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Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
//31/6-1//2/1//3-6-/5-6-//2/1 | C | Air 9 (t) | BA-E | Silvia, 1731 | 11 | VO |
//3+/1+//61+/76//7/3// | C/ | De Moole. A 8 Grave Danse Hollandoise (t) | IC-F | Pointel Airs, 1700 | 22 | MI,B |
//3/1//6-21//7-5-/5-6-7- | C/ | March (t) | IC-E | Valentine March, 1787 | 2 | 2VN,2OB/FL,2HN,VA,BF |
//31/6-2//17-6-5-/123//44/44//43 | 2/4 | Keep Your Distance (t), or Favorite Song, A (at) | AI-A | American SS-SM | 1-2 | KB,VO |
//3+1+62+/54//31+3/421+2+//3+1+62+/54 | C/ | Nelson's Maggot (t) | DA-E | Johnson CD-8, 1758 | 7 | VN/GF |
//31/6-2//7-12/31//6-21/7-5-1// | C/ | Round O, A (t) | IC-E | Apollo's Banquet 2, 1691 | 10 | VN/FL |
//31/6-2//7-12/31//6-21/7-6-1// | C | Round O (t) | IC-E | Apollo's Banquet 1-6, 1690 | B67 | VN |
//31/6-2//7-5-/123//6-7-1/2642// | C | Air Composed for the Metalc Organ (t) | IC-E | Preston Cello, 1785 | 37 | 2VC |
//3+1+6/2+75//642/316-//1+64/535 | C/ | Royal Cradle, The (t) | DA-E | Thompson CD-2, 1765 | 72 | VN/GF/OB |
//3+1+6/2+75//642/316-//1+64/535// | C/ | Royal Cradle, The (t) | DA-E | Thompson CD-2a, 1765 | 72 | VN/GF/OB |
//316-/3234//53/3//7-123/433// | C [6/2] | Galliard (t) | MS-E | Fitzwilliam MS-2, 1609 | 198-199 | VI |
//3/16-//33/55//53 | C | One Hundred Nineteenth Psalm (t) | AM-A | Akerman MS, 1795 | 12 | 2VO/MI:(T)B |
//3/16-//33/55//55//63 | C | Hundred & Nineteenth Psalm C. M. (t) | AM-A | Dean MS, 1800 | I.79 | 3VO:S(T)B |
//316-3-/4-6-5-3-//4-6-2-1/7-25-4//315-3 -/4-6-5-4- |
C | Sir John Hope's Welcome to Ireland (t) | AI-A | Riley Flute 3, 1820 | 3 | FL |
//3-1-6-//4-2-2//17-6-5-6-7-//123455-//3 -1-6-//4-2-2 |
3/4 | Austrian Waltz (t) | IC-E | Pick Divs, 1800 | 17 | PF |
//3/16-42//3/16-42//3/217-6-//5- | C/ | Dance Tunes-4 (t), or Figure Dance-2 (at) | TW-E | Thomas & Sally, 1761 | 48-49 | 2HN,2VN,HAF |
//3+1+64+//3+12+1+7//1+2+3+56//4542+4//3 1531+ |
3/4 | Minuet. Minuet 2do. (t) | IC-E | Delightful-2, 1745 | III,16 | GF |
//3164/3164//3556/54566//3164/5364 | C/ | Wanderer, The (t) | AM-A | Otis MS, 1793 | 30 | VN/FL |
//31/64//316-/6-7-1//234/432 | 6/8 | Jays Fancy (t) | AM-A | Cary MS, 1797 | 114 | VN |
//31/6-4//3/1//7-1/217-// | C/ | Round O (t) | IC-E | Apollo's Banquet 1-8, 1701 | 17r,90 | VN |
//31/6-4//32/212//16-/6-5-6- | 6/8 | AM-A | Van Schaack MS, 1820 | 51 | FI/FL | |
//31/6-4-//5-/1-1//17-6-5-/14// | C | United States. Marine Cotillions. No. 1 (t) | AI-A | Francis's Ballroom, 1798 | 3 | KB |
//3164/51+//5342/31//316/531+ | C | Katie (t), or New Song, A (at) | SS-E | SS, Boston PL-2 | 205 | VO,KBF |
//31/64//53/11+//61+/72+ | 2/4 | Nielson's Slow March and Quick Step (t) | AI-A | American Sheet Music | PF | |
//3164/5321//27-5-4/34//51+71+/6543 | C | John and Nell (t) | SC-E | Clio-2, 1759 | 50 | VO,HA |
//31+/646/535//31+/6471+/2+75//31+/646/5 35 |
9/8 | Spread Eagle, The (t) | DA-E | Johnson CD-7, 1756 | 83 | VN/GF |
//31+/646/535//41+/646/2+75// | 9/8 | Spread Eggal, The (t) | MS-E | Vickers MS, 1770 | 22b | MI |
//316-/5-13//545/671+//135/1+53 | 6/8 | Double Drag (t) | AM-A | Brown, N. MS, 1781 | 10R | FI |
//316//516//51+3//27-1 | 3/4 | Spring a Rural Song (t) | AM-A | Ives MS, 1800 | 49 | VO,B |
//31/6-5-//16-/5-5-//11/54 | 6/8 | Bright Chanticlere (t) | AM-A | Spicer MS, 1797 | 190-191 | VO |
//316/51+//7/567//1+76/531 | 6/4 | Tunbridge Walks (t) | PL-E | Playford 1-12, 1703 | 352 | VN |
//316/51+//7/567//1+76/531 | 6/4 | Tunbridge Walks (t) | PL-E | Playford 1-13, 1706 | 352 | VN |
//316/51+//7/567//1+76/531 | 6/4 | Tunbridge Walks (t) | PL-E | Playford 1-14, 1709 | 343 | VN |
//316/51+//7/567//1+76/531 | 6/4 | Tunbridge Walks (t) | PL-E | Playford 1-15, 1713 | 343 | VN |
//316/51+//7/567//1+76/531 | 6/4 | Tunbridge Walks (t) | PL-E | Playford 1-16, 1716 | 343 | VN |
//316/51+//7/567//1+76/531 | 6/4 | Tunbridge Walks (t) | PL-E | Playford 1-17, 1721 | 343 | VN |
//316/51+//7/567//1+76/531 | 6/4 | Tunbridge Walks (t) | PL-E | Playford 1-18, 1728 | 343 | VN |
//316/51+//7/567//1+76/531 | 6/4 | Tunbridge Walks (t) | DA-E | Walsh CD-1.1, 1718 | 353 | VN/OB/FL |
//316/51+//7/567//1+76/531 | 6/4 | Tunbridge Walks (t) | DA-E | Walsh CD-2.1, 1731 | 82 | VN/OB/GF/RC |
//316/51+//7/567//1+76/531 | 6/4 | Tunbridge Walks (t) | DA-E | Walsh CD-3.1, 1754 | 112 | VN/OB/GF |
//31+6/51+//7/567//1+76/531//23+71+ | 6/4 | Air 28 (t) | BA-E | Chambermaid, 1730 | 33 | VO |
//316/51+//7/567//1+76/537-//2 | 6/4 | Air 53 (t) | BA-E | Village Opera, 1729 | 69 | VO |
//316/51+//767/1+5//316/51+//75 | 6/8 | Pope Joan's Kissing-Dance (t) | SC-E | Watts MM-4, 1730 | 65-73 | VO,HA+FL |
//31+6531//212//3216-5-//6-35//61+653 | 3/4 | St Martins Church Yo (t) | IC-E | Caledonian PC, 1760 | III,25 | GF/VN |
//31+6/53+2+//1+1+/1+71+//2+2+/1+765// | 2/4 | AM-A | Johnson, S. MS, 1807 | 46 | FI | |
//316-/5-3-2-//1-43453/224//316-/5-4-2-1 -// |
C/ | Trip to Garmony, A (t) | MS-E | Vickers MS, 1770 | 161 | MI |
//31+6/5323//156/512//31+6/5321 | C | Blathrie O'it (t) | IC-S | Aird 3, 1788 | 163 | FI/GF/VN |
//3-16-/5-3-2-3-//1-5-6-/5-1-2-//3-16-/5 -3-2-1- |
C | Blathrie O't, The (t) | AI-A | Caladonian Muse, 1798 | 6 | VO/PF/VN |
//31+6/5323//156/512//31+6/5321 | C | Song 44 (t), or Blathrie O't, The (at) | SC-E | Calliope, 1788 | 83 | VO |
//31+6/5323//156/512//31+6/5321 | C | Blathrie O't, The (t) | SC-S | Edinburgh MM-2, 1793 | 164-165 | VO |
//31+6/5323//156/512//31+6/5321 | C | Blathrie O't, The (t) | AI-A | Scots MM, 1797 | 6L-R | VO,HA/PF |
//31+6/5323//156/512//31+6/5321 | C | Blathrie O't, The (t) | SC-S | Scots MM-1, 1787 | 34 | VO,PF |
//31+653//5512//31+653//3212//31+653 | 3/4 | Bonny Brucket Lassie, The (t) | SC-S | Scots MM-1, 1787 | 69 | VO,PF |
//31+//654321//1+2+1+653//512//31+ | 3/4 | Royall Lament, The (t) | IC-E | Caledonian PC, 1760 | VIII,2 | GF/VN |
//3165/43217-1//5-31/5225//62 | C | Saucy rascal, this intrusion (fl) | TW-E | Thomas & Sally, 1761 | 35-39 | 2HN,2VN,VA,HAF,VO |
//3/1+65/4321//7-2/224//35/1+6 | Temple Change, The (t) | PL-E | Playford 1-11, 1701 | I,232 | VN | |
//31+/654321//7-22/24//351+/62+7 | Temple-Change, The (t) | PL-E | Playford 1-09, 1698 | II,28 | VN/FL | |
//31+/654321//7-22/24//351+/62+7 | 6/4 | Temple-Change, The (t) | PL-E | Playford 1-12, 1703 | 232 | VN |
//31+/654321//7-22/24//351+/62+7 | 6/4 | Temple Change, The (t) | PL-E | Playford 1-13, 1706 | 232 | VN |
//31+/654321//7-22/24//351+/62+7 | 6/4 | Temple-Change (t) | PL-E | Playford 1-14, 1709 | 232 | VN |
//31+/654321//7-22/24//351+/62+7 | 6/4 | Temple-Change (t) | PL-E | Playford 1-15, 1713 | 232 | VN |
//31+/654321//7-22/24//351+/62+7 | 6/4 | Temple-Change (t) | PL-E | Playford 1-16, 1716 | 232 | VN |
//31+/654321//7-22/24//351+/62+7 | 6/4 | Temple Change (t) | PL-E | Playford 1-17, 1721 | 232 | VN |
//31+/654321//7-22/24//351+/62+7 | 6/4 | Temple Change (t) | PL-E | Playford 1-18, 1728 | 232 | VN |
//31+/654321//7-22/24//351+/62+7 | 6/4 | Temple Change (t) | DA-E | Walsh CD-1.1, 1718 | 246 | VN/OB/FL |
//31+/654321//7-22/24//351+/62+7 | 6/4 | Temple Change (t) | DA-E | Walsh CD-2.1, 1731 | 101 | VN/OB/GF/RC |
//31+/654321//7-22/24//351+/62+7 | 6/4 | Temple Change (t) | DA-E | Walsh CD-3.1, 1754 | 139 | VN/OB/GF |
//3+1+6/543//22+2+/2+1+2+//3+1+6 | 6/8 | Poor Soldier, The (t) | IC-E | Preston Clar, 1797 | 10 | CL |
//3+1+6/543//22+2+/2+1+2+//3+1+6/535// | 6/8 | Poor Soldier, The (t) | AM-A | Adams, W. MS, 1795 | 30 | MI |
//316-/5-4-3-//2-22/212//316-/5-3-5- | 6/8 | Since Love Is the Plan (t) | AM-A | Beach MS, 1801 | 71 | MI |
//316-/5-4-3-//2-22/212//316-/5-3-5- | 6/8 | Since Love Is the Plan, with Variations (t) | AM-A | Beck MS, 1786 | 112-115 | GF |
//316-/5-4-3-//2-22/212//316-/5-3-5- | 6/8 | Since Love Is the Plan. C. D. (t) | AM-A | Cary MS, 1797 | 56 | VN |
//316-/5-4-3-//2-22/212//316-/5-3-5-// | 6/8 | Since Love Is the Plan, Set Dance (t) | AM-A | Duport MS-2, 1800 | 26r | VN |
//316-/5-4-3-//2-22/212//316-/5-3-5- | 6/8 | Since Love Is the Plan (t) | AM-A | Eells MS, 1789 | 79 | MI |
//316-//5-4-3-//2-22//212//316-//5-3-5-/ / |
3/8 | Drunk at Night & Dry In the Morning (t) | MS-S | Fife MS, 1780 | 849,91v | 1FI OR 2FI/VN |
//316-/5-4-3-//2-22/212//316-/5-3-5- | 6/8 | Poor Soldier, The (t) | IC-E | Goulding Fife, 1790 | 30 | FI |
//3+1+6/543//22+2+/2+1+2+//3+1+6/535// | 6/8 | Since Love Is the Plan (t) | AM-A | Hoff MS, 1797 | No. 273 | GF |
//316-/5-4-3-//2-22/212//316-/5-3-5- | 6/8 | Poor Soldier, The (t) | AM-A | Hosmer MS, 1798 | 40 | MI |
//3+1+6/543//22+2+/2+1+2+//3+1+6/535// | 6/8 | How Happy the Soldier (t) | AM-A | Irving MS, 1796 | 41 | 1 MI |
//316-/5-4-3-//2-22/212//316-/5-3-5- | 6/8 | Since Love Is the Name (t), or Poor Soldier, (at) | AM-A | Pomeroy MS, 1790 | 15 | GF |
//316-/5-4-3-//2-22/212//316-/5-3-5- | 6/8 | Since Love Is the Plan (t) | AI-A | Riley Flute 1, 1814 | 64 | FL |
//316-/5-4-3-//2-22/212//316-/5-3-5- | 6/8 | Whistle, An' I'll Come to You, My Lad (t) | SC-S | Scots MM-2, 1788 | 109 | VO,PF |
//316-/5-4-3-//2-22/212//316-/5-3-5- | 6/8 | Allegro (t) | IC-S | Sime Marches, 1789 | 29 | HA/PF |
//3+1+6/543//22+2+/2+1+2+//3+1+6/535// | 6/8 | Whistle and I'll come to you (t) | AM-A | White, G. MS, 1790 | 123 | VN |
//3+1+6/543//22+2+/2+1+2+//3+1+6/535// | 6/8 | How Happy's the Soldier, a Song (t) | AM-A | White, G. MS, 1790 | 128 | 2 VN, B |
//3+1+6/543//22+2+/2+1+2+//3+1+6/535 | 6/8 | How Happy's the Soldier: A Song (t) | AI-A | Whiteley Prec, 1816 | 43 | CL,OB,FL,BS |
//3+1+6/543//22+2+/2+1+2+//3+1+6/535 | 6/8 | How Happy the Soldier (t) | AI-A | Williams Fife, 1819 | 23 | FI |
//316-/5-4-3-//2-22/212//316-/5-3-5-//6- 11 |
6/8 | Since love is the plan (fl) | TW-E | Poor Soldier, 1782 | 8 | VO,KB |
//31+/654/3//31+/531/27-5- | 9/8 | Trip to York, A (t) | DA-E | Rutherf CD-2.2, 1760 | 68 | MI |
//31/6-5-4-3-//4-7-24/31+7//6543/6421// | C/ | Hornpipe 5 (t) | DA-E | Fishar 16 Cot, 1780 | 50 | KB |
//31+65//5312//34321//153//1+1+765//5353 // |
3/4 | Groves of Blarney (t) | AM-A | White, G. MS, 1790 | 118-119 | VN |
//3165//544-3-//2-6-5-4-//4-3-5-5-5-//15 -222//31553 |
3/4 | Paix Universelle, La. on S'accorde (t) | IC-N | Netherlands Sheet Music | 19 | PF |
//316-//5-6-//21//17-//316-//5-6- | 3/4 | Adagio of Pleyel (t) | AM-A | Curtiss MS, 1800 | 150 | 2VN |
//316-/5-6-4-//3-6-7-/11+//753/231// | 3 [6/4] | Gigge, A (t) | MS-E | Fitzwilliam MS-2, 1609 | 258 | VI |
//3+1+65//671+2+3+4+//3+2+1+76//5671+//5 431+ |
3/4 | Lovers Indifference Excus'd a Song, A (t) | SS-E | SS, Folger-C42.3 | 44 | VO,KB+FL |
//3/1+//65/67//1+7/65// | 2 | Pie, La (t) | IC-F | Leclerc Recueil-2, 1737 | 105 | HAF |
//3/16-//5-7-/27-//17-/21//32 | 2/4 | Damon & Clora. Reconciliation, The (t) | AI-A | American SS-SM | 4 | 2VO,KB |
//316-/6-16-/316-/6-1//316-/6-16- | 12/8 | Mrs. Rutherford of Egerston (t) | IC-S | Calvert Coll, 1790 | 8 | V,VC/HA/PF |
//316-/6-16-//316-/6-4//316-/6-16- | 6/8 | Salts Hole (t) | AM-A | Hawkins MS, 1794 | II,83 | GF |
//3+1+6/61+6//3+1+6/64+//3+1+6/61+6 | 6/8 | Scot's Hall, The (t) | DA-E | Johnson CD-8, 1758 | 74 | VN/GF |
//3-1/6-6//3/423//127-1/6-17-6-// | 2/4 | No. 1, Minor (t) | AI-A | Benoit Cots, 1827 | 1 | PF |
//316-/6-5-6-//123/212//316-/6-5-6- | 6/8 | Cuba (t) | AM-A | Commonplace MS, 1797 | 12 | FI |
//316-/6-5-6-//123/212//316-/6-5-6- | 6/8 | Cubies March (t) | AI-A | Hazeltine D&F, 1810 | 31 | FI,DR |
//316-/6-5-6-//345/434//316-/6-5-6- | 6/8 | Cubie's March (t) | AI-A | Robinson Coll, 1818 | 50 | FI,DR |
//316-//6-5-7-127-4//327-//7-16-1313//63 1//7-43 |
3/4 | Battle of Vittoria. The Lament of the Soldiers for the Coss of their Cam (t | IC-N | Netherlands Sheet Music | PF | |
//316-/6-7-6-/123//565/527-/234// | [9/4] | Rantin Bille (t) | IC-E | Wright Extraordinary, 1715 | [25] | MI |
//316-//7-1217-//357432//17-16-//6- | 3/4 | Minueto (t) | MS-M | Garcia MS, 1772 | 98 [226] | MI |
//31/6-7-12//3456/567//1+765/4321 | 2/4 | Bow Street Quick Step (t) | AM-A | Beach MS, 1801 | 37 | MI |
/31//6-/7-12//5-1/7-1//234/3// | 6/8 | Camille, La. Contredanse Nouvelle (t) | DA-F | Bouin CD LC-2 , 1780 | 190 Feuille 7. Vol | MI |
//31/6-7-//13/5//567/1+6 | C/ | Song, A (t) | SC-E | Pills 3, 1719-20 | 195-6 | VO |
//3167/1+564//27-56/7425//3167/1+564// | C/ | Fir Tree, The (t) | MS-E | Vickers MS, 1770 | 159c | MI |
//31/671+6//5/1+//2+75/432 | 6/8 | Merry Contrivances, The (t) | DA-E | Walsh CD-2.4, 1747 | 82 | MI |
//31/671+6//5/1+//2+75/432// | 6/8 | Merry Contrivances, The (t) | DA-E | Walsh CD-3.4, 1747 | 82 | VN/OB/GF |
//31/671+//75/1+76//543/234 | 6/8 | Mignonne, La (t) | IC-S | Stewart Airs, 1788 | 3:117 | GF/VN/FI |
//31/6-7-//5-/5-7-1//2/27-5-// | 6/8 | Nacey Vorneen (t) | MS-S | Fife MS, 1780 | 120r | 1FI OR 2FI/VN |
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