Early American Secular Music and Its European Sources, 1589-1839
Incipit Index: 316

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Incipit  Time Text Gnr-Cntry  Short Title Page Instrument 
//31/6-1//2/1//3-6-/5-6-//2/1  Air 9 (t)  BA-E  Silvia, 1731  11  VO 
//3+/1+//61+/76//7/3//  C/  De Moole. A 8 Grave Danse Hollandoise (t)  IC-F  Pointel Airs, 1700  22  MI,B 
//3/1//6-21//7-5-/5-6-7-  C/  March (t)  IC-E  Valentine March, 1787  2  2VN,2OB/FL,2HN,VA,BF 
//31/6-2//17-6-5-/123//44/44//43  2/4  Keep Your Distance (t), or Favorite Song, A (at)  AI-A  American SS-SM  1-2  KB,VO 
//3+1+62+/54//31+3/421+2+//3+1+62+/54  C/  Nelson's Maggot (t)  DA-E  Johnson CD-8, 1758  7  VN/GF 
//31/6-2//7-12/31//6-21/7-5-1//  C/  Round O, A (t)  IC-E  Apollo's Banquet 2, 1691  10  VN/FL 
//31/6-2//7-12/31//6-21/7-6-1//  Round O (t)  IC-E  Apollo's Banquet 1-6, 1690  B67  VN 
//31/6-2//7-5-/123//6-7-1/2642//  Air Composed for the Metalc Organ (t)  IC-E  Preston Cello, 1785  37  2VC 
//3+1+6/2+75//642/316-//1+64/535  C/  Royal Cradle, The (t)  DA-E  Thompson CD-2, 1765  72  VN/GF/OB 
//3+1+6/2+75//642/316-//1+64/535//  C/  Royal Cradle, The (t)  DA-E  Thompson CD-2a, 1765  72  VN/GF/OB 
//316-/3234//53/3//7-123/433//  C [6/2]  Galliard (t)  MS-E  Fitzwilliam MS-2, 1609  198-199  VI 
//3/16-//33/55//53  One Hundred Nineteenth Psalm (t)  AM-A  Akerman MS, 1795  12  2VO/MI:(T)B 
//3/16-//33/55//55//63  Hundred & Nineteenth Psalm C. M. (t)  AM-A  Dean MS, 1800  I.79  3VO:S(T)B 
//316-3-/4-6-5-3-//4-6-2-1/7-25-4//315-3
-/4-6-5-4- 
Sir John Hope's Welcome to Ireland (t)  AI-A  Riley Flute 3, 1820  3  FL 
//3-1-6-//4-2-2//17-6-5-6-7-//123455-//3
-1-6-//4-2-2 
3/4  Austrian Waltz (t)  IC-E  Pick Divs, 1800  17  PF 
//3/16-42//3/16-42//3/217-6-//5-  C/  Dance Tunes-4 (t), or Figure Dance-2 (at)  TW-E  Thomas & Sally, 1761  48-49  2HN,2VN,HAF 
//3+1+64+//3+12+1+7//1+2+3+56//4542+4//3
1531+ 
3/4  Minuet. Minuet 2do. (t)  IC-E  Delightful-2, 1745  III,16  GF 
//3164/3164//3556/54566//3164/5364  C/  Wanderer, The (t)  AM-A  Otis MS, 1793  30  VN/FL 
//31/64//316-/6-7-1//234/432  6/8  Jays Fancy (t)  AM-A  Cary MS, 1797  114  VN 
//31/6-4//3/1//7-1/217-//  C/  Round O (t)  IC-E  Apollo's Banquet 1-8, 1701  17r,90  VN 
//31/6-4//32/212//16-/6-5-6-  6/8    AM-A  Van Schaack MS, 1820  51  FI/FL 
//31/6-4-//5-/1-1//17-6-5-/14//  United States. Marine Cotillions. No. 1 (t)  AI-A  Francis's Ballroom, 1798  3  KB 
//3164/51+//5342/31//316/531+  Katie (t), or New Song, A (at)  SS-E  SS, Boston PL-2  205  VO,KBF 
//31/64//53/11+//61+/72+  2/4  Nielson's Slow March and Quick Step (t)  AI-A  American Sheet Music    PF 
//3164/5321//27-5-4/34//51+71+/6543  John and Nell (t)  SC-E  Clio-2, 1759  50  VO,HA 
//31+/646/535//31+/6471+/2+75//31+/646/5
35 
9/8  Spread Eagle, The (t)  DA-E  Johnson CD-7, 1756  83  VN/GF 
//31+/646/535//41+/646/2+75//  9/8  Spread Eggal, The (t)  MS-E  Vickers MS, 1770  22b  MI 
//316-/5-13//545/671+//135/1+53  6/8  Double Drag (t)  AM-A  Brown, N. MS, 1781  10R  FI 
//316//516//51+3//27-1  3/4  Spring a Rural Song (t)  AM-A  Ives MS, 1800  49  VO,B 
//31/6-5-//16-/5-5-//11/54  6/8  Bright Chanticlere (t)  AM-A  Spicer MS, 1797  190-191  VO 
//316/51+//7/567//1+76/531  6/4  Tunbridge Walks (t)  PL-E  Playford 1-12, 1703  352  VN 
//316/51+//7/567//1+76/531  6/4  Tunbridge Walks (t)  PL-E  Playford 1-13, 1706  352  VN 
//316/51+//7/567//1+76/531  6/4  Tunbridge Walks (t)  PL-E  Playford 1-14, 1709  343  VN 
//316/51+//7/567//1+76/531  6/4  Tunbridge Walks (t)  PL-E  Playford 1-15, 1713  343  VN 
//316/51+//7/567//1+76/531  6/4  Tunbridge Walks (t)  PL-E  Playford 1-16, 1716  343  VN 
//316/51+//7/567//1+76/531  6/4  Tunbridge Walks (t)  PL-E  Playford 1-17, 1721  343  VN 
//316/51+//7/567//1+76/531  6/4  Tunbridge Walks (t)  PL-E  Playford 1-18, 1728  343  VN 
//316/51+//7/567//1+76/531  6/4  Tunbridge Walks (t)  DA-E  Walsh CD-1.1, 1718  353  VN/OB/FL 
//316/51+//7/567//1+76/531  6/4  Tunbridge Walks (t)  DA-E  Walsh CD-2.1, 1731  82  VN/OB/GF/RC 
//316/51+//7/567//1+76/531  6/4  Tunbridge Walks (t)  DA-E  Walsh CD-3.1, 1754  112  VN/OB/GF 
//31+6/51+//7/567//1+76/531//23+71+  6/4  Air 28 (t)  BA-E  Chambermaid, 1730  33  VO 
//316/51+//7/567//1+76/537-//2  6/4  Air 53 (t)  BA-E  Village Opera, 1729  69  VO 
//316/51+//767/1+5//316/51+//75  6/8  Pope Joan's Kissing-Dance (t)  SC-E  Watts MM-4, 1730  65-73  VO,HA+FL 
//31+6531//212//3216-5-//6-35//61+653  3/4  St Martins Church Yo (t)  IC-E  Caledonian PC, 1760  III,25  GF/VN 
//31+6/53+2+//1+1+/1+71+//2+2+/1+765//  2/4    AM-A  Johnson, S. MS, 1807  46  FI 
//316-/5-3-2-//1-43453/224//316-/5-4-2-1
-// 
C/  Trip to Garmony, A (t)  MS-E  Vickers MS, 1770  161  MI 
//31+6/5323//156/512//31+6/5321  Blathrie O'it (t)  IC-S  Aird 3, 1788  163  FI/GF/VN 
//3-16-/5-3-2-3-//1-5-6-/5-1-2-//3-16-/5
-3-2-1- 
Blathrie O't, The (t)  AI-A  Caladonian Muse, 1798  6  VO/PF/VN 
//31+6/5323//156/512//31+6/5321  Song 44 (t), or Blathrie O't, The (at)  SC-E  Calliope, 1788  83  VO 
//31+6/5323//156/512//31+6/5321  Blathrie O't, The (t)  SC-S  Edinburgh MM-2, 1793  164-165  VO 
//31+6/5323//156/512//31+6/5321  Blathrie O't, The (t)  AI-A  Scots MM, 1797  6L-R  VO,HA/PF 
//31+6/5323//156/512//31+6/5321  Blathrie O't, The (t)  SC-S  Scots MM-1, 1787  34  VO,PF 
//31+653//5512//31+653//3212//31+653  3/4  Bonny Brucket Lassie, The (t)  SC-S  Scots MM-1, 1787  69  VO,PF 
//31+//654321//1+2+1+653//512//31+  3/4  Royall Lament, The (t)  IC-E  Caledonian PC, 1760  VIII,2  GF/VN 
//3165/43217-1//5-31/5225//62  Saucy rascal, this intrusion (fl)  TW-E  Thomas & Sally, 1761  35-39  2HN,2VN,VA,HAF,VO 
//3/1+65/4321//7-2/224//35/1+6    Temple Change, The (t)  PL-E  Playford 1-11, 1701  I,232  VN 
//31+/654321//7-22/24//351+/62+7    Temple-Change, The (t)  PL-E  Playford 1-09, 1698  II,28  VN/FL 
//31+/654321//7-22/24//351+/62+7  6/4  Temple-Change, The (t)  PL-E  Playford 1-12, 1703  232  VN 
//31+/654321//7-22/24//351+/62+7  6/4  Temple Change, The (t)  PL-E  Playford 1-13, 1706  232  VN 
//31+/654321//7-22/24//351+/62+7  6/4  Temple-Change (t)  PL-E  Playford 1-14, 1709  232  VN 
//31+/654321//7-22/24//351+/62+7  6/4  Temple-Change (t)  PL-E  Playford 1-15, 1713  232  VN 
//31+/654321//7-22/24//351+/62+7  6/4  Temple-Change (t)  PL-E  Playford 1-16, 1716  232  VN 
//31+/654321//7-22/24//351+/62+7  6/4  Temple Change (t)  PL-E  Playford 1-17, 1721  232  VN 
//31+/654321//7-22/24//351+/62+7  6/4  Temple Change (t)  PL-E  Playford 1-18, 1728  232  VN 
//31+/654321//7-22/24//351+/62+7  6/4  Temple Change (t)  DA-E  Walsh CD-1.1, 1718  246  VN/OB/FL 
//31+/654321//7-22/24//351+/62+7  6/4  Temple Change (t)  DA-E  Walsh CD-2.1, 1731  101  VN/OB/GF/RC 
//31+/654321//7-22/24//351+/62+7  6/4  Temple Change (t)  DA-E  Walsh CD-3.1, 1754  139  VN/OB/GF 
//3+1+6/543//22+2+/2+1+2+//3+1+6  6/8  Poor Soldier, The (t)  IC-E  Preston Clar, 1797  10  CL 
//3+1+6/543//22+2+/2+1+2+//3+1+6/535//  6/8  Poor Soldier, The (t)  AM-A  Adams, W. MS, 1795  30  MI 
//316-/5-4-3-//2-22/212//316-/5-3-5-  6/8  Since Love Is the Plan (t)  AM-A  Beach MS, 1801  71  MI 
//316-/5-4-3-//2-22/212//316-/5-3-5-  6/8  Since Love Is the Plan, with Variations (t)  AM-A  Beck MS, 1786  112-115  GF 
//316-/5-4-3-//2-22/212//316-/5-3-5-  6/8  Since Love Is the Plan. C. D. (t)  AM-A  Cary MS, 1797  56  VN 
//316-/5-4-3-//2-22/212//316-/5-3-5-//  6/8  Since Love Is the Plan, Set Dance (t)  AM-A  Duport MS-2, 1800  26r  VN 
//316-/5-4-3-//2-22/212//316-/5-3-5-  6/8  Since Love Is the Plan (t)  AM-A  Eells MS, 1789  79  MI 
//316-//5-4-3-//2-22//212//316-//5-3-5-/
3/8  Drunk at Night & Dry In the Morning (t)  MS-S  Fife MS, 1780  849,91v  1FI OR 2FI/VN 
//316-/5-4-3-//2-22/212//316-/5-3-5-  6/8  Poor Soldier, The (t)  IC-E  Goulding Fife, 1790  30  FI 
//3+1+6/543//22+2+/2+1+2+//3+1+6/535//  6/8  Since Love Is the Plan (t)  AM-A  Hoff MS, 1797  No. 273  GF 
//316-/5-4-3-//2-22/212//316-/5-3-5-  6/8  Poor Soldier, The (t)  AM-A  Hosmer MS, 1798  40  MI 
//3+1+6/543//22+2+/2+1+2+//3+1+6/535//  6/8  How Happy the Soldier (t)  AM-A  Irving MS, 1796  41  1 MI 
//316-/5-4-3-//2-22/212//316-/5-3-5-  6/8  Since Love Is the Name (t), or Poor Soldier, (at)  AM-A  Pomeroy MS, 1790  15  GF 
//316-/5-4-3-//2-22/212//316-/5-3-5-  6/8  Since Love Is the Plan (t)  AI-A  Riley Flute 1, 1814  64  FL 
//316-/5-4-3-//2-22/212//316-/5-3-5-  6/8  Whistle, An' I'll Come to You, My Lad (t)  SC-S  Scots MM-2, 1788  109  VO,PF 
//316-/5-4-3-//2-22/212//316-/5-3-5-  6/8  Allegro (t)  IC-S  Sime Marches, 1789  29  HA/PF 
//3+1+6/543//22+2+/2+1+2+//3+1+6/535//  6/8  Whistle and I'll come to you (t)  AM-A  White, G. MS, 1790  123  VN 
//3+1+6/543//22+2+/2+1+2+//3+1+6/535//  6/8  How Happy's the Soldier, a Song (t)  AM-A  White, G. MS, 1790  128  2 VN, B 
//3+1+6/543//22+2+/2+1+2+//3+1+6/535  6/8  How Happy's the Soldier: A Song (t)  AI-A  Whiteley Prec, 1816  43  CL,OB,FL,BS 
//3+1+6/543//22+2+/2+1+2+//3+1+6/535  6/8  How Happy the Soldier (t)  AI-A  Williams Fife, 1819  23  FI 
//316-/5-4-3-//2-22/212//316-/5-3-5-//6-
11 
6/8  Since love is the plan (fl)  TW-E  Poor Soldier, 1782  8  VO,KB 
//31+/654/3//31+/531/27-5-  9/8  Trip to York, A (t)  DA-E  Rutherf CD-2.2, 1760  68  MI 
//31/6-5-4-3-//4-7-24/31+7//6543/6421//  C/  Hornpipe 5 (t)  DA-E  Fishar 16 Cot, 1780  50  KB 
//31+65//5312//34321//153//1+1+765//5353
// 
3/4  Groves of Blarney (t)  AM-A  White, G. MS, 1790  118-119  VN 
//3165//544-3-//2-6-5-4-//4-3-5-5-5-//15
-222//31553 
3/4  Paix Universelle, La. on S'accorde (t)  IC-N  Netherlands Sheet Music  19  PF 
//316-//5-6-//21//17-//316-//5-6-  3/4  Adagio of Pleyel (t)  AM-A  Curtiss MS, 1800  150  2VN 
//316-/5-6-4-//3-6-7-/11+//753/231//  3 [6/4]  Gigge, A (t)  MS-E  Fitzwilliam MS-2, 1609  258  VI 
//3+1+65//671+2+3+4+//3+2+1+76//5671+//5
431+ 
3/4  Lovers Indifference Excus'd a Song, A (t)  SS-E  SS, Folger-C42.3  44  VO,KB+FL 
//3/1+//65/67//1+7/65//  Pie, La (t)  IC-F  Leclerc Recueil-2, 1737  105  HAF 
//3/16-//5-7-/27-//17-/21//32  2/4  Damon & Clora. Reconciliation, The (t)  AI-A  American SS-SM  4  2VO,KB 
//316-/6-16-/316-/6-1//316-/6-16-  12/8  Mrs. Rutherford of Egerston (t)  IC-S  Calvert Coll, 1790  8  V,VC/HA/PF 
//316-/6-16-//316-/6-4//316-/6-16-  6/8  Salts Hole (t)  AM-A  Hawkins MS, 1794  II,83  GF 
//3+1+6/61+6//3+1+6/64+//3+1+6/61+6  6/8  Scot's Hall, The (t)  DA-E  Johnson CD-8, 1758  74  VN/GF 
//3-1/6-6//3/423//127-1/6-17-6-//  2/4  No. 1, Minor (t)  AI-A  Benoit Cots, 1827  1  PF 
//316-/6-5-6-//123/212//316-/6-5-6-  6/8  Cuba (t)  AM-A  Commonplace MS, 1797  12  FI 
//316-/6-5-6-//123/212//316-/6-5-6-  6/8  Cubies March (t)  AI-A  Hazeltine D&F, 1810  31  FI,DR 
//316-/6-5-6-//345/434//316-/6-5-6-  6/8  Cubie's March (t)  AI-A  Robinson Coll, 1818  50  FI,DR 
//316-//6-5-7-127-4//327-//7-16-1313//63
1//7-43 
3/4  Battle of Vittoria. The Lament of the Soldiers for the Coss of their Cam (t  IC-N  Netherlands Sheet Music    PF 
//316-/6-7-6-/123//565/527-/234//  [9/4]  Rantin Bille (t)  IC-E  Wright Extraordinary, 1715  [25]  MI 
//316-//7-1217-//357432//17-16-//6-  3/4  Minueto (t)  MS-M  Garcia MS, 1772  98 [226]  MI 
//31/6-7-12//3456/567//1+765/4321  2/4  Bow Street Quick Step (t)  AM-A  Beach MS, 1801  37  MI 
/31//6-/7-12//5-1/7-1//234/3//  6/8  Camille, La. Contredanse Nouvelle (t)  DA-F  Bouin CD LC-2 , 1780  190 Feuille 7. Vol  MI 
//31/6-7-//13/5//567/1+6  C/  Song, A (t)  SC-E  Pills 3, 1719-20  195-6  VO 
//3167/1+564//27-56/7425//3167/1+564//  C/  Fir Tree, The (t)  MS-E  Vickers MS, 1770  159c  MI 
//31/671+6//5/1+//2+75/432  6/8  Merry Contrivances, The (t)  DA-E  Walsh CD-2.4, 1747  82  MI 
//31/671+6//5/1+//2+75/432//  6/8  Merry Contrivances, The (t)  DA-E  Walsh CD-3.4, 1747  82  VN/OB/GF 
//31/671+//75/1+76//543/234  6/8  Mignonne, La (t)  IC-S  Stewart Airs, 1788  3:117  GF/VN/FI 
//31/6-7-//5-/5-7-1//2/27-5-//  6/8  Nacey Vorneen (t)  MS-S  Fife MS, 1780  120r  1FI OR 2FI/VN 
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