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| Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
| //1+72+/1+1//2342/321//55/671+2+ | C/ | Fahnen Tropp No 14. V. Zerbst (t) | MS-G | Darmstadt MS 1225 | 29-30 | 2MI |
| //1+72+1+/1+3+//1+7/1+5//65/67// | 2/4 | 2. (t) | DA-P | Ibarra 24 CD, 1775 | I:2 | 2VN |
| //17-2//12//324//31//543 | 3/4 | Spring Is Nature's Charm Renewing (t) | SC-E | Vocal Music, 1775 | 91-93 | VO/VN/GF |
| //17-2/12/34//3/324// | 6/8 | Deux Associés, Les. Contre-Danse Française et Bouteuse (t) | DA-F | Landrin CD BL-1, 1775 | 26 Feuille | MI |
| /17-2//12/34//3/324//34/56// | 6/8 | Deux Assocées, Les. Contre-Danse Française et Boiteuse (t) | DA-F | Landrin CD BN, 1775 | 26 Feuille | KB |
| /17-2//1/324//3/1+5//65/43// | 6/8 | Lisbé, La. Contre-Danse Française (t) | DA-F | Landrin CD BN, 1775 | 19 Feuille | KB |
| //17-/21//32/43//21/7-6- | Minora (t) | AM-A | Psalmody MS, 1798 | 84 | MI | |
| //17-//21//345543//2//17-//2 | 3/4 | Minueto (t) | MS-M | Garcia MS, 1772 | 97 [224] | MI |
| //1/7-2//13/5-13//53/53 | 2/4 | General Suwarrow Quick Step (t) | IC-S | Scottish Sheet Music | PF | |
| //17-21/4365//5/1+5//43/21// | 2/4 | Fancy for a Pas Seul Made at Washton In 1825 (t) | AM-A | Duport MS-1, 1780 | 54 | VN |
| //17-21/4365//5/1+5//43/21// | 2/4 | Fancy for Pas Seul (t) | AM-A | Duport MS-2, 1800 | 24r | VN |
| //17-215-12//321//5671+5 | 2/4 | Scotch Reveily, A (t) | IC-E | Goulding Fife, 1790 | 10 | FI |
| //1/7-2//1/5-//13/6- | 2/4 | Favorite, A (t) | AI-A | Reinagle Fav-2, 1789 | 17-18 | VO,PF |
| //17-/2//1/5-//13/6-4 | 2/4 | Since Then I'm Doom'd (t) | IC-S | Aird 5, 1797 | 33 | FI/VN/GF |
| //1/7-2//1/5-//13/6-4 | 2/4 | For Tenderness Form'd (t) | IC-E | Astor Guitar, 1800 | 24 | VO,GT |
| //1/7-2//1/5-//13/6-4 | 2/4 | Je Suis Lindor (t) | AI-A | Bacon Clar, 1818 | 16 | CL |
| //1/7-2//1/5-//13/6-4 | 2/4 | Heiress (t) | IC-E | Bland Clar, 1798 | 10 | CL |
| //1/7-2//1/5-//13/6-4 | 2/4 | Saper Bramate (t) | IC-F | Bonjour Recueil, 1800 | 3:6 | VN/FL |
| //1/7-2//1/5-//13/6-4 | 2/4 | Air In the Heiress (t) | IC-E | Cahusac Flute, 1788 | 37 | GF |
| //1/7-2//1/5-//13/6-4// | 2/4 | Air In the Heiress (t) | IC-E | Cahusac Flute, 1798 | 29 | FL |
| //1/7-2//1/5-//13/6-4 | 2/4 | Je Suis Lindor (t) | AI-A | Klemm Clar, 1825 | 16 | CL |
| //1/7-2//1/5-//13/6-4 | 2/4 | Heiress (t) | IC-E | Preston Clar, 1797 | 14 | CL |
| //1/7-2//1/5-//13/6-4 | 2/4 | For Tenderness Form'd (t) | AI-A | Riley Flute 1, 1814 | 29 | FL |
| //1/7-2//1/5-//13/6-4 | 2/4 | For Tenderness Form'd (t) | IC-E | Thompson Clar, 1785 | 19 | CL |
| //1/7-2//1/5-//13/6-4//3 | 2/4 | For Tenderness Form'd (t) | AI-A | American SS-SM | 1 | VO,KB |
| //1/7-2//15-//13/6-4//3 | 2/4 | Je Suis Lindor (t) | IC-F | Vanderhagen Pcs, 1787 | 16:6 | 2CL,2HN,2BS |
| //1/7-2//1/5-//13/6-4//3/2 | 2/4 | For Tenderness Form'd (t) | SC-S | Edinburgh MM-2, 1793 | 26-27 | VO |
| //17-2/15-//17-2/15-//1212/212// | C/ | Hornpipe (??), A (t) | IC-E | Apollo's Banquet 1-8, 1701 | 8v,9r,51 | VN |
| //1/7-2//1/5-5-//13/6-4 | 2/4 | Air In the Heiress (t) | AI-A | Dubois Clar, 1818 | 12 | CL |
| //17-2/15-5-//3234/315//6543/222 | C/ | March 14 (t) | IC-S | Corri Marches, 1791 | 13 | HA/PF |
| //17-2/15-5-//3234/315//6543/222 | C | Macbeth March (t) | AM-A | Dickinson MS, 1800 | 107 | 2CL/2GF/2OB,B |
| //17-//21//5-5-5-//5-//17-//21// | 3/4 | AM-A | Irving MS, 1796 | 130 | 1 MI | |
| //1/7-2//15-5-//6-5-/6-1//5-5- | 2/4 | At the Front of a Cottage (t) | AI-A | Blake Amus 3, 1825 | 11 | CL |
| //1/7-2//1/5-//6-2/17-// | C/ | 43 Hymn (t) | AM-A | Winnington MS, 1810 | [after 7] | KB |
| //1/7-2//1/5-//6-2/17-// | C | Peru (t) | AM-A | Winnington MS, 1810 | 15 | KB |
| //1/7-2//1/7-2//11/23// | 2/4 | Quick March, A (t) | MS-S | Miller, J. MS, 1798 | 34 | FI |
| //1/7-2//1/7-2//123/4321// | 2/4 | Bagshott Quick Step, The (t) | MS-S | Fife MS, 1780 | 925,98v | 1FI OR 2FI/VN |
| //1/7-2//1/7-2//1/4321 | 2/4 | Bagshot Quick March, The (t) | IC-E | English Sheet Music | 4 | 2FI,2CL,2HN,TR, |
| //1+7/2+1+//76/4+3+//2+1+/71+76//5/71+ | C/ | Song, A (t) | SC-E | Pills 6, 1719-20 | 306 | VO |
| //1+7/2+1+76//53/11//23/4657- | 2/4 | Cease Sweet Girl (t) | AI-A | Riley Flute 3, 1820 | 87 | FL |
| //1+72+1+76//5335//4224//311//1+72+1+76/ /5335// |
3/8 | Calabrian Waltz (t) | DA-E | Wilson Companion, 1816 | 155 | MI |
| //17-/21//7-6-5-/6-7- | C | Shepherd, The (t) | SC-E | British Amus, 1762 | 25 | VO,HAF |
| //17-/21//7-6-5-/6-7-//12 | C | Shepherd, The (t) | SC-E | Monthly Melody, 1760 | I,17 | VO,HAF |
| //17-/21//7-6-5-/6-7-//12/314251 | C | Shepherd, The (t) | SS-E | SS, Boston PL-1 | 19(17) | VO,HAF |
| //17-/21//7-6-5-/6-7-//12/31425-1 | C | Song 115 (t) | SC-E | Vocal Enchant, 1783 | 230-231 | VO |
| //17-2/213//324/436//543/231 | 6/8 | Pas Redouble (t) | IC-F | Lefevre Marches, 1793 | 2CL,2FL,2HN,TR,2BS,SPT,BD,C | |
| //1+723/4254//31+6/571+6//571+6/571+6//5 |
C | How the deuce I came to like you (fl) | TW-E | Siege/Belgrade, 1791 | 18-21 | 2VO,KBF |
| //17-2346//3532421//4-5-4-5-4-5-4-5-43// 4-5-4-5-4-5-4-5-43//21 |
3/4 | Last Dance (t) | TW-E | Maid/Oaks, 1774 | 54-55 | KB |
| //17-/24//323/13//32/46//5 | 2/4 | TW-E | Maid/Oaks, 1774 | 17-18 | VO,KBF | |
| //1+7246//65135//547-24//65135//1+7246 | 3/4 | Hungarian Waltz, A (t) | AM-A | Canfield MS, 1823 | 96-97 | 2FL |
| //1+7246//65135//547-24//65135//1+7246 | 3/4 | Hungarian Waltz, A (t) | AI-A | Williams Fife, 1826 | 21 | 2FI |
| //1+7246//65135//547-24//65135//1+7246// 65135// |
3/4 | Hungarian Waltz (t) | AI-A | Glazier Fife, 1830 | 15 | FI |
| //1+7246//65135//547-24//65135//1+7246// 65135 |
3/4 | Hungarian Waltz, The (t) | AI-A | Riley Flute 3, 1820 | 66 | FL |
| //1+/72+//676/567//1+/73+// | 3 | Theater Tune, A (t) | IC-E | Apollo's Banquet 1-1, 1670 | 132 | VN |
| //17-/27-//1/31//17-/27- | 2/4 | De Ma Barque (t) | IC-F | Bonjour Recueil, 1800 | 4:4 | VN/FL |
| //1+/72+7//1+/76//54/32 | 2/4 | Simper, The (t) | DA-E | Johnson CD-7, 1756 | 35 | VN/GF |
| //1/7-27-2//1/7-27-2//12/34 | 2/4 | Quick March (t) | IC-S | Rose Marches, 1796 | 5 | PF/HA |
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