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Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
//12/34//12/34//13/13 | C/ | Trip to Paris, A (t) | PL-E | Playford 3-2, 1726 | 39 | VN |
//12/34//12/34//13/13 | C/ | Trip to Paris, A (t) | DA-E | Walsh NCDM-3, 1728 | 115 | VN/OB/FL |
//12/34//1/23//45/654 | C | Tho' sweetly breathes the smiling spring (fl) | TW-E | Son-In-Law, 1780 | 8-9 | VO,HAF |
//123/41//45/6542//567/1+7//6/5 | 3 | Touch and Take (t) | PL-E | Playford 1-03a, 1657 | I,102 | VN |
//123/41//45/6542//567/1+7//6/5 | 3 | Touch and Take (t) | PL-E | Playford 1-3b, 1665 | I,102 | VN |
//123/41//45/654//567/1+7//6/5 | C | Tutch and Take (t) | PL-E | Playford 1-02, 1652 | 102 | VN |
//12/34//16-/5-1//6-1/24 | 2/4 | New Scotch Contention (t) | MS-E | Hammersley MS, 1790 | 25B | MI |
//12/34//16-/5-1//6-1/24- | 2/4 | Scotch Contention (t) | DA-E | Johnson CD-1, 1740 | 50 | MI |
//12/34//16-/5-1//6-1/24 | 2/4 | Scotch Contention, The (t) | DA-E | Walsh CD-2.3, 1735 | 34 | VN/OB/GF/CF |
//12/34//16-/5-1//6-1/24- | 2/4 | Scotch Contention (t) | DA-E | Walsh CD-3.3, 1749 | 46 | VN/OB/GF |
//1/234//17-6-/5-4-//434/434//17-6- | C | Andante (t) | IC-E | Delightful-2, 1745 | II,33 | 2GF |
/1234//2/1234/2/321//7-1/ | 2 | Petitte allemande (t) | MS-C | Trois-Rivieres MS, 1768 | 48 | MI |
//12/34//2/1234//56/4// | 2 | Dinan, La (t) | IC-F | Leclerc Recueil-2, 1737 | 98 | HAF |
//123//4212//35//17-1 | 3 | Song, A (t) | SC-E | Pills 3, 1719-20 | 184-5 | VO |
//123//4212//35//17-1 | 3/4 | Song 46 (t) | SC-E | Ritson, 1783 | TI,222;MIII,110 | VO |
//1234//21//345671+//43//4565432//345432 1// |
3/4 | Ld Hobard's Minuet (t) | AM-A | Bush MS, 1779 | 10 | VN |
//1234//215//45432//32343//1234//215// | 3 | Minuet, A (t) | IC-E | Apollo's Banquet 1-8, 1701 | 48 (31v) | VN |
//1/2//34/21//55-//1/2 | French Musketeers March, The (t) | IC-E | Sprightly Comp, 1695 | 15 | OB/FL/VN | |
//1/2//34/217-//12/34// | 3 | Countrey Dance, A (t) | IC-E | Apollo's Banquet 1-1, 1670 | 157 | VN |
//123/4217-//123/6-7-1//2 | C/ | Florellio and Daphne (t) | SC-E | Calliope, 1746 | II,144 | MI,VO,B |
//1234/217-//15-4-/3-4-//5-1/6-5- | C | Air 23 (t) | BA-E | Generous Free, 1731 | 50 | VO |
//1234/217-//15-4-/3-4-//5-1/6-5- | C | Flora's Approach (t) | SC-E | Watts MM-6, 1731 | 3-4+5 | VO,HA+FL |
//1+2+3+/4+2+1+7//1+5/5//4624/7-654// | C/ | Hornpipe 3 (t) | DA-E | Fishar Minuets, 1785 | 25 | KB |
//12/34//217-//17-1/6-7-//17- | 2 | School Masters Lesson, The (t) | SS-E | SS, Harvard | 1 | VO+FL |
//12/34//217-//17-1/6-7-//17-7-1 | 2 | School Masters Lesson, The (t) | SS-E | SS, Folger-C42.4 | 436 | VO+FL |
//1234/21//7-/23//45/3 | C/ | Song, A (t) | SC-E | Pills 3, 1719-20 | 51-2 | VO |
//1234/21//7-/23//45/32 | C/ | Song 164 (t), or Phillida and Corydon (at) | SC-E | Calliope, 1788 | 309-310 | VO |
//1234/21//7-/23//45/32 | C/ | Song 56 (t), or Phillida and Corydon (at) | SC-E | Ritson, 1783 | TI,235-236;MIII,119-12 | VO |
//1234/21//7-/23//45/32//2 | C | Song 180 (t) | SC-E | Convivial, 1782 | 356 | VO |
//1234/21//7-5-/5-//52/54//31/1 | C/ | Argeers (t) | PL-E | Playford 1-01, 1651 | 58 | VN |
//1234/21//7-5-/5-//52/54//31/1 | C/ | Argeers (t) | PL-E | Playford 1-02, 1652 | 5 | VN |
//1234/21//7-5-/5-//52/54//31/1 | C/ | Argeres (t) | PL-E | Playford 1-03a, 1657 | I,5 | VN |
//1234/21//7-5-/5-//52/54//31/1 | C/ | Argeres (t) | PL-E | Playford 1-3b, 1665 | I,5 | VN |
//1234/21//7-5-/5-5//52/54//31/15- | C/ | Argeres (t), or Wedding Night, The (at) | PL-E | Playford 1-05, 1675 | 19 | VN |
//1234/21//7-5-/5-5//52/54//31/15- | C/ | Argiers (t), or Wedding Night, The (at) | PL-E | Playford 1-07, 1686 | 19 | VN |
//1234/21//7-5-/5-5//52/54//31/15- | C/ | Argiers (t), or Wedding Night, The (at) | PL-E | Playford 1-08, 1690 | 18 | VN |
//1/2342//17-6-5-/6-7-//113/223// | C/ | New Ministry Cottilion, The (t) | DA-E | Fishar Minuets, 1785 | 9 | KB |
//12/34//22/12//34/32 | 2/4 | Jolly Boys (t) | AM-A | Commonplace MS, 1797 | 22 | FI |
//1-2-/3-4-2-3-//1-1+535/1+5-//2-3-/4-2- 3-1- |
C/ | Crown Prince of Sweden Grand March, The (t) | IC-E | English Sheet Music | 5 | PF |
//12/3423//12/3423//15/4321 | 2/4 | Grand Cavalry March (t) | AI-A | American Sheet Music | KB | |
//12/3423//12/3423//15/4321// | 2/4 | March In Timour the tartar (t) | AI-A | Willig Fife, 1826 | 14 | FI |
//123/42//31/27-5-//123/46 | 6/8 | Enfiled Wash (t) | AM-A | Hawkins MS, 1794 | II,83 | GF |
//123/42//31/27-5-//123/46 | 6/8 | Enfield Wash (t) | DA-E | Johnson CD-8, 1758 | 53 | VN/GF |
//12//34231//3423123//25-//23//453423// | 3/4 | Air In Julius Caesar (t) | IC-E | Prelleur Modern, 1731 | 12 | RC |
//12//34231//3423123//25-//23//453423 | 3/4 | Minuet In Julius Cesar (t) | IC-S | Stewart Marches, 1761 | 48 | 2VN/GF/OB,VC/HA |
//12342/3153//12342/35//12342/3153// | C | Dutchess of Devonshires Reel (t) | DA-E | Sancho 12 CD, 1779 | 11 | HP |
//12/34//23/15-//6-1/5-3-// | 2/4 | Scotch March. 73 (t) | AM-A | Johnson, F. MS, 1820 | 44-45 | PF |
//12/3423//16-/5-3-4-//5-17-/6-4//3 | C/ | Across the downs this morning (fl) | AI-A | Gent's Amus, 1794 | 24 | GF/VN/VO |
//12/3423//16-/5-3-4-//5-17-/6-4//3 | C/ | Across the downs this morning (fl) | TW-E | No Song No Sup, 1790 | 35 | VO,HA/PF |
//12/3423//16-/6-1//5-3-/16- | 2/4 | Day of Marriage, The (t) | AI-A | Blake Amus 2, 1824 | 6 | CL |
//12/3423//16-/6-1//5-3-/16-// | 2/4 | Day of Marriage (t) | AM-A | Cushing MS, 1805 | 92-93 | MI |
//12/3423//16-/6-1//5-3-/16- | 2/4 | Marriage Day (t) | AI-A | Riley Flute 2, 1817 | 90 | FL |
//12/3423//16-/6-1//5-3-/16-//5-3- | 2/4 | Day of Marriage, The (t) | AI-A | American SS-SM | 1-2 | VO,KB |
//123/42/316-//6-7-1/234/531//46/43/53 | 9/4 | Bogg Trotter, The (t) | DA-E | Walsh CD-3.3, 1749 | 11 | VN/OB/GF |
//1+2+/3+4+2+3+//1+6/671+//56/53221 | C | Dundee Lassie (t) | IC-S | Aird 5, 1797 | 29 | FI/VN/GF |
//1/2342//31/7-1//23/43 | C/ | Bristol Assembly, The (t) | MS-E | Rainstorp MS, 1747 | 23 | MI |
//123423//17-/5-3-4-//5-17-/6-4 | C/ | Across the downs this morning (fl) | AI-A | Young's Vocal, 1793 | 4 | VO,PF+GF |
//123/42//321/53//456/563 | 6/4 | Wanton Virgins Frighted a New Song, The (t) | SS-E | SS, Folger-C42.3 | 517 | VO,KB+FL |
//123/42//321/53//456/563//3 | 6/4 | Wanton Virgins Frighted, The (t), or New Song, A (at) | SS-E | SS, Harvard | 1,DUP | VO/FL,B |
//123/42//321/53//456/563//3 | 6/4 | Wanton Virgins Frighted, The (t) | SS-E | SS, Harvard | 1 | VO/FL,B |
//1/2342//33/11//1/2342 | 2/4 | IC-E | Jouve Marches, 1799 | PF,TAM,CYM/TRI | ||
/1//23/42//33/1//23/ | C/ | Sont des Navets (t) | MS-G | Jayme MS, 1717 | 31 | MI |
/1//23/42//33/1//23/ | C/ | Sont des Navets (t) | IC-F | Leclerc Recueil-1, 1729 | 16 | HAF |
/1//23/42//33/1//23/ | C/ | Sont des Navets Au Sucre Contre-Danse Angloise (t) | IC-F | Pointel Airs, 1700 | 1 | MI,B |
/1//23/42//33/1//23/42// | C/ | Sont des Navets (t) | DA-F | Dezais Recueil, 1712 | 53-57 | MI |
//123//423//364//567//1+765 | 3 | Health to the Best In Chrisendom, A (t) | SS-E | SS, Folger-C42.4 | 130 | VO,KB+FL |
//123//423//364//567//1+765//6 | 3 | Health to the Best In Chrisendom, A (t) | SS-E | SS, Harvard | 1 | VO,B |
//123/423//423/423//4/345432// | C (6/8 ed) | Battell, The. the Flute and the Droome (t), or Flute and The Droome, The (a | MS-E | Nevell MS, 1591 | 30-33 | VI |
//123423//423423//4345432//3234321//2123 217-// |
C (=3 ed) | Battle, The. the Drum and Flute (t), or The Drum and Flute (at) | MS-E | Rogers MS, 1656 | 32-35 | VI |
//12//342//34321//34//5234//3// | 3 | Menuet (t) | IC-N | Pointel Recueil, 1688 | 5 | MI/B |
//1/23//4/23//43/23// | 2/4 | Flore, La. Contredanse Allemande. Dansee de Zephir & Flore (t) | DA-F | Bouin CD LC-3 , 1780 | 151 Feuille. 6. Vol | MI |
//1234/2345//3456/4567//5671+/671+2+ | 2/4 | Lesson 2 (t) | IC-E | Astor Guitar, 1800 | 12 | GT |
//12342//34561+6//54342 | 3/4 | Tom's Return (t) | AM-A | Turner MS, 1788 | I,41 | VN |
//12342//3456-1+6//54342//1342//12342 | 3/4 | Song 62 (t) | SC-E | Vocal Enchant, 1783 | 131-132 | VO |
//12/342//34/567//5 | 3/2 | Air 65 (t) | BA-E | Beggar's Opera, 1777 | 111 | VO |
//12342//34567-//5342 | 3/2 | Air 65 (t) | BA-E | Beggar's Opera, 1765 | 90 | VO |
//12342//34567//5342//1 | 3/2 | Air 24, Act Iii (t) | BA-E | Beggar's Opera, 1728 | T55M15 | VO |
//12/342//34/567//5342//1 | 6/4 | Unconstant Woman (t) | SC-E | Pills 5, 1719-20 | 80-82 | VO |
//123/42//353/27-5-//123/42// | 6/8 | New Hay Makers, The (t) | MS-E | Vickers MS, 1770 | 8b | MI |
//12//3423//5-43//2126-5-//12 | 3/4 | French Minuet (t) | MS-S | Gillespie MS, 1768 | 76 | VN |
//12//3423//5-43//217-6-5-//12 | 3/4 | Non Tujours Dire Non Qui Vous Rend'done (t), or Famous Favourite Minuet, A | IC-E | Delightful-2, 1745 | V,10-11 | GF |
//12//3423//5-43//217-6-5-//12//3423// | 3/4 | French Minuet (t) | IC-E | Bremner Recorder, 1765 | 21 | FL |
//12//3423//5-43//217-6-5-//12//3423 | 3/4 | French Minuet (t) | MS-E | Shepherd MS, 1787 | 35 | MI |
//12//3423//5-43//217-6-5-//12//3423 | 3/4 | French Minuet (t) | MS-E | Shepherd MS, 1787 | 39-40 | MI |
//123//423//6-2//7-15-//123// | C3 | New French Dance, A (t) | IC-E | Apollo's Banquet 1-6, 1690 | B29.1 | VN |
//123/423//6-2//7-15-//123//423// | 3 | Chaconne (t) | IC-N | Pointel Recueil, 1688 | 30 | MI/B |
//12/342//36-625//342/36 | C/ | Gavotta In Amadis (t) | IC-S | Stewart Marches, 1761 | 20 | 2VN/GF/OB,VC/HA |
//12//3424//3127- | 2/4 | March 20 (t) | IC-E | Button Whit-2, 1806 | 34-35 | 2GF/2VN/2FI |
//1/2//34/24//31/27- | 2/4 | March 14 (t) | IC-E | Thompson March, 1771 | 8 | 2CL/2VN/2FL/2OB,2FH,BF |
//1/2//34/24//31/27- | 2/4 | March 20 (t) | IC-E | Thompson Pocket, 1790 | 34-35 | 2GF/VN/FI |
//123/424//313/27-5-//123/424 | 6/8 | Prussian Soldier, The (t) | DA-E | Thompson CD-2, 1765 | 37 | VN/GF/OB |
//123/424//313/27-5-//123/424// | 6/8 | Prussian Soldier, The (t) | DA-E | Thompson CD-2a, 1765 | 37 | VN/GF/OB |
//1234/252//3211+3/432//517-6-6-5-/5-5- | C | Adagio (t), or Concerto (at) | IC-E | Delightful-1, 1763 | IV,30 | 2GF |
//12342//5311//622//27-5- | 3/4 | Still the Lark Finds Repose (t) | SC-S | Edinburgh MM-2, 1793 | 144-146 | VO |
//12342//5311//622//27-5-5-//12342 | 3/4 | Still the Lark Finds Repose (t) | AI-A | Riley Flute 2, 1817 | 72 | FL |
//12342//5311//622//27-5-5-//12342 | 3/4 | Still the Lark (t) | IC-E | Thompson Clar, 1785 | 11 | CL |
//12342//5311//622//27-5-5-//12342 | 3/4 | Still the Lark Finds Repose (t), or Favourite Rondo, A (at) | AI-A | Young's Vocal, 1793 | 11-13 | VO,PF+GF |
//1234/25//3116-/27-5-//1234/2531 | C | Tom Tuff (t) | AI-A | Blake Amus 2, 1824 | 20 | CL |
//1234/25//3116-/27-5-//1234/2531 | C | Tom Tough (t) | AI-A | Riley Flute 3, 1820 | 51 | FL |
//12342//531//1+7675//643 | 3/4 | Air 24 (t) | BA-E | Cobler's Op-2, 1729 | T27M8 | VO |
//123/425//313/27-5-//123/425 | 6/8 | London Camp, The (t) | IC-S | Stewart Airs, 1788 | 1:23 | GF/VN/FI |
//123/425//356/71+2+//7/1+66// | 6/4 | Courante Dance Francoise (t) | IC-F | Pointel Airs, 1700 | 31 | MI,B |
/1//23/42//5/4//3/ | 2/4 | Picard, Le (t) | AM-A | Duport MS-2, 1800 | 15v | VN |
//1//2//342//564//351+76543//272+1+7654 | 3/4 | Minuetto (t) | IC-E | Humple Hn Duets, 1765 | 11 | 2HN |
//12/34//2565//434/43// | C/ | New Brauls, The (t) | IC-E | Apollo's Banquet 1-5, 1687 | A71.1 | VN |
//12/34//2565//434/43// | C/ | New Brauls, The (t) | IC-E | Apollo's Banquet 1-6, 1690 | A61.1 | VN |
//12/34//2565//434/43//23/ | C/ | New Brauls, The (t) | IC-E | Apollo's Banquet 1-7, 1693 | 39 | VN/FL |
//123/427-//1/11//345/642//3 | 6/8 | Then hey for a frolicksome life (fl) | TW-E | Maid/Mill, 1765 | 68-69 | VO,HAF |
//1/2//342/7-1//1/22 | C/ | See from Ocean Rising (t) | AI-A | Paff Amus 2, 1812 | 29 | 2FL/VN |
//123/427-//11/33//27-7-/16-2//7- | 6/8 | When love gets you fast in her clutches (fl) | TW-E | Children/Wood, 1793 | 7 | VO,KBF |
//1/2//342/7-//1/22 | C | See from Ocean Rising (t) | AI-A | Blake Amus 1, 1824 | 16 | CL |
//1/23//4/2//7-/12//3 | C | Come Blushing Rose (t) | AI-A | American SS-SM | 1 | VO,PF |
//123//42//7-12//31 | 3(3/ | Air 38 (t) | BA-E | Fashionable, 1730 | 49 | VO |
//123//42//7-12//31 | 3/4 | Air 1 (t) | BA-E | Flora, 1729 | T3M1 | VO |
//123//42//7-12//31 | 3 | Air 4 (t) | BA-E | Generous Free, 1731 | 7 | VO |
//123//42//7-12//31 | 3 | Air 10, Act Iii (t) | BA-E | Love/Riddle, 1729 | T61M92 | VO |
//12/34//27-/12//31/43// | 2 | Rigadon (t) | IC-E | Theater Musick-1, 1698 | 20 | VN |
//123//42//7-12//31//6-7-1 | 3 | Air 8 (t) | BA-E | Damon & Phill, 1729 | 22-23 | VO |
//123//42//7-12//31//6-7-1 | 3 | Air 8 (t) | BA-E | Livery Rake, 1733 | 16 | VO |
//123//42//7-12//31//6-7-1//21 | 3 | Air 8 (t) | BA-E | Damon & Phill, 1749 | 22 | VO |
//123/427-//135/1+5//643/254 | 6/8 | I'd Rather Live Here (t) | AM-A | Beck MS, 1786 | 32 | GF |
//123/427-//135/1+5//643/254 | 6/8 | I'd Rather Live &c (t) | AM-A | Otis MS, 1793 | 37 | VN/FL |
//123/427-//135/1+5//6-43/254 | 6/8 | I'd Rather Live Here and Be Recon'd a Clown (t) | SC-E | Vocal Music, 1775 | 12 | VO/VN/GF |
//123/427-//135/7-26//6-1+7/654 | 6/8 | Jack of Both Sides (t) | DA-E | Johnson CD-8, 1758 | 54 | VN/GF |
//123/427-//1/42//323/543 | 6/8 | Lass of Aberdeen, The (t) | AM-A | Perkins MS, 1790 | 39 | MI |
//1+2+3+4+//2+71+//5671+543//234//3451+/ /62+7// |
3 | Ayre (t) | IC-E | Apollo's Banquet 1-8, 1701 | 13r,70 | VN |
//12/342//7-5-/13-//3-1-/6- | C | Tom Trueloves Knell (t) | AI-A | Elegant Exts, 1798 | 25 | GF/VN/VO |
//1/234//311/1531//2345/43 | C | Dr Arnold (t), or March 38 (at) | IC-E | Button Whit-1, 1806 | 46-47 | 2GF/2VN/2FL/2FI |
//1/234//31/13//27-/6-7- | 2/4 | Daniel Cooper. A Reel (t) | MS-E | Carter MS, 1792 | 12 | MI |
//1/234//3/11+//756/534 | Crossbey Square (t) | PL-E | Playford 1-11, 1701 | I,280 | VN | |
//1/234//3/11+//756/534 | 6/4 | Crossbey Square (t) | PL-E | Playford 1-12, 1703 | 280 | VN |
//1/234//3/11+//756/534 | 6/4 | Crossbey Square (t) | PL-E | Playford 1-13, 1706 | 280 | VN |
//1/234//3/11+//756/534 | 6/4 | Crosbey Square (t) | PL-E | Playford 1-14, 1709 | 280 | VN |
//1/234//3/11+//756/534 | 6/4 | Crosbey Square (t) | PL-E | Playford 1-15, 1713 | 280 | VN |
//1/234//3/11+//756/534 | 6/4 | Crosbey Square (t) | PL-E | Playford 1-16, 1716 | 280 | VN |
//1/234//3/11+//756/534 | 6/4 | Crosby-Square (t) | PL-E | Playford 1-17, 1721 | 280 | VN |
//1/234//3/11+//756/534 | 6/4 | Crosby-Square (t) | PL-E | Playford 1-18, 1728 | 280 | VN |
//1/234//3/11+//756/534 | 6/4 | Crosby-Square (t) | DA-E | Walsh CD-1.1, 1718 | 292 | VN/OB/FL |
//1/234//3/11+//756/534 | 6/4 | Crosby Square (t) | DA-E | Walsh CD-2.3, 1735 | 266 | VN/OB/GF/CF |
//1/234//3/11+//756/534 | 6/4 | Crosby Square (t) | DA-E | Walsh CD-3.5, 1754 | 188 | VN//OB/GF |
//1234/31231//25-7-/17-121//1234/31231// |
6/4 | Menuet de L'Europe Galante Dance Francoise (t) | IC-F | Pointel Airs, 1700 | 32 | MI,B |
//123/4//31/27-5-//6-7-1/234 | 6/8 | City Bully, The (t) | DA-E | Johnson CD-6, 1751 | 92 | VN/GF |
/1234//31/34//55/51+//5654/ | 2 | 3 Messieurs, Les (t) | IC-F | Leclerc Recueil-2, 1737 | 115 | HAF |
//12/34//31+/54//351/17-1 | 6/8 | Jockey to the Fair (t), or Favorite Song, A (at) | SS-E | SS, Boston PL-2 | 214 | VO,KB |
//1234/321//111//234/432//22 | 3 | Durham Stable (t), or New Exchange, The (at) | PL-E | Playford 1-04, 1670 | 76 | VN |
//1234/321//111//234/432//22 | 3 | Durham Stable (t), or New Exchange, The (at) | PL-E | Playford 1-05, 1675 | 76 | VN |
//1234/321//111//234/432//22 | 3 | Durham Stable (t), or New Exchange, The (at) | PL-E | Playford 1-07, 1686 | 76 | VN |
//12/343//211/15-//12/343// | 6/8 | Jesoney's Cottilion (t) | AM-A | Brown, J. MS, 1782 | 1:38 | |
//1234/321//1/5//321/7-1// | 3 | Corant La Marquess (t) | IC-E | Apollo's Banquet 1-1, 1670 | 165 | VN |
//1234/321//1/5//321/7-1//22 | 3 | Corant la Marquess (t) | PL-E | Playford 1-03a, 1657 | II,34 | VN |
//1234/321//1/5//321/7-1//22 | 3 | # 2 (t), or Corant la Marquess (at) | PL-E | Playford 1-3b, 1665 | II,34 | VN |
/12//34/32//1/15//56/ | 2 | Naturelle, La (t) | IC-F | Leclerc Recueil-1, 1729 | 34 | HAF |
//1/23//4/3//21/17- | 2/4 | No Flow'r That Blows (t) | IC-E | Cahusac Flute, 1788 | 19 | GF |
//123/4321//17-6-/6-7-//1234/55 | C/ | Dunmore Kate (t) | SC-E | Pills 4, 1719-20 | 210-11 | VO |
//123/4321//17-6-/6-7-//1234/55 | C/ | Dunmore Kate (t), or Song, The (at) | PL-E | Playford 1-09, 1698 | I.35 | VN/FL/VO |
//123/4321//17-6-/6-7-//1234/55 | C/ | Dunmore Kate (t) | PL-E | Playford 1-11, 1701 | I,227 | VN |
//123/4321//2-17-6-/5-4-//3- | C | Can Lovely Delia (t) | SC-E | Vocal Music, 1778 | 132 | VO/VN/GF |
//123/4321//217-6-/5-4-//3-5-13/2-17- | C | Corydon and Delia (t) | SC-E | Clio-2, 1759 | 121 | VO,HA |
//1234//321//217-6-5-//6-7-7-//1 | 3/4 | Fortune Hunter's Mental Reservation, The (t) | SC-E | Musical Cent-2, 1740 | 29 | VO,KB+FL |
//1234//321//217-6-5-//6-7-7-//1 | 3/4 | Prudent Lady's Open Declaration, The (t) | SC-E | Musical Cent-2, 1740 | 29 | VO,KB+FL |
//1/2//34/32//12/21 | C/ | Temple, The (t) | PL-E | Playford 1-17, 1721 | 274 | VN |
//1/2//34/32//12/21 | C/ | Temple, The (t) | PL-E | Playford 1-18, 1728 | 274 | VN |
//1/2//34/32//12/21//25-/3-5- | Temple, The (t) | PL-E | Playford 1-11, 1701 | I,274 | VN | |
/123//43/21//223/45//23/ | 2 | Ha Voye Dons (t) | MS-G | Jayme MS, 1717 | 43 | MI |
/123//43/21//223/45//23/ | 2 | Ha Voye Donc (t) | IC-F | Leclerc Recueil-1, 1729 | 19 | HAF |
/123//43/21//223/45//23/3// | 2 | Ha-voyes Dpmc (t) | DA-F | Dezais Recueil, 1712 | 110-112 | MI |
//1/2//34/32//12/321// | C/ | Tetemple [Le Temple] (t) | MS-G | Jayme MS, 1717 | 42 | MI |
//1/2//34/32//12/321 | C/ | Temple, The (t) | DA-E | Walsh CD-2.1, 1731 | 113 | VN/OB/GF/RC |
//1//234//32//1//232//11 | 3/8 | Favourite Song, A (t) | SS-E | SS, Folger-C42.3 | 99,2-100,1 | MI,VO,B,KBF+FL |
//1/2//343/212//321/16-5- | 6/8 | Caledonian Hunt's Delight. Irish, The (t) | IC-S | Aird 4, 1796 | 52 | FI/GF/VN |
//1/2//3432/1234//512/34//2 | C/ | Marches-1 (t) | TW-E | Camp, 1778 | 24 | KB |
//1234/321//2345/432//3456/543 | C/ | Zapffenst. No 25. V. Hilburg Haussen (t) | MS-G | Darmstadt MS 1225 | 297-98 | 2MI |
//1/23//4/3//21/27- | C | No Flow'r That Blows (t) | AM-A | Beck MS, 1786 | 98 | GF |
//1/23//4/3//21/27-// | 2/4 | No Flow'r That Blows (t) | IC-E | Cahusac Flute, 1798 | 19 | FL |
//1/23//4/3//21/27- | C | Rose, The (t) | SS-E | SS, New York PL-C695 | 109,1-2 | VO,B |
//1/23//4/3//21/27-//1 | 2/4 | No Flow'r That Blows (t) | IC-E | Cahusac Flute, 1792 | 19 | GF |
//1234//32//127-//15- | 3/4 | Air 24 (t) | BA-E | Generous Free, 1731 | 50 | VO |
//1234//32//127-//15-//6-5- | 3/4 | Sigh, A (t) | SC-E | Watts MM-3, 1730 | 138-139 | VO,HA |
//1234/3213//27-6-7-/11//1234/3213 | C/ | Will with a Wisp (t) | DA-E | Johnson CD-6, 1751 | 77 | VN/GF |
//12/343//2/1//34/565 | 6/8 | Cotillon Francoise (t) | IC-S | Stewart Airs, 1788 | 3:116 | GF/VN/FI |
//123/4321//35/543//671+3/466-2//17- | 2/4 | Nonperel, The (t) | AM-A | Simpson MS, 1750 | I,2 | FL |
//123/4321//35/5-//6-43/6432 | 2/4 | Non-Pariel, The (t) | SC-E | Clio-3, 1762 | 18-19 | VO,HAF+GF |
//123/4321//35/5-//6-43/6432 | 2 | Nonpareil, The (t) | SC-E | Muses Delight, 1754 | 89 | VO,HA |
//123/4321//35/5-//6-43/6432 | 2/4 | Non-Pariel, The (t) | SS-E | SS, Huntington-1 | 106 | VO,KBF+GF |
//123/4321//35/5-//6-43/6432//7- | 2/4 | Nonparel, The (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//1234/32//1/4-//3456/54 | C/ | General Wolfe's March (t) | AM-A | Dickinson MS, 1800 | 51 | CL/GF/OB |
//1//2//34//3/21//5 | 2 | Max. Kayser. Grenad. March (t) | MS-G | Darmstadt MS 1224 | 10 | MI,B |
//1/234//3215-//1/234 | C | Prince Frederick's March (t) | AM-A | Cabot MS, 1784 | 5-6 | 3GF |
/1//234/32//15-/1//234/ | 6/8 | Marotte (t) | IC-F | Leclerc Recueil-1, 1729 | 35 | HAF |
/1//234/32//15-/1//234/ | 6/8 | Inconstante, L' (t) | IC-F | Leclerc Recueil-3, 1738 | 156 | HAF |
//1/234//3215-//1/234//3455- | C | Prince Fredrick's March (t) | IC-E | Bremner Airs, 1761 | 28-29 | 3VN/FL |
//1/234//3215-//1/234//3455- | C | Prince Fredrick's March (t) | IC-E | Preston Marches, 1804 | 28-29 | 3VN/FL |
//1234321//51+7//36434//532323//45651+// |
C3 | Theater Tune, A (t) | IC-E | Apollo's Banquet 1-5, 1687 | 65 | VN |
//1234321//51+7//36434//532323//45651+// |
C3 | Theatre Tune, A (t) | IC-E | Apollo's Banquet 1-6, 1690 | 37 | VN |
//1234/32//1/5-//3456 | C/ | General Wolf's (t), or March In the Occsional Overture, The (at) | IC-E | Longman Oboe, 1770 | 30 | OB |
//1234/32//1/5-//3456/54 | C/ | March In the Occasional Oratorio (t) | IC-E | Bremner Airs, 1761 | 52-53 | 2VN/GF,B |
//1234/32//1/5-//3456/54 | C/ | Genl. Wolf's March (t), or March In the Occasional Oratorio, The (at) | IC-E | Cahusac Oboe, 1790 | 15 | OB |
//1234/32//1/5-//3456/54 | C/ | General Wolfe's March (t) | IC-E | Clementi Fife, 1815 | 25 | FI |
//1234/32//1/5-//3456/54 | C/ | General Wolfes March (t) | AM-A | Gibbs MS, 1777 | 17 | FI |
//1234/32//1/5-//3456/54// | C | March In the Occasional Oratorio (t) | IC-E | Goulding Cello, 1799 | 20 | VC |
//1234/32//1/5-//3456/54 | C/ | March In the Occasional Oratorio (t) | IC-E | Handel March 1, 1768 | 17 | VN/GF/OB |
//1234/32//1/5-//3456/54 | C/ | March In the Occasional Oratorio (t) | AM-A | Hawkins MS, 1794 | II,27 | GF |
//1234/32//1/5-//3456/54// | C | March In the Occasional Oratoria (t) | IC-E | Hill Flute, 1762 | 15 | GF |
//1234/32//1/5-//3456/54 | C/ | General Wolfes March (t) | IC-E | Longman Fife, 1770 | 20 | FI |
//1234/32//1/5-//3456/54 | C/ | Gen. Wolfe's March (t) | IC-E | Longman Fife, 1780 | 25 | FI/GF |
//1234/32//1/5-//3456/54 | C/ | General Wolf's (t), or March In the Occsional Overture, The (at) | IC-E | Longman Oboe, 1780 | 30 | OB |
//1234/32//1/5-//3456/54 | C | General Wolf's March (t) | AM-A | Perkins MS, 1790 | 6 | MI |
//1234/32//1/5-//3456/54 | C/ | March In the Occasional Oratorio (t) | IC-E | Preston Marches, 1804 | 52-53 | 2GF/VN,VC/PF |
//1234/32//1/5-//3456/54 | C/ | March In the Occasional Oratorio (t) | MS-I | Regan MS, 1764 | 16 | MI |
//1234/32//1/5-//3456/54 | C/ | March In the Occasional Oratorio (t) | AM-A | Shattuck MS, 1801 | 109 | MI |
//1234/32//1/5-//3456/54 | C/ | General Wolfs March (t) | MS-E | Shepherd MS, 1787 | 53 | MI |
//1234/32//1/5-//3456/54 | C/ | Genl Wolfe's March (t) | IC-E | Skillern Amus, 1785 | 96 | 2GF |
//1234/32//1/5-//3456/54 | C/ | Gen Wolfe's March (t) | IC-E | Skillern Fife, 1780 | 25 | FI/GF |
//1234/32//1/5-//3456/54 | C/ | General Wolfes March (t) | IC-E | Thompson Fife, 1760 | 20 | FI |
//1234/32//1/5-//3456/54 | C/ | General Wolfe's March (t) | IC-E | Thompson Fife, 1770 | 20 | FI |
//1234/32//1/5-//3456/54 | C/ | March In the Occasional Oratorio (t) | IC-E | Thompson March, 1759 | 17 | VN/FL/OB |
//1234/32//1/5-//3456/54 | C/ | March In the Occasional Oratorio (t) | IC-E | Thompson Oboe, 1758 | 17 | OB |
//1234/32//1/5-//3456/54 | C/ | March In the Occasional Oratorio (t) | IC-E | Thompson Oboe, 1770 | 22 | OB |
//1234/32//1/5-//3456/54 | C/ | March In the Occasional Oratorio (t) | IC-E | Thompson Oboe, 1790 | 31 | OB |
//1234/32//1/5-//3456/54 | C/ | March In the Occasional Oratorio (t) | IC-E | Warlike Musick, 1760 | 64 | GF/VN/HA |
//1234/32//1/5-//3456/54// | C/ | March In the Occasional Oratorio (t) | IC-E | Wilson Fife, 1805 | 43 | FI |
//1234/32//1/5-//3456/54//3 | C | General Wolfes March (t) | AI-A | Military Amus, 1796 | 19 | 2GF/2VN/2FI/2OB |
//12/3432//15/3567//1+765/6543 | C/ | Money Musk (t) | AM-A | Dickinson MS, 1800 | 65 | CL/GF/OB |
/12//34/32//15/53//65/ | 2 | Fraise, des (t) | IC-F | Leclerc Recueil-2, 1737 | 94 | HAF |
//1234/32//15/54//323/4321 | 2/4 | Suky's Delight (t) | DA-E | Johnson CD-6, 1751 | 10 | VN/GF |
//123/4321//556/567//1+71+21+76// | 2/4 | Bramhalls Hill (t) | AM-A | Johnson, S. MS, 1807 | 31 | FI |
//1234//321//56//55-//1234//321 | 3/8 | Schantze Streig (t) | MS-G | Darmstadt MS 1225 | 81-82 | 2MI |
//1234//3215-//6-6421//7-1 | 3/4 | Fly, The. A Simile (t) | SC-E | Clio-2, 1759 | 49 | VO,HAF |
//1/234//321/57-//1 | C | Song, A (t) | SS-E | SS, Harvard | 1-2 | VO,KB |
//1234/321//654/321//2345/61+6 | C/ | Norland Jockey (t) | DA-E | Johnson CD-5, 1750 | 3 | VN/GF |
//1234/321//654/321//2345/61+6// | C/ | Norland Jockey (t) | DA-E | London Magazine | 565, 1751 | MI |
//1234/321//654/321//2345/61+6 | C/ | Norland Jockey (t) | DA-E | Walsh CD-3.5, 1754 | 63 | VN//OB/GF |
//1234/321//654/321//2345/62+6 | C/ | Northland Jockey (t) | MS-E | Hammersley MS, 1790 | 98 | MI |
//1234/321//654/321//2345/62+6//5321 | C/ | Northland Jockey (t) | DA-E | Rutherf CD-2.1, 1756 | 6 | VN/GF/OB |
//123//43//21//7- | 3 | Song, A (t) | SC-E | Pills 4, 1719-20 | 254-5 | VO |
//123//432//17-1 | 6/8 | Love the Cause of My Mourning (t) | AM-A | Perkins MS, 1790 | 34 | MI |
//12343//21//7-117-1//25-//32165 | 3/8 | Air In Esther (t) | IC-E | Delightful-1, 1763 | II,33-34 | 2GF |
//12343//21//7-117-1//25-//32165 | 3/4 | Air In Ester (t) | IC-E | Longman Oboe, 1770 | 21 | OB |
//12343//21//7-117-1//25-//32165//32165 | 3/4 | Air In Esther (t) | IC-E | Bremner Airs, 1761 | 86-87 | VN/GF,B |
//12343//21//7-117-1//25-//32165//32165 | 3/4 | Air In Esther (t) | IC-E | Cahusac Oboe, 1790 | 29 | OB |
//12343//21//7-117-1//25-//32165//32165 | 3/4 | Air In Esther (t) | IC-E | Preston Marches, 1804 | 86-87 | GF/VN,VC/PF |
//12343//21//7-117-1//25-//32165//32165 | 3/4 | Air In Esther (t) | IC-E | Thompson Oboe, 1770 | 29 | OB |
//12343//21//7-117-1//25-//32165//32165 | 3/4 | Air In Esther (t) | IC-E | Thompson Oboe, 1790 | 32 | OB |
//1/2//3/4//321/7-1//2 | C/ | Last Chorus (t) | TW-E | Lord-Mayors Day, 1782 | 22-23 | 3VO,KB |
//1/23//43/21//7-121/7-7- | 2/4 | 4th of July, The. Finale (t) | AI-A | American Sheet Music | PF | |
//123/4321//7-123/254//31/2 | C/ | Blundels Maggot (t) | PL-E | Playford 2-3, 1718 | 355 | VN |
//123/4321//7-123/254//31/2 | C/ | Blundels Maggot (t) | PL-E | Playford 2-4, 1728 | 355 | VN |
//123/4321//7-123/254//31/2342 | C/ | Blundel's Maggot (t) | DA-E | Walsh CD-1.2, 1719 | 374 | VN/OB |
//123/4321//7-123/254//31/2342 | C/ | Blundel's Maggot (t) | DA-E | Walsh CD-2.2, 1735 | 157 | VO/OB/GF/FL |
//123/4321//7-123/254//31/2342 | C/ | Blundel's Maggot (t) | DA-E | Walsh CD-3.2, 1749 | 157 | VN/OB/GF |
//1234/321//7-123/27-5-//1234/321 | 6/8 | Free Mason's March, The (t) | IC-S | Aird 1, 1782 | 60 | FI/VN/GF |
//123/43//217-12/5-3//4321+/76545//6 | C/ | Hymn to Venus, A (t) | SC-E | Calliope, 1746 | II,9 | VO,B+FL |
//1/2//3432/17-15-//1/2 | 2/4 | March (t) | MS-G | Darmstadt MS 1224 | 79-89 | 2OB/VN,2HN,B |
//12/343//217-/15-//12/343 | 6/8 | Albeney (t) | AM-A | Aborn MS, 1790 | 101 | MI |
//12/343//217-/15-//12/343 | 6/8 | Albina (t) | IC-S | Aird 1, 1782 | 22 | FI/VN/GF |
//12/343//217-/15-//12/343 | 6/8 | Quick Step (t) | AM-A | Beach MS, 1801 | 27 | MI |
//12/343//217-/15-//12/343 | 6/8 | Albina (t) | AM-A | Beck MS, 1786 | 6 | GF |
//12/343//217-/15-//12/343// | 6/8 | Mary the Fair (t) | AI-A | Carrs PC, 1800 | 6 | GF/VN/FL |
//12/343//217-/15-//12/343 | 6/8 | Albinia Quick March (t) | IC-E | Clementi Fife, 1815 | 33 | FI |
//12/343//217-/15-//12/343 | 6/8 | Albinia, The. Installation Quick March (t) | IC-E | English Sheet Music | KB | |
//12/343//217-/15-//12/343 | 6/8 | Marionets (t) | IC-E | Goulding Fife, 1790 | 29 | FI |
//12/343//217-/15-//12/343 | 6/8 | Albany Quick March, The (t) | MS-E | Hammersley MS, 1790 | 116 | KB |
//12/343//217-/15-//12/343 | 6/8 | Quick March No.18 (t) | IC-E | Hinde 2, 1772 | 12-13 | GF/VN/OB,PF |
//12/343//217-/15-//12/343// | 6/8 | Albinea 10 or French Country Dance (t) | AM-A | Hoff MS, 1797 | No. 27 | GF |
//12/343//217-/15-//12/343 | 6/8 | Marionets (t) | AM-A | Hosmer MS, 1798 | 36 | MI |
//12/343//217-/15-//12/343 | 6/8 | Albena, The (t) | AM-A | Kingsley MS, 1795 | I,27 | MI |
//12/343//217-/15-//12/343 | 6/8 | Albinia Quick March (t) | IC-E | Longman Fife, 1780 | 33 | FI/GF |
//12/343//217-/15-//12/343// | 6/8 | AM-A | Morris MS, 1776 | 27r | FI | |
//12/343//217-/15-//12/343// | 6/8 | Cottillon (t) | AM-A | Morris MS, 1776 | 30r | FI |
//12/343//217-/15-//12/343 | 6/8 | Albinia (t) | DA-E | Skillern CD, 1780 | 13 | VN/GF/OB |
//12/343//217-/15-//12/343 | 6/8 | Albinia Quick March (t) | IC-E | Skillern Fife, 1780 | 33 | FI/GF |
//12/343//217-/15-//12/343// | 6/8 | Albinia (t) | DA-E | Straight & Skillern CD, 1775 | 13 | VN/GF/OB |
//12/343//217-/15-//12/343// | 6/8 | Albinia Quick March (t) | IC-E | Thompson Fife, 1786 | 21 | FI/FL |
//12/343//217-/15-//12/343 | 6/8 | Albina--A Collection, The (t) | AM-A | Turner MS, 1788 | II,1 | VN |
//12/343//217-/15-//12/343// | 6/8 | Albinia (t) | AM-A | Winnington MS, 1810 | 14 | KB |
/12//343/21//7-16-/5-4-3-//6-7-1/ | 6/8 | Lads of Leath, The (t) | MS-E | Vickers MS, 1770 | 152a | MI |
//12//343//217-//17-121 | 3/4 | Water Parted from the Sea (t) | IC-S | Aird 3, 1788 | 220 | FI/GF/VN |
//12//343//217-//17-121 | 3/4 | Water Parted from the Sea (t) | AM-A | Beck MS, 1786 | 125 | GF |
//12//343//217-//17-121 | 3/4 | Water Parted from the Sea (t) | AM-A | Hawkins MS, 1794 | II,29 | GF |
//12//343//217-//17-121 | 3/4 | Water Parted from the Sea (t) | IC-E | Thompson Record, 1768 | 19 | RC |
//12//343//217-//17-121//3 | 3/4 | Water, Parted from the Sea (t) | SC-E | Vocal Music, 1778 | 72-73 | VO/VN/GF |
//12//343//217-//17-1213//34//565 | 3/4 | Water Parted from the Sea (t) | IC-E | Thompson Oboe, 1770 | 28 | OB |
//12//343//217-//17-121//34 | 3/4 | Favourite Air, A (t) | SC-E | Clio-4, 1778 | 34-35 | VO,HAF+GF |
//12//343//217-//17-121//34 | 3/4 | Water Parted from the Sea (t) | IC-E | Longman Oboe, 1770 | 19 | OB |
//12//343//217-//17-121//34 | 3/4 | Water Parted from the Sea (t) | IC-E | Longman Oboe, 1780 | 19 | OB |
//12//343//217-//17-121//34 | 3/4 | Water Parted from the Sea (t) | AI-A | Riley Flute 1, 1814 | 64 | FL |
//12//343//217-//17-121//34 | 3/4 | Water Parted from the Sea (t) | SS-E | SS, Folger-C52 | 51 | VO,KB+G |
//12//343//217-//17-121//34 | 3/4 | Water Parted from the Sea (t) | SS-E | SS, New York PL-C695 | 39 | VO,HA+GF |
//12//343//217-//17-121//34 | 3/4 | Water parted from the sea (fl) | TW-E | Son-In-Law, 1780 | 23-25 | VO,HAF |
//12//343//217-//17-121//34//565 | 3/4 | Water Parted from the Sea (t) | IC-E | Astor Oboe, 1800 | 26-27 | 2OB |
//12//343//217-//17-121//34//565 | 3/4 | Water Parted from the Sea (t) | IC-E | Cahusac Oboe, 1790 | 23 | OB |
//12//343//217-//17-121//34//565// | 3/4 | Water Parted From the Sea (t) | IC-E | Goulding Cello, 1799 | 24 | VC |
//12//343//217-//17-121//34//565// | 3/4 | Water Parted From the Sea (t) | IC-E | Hill Flute, 1762 | 35 | GF |
//12//343//217-//17-121//34//565// | 3/4 | Water Parted From the Sea (t) | IC-E | Preston Cello, 1785 | 30-31 | 2VC |
//12//343//217-17-121//34//565 | 3/4 | Water Parted from the Sea (t) | SS-E | SS, New York PL-C694 | 68 | VO,HAF,+GF |
//12//343//217-//17-121//34//565 | 3/4 | Water Parted from the Sea (t) | IC-E | Thompson Oboe, 1790 | 26 | OB |
//12//343//217-//17-121//34//565 | 3/4 | Water Parted from the Sea (t) | IC-E | Wragg Oboe, 1792 | 44-45 | 2OB |
//12//343//217-//17-121//34//565//5643 | 3/4 | Water Parted from the Sea (t) | SC-S | Scots MM-1, 1787 | 39 | VO,PF |
//12//343//217-//17-121//34//565//5643// 32 |
3/4 | Water Parted from the Sea (t) | IC-E | Longman Flute, 1769 | 25 | GF |
//12/343//21/7-5-//12 | 6/4 | Sarjeant Kyte (t) | PL-E | Playford 2-3, 1718 | 237 | VN |
//12/343//21/7-5-//12 | 6/4 | Sarjeant Kyte (t) | PL-E | Playford 2-4, 1728 | 237 | VN |
/12//343/21//7-5-/12//343/ | 2 | Sauvage, La (t) | MS-C | Trois-Rivieres MS, 1768 | 8 | MI |
//12/343//21/7-5-//12/343 | 6/4 | Serjeant Kyte (t) | DA-E | Walsh CD-1.2, 1719 | 259 | VN/OB |
//12/343//21/7-5-5-//12 | 6/4 | New Song In Praise of the Gardners, A (t) | SS-E | SS, Folger-C42.4 | 462 | VO+FL |
//12/343//21/7-5-5-//12/34 | 6/4 | New Song In Praise of the Gardners, A (t) | SS-E | SS, Harvard | 1 | VO+FL |
//12/34//321/7-6-5-//12/34 | 6/8 | Sup of Good Drink (t) | AM-A | Beck MS, 1786 | 38 | GF |
//12/34//321/7-6-5-//12/34// | 6/8 | Sup of Good Drink, Q.S., A (t) | AM-A | Morris MS, 1776 | 17r | FI |
//12/34//321/7-6-5-//12/34// | 6/8 | Cendle Gill (t) | MS-E | Vickers MS, 1770 | 20b | MI |
//12/343//21/7-6-5-//12/343// | 6/8 | Quick Step, A (t) | MS-S | Fife MS, 1780 | 239,25r | 1FI OR 2FI/VN |
//12/343//21/7-6-5-//12/34321// | 3 | Mardike (t) | IC-E | Apollo's Banquet 1-1, 1670 | 87 | VN |
//12/343//21/7-6-5-//12/343//21 | 3 | Mardike (t) | PL-E | Playford 1-03a, 1657 | II,46 | VN |
//12/343//21/7-6-5-//12/343//21 | 3 | #20 (t), or Mardike (at) | PL-E | Playford 1-3b, 1665 | II,40 | VN |
//12343//217-6-5-//1234321//113//3236-2/ / |
C3 | Mardike (t) | IC-E | Apollo's Banquet 1-2, 1678 | 33 | VN |
//12343//217-6-5-//1234321//113//3236-2/ / |
C3 | Mardike (t) | IC-E | Apollo's Banquet 1-5, 1687 | 26 | VN |
//123/432//17-6-/5-4-3-//4-6-1/6-5-4-// | 6/8 | Let's be Jolly (t) | DA-E | Universal Magazine | 2:328, 1751 | MI |
//123/432//17-6-/5-4-3-//4-6-1/6-5-4- | 6/8 | Let's Be Jolly (t) | DA-E | Walsh CD-3.5, 1754 | 10 | VN//OB/GF |
//123//432//17-6-//5-5- | 3/4 | Air 19 (t) | BA-E | Flora, 1729 | T28M6 | VO |
//123//432//17-6-//5-5-//123 | 3/4 | Young Essex (t) | DA-E | Johnson CD-2, 1742 | 94 | MI |
//12//3432/17-6-//7-122 | Song, A (t) | SS-E | SS, Folger-C42.4 | 125 | VO+FL | |
//12//3432/17-6-//7-122//5- | Song, A (t) | SS-E | SS, Harvard | 1 | VO+FL | |
//12//3432/17-6-//7-122//5-5 | Song, A (t) | SS-E | SS, Folger-C42.1 | 61 | VO,FL ; VO,KB+FL | |
//123//432//311//111//345 | 3/4 | Song 2 (t) | SC-E | Vocal Enchant, 1783 | 4-5 | VO |
//123//432//311//122//345//654 | 3/4 | Hunting Song, A (t) | IC-E | Thompson Hunting, 1770 | 1:4 | VO/HA/VN+GF/GT |
//1234/323//111//234/432//22 | 3 | Durham Stable (t), or New Exchange, The (at) | PL-E | Playford 1-06, 1679 | 76 | VN |
/12//343/231//25-/12/ | 6/8 | Villemondoise, La (t) | DA-F | Landrin Potpourri, 1785 | 86 | MI |
//12/343//231/25-//12/343 | 6/8 | Nonime, La (t) | IC-S | Stewart Airs, 1788 | 1:39 | GF/VN/FI |
/12//343/231//25-/17-6-//5-4-3-/ | 6/8 | Indulgence, L' (t) | DA-F | Landrin Potpourri, 1785 | 88 | MI |
//1234//3232 | 3/4 | Tweed Side (t) | IC-S | Aird 4, 1796 | 42 | FI/GF/VN |
//1234/323212//34543/22//23454/34565//42 5645/5 |
C/ | Queen Dido (t) | SC-E | Pills 6, 1719-20 | 192-3 | VO |
//123//432//321//32//17- | 3/4 | Happy Rusticks, The (t) | SC-E | Musical Cent-1, 1737 | 21 | 2VO,HAF+FL |
//123//432//321//32//17- | 3/4 | Present State of Little Britain, The (t) | SC-E | Musical Ent-2, 1740 | 71 | 2VO,HAF+FL |
//123//432//321//32//17- | 3/4 | Two Part Song, A (t) | SS-E | SS, Folger-C42.4 | 137 | 2VO+FL |
//123//432//321//32//17-//16-//5- | 3/4 | Present State of Little Britain, The (t) | SC-E | Calliope, 1746 | I,184 | 2VO+FL |
//123/432//321/53//436/543 | 6/4 | London Ladies (t) | AM-A | Akerman MS, 1795 | 63 | MI |
//123/432//321/53//456 | C3 | Ladies of London (t) | PL-E | Playford 1-08, 1690 | 202 | VN |
//123/432//321/53//456/543 | 6/4 | Air 15, Act Ii (t) | BA-E | Beggar's Opera, 1728 | T34M9 | VO |
//123/432//321/53//456/543 | 6/4 | Air 33 (t) | BA-E | Beggar's Opera, 1765 | 59 | VO |
//123/432//321/53//456/543//2 | 6/4 | Air 33 (t) | BA-E | Beggar's Opera, 1777 | 73-74 | VO |
//123/432//321/53//456/563 | 6/4 | Ladies of London (t) | MS-E | Hammersley MS, 1790 | 47 | MI |
//123/432//321/53//456/563 | C3 | Ladies of London (t) | PL-E | Playford 1-09, 1695 | 141 | VN |
//123/432//321/53//456/563 | 6/4 | Ladies of London (t) | PL-E | Playford 1-10, 1698 | 141 | VN |
//123/432//321/53//456/563 | 6/4 | Ladies of London (t) | PL-E | Playford 1-11, 1701 | I,141 | VN |
//123/432//321/53//456/563 | 6/4 | Ladies of London (t) | PL-E | Playford 1-12, 1703 | 141 | VN |
//123/432//321/53//456/563 | 6/4 | Ladies of London (t) | PL-E | Playford 1-13, 1706 | 141 | VN |
//123/432//321/53//456/563 | 6/4 | Ladies of London (t) | PL-E | Playford 1-14, 1709 | 141 | VN |
//123/432//321/53//456/563 | 6/4 | Ladies of London (t) | PL-E | Playford 1-15, 1713 | 141 | VN |
//123/432//321/53//456/563 | 6/4 | Ladies of London (t) | PL-E | Playford 1-16, 1716 | 141 | VN |
//123/432//321/53//456/563 | 6/4 | Ladies of London (t) | PL-E | Playford 1-17, 1721 | 141 | VN |
//123/432//321/53//456/563 | 6/4 | Ladies of London (t) | PL-E | Playford 1-18, 1728 | 141 | VN |
//123/432//321/53//456/563 | 6/4 | Ballad on the Battle of Audenarde, A (t) | SS-E | SS, Folger-C42.2 | 213 | VO,KB+F |
//123/432//321/53//456/563 | 6/4 | Ladies of London (t) | DA-E | Walsh CD-1.1, 1718 | 154 | VN/OB/FL |
//123/432//321/53//456/563 | 6/4 | Ladies of London (t) | DA-E | Walsh CD-3.1, 1754 | 176 | VN/OB/GF |
//123/432//321/53//456/563//2 | 6/4 | Advice to the Ladies (t) | SC-E | Pills 2, 1719-20 | 8-10 | VO |
//123/432//321/53//456/563//2 | 3 | Ladies of London (t) | PL-E | Playford 1-07, 1686 | AII,11 | VN |
//123/432//321/53//456/563//2 | 6/4 | Ballad on the Battle of Audenarde, A (t) | SS-E | SS, Harvard | 1 | VO,B |
/12//343/232//16-/12//343/ | 6/8 | Petitte Nanette, La (t) | IC-F | Leclerc Recueil-2, 1737 | 119 | HAF |
//123//432//3216//54321 | 3/4 | Love Betrayd (t) | SC-E | Amaryllis, 1760 | II,69 | GF,VO,HAF+FL |
//123//432//3216//54321//26-2 | 3/4 | Now fortune is past its severest (fl) | SC-E | Musical Cent-1, 1737 | 26 | 2VO,HAF+FL |
//123//432//3216//54321//26-2 | 3/4 | Molly's Complaint (t) | SC-E | Musical Cent-2, 1740 | 28 | VO,KB+FL |
//123//432//3216//54321//26-2 | 3/4 | Molly's Complaint (t) | SS-E | SS, Folger-C42.4 | 477 | VO,KB+FL |
//123//432//336//5334//543//6663 | 3 | New Catch In Praise of the Reverend Bishops, A (t) | SS-E | SS, Harvard | 1 | 3VO |
//12//343//234//345//1+531//234 | 3/4 | Air In Rosina. Sicillian Presto (t) | AM-A | Curtiss MS, 1800 | 22 | 2VN |
//123/432//345/321//123/234 | 6/8 | Billet Doux, Le (t) | DA-E | Walsh CD-3.6, 1754 | 52 | VN/OB/GF |
/123//43/23//4/543//23/12// | 2 | Deux Sautes, Les (t) | MS-C | Trois-Rivieres MS, 1768 | 41 | MI |
//12//343//23//454//343//2 | 3 | True World, The (t) | SC-E | Pills 4, 1719-20 | 69-70 | VO |
//123/432//35/65 | 2/4 | By Dimpled Brook (t) | SS-E | SS, New York PL-C695 | 16 | VO,HA |
//123/432//35/65//6 | 2/4 | By dimpl'd brook and fountain brim (fl) | SS-E | SS, Folger-C52 | 66,1-2 | MI,VO,KB |
//123/432//35/65//65/43 | 2/4 | By dimpl'd brook & fountain brim (fl) | SS-E | SS, Folger-C42.4 | 142 | VO,KB+FL |
//123/432//35/65//65/43//2 | 2/4 | By Dimpl'd Brook (t) | SC-E | Calliope, 1746 | II,34 | MI,VO,B |
//123/432//35/65//65/43//2 | 2 | By Dimpled Brook (t) | IC-E | Delightful-2, 1745 | I,19 | GF |
//123/432//36-/12//345/543 | 6/8 | Air 18 (t) | BA-E | Old Man-2, 1735 | 28 | VO |
//123/432//36-/12//345/543 | 6/8 | Molly Mog (t), or Fair Maid of the Inn, The (at) | SC-E | Watts MM-2, 1729 | 58-61 | VO/VN+FL |
//12//343//237-//17-121 | 3/4 | Water parted from the sea (fl) | TW-E | Artaxerxes, 1762 | 68-69 | VO,HA |
//123/432//421/53//456/563 | 6/4 | Ladies of London (t) | DA-E | Walsh CD-2.1, 1731 | 119 | VN/OB/GF/RC |
//1/2//343/25-//15- | C/ | Song, A (t) | SS-E | SS, Folger-C42.3 | 329 | VO+FL |
//1/2//343/25-//15-/25- | C | Air 3, Act Ii (t) | BA-E | Beggar's Wed, 1729 | T29M6 | VO |
//1/2//343/25-//15-/25- | C/ | This Great World's But a Trouble (t), or Martins Advice, (at) | PL-E | Playford 3-2, 1726 | 174 | VN |
//1/2//343/25-//15-/25- | C/ | Song In Jupiter and Europa, A (t) | SC-E | Pocket Comp, 1725 | 33 | VO,HAF+FL |
//1/2//343/25-//15-/25- | C/ | Song, A (t) | SS-E | SS, Harvard | 1 | VO+FL |
//1/2//343/25-//15-/25- | C/ | This great world is a trouble (fl) | SC-E | Watts MM-4, 1730 | 164-165 | VO,HA+FL |
//123/432//531/27-5-//123/6-7-1//2 | 6/8 | Song, A (t) | SS-E | SS, Harvard | 1 | VO,KB |
//1/2//343/25//343/25- | 2/4 | Rast (t) | MS-G | Darmstadt MS 1224 | 283 | MI |
//123/43//2/534//5/1 | C | Much Admir'd New Medley, The (t) | SS-E | SS, Harvard | 1 | VO,B |
//1/2//343/25-//35-/25-//343/2 | This Worlds But a Trouble (t) | MS-E | Hammersley MS, 1790 | 42B | MI | |
//12/343254//316-21/7-5-5-//12/343254// | C | Music of the Anniversary Ode for the Year 1753, Gavotta Grande (t) | AM-A | Tuesday Club MS, 1745 | 12/219-220 | VN,B |
//123/43//2/54//321/654 | C | Damon and Florella (t) | SS-E | SS, New York PL-C694 | 72 | 2VO,HAF+GT |
//123/43//2/54//3216-54 | C | Damon and Florella (t) | SS-E | SS, New York PL-C695 | 37 | 2VO,B |
//123/43//2/54//321654/32 | C | Cast My Love (t) | AM-A | Beck MS, 1786 | 120 | GF |
//123/43//2/54//321654/32 | C | Damon and Florella (t) | SC-E | Clio-2, 1759 | 12-13 | VO,HAF |
//123/43//2/54//321654/32// | C | Cast My Love Thine Eyes Around (t) | AM-A | Gansevoort MS, 1778 | 23 | FL |
//123/43//2/54//321654/32 | C/ | Cast My Love Thine Eyes Around (t) | AM-A | Hawkins MS, 1794 | II,37 | GF |
//123/43//2/54//321654/32 | C | Damon and Florella (t) | SS-E | SS, Huntington-1 | 34 | VO,KB |
//123/43//2/54//321654/32 | C/ | Cast My Love Thine Eyes Around (t) | MS-E | Shepherd MS, 1787 | 38 | MI |
//123/43//2/54//321654/32 | C/ | Cast My Love Thine Eyes Around (t) | IC-E | Thompson Oboe, 1758 | 20 | OB |
//123/43//2/54//321654/32// | C/ | Cast My Love Thine Eyes Around (t) | IC-E | Thorowgood Guitar, 1763 | 31 | GT |
//123/43//2/54//321654/32 | C | Cast, My Love, Thine Eyes Around (t) | SC-E | Vocal Music, 1775 | 264-5 | VO/VN/GF |
//123/43//2/54//321654/32//1 | C | Damon and Florella (t) | SS-E | SS, Harvard | 1 | VO,KB |
//123/43//2/54//321654/32//1/34 | C | Damon and Florella (t), or Cast My Love (at) | IC-E | Longman Flute, 1769 | 25 | GF |
//123/432//554/5 | 3 | #53 (t), or Saraband Third (at) | PL-E | Playford 1-3b, 1665 | II,50 | VN |
//123/432//554/5//17-1231/454342// | 3 | First Saraband (t) | IC-E | Musicks Hand-Maid-1, 1678 | 32 | VI/HA |
//12//343//27-1//21232//12//343// | C3 | Mineut (t) | IC-E | Apollo's Banquet 1-2, 1678 | A52 | VN |
//123/432//7-12/31//6-7-1 | 6/4 | At noon in a sultry summers day (fl) | SS-E | SS, Folger-C42.1 | 35 & 45 | VO,KB+FL |
//123/432//7-12/31//6-7-1 | 6/4 | At noon in a sultry summers day (fl) | SS-E | SS, Folger-C42.4 | 91 | VO,KB+FL |
//123/432//7-12/31//6-7-1/2343 | 6/4 | Britain's Success (t) | PL-E | Playford 2-3, 1718 | 232 | VN |
//123/432//7-12/31//6-7-1/2343 | 6/4 | Britain's Success (t) | PL-E | Playford 2-4, 1728 | 232 | VN |
//123/432//7-12/31//6-7-1/2343 | 6/4 | Song, A (t) | SS-E | SS, Folger-C42.1 | 18 | VO,KB+FL |
//123/432//7-12/31//6-7-1/2343 | 6/4 | Britain's Success (t) | DA-E | Walsh CD-1.2, 1719 | 254 | VN/OB |
//1/23//43/27-//1/5//234/321 | C | Air 8 (t) | BA-E | Silvia, 1731 | 10 | VO |
//123/4327-//17-6-/6-7-//1234/55 | C/ | Dunmore Kate (t) | PL-E | Playford 1-12, 1703 | 227 | VN |
//123/4327-//17-6-/6-7-//1234/55 | C/ | Dunmore Kate (t) | PL-E | Playford 1-13, 1706 | 227 | VN |
//123/4327-//17-6-/6-7-//1234/55 | C/ | Dunmore Kate (t) | PL-E | Playford 1-14, 1709 | 227 | VN |
//123/4327-//17-6-/6-7-//1234/55 | C/ | Dunmore Kate (t) | PL-E | Playford 1-15, 1713 | 227 | VN |
//123/4327-//17-6-/6-7-//1234/55 | C/ | Dunmore Kate (t) | PL-E | Playford 1-16, 1716 | 227 | VN |
//123/4327-//17-6-/6-7-//1234/55 | C/ | Dunmore Kate (t) | PL-E | Playford 1-17, 1721 | 227 | VN |
//123/4327-//17-6-/6-7-//1234/55 | C/ | Dunmore Kate (t) | PL-E | Playford 1-18, 1728 | 227 | VN |
//123/4327-//17-6-/6-7-//1234/55 | C/ | Dunmore Kate (t) | DA-E | Walsh CD-1.1, 1718 | 241 | VN/OB/FL |
//123/4327-//17-6-/6-7-//1234/55 | C/ | Dunmore Kate (t) | DA-E | Walsh CD-2.4, 1747 | 192 | MI |
//123/4327-//17-6-/6-7-//1234/55// | C/ | Dunmore Kate (t) | DA-E | Walsh CD-3.4, 1747 | 192 | VN/OB/GF |
//12//343//312//343//35//1+5// | 3/4 | No. 7 (t) | IC-E | Water Musick, 1740 | 6 | 2VN/OB,2HN,VA,BS,BF |
//12/343//321/25-//12/343// | 6/8 | Nanoine, La Cottillon (t) | MS-E | Vickers MS, 1770 | 158a | MI |
//12/343//321/27-5-//12/343 | 6/8 | Cotillion, A (t) | AM-A | Nixon MS, 1776 | 13 | FI |
//123/43//321/345//65/43 | 6/8 | Charm de l'Amour, Le (t) | MS-F | Galoubet MS, 1790 | 8 | PI |
//12/343//321/42//16-/6-7-16- | 6/8 | Figure of Three (t) | AI-A | Riley Flute 1, 1814 | 11 | FL |
//12/343//321/42//16-/6-7-16- | 6/8 | Figure of 3, The (t) | AM-A | Turner MS, 1788 | I,73 | VN |
//12/343//32/15-//12/353 | 6/8 | Royal Exchange (t) | DA-E | Skillern CD, 1780 | 80 | VN/GF/OB |
//12/343//32/15-//12/353// | 6/8 | Royal Exchange (t) | DA-E | Straight & Skillern CD, 1775 | 2 | VN/GF/OB |
//1234/332//16-5-4-/5-1-1-5-//1234/332// |
C/ | Calledonans Rant, The (t) | MS-E | Vickers MS, 1770 | 4b | MI |
//1/2//3/4//33/22// | 2/4 | Captain Sargents (Light Infantry Company's) Quick March, Trio (t), or Light | AI-A | Gentlemen's PC, 1802 | 11 | 2GF |
//12//343//324217- | 3/4 | Water parted from the sea (fl) | AM-A | Bolling MS, 1790 | 15 | VO/VN/GT |
//1234/33//24/3//1234/33 | 2/4 | Russian Air (t) | AI-A | Riley Flute 3, 1820 | 6 | FL |
/123//433/333//32/21//15-/ | 6/8 | Ton Pour La Premiere Vue (t) | IC-F | Diderot Chasse, 1763 | 2:2:3 | HN |
//1+/2+3+4+//3+3//61+/76//54/3 | C/ | Why charmer why (fl) | BA-E | Patron, 1729 | 7 | VO |
//1234/3423//1234/32//1234/3423 | 2/4 | Pandours Dance, The (t) | DA-E | Bride CD, 1776 | III,3 | VN/OB/GF |
//1-2-3-/4-3-4-//2-3-4-/5-4-5-//3-4-5-/1 3-4- |
6/8 | Rigadoon (t) | IC-E | Walsh Oboe, 1715 | 27 | OB |
//123//4342//7-6-5-6-7- | 2/4 | Lady Abingdons Allemand (t) | DA-E | Thompson CD-5, 1788 | 78 | VN/GF/OB |
//1/23//434/2//7-6-5-/6-7-// | 2/4 | Lady Abingdons Allemand (t) | DA-E | Thompson CD-5a, 1788 | 78 | VN/GF/OB |
//12//3434343//2323232//1212121//7-17-6- 5-//6-7-1//21 |
More, The conquest, she wou'd deserve (fl) | SS-E | SS, Harvard | 1 | VO,B+FL | |
//1234343/45671+234//5671+71+7/1+2+3+4+5 +3+4+2+//3+1+/1+65// |
C/ | Praeludium. 33 (t) | MS-E | Fitzwilliam MS-2, 1609 | 372 | VI |
//12/3434//5/11+//76//7 | 6/4 | Whitney's Farewel (t) | PL-E | Playford 1-14, 1709 | 163 | VN |
//12/3434//5/11+//76/71+ | 6/4 | Whitney's Farewel (t) | PL-E | Playford 1-15, 1713 | 163 | VN |
//12/3434//5/11+//76/71+ | 6/4 | Whitney's Farewel (t) | PL-E | Playford 1-16, 1716 | 163 | VN |
//12/3434//5/11+//76/71+71+ | 6/4 | Whitney's Farewel (t) | DA-E | Johnson CD-2, 1742 | 55 | MI |
//1/23/434//5/11+//7/67/1+71+ | C3 | Whitney's Farewel (t) | PL-E | Playford 1-09, 1695 | 163 | VN |
//12/3434//5/11+//76/71+71+ | 6/4 | Whitney's Farewel (t) | PL-E | Playford 1-10, 1698 | 163 | VN |
//12/3434//5/11+//76/71+71+ | 6/4 | Whitney's Farewel (t) | PL-E | Playford 1-11, 1701 | I,163 | VN |
//12/3434//5/11+//76/71+71+ | 6/4 | Whitney's Farewel (t) | PL-E | Playford 1-12, 1703 | 163 | VN |
//12/3434//5/11+//76/71+71+ | 6/4 | Whitney's Farewel (t) | PL-E | Playford 1-13, 1706 | 163 | VN |
//12/3434//5/11+//76/71+71+ | 6/4 | Whitney's Farewel (t) | PL-E | Playford 1-17, 1721 | 163 | VN |
//12/3434//5/11+//76/71+71+ | 6/4 | Whitney's Farewel (t) | PL-E | Playford 1-18, 1728 | 163 | VN |
//12/3434//5/11+//76/71+71+ | 6/4 | Whitney's Farewel (t) | DA-E | Walsh CD-1.1, 1718 | 175 | VN/OB/FL |
//12/3434//5/11+//76/71+71+ | 6/4 | Whitney's Farewell (t) | DA-E | Walsh CD-2.1, 1731 | 89 | VN/OB/GF/RC |
//12/3434//5/11+//76/71+71+ | 6/4 | Whitney's Farewell (t) | DA-E | Walsh CD-3.1, 1754 | 128 | VN/OB/GF |
//12/34//345/25-//12/3 | 6/4 | Merry Nymphs and Swains, The (t) | PL-E | Playford 3-2, 1726 | 64 | VN |
//12/34//345/25-//12/34 | 6/8 | Venus and Adonis (t) | DA-E | Walsh CD-1.1, 1718 | 3 | VN/OB/FL |
//12/34//345/25-//12/34 | 6/8 | Venus and Adonis (t) | DA-E | Walsh CD-2.1, 1731 | 136 | VN/OB/GF/RC |
//1/234//34/5342//3127-/123//2 | 2/4 | Trust me wou'd you taste true pleasure (fl) | TW-E | Maid/Mill, 1765 | 38-39 | VO,HAF |
//1/2//3434/54//3/432 | 2/4 | Foes Allemande, La (t) | IC-S | Stewart Airs, 1788 | 1:16 | GF/VN/FI |
//1/2//3434/54//3/432 | 2/4 | Foes Allemand, La (t) | DA-E | Thompson CD-4, 1780 | 36 | VN/GF/OB |
//1/2//3434/54//3/432// | 2/4 | Foes Allemand, La (t) | DA-E | Thompson CD-4a, 1780 | 36 | VN/GF/OB |
//12/3434//5456/55-//12/3434// | C/ | Bore (t) | IC-E | Apollo's Banquet 1-5, 1687 | A75 | VN |
//12/3434//5456/55-//12/3434// | C/ | Bore (t) | IC-E | Apollo's Banquet 1-6, 1690 | A64 | VN |
//12/3434//5456/55-//12/3434// | C/ | Bore (t) | IC-E | Apollo's Banquet 1-7, 1693 | 41 | VN/FL |
//1234//3456//51+2+3+//4+2+3+//4+ | 2/4 | Bed Chamber (t) | TW-E | Harlequin Dr. F, 1766 | 13 | HAF,GF/VN |
//1234//3456//51+54//31+6//51+54//3455 | 3/4 | Minuetto (t) | IC-E | Humple Hn Duets, 1765 | 3 | 2HN |
//1/234//3456//53/234//3 | 2/4 | Song 7 (t) | SS-E | SS, Folger-C52 | 93,2-95,1 | MI,VO,KB |
//1234/3456//5331/2343//127-/1324 | 2/4 | Favorite Song Sung at Ranelagh, A (t) | SS-E | SS, Boston PL-1 | 146,1-2 | VO,HA |
//1/23//4345/6//54+/+2+// | 2/4 | Washington (t) | AI-A | Johnson, F. Cotillions | 13 | PF |
//1234//3456//57-1//217-6-5-//3543//2432 1// |
3/4 | Mis Hopkinson's Minuet (t) | AM-A | Ormsby MS, 1758 | 297 | VN |
//1234//3457-//143 | 3/4 | To Chloe (t) | SC-E | Clio-1, 1758 | 58 | VO,HA |
//1234//3457-//16-//5-17-//6-7-1//234//7 - |
3/4 | Rape of the Rose, The (t), or New Song, A (at) | SS-E | SS, Harvard | 1 | VO,B+FL |
//12/34//35/2//12/34 | 2/4 | Grenadier March (t) | MS-G | Darmstadt MS 1224 | 247 | MI |
//12/34//35/2//12/34 | 2/4 | Grenadier March Lamotte (t) | MS-G | Darmstadt MS 1224 | 252,258 | 2FL |
//12/34//35/2//12/34 | 2/4 | Preussicher Gren: March No 25 Lamote (t) | MS-G | Darmstadt MS 1225 | 361-62 | 2MI |
//1//23//4//35/31 | 2/4 | Tattoo (t) | IC-E | Oswald Airs, 1758 | 10 | 2VN/2GF/2GT |
//1234//353+53+5//242+42+4//351+51+5+//1 234//353+53+5// |
3/4 | Vienna Waltz (t) | AI-A | Neapolitan Waltzes, 1814 | 2 | PF |
//1234//353+53+5//342+42+4//351+535//123 4//353+53+5 |
3/8 | Vienna Waltz (t) | AI-A | Riley Flute 4, 1826 | 22 | FL |
//1234//353+53+5//452+52+5//351+53+//123 4//353+53+5// |
3/8 | Pavilion Waltz,The (t) | DA-E | Wilson Companion, 1816 | 146 | MI |
//1234//35//6432//15 | 3/4 | Denbigh (t) | AM-A | Pickman MS, 1785 | 22-23 | VO,KB |
//12/34//357-/12//316-/27-5- | 6/8 | Anacreons Ode-2 (t) | SS-E | SS, Folger-C52 | 25-26 | MI,VO,KB |
//123//43//6-1//17- | 3/4 | While Liquid Odours (t) | SS-E | SS, Folger-C52 | 163,2 | MI,VO,KB |
//12/3436-//12/33//3217-/6-5-6-7-// | Runing Boore, The (t) | IC-E | Musicks Hand-Maid-1, 1678 | 72 | VI/HA | |
//1+//2+3+4+3+//651+//43//5-6-7- | 3/8 | Minuet In Alexander's Feast (t) | IC-E | Delightful-1, 1763 | V,1 | 2GF |
//1+/2+3+4+3+//651+/43//5-6-7-/123 | 6/8 | Air by Mr. Handel (t) | IC-S | Stewart Marches, 1761 | 69 | VN/GF/OB,VC/HA |
//1//2//34365//23243//1+64//5 | 3/4 | Minuet (t) | AM-A | Hiester MS-2, 1793 | 54 | KB |
//123//43//654321//7-127-6-5-//145//43 | 3 | Minuet (t) | IC-E | Bremner Oboe, 1775 | 24 | OB |
//123//43//654321//7-127-6-5-//145//43 | 3 | Minuet (t) | IC-E | Simpson Oboe, 1746 | 24 | OB |
//123//43//654321//7-6-5-//56543//2 | 3/4 | Paspide Parma (t) | MS-M | Garcia MS, 1772 | 169 | MI |
//1/234//3/6//54/32//3 | 2/4 | New Christmas Carol for Voices and Instruments, A (t) | SS-E | SS, Folger-C52 | 164,2-165,1 | 4VO,GF,KBF+GT |
//1/2//3/4//365/434//3 | 6/8 | Trio (t) | TW-E | Auld Robin Gray, 1794 | 42 | 3VO,2MI,B |
//12/343//6-6-/7-5-//12/343 | 6/4 | Soldier's Glory, The (t) | SC-E | Watts MM-1, 1729 | 46-48 | VO/VN+FL |
//123/43//67/1+7//61+/7656//5 | C/ | Song, A (t) | SC-E | Pills 5, 1719-20 | 275 | VO |
//12/343//6-7-6-/7-5-//12/343 | 6/4 | Gard'ners Song, The (t) | SC-E | Pills 4, 1719-20 | 219-22 | VO |
//12/34//421/7-5-//12/34 | 6/8 | Sin Patrictes Day In the Evening (t) | AM-A | Gardner MS, 1788 | 23 | FI |
//1234/423//32212/32216-//1233/4232 | C | Highland Laddie (t) | AM-A | Beach MS, 1801 | 18 | MI |
//123/44//321/22//123/44 | 6/8 | Bagatellier, La (t) | DA-E | Bride CD, 1776 | III,9 | VN/OB/GF |
//1/23//4/4//32/17- | C | March by Dr. Boyce (t) | IC-S | Stewart Marches, 1761 | 44-45 | 2VN/GF/OB,VC/HA |
//1+/234//43/217-1//1+/234 | C | Beauty and Wit Illustrious Maid (t) | SC-E | Vocal Music, 1775 | 94-95 | VO/VN/GF |
//1+/234//43/217-1//1+/234//43 | C | Music and Singing (t) | SS-E | SS, Harvard | 1 | VO,KB+GF/GT |
//12//34//432//345 | 3/4 | Charming Phillis (t) | IC-E | Longman Flute, 1769 | 19 | GF |
//123/443//253/425//123/443 | 6/4 | Assemblee (de Savoye), L'.2e Air (t) | MS-F | Philidor MS, 1705 | 25-26 | 3OB,B+DR |
//1/23//44/33//2 | C/ | Non Nobis, Domine (t) | SC-E | Vocal Music, 1778 | 158-162 | 3VO:(S)AB |
//1234/4432//35-/5-//6-/123//1/567// | 2/4 | Sweet Thorn O Neal. A Favorite Irish Retreat (t) | MS-S | Fife MS, 1780 | 19,2v | 1FI OR 2FI/VN |
//123/44//43/65//123/43//2 | C/ | Duetto (t) | TW-E | Judgment/Paris, 1745 | 14-21 | 2VN,2OB,VA,2BS,2VO,KBF |
//12/34//44//4313/3217- | 2/4 | Rosamond (t) | SS-E | SS, Boston PL-2 | 123 | VO,KB+GF |
//12/34//44//4313/3217-//6- | 2/4 | Floods of Sorrow Will I Shed (t) | SC-E | Vocal Music, 1775 | 60-61 | VO/VN/GF |
//123/44//44/44//345/24 | 6/8 | My Father Kist My Mother (t) | AM-A | Perkins MS, 1790 | 19 | MI |
//1234/4565//5427-/5-//1321/7-6-23// | 2/4 | Virginia. No. 5 (t) | AI-A | Johnson, F. Cotillions | 4 | PF |
//1234-4-5-/7-27-3//234321/1235-5-32//12 34-4-5-/7-27-1+ |
C/ | Washington's Glory (t) | AM-A | Woodruff MS, 1803 | 91-92 | VN |
//1/2//3/4//5 | 2 | Farrago, The (t) | AI-A | Hill Airs, 1803 | 14-15 | 2VN |
//1234/511//11+1+7/65//1+3+2+1+/6561+ | C/ | Beggars Meat Pokes, The (t) | IC-E | Caledonian PC, 1760 | IX,16 | GF/VN |
//12/34//5/11+//1+6/71+// | 3 | Tom Scarlett (t) | IC-E | Apollo's Banquet 1-1, 1670 | 95 | VN |
//12/34//5/11+//1+6/71+// | 3 | Jigg, A (t) | IC-E | Musicks Hand-Maid-1, 1678 | 50 | VI/HA |
//1234//511+//1+671+//2+2+3+//3+2+3+3+2+ 3+// |
C3 | Tom Scarlet (t) | IC-E | Apollo's Banquet 1-2, 1678 | 37 | VN |
//1234//511+//1+671+//2+2+3+//3+2+3+3+2+ 3+// |
C3 | Tom Scarlet (t) | IC-E | Apollo's Banquet 1-5, 1687 | 30 | VN |
//12/34//5/11+//1+76/71+// | 6/4 | Caprices D'Amour, Les (t) | IC-N | Pointel Recueil, 1688 | 19 | MI/B |
//1234/51+//1234/51+//71+/2+3+ | C/ | Rugged and Tuff (t) | DA-E | Johnson CD-2, 1742 | 70 | MI |
//1234/51+//1234/51+//71+/2+3+ | C/ | Dudmason Hall (t) | PL-E | Playford 2-3, 1718 | 319 | VN |
//1234/51+//1234/51+//71+/2+3+ | C/ | Dudmason Hall (t) | PL-E | Playford 2-4, 1728 | 319 | VN |
//1234/51+//1234/51+//71+/2+3+ | C/ | Sabina and Strephon (t) | PL-E | Playford 3-2, 1726 | 135 | VN |
//1234/51+//1234/51+//71+/2+3+ | C/ | Dudmason Hall (t) | DA-E | Walsh CD-1.2, 1719 | 340 | VN/OB |
//1234/51+//1234/51+//7/2+3+ | C/ | Rugged and Tuff (t) | DA-E | Walsh CD-2.2, 1735 | 82 | VO/OB/GF/FL |
//1234/51+//1234/51+//7/2+3+ | C/ | Rugged and Tuff (t) | DA-E | Walsh CD-3.2, 1749 | 82 | VN/OB/GF |
//12/34//5/11//43/21 | 2/4 | Wauking of the Fauld, The (t) | AM-A | Perkins MS, 1790 | 35 | MI |
//1234/5//1+1+/6//5/3 | 2/4 | Quick March (t) | IC-E | Hinde 1, 1770 | 6 | GF/VN/OB |
//1234/51+//1+7/2+7//5-6-7-1/24// | 2/4 | Brunette, La (t) | DA-E | Siret Cot, 1775 | 10-13 | KB |
//123451+//1+76543251//7-6-5-12345 | 6/8 | Mason's Daughter, The (t) | AM-A | Gibbs MS, 1777 | 13 | FI |
//1234/51+//1+767/5//5671+2+/3+4+ | 4/4 | Baron Stubens Favorite (t) | AM-A | Kingsley MS, 1795 | II,5 | MI |
//1234/51+//1+767/5//5671+/2+4+ | C | Baron Stuben's Favorite (t) | AM-A | Shattuck MS, 1801 | 36 | MI |
//1-2-3-4-5-1-/2-1-1-4-6-//5-4-3-2-3-4-5 -/3-2-1-1-2-//3-1-5- |
C/ | Andante (t) | IC-E | Simpson Horn, 1745 | 9 | 2HN |
//1234/51//22/13-4-5-6-7-12//3456/73// | [C] | Tell Mee, Daphne (t) | MS-E | Fitzwilliam MS-2, 1609 | 446 | VI |
//12/34//5/1+2+//3+1+/3+1+ | 2/4 | Flintshire March, The (t) | IC-E | Oswald Marches, 1759 | 10 | 2MI |
//1-2-/3-4-//5-/123//231/7-16- | 6/8 | Giga (t) | AM-A | Hosmer MS, 1798 | 42 | MI |
//1-2-/3-4-//5-/123//231/7-16- | 6/8 | Hart's Frolick (t) | DA-E | Johnson CD-6, 1751 | 89 | VN/GF |
//1-2-/3-4-//5-/123//231/7-16- | 6/8 | Giga (t) | AM-A | Pomeroy MS, 1790 | 21 | GF |
//1-2-/3-4-//5-/123//231/7-16- | 6/8 | Jig to Handels Minuet (t) | AM-A | Woodruff MS, 1803 | 1 | MI |
//12345//12345//123455123455 | 6/8 | Challenge, The (t) | AM-A | Shattuck MS, 1801 | 45 | MI |
//1234/51//2345/61+//1234/543 | C/ | Air 23 (t) | BA-E | Highland Fair, 1731 | 37 | VO |
//1234/51//2345/61+//1234/543 | C/ | There's My Thumb, I'll Ne'er Beguile Thee (t) | SC-E | Watts MM-4, 1730 | 97-98+99 | VO,HA+FL |
//1234/5//1234/567//1+1/1+7 | C/ | Wiltshire March, The (t) | IC-E | Oswald Marches, 1759 | 27 | 2MI |
//1234/51+2+//3+5/543//21+/6543// | C/ | Serjints Favorite (t) | AM-A | Bevens MS, 1825 | 5v | FI |
//1/2//34/51//2/7- | C/ | March by Heydn (t) | AM-A | Curtiss MS, 1800 | 155 | 2VN |
//1/2//34/51//2/7- | 2/4 | Marquiss Fayette's March, The (t) | IC-I | Irish Sheet Music | 1 | KB+2GF |
//1/2//34/51//2/7-//1 | 2/4 | March Alla Millitaire (t) | AI-A | Instrum Asst, 1800 | 70-71 | 2VN/2GF/2CL/2OB,BVIOL |
//1234/51//27-/1//5-3-/1 | 2/4 | Plod, The (t) | DA-E | Johnson CD-5, 1750 | 37 | VN/GF |
/1234//5131/5161//5131/51+//1+76/5432// | 2 | Ricofienne, La. Potpourie. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 144 Feuille | MI |
//1234/51/31//7-2/24/32// | 6/8 [=3] | Risty Gulley (t) | MS-E | Vickers MS, 1770 | 47 | MI |
//1/2//345///13/21 | 2/4 | MS-G | Darmstadt MS 1224 | 173 | MI | |
//1234/51//3217-/16//51/7-1 | 2/4 | Toby Swill (t), or Spunger, The (at) | SC-E | Musical Cent-1, 1737 | 29 | VO,HAF+FL |
//1234/51+3+2+//1+7651+3/325432//1234/51 +3+2+// |
C | Aberfeldy Quick March (t) | IC-E | Parry Fife, 1812 | 5 | 2FI |
/1234//51/35//15/1+5//323/ | 2/4 | Sincere Cottillon, La (t) | MS-E | Malecot MS, 1779 | 41 | VN |
//1234/51/35//74/43/27-// | 6/8 [=3] | Jack Gone a Sheering (t) | MS-E | Vickers MS, 1770 | 24 | MI |
//1/2//34/51//42/17- | 2/4 | She Dropt a Tear (t) | AI-A | Balls Amus 2, 1815 | 19 | FL/FI/VN |
//12//3451//4217- | 2/4 | Ye Lingring Winds (t) | IC-E | Goulding Fife, 1790 | 25 | FI |
//1/2//34/51//42/17-// | 2/4 | Ye Lingring Winds (t) | AM-A | Irving MS, 1796 | 57 | 1 MI |
//1/2//34/51//42/17-//1 | 2/4 | She Dropt a Tear & Cried Be True (t), or Favorite Sea Song, A (at) | AI-A | American SS-SM | 1-2 | KB,VO,2VN+GF |
//12//3451//4217-//15-//6- | 2/4 | Ye Ling'ring Winds (t) | AI-A | Musical Jnl-1, 1800 | I,30-31 | FL/VN/VO |
//12//3451//4217-//15-//6-146 | 2/4 | Ye Ling'ring Winds (t) | AI-A | Musical Jnl-2, 1800 | I,32-3 | VO,PF |
//1/2//34/51//4/3//2 | C | Castabella Going to Sea (t) | SC-E | Watts MM-6, 1731 | 10-11 | VO,HA+FL |
//1/2//34/51//43/21 | 2/4 | Valenciennes Slow March, The (t) | AI-A | American Sheet Music | KB | |
//1/2//34/51//43/21 | 2/4 | Vallenciene's March (t) | AI-A | Balls Amus 1, 1815 | 12 | FL/FI/VN |
//1/2//34/51//43/21 | 2/4 | Two Favorite New Marches. The Valenciennes March (t), or Valenciennes March | IC-E | English Sheet Music | 2 | PF/HA |
//123451+//43//4565432//3//123451+//43 | 3/8 | On the Birth Day of Her Highness Princess Augusta (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//1/2//34/5-1//456/5 | C | He, Who a Virgin's (t) | SC-E | Vocal Music, 1778 | 172-173 | VO/VN/GF |
//1234/51//47-/2//31/51 | 2/4 | Tulloch Gorm (t) | IC-S | Aird 1, 1782 | 30 | FI/VN/GF |
//12345/151//12345/121//1+76/543 | 6/8 | Lovers, The-4 (t) | SC-E | Musical Ent-2, 1740 | 60 | VO,HAF+FL |
//12345/151//12345/151//1+76 | 3/4 | Cantata, A (t) | SS-E | SS, Folger-C42.1 | 242,2-243,1 | VO,KB |
//1234/51/51//7-2/4/32// | 3/2 | Lady Susan Montgomery's Hornpipe (t) | MS-S | Young MS-1, 1734 | 17v-18r | MI |
//1234/51//51+/75//1+765/6543 | C/ | Hayden's March (t) | DA-E | Johnson CD-2, 1742 | 70 | MI |
//1234/51//51+/75//1+765/6543 | C | Hillerd's Ambition (t) | PL-E | Playford 3-2, 1726 | 53 | VN |
//1234/51//51+/75//1+765/6543 | C/ | Hayden's Maggot (t) | DA-E | Walsh CD-2.2, 1735 | 83 | VO/OB/GF/FL |
//1234/51//51+/75//1+765/6543 | C/ | Hayden's Maggot (t) | DA-E | Walsh CD-3.2, 1749 | 83 | VN/OB/GF |
//1234//515//313//27-5-//1 | 3/4 | See venus does attend thee (fl) | BA-E | Tragedy/Chronon, 1734 | T23M7 | VO |
//123451+/5313//4231/7-5-7-//6-4-6-/46-6 -4//3455-7- |
C/ | Trip to Brighthelmstone, A (t) | DA-E | Rutherf CD-2.2, 1760 | 1 | MI |
//1234/51+//5/31//4/64 | 2/4 | Alterations (t) | DA-E | Johnson CD-8, 1758 | 18 | VN/GF |
//123451+/531+//531+/53//123451+/5345 | C/ | Jack Lattin's Hornpipe (t) | AM-A | Aborn MS, 1790 | 28 | MI |
//123451+/531+//531/53//123451+/5345 | C/ | Jack Latine (t) | MS-E | Hammersley MS, 1790 | 29 | MI |
//123451+/531+//531+/53//123451+/5345 | C/ | Jack Latine (t) | IC-E | Simpson Record, 1745 | 22 | RC |
//123451+/531+//531+/53//123451+/5345 | C/ | Jack Latin (t) | DA-E | Walsh CD-2.3, 1735 | 98 | VN/OB/GF/CF |
//123451+/531+//531+/53//123451+/5345 | C/ | Jack Latin (t) | DA-E | Walsh CD-3.3, 1749 | 98 | VN/OB/GF |
//123451+/531+//531+/53//123452+/5345 | C/ | Jack Latine (t) | MS-E | Rainstorp MS, 1747 | 4 | MI |
//1234/51+//5/31+//531+/535 | 6/4 | Farewell to the Gout (t) | DA-E | Walsh NCDM-2, 1710 | 13 | VN/OB/FL |
//1234/51+//5/31+//531+/545 | 6/4 | Farewel to the Gout (t) | PL-E | Playford 2-1, 1713 | 192 | VN/OB |
//1234/51+//5/31+//531+/545 | 6/4 | Farewel to the Gout (t) | PL-E | Playford 2-2, 1714 | 192 | VN/OB |
//1234/51+//5/31+//531+/545 | 6/4 | Farewel to the Gout (t) | PL-E | Playford 2-3, 1718 | 192 | VN |
//1234/51+//5/31+//531+/545 | 6/4 | Farewel to the Gout (t) | PL-E | Playford 2-4, 1728 | 192 | VN |
//1234/51+//5/31+//531+/545 | 6/4 | Farewel to the Gout (t) | DA-E | Walsh CD-1.2, 1719 | 214 | VN/OB |
//1234/51+//5321/27-6-5-//543/67// | C/ | Trip to New England (t) | DA-E | Straight & Skillern CD, 1775 | 49 | VN/GF/OB |
//1234/51+//5321/27-6-5-//543/67// | C/ | New Black Fryer's Bridge (t) | DA-E | Straight & Skillern CD, 1775 | 72 | VN/GF/OB |
//12/34//51+/5321//46/5321 | C | Salt Fish & Dumplins (t) | IC-S | Aird 3, 1788 | 188 | FI/GF/VN |
//12/34//51+/5321//46/5321// | C/ | English and Dumplings, The. A Hornpipe (t) | MS-S | Fife MS, 1780 | 130,11v | 1FI OR 2FI/VN |
//1234/51+//53/31+//53/31+ | 2/4 | Jack Latting with Variations (t) | AM-A | Allen, Joel, MS, 1800 | 2V | MI |
//1234/51+//53/31+//53/31+ | 2/4 | Jack Latin (t) | IC-E | Caledonian PC, 1760 | XII,6-7 | GF/VN |
//1234/51+//53/31+//53/31+// | 2/4 | Jack Lattin (t) | MS-S | Fife MS, 1780 | 76,8v | 1FI OR 2FI/VN |
//1234/51+//53/31+//53/31+ | 2/4 | Jack Latin (t) | DA-E | Johnson CD-2, 1742 | 4 | MI |
//1234/51+//53/31+//53/31+// | 2/4 | Jaque Latin (t) | DA-N | Willsim Recueil, 1755 | 20 | MI |
//123451+/5331+//5331+/53//123451+/53 | C | Kaclattin, El (t), or Jack Latin (at) | MS-M | Garcia MS, 1772 | 62 | MI |
//123451+/5331+//5331+/53//123451+/5331+ |
C | Jack Lattin (t) | AM-A | Dickinson MS, 1800 | 39 | CL/GF/OB |
//123451+/5331+//5331+/53//123451+/5331+ |
C | Lass of Ecclefechan, The (t) | SC-S | Scots MM-5, 1797 | 442 | VO,PF |
//123451+/5331+//5331+/53//123451+/5331+ // |
C/ | Jack a Latton (t) | MS-E | Vickers MS, 1770 | 3 | MI |
//123451+/53/31+//5331+/53//123451+/5331 +// |
C/ | Jack Leighton (t) | MS-S | Young MS-1, 1734 | 2v-3r | MI |
//123451+/5331+//5331+/53//123451+/53345 |
C | Jack Lattin (t) | AM-A | Perkins MS, 1790 | 14 | MI |
//123451+/5331+//5331+/53//123451+/5337/ / |
C/ | Jackey Layton with Variations (t) | IC-E | Peacock Pipe, 1805 | 23 | PI/GF/VN |
//123451+/5331+//5331+/53//123453/6453 | C/ | #26 (t), or Quick March.#26 (at) | IC-E | Hinde 3, 1775 | 13 | GF/VN/OB+PF |
//12/34//51+/53//42/31 | 2/4 | Heart the gallant soldier storms, The (fl) | TW-E | Flitch/Bacon, 1778 | 43-47 | 2VN,HA,VO |
//12/34//51+/53//45/4342 | 2/4 | Miss Drake's Delight (t) | DA-E | Johnson CD-4, 1748 | 96 | VN/GF |
//12/34//51+/53//45/4342//31 | 2/4 | Miss Drak's Delight (t) | DA-E | Rutherf CD-2.1, 1756 | 78 | VN/GF/OB |
//12/34//51+/53//45/64 | 6/8 | March of the Regulars (t) | AI-A | Camp Dupont, 1816 | 24 | 2GF/FI/VN,PF |
//12/34//51+/53//46/5432 | Miss Drakes Delight (t) | MS-E | Hammersley MS, 1790 | 75 | MI | |
//1234/51+//5432/1//1234/51+// | C/ | Sidmouth Races. A New Country Dance (t) | MS-S | Fife MS, 1780 | 460,48r | 1FI OR 2FI/VN |
//1234/51+543//41+31+/217-6-5-//1234/51+ 543 |
C/ | Quick Step, A (t) | AM-A | Thompson MS, 1777 | 22 | FI |
//12/34//51+/54//342/17-1// | 6/8 | Jockey to the Fair. A Cotillion (t) | AI-A | Riley Cots-2, 1824 | 2 | PF |
//12/34//51+/54//351 | 6/8 | Jockey to the Fair (t) | IC-E | Longman Oboe, 1780 | 22 | OB |
//12/34//51+/54//351/17-1 | 6/8 | Jockey to the Fair (t) | IC-S | Aird 2, 1785 | 2 | FI/VN/GF |
//12/34//51+/54//351/17-1// | 6/8 | Jocke to the Fair Quick Time or Slow (t) | AM-A | Boynton MS, 1799 | 9 | 1 FI |
//12/34//51+/54//351/17-1 | 6/8 | General Action (t) | DA-E | Bride CD, 1776 | I,10 | VN/OB/GF |
//12/34//51+/54//351/17-1 | 6/8 | Jockey to the Fair (t) | AM-A | Brown, H. MS, 1797 | 43-45 | VO |
//12/34//51+/54//351/17-1// | 6/8 | Jockey to the Fair (t) | AM-A | Brown, J. MS, 1782 | 1:48 | |
//12/34//51+/54//351/17-1 | 6/8 | Jockey to the Fair (t) | AM-A | Cabot MS, 1784 | 20 | GF |
//12/34//51+/54//351/17-1 | 6/8 | Jockey to the Fair (t) | AI-A | Caladonian Muse, 1798 | 173-74 | VO/PF/VN |
//12/34//51+/54//351/17-1 | 6/8 | Jockey to the Fair (t) | AM-A | Dickinson MS, 1800 | 99 | CL/GF/OB |
//12/34//51+/54//351/17-1 | 6/8 | Jockey to the Faire (t) | AM-A | Eells MS, 1789 | M35T89-90 | VO/MI |
//12/34//51+/54//351/17-1// | 6/8 | Jockey to the Fair (t) | AI-A | Gilfert Gents PC, 1802 | 26 | GF/VN |
//12/34//51+/54//351/17-1 | 6/8 | Jockey to the Fair (t) | AM-A | Greenwood MS, 1785 | 74 | MI |
//12/34//51+/54//351/17-1 | 6/8 | Jockey to the Fare (t) | AM-A | Hawkins MS, 1794 | II,22 | GF |
//12/34//51+/54//351/17-1// | 6/8 | Jockey to the Fair (t) | AM-A | Hoff MS, 1797 | No. 176 | GF |
//12/34//51+/54//351/17-1// | 6/8 | Jocky to the Fair (t) | MS-E | Malecot MS, 1779 | 36 | VN |
//12/34//51+/54//351/17-1 | 6/8 | Jockey to the Fair (t) | AM-A | Otis MS, 1793 | 31 | VN/FL |
//12/34//51+/54//351/17-1 | 6/8 | Jockey to the Fair (t) | AM-A | Pomeroy MS, 1790 | 14 | GF |
//12/34//51+/54//351/17-1 | 6/8 | Jockey to the Fair (t) | AI-A | Riley Flute 1, 1814 | 12 | FL |
//12/34//51+/54//351/17-1 | 6/8 | Jockey to the Fair (t), or Favorite Song, A (at) | SS-E | SS, Harvard | 1 | VO,B |
//12/34//51+/54//351/17-1 | 6/8 | Jockey to the Fair (t) | DA-E | Skillern CD, 1780 | 3 | VN/GF/OB |
//12/34//51+/54//351/17-1 | 6/8 | Jockey to the Fair (t) | AM-A | Spicer MS, 1797 | 80-82 | VO |
//12/34//51+/54//351/17-1 | 6/8 | Jockey to the Fair (t) | IC-S | Stewart Airs, 1788 | 2:76 | GF/VN/FI |
//12/34//51+/54//351/17-1 | 6/8 | Jockey to the Fair (t) | DA-E | Thompson CD-4, 1780 | 97 | VN/GF/OB |
//12/34//51+/54//351/17-1// | 6/8 | Jockey to the Fair (t) | DA-E | Thompson CD-4a, 1780 | 97 | VN/GF/OB |
//12/34//51+/54//351/17-1// | 6/8 | Jockey to the Fair (t) | AM-A | Treat MS, 1779 | 28r | FI/GF |
//12/34//51+/54//351/17-1 | 6/8 | Jockey to the Fair (t) | AM-A | Van Renssel. MS, 1782 | I,39 | VO,KB |
//12/34//51+/54//351/17-1 | 6/8 | Jockey to the Fair (t) | AM-A | Williams, J. MS, 1799 | 22 | CL |
//12/34//51/54//351/17-1//2 | 6/8 | Twas on the Morn of Sweet May-Day,' (t) | SC-E | Vocal Music, 1778 | 26-28 | VO/VN/GF |
//12345//1+5//453423//21//12345//1+5// | 3 | Reveilleeu Matains, Le (t) | MS-G | Jayme MS, 1717 | 44 | MI |
//12/34//51+/55//43/21 | 6/8 | Jockey to the Fair (t) | AM-A | Perkins MS, 1790 | 28 | MI,B |
//12/34//51+/55//43/21 | 6/8 | Jockey to the Fair (t) | AM-A | Perkins MS, 1790 | 56 | MI |
//1234//51+//56//3231//45434//2 | 3 | Prince of Wales Minuet (t) | IC-E | Walsh Oboe, 1715 | 12 | OB |
//12/34//51+/5//65/432// | 2/4 | Troqueurs, Les. Contredanse Française (t) | DA-F | Bouin CD LC-2 , 1780 | 215 Feuille 8. Vol | MI |
//1234/51+//5654/32//1234/51+ | C | Grenadier Marche Von Ihro Hochfurst: durchl. Gemacht (t) | MS-G | Darmstadt MS 1224 | 178 | 2MI |
//12345//1+5//654//32//321234//54321// | 3 | Minuet (t) | IC-E | Prelleur Modern, 1731 | 17 | OB |
//1234/5//15/6543//423 | C/ | Captain's Lady, The (t) | DA-E | Johnson CD-3, 1744 | 33 | VN/GF |
//1234/5//15/6543//433 | C/ | Captains Lady (t) | MS-E | Hammersley MS, 1790 | 71B | MI |
//1234515//7-2432//1234513//5-1321//1+76 |
3/2 | Christmas Is a Coming (t) | MS-E | Hammersley MS, 1790 | 26B | MI |
//1234/51/5//74/7/2342// | 3/2 | You've Been Long Away, Wellcome Home My Dearie (t) | IC-S | Stewart Reels, 1775 | 20 | VN/GF,VC/HA |
//1234515//747-2342//1234515//1+5431//3+ 1+4+2+3+1+ |
3/2 | Wellcome Home My Dearie (t) | MS-S | Gillespie MS, 1768 | 100 | VN |
//123451/6151//345671+/62//123451/6151 | C | Scaramouch (t) | DA-E | Johnson CD-8, 1758 | 82 | VN/GF |
//123451/6151//345671+/62//123451/6151 | C | Scaramouch, The (t) | DA-E | Thompson CD-1, 1757 | 72 | VN/GF/OB |
//123451/6151//345671+/62//123451/6151// |
C | Scaramouch, The (t) | DA-E | Thompson CD-1a, 1757 | 72 | VN/GF/OB |
//123451/6151//35/61+//6/2// | C/ | Be Merey and Wise (t) | MS-E | Vickers MS, 1770 | 56 | MI |
//1234/51//61/54//43/21 | 2/4 | No Body Knows It (t) | DA-E | Johnson CD-2, 1742 | 37 | MI |
//1234/51+//62+/1+765//1234/51+//67 | 2/4 | Guess Again (t) | DA-E | Rutherf CD-2.1, 1756 | 10 | VN/GF/OB |
//1234/51+//62+/75//1234/51+ | 2/4 | Guess Again (t) | DA-E | Walsh CD-3.6, 1754 | 58 | VN/OB/GF |
//1234/51+//62+/765//1234/51+ | 2/4 | Guess Again (t) | DA-E | Johnson CD-6, 1751 | 3 | VN/GF |
//12345//1+64/345//642/5-7-//17-5 | 3/4 | Fragrant Lily, The (t) | AM-A | Allen, W. MS, 1790 | 96 | VO,B |
//12/345//1+64/345//642/6-7-1 | 6/8 | Lily of the Vale (t) | SS-E | SS, Boston PL-1 | 12 | VO,2FL,BF |
//123451+/6453//4653/422//123451+/6453 | C/ | Miss Betsey Thoughtless (t) | DA-E | Johnson CD-7, 1756 | 83 | VN/GF |
//123451+/6453//4653/422//123451+/6453// |
C/ | Miss Betsey Thoughtless (t) | DA-E | Universal Magazine | 2:272, 1753 | MI |
//1/2//34/51+//646/5313 | C | Gov Arnold's March (t) | AI-A | American Sheet Music | 2 | PF,FL/VN |
//12345//165//12345//5-44543//2+7744//1+ 5533 |
3/4 | Duett (t) | SS-E | SS, Harvard | 1 | 2VO,KBF |
//1234/51//65/1+7//65/43 | 2/4 | Gipsey Song for 2 Voices, A (t) | SS-E | SS, Folger-C42.1 | 91 & 106 | 2VO+2FL |
//1234/51//65/1+7//65/43 | 2/4 | Gypsey Song for 2 Voices, A (t) | SS-E | SS, Folger-C42.4 | 198 | 2VO+2FL |
//123451+//652//37-15- | 2/4 | Fig Leaf, The (t) | DA-E | Thompson CD-1, 1757 | 66 | VN/GF/OB |
//1234/51+//6/52//37-/15-// | 2/4 | Fig Leaf, The (t) | DA-E | Thompson CD-1a, 1757 | 66 | VN/GF/OB |
//123451+/6531//4231/6-6-6-2//123451+/65 31// |
C/ | Arthur's Seat (t) | MS-S | Young MS-3, 1740 | 20 | VN/OB/GF |
//12/34//51+6/5321//46/5321 | C | Cardin O't, The (t) | SC-S | Scots MM-5, 1797 | 449 | VO,PF |
//12345//16//54321//25- | 3 | Lovers' Whims, The (t) | SC-E | Pills 2, 1719-20 | 28-29 | VO |
//12//3451+//654321//7-127-5-//12 | 3 | Minuet (t) | IC-E | Delightful-2, 1745 | VI,21 | 2GF |
//12/34//51+/654//3451/17-1// | 6/8 | Jokey to the Fair. A Quick Step (t) | MS-S | Fife MS, 1780 | 356,37r | 1FI OR 2FI/VN |
//1234/51+//654/35//321/7-123//1 | C | Foggy Dew, The (t), or Pastoral, A (at) | SS-E | SS, Harvard | 1 | VO,B+GF |
/1234//51/654//5/6543//4321/ | 2/4 | King Clubs (t) | DA-E | L & L Cot, 1775 | 38 | MI |
/1234//51/66//65/1+2+3+4+//3456/2654// | 2/4 | Glorieuse, La. Contredanse Française (t) | DA-F | Bouin CD LC-1, 1780 | 98 Feuille, 4 Vol. | MI |
//12/34//51+/71+//23 | C | Toast, The (t) | SS-E | SS, Folger-C42.3 | 388 | VO,KB+FL |
//1234/51+//71+2+7/1+1//543/65 | C/ | Earl of Albemarle's March (t) | IC-E | Delightful-1, 1763 | I,8 | GF |
//1234/51+//71+2+7/1+1//543/65 | 2/4 | Albermarls March (t) | DA-E | Johnson CD-1, 1740 | 85 | MI |
//1234/51+//71+2+7/1+1//543/65 | C | New Foot Guards March (t) | IC-E | Musica Bell, 1733 | 2 | FL/VN/OB |
//1234/51+//71+2+7/1+1//543/65 | 2/4 | Albemarls March (t) | DA-E | Walsh CD-2.2, 1735 | 95 | VO/OB/GF/FL |
//1234/51+//71+2+7/1+1//543/65 | 2/4 | Albemarls March (t) | DA-E | Walsh CD-3.2, 1749 | 95 | VN/OB/GF |
//1234/51+//71+2+7/1+1//543/65//4 | C | New Foot Guards March (t) | IC-E | Delightful-2, 1745 | IV,32 | GF |
//12//34//51+//71+//432 | 3/4 | Air (t) | IC-S | Stewart Marches, 1773 | 60 | 2VN/GF/OB,VC/HA |
//1234/517-1//6151/1+171//6-15-1/4-13-1/ / |
C/ | Hornpipe, A (t) | MS-S | Fife MS, 1780 | 120v | 1FI OR 2FI/VN |
//12/34//51+/71+//65/43// | 2/4 | Miss Lockits Fancey. A Quick Step (t) | MS-S | Fife MS, 1780 | 558,60r | 1FI OR 2FI/VN |
//1234/51+//71+/6545//315-/1234 | C/ | Onelly (t) | MS-G | Darmstadt MS 1225 | 237 | MI |
//123451+//72+75//1+54321 | 2/4 | Tattoo, The (t) | IC-E | Goulding Fife, 1790 | 14 | FI |
//1234/51+//72+7/5//5-54/321 | 2/4 | Tattoo, The (t) | IC-E | Clementi Fife, 1815 | 16 | FI |
//1234/51+//72+7/5//5-54/321 | 2/4 | Tattoo, The (t) | AM-A | Huntington MS, 1817 | III.57 | FL/VN |
//1234/51+//72+7/5//5-54/321 | 2/4 | Taptoo, The (t) | IC-E | Longman Fife, 1770 | 18 | FI |
//123451+//72+75//5-54321 | 2/4 | Tattoo, The (t) | IC-E | Longman Fife, 1780 | 16 | FI/GF |
//1234/51+//72+7/5//5-54/321 | 2/4 | Tattoo, The (t) | AI-A | Robbins D&F, 1812 | 60 | FI |
//123451+//72+75//5-54321 | 2/4 | Tattoo, The (t) | IC-E | Skillern Fife, 1780 | 18 | FI/GF |
//123451+//72+75//5-54321 | 2/4 | Taptoo, The (t) | IC-E | Thompson Fife, 1760 | 18 | FI |
//1234/51+//72+7/5//5-54/321 | 2/4 | Tattoo, The (t) | IC-E | Thompson Fife, 1770 | 18 | FI |
//1234/51+//72+7/5//5-54/321// | 2/4 | Tattoo, The (t) | IC-E | Thompson Fife, 1786 | 18 | FI/FL |
//1234/51+//72+75/6432//1234/51+ | C/ | Rylands Humour (t) | DA-E | Thompson CD-2, 1765 | 25 | VN/GF/OB |
//1234/51+//72+75/6432//1234/51+// | C/ | Rylands Humour (t) | DA-E | Thompson CD-2a, 1765 | 25 | VN/GF/OB |
//1234/51+//72+75/6432//1234/51+// | C/ | Raylands Houmours (t) | MS-E | Vickers MS, 1770 | 100 | MI |
//1234/51/7-5//52/5/321// | 3/2 | Cheshire Hornpipe, A (t) | IC-E | Wright Extraordinary, 1715 | [27] | MI |
/12//34/51//7-5-/55//565/254// | 6/4 | Saltarella, The (t) | IC-E | Apollo's Banquet 1-8, 1701 | 55 (35r) | VN |
//1234/517-//6-21/7-6-5-//6-4-/5-5-4 | C | Rhine, The (t) | DA-E | Johnson CD-5, 1750 | 15 | VN/GF |
//12/34//5/1+76//5 | 2/4 | Lincolnshire March, The (t) | IC-E | Oswald Marches, 1759 | 15 | 2MI |
//1/2//3451+76//51+76/54//3234 | C | Radnorshire March, The (t) | IC-E | Oswald Marches, 1759 | 22 | 2MI |
/1234//51+/7654//31/6543//4321/217-6-// | 2/4 | Talens, Les. Contredanse Nouvelle (t) | DA-F | LaCuisse Rep CD LC-2, 1764 | 41 Feuille 2. Vol | KB |
//12/34//51+/76//54/321 | 2/4 | Masons Daughter, The (t) | AM-A | Eells MS, 1789 | 111 | MI |
//1234/51+76//5432/15-//1234/51+76 | C | Miss Fowler's Delight (t) | DA-E | Skillern CD, 1780 | 86 | VN/GF/OB |
//1234/51+76//5432/15-//1234/51+76// | C | Miss Fowler's Delight (t) | DA-E | Straight & Skillern CD, 1775 | 8 | VN/GF/OB |
//12/34//51+/76//54/34 | 2/4 | Trip to Milan, A (t) | DA-E | Thompson CD-4, 1780 | 30 | VN/GF/OB |
//12/34//51+/76//54/34// | 2/4 | Trip to Milan, A (t) | DA-E | Thompson CD-4a, 1780 | 26 | VN/GF/OB |
//1234/51+//7654/3456//5342/3153//2 | C | To Chloe (t) | SS-E | SS, Harvard | 1 | VO,KBF+FL |
//1234/51+//76/5//65/54//43/3// | 2/4 | Cereza, La (t) | MS-M | Garcia MS, 1772 | 80 | MI |
//1234/51+//76/56//76/54 | C/ | Trip to Pancridge, A (t) | PL-E | Playford 3-2, 1726 | 30 | VN |
//1234/51+//76/56//76/54 | C/ | Trip to Pancridge, A (t) | DA-E | Walsh CD-2.3, 1735 | 184 | VN/OB/GF/CF |
//1234/51+//76/56//76/54 | C/ | Trip to Pancridge, A (t) | DA-E | Walsh CD-3.3, 1749 | 172 | VN/OB/GF |
//123451+//76//654//32//3454//32// | 3/4 | Minuet by Signior Martini (t) | AM-A | Ormsby MS, 1758 | 292 | VN |
//1234/51+//767/1+1+//1234/556 | C/ | Fahnen Tropp No 12 (t) | MS-G | Darmstadt MS 1225 | 27-28 | 2MI |
//1234/51+//767/51+//65/434 | C/ | Song, A (t) | SS-E | SS, Folger-C42.4 | 202 | VO,KB+FL |
//1234/51+//767/51+7//65/5434 | C/ | Retreat, The (t) | SC-E | Watts MM-3, 1730 | 26-27+29 | VO,HA+FL |
//1234/51+//767/56//434/25 | C/ | Preussicher Gren: March No 32 Margraff Carl (t) | MS-G | Darmstadt MS 1225 | 365-66 | 2MI |
//1234/51=53//671+53/671+53//1234/51+53/ / |
C/ | Managers Contention, The (t) | DA-E | Straight & Skillern CD, 1775 | 88 | VN/GF/OB |
//1//2//345/2 | 6/8 | Hark! the sweet horn (fl) | TW-E | Haunted Tower, 1789 | 15-21 | 6VO,KB |
//12/345//217-/25//7-5/65 | 6/8 | Blind Sary (t) | AM-A | Joslen MS, 1790 | 7V-8R | MI |
//1234/52//32/12//32/1234 | 2 | Allegro (t) | IC-E | Forest Harmony-3, 1736 | 20 | 2HN/GF/TR/VN |
//1234/52/321//7-123/217-6-/7-127-//1 | 3/2 | Mr. Johnson's Humour (t) | PL-E | Playford 2-3, 1718 | 333 | VN |
//1234/52/321//7-123/217-6-/7-127-//1 | 3/2 | Mr. Johnson's Humour (t) | PL-E | Playford 2-4, 1728 | 333 | VN |
//123452321//7-123217-6-7-127-//16-7-5-4 -3-2- |
3/2 | Jupiter and Joan (t) | DA-E | Walsh CD-1.1, 1718 | 10 | VN/OB/FL |
//123452321//7-123217-6-7-127-//16-7-5-4 -3-2-//1-1321 |
3/2 | Jupiter and Juno (t) | DA-E | Walsh CD-2.1, 1731 | 47 | VN/OB/GF/RC |
//123452321//7-123217-6-7-127-//16-7-5-4 -3-2-//1-1321 |
3/2 | Jupiter and Juno (t) | DA-E | Walsh CD-3.6, 1754 | 190 | VN/OB/GF |
//123452//3231+//321231//25//454342//343 231 |
3/8 | IC-E | Forest Harmony-3, 1736 | 20 | 2HN/GF/TR/VN | |
//1/2//345/234//321/217-// | 6/8 | Eveillee, L' (t) | IC-F | Leclerc Recueil-2, 1737 | 127 | HAF |
//12/345//23/456//345/231 | 6/8 | Rigadoon (t) | IC-E | Walsh Oboe, 1715 | 17 | OB |
//12/34//5/25-//12/34//5 | 2/4 | Flora's Holliday (t) | SS-E | SS, Folger-C42.4 | 186 | VO,KB+FL |
//12/34//5/25-//12/34//5 | 2/4 | Flora's Holliday (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//1234/525//313/27-5-//1234/525 | 6/8 | Air 31 (t) | BA-E | Achilles, 1733 | 38 | VO |
//12/34//5/25//43/25 | C/ | Sourcillade, La (t) | MS-F | Philidor MS, 1705 | 52-53 | HN |
//12/34//5/25//43/25 | C/ | Dauphins Delight, The (t) | IC-E | Simpson Horn, 1745 | 6-7 | 2HN |
//12/34//5/25//43/25 | C/ | Dauphin's Delight, The (t) | IC-E | Thompson Horn, 1755 | 14-15 | HN |
//12345//265//654321//2 | 3/4 | With An Honest Old Friend (t) | SC-S | Edinburgh MM-2, 1793 | 225 | VO |
//12345/265//654321//27-1 | 3/4 | Song 146 (t), or With An Honest Old Friend (at) | SC-E | Calliope, 1788 | 275-276 | VO |
//12345//265//654321//27-1 | 3/4 | Song 6 (t) | SC-E | Ritson, 1783 | TII,6;MIII,167-168 | 2VO |
//12/34//527-//12//345/43 | 6/8 | Jack & the Pope (t) | SS-E | SS, Boston PL-2 | 230 | VO,KB |
//1234/5311//11+1+2+/765//1+3+2+1+/671+6 |
C | Jolly Beggar, The (t) | SC-S | Scots MM-3, 1790 | 274-275 | VO,PF |
//1234/53//11+/1+//1234 | 2/4 | Kitty Fisher (t) | DA-E | Rutherf CD-2.2, 1760 | 16 | MI |
//1234/53//11+/1+//1234/53 | 2/4 | Kitty Fisher (t) | AM-A | Aborn MS, 1790 | 75 | MI |
//123453//11+1+/123453 | 2/4 | Kitty Fisher (t) | DA-E | Thompson CD-2, 1765 | 29 | VN/GF/OB |
//1234/53//11+/1+/1234/53// | 2/4 | Kitty Fisher (t) | DA-E | Thompson CD-2a, 1765 | 28 | VN/GF/OB |
//12/34//53/11//21/23 | 2/4 | Nancy Dawson (t) | AM-A | Perkins MS, 1790 | 43 | MI |
//123453//11+//61+51+41+//3231//123453// 11+ |
3/4 | IC-E | Forest Harmony-3, 1736 | 13 | 2HN/GF/TR/VN | |
//12345/311//6344//221+5 | 6/8 | Drummer's Call (t) | AI-A | Hazeltine D&F, 1810 | 23 | FI,DR |
//1234/53/11+//71+/65//5671+/2+1+2+7//65 /65// |
3 | Corranto (t) | MS-E | Fitzwilliam MS-2, 1609 | 266 | VI |
//12/34//53/1//21/23 | C | Charming Lover, The (t) | AM-A | Perkins MS, 1790 | 30 | MI |
//12/34//53/123//42/3212 | 2/4 | Bonaparte's Quick Step (t) | IC-S | Pandean Coll 1, 1810 | 30 | PF |
//1234/531//2342/5-5-//1234/5313 | C | Flemish March (t) | AI-A | Fifer's Comp, 1805 | 46 | 2FI |
//1/234//5/3//123/43//2// | 2/4 | Middleton (t) | AM-A | Boynton MS, 1799 | 7 | 2 FI |
//12/34/531//23/456 | 9/8 | Irish Hoprickers, The (t) | AI-A | Riley Flute 3, 1820 | 27 | FL |
//12/34//531//23/45/6// | 9/8 | Irish Hop Pickers, The (Irish) (t) | DA-E | Wilson Companion, 1816 | 27 | MI |
//1234//531//24321//17-1//6-16- | 3/4 | Flora (t) | SS-E | SS, Boston PL-2 | 275 | VO,KBF |
//1234//531//27-5-//2 | 3 | Mage on a Tree (t) | PL-E | Playford 1-07, 1686 | 14 | VN |
//1234//531//27-5-//27- | 3I | Madge In a Tree (t) | DA-E | Walsh CD-2.1, 1731 | 14 | VN/OB/GF/RC |
//1234//531//27-5-//27-//123 | 3:I | Madge on a Tree (t) | PL-E | Playford 1-11, 1701 | I,3 | VN |
//1234//531//27-5-//27-//123 | 3I | Madge on a Tree (t) | PL-E | Playford 1-13, 1706 | 2 | VN |
//1234//531//27-5-//27-//123 | 3:I | Madge on a Tree (t) | PL-E | Playford 1-14, 1709 | 2 | VN |
//1234/531//27-5-/27-//123/3 | 6/4 | Madge on a Tree (t) | PL-E | Playford 1-12, 1703 | 2 | VN |
//1234//531//27-5-//27-5-//1 | 3:I | Madge on a Tree (t), or Margery Cree, (at) | PL-E | Playford 1-17, 1721 | 9 | VN |
//1234//531//27-5-//27-5-//1 | 3:I | Madge on a Tree (t), or Margery Cree, (at) | PL-E | Playford 1-18, 1728 | 9 | VN |
//123453//1316553//12325 | Troop, A (t) | AM-A | Hawkins MS, 1794 | I,1 | GF | |
//12/34//53/1//3-1-/7-1 | C | Waldeck. Grenad. March (t) | MS-G | Darmstadt MS 1224 | 5 | MI,B |
//1234/53//1321/7-12//1234/53 | C | Hunt the Squrell (t) | AM-A | Dean MS, 1800 | I.28 | MI |
//12/34//53/13//23/43// | 6/8 | Nancy Dawson (t) | MS-E | Vickers MS, 1770 | 74 | MI |
//1234/5313//2345/6424//3567/1+564 | 2/4 | Runaway, The (t) | DA-E | Thompson CD-4, 1780 | 74 | VN/GF/OB |
//1234/5313//2345/6424//3567/1+564// | 2/4 | Runaway, The (t) | DA-E | Thompson CD-4a, 1780 | 75 | VN/GF/OB |
//1234/5313//4345/6427-//1234/5313 | C/ | AM-A | Shattuck MS, 1801 | 91 | MI | |
//12345/313453//12345/47-2342//12345/313 453 |
C | Poor a Purse But Routh O' Credit (t) | IC-S | Aird 2, 1785 | 34 | FI/VN/GF |
//12345/313453//12345/47-2342//12345/313 453// |
C | Poor a purse but Routh a Cudit (t) | MS-C | Molyneaux MS-2, 1788 | 33 | 1 OR 2 GF |
//123453/1+353//123453/2222//123453/1+35 3 |
C/ | Miss Blairs Reel (t) | MS-S | Gillespie MS, 1768 | 93 | VN |
//1234/53//1+3/53//1+3/53 | 2/4 | Lord Rockingham's Reel (t), or Scampden's Cade (at) | DA-E | Johnson CD-8, 1758 | 39 | VN/GF |
//1234/53//1+3/53//1+3/53// | 2/4 | Ernestina, La: Inglesa (t) | DA-P | Piferrer CD, 1768 | 16 | MI |
//123453/1+353//1+353/2+223//123453/1+35 3 |
C/ | Duke of Perth's Reel (t) | IC-S | Aird 2, 1785 | 74 | FI/VN/GF |
//123453/1+353//1+353/2+223//123453/1+35 3 |
C | Duke of Perthars Reel, The (t) | AM-A | Belknap MS, 1784 | 43R | MI |
//123453/1+353//1+353/2+223//123453/1+35 3// |
C/ | Duke of Perth's Reel, The (t) | MS-S | Fife MS, 1780 | 493,52r | 1FI OR 2FI/VN |
//123453/1+353//1+353/2+223//123453/1+35 3 |
C/ | Duke of Perths Reel, The (t) | MS-S | Gillespie MS, 1768 | 93 | VN |
//123453/1+353//1+353/2+223//123453/1+35 3// |
C/ | Duke of Perth Reel (t) | MS-C | Molyneaux MS-2, 1788 | 44 | 1 OR 2 GF |
//123453/1+353//1+353/2+223//123453/1+35 3// |
C/ | Duke of Perth's Reel, The (t) | IC-S | Stewart Reels, 1775 | 4 | VN/GF,VC/HA |
//123453/1+353//1+353/2+223//123453/1+35 3// |
C | Duke of Perths Reel (Scotch) (t) | DA-E | Wilson Companion, 1816 | 80 | MI |
//123453/1+353//1+353/2+223//123453/1+35 3// |
Duke of Perth's Reel (t) | MS-S | Young MS-2, 1734 | 50v | MI | |
//123453//1+353//1+353/2+23//123453 | C | Scampton Cade (t) | DA-E | Rutherf CD-2.2, 1760 | 58 | MI |
//123453/1+353//1+353/2+23/2+23 | C | Scampton Cade (t) | DA-E | Rutherf CD-1, 1750 | 14 | VN/FL/OB,HAF |
//1234/53//1+3/53//2+2+3+/3+1+ | 2/4 | Jamies' Return (t) | AI-A | Robinson Coll, 1818 | 29 | FI,DR |
//1234/53//1+3/53//2+2+3+/3+1+ | 2/4 | Jamies' Return (t) | AI-A | Robinson Coll, 1820 | 38 | MI |
//1234/53//1+3/53//2+2+3+/3+1+ | 2/4 | Jamie's Return (t) | AI-A | Robinson Coll, 1826 | 45 | MI |
//1234/53//1+3/53//22+3+/4+2+ | 2/4 | Jimmy's Return (t) | AM-A | Mass. MS, 1790 | 20 | FL |
//1234/53//1+3/53//22+3+/4+2+// | 2/4 | Jamies Return (t) | MS-C | Molyneaux MS-1, 1788 | 8 | GF |
//123453//1+353//22+3+4+2+ | 2/4 | Jamies Return (t) | DA-E | Thompson CD-5, 1788 | 7 | VN/GF/OB |
//1234/53//1+3/53//22+3+/4+2+// | 2/4 | Jamies Return (t) | DA-E | Thompson CD-5a, 1788 | 7 | VN/GF/OB |
//123453//1+353//2+2+3+4+2+ | 2/4 | Jamies' Return (t) | AI-A | Village Fifer, 1808 | 27 | 2FI |
//123453/1+353//6353/2123//123453/1+353/ / |
C/ | Miss Gordon's Reel (t) | IC-S | Stewart Reels, 1775 | 37 | VN/GF,VC/HA |
//12345/313//6//12345/313 | 6/8 | Drummer's Call, The (t) | AM-A | Shattuck MS, 1801 | 39 | MI |
//12/34//5313623//442/1+7//51+1+331+1+55 //6427-1 |
2/4 | AM-A | Brown, D. MS, 1797 | 9 | FI | |
//12/34//53/13//64/24 | 2/4 | Quick Step (t) | IC-S | Aird 6, 1803 | 66 | FI/VN/GF |
//12/34//53/13//64/24// | 2/4 | Quick Step, A (t) | MS-S | Fife MS, 1780 | 687,74v | 1FI OR 2FI/VN |
//1234/5313//6424/5321//1234/5313 | C | Quick Step (t) | IC-S | Watlen Marches, 1798 | 2 | PF/FL/VN |
//1234/5313//6424/5321//1234/5315 | Quick Step (t) | IC-S | Aird 4, 1796 | 50 | FI/GF/VN | |
//12/34//53/1//36-/7-1 | C | Grenadier March Von Waldeck (t) | MS-G | Darmstadt MS 1224 | 208 | MI |
//12/34//53/1//36-/7-1 | 2/4 | March V. Waldeck (t) | MS-G | Darmstadt MS 1225 | 163-64 | 2MI |
//1234/531//4345/671+//1+543/2654 | C | Make Hay Whilst the Sun Shines (t) | SS-E | SS, Boston PL-2 | 1 | VO,KB+GF+GT |
//12/345//3145//67/1+2+ | Fulbeck Maggot (t) | MS-E | Hammersley MS, 1790 | 33 | MI | |
//1234//531//47-5-//27-//123 | 3 | Madge on a Tree (t) | PL-E | Playford 1-10, 1698 | 5 | VN |
//12/34//531+/531//23/456 | 6/8 | Hardy Sailor, The (t) | SC-S | Edinburgh MM-2, 1793 | 29-30 | VO |
//12/34//531+/531//23/456//543/2 | 6/8 | Hardy sailor braves the ocean, The (fl) | TW-E | Castle/Andalus, 1782 | 16-17 | VO,HA |
//123453/15-3-1-//3-5-13/543 | C | Scene Outside of the Pantheon (t) | TW-E | Choice/Harleq, 1781 | 30 | HAF |
//12/34//531/531//7-1/23 | 6/8 | Hour Glass, The (t) | DA-E | Thompson CD-2, 1765 | 24 | VN/GF/OB |
//12/34//531/531//7-1/23// | 6/8 | Hour Glass, The (t) | DA-E | Thompson CD-2a, 1765 | 24 | VN/GF/OB |
//1234/531//531/7-22//25/217-// | 3 | Bears Dance, The (t) | IC-E | Apollo's Banquet 1-1, 1670 | 18 | VN |
//1234/53//15-/3-5-//17-12/3234 | C/ | March (t) | IC-E | Musica Bell, 1733 | 14 | FL/VN/OB |
//1234/53//15-/3-5-//17-12/3234 | C/ | March (t) | IC-E | Warlike Musick, 1760 | 57 | GF/VN/HA |
//1234531//5436//655//543212//1// | C/ [3 C/] | Fantasia (t) | MS-E | Fitzwilliam MS-1, 1609 | 37-41 | VI |
//123453/1+553//1+553/2+223//123453/1+55 3// |
C/ | Scamton Scade (t) | MS-E | Vickers MS, 1770 | 37 | MI |
//1234/53//1+5/53//22+/4+2+ | 2/4 | Jimmy's Return (t) | AM-A | Otis MS, 1793 | 22 | 2VN/2FL |
//1234/531+5//6427-/27-6-5-//6-4-3-4-/1- 4// |
C/ | Hornpipe (t) | AM-A | Johnson, S. MS, 1807 | 22-23 | FI |
//12/34//53/15-//6-4/6-2 | 2/4 | Sportsman, The (t) | MS-E | Carter MS, 1792 | 32 | MI |
//1234/531+//5653/4542//1234/531+ | C | Betty Thorogoods Delight (t) | DA-E | Thompson CD-2, 1765 | 32 | VN/GF/OB |
//1234/531+//5653/4542//1234/531+// | C | Betty Thorowgoods Delight (t) | DA-E | Thompson CD-2a, 1765 | 33 | VN/GF/OB |
//12/34//5/3//1+/6 | 2/4 | I Have Lov'd Thee (t) | AI-A | Blake Amus 1, 1824 | 14 | CL |
//12/34//5/3//1+/6 | 2/4 | I Have Lov'd Thee, Dearly Lov'd Thee (t) | AI-A | Paff Amus 1, 1812 | 23 | FL/VN |
//12/34//5/3//1+/6 | 2/4 | I Have Lov'd Thee Dearly Lov'd Thee (t) | AI-A | Riley Flute 1, 1814 | 89 | FL |
//12/34//5/3//1+/6 | 2/4 | I Have Loved Thee, Dearly Loved Thee (t) | AM-A | Woodruff MS, 1803 | 103 | MI |
//1234/531+6//5313//212323//1234/531+6 | C | Ebdens Quick Step (t) | IC-S | Calvert Coll, 1790 | 12 | V,VC/HA/PF |
//1234/531+6//5313/27-5-//1353/1465// | C | Circus Hornpipe (t) | DA-E | Wilson Companion, 1816 | 142 | MI |
//1234/531+6//5432/15-//5671+/2+3+4+3+// |
C/ | Prusian Hornpipe, The (t) | MS-E | Vickers MS, 1770 | 65 | MI |
//123453//16//543231//25-//123453 | 3/4 | Minuet (t) | AM-A | Simpson MS, 1750 | II,6 | FL |
//1234/531//6564/531//4321/17-6-5-// | C | Hornpipe, A (t) | MS-S | Fife MS, 1780 | 583,62v | 1FI OR 2FI/VN |
//12//34//531//7-6-5-//42//31 | 3/8 | Prince of Wales's March, The. Quick Time (t) | IC-E | Miller Marches, 1795 | 3 | 2CL,2HN,BS,2TR |
//12/34//53/21//1+1+/71+// | 2/4 | Placide, La (t) | DA-N | Baland CD, 1780 | 9-10 | VN/GF |
//12345321//123454565//43421 | Foot March (t) | IC-E | Longman Fife, 1770 | 17 | FI | |
//12345321//123454565//43421 | Foot March (t) | IC-E | Preston Fife, 1796 | 15 | FI/GF | |
//12345321//123454565//43421 | Foot March (t) | IC-E | Skillern Fife, 1780 | 17 | FI/GF | |
//12345321//123454565//43421 | 6/4( | Foot March (t) | IC-E | Thompson Fife, 1760 | 17 | FI |
//12345/321//12345/4565//43/421 | Foot March (t) | IC-E | Thompson Fife, 1770 | 17 | FI | |
//1234/532//1/1234//564/5 | C | Foot March (t) | IC-E | Andrews Fife, 1808 | 14 | FI/GF |
//1234/532//1/1234//564/5 | C | Foot March (t) | IC-E | Clementi Fife, 1815 | 13 | FI |
//1234/532//1/1234//564/5 | C | Foot March (t) | IC-E | Goulding Fife, 1790 | 13 | FI |
//1234/532//1/1234//564/5 | C | Foot March (t) | IC-E | Longman Fife, 1770 | 14 | FI |
//1234/532//1/1234//564/5 | C | Foot March (t) | IC-E | Longman Fife, 1780 | 13 | FI/GF |
//1234/532//1/1234//564/5 | C | Foot March (t) | IC-E | Preston Fife, 1796 | 13 | FI/GF |
//1234/532//1/1234//564/5 | C | Scotch Foot March, The (t) | IC-E | Rutherford Fife, 1756 | 14 | FI |
//1234/532//1/1234//564/5 | C | Foot March (t) | IC-E | Skillern Fife, 1780 | 14 | FI/GF |
//1234/532//1/1234//564/5 | C | Foot March (t) | IC-E | Thompson Fife, 1760 | 13 | FI |
//1234/532//1/1234//564/5 | C | Foot March (t) | IC-E | Thompson Fife, 1770 | 13 | FI |
//1234/532//1/1234//564/5// | C | Foot March (t) | IC-E | Thompson Fife, 1786 | 14 | FI/FL |
//1-2-/3-4-//5-321/17-6-5-//6-17-/6-5-4- 3- |
C | Annot Lyle (t) | AI-A | Riley Flute 4, 1826 | 66 | FL |
//12345//321//21+653//321//12 | 2/4 | White man never go away (fl) | TW-E | Inkle & Yarico, 1787 | 20 | VO,HAF |
//1234/5321//2+1+76/65//3531 | C/ | Astleys Hornpipe (t) | DA-E | Thompson CD-5, 1788 | 41 | VN/GF/OB |
//1234/5321//2+1+76/65//3531// | C/ | Astleys Hornpipe (t) | DA-E | Thompson CD-5a, 1788 | 41 | VN/GF/OB |
//12/34//5321/22//15-/6-7-17- | C | Song 1 (t) | AI-A | Hopkinson Songs, 1788 | 1 | HA/PF,VO |
//1234/5321//2342//7-6-5-//1234/5321// | C/ | Trip to the Heighlands (t) | MS-E | Vickers MS, 1770 | 140 | MI |
//12345/321//23455/45+6-5//43/42 | 6/4( | Foot March (t) | IC-E | Goulding Fife, 1790 | 15 | FI |
//1234/5321//2345/6432//1234/5671+ | C/ | Frisky Peggy (t) | DA-E | Thompson CD-3, 1773 | 19 | VN/GF/OB |
//1234/5321//2345/6432//1234/5671+// | C/ | Frisky Peggy (t) | DA-E | Thompson CD-3a, 1773 | 19 | VN/GF/OB |
//1234/5321//2345/6543//4321/217-6- | C/ | Cap Lucas's Fancy (t) | DA-E | Thompson CD-3, 1773 | 61 | VN/GF/OB |
//1234/5321//2345/6543//4321/217-6-// | C/ | Cap. Lucas's Fancy (t) | DA-E | Thompson CD-3a, 1773 | 67 | VN/GF/OB |
//1234/5321//246-2/17-6-5-//1234/5321 | C | Ralph's Ramble to London (t) | DA-E | Skillern CD, 1780 | 84 | VN/GF/OB |
//1234/5321//246-2/17-6-5-//1234/5321// | C | Ralph's Ramble to London (t) | DA-E | Straight & Skillern CD, 1775 | 6 | VN/GF/OB |
//1234/5321//5-6-7-1/2357//1+3+1+6/5653 | C/ | Snakes Lane (t) | DA-E | Skillern CD, 1780 | 72 | VN/GF/OB |
//1234/5321//5-6-7-1/2357//1+3+1+6/5653/ / |
C/ | Snakes Lane (t) | DA-E | Straight & Skillern CD, 1775 | 41 | VN/GF/OB |
//123453216432//17-11+76//545656432//6-7 -1// |
3/4 | Minuet.5 (t) | IC-E | Delightful-2, 1745 | III,27 | GF |
//1234/5321//671+6/5321//1234/5346 | C/ | Trip to Richmond (t) | DA-E | Skillern CD, 1780 | 78 | VN/GF/OB |
/1234//5321/671+6//5435/472+4//351+2// | 2 | Zelmire, La. Contredanse Nouvelle (t) | DA-F | Bouin CD LC-1, 1780 | 14 Feuille | MI |
//12/34//5/3+//2+1+/71+ | 2/4 | Simple George (t) | DA-E | Johnson CD-7, 1756 | VN/GF | |
//1234//53+//2+1+71+ | 2/4 | Simple George (t) | DA-E | Thompson CD-1, 1757 | 43 | VN/GF/OB |
//12/34//5/3+//2+1+/71+// | 2/4 | Simple George (t) | DA-E | Thompson CD-1a, 1757 | 43 | VN/GF/OB |
//1234/5321//7-127-/5-4-//3-5-15-/3-5-15 -// |
C/ | North Lincoln Quick Step, The (t) | MS-S | Fife MS, 1780 | 359,37r | 1FI OR 2FI/VN |
//1234/532//1+71+6/65//3531/4642// | 16/8 (C/-e | Ashleys 1st Hornpipe (t) | MS-S | Fife MS, 1780 | 112,9v | 1FI OR 2FI/VN |
//1234/5321//7-23451/7-12//1236/71+45 | C/ | Ludlow's Rant (t) | DA-E | Johnson CD-7, 1756 | 24 | VN/GF |
//1234/5321//7-25-/7-25-//1234/5321 | Miss Ann Bain's Fancy (t) | IC-S | Aird 4, 1796 | 40 | FI/GF/VN | |
//12/34//53/21//7-2/7-2 | 6/8 | Derby's Cottillion (t) | AM-A | Dean MS, 1800 | I.23 | MI |
//1234/53//222/23//434/6-7-1 | 6/8 | Sir Sidney Smith's Delight (t) | DA-E | Thompson CD-6.7, 1795 | 84 | MI |
//12/34//5/3//23/42// | 2 | Madalana, La (t) | IC-F | Leclerc Recueil-2, 1737 | 97 | HAF |
//1234/53//2345/64//1234/53 | 2/4 | Ding Dong Bell (t) | DA-E | Thompson CD-6.3, 1791 | 26 | MI |
//12/34/53//27/74/27-// | 6/8 [=3] | Welcom Home My Dery (t) | MS-E | Vickers MS, 1770 | 121 | MI |
//12/34//533/35//454232/7-5 | C | La Fayette's Welcome to Philadelphia (t) | AI-A | American Sheet Music | 2 | PF |
//1234/5336//5342/33//1234/5336 | C/ | Dalnaglare's Rant (t) | IC-S | Aird 4, 1796 | 71 | FI/GF/VN |
//12/34//53/41//23/45 | 2/4 | Scotch Bonnet (t) | DA-E | Johnson CD-4, 1748 | 57 | VN/GF |
//12/34//5/3//4/2 | Three Sheep Skins (t) | MS-E | Hammersley MS, 1790 | 37B | MI | |
//1234/5342//1234/66//1234/51+76// | C | Bonnett Ecossois, La (t) | DA-E | Hurst Cot, 1775 | 22 | KB |
//12//345//342//1//32//32 | 3/4 | Let Ambition Fire Thy Mind (t) | IC-E | Bremner Airs, 1761 | 1 | 2VN/GF |
//12//345//342//1//32//32// | 3/4 | Let Ambition Fire Thy Mind (t) | AM-A | Brown, J. MS, 1782 | 1:15 | |
//12//345//342//1//32//32 | 3/4 | Let Ambition Fire Thy Mind (t) | IC-E | Preston Marches, 1804 | 1 | 2GF/VN |
//1234/5342/2345/6666//1234/671+6// | C/ | Scotch Bonett, The (t) | MS-E | Vickers MS, 1770 | 36 | MI |
//123453/423//123453/1+53//6453/4224 | C | Miss Jessy Hume's Reel (t) | IC-S | Gibb New Coll, 1798 | 4 | PF/VN,VC |
//1234/53//42/31//24/35 | 2/4 | Hey for Lincolnshire (t) | MS-E | Hammersley MS, 1790 | 77 | MI |
//123//4534//234//54365//5431+6//54321// |
3/4 | Rt. Honble. Lady Frances Turnours Minuet (t) | DA-E | Fishar Minuets, 1785 | 3 | KB |
//12/34//53//43/21//7-/5-5- | C/ | Dance of the Usurer and the Devil, The (t) | SC-E | Pills 5, 1719-20 | 25-26 | VO |
//12/34//53/43//23/45 | 2/4 | Scotch Bonnet (t) | MS-E | Rainstorp MS, 1747 | 38 | MI |
//12/34//53/43//2345/6666 | 2/4 | Scotch Bonnet (t) | DA-E | Walsh CD-3.3, 1749 | 2 | VN/OB/GF |
//1234/5343//2345/6666//1234 | C/ | Scots Bonnet (t) | DA-E | Rutherf CD-2.1, 1756 | 14 | VN/GF/OB |
//1234/5343//2345/6666//1234/671+6 | C/ | Scotch Bonnet (t) | DA-E | Thompson CD-1, 1757 | 99 | VN/GF/OB |
//1234/5343//2345/6666//1234/671+6// | C/ | Scotch Bonnet (t) | DA-E | Thompson CD-1a, 1757 | 98 | VN/GF/OB |
//1234/5343//2345/6666//1234/671+6 | C/ | Scots Bonnet (t) | IC-E | Thompson Oboe, 1758 | 22 | OB |
//1234/5343//2345//6666//1235/671+6// | C/ | Scotch Bonnet (t) | DA-N | Andrez Recueil, 1780 | 18-19 | VN/FL/OB, B |
//1234/5343//2345/6666//1235/671+6 | Scotch Bonnet (t) | MS-E | Hammersley MS, 1790 | 81 | MI | |
//12/34//5/3//45/23//112/1// | C/ | Freno, El (t) | DA-P | Ferriol Reglas-1, 1745 | IV:60 | MI |
//12/34//5/3//45/23//112/1// | C/ | Freno con Clave Francesa, y Chorographia Antigua, El (t) | DA-P | Ferriol Reglas-2, 1745 | 60 | MI |
//12/3453//45/61+//53/4321// | 2/4 | Bonny Breast Knot (t) | AI-A | Johnson, F. Cotillions | 1 | PF |
//1/2//34/5//345671+//54// | C/ | Elliot's Light Dragoons March (t) | IC-E | Longman March 3, 1770 | 3 | 2VN/OB/GF, 2HN, B |
//1234/53//46-21/7-7-//1217- | C/ | Rosy Morn a Scotch Song, The (t) | SS-E | SS, Folger-C42.3 | 309 | VO,KB+FL |
//1234/53//46-21/7-7-//1217-/6-6 | C/ | Rosy Morn, The (t), or Scotch Song, A (at) | SS-E | SS, Harvard | 1 | VO,B+FL |
//1234/53//46-2/7-7-//1217-/6-6 | C/ | Scotch Song In Love at First Sight, A (t) | SC-E | Pills 6, 1719-20 | 359-60 | VO |
//123453/4651//23432/17-15-//123453/4651 |
C/ | Careless Sally (t) | DA-E | Thompson CD-5, 1788 | 45 | VN/GF/OB |
//123453/4651//23432/17-15-//123453/4651 // |
C/ | Careless Sally (t) | DA-E | Thompson CD-5a, 1788 | 45 | VN/GF/OB |
//123453/4651//23432/17-15-//35/4// | Careles Sally (t) | AM-A | Treat MS, 1779 | 14 | FI/GF | |
//1234/5346//53/11//7-123/4231// | 2/4 | Duett (t) | IC-E | Goulding Cello, 1799 | 26-27 | 2VC |
//1234/5346//53/1//7-123/4231 | 2/4 | Duke of York's Favourite (t) | IC-S | Aird 4, 1796 | 50 | FI/GF/VN |
//1234/5346//53/1//7-123/4231 | 2/4 | Dryden's Fancy (t) | AI-A | Balls Amus 2, 1815 | 17 | FL/FI/VN |
//1234/5346//53/1//7-123/4231 | 2/4 | Pleyels Rondo (t) | IC-E | Bland Clar, 1798 | 9 | CL |
//1234/5346//53/1//7-123/4231// | 2/4 | Pleyels Rondo (t) | AM-A | Brown, J. MS, 1782 | 1:60 | |
//1234/5346//53/1//7-123/4231// | 2/4 | Dryden's Fancy (t) | AM-A | Cushing MS, 1805 | 129-131 | MI |
//1234/5346//53/1//7-123/4231 | 2/4 | Pleyel's Rondo (t) | IC-E | Preston Fife, 1796 | 29 | FI/GF |
//1234/5346//53/1//7-123/4231// | C | Pleyels Hornpipe (t) | DA-E | Wilson Companion, 1816 | 129 | MI |
//1234/53//46/53//23/42 | 2/4 | Bethel Quick Step (t) | AI-A | Robinson Coll, 1818 | 44 | FI,DR |
//1234/53//46/53//23/42 | 2/4 | Bethel Quick Step (t) | AI-A | Robinson Coll, 1820 | 62 | MI |
//1234/53//46/53//23/42 | 2/4 | Bethel Quick Step (t) | AI-A | Robinson Coll, 1826 | 61 | MI |
//1234/53//46/53//23/5432 | 2/4 | Careless Sally (t) | AM-A | Murphey MS, 1790 | 2 | MI |
//1234/53//46/53//24/32 | C | Careless Sally (t) | AM-A | Kingsley MS, 1795 | I,7 | MI |
//1234/53//46/53//4542/3431// | 2/4 | Fair Ellen's Birth Day (t) | AI-A | Hewitt Fashionable, 1807 | 18 | PF |
//1234/535//1+3+2+1+/2+75//671+6/5321//2 |
2/4 | Thirteenth of August, The (t) | AM-A | Belknap MS, 1784 | 21R | MI |
//1234/53//51+/53//123/43 | C | Hannah Hayse of Buss-Hill (t) | AM-A | Clark, I. MS, 1801 | 30 | FI/VN |
//12345351+65//65434246//51+7653//42432/ /32345351+65 |
3/2 | Ladies Pull Off Your Hoops (t) | DA-E | Johnson CD-5, 1750 | 11 | VN/GF |
//12/34//53/531//53/531 | 6/8 | IC-E | Forest Harmony-3, 1736 | 22 | 2HN/GF/TR/VN | |
//1234/5353/42//2345/6421/17- | 6/4 | 2d Medley Dance.2d Part (t) | IC-S | Gibb New Coll, 1798 | 14 | PF/VN,VC |
//1234/5353//42/2+//7-123/4242//3 | 2/4 | Lesson 22 (t) | AI-A | Linley Asst-1, 1796 | 16 | PF |
//123453/5353//123453/1+1+//123453/5353 | C | MS-E | Hammersley MS, 1790 | 103 | MI | |
//1234//535353//646464//5535//546424//43 5313 |
3/8 | Waltz (t) | IC-S | Pandean Coll 1, 1810 | 19 | PF |
//1234/5//3543//4232//1234/5 | C/ | Bung Your Eye (t) | DA-E | Johnson CD-3, 1744 | 28 | VN/GF |
//12/34//535//4424//3313//2432 | 3/4 | Roast Beef of Old England, The-2 (t) | SS-E | SS, Folger-C52 | 34-35 | MI,VO,KB |
//1234//535//4424//3313//2432//1 | 3/4 | Roast Beef of Old England, The. Air 2 (t) | SS-E | SS, Harvard | 1-4 | VO/VN/GF,HAF |
//12/34//535/646//567/1+2+3+ | 6/8 | Welch Rabbit, The (t) | DA-E | Johnson CD-8, 1758 | 50 | VN/GF |
//12/34//535/646//567/1+2+3+// | 6/8 | Welch-Rabbit, The (t) | DA-E | Martin Misc Corr, 1759 | 7, 1755 | MI |
//12/34//535/671+//12/34// | 6/8 | Creem Pott, The (t), or Kirn Staf (at) | MS-E | Vickers MS, 1770 | 43 | MI |
//1234/53//62/46//1234/53 | C/ | MS-E | Hammersley MS, 1790 | 60 | MI | |
//1234/53//62/46//1234/53 | C/ | Take My Bitt (t) | DA-E | Johnson CD-3, 1744 | 17 | VN/GF |
//1234/53//62/46//1234/53 | C/ | Take My Bitt (t) | DA-E | Walsh CD-2.2, 1735 | 10 | VO/OB/GF/FL |
//1234/53//62/46//1234/53 | C/ | Take My Bitt (t) | DA-E | Walsh CD-3.2, 1749 | 10 | VN/OB/GF |
//1234/53//64/1+//54/32//3 | C | Dialogue Between Damon and Celimena, A (t) | SC-E | Watts MM-5, 1731 | 177-179 | 2VO,HA+FL |
//1234/53//64/5//1+2+71+/62+1+// | 2/4 | Gavott-Compos'd by Reinagle Esqr No.44 (t) | AM-A | Duport MS-1, 1780 | 41 | MI,B |
//1234/5364//5364/5432//1234/531+3+// | 2/4 | Tempest, The (t) | AI-A | Carrs PC, 1800 | 17 | GF/VN/FL |
//1234/5364//5364/5432//1234/531+3+ | 2/4 | Tempest, The (t) | MS-E | Carter MS, 1792 | 28 | MI |
//1234/5364//5364/5432//1234/531+3+ | 2/4 | Tempest, The (t) | IC-S | Stewart Airs, 1788 | 1:7 | GF/VN/FI |
//12345364//53645432//1234531+3+ | 2/4 | Tempest, The (t) | DA-E | Thompson CD-5, 1788 | 75 | VN/GF/OB |
//1234/5364//5364/5432//1234/531+3+// | 2/4 | Tempest, The (t) | DA-E | Thompson CD-5a, 1788 | 75 | VN/GF/OB |
//123453//645//432//37-1//345//543//234 | 3/4 | Prince Charles of Lorain's Favourite Minuet (t) | IC-E | Delightful-2, 1745 | V,15 | GF |
//1234/5364//5653/222234//6753/45671+6 | C/ | Free and Easy (t) | DA-E | Johnson CD-7, 1756 | 51 | VN/GF |
//1234/5364//567/1+71+2+1+//1+3+2+1+/1+3 +2+1+ |
C | Chace, The. A Cantata (t) | IC-E | Thompson Hunting, 1770 | 1:25-27 | VO/HAF/VN/GF |
//1-2-3-4-5-3-/6-5-1-//1-2-3-4-5-1/7-6-5 -4-//3-5-2-5-1-5-2-5 |
C/ | Allegro (t) | IC-E | Forest Harmony-2, 1733 | 6 | 2HN/GF/TR/VN |
//12/34//536/51+//135/565 | 6/8 | Quickstep,6/8 (t) | AM-A | Commonplace MS, 1797 | 29 | FI |
//12/34//536//53/21 | 2/4 | Love In a Village (t) | DA-E | Thompson CD-2, 1765 | 74 | VN/GF/OB |
//12/34//536//53/21// | 2/4 | Love In a Village (t) | DA-E | Thompson CD-2a, 1765 | 75 | VN/GF/OB |
//1234/53//6/53//43/21 | 2/4 | Cotillon (t) | IC-S | Aird 2, 1785 | 45 | FI/VN/GF |
//1234//53//6/53//43/21 | 2/4 | Jack In the Box (t) | DA-E | Rutherf CD-2.1, 1756 | 3 | VN/GF/OB |
//12/34-//5-36/5-4-//314-/3 | 6/8 | Mirth Admit Me of Thy Crew (t) | IC-E | Preston Bassoon, 1790 | 22-23 | 2BN |
//12/3453//6543/23//12/3235// | C | New Highland Laddie (t) | MS-C | Molyneaux MS-2, 1788 | 26 | 1 OR 2 GF |
//123453/661+//123453/4223//123453/661+ | C | Miss Chrichton's Reel (t) | IC-S | Gibb New Coll, 1798 | 19 | PF/VN,VC |
//1234/53//66/65//4321/7-1 | C/ | Fools Cap, The (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//123453//666//5671+2+7+//1+11//1+3+2+1+ 76//72+1+765// |
3/4 | Prince of Wales's Minuet (t) | AM-A | Ormsby MS, 1758 | 303 | VN |
//1234/53//671+2+/75//1+564/5231// | C | Slow (t) | IC-E | Apollo's Banquet 1-8, 1701 | 5r,25 | VN |
//12/345//42/24//345/6543//24 | C/ | Resolution, The (t) | SC-E | Pills 4, 1719-20 | 118-9 | VO |
//12//345//431//1//22//33 | 3/4 | Hope Thou Nurse (t) | IC-E | Cahusac Flute, 1792 | 16 | GF |
//123454/3113//123453/27-7-2//123453/645 3// |
C/ | Plowmans Reel, The (t) | MS-E | Vickers MS, 1770 | 98 | MI |
//12/3454//31/14//321/2343 | 6 | Favourite Song (t) | SC-E | Clio-1, 1758 | 2 | VO,HAF |
//12345//43//127-//1//22//3453125- | Love's Praise (t), or Tyrannic Love, The(ed) (at) | SS-E | SS, Harvard | 1 | VO,KBF | |
//123454//315-//24321//7-12//31+765 | 3/8 | On Zelinda (t) | SS-E | SS, Folger-C42.3 | 165 | VO,KB+FL |
//123454/3153//7-4/27-42//123454/3153// | C/ | Lord Albremarle's Reel (t) | IC-S | Stewart Reels, 1775 | 32 | VN/GF,VC/HA |
//123454/3153//7-7/27-42//1234 | C/ | Ld. Albermarles Delight (t) | DA-E | Rutherf CD-2.1, 1756 | 67 | VN/GF/OB |
//123454/3153//7-7/27-42//123454/3153 | C/ | Lord Albemarle's Delight (t) | DA-E | Johnson CD-5, 1750 | 63 | VN/GF |
//123454//315-//6-4321//7-1 | 3/8 | On Zelinda (t) | SC-E | Amaryllis, 1760 | II,36 | GF,VO,HAF+FL |
//123454//315-//6-4321//7-12//31+765 | 3/8 | On Zelinda (t) | SC-E | Calliope, 1746 | I,27 | VO,HAF+FL |
//123454//315-//6-4321//7-12//31+765 | 3/8 | On Lelinda (t) | SC-E | Musical Ent-1, 1740 | 56 | VO,KB+FL |
//123454//315-//6-4321//7-12//31+765//45 7-// |
3/8 | Minuet by Signr Putty, A (t) | AM-A | Ormsby MS, 1758 | 291 | VN |
//123454//315-//7-4321//7-12//31+765//45 7- |
3/8 | On Zelinda (t) | SS-E | SS, Harvard | 1 | VO,KBF+FL |
//12//345//432 | 3/4 | Hope, Thou Nurse (t) | AI-A | Fifer's Comp, 1805 | 10 | 2FI |
//1-2-//3-4-5-//4-3-2- | 3/4 | Hope thou nurse of young desire (fl) | TW-E | Love/Village, 1795 | 6-7 | VO,HA |
//12//345//432// | 3/4 | Hope thou Nurse (t) | AM-A | White, G. MS, 1790 | 63 | 2 VN |
//12//345//432//1 | 3/4 | Hope Thou Nurse (t) | AM-A | Beck MS, 1786 | 103 | GF |
//12//345//432//1 | 3/4 | Hope Thou Nurse (t) | IC-E | Cahusac Flute, 1788 | 16 | GF |
//12//345//432//1 | 3/4 | Hope Thou Nurse (t) | AM-A | Hawkins MS, 1794 | II,23 | GF |
//12//345//432//1 | 3/4 | Hope Thou Nurse (t) | IC-E | Longman Flute, 1769 | 21 | GF |
//12/34//54//3/2//1 | Power of Beauty, The (t) | SS-E | SS, Harvard | 1 | VO,KB+GF/GT | |
//1234/5432//11+/11+//1234/5432 | 2/4 | Moated House, The (t) | DA-E | Thompson CD-2, 1765 | 35 | VN/GF/OB |
//1234/5432//11+/11+//1234/5432// | 2/4 | Moated House, The (t) | DA-E | Thompson CD-2a, 1765 | 34 | VN/GF/OB |
//1234//5432//11+2+3+2+1+//765//651+2+3+ |
3/4 | Miss Fletchers Minuet (t) | MS-S | Gillespie MS, 1768 | 73 | VN |
//12345/4321//12345/4565//43/421 | Foot March (t) | AM-A | Gibbs MS, 1777 | 11 | FI | |
//1234/5432//113/5-5-//1234/5432// | 2/4 | No. 4 (t) | DA-G | Feldtenstein Chorographie,1776 | Tabula 1 | MI |
//1234/5432//11+/71+//2+/3+ | C/ | Charming Maid (t) | PL-E | Playford 2-3, 1718 | 297 | VN |
//1234/5432//11+/71+//2+/3+ | C/ | Charming Maid (t) | PL-E | Playford 2-4, 1728 | 297 | VN |
//1234/5432//11+/71+//2+/3+ | C/ | Charming Maid (t) | DA-E | Walsh CD-1.2, 1719 | 318 | VN/OB |
//1234/5432//11+/7//1+5/63 | C/ | Drinking Song, A (t) | SC-E | Musical Cent-2, 1740 | 41 | VO,KB+FL |
//12/34//5432/11+//76/54// | 2/4 | British Leageants, The (t) | MS-S | Fife MS, 1780 | 73,8r | 1FI OR 2FI/VN |
//12/34//54/321//21/7-6-5- | 6/8 | Ward's Maggot (t) | DA-E | Johnson CD-7, 1756 | 8 | VN/GF |
//12//345//432//1//22 | 3/4 | Hope Thou Nurse (t) | IC-E | Cahusac Oboe, 1790 | 13 | OB |
//12//345//432//1//22 | 3/4 | Hope Thou Nurse (t) | SS-E | SS, New York PL-C694 | 84 | 2VO,HAF |
//12//345//432//1//22 | 3/4 | Hope Thou Nurse (t) | SS-E | SS, New York PL-C695 | 56,1-2 | 2VO,HA+GF,GT |
//12//345//432//1//22 | 3/4 | In Love In a Village (t) | AM-A | Van Renssel. MS, 1782 | II,6 | VO,GT |
//12//345//432//1//22 | 3/4 | Hope, Thou Nurse (t) | AI-A | Williams Fife, 1819 | 19 | FI |
//12//345//432//1//22//32// | 3/4 | Hope Thou Nurse (t) | IC-E | Cahusac Flute, 1798 | 16 | FL |
//12//345//432//1//22//32// | 3/4 | Hope Thou Nurse (t) | AM-A | Gansevoort MS, 1778 | 5 | 2FL |
//12//345//432//1//22//32 | 3/4 | Hope Thou Nurse (t) | IC-E | Thompson Oboe, 1770 | 30 | OB |
//12//345//432//1//22//32// | 3/4 | Hope Thou Nurse of Young Desire (t) | IC-E | Thorowgood Guitar, 1763 | 17 | GT |
//12//345//432//12//32//354// | 3/4 | Hope thou Nurse (t) | AM-A | White, G. MS, 1790 | 40 | VN |
//1234/543//2123/254//313/25-// | C | Mr. Shor's Trumpet Tune (t) | IC-E | Theater Musick-1, 1698 | 3 | VN |
//1234/543//2123/4//3454/321// | C | Matros Mans Favorite (t) | AM-A | Boynton MS, 1799 | 12R | 1 FI |
//12/34//5/4321//23/45// | C/ | Short Troop, A (t) | MS-S | Fife MS, 1780 | 640,69r | 1FI OR 2FI/VN |
//1234/5432//1234/51+//53/21 | C/ | Tankard Fill Hall (t) | DA-E | Walsh NCDM-3, 1728 | 141 | VN/OB/FL |
//1234/5432//1235/62//1235/671+5 | C/ | Scotch Bonnet, The (t) | AM-A | Cary MS, 1797 | 113 | VN |
//1234/5432//13/13//1234/5321// | 2 | Helter Skelter (t) | DA-E | Universal Magazine | 1:321, 1752 | MI |
//1234/5432//13/13//1234/5321 | 2 | Helter Skelter (t) | DA-E | Walsh CD-3.5, 1754 | 8 | VN//OB/GF |
/1234//5/43//21/43//21/ | 2 | Toute Travers, La (t) | DA-F | Landrin Potpourri, 1785 | 56 | MI |
/1234//5/43//21/43//21/ | 2 | Toute Traver, La (t) | DA-F | Landrin Potpourri, 1785 | 70 | MI |
//1//2//345432//15-1-//135321//7-25217-/ / |
3/4 | Lord Seldon's Minuet (t) | AM-A | Ormsby MS, 1758 | 296 | VN |
//1+2+3+4+5+4+//3+2+1+5+6+5+//72+2+1+7// 1+64654//534217-// |
C3 | Jigg, A (t) | IC-E | Apollo's Banquet 1-2, 1678 | 85 | VN |
//12/34//5432/15//6765/4543 | C/ | Trip to Portsmouth, A (t) | DA-E | Skillern CD, 1780 | 99 | VN/GF/OB |
//12/34//5432/15//6765/4543// | C/ | Trip to Portsmouth, A (t) | DA-E | Straight & Skillern CD, 1775 | 27 | VN/GF/OB |
//1234/54//32/16/5/4 | 2/4 | Vain Bellinda (t) | DA-E | Johnson CD-2, 1742 | 50 | MI |
//1234/54//32/16//5/4 | 4/2 | Parents Antient and Modern (t) | SC-E | Musical Ent-1, 1740 | 32 | VO,KB+FL |
//1234/54//32/16//5/4//3 | 4/2 | Vain Belinda (t) | SC-E | Calliope, 1746 | I,51 | VO,B+FL |
//1234/54//32/16//5/4//3 | 2/4 | Air 53 (t) | BA-E | Fashionable, 1730 | 72 | VO |
//1234/54//32/16//5/4//3 | 2/4 | Air 1, Act I (t) | BA-E | Female Parson, 1730 | 1 | VO |
//1234/54//3216//5/4//3 | 4/2 | Vain Bellinda are your wiles (fl) | SS-E | SS, Folger-C42.2 | 147 | VO,KB+F |
//1234/54//32/16//5/4//3 | 4/2 | Favorite Song, A (t) | SS-E | SS, Folger-C42.3 | 377 | VO,KB+FL |
//1234/54//32/16//5/4//3 | 2/4 | New Song, A (t) | SS-E | SS, Harvard | 1 | VO,KBF+FL |
//1234/54//32/16//5/4//3 | 4/2 | Vain Belinda (t) | IC-E | Simpson Record, 1745 | 13 | RC |
//1234/54//32/16//5/4//3 | C/ | Vain, Belinda, Are your wiles (fl) | SC-E | Watts MM-6, 1731 | 129-130+131 | VO,HA+FL |
//12345/4321//6-6-6-/7-123//17-6-5-/1234 5 |
Dug Hill (t) | AM-A | Hawkins MS, 1794 | II,88 | GF | |
//1/2//34/54//32/17-// | 2/4 | British Laurels (t) | IC-E | Parry Fife, 1812 | 24 | 2FI |
//1/2//34/54//32/17-// | 2/4 | Trip to Holland, A (t) | DA-E | Straight & Skillern CD, 1775 | 87 | VN/GF/OB |
//1-2-3-4-/5-//4321/7-5-5-//6-4-6-6-/5-6 -5-5- |
2/4 | Real, A (t) | AM-A | Nixon MS, 1776 | 65 | FI |
//12//345//432//2 | 3/4 | Hope, Thou Nurse (t) | IC-E | Thompson Record, 1768 | 10 | RC |
//12//34//543//22//3252//3 | 2/4 | Song 72 (t), or Bee, The (at) | AI-A | American MM, 1798 | 182-183 | VO,B |
//12/34//543/23 | 6/8 | Ketty the Nonpareille (t) | SC-E | British Amus, 1762 | 9 | 2VN,VO,HAF |
/12//34/5432//31/51+//534/ | 2 | Noces, Les (t) | DA-F | Landrin Potpourri, 1785 | 22 | MI |
//12345//43231//7-6-5-5-7-//1 | 3/4 | Song 161 (t) | SC-E | Convivial, 1782 | 320-322 | VO |
//1234/5432//3217-/11+//1+765/6543 | 2/4 | Miss Stinberg's Delight (t) | DA-E | Johnson CD-5, 1750 | 41 | VN/GF |
//1//2//345432//3231//234231//234231 | 3/4 | IC-E | Simpson Horn, 1746 | 2V | HN | |
//12//34/54//32/34/21/2 | 2/4 | Tragical Story of the Mare, The (t) | SS-E | SS, Folger-C42.2 | 146 | VO,KBF |
//12//34/54//32/34//21/2 | 6/4 | Tragical Story of the Mare, The (t) | SS-E | SS, Folger-C42.3 | 380 | VO,KB+FL |
//12/34//543/23//42/31 | 6/8 | Ketty the Nonpareille (t) | SC-E | Monthly Melody, 1760 | I,1+I,7 | 2VN,VO,HAF+GT+2GF |
//12/34//543/23//42/31 | 6/8 | Kitty the Nonpareille (t) | SS-E | SS, Boston PL-1 | 1 | VO,VN,HAF |
//123/454//323/42//345/24- | 6/8 | Men to Make a Reel, The (t) | AM-A | Perkins MS, 1790 | 8 | MI |
//1234/54//323/43//43/21 | C/ | Holbourn Bars (t) | PL-E | Playford 2-3, 1718 | 123 | VN |
//1234/54//323/43//43/21 | C/ | Holbourn Bars (t) | PL-E | Playford 2-4, 1728 | 123 | VN |
//12//345//432//345 | 3 | AM-A | Hudson MS, 1772 | 1 | VN/FI | |
//12/34//5/43//23/45 | C/ | Three Kings, The (t) | SS-E | SS, Boston PL-2 | 72 | VO,KB |
//12//345//432//345//432 | 3/4 | Charming Phillis (t) | AM-A | Aborn MS, 1790 | 50 | 2MI |
//12//345//432//345//432 | 3/4 | Charming Phillis (t) | IC-E | Longman Oboe, 1770 | 13 | OB |
//12//345//432//345//432 | 3/4 | Charming Phillis (t) | IC-E | Longman Oboe, 1780 | 13 | OB |
//12//345//432//345//432 | 3/4 | Charming Phillis (t) | AI-A | Riley Flute 2, 1817 | 84 | FL |
//12//345//432//345//432 | 3/4 | German Minuet (t) | IC-E | Simpson Record, 1745 | 17 | RC |
//12//345//432//345//432 | 3/4 | German Minuet (t) | IC-E | Waylet Oboe, 1745 | 8 | OB |
//12//345//432//345//432//31234 | 3/4 | Charming Phillis (t) | IC-E | Bremner Airs, 1761 | 1 | 2VN/GF |
//12//345//432//345//432//31234 | 3/4 | Charming Phillis (t) | IC-E | Preston Marches, 1804 | 1 | 2GF/VN |
//12//345//432//345//432//321234// | 3/4 | Charming Philis (t) | AM-A | Brown, J. MS, 1782 | 1:19 | |
//12//345//432//345//432//321234// | 3/4 | Charming Phillis (t) | IC-E | Hill Flute, 1762 | 12 | GF |
//12//345//432//345//432//321234// | 3/4 | Charming Phillis (t) | IC-E | Johnson Flute, 1760 | 13 | GF |
//12//345//432//345//432//321234 | 3/4 | Passionate Lover, The (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//12//345//432//345//432//321234 | 3/4 | Passionate Lover, The (t) | SS-E | SS, Harvard | 1,DUP | VO,B+FL |
//12//345//432//345//432//321234 | 3/4 | Charming Phillis (t) | IC-E | Thompson Oboe, 1770 | 10 | OB |
//1234/543//2345/61+//1234/543 | C | There's My Thumb (t), or Song 42 (at) | SC-E | Orpheus Cal-1, 1733 | T93-93MOP94 | VO,HA+GF |
//1234/543//2345/61+//134/543 | C | There's My Thumb I'll Ne'er Beguile Thee (t) | SC-S | Edinburgh MM-2, 1793 | 354-355 | VO |
//1234/543//2345/61+//134/543 | C | There's My Thumb I'll Ne'er Beguile Thee (t) | AI-A | Riley Flute 2, 1817 | 87 | FL |
//1234/543//2345/61+//134/543 | C | There's My Thumb, I'll Ne'er Beguile Thee (t) | SC-S | Scots MM-1, 1787 | 66 | VO,PF |
//12/34//543/23//45/654 | 6/8 | Cross Purposes (t) | SC-E | Clio-1, 1758 | 91 | VO,HA |
//12//34//543/23//45/654 | 6/8 | Tom and Mary (t) | DA-E | Johnson CD-6, 1751 | 38 | VN/GF |
//12/34//543/23//45/654 | 6/8 | Song 36 (t), or Cross Purposes (at) | SC-E | Ritson, 1783 | TI,144-145;MIII,65-66 | VO |
//12/34//543/23//45/654 | 6/8 | Tom and Mary (t) | DA-E | Thompson CD-1, 1757 | 11 | VN/GF/OB |
//12/34//543/23//45/654// | 6/8 | Tom and Mary (t) | DA-E | Thompson CD-1a, 1757 | 10 | VN/GF/OB |
//12/34//543/23//45/654 | 6/8 | Cross Purposes (t), or Tom and Mary (at) | DA-E | Walsh CD-3.6, 1754 | 67 | VN/OB/GF |
//12/34//543/23//45/654//35 | 6/8 | TW-E | Harlequin Sorc, 1752 | 14-15 | HA | |
//12/34//543/23//45/654//35 | 6/8 | Cross Purposes (t) | SS-E | SS, Harvard | 1 | VO,KB |
//1234/543//2345/6671+//134 | C | There's My Thumb, &c (t) | IC-S | Aird 3, 1788 | 162 | FI/GF/VN |
//12/34//543/23//4645/3543 | C | In Vain I Ev'ry Art Essay (t) | SS-E | SS, New York PL-C695 | 26 | VO,HA+GT |
//12/34//543/23//4654 | C | Cymon and Iphigenia-1 (t), or Cantata, A (at) | SS-E | SS, Folger-C52 | 38-39 | MI,VO,KB |
//12/34//543/23//4654 | C/ | Cymon and Iphigenia-2 (t) | SC-E | Vocal Music, 1775 | 40-43 | VO/VN/GF |
//12/34//543/23//4654/3543 | C | Cymon and Iphigenia, A Favourite Cantata (t) | SC-E | Clio-2, 1759 | 66-72 | VO,HAF |
//12/34//543/23//4654/3543 | C/ | Air (t) | SS-E | SS, Harvard | 5-8 | VO,KBF |
//12/34//543/23//4654/3543 | C | Cymon and Iphegenia-1 (t) | SC-E | Vocal Music, 1775 | 37-40 | VO/VN/GF |
//12/34//543/23//4654/3543//2545/6 | C | In vain I ev'ry art (fl) | TW-E | Love/Village, 1795 | 32 | VO,HA |
//12//345//432//355 | 3/4 | Charming Phillis (t) | AM-A | Hawkins MS, 1794 | II,11 | GF |
//12/34/543//243/27-3/2342// | 9/8 | Saylers Delight, The (t) | MS-E | Vickers MS, 1770 | 102a | MI |
//1234/54324//34321231/2325-//35312425-/ 35312425-// |
C/ | IC-E | Forest Harmony-1, 1733 | 10 | 2HN/GF/TR/VN | |
//12/34//543/245//6543/2 | C/ | Singleton's Slip (t) | PL-E | Playford 1-14, 1709 | 81 | VN |
//12/34//543/245//6543/2 | C/ | Singleton's Slip (t) | PL-E | Playford 1-15, 1713 | 81 | VN |
//12/34//543/245//6543/2 | C/ | Singleton's Slip (t) | PL-E | Playford 1-16, 1716 | 81 | VN |
//12/34//543/245//6543/2 | C/ | Singleton's Slip (t) | PL-E | Playford 1-17, 1721 | 81 | VN |
//12/34//543/245//6543/2 | C/ | Singleton's Slip (t) | PL-E | Playford 1-18, 1728 | 81 | VN |
//12/34//543/245//6543/21// | C/ | Mr. Singleton's Slip (t) | IC-E | Apollo's Banquet 1-1, 1670 | 112 | VN |
//12/34//543/245//6543/21 | C/ | Singleton's Slip (t) | PL-E | Playford 1-09, 1695 | 81 | VN |
//12/34//543/245//6543/21 | C/ | Singleton's Slip (t) | PL-E | Playford 1-13, 1706 | 81 | VN |
//12/34//543/245//6543/21 | C/ | Singleton's Slip (t) | DA-E | Walsh CD-1.1, 1718 | 94 | VN/OB/FL |
//12/34//543/245//6543/21 | C/ | Singleton's Slip (t) | DA-E | Walsh CD-2.4, 1747 | 183 | MI |
//12/34//543/245//6543/21// | C/ | Singleton's Slip (t) | DA-E | Walsh CD-3.4, 1747 | 183 | VN/OB/GF |
//12/34//543/245//6543/21//1 | C/ | Eltons Slip (t) | DA-E | Johnson CD-1, 1740 | 95 | MI |
//12/34//543/245//6543/21//1 | C/ | Singletons Slip (t) | PL-E | Playford 1-04, 1670 | 144 | VN |
//12/34//543/245//6543/21//1 | C/ | Singletons Slip (t) | PL-E | Playford 1-05, 1675 | 144 | VN |
//12/34//543/245//6543/21//1 | C/ | Singleton's Slip (t) | PL-E | Playford 1-06, 1679 | 144 | VN |
//12/34//543/245//6543/21//1 | C/ | Singleton's Slip (t) | PL-E | Playford 1-07, 1686 | 144 | VN |
//12/34//543/245//6543/21//1 | C/ | Singleton's Slip (t) | PL-E | Playford 1-08, 1690 | 138 | VN |
//12/34//543/245//6543/21//1 | C/ | Singleton's Slip (t) | PL-E | Playford 1-11, 1701 | I,81 | VN |
//12/34//543/245//6543/21//1 | C/ | Singleton's Slip (t) | PL-E | Playford 1-12, 1703 | 81 | VN |
//12/34//543/245//6543/21//1 | C/ | #40 (t), or Singleton's Slip (at) | PL-E | Playford 1-3b, 1665 | II,47 | VN |
//12/34//543/254//321/217-// | 6/4 | Diablesse, La (t) | IC-F | Leclerc Recueil-2, 1737 | 118 | HAF |
//12/34//5/4//3/3// | C | Elegy on the Death of a Young Lady, An, by Wood (t) | AM-A | White, G. MS, 1790 | 48-51 | SATB |
//12/34//5434/22//3252 | C/ | Damon's Request (t) | SS-E | SS, Folger-C42.3 | 502 | VO,KB+FL |
//12/34//5434/22//3252/3251 | C/ | Ye Gentle Gales (t), or Song, A (at) | SS-E | SS, Harvard | 1 | VO,KBF+MI |
//12/34//5434/22//3252/3251 | C/ | Expedition, The (t) | DA-E | Walsh CD-2.2, 1735 | 111 | VO/OB/GF/FL |
//12/34//5434/22//3252/3251 | C/ | Expedition, The (t) | DA-E | Walsh CD-3.2, 1749 | 111 | VN/OB/GF |
//12/34//543/42//321/217-// | C/ | Song (t) | AM-A | Pynchon MS, 1797 | 12r | MI |
//12//34//54342//321//6453 | 3/8 | Zephir who with spring returning (fl) | SC-E | Watts MM-3, 1730 | 104-105 | VO,HA |
//1234543/423//3212321/27-15//454324/343 21 |
C/ | Air 38 (t) | IC-N | Roger Airs, 1716 | 2:2-3 | 2CH/TR/OB/VN/FL/CL/HN |
//12/34//5/43//4/32 | 2/4 | Three Sheep Skins (t) | IC-E | Caledonian PC, 1760 | VII,10 | GF/VN |
/1234//543/4321//17-6-5-/6-13-5-//4-6-2- 4-/ |
C/ | Coquette, La (t) | DA-E | Fishar 16 Cot, 1780 | 14 | KB |
//12/34//543/432//12 | 6/8 | Pour le Debuche Quand le Cerf Change de Refuite (t) | IC-F | Boivin Tons, 1731 | 6 | 2HN/GF/OB/VN/VA |
//1234//5434//321//7-6-7-//5- | 3/4 | Minueto (t) | MS-M | Garcia MS, 1772 | 96 [222] | MI |
//1234/54//345/427-//7-1-7-/427-// | 6/4 | Planksty (t) | IC-I | Neal's Irish Tunes, 1724 | 21 | VN/GF/OB |
//1234/543//4567/1+//1234/543 | C/ | Chasmante, La. Cotilion (t) | AM-A | Brown, N. MS, 1781 | 18R | FI |
/1234//543/4567//1+/1234//543/ | C/ | Charmante, La (t) | DA-E | Fishar 16 Cot, 1780 | 8 | KB |
//1-2-3-4-/5-4-3-//4-5-6-/7-17-5-//4-2-3 -4-/5- |
C | Count Saxe's March (t) | AM-A | Huntington MS, 1817 | III.37 | FL/VN |
//1234/543//4567/1+76//531+7/6543 | C | Mr Mellish's Rant (t) | IC-E | Balls Amus 3, 1830 | 35 | FL/VN |
//1234/543//4567/1+76//531+7/6543 | C | Mr. Mellish's Rant (t) | AI-A | Paff Amus 1, 1812 | 25 | FL/VN |
//1234/543//4567/1+76//531+7/6543 | C | Mr Mellish's Rant (t) | AI-A | Riley Flute 2, 1817 | 48 | FL |
//1234/543//4567/1+76//543/65 | 2/4 | Modesty to Perfection (t) | SS-E | SS, Folger-C42.4 | 81 | VO,KB+FL |
//1234/543//46/543//432/321 | C | Loyal Cobler, The (t) | DA-E | Thompson CD-6.6, 1794 | 72 | MI |
//1234/543//46/55//671+/757 | C | Song 210 (t), or Twiggle and a Friz (at) | SC-E | Calliope, 1788 | 392-393 | VO |
//1234/54//35/11//21/43 | 2/4 | March No.14 (t) | IC-E | Hyde Trumpet, 1798 | 48 | 3TR |
//1234/5435//1+71+6/65//3531/4642// | C | Astleys Hornpipe (t) | DA-E | Wilson Companion, 1816 | 137 | MI |
//1234/543//543/432//1234/5671+// | C | Happy Friends, The (t) | DA-E | Thompson CD-3a, 1773 | 83 | VN/GF/OB |
//1234/543//543/432//1234/5671+ | C | Happy Friends, The (t) | AM-A | Turner MS, 1788 | I,15 | VN |
//1234//543//561+//321//235 | 3/4 | Mary Scot (t) | IC-S | Stuart, 1724 | III,72-73 | HA |
//12/34//54/35//65/43//271 | 6/4 | Air 4 (t) | BA-E | Robin Hood, 1730 | 12 | VO |
//1-2-3-4-/5-4-3-//6-4-4-/4-6-//5-7-2/15 -4-3- |
C | Roxburghshire Cavalry Yeomanrys March, The (t) | IC-S | Calvert Coll, 1790 | 4 | 2MI,B |
//1234//543//654 | 2/4 | Air 2, Act I (t) | BA-E | Beggar's Wed, 1729 | T17M1 | VO |
//12/34//543//65/43//21/25- | 2/4 | Air (t) | IC-E | Delightful-2, 1745 | II,26 | 2GF |
//12/34//54/53//23/45// | 2/4 | Course, La (t) | DA-N | Baland CD, 1780 | 3 | VN/GF |
//12/34//5456/523//43/21 | 2/4 | Steibelt's Grand March (t) | IC-E | English Sheet Music | 7 | PF/HA,TAM |
//12/34//5456/523//43/21 | 2/4 | Grande Marche de Buonaparte En Italie, La (t) | IC-F | French Sheet Music | 7 | PF,TAM |
//1/2//345//456/543 | C/ | General Wood's March (t) | IC-E | Musica Bell, 1733 | 9 | FL/VN/OB |
/1234//545/654//53/543//432/ | 2 | Cotillon (t) | IC-F | Leclerc Recueil-2, 1737 | 99 | HAF |
//1234/5456//556/5432//1234/5456 | 2/4 | Cossacks Dance, The (t) | IC-S | Stewart Airs, 1788 | 3:120 | GF/VN/FI |
//1234/5456//556/5432//1234/5456//51+ | 2/4 | Cossacks Dance, The (t) | DA-E | Longman CD, 1781 | 73 | VN/OB/GF |
//12/34//5456/567//1+1+/76 | C | March of the Prussian Guards (t) | AI-A | American Sheet Music | KB | |
//12/34//5456/56//71+/2+7 | 2/4 | Quick Steep (t) | AM-A | Brown, N. MS, 1781 | 46R | FI |
//12/34//5456/57//1+5/64 | 2/4 | Zappenstreich (t) | MS-G | Darmstadt MS 1224 | 247 | MI |
//1234/55 | C | Heaving of the Lead (t) | IC-S | Aird 6, 1803 | 29 | FI/VN/GF |
//1234/55-//111/12//3234/3543 | C/ | March (t) | IC-E | Oswald Airs, 1758 | 14 | 2VN/2GF/2GT |
//1234/55//1+1+1+/6//5/3//2123/1// | 2/4 | Round About the Maypole (t) | DA-E | Wilson Companion, 1816 | 99 | MI |
//1234/55//1+1+1+/75//646/535// | C/ | None So Pretty (t) | AM-A | Bevens MS, 1825 | 8r | FI |
//1-2-3-4-/5-5-//111/7-5-//6-4-6-/5-3-5- |
C | None So Pretty (t) | AM-A | Clarke MS, 1800 | 1 | MI |
//1-2-3-4-/5-5-//111/7-5-//6-4-6-/5-3-5- |
C | None So Pretty (t) | AI-A | Hulbert Fife, 1811 | 7 | FI |
//1-2-3-4-/5-5-//111/7-5-//6-4-6-/5-3-5- |
C | None So Pretty (t) | AM-A | Nixon MS, 1776 | 88 | FI |
//1-2-3-4-/5-5-//111/7-5-//6-4-6-/5-3-5- |
C | None So Pretty (t) | AI-A | Steele Fife, 1815 | 24 | FI |
//1234/55//1+1+1+/75//646/535//424/31 | C | None So Pretty (t) | AM-A | Kingsley MS, 1795 | II,2 | MI |
//1234/55//1+1+1+/76//646/535 | C | None So Pretty (t) | AI-A | Hulbert Fife, 1807 | 7 | FI |
//1234/55-//1123/25-//23 | C/ | Doll the Dairy Maid (t) | SS-E | SS, Folger-C42.3 | 419 | VO+FL |
//1234/55-//1123/25-//23/454//3 | C/ | Doll the Dairy Maid (t) | SS-E | SS, Harvard | 1 | VO+FL |
//123455//1+1+6//53 | 2/4 | All Around the Maypole (t) | AI-A | Village Fifer, 1808 | 49 | 2FI |
//1234/55//1+1+/6//5/3//2123/1 | 2/4 | All around the may pole how they trot (fl) | TW-E | Midas-1, 1764 | 21 | VO,HAF |
/1234//55/1231//5-/5-17-1//5-17-1/5-435/ / |
2/4 | Quatre Nimphes, Les (t) | DA-E | Gallini Cots, 1770 | 4 | KB |
//1234/55//1+2+3+1+/75//1+46/5315 | C/ | Miss Blisses Hornpipe a Quick Step (t) | AM-A | Thompson MS, 1777 | 31 | FI |
//1234/55//1+2+3+1+/75//646/53 | C/ | Veteran March, The (t) | AM-A | Brown, D. MS, 1797 | 11 | FI |
//1234/55//1+2+3+1+/76//4564/3453 | C | Highland Hills, The (t) | AM-A | Kingsley MS, 1795 | I,15 | MI |
//1-2-3-4-/5-5-//1231/7-6-5-//6-4-6-/5-3 -5- |
C/ | Quick Step, A (t) | AM-A | Gaylord MS, 1816 | 7v | MI |
//1234/55//1+2+3+2+/1+65//432/12 | C/ | Penitent Nun, The (t) | DA-E | Walsh CD-2.3, 1735 | 213 | VN/OB/GF/CF |
//1234/55//1+2+3+2+/1+65//432//12//3 | C/ | Penitent Nun, The (t) | DA-E | Johnson CD-1, 1740 | 40 | MI |
//1234/55//1+2+3+2+/1+65//432/12//3 | C/ | Penitent Nun, The (t) | DA-E | Walsh CD-3.3, 1749 | 201 | VN/OB/GF |
//1234/55//1+3+1+/1+765//531+/531+ | C | Single Step (t) | AM-A | Kingsley MS, 1795 | I,21 | MI |
//1234/55//1+3+1+/55//5345/6543// | 2/4 | Inconstance, L'. 1st. Set (t) | AI-A | Cotillion Party, 1818 | 2 | VN/GF/ PF |
//1/2//345/5-//13/21 | C/ | March Prige (t) | MS-G | Darmstadt MS 1225 | 155-56 | 2MI |
//123455//1+3+2+1+75//646535 | 6/8 | Pennsylvania Quick Step (t) | AM-A | Shattuck MS, 1801 | 65 | MI |
//1-2-3-4-/5-5-//1327-/15-//6-7-16-/6-5- 4-3- |
C | March of the Disbanded Troops (t) | AM-A | Curtiss MS, 1800 | 131 | 2VN |
/1234//55/1+3+//4/2+//351+5/4321// | 2/4 | Bellon, La. Contredanse Nouvelle (t) | DA-F | LaCuisse Rep CD LC-2, 1764 | 35 Feuille 2. Vol | KB |
//1-2-3-4-/5-5-//15-12/35-//1234/56 | C | Argyle Shire Fencibles March, The (t) | IC-S | Scottish Sheet Music | 2MI,B/KB | |
//12/34//5/5//1+/71+ | 2/4 | All Around the May Pole (t) | MS-E | Hammersley MS, 1790 | 116B-117 | KB |
//12/345//5-1/7-12//16-/5- | 3 | What You Please (t) | PL-E | Playford 1-09, 1695 | 50 | VN |
//12/345//5-1/7-12//16-/5- | 3:I | What You Please (t) | PL-E | Playford 1-14, 1709 | 50 | VN |
//12/345//5-1/7-12//16-/5- | 3 | What You Please (t) | PL-E | Playford 1-17, 1721 | 50 | VN |
//12/345//5-1/7-12//16-/5- | 3 | What You Please (t) | PL-E | Playford 1-18, 1728 | 50 | VN |
//12/345//5-1/7-12//16-/5-4-3- | What You Please (t) | PL-E | Playford 1-05, 1675 | 116(117) | VN | |
//12/345//5-1/7-12//16-/5-4-3- | 3 | What You Please (t) | PL-E | Playford 1-06, 1679 | 116(117) | VN |
//12/345//5-1/7-12//16-/5-4-3- | 3 | What You Please (t) | PL-E | Playford 1-08, 1690 | 115 | VN |
//12/345//5-1/7-12//16-/5-4-3- | 3 | What You Please (t) | PL-E | Playford 1-10, 1698 | 50 | VN |
//12/345//5-1/7-12//16-/5-4-3- | 3:I | What You Please (t) | PL-E | Playford 1-11, 1701 | I,50 | VN |
//12/345//5-1/7-12//16-/5-4-3- | 3:I | What You Please (t) | PL-E | Playford 1-12, 1703 | 50 | VN |
//12/345//5-1/7-12//16-/5-4-3- | 3I | What You Please (t) | PL-E | Playford 1-13, 1706 | 50 | VN |
//12/345//5-1/7-12//16-/5-4-3- | 3 | What You Please (t) | PL-E | Playford 1-15, 1713 | 50 | VN |
//12/345//5-1/7-12//16-/5-4-3- | 3 | What You Please (t) | PL-E | Playford 1-16, 1716 | 50 | VN |
//12/345//5-1/7-12//16-/5-4-3-//4- | 3 | What You Please (t) | PL-E | Playford 1-07, 1686 | 117 | VN |
//1+2+/3+4+5+//51+/71+2+//1+6/543//453/2 1 |
What You Please (t) | PL-E | Playford 1-03a, 1657 | I,113 | VN | |
//1+2+/3+4+5//51+/71+2+//1+6/543//453/21 |
What You Please (t) | PL-E | Playford 1-04, 1670 | 116(117) | VN | |
//1+2+/3+4+5+//51+/71+2+//1+6/543//453/2 1 |
What You Please (t) | PL-E | Playford 1-3b, 1665 | I,113 | VN | |
//1+2+3+4+5+//51+71+2+//1+6543//45321 | 3I | What You Please (t) | DA-E | Walsh CD-2.1, 1731 | 73 | VN/OB/GF/RC |
/1-2-3-4-//5-51/7-24//31/5315//6543/4321 // |
2 | Ma Favorite. Contredanse (t) | DA-F | LaCuisse Rep CD LC-1, 1762 | 17 Feuille | KB |
/1234//55/1+76//5432/1234//55/ | 2/4 | Dragonne, La (t) | DA-F | Landrin Potpourri, 1785 | 38 | MI |
//1234/55//31/5//23/43// | 2/4 | Drum's Call (t) | IC-E | Wilson Fife, 1805 | 24 | FI |
//12/34//553/1+//553/664 | 2/4 | Tattoo (t) | IC-E | Oswald Airs, 1758 | 17 | 2VN/2GF/2GT |
//123455//316//2343 | 2/4 | Drum's Call, The (t) | IC-E | Andrews Fife, 1808 | 15 | FI/GF |
//123455//316//2344 | 2/4 | Drums Call, The (t) | IC-E | Bennett Fife, 1770 | 11 | FI ; FI |
//1234/55//31/6//23/44 | 2/4 | Drums Call, The (t) | IC-E | Clementi Fife, 1815 | 14 | FI |
//123455//316//2344 | 2/4 | Drum Calls, The (t) | AI-A | Fifer's Comp, 1805 | 6 | 2FI |
//12/3455//31/6//23/44 | 2/4 | Drums Call, The (t) | AM-A | Gibbs MS, 1777 | 4 | FI |
//123455//316//2344 | 2/4 | Drums Call, The (t) | IC-E | Goulding Fife, 1790 | 13 | FI |
//123455//316//2344 | 2/4 | Drums Call, The (t) | IC-E | Longman Fife, 1780 | 14 | FI/GF |
//123455//316//2344 | 2/4 | Drums Call, The (t) | IC-E | Preston Fife, 1796 | 13 | FI/GF |
//123455//316//2344 | 2/4 | Drums Call (t) | IC-E | Rutherford Fife, 1756 | 8 | FI |
//123455//316//2344 | 2/4 | Drums Call, The (t) | IC-E | Skillern Fife, 1780 | 15 | FI/GF |
//123455//316//2344 | 2/4 | Drums Call, The (t) | IC-E | Thompson Fife, 1760 | 14 | FI |
//1234/55//31/6//23/44 | 2/4 | Drums Call, The (t) | IC-E | Thompson Fife, 1770 | 14 | FI |
//1234/55//31/6//23/44// | 2/4 | Drums Call, The (t) | IC-E | Thompson Fife, 1786 | 15 | FI/FL |
//123455//316//2344 | 2/4 | Drum Calls, The (t) | AI-A | Village Fifer, 1808 | 10 | FI |
//1234/55//31/6//23/44 | 2/4 | Drum Calls, The (t) | AI-A | Williams Fife, 1819 | 10 | FI |
//1234/55//31/6//23/44 | 2/4 | Drum Calls, The (t) | AI-A | Williams Fife, 1826 | 6 | 2FI |
//123455//316//2344 | 2/4 | Drums Call, The (t) | AI-A | Willig Fife, 1805 | 11 | FI |
//1234/55//31/6//23/45 | 2/4 | Drums Call, The (t) | IC-E | Longman Fife, 1770 | 14 | FI |
//1234/55//31/7//23/44 | 2/4 | Drums Call (t) | AM-A | Perkins MS, 1790 | 25 | MI |
//1234/55//3212/33//5-6-7-1/7-7- | C/ | Blue Bird (t) | AM-A | Commonplace MS, 1811 | 8 | MI |
//1234/55//3212/33//5-6-7-1/7-7- | C/ | Blue Bird (t) | AM-A | Woodruff MS, 1803 | 74 | MI |
//1234/55//32/6//23/44// | 2/4 | Drums Call, The (t) | AI-A | Willig Fife, 1826 | 8 | FI |
//1234/55//3311/54//3311/7 | C | March (t) | IC-E | Warlike Musick, 1760 | 69 | GF/VN/HA |
//1234/55//3311/54//3311/7567 | C | March In Joseph (t) | IC-E | Bremner Airs, 1761 | 40 | 2VN/GF,B |
//1234/55//3311/54//3311/7567 | C | March In Joseph (t) | IC-E | Preston Marches, 1804 | 40 | 2GF/VN,VC/PF |
//1234/553//442/321//7-521 | C | Treban Morganough (t) | DA-E | Johnson CD-2, 1742 | 11 | MI |
//1234/553//442/52//1234/5534 | C | March In the Recepation(ed) (t) | AM-A | Clark, I. MS, 1801 | 48 | FI/VN |
//1234//553//442/52//1234/5654 | C | Three Sheepskins, The (t) | IC-S | Aird 1, 1782 | 61 | FI/VN/GF |
/1234//55/34//5/2123//44/ | 2/4 | Vertueuse, La (t) | DA-N | Echo, 1758 | 96 | KB |
//1234//5535//4424//3313 | 3/4 | Mother sure you never wou'd endeavor (fl) | TW-E | Midas-1, 1764 | 58-61 | VO,HAF |
//1234//5535//4424//3321//22432//11+1// | 3/4 | Monr. Maltere's Minuet (t) | IC-E | Bremner Recorder, 1765 | 23 | FL |
/1234//553/661+//5/442+//331+/ | 2 | Course Italienne, La (t) | DA-F | Landrin Potpourri, 1785 | 12 | MI |
//12/34//554/245//6543/21 | C/ | Singleton's Slip (t) | PL-E | Playford 1-10, 1698 | 81 | VN |
//1234/554321//53156416/53156416//55432/ 34// |
C | IC-E | Forest Harmony-1, 1733 | 14 | 2HN/GF/TR/VN | |
//1234/55//4+3+2+1+/75//646/535 | 2/4 | Real, A (t) | AM-A | Clark, I. MS, 1801 | 13 | FI/VN |
//12//345//543//23 | 3/4 | Belsize (t) | DA-E | Walsh CD-2.3, 1735 | 164 | VN/OB/GF/CF |
//12//345//543//23 | 3/4 | Belsize (t) | DA-E | Walsh CD-3.3, 1749 | 162 | VN/OB/GF |
//12//345//543//23//46424 | 3/4 | Belsize (t) | PL-E | Playford 3-2, 1726 | 75 | VN |
//12//345//543//23//46424 | 3/4 | Belsize (t) | DA-E | Walsh NCDM-3, 1728 | 92 | VN/OB/FL |
//12//345//543//23//46424//35313 | 3 | Bell Size (t) | IC-E | Delightful-2, 1745 | I,15 | GF |
//12//345//543//2//46424 | 3/4 | Song Made on a Lady at Belsize, A (t) | SS-E | SS, Folger-C42.2 | 101 | VO,KB+F |
//12//345//543//2//46424//35313 | 3/4 | Made on a Lady at Belsize (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//12//345//543//2//46424//35313 | 3/4 | Song, A (t), or Made on a Lady at Belsize (at) | SS-E | SS, Harvard | 1 | VO,B+FL |
//1234/55//43/34 | C | March (t) | IC-E | Oswald Airs, 1758 | 20 | 2VN/2GF/2GT |
//12//3455//4342 | 2/4 | Sacchini (t), or March 7 (at) | IC-E | Button Whit-1, 1806 | 10-11 | 2GF/2VN/2FL/2FI |
//1-/2-//3-4-/5-5-//4-3-/4-2- | C/ | Marche (t) | MS-G | Darmstadt MS 1224 | 386 | HA |
//1-/2-//3-4-/5-5-//4-3-/4-2- | 2/4 | Favorite New March In Motezuma, The (t) | IC-E | English Sheet Music | 2 | PF |
//1/2//34/55//43/42 | 2/4 | March In Mottezuma (t) | IC-E | Longman Bassoon, 1780 | 17 | BS |
//1/2//34/55//43/42 | 2/4 | March In Mottezuma (t) | IC-E | Longman Clar, 1780 | 12 | CL |
//1/2//34/55//43/42 | 2/4 | March In Mottezuma (t) | IC-E | Longman Oboe, 1780 | 24 | OB |
//1/2//34/55//43/42 | 2/4 | March In Motezuma (t) | IC-E | Preston Bassoon, 1790 | 28 | BS |
//1/2//34/55//43/42 | 2/4 | March In Mottezuma (t) | IC-E | Preston Clar, 1797 | 17 | CL |
//1/2//34/55//43/42 | 2/4 | March In Motezuma (t) | IC-S | Sime Marches, 1789 | 34 | HA/PF |
//12/34//5/5//43/42 | 2/4 | Wheem, The (t) | IC-S | Stewart Airs, 1788 | 2:92 | GF/VN/FI |
//1/2//34/55//43/42 | 2/4 | March In Mottezuma (t) | AM-A | Williams, J. MS, 1799 | 47-48 | CL |
//12//3455//4342//11-1-1-5-6-7-//12 | 2/4 | Sacchini's March (t) | IC-E | Skillern Amus, 1785 | 26-27 | 2GF |
//1/2//34/55//43/4321 | C | Masonic March (t) | AI-A | American Sheet Music | 2 | PF |
//12/34//5/5//43/44 | 2/4 | Colin Stole My Heart Away (t) | IC-S | Aird 5, 1797 | 30 | FI/VN/GF |
//12/34//5/5//43/45 | 2/4 | Air de Julia (t) | AM-A | Beck MS, 1786 | 90 | GF |
//12/34//5/5//43/45 | 2/4 | Air de Julie (t) | IC-E | Cahusac Flute, 1788 | 16 | GF |
//12/34//5/5//43/45// | 2/4 | Air de Juli (t) | IC-E | Cahusac Flute, 1798 | 16 | FL |
//12/34//5/5//43/45 | 2/4 | Air de Julie (t) | IC-E | Cahusac Oboe, 1790 | 12 | OB |
//1234//55//4345 | 2/4 | Second Duetto (t) | AI-A | Instrum Asst-2, 1807 | 29 | 2MI,B |
//12/34//5/5//43/45 | 2/4 | Air de Julie (t) | IC-E | Preston Oboe, 1780 | 12 | OB |
//12/34//5/5//43/45 | 2/4 | He Stole My Tender Heart Away (t) | DA-E | Thompson CD-4, 1780 | 65 | VN/GF/OB |
//12/34//5/5//43/45// | 2/4 | He Stole My Tender Heart Away (t) | DA-E | Thompson CD-4a, 1780 | 64 | VN/GF/OB |
//12/34//5/5//43/45//3 | 2/4 | He Stole My Tender Heart Away (t) | DA-E | Longman CD, 1781 | 8 | VN/OB/GF |
/1234//55/4345//335/42//31/ | 2/4 | Segure ou Lison, La (t) | DA-F | Landrin Potpourri, 1785 | 76 | MI |
//12/34//5/5//43/45//3/5 | 2/4 | Air de Julie (t) | IC-E | Cahusac Flute, 1792 | 16 | GF |
//1234/55//4345/35//42 | C | This face observe discerning (fl) | TW-E | Son-In-Law, 1780 | 11 | VO,HAF |
//1234/55//4345/35//42/31 | C | Song 16 (t), or He Stole My Tender Heart Away (at) | AI-A | American MM, 1798 | 50-51 | VO |
//1234/55//4345/35//42/31 | C | Song 117 (t), or He Stole My Tender Heart Away (at) | SC-E | Calliope, 1788 | 222-223 | VO |
//1234/55//4345/35//42/31// | C/ | He Stole My Tender Heart Away (t) | AM-A | Hoff MS, 1797 | No. 191 | GF |
//1234/55//4345/35//42/31 | C | Air de Julie (t) | IC-E | Longman Bassoon, 1780 | 11 | BS |
//1234/55//4345/35//42/31 | C | He Stole My Tender Heart Away (t) | IC-E | Longman Oboe, 1780 | 22 | OB |
//1234/55//4345/35//42/31 | C | Collin Stole My Heart Away (t) | AI-A | Riley Flute 1, 1814 | 76 | FL |
//1234/55//4345/35//42/31 | C | He Stole My Tender Heart Away (t), or Favorite Song, A (at) | SS-E | SS, Harvard | 1 | VO,B+2GF+GT |
//1234/55//4345/35//42/31 | C | He Stole My Tender Heart Away (t), or Favorite Song, A (at) | SS-E | SS, Harvard | 1 | VO,B+2GF+GT |
//1234/55//4345/35//42/31 | C | He Stole My Tender Heart Away (t), or Favorite Song, A (at) | SS-E | SS, Harvard | 1 | KB,VO+GF/GT |
//1234/55//4345-/35//42/31 | C | He Stole My Tender Heart Away (t), or Favorite Song, A (at) | SS-E | SS, New York PL-C695 | 71 | VO,B+2GF,GT |
//1234/55//4345/35//42/31 | C | He Stole My Tender Heart Away (t) | SC-S | Scots MM-1, 1787 | 29 | VO,PFF |
//1234/55//4345/35//42/31 | 2/4 | Lison Dormoit (t) | IC-S | Stewart Airs, 1788 | 3:141 | GF/VN/FI |
//1234/55//4345/35//42/31//27-/1 | C | He Stole My Tender Heart Away (t) | SC-S | Edinburgh MM-2, 1793 | 216-217 | VO |
//1234/55//4345/434//42/31 | 2 | Lison Dormait Dans on Booage (t) | AM-A | Adams, J. Q. MS, 1786 | 4 | 2FL |
/1234//55/4345//435/42//31/27-// | 2/4 | Lison, La. Contredanse Française (t) | DA-F | Bouin CD LC-1, 1780 | 99 Feuille, 4 Vol. | MI |
//1/2//3/4//5/5435 | 2 | Farrago, The (t) | AM-A | Woodruff MS, 1803 | 51-52 | 2MI |
//1234/5543//671+2+3+2+1+/7651+5//61+61+ 51+51+ |
C | March (t) | IC-E | Delightful-2, 1745 | VI,12 | GF |
//12/34//5/5//4/4+2+// | 2/4 | Saw You My Father (t) | DA-E | Straight & Skillern CD, 1775 | 33 | VN/GF/OB |
//1/2//3/4//554//43 | C/ | Ode to Sleep, An (t) | AI-A | Musical Rep-1, 1796 | 21-23 | VO,KB |
//12/34//554/5432//31/553 | 2/4 | French Troop, The (t) | AM-A | Dickinson MS, 1800 | 15 | CL/GF/OB |
//12/34//554/5432//31/554//5432/1 | 2/4 | French Troop, The (t) | AM-A | Belknap MS, 1784 | 40R | MI |
//1234/5545//654/343//21/343// | 6/4 | Corant (t) | IC-E | Apollo's Banquet 1-7, 1693 | 41 | VN/FL |
//12345545//654343//21343//22334434//552 // |
C3 | Corant (t) | IC-E | Apollo's Banquet 1-5, 1687 | A74 | VN |
//12345545//654343//21343//22334434//552 // |
C3 | Corant (t) | IC-E | Apollo's Banquet 1-6, 1690 | A63 | VN |
//12/34//5/545//66/54 | C/ | Retraite, La (t) | MS-F | Philidor MS, 1705 | 5 | 3OB,B+DR |
//12/34//55/51+7//1+5/51+7 | 2/4 | Marche des Turques (t) | MS-F | Darmstadt MS 1187 | 2CL,2HN,BS | |
//12/34//55/51+7//1+5/51+7 | 2/4 | March de Turque (t) | MS-G | Darmstadt MS 1225 | 61-62 | 2MI |
//1234/55//51+/76//65/52345// | C/ | English Grenadeers March, The (t) | AM-A | Morris MS, 1776 | 29r-29v | FI |
//1234/55//53/51+//53/51+ | 2/4 | Hasse's Comic Tune. No.2 (t) | AI-A | Herrick Preceptor, 1807 | 72-73 | MI,B |
//1234/55//543/2342//3432/15- | C/ | Marche des Mousquetaires.4e Air (t) | MS-F | Philidor MS, 1705 | 7-8 | 3OB,B+DR |
//1234/55//54/33//345/234// | 2/4 | Amburgo, La (t) | MS-M | Garcia MS, 1772 | 123 | MI |
//1234/55//543/42//5-6-7-1/22 | Marche (t) | MS-G | Darmstadt MS 1224 | 333 | MI | |
//12/34//5/55//5/1+ | 2/4 | Grenadiers March (t) | AM-A | Cabot MS, 1784 | 4 | GF |
/1234//55/55//31/1234//55/ | 2 | Cotillon (t) | IC-F | Leclerc Recueil-2, 1737 | 113 | HAF |
/1234//55/55//51+/2+3+//4+2+/ | 2 | Cerceaux, Les (t) | DA-F | Landrin Potpourri, 1785 | 60 | MI |
/1234//55/55//51+/2+3+//4+3+/ | 2 | Cercle, Le (t), or Cercau (at) | MS-C | Trois-Rivieres MS, 1768 | 45 | MI |
//1234/55//556/1//4321/43 | C | General, The (t) | AI-A | Glazier Fife, 1830 | 33 | FI |
//1234/55//556/1//4321/43 | C | General, The (t) | AI-A | Robinson Coll, 1818 | 50 | FI,DR |
//1234/55//556/1//4321/43 | C | General, The (t) | AI-A | Robinson Coll, 1820 | 66 | MI |
//1234/55//556/1//4321/43 | C | General, The (t) | AI-A | Robinson Coll, 1826 | 66 | MI |
//1234/55//556/5//321/43 | C | General, The (t) | IC-E | Andrews Fife, 1808 | 14 | FI/GF |
//1234/55//556/5//321/43 | C | General, The (t) | IC-E | Bennett Fife, 1770 | 11 | FI ; FI |
//1234/55//556/5//321/43 | C | General, The (t) | IC-E | Clementi Fife, 1815 | 12 | FI |
//1234/55//556/5//321/43 | C | General, The (t) | IC-E | Goulding Fife, 1790 | 16 | FI |
//1234/55//556/5//321/43 | C | General, The (t) | IC-E | Longman Fife, 1770 | 13 | FI |
//1234/55//556/5//321/43 | C | General, The (t) | IC-E | Longman Fife, 1780 | 12 | FI/GF |
//1234/55//556/5//321/43 | 2/4 | General, The (t) | IC-E | Preston Fife, 1796 | 12 | FI/GF |
//1234/55//556/5//321/43 | C | Scotch General, The (t) | IC-E | Rutherford Fife, 1756 | 14 | FI |
//1234/55//556/5//321/43 | C | General, The (t) | IC-E | Skillern Fife, 1780 | 13 | FI/GF |
//1234/55//556/5//321/43 | C | General, The (t) | IC-E | Thompson Fife, 1760 | 12 | FI |
//1234/55//556/5//321/43 | C | General, The (t) | IC-E | Thompson Fife, 1770 | 12 | FI |
//1234/55//556/5//321/43// | C | General, The (t) | IC-E | Thompson Fife, 1786 | 13 | FI/FL |
//1234/55//556/5//321/43 | C | General, The (t) | AI-A | Willig Fife, 1805 | 11 | FI |
//1234/55//556/5//321/43// | C | General, The (t) | AI-A | Willig Fife, 1826 | 9 | FI |
/123455//556/5//321/43//2/ | C | General (t) | IC-E | Wilson Fife, 1805 | 23 | FI |
//1234/55//556/5//4321/43 | C | General, The (t) | AI-A | Fifer's Comp, 1805 | 5 | 2FI |
//1234/55//556/5//4321/43 | C | General, The (t) | AI-A | Village Fifer, 1808 | 8 | FI |
//12/345//5-5-/5-//654/51//234/3 | 6/4 | Wolf, The (t) | SC-S | Edinburgh MM-2, 1793 | 84-87 | VO |
//1234//55//561+//321//235//61+2+// | 3/4 | Mary Scotts the Flower of Yearon (t) | IC-S | Scots Tunes (C), 1730 | 33 | HA/SP/VN/GF |
//12/34//5/55//6/2+ | 2/4 | O Saw Ye My Father (t) | AI-A | Scots MM, 1797 | 167-68 | VO,HA/PF |
//1-2-/3-4-//5-/5-5-//6-/21 | 2/4 | O Saw Ye My Father (t) | AI-A | Caladonian Muse, 1798 | 167-68 | VO/PF/VN |
//12/34//5/55//6/2+1+ | 2/4 | Song 63 (t), or Gray Cock, The (at) | SC-E | Calliope, 1788 | 121 | VO |
//1234//555//62+1+ | Lady Washington (t) | AM-A | Hitchcock MS, 1800 | 2 | VO,KB | |
//12/34//5/55//6/2+1+//7/6 | 2/4 | O Saw Ye My Father (t) | SC-S | Scots MM-1, 1787 | 77 | VO,PF |
//12//34//5//5/5//65 | 2/4 | Adieu My Happy Home (t) | AI-A | Riley Flute 4, 1826 | 69 | FL |
//12/34//55/56//54/32 | 6/8 | Air 15, Act I (t) | BA-E | Beggar's Wed, 1729 | T22M4 | VO |
//1234/555//65+4+3+2+/1+765// | C/ | Third Regt Guards March (t) | IC-E | Thompson Fife, 1786 | 29 | FI/FL |
//1234/555//65+4+3+2+/1+765//1+71+/7654 | C/ | March 25 (t) | IC-E | Button Whit-2, 1806 | 42-43 | 2GF/2VN/2FI |
//1-2-3-4-/5-5-5-//6-5432/17-6-5-//17-1/ 7-6-5-4- |
C | Scotch March of the 3d Regiment of Foot Guards (t) | IC-E | English Sheet Music | 1 | PF |
//1-2-3-4-/5-5-5-//6-5432/17-6-5-//17-1/ 7-6-5-4- |
C | Scotch March (t) | IC-E | Skillern Amus, 1785 | 62-63 | 2GF |
//1-2-3-4-/5-5-5-//6-5432/17-6-5-//17-1/ 7-6-5-4- |
C/ | March 25 (t) | IC-E | Thompson Pocket, 1790 | 42-43 | 2GF/VN/FI |
//1-2-3-4-5-5-/5-6-5-4-3-//4-3-4-5-4-5-4 -/3-2-//2-2-2-1-0-/1 |
C/ | Air 45 (t) | IC-N | Roger Airs, 1716 | 2:6 | 2CH/TR/OB/VN/FL/CL/HN |
//1234/55//5654/35//4543/24 | 2/4 | Green and Gold (t) | DA-E | Skillern CD, 1780 | 63 | VN/GF/OB |
//1234/55//5654/35//4543/24// | 2/4 | Green and Gold (t) | DA-E | Straight & Skillern CD, 1775 | 33 | VN/GF/OB |
//12/34//5/55//671+/2+7//1+/1+7 | 6/8 | Air 32 (t) | BA-E | Achilles, 1733 | 40 | VO |
//12//34//55//567//1+5//43 | 3/8 | Prestisimo. March March (t) | MS-G | Darmstadt MS 1225 | 83-84 | 2MI |
//12/34//5/5//6/1+6 | 2/4 | Saw You My Father (t) | MS-E | Carter MS, 1792 | 22 | MI |
//12/34//5/5//6/1+6//6 | 2/4 | Lesson 4 (t) | AI-A | Linley Asst-1, 1796 | 7 | PF |
//12/34//5/5//6/1+6//6 | 2/4 | Lesson 6 (t) | AI-A | Linley Asst-2, 1796 | 7 | HA/PF |
//1234/55//62+1+/75//1+1+6/76 | C | Lady Washington (t) | AM-A | Allen, W. MS, 1790 | 97 | 2VO |
//1234/55//62+1+/75//1+1+6/767 | C/ | Lady Washington (t) | AM-A | Shattuck MS, 1801 | 73 | MI |
//1234/55//62+1+/75//1+1+6/767//5 | Lady Washington (t) | AM-A | Otis MS, 1793 | 7 | 2VN/2FL | |
//1234/55//62+1+/76//1+1+6/76 | C | Lady Washington (t) | AM-A | Commonplace MS, 1797 | M50T50V-53V | 2VO |
//12/34//5/56//4/1+// | 2/4 | Grenadiers March (t) | IC-E | Thompson Fife, 1786 | 10 | FI/FL |
/1234//55/641+6//5/4642//3531/ | C/ | French Song (t) | AM-A | Hoff MS, 1797 | No. 61 | GF |
//12/34//5/5//6/4+2+// | 2/4 | Saw You My Hero George (t) | AM-A | Bush MS, 1779 | 32, 62v | VN |
//12/34//5/5//6/4+2+ | 2/4 | Saw You My Father (t) | MS-E | Carter MS, 1792 | 3 | MI |
//12/34//5/5//6/4+2+ | 2/4 | Saw You My Father (t) | AM-A | Hawkins MS, 1794 | II,51 | GF |
//12/34//5/5//6/4+2// | 2/4 | Saw You My Father (t) | AM-A | Hoff MS, 1797 | No. 121 | GF |
//12/34//5/5//6/4+2+ | 2/4 | Saw You My Father (t) | AM-A | Kingsley MS, 1795 | I,18 | MI |
//12/34//55//64+2+ | 2/4 | Saw You My Father (t) | IC-E | Longman Pb, 1778 | 14-15 | VO/GF |
//1-2-/3-4-//5-/5-//6-/42 | 2/4 | Saw You My Father (t) | AI-A | Riley Flute 2, 1817 | 51 | FL |
//12/34//5/5//6/4+2+ | 2/4 | Saw You My Father (t), or Favorite Scotch Song, A (at) | SS-E | SS, Folger-C52 | 1 | MI,VO,KB+GT |
//12/34//5/5//6/4+2+ | 2/4 | Cupid's Invitation (t) | SS-E | SS, Harvard | 1 | VO,B+GT |
//12/34//5/5//6/4+2+ | 2/4 | Saw You My Father (t), or Favourite Scotch Song, A (at) | SS-E | SS, Harvard | 1 | VO,B+GT |
//12/34//5/5//6/4+2+ | 2/4 | Saw You My Father (t), or Favorite Scotch Song, A (at) | SS-E | SS, Huntington-1 | 16 | VO,KB+GT |
//12/34//5/5//6/4+2+ | 2/4 | Saw You My Father (t) | DA-E | Skillern CD, 1780 | 63 | VN/GF/OB |
//12/34//5/5//6/4+2+ | 2/4 | Saw You My Father (t) | DA-E | Thompson CD-3, 1773 | 99 | VN/GF/OB |
//12/34//5/5//6/4+2+// | 2/4 | Saw You My Father (t) | DA-E | Thompson CD-3a, 1773 | 8 | VN/GF/OB |
//12/34//5/5//6/4+2+// | 2/4 | Saw You My Father (t) | IC-E | Thompson Fife, 1786 | 24 | FI/FL |
//12/34//5/5//6/4+2+//1+7/65 | 2/4 | Saw You My Father (t) | IC-E | Thompson Record, 1768 | 25 | RC |
//12/34//5/5//6/4+3+ | 2/4 | Saw You My Father (t) | AM-A | Beck MS, 1786 | 121 | GF |
//1234//55//6464 | 2/4 | Union, The (t), or New Russia Dance, (at) | DA-E | Thompson CD-5, 1788 | 83 | VN/GF/OB |
//12/34//55//64/64//53/15// | 2/4 | Union, The (t), or New Russia Dance (at) | DA-E | Thompson CD-5a, 1788 | 83 | VN/GF/OB |
/1234//55/646//535/424//317-1/ | C/ | Jesuite, La (t) | DA-E | Fishar 16 Cot, 1780 | 17 | KB |
//1234//556//51+ | 2/4 | Grenadiers March (t) | IC-E | Andrews Fife, 1808 | 12 | FI/GF |
//12/34//5/56//5/1+ | 2/4 | Grenadiers March, The (t) | AI-A | Ashworth D&F, 1812 | 33-34 | FI |
//12/34//5/56//5/1+ | 2/4 | Grenadiers March, The (t) | AM-A | Beach MS, 1801 | 104 | MI |
//1234//556//51+ | 2/4 | Grenadiers March (t) | IC-E | Bennett Fife, 1770 | 23 | FI ; FI |
//12/34//5/56//5/1+ | 2/4 | Granedier's March (t) | AM-A | Brown, N. MS, 1781 | 7R | FI |
//12/34//5/56//5/1+// | 2/4 | Grenadiers March (t) | AM-A | Bush MS, 1779 | 23 | VN |
//12/34//5/56//5/1+ | 2/4 | Granadiers March (t) | IC-E | Clementi Fife, 1815 | 10-11 | FI |
//1234//556//51+ | 2/4 | Grenadiers March (t) | IC-E | Goulding Fife, 1790 | 12 | FI |
//12/34//5/56//5/1+ | 2/4 | Grenadiers March, The (t) | IC-E | Handel March 2, 1770 | 5 | VN/GF/OB |
//12/34//5/56//5/1+// | 2/4 | Royal American Granidiers March, The (t) | AM-A | Hoff MS, 1797 | No. 22 | GF |
//12/34//5/56//5/1+ | 2/4 | Grenadiers March (t) | IC-E | Longman Fife, 1770 | 10-11 | FI |
//1234//556//51+ | 2/4 | Grenadiers March (t) | IC-E | Longman Fife, 1780 | 10 | FI/GF |
//12/34//5/56//5/1+// | C/ | Granaders March (t) | AM-A | Morris MS, 1776 | 10r | FI |
//12/34//5/56//5/1+ | Grenadiers March, The (t) | AM-A | Nixon MS, 1776 | 23 | FI | |
//12/34//5/56//5/1+ | 2/4 | Grenadiers's March, The (t) | AM-A | Nixon MS, 1776 | 25 | FI |
//12/34//5/56//5/1+ | 2/4 | Grenadiers March All Rong (t) | AM-A | Nixon MS, 1776 | 83-84 | FI |
//12/34//5/56//5/1+ | 2/4 | Grenadiers March, The (t) | IC-E | Potter Fife, 1817 | 22 | FI |
//1234//556//51+ | 2/4 | Grenadier's March (t) | IC-E | Preston Fife, 1796 | 10 | FI/GF |
//12/34//5/56//5/1+ | 2/4 | Grenadiers's March, The (t) | AI-A | Rumrille D&F, 1817 | 37 | FI |
//12/34//5/56//5/1+ | 2/4 | Grenadiers March, The (t) | MS-E | Russell MS, 1812 | 52 | FI |
//1234//556//51+ | 2/4 | Granadiers March (t) | IC-E | Rutherford Fife, 1756 | 11 | FI |
//12/34//5/56//5/1+ | 2/4 | Grenadiers March (t) | AM-A | Shattuck MS, 1801 | 48 | MI |
//1234//556//51+ | 2/4 | Grenadiers March (t) | IC-E | Skillern Fife, 1780 | 10 | FI/GF |
//1234//556//51+ | 2/4 | Grenadiers March (t) | IC-E | Thompson Fife, 1760 | 10 | FI |
//12/34//5/56//5/1+ | 2/4 | Grenadiers March (t) | IC-E | Thompson Fife, 1770 | 10 | FI |
//12/34//5/56//5/1+// | 2/4 | Grenadiers March (t) | AM-A | White, G. MS, 1790 | 27 | VN |
//1234//556//51+ | 2/4 | Grenadiers March (t) | AI-A | Willig Fife, 1805 | 24 | FI |
//12/34//5/56//5/1+// | 2/4 | Grenadier's March (t) | IC-E | Wilson Fife, 1805 | 20 | FI |
//1234/556//51+/1+6//65/523 | C | Long Grenadier's March, The (t) | AI-A | Robbins D&F, 1812 | 52-53 | FI |
//12/34//5/56//5/1+2+// | 2/4 | Granedeares March, The (t) | MS-S | Fife MS, 1780 | 66,7v | 1FI OR 2FI/VN |
//1234/556//51+2+/767//66/55 | C | Grenadiers March, The (t) | MS-S | Gillespie MS, 1768 | 35 | VN |
//1-2-3-4-/5-5-//6-5-/15-//6-5-/15- | C | Grenad. March V. Dombrock (t) | MS-G | Darmstadt MS 1224 | 5 | MI,B |
//1234/55//65/1+5//65/1+5 | C | Grenadier Marche Von Dombrock (t) | MS-G | Darmstadt MS 1224 | 217 | MI |
//1234/55//65/1+5//65/1+5 | 2/4 | Since You Mean to Hire for Service (t) | AM-A | Turner MS, 1788 | I,26A,II.9 | VN |
//1234/55//65/1+5//65/1+5 | 2/4 | If You Mean to Hire for Service (t) | AM-A | Van Renssel. MS, 1782 | I,37 | KB |
//1234/55//651+//651+//43/32 | 2/4 | Air (t) | IC-E | Delightful-1, 1763 | II,21 | 2GF |
//1234/55//65/1+7//65/43 | C/ | Coquet, The (t) | DA-E | Thompson CD-5, 1788 | 3 | VN/GF/OB |
//1234/55//65/1+7//65/43// | C/ | Coquet, The (t) | DA-E | Thompson CD-5a, 1788 | 3 | VN/GF/OB |
//1234//556//51+/76//65/5// | C | Grenadiers March, The (t) | MS-C | Molyneaux MS-1, 1788 | 47 | GF |
//1234/55//654/34//511/1 | C | Thursday In the Morn (t) | SC-E | Vocal Music, 1775 | 266-268 | VO/VN/GF |
//1234/55//654/34//511/111 | C | Song 65 (t), or Sea Fight In xcii, The (at) | SC-E | Ritson, 1783 | TII,181-183;MIII,282-2 | VO |
//123-4/55//654/34//511/111//1321/25- | C/ | Sea-Fight In 92, The (t) | SC-E | Pills 4, 1719-20 | 333-4 | VO |
//1234/55//654/34//511/123 | C | Song 14 (t), or Russel's Triumph (at) | SC-E | Calliope, 1788 | 24-25 | VO |
//1234/55//654/34//511/123 | C | Russells Triumph, or the Memorable Ninety two (t) | SC-E | Clio-1, 1758 | 76-77 | VO,HAF+GF |
//1234/55//654/34//511/123 | C | Russells Triumph (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//1234/55//654/34//511/123 | C | Russel's Triumph (t) | SS-E | SS, Harvard | 1 | VO,B+GT |
//1234/55//654/34//511/13 | C | Fight at Sea, The (t) | SS-E | SS, Boston PL-2 | 54 | VO,KBF+GT |
//1234/55//654/34//5432/113 | C | Song 159 (t) | SC-E | Convivial, 1782 | 316-317 | VO |
//1234/55//654/54//511/123 | C | Russel's Triumph (t) | SC-S | Edinburgh MM-1, 1792 | 270-272 | VO |
//12345565456654321 | C | Carl Lothringischer Grenadier Marche (t) | MS-G | Darmstadt MS 1224 | 181 | MI |
//1234/55//65/55//1+5/54 | 2/4 | Have at the French (t) | DA-E | Thompson CD-1, 1757 | 81 | VN/GF/OB |
//1234/55//65/55//1+5/54// | 2/4 | Have at the French (t) | DA-E | Thompson CD-1a, 1757 | 83 | VN/GF/OB |
//123455/6555//1+554/3231//123455/6453 | Have at the French (t) | MS-E | Hammersley MS, 1790 | 97 | MI | |
//1234/556//556/5432//1234/556// | 2/4 | Cosack (t) | DA-F | Landrin Anglaise-1, 1760 | 2-3 | MI |
//12345//5-6-5//654321//27-1//25-3 | 3/4 | Once for All (t), or Harry Carey's General Reply, to the Libelling Gentry, | SS-E | SS, Folger-C42.3 | 484 | VO,KB+FL |
//1234/556//5671+/7//6/5 | C | Granediers March, The (t) | AM-A | Thompson MS, 1777 | 18 | FI |
/1234//55/66//5/1+2+3+1+//4+3+2+/ | 2 | Cotillon de Mr. Le Duc (t) | IC-F | Leclerc Recueil-1, 1729 | 31 | HAF |
/1234//55/67//1+1+/1234//55/ | 2 | Cotillon San Fin (t) | IC-F | Leclerc Recueil-2, 1737 | 92 | HAF |
//123/45-//567/1+1//321+/7671+// | 3 [6/4] | Volta, La (t) | MS-E | Fitzwilliam MS-2, 1609 | 188-189 | VI |
//12/34//5/567//1+1+/76// | 2/4 | Duce Hearts (t) | DA-E | L & L Cot, 1775 | 2 | MI |
/1234//55-/6-7-//1/17-6-5-//17-6-5-// | C | Amitie, L' (t) | DA-E | Longman Cot, 1770 | 20 | HA/VN/GF/OB |
//1234/55//671+2+/75//1+1 | C/ | Dieupart's Tune (t) | SS-E | SS, Folger-C42.1 | 246 | MI+FL |
//1234/55//671+2+/75//1+1/4565 | C/ | Song 29 (t) | SC-E | Ritson, 1783 | TI,134-135;MIII,64 | VO |
//1234/55//671+2+/75//1+1/4565 | C/ | Wheedler, The (t) | SC-E | Watts MM-3, 1730 | 33-35 | VO,HA+FL |
//1-2-/3-4-//5-5-6-7-/15-//15-/5-6-5- | 6/8 | Chase, La (t) | AM-A | Beach MS, 1801 | 3 | MI |
//12/34//5/5//67/1+6// | 2/4 | Helle Sonne und Helle Stralen (t) | AM-A | Hoff MS, 1797 | No. 65 | GF |
//12/34//55/671+6//5/364// | 2/4 | Sylvander (t) | AM-A | Boynton MS, 1799 | 20R | 1 FI |
//1234/55//671+/7//1+543/65 | C | Gavott (t) | AM-A | Curtiss MS, 1800 | 159 | 2VN |
/1234//55/671+//75/1+5//654/ | 2 | Equilibre, L' (t) | IC-F | Leclerc Recueil-1, 1729 | 54 | HAF |
//12/34//55//6765/4543 | C/ | George's Maggot (t) | PL-E | Playford 2-1, 1713 | 180 | VN/OB |
//12/34//55//6765/4543 | C/ | George's Maggot (t) | PL-E | Playford 2-2, 1714 | 180 | VN/OB |
//12/34//55//6765/4543 | C/ | George's Maggot (t) | PL-E | Playford 2-3, 1718 | 180 | VN |
//12/34//55//6765/4543 | C/ | George's Maggot (t) | PL-E | Playford 2-4, 1728 | 180 | VN |
//12/34//55//6765/4543 | C/ | George's Maggot (t) | DA-E | Walsh CD-1.2, 1719 | 202 | VN/OB |
//12/34//55//6765/4543 | C/ | Georges Magot (t) | DA-E | Walsh NCDM-2, 1710 | 6 | VN/OB/FL |
//12/3//45/6 | C | Indian Chief, The (t) | AM-A | Dickinson MS, 1800 | 146R&V | 3VO:(S)TB |
//1/2//3/4//5/6 | 2/4 | Favorite Air (t) | AI-A | Shaw Gentlemen, 1807 | 23 | 2CL |
//1234/561+//6-51+3/43212 | C | Lewis Gordon (t) | SC-S | Edinburgh MM-1, 1792 | 173-174 | VO |
//123456//17-1//61+7654//43//5-6-7-125 | 3/4 | Minuet (t) | IC-E | Waylet Oboe, 1745 | 14 | OB |
//12345//61+7//651+//43//61+765//4325// | 3/4 | Minuet (t) | IC-E | Prelleur Modern, 1731 | 9 | OB |
//12/34//56/23//42/1234 | 2/4 | Nocturnal Romance, A (t) | AI-A | Whiteley Prec, 1816 | 67-68 | CL,OB,FL,BS |
//1234//56-31//27-5-//27-//17- | 3:I | Madge on a Tree (t) | PL-E | Playford 1-15, 1713 | 2 | VN |
//1234//56-31//27-5-//27-//17- | 3:I | Madge on a Tree (t) | PL-E | Playford 1-16, 1716 | 9 | VN |
//123456/321//27-57-/27-57-//123456/321 | C | Stewards Rant (t) | AM-A | Beck MS, 1786 | 42 | GF |
//123456/417-//6-24/36-5-//4-6-1/7-5-1 | 6/8 | Rigadoon (t) | IC-E | Walsh Oboe, 1715 | 20 | OB |
//123456//421//7-1217-6-5-//31 | 3/4 | Bill Bobstay (t) | SC-S | Edinburgh MM-2, 1793 | 190-192 | VO |
//12/34//564/321//234/321 | 6/8 | Prince Edward's Birth Day (t) | DA-E | Johnson CD-8, 1758 | 55 | VN/GF |
//1234/564//342/11//231/257- | C | In the Dead of the Night (t) | AI-A | Dubois Clar, 1818 | 26 | 2CL |
//1234/564//342/11//231/257-//1 | C | Cupid Benighted (t) | AI-A | American SS-SM | 1 | KB,VO |
//12/34//56/43//46-/21 | 6/8 | AM-A | Psalmody MS, 1798 | 132-133 | 2MI | |
//12/34//5/6//443/23 | 6/4 | Jovial Beggars, The (t) | DA-E | Walsh CD-2.1, 1731 | 39 | VN/OB/GF/RC |
//123/45//64/45671+//55/54354545434// | C [6/2] | Galiard to the Quadran Paven (t) | MS-E | Fitzwilliam MS-2, 1609 | 111-115 | VI |
//12/34//56//45//323/42 | C/ | Echo. Paysanne (t) | MS-G | Darmstadt MS 1223 | 3OB,TR,2BS | |
/1234//5/64//5/4323//123/ | 2 | Cotillon (t) | IC-F | Leclerc Recueil-2, 1737 | 86 | HAF |
//1234/5//646/5//442/331// | C/ | March Polonese. Allegro (t) | IC-E | Italian Pieces, 1770 | 7 | 2GF, 2CL/OB/VN, 2HN, BS/VC |
/1234//5/64//655/5424//35/ | 2/4 | Pipe Tobacco, The (t) | AI-A | Gilfert Gents PC, 1802 | 22 | GF/VN |
//1/2//34//56/51+ | C | Mary's Dream (t) | AM-A | Pomeroy MS, 1790 | 30-31 | VO/GF |
//1/2//34//56/51+ | C | Sandy's Ghost, or (t), or Mary's Dream (at) | AM-A | Spicer MS, 1797 | 26-27 | 2VO |
//1-2-3-/4-5-6-//5-13-/2-1-//4-3-2-/3-5- 4- |
6/8 | Charles's March (t) | IC-E | Handel March 1, 1768 | 9 | VN/GF/OB |
//123/456//51+3/21//432/354 | 6/8 | Retreat, The (t), or Pretender's March, (at) | DA-E | Johnson CD-6, 1751 | 8 | VN/GF |
//123/456//51+3/21//432/354 | 6/8 | Charles's March (t) | IC-E | Thompson March, 1759 | 9 | VN/FL/OB |
//1-2-3-/4-5-6-//5-13-/2-1-//4-3-2-/3-5- 4- |
6/8 | Charles's March (t) | IC-E | Thompson Oboe, 1758 | 9 | OB |
//1-2-3-/4-5-6-//5-13-/2-1-//4-3-2-/3-5- 4- |
6/8 | Charles's March (t) | IC-E | Thompson Oboe, 1770 | 20 | OB |
//123/456//51+3/21//432/354//3111 | 6/8 | Charles March (t) | IC-E | Thompson Record, 1768 | 20 | RC |
//123/456//51+3/21//432/354//511 | 6/8 | Retreat-1 (t) | DA-E | Rutherf CD-2.1, 1756 | 26 | VN/GF/OB |
//123/456//51+3/23//432/354 | 6/8 | Highlanders March, The-1 (t) | IC-E | Caledonian PC, 1760 | VII,32 | GF/VN |
//1-2-3-/4-5-6-//5-13-/2-3-//4-3-2-/3-5- 4- |
6/8 | Highlanders March, The (t) | IC-S | Stewart Airs, 1788 | 3:121 | GF/VN/FI |
//1/2//34//56/51+//543 | C | Song 76 (t), or Mary's Dream (at) | AI-A | American MM, 1798 | 195-198 | VO,B |
//12/34//5651+/543//2123 | C | Mary's Dream (t), or Sandys Ghost (at) | AI-A | American SS-SM | 1-2 | KB,VO+GT/FL |
//12/34//5651+/543//2123/456// | C/ | Mary's Dream (t) | AM-A | Adams, W. MS, 1795 | 42 | MI |
//12/34//5651+/543//2123/456 | C | Mary's Dream (t) | IC-S | Aird 5, 1797 | 59 | FI/VN/GF |
//12/34//5651+/543//2123/456 | C | Mary's Dream (t) | AM-A | Allen, W. MS, 1790 | 65-66 | 2VO |
//12/34//5651+/543//2123/456 | C | Mary's Dream (t) | AI-A | Balls Amus 1, 1815 | 13 | FL/FI/VN |
//12/34//5651+/543//2123/456 | C | Mary's Dream (t) | AI-A | Caladonian Muse, 1798 | 79-80 | VO/PF/VN |
//12/34//5651+/543//2123/456 | C | Mary's Dream (t) | AM-A | Canfield MS, 1823 | 21 | FL |
//12/34/565/1+543//2123/456 | C/ | Marys Dream (t) | AM-A | Hawkins MS, 1794 | II,80 | GF |
//12/34//5651+/543//2123/456 | Mary's Dream (t) | AM-A | Hitchcock MS, 1800 | 7 | VO,KB | |
//12/34//5651+/543//2123/456 | C | Mary's Dream (t), or Sandy's Ghost, or (at) | AM-A | Marchant MS, 1783 | 66 | VO,KB |
//12/34//5651+/543//2123/456 | C | Mary's Dream (t) | AM-A | Mass. MS, 1790 | 35 | FL |
//12/34//5651+/543//2123/456// | C | Mary's Dream (t) | AM-A | Pynchon MS, 1797 | 7r | MI |
//12/34//5651+/543//2123/456 | C | Mary's Dream (t) | AI-A | Riley Flute 1, 1814 | 29 | FL |
//12/34//5651+/543//2123//456 | C | Mary's Dream (t) | AI-A | Scots MM, 1797 | 79-80 | VO,HA/PF |
//12/34//5651+/543//2123/456// | C | Mary's Dream (t) | AM-E | Wheatstone Clarinet, 1801 | 80 | MI |
//12/34//5651+/543//2123/456//5313/2 | C | Mary's Dream, New Set of (t) | SC-S | Scots MM-1, 1787 | 38-39 | VO,PF |
//12/34//5651+/543//2123/456/532/134 | C | Marys Dream (t), or Sandys Ghost, (at) | AM-A | Otis MS, 1793 | 21 | VN/FL |
//1234/56//5/1+//543/432 | 2/4 | Ladies Maggot, The (t) | DA-E | Johnson CD-4, 1748 | 65 | VN/GF |
//1234//565//1+545//32//33231//44342 | 3/4 | Menuet (t) | MS-G | Darmstadt MS 1224 | 339 | MI |
//1234/56//51+6//51+6//5321/1 | 2/4 | Wish, The (t) | AM-A | Gaylord MS, 1816 | 10r | MI |
//1/2//3456/51+6//5346/5543// | C/ | March Troop (t) | MS-S | Fife MS, 1780 | 846,91r | 1FI OR 2FI/VN |
//123456//516//545//312//3432//3432// | 3 | Minuet (t) | IC-E | Prelleur Modern, 1731 | 8-9 | HA |
//12/34//56/51+//65/61+//5 | 2/4 | Good Night (t) | AI-A | American SS-SM | 1 | VO,KB |
//1-2-3-4-5-6-//5-17-1//217-6-5-5//43//3 1315 |
3/4 | Countess of Weem's Minuet (t) | MS-S | Gillespie MS, 1768 | 82 | VN |
//123456//51+//767567//1+1//1+2+3+2+1+3+ //4+ |
3/4 | Minueto (t) | MS-M | Garcia MS, 1772 | 92V [215] | MI |
//123456//53123//427-12//35-6-7-//123456 //5 |
3/4 | Trio (t) | AM-A | Hiester MS-1, 1793 | 76 | HA |
//12/34//56/531//23/45 | 6/8 | Crown Point (t) | AM-A | Aborn MS, 1790 | 77 | MI |
//1234/5653//1353/51+1+3+//1234/5653 | C | Mad. Hillisberg's Reel (t) | DA-E | Thompson CD-7.2, 1798 | 14 | MI |
//12/34//56//53/23 | 2/4 | My Friend and Pitcher (t) | MS-E | Carter MS, 1792 | 3 | MI |
//12/34//56/53//23/45// | 2/4 | Scotch Bonned, The (t) | AM-A | Hoff MS, 1797 | No. 93 | GF |
//123456/5342//3127-/15-//123456/571+2+ | C/ | What Ship (t) | MS-E | Hammersley MS, 1790 | 67 | MI |
//123456/5342//3127-/15-//123456/571+2+ | C | What Ship (t) | DA-E | Johnson CD-3, 1744 | 57 | VN/GF |
//1234/5653//4321/25-5-4-//3-4-5-6-/4321 // |
C/ | Lady Carrick's Delight (t) | DA-E | Straight & Skillern CD, 1775 | 95 | VN/GF/OB |
//12/34//56/5//34/53 | 6/8 | Their Is No Luck for Me (t) | AM-A | Clark, I. MS, 1801 | 36 | FI/VN |
//123456//5345//4234//323432//123456//53 45 |
3/8 | Hanoverian Waltz (t) | IC-S | Pandean Coll 3, 1810 | 10 | PF |
//1234/5653//51+53/5653//4542/3431 | C | Speed the Plough (t) | AM-A | Canfield MS, 1823 | 128 | FL |
//1234/5653//51+53/5654//4642/3531 | C/ | Speed the Plow (t) | AM-A | Cary MS, 1797 | 120 | VN |
//1-2-/3-4-//5-6-/5-3-//5-3- | 2/4 | General March (t) | MS-G | Darmstadt MS 1224 | 69 | MI |
//1234//5653//531+3 | 2/4 | Prussian Dragroon, The (t) | DA-E | Thompson CD-5, 1788 | 24 | VN/GF/OB |
//12/34//56/53//53/1+3// | 2/4 | Prussian Dragroon, The (t) | DA-E | Thompson CD-5a, 1788 | 24 | VN/GF/OB |
//12//34/56//53/53//42/7-5- | 2/4 | Milkwoman, The (t) | TW-E | Elopement, 1768 | 15 | HAF |
//1234/5653//5653/1+653//1234/531+5 | C/ | Foot Pad, The (t) | DA-E | Johnson CD-5, 1750 | 18 | VN/GF |
//1234/5653//5653/2222//1234/5653 | C/ | Slingsby's Reel (t) | DA-E | Thompson CD-3, 1773 | 1 | VN/GF/OB |
//1234/5653//5653/2222//1234/5653// | C/ | Slingsbys Reel (t) | DA-E | Thompson CD-3a, 1773 | 1 | VN/GF/OB |
//1234/5653//5653/2325-//1234/5653// | C/ | MS-M | Garcia MS, 1772 | 145 | MI | |
//1234/5653//5653/2325-//1234/5653 | C/ | Renown, The (t) | DA-E | Johnson CD-6, 1751 | 13 | VN/GF |
//1234/5653//5653/2325-//1234/5653// | C/ | Renown, The (t) | DA-E | Universal Magazine | 2:319, 1750 | MI |
//1234/5653//5653/51+53//4646/3535 | 2/4 | Speed the Plough (t) | AI-A | Riley Flute 3, 1820 | 94 | FL |
//1234/5653//5654/2222//1234/5653// | C/ | Scotch Reel, A (t) | MS-S | Fife MS, 1780 | 264,27v | 1FI OR 2FI/VN |
//1234/5654//1+2+1+6/5653//1234/5653 | C/ | Widow's Frolick, The (t) | DA-E | Johnson CD-5, 1750 | 85 | VN/GF |
//12//34//565//43 | 3/4 | Sung by Mr. Vernon In the Witches (t) | IC-E | Longman Pb, 1778 | 16-17 | 2FL/2VO |
//12/34//5-/6//543 | C/ | Cuckold Contented, The (t) | SS-E | SS, Folger-C42.4 | 3 | VO,KB+FL |
//123456//54312//343121//17-1//26-21//7- 6-5-5-6-7- |
3/4 | Admiral Bembow (t) | IC-I | Logier Bugle, 1813 | 29 | BU |
//1-2-3-4-/5-6-5-4-//3-1-3-1-/6-2-6-2-// 1-2-3-4-/5-6-5-4- |
C/ | Handels 2nd Clarionett (t) | AM-A | Woodruff MS, 1803 | 31 | MI |
//12/345//654/31+6//531/7-43 | 6/8 | Modern Rake, The (t) | SC-E | Clio-2, 1759 | 24 | VO,HA |
//12//345//65432 | 3/4 | Night Piece (t) | IC-E | Oswald Airs, 1758 | 12 | 2VN/2GF/2GT |
//12/34//5/6//543/2 | 6/4 | Jovial Beggars, The (t) | PL-E | Playford 1-14, 1709 | 70 | VN |
//12/34//5/6//543/2 | 6/4 | Jovial Beggars, The (t) | PL-E | Playford 1-15, 1713 | 70 | VN |
//12/34//5/6//543/2 | 6/4 | Jovial Beggars, The (t) | PL-E | Playford 1-16, 1716 | 70 | VN |
//12/34//5/6//543/2 | 6/4 | Jovial Beggars, The (t) | PL-E | Playford 1-17, 1721 | 70 | VN |
//12/34//5/6//543/2 | 6/4 | Jovial Beggars, The (t) | PL-E | Playford 1-18, 1728 | 70 | VN |
//1234//56543//21214//456576//5443// | C/ | Ut Re Mi Fa Sol La (t) | MS-E | Nevell MS, 1591 | 68-76 | VI |
//123456/543213//4321/212325-//123456/54 3213// |
C | March, A (t) | IC-E | Prelleur Modern, 1731 | 15 | OB |
//1-2-3-4-5-6-5-4-/3-2-1-////5-4-5-6-6-/ 5-4-5-3-3-4-//5-5-6- |
C/ | Air 3 (t) | IC-N | Roger Airs, 1716 | 1:2 | 2CH/TR/OB/VN/FL/CL/HN |
/1234//565/4321//7-5-/51+7//65/ | 2 | Impromptu, L' (t) | IC-F | Leclerc Recueil-3, 1738 | 158 | HAF |
//12/34//5/6//543/23// | 3 | Duke of York's Delight, The (t) | IC-E | Apollo's Banquet 1-1, 1670 | 41 | VN |
//12/34//5/6//543/23// | 3 | Parthenia (t) | IC-E | Musicks Hand-Maid-1, 1678 | 25 | VI/HA |
//12/34//5/6//543/23 | 6/4 | Jovial Beggars, The (t) | PL-E | Playford 1-13, 1706 | 70 | VN |
//12/34//5/6//543/23// | 3 | Parthenia (t) | IC-E | Playford Skill, 1674 | 119 | VN |
//12/34//5/6//543/23 | 6/4 | Jovial Beggars, The (t) | DA-E | Walsh CD-1.1, 1718 | 83 | VN/OB/FL |
//12/34//5/6//543/23 | 6/4 | Jovial Beggars, The (t) | DA-E | Walsh CD-3.1, 1754 | 71 | VN/OB/GF |
//1234//56//54//3231//443//2 | 3/4 | IC-E | Simpson Horn, 1746 | 4R | HN | |
/12//34/56//5/43//231/7-1// | 2 | Pie, La. Contredanse Française (t) | DA-F | Bouin CD LC-2 , 1780 | 211 Feuille 8. Vol | MI |
//12/34//56/54//32/34 | 6/8 | Wha'll Be King But Charlie (t) | AM-A | Canfield MS, 1823 | 126 | FL |
//12/34//5/6//543/23//4/3 | 3 | #31 (t), or Parthenia, A Dance (at) | PL-E | Playford 1-3b, 1665 | II,44 | VN |
//1234//56//54323//43//217-12//5-5-3// | C3 | Parthenia (t) | IC-E | Apollo's Banquet 1-2, 1678 | 30 | VN |
//1234//56//54323//43//217-12//5-5-3// | C3 | Parthenia (t) | IC-E | Apollo's Banquet 1-5, 1687 | 24 | VN |
//1234//56//54323//43//217-12//5-5-3// | C3 | Parthenia (t) | IC-E | Apollo's Banquet 1-6, 1690 | 13 | VN |
//12/345//6543/2//51/234// | C/ | Song Tune In the Pillgrim (t) | IC-E | Apollo's Banquet 1-8, 1701 | 11r,61 | VN |
//123456//543//3215-//123456//543 | 3/8 | Cato's Advice (t) | SS-E | SS, Folger-C42.3 | 397 | VO,KB+FL |
//1234//5654//3322 | 2/4 | Paddys Flight to London (t) | DA-E | Thompson CD-5, 1788 | 39 | VN/GF/OB |
//12/34//56/54//33/22// | 2/4 | Paddys Flight to London (t) | DA-E | Thompson CD-5a, 1788 | 39 | VN/GF/OB |
//12//345//65//43//34543 | 3 | Vain were graces (fl) | SS-E | SS, Folger-C42.2 | 145 | VO,KB+F |
//12//345//65//43//34543 | 3/8 | Vain were graces (fl) | SS-E | SS, Folger-C42.3 | 378 | VO,KB+FL |
//1/2//3/4//565/434 | 6/8 | Begone Dull Care (t) | IC-E | Andrews Fife, 1808 | 19 | FI/GF |
//1/2//3/4//565/434// | 6/8 | Begone Dull Care (t) | IC-E | Cahusac Flute, 1798 | 30 | FL |
//1/2//3/4//565/434 | 6/8 | Begone Dull Care (t) | AM-A | Canfield MS, 1823 | 55 | 2FL |
//1/2//3/4//565/434 | 6/8 | Begone Dull Care (t) | AI-A | Herrick Preceptor, 1807 | 58 | 2MI |
//1/2//3/4//565/434 | 6/8 | Be Gone Dull Care (t) | AM-A | Hooves MS, 1817 | 50 | 2FI |
//1/2//3/4//565/434 | 6/8 | Begone Dull Care (t) | AM-A | Hosmer MS, 1799 | 5 | 2GF |
//1/2//3/4//565/434 | 6/8 | Begone Dull Care (t) | AI-A | Instrum Asst-2, 1807 | 17 | 2MI,2HN,B |
//1/2//3/4//565/434// | 6/8 | Begone Dull Care (t) | AM-A | Irving MS, 1796 | 68 | 2 MI |
//1/2//3/4//565/434 | 6/8 | Duett for Two Manduras (t) | AI-A | Phila Pock Comp, 1794 | 8-9 | 2VO/2MANDURAS |
//1/2//3/4//565/434 | 6/8 | Begone Dull Care (t) | AI-A | Riley Flute 2, 1817 | 11 | FL |
//1/2//3/4//565/434// | 6/8 | Be Gone Dull Care (t) | AM-E | Wheatstone Clarinet, 1801 | 75 | 2CL |
//1/2//3/4//565/434// | 6/8 | Begone Dull Care (t) | IC-E | Wilson Fife, 1805 | 33 | 2FI |
//1/2//3/4//565/434 | 6/8 | Begone Dull Care (t) | AM-A | Woodruff MS, 1803 | 99,103 | 2MI |
//1234//5654//342 | 3/8 | Scotch Assembly, The (t) | IC-E | Rutherford Fife, 1756 | 13 | FI |
//1234/56543//42+23/25-//1234/5671+ | C/ | Hot Work (t) | DA-E | Johnson CD-7, 1756 | 86 | VN/GF |
//12/34//565/4//343/2 | C | Gardener's March, The (t) | IC-S | Aird 1, 1782 | 61 | FI/VN/GF |
//12/34//56//543/432 | C/ | Gavott (t) | MS-S | Gillespie MS, 1768 | 35 | VN |
//12/34//5/6//543/432 | C/ | Contented Cuckold, The (t) | SC-E | Musical Cent-1, 1737 | 4 | VO,HAF+FL |
//12/34//56//543/432//321 | C/ | Gavot by Mr. Maclean (t) | IC-S | Stewart Airs, 1788 | 1:10 | GF/VN/FI |
//12/34//56//543/432//321 | C/ | Gavot (t) | IC-S | Stewart Marches, 1761 | 1 | VN/GF/OB,VC/HA |
//123456//543//432//3215- | 3/8 | Cato's Advice (t), or Song 149 (at) | SC-E | Calliope, 1788 | 280-281 | VO |
//123456//543//432//3215- | 3/8 | Song 14 (t), or Catos Advice (at) | SC-E | Ritson, 1783 | TII,12-13;MIII,177-178 | VO |
//123456//543//432//3215-//1 | 3/8 | Cato's Advice (t) | AM-A | Simpson MS, 1750 | II,17 | FL |
//123456//543//432//3215-//123456 | 3/8 | What Cato advises most certainly wise is (fl) | SC-E | Amaryllis, 1760 | II,19 | GF/VO/OB,HAF+FL+GF |
//123456//543//432//3215-//123456 | 3/8 | Cato's Advice (t) | SC-E | Musical Cent-1, 1737 | 48 | VO,HAF+FL |
//123456//543//432//3215-//123456 | 3/8 | Cato's Advice (t), or Jovial Companions, The (at) | SC-E | Musical Ent-2, 1740 | 18 | VO,HAF+FL |
//12/34//56/54//34/32//5/2 | 2/4 | Girls are known to mischief prone (fl) | TW-E | Midas-1, 1764 | 15 | VO,HAF |
//1/2//3/4//565/434//3/5- | 6/8 | Begone Dull Care (t) | IC-E | Cahusac Flute, 1792 | 30 | GF |
//1234/56543//456/71+75//4234/3543// | C/ | Breevs of Solitude (t) | AM-A | Bevens MS, 1825 | 14v | FI |
//12/34//56/54//3531/2427- | 2/4 | Allemanda (t) | IC-S | Aird 3, 1788 | 201 | FI/GF/VN |
//12/3456//54/3543//21/7-654 | C | His Excellency Governor Clinton's Grand March and Quick Step (t) | AI-A | American Sheet Music | 3 | PF |
//123456//543//654321//7-6-7-5-//15-3-5- 1//27-5-7-2// |
3/4 | New Minuet, A (t) | DA-E | London Magazine | 522, 1752 | MI |
//1//2//345//654//432 | 3/4 | AM-A | Aborn MS, 1790 | 95 | MI | |
//12345//65//443//32//117- | 3 | Mr. Leveridge's Good Advice (t) | SS-E | SS, Folger-C42.3 | 474 | VO,KB+FL |
//12345//65//443//32//117- | 3 | Good Advice (t) | SC-E | Watts MM-4, 1730 | 24-26 | VO,HA |
//12345//65//443//32//117-//7-6-5-// | 3/4 | Minuet (t) | IC-E | Prelleur Modern, 1731 | 45 | VN |
//12/34//565/44//343/21 | C/ | Gardener Wi' His Paidle, The (t) | SC-S | Scots MM-3, 1790 | 229 | VO,PF |
//123/456//545/15//671+/71+6//5 | 6/8 | Wit Preferable to Beauty (t) | SS-E | SS, Harvard | 1 | VO,KBF+FL |
//12345//654//543 | 3/4 | Tattoo (t) | IC-E | Andrews Fife, 1808 | 16 | FI/GF |
//12345//654//543 | 3/4 | Tattoo (t) | AI-A | Fifer's Comp, 1805 | 5 | 2FI |
//12345//654//543 | 3/4 | Tattoo (t) | IC-E | Longman Fife, 1780 | 14 | FI/GF |
//12345//654//543 | 3/4 | Tatoo (t) | IC-E | Preston Fife, 1796 | 14 | FI/GF |
//12345//654//543 | 3/4 | Tattoo (t) | IC-E | Rutherford Fife, 1756 | 16 | FI |
//12345//654//543 | 3/4 | Tattoo (t) | IC-E | Skillern Fife, 1780 | 15 | FI/GF |
//12345//654//543 | 3/4 | Tattoo (t) | IC-E | Thompson Fife, 1760 | 16 | FI |
//12345//654//543 | 3/4 | Tattoo (t) | AI-A | Village Fifer, 1808 | 9 | FI |
//1234/565//454/3//1234/543 | C | General Marsch (t) | MS-G | Darmstadt MS 1224 | 65 | MI |
//1234/565//454/3//1234/543 | C/ | General Marsch (t) | MS-G | Darmstadt MS 1224 | 334 | MI |
//12345//654//543//43212 | 3/4 | Tattoo. The First Part to Be Continued While Ye Drums Rolls (t) | AM-A | Gibbs MS, 1777 | 9 | FI |
//12345//654//543//43212//33 | 3/4 | Tatto.-The First Beat to Be Performed While the Drums Roll (t) | AI-A | Robinson Coll, 1818 | 50 | FI,DR |
//12345//654//543//43212//33 | 3/4 | Tattoo.-The First Part to Be Performed While the Drums Roll (t) | AI-A | Robinson Coll, 1820 | 66 | MI |
//12345//654//543//43212//33 | 3/4 | Tattoo.-The First Part to Be Performed While the Drums Roll (t) | AI-A | Robinson Coll, 1826 | 66 | MI |
//12345//654//543//43212//33 | 3/4 | Tattoo(the 1st Part to Be Continued While the Drum Rolls) (t) | IC-E | Thompson Fife, 1770 | 16 | FI |
//12345//654//543//43212//33 | 3/4 | Tattoo (t) | AI-A | Williams Fife, 1819 | 10 | FI |
//12345//654//543//43212//33 | 3/4 | Tattoo (t) | AI-A | Williams Fife, 1826 | 6 | 2FI |
//12345//654//543//43212//33//12123 | 3/4 | Tattoo (t) | IC-E | Clementi Fife, 1815 | 14 | FI |
//12345//654//543//43212//33//12123 | 3/4 | Tattoo.-The First Part to Be Performed While the Drums Roll (t) | AI-A | Glazier Fife, 1830 | 33 | FI |
//12345//654//543//43212//33//12123 | 3/4 | Tattoo (the First Part to Be Continued While the Drum Rolls) (t) | IC-E | Longman Fife, 1770 | 16 | FI |
//12345//654//543//43212//33//12123 | 3/4 | Tattoo. The First Part to Be Continued While the Drum Rolls (t) | AI-A | Robbins D&F, 1812 | 60 | FI |
//12345//654//543//43212//33//12123// | 3/4 | Tattoo (t) | IC-E | Thompson Fife, 1786 | 15 | FI/FL |
//1234//5654//56546//545//5-6-7-//1217- | 3/8 | Warbung (t) | MS-G | Darmstadt MS 1225 | 81-82 | 2MI |
//1-2-/3-4-//5-6-5-/5-1//5-6-5-/5-4-3- | 6/8 | Vor Gattrung (t) | MS-G | Darmstadt MS 1224 | 229 | MI |
//123456//5555//6461+6//515//534231//2 | 3/4 | Though to have a bout of drinking (fl) | TW-E | Deserter, 1773 | 26-27 | VO,KBF |
//12/3456//55/6567//1+5/1+5 | C/ | Musquetier Marche (t) | MS-G | Darmstadt MS 1224 | 263 | MI |
//1234//5655//6567/1+5//1+5/1+5 | C/ | Alt Musquetier March (t) | MS-G | Darmstadt MS 1224 | 352-53 | 2MI |
//1234//5655//6567/1+5//1+5/1+5 | C/ | Alter Hessen Musquetier March (t) | MS-G | Darmstadt MS 1225 | 221 | MI |
//1234//56//561+//321//2 | 3/4 | Mary Scot (t) | AI-A | Scots MM, 1797 | 33-34 | VO,HA/PF |
//1234//56//561+//321//235 | 3/4 | Mary Scott (t) | IC-E | Caledonian PC, 1760 | I,4 | GF |
//1234//56//561+//321//235//6 | 3/4 | Mary Scot (t) | IC-E | Thumoth, 1785 | 8-9 | GF/VN,HAF |
//1-2-3-4-//5-6-//5-6-1//3-2-1-//2-3-5-/ /6-12 |
3/4 | Mary Scot (t) | AI-A | Caladonian Muse, 1798 | 33-34 | VO/PF/VN |
//1234/56//561+3/325-//1234/561+2+ | C | Adagio In Oscar & Malvina (t) | IC-E | Eley Pieces 2, 1790 | 9 | 2CL,2OB/CL,2HN,TR,2BS |
//12/34//56/5//64/1+ | 2/4 | Allegro, An (t) | AI-A | Riley Flute 3, 1820 | 1 | FL |
//12/34//56/56//4/3 | 2/4 | Boston Delight (t) | AM-A | Greenwood MS, 1785 | 63 | MI |
//1234/56//564/321//1234/54+// | 6/8 | Tuzzy muzzy (t) | DA-N | Andrez Recueil, 1780 | 30 | VN/FL/OB, B |
//1234/56//564/321//1234/54+ | 6/8 | Huzzy Muzzy (t), or Fuzzy Muzzy, (at) | DA-E | Johnson CD-3, 1744 | 33 | VN/GF |
//1234/56//564/321//1234/54+// | 6/8 | No. 33 (t) | DA-E | Leichte Englische, 1795 | 33 | MI |
//1234/56//564/321//1234/54+ | 6/8 | Tuzzy Muzzy (t) | DA-E | Walsh CD-2.4, 1747 | 23 | MI |
//1234/56//564/321//1234/54+ | 6/8 | Tuzzy Muzzy (t) | DA-E | Walsh CD-3.4, 1747 | 23 | VN/OB/GF |
//1234//5656//5//1+71+//6656// | C 3-1 | Courant (t) | MS-E | Rogers MS, 1656 | 91 | VI |
//12/34//5656/543//2123/456 | C | Mary's Dream(scotch) (t) | AM-A | Cary MS, 1797 | 39-40 | VO |
//12/34//56/56//5653/4321 | C/ | Ballad In Praise of a Certain Commander, A (t) | SC-E | Pills 5, 1719-20 | 56-57 | VO |
//123/456//567/1+//1+76/543 | 6/8 | Dunstable Bonnet, The (t) | DA-E | Thompson CD-2, 1765 | 79 | VN/GF/OB |
//123/456//567/1+//1+76/543// | 6/8 | Dunstable Bonnet, The (t) | DA-E | Thompson CD-2a, 1765 | 79 | VN/GF/OB |
//12/34//5/6//567/1+5 | C/ | Zapffenst. No 32. V. Darmstadt (t) | MS-G | Darmstadt MS 1225 | 303-4 | 2MI |
//1234//56//5671+6//543231//235//61+2+// |
3/4 | Mary Scot with the Variation (t) | IC-E | Rutherfoord Violin, 1755 | 15 | VN |
//123/456//567/1+//671+/2+3+1+// | 6/8 | Prince de la Cour (t) | DA-E | Skillern CD, 1782 | 4 | MI |
//1-2-3-/4-5-6-//5-6-7-/167//1+64/531// | 6/8 | Prince Ferdinand's Triumph (t) | DA-E | Universal Magazine | 1:39, 1760 | MI |
//123/456//567/1+76//2+67/765//5/5 | 6/4 | Jovial Prisoner, The (t) | SC-E | Pills 6, 1719-20 | 186 | VO |
//123456//571+//767567//1+1//1+2+3+2+1+3 +//2+ |
3/4 | Minueto (t) | MS-M | Garcia MS, 1772 | 95 [220] | MI |
//12/3456//641+7/1+65// | C/ | Fantasia (t) | MS-E | Fitzwilliam MS-2, 1609 | 270-272 | VI |
//1/23//4/5/6//6/5//4/3//2/1// | C/ (6/2) | Ut, Re, Mi, Fa, Sol, La (t) | MS-E | Fitzwilliam MS-2, 1609 | 281-291 | VI |
//12/34//56/6543//212/14// | C/ (8/4) | Ut, Re, Mi, Fa, Sol, La (t) | MS-E | Fitzwilliam MS-1, 1609 | 395-400 | VI |
//123456//65545//1+53135//542//123456 | 3/4 | Neapolitan Waltz (t) | AI-A | Riley Flute 2, 1817 | 71 | FL |
//123456//65545//1+53135//542//123456//6 5545// |
6/8 | Neapolitan Waltz (t) | AI-A | Neapolitan Waltzes, 1814 | 1 | PF |
//1234567/1+1+1+1+//1+7///671+//2+2+3+4+ |
C/ | March (t) | MS-G | Darmstadt MS 1223 | 2OB,TR,BS | |
//1234/567//1+1/16//543/21 | C/ | Zapffenst. No 27. V. Stolberg (t) | MS-G | Darmstadt MS 1225 | 299-300 | 2MI |
//12/34//567/1+1//17-1/43//2 | 6/8 | Spring with smiling face is seen, The (fl) | TW-E | Poor Soldier, 1782 | 19 | VO,KB |
//12/34//567/1+1//17-1/543 | 6/8 | Spring with Smiling Face, The (t) | AI-A | Reinagle Fav-1, 1789 | 12 | PF/HA,VO |
//12/34//567/1+1//17-1/543 | 6/8 | Spring (t) | AM-A | Van Renssel. MS, 1782 | I,59 | VO,KB |
//1/234//5/671+//135/1+2+3+2+1+// | [6/8] | 3. (t) | DA-P | Ibarra 24 CD, 1775 | II:3 | 2VN,B |
//1234/5671+//1353/27-5-//1234/56 | C | Rejoicing Night, The (t) | DA-E | Bride CD, 1776 | I,5 | VN/OB/GF |
//12345671+1+//566//6-7-1234566//456//5- 6-7-123455//3 |
3/4 | Sonata 1. (t) | AM-A | Hiester MS-1, 1793 | 10-13 | HA |
//1234/567//1+1+/7655//65432 | 3/8 | Charmer, The (t) | SC-E | Calliope, 1746 | I,31 | VO,B+FL |
//1234//567//1+1+//7655//65432 | 3/4 | Minuet (t) | IC-E | Delightful-1, 1763 | V,8 | 2GF |
//1234/567//1+1+/7655//65432 | 3/8 | Charmer, The (t) | SS-E | SS, Folger-C42.3 | 257 | VO,KB+FL |
//1234/567//1+1+7655//65432 | 6/8 | Air In Demetrius (t) | IC-E | Waylet Oboe, 1745 | 4 | OB |
//1234/567//1+1+/7655//65432/54321// | 6/8 | Stella Darling of the Muses (t) | IC-E | Johnson Flute, 1760 | 14 | GF |
//1234/567//1+1+/7655//65432/54321 | 6/8 | Stella Darling of the Muses (t) | IC-E | Johnson Oboe, 1750 | 15 | OB |
//1234/567//1+1+/7655//65432/54321 | 6/8 | Charmer, The (t) | SS-E | SS, Huntington-1 | 10 | VO,KB+FL |
//1234/567//1+1+/7655//65432/54321 | 3/8 | Stella Darling (t) | IC-E | Simpson Record, 1745 | 14 | RC |
//1234567//1+1+7655//6543254321//565432 | 3/8 | Song 3 (t) | SC-E | Ritson, 1783 | TI,174;MIII,79-80 | VO |
//1234/567//1+2+/1+543//6564/32// | C | Song, A (t) | MS-S | Fife MS, 1780 | 745,81v | 1FI OR 2FI/VN |
//1234/5671+//2+1+73+/2+1+76//54321/25// |
C/ (8/4) | Pavana (t) | MS-E | Fitzwilliam MS-1, 1609 | 27-28 | VI |
//12//3456//7-1//217-6-5-//12317-1//6-43 // |
3/8 | Anniversary Ode of the Tuesday Club, for the Year: 1750, Menuet for His Hon | AM-A | Tuesday Club MS, 1745 | 7/148 | 2MI |
//1234/5671+//2+1+76/5432//3454/43434323 // |
C/ | Preludium (t) | IC-E | Musicks Hand-Maid-1, 1678 | 1 | VI/HA |
//123/456//71+2+/3+1+//123/456 | 2/4 | Duke's Birth Day, The (t) | DA-E | Johnson CD-4, 1748 | 31 | VN/GF |
//123/456//71+2+/3+1+//123/456//4+3+2+ | 2/4 | Duke's Birth Day, The (t) | DA-E | Rutherf CD-2.1, 1756 | 46 | VN/GF/OB |
//12345671+2+//3+1+5431//2345671+2+3+//4 +2+61+75//12345671+2+ |
3/2 | Bow Fair (t) | DA-E | Johnson CD-1, 1740 | 12 | MI |
//12345671+2+//3+1+5431//2345671+2+3+//4 +2+61+75 |
3/2 | Bow Fair (t) | DA-E | Walsh CD-2.3, 1735 | 202 | VN/OB/GF/CF |
//12345671+2+//3+1+5431//2345671+2+3+//4 +2+61+75//12345671+2+ |
3/2 | Bow Fair (t) | DA-E | Walsh CD-3.3, 1749 | 190 | VN/OB/GF |
//12/345//6-7-1/234 | 6/8 | Kiss Me Early (t) | DA-E | Johnson CD-5, 1750 | 32 | VN/GF |
//123/456//71+2+/3+4+3+//2+/5// | 3 | White-hall (t) | MS-F | Lorin MS-1, 1685 | 9v-10r | MI |
//123/456//71+2+/3+4+3+/2+/5 | C3 | Whitehall (t) | PL-E | Playford 1-05, 1675 | 160(158) | VN |
//123/456//71+2+/3+4+3+//2+/5 | C3 | Whitehall (t) | PL-E | Playford 1-06, 1679 | 158 | VN |
//123/456//71+2+/3+4+3+//2+/5 | C3 | Whitehall (t) | PL-E | Playford 1-07, 1686 | 158 | VN |
//123/456//71+2+/3+4+3+//2+/5 | C3 | Whitehall (t) | PL-E | Playford 1-08, 1690 | 144 | VN |
//123/456//71+2+/3+4+3+//2+/5 | C3 | Whitehall (t) | PL-E | Playford 1-09, 1695 | 86 | VN |
//123/456//71+2+/3+4+3+//2+/5 | 6/4 | White-Hall (t) | PL-E | Playford 1-10, 1698 | 86 | VN |
//123/456//71+2+/3+4+3+//2+/5 | 6/4 | White-Hall (t) | PL-E | Playford 1-11, 1701 | I,86 | VN |
//123/456//71+2+/3+4+3+//2+/5 | 6/4 | White-Hall (t) | PL-E | Playford 1-12, 1703 | 86 | VN |
//123/456//71+2+/3+4+3+//2+/5 | 6/4 | White-Hall (t) | PL-E | Playford 1-13, 1706 | 86 | VN |
//123/456//71+2+/3+4+3+//2/5 | 6/4 | Whitehall (t) | PL-E | Playford 1-14, 1709 | 86 | VN |
//123/456//71+2+/3+4+3+//2+/5 | 6/4 | White-Hall (t) | PL-E | Playford 1-15, 1713 | 86 | VN |
//123/456//71+2+/3+4+3+//2+/5 | 6/4 | White-Hall (t) | PL-E | Playford 1-16, 1716 | 86 | VN |
//123/456//71+2+/3+4+3+//2+/5 | 6/4 | White-Hall (t) | PL-E | Playford 1-17, 1721 | 86 | VN |
//123/456//71+2+/3+4+3+//2+/5 | 6/4 | White-Hall (t) | PL-E | Playford 1-18, 1728 | 86 | VN |
//123/456//71+2+/3+4+3+//2+/5// | 3 [=6/4] | White-Halle Contre-Danse Angloise (t) | IC-F | Pointel Airs, 1700 | 9 | MI,B |
//123/456//71+2+/3+4+3+//2+/5 | 6/4 | Whitehall (t) | DA-E | Walsh CD-1.1, 1718 | 98 | VN/OB/FL |
//123/456//71+2+/3+4+3+//2+/5 | 6/4 | Whitehall (t) | DA-E | Walsh CD-2.1, 1731 | 31 | VN/OB/GF/RC |
//123/456//71+2+/3+4+3+//2+/5 | 6/4 | Whitehall (t) | DA-E | Walsh CD-3.1, 1754 | 51 | VN/OB/GF |
//123456//71+2+3+4+3+//2+5//432321//6-7- 17-6-5-// |
C3 | New Dance Call'd White-hall (t) | IC-E | Apollo's Banquet 1-2, 1678 | 89 | VN |
//12/345//6-7-/123//4-4/321//7-117-1 | C | Address to Caelia (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//1-2-3-4-5-6-7-/1234567//1+765432/17-6- 5-4-3-2-//1- |
C | Hall Pursuit (t) | TW-E | Harlequin Dr. F, 1766 | 10 | HAF,GF/VN |
//12/34//567/1+2+//3+4+/62+ | C | March Largo (t) | IC-E | Valentine March, 1769 | 10 | 2VN,2OB,2HN,BF |
//12345671+3+//12345671+2+//12345671+3+/ /4+3+2+1+76541+//1+765 |
3/4 | Battle Piece-4 (t), or General Attack (at) | TW-E | Oscar & Malvina, 1791 | 25 | KB |
//1234/567//1+3/2//6543/23// | C/ | Love Is Lost and Gone Astray (t) | IC-E | Playford Skill, 1674 | 70 | 2VO |
//1//2//3456//7-//13-5- | 3/4 | Minuet (t) | IC-E | Delightful-1, 1763 | V,2-3 | 2GF |
//1/23//45/67//1+5/31 | 2/4 | Sallys Favourite (t) | DA-E | Thompson CD-3, 1773 | 27 | VN/GF/OB |
//1/23//45/67//1+5/31// | 2/4 | Sallys Favourite (t) | DA-E | Thompson CD-3a, 1773 | 41 | VN/GF/OB |
//1/234//567/1+53//1/234 | 6/8 | Little Driver (t) | DA-E | Johnson CD-8, 1758 | 94 | VN/GF |
//1/234//567/1+53//1/234 | 6/8 | Little Driver (t) | DA-E | Thompson CD-1, 1757 | 75 | VN/GF/OB |
//1/234//567/1+53//1/234// | 6/8 | Little Driver (t) | DA-E | Thompson CD-1a, 1757 | 77 | VN/GF/OB |
//1234/5671+//5321/27-6-5-//1234/5671+ | C | Rioters, The (t) | DA-E | Thompson CD-2, 1765 | 81 | VN/GF/OB |
//1234/5671+//5321/27-6-5-//1234/5671+// |
C | Rioters, The (t) | DA-E | Thompson CD-2a, 1765 | 83 | VN/GF/OB |
//12/3456//71+53/4321//2325-/3431 | C/ | Polley's Delight (t) | DA-E | Johnson CD-7, 1756 | 10 | VN/GF |
//1/234//567/1+53//654/321 | 6/8 | Jockey of the Green (t) | DA-E | Thompson CD-6.5, 1793 | 55 | MI |
//12//34//5671+5//43 | 3/4 | Nitto (t) | AM-A | Simpson MS, 1750 | I,8 | FL |
//1234/5671+//54/31+//54/31+// | 2/4 | Jacques Lutin ou l'Angloise (t) | DA-N | St. Flour Contredanses, 1757 | 21 | KB |
//1234/5671+//553/1321//25-/5-321 | C | Grand Canal March (t) | AI-A | American Sheet Music | PF | |
//1234-//5-67//1+5-//5-35-//5-35-//5-32 | 3/8 | When Faintly Gleams (t) | IC-E | Preston Bassoon, 1790 | 16 | BS |
//1-2-3-4-5-6-7-/15-6-7-1234//51234567/1 +71+71+531//65656432/5 |
C | Prelude In D (t) | AI-A | Riley Flute 3, 1820 | 63 | FL |
//1234567/1+567//1+551+/2+223//1234 | C/ | Drunken Wives of Aberdeen, The (t) | DA-E | Rutherf CD-2.1, 1756 | 71 | VN/GF/OB |
//12/34//5/67//1+6/5 | 6/8 | Ban, Un (t) | IC-F | French Ordinances | App.20 | DR,FI |
//123/45671+6//756/52+//2+1+767/1+61+71+ 71+767// |
C/ (8/4) | Fantasia (t) | MS-E | Fitzwilliam MS-1, 1609 | 406-410 | VI |
//123/45671+6//756/52+//2+1+767/1+61+71+ 71+767// |
C/ | Fancie, A (t) | MS-E | Nevell MS, 1591 | 204-210 | VI |
//12/34//56/71+//71+/76 | 2/4 | Lord Harrington's Volunteers (t) | DA-E | Skillern CD, 1780 | 10 | VN/GF/OB |
//12//34//5671+//75//6543 | 3/4 | Minuet Simple (t) | AM-A | Psalmody MS, 1798 | 106 | MI |
//12//34//5671+//75//6543//23// | 3/4 | Minuet (t) | IC-E | Goulding Cello, 1799 | 17 | VC |
//1234//5671+//76 | 3/4 | New Song, A (t) | SC-E | Clio-2, 1759 | 185 | VO,HA |
//1/2//345/6//71+76/5// | C/ (8/4) | Pavana Doloroso, Treg[ian]. 11 (t) | MS-E | Fitzwilliam MS-1, 1609 | 321-326 | VI |
//1/2/345/671+//765/432/1 | 12/8 | Bacchanalian Song, A (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//1/2/345/671+//765/432/1/2345 | 12/8 | Bacchanalian Song, A (t) | SS-E | SS, Folger-C42.3 | 16 | VO,KB+FL |
//1/2/345/671+//765/432/12/345 | 12/8 | Bagpipe Song, Ye (t) | SS-E | SS, Folger-C42.3 | 423 | VO,KB+FL |
//1234//5671+//76//54//3216//543//32 | 3/4 | Fanny (t) | SS-E | SS, Harvard | 1 | VO,KBF |
//1234/567//1+76/543//222 | C | March 6 (t) | IC-E | Thompson March, 1770 | 3 | 2VN/2GF/2OB,2FH,BF |
//1234/567//1+76/543//222/2345 | C | Old Buff's March, The (t) | IC-E | English Sheet Music | 1 | 2OB/VN,2HN,BF |
//1234/567//1+76/543//222/2345 | C | Old Buffs March, The (t) | IC-E | Skillern Amus, 1785 | 55 | 2GF |
//1234/567//1+76/543//222/2345 | C/ | Old Buffs March, The (t) | IC-S | Stewart Marches, 1761 | 16 | 2VN/GF/OB,VC/HA |
//1234/567//1+76/543//222/2345 | C | March 1 (t) | IC-E | Thompson March, 1775 | 1 | OR/HA/PF |
//1-2-3-4-/5-6-7-//17-6-/5-4-3-//6-6-/4- 3-4-2- |
C/ | Fahnen Troupp Flantz Oder Borck (t) | MS-G | Darmstadt MS 1224 | 244,246 | 2MI |
//1234567/1+7655//66-55-/4321432//123456 75/1+671+2+1+ |
C/ | Leather Lane (t) | DA-E | Johnson CD-2, 1742 | 7 | MI |
//1234567/1+7655//66-55-/4321432//123456 75/1+671+2+1+ |
C/ | Leather Lane (t) | DA-E | Walsh CD-2.3, 1735 | 101 | VN/OB/GF/CF |
//1234567/1+7655//66-55-/4321432//123456 75/1+671+2+1+ |
C/ | Leather Lane (t) | DA-E | Walsh CD-3.3, 1749 | 105 | VN/OB/GF |
//1234/567//1+76/56//543/4654 | C/ | Zapffenst. No 21. V. Wurtzburg (t) | MS-G | Darmstadt MS 1225 | 291-92 | 2MI |
//123/456//72+1+/765//642/124// | 6/8 | New Lango Lee (t) | AM-A | Bush MS, 1779 | 58 | VN |
//12/34//56/75//1+/1+// | 2/4 | Swift Revaley, The (t) | MS-S | Fife MS, 1780 | 50,6r | 1FI OR 2FI/VN |
//12/34//56/75//1+/1+// | 2/4 | Hesian Reviley (t) | AM-A | Hoff MS, 1797 | No. 33 | GF |
//1234/5675//1+1+1+2+1+/75/66676/5 | C | Hessian Reveilly, A (t) | AM-A | Huntington MS, 1817 | III.35 | FL/VN |
//1234/5675//1+1+/1+5//66/53// | 4 | Austrian (t) | AI-A | US Tactics, 1835 | 5 | FI,DR |
//1-2-3-4-5-6-7-5-/11-1//7-6-5-6-7-123/4 4-4//15-//1-4-3- |
C/ | Air by An Eminent Master (t) | MS-E | Shepherd MS, 1787 | 37 | 2MI |
//1-2-3-4-5-6-7-5-/11-1//7-6-5-6-7-123/4 4-4//32123234/55- |
C/ | Air (t) | IC-E | Delightful-2, 1745 | IV,34 | GF |
//1234/5675//1+1+/75//66/53 | C | Austrian, The (t) | AI-A | Ashworth D&F, 1812 | 29 | FI |
//1234/5675//1+1+/75//66/53 | C | Austrian, The (t) | AM-A | Beach MS, 1801 | 102 | MI |
//1-2-3-4-/5-6-7-5-//11/7-5-//6-6-/5-3- | C | Austrian Reveille, The (t) | AI-A | Camp Dupont, 1816 | 5 | 2GF/FI/VN,PF |
//1234/5675//1+1+/75//66/53 | 4 | Austrian (t) | AI-A | Cooper System, 1836 | 224 | FI,DR(NOT) |
//1234/5675//1+1+/75//66/53// | C/ | Revalle 2, The (t) | AM-A | Johnson, S. MS, 1807 | 32 | FI |
//1234/5675//1+1+/75//66/53 | 2/4 | Austrian Reveille, The (t) | AI-A | Rumrille D&F, 1817 | 39-40 | FI |
//1234/5675//1+1+/75//66/54// | C/ | Soldier's Dinner Drum (t) | IC-E | Wilson Fife, 1805 | 18 | FI |
//1234/5675//1+1+/75//6661+/53// | 2/4 | Heshians (t) | AM-A | Bevens MS, 1825 | 20v-21r | FI |
//1234/5675//1+1+/7//66/5 | C | Reveille, The.3rd (t) | AM-A | Hooves MS, 1817 | 40 | FI |
//1234/5675//1+3+2+1+/765 | C | Scene, An Old Garrat (t) | TW-E | Choice/Harleq, 1781 | 31 | HAF |
//1234/5675//1+3+5+3+/1+765//51+62+/1+3+ 2+4+ |
C/ | New Highland Reel (t) | DA-E | Thompson CD-6.3, 1791 | 27 | MI |
//1-2-3-4-5-6-7-5-/15-//15-15-3-5-3-5-/1 -2-//3-4-2-4-3-4-2-4 |
C | IC-E | Forest Harmony-2, 1733 | 20-21 | 2HN/GF/TR/VN | |
//1234/5675//1+71+5/6543//4321/1234// | 2/4 | Devils Hobby Horn, The (t) | AM-A | Johnson, S. MS, 1807 | 10 | FI |
//1234/5675//1+71+5/6543//4321/1234// | C | Devils Hobby Horse, The (t) | AM-A | Treat MS, 1779 | 16v | FI/GF |
//1234/5675//1+76/55//6432/5321// | C | Justice Ballance (t) | MS-S | Fife MS, 1780 | 410,42v | 1FI OR 2FI/VN |
//1234/5675//1+76/55//6432/5321 | C/ | Justice Ballance (t) | DA-E | Thompson CD-4, 1780 | 20 | VN/GF/OB |
//1234/5675//1+76/55//6432/5321// | C/ | Justice Ballance (t) | DA-E | Thompson CD-4a, 1780 | 21 | VN/GF/OB |
//1234/567//51+/76//567/55 | C | King Davids March (t) | AM-A | Dean MS, 1800 | I.25 | MI |
//12/34//56/75//671+/1+2+7// | 6/8 | Chasse Etrangere, La (t) | IC-F | Leclerc Recueil-1, 1729 | 65 | HAF |
//1-2-3-4-5-6-7-6-/11-1//7-6-5-6-7-123/4 4-4//32123234/55-4- |
C/ | Air by An Eminent Master (t) | IC-E | Thompson Oboe, 1758 | 21 | OB |
//12/34//56/765//671+ | 6/4 | Mouse Trap, The (t) | SS-E | SS, Folger-C42.2 | 18 | VO,KB+F |
//12/34//56/765//671+ | 3/4 | Mouse Trap, The (t) | SS-E | SS, Folger-C42.3 | 134 | VO+FL |
//12/34//56/765//671+ | 6/4 | Constant Lovers, The (t) | SS-E | SS, Folger-C42.4 | 83 | VO+FL |
//12/34//56/765//671+/2+75 | 6/4 | Air 5, Act I (t) | BA-E | Beggar's Opera, 1728 | T6-7M2 | VO |
//12/34//56/765//671+/2+75 | 6/4 | Air 5 (t) | BA-E | Beggar's Opera, 1777 | 30 | VO |
//12/34//56/765//671+/2+75 | 6/4 | Air 17 (t) | BA-E | Old Man-2, 1735 | 27 | VO |
//12/34//56/765//671+/2+75 | 6/4 | Mouse Trap, The (t) | SC-E | Pills 1, 1719-20 | 249-50 | VO |
//12/34//56/765//671+/2+75 | 6/4 | Old Hob (t), or Mouse Trap, The (at) | PL-E | Playford 2-3, 1718 | 255 | VN |
//12/34//56/765//671+/2+75 | 6/4 | Old Hob (t), or Mouse Trap, The (at) | PL-E | Playford 2-4, 1728 | 255 | VN |
//12/34//56/765//671+/2+75 | 6/4 | Old Hob (t), or Mouse-Trap, The (at) | DA-E | Walsh CD-1.2, 1719 | 277 | VN/OB |
//12/34//56/765//671+/2+75 | 6/4 | Old Hob (t), or Mouse Trap, The (at) | DA-E | Walsh CD-2.2, 1735 | 48 | VO/OB/GF/FL |
//12/34//56/765//671+/2+75 | 6/4 | Old Hob (t), or Mouse Trap, The (at) | DA-E | Walsh CD-3.2, 1749 | 48 | VN/OB/GF |
//12/34//56/765//671+/2+75//1+ | 6/4 | Ne'er scents so sweet the budding rose (fl) | BA-E | Patron, 1729 | 22 | VO |
//12/34//56/765//671+/2+75//1+ | 6/4 | Constant Lovers, The (t) | SS-E | SS, Harvard | 1 | VO+FL |
//12/34//56/765//671+/2+75//1+ | 6/4 | Mouse Trap, The (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//12/34//56/765//671+/2+75//1+ | 6/4 | Mouse Trap (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//12/34//56/765//671+/2+75//1+ | 6/4 | Marriage (t) | SC-E | Watts MM-5, 1731 | 108-110 | VO,HA+FL |
//12/34//56/765//671+/2+75//61+ | 6/4 | Air 21 (t) | BA-E | Generous Free, 1731 | 47 | VO |
//12/34//56/765//671+/2+75//61+/1+71+ | 6/4 | Air 5 (t) | BA-E | Beggar's Opera, 1765 | 26 | VO |
//1234/56-7-7//1+1+/7655//65432/54321 | 3/8 | Stelia Darling (t) | IC-E | Delightful-1, 1763 | IV,36 | GF |
//12/34//56/77//1+2+1+/76// | 3 | Mr. Freeman's Dance (t) | IC-E | Apollo's Banquet 1-1, 1670 | 50 | VN |
//12/34//56/77//1+2+1+/76// | 3 | Freemans Delight (t) | IC-E | Musicks Hand-Maid-1, 1678 | 12 | VI/HA |
//12/34//56/77//1+2+1+/76//55 | 3 | #35 (t), or Freemans Dance (at) | PL-E | Playford 1-3b, 1665 | II,45 | VN |
//12/345//7-1/217-//17-6-/5-4-3- | 6/8 | True Joak (t) | MS-E | Hammersley MS, 1790 | 43 | MI |
//12/345//7-1/234//17-6-/5-4-3- | 6/8 | True Joak (t) | DA-E | Johnson CD-1, 1740 | 7 | MI |
//12/345//7-1/234//17-6-/5-4-3- | 6/8 | True Joak (t) | DA-E | Walsh CD-2.3, 1735 | 41 | VN/OB/GF/CF |
//12/345//7-1/234//17-6-/5-4-3- | 6/8 | True Joak (t) | DA-E | Walsh CD-3.3, 1749 | 53 | VN/OB/GF |
//1-2-3-4-5-//7-5-//4-5-4-3-//2-1-2-3-2- //1-2-3-4-5-//7-5- |
3/8 | Durchlaut (t) | MS-G | Darmstadt MS 1224 | 283 | MI |
//12345/7-5-5-//6-5-6-7-1/3-1-1-//2-1-2- 3-4-/3-2-3-4-5-// |
6/8 | Rose Hill (t) | DA-E | Universal Magazine | 2:134, 1750 | MI |
//1+2+3+4+5+/755//65671+/311//21234/3234 5 |
6/8 | Rosehill (t) | DA-E | Johnson CD-5, 1750 | 23 | VN/GF |
//12/34//576/55//4/33 | C | Liberty (t) | SS-E | SS, Boston PL-1 | 180,1-3 | VO,KB |
//12345//7-65//654321//27-1//25-3 | 3/4 | Fig for Our Foes, A (t) | SC-E | Musical Cent-1, 1737 | 46 | 2VO+FL |
//1234/57//71+/6545//315-/1234 | C/ | Grenadier Marche de Onelli (t) | MS-G | Darmstadt MS 1224 | 207 | MI |
//12/34//65/33//54/22 | 2/4(ED) | Spanish War Song (t) | AI-A | Williams Fife, 1826 | 18 | FI |
//1234//6535-35-//5425-25-//35-15-15-//1 234 |
3/4 | Waltz (t) | AM-A | Hiester MS-2, 1793 | 56 | KB |
//1234/6543//2+1+76/54//3531/4642// | C | Astley's Hornpipe (t) | AM-A | Patten MS, 1800 | 10 | MI |
//123465/434321//6-1325-/25-7-6-//123456 /71+5321 |
6/4 | Tankard of Ale (t) | AM-A | Woodruff MS, 1803 | 95 | VN |
//12/34//6545/23//43/3221 | C/ | Woman's Heart Is Free (t) | AI-A | Riley Flute 3, 1820 | 12 | FL |
//123//465//51+4 | 3/4 | Irish Air (t) | IC-S | Aird 6, 1803 | 39 | FI/VN/GF |
//1234/6561+//561+3+/2+2+2+//1235/6561+/ / |
C | Mdame Hillisberg's Reel (t) | AM-A | Winnington MS, 1810 | 13 | KB |
//123/46//635/1+//3+4+3+/2+1+ | 6/4 | Brittains Glory (t) | PL-E | Playford 2-3, 1718 | 292 | VN |
//123/46//635/1+//3+4+3+/2+1+ | 6/4 | Brittains Glory (t) | PL-E | Playford 2-4, 1728 | 292 | VN |
//123/46//635/1+//3+4+3+/2+1+ | 6/4 | Britain's Glory (t) | DA-E | Walsh CD-1.2, 1719 | 314 | VN/OB |
//1+2+/3+4+//71+/51+7//656/5434 | C | Jack Ratlin (t) | IC-S | Aird 5, 1797 | 15 | FI/VN/GF |
//1+2+/3+4+//71+/51+7//656/5434 | C | Song 209 (t), or Jack Ratlin Was the Ablest Seaman (at) | SC-E | Calliope, 1788 | 390-391 | VO |
//12/34//7-1/5-17-//6-5-6-/5-4-3-4-// | C | Jack Ratlin (t) | AM-A | Irving MS, 1796 | 85 | 1 MI |
//12+/3+4+//7-1/517-//656/5434 | C | Jack Ratlin (t) | IC-E | Preston Bassoon, 1790 | 16 | BS |
//1+2+/3+4+//71+/51+7//656/5434//3 | C | Jack Ratlin Was the Ablest Seaman (t) | SC-S | Edinburgh MM-2, 1793 | 320-321 | VO |
//1-2-3-5-/1116-//1216-/7-12123//1-2-3-5 -/12332 |
C/ | Birks of Aberfeldy, The (t) | SC-S | Scots MM-2, 1788 | 115-116 | VO,PF |
//1235/1+1+5//1+1+5/2+1+2+3+//1235/1+2+3 +2+// |
C | Birks of Abergeldie (Old Scotch) (t) | DA-E | Wilson Companion, 1816 | 79 | MI |
//12/35//11+/53//23/42 | 2/4 | March & Ode (t), or Cambrian Volunteers Quick March (at) | IC-E | English Sheet Music | 3 | KB+MI |
//1+2+3+//51+1+553//3212//33136//671+ | 3/4 | Lost Shepherd, The (t) | SC-E | Monthly Melody, 1760 | II,23(22) | VO,HAF |
//1-2-3-5-/116-//116-/12123//1-2-3-5-/12 32 |
C/ | Birks of Abergeldie (t) | IC-S | Aird 3, 1788 | 166 | FI/GF/VN |
//1235/1+1+6//1+1+6/71+2+1+2+3+//1235/1+ 2+3+2+// |
C/ | Birks of Abergeldie, The (t) | IC-S | Stewart Reels, 1775 | 3 | VN/GF,VC/HA |
//1/2//3/5-//1/2 | 2/4 | Huntingtonshire March, The (t) | IC-E | Oswald Marches, 1759 | 13 | 2MI |
//1+2+3+5/1+2+3+1//445/4321//1+765/4321 | C | Royston and Barkway Volunteers Slow March, The (t) | IC-E | Bridgeman March, 1800 | 10-11 | TR,2HN,2CL,2BS,2FI,PF |
//1-2-/3-5-//123/42//31/7-1 | C/ | York Fuzelier (t) | AM-A | Dance Tunes MS, 1798 | 13 | FI/GF/OB |
//1235-/1235-//1235/56//51+76/57-15- | C/ | Sower Court (t) | DA-E | Johnson CD-6, 1751 | 65 | VN/GF |
//12/35//12/35//153/1+565 | 2/4 | Kreith's Rondo (t) | AI-A | Balls Amus 2, 1815 | 13 | FL/FI/VN |
//12/35-//12/35-//22/1243 | C | My Home Is There (t) | AI-A | Riley Flute 4, 1826 | 86 | FL |
//123/5-//123/5-//6-7-1/217- | 6/8 | Mark In the Dumps (t) | DA-E | Bride CD, 1776 | III,30 | VN/OB/GF |
//1-2-3-5-/13//21234/24-//3-5- | C | Bush Aboon Traquair, The (t) | SS-E | SS, Folger-C42.4 | 372 | VO,KB+FL |
//1-2-3-5-/13//21234/24-//3-5-//123217-6 -//5- |
C | Bush Aboon Traquair, The (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//1235//1+3//2347//2+4//1235 | 3/4 | Minuet 8th (t) | IC-E | Reid Minuets, 1781 | 10-11 | 2VN,2FH,B |
//1-2-/3-5-13//25-5-/5-4//32 | C | March 5 (t) | IC-E | Thompson March, 1770 | 3 | 2VN/2GF/2OB,2FH,BF |
//1-2-/3-5-13//25-5-/5-4//321/7-1 | C | First Rigiment of Foot Guards New March (t) | IC-E | Hinde 1, 1770 | 14-15 | 2MI |
//1-2-/3-5-13//25-5-/5-4//32/7-1 | C | Col Harcourt's March (t) | IC-E | Skillern Amus, 1785 | 69 | 2GF |
//1-2-/3-5-13//25-5-/5-4//32/7-1 | C | March 9 (t) | IC-E | Thompson March, 1775 | 9 | OR/HA/PF |
//1/2//351+/531//654/321 | 6/8 | Goose and Gridiron, The (t) | DA-E | Thompson CD-3, 1773 | 38 | VN/GF/OB |
//1/2//351+/531//654/321// | 6/8 | Goose and Gridiron, The (t) | DA-E | Thompson CD-3a, 1773 | 51 | VN/GF/OB |
//1/2//351+/531//654/321//7-21/7-6-5- | 6/8 | Goose and Gridiron, The (t) | AM-A | Turner MS, 1788 | I,8 | VN |
//12/351+//5321/27-6-5-//12/351+ | C/ | Westminster Waits Tune (t) | IC-E | Bremner Oboe, 1775 | 11 | OB |
//12/351+//5321/27-6-5-//12/351+ | Barley Cake (t) | MS-E | Hammersley MS, 1790 | 24 | MI | |
//12/351+//5321/27-6-5-//12/351+ | C/ | Barley Cake (t) | DA-E | Johnson CD-3, 1744 | 11 | VN/GF |
//12/351+//5321/27-6-5-//12/351+ | C | Barley Cake (t) | MS-E | Rainstorp MS, 1747 | 10 | MI |
//12/351+//5321/27-6-5-//12/351+ | C/ | Westminster Waits Tune (t) | IC-E | Simpson Oboe, 1746 | 11 | OB |
//12/351+//5321/27-6-5-//12/351+ | C | Barley Cake (t) | DA-E | Walsh CD-2.2, 1735 | 37 | VO/OB/GF/FL |
//12/351+//5321/27-6-5-//12/351+ | C | Barley Cake (t) | DA-E | Walsh CD-3.2, 1749 | 37 | VN/OB/GF |
//1/23/51//7-/12//2/547-// | 3 [6/4] | Dr. Bull's Juell (t) | MS-E | Fitzwilliam MS-2, 1609 | 128-130 | VI |
//12/35//1+/76/1+/76 | 2/4 | Berks of Abergelde, The (t) | IC-E | Caledonian PC, 1760 | VIII,16 | GF/VN |
//12/35//1+/76//1+/76 | C/ | Scotch Ayre (t) | PL-E | Playford 1-17, 1721 | 347 | VN |
//12/35//1+/76//1+/76 | C/ | Scotch Ayre (t) | PL-E | Playford 1-18, 1728 | 347 | VN |
//12/35//1+/76//1+/76// | C(ed) | Berks of Abergelde, The (t) | IC-E | Scotch Tunes (P), 1700 | 11 | VN/FL |
//12/35/1+/76//1+/76 | 2/4 | De'els Dead, The (t) | DA-E | Thompson CD-2, 1765 | 93 | VN/GF/OB |
//12/35/1+/76//1+/76// | 2/4 | De'els Dead, The (t) | DA-E | Thompson CD-2a, 1765 | 95 | VN/GF/OB |
//12/35//1+/76//1+/76//71+2 | C/ | Berks of Abergelde (t), or Cast a Bell (at) | DA-E | Johnson CD-1, 1740 | 42 | MI |
//1235/1+76//1+76/71+2+1+2+3+//1235/1+2+ 3+2+ |
C | Berks of Abergelde (t) | IC-E | Balls Amus 3, 1815 | 11 | FL/VN |
//1235/1+76//1+76/71+2+1+2+3+//1235/1+2+ 3+2+ |
C | Berks of Abergelde (t) | IC-E | Balls Amus 3, 1830 | 11 | FL/VN |
//1235/1+76//1+76/71+2+1+2+3+//1235/1+2+ 3+2+ |
C/ | Birks of Abergeldie a Reel, The (t) | MS-S | Gillespie MS, 1768 | 99 | VN |
//1235/1+76//1+76/71+2+1+2+3+//1235/1+2+ 3+2+ |
C | Berks of Abergelde (t) | AI-A | Riley Flute 2, 1817 | 36 | FL |
//1235/1+76//1+76/71+2+13//1234/1+2+3+2+ // |
C/ | Scotch Tune (t) | IC-E | Theater Musick-3, 1700 | 25 | VN |
//12/35//1+/76//1+/76//71+2+55 | C/ | Berks of Abergelde, The (t) | DA-E | Walsh CD-3.3, 1749 | 74 | VN/OB/GF |
//1235/1+76//1+76/71+2+55//1235/1+2+3+2+ |
C | Birks of Abergelde, The (t) | DA-E | Walsh CD-2.3, 1735 | 62 | VN/OB/GF/CF |
//1235/1+76//531+3/2222//1235/1+76 | C/ | Beauty, The (t) | AM-A | Perkins MS, 1790 | 22 | MI |
//1235/1+76//531+3/2222//135/1+76 | C/ | Beauty, The (t) | DA-E | Longman CD, 1781 | 1 | VN/OB/GF |
//1235//1+7654//3456//25-//45-35-25-//45 -35-25- |
3 | King Georges Minuet (t) | IC-E | Walsh Oboe, 1715 | 17 | OB |
//123/517-//6-5-/5-6-//123/517- | C | Ew-Bughts Marion (t), or Song 15 (at) | SC-E | Orpheus Cal-2, 1733 | T32-33MOP32 | VO,HA |
//12/35//21/7-5-//12/34 | C | Bonny Kate of Winsor (t) | AM-A | Perkins MS, 1790 | 38 | MI |
//12/35//21/7-5-//12/34 | C | Same, The (t) | AM-A | Perkins MS, 1790 | 52 | MI |
//1235/2315-//6-15-3-/2-2-2-2-2//1235/23 15- |
C/ | Duke of Athol's Reel (t) | DA-E | Skillern CD, 1780 | 42 | VN/GF/OB |
//1235/2315-//6-15-3-/2-2-2-2-2//1235/23 15-// |
C/ | Duke of Athol's Rant, The (t) | IC-S | Stewart Reels, 1775 | 31 | VN/GF,VC/HA |
//12/3524//3524/321//34/51+34 | C/ | Beam of Joy, The (t) | IC-E | Caledonian PC, 1760 | XI,25 | GF/VN |
//1/2//35/31//24/27- | 2/4 | Allemand (t) | IC-E | Astor Guitar, 1800 | 26-28 | GT |
//123//5321//215-6-//123//535 | 3/4 | Leezie Lindsay (t) | SC-S | Scots MM-5, 1797 | 446 | VO,PF |
//1+/2+3+//53/21//2/3+2+ | 2/4 | Lundie's Dream (t) | IC-E | Caledonian PC, 1760 | IX,8 | GF/VN |
//1/2//353/212//321/16-5- | 6/8 | Bonny Doon (t) | AM-A | Commonplace MS, 1811 | 32 | MI |
//1235//321//2653//211//1235 | 3/4 | One Day I Heard Mary Say (t), or Song 13 (at) | SC-E | Orpheus Cal-2, 1733 | T28-29MOP28+II,1 | VO,HA+GF |
//1235//321//2653//211//1235 | 3/4 | One Day I Heard Dear Mary Say (t), or Favorite Scotch Song, A (at) | SS-E | SS, Boston PL-2 | 144 | VO,KB+GF/GT |
//1235//321//2653//211//1235 | 3/4 | One Day I Heard Mary Say (t), or Favorite Scotch Song, A (at) | SS-E | SS, Huntington-1 | 141 | VO,KB+GF/GT |
//1235//321//2653//211//1235//321// | 3/4 | I'll never leave thee (t) | IC-E | Peacock Scotch Airs, 1762 | 11 | VN/GF/VC, HAF |
//1235//321//2653//211//1235//321 | 3/4 | One Day I Heard Mary Say (t) | SS-E | SS, Harvard | 1 | VO,B |
//1235//321//2653//211//1235//321 | 3/4 | One Day I Heard Mary Say (t) | SS-E | SS, Harvard | 1 | VO,B+GF/GT |
//1/2//3//53/21//27-/6-5- | 2/4 | Barber, The (t) | DA-E | Longman CD, 1781 | 66 | VN/OB/GF |
//123/532//135/1+1//123/565 | 6/4 | Women & Wine (t) | AM-A | Spicer MS, 1797 | 62-63 | 2VO |
//123/5-3//21/6-5-//123/5-5- | 6/8 | Merrly Dance the Quaker (t) | MS-S | Gillespie MS, 1768 | 103 | VN |
//123/5-3//21/6-5-//123/5-5- | 6/8 | Merrily Danced the Quakers Wife (t) | AM-A | Kingsley MS, 1795 | I,28 | MI |
//123/5-3//21/6-5-//123/5-5-// | 6/8 | Merily dance the Quaker (t) | AM-A | White, G. MS, 1790 | 53 | VN |
//123/5-3//21/6-5-//123/5-5- | 6/8 | Merrily Dance the Quaker (t) | AI-A | Willig Fife, 1805 | (25) | FI |
//123/5-3//21/7-6-5 | 6/8 | So Merrily Danced the Quaker (t) | DA-E | Rutherf CD-1, 1750 | 7 | VN/FL/OB,HAF |
//12/35//321/7-6-5-//12/34 | 6/8 | Sup of Good Drink (t) | AM-A | Herreshoff MS, 1790 | 4R | MI |
//123/5-3//21/7-6-5-//123/5-5- | 6/8 | So Merrily Dance the Quakers (t) | AM-A | Beck MS, 1786 | 66 | GF |
//123/5-3//21/7-6-5-//123/5-5- | 6/8 | So Merily Dance the Quaker (t) | MS-E | Hammersley MS, 1790 | 100B | MI |
//123/5-3//21/7-6-5-//123/5-5- | 6/8 | Quick March (t) | IC-E | Hinde 1, 1770 | 7 | GF/VN/OB |
//123/5-3//21/7-6-5-//123/5-5-// | 6/8 | Merrily Dance the Quaker (t) | MS-C | Molyneaux MS-2, 1788 | 24 | 1 OR 2 GF |
//123/5-3//21/7-6-5//123/5-5-// | 6/8 | Quakers Wife, The (t) | MS-E | Vickers MS, 1770 | 27 | MI |
//123/5-3//21/7-6-5-//123/5-5-//6- | 6/8 | So Merrily Danced the Quakers (t) | DA-E | Rutherf CD-2.2, 1760 | 54 | MI |
//1235//32321//1+2+1+2+3+//335//61+653 | 3/4 | Love Is the Cause of My Mourning (t) | IC-S | Stuart, 1724 | II,32-35 | HA |
//1235//3235//624//212//34321 | 3/4 | Farewell to Lochaber (t) | IC-E | Delightful-1, 1763 | I,7 | GF |
//1235//3235//624//212//34321 | 3/4 | Lochaber (t), or Song 20 (at) | SC-E | Orpheus Cal-2, 1733 | T50-51MOP50-51 | 2VO |
//1235//3235//624//212//34321 | 3/4 | Oh Love Thou Delight (t) | SS-E | SS, Boston PL-2 | 148 | VO,KB+GT |
//1235//3235//624//212//34321//5-12 | 3/4 | Lochaber (t) | SS-E | SS, Folger-C42.4 | 280 | 2VO+FL |
//1235//3235//624//212//34321//5-12 | 3/4 | Lochaber (t) | SS-E | SS, Harvard | 1 | 2VO/2GF+FL |
//1235//3235//624//212//34321//5-12 | 3/4 | Oh Love Thou Delight (t) | SS-E | SS, Harvard | 1 | VO,B+GT |
//1235//3235//624//212//34521 | 3/4 | Lochaber (t), or Favorite Scotch Song, A (at) | SS-E | SS, New York PL-C695 | 81 | 2VO+GT |
//123/5331+//123/427//1+765/6531+// | C | Saw you Johnny coming ca she (t) | MS-C | Molyneaux MS-2, 1788 | 38 | 1 OR 2 GF |
//123/5331+//123/427/1+765/6537 | C | Saw Ye Johnny Coming Co She (t) | IC-S | Aird 2, 1785 | 54 | FI/VN/GF |
//123//5331+//653//523//123 | 3/4 | Pangs of Love, The (t) | IC-E | Caledonian PC, 1760 | VIII,15 | GF/VN |
//1/2//3/53//42/27- | C/ | Oui Malgre Moi (t) | IC-F | Vanderhagen Pcs, 1787 | 15:3-4 | 2CL,2HN,2BS |
//123/5-3//43/21//123/5-5-// | 6/8 | Highland Laddie, A (t) | AI-A | Admired Cots-1.1, 1825 | 2 | PF |
//123/5-3//43/21//123/5-5- | 6/8 | Wilkes's Wrigle (t) | IC-S | Aird 1, 1782 | 51 | FI/VN/GF |
//123/5-3//43/21//123/5-5-// | 6/8 | Merrily Danc'd the Quaker's Wife (t) | AI-A | Willig CD-2, 1812 | 2 | PF/VN |
//123/5-3//43/21//123/5-5-// | 6/8 | Merrily Dance the Quaker (t) | AI-A | Willig Fife, 1826 | 15 | FI |
//12/353//432/15-//12/353 | 6/8 | Lover's Stream (t) | DA-E | Skillern CD, 1780 | 79 | VN/GF/OB |
//12/353//432/15-//12/353// | 6/8 | Lover's Stream (t) | DA-E | Straight & Skillern CD, 1775 | 1 | VN/GF/OB |
//123//5-3-4-5-6-//5-32//1232//17-1234 | 3/4 | Mournfull Shepherdess. A Scotch song (t) | SS-E | SS, Folger-C42.4 | 8 | VO,KB+FL |
//123/53//46/531//23/42// | C/ | No 2 (t) | AM-A | Bevens MS, 1825 | 2r | FI |
//1+/2+3+//53/5//6/2+3+4+2+ | 2/4 | Tho' Love Is Warm (t) | AI-A | Blake Amus 1, 1824 | 18 | CL |
//1/23//5-3-/5-//6-/2342 | 2/4 | Tho' Love Is Warm Awhile (t) | AI-A | Riley Flute 2, 1817 | 21 | FL |
//1/23//5-3-/5-//6-4-3-4-/2342// | 2/4 | Though Love is Warm. 50 (t) | AM-A | Johnson, F. MS, 1820 | 33 | PF |
//12/35//36/5321//32/212 | C/ | Cockle-Shells (t) | PL-E | Playford 1-12, 1703 | 304 | VN |
//12/35//36/5321//32/212 | C/ | Cockle Shells (t) | PL-E | Playford 1-13, 1706 | 304 | VN |
//12/35//36/5321//32/212 | C/ | Cockle Shells (t) | PL-E | Playford 1-14, 1709 | 304 | VN |
//12/35//36/5321//32/212 | C/ | Cockle-Shells (t) | PL-E | Playford 1-15, 1713 | 304 | VN |
//12/35//36/5321//32/212 | C/ | Cockle-Shells (t) | PL-E | Playford 1-16, 1716 | 304 | VN |
//12/35//36/5321//32/212 | C/ | Cockle-Shells (t) | PL-E | Playford 1-17, 1721 | 304 | VN |
//12/35//36/5321//32/212 | C/ | Cockle-Shells (t) | PL-E | Playford 1-18, 1728 | 304 | VN |
//1235/423//4226/4227-//1235/423// | C/ | Clashing at Hir (t) | MS-E | Vickers MS, 1770 | 72 | MI |
//12/35//424/31//7-1/23 | 6/8 | First of June, The (t) | DA-E | Thompson CD-6.7, 1795 | 78 | MI |
//12/35//42/5//111/13 | C/ | 15th Regiments March (t) | AM-A | Gaylord MS, 1816 | 17v | MI |
//12/35//427-/15-//6-16-/7-27- | 6/8 | Colr Archd Campbell's Quick Step (t) | IC-S | Aird 1, 1782 | 58 | FI/VN/GF |
//1+2+3+//54//31/2543//27/27// | 2/4 | 6th Reigaments March, The (t) | AM-A | Boynton MS, 1799 | 14R | 1 FI |
//1/2//354///31/7-1//2123/25-// | 2/4 | Bizarre, La. Contredanse Nouvelle (t) | DA-F | Bouin CD LC-1, 1780 | 65 Feuille, 3 Vol. | MI |
//123/5-4-3-//17-6-/5-5-//432/321 | 6/8 | Peasant Boy (t) | AI-A | Riley Flute 4, 1826 | 45 | FL |
//1/2//35/43//2 | 2/4 | Sonata In a Scotch Taste. Andante Un Poco Allo. (t) | IC-E | Delightful-2, 1745 | V,7 | GF |
//1/2//354//3/2 | 2/4 | Lotharia (t) | DA-E | Johnson CD-6, 1751 | 89 | VN/GF |
//1//2//354321//12-//135321 | 3/4 | Italian Minuet (t) | MS-S | Gillespie MS, 1768 | 88 | VN |
//12/35//4/3//21/27-// | 2/4 | Village Fair, The (t) | AM-A | Patten MS, 1800 | 10 | MI |
//123/5432//17-565//43/21//55-/6-7-//123 5432//17- |
3/4 | And Hear Her Sigh Adieu! (t), or Favorite Song, A (at) | AI-A | American SS-SM | 1-2 | VO,KB |
//1+2+3+/5+4+3+2+//1+765/35//35/1234 | 2/4 | Lantoinette (t) | AM-A | Turner MS, 1788 | I,52 | VN |
//12/35//4321/7-6-5-4-//3-15-/6-26- | C | Burr's Grand March (t) | AI-A | American Sheet Music | KB | |
//12/3543//2312/32//22345/654// | C/ (8/4) | Pavana of My L.[ord] Lumley (t) | MS-E | Fitzwilliam MS-1, 1609 | 149-152 | VI |
//1/2//3543/25-//1/2 | C | Hanau. Grenad. March (t) | MS-G | Darmstadt MS 1224 | 7 | MI,B |
//1/2//3543/25-//1/2 | C | Grenadier March Von Hanau, der 2te (t) | MS-G | Darmstadt MS 1224 | 216 | MI |
//12/35//43/25//32/34 | C | Battle of the Kegs (t) | AM-A | Perkins MS, 1790 | 40 | MI,B |
//1/23//54/3//2/7- | 2/4 | Soft as Yon Silver Ray That Sleeps (t) | AI-A | Blake Amus 3, 1825 | 6 | CL |
//1/23//54/3//2/7- | 2/4 | Soft as Yon Silver Bay (t) | AI-A | Riley Flute 1, 1814 | 19 | FL |
//1//2//354327-//11-//135321 | 3/4 | Halean Minuet (t) | MS-S | Gillespie MS, 1768 | 79 | VN |
//1+2+3+//5434//21//1+3+2+3+//1234 | 3/4 | So Merry as We Have Been (t) | IC-E | Caledonian PC, 1760 | II,21 | GF |
//1+2+3+//5434//21//1+3+2+3+//1234//55+3 +// |
3/4 | So Merry as we have been (t) | IC-S | Craig Scots Tunes, 1730 | 1 | HA/SP |
//1+2+3+//5434//21//1+3+2+3+//1234//55+4 +// |
3/4 | So Merry As We Have Been (t) | IC-S | Scots Tunes (C), 1730 | 1 | HA/SP/VN/GF |
//1/23//5434/2//17-6-5-/6-7-// | 2/4 | Lady Bartons Allemande (t) | AI-A | Hewitt Fashionable, 1807 | 7 | PF |
//123//54342//17-6-5-6-7- | 2/4 | Assassination, The (t) | DA-E | Thompson CD-5, 1788 | 99 | VN/GF/OB |
//1/23//5434/2//17-6-5-/6-7-// | 2/4 | Assassination, The (t) | DA-E | Thompson CD-5a, 1788 | 99 | VN/GF/OB |
//1/23//5434/2//17-6-5-/6-7- | 2/4 | Village Feast, The (t) | DA-E | Thompson CD-6.2, 1790 | 20 | MI |
//1/23//5434/2//17-6-5-/6-7-//17-12/15- | 2/4 | Assassination (t), or Chill Groves, (at) | DA-E | Bride CD, 1776 | III,89V | VN/OB/GF |
//123//5-4-3-4-//2-32//123//1-1-2-3-4-// 5-543// |
3/4 | Lass that was Loaded with care, The (t) | AM-A | White, G. MS, 1790 | 70 | VN |
//123//543//423//7-6-5-//123 | 3 | Song, A (t) | SC-E | Pills 5, 1719-20 | 193 | VO |
//123//5-4-3-4-//3-2-32 | 3/4 | Sae Merry as We Twa Hae Been (t) | SC-S | Edinburgh MM-1, 1792 | 74-76 | VO |
//123//5-4-3-4-//3-2-32//1323 | 3/4 | Song 143 (t), or Sae Merry as We Twa Hae Been (at) | SC-E | Calliope, 1788 | 270-271 | VO |
//123//5-4-3-4-//3-2-32//1323//1-2-3-4- | 3/4 | Sae Merry as We (t) | AI-A | Dubois Clar, 1818 | 11 | CL |
//123//5-4-3-4-//3-2-32//1323//1-2-3-4- | 3/4 | Sae Merry as We Twa' Hae Been (t) | SC-S | Scots MM-1, 1787 | 60 | VO,PF |
//12/354//34/51//7-1 | C | Arabella (t), or Sisters, The (at) | SS-E | SS, New York PL-C695 | 115(125) | VO,HA |
//12/35//435432/33//213217-/1135 | C | Garter, The (t) | SS-E | SS, Boston PL-2 | 33 | VO,KBF+GT |
//12//3543//654//31+71+//531351+//531351 + |
3/8 | Fine Saranade, A (t) | IC-E | Walsh Oboe, 1715 | 24 | OB |
//12/35//45/61+//53/13// | 2/4 | Hey the Bonnie Breast Knots (t) | AI-A | Admired Cots-1.3, 1825 | 2 | PF |
//12/35//45/61+//53/13 | 2/4 | Hey the Bonny Breast Knot (t) | AI-A | Ashton Clar, 1825 | 19 | CL |
//12/35//45/61+//53/13 | 2/4 | Hey the Bonny Breast Knot (t) | AI-A | Firth Cl, 1832 | 19 | CL |
//1235/4561+//5313/25//1235/4561+ | C | Hey, The Bonny Breast-Knot! (t) | AM-A | Beach MS, 1801 | 109 | PF |
//1235/4561+//5313/25//1235/672+1+76 | C | Hey the Bonny Breast Knot (t) | AI-A | Riley Flute 4, 1826 | 17 | FL |
//12354//654//543 | 3/4 | Tattoo (t) | IC-E | Goulding Fife, 1790 | 15 | FI |
//12//3551+1+3+//2+742//3551+1+3+//2+742 //321 |
3/4 | Minuet by Martini (t) | IC-S | Stewart Marches, 1761 | 94-95 | 2VN/GF/OB,VC/HA |
//1-2-/3-5-//5-1/15-//12/16- | 2/4 | Birks of Abberfeldy (t) | AI-A | Riley Flute 3, 1820 | 56 | FL |
//12/35//51+/24//31/12 | C | Kiss Me Now or Never (t) | AM-A | Beck MS, 1786 | 142 | GF |
//12/3551+//5321/27-6-5-//12/3551+// | C/ | Barly Cake (t) | MS-E | Vickers MS, 1770 | 82 | MI |
//1235-/5-1//6-5-6-1/2312//1235-/5-17- | AM-A | Wilson MS, 1782 | 19R | FL/OB | ||
//1/23//5/5//2/23 | 2/4 | No more the morn with cheering rays (fl) | MS-C | Frobisher MS, 1793 | 6-8 | VO/HA |
//123/55//232/2//42/31 | C | Maid of Athens (t) | AI-A | Riley Flute 4, 1826 | 36 | FL |
//1235-/5-3-5-//5-43/212//1235-/5-3-5-// |
6/8 | Paddy O' Rafferty (t) | DA-E | Wilson Companion, 1816 | 122 | MI |
//123//55//425//311//134//5 | 3/8 | Hanover Waltz (t) | AM-A | Litten MS, 1800 | 23 (33) | VN |
//1235//54312//34321 | 3/4 | Death of Admiral Benbow (t) | IC-S | Aird 5, 1797 | 44 | FI/VN/GF |
//1+2+3+//5//5434//35//661+71+76//553+1+ 6 |
3/4 | Domestic peace my souls desire (fl) | TW-E | Siege/Belgrade, 1791 | 68-69 | VO,KBF |
//1235-/5-5-6-7-//11/13//2123/5321// | C/ | Noine Kinderia (t) | AM-A | Bevens MS, 1825 | 6v | FI |
//1235-/5-6-//12/112//35/4321// | [C] | My own kind Deary O (t) | MS-C | Molyneaux MS-2, 1788 | 72 | 1 OR 2 GF |
//1235-5-6-//1213//1232234321/12/6-6-32/ /1235-5-6-/1211+5// |
My Ain Kind Dearie (t) | IC-E | Peacock Pipe, 1805 | 3 | PI/GF/VN | |
//1235-/5-6-//12/31//2123/4321 | C/ | General Ghouer's March (t) | AI-A | Rumrille D&F, 1817 | 33-34 | FI |
//1235-/5-6-//12/31//2123/4321 | C/ | General Ghour's March (t) | AI-A | Steele Fife, 1815 | 25 | FI |
//12/3556/1+2+3+2+/1+651+//66665/66+ | C/ | Braes of Aughtertyre, The (t) | IC-S | Aird 2, 1785 | 54 | FI/VN/GF |
//12/3556//1+2+3+2+/1+651+//66665/66+// | C/ | Braes of Aughtertyre, The (t) | MS-C | Molyneaux MS-2, 1788 | 37 | 1 OR 2 GF |
//12/3556//1+2+3+2+/1+651+//66665/66+// | C/ | Braes of Auchtertyre (t) | IC-S | Stewart Reels, 1775 | 45 | VN/GF,VC/HA |
//12/3556//1+2+3+2+/1+651+//66665/66+// | C | Braes of Auchentyre (Old Scotch) (t) | DA-E | Wilson Companion, 1816 | 49 | MI |
//12/3556//1+2+3+2+/1+651+//66675/66+// | C/ | Braes of Aughtertyre, The (t) | AI-A | Gilfert Gents PC, 1802 | 43 | GF/VN |
//12/355-//6-4321/7-7-//1215-6-5-/343121 // |
12/8 | Grand Club Jig by Signor Proto Musicus (t) | AM-A | Tuesday Club MS, 1745 | 12/233-234 | VN,B |
//1+2+3+/55//64/75//1+2+3+/55 | 2/4 | Mrs Wheatley's Dance (t) | AI-A | Bacon Clar, 1818 | 27 | CL |
//1+2+3+/55//64/75//1+2+3+/55 | 2/4 | Mrs Wheatley's Dance (t) | AI-A | Klemm Clar, 1825 | 27 | CL |
//1235-/5-6-5-//43/217-//1235-/5-6-5-// | 6/8 | Pantheon (t) | AM-A | Johnson, S. MS, 1807 | 51 | FI |
//1235-/5-6-5-//5-43/212//1235-/5-6-5- | 6/8 | Padeen O Rafardie. Irish (t) | IC-S | Aird 3, 1788 | 184 | FI/GF/VN |
//123/5-5-6-5-//5-43/212//123/5-5-6-5-// |
6/8 | Artor O Bradley. A Quick Step (t) | MS-S | Fife MS, 1780 | 397,41r | 1FI OR 2FI/VN |
//1235-/5-6-5-//5-43/212//1235-/5-6-5-// |
6/8 | Paddy O'Rafferty, Gigg (t) | MS-C | Molyneaux MS-1, 1788 | 18-19 | GF |
//1235-/5-6-5-//5-43/212//1235-/5-6-5- | 6/8 | Paddeen O! Baffardie (t) | IC-S | Stewart Airs, 1788 | 2:60 | GF/VN/FI |
//123/5-5-//6-6-/6-2//11/12 | 6/8 | Quick Step (t) | AI-A | American Sheet Music | PF/VN/GF | |
//123/5-5-//6-7-1/21//321/23// | 6/8 | Quick Step, A (t) | MS-S | Fife MS, 1780 | 252,26v | 1FI OR 2FI/VN |
//123/5-5-//6-7-/1//23/4654 | 2/4 | Where Shall the Lover Rest (t) | AI-A | Riley Flute 1, 1814 | 88-89 | FL |
//12//35//5671+//76//6543 | 3/4 | Minuet, A (t) | MS-S | Gillespie MS, 1768 | 18 | VN |
//12/35//61+/1//26/53 | C | O Cou'd I Cease to Love Thee (t) | IC-E | Balls Amus 3, 1830 | 13 | FL/VN |
//12/35//61+/1//26/53 | C | O Cou'd I Cease to Love Thee (t) | AI-A | Paff Amus 1, 1812 | 15 | FL/VN |
//12/3561+//22/23//12/3561+ | C | Lovely Jane (t) | AI-A | Riley Flute 1, 1814 | 82 | FL |
//123//561+//561+//5321//245// | 3 | Long Cold Nights (t) | IC-E | Apollo's Banquet 1-5, 1687 | B3 | VN |
//123//561+//561+//5321//245// | 3 | Long Cold Nights (t) | IC-E | Apollo's Banquet 1-6, 1690 | B4 | VN |
//123//561+//561+//5321//245//61+// | 3 | Long Cold Nights (t) | IC-E | Apollo's Banquet 1-7, 1693 | 48 | VN/FL |
//1235//61+//6-143//21//1+123 | 3/4 | Jamy Come Try Me-1 (t) | IC-E | Caledonian PC, 1760 | II,34 | GF |
//1235//61+//6-143//21//1+123 | 3/4 | Jamie Come Try Me (t) | SC-S | Scots MM-3, 1790 | 238 | VO,PF |
//12/35//61+72+/1+5//3135/1+531 | C/ | March, A (t) | AM-A | Pomeroy MS, 1790 | 27 | GF |
//12/356//43/217-//1123/2343 | C | Favourite Song, A (t) | SC-E | Clio-3, 1762 | 47 | VO,HAF |
//12/356//43/217-//1123/2343//3 | C | From flow'r to flow'r, his joy to change (fl) | TW-E | Chaplet, 1750 | 22-25 | 2VN,VA,2VO,KBF |
//123/56//5323/55//1+7/653 | C | Omnia Vincit Amor (t) | IC-E | Caledonian PC, 1760 | VIII,7 | GF/VN |
//123//5654//232//2+1+2+//3+12//31+65// | 3 | Scotch Tune (t) | IC-E | Scotch Tunes (Y), 1720 | 22 | VN |
//123/565//531/3//123/342 | Miller, The (t) | AM-A | Shattuck MS, 1801 | 12 | MI | |
//1235//656//1+1+653//216-//1235 | 3/4 | #22 (t), or Pleasant Rocks, The (at) | IC-E | Bunting, 1796 | 12 | PF |
//1235/6561+//561+3+/2+2+//1235/6561+ | C | Little Peggy's Love (t) | IC-S | Aird 6, 1803 | 23 | FI/VN/GF |
//12/35//6565/1+3//2135/34 | C | Song 113 (t) | SC-E | Vocal Enchant, 1783 | 226-227 | VO |
//12/35//65/671+//53/212 | C/ | Shay's March (t) | AM-A | Dance Tunes MS, 1798 | 12 | FI/GF/OB |
//1/2//3/5-//6-6-7-/17-6- | C/ | Arch Duke Charles's March (t) | IC-E | Pick Divs, 1800 | 16 | PF |
//1+2+/3+5//67/1+12//311+7/6543 | Song 64 (t), or When Once the Gods (at) | SC-E | Calliope, 1788 | 122-123 | VO | |
//1+2+/3+5//67/1+12//311+7/6543 | C | When Once the Gods (t) | SC-S | Edinburgh MM-1, 1792 | 13-15 | VO |
//1+2+/3+5//67/1+12//311+7/6543//2 | C | Song 95 (t) | SC-E | Convivial, 1782 | 191-192 | VO |
//1235/671+1+2+//3+332/17-6-7-//1235/656 767 |
C | My Goddess Woman (t) | SC-S | Scots MM-4, 1792 | 314 | VO,PF |
//1+2+3+5//671+1//2654//321//345 | 3/4 | O woudst thou know what secret charms (fl) | SC-E | Amaryllis, 1760 | II,8 | GF,VO,HAF+FL/GF |
//1+2+35//671+1//7-654 | 3/4 | Favourite Song, A (t) | SC-E | Clio-1, 1758 | 79 | VO,HA |
//1+2+3+5//671+1//7-654//321 | 3/4 | O wouldst thou know what sacred charms (fl) | SS-E | SS, Folger-C42.2 | 41 | VO,KB |
//1+2+3+5//671+1//7654//321//1351+ | 3/4 | Favourite Air, A (t) | IC-E | Delightful-2, 1745 | III,20 | GF |
//1+2+3+5//671+1//7-654//321//1351+//3+2 +1+765// |
3/4 | O Would'st Thou Know (t) | IC-E | Bremner Recorder, 1765 | 16 | FL |
//1+2+3+5//671+1//7-654//321//345 | 3/4 | Maid That's Made for Love & Me (t) | SS-E | SS, Huntington-1 | 112 | VO,KBF |
//123567//1+2+1+2+3+//51+5321//212//1235 67//1+2+1+2+3+// |
3/4 | Yellow Hair'd Laddie (t) | IC-E | Rutherfoord Violin, 1755 | 10 | VN |
//1235-6-7-//12/131//23/4321//1236-32 | C | Scotch Air (t) | AI-A | Balls Amus 2, 1815 | 21 | FL/FI/VN |
//12/35//671+2+/1+5//3135/1+531 | C/ | Philadelphia March (t), or 20th Regt's March (at) | AM-A | Huntington MS, 1817 | III.47 | FL/VN |
//123567//1+2+2+3+4+//51+5321//212//1235 67 |
3/4 | Yellow Haird Ladie, The (t) | MS-S | Gillespie MS, 1768 | 39 | VN |
//123/5-6-7-//123/5-6-7-//111/26-2 | 6/8 | Light House (t) | AI-A | Blake Amus 1, 1824 | 22 | CL |
//123/5-6-7-//123/5-6-7-//111/26-2 | 6/8 | Light House, The (t) | AM-A | Canfield MS, 1823 | 42-43 | PF |
//123/5-6-7-//123/5-6-7-//111/26-2 | 6/8 | Light House (t) | AI-A | Riley Flute 3, 1820 | 84 | FL |
//1+2+3+/567//1+/54//321/543 | 6/8 | Song 38 (t), or Humphrey Gubbins Courtship (at) | SC-E | Ritson, 1783 | TI,146-147;MIII,67-68 | VO |
//1+2+3+/567//1+/54//321/543 | 6/8 | Humphrey Gubbin's Courtship (t) | SS-E | SS, Boston PL-2 | 238 | VO,KB+GF |
//1+2+3+/567//1+/54//321/543//2 | 6/8 | Humphrey Gubbins's Courtship (t) | SS-E | SS, Harvard | 1 | VO,KB+GF |
//1+2+3+/567//1+54/35//6-6/5342 | C | Nelly (t) | SS-E | SS, Boston PL-2 | 155 | VO,KB+GF |
//1+2+3+/567//1+54/35//6-6/5342//1 | C | Nelly (t) | SS-E | SS, Harvard | 1 | VO,KB+GF |
//1235-/6-7-16-//5-3-2-1-/12//31123/6-43 |
C | To the Greenwood Gang Wi' Me (t) | IC-S | Aird 6, 1803 | 47 | FI/VN/GF |
//1235-/6-7-16-//5-3-2-1-/12//31123/6-43 |
C | To the Greenwood Gang (t) | AI-A | Balls Amus 1, 1815 | 10 | FL/FI/VN |
//1235-/6-7-16-//5-3-2-1-/12//31123/6-43 - |
C | To the Greenwood Gang Wi' Me (t) | SC-S | Edinburgh MM-1, 1792 | 68-69 | VO |
//1235-/6-7-16-//5-3-2-1-/12//31123/6-43 |
C | To the Greenwood Gang (t) | AI-A | Riley Flute 1, 1814 | 42 | FL |
//1235-/6-7-16-//5-3-2-1-/12//3123/6-43 | C | Song 202 (t), or to the Greenwood Gang Wi' Me (at) | SC-E | Calliope, 1788 | 376-377 | VO |
//1+2+3+5/671+6//5321/1+2+//3+1+76/51+4+ 3+// |
C | To the green woods gang with me (t) | MS-C | Molyneaux MS-1, 1788 | 41 | GF |
//12/356//71+7/65//135/567 | 6/8 | O Turn Away Those Cruel Eyes (t) | SC-S | Scots MM-6, 1803 | 604 | VO,PF |
//1235-/6-7-17-6-//5-3-2-1-/112//3213/5- 43 |
C | Greenwood Laddy (t) | AM-A | Hawkins MS, 1794 | II,46 | VN/FL |
//12/35-//6-7-/6-//224/3217-// | 2/4 | Berger Fidelle, Le (t) | DA-E | Gallini Cots, 1770 | 15 | KB |
//123/567//646/535//642/234 | 6/8 | Minors of Wicklow (t) | AM-A | Allen, Joel, MS, 1800 | 22R | MI |
//1-2-3-/5-6-7-//6-4-6-/5-3-5-//6-4-2-/2 -3-4- |
6/8 | Double Dragg with the Music In Compound Time, The (t) | AI-A | Robbins D&F, 1812 | 13-14 | DR,FI |
//1-2-3-/5-6-7-//6-4-6-/5-3-5-//6-4-2-/2 -3-4- |
6/8 | Minor's Wicklow, The (t) | AI-A | Robbins D&F, 1812 | 37 | FI |
//123/61//17-/13//6-6-/7-246- | 6/8 | On Loosing Their Toast and Butter (t) | SC-E | Musical Ent-1, 1740 | 96 | VO,KB+FL |
//123/61//17-/13//6-6-/7-246-//6-5- | 6/8 | But to hear the children mutter (fl) | TW-E | Dragon/Wantley, 1738 | 1 | 2OB/2VN,VA,VO,B |
//12//3612//3612/3217-6-//771+2+ | 3/4 | Bell Waldron (t) | MS-I | Regan MS, 1764 | 21 | MI |
//123/6-16-/6-16-//123/6-16-/7-5-// | 9/8 | Brose & Butter (t) | AM-A | White, G. MS, 1790 | 67 | VN |
//12//36-//17-6-/21//7- | C | Summer (t) | AI-A | Evangel Harm, 1800 | 9 | 4VO:SA(T)B |
//123//61+76//567//1+76//5 | 6/8 | Restrain'd from the sight of my dear (fl) | SC-E | Amaryllis, 1760 | II,18 | GF,VO,HAF+FL |
//1/2//36-/217-//1//43//321 | C | 'Tis not true that in our grief (fl) | TW-E | Artaxerxes, 1762 | 84-85 | VO,HA |
//12/36-//23/45//6 | C3 | Heart's-Ease (t) | PL-E | Playford 1-08, 1690 | 19 | VN |
//123/6-3//16-/31//7-12/5-2// | 2/4 | Quick Step, A (t) | MS-S | Fife MS, 1780 | 572,61v | 1FI OR 2FI/VN |
//123/6-3//16-/31//7-12/5-2// | 2/4 | Scotts Reel (t) | AM-A | Litten MS, 1800 | 25 (24) | VN |
//1236-3//16-31//7-125-2/7-5-27-//1236-3 //16-31/ |
C/ | Devonshire Reel, The (t) | AM-A | Patten MS, 1800 | 12 | MI |
/12//3/6//3/432//17-3/ | 6/8 | Bombe, La (t) | IC-F | Leclerc Recueil-2, 1737 | 109 | HAF |
//123/6-345//67/1+76//567/37-1// | 6/4 | Iigg (t) | IC-E | Theater Musick-2, 1699 | 18 | VN |
//1/23//6-43//265//45/25 | 2/4 | Washington Grey's Quick Step (t) | AI-A | Riley Flute 4, 1826 | 83 | FL |
//1236//5236-7-//123654//321//531+7 | 3/4 | Young Mans Dream (t) | AI-A | Riley Flute 1, 1814 | 15 | FL |
//1/2//36/531//43/27-1 | 6/4 | Livingstone's Green (t) | PL-E | Playford 2-1, 1713 | 131 | VN/OB |
//1/2//36/531//43/27-1 | 6/4 | Livingstone's Green (t) | PL-E | Playford 2-2, 1714 | 131 | VN/OB |
//1/2//36/531//43/27-1 | 6/4 | Livingstone's Green (t) | PL-E | Playford 2-3, 1718 | 131 | VN |
//1/2//36/531//43/27-1 | 6/4 | Livingstone's Green (t) | PL-E | Playford 2-4, 1728 | 131 | VN |
//1/2//36/531//43/27-1 | 6/4 | Livingstone's Green (t) | DA-E | Walsh CD-1.2, 1719 | 149 | VN/OB |
//1/2//36/531//43/27-1 | 6/4 | Livingstons Greene (t) | DA-E | Walsh NCDM-2, 1710 | 34 | VN/OB/FL |
//12/36//5356/5321//3212//3216- | C/ | Lass of Livingston, The (t) | IC-S | Stewart Airs, 1788 | 2:88 | GF/VN/FI |
//12/36//5356/5321//32/212 | C | Bonny Lass of Livingston(ed) (t) | IC-S | Aird 2, 1785 | 30 | FI/VN/GF |
//12/36//5356/5321//32/212 | C | Lass of Livingston, The (t) | IC-E | Caledonian PC, 1760 | III,7 | GF/VN |
//1236//5356/5321//32/212 | C | Lass of Livingston (t) | IC-S | Stuart, 1724 | V,102-103 | HA |
//12/36//5356/5321//323/212// | C | Bonny Lass of Livingston, The (t) | MS-C | Molyneaux MS-2, 1788 | 27 | 1 OR 2 GF |
//12/36//5357/5321//32/212// | C/ | High Ball Cap, The (t) | MS-S | Fife MS, 1780 | 166,15r | 1FI OR 2FI/VN |
//12/36/543/1//234/36-// | 6/8 | Christenmiss Day In the Morning (t) | MS-E | Vickers MS, 1770 | 72 | MI |
//1/2//365/511//242/7-27- | C/ | March 3 (t) | IC-E | Ross Waltzes, 1800 | 24 | PF/HA+TRI,TA |
//123/6553//123/455//1+664/555 | 6/8 | Thou Art Gone from Our Land (t) | AI-A | Riley Flute 4, 1826 | 17 | FL |
//1/2//365/5//531/427-// | 6/8 | Jardin de Bachus, Le (t) | DA-N | Gautier CD, 1780 | 4 | KB |
/12//3/656//53/424//31/27-2// | 6/8 | Jamaique, La. Contre-Danse Française (t) | DA-F | Landrin CD BL-1, 1775 | 214 Feuille | MI |
//1+2+/3+6//56/71+//2+1+/73+// | C/ | Valentinois, La Dance Francoise (t) | IC-F | Pointel Airs, 1700 | 41 | MI,B |
//12//36//567//634 | 3 | Daphne (t), or Sheperdess, The (at) | PL-E | Playford 1-06, 1679 | 38 | VN |
//12//36//567//634//531 | 3 | Daphne (t), or Shepherdess, The (at) | PL-E | Playford 1-04, 1670 | 38 | VN |
//12//36//567//634//531 | 3 | Daphne (t), or Shepherdess, The (at) | PL-E | Playford 1-08, 1690 | 35 | VN |
//12/36//567/634//531/27-5-//6-17-/6- | C | Daphne (t) | PL-E | Playford 1-01, 1651 | 30 | VN |
//12//36//567/634//531/27-5-//6-17-/6- | C | Daphne (t) | PL-E | Playford 1-02, 1652 | 21 | VN |
//12/36//567//634//531//27-5-//6-17-//6- |
3 | Daphne (t) | PL-E | Playford 1-03a, 1657 | I,21 | VN |
//12//36//567//634//531//27-5-//6-17-//6 - |
3 | Daphne (t), or Shepherdess, The (at) | PL-E | Playford 1-05, 1675 | 38 | VN |
//12//36//567//634//531//27-5-//6-17-//6 |
3 | Daphne (t), or Shepherdess, The (at) | PL-E | Playford 1-07, 1686 | 38 | VN |
//12/36//567//634//531//27-5-//6-17-//6- |
3 | Daphne (t) | PL-E | Playford 1-3b, 1665 | I,21 | VN |
//123//661+7//654321//52 | 3/4 | Prologue In the Island-Princess, The (t) | SC-E | Pills 5, 1719-20 | 348-9 | VO |
//123//661+7//654321//523//453//661+ | 3/4 | Song Occasion'd by Dr. Robinson's Head Being Put Up for a Sign, A (t) | SS-E | SS, Harvard | 1 | VO+FL |
//123//661+7//654321//52//443//667// | 3 | Prologue, The. In Ye Island Princess (t) | IC-E | Theater Musick-2, 1699 | 25 | VN |
//123//6-6//5456//345//621// | C3 | Minuet (t) | IC-E | Apollo's Banquet 1-5, 1687 | B41 | VN |
//123//6-6//5456//345//621// | C3 | Minuet (t) | IC-E | Apollo's Banquet 1-6, 1690 | B41 | VN |
//1+2+3+/66//554/32345//1+71+2+3+4+/5+3+ 1+// |
6/8 | Ellen. No. 3 (t) | AI-A | Johnson, F. Cotillions | 2 | PF |
//1+2+3+/66//554/32345//1+71+2+3+4+/5+3+ 1+// |
6/8 | Hamilton Edward, The. 63 (t) | AM-A | Johnson, F. MS, 1820 | 40 | PF |
//1+/2+3+//66/71+//232123/4556 | C | Britannia. The Stillness of the Night (t) | IC-E | English Sheet Music | 12 | PF |
/123//6-6-/7-6-7-//15-/123//6-6-/ | 6/8 | Contoisse, La (t) | AM-A | Duport MS-2, 1800 | 6v | VN |
/123//6-6-/7-6-7-//15-/123//6-6-/7-6-7-/ / |
6/8 | Piemontoise, La. Contre-Danse Française (t) | DA-F | Landrin CD BL-2, 1775 | 95 Feuille | MI |
//1+2+3+/671+//2+1+7/1+5//6543/46 | C | Phillis the Sun's Rival (t) | SS-E | SS, Boston PL-2 | 139 | VO,,KBF+GF |
//12/36-//7-12/25//6543/4321//7-5- | C/ | Cure for the Green-Sickness Maid, A (t) | SC-E | Pills 4, 1719-20 | 297-8 | VO |
//123//6-7-1//2343//3//3 | 3 | Song, A (t) | SS-E | SS, Folger-C42.1 | 108 | VO,KB+FL |
//123//6-7-1//2343//3//3//6- | 3 | Song, A (t) | SS-E | SS, Folger-C42.4 | 157 | VO,KB+FL |
//123//6-7-1//265432//7-5 | 3/4 | Polly (t) | AM-A | Beck MS, 1786 | 147 | GF |
//123//6-7-1//265432//7-5//6- | 3/4 | Lover, The (t) | SC-E | Calliope, 1746 | II,72 | VO,B |
//123//6-7-1//265432//7-5//6-42 | 3 | Lover, The (t) | SC-E | Muses Delight, 1754 | 196 | VO,HA |
//123//6-7-1//265432//7-5//6-42 | 3/4 | Polly (t) | SS-E | SS, Boston PL-2 | 136 | VO,KB+GT |
//123//6-7-1//265432//7-5//6-42 | 3/4 | Lover, The (t) | SS-E | SS, Folger-C42.4 | 446 | VO,KB+FL |
//123//6-7-1//265432//7-5//6-42 | 3/4 | Lover, The (t) | SS-E | SS, Huntington-1 | 69 | VO,KBF+FL |
//123//6-7-1//265432//7-5//6-42//17-1 | 3/4 | Polly (t) | SS-E | SS, Harvard | 1 | VO,B+GT |
//123//6-7-1//265432//7-5//6-42//7- | 3/4 | Air (t) | IC-E | Delightful-2, 1745 | I,32 | GF |
//123//6-7-1//265432//7-5//6-42//7-11 | 3/4 | Lover, The (t) | SS-E | SS, Harvard | 1 | VO,KBF+FL |
//1+2+3+/671+//54/345//65/4+3+ | 6/8 | Fly, The (t), or Fly, (at) | MS-E | Hammersley MS, 1790 | 79 | MI |
//123/6-7-1//5-4-/3-5-//6-642/7-1// | C | I've Rifled Flora's Painted Bower (t) | IC-E | Preston Cello, 1785 | 24-25 | 2VC |
//1+2+3+/671+//71+2+/765//456/234 | 6/4 | May Day (t) | PL-E | Playford 2-1, 1713 | 85 | VN/OB |
//1+2+3+/671+//71+2+/765//456/234 | 6/4 | May Day (t) | PL-E | Playford 2-2, 1714 | 85 | VN/OB |
//1+2+3+/671+//71+2+/765//456/234 | 6/4 | May Day (t) | PL-E | Playford 2-3, 1718 | 85 | VN |
//1+2+3+/671+//71+2+/765//456/234 | 6/4 | May Day (t) | PL-E | Playford 2-4, 1728 | 85 | VN |
//1+2+3+/671+//71+2+/765//456/234 | 6/4 | May Day (t) | DA-E | Walsh CD-3.6, 1754 | 99 | VN/OB/GF |
//123/6-7-1//7-12/7-6-5-//4-5-6-/2-3-4- | 6/8 | May Day (t) | DA-E | Walsh NCDM-2, 1710 | 143 | VN/OB/FL |
//1+2+3+//671+//7545//671+//71+2+// | C3 | Minuet (t) | IC-E | Apollo's Banquet 1-5, 1687 | B34 | VN |
//1+2+3+//671+//7545//671+//71+2+// | C3 | Minuet (t) | IC-E | Apollo's Banquet 1-6, 1690 | B34 | VN |
//123/67//1+76765/67671+76//33 | C/ | Song, A (t) | SS-E | SS, Folger-C42.3 | 415 | VO,KB+FL |
//123/67//1+76765/67671+76//33/6-7- | C/ | Song, A (t) | SS-E | SS, Folger-C42.2 | 179 | VO,KB+F |
//123/7-16-//5-4-3-/123//7-1/27-// | 3 | Kate of Colbrooke (t) | IC-E | Apollo's Banquet 1-1, 1670 | 128 | VN |
//1+/2+3//71+//67/767//1+/5 | C/ | Franck Lover, The (t) | SC-E | Pills 2, 1719-20 | 74-75 | VO |
//123/7-3//6-6/54//3217-6-/6-7-5-// | 6/8 | Wampum Belt, The (t) | AI-A | Wampum Belt, 1797 | 1 | PF |
//1+2+3+//771+2+//1+76//573+//1+3+4+// | C3 | Cesachio's Farewel (t) | IC-E | Apollo's Banquet 1-6, 1690 | B47 | VN |
//123//7-7-12//17-6-//5-7-3//134//7-3// | 3 | Cefachio's Farewel (t) | IC-E | Apollo's Banquet 1-7, 1693 | 59 | VN/FL |
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