+1+//733+ | 3 | Two Part Song, A (t) | SS-E | SS, Folger-C42.3 | 31 | 2VO+FL |
//34/31+76//5321/23//13/3235 | C | Sour Plums. with Variation (t) | IC-E | Caledonian PC, 1760 | II,30-31 | GF |
//34/32//1/11111//1+7/61+//2+ | 2/4 | When First to Helen's Lute (t), or Song In the Opera of the Children in the | AI-A | Musical Rep-1, 1796 | 1 | VO,KB |
//34/32//11/11//22/22 | C | Wentworth March (t) | AM-A | Morse MS, 1811 | 74 | 2MI,B |
//34/32//11+/1+6//56/53//3 | 2/4 | Gin Ye Can Loo Me Lass (t), or Favorite Song, A (at) | AI-A | American SS-SM | 1-2 | VO,KB |
//34/32//1/1//1+7/61//2+/5 | 2/4 | When first to Helen's lute (fl) | TW-E | Children/Wood, 1793 | 24-25 | MI,VO,B |
//3432/11//1+761+/2+55//1+765/43 | C | Jess Mcfarlane (t) | IC-S | Aird 5, 1797 | 55 | FI/VN/GF |
//3432/11//1+761+/2+55//1+765//43 | C | Jess Macpharlane (t) | IC-E | Cahusac Flute, 1792 | 15 | GF |
//3432/11//1+761+/2+55//1+765/43// | C | Jess Macpharlane (t) | IC-E | Cahusac Flute, 1798 | 15 | FL |
//3432/11//1+761+/2+55//1+765/43 | C | Jess Mc. Farlane (t) | AI-A | Riley Flute 1, 1814 | 34 | FL |
//3432/11//22/31//5654/33// | 2/4 | Rousseau Dream. Cott. 48 (t) | AM-A | Johnson, F. MS, 1820 | 32 | PF |
//34/32//1/12//34/32/1 | C | Chorus (t) | TW-E | Damon & Phil, 1768 | 6 | VO,HAF |
//343211//244//343213 | 2/4 | Tunbridge Castle (t) | DA-E | Thompson CD-5, 1788 | 27 | VN/GF/OB |
//3432/11//24/4//3432/13// | 2/4 | Tunbridge Castle (t) | DA-E | Thompson CD-5a, 1788 | 27 | VN/GF/OB |
//34321//15//65432//54321//43217- | 3/8 | Minuet (t) | IC-E | Delightful-2, 1745 | I,35 | GF |
//34321//15//65432//54321//43217- | 3/4 | Strephon in vain thou courtest occasion (fl) | SS-E | SS, Folger-C42.3 | 259 | VO,KB+FL |
//34321//15//65432//54321//43217-//12345 3// |
3/8 | Minuet In Rodelinda (t) | IC-E | Prelleur Modern, 1731 | 12 | VN |
/3432//11/5654//33/1+71+5//6543/ | 2/4 | Bride of May, The. Composed In Washton City 1821 No.48 ( | AM-A | Duport MS-1, 1780 | 46, 47 | VN |
//3432//11/7-1//22/12//33 | 2/4 | Vaxhall (t) | MS-G | Darmstadt MS 1224 | 401 | KB |
//3432/11//7-17-6-/5-5-//11/22 | 2/4 | Quizes, The (t) | DA-E | Thompson CD-6.6, 1794 | 61 | MI |
//343/21//1+76/5//1+5/65 | 6/8 | Quick Step 43d Regt (t) | IC-S | Aird 1, 1782 | 40 | FI/VN/GF |
//343/21//1+76/5//1+5/65// | 6/8 | Quick Step, A (t) | MS-S | Fife MS, 1780 | 399,41v | 1FI OR 2FI/VN |
//343/21//17-6-/5-//15-/6-5-// | 6/8 | Cotilian, The (t) | MS-S | Fife MS, 1780 | 405,42r | 1FI OR 2FI/VN |
//343/21//17-6-/5-//15-/6-5-// | 6/8 | Petit Ballet, Le (t) | DA-E | Randall Cots, 1768 | 16-17 | KB |
//343/21//17-6-/5-//15-/6-5-// | 6/8 | Petit Ballot, Le. Cotilon (t) | MS-E | Vickers MS, 1770 | 159a | MI |
//343/21//17-6-/5-//15-/6-5-// | 6/8 | Petit Ballet, Le (t) | AM-A | White, G. MS, 1790 | 59 | VN |
//343/21//1+76/567//1+5/65 | 6/8 | To Arms (t) | IC-E | Potter Fife, 1817 | 16 | FI |
//3432117-7-//45432211//1+1+5316-1+2+1+7 6//65315427-1 |
Prelude (t) | AI-A | Riley Flute 3, 1820 | 10 | FL | |
//343/212//11+1+/1+76//575/543 | 6/8 | Susans Advise (t) | AM-A | Hawkins MS, 1794 | II,52 | GF |
//3/4321//21/1//33/4321 | 2/4 | O'er Dales and Mountains Stray (t) | AI-A | Blake Amus 1, 1824 | 20 | CL |
//343/212//1/1//555/564//65 | 6/8 | Chearful and Mellow (t), or Much Admired New Song, A (at) | SS-E | SS, Harvard | 1-2 | VO,KB+GF/GT |
//343/212//134//565/563 | 6/8 | Here's a Health to the Jear that's Awa (t) | AI-A | Riley Flute 3, 1820 | 5 | FL |
//3432//1213//5654//322//3213//54// | 3/4 | 34th Psalm, to the (t), or Cornish Tune (at) | MS-S | Miller, J. MS, 1798 | [111] | FI |
//343/21//217-/123//43/25// | 6/8 | Claudine, La (t) | IC-F | Leclerc Recueil-2, 1737 | 128 | HAF |
//343/212//1/7-1//27-/12 | 6/8 | Cotillion de Naples (t) | AI-A | Riley Flute 3, 1820 | 33 | FL |
/343//21/217-//15-/343//21/ | 6/8 | Contredanse Francoise (t) | DA-N | Echo, 1758 | 32 | KB |
//34//321//217-//17-1234//5671+//543 | 3/4 | Minuet by Mr Stanley (t) | MS-E | Shepherd MS, 1787 | 40-41 | MI |
//34//321//217-//17-1234//5671+//543 | 3/4 | Minuet (t) | IC-S | Stewart Marches, 1761 | 6-7 | 2VN/GF/OB,VC/HA |
//343212//17-17-1//6-7-1212//3563//42556 5// |
C3 | Theater Jigg, A (t) | IC-E | Apollo's Banquet 1-5, 1687 | 75 | VN |
//34/32//12/17-//6-7-/12// | 2/8 | Sept Sauts, Les (t) | IC-F | Leclerc Recueil-1, 1729 | 47 | HAF |
//34321//2232//1123//5-17-//6- | 3 | Dialogue Between Philander and Sylvia, A (t) | SC-E | Pills 2, 1719-20 | 252-3 | VO |
/343//212/232//17-1/343//25/ | 2 | Beaujoloise, La (t) | IC-F | Leclerc Recueil-2, 1737 | 95 | HAF |
//343/21//2233/54//456/7-7- | 2/4 | Deck Not with Gems (t) | AI-A | Riley Flute 4, 1826 | 75 | FL |
//3432/1231//22/5//3432/1231//27- | 2/4 | Meddley with the Most Favorite Airs and Variations. Air 2 (t) | AI-A | American SS-SM | 1 | KB |
//3432/1231//6-6-/7-2//13/656 | 2/4 | Fair American (t) | AM-A | Gaylord MS, 1816 | 18v | MI |
//34321//23217-//17-6-5-4- | 3/4 | Hampton Court (t) | SC-E | Pills 1, 1719-20 | 298-9 | VO |
//34321//23217-//17-6-7-12//33-3//436543 //217-16-7- |
3 | Bass Minuet (t) | IC-E | Walsh Oboe, 1715 | 26 | OB |
//34/32//1/23//23/21 | 2/4 | New Millers Daughter (t) | DA-E | Skillern CD, 1780 | 32 | VN/GF/OB |
//3432/123//2+6543/212//3212/123 | C | He's Dear Dear to Me, &c (t) | SC-S | Scots MM-6, 1803 | 566 | VO,PF |
//3432/12//3432/15-//6-17-2/1325 | 2/4 | Quick Step for H. M.81st Regiment (t) | IC-E | Williamson Troops, 1798 | PF | |
//343/212//343/217-//17-6-/432//3 | 6/8 | All hail to the day that auspicious returns (fl) | SC-S | Edinburgh MM-1, 1792 | 356-359 | VO |
//3432/1234//543/25-//3432/1234 | C | Grenadier Marche Von Oranien Friessland (t) | MS-G | Darmstadt MS 1224 | 178 | MI |
//3432/1234//5653/5654//3432/1232+ | C/ | Cries Fair (t) | IC-S | Aird 3, 1788 | 194 | FI/GF/VN |
//3432/1234//5653/5654//3432/1232+// | C | Crief Fair (Scotch) (t) | DA-E | Wilson Companion, 1816 | 76 | MI |
//34/32//12/34//56/54//5 | 2/4 | Naturel, La (t) | MS-M | Garcia MS, 1772 | 40 | MI |
//3432/1235//4343/2//2321/7-5-6-7- | 2/4 | 1st Medley Dance.2d Part (t) | IC-S | Gibb New Coll, 1798 | 10 | PF/VN,VC |
//3432//12//36- | C | I Betty Martin (t) | AM-A | Shattuck MS, 1801 | 59 | MI |
//343/212//3/6-3//456/54// | 6/8 | Comme Vela Gue Fait (t) | IC-F | Leclerc Recueil-2, 1737 | 88-89 | HAF |
//343/212//3/6-7-//17-6-/27-1// | 6/4 | Spanheim, The (t) | IC-E | Apollo's Banquet 1-8, 1701 | 52 (33v) | VN |
//343/212//3/6-7-//17-6-/27-1 | 6/4 | Spanheim, The (t) | PL-E | Playford 2-1, 1713 | 81 | VN/OB |
//343/212//3/6-7-//17-6-/27-1 | 6/4 | Spanheim, The (t) | PL-E | Playford 2-2, 1714 | 81 | VN/OB |
//343/212//3/6-7-//17-6-/27-1 | 6/4 | Spanheim, The (t) | PL-E | Playford 2-3, 1718 | 81 | VN |
//343/212//3/6-7-//17-6-/27-1 | 6/4 | Spanheim, The (t) | PL-E | Playford 2-4, 1728 | 81 | VN |
//343/212//3/6-7-//17-6-/27-1 | 6/4 | Remarks for the French King a Song Occasion'd by the Taking of Lisle (t) | SS-E | SS, Folger-C42.4 | 344 | VO,KB+FL |
343/212//3/6-7-//17-6-/27-1// | 6/4 | Air 2 (t) | BA-E | Village Opera, 1729 | 3 | VO |
//343/212//3/6-7-//17-6-/27-1 | 6/4 | Spanheim, The (t) | DA-E | Walsh CD-1.2, 1719 | 99 | VN/OB |
//343/212//3/6-7-//17-6-/27-1 | 6/4 | Spanheim, The (t) | DA-E | Walsh NCDM-2, 1710 | 151 | VN/OB/FL |
//34321/25-//12212/32343//34321/25-// | 3 | Minuet (t) | IC-E | Apollo's Banquet 1-7, 1693 | 41 | VN/FL |
//3432125-//1221232343//3432125-//123123 //11236-6-7-1// |
C3 | Minuet (t) | IC-E | Apollo's Banquet 1-5, 1687 | A26 | VN |
//3432125-//1231232343//3432125-//123123 //12346-6-7-1// |
C3 | Minuet (t) | IC-E | Apollo's Banquet 1-6, 1690 | A26 | VN |
/34//321/27-//12/34//321/ | 2 | Cotillon (t) | IC-F | Leclerc Recueil-2, 1737 | 77 | HAF |
//3432127-//15-12//3234543//2223//212345 4//3665 |
3 | Marche Suisse, La.2e Air (t) | MS-F | Philidor MS, 1705 | 19 | OB,B+DR |
//34//32//127-//21//43//23 | 3/4 | Adagio (t) | IC-E | Eley Pieces 2, 1790 | 6-7 | 2CL,2OB/CL,2HN,TR,2BS |
//34321//27-3//16-7-1//2127-36-//5-6//34 321// |
3 | New Ayre, A (t) | IC-E | Apollo's Banquet 1-7, 1693 | 43 | VN/FL |
//34321//27-3//16-7-1//2127-6-6-//5-6// | C3 | New Ayre, A (t) | IC-E | Apollo's Banquet 1-5, 1687 | B1 | VN |
//34321//27-3//16-7-1//2127-6-6-//5-6// | C3 | New Ayre, A (t) | IC-E | Apollo's Banquet 1-6, 1690 | B2 | VN |
//34321//32212//354321//3455//5654 | 3/4 | As I Was a Wand'ring (t) | SC-S | Scots MM-4, 1792 | 359 | VO,PF |
//34/32//13/27-6-//5-3/217-// | C | French Guards March. No. 20 (t) | AM-A | Johnson, F. MS, 1820 | 14 | PF |
/343//21/34//51+/34//565 | 6/8 | Villette, La (t) | DA-F | Landrin Potpourri, 1785 | 62 | MI |
/343//21/34//5/5-1//7-1/ | 2 | Philosophe, Le (t) | IC-F | Leclerc Recueil-1, 1729 | 68 | HAF |
/343//21/34//5/5-1//7-1/ | 2 | Cotillon (t) | IC-F | Leclerc Recueil-3, 1738 | 140 | HAF |
//3432/13//5/2//2321/7-6 | 2/4 | Marsch Ordinair (t) | IC-G | Walch Pieces, 1822 | 4 | BAND(18 PARTS) |
//3432//135//645342//3231//3431//3432//1 31+ |
3/8 | IC-E | Forest Harmony-3, 1736 | 18 | 2HN/GF/TR/VN | |
//3432//136531//7-25427-//135-5-//3432// 136531 |
3/8 | Boston Cadets Waltz (t) | AI-A | American Sheet Music | PF | |
//343//21//43//212 | 3/2 | Love sweet poison (fl) | TW-E | Castle/Andalus, 1782 | 58 | VO,HA |
//343//21//43//212//3434 | 3/2 | Verdi practie selve amene (fl) | SS-E | SS, Huntington-1 | 139-140 | 2VN,VO,KBF |
//34321//434562+//1+76567//1+12//3454321 |
3/4 | Pitty Patty (t) | IC-E | Thompson Clar, 1785 | 11 | CL |
//34321//434562+//1+76567//1+12//3454321 //434564+// |
3/4 | Pitty Patty (t) | AM-A | Irving MS, 1796 | 56 | 1 MI |
//3/4321//4/5432//323/4321 | 2/4 | An Ye Had Been Where I Ha'e Been (t) | IC-S | Aird 2, 1785 | 21 | FI/VN/GF |
//3/4321//4/5432//323/4321// | 2/4 | An Ye Had Been Where I Hae Been (t) | MS-S | Fife MS, 1780 | 669,72v | 1FI OR 2FI/VN |
//3432/15-//1234/51+//3432/123// | 2/4 | Sylph, The (t) | AM-A | Washburn MS, 1816 | 10 | GF |
//3432/15-//1234/51+//3432/1231// | C/ | Hornpipe, A (t) | MS-S | Fife MS, 1780 | 801a,88r | 1FI OR 2FI/VN |
//34321//51+//71+71+//56 | 3/8 | Air 1, Act Ii (t) | BA-E | Female Parson, 1730 | 20 | VO |
//34321//51+//71+71//56 | 3/8 | Favourite Minuet In the Opera of Floridante, A (t) | SC-E | Pocket Comp, 1725 | 4-7 | VO,HAF+FL |
//34321//51+//71+71+//56//34321 | 3/8 | Favourite Minuet (t) | SS-E | SS, Folger-C42.3 | 153,2-154,1 | VO,KB+FL |
//34321//51+//71+71+//56//34321//52// | 3/8 | Favourite Minuet In Floridante, A (t) | IC-E | Prelleur Modern, 1731 | 18-19 | RC |
//34321//53//1+7654//32//34321 | 3/8 | Song, A (t) | SS-E | SS, Folger-C42.4 | 392 | VO,KB+FL |
//3432/15-//3-5-/12//35-/45- | C/ | British Toper, The (t) | PL-E | Playford 2-3, 1718 | 313 | VN |
//3432/15-//3-5-/12//35-/45- | C/ | British Toper, The (t) | PL-E | Playford 2-4, 1728 | 313 | VN |
//3432/15-//3-5-/12//35-/45- | C/ | Wright's Wisdom (t) | PL-E | Playford 3-2, 1726 | 18 | VN |
//3432/15-//3-5-/12//35-/45- | C/ | British Hero, The (t) | PL-E | Playford 3-2, 1726 | 130 | VN |
//3432/15-//3-5-/12//35-/45- | C/ | British Toper (t) | DA-E | Walsh CD-1.2, 1719 | 335 | VN/OB |
//3-4-3-2-1-/5-3-5-//123/5-5-//6-17-213/ 243546 |
6/8 | From the East Breaks the Morn (t) | AM-A | Dawes MS, 1790 | 23 | HA |
//34321/535//1+2+3+/567//1+53 | 6/8 | While the Yet-Standing Corn (t) | SC-E | Vocal Music, 1775 | 212-213 | VO/VN/GF |
//34321/535//1+2+3+/567//1+53/46543 | 6/8 | From the East Breaks the Morn (t) | AM-A | Beck MS, 1786 | 129 | GF |
//34321/535//1+2+3+/567//1+53/56543 | 6/8 | Song 121 (t), or From the East Breaks the Morn (at) | SC-E | Calliope, 1788 | 230-231 | VO |
//34321/535//1+2+3+/567//1+53/56543 | 6/8 | Favourite Song, A (t) | SC-E | Clio-4, 1778 | 16 | VO,HAF |
//34321/535//1+2+3+/567//1+53/56543 | 6/8 | From the East Banks the Morn (t) | AM-A | Hawkins MS, 1794 | II,51 | GF |
//34321/535//1+2+3+/567//1+53/56543// | 6/8 | From the East Breks the Morn (t) | MS-E | Malecot MS, 1779 | 39 | VN |
//34321/535//1+2+3+/567//1+53/56543// | 6/8 | Let Gay Ones and Great (t) | IC-E | Preston Cello, 1785 | 24 | 2VC |
//3-4-3-2-1-/5-3-5-//123/5-6-7-//15-3-/5 -6-5-4-3- |
6/8 | From the East Breaks the Morn (t) | AI-A | Riley Flute 2, 1817 | 84 | FL |
//34321/535//1+2+3+/567//1+53/56543 | 6/8 | Wilke's Release (t) | SS-E | SS, Boston PL-2 | 17 | VO,HAF,VN+GF |
//34321/535//1+2+3+/567//1+53/56543 | 6/8 | From the East Breaks the Morn (t), or Favourite Hunting Song, A (at) | SS-E | SS, Boston PL-2 | 280 | VO,KBF |
//3-4-3-2-1-/5-3-5-//123-/5-6-7-//15-3-/ 5-6-5-4-3- |
6/8 | Hunting Song, A (t) | IC-E | Thompson Hunting, 1770 | 1:8 | VO/HAF/VN/GF |
//34321/535//1+2+3+/567//1+53/56543 | 6/8 | Song 12 (t) | SC-E | Vocal Enchant, 1783 | 24-25 | VO |
//34321/535//1+2+3+/567//1+53/56543// | 6/8 | Let Gay ones & Great (t) | AM-A | White, G. MS, 1790 | 78 | VN |
//34321/535//1+2+3+/567//1+53/56543//2 | 6/8 | Let gay ones and great (fl) | TW-E | Love/Village, 1795 | 16 | VO,HA |
//34321/535//1+2+3+/567//1+53/56543//22+ 2+/2+ |
6/8 | From the East Breaks the Morn (t) | SC-S | Edinburgh MM-2, 1793 | 222-224 | VO |
//3432//15-3-5-13//536543//3217-6-5-//34 32//15-3-5-13// |
3/4 | Fancy Menuit Dance Before Genl. Washington 1792 No.40 (t) | AM-A | Duport MS-1, 1780 | 37 | VN |
//34321542//1123//4543217-6-//5-7-12//34 321542 |
3/4 | Polacca (t) | AI-A | Riley Flute 2, 1817 | 6 | FL |
//343//215//434//334//543//234 | 3 | Descente des Armes, La.2e Air (t) | MS-F | Philidor MS, 1705 | 4 | MI,B |
/3432//15/45//31/2343//21/ | 2/4 | Tembourin D'Auphin, Le, 2e Air (t) | IC-F | Leclerc Recueil-3, 1738 | 138 | HAF |
//34/32//15-/5-1//34/323 | 6/8 | Petite Royalle, La. Elle Se Sonne Dans le Cas du Cerf de dix cors (t) | IC-F | Boivin Tons, 1731 | 4 | 2HN/GF/OB/VN/VA |
//34/32//15/5//35/5 | C | Quand Je Bois du Vin (t) | IC-F | Bonjour Recueil, 1800 | 4:5 | VN/FL |
//34321//553//675//1+//71+2+6//7675// | 3/4 (ed) | Minuet at Ye Ball (t) | IC-E | Theater Musick-2, 1699 | 32 | VN |
//3-4-3-2-//1-5-//5-4-5-6-5-4-//3-5-4-// 3-3-2-//2-1-2-3-4- |
3 | Air 16 (t) | IC-N | Roger Airs, 1716 | 1:9 | 2CH/TR/OB/VN/FL/CL/HN |
//34321//555-//6-4321//7-2//3456 | 3/8 | Woman (t) | SC-E | Watts MM-4, 1730 | 12-13 | VO,HA+FL |
//34321/5567//1+7 | 3/4 | Favourite Air, A (t) | SC-E | Clio-1, 1758 | 128 | VO,HAF |
//34321//5567//1+7//651 | 3/4 | Thy Fatal Shafts (t) | AM-A | Pickman MS, 1785 | 63 | VO,KB |
//34321//5567//1+7//651//431+ | 3/4 | Rapture, The (t) | SC-E | Calliope, 1746 | II,152 | VO,B+FL |
//34321//5567//1+7//651//431+ | 3/4 | Rapture, The (t) | AM-A | Psalmody MS, 1798 | 66 | KB |
//34321//5567//1+7//651//431+//651 | 3/4 | Rapture, The (t) | AM-A | Simpson MS, 1750 | II,12 | FL |
//34321//5567//1+76//5311 | 3/4 | Rapture, The (t) | AM-A | Beck MS, 1786 | 6 | GF |
//3432/15//61+72/1+5//3432 | C | Tartan Plaiddie, The (t) | IC-E | Preston Clar, 1797 | 9 | CL |
//3432/15//61+72+/1+5//3432/11+ | C | Tartan Pladdie, The (t) | AM-A | Akerman MS, 1795 | 71 | MI |
//3432/15//61+72+/1+5//3432/11+ | C | Tartan Plaidie, The (t) | SC-S | Edinburgh MM-2, 1793 | 74-76 | VO |
//34321//56543//1+76//5//56543322//1351+ // |
3/4 | Minuet by Belstead (t) | AM-A | Adams, W. MS, 1795 | 34 | MI |
//34321//56543//1+76//655 | 3/4 | Minuetto (t) | AM-A | Dawes MS, 1790 | 43 | HA |
//34321//565//445//3 | 3 | Parallel, The (t) | SC-E | Pills 2, 1719-20 | 17-18 | VO |
//34321//565//445//343//23217-//6-7-1// | 3 | Sages of Old, In Prophecy Told, The (t) | IC-E | Apollo's Banquet 2, 1691 | 8 | VN/FL |
//3+4+3+2+/1+61+6//5321/567//1+76/2+1+2+ |
Rogues In a Nation (t) | AM-A | Wilson MS, 1782 | 22R | FL/OB | |
//3432/16-//5-15-3-/2-2-2-2-//3432//16- | C/ | Wimbleton House (t) | DA-E | Johnson CD-5, 1750 | 81 | VN/GF |
//343/216-//5-6-1/112//316/543 | 6/8 | Here's a Health Bonnie Scotland to Thee (t) | AI-A | Riley Flute 4, 1826 | 27 | FL |
//34321//656//1+5321//234//34321//671+ | 3/4 | Jocky Blythe and Gay (t) | IC-E | Caledonian PC, 1760 | I,2-3 | GF |
//34321//656//1+5321//234//34321//671+// |
3/4 | Jockie blyth and gay (t) | IC-E | Peacock Scotch Airs, 1762 | 13 | VN/GF/VC, HAF |
//3432/167//1+11321/17-//44654/53 | C | Lover's Complaint, The (t) | SC-E | Musical Cent-1, 1737 | 2 | VO,HAF+FL |
//34321//671+//345//2 | 3 | Song, A (t) | SC-E | Pills 3, 1719-20 | 204-5 | VO |
//3432/16-//7-5-/12//3432/16- | C | Fire on the Mountains. A Reel (t) | AM-A | Perkins MS, 1790 | 52 | MI |
//343/217-//1/11//565/465 | 6/4 | Air 4 (t) | BA-E | Cobler's Op-2, 1729 | T11M2 | VO |
//343/217-//1/11//565/465//3 | 6/4 | Air 8 (t) | BA-E | Flora, 1729 | M12T3 | VO |
//343//217-1//17-6- | Song, Sung by a Fop Newly Come from france, A (t) | SC-E | Pills 1, 1719-20 | 279 | VO | |
//3432/17-1213//234432/3215//543321/7-6- 7-125// |
C | Di Roy March XIX (t) | IC-E | Longman March 4, 1770 | 10 | 2VN/OB/GF, 2HN, B |
//343/217-//121/5-5 | 6/4 | Air 6 (t) | BA-E | Silvia, 1731 | 9 | VO |
//3/4321/7-//1/217-6-/5-// | 3/2 | Slow Hornpipe by Mr. J. Eccles (t) | IC-E | Apollo's Banquet 1-8, 1701 | 16v,87 | VN |
//34/32/17-//12/17-/6-5-//6-6 | 3/2 | Freeman's Yard (t) | PL-E | Playford 2-3, 1718 | 58 | VN |
//34/32/17-//12/17-/6-5-//6-6 | 3/2 | Freeman's Yard (t) | PL-E | Playford 2-4, 1728 | 58 | VN |
//343/217-//121/7-6-5-//6-65/3 | 3/2 | Freemans Yard (t) | PL-E | Playford 2-1, 1713 | 58 | VN/OB |
//343/217-//121/7-6-5-//6-65/3 | 3/2 | Freemans Yard (t) | PL-E | Playford 2-2, 1714 | 58 | VN/OB |
//343/217-//121/7-6-5-//6-65/3 | 3/2 | Freemans Yard (t) | DA-E | Walsh NCDM-2, 1710 | 53 | VN/OB/FL |
//343217-//1217-6-5-//6-65367//1+345 | 3/2 | Freeman's Yard (t) | DA-E | Walsh CD-1.2, 1719 | 69 | VN/OB |
//343217-//1217-6-5-//6-65367//1+345//23 2/3432 |
3/2 | Freeman's Yard (t) | DA-E | Walsh CD-2.2, 1735 | 173 | VO/OB/GF/FL |
//343217-//1217-6-5-//6-65367//1+345//23 2/3432 |
3/2 | Freeman's Yard (t) | DA-E | Walsh CD-3.2, 1749 | 173 | VN/OB/GF |
//343//217-//121//7-7-//12//343// | 3/4 | Round O (t) | IC-E | Theater Musick-3, 1700 | 20 | VN |
//3432/17-12//31/11+//671+6/5432 | C | Kings Return (t) | AM-A | Commonplace MS, 1797 | 36 | FI |
/3432//17-12/3234//5/1+5//5353/5432// | 2/4 | Belle Poule, La. Contredanse Française (t) | DA-F | Bouin CD LC-2 , 1780 | 173 Feuille | MI |
//343/21//7-1/2//32/43 | 6/8 | New Cotillon, The (t) | DA-E | Bride CD, 1776 | III,35 | VN/OB/GF |
//34321/7-1234//32317-/13//671+2+/1+7675 61+ |
C | Printer Boy (t) | AM-A | Williams, J. MS, 1799 | 74 | CL |
//34/32//17-/12//34/33// | 6/8 | Turque, La (t) | MS-C | Trois-Rivieres MS, 1768 | 16 | MI |
//343/217-//1/2//345/531 | 6/4 | Poll's Whim (t), or What You Will, (at) | DA-E | Johnson CD-3, 1744 | 67 | VN/GF |
//343/217-//1/2//345/531 | 6/4 | Polls Whim (t), or What You Will, (at) | DA-E | Walsh CD-2.4, 1747 | 138 | MI |
//343/217-//1/2//345/531// | 6/4 | Polls Whim (t), or What You Will (at) | DA-E | Walsh CD-3.4, 1747 | 138 | VN/OB/GF |
//343/21//7-/12//345//6-17-//1 | 6/4 | Dance Tunes-2 (t), or Siciliano (at) | TW-E | Thomas & Sally, 1761 | 47-48 | 2HN,2VN,HAF |
/343//217-/1234//5/671+1+//2+1+76/5324// |
2/4 | Clarice, La. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 123 Feuille | MI |
//343/21//7-123/5- | C | Air 13 (t) | BA-E | Silvia, 1731 | 16 | VO |
//343/217-//1236-/5-7-//1 | 6/8 | Song, A (t) | SC-E | Calliope, 1746 | I,60 | VO,HAF+FL |
//343/21//7-1/25-//1/2 | C | Grand Military Sonata, A. Slow March (t) | IC-E | English Sheet Music | 16 | PF,VN |
//343217-//127-17-6-7-//5-4-3-4-3-6-7-// 5-17-6-21//7-6-7-1221// |
C3 | Corant (t) | IC-E | Apollo's Banquet 1-6, 1690 | A28 | VN |
//343217-//127-17-6-7-//5-4-3-4-4-3-6-7- //5-17-6-21//7-6-7-1221// |
C3 | Corant (t) | IC-E | Apollo's Banquet 1-5, 1687 | A28 | VN |
//343//217-//13//432//6 | 3/4 | Ye Woods and Ye Riv'lets (t) | SC-E | Vocal Music, 1775 | 118-119 | VO/VN/GF |
//343//217-//13//432//66-1 | 3/4 | Phillis a Pastoral (t) | SS-E | SS, Huntington-2 | 117,1-2 | VO,MI,KBF+2GT+2GF |
//343/217-//1/3//44-2/512 | 6/4 | Disappointment (t) | SC-E | Clio-2, 1759 | 182-3 | VO,HAF+GF |
//343//217-//134//565//1+543 | 3/4 | Colin and Phoebe (t) | SS-E | SS, Folger-C52 | 136-137,2 | MI,VO,KB |
//343/217-//1/34//565/432//3 | 6/8 | Our Absent Friends (t), or Two After Dinner Canons-1 (at) | SS-E | SS, Harvard | 1 | 4VO |
//34//32/17-//1/3//56 | C/ | Skylark, The (t) | SC-E | Clio-2, 1759 | 101-102 | VO,HAF |
//3432//17-15-//6-143//217-6-5-//3432 | 3/4 | Mr Felton's Minuet with Var. (t) | IC-E | Astor Guitar, 1800 | 15 | GT |
//343/21//7-16-/5-3-//6-7-1/27-5- | 6/8 | Lads of Leith, The-1 (t) | IC-E | Caledonian PC, 1760 | IV,31 | GF/VN |
//343/21//7-16-/5-3-//6-7-1/27-5- | 6/4 | Lads of Leath, The (t) | MS-E | Hammersley MS, 1790 | 67B | MI |
//343/21//7-16-/5-3-//6-7-1/27-5- | 6/8 | She's Fair and Fause, &c (t) | SC-S | Scots MM-4, 1792 | 411 | VO,PF |
//343/21//7-16-/5-3-//6-7-1/27-5- | 6/4 | Lads of Leath (t) | DA-E | Walsh CD-2.3, 1735 | 130 | VN/OB/GF/CF |
//343/21//7-16-/5-3-//6-7-1/27-5- | 6/4 | Lads of Leath (t) | DA-E | Walsh CD-3.3, 1749 | 130 | VN/OB/GF |
//343/21//7-16-/5-//5-13/5-13 | 6/8 | Young Myrtle, A High Dance, The (t) | IC-S | Gibb New Coll, 1798 | 13 | PF/VN,VC |
//343/217-//16-6-/5-5-//6-7-6- | 6/8 | Snipe. A Ballad, The (t) | SS-E | SS, Folger-C42.4 | 455 | VO,KB+FL |
//343/217-//17-6-/5-5-5-//6-7-6-/17-6- | 6/8 | Cock-Lane (t) | SS-E | SS, Boston PL-2 | 321 | VO,KB |
//3+4+3+/2+1+7//1+76/555//676/1+76 | 6/8 | Calendar of British Victory, The (t), or Conquest All the Year Round, (at) | SS-E | SS, Harvard | 1-2 | VO,KB |
//3+4+3+/2+1+7//1+76/555//676/676 | 6/8 | Hawkes Triumph Over the Mighty Brest Fleet... (t) | SS-E | SS, Harvard | 1 | VO,B |
//343/217-//17-6-/5-5-//6- | 6/8 | Air 56 (t) | BA-E | Beggar's Opera, 1777 | 107 | VO |
//3+4+3+/2+1+7//1+76/55//656/1+76 | 6/4 | Song 131 (t), or Cobler There Was, A (at) | SC-E | Calliope, 1788 | 248-249 | VO |
//3+4+3+/2+1+7//1+76/55//656/1+76 | 6/4 | Song 16 (t) | SC-E | Convivial, 1782 | 38-39 | VO |
//343/217-//17-6-/5-5-//6-7-6- | 6/8 | Norfolk Freeholders, The (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//343/217-//17-6-/5-5-//6-7-6-/17-6- | 6/4 | Song 61 (t), or Thief and Cordelier, The (at) | SC-E | Ritson, 1783 | TII,171-173;MIII,278 | VO |
//3+4+3+/2+1+7//1+76/55//676/1+76 | 6/8 | Moll Thompson's Mark (t) | SS-E | SS, Boston PL-2 | 182 | VO,KB |
//3+4+3+/2+1+7//1+76/55//676/1+76 | 6/8 | Time Made Prisoner (t), or Favourite Song, A (at) | SS-E | SS, Huntington-1 | 115 | VO,KBF+GF |
//3+4+3+/2+1+7//1+76/55//676/676 | 6/8 | Air 56 (t) | BA-E | Beggar's Opera, 1765 | 86-87 | VO |
//3+4+3+/2+1+7//1+76/55//676/676 | 6/4 | Air 6, Act Iii (t) | BA-E | Beggar's Wed, 1729 | T51M10 | VO |
//3+4+3+/2+1+7//1+76/55//676/676 | 6/8 | Country Wedding, The (t), or Plough Yoak'd to Ye Cupbord, The (at) | SS-E | SS, Harvard | 1 | VO,B+FL |
//3+4+3+/2+1+7//1+76/55//676/676//656 | 6/8 | Air 6 (t) | BA-E | Mock Lawyer-M, 1733 | 2 | VO |
//3+/4+3+/2+1+7//1+76/6555//676/676 | 6/8 | New Year's Ode, Pt.3 (t) | SC-E | Musical Cent-1, 1737 | 53-54 | VO,HAF+FL |
//3+4+3+/2+1+7//1+76/655//676/1+76 | 6/8 | Silenus and Cupid (t) | SS-E | SS, Harvard | 1 | VO,B+GT |
//3+4+3+/2+1+7//1+76/655//676/1+76 | 6/8 | Silenus and Cupid (t) | SS-E | SS, Huntington-2 | 30 | VO,KB+GT |
//3/4//3217-/6-3//22/232// | 2 | Tune of Mr. Purcell's In Amphitrion, A (t) | IC-E | Apollo's Banquet 2, 1691 | 12 | VN/FL |
//343/217-//6-/3//432/512 | 6/4 | Song 58 (t), or Disappointment; (at) | SC-E | Ritson, 1783 | TI,62-64;MIII,25-26 | VO |
/343//21/7-6-//3/67//1+76/ | 2 | Pupille, La (t) | IC-F | Leclerc Recueil-2, 1737 | 124 | HAF |
//3432//17-6-//43217-6-//5-//6-7-//17-// |
3/4 | New Favourite Song, A (t) | IC-E | Prelleur Modern, 1731 | 14-15 | VO |
//343/21//7-6-/5-//15-6-5- | 6/8 | Voulez Vous Dancer Mademoiselle (t) | MS-E | Hammersley MS, 1790 | 104 | MI |
/343//21/7-6-//5-/15-//6-5-/ | 6/8 | Petits Ballets, Les (t) | DA-F | Landrin Potpourri, 1785 | 8 | MI |
//343/21//7-6-/5-//15-/6-5- | 6/8 | Quick March of the 42d Regt (t) | IC-S | Stewart Airs, 1788 | 3:127 | GF/VN/FI |
/343//21/7-6-//5-/15-//6-5-/ | 2 | Petit balley (t), or Mahon (at) | MS-C | Trois-Rivieres MS, 1768 | 49 | MI |
//343/217-6-5-//17-1234//545654//343 | 3/4 | Pity or I Die (t) | PL-E | Playford 3-2, 1726 | 58 | VN |
//343//217-6-5-//17-1234//545654//343//2 17-6-5- |
3 | Mr. Scooldings Minuet (t) | IC-E | Walsh Oboe, 1715 | 13 | OB |
//343217-//6-5-6-17-6-//5-3//3 | 3/4 | Six Imitations-5 (t), or Spanish Ballad (at) | AI-A | Musical Jnl-1, 1800 | II,36 | FL/VN |
//343/21//7-/6-6-//454/32 | 2/4 | Think not, my love, when secret grief (fl) | SC-E | Ritson, 1783 | TI,257-258;MIII,137-13 | VO |
//34/32//17-/6-7-//12/17-6- | 6/8 | Air 10 (t) | BA-E | Jovial Crew, 1731 | 12 | VO |
/3432//17-/6-7-12//33/3432//17-/ | 2 | Sept Sautes, Les (t) | MS-C | Trois-Rivieres MS, 1768 | 28 | MI |
//343/21//7-/6-7-1//23/42 | 2/4 | Air du Ballet de Telemaque (t) | IC-F | Bonjour Recueil, 1800 | 5:6-7 | VN/FL |
//34/3217-//6-7-/12//34/543 | C | O Merry May the maid Be (t) | IC-S | Aird 6, 1803 | 51 | FI/VN/GF |
//34/3217-//6-7-/12//34/543//6/2 | C/ | Miller, The (t) | SC-S | Scots MM-2, 1788 | 129 | VO,PF |
//3//43217-6-//7-16-5-//6-17-2//17-1324/ /36 |
3/8 | Queen Elizabeth's Minuet (t) | TW-E | Jubilee, 1770 | 31 | HA |
//34/3217-//6-7-/17-6-//3-6- | C/ | Unhappy Lover, The (t) | SS-E | SS, Folger-C42.4 | 296 | VO,KB+FL |
//34/3217-//6-7-/17-6-//3-6- | C/ | Forsaken Nymph, The (t) | SS-E | SS, Folger-C42.4 | 349 | VO,KB+FL |
//34/3217-//6-7-/17-6-//3-6-/5-6- | C/ | Leander (t) | SC-E | Amaryllis, 1760 | I,29 | GF,VO,HAF+FL+GF |
//34/3217-//6-7-/17-6-//36-/5-6- | C/ | Unhappy Lover, The (t) | SC-E | Clio-1, 1758 | 103 | VO,HA |
//3+4+3+/2+1+7//676/55//676 | 6/8 | Norfolk Freeholders, The (t) | SS-E | SS, Folger-C42.3 | 516 | VO,KB+FL |
//34321//7-7-7-//112//3334//5654 | 3 | Song for Two Voices, A (t) | SS-E | SS, Folger-C42.3 | 355 | VO,KB+FL |
//343221//15312//3212//343216-//6-5-132 | 3/4 | I Do as I Will with My Swain (t) | SS-E | SS, New York PL-C695 | 36 | VO,B+GF |
//343221//1-5313//321 | 3/4 | I Do as I Will with My Swain (t) | IC-E | Thompson Record, 1768 | 10 | RC |
//343221//15313//3212 | 3/4 | I Do as I Will with My Swain (t) | IC-E | Longman Pb, 1778 | 74-75 | VO/GF |
//343221//15313//3212//343215- | 3/4 | I Do as I Will with My Swain (t) | AM-A | Beck MS, 1786 | 123 | GF |
//343221//15313//3212//343216-//6-5-132 | 3/4 | I Do as I Will with My Swain (t) | IC-E | Cahusac Oboe, 1790 | 14 | OB |
//343221//15313//3212//343216-//6-5-132 | 3/4 | I Do as I Will with My Swain (t) | IC-E | Longman Oboe, 1770 | 17 | OB |
//343221//15313//3212//343216-//6-5-132 | 3/4 | I Do as I Will with My Swain (t) | IC-E | Longman Oboe, 1780 | 17 | OB |
//343221//15313//3212//343216-//6-5-132 | 3/4 | I Do as I Will with My Swain (t) | SS-E | SS, Huntington-1 | 66 | VO,KB+GF/GT |
//343221//15313//3212//343216-//6-5-132/ /211+5 |
3/4 | I Do as I Will with My Swain (t) | IC-E | Thompson Oboe, 1770 | 24 | OB |
//343221//15313//3212//343216-//6-5-132/ /2153// |
3/4 | I do as I will with my Swain (t) | MS-C | Molyneaux MS-1, 1788 | 61 | GF |
//3/43//2//2234/327-//1 | 6/4 | O much lov'd son (fl) | TW-E | Artaxerxes, 1762 | 76-80 | VO,HA |
//343/22//5/1//242/7-6-7-// | 6/8 | Venes y Voir, La (t) | MS-F | 4 Comtesses MS, 1775 | 14v-15r | MI |
//34/32//31/11//23/23 | C | Jem of Aberdeen (t) | SC-S | Edinburgh MM-1, 1792 | 303-305 | VO |
//3432//3111//2323 | C | Jem of Aberdeen (t) | AM-A | Hawkins MS, 1794 | II,49 | GF |
//34/32//31/11//23/23// | 2/4 | Bonny Jem of Aberdeen (t) | AM-A | Irving MS, 1796 | 60 | 1 MI |
//34/32//31/11//23/23 | 2/4 | Jem of Aberdeen (t) | AI-A | Riley Flute 3, 1820 | 27 | FL |
//34/32//31/11//23/23// | 2/4 | Bonny Jem of Aberdeen (t) | AM-A | Treat MS, 1779 | 30r | FI/GF |
//34/32//31/11//2323 | 2/4 | Jem of Aberdeen (t) | AM-A | Van Renssel. MS, 1782 | I,66-67 | VO,KB |
//34/32//31/11//23/23 | 2/4 | Jem of Aberdeen (t) | AM-A | Williams, J. MS, 1799 | 26 | CL |
//3432/3111//2323/45654//3432/3117- | C | Bonny Lem of Aberdeen as a Country Dance (t) | AI-A | Young's Vocal, 1793 | 7 | PF |
//34/32//31/1//23/21 | C | Kissing Crust (t) | DA-E | Walsh CD-3.6, 1754 | 49 | VN/OB/GF |
//34323//112//321//55//671+//2+1+765//23 2 |
3/4 | Jolly Full Bowl, The (t) | SC-E | Watts MM-6, 1731 | 26-28+29 | VO,HA+FL |
//34323//11+2//327-//55/671+ | 3/8 | Let ye amorous coxcomb adore a fair face (fl) | SS-E | SS, Folger-C42.3 | 11 | MI,VO,KB,B |
//3/432//31/12//36/36 | 2/4 | Hampton Court Joke. Brisk Air (t) | AM-A | Simpson MS, 1750 | I,5-6 | 2FL |
//3/432//31/12//36/54 | 2/4 | Gavot (t) | IC-E | Bremner Airs, 1761 | 55 | 2VN/GF |
//3/432//31/12//36/54 | 2/4 | Air (t) | IC-E | Bremner Oboe, 1775 | 25 | OB |
//3/432//31/12//36/54// | 2/4 | Gavot (t) | AM-A | Brown, J. MS, 1782 | 1:13 | |
//3/432//31/12//36/54 | 2/4 | Air (t) | IC-E | Delightful-1, 1763 | VI,31 | 2GF |
//3/432//31/12//36/54 | 2/4 | Gavot (t) | MS-S | Gillespie MS, 1768 | 29 | 2VN |
//3/432//31/12//36/54// | 2/4 | Air by Handle (t) | AM-A | Hoff MS, 1797 | No. 233 | 2 GF |
//3/432//31/12//36/54 | 2/4 | Air by Handel (t) | AM-A | Ives MS, 1800 | 14 | KB |
//3/432//31/12//36/54 | 2/4 | Air (t) | IC-E | Johnson Oboe, 1750 | 18 | OB |
//3/432//31/12//36/54// | 2/4 | Duet (t) | MS-E | Malecot MS, 1779 | 43 | 2 VN |
//3/432//31/12//36/54 | 2/4 | Gavot (t) | IC-E | Preston Marches, 1804 | 55 | 2GF/VN |
//3/432//31/12//36/54// | C | Air by Mr. Handel (t) | IC-E | Rutherfoord Violin, 1755 | 9 | VN |
//3/432//31/12//36/54 | 2/4 | Air (t) | IC-E | Simpson Oboe, 1746 | 25 | OB |
//3/432//31/12//36/54//36/54// | 2/4 | Air (t) | IC-E | Johnson Flute, 1760 | 15 | GF |
//3432/3112//3654/3654//3432/3112 | C/ | Air, An (t), or No.1st (at) | AM-A | Kingsley MS, 1795 | I,1 | 2MI |
//3/432//31/14//36/54 | 2 | Janno's Jigg (t) | DA-E | Johnson CD-6, 1751 | 81 | VN/GF |
//343/23//1/21//7-6-5-/123//2 | 2/4 | He who'd win my heart must shew (fl) | TW-E | Fair American, 1782 | 32-33 | VO,KB |
//343/231//217-/6-5-6-7-12//343 | 6/8 | Who to win a woman's favor (fl) | SC-E | Amaryllis, 1760 | II,55 | GF,VO,HAF+FL+GF |
//3/432//312//36/54 | 2/4 | Air by Handell, An (t) | AM-A | Pomeroy MS, 1790 | 16 | 2GF |
//343/23//12/7-1//6-6-7-/217-6-// | 2/4 | Flora. Minore (t) | AM-A | Johnson, F. MS, 1820 | 5 | PF |
//343/23//12/7-1//6-7-/135 | 6/8 | What Are the Boasted Joys of Love (t), or Cavatina (at) | AI-A | American SS-SM | 1-2 | KB,VO |
//343231//33454//313/21232//324252//325- 6-5-2// |
3/4 | Passapie Dragon (t) | DA-P | Ferriol Reglas-2, 1745 | 57 | MI |
//343231//33454//313//21232//343232/3343 2// |
3/4 | Passapie Dragon (t) | DA-P | Ferriol Reglas-1, 1745 | after III:257 | MI |
/3//43/23//1/3//43/ | 2 | Gregoire, La (t) | IC-F | Leclerc Recueil-2, 1737 | 126 | HAF |
//34323//15-12//3443//254//34323//15-12 | 3 | Assemblee (pour les Mousquetaires du Roy d'Espagne), L' (t) | MS-F | Philidor MS, 1705 | 45 | OB,B+DR |
//34323//15-5-//17-1//21232//34323//15-5 -// |
3/4 | Graziosetta, La. Minuet (t) | DA-E | Gallini Cots, 1770 | 44 | KB |
//343/23//16-/5-12//33/543 | 6/8 | Bee Proffers Honey But Bears a Sting, The (t) | AI-A | Paff Amus 2, 1812 | 12 | FL/VN |
//34323//17-6-5-4-//3-1-2-3-4-//5-//1217 -1//2345// |
3/8 | Minuet (t) | IC-E | Prelleur Modern, 1731 | 14 | VN |
//343/231//7-6-/5-//6-7-1/217-//1 | 6/8 | Which Is the Properest Day to Drink (t) | DA-E | Longman CD, 1781 | 38 | VN/OB/GF |
//343232//1111//2222 | 2/4 | Pleyel's Fancy (t) | AI-A | Instrum Asst-2, 1807 | 19 | 2MI,B |
//343/232//11/11//22/22 | 2/4 | Pleyel's Fancy (t) | AI-A | Merrimack Coll, 1833 | 72 | 2MI,B |
//343/232//11+1+/1+561+//2+3+4+3+2+/1+76 5 |
C | #43 (t), or Little Harvest Rose, The (at) | IC-E | Bunting, 1796 | 24 | PF |
//343/232//11/17-1//22/2342 | C | Pump Room, The (t) | AI-A | Robbins D&F, 1812 | 28 | FI |
//343/232//11/17-1//22/2342// | C | Pump Room (t) | AM-A | Washburn MS, 1816 | 2 | GF |
//343232//115-1//2222 | 2/4 | Pleyels Fancy (t) | IC-E | Goulding Fife, 1790 | 24 | FI |
//343/232//11/5-1//22/22 | 2/4 | March No.13 (t) | IC-E | Hyde Trumpet, 1798 | 49 | 3TR |
//343/232//11/5-1//22/22 | 2/4 | Air by Pleyel (t) | AI-A | Phila Pock Comp, 1794 | 6-7 | GT/CL/VO |
//343/232//1217-7-7-//6-6-7-/123//43 | 6/8 | Song (t) | AI-A | Glazier Fife, 1830 | 25 | FI |
//343/232//127-/15-1-//343232/1217-17- | C/ | Frisk It (t) | MS-E | Hammersley MS, 1790 | 64B | MI |
//343/232//127-/15-1-//343232/1217-17- | C/ | Frisk It (t) | DA-E | Johnson CD-3, 1744 | 65 | VN/GF |
//343/232//127-/15-1-//343232/1217-17- | C | Frisk It (t) | DA-E | Walsh CD-2.4, 1747 | 133 | MI |
//343/232//127-/15-1-//343232/1217-17-// |
C | Frisk It (t) | DA-E | Walsh CD-3.4, 1747 | 133 | VN/OB/GF |
//343/232//127-/15-1-//343232/1217-17-// 6-227- |
C/ | Frisk It (t) | DA-E | Rutherf CD-2.1, 1756 | 86 | VN/GF/OB |
//343/232//1/5-1//22/22 | Pleyel's Fancy (t) | IC-S | Aird 4, 1796 | 39 | FI/GF/VN | |
//343/232//1/5-1//22/22 | 2/4 | Duetto (t) | AM-A | Beach MS, 1801 | 45 | 2MI |
//343/232//1/5-1//22/22// | 2/4 | Air In the Haunted Tower (t) | IC-E | Cahusac Flute, 1798 | 30 | FL |
//343/232//1/5-1//22/22 | 2/4 | Pleyel's Fancy (t) | AM-A | Commonplace MS, 1809 | 5R | CL/FL |
//343/232//1/5-1//22/22 | 2/4 | Celebrated Air In the Haunted Tower (t) | AM-A | Curtiss MS, 1800 | 7 | 2VN |
//343/232//1/5-1//22/22// | 2/4 | Quick Step (t) | MS-C | Molyneaux MS-1, 1788 | 6 | GF |
//3-4-3-/23-2//1/5-1//22/22 | 2/4 | Pleyel's Rondo (t) | IC-E | Preston Bassoon, 1790 | 14 | BS |
//343/232//1/5-1//22/22 | 2/4 | Pantheon Hall (t) | AI-A | Riley Flute 4, 1826 | 25 | FL |
//343/232//1/5-1//22/22//5 | 2/4 | Air In the Haunted Tower (t) | IC-E | Cahusac Flute, 1792 | 30 | GF |
//343/232//1/5-1//22/22//5 | 2/4 | Air Allegro Scotch (t) | AM-A | Willis MS, 1795 | 45 | MI |
//343/232//15-/12//35/31 | C | King of Denmark's March, The (t) | IC-S | Pandean Coll 1, 1810 | 1 | PF |
//343//232//15-4- | Coquets, The (t) | AM-A | Swan MS, 1775 | 7R-7V | VO,B | |
//343/232//15-/5-1//2 | 2/4 | Tho pity I cannot deny (fl) | AI-A | Gent's Amus, 1794 | 40 | GF/VN/VO |
//343232//15-/5-1//2 | 2/4 | Pity I cannot deny, The (fl) | AI-A | Gent's Amus, 1795 | 40 | GF/VO |
//343/232//15-/5-1//22 | 2/4 | Tho' pity I cannot deny (fl) | AM-A | Hiester MS-2, 1793 | 26-27 | VO,KB |
//343/232//15-/5-1//22/22//5 | 2/4 | Tho' pity I cannot deny (fl) | TW-E | Haunted Tower, 1789 | 13 | VO,KB |
//343/232//1/5-5-17-//6-7-1/232//2 | C | Reveil du Peuple, Le (t) | AI-A | Evening Amuse, 1796 | 14 | GF/VN |
//3432321//55//6671+//77//1+76565 | 3/4 | Good Advice to Young Foplings (t) | SS-E | SS, Folger-C42.2 | 226 | VO,KB+F |
//3432321//55//6671+//77//1+76565 | 3/4 | Good Advice to Young Foplings (t) | SS-E | SS, Folger-C42.3 | 531 | VO,KB+FL |
//343/232//17-1/212//31+5/7642 | C | Daughter of Israel (t) | AI-A | Riley Flute 4, 1826 | 84 | FL |
//343/232//17-12/31+2+//1+765/6671+ | C | Traveller on His Weary Way, The (t) | AI-A | Riley Flute 2, 1817 | 91 | FL |
//343/232//17-12/31+2+//1+765/6671+ | C | On the Death of Delia's Linnet (t) | SC-S | Scots MM-4, 1792 | 408 | VO,PF |
//343/232//17-12/3445//6/32 | C | Flourish, A (t) | AI-A | Riley Flute 2, 1817 | 91 | FL |
//343/232//17-1/27-16-//5-6-4-/3-5-1// | 6/8 | Jesse the Flower o' Dumblane (t) | AM-A | Irving MS, 1796 | 127 | 1 MI |
//343/232//17-1/27-16-//5-6-4-/3-5-1// | 6/8 | Air From the Play of Mahomet (t) | AM-A | Irving MS, 1796 | 127 | 1 MI |
//343/232//17-12/7-7-//12/35-6-7-// | C | Round O (t) | IC-E | Apollo's Banquet 1-7, 1693 | 64 | VN/FL |
//343//2321//7-7-12//17-6- | 3 | Chorus (t) | SC-E | Pills 2, 1719-20 | 309 | VO |
//343/23/3/1//331/7-6-7-/1 | 12/8 | Cure of Love, The (t) | SS-E | SS, Harvard | 1-2 | 2VO,KB+FL |
//343/23/3/1//331/7-6-7-/1/2 | 12/8 | Cure of Love, The (t) | SS-E | SS, Folger-C42.4 | 457 | VO,KB+FL |
//343233//63//217-//13//363233//6 | 3/8 | When the Building Falls (t) | TW-E | Elopement, 1768 | 12 | 2MI,B |
//343//23//432 | 3 | Song, A (t) | SC-E | Pills 6, 1719-20 | 204 | VO |
//3432/3432//31+/656//73/73// | 2/4 | Glass Slipper, The (t) | AI-A | Cinderella Cots, 1831 | 3 | MI,B |
//3432//3432//34321//47//5432 | 3/8 | Spring, The-2 (t) | SS-E | SS, Folger-C52 | 115-2,116-1 | MI,VO,KBF |
//3/432//3/432//36/54 | 2/4 | Ogle, The (t) | DA-E | Johnson CD-7, 1756 | 36 | VN/GF |
//3//43234//36-7-//17-//217-//3217-6- | 3/8 | Geminiani's Minuet (t) | DA-E | Johnson CD-2, 1742 | 64 | MI |
//34323/47-//15-/3434//511+/4564// | 2/4 | Ete, L'. No. 2 (t) | AI-A | Johnson, F. Cotillions | 4 | PF |
//3432354//321//11+7654//43//2123265//54 43 |
3/4 | Seige of Alexandria, The. Carrying Off the Wounded (t) | IC-E | English Sheet Music | KB | |
//3/4323//5/5//64/1+6 | 2/4 | Charlote Cottilion, The (t) | IC-S | Calvert Coll, 1790 | 10 | V,VC/HA/PF |
//3//432//36-2//17-//217- | 3/8 | Favourite Minuet, A (t) | SS-E | SS, Folger-C42.4 | 505 | VO,KB+FL |
//3432/36-6-7-//121/212//3432/36-6-1 | C | Irish Air (t) | AI-A | Robinson Coll, 1818 | 49 | FI,DR |
//3432/36-6-7-//1216-/212//3432/36-6-1 | C | Irish Air (t) | AI-A | Robbins D&F, 1812 | 49 | FI |
//3432/36-6-7-//1216-/212//3432/36-6-1 | C | Irish Air (t) | AI-A | Village Fifer, 1808 | 41 | FI |
//3432/36-6-7-//1216-/212//3432/37-6-6-7 - |
C | Irish Dump, An (t) | IC-S | Aird 6, 1803 | 46 | FI/VN/GF |
//343//23//6-7-1//7-1 | 3 | New England Ballad, The (t) | SC-E | Pills 4, 1719-20 | 52-54 | VO |
//3//432//36-7-//17-//217- | 3/8 | Minuet (t) | IC-E | Delightful-1, 1763 | V,10 | 2GF |
//3//432//36-7-//17-//217- | 3/4 | If ever a fond inclination (fl) | TW-E | Love/Village, 1795 | 54 | VO,HA |
//3//432//36-7-//17-//217- | 3/4 | If Ever a Fond Inclination (t) | SS-E | SS, New York PL-C694 | 33 | HAF,VO |
//3//432//36-7-//17-//217- | 3/4 | Geminiani's New Minuet (t) | IC-E | Simpson Record, 1745 | 19 | RC |
//3//432//36-7-//17-//217- | 3/8 | Geminiani's Minuet (t) | IC-E | Waylet Oboe, 1745 | 7 | OB |
//3//432//36-7-//17-//217-//3217-6-//7-5 -// |
3/8 | Geminiani's Minuet (t) | AM-A | Ormsby MS, 1758 | 283 | VN |
//343/237-/15-/12//363/237-//1 | 6/8 | Salto del Rossellon, El (t) | MS-M | Garcia MS, 1772 | 92 | MI |
//34324//31234//5545//15//6656//5545// | 3/4 | IC-E | Forest Harmony-1, 1733 | 8 | 2HN/GF/TR/VN | |
//3/4324//31/32//17-1/21//7- | 2 | Sonatina. Chers Amis Chante's Ma Victoire.2d. Rondeau (t) | IC-E | Delightful-2, 1745 | VI,32-33 | 2GF |
//343/2432//15-5-/5-1//2323/4654 | C | Warwickshire March, The (t) | IC-E | Oswald Marches, 1759 | 25 | 2MI |
//343/25//123/2//2343/221// | C/ | British Muse (t) | AM-A | White, G. MS, 1790 | 124 | 2 VN, B |
//343/25//123/2//3454/31 | C | Friendship (t) | AI-A | Robinson Coll, 1818 | 27 | FI,DR |
//343/25//123/2//3454/31 | C/ | Friendship (t) | AI-A | Williams Fife, 1819 | 41 | FI |
//343/25//123/2//3454/321 | C | British Muse, or the (t), or Friendship (at) | AM-A | Cary MS, 1797 | 31 | 2VO |
//343/25//123/2//3454/321 | C | Friendship (t) | AM-A | Shattuck MS, 1801 | 12 | MI |
//343/25//123/2//3454/321 | C/ | British Muse (t) | AI-A | Whiteley Prec, 1816 | 18 | CL,OB,FL,BS |
//3/43//25/123//2/3454//321/2//1// | C | Friendship (t) | AM-A | Boynton MS, 1799 | 15R | 2 FI |
//343/25//123/2//354/31 | C/ | British Muse (t) | AM-A | Hosmer MS, 1798 | 36-37 | 2MI |
//343//25/123//2/454//3 | C/ | March by Mr. Handel (t) | IC-E | Warlike Musick, 1760 | 68 | GF/VN/HA |
/343//25/123//2/454//321/ | C | Chorus In Atlanta (t) | AM-A | Bush MS, 1779 | 16 | VN |
//343/25//123/2//454/321 | C | Air (t) | MS-S | Gillespie MS, 1768 | 32 | VN |
/343//25/123//2/454//321/ | C | Chorus In Atalanta (t) | IC-E | Hill Flute, 1762 | 12 | GF |
//343/25//123/2//454/321 | 6/8 | British Muse, The (t) | AM-A | Pomeroy MS, 1790 | 4 | GF |
//3+4+3+/25+//123+/2//4+5+4+/3+21 | C | Gavot (t) | IC-E | Preston Bassoon, 1790 | 21 | BS |
/343//25/123//2/454//321/ | C | Chorus In Atalanta (t) | IC-E | Rutherfoord Violin, 1755 | 11 | VN |
//343//25/123//2/454//321/2 | C | Friendship (t) | AI-A | Phila Songster, 1789 | 12-13 | 2VO:(S)B |
//343/25//1321/7-//544/3 | 6/8 | Sleep Ye or Wake Ye (t) | IC-I | Logier Bugle, 1813 | 20 | 3BU |
/343//25/13//2/3454//321/2// | C/ | Brittish Muse, The (t) | AM-A | Brown, J. MS, 1782 | 1:49 | |
//343//25//17-1 | British Muse (t) | AM-A | Eells MS, 1789 | 11 | 2GF | |
//343/25//17-1/2//454/321 | C/ | Chorus (t) | AM-A | Aborn MS, 1790 | 66 | 2MI |
//343/253//17-1/27-16-//5-6-4-/3-5-1 | 6/8 | Jessie the Flow'r O'dumblane (t) | AI-A | Bacon Clar, 1818 | 28 | CL |
//343/253//17-1/27-16-//5-6-4-/3-5-1 | 6/8 | Jessie the Flower of Dunblane (t) | AM-A | Canfield MS, 1823 | 26 | FL |
//343/253//17-1/27-16-//5-6-4-/3-5-1 | 6/8 | Jessie, The Flower of Dunblane (t) | AM-A | Canfield MS, 1823 | 64-65 | FL |
//343/253//17-1/27-16-//5-6-4-/3-5-1// | 6/8 | Jessey the Flower of Dumblane (t) | MS-S | Fife MS, 1780 | 126v | 1FI OR 2FI/VN |
//343/253//17-1/27-16-//5-6-4-/3-5-1 | 6/8 | Jessie the Flow'r O'dumblane (t) | AI-A | Klemm Clar, 1825 | 28 | CL |
//343/253//17-1/27-16-//5-6-4-/3-5-1 | 6/8 | Jessey of Dunblane (t) | AI-A | Riley Flute 1, 1814 | 74 | FL |
//343/253//17-1/27-16-//5-6-4-/3-5-1// | 6/8 | Jessie the Flower of Dunblane (t) | AM-A | White, G. MS, 1790 | 118 | VN |
//343/253//17-1/27-16-//5-6-4-/3-5-7- | 6/8 | Jessie the Flow'r O'dumblane (t) | AI-A | Ashton Clar, 1825 | 25 | CL |
//343/253//211/17-6-//5-17-/135 | 6/8 | Way to Get Married, The (t), or Favorite Song, A (at) | AI-A | American SS-SM | 1-2 | KB,VO |
//343//25//343//212//343//25// | 3/4 (ed) | Rigadoon (t) | IC-E | Theater Musick-1, 1698 | 13 | VN |
//3432//5355//671+76//655//45432//56543 | 3/4 | Pastoral (t) | IC-E | Houghton Airs, 1791 | 6-7 | 2HN,2MI/VO,B |
//3/43//2/5//43/21//2 | 2/4 | Lesson 6 (t) | AI-A | Linley Asst-1, 1796 | 8 | PF |
//3/43//2/5//43/21//2 | 2/4 | Lesson 5 (t) | AI-A | Linley Asst-2, 1796 | 7 | HA/PF |
//343/254//343/25//117-/6-7-1 | 6/4 | Song In Praise of Chalk, A (t) | SC-E | Pills 4, 1719-20 | 183-4 | VO |
//343/25//45/23//43/21 | 6/8 | Serenade (t) | IC-E | Houghton Airs, 1791 | 4-5 | 2HN,2MI/VO,B |
//3432/65//346-7-1/7-12//3432/6534// | 6/8 | Irvings Richmond Waltz, Taught Him by Miss M. G. R. (t) | AM-A | Irving MS, 1796 | 144 | 1 MI |
//343/27-5-//6-7-1/5-3-1-//1-2-3-4-3-5-1 //243 |
6/8 | Thy Blue Waves, O Carron (t) | AI-A | Goodale Dir, 1829 | 99 | MI |
//343/27-5-//6-7-1/5-3-1-//2-3-4-/3-5-1 | 6/8 | Thy Blue Waves O' Carron (t) | AI-A | Blake Amus 1, 1824 | 15 | CL |
//343/27-5-//6-7-1/5-3-1-//2-3-4-/3-5-1 | 6/8 | Thy Blue Waves O'caron (t) | AI-A | Paff Amus 2, 1812 | 16 | FL/VN |
//343/27-5-//6-7-1/5-3-1-//2-3-4-/3-5-1 | 6/8 | Thy Blue Waves O'caron (t) | AI-A | Riley Flute 2, 1817 | 52 | FL |
//343/27-5//6-7-1/7-5-3//4-5-6-/5-3-1 | Flourish, A (t) | AI-A | Riley Flute 2, 1817 | 52 | FL | |
//343//312//343//35//1+5//1+12 | 3/4 | Air by Mr. Handel (t) | IC-S | Stewart Marches, 1761 | 66-67 | 2VN/GF/OB,VC/HA |
//343/31//7-17-/7-5-//16-27-5-// | 6/8 | Gold In Gopins (t) | MS-E | Vickers MS, 1770 | 67 | MI |
//343/321//17-6-/5-5-//343/321 | 6/8 | Michael Wiggins (t) | IC-E | Balls Amus 3, 1815 | 12 | FL/VN |
//343/321//17-6-/5-5-//343/321 | 6/8 | Michael Wiggins (t) | IC-E | Balls Amus 3, 1830 | 12 | FL/VN |
//343/321//17-6-/5-5-//343/321// | 6/8 | Michael Wiggins (t) | AI-A | Carrs PC, 1800 | 9 | GF/VN/FL |
//343/321//17-6-/5-5-//343/321// | 6/8 | Michael Wiggins (t) | AI-A | Willig CD-4, 1812 | 2 | PF/VN |
//343/321//22/254//321/217-// | 6/4 | When I Follow'd a Lass (t) | IC-E | Hill Flute, 1762 | 30 | GF |
//343/321//22/254//321/217- | 6/4 | Air 5, Act Ii (t) | BA-E | Love/Riddle, 1729 | T30M84 | VO |
//343/321//22/254//321/217- | 6/8 | Joan's Plackett (t) | AI-A | Riley Flute 3, 1820 | 38 | FL |
//343/321//22/254//321/217-// | 6/4 | When I followed a Lass (t) | AM-A | White, G. MS, 1790 | 78 | VN |
//343/321//22/254//321/217-// | 6/8 | Joan's Plackett (Old English) (t) | DA-E | Wilson Companion, 1816 | 106 | MI |
//343/321//232/254//313/27-2 | 6/8 | Jumpin John (t) | SC-S | Scots MM-2, 1788 | 145 | VO,PF |
//343/321//232/254//321 | 6/4 | Sung by Mr. Shuter In Love in a Village (t) | SS-E | SS, New York PL-C694 | 87 | VO,HAF+GF |
//343/321//232/254//321/217- | 6/8 | When I Follow'd a Lass (t) | IC-S | Aird 2, 1785 | 35 | FI/VN/GF |
//343/321//232/254//321/217- | 6/4 | When I Follow'd a Lass (t) | AM-A | Beck MS, 1786 | 152 | GF |
//343/321//232/254//321/217-// | 6/8 | When I Follow'd a Lass (t) | MS-S | Fife MS, 1780 | 512,54r,54v | 1FI OR 2FI/VN |
//343/321//232/254//321/217-//121/2 | 6/4 | When I followed a lass that was froward and shy (fl) | TW-E | Love/Village, 1795 | 28 | VO,HA |
//3/43//32/1//24/321 | 2/4 | Adagio (t) | IC-E | Astor Oboe, 1800 | 32 | 2OB |
//3/43//32/1//24/321 | 2/4 | Duetto (t) | IC-E | Wragg Oboe, 1792 | 39 | 2OB |
//3/43//32/1//24/4321 | 2/4 | Duetto (t) | AI-A | Holyoke Masonic, 1803 | 3 | 2MI,B |
//343/321//321/7-12//316-/7-6-5- | 6/8 | While Hopeless, &c (t) | SC-S | Scots MM-4, 1792 | 406 | VO,PF |
//343/321//322/212//316-/5-6-12 | 6/8 | Song 186 (t), or Contented I Am (at) | SC-E | Calliope, 1788 | 346-347 | VO |
//343/321//322/212//316-/5-6-12 | 6/8 | Contented I Am (t) | SC-S | Edinburgh MM-1, 1792 | 91-92 | VO |
//343/321//323/312//343/321// | 6/8 | Widow,The (Old Scotch) (t) | DA-E | Wilson Companion, 1816 | 60 | MI |
//3-4-3-/3-2-1-//3-5-5-/5-1//6-11/5-11 | 6/8 | Banks of Alan (t) | IC-S | Calvert Coll, 1790 | 10 | V,VC/HA/PF |
//343/321//5-12/321//565/543// | 6/8 | Speed the Plough. Country Dance (t) | AI-A | Francis's Ballroom, 1798 | 5 | KB |
//3-4-3-//3-2-1-//5-6-5-//5-4-3-//6-7-6- //5-4-3-2 |
3 | Generale de la Garde Francaise, La. L'Air des Hautbois (t) | MS-F | Philidor MS, 1705 | 1 | 3OB,B |
//343//3216-7-3//51+3+1+53//3235432//3 | 3/4 | Lesson 8 (t) | AI-A | Linley Asst-1, 1796 | 9 | PF |
//343/321//676/671+//343/321 | 6/8 | Pither In Enough. Irish(ed) (t) | IC-S | Aird 3, 1788 | 225 | FI/GF/VN |
//343/321//676/671+//343/321// | 6/8 | Gigg, A (t) | MS-S | Fife MS, 1780 | 146,13r | 1FI OR 2FI/VN |
//3-4-3-/3-2-1-//6-7-6-/6-7-1//3-4-3-/3- 2-1- |
6/8 | Pither In Enugh (t) | AI-A | Riley Flute 1, 1814 | 16 | FL |
//343//3217-13//51+3+1+53//3235432//3 | 3/4 | Lesson 7 (t) | AI-A | Linley Asst-2, 1796 | 8 | HA/PF |
//3/4//3/321//7-3/323 | 6/8 | Smirne, La (t) | AI-A | Riley Flute 1, 1814 | 25 | FL |
//3/43//32/2//22/34 | 2/4 | Favorite Air, A (t) | IC-S | Pandean Coll 1, 1810 | 14 | PF |
//343//322//454//433//644227-//135- | 3/4 | Menuetto 2 (t) | IC-E | Flack Divs, 1776 | 6-7 | 2CL,2HN,BS |
//3-4-3-/3-2-3-//3-4-5-/5-4-3-//3-2-3-/3 -4-3- |
6/8 | MS-G | Darmstadt MS 1224 | 316 | 2MI | |
//34//33//27-1//6- | 3/4 | Why is death forever late (fl) | TW-E | Artaxerxes, 1762 | 66-67 | VO,HA |
//343/342//3421/7-1//22/23456 | C/ | Constant Lover. A New Song, The (t) | SS-E | SS, Folger-C42.3 | 51 | VO,KB+FL |
//3/43//3/43//21/27- | C/ | Dutches of Richmond's Allemand, The (t) | DA-E | Bride CD, 1776 | III,67 | VN/OB/GF |
//343/343//323//7-32//17-1/6-7-1// | 6/8 | Annette. No. 18 (t) | AM-A | Johnson, F. MS, 1820 | 10-11 | PF |
//343/343//323/7-32//17-1/6-7-1// | 6/8 | Annette. 21 (t) | AM-A | Johnson, F. MS, 1820 | 14 | PF |
//343/343//345/654//343/217-// | 6/8 | Villagois, Les (t) | DA-E | Straight & Skillern CD, 1775 | 84 | VN/GF/OB |
/343//343/6//5/121//7-17-/6-7-6-// | 6/8 | Violette, La. Contredanse Française (t) | DA-F | Bouin CD LC-1, 1780 | 79 Feuille, 3 Vol. | MI |
//343/345//232/234//345/543// | 6/8 | Babau, El (t), or Fandango Cathalan (at) | MS-M | Garcia MS, 1772 | 29 | MI |
//343/345//543/2//454/71+7 | 6/8 | Adagio (t) | IC-E | Simpson Horn, 1745 | 20 | 2HN |
//343/34//565/54//32/17- | 6/8 | Trip to Hanau, A (t) | DA-E | Skillern CD, 1780 | 66 | VN/GF/OB |
//343/34//565/54//32/17-// | 6/8 | Trip to Hanau, A (t) | DA-E | Straight & Skillern CD, 1775 | 36 | VN/GF/OB |
//343/351+//66/654//321/434//3 | 6/8 | Duet (t) | TW-E | Flitch/Bacon, 1778 | 38-39 | 2VO,2VN,HA |
//343/35//232/25-//17-1/212 | 6/8 | New Dancers (t) | DA-E | Johnson CD-3, 1744 | 41 | VN/GF |
//343/35//232/25-//17-1/212// | 6/8 | Air 10 (t) | BA-E | Lottery, 1732 | 17 | VO |
//343/35//232/25-//17-1/212 | 6/8 | Moselle (t) | DA-E | Walsh CD-2.2, 1735 | 182 | VO/OB/GF/FL |
//343/35//232/25-//17-1/212 | 6/8 | Moselle (t) | DA-E | Walsh CD-3.2, 1749 | 182 | VN/OB/GF |
//343/35//232/25-//17-1/212 | 6/8 | New Dancers (t) | DA-E | Walsh CD-3.6, 1754 | 74 | VN/OB/GF |
//343/35//232/25-//17-1/212//3 | 6/8 | Air 15 (t) | BA-E | Decoy, 1733 | T19M5 | VO |
//343/356//4/34//3213/217-2//123 | 6/8 | In love to pine & languish (fl) | TW-E | Maid/Mill, 1765 | 9 | VO,HAF |
//3+4+/3+3//57/73+2+//1+7/65// | C | Mason's Daughter, The (t) | AM-A | Patten MS, 1800 | 25 | MI |
//34-3//363//423//321 | 3/8 | Favourite Air In the Opera of Arsaces (t) | SC-E | Pocket Comp, 1725 | 50-51 | VO,HAF+FL |
//343//363//423//321//23//1217-6- | 3/4 | Favourite Air, A (t) | SS-E | SS, Harvard | 1 | VO,B |
//343/36-//3/6//321/7-16-// | 6/8 | Rigadoon (t) | IC-E | Prelleur Modern, 1731 | 9 | OB |
//343/3//64/21//52/2 | 6/8 | Quintetto (t) | TW-E | Seraglio, 1776 | 28-32 | 2MI,KBF,4VO |
//3/43//3/7-//12/31 | 2/4 | Helas Jeannette (t) | IC-F | Bonjour Recueil, 1800 | 2:2 | VN/FL |
//34/33+//7571+/7543//54/434 | C | Lass of Livingstone, The (t), or Scots Measure, A (at) | MS-S | Gillespie MS, 1768 | 41 | VN |
//3434/15//61+72+/1+5//671+5/671+5 | C | Tartan Plaiddie, The (t) | AI-A | Riley Flute 3, 1820 | 24 | FL |
//3434//21//434 | 3/4 | Verdi Prati (t) | AI-A | Instrum Asst-2, 1807 | 31 | 2MI,B |
//343423//123455-//6-7-6-7-5-1 | 2/4 | Harlequin Vagaries (t) | DA-E | Thompson CD-5, 1788 | 13 | VN/GF/OB |
//3434/23//1234/55-//6-7-6-7-/5-1// | 2/4 | Harlequin Vagaries (t) | DA-E | Thompson CD-5a, 1788 | 13 | VN/GF/OB |
/3//4/3423//15-/17-12//17-12/ | Yrocoise [?] (t) | MS-C | Trois-Rivieres MS, 1768 | 26 | MI | |
//34/3423//1543//2123/4231 | C | Dumbartons Drums (t) | MS-E | Hammersley MS, 1790 | 113B | MI |
//3+//434//2+//323//2+1+7 | 3/8 | Aria Andante (t) | IC-S | Stewart Marches, 1773 | 84-85 | 2VN/GF/OB,VC/HA |
//34342//531+7654321//23231//322+1+76543 2 |
3/4 | Smith Duet 2-2. Minueto, Andantino (t) | AI-A | Smith Duets, 1793 | 8-9 | HA/PF,4 HANDS |
//34342//531+7654321//23231//422+1+76543 2//1 |
3/4 | Minuetto (t) | AM-A | Hiester MS-1, 1793 | 54-55 | HA,4 HANDS |
//3/434//25/564//342/17-1 | 6/8 | 1st Medley Dance, In Six Parts.1st Part (t) | IC-S | Gibb New Coll, 1798 | 10 | PF/VN,VC |
//343/43//21/7-12//5-1/7-4// | 6/8 | Marine Joke, The (t) | DA-E | Gentleman's Magazine | 275, 1750 | MI |
//343/43//21/7-12//5-1/7-4 | 6/8 | Marine Joak, The (t) | DA-E | Johnson CD-6, 1751 | 74 | VN/GF |
//343/43217-6-//322/23-7-//232/432 | 6/8 | Siege of Quebec. Lamenting the Death of Genl Wolfe (t) | IC-E | English Sheet Music | HA/PF,VN,VC | |
//34/34//3/234567//1+76/5555 | C | Slow March (t) | IC-E | Coleman Marches, 1790 | 6-7 | HA |
//343434//312//3456//2//565656 | 3/4 | Air for 3 Voices (t) | SS-E | SS, Huntington-2 | 98,1-2 | 3VO,HAF |
//343434//312//3456//2//565656 | 3/4 | Gentle Airs, Sweet Joys Impart (t) | SC-E | Vocal Music, 1775 | 128-9 | VO/VN/GF |
//34/3434//34/3434//3/3434//36- | 2/4 | Convert, The (t), or New Song, A (at) | SS-E | SS, Harvard | 1,DUP | VO,KBF+FL |
//34/34//34/34//53/6543 | 2/4 | Battle of Trenton, The. The Hessians Surrender Themselves Prisoners (t) | AI-A | American Sheet Music | PF | |
//34/34//34/34//53/6543 | 2/4 | Siege & Surrender of Valenciennes, The. Flag of Truce (t) | IC-S | Scottish Sheet Music | PF/HA | |
//34/34//34/34//53/6543//54 | 2/4 | Battle of Trenton, The. Hessians Surrender Themselves Prisoners of War (t) | AI-A | American SS-SM | 9 | PF |
//34343/51//2323432/3213//212325/17-1213 21// |
C | Di Roy March XV (t) | IC-E | Longman March 4, 1770 | 8 | 2VN/OB/GF, 2HN, B |
//3/434//51+/1+//1/212// | 6/8 | Life Let Us Cheris. July 7, 1816 (t) | AM-A | Adams, J. MS, 1808 | 3r | MI |
//3/434//51+/1+//1/212 | 6/8 | Life Let Us Cherish (t) | IC-E | Andrews Fife, 1808 | 21 | FI/GF |
//3/434//5/1+1+//1/212 | 6/8 | Life Let Us Cherish (t) | IC-E | Astor Guitar, 1800 | 29 | VO,GT |
//3/434//51+/1+//1/212 | 6/8 | Life Let Us Cherish (t) | AI-A | Balls Amus 1, 1815 | 8 | FL/FI/VN |
//3/434//51+/1+//1/212 | 6/8 | Life Let Us Cherish (t) | AI-A | Blake Amus 2, 1824 | 14 | CL |
//3/434//51+/1+//1/212 | 6/8 | Life Let Us Cherish (t) | AM-A | Commonplace MS, 1811 | 20 | MI |
//3/434//51+/1+//1/212 | 6/8 | Life Let Us Cherish (t) | AM-A | Eells MS, 1789 | 55 | MI |
//3/434//51+/1+//1/212 | 6/8 | Life Let Us Cherish (t) | IC-E | Goulding Clar, 1803 | 9 | CL |
//3/434//51+/1+//1/212// | 6/8 | Life Let Us Cherish (t) | AM-A | Irving MS, 1796 | 135 | 1 MI |
//3/434//51+/1+//1/212 | 6/8 | Life Let Us Cherish (t) | IC-I | Logier Bugle, 1813 | 24 | BU |
//3/434//51+/1+//1/212// | 6/8 | Life Let Us Cherish. A Cotillion (t) | AI-A | Riley Cots-2, 1824 | 3 | PF |
//3/434//51+/1+//1/212 | 6/8 | Life Let Us Cherish (t) | AI-A | Riley Flute 1, 1814 | 12 | FL |
//3/434//51+1+//1/212 | 6/8 | Life Let Us Cherish (t) | AI-A | Robinson Coll, 1820 | 38 | MI |
//3/434//51+1+//1/212 | 6/8 | Life Let Us Cherish (t) | AI-A | Robinson Coll, 1826 | 45 | MI |
//3/434//51+/1+//1/212// | 6/8 | Life, by Mozart (t) | AM-A | Washburn MS, 1816 | 16 | 2GF |
//3/434//51+/1+//1/212// | 6/8 | Life let us cherish (t) | AM-A | White, G. MS, 1790 | 120 | VN |
//3/434//5/1+1+//1/212 | 6/8 | Snatch Fleeting Pleasures (t) | AM-A | Williams, S. MS, 1795 | 89 | VO,KB |
//3/434//51+/1+//1/212//3 | 6/8 | Life Let Us Cherish (t) | AI-A | Linley Asst-1, 1796 | 20 | VO,PF |
//3/434//5/1+//1/212// | 6/8 | Life Lett Us Cherish (t) | AM-A | Duport MS-2, 1800 | 4v | VN |
//3/434//51+/1+//3/212 | 6/8 | Life Let Us Cherish (t) | AM-A | Hiester MS-2, 1793 | 65 | MI |
//3/434//51+/1+5-//11/21 | 6/8 | Life Let Us Cherish (t) | AI-A | Willig Fife, 1805 | 22 | FI |
//3/434//51+/1+5-//11/212// | 6/8 | Life let us Cherish (t) | AI-A | Gilfert Gents PC, 1802 | 25 | 2 GF/VN |
//3/434//51+/1+5-//11/212// | 6/8 | Life Let Us Cherish (t) | AI-A | Willig Fife, 1826 | 15 | FI |
//3/434//512/15-//3/434 | C/ | Teutschmeister (t) | MS-G | Darmstadt MS 1225 | 235 | MI |
//3-4-3-4-//5-1-2-//3-4-3-2-1-//2-1-2-3- 2-//3-4-3-4-//5-1-2- |
3/4 | Menuet (t) | MS-G | Darmstadt MS 1224 | 340 | MI |
//3/434//51/27-//1/5- | C/ | Marche des Mousquetaires.3e Air (t) | MS-F | Philidor MS, 1705 | 7 | 3OB,B+DR |
//34345/15-//1212/23//343 | C/ | Hail, Janus! who shut'st out the sliding year (fl) | SC-E | Watts MM-3, 1730 | 164-165 | VO,HA |
//3/434//51/5-//3/434 | C/ | Rojale Bavier der Neue (t) | MS-G | Darmstadt MS 1225 | 233 | MI |
//3/434//5/1+76//535/424 | 6/8 | Quick March & Trio (t) | AI-A | Blake Amus 2, 1824 | 14 | CL |
//34345//231//27-1//21232//34345// | C3 | Minuet, A (t) | IC-E | Apollo's Banquet 1-5, 1687 | 57 | VN |
//34345//231//27-1//21232//34345// | C3 | Minuet, A (t) | IC-E | Apollo's Banquet 1-6, 1690 | 32 | VN |
//34/345/25//12/123/7-3//6-7- | 3 | Hole In the Wall, The (t) | PL-E | Playford 1-09, 1698 | I.30 | VN/FL |
//34/345/25//12/123/7-3//6-7- | 3 | Hole In the Wall, The (t) | PL-E | Playford 1-11, 1701 | I,222 | VN |
//34/345/25//12/123/7-3//6-7- | 3/4 | Hole In the Wall, The (t) | PL-E | Playford 1-13, 1706 | 222 | VN |
//34/345/25//12/123/7-3//6-7- | 3/4 | Hole In the Wall (t) | PL-E | Playford 1-17, 1721 | 222 | VN |
//34/345/25//12/123/7-3//6-7- | 3/4 | Hole In the Wall (t) | PL-E | Playford 1-18, 1728 | 222 | VN |
//3434525//121237-3//6-7-6-7-15-3 | 3/4 | Hole In the Wall (t) | DA-E | Walsh CD-1.1, 1718 | 236 | VN/OB/FL |
//3434525//121237-3//6-7-6-7-15-3 | 3/4 | Hole In the Wall (t) | DA-E | Walsh CD-3.5, 1754 | 136 | VN//OB/GF |
//34/345/25//12/123/7-3//6-7-/6-7-1/5-3/ /17-/1 |
3/4 | Hole In the Wall (t) | PL-E | Playford 1-14, 1709 | 222 | VN |
//3434525//121237-3//6-7-6-7-15-3//17-1 | 3/4 | Hole In the Wall (t) | DA-E | Walsh CD-2.1, 1731 | 64 | VN/OB/GF/RC |
//3434525//221237-3//6-7-6-7-15-3 | 3/4 | Hole In the Wall, The (t) | PL-E | Playford 1-12, 1703 | 222 | VN |
//3434/53//1/1//4545/64// | C/ | March In Ye Grove. A (t) | IC-E | Theater Musick-3, 1700 | 16 | VN |
//3/434//53/13//243/231 | 6/8 | Belle Latiere, La (t) | IC-E | Balls Amus 3, 1815 | 16 | FL/VN |
//3434//531//671+6 | 3/4 | Fourth Minuetto (t) | AI-A | Instrum Asst-2, 1807 | 70-71 | 2CL,BS |
//34345//321671+//655443//327//1+765 | 3 | Advice to Corydon (t) | SS-E | SS, Folger-C42.4 | 395 | VO,KB+FL |
//3-4-/3-4-//5-3-/3-5-//4-5-/6-7- | 2/4 | His Majesty's Review. His Majesty's Departure (t) | AI-A | American Sheet Music | PF | |
//3-4-/3-4-//5-3-/3-5-//4-5-/6-7- | 2/4 | His Majesty's Review. His Majesty's Departure (t) | IC-E | English Sheet Music | PF | |
//3-4-3-4-/5-3-3-//6-7-6-6/1-6- | C | Gambler Recovers from His Distress (t) | TW-E | Choice/Harleq, 1781 | 29 | HAF |
//3-4-3-4-5-//3-4-3-4-5-//6-7-1//217-1// -2-1-1-3-3-1-//-2-2- |
3/4 | Andante (t) | IC-E | Simpson Horn, 1745 | 21 | 2HN |
//34/345//357-/1//6-5-/6-1 | 6/8 | Irish Half Pay, The (t) | DA-E | Johnson CD-6, 1751 | 71 | VN/GF |
//3/4//34/54//3 | 2/4 | Happy Tawny Moor (t), or Favorite Duett, A (at) | AI-A | American SS-SM | 1-2+3 | 2VO,KB+GT+2FL |
//34//34//5/43//2/1 | 2/4 | March V. Zweybrucken Oder Sulssbach (t) | MS-G | Darmstadt MS 1225 | 187-88 | 2MI |
//3434//543//22345//432//12//17-12345// | 3/4 | Duetto Pleyel, Cantabile (t) | AI-A | Willig Flute, 1795 | 25 | 2 GF |
//3434/543//2323/432//345/1+5 | C/ | Frisk It Freely (t) | PL-E | Playford 2-1, 1713 | 103 | VN/OB |
//3434/543//2323/432//345/1+5 | C/ | Frisk It Freely (t) | PL-E | Playford 2-2, 1714 | 103 | VN/OB |
//3434/543//2323/432//345/1+5 | C/ | Frisk It Freely (t) | PL-E | Playford 2-3, 1718 | 105 | VN |
//3434/543//2323/432//345/1+5 | C/ | Frisk It Freely (t) | PL-E | Playford 2-4, 1728 | 105 | VN |
//3434/543//2323/432//345/1+5 | C/ | Frisk It Freely (t) | DA-E | Walsh CD-1.2, 1719 | 121 | VN/OB |
//3434/543//2323/432//345/1+5 | C/ | Frisk It Freely (t) | DA-E | Walsh CD-3.6, 1754 | 115 | VN/OB/GF |
//3434/543//2323/432//345/1+5 | C/ | Friskit Freely (t) | DA-E | Walsh NCDM-2, 1710 | 44 | VN/OB/FL |
//34/3454//34/3453//11/3212 | 2/4 | Mr Rogers's Fancy (t) | AI-A | Balls Amus 1, 1815 | 21 | FL/FI/VN |
//34/3454//34/3453//11/3212 | 2/4 | Highland Quick Step (t) | AI-A | Riley Flute 1, 1814 | 9 | FL |
//3434/5454//31/5//6756/4534// | 2/4 | IC-E | Forest Harmony-1, 1733 | 1 | 2HN/GF/TR/VN | |
//343454//543//2//232344543//21 | 3 | Ah, Ah, where, where are now (fl) | SS-E | SS, Folger-C42.1 | 276,2-277,2 | VO,KB |
//3/434//5/5-//1/2 | C/ | Leopold Daun (t) | MS-G | Darmstadt MS 1225 | 229 | MI |
//3434/55//1+/5//2323/44 | C | Andante (t) | IC-S | Sime Marches, 1789 | 10-11 | HA/PF |
//34345//54321//1 | 3 | Air 8, Act Iii (t) | BA-E | Love/Riddle, 1729 | T57M92 | VO |
//34345//543-21//1 | 3 | Song, Set by Mr. John Weldon, A (t) | SC-E | Pocket Comp, 1725 | 104 | VO,HAF+FL |
//34345//54321//1//22//32 | 3 | Juno In the Prize (t) | SC-E | Pills 5, 1719-20 | 205 | VO |
//34345//54321//1//22//32 | 3 | Juno In the Prize (t) | SS-E | SS, Huntington-1 | 73 | VO,KB+FL |
//34345/54321//13217-1/7-7-//1212345 | C/ | Song, A (t) | SS-E | SS, Folger-C42.2 | 125,2-126 | VO,KB+F |
//3/434//55/5//1+5/1+5 | 6/8 | Ord'nance, L'. French (t) | IC-S | Aird 3, 1788 | 217 | GF |
//3/434//55/5//1+5/1+5 | 6/8 | Ordinance, The (t) | DA-E | Bride CD, 1776 | II,4 | VN/OB/GF |
//3/434//5/5//66/654// | 2 | Rigaudon D'Angletre, Le (t) | DA-F | Dezais Recueil, 1712 | 100-109 | MI |
//3434/55//66654/55545//66654/5654 | C/ | Rigadoon (t) | DA-E | Walsh CD-1.1, 1718 | 163 | VN/OB/FL |
//3434/55//66654/55545//66654/5654 | C/ | Rigadoon (t) | DA-E | Walsh CD-2.1, 1731 | 108 | VN/OB/GF/RC |
//3434/55//66654/55545//66654/5654 | C/ | Rigadoon (t) | DA-E | Walsh CD-3.1, 1754 | 156 | VN/OB/GF |
/3434//55/66654//5555/66654//5654/ | C/ | Rigodon (t) | IC-N | Pointel Recueil, 1688 | 12 | MI/B |
//3/434//5/5//67/1+6 | 2/4 | Bissette, La (t) | IC-S | Aird 2, 1785 | 56 | FI/VN/GF |
//3/434//5/5//67/1+6//65/54// | 2/4 | Bissette, La (t) | MS-C | Molyneaux MS-2, 1788 | 39 | 1 OR 2 GF |
//3/434//5/6543//24/36//5 | 2/4 | Haste Zephyr haste gentle Zephyr o'er the glade (fl) | TW-E | Siege/Belgrade, 1791 | 48-49 | 2VO,KBF |
//34/3456//751+7/6543//67/6543 | C/ | AM-A | Gardner MS, 1788 | 15 | FI | |
//34/345/7-5//12/123/7-3//6-7-/6-7-1/5-3 |
3/4 | Hole In the Wall (t) | PL-E | Playford 1-15, 1713 | 222 | VN |
//34/345/7-5//12/123/7-3//6-7-/6-7-1/5-3 |
3/4 | Hole In the Wall (t) | PL-E | Playford 1-16, 1716 | 222 | VN |
//343/465//3/31//6-7-6-/232 | 6/8 | Trifle, The (t), or New Song, A (at) | SS-E | SS, Huntington-1 | 24 | VO+FL |
//34/35//1/12//32/34 | 2/4 | Red and All Red (t) | DA-E | Thompson CD-1, 1757 | 20 | VN/GF/OB |
//34/35//1/12//32/34// | 2/4 | Red and All Red (t) | DA-E | Thompson CD-1a, 1757 | 21 | VN/GF/OB |
//3-4-3-5-13//25-5-//5-6-5-7-24//311//67 61+76//5651+76 |
3/4 | Windsor Minuet (t) | TW-E | Jubilee, 1770 | 33 | HA |
//34/3523//15/543//2123/4321 | C/ | Dumbarton's Drums (t) | DA-E | Johnson CD-2, 1742 | 41 | MI |
//34/3523//15/543//2123/4321//6-6/6 | C | Song 154 (t) | SC-E | Convivial, 1782 | 304-305 | VO |
//34/3523//16/643//2123 | C | Dumbarton's Drums (t) | SS-E | SS, Folger-C42.4 | 259 | VO,KB+FL |
//34/3523//16/643//2123/4321 | C | Dumbartons Drums (t) | SC-E | Calliope, 1746 | I,23 | VO,HAF+FL |
//34/3523//16/643//2123/4321 | C | Dumbartons Drums (t) | SS-E | SS, Harvard | 1 | VO,KBF+FL |
//34/3523//16/643//2123/4321//6-6 | C | Dumbarton's Drums (t) | SS-E | SS, Harvard | 1 | VO,KBF+FL |
//34/3523//16/643//2123/4321//6-6 | C | Dumbarton's Drums (t) | SS-E | SS, Harvard | 1 | VO/GF,KBF+FL |
//34352//3546352//3234//322112//11// | C3 | Battle, The. the Irish March (t), or Irish March, The (at) | MS-E | Rogers MS, 1656 | 29-30 | VI |
//34/352//3546/353//3234/3212// | C/ | Battell, The. the Irish Marche (t), or Irish Marche, The (at) | MS-E | Nevell MS, 1591 | 26-27 | VI |
//3-4-/3-5-//3-4-/3-5-//3-/6- | His Majesty's Review. His Majesty Arrives (t) | AI-A | American Sheet Music | PF | ||
//34/3535//223/4//353/232 | C/ | March In Cupid, God of Love (t) | AI-A | Hulbert Fife, 1807 | 20 | FI |
//34/3535//223/4//353/232 | C/ | March In Cupid, God of Love (t) | AI-A | Hulbert Fife, 1811 | 20 | FI |
//34/3535//2/34//353/242// | 2/4 | God of Love (t) | AM-A | Bevens MS, 1825 | 9v | FI |
//343/543//232/432//35353/24242 | 6/8 | Duetto 1 (t) | SS-E | SS, Boston PL-1 | 18(16) | 2GF |
//343/543//234/432//35353 | 6/8 | Duetto I (t) | SC-E | Monthly Melody, 1760 | I,16 | 2GF |
//343//54365//51+765//543//217-6-5-//135 1+76 |
3/4 | Heinels Minuet (t) | IC-E | Preston Oboe, 1780 | 13 | OB |
//34/3545//23/4//353/242 | C/ | March In the God of Love (t) | AM-A | Cabot MS, 1784 | 23 | 2GF |
//34/3545//23/4//353/242 | C/ | God of Love (t) | AM-A | Otis MS, 1793 | 1-2 | 2VN/2FL |
//34/3545//23/4//353/242 | C/ | March-The God of Love (t) | AM-A | Pickman MS, 1785 | 48 | KB |
//3435/455432//345432/17-1//3435/4345432 |
C | Mc Pherson's Farewell (t) | SC-S | Scots MM-2, 1788 | 117 | VO,PF |
//343/55//432/31//17-1/21// | 6/8 | Miss Wallach Pass Seul. 66 (t) | AM-A | Johnson, F. MS, 1820 | 41 | PF |
//343//5-6-//27-16-7-5-//6- | 3/4 | On a day (alack a day) (fl) | SC-E | Amaryllis, 1760 | I,42-43 | GF,VO,HAF+FL |
//343/565//1+2+1+/3+4+3+//565/1+2+3+ | 6/4 | Supper Scene (t) | TW-E | Perseus & Andr, 1763 | 6 | HA/GF/VN/GT |
//3-4-3-/5-6-5-//121/343//565/1+2+3+ | 6/4 | Princess Caroline (t) | DA-E | Walsh CD-2.3, 1735 | 65 | VN/OB/GF/CF |
//3-4-3-/5-6-5-//121/343//565/1+2+3+ | 6/4 | Princess Caroline (t) | DA-E | Walsh CD-3.3, 1749 | 77 | VN/OB/GF |
//343/565//3/31//6-7-6-/232 | 6/8 | Trifle, A New Song, The (t) | SS-E | SS, Folger-C42.2 | 137 | VO+FL |
//343/565//3/31//6-7-6-/232 | 6/8 | Trifle a New Song, The (t) | SS-E | SS, Folger-C42.4 | 19 | VO+FL |
//343/565//3/31//6-7-6-/232//7-5- | 6/8 | Trifle, The (t) | SC-E | Watts MM-4, 1730 | 100-103 | VO,HA+FL |
//34-3/565//43/234//531/6-2 | 6/8 | Peasant's Dance In Queen Mab, The (t) | AM-A | Bolling MS, 1790 | 4 | VN/GT |
//34/3//56545/21//34/3 | C/ | Eberhardt Ludewig (t) | MS-G | Darmstadt MS 1225 | 239 | MI |
//3435/66661+//5132/115//3235/66662+ | C | Strathspey Reel, A (t) | MS-S | Gillespie MS, 1768 | 107 | VN |
//343/6-27-//123/142//7-12/7-16-// | 3/2 | New Theatre Tune of Mr. Purcell's, A (t) | IC-E | Apollo's Banquet 2, 1691 | 21 | VN/FL |
//34/36//3217-/12//36-/21 | C | Mutual Symptoms (t) | AM-A | Ives MS, 1800 | 62-63 | KB |
/343//6/323//17-6-/123//21/ | 6/4 | Micareme, La (t) | MS-G | Jayme MS, 1717 | 18 | MI |
//34/364//3234/36-//7-12/23217- | 6/8 | When unrelenting fates ordain (fl) | TW-E | Fair American, 1782 | 8-9 | VO,KB |
//3436//53//217-432//17-//5437 | 3/4 | True Lover, The (t) | SC-E | Musical Ent-2, 1740 | 55 | VO,HAF+FL |
//343/654//3217-/123 | C | Nan of the Vale (t) | SC-E | Clio-1, 1758 | 118-119 | VO,HA+GF |
//343/654//3217-/123//432 | C | In a small pleasant village by nature compleat (fl) | SS-E | SS, Harvard | 1 | VO,KB+GF |
//343/654//3217-/123//432/515 | C | Sweet Nan of the Vale (t) | SC-E | Muses Delight, 1754 | 64 | VO,HA |
//343/654//3217-/123//432/515 | C | Sweet Nan of the Vale (t) | MS-E | Shepherd MS, 1787 | 40-41 | MI |
//343/654//3217-/123//432/515 | C | Song 67 (t) | SC-E | Vocal Enchant, 1783 | 142-143 | VO |
//343/6//5/54//3 | C/3 | Shepherd's Holiday (t), or Labour In Vain, (at) | PL-E | Playford 1-10, 1698 | 18 | VN |
//343/6//5/54//343/2 | C3 | Shepherd's Holiday (t), or Labour In Vain, (at) | PL-E | Playford 1-09, 1695 | 18 | VN |
//343/6//5/54//343/231 | 3 | Shepherd's Holiday (t), or Labour In Vain, (at) | PL-E | Playford 1-06, 1679 | 105 | VN |
//343/6//5/54//343/231 | 3 | Shepherd's Holiday (t), or Labour In Vain, (at) | PL-E | Playford 1-07, 1686 | 105 | VN |
//343/6//5/54//343/231 | C3 | Shepherd's Holiday (t), or Labour In Vain, (at) | PL-E | Playford 1-08, 1690 | 104 | VN |
//343/6//5/54//343/231//7-6-7-/17-1234 | Shepheards Holyday (t), or Labour In Vain, (at) | PL-E | Playford 1-02, 1652 | 99 | VN | |
//343/6//5/54//343/231//7-6-7-/17-1234- | 3 | Shepherds Holiday (t), or Labour In Vain, (at) | PL-E | Playford 1-03a, 1657 | I,99 | VN |
//343/6//5/54//343/231//7-6-7-/17-1234 | 3 | Shepherds Holiday (t), or Labour In Vain, (at) | PL-E | Playford 1-05, 1675 | 105 | VN |
//343/6//5/54//343/231//7-6-7-/17-1234- | 3 | Shepherds Holiday (t), or Labour In Vain, (at) | PL-E | Playford 1-3b, 1665 | I,99 | VN |
//34//36-//5-6-//7- | 2/8 | Song 27 (t) | SC-E | Ritson, 1783 | TI,23;MIII,9 | VO |
//34//3/6-//5-6-//7-//34//5- | 2/8 | Take, oh! take those lips away (fl) | SC-E | Watts MM-6, 1731 | 12-13 | VO,HA+FL |
//343/657//6/656//73/343// | 6/8 | Laroshe (t) | AM-A | Johnson, F. MS, 1820 | 63 | MI |
//343/671+//56/733//565 | 6/8 | Flea, The (t) | SC-E | Calliope, 1746 | I,194 | VO,HAF+FL |
//3437-//37-7-12//334323 | 2/4 | Quick Step, A (t) | AM-A | Dance Tunes MS, 1798 | 27 | FI/GF/OB |
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