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Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
//1+6/512//32/35//1+6/512 | 2/4 | Negro Dance (t) | AI-A | Balls Amus 2, 1815 | 8 | FL/FI/VN |
//1+6/512//32/35//1+6/512 | 2/4 | Negro Dance (t) | AI-A | Riley Flute 1, 1814 | 31 | FL |
//16-//5-142//3231//5-6-//7-143//217-6-5 -// |
3/8 | Favourite Air In the Opera of Tamerlane, A (t) | IC-E | Prelleur Modern, 1731 | 26 | RC |
//16//51+//5654//32//3432//11+ | 3/8 | Vergatter V. Bevern (t) | MS-G | Darmstadt MS 1225 | 113 | MI |
//1-6-//5-1//5-6-5-4-//3-2-//3-4-3-2-//1 -6- |
3/8 | Vergatter. V. Bevern (t) | MS-G | Darmstadt MS 1224 | 329,330 | 2MI |
//16-/5-3-//11/212//34/5342 | C | Jemmys Farewell (t) | AM-A | Curtiss MS, 1800 | 119 | 2VN |
//1+65311355311 | Lay Fayet (t) | AM-A | Cary MS, 1797 | 121 | VN | |
//1+6/531//1+6/531//1+71+/2+3+4+// | 6/8 | Bloomsbury Volunteers Quick Step (t) | IC-E | Parry Fife, 1812 | 21 | 2FI |
//1+6/531//1+76/531//456/531 | 6/8 | Haunted Village, The (t) | DA-E | Thompson CD-6.8, 1796 | 89 | MI |
//16/531//231/7-6-5-//16/531 | 6/8 | Willing Quaker, The (t) | DA-E | Thompson CD-4, 1780 | 79 | VN/GF/OB |
//16/531//231/7-6-5-//16/531// | 6/8 | Willing Quaker, The (t) | DA-E | Thompson CD-4a, 1780 | 79 | VN/GF/OB |
//1/6//531/27-5-//6-7-/12// | 6/8 | Drag (t) | AM-A | Bevens MS, 1825 | 16r | FI |
//16/5313//11+6/5313//16/561+2+// | C/ | We'll Come Back Again (t), or Well Come Home (at) | AM-A | Hoff MS, 1797 | No. 80 | GF |
//1+6/5313//2435/5432//351+3+/3+2+1+7 | C/ | Dandalion (t) | DA-E | Thompson CD-5, 1788 | 61 | VN/GF/OB |
//1+6/5313//2435/5432//351+3+/3+2+1+7// | C/ | Dandalion (t) | DA-E | Thompson CD-5a, 1788 | 61 | VN/GF/OB |
//16/531//33/32 | 6/8 | AM-A | Ives MS, 1800 | 12 | KB | |
//16/531//345/15/65 | 6/8 | Quick March.#18 (t) | IC-E | Hinde Longman, 1775 | 10 | FI/GF/VN/OB,PF/HA |
//1+6/531/531//1+6/531/42//1+6/531/531 | 9/8 | Powell's Fancy (t) | DA-E | Thompson CD-4, 1780 | 86 | VN/GF/OB |
//1+6/531/531//1+6/531/42//1+6/531/531// |
9/8 | Powell's Fancy (t) | DA-E | Thompson CD-4a, 1780 | 87 | VN/GF/OB |
//16/5321//11+6/5432//16/5351+ | C | Miss Simpson's Fancy (t) | AM-A | Kingsley MS, 1795 | I,26 | MI |
//1+6//532//1216-5-6-//1216-5-6-//1216-5 -6- |
3/8 | # 3 (t), or Joice's Tune (at) | IC-E | Bunting, 1796 | 2 | PF |
//16-5-3-/2-1-2-3-//16-5-3-/2-1--1-//16- 5-3-/2-1-2-4 |
C | Colonel Montgomery's Strathspey (t) | AI-A | Caladonian Muse, 1798 | 102 | VO/PF/VN |
//1+653/2123//1+653/216-//7 | C | Colonel Montgomery's Strathspey (t) | AI-A | Scots MM, 1797 | 102 | HA/PF |
//1+6/5321//2345/67//1+6 | C/ | Pretty Bell (t) | DA-E | Rutherf CD-2.1, 1756 | 27 | VN/GF/OB |
//1+6/5321//2345//67//1+6/5346+ | C/ | Prety Bell (t) | MS-E | Hammersley MS, 1790 | 81B | MI |
//1+6/5321//2345/67//1+6/5346+ | C/ | Pretty Bell (t) | DA-E | Johnson CD-5, 1750 | 25 | VN/GF |
//1+6/5321//2345/67//1+6/5346+ | C/ | Pretty Belle, The (t) | MS-E | Rainstorp MS, 1747 | 37 | MI |
//1+6/5321//2345/67//1+6/5346+// | C/ | Pretty Bell (t) | DA-E | Universal Magazine | 223, 1749 | MI |
//1+6/5321//23/6-7-//17-12/3231// | C/ | Bread of Gad, Second Part of (t) | IC-E | Apollo's Banquet 1-5, 1687 | B4 | VN |
//1+6/5321//23/6-7-//17-12/3231// | C/ | Bread of Gad, Second Part of (t) | IC-E | Apollo's Banquet 1-6, 1690 | B5 | VN |
//1+6/5321//23/6-7-//17-12/3231// | C/ | Second Part of Bread of Gad (t), or Bread of Gad (at) | IC-E | Apollo's Banquet 1-7, 1693 | 48 | VN/FL |
//1+6/5321//2435/7-5-6-7-//1217-6-1/2321 7-2 |
C/ | Plumb Tree Court (t) | DA-E | Walsh CD-2.3, 1735 | 91 | VN/OB/GF/CF |
//1+6/5321//2435/7-5-6-7-//1217-6-1/2321 7-2 |
C/ | Plumb Tree Court (t) | DA-E | Walsh CD-3.3, 1749 | 91 | VN/OB/GF |
//1+6/5321//2435/7-5-6-7-//1217-6-1/2321 7-2 |
C/ | Plumb Tree Court (t) | DA-E | Walsh NCDM-3, 1728 | 51 | VN/OB/FL |
/1+//65/321//5/1+71+//2+3+/4+3+2+// | 6/4 | Fee, La (t) | DA-F | Feuillet Recueil, 1706 | 145-150 | MI |
//16/5321//5-3-5-/135//65/4321 | C | Patie and Peggy (t), or Song 34 (at) | SC-E | Orpheus Cal-2, 1733 | T76-77MOP76-77 | VO,HA |
//16-/5-32//16-/5-5-//5-1/17-1 | 2/4 | Chieftian, The (t) | AI-A | Riley Flute 3, 1820 | 77 | FL |
//1+65321//6-5-6-16-5-6-1//31+65321 | C | Hiland Wedding, The (t) | AM-A | Shattuck MS, 1801 | 80 | MI |
//16/5323//156/531//16/5321 | C | Song 144 (t) | SC-E | Vocal Enchant, 1783 | 290-291 | VO |
//16/5323//156/532//1+6/5321 | C | Gear and the Bragrie Ot, The (t) | SC-E | Clio-2, 1759 | 25 | VO,HA |
//1+6/53//23/27//1+6/53//2 | 2/4 | Scottish Medley Overture-8 (t) | TW-E | Auld Robin Gray, 1794 | 4 | KB |
//1+6/53//23/27//1+6/53//2 | 2/4 | I have a lover all my own (fl) | TW-E | Castle/Andalus, 1782 | 38 | VO,HA |
//1+65/33//1+65/661+//2+775/3551+ | C/ | Chinese Air, A (t) | AM-A | Psalmody MS, 1798 | 53 | MI |
//16/53//3242/17-6-5-//16/53// | 2/4 | Prisoner. Cotilion (t) | AM-A | New Harmony MS, 1826 | 4 | MI |
//16/5335//5364/5331+//16/5335// | C/ | Lady Ramsey (t) | AM-A | Litten MS, 1800 | 24 (22) | VN |
//16/5342//165/5//1+ | C | Dearest Kitty Kind and Fair (t) | SC-E | Vocal Music, 1778 | 180-181 | VO/VN/GF |
//16/5342//7-1/5//1+3+/2+71+6 | C | Parting Lovers, The (t) | AM-A | Aborn MS, 1790 | 31 | MI |
//16/5342//7-1/5//1+3+/2+71+6 | C/ | And Canst Thou Leave (t) | IC-E | Delightful-1, 1763 | IV,25 | GF |
//16/5342//7-1/5//1+3+/2+71+6 | C | Parting Lovers (t) | DA-E | Johnson CD-3, 1744 | 50 | VN/GF |
//16/5342//7-1/5//1+3+/2+71+6 | C | Dialogue After the Manner of Horace, A (t) | SC-E | Musical Cent-2, 1740 | 51 | VO,KB+GF+FL |
//16/5342//7-1/5//1+3+/2+71+6 | C | Dialogue After the Manner of Horace, A (t) | SS-E | SS, Huntington-2 | 14 | VO,KB+GF+FL |
//16/5342//7-1/5//73+/2+7/1+6//5 | C | And canst thou leave thy Nancy (fl) | TW-E | True Blue, 1765 | 5 | VO,B+GF+GT |
//1+6/53//44/46//1+6 | 2/4 | There's Nae Luck About the House (t) | SS-E | SS, Folger-C52 | 186 | VO,B |
//1+6/53//44/46//1+6/53 | 2/4 | Theres Nae Luck About the House (t) | IC-S | Aird 4, 1796 | 19 | FI/GF/VN |
//16-/5-3-//4-4-/4-6-//16-/5-3- | 2/4 | There's Nae Luck About the House (t) | AI-A | Balls Amus 2, 1815 | 34 | FL/FI/VN |
//1+6/53//44/46//1+6/53// | 2/4 | There's no Luck about the House (t) | AM-A | Brown, J. MS, 1782 | 1:20 | |
//1+6/53//44/46//1+6/53 | 2/4 | And Are You Sure the News Is True (t) | AM-A | Cabot MS, 1784 | 11 | GF |
//16-/5-3-//4-4-/4-6-//16-/5-3- | 2/4 | There's Nae Luck About the House (t) | AI-A | Caladonian Muse, 1798 | 70 | VO/PF/VN |
//1+6/53//44/46//1+6/53 | 2/4 | There's Nae Luck About the House (t) | AM-A | Kingsley MS, 1795 | I,47 | MI |
//1+6/53//44/46//1+6/53 | 2/4 | There Is Na Luck About the House (t) | AI-A | Paff Amus 4, 1817 | 9 | FL/VN |
//1+6/53//44/46//1+6/53 | 2/4 | There's Nae Luck About House (t) | IC-E | Preston Oboe, 1780 | 23 | OB |
//16-/5-3-//4-4-/4-6-//16-/5-3- | 2/4 | Nae Luck About the House (t) | AI-A | Riley Flute 2, 1817 | 51 | FL |
//1+6/53//44/46//1+6/53 | 2/4 | There's Nae Luck About the House (t) | DA-E | Skillern CD, 1780 | 43 | VN/GF/OB |
//1+6/53//44/46//1+6/53// | 2/4 | Theres nae luck about the House (t) | AM-A | Winnington MS, 1810 | 60-[60a] | KB |
//1+6/53//44/46//1+6/53//2 | 2/4 | There's Nae Luck About the House (t), or Favorite Scotch Song, A (at) | SS-E | SS, Harvard | 1 | VO,B |
//1+6/53//44/46//1+6/53//2 | 2/4 | There's Nae Luck About the House (t) | SS-E | SS, Harvard | 1 | VO,B |
//1+6/53//44/46//1+6/53//2 | 2/4 | There's Nae Luck About the House (t), or Favorite Scotch Song, A (at) | SS-E | SS, Harvard | 1 | VO,B |
//1+6/53//44/46//1+6/53//2 | 2/4 | There's Nae Luck About the House (t) | AI-A | Scots MM, 1797 | 70L-R | VO,HA/PF |
//1+6/53//44/46//1+6/53//2 | 2/4 | There's Nae Luck About the House (t) | SC-S | Scots MM-1, 1787 | 44 | VO,PFF |
//1+653/4446//1+653/26//1+653/4446// | C | There's Nae Luck About the House (Old Scotch) (t) | DA-E | Wilson Companion, 1816 | 49 | MI |
//1+6/53//44/567//1+6/53 | C | No Luck About the House (t) | AM-A | Hosmer MS, 1798 | 41 | MI |
//1+6/5345//35-11/1212//3155/62// | C/ | Grand Dance In Sir Martin Marall, Saraband and Jigg (t) | IC-E | Apollo's Banquet 1-2, 1678 | 87 | VN |
//1+6/53//45/67//1+6/53 | 2/4 | Scotch Luck (t) | AM-A | Beach MS, 1801 | 58 | 2MI,B |
//1+6/53//45/67//1+6/53 | 2/4 | For There's No Luck About the House (t) | AM-A | Commonplace MS, 1811 | 2 | MI |
//1+653//4567//1+653 | 2/4 | For There's No Luck, &c (t) | AI-A | Fifer's Comp, 1805 | 10 | 2FI |
//1+6/53//45/67//1+6/53 | 2/4 | For There's No Luck, &c (t) | AI-A | Hazeltine D&F, 1810 | 34 | 2FI |
//1+6/53//45/67//1+6/53 | 2/4 | No Luck About the House (t) | AM-A | Shattuck MS, 1801 | 55 | MI |
//1+6/53//45/67//1+6/53 | 2/4 | AM-A | Thompson MS, 1777 | 54 | FI | |
//1+6/53//45/67//1+6/53 | 2/4 | There Is No Luck About the House (t) | AM-A | Van Schaack MS, 1820 | 8 | 2FL |
//1+653//4567//1+653 | 2/4 | There's No Luck, &c (t) | AI-A | Village Fifer, 1808 | 39 | FI |
//1+6/53//45/67//1+6/53 | Scotch Luck (t) | AM-A | Williams, J. MS, 1799 | 66 | CL | |
//1+6/53//45/67//1+6/53//2 | 2/4 | For There's No Luck About the House (t) | AI-A | Instrum Asst, 1800 | 33 | 2VN/2GF/2CL/2OB,BVIOL |
//1+6/5352//31+2+/3+2+1+//71+7/65 | C | Seaforth's Farewell (t) | IC-E | Caledonian PC, 1760 | XI,7 | GF/VN |
//1+6/53//5/3//1+/3+2+1+2+//3+2+/2+3+2+/ / |
2.4 | Rose Tree, The (t) | AM-A | Boynton MS, 1799 | 23R | 1 FI |
//1+653/543//422+7/1+76//51+76/5654 | C | When the Trees Are All Bare (t) | SS-E | SS, Huntington-2 | 99,1-2 | VO,KBF+GF+GT |
//1+653/543//422+7/1+76//51+76/5654//3 | C | When the Trees Were All Bare (t) | SS-E | SS, Harvard | 1 | VO,KBF+GT |
//1+6/53//5/5//1+/2+3+4+// | 2/4 | Irish Lilt. Performed at Drury Lane. (t) | DA-E | Straight & Skillern CD, 1775 | 91 | VN/GF/OB |
//1+6/535/535//1+1+/1+2+3+/2+7//1+6/535/ 567 |
9/8 | Andrew Carey, Irish (t) | IC-S | Aird 5, 1797 | 40 | FI/VN/GF |
//1+6/535/535//1+1+/1+2+3+/4+3+2+// | 9/8 | Andrew Carrey Retreat (t) | MS-S | Fife MS, 1780 | 879,94r | 1FI OR 2FI/VN |
//1+6/535/535//1+1+/1+2+3+/4+3+2+// | 9/8 | Andrew Carey (Irish) (t) | DA-E | Wilson Companion, 1816 | 22 | MI |
//1+6/535/535//1+6/531/2// | 9/8 | Hey My Nanny. Irish Retreat (t) | MS-S | Fife MS, 1780 | 761,83r | 1FI OR 2FI/VN |
//1+6/535/535//1+6/531/2//1+6/535/535 | 9/8 | Hey Me Nanny. Irish (t) | IC-S | Aird 5, 1797 | 38 | FI/VN/GF |
//1+6/535//535/1+6//535/2// | 6/8 | Mad Nancy (t) | AM-A | Hoff MS, 1797 | No. 197 | GF |
//1+6/535/535//1+6/535/2// | 9/8 | Hey My Nancy (t) | AM-A | Litten MS, 1800 | 28 (32) | VN |
//1+6/535//535/1+71+//62+1+/767 | 6/8 | Andrew Cary (t) | AM-A | Perkins MS, 1790 | 14 | MI |
//1+6/535//535/53+2+//1+6/531 | 2/4 | Miss Katie Hall's Reel (t) | IC-S | Aird 1, 1782 | 29 | FI/VN/GF |
//1+6/535//535/53+2+//1+6/531 | 6/8 | Mrs Katy Halls Reel (t) | AM-A | Murphey MS, 1790 | 33 | MI |
//1+653/5555//1+665/6666//1+2+3+5+ | C/ | Knockandoe's Strathspey (t) | IC-S | Aird 6, 1803 | 9 | FI/VN/GF |
//1+653/55556//1+653/22227//1+653/54+3+2 + |
C | Cameron Has Got His Wife Again, Strathspey (t) | IC-S | Aird 4, 1796 | 65 | FI/GF/VN |
//1+653/55556//1+653/22227//1+653/54+3+2 +// |
C | Cameron Got His Wife Again (Old Scotch) (t) | DA-E | Wilson Companion, 1816 | 36 | MI |
//16-5-3-/5-5-5-5-7-//16-5-3-/2-2-2-2-7- //16-5-3-/5-432 |
C | Miss Cranley's Reel (t) | AI-A | Balls Amus 2, 1815 | 36 | FL/FI/VN |
//1+653/55557//1+653/22227//1+653/54+3+2 +// |
C | Grand Ballet, The (t) | AI-A | Hewitt Fashionable, 1807 | 9 | PF |
//1+653/5556//1+653/225//1+653/54+3+2+ | C | Have You Any Pots or Pans (t) | SC-S | Scots MM-6, 1803 | 536 | VO,PF |
//16-/5-3-//5-/5-6-//1/1212 | 2/4 | Rose tree full in bearing, A (fl) | AM-A | Dawes MS, 1790 | 46 | VO,HA |
//16-/5-3-//5-/5-6-//1/212// | 2/4 | Hospitalite des Irlandois, L' (t) | DA-E | Hurst Cot, 1775 | 24 | KB |
//1+653/556//1+2+/3+2+2+3+//1+653/556 | C | Dainty Besom Maker, The (t) | IC-S | Aird 1, 1782 | 42 | FI/VN/GF |
//16-/5-3-//5-/5-6-//1/234 | 2/4 | Gimblet, The (t) | IC-E | Caledonian PC, 1760 | X,17 | GF/VN |
//1+6/53//5/56//1+/2+3+4+ | Farewell Kilevey (t) | AM-A | Turner MS, 1788 | I,26 | VN | |
//1+6/53//5/56//1+/3+2+1+2+// | 2/4 | Rose Tree, The (t) | AM-A | Adams, W. MS, 1795 | 13 | MI |
//16-/5-3-//5-/5-6-//1/3212 | 2/4 | Rose Tree, The (t) | AM-A | Dickinson MS, 1800 | 153 | VO |
//1+6/53//5/56//1+/3+2+1+2+// | 2/4 | Rose Tree, The (t) | AM-A | Irving MS, 1796 | 3r | 1 MI |
//16-/5-3-//5-/5-6-//1/3212 | 2/4 | Rose Tree, The (t) | AM-A | Otis MS, 1793 | 1 | 2VN/2FL |
//16-/5-3-//5-/5-6-//1/3212 | 2/4 | Rose Tree In Full Bearing, A (t) | SS-E | SS, Boston PL-1 | 144,1-2 | VO,OB,BS+GT/GF |
//16-/5-3-//5-/5-6-//1/3212 | 2/4 | Rose Tree, The (t) | AM-A | Spicer MS, 1797 | 43 | VO |
//1+6/53//5/56//1+/3+2+1+2+// | 2/4 | Rose Tree, The (t) | AM-A | White, G. MS, 1790 | 17 | VN |
//16-/5-3-//5-/5-6-//1/3212 | 2/4 | Rose Tree (t) | AM-A | Williams, J. MS, 1799 | 60 | 2CL |
//16-/5-3-//5-/5-6-//1/3212//3 | 2/4 | Duetto (t) | TW-E | Poor Soldier, 1782 | 14-15 | 2VO,KB |
//16-/5-3-//5-/5-6-//1/3212//32/2 | 2/4 | Rose Tree, A (t) | AI-A | Reinagle Fav-1, 1789 | 15 | PF/HA,VO |
//16-/5-3-//5-/5-6-//1/3212//32/232 | 2/4 | Rose Tree (t) | AI-A | Phila Songster, 1789 | 7 | VO |
//1+6/53//5/56//1+6/53 | 2/4 | Aberdeen Volunteers Quick March (t) | IC-S | Scottish Sheet Music | KB+V/FL | |
//1+6/53//5/56//1+6/53 | 2/4 | Aberdeen Volunteers Quick March (t) | IC-S | Watlen Marches, 1798 | 26 | PF/FL/VN |
//1+653//5567//1+3+2+1+2+ | 2/4 | Rose Tree, The (t) | AM-A | Mass. MS, 1790 | 23 | FL |
//16-/5-3-//5-6-/5-//1/212//32/232 | Rose Tree, The (t) | AM-A | Belknap MS, 1784 | 31R | MI | |
//1+6/53//56/5//1+/3+2+1+2+//3+ | 2/4 | Federal Overture-Tune 6 (t), or Rose Tree (at) | AI-A | Gent's Amus, 1794 | 44 | 2GF |
//1+6/53//56/55//1+/2+1+2+ | 2/4 | Rose Tree, The (t) | AM-A | Pomeroy MS, 1790 | 4 | GF |
//16-/5-3-//5-6-/5-5-//1/3212// | 2/4 | Fare you well Killarny (t) | MS-C | Molyneaux MS-1, 1788 | 42 | GF |
//1+6/53//56/56//1+/3+2+1+2+ | 2/4 | Rose Tree, The (t) | AM-A | Bellamy MS, 1799 | 45 | MI |
//16-5-3-//5-6-5-6-//13212 | 2/4 | Rose Tree, The (t) | IC-E | Goulding Fife, 1790 | 29 | FI |
//1+6/53//56/56//1+/3+2+1+2+ | 2/4 | Rose Tree, The (t) | AM-A | Hosmer MS, 1798 | 47 | MI |
//16-/5-3-//5-6-/5-6-//1/3212 | 2/4 | Rose Tree (t) | AI-A | Steele Fife, 1815 | 15 | FI |
//16-5-3-//5-6-5-6-//13212//32232//16-5- 3-//5- |
2/4 | Rose Tree (t) | AI-A | Evening Amuse, 1796 | 19 | GF/VN |
//16-/5-3-//5-6-/5-7-//1/3212 | 2/4 | Rose Tree (t) | AI-A | Balls Amus 1, 1815 | 20 | FL/FI/VN |
//16-/5-3-//5-6-/5-7-//1/3212 | 2/4 | Rose Tree (t) | AI-A | Riley Flute 1, 1814 | 9 | FL |
//16-/5-3-//5-/6-7-//1/3212 | 2/4 | Rose Tree, The (t) | MS-E | Brown, W. MS, 1797 | 12 | MI |
//165365/365/365//165365/265265//1165365 /365365// |
IC-E | Peacock Pipe, 1805 | 9 | PI/GF/VN | ||
//16-/5-3-//6-/6-7-1//1/212 | 2/4 | Rose Tree, The (t) | AM-A | Clark, I. MS, 1801 | 53 | FI/VN |
//16-/5-4-//11/2//34/5432 | 2/4 | Burns Adieu (t) | AI-A | Blake Amus 3, 1825 | 27 | CL |
//16-5-4-/16-5-4-//223/432//16-5-4-/16-5 -4-// |
C | Bonny Kate of Aberdeen (t) | DA-E | London Magazine | 277, 1751 | MI |
//1+/654//311+/35//1+/3+2+1+//75 | 2/4 | Mantua Makers Frolick, The (t) | DA-E | Rutherf CD-2.2, 1760 | 13 | MI |
//1+/654//31+/35//1+/3+2+1+ | 2/4 | Mantua Maker's Frolick, The (t) | DA-E | Johnson CD-8, 1758 | 100 | VN/GF |
//1/6-5-4-//3-1/3-5-//1/321 | 2/4 | Mantua Makers Frollick, The (t) | DA-E | Thompson CD-2, 1765 | 5 | VN/GF/OB |
//1/6-5-4-//3-1/3-5-//1/321// | 2/4 | Mantua Makers Frollick, The (t) | DA-E | Thompson CD-2a, 1765 | 4 | VN/GF/OB |
//16-5-4-/3-1-3-5-//1321/7-5-7-2//16-5-4 -/3-1-3-5-// |
C/ | Mantua Makers, The (t) | DA-E | Straight & Skillern CD, 1775 | 85 | VN/GF/OB |
//1+654/3135//1+3+2+1+/7572+//1+654/3135 // |
C/ | Mantuamakers Frolick, The (t) | MS-E | Vickers MS, 1770 | 44 | MI |
//1+6/54//313/543//434/22+1+ | 6/8 | Quick March No.19 (t) | IC-E | Hinde 2, 1772 | 13 | GF/VN/OB,PF |
//1+6/54//313/543//434/22+1+ | 6/8 | High Way to Scarborough, The (t) | DA-E | Rutherf CD-1, 1750 | 20 | VN/FL/OB,HAF |
//1+6/54//313/543//434/22+1+//71+6 | 6/8 | Highway to Scarborough, The (t) | DA-E | Rutherf CD-2.2, 1760 | 41 | MI |
//1+6/543//1+54/321//1+6/543 | 6/8 | Betty Bodkin (t) | DA-E | Johnson CD-4, 1748 | 74 | VN/GF |
//165/432//11/11+//565/543// | 6/8 | Insurgente, L'. Contredanse Française (t) | DA-F | Bouin CD LC-2 , 1780 | 214 Feuille 8. Vol | MI |
//165432//11+7654//365432//12+2+//1+66// 5+ |
3/4 | Minueto (t) | MS-M | Garcia MS, 1772 | 96V [223] | MI |
//1654/32//11+76/55 | C | Trip to the Nunery, A (t) | DA-E | Rutherf CD-1, 1750 | 51 | VN/FL/OB,HAF |
//1654/32//11+76/55//64325321 | C | Trip to the Nunnery (t) | DA-E | Johnson CD-5, 1750 | 10 | VN/GF |
//1654/32//11+76/55//6432/5321//6453 | C | Quick March.#3 (t) | IC-E | Hinde Longman, 1775 | 2 | FI/GF/VN/OB,PF/HA |
//1654/32//11+76/55//6432/5321//6453 | C | Trip to the Nunery, A (t) | DA-E | Rutherf CD-2.2, 1760 | 39 | MI |
//16/54//3/212//35-/25- | C/ | Trip to the Camp, A (t), or Elverton Grove, (at) | PL-E | Playford 2-3, 1718 | 225 | VN |
//16/54//3/212//35-/25- | C/ | Trip to the Camp, A (t), or Elverton Grove, (at) | PL-E | Playford 2-4, 1728 | 225 | VN |
//16/54//3/212//35-/25- | C/ | Elverton Grove, or (t), or Trip to the Camp, A (at) | DA-E | Walsh CD-1.2, 1719 | 247 | VN/OB |
//1+6/54321//351+/65432//4+3+/2+1?765// | 6/4 | Ayre (t) | IC-E | Apollo's Banquet 1-8, 1701 | 13v,73 | VN |
//1+65432/13+6//755+3+4+2+/1+5//654/571+ // |
6/8 | Pusfagien Maker, De (t) | DA-N | Hummel CD, 1780 | 14 | KB |
//165432//143217-//165432//17-1//6-5-1// 4-3-1// |
3/4 | Minuet 5th. (t) | DA-E | Sancho Minuet, 1770 | 4-5 | HP |
//16/5432//15-/15-//6-4 | C | Coldstream March (t), or Second Regiment of Guards March (at) | IC-E | Longman Oboe, 1770 | 28 | 2OB |
//16/5432//15-/15-//6-4/46- | C | Coldstream March, The (t) | IC-E | Andrews Fife, 1808 | 26 | FI/GF |
//16/5432//15-/15-//6-4/46- | C | Coldstream (t), or Second Regiment of Guards March (at) | IC-E | Bennett Fife, 1770 | 19 | 2FI |
//16/5432//15-/15-//6-4/46- | Coldstream (t), or Second Regiment of Guards March (at) | IC-E | Cahusac Oboe, 1790 | 33 | 2MI | |
//16/5432//15-/15-//6-4/46- | C | First Coldstream March (t) | IC-E | Clementi Fife, 1815 | 27 | FI |
//16/5432//15-/15-//6-4/46- | C | Coldstream or Second Regiment of Guards March (t) | IC-E | English Sheet Music | 1 | 2MI,BF+GT |
//16/5432//15-/15-//6-4/46-// | C | Cold Stream March (t) | IC-E | Hill Flute, 1762 | 16 | GF |
//16/5432//15-/15-//6-4/46- | C | Coldstream (t), or Second Regiment of Guards March (at) | IC-E | Longman Fife, 1770 | 26 | MI,B |
//16/5432//15-/15-//6-4/46- | C | First Coldstream March (t) | IC-E | Longman Fife, 1780 | 27 | FI/GF |
//16/5432//15-/15-//6-4/46- | C | Coldstream March (t) | IC-E | Preston Oboe, 1780 | 29 | 2OB |
//16/5432//15-/15-//6-4/46- | C | First Coldstream March (t) | IC-E | Skillern Amus, 1785 | 4 | 2GF |
//16/5432//15-/15-//6-4/46- | C | First Coldstream March (t) | IC-E | Skillern Fife, 1780 | 27 | FI/GF |
//16/5432//15-/15-//6-4/46- | C | Coldstream March (t) | IC-E | Thompson Clar, 1785 | 12 | CL |
//16/5432//15-/15-//6-4/46- | C | Coldstream (t), or 2d Regt. of Guards March (at) | IC-E | Thompson Fife, 1770 | 34 | 2MI |
//16/5432//15-/15-//6-4/46-// | C | First Coldstream or 2d Regt of Guards Ma (t) | IC-E | Thompson Fife, 1786 | 27 | FI/FL |
//16/5432//15-/15-//6-4/46- | C | Coldstream March (t) | IC-E | Thompson Oboe, 1770 | 21 | 2OB |
//16/5432//15-/15-//6-4/46- | C | Coldstream March (t) | IC-E | Thompson Oboe, 1790 | 30 | OB |
//16/5432//15-/15-//6-4/46-// | C | Coldstream or Second Regiment of Guards March (t) | AI-A | Willig Fife, 1826 | 17 | 2FI |
//16/5432//15-/15-//6-4/46-//5-3 | C | Cold Stream March (t) | IC-E | Warlike Musick, 1760 | 61 | GF/VN/HA |
//1654/321//5-3-5-/1443//65/5321 | C | Patie and Peggy-1 (t) | IC-E | Caledonian PC, 1760 | VI,6 | GF/VN |
//1654/321//5-3-5-/1443//65/6321 | C/ | Patie & Peggy (t) | IC-S | Stuart, 1724 | VI,150-151 | HA |
//16/54//32/1//55//565//6 | 2/4 | Finale (t) | TW-E | Peeping Tom, 1786 | 40 | VO/VN,HAF |
//1654/3217-//1/5-//6-15-1/5-4-3-2- | C | March, A (t) | MS-E | Shepherd MS, 1787 | 24 | 2MI |
//1+65/4321+//7567/6543//254/365// | C (ed) | Music of the Anniversary Ode for the Year 1753, Violoncello Solo (t) | AM-A | Tuesday Club MS, 1745 | 12/220 | VC |
//1+6/5432//311/1345//422/2321 | C | March 1 (t) | IC-E | Eastland March, 1787 | 2-3 | 2OB/GF/CL,BS |
//1+6/54//323/15//6767/1+2+ | C/ | March (t) | MS-G | Darmstadt MS 1224 | 119-38 | 2OB,2HN,B |
/16//543/231//7-5-/15-13//25-24/ | 2 | Rohanne, La (t) | MS-C | Trois-Rivieres MS, 1768 | 47 | MI |
//1+6/543//23/17-6-//123/453// | 3 | Theater Tune, A (t) | IC-E | Apollo's Banquet 1-1, 1670 | 135 | VN |
//1+6543//2317-6-//123453//675//7771+2+/ / |
C3 | Epsom Wells (t) | IC-E | Apollo's Banquet 1-2, 1678 | 86 | VN |
//16/543//231/7-6-5-//15-13/2123 | C | Hornpipe Gavot In Otho (t) | AM-A | Shattuck MS, 1801 | 82 | MI |
//16/543//231/7-6-5-//15-13/217-2// | C/ | Hornpipe (t) | AM-A | Hoff MS, 1797 | No. 105 | GF |
//16/54//32//32/34 | C | Gavot (t) | IC-E | Delightful-1, 1763 | I,21 | GF |
//1+6/543//234/321//43/65 | 6/8 | Favourite Song (t) | SS-E | SS, Harvard | 1 | GF/VO,KB |
//16//543/2345//7-6-5-/15-12//25-7-2/15- 13 |
C | Jack the Horse Courser's Hornpipe (t) | DA-E | Walsh CD-2.4, 1747 | 179 | MI |
//16/543//242/7-5-7-//16/543 | 6/8 | Brentford Lasses (t) | DA-E | Thompson CD-3, 1773 | 10 | VN/GF/OB |
//16/543//242/7-5-7-//16/543// | 6/8 | Brentford Lasses (t) | DA-E | Thompson CD-3a, 1773 | 14 | VN/GF/OB |
//16/543//242/7-6-5-//15-13/25-24 | Handels Gavot a Quick Step (t) | AM-A | Nixon MS, 1776 | 15 | FI | |
//1+6543/34321//1123/4//2+5432/2217-6- | C | Paix Universelle, La. Depart des Armees Allies (t) | IC-N | Netherlands Sheet Music | PF | |
//16/54//34/23//13/21 | C/ | King's Entry (t) | DA-E | Johnson CD-2, 1742 | 42 | MI |
//1/6+5+4+//3+4+2+3+/1+55//2+555/3+555 | C | Clinton's Triumph (t) | AI-A | American Sheet Music | KB | |
//1/654//342/32//1/17-6-// | 6/8 | Bank of Cloyd, The (t) | MS-E | Vickers MS, 1770 | 143 | MI |
//1+654//3432//11111//1/6 | 3/4 | Lord Howe's Minuet (t) | MS-S | Gillespie MS, 1768 | 19 | VN |
//1+6/543/44/47//1+6/543 | 12/8 | Soldiers Frolick (t) | IC-S | Calvert Coll, 1790 | 19 | V,VC/HA/PF |
//1+6/5434//5/15//1+7/671+// | C/ | Amboyna (t) | IC-E | Apollo's Banquet 1-5, 1687 | 91 | VN |
//1+6/5434//5/15//1+7/671+//7 | C/ | Amboyna (t), or #1 (at) | PL-E | Playford 1-07, 1686 | AI,1 | VN |
//1+654/3453//4+3+2+1+/7556//1+654/3453 | C | Who's the Dupe (t) | DA-E | Bride CD, 1776 | III,10 | VN/OB/GF |
//1+654345//66-7-1234//36543217-127-//16 -361+//61+765654//35565432// |
3 | New Hornpipe of Mr. Purcell's, A (t) | IC-E | Apollo's Banquet 2, 1691 | 21 | VN/FL |
//1+/654//34/56//71+2+/1+6//5/4 | 3 | #78 (t), or Jigg, A (at) | PL-E | Playford 1-3b, 1665 | II,58 | VN |
//1+6//543//65432//345//67 | 3/4 | Unsuccessful Lover, The (t) | SS-E | SS, Boston PL-1 | 46 | VO,HA+GF |
//1654/4523//1321/7-6-5-//3-5-16-/4-6-21 // |
C/ | Aire (t) | IC-E | Theater Musick-1, 1698 | 11 | VN |
//1/65//4534/27-//7-/54 | C | President Monroe's March (t) | AI-A | American Sheet Music | PF | |
//16-5-4-5-/36-5-4-5-//54565/45654321//7 -1217-5-6-7-/17-123 |
C | Grand Centennial March (t) | AI-A | American Sheet Music | 3 | PF |
//1654/54//313/4563 | C | General Wolfe (t) | AM-A | Beck MS, 1786 | 153 | GF |
//16545//4324//36517-//6-7-5-//31654//34 5 |
3/4 | Portuguese Favourite Minuet, A (t) | IC-E | Delightful-2, 1745 | V,19 | GF |
//1+6/54//5/56//1+/23+4+ | 2/4 | Quick March No.30 (t) | IC-E | Hinde 2, 1772 | 20 | GF/VN/OB,PF |
//1+6/54//5/56//1+/3+2+3+ | 2/4 | Rose Tree In Full Bud, The (t) | MS-E | Carter MS, 1792 | 21 | MI |
//16-5-4-/7-2432//317-1/5321/7-5-//3-142 / |
3/2 | IC-E | Geoghegan Pastoral, 1746 | 26 | BP | |
//16//55//6642//7-254//321234//5 | 3/8 | Finale, Act Ii-3 (t) | TW-E | Pirates, 1792 | 63 | VO,KB |
//16-/5-6-//1/1//21/23// | 2/4 | Favouret Scotch Quick Step, A (t) | MS-S | Fife MS, 1780 | 307,32r | 1FI OR 2FI/VN |
//16-/5-6-//1/12//123/21// | 2/4 | Lee Rig, The (t) | MS-S | Fife MS, 1780 | 301,31v | 1FI OR 2FI/VN |
//16-/5-6-//1/12//123/21 | 2/4 | Lee Rigg, The (t) | AM-A | Murphey MS, 1790 | 31 | MI |
//16-5-6-/112//12321/26-6-2//16-5-6-/1 | C/ | My Ain Kind Deary (t) | DA-E | Longman CD, 1781 | 51 | VN/OB/GF |
//16-5-//6-11+2+//3+2+1+653//2123//16-5- //6-11+// |
3 | Scotch Tune (t) | IC-E | Theater Musick-3, 1700 | 24 | VN |
//16-/5-6-//1/13//21/23 | C/ | Lee Rigg, The (t) | IC-E | Caledonian PC, 1760 | VIII,20 | GF/VN |
//16-5-6-/113//22231/25-5-2//16-5-6-/11+ // |
C/ | My Own Kind Dearie (t) | MS-S | Young MS-1, 1734 | 15v-16r | MI |
//16-5-//6-11+//5121//2432//1216-5- | 3 | Auld Rob Morris (t) | SC-E | Watts MM-3, 1730 | 174-176 | VO,HA+FL |
//16-5-//6-11+//5321 | 3 | Air 10 (t) | BA-E | Patie & Peggy, 1731 | 12 | VO |
//16-5-//6-11+//5321//2123//16-5-//6-11+ // |
3/4 | Old Rob Morries (t) | IC-S | Scots Tunes (C), 1730 | 45 | HA/SP/VN/GF |
//16-5-//6-11+//5321//232//1216- | 3/4 | Auld Rob Morris (t), or Dialogue Betw Mither and Doughter (at) | SC-S | Scots MM-2, 1788 | 200 | VO,PFF |
//16-5-//6-11+//5321//232//1216-5- | 3/4 | Auld Rob Morris (t), or Song 30 (at) | SC-E | Orpheus Cal-1, 1733 | T64-65MOP65 | VO,HA |
//16-5-//6-11+//5321//232//1216-5-//6-11 +// |
3/4 | Auld Rob Morrice (t) | IC-E | Peacock Scotch Airs, 1762 | 23 | VN/GF/VC, HAF |
//16-5-//6-11+//5321//2432 | 3 | Air 48 (t) | BA-E | Highland Fair, 1731 | 73 | VO |
//16-5-//6-11+//5321//2432 | 3 | Air 10 (t) | BA-E | Patie & Peggy, 1730 | 14 | VO |
//16-5-//6-11+//5321//2432//1216-5- | 3/4 | Scotch Dialogue, A (t) | SC-E | Calliope, 1746 | I,112 | 2VO,B+FL |
//16-5-//6-11+//5321//2432//1216-5- | 3/4 | Scotch Dialogue Between Mither & Doughter, A (t) | SS-E | SS, Folger-C42.3 | 320 | VO,KB+FL |
//16-5-//6-11+//5321//2432//1216-5-1 | 3/4 | Auld Rob Morris (t) | IC-S | Stuart, 1724 | V,116-117 | HA |
//16-5-//6-11+//5321//2432//1216-5-//611 + |
3/4 | Scotch Dialogue Between Mither & Doughter, A (t) | SS-E | SS, Harvard | 1 | V0,B+FL |
//16-5-//6-11+6//5321//2123//1216-15-//6 -11+6// |
3/4 | Auld Rob Morris Retreat (t) | MS-S | Fife MS, 1780 | 882,94v | 1FI OR 2FI/VN |
//16-5-//6-11+6//5321//2123//16-5- | 3/4 | Auld Rob Morrice (t) | IC-E | Caledonian PC, 1760 | VI,9 | GF/VN |
//16-5-//6-116//5321//232//1 | Auld Rob Morrice (t) | AI-A | Scots MM, 1797 | 36L-R | VO,HA/PF | |
//16-5-//6-11+7-//6532//123//21216-//5-6 -11+// |
Auld Rob Morrice (t) | AI-A | Caladonian Muse, 1798 | 36 | VO/PF/VN | |
//16-5-6-/12//12321/26-6-2//16-5-6-/11+ | C | My Ain Deary (t) | DA-E | Johnson CD-1, 1740 | 23 | MI |
//16-5-6-/12//12321/27-6-2//16-5-6-/11+ | C | Perla de La Ama, La (t) | MS-M | Garcia MS, 1772 | 117 | MI |
//16-5-6-/123//12321/26-6-2//16-5-6-/111 + |
C/ | My Ain Kind Deary (t) | MS-E | Hammersley MS, 1790 | 28B | MI |
//16-5-6-/123//12321/26-6-2//16-5-6-/111 + |
C | My Ain Kind Deary (t) | DA-E | Walsh CD-2.1, 1731 | 8 | VN/OB/GF/RC |
//16-5-6-/123//12321/26-6-2//16-5-6-/111 + |
C | My Ain Kind Deary (t) | DA-E | Walsh CD-3.1, 1754 | 18 | VN/OB/GF |
//16-5-6-/123//12321/26-6-3//16-5-6-/111 + |
C/ | My Ain Kind Deary (t) | DA-E | Skillern CD, 1780 | 65 | VN/GF/OB |
//16-5-6-/123//12321/26-6-3//16-5-6-/111 +// |
C/ | My Ain Kind Deary (t) | DA-E | Straight & Skillern CD, 1775 | 35 | VN/GF/OB |
//16-5-6-/123//1321/26-6-2//16-5-6-/11+/ / |
C/ | Own Kend Dery O (t) | MS-E | Vickers MS, 1770 | 81 | MI |
//16-5-6-//1234//232//16-5-6-//15432 | Tweedside (t) | AM-A | Wilson MS, 1782 | 10V-11R | FL/OB | |
//16-/5-6-//13/21//11/56 | C | St Kilda Song (t) | SC-S | Scots MM-3, 1790 | 250 | VO,PFF |
//16-5-/6-234//36-5-/6-6//321/7-217-6- | 6/8 | Strephon's Remonstrance (t) | SC-E | Clio-1, 1758 | 120 | VO,HAF+GF |
//16-5-/6-234//36-5-/6-6//321/7-217-6- | 6/8 | Strephon's Remonstrance (t) | AI-A | Herrick Preceptor, 1807 | 49 | MI,B |
//16-5-6-/5-3-2-3-//5-6-15/622//5342/316 -1 |
C | Wicklow Lilt (t) | AI-A | Goodale Dir, 1819 | 89 | MI,B |
//1+/6//565/345//453/2 | C3 | New Bo-Peep, The (t), or Pickadilly, (at) | PL-E | Playford 1-08, 1690 | 87 | VN |
//1+/6//565/345//453/2 | C3 | Piccadilly (t) | PL-E | Playford 1-09, 1695 | 61 | VN |
//1+/6//565/345//453/2 | 6/4 | Piccadilly (t) | PL-E | Playford 1-14, 1709 | 61 | VN |
//1+/6//565/345//453/2 | 6/4 | Piccadilly (t) | PL-E | Playford 1-15, 1713 | 61 | VN |
//1+/6//565/345//453/2 | 6/4 | Piccadilly (t) | PL-E | Playford 1-16, 1716 | 61 | VN |
//1+/6//565/345//453/2123 | 6/4 | Piccadilly (t) | PL-E | Playford 1-10, 1698 | 61 | VN |
//1+/6//565/345//453/2123 | 6/4 | Piccadilly (t) | PL-E | Playford 1-11, 1701 | I,61 | VN |
//1+/6//565/345//453/2123 | 6/4 | Piccadilly (t) | PL-E | Playford 1-12, 1703 | 61 | VN |
//1+/6//565/345//453/2123 | 6/4 | Piccadilly (t) | PL-E | Playford 1-13, 1706 | 61 | VN |
//1+/6//565/345//453/2123 | 6/4 | Picadilly (t) | PL-E | Playford 1-17, 1721 | 61 | VN |
//1+/6//565/345//453/2123 | 6/4 | Picadilly (t) | PL-E | Playford 1-18, 1728 | 61 | VN |
//1+/6//565/345//453/2123//1 | 3 | New Bo-Peep, The (t), or Pickadilla, (at) | PL-E | Playford 1-07, 1686 | 78 | VN |
//1+/6//565/345//453/2123//11 | C | New Boe Peep (t) | PL-E | Playford 1-02, 1652 | 74 | VN |
//1+/6//565/345//453/2123//11 | 3 | New Bo Peep (t) | PL-E | Playford 1-03a, 1657 | I,74 | VN |
//1+/6//565/345//453/2123//11 | 3 | New Bo-Peep, The (t), or Pickadilla, (at) | PL-E | Playford 1-05, 1675 | 78 | VN |
//1+/6//565/345//453/2123//11 | 3 | New Bo-Peep, The (t), or Pickadilla, (at) | PL-E | Playford 1-06, 1679 | 78 | VN |
//1+/6//565/345//453/2123//11 | 3 | New Bo Peep (t) | PL-E | Playford 1-3b, 1665 | I,74 | VN |
//1+/6//565/345//543/2123//11 | 3 | New Bo-Peep, The (t), or Pickadilla, (at) | PL-E | Playford 1-04, 1670 | 78 | VN |
//1+6/5654/3//22+/6/1+765// | 3/2 | Lancaster Hornpipe (t) | MS-S | Young MS-3, 1740 | 48 | VN/OB/GF |
//16-5-6-/5-5-6-//7-2/3-223//16-5-3-/5-5 -6- |
C | Dainty Besom Maker, The (t) | AM-A | Gaylord MS, 1816 | 1v | MI |
//1+65//66-4+//3+56//71+2+//3+4+ | 3/4 | Lovers Litany, The (t) | SS-E | SS, Folger-C42.4 | 147 | VO,KB+FL |
//1+65//66-4+//3+56//71+2+//3+4+5+//75 | 3/4 | Lovers Litany, The (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//1+65//66-4+//3+56//71+2+//3+4+5+//75 | 3/4 | Lovers Litany, The (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//16-/5-6-7-//1234/567//1+71+2+/1+765 | 2/4 | Battle...8th of January 1815. Rondo Finale (t) | AI-A | American Sheet Music | PF | |
//16-5-6-7-/16-5-6-7-//1335/6-7-1//5-135 /4 |
C | Dr. Arnold (t), or March 39 (at) | IC-E | Button Whit-1, 1806 | 48-49 | 2GF/2VN/2FL/2FI |
//16-5-6-7-//16-7-12//323232//343217-//1 6-5-6-7-//16-5-6-7-// |
3/4 | Wilson's Fandango (t) | DA-E | Wilson Companion, 1816 | 178 | MI |
//1/6-5-6-7-//17-/6-//21/141 | C/ | March V. Elsas (t) | MS-G | Darmstadt MS 1225 | 191-92 | 2MI |
//16-5-6-7-5-/6-4-//3-217-/12//33/21 | C | Forsaken Pastoralla, The (t) | SC-E | Musical Ent-2, 1740 | 6 | VO,HAF+FL |
//16-5-6-7-5-/6-4-//3-217-/12//33/21//7- |
C | Mournful Shepherdess, The (t) | SC-E | Calliope, 1746 | I,170 | VO,HAF+FL |
//16/57-//13//217-6-/5-4//4/3 | 2/4 | Reason for Ranging (t) | SC-E | Calliope, 1746 | II,174 | VO,B+FL |
//16/57-//16/5//64/32 | 2/4 | Devil's Grace (t) | MS-E | Rainstorp MS, 1747 | 33 | MI |
//1657-/1657-//117-6-/5-5-//1 | C | My Fanny Was as Fair (t) | SC-E | Vocal Music, 1778 | 117-119 | VO/VN/GF |
//1657-/1657-//117-6-/5-5-//1234/5654//3 217- |
C | I just as eagerly as thee (fl) | TW-E | Waterman, 1782 | 4-5 | VO,KBF |
//1+/6//57-2/1234567//1+/6//5 | C | Overture (t) | TW-E | Padlock, 1768 | 2-5 | KB |
//16-5-7-/6-6-//7-217-/12//34/317-6- | C | Song 20 (t) | SC-E | Ritson, 1783 | TI,16-17;MIII,7 | VO |
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