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Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
//31/21//131/5-5-//6-6-/42// | 6/8 | Ball, The (t) | AM-A | Adams, W. MS, 1795 | 22 | MI |
//31/21//131/5-5-//6-6-/42// | 6/8 | Finale (t) | AM-A | New Harmony MS, 1826 | 1 | MI |
//31/21//131/5-5-//6-6-/42 | 6/8 | Ball, The (t) | AI-A | Village Fifer, 1808 | 29 | 2FI |
//31/21//16-/5-4-//3-1/6-3-2-2- | Patricks Day In the Mornings (t) | AM-A | Blake MS, 1776 | 24 | FI | |
//3-1-2-/1-17-//6-/5-//4-6-4-2/3-5-3-1- | C | General Washington's Favorite (t) | AM-A | Dean MS, 1800 | I.16 | MI |
//3/1//2121/5-//3/1 | C | Form Echellons (t) | AI-A | Duane Riflemen, 1812 | 104 | BU |
//3/121217-1/2//217-6-/5-/17-6-5-/4-// | C [3/2] | Galiarda (t) | MS-E | Fitzwilliam MS-1, 1609 | 93-95 | VI |
//31/212//31/11+6/531/6-5- | 6/8 | Morris Dance (t) | AI-A | American Sheet Music | PF | |
//31/212//31/1+6//531/6-5-//6-22 | 6/8 | Pas Seul-2 (t) | TW-E | Oscar & Malvina, 1791 | 27 | KB |
//31/2123//1/2123//43/2342 | C/ | Capacins Maidons, Les (t) | IC-S | Stewart Airs, 1788 | 1:35 | GF/VN/FI |
//312//123//2321//7-5-//36-7- | 3/4 | Ballad on New Bedlam, A (t) | SS-E | SS, Folger-C42.3 | 328 | VO |
//31/21//31/21+//31/21 | 6/8 | Battle of Falkirk, The-2 (t) | IC-E | Caledonian PC, 1760 | IX,2 | GF/VN |
//31/21//31/21//31/21 | 6/8 | Hottentots, The (t) | AM-A | Woodruff MS, 1803 | 56 | MI |
//312/132//17-1/234 | 6/8 | Your boasting give o'er (fl) | SS-E | SS, Folger-C52 | 142-143 | MI,VO,KB |
//312/13//423/22//313/27-2// | 2/4 | Ballet Allemande, Le. Contredanse. Dansee de Zephir & Flore (t) | DA-F | Bouin CD LC-3 , 1780 | 152 Feuille. 6. Vol | MI |
//3121/5121//1+1/11+7//6543/254 | C/ | Vergatter V. Hessen Cassel No.4 (t) | MS-G | Darmstadt MS 1225 | 103-4 | 2MI |
//3121//6-5-6-5-//3-3-5-3-//2-1-1-1-//31 21//6565 |
3/4 | Highland Battle, The. The Lamentation (t) | IC-S | Scottish Sheet Music | KB | |
//3121/7-124//3127-/36-6-4//3121 | C/ | You're Welcome to the Country (t) | DA-E | Longman CD, 1781 | 59 | VN/OB/GF |
//3121/7-124//3127-/36-6-4//3121/7-121+ | C/ | Old Stewarts Back Again, The (t) | IC-E | Caledonian PC, 1760 | VI,26 | GF/VN |
//3121/7-124//3127-/36-6-4//3121/7-121+/ / |
C/ | Auld Stuart's Back Again, The (t) | IC-S | Stewart Reels, 1775 | 23 | VN/GF,VC/HA |
//3121/7-124//3127-/36-6-4//3121/7-124+/ / |
2/4 | Old Stewards Back Again, The (t) | MS-E | Vickers MS, 1770 | 154b | MI |
//31/21//7-1/24//32/17- | C/ | Apprentice Lad, The (t) | AM-A | Kingsley MS, 1795 | I,35 | MI |
//31/21//7-1/24//323/17- | C/ | Apprentice Lad, The (t) | AM-A | Woodruff MS, 1803 | 43 | MI |
//31/217-//15-4//31+53 | 2/4 | It's Well It's No Worse (t) | DA-E | Thompson CD-3, 1773 | 4 | VN/GF/OB |
//31/217-//15-4//31+53// | 2/4 | It's Well It's No Worse (t) | DA-E | Thompson CD-3a, 1773 | 7 | VN/GF/OB |
//31217-//16-5-//4-4-//3-5-//17-12 | 3/4 | Maids Request, The (t) | SS-E | SS, Folger-C42.3 | 120 | VO,KB+FL |
//31//217-//17-121//1+5//31//217-//1 | 3/4 | Minuet (t) | AM-A | Hiester MS-2, 1793 | 33 | KB |
//31/21//7-24/654//3567/1+564// | C | Mrs. Bakers Hornpipe (t) | AM-A | White, G. MS, 1790 | 68 | VN |
//3+1+2+1+//751+7//6454 | C | Easter Holy Days (t) | DA-E | Thompson CD-2, 1765 | 29 | VN/GF/OB |
//3121//7-5-17-//6-4-5-4-//3-1-54//312 | Duke of York's Delight (t) | MS-E | Hammersley MS, 1790 | 101B | MI | |
//3+1+2+1+//751+7//6454//315+4+//3+1+2+1 +//7567// |
C | Easter Holy Days (t) | DA-E | Thompson CD-2a, 1765 | 28 | VN/GF/OB |
//3+1+2+1+76/334//556/7671+2+7//6661+6/3 34+// |
C/ | Drummer, The (t) | MS-S | Young MS-3, 1740 | 9 | VN/OB/GF |
//31/217-6-//5-/5//31/12// | C/ | Sabotiere, La (t) | MS-G | Jayme MS, 1717 | 23 | MI |
//31/217-6-//5-5//31/12 | C/ | Wooden Shoes (t) | PL-E | Playford 1-12, 1703 | 339 | VN |
//31/217-6-//5-5//31/12 | C/ | Wooden Shoes (t) | PL-E | Playford 1-13, 1706 | 339 | VN |
//31/217-6-//5-5//31/12 | C/ | Wooden Shooes (t) | PL-E | Playford 1-14, 1709 | 339 | VN |
//31/217-6-//5-5//31/12 | C/ | Wooden Shoos (t) | PL-E | Playford 1-15, 1713 | 339 | VN |
//31/217-6-//5-5//31/12 | C/ | Wooden Shoos (t) | PL-E | Playford 1-16, 1716 | 339 | VN |
//31/217-6-//5-5//31/12 | C/ | Wooden Shooes (t) | DA-E | Walsh CD-1.1, 1718 | 349 | VN/OB/FL |
//31/217-6-//5-5//31/12 | C/ | Wooden Shooes (t) | DA-E | Walsh CD-2.1, 1731 | 123 | VN/OB/GF/RC |
//31/217-6-//5-5//31/12//31/123// | C/ | Autum Dance. by a French Clowne & a Country Woman In Wooden Shoes (t) | IC-E | Theater Musick-2, 1699 | 11 | VN |
//31/217-6-//5-5//31/12//32/123// | C/ | Wooden Shew Dance, The (t) | IC-E | Apollo's Banquet 1-8, 1701 | 18r,96 | VN |
//31/217-6-//5-/5-54//31/13 | C/ | Wooden Shooes (t) | DA-E | Johnson CD-2, 1742 | 53 | MI |
//31222/15-5-//3123/4224//3151/6 | C/ | Miss Hodgkinson's Reel (t) | AM-A | Huntington MS, 1817 | III.53 | FL/VN |
//3122//3122//3543//21//3455//6544// | 3/4 | Light Dragoons Retreat, The (t) | IC-E | Longman March 4, 1770 | 6 | 2VN/OB/GF, 2HN, B |
//3122//3122//3543//21//3455//6544 | 3/4 | March (t) | IC-S | Stewart Airs, 1788 | 3:113 | GF/VN/FI |
//3123/11-1-3-//4-6-5-3-/2-224//3123/11- 1-3// |
C/ | Miss Pringle's Reel (t) | IC-S | Stewart Reels, 1775 | 58 | VN/GF,VC/HA |
//31/2//31/2//3135/4321 | 2/4 | Philadelphia Quick Step (t) | AI-A | American Sheet Music | PF | |
//312/312//3234/36-//312/321 | Marlborough, The (t) | MS-E | English BL Add MSS | MI | ||
//312/312//331/6-7-1//27-1/27-1 | C/ | Cuckoo's Nest, The (t) | AM-A | Hawkins MS, 1794 | II,5 | GF |
//312/312//36/27-1//217-/16-5-6- | C/ | Royal Hunters (t) | DA-E | Johnson CD-4, 1748 | 53 | VN/GF |
//312/312//36/27-1//217-/16-5-6- | C | Royal Hunters, The (t) | DA-E | Walsh CD-2.4, 1747 | 43 | MI |
//312/312//36/27-1//217-/16-5-6-// | C | Royal Hunters, The (t) | DA-E | Walsh CD-3.4, 1747 | 43 | VN/OB/GF |
//312/312//5434/27-1//27-1/254 | 2/4 | Russian Dance (t) | AI-A | Robinson Coll, 1818 | 33 | FI,DR |
//312/312//5434/27-1//27-1/254 | 2/4 | Russian Dance (t) | AI-A | Robinson Coll, 1820 | 46 | MI |
//31231/31231//42342//42342//31231 | 6/8 | Battle Piece-3 (t), or Skirmish of Foot Soldiers (at) | TW-E | Oscar & Malvina, 1791 | 25 | KB |
//31231/31231//42342/42342//31231/24-5-6 -4-//1 |
6/8 | Battle Piece-6 (t), or General Attack (at) | TW-E | Oscar & Malvina, 1791 | 26 | KB |
//31/2//31/35//1+2+/3+2+1+ | 6/8 | Now or Never (t) | AM-A | Hawkins MS, 1794 | II,59 | GF |
//3/12//3/13//54/34 | 2/4 | Prussian Dance, The (t) | AM-A | Brown, D. MS, 1797 | 8 | FI |
//312//315//312//112//312//312// | 3/8 | Presto (t) | IC-F | Buhl Trumpet, 1825 | 43 | 2TR |
//31231//543//654567//1+5//315- | 3/4 | Philis May Yet Be a Maid (t) | MS-I | Regan MS, 1764 | 27 | MI |
//31231//543//654567//1+5//315- | 3/4 | New Song, A (t) | SS-E | SS, Harvard | 1 | 2VO,KBF |
//31231//543//654567//1+5//315-//1354//3 |
3/4 | Hark Hark O'er the Plains (t) | IC-E | Delightful-2, 1745 | III,8 | GF |
//3123//16-3//66564//567//3123//16-3// | 3/4 (ed) | Minuet (t) | IC-E | Theater Musick-2, 1699 | 31 | VN |
//3-/1-2-3-//2-1-/3-//5-/3-1- | 2/4 | Troop, A (t) | AM-A | Nixon MS, 1776 | 43 | FI |
//312//3/21//6-/5-3-//2-5- | C/ | New Way of Wooing, The (t) | DA-E | Johnson CD-1, 1740 | 9 | MI |
//3/12//32/17-//6-7-/12//7- | Overture-4. Chorus (t) | TW-E | Siege/Belgrade, 1791 | 8 | 2VO,PF | |
//3/12//32/17-//6-7-/12//7- | Overture-6 (t), or Dance of Turkish Women (at) | TW-E | Siege/Belgrade, 1791 | 9-10 | 2VO,KB | |
//3/12//32/17-//6-7-/12//7-5- | 2/4 | Overture-3 (t), or Allegretto Alla Turca (at) | TW-E | Siege/Belgrade, 1791 | 6-8 | KB |
//3123/2225//4321/217-6-6-3//2123/222// | C/ | Ma Mout, La (t) | DA-E | London Magazine | 377, 1752 | MI |
//31232//27-127-//16-7-16- | 3/8 | Minuet (t) | AI-A | Martial Music, 1807 | 20 | 2CL/2OB,BS |
//312/32//357-/17-6-//5-15-/3-2- | 6/8 | Irish Joak (t) | DA-E | Walsh CD-3.6, 1754 | 13 | VN/OB/GF |
//31/23//25-/5-5//31/67// | C/ | Will o' th' Wisp (t) | DA-E | London Magazine | 469, 1751 | MI |
//3123/3212//11/154//3135/4231// | 2/4 | Ete, L' (t) | AI-A | Hewitt Cots-1, 1803 | 4 | PF |
//3123/321//3546/543//61+46/246-2//17- | C | Broom on Cowdenknows, The (t) | SC-S | Edinburgh MM-2, 1793 | 142-144 | VO |
//3123/321//3546/543//61+46/246-2//17- | C | Broom on Cowdenknows, The (t) | SS-E | SS, Harvard | 1 | VO,KB+GT |
//312/33+//2+3+4+3+2+/71+//312/33+ | 6/4 | May Fair (t) | DA-E | Walsh NCDM-2, 1710 | 92 | VN/OB/FL |
//312/3335//3/113//5556/534 | C | Grenadier's March (t) | IC-E | Preston Fife, 1796 | 12 | FI/GF |
//3123421//25-6-5-4-//3-5-4-6-2-4//3217- 11-//3454321645 |
3/4 | Berely Square (t) | DA-E | Johnson CD-5, 1750 | 92 | VN/GF |
//31/2342//31/2342//13/51+// | C/ | Ramble to Oxford, A (t) | DA-E | Martin Misc Corr, 1759 | 646, 1757 | MI |
//3123//4234//3123//27-/6-5- | 2/4 | Clapham Frolick (t) | DA-E | Johnson CD-6, 1751 | 11 | VN/GF |
//312342/5654//312342/56543567//1+1+2+1+ 76-/556543 |
C | Black Dance, The (t) | AM-A | Herreshoff MS, 1790 | 4V | MI |
//3123//4/32//13/56 | 2/4 | Feathers, The (t) | DA-E | Johnson CD-8, 1758 | 51 | VN/GF |
//3123/4321//553215-22//5 | C/ | Song, A (t) | SS-E | SS, Folger-C42.4 | 86 | VO,KB+FL |
/31//234/32//31/123//21/ | 2 | Oseille, L' (t) | IC-F | Leclerc Recueil-1, 1729 | 56 | HAF |
//31/234//32/31//123/6-7-1// | C/ | New Gavott, The (t) | IC-E | Apollo's Banquet 1-1, 1670 | 192 | VN |
/31//234/32//31/123//6-7-1/ | C/ | Gavote Dance Francoise (t) | IC-F | Pointel Airs, 1700 | 29 | MI,B |
//31/234//32/31//123/6-7-1//21/7- | C/ | #56 (t), or Gavot, The (at) | PL-E | Playford 1-3b, 1665 | II,51 | VN |
//31234/3252//3236/457654//5 | C/ | Take my word, when I declare (fl) | SC-E | Watts MM-4, 1730 | 122-123 | VO,HA+FL |
//3/12//3-/43//3/43 | C | When Cora Is Going to Suffer Death In the Temple of the Sun (t) | AI-A | Columbus, 1799 | 3 | PF/FL/VN |
//312/34//43/7-12//6-/7- | 6/8 | Toi Que Sans Cesse (t) | IC-F | Bonjour Recueil, 1800 | 1:6 | VN/FL |
//312//34//51+/53 | 2/4 | Trip to Bath (t) | DA-E | Thompson CD-1, 1757 | 82 | VN/GF/OB |
//312//34//51+/53//46/24// | 2/4 | Trip to Bath (t) | DA-E | Thompson CD-1a, 1757 | 80 | VN/GF/OB |
//31234//515//565432//315//31234//511+ | 3/4 | Vergatter Von Toscana (t) | MS-G | Darmstadt MS 1225 | 93-94 | 2MI |
//31234//523//43//21232//31234//523// | 3 | Moulinet, Le (t) | IC-F | Leclerc Recueil-2, 1737 | 72 | HAF |
//31234/53//1234/5351+//31234/53// | 6/8 | Sunderland Lassess (t) | MS-E | Vickers MS, 1770 | 28 | MI |
//31234/531/642//531/642/11+7// | 9/8 | Polly Pouts (t) | DA-E | Martin Misc Corr, 1759 | 217, 1755 | MI |
//3123453//24321234//5224//3123453 | 3/2 | Dick the Joiner (t) | AM-A | Perkins MS, 1790 | 46 | MI |
//31234//535//671+//1+75 | 3/4 | Violet, The (t) | AM-A | Hosmer MS, 1798 | 30 | MI |
//31234//543//4567//1+2+//3+51+ | 3/8 | Of all my experience how vast the amount (fl) | SS-E | SS, Huntington-1 | 90 | VO,KB,GF |
//31234/5455//1+76/55//654/34 | 6/8 | Oh hear her signs, Believe her tears (fl) | TW-E | Enchanter, 1760 | 30-33 | 3VO,2VI,HAF |
//31234//5565//461+646//43+1+//4+2+163+1 //4+2+163+1// |
3/8 | Arabella Waltz (t) | AM-A | Duport MS-2, 1800 | 31r | VN |
//31/234//5/567//64/53//434/27-5- | 6/8 | Noggin, The (t) | DA-E | Johnson CD-5, 1750 | 33 | VN/GF |
//3123/4567//1+/5//323/43 | 2/4 | New Tambourine (t) | DA-E | Walsh CD-2.4, 1747 | 160 | MI |
//3123/4567//1+/5//323/43// | 2/4 | New Tambourine (t) | DA-E | Walsh CD-3.4, 1747 | 160 | VN/OB/GF |
//312345671+//543//131313//54342//312345 671+//543//32421 |
3/4 | Minuet de la Court (t) | AM-A | Willis MS, 1795 | 51 | MI |
//31234/7-11-//3-4-3-5-15-/123//44432/33 321// |
C | Handles Clarionet (t) | AM-A | Johnson, S. MS, 1807 | 17-18 | FI |
//31234/7-11-//3-4-3-5-6-5-/123//44432/3 3321 |
AM-A | Bolling MS, 1785 | 16 | CL | ||
/3123//47-/543//43/21//217-/217-6-// | 2 | Griel, de La. Contredanse (t) | DA-F | LaCuisse Rep CD LC-1, 1762 | 12 Feuille | MI |
//3123/5351+//3131/225//3123/5351+// | C | Ravons Rant, The (t) | MS-S | Fife MS, 1780 | 258,27r | 1FI OR 2FI/VN |
//312//3546//534//51+1+2+2+3+ | 3/4 | Weideman's New Minuet (t) | AM-A | Hawkins MS, 1794 | II,28 | GF |
//3123/5-6-//17-12/321//46/5321// | C | Bonny Jean of Aberdeen (t) | IC-S | Craig Scots Tunes, 1730 | 27 | HA/SP |
//3123/5-6-//17-12/321//46/5321// | C | Bonny Jean of Aberdeen (t) | IC-S | Scots Tunes (C), 1730 | 27 | HA/SP/VN/GF |
//3//12/35//63/43 | Sophronia (t) | AM-A | Allen, W. MS, 1790 | 28 | 4VO:(S)ATB | |
//3//12/35//63/43//3 | C | Sophronia (t) | AM-A | Brown, H. MS, 1797 | 8-10 | VO,B |
//312/36-1//17-6-5-/6-7-//1234/531 | C | Alas Sir I fear we are in for our lives (fl) | TW-E | Choice/Harleq, 1781 | 44-45 | VO,HAF |
//312/36-12//313/25-7-2//312/36-12 | Slepy Moggy (t) | MS-E | Hammersley MS, 1790 | 85 | MI | |
//312/36//31/7-1/6-23//43/3221// | C/ | Morn Returns, The. Song In Rosina (t) | AM-A | Adams, W. MS, 1795 | 20 | MI |
//312/36//317-1/6-23//43/3221 | C | Morn Returns, The (t) | AI-A | Riley Flute 2, 1817 | 80 | FL |
//312/36//317-1/6-23//43/3221 | C | Moon returns in saffron drest, The (fl) | TW-E | Rosina, 1783 | 10 | 2VO,MI,KB |
//31/24//31/24//343/212// | 6/8 | Nouvelle Venitienne, La. Contre-Danse Française (t) | DA-F | Landrin CD BN, 1775 | 23 Feuille | KB |
//31/24//31/25//31/24 | 2/4 | Finale (t) | TW-E | Prisoner, 1792 | 34-41 | KBF,3VO,VN,VC,2TR,FL,BS |
//3124/321//3546/543//61+46 | C | Broom on Cowdenknows, The (t) | SS-E | SS, New York PL-C695 | 73 | VO,B+GT |
//3124/321//3546/543//61+46 | C | When Summer Comes, The Swains on Tweed (t) | SC-E | Vocal Music, 1775 | 82-83 | VO/VN/GF |
//3124/321//3546/543//61+46/246-1 | C | Cowden Broom (t) | AI-A | Riley Flute 2, 1817 | 35 | FL |
//3124/321//3546/543//61+46/246-2// | C | Broom on Cowdenknows, The (t) | AM-A | Irving MS, 1796 | 57 | 1 MI |
//3124/321//3546/543//61+46/246-2//17- | C | Broom on Cowdenknows, The (t) | SS-E | SS, Harvard | 1 | VO,KB+GT |
//3124/321//3546/543//61+46/246-2//17- | C | Broom on Cowdenknows, The (t) | SS-E | SS, Harvard | 1 | VO,KB+GT |
//3124//51/51//3134//5/3 | C/ | Presbyterian Iigg (t) | DA-E | Johnson CD-2, 1742 | 48 | MI |
//3124/521//3546/543//61+46/246-2 | C | Broom of Cowdenknows, The (t) | SS-E | SS, Huntington-1 | 166 | VO,KB+GT |
//31/25-//11/2342//33/1// | 2/4 | Bunkers Hill (t) | AM-A | Bevens MS, 1825 | 21v-22r | FI |
//31/25-//16-/5-4-//3-1/5-3- | C | Recruiting Officer, The (t) | AM-A | Hooves MS, 1817 | 37 | FI |
//31/25-//16-/5-4-//3-1/5-3- | C | Recruiting Officer, The (t) | AI-A | Robbins D&F, 1812 | 24 | FI |
//3+1+2+5/1+673//6461+/5431//3455 | C | Finale (t) | TW-E | Farmer, 1787 | 40-42 | 2MI,KB,VO |
//3+1+/2+5//1+6/75//64/1+6//54/31 | C | Air 14 (t) | BA-E | Momus Turnd Fab, 1729 | 23 | VO |
//3+1+/2+5//1+6/75//64/1+6//54/32//35/1+ 5//62+/7 |
C | Air 21 (t) | BA-E | Boarding School, 1733 | 41 | VO |
//31/25//31/25//323/212 | 6/8 | Fontainbleau, Le (t) | IC-S | Stewart Airs, 1788 | 1:1 | GF/VN/FI |
//31/25//31/25//343/232// | 6/8 | N'lle Venitiene, La (t) | DA-F | Landrin Potpourri, 1785 | 86 | MI |
//31/25//31/25//345/654//5 | 6/8 | Duett (t) | TW-E | Siege/Belgrade, 1791 | 43-44 | 2VO,KBF |
//31/25//31/35//1+2+/3+21+ | 6/8 | Now or Never (t) | AM-A | Cary MS, 1797 | 25 | VO/VN |
//31/25//31/35//1+2+/3+2+1+ | 6/8 | Now or Never (t) | IC-E | Thompson Oboe, 1790 | 25 | OB |
//3125-/5-223//11131/27-7-2//3125-/5-223 4 |
C/ | Bandbox, The (t) | DA-E | Johnson CD-4, 1748 | 15 | VN/GF |
//3125-/5-223//11131/27-7-2//3125-/5-223 4 |
C/ | Bandbox, The (t) | DA-E | Walsh CD-2.4, 1747 | 27 | MI |
//3125-/5-223//11131/27-7-2//3125-/5-223 4 |
C/ | Bandbox, The (t) | DA-E | Walsh CD-3.4, 1747 | 27 | VN/OB/GF |
//31/2//5-/5-//7-1/23 | 2/4 | Jack a Jolly Drummer (t) | AM-A | Commonplace MS, 1797 | 19 | FI |
//312/56//5321/7-//567 | 6/8 | On the Pretty Mrs. Howards Running Down the Hill In Greenwich Park (t) | SS-E | SS, Folger-C42.3 | 166 | VO,KB+FL |
//31/26-//15-/6-5-//31/216- | 6/8 | Ivy Buds, The (t) | IC-E | Caledonian PC, 1760 | IX,16 | GF/VN |
//31/26-//16-/5-1//2/2 | 6/8 | Love's Young Dream (t) | AI-A | Blake Amus 1, 1824 | 20 | CL |
//3+1/2+67//1+43/24+//3+1+/2+67// | 3 [6/4] | Pawles Wharfe. 6 (t) | MS-E | Fitzwilliam MS-2, 1609 | 17-18 | VI |
//31/26-7-//15-3-/2-2//317-1/26-7-//13-2 -/1- |
C | Pauls Wharfe (t) | PL-E | Playford 1-01, 1651 | 86 | VN |
//3/127-//1/1 | 3/2 | Mrs. Scott's Song (t) | SC-E | British Amus, 1762 | 20-21 | 2GF,VO,HAF |
//3127-/11-1-4//3127-/2-4//3127-/11-1-4/ / |
Lithon Lasses (t) | MS-E | Vickers MS, 1770 | 153a | MI | |
//3+1+2+7//1+1+//2+1+76//57//3+65765//4 | 3/2 | Mrs. Scott's Song (t) | SC-E | Monthly Melody, 1760 | I,26-27 | 2FL,HAF,VO |
//3127-/11+64//3127-/1//3115-/6-17-2 | C/ | So Much Admired Musette and minuet-1 (t) | SS-E | SS, Huntington-2 | 121,1-2 | VO,KBF+GF |
//3127-/11+//7564/55//3127-/11+ | C | Reveille, The.2nd (t) | AM-A | Hooves MS, 1817 | 40 | FI |
//3127-/11+//7564/55//3127-/11+ | C | Revellie.2 (t) | AM-A | Van Schaack MS, 1820 | 4 | FI/FL |
//31/27-//1/23 | 2/4 | Jeany's Complaint (t) | SS-E | SS, Huntington-1 | 5 | VO,HA |
//31/27-//1/23//43/21 | 2/4 | Jeany's Complaint (t), or Favorite Scotch Song, A (at) | SS-E | SS, Boston PL-2 | 213 | VO,KB |
//31/27-//123/434//55/4321 | Song 10 (t), or to a Lady More Cruel Than Fair (at) | SC-E | Ritson, 1783 | TI,116-117;MIII,54-55 | VO | |
//31/27-//123/434//55/4321 | C/ | To a Lady More Cruel Than Fair (t) | SC-E | Watts MM-3, 1730 | 134-135+137 | VO,HA+FL |
//3+1+2+7/1+313//427-2/444+//3+1+2+7/1+3 13// |
C/ | Gairntully's Reel (t) | MS-S | Young MS-2, 1734 | 51r | MI |
//31/27-//131/5-5-//6-1/43 | 6/8 | Ball, The (t) | AI-A | Riley Flute 1, 1814 | 77 | FL |
//31/27-//131/5-5-//6-6-/42 | 6/8 | Ball, The (t) | MS-E | Carter MS, 1792 | 24 | MI |
//31/27-//131/5-5-//6-6-/42// | 6/8 | Ball, The (t) | AI-A | Hewitt Fashionable, 1807 | 14 | PF |
//31/27-//131/5-5-//6-6-/42 | 6/8 | Ball, The (t) | AM-A | Murphey MS, 1790 | 38 | MI |
//31/27-//131/5-5-//6-6-/42// | 6/8 | Ball, The (t) | AM-A | Patten MS, 1800 | 13 | MI |
//31/27-//131/5-5-//6-6-/43// | 6/8 | Ballot Gigg, The (t) | MS-S | Fife MS, 1780 | 148,13v | 1FI OR 2FI/VN |
//31/27-//131/5-5-//6-6-/43// | 6/8 | Ball, The (t) | MS-C | Molyneaux MS-1, 1788 | 50 | GF |
//31/27-//13/5//53/42 | 2/4 | Sylvia (t) | SS-E | SS, Harvard | 1 | VO,KBF+GT |
//3127-/14//3127-/12//3234 | C | Song, A (t) | SC-E | Calliope, 1746 | I,40 | VO,B+FL |
//3127-/14//3127-/12//3234 | C | Song, A (t) | SS-E | SS, Folger-C42.4 | 144 | VO,KB+FL |
//3127-/14//3127-/12//3234/5 | C | Song, A (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//3127-/14//3127-/12//3234/51// | C | IC-E | Geoghegan Pastoral, 1746 | 19 | BP | |
//3127-/14//3127-/12//3234/51 | C | By Men Belov'd (t) | SC-E | Muses Delight, 1754 | 156 | VO,HA |
//3127-/14//3127-/14//3127-/16-5-4- | C/ | Negroe, The (t) | DA-E | Johnson CD-6, 1751 | 52 | VN/GF |
//3127-/14//3127-/14//3127-/16-5-4- | C/ | Belle Savage, La (t) | DA-E | Walsh CD-3.6, 1754 | 32 | VN/OB/GF |
//3127-/14//3127-/14//3127-/16-5-4-//3-1 2-7- |
C/ | Negroe, The (t) | DA-E | Rutherf CD-2.1, 1756 | 49 | VN/GF/OB |
//3127-/14//3127-/15-3-1-//642/53 | C/ | Matlock Bath (t) | DA-E | Johnson CD-5, 1750 | 47 | VN/GF |
//31/27-//1/45//36/67// | C/ | New Boree Baptist, The (t) | IC-E | Apollo's Banquet 1-1, 1670 | 202 | VN |
//31/27-//1/45//36/67// | C/ | New Bore Baptist (t) | IC-E | Apollo's Banquet 1-7, 1693 | 24 | VN/FL |
//31/27-//1/45//36/67//56// | C/ | New Bore Baptist, The (t) | IC-E | Apollo's Banquet 1-2, 1678 | A38 | VN |
//31/27-//1/45//36/67//56// | C/ | New Bore Baptist (t) | IC-E | Apollo's Banquet 1-5, 1687 | A31 | VN |
//31/27-//1/45//36/67//56// | C/ | New Bore Baptist, The (t) | IC-E | Apollo's Banquet 1-6, 1690 | A31 | VN |
//3127-/15-12//32/32//17-6-6 | C | Maids Petition, The (t) | SS-E | SS, Folger-C42.4 | 224 | VO,KB+FL |
//31/27-//15-/14//3/2 | 4/8 | Cruel creature, Can you leave me (fl) | SC-E | Amaryllis, 1760 | I,69 | GF,VO,HAF+FL |
//3127-/15-14//32/32//17-6-6/54 | C | Maids Petition, The (t) | SC-E | Musical Cent-1, 1737 | 10 | VO,HAF+FL |
//3127-/15-14//32/32//17-6-6/54//5 | C | Maids Petition, The (t) | SC-E | Calliope, 1746 | I,11 | VO,HAF+FL |
//3127-/151+6//5432/12//37-53 | C/ | When modest Cloe's downcast eyes (fl) | SC-E | Amaryllis, 1760 | I,70 | GF,VO,HAF+FL |
//31/27-//15-/3234//5 | 2/4 | Lesson 15 (t) | AI-A | Linley Asst-1, 1796 | 12 | PF |
//31/27-//1/5//43/21//2 | 2/4 | Oh dear delightful skill (fl) | AI-A | Gent's Amus, 1794 | 60-61 | GF/VN/VO |
//31/27-//1/5//43/21//2 | 2/4 | Oh dear delightful skill (fl) | TW-E | Prize, 1793 | 6-7 | VO,KB |
//3-127-/15-5-4-//3-16-43/217-6-5-5-4-// 3-131-/2-2454 |
C | Quick Step (t) | AI-A | Balls Amus 1, 1815 | 29 | FL/FI/VN |
//31/27-//16-/5-2-//5-6-/5-3 | 2/4 | Canna-Munna Marry Yet (t) | AM-A | Van Schaack MS, 1820 | 11 | FI/FL |
//3127-/16//5342/112//3127-/146 | C/ | Magic Dance, The (t) | DA-E | Thompson CD-5, 1788 | 57 | VN/GF/OB |
//3127-/16//5342/112//3127-/146// | C/ | Magic Dance, The (t) | DA-E | Thompson CD-5a, 1788 | 57 | VN/GF/OB |
//31/27-//16-/5-3-//5-6-/5-3 | 2/4 | Canna Munna Marry Yet (t) | AI-A | Blake Amus 3, 1825 | 12 | CL |
//3+1+/2+7//1+6/54//21+/53 | 2/4 | Recruting Offiser, The (t) | AM-A | Gibbs MS, 1777 | 26 | FI |
//31/27-//16-/5-4-//3-1/5-3-// | 2/4 | Recruting Officer (t) | AM-A | Bevens MS, 1825 | 6r | FI |
//3+1+/2+7//1+6/54//31+/53 | 2/4 | Recruiting Officer (t) | AM-A | Clark, I. MS, 1801 | 59 | FI/VN |
//3+1+/2+7//1+6/54//31+/53 | 2/4 | What a Beau Your Granna Is (t) | AM-A | Otis MS, 1793 | 20 | VN/FL |
//3+1+/2+7//1+6/54//31+/53 | 2/4 | Recruiting Officer, The (t) | AM-A | Perkins MS, 1790 | 14 | MI |
//3+1+2+7/1+654//31+53/224+//3+1+2+7/1+6 54// |
C/ | Recruiting Officer (t) | AM-A | Brown, J. MS, 1782 | 1:19 | |
//3+1+2+7/1+654//3153/24+//3+1+2+7//1+65 4 |
C/ | Quick March No.20 (t) | IC-E | Hinde 2, 1772 | 14 | GF/VN/OB,PF |
//3+1+2+7/1+654//3153//4225+4+//3+1+2+7/ 1+654// |
C/ | Over the Moor to Betty (t) | MS-E | Vickers MS, 1770 | 117 | MI |
//3+1+2+7/1+654//32/134//55/51+7 | C/ | As Damon on a summer day (fl) | SC-E | Amaryllis, 1760 | I,73 | GF,VO,HAF+FL/GF |
//3+1+2+7/1+654//32/134//55/51+7 | C | Happy Swain, The (t) | SC-E | Muses Delight, 1754 | 157 | VO,HA |
//3+1+2+7/1+654//32/134//55/51+7//6543 | C | Happy Swain, The (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//3+1+2+7/1+654//32/134//55/51+7//6543/2 |
C | Happy Swain, The (t) | SC-E | Calliope, 1746 | II,192 | VO,B,MI+FL |
//3127-/16-5-4-//3-5-123/22-2-4//3127-/1 6-5-4- |
C/ | Haddington Lasses (t) | IC-S | Stewart Airs, 1788 | 2:78 | GF/VN/FI |
//3+1+/2+7//1+6/54//35/1+3 | 2/4 | Quick Step Old Buffs (t) | IC-S | Aird 1, 1782 | 6 | FI/VN/GF |
//3+1+/2+7//1+6/54//35/1+3+// | 2/4 | What a Beau Your Grany was (t) | MS-C | Molyneaux MS-1, 1788 | 17 | GF |
//3+1+/2+7//1+6/54//35/1+3 | 2/4 | Old Buffs Quick Step (t) | AM-A | Murphey MS, 1790 | 13 | MI |
//3127-/16-5-4-//3-5-13/22-2-4//3127-/16 -5-4- |
C/ | What a Beau My Granny Was (t) | MS-E | Hammersley MS, 1790 | 30B,106B | MI+KB |
//3127-/16-5-4-//3-5-13/22-2-4//3127-/16 -5-4- |
C | What a Beau Your Granny Was (t) | AI-A | Riley Flute 1, 1814 | 28 | FL |
//3+1+2+7/1+654//351+3+/2+24+//3+1+2+7/1 +654 |
C/ | What a Beau My Granny Was (t) | IC-S | Aird 4, 1796 | 6 | FI/GF/VN |
//3+1+2+7/1+654//351+3+/2+24+//3+1+2+7/1 +654// |
C/ | What a Beau. March (t) | AM-A | Irving MS, 1796 | 43 | 2 MI |
//3127-/16-5-4-//3-5-13/22-4//3127-/16-5 -4- |
C/ | What a Beau Your Granny Was (t) | AM-A | Kingsley MS, 1795 | I,20 | MI |
//3127-/16-5-4-//3-5-13-/4-2-4//3127-/1 | C | What a Beau Your Granny Was (t) | AI-A | Evening Amuse, 1796 | 14 | GF/VN |
//3127-/16-5-4-//3-5-13-/4-2-4//3127-/16 -5-4- |
C | What a Beau My Granny Was (t) | AI-A | Blake Amus 2, 1824 | 2 | CL |
//3127-/16-5-4-//3-5-13-/4-2-4//3127-/16 -5-4- |
C | What a Beau My Granny Was (t) | AI-A | Steele Fife, 1815 | 23 | FI |
//3+1+2+7/1+675//351+3/424+// | C | What a Beau My Granny Was (t) | AM-E | Wheatstone Clarinet, 1801 | 85 | MI |
//31/27-//17-/13//53/4564 | 2/4 | Whats the Matter Now? (t) | AM-A | Morse MS, 1811 | 80 | VO |
//31/27-//17-/17-1//27-/12 | C/ | Arcadia (t) | PL-E | Playford 1-17, 1721 | 124 | VN |
//31/27-//17-/17-1//27-/12 | C/ | Arcadia (t) | PL-E | Playford 1-18, 1728 | 124 | VN |
//31+/27//1+76/51+//2+7/54 | 2/4 | Gavott by Mr. Mc Gibbon (t) | IC-S | Stewart Marches, 1761 | 12 | VN/GF/OB,VC/HA |
//31/27-//17-6-/5-3-//6-7-1/5-3- | C | Sally Grant. A Favorite Air (t) | AM-A | Curtiss MS, 1800 | 137 | 2VN |
//31/27-//17-/6-7-1//27-/12 | C/ | Arcadia (t) | PL-E | Playford 1-08, 1690 | 183 | VN |
//31/27-//17-/6-7-1//27-/12 | C/ | Arcadia (t) | PL-E | Playford 1-09, 1695 | 124 | VN |
//31/27-//17-/6-7-1//27-/12 | C/ | Arcadia (t) | PL-E | Playford 1-10, 1698 | 124 | VN |
//31/27-//17-/6-7-1//27-/12 | C/ | Arcadia (t) | PL-E | Playford 1-11, 1701 | I,124 | VN |
//31/27-//17-/6-7-1//27-/12 | C/ | Arcadia (t) | PL-E | Playford 1-12, 1703 | 124 | VN |
//31/27-//17-/6-7-1//27-/12 | C/ | Arcadia (t) | PL-E | Playford 1-13, 1706 | 124 | VN |
//31/27-//17-/6-7-1//27-/12 | C/ | Arcadia (t) | PL-E | Playford 1-14, 1709 | 124 | VN |
//31/27-//17-/6-7-1//27-/12 | C/ | Arcadia (t) | PL-E | Playford 1-15, 1713 | 124 | VN |
//31/27-//17-/6-7-1//27-/12 | C/ | Arcadia (t) | PL-E | Playford 1-16, 1716 | 124 | VN |
//31/27-//17-/6-7-1//27-/12 | C/ | Arcadia (t) | DA-E | Walsh CD-1.1, 1718 | 138 | VN/OB/FL |
//31/27-//17-/6-7-1//27-/12//7- | C/ | Arcadia (t) | PL-E | Playford 1-07, 1686 | 197 | VN |
//3+1+2+7/1+7671+//313/554+//3+1+2+7/656 7// |
C/ | Lasses of Stewarttown, The (t) | IC-S | Stewart Reels, 1775 | 46 | VN/GF,VC/HA |
//3+1+2+7/2+654//311+32/2224+//3+5+2+7/1 +654 |
C/ | Nombr 1 a Quick Step (t) | AM-A | Thompson MS, 1777 | 22 | FI |
//3127-/42//3142/1+5//3127-/42 | C/ | Old Wife Behind Ye Fire (t) | DA-E | Johnson CD-1, 1740 | 74 | MI |
//312/7-5-1//234//332//5365/4253 | 6/8 | Liquor of Life, The (t) | SC-S | Edinburgh MM-2, 1793 | 301-303 | VO |
//312/7-5-1//234/334//5365/4254 | 6/4 | Liquor of Life; anacreontic, The (t) | SS-E | SS, Boston PL-1 | 108,1-2 | VO,HAF |
//31/27-5-//31/27-5-//7-7-/7-2// | 6/8 | Patecoats Loos (t) | MS-E | Vickers MS, 1770 | 42 | MI |
//31/27-5-//31/27-5-//7-7-/7-42// | 6/8 | Pettycoats Loose a Jigg (t) | AM-A | Hoff MS, 1797 | No. 97 | GF |
//31/27-5-//31/27-5-//7-7-7-/7-5- | 6/8 | Petticoat Loose (t) | AM-A | Gaylord MS, 1816 | 11v | MI |
//31/2//7-5-/5//31/3//46/5// | 2/4 | Duetto by Pleyel (t) | AM-A | Pierian MS, 1810 | 6 | MI,B |
//31/27-5-/5-4//31/27-5-/14// | [9/8] | Retreat, the S[ ] of the Step [?] (t) | MS-S | Miller, J. MS, 1798 | 81 | FI |
//31/27-5-/5-7-1//31/427-//12 | 9/4 | Kick the World Before Me (t) | DA-E | Johnson CD-2, 1742 | 3 | MI |
//31/27-5-/5-7-1//31/427-/12 | 9/4 | Kick the World Before Me (t) | DA-E | Walsh CD-2.2, 1735 | 44 | VO/OB/GF/FL |
//31/27-5-/5-7-1//31/427-/12 | 9/4 | Kick the World Before Me (t) | DA-E | Walsh CD-3.2, 1749 | 44 | VN/OB/GF |
//31/27-5-/6-4-4//31/27-5-/6-14//31/27-5 -/6-4-6-// |
9/8 | Cranford Lodge (t) | DA-E | Thompson CD-4a, 1780 | 16 | VN/GF/OB |
//3127-5-6-4-4//3127-5-6-14//3127-5-6-4- 6-//2346-217-5-4 |
9/8 | Cranford Lodge (t) | DA-E | Thompson CD-4, 1780 | 17 | VN/GF/OB |
//3127-5-6-5-//7-12125-//7-16-5-//7-4325 4//3217-12// |
C 3-1 | My Delight (t) | MS-E | Rogers MS, 1656 | 64 | VI |
//3+1+/2+75//671+6/531//35/535 | 6/8 | Murry's Dimple (t) | DA-E | Johnson CD-7, 1756 | 52 | VN/GF |
//3+1+/2+7//61+/1+6//53/13//42 | 2/4 | Finale (t) | AI-A | Volunteers, 1795 | 20 | VO,KB |
//3127-/6-12//3153/212//3127-/6-12// | C/ | Four Drukken Madens, The (t) | MS-E | Vickers MS, 1770 | 157 | MI |
//3127-/6-12//3153/212//3127-/6-12// | C/ | Four Drunken Maids (t) | DA-E | Walsh CD-3.4, 1747 | 10 | VN/OB/GF |
//3127-/6-6//65/67//1+1+/76 | 2/4 | Sussex Fencibles March, The (t) | IC-E | English Sheet Music | 3 | PF |
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