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Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
//1+1+7/1+//1+1+7/1+//113/55 | C | Coronation Anthem (t) | SS-E | SS, New York PL-C695 | 53,1-6 | VO,HA |
//117-1//117-1//212345//435-//117-1//117 -1// |
3/8 | Pepin's Waltz (t) | AM-A | Cushing MS, 1805 | 127 | 2MI |
//11+/71+//11+/71+//2+1+76/54 | 2/4 | Sailors Dance (t), or Fair Quaker of De'al (at) | DA-E | Johnson CD-8, 1758 | 29 | VN/GF |
//117-1//117-1//22342//35//117-1/117-1 | 3/8 | Troop. Allegro (t) | AI-A | Webb Divs 2, 1828 | 2 | 2CL,CLS,2HN,2BS,2FL,FLP,TR, |
//117-1//117-1//27-5-//12345//117-1//117 -1// |
3/8 | Allemand (t) | IC-E | Welcker Cots, 1768 | 7 | GT |
//117-/112//31/123//5432/4321 | 2/4 | Victory of Salamanca, The. Quick March (t) | AI-A | American Sheet Music | PF,VN | |
//11+71+/123/15//6-5-6-7-/36-/7-3// | 3/2 | Hornpipe Made in Lancashire, A (t) | IC-E | Wright Extraordinary, 1715 | [28] | MI |
//117-/112//321/22//131/7-24 | 6/8 | Past Twelve O'clock (t) | SS-E | SS, Boston PL-1 | 185,1-2 | VO,HA+GF |
//117-/11//23/42//117-/11 | 2/4 | Washington Gray's Bugle Quick Step (t) | AI-A | American Sheet Music | PF | |
//1/17-//11/3134//55/6432 | C/ | Britain's Glory (t) | AI-A | Dialogue/Peace, 1763 | T25-26MOP26,3-4 | VO,KB |
//1-17-/11//31/3//53/5432 | 2/4 | Spa, The (t) | IC-S | Aird 2, 1785 | 23 | FI/VN/GF |
//1-17-/11//31/3//53/5432// | 2/4 | German Spaw, The (t) | AM-A | Hoff MS, 1797 | No. 92 | GF |
//1-17-/11//31/3//53/5432 | 2/4 | Spaw, The (t) | DA-E | Skillern CD, 1780 | 70 | VN/GF/OB |
//1-17-/11//31/3//53/5432// | 2/4 | Spaw, The (t) | DA-E | Straight & Skillern CD, 1775 | 39 | VN/GF/OB |
//1-17-11//313//535432 | C | Spa Dance, The (t) | DA-E | Thompson CD-3, 1773 | 97 | VN/GF/OB |
//1-1/7-11//31/3//53/5432// | C (2/4) | Spa Dance, The (t) | DA-E | Thompson CD-3a, 1773 | 12 | VN/GF/OB |
//1-17-/11//31/3//53/5432 | C | Spa Dance, The (t) | AM-A | Turner MS, 1788 | I,12 | VN |
//117-1//1323//16571+//43//4656//5-545// |
3/4 | Lord Howe's Minuet (t) | DA-E | London Magazine | 388, 1759 | MI,B |
//117-1133//2444//332316-1//7-5-5-7-//11 7-1133 |
3/4 | Polonaise Dance, The (t) | AI-A | Riley Flute 1, 1814 | 46 | FL |
//117-1/135//311/27-5-//117-1/135 | 3/8 | Waltz (t) | AM-A | Morse MS, 1811 | 66 | MI,B |
//1-17-/11-//4-4-/5-//15-6-4/32// | 2/4 | Cottillon No. 4 (t) | DA-G | Feldtenstein Chorographie,1776 | Tabula 9 | MI |
//1+1+7/1+1+5//654/334//515/626 | C/ | New Health, A (t), or On King Georges Coronation (at) | SS-E | SS, Harvard | 1 | VO,B+FL |
//11+7/1+1//6/5//4565/4534// | 2/4 | Biberon, Le (t) | DA-E | Longman Cot, 1770 | 6 | HA/VN/GF/OB |
//117-//117-//112//31//553//553 | 3/8 | Battle of Maringo.3d Air(waltz)rejoiceing (t) | AI-A | American Sheet Music | PF,VN,B | |
//117-//117-//112//34//553//553 | 3/8 | Waltz In the Battle of Marengo (t) | AM-A | Beach MS, 1801 | 32 | MI |
//1/17-1//1+/7//1/17-1 | 2/4 | Gavott (t) | IC-S | Stewart Marches, 1773 | 12-13 | 2VN/GF/OB,VC/HA |
//117-117-117-//11323423//123451+//7-127 -1//1+3+1+2+757//1+3+2+1+765// |
3/4 | No. 2 (t) | DA-G | Feldtenstein Chorographie,1776 | Tabula 1 | MI |
//117-/117-//117-/1234//554/554// | 2/4 | Love In a Village (t) | AI-A | Johnson, F. Cotillions | 12 | PF |
//117-/117-//1234/5//223/223 | C | March 6 (t) | IC-I | Elfort Marches, 1785 | 10-11 | KB+GF |
//117-/117-//13/5//4321/7-123// | 2/4 | Finale, The. Second Set (t) | AI-A | Schaffer Cot, 1809 | 14 | PF/VN,BA |
//117-/117-//15-3/121//221/221 | 6/8 | Morn Unbars the Gates of Light, The (t) | AI-A | Riley Flute 1, 1814 | 57 | FL |
//1/1712121217-1//5/54565656543//2/32345 345// |
C/ (8/4) | Fantasia (t) | MS-E | Fitzwilliam MS-2, 1609 | 57-63 | VI |
//117-1//212//34//22//321// | 3 | New Tune, A (t) | IC-E | Apollo's Banquet 1-6, 1690 | B68 | VN |
//117-1//212//34//22//321//7-6-5-1// | 3 | New Tune, A (t) | IC-E | Apollo's Banquet 1-7, 1693 | 60 | VN/FL |
//117-1//212//34//22//321//7-6-5-1// | 3 | Minuet, A (t) | IC-E | Apollo's Banquet 2, 1691 | 9 | VN/FL |
//117-121234//3//332343456//5//1+1+567// 64+2+71+ |
3/4 | Adagio (t) | IC-E | Flack Divs, 1776 | 8-9 | 2CL,2HN,BS |
//1/17-12//13/1//2/2123 | 2/4 | German Dance (t) | DA-E | Skillern CD, 1780 | 45 | VN/GF/OB |
//1/17-12//13/1//2/2123// | 2/4 | German Dance (t) | DA-E | Straight & Skillern CD, 1775 | 45 | VN/GF/OB |
//1/17-12//13/1//2/2123// | 2/4 | Denmark Dance, The (t) | DA-E | Straight & Skillern CD, 1775 | 62 | VN/GF/OB |
//1/17-12//13/1//2/2123 | 2/4 | German Dance, The (t) | DA-E | Thompson CD-3, 1773 | 84 | VN/GF/OB |
//1/17-12//13/1//2/2123// | 2/4 | German Dance, The (t) | DA-E | Thompson CD-3a, 1773 | 17 | VN/GF/OB |
//1/17-12//13/1//2/2123 | 2/4 | German Dance, The (t) | AM-A | Turner MS, 1788 | I,22 | VN |
//117-12/131//22123/242//34/464// | C/ | Jarman Dance, The (t) | MS-E | Vickers MS, 1770 | 128 | MI |
//1-1/7-12//1-3/2-4//3-5/4-6 | 2/4 | Gavot (t) | IC-E | Delightful-1, 1763 | IV,13 | 2GF |
//1-1/7-12//1-3/2-4//3-5/4-6 | 2/4 | Gavot (t) | AM-A | Turner MS, 1788 | I,53 | 2MI |
//117-1213//51+543//212342//357-21//5651 + |
3/4 | Minuet (t) | AM-A | Van Renssel. MS, 1782 | I,33 | KB |
//117-121//432//117-121//654//317-121//3 +5+3+1+// |
3/4 | 5. (t) | DA-P | Ibarra 24 CD, 1775 | II:5 | 2VN,B |
//1/17-12//15-/3-1-//17-12/35// | 2/4 | Lisette, La (t) | DA-N | Echo, 1758 | 90 | KB |
//1+/1+71+2+//1+5/31//23/42 | 2/4 | Walton, The (t) | DA-E | Cantelo CD, 1785 | 7 | KB |
//117-12/15//31/5-3-//4-//3- | C | Allegro Maestoso (t) | IC-E | Flack Divs, 1776 | 18 | 2CL,2HN,BS |
//1/17-12//1/5-//35/42 | 2/4 | Bird Catchers, The (t) | DA-E | Thompson CD-4, 1780 | 66 | VN/GF/OB |
//1/17-12//1/5-//35/42// | 2/4 | Bird Catchers, The (t) | DA-E | Thompson CD-4a, 1780 | 66 | VN/GF/OB |
//1/17-12//1/5-//35/42//1 | 2/4 | Bird Catchers, The (t) | DA-E | Longman CD, 1781 | 3 | VN/OB/GF |
//117-12//15-5-//33234//311//55671+//543 |
3/4 | Aux Drapeaux (t) | IC-F | French Ordinances | App.19 | DR,FI |
//11/7-12//17-1/5-12//33/234 | 6/8 | Pas Redouble (t) | IC-F | Vanderhagen Pcs, 1787 | 18:5 | 2CL,2HN,2BS,TR |
//117-1217-1//7-25565432//117-1217-1//23 43231217-6-5-//117- |
3/4 | Pollacca (t) | IC-S | Pandean Coll 2, 1810 | 31 | PF |
//1/17-12//17-/6-5-//1133/55// | C/ | Slow March (t) | MS-C | Molyneaux MS-2, 1788 | 87 | 1 OR 2 GF |
/1+1+//71+/2+1+76//5/44//34/ | 2 | Pantomime, La (t) | MS-G | Jayme MS, 1717 | 12 | MI |
/1+1+//71+/2+1+76//5/44//34/ | 2 | Pantomime, La (t) | IC-F | Leclerc Recueil-1, 1729 | 9 | HAF |
/1+1+//71+/2+1+76//5/44//34/ | 2 | Cordon Bleu, Le (t) | IC-F | Leclerc Recueil-1, 1729 | 34 | HAF |
/1+1+//71+/2+1+76//5/44//34/5432// | 2 | Pantomime (t) | IC-E | Feuillet Further, 1710 | 49-52 | MI |
/1+1+//71+/2+1+76//5/44//34/5432// | 2 | Pantomime, La (t) | DA-F | Feuillet Recueil, 1706 | 129-132 | MI |
//1+1+/71+//2+1+76/55//43/45 | 2/4 | Quick Step (t) | AI-A | Bacon Marches, 1816 | 12 | MI |
//1+1+/71+//2+1+76/56//44/34// | C/ | New Metarr, The (t) | IC-E | Apollo's Banquet 1-1, 1670 | 189 | VN |
//1+1+/71+//2+1+76/56//44/34//4532/31 | C/ | #60 (t), or New Metar (at) | PL-E | Playford 1-3b, 1665 | II,52 | VN |
//1+1+//71+2+//1+7//65//67//71+// | 3 | Branle de Metz (t) | IC-F | Leclerc Recueil-2, 1737 | 114 | HAF |
//11+71+/2+1+76//65564//3542/1324//353 | C/ | Zapffenst. No 50 (t) | MS-G | Darmstadt MS 1225 | 321-22 | 2MI |
//11/7-1/2212//34/54/534//217-6-/5-1/7-6 -// |
C 3 | Courant Beare (t) | MS-E | Rogers MS, 1656 | 16-17 | VI |
//1+1+/71+//2+2+/55//1+7/65/5 | 6/4 | Fair Lass of Islington, The (t) | SC-E | Pills 5, 1719-20 | 46-48 | VO |
//117-12//3112//3454321//17-5-5-//117-12 |
3/4 | Favourite Song, A (t) | SS-E | SS, Huntington-2 | 53 | VO,KBF+2GT |
//117-12//3112//3454321//17-5-5-//117-12 //31 |
3/4 | Song on Friendship (t) | SS-E | SS, Harvard | 1-2 | VO,KB |
//117-12//311//422//7-5-5-//117-12//311 | 3/8 | Waltz (t) | IC-S | Pandean Coll 2, 1810 | 32 | PF |
//117-12//311//44343//222 | 3/8 | Union Volunteers, The. Troop (t) | IC-E | English Sheet Music | PF/HA | |
//1/17-//12/3134-//55 | C/ | Britain's Glory (t) | AI-A | Military Glory, 1762 | OP3 | KB,VO |
//11/7-123//15-13/5453//11/6-427-// | 2/4 | New Pantaloon. Second Set (t) | AI-A | Schaffer Cot, 1809 | 11 | PF/VN,BA |
//1+1+7/1+2+//3+1+/53//46/5432// | 2/4 | Petite Battu, La. Contredanse Allemande (t) | DA-F | Bouin CD LC-1, 1780 | 10 Feuille | MI |
//117-1//231//5543 | 2/4 | Hermit, The (t) | DA-E | Thompson CD-5, 1788 | 43 | VN/GF/OB |
//11/7-1//23/1//55/43// | 2/4 | Hermit, The (t) | DA-E | Thompson CD-5a, 1788 | 43 | VN/GF/OB |
//117-/1231//5-5-/5-//143/221 | 2/4 | Pas Redouble (t) | IC-F | Lefevre Marches, 1793 | 2CL,2FL,2HN,TR,2BS,SPT,BD,C | |
//1+1+71+2+//3+1+5//65671+6//531//1+1+71 +2+//3+1+5// |
3/8 | Circus Waltz (t) | AM-A | Cushing MS, 1805 | 114-115 | 2MI |
//117-12/31//7-22/25-6-7-1//22123/42 | C/ | Canton March (t) | AI-A | American Sheet Music | 1 | PF |
//117-12/31//7-22/25-6-7-1//22123/42 | C/ | Canton March (t) | AI-A | Riley Flute 4, 1826 | 3 | FL |
//117-/12//3/21//4/32// | 2/4 | Cataract of the Ganges (t) | AI-A | Admired Cots-2.2, 1825 | 1 | PF |
//117-/12//3/21//4/32 | 2/4 | Favourite March In the Cataract of the Ganges (t) | AI-A | American Sheet Music | KB | |
//117-12/32//15-5-/567//1+76/565 | C/ | Marche de Mr. Bheme (t) | IC-F | Abraham Choix, 1789 | 2CL | |
//1+1+7/1+2+3+2+//1+563//42+7/42+7 | C/ | Marcia 2 (t) | MS-F | Marce MS, 1785 | 3v-4v | 2OB,2HN,B |
//1+1+71+2+//3+2+1+71+//654345//355//1+3 4 |
3/4 | Groves of Sweet Myrtles, The (t) | AI-A | Riley Flute 1, 1814 | 56 | FL |
//1+1+71+2+//3+2+1+71+//654345//355//1+3 4//5312 |
3/4 | Groves of Sweet Myrtles (t) | AI-A | Glazier Clar, 1828 | 17 | CL |
//11/7-1//232/234 | 6/8 | Lad's of Bonny Town, The (t) | DA-E | Rutherf CD-1, 1750 | 59 | VN/FL/OB,HAF |
//11/7-1//232/234//11 | 6/8 | Lads of Bonnytown, The (t) | DA-E | Rutherf CD-2.2, 1760 | 34 | MI |
//11/7-1//232/234//11/7-1 | 6/8 | Bon Gout, Lee (t) | MS-E | Hammersley MS, 1790 | 96B | MI |
//11/7-1//232/234//11/7-1// | 6/8 | Bon Gowe (t), or Capagechine (at) | MS-E | Vickers MS, 1770 | 29 | MI |
//117-12//331//227-//17-15-//117-12//331 |
3/8 | Waltz In Valentine & Orson (t) | AI-A | Goodale Dir, 1819 | 56 | 2CL |
//117-12//331//227-//17-15-//117-12//331 |
3/8 | Waltz In Valentine and Orson (t) | AI-A | Goodale Dir, 1829 | 60 | 2CL |
//117-12//33234//55431+76//65//51+76543/ /42+1+7654// |
3/4 | Once In (t) | AM-A | Hoff MS, 1797 | No. 208 | GF |
//117-12/33234//55654/3//42/17-6-5-// | C | March (t) | AM-A | Irving MS, 1796 | 46-47 | 2 MI |
//117-/12//332/34//565/5443 | C/ | Clarionet March (t) | AM-A | Bellamy MS, 1799 | 23 | 2MI,B |
//11/7-1//23/42//345/7-1 | C3 | Northern Nancy (t) | PL-E | Playford 1-06, 1679 | 146 | VN |
//11/7-1//23/42//345/7-1//2/1 | C3 | Northern Nancy (t) | PL-E | Playford 1-04, 1670 | 146 | VN |
//11/7-1//23/42//345/7-1//2/1 | C3 | Northern Nancy (t) | PL-E | Playford 1-05, 1675 | 146 | VN |
//117-/12//343/212//7-5-5-/5- | 6/8 | Overture-2 (t), or Spanish Tune (at) | TW-E | Siege/Belgrade, 1791 | 6 | KB |
//1-1/7-1//23/432//3453/11+ | 6/8 | Buckland's Fancy (t) | DA-E | Johnson CD-5, 1750 | 54 | VN/GF |
//11/7-123//43/3432//11/7-123// | 2/4 | Perine, La (t) | AI-A | Hewitt Cots-1, 1803 | 26 | PF |
//117-1//23434//517-1//212//115// | C 3 | Faithfull Brothers, The (t) | MS-E | Rogers MS, 1656 | 69 | VI |
//117-1/234545//315/64565345//42343123/2 5-5 |
C | Song In Ye Opera of Camilla (t) | SC-E | Pocket Comp, 1725 | 18-19 | VO,HAF+FL |
/117-//1234/55-6-7-//14/32//35/ | 2/4 | St. Albin, La (t) | AM-A | Duport MS-2, 1800 | 19r | VN |
//117-12/3456//54/2//32/12 | C | Washington Benevolent Society's March (t) | AI-A | American Sheet Music | 1 | PF |
//117-/1234//56/5//545/6543// | 2/4 | New Theatre, The (t) | AI-A | Johnson, F. Cotillions | 22 | PF |
//11/7-1//25-/1//1217-1/23212// | C/ | Ruhmes-Marsch der Preussischen und Hessischen Armeen (t) | IC-G | Amon Marches, 1794 | 8 | PF |
//1/1//7-1/25-//3/21// | C/ | Queens Boree, The (t) | IC-E | Apollo's Banquet 1-1, 1670 | 196 | VN |
//1/17-1//255/542//1/17-1 | 6/8 | Blue Ey'd Beck (t) | AI-A | Riley Flute 3, 1820 | 35 | FL |
//117-1//25-6-7-12//343//217-6-5-//117-1 //315-// |
3/4 | New Minuet, A (t) | DA-E | Universal Magazine | 1:225, 1750 | MI,B |
//11/7-127-//111/12//33/2342 | C/ | Washington's March (t) | AM-A | Allen, W. MS, 1790 | 17 | MI,B |
//11/7-127-//111/12//33/2342 | C(ED | Rohode Island Regt March (t) | AM-A | Dance Tunes MS, 1798 | 15 | FI/GF/OB |
//11/7-127-//111/13//33/2342// | C/ | Rhode Island March (t) | AM-A | Hoff MS, 1797 | No. 190 | GF |
//11/7-127-//111/15-//3 | C | Staffordshire March (t) | AI-A | Instrum Asst, 1800 | 35 | 2VN/2GF/2CL/2OB,BVIOL |
//11/7-127-//111/15-//33/2341+ | C | Staffordshire March (t) | AI-A | Fifer's Comp, 1805 | 25 | 2FI |
//11/7-127-//111/15-//33/2342// | C/ | Rhode Island March (t) | AM-A | Adams, W. MS, 1795 | 4 | MI |
//11/7-127-//111/15-//33/2342 | C | Staffordshire March (t) | AM-A | Beach MS, 1801 | 62 | 2MI,B |
//11/7-127-//111/15-//33/2342 | C/ | Rhod Island Regts March, The (t) | AM-A | Brown, N. MS, 1781 | 32V-33R | 3FI |
//11/7-127-//111/15-//33/2342 | C/ | Rhodisland Regt M. (t) | AM-A | Dance Tunes MS, 1798 | 33 | FI/GF/OB |
//11/7-127-//111/15-//33/2342 | C/ | Rhodeisland Regt March (t) | AM-A | Gaylord MS, 1816 | 15r | 3MI |
//11/7-127-//111/15-//33/2342// | C/ | Rhode Island March (t) | AM-A | Irving MS, 1796 | 66-67 | 2 MI |
//11/7-127-//111/15-//33/2342 | 2 | Marche des Mousquetaires Gris (t) | MS-F | Marches MS, 1795 | 4R | 2VN |
//11/7-127-//111/15-//33/2342 | C/ | Rhode Island Regiment March (t) | AM-A | Pickman MS, 1785 | 27 | KB |
//11/7-127-//111/15-//33/2342// | 2/4 | Rhode Island March (t) | AM-A | Pierian MS, 1810 | 37-38 | 2MI,B |
//117-127-//111/15-//33/2342 | C/ | Rakes of Rodney (t) | AM-A | Pomeroy MS, 1790 | 6 | GF |
//11/7-127-//111/15-//33/2342 | C | Rhode Island March (t) | AM-A | Shattuck MS, 1801 | 51 | MI |
//11/7-127-//111/15-//33/2342 | C | Staffordshire March (t) | AI-A | Steele Fife, 1815 | 24 | FI |
//11/7-127-//111/15-//33/2342 | C | Staffordshire March (t) | AM-A | Stiles MS, 1807 | 38-39 | MI |
//11/7-127-//111/15-//33/2342 | C | Staffordshire March (t) | AI-A | Village Fifer, 1808 | 40 | FI |
//11/7-127-//111/15-//33/2342 | C | Staffordshire March (t) | AM-A | Woodruff MS, 1803 | 24 | 2MI |
//117-127-//11115-//332342//333/3 | C/ | Rhode Island March (t) | AM-A | Otis MS, 1793 | 8 | 2VN/2FL |
//1-1/7-127-//1-1/12//31/7-127- | C/ | Trip to Richmond (t) | DA-E | Johnson CD-5, 1750 | 1 | VN/GF |
//1-1/7-127-//1-1/12//31/7-127-// | C/ | Trip to Richmond (t) | DA-E | London Magazine | 232, 1750 | MI |
//1-1/7-127-//1-1/12//31/7-127- | C/ | Trip to Richmond (t) | DA-E | Walsh CD-3.5, 1754 | 67 | VN//OB/GF |
//11/7-127-//11/12//33/2342//33 | C/ | Handel's March (t) | AM-A | Brown, H. MS, 1797 | 6 | MI |
//11/7-127-//11/1//33/2342 | C/ | Rakes of Rodney, The (t) | AM-A | Eells MS, 1789 | 75 | MI |
//11/7-127-//111/7-//33/2342 | C/ | Staffordshire Militia March (t) | AM-A | Dickinson MS, 1800 | 5 | CL/GF/OB |
//11/7-127-//111/7-5-//33/2342 | C | Rhode-Island Regiment March (t) | AM-A | Dickinson MS, 1800 | 23,45 | 2CL/2GF/2OB |
//11/7-127-//11/2342//11/7-127- | 2/4 | Two Misers (t) | DA-E | Skillern CD, 1780 | 58 | VN/GF/OB |
//117-127-//116-//22342//3117-//6-6-7-16 -//5-5-4- |
3/4 | Lass of Ochram, The. Retreat (t) | AI-A | Ashworth D&F, 1812 | 32 | FI |
//117-127-//116-//22342//3117-//6-6-7-16 -//5-5-4- |
3/4 | Lass of Ochram, Retreat, The (t) | AM-A | Beach MS, 1801 | 103 | MI |
//117-127-//116-//22342//3117-//6-6-7-16 -//5-5-4- |
3/4 | Lass of Ochram. Retreat (t) | AI-A | Rumrille D&F, 1817 | 38 | FI |
//117-127-//116-//22342//3117-//6-6-7-16 -//5542// |
3/4 | Retreat (t) | MS-S | Fife MS, 1780 | 881,94v | 1FI OR 2FI/VN |
//11/7-127-//11/66//51/7-1 | C | On Banks of Blushing Roses (t) | AI-A | Riley Flute 3, 1820 | 10 | FL |
//11/7-127-//17-12/1//33/2342 | 2/4 | John Come Along. West India (t) | IC-S | Aird 3, 1788 | 166 | FI/GF/VN |
//11+71+//2+754//351+3+ | 2/4 | Friend to the Poor, A (t) | AI-A | Fifer's Comp, 1805 | 59 | 2FI |
//1-1/7-127-//5-4/3//5-7-2/432// | 6/8 | Whitehouse, The, contredanse (t) | DA-N | Echo, 1758 | 20 | KB |
//1-1/7-127-//5-4/3//5-7-2/432 | 6/8 | White House, The (t) | DA-E | Johnson CD-6, 1751 | 59 | VN/GF |
//1-1/7-1//27-5-7-/112//3131/4242// | C | Bridge of Lodi (t) | AM-A | Patten MS, 1800 | 25 | MI |
//1-17-1//27-5-7-/112//3131/4242//5313 | C | Bridge of Lodi (t) | IC-E | Balls Amus 3, 1815 | 11 | FL/VN |
//1-17-1//27-5-7-/112//3131/4242//5313 | C | Bridge of Lodi (t) | IC-E | Balls Amus 3, 1830 | 11 | FL/VN |
//1-17-1//27-5-7-/112//3131/4242//5313 | C | Bridge of Lodi, The (t) | AI-A | Paff Amus 1, 1812 | 6 | FL/VN |
//1-17-1//27-5-7-/112//3131/4242//5313/2 5-3- |
C | Bridge of Lodi, The (t) | AM-A | Van Schaack MS, 1820 | 30 | FI/FL |
//1-17-1//27-5-7-/212//3131/4242//5313 | C | Nelson's Hornpipe (t) | AM-A | Beach MS, 1801 | 26 | MI |
//117-13//117-13//22124//315-6-7-//117-1 3//117-13 |
3/8 | Waltz (t) | AM-A | Beach MS, 1801 | 21 | MI |
//117-13//117-13//22124//316-7-1//117-13 //117-13 |
3/8 | Waltz (t) | AI-A | Blake Amus 2, 1824 | 9 | CL |
//117-13//117-13//22125//315-//117-13//1 17-13 |
3/8 | Governor's Waltz, The (t) | AM-A | Van Schaack MS, 1820 | 3 | FI/FL |
//117-13//117-13//22125//316-//117-13//1 17-13 |
3/4 | Governor's Waltz, The (t) | AM-A | Van Schaack MS, 1820 | 27 | FI/FL |
//117-/13//117-/13//22/17-6-5- | 2/4 | Quick Step (t) | AI-A | Riley Flute 4, 1826 | 61 | FL |
//117-/13//117-/13//232/17-6-5- | 2/4 | German Quadrill, A (t) | AI-A | American Sheet Music | PF | |
//117-1313//2212424//7-7-6-7-27-2//11233 45432//117-1313//2212421// |
3/4 | Polacca (t) | IC-E | Hyde Bugle, 1818 | 12 | BU |
//1/17-1//31/7-1//6-/7-7- | 6/8 | Hark While Our Ship, &c. (t) | AM-A | Akerman MS, 1795 | 48 | VO |
//117-/13//21/7-6-//5-6-/7-1//1/232 | 2/4 | Finale, La (t) | AM-A | Beach MS, 1801 | 1 | MI |
//1+1+71+3+2+1+/767563//4434654/3231567/ /1+1+71+3+2+1+/767563 |
C/ | Heister Hautboisten March (t) | MS-G | Darmstadt MS 1225 | 197-98 | MI |
//117-/13//221/2432//112/35// | 2/4 | No. 3. 2nd Set (t) | AI-A | Mann Quadrilles-2, 1825 | 3 | PF,HP |
//117-/13//221/2432//112/35// | 2/4 | Auld Lang Syne. A Cotillion (t) | AI-A | Riley Cots-1, 1824 | 1 | PF |
//117-/13//221/27-//117-/13 | 2/4 | Governor Lewis's March. Quick Step (t) | AI-A | American Sheet Music | PF | |
//117-/1324//345/5456//5543/4432// | C/ | March. Pi Roth (t) | AM-A | Hoff MS, 1797 | No. 115 | GF |
//1+1+7/1+3+//2+7/5//1+5/531//55 | 2/4 | Loup, The (t) | DA-E | Longman CD, 1781 | 53 | VN/OB/GF |
//1/17-1//3/323//656/656//1+ | Overture-5 (t), or Dance of Turkish Soldiers (at) | TW-E | Siege/Belgrade, 1791 | 9 | KB | |
//117-/1353//11+/76//56/5365// | C | Concerto (t) | AM-A | Cushing MS, 1805 | 144-150 | MI |
//117-/13//5/35//345/334 | 2/4 | Hunters of the Alps, The (t) | AM-A | Shattuck MS, 1801 | 99 | MI |
//117-/13//5/4322//7-7-/11 | 2/4 | Quick Step (t) | AI-A | Goodale Dir, 1819 | 54-55 | 2CL |
//117-/13//5/4322//7-7-/11 | 2/4 | Quick Step (t) | AI-A | Goodale Dir, 1829 | 58-59 | 2CL |
//11+71+//3545//434//53//11+71+//61+71+6 |
3/8 | Waltz (t) | IC-S | Pandean Coll 1, 1810 | 22 | PF |
//1+1+7/1+3+//554/3/43/2 | 2 | Aurettis Dance (t) | DA-E | Walsh CD-2.4, 1747 | 117 | MI |
//1+1+7/1+3+//554/3/43/2// | 2 | Aurettis Dance (t) | DA-E | Walsh CD-3.4, 1747 | 117 | VN/OB/GF |
//1+1+7/1+3+//554/3//43/25 | 2 | Aurettis Dance (t) | DA-E | Johnson CD-2, 1742 | 98 | MI |
//117-13//6-21//7-6-5-6-7-//135-//117-13 //6-21// |
3/8 | Allemand by Stamitz (t) | MS-C | Molyneaux MS-1, 1788 | 62 | GF |
//117-1365//544217-27-6-5-6-7-//117-1234 //25455-4-5-6-7-//1 |
3/4 | Polonaise (t) | AI-A | Riley Flute 3, 1820 | 8 | FL |
//1+1+7/1+5//1+1+7/1+5//64/25 | 2/4 | Grenadier Marche Von Ihr Grenadier Garde (t) | MS-G | Darmstadt MS 1224 | 211 | MI |
//117-/15-//117-/15-//6-4-/2-5- | 2/4 | Friedrich Wilhelm Oder Einsiedel (t) | MS-G | Darmstadt MS 1224 | 250,256 | 2FL |
//1+1+7/1+5//1+1+7/1+5//64/25 | 2/4 | Preussicher Gren: March No 34 Einsidel (t) | MS-G | Darmstadt MS 1225 | 367-68 | 2MI |
//1//17-/15-//12/3// | 3 [6/4] | Corrato (t) | MS-E | Fitzwilliam MS-2, 1609 | 311 | VI |
//1+1+7//1+51//234//3231//1+2+3+//2+1+76 5// |
3/8 | Minuet for Sir John (t) | AM-A | Tuesday Club MS, 1745 | 12/228 | 2MI,B |
//11+71+51+35/117-15-13-5-//1-3-5-13543/ 2-4-7-24654//3- |
C | Preludes or Lessons-6, In D (t) | IC-E | Delightful-1, 1763 | IV,35 | GF |
//117-/15-//13/53//42 | 2/4 | Nymph (t) | IC-E | Preston Clar, 1797 | 17 | CL |
//117-/15-//13/53//42/17- | 2/4 | Nymph, The (t) | IC-S | Aird 4, 1796 | 13 | FI/GF/VN |
//117-/15-//13/53//42/17- | 2/4 | Nymph, The (t) | AI-A | Balls Amus 1, 1815 | 16 | FL/FI/VN |
//117-/15-//13/53//42/17- | 2/4 | Nymph, The (t) | MS-E | Brown, W. MS, 1797 | 42 | MI |
//117-/15-//13/53//42/17-// | 2/4 | Nymph, The (t) | MS-S | Fife MS, 1780 | 451,47r | 1FI OR 2FI/VN |
//117-/15-//13/53//42/17- | 2/4 | Naiphe, La (t) | MS-F | Galoubet MS, 1790 | 30 | PI |
//117-/15-//13/53//42/17-// | Nyph, The (t) | AM-A | Litten MS, 1800 | 31 (15) | VN | |
//117-/15-//13/53//42/17-// | 2/4(ed) | Nymph, The (t) | AM-A | Patten MS, 1800 | 9 | MI |
//117-15-//1353//4217- | 2/4 | Nymph, The (t) | IC-E | Preston Fife, 1796 | 26 | FI/GF |
//117-15-//1353//4217- | 2/4 | Nymph, The (t) | DA-E | Thompson CD-5, 1788 | 15 | VN/GF/OB |
//117-/15-//13/53//42/17-// | 2/4 | Nymph, The (t) | DA-E | Thompson CD-5a, 1788 | 15 | VN/GF/OB |
//117-15-//1353//4217- | 2/4 | Nymph, The (t) | AI-A | Village Fifer, 1808 | 45 | FI |
//117-/15-//13/53//42/17-// | 2/4 | Nymph, The (t) | AM-E | Wheatstone Clarinet, 1801 | 84 | MI |
//117-/15-//13/53//42/17-// | 2/4 | Nymph, The (t) | DA-E | Wilson Companion, 1816 | 90 | MI |
//11+7/1+5//1+531//5-6/54// | 2/4 | No. 7 (t) | DA-G | Feldtenstein Chorographie,1776 | Tabula 3 | MI |
//117-/15-//23/53//42/17- | 2/4 | Nymph, The (t) | AM-A | Cary MS, 1797 | 106 | VN |
//117-/15-//3115-/311//333/3 | C | Last Chorus (t) | TW-E | Jubilee, 1770 | 15-16 | 4VO,3MI,B |
//11+71+5313//427-127-5-//11+71+5313 | 2/4 | Noon Herald, The (t) | DA-E | Thompson CD-5, 1788 | 78 | VN/GF/OB |
//11+71+/5313//427-1/27-5-//11+71+/5313/ / |
2/4 | Noon Herald, The (t) | DA-E | Thompson CD-5a, 1788 | 78 | VN/GF/OB |
//1/17-1//5-323/1545//31 | C | Overture (t) | TW-E | Mariners, 1793 | I,1-5 | KB |
//1-1/7-1//5-3/23//42/17-// | 2/4 | Nouvoux Plaisirs du Boulevard, Les. Contre-Danse Allemande (t) | DA-F | Landrin CD BN, 1775 | 13 Feuille | KB |
//1+1+7/1+5//34/51+//34/5432// | 2/4 | St Cire, La (t) | MS-F | 4 Comtesses MS, 1775 | 15v-16r | MI |
//1+1+71+//543//6671+6 | AM-A | Mass. MS, 1790 | 1 | FL | ||
//1+1+71+//543//6671+6//543 | 3/4 | Minuetto (t) | AM-A | Greenwood MS, 1785 | 55 | MI |
//1/1+71+//564/321//1+71+/2+1+2+ | 6/8 | Fryars, The (t) | DA-E | Johnson CD-5, 1750 | 20 | VN/GF |
//1/1+71+//564/321//1+71+/2+1+2+// | 6/8 | No. 36 (t) | DA-E | Leichte Englische, 1795 | 36 | MI |
//1/1+71+//564/321//1+71+/2+1+2+// | 6/8 | Friars, The (t) | DA-E | Universal Magazine | 1:225, 1750 | MI |
/1+1+7//1+5/64//53/432//34/ | 2 | Indifferente, L' (t) | IC-F | Leclerc Recueil-3, 1738 | 162 | HAF |
//11+7//1+5//654//32//54321//67-1 | 3/8 | Minuet by Mr. Mc Gibbon (t) | IC-S | Stewart Marches, 1761 | 81 | VN/GF/OB,VC/HA |
//1+1+7/1+5//6543/32//1234/5671+ | C/ | Song 57 (t) | SC-E | Ritson, 1783 | TI,236-237;MIII,120 | VO |
//1+1+7/1+5//6543/32//12+34/5671+//2+ | C/ | Song, A (t) | SC-E | Pills 4, 1719-20 | 306 | VO |
//1+1+7/1+5//654/334//515 | C/ | Our ord'nance board (fl) | SS-E | SS, Folger-C42.3 | 178 | VO,KB+FL |
//1+1+7/1+5//654/334//515/626 | C/ | Our ord'nance board, such joys does afford (fl) | SS-E | SS, Harvard | 1 | VO,B+FL |
//1+1+7/1+5//654/334//515/626 | C/ | Our ord'nance board, such joys does afford (fl) | SS-E | SS, Harvard | 1 | VO,B+FL |
//1+1+7/1+5//654/334//5515/62+6 | C/ | How constant they come (fl) | BA-E | Patron, 1729 | 4 | VO |
//1+1+7/1+5//65//4565/4321 | C/ | Airy Old Woman, The (t) | SC-E | Pills 6, 1719-20 | 171-2 | VO |
//1+1+71+//5//6656//5//33434//51+ | 3/4 | Vergatterung (t) | MS-G | Darmstadt MS 1224 | 172 | 2MI |
//1+1+71+//5//6656//5//33434//51+ | 3/8 | Vergatter V. Wolfnbittel (t) | MS-G | Darmstadt MS 1225 | 109-10 | 2MI |
//1+1+7/1+5//67/1+//1+765/6543 | C/ | Jolly Bacchus (t) | SS-E | SS, Boston PL-2 | 217 | 2VO+2GF |
//1+1+7/1+5//67/1+//1+765/6543 | C/ | Jolly Bacchus (t) | SS-E | SS, Huntington-2 | 28 | 2VO,KBF+2GF |
//117-/15-6-7-1234//51234567/1+7656/4 | C | In My Truimphant Chariot Hurl'd (t) | SC-E | Vocal Music, 1778 | 92-97 | VO/VN/GF |
//117-/15-6-7-1234//51234567/1+7656//43 | C | Mad Tom (t) | SS-E | SS, Folger-C42.1 | 229-230 | VO,KB+FL |
//117-/15-6-7-1234//51234567/1+7656//43 | C | Mad Tom (t) | SS-E | SS, Folger-C42.4 | 468,2-469,1,470,2-471, | VO,KB+FL |
//117-16-//345//2327-6-5-//217-//17-6-5- 6-7-//5-6-7-// |
3 | Tune of Mr. Eccles, A (t) | IC-E | Apollo's Banquet 1-8, 1701 | 7r,36 | VN |
//117-16-//436//243217-//17-6-3//654 | 3 | On One Who Scorn'd the Power of Love (t) | SC-E | Watts MM-2, 1729 | 44-45 | VO/VN+FL |
//11+71+//65//1656//43//5-43 | 3/4 | Minuet 14th (t) | IC-E | Reid Minuets, 1781 | 18 | 2VN,B |
//1+1+/71+//6/55-5//51-4/453 | C | Overture, The (t) | BA-E | Cobler's Op-2, 1729 | 1-4,2ND PAGING | 2VN,2OB,VA,B |
//11+/71+6//564/32//135/7-24 | 6/8 | Shade, The (t) | DA-E | Johnson CD-7, 1756 | 81 | VN/GF |
//11+/71+6//564/32//135/7-25// | 6/8 | Shade, The (t) | DA-E | Universal Magazine | 2:88, 1753 | MI |
//117-1//6-6-/6-6-//42/53//2 | 2 | Belle Remonde (t) | IC-F | Bonjour Recueil, 1800 | 2:7 | VN/FL |
//11/7-1//6-7-/5-//5-6-7-/123// | 6/8 | Cail, Le (t) | MS-S | Fife MS, 1780 | 120v | 1FI OR 2FI/VN |
//1+1+/71+//67/5//66/75 | C/ | Cobler's Jigg, The (t) | PL-E | Playford 1-08, 1690 | 151 | VN |
//1+1+/71+//67/5//66/75 | C/ | Cobler's Jigg, The (t) | PL-E | Playford 1-09, 1695 | 92 | VN |
//1+1+/71+//67/5//66/75 | C/ | Cobbler's Jigg, The (t) | PL-E | Playford 1-10, 1698 | 92 | VN |
//1+1+/71+//67/5//66/75 | C/ | Cobbler's Jigg, The (t) | PL-E | Playford 1-11, 1701 | I,92 | VN |
//1+1+/71+//67/5//66/75 | C/ | Cobler's Jigg, The (t) | PL-E | Playford 1-12, 1703 | 92 | VN |
//1+1+/71+//67/5//66/75 | C/ | Cobler's Jigg, The (t) | PL-E | Playford 1-13, 1706 | 92 | VN |
//1+1+/71+//67/5//66/75 | C/ | Cobler's Jigg, The (t) | PL-E | Playford 1-14, 1709 | 92 | VN |
//1+1+/71+//67/5//66/75// | C/ | Cobler Jigg Contre-Danse Angloise (t) | IC-F | Pointel Airs, 1700 | 15 | MI,B |
//1+1+/71+//67/5//66/75 | 6/4 | Cobler's Jigg (t) | DA-E | Walsh CD-1.1, 1718 | 104 | VN/OB/FL |
//1+1+/71+//67/5//66/75 | C/ | Cobler's Jigg (t) | DA-E | Walsh CD-2.1, 1731 | 11 | VN/OB/GF/RC |
//1+1+/71+//67/5//66/75 | C/ | Cobler's Jigg (t) | DA-E | Walsh CD-3.1, 1754 | 20 | VN/OB/GF |
//1+1+/71+//67/5//66/75//1+/5 | C/ | Cobbler's Jigg, The (t) | PL-E | Playford 1-06, 1679 | 166 | VN |
//1+1+/71+//67/5//66/75//1+/5 | C/ | Cobbler's Jigg, The (t) | PL-E | Playford 1-07, 1686 | 166 | VN |
//1+1+/71+//67/5//66/75//1+/5 | C/ | Cobler's Jigg (t) | PL-E | Playford 1-15, 1713 | 92 | VN |
//1+1+/71+//67/5//66/75//1+/5 | C/ | Cobler's Jigg (t) | PL-E | Playford 1-16, 1716 | 92 | VN |
//1+1+/71+//6767/55//66/7 | C/ | Cobler's Jigg, The (t) | PL-E | Playford 1-17, 1721 | 92 | VN |
//1+1+/71+//6767/55//66/7 | C/ | Cobler's Jigg, The (t) | PL-E | Playford 1-18, 1728 | 92 | VN |
//1/17-17-//11-/11-//3/3232// | 2/4 | Cottillon No. 1 (t) | DA-G | Feldtenstein Chorographie,1776 | Tabula 8 | MI |
//117-17-/11313//53/111//22121/22424 | C | Waterloo March, The (t) | AI-A | American Sheet Music | KB | |
//1/17-//1/7-//1/17- | 2/4 | General Warren's March (t) | AI-A | Herrick Preceptor, 1807 | 60 | 3MI,B |
//117-17-/123//456/5//1+2+3+/4+3+// | 6/8 | Castilian. No. 12 (t) | AI-A | Johnson, F. Cotillions | 7 | PF |
//117-17-/123//456/5//1+2+3+/4+3+// | 6/8 | Castilian. No. 12 (t) | AI-A | Johnson, F. Cotillions | [7] | PF |
//117-17-17-//117-17-17-//1323232//3351+ 76543//2212121//234 |
3/4 | Glorious Victory of the Shannon Over the Chesapeake, The (t) | IC-E | English Sheet Music | 8 | PF |
//117-17-//17-17-17-//17-1234//5671+2+3+ //4+4+3+4+3+//4+3+4+ |
3/4 | Allemande (t) | IC-G | Grosheim March, 1802 | 12 | HA/PF |
//117-//17-6-5-4-3-//4-3-5-//3-2-1-2-3-4 -//5-5-4-//5-6-7-127 |
3 | Minuet (t) | IC-E | Walsh Oboe, 1715 | 27 | OB |
//1//1+7//1+/7//6/5//6 | 2/4 | Scottish Medley Overture-1 (t) | TW-E | Auld Robin Gray, 1794 | 1-2 | KB |
//1+1+7//1+7//665//65//443 | Mr. Paisible's Tunes for the French Haut-Boy(5) (t) | IC-E | Sprightly Comp, 1695 | 10 | OB/FL/VN | |
//11/7-2//1/11//33/54 | C | Ding Dong, Ding Dong (t) | IC-S | Aird 6, 1803 | 59 | FI/VN/GF |
//11/7-2//1/11//33/54 | C | Ding Dong (t), or Philomel (at) | AI-A | Riley Flute 2, 1817 | 26 | FL |
//11/7-2//11/7-2//11/7-2 | C | Allegretto (t) | MS-E | Miscellany MS, 1810 | 2CL/OB,2HN,BS | |
//117-2//117-2//117-2//112//3324//3324 | 3/8 | Favorite German Waltz (t) | AI-A | Blake Amus 2, 1824 | 24 | CL |
//11/7-2//11/7-2//13/24 | 2/4 | Village Quick March (t) | AI-A | American Sheet Music | PF,FL/CL/VN | |
/1+1//7-213/2435//4/351+6//535/424// | 2/4 | Bonne Amitié, La. Contre-Danse Française (t) | DA-F | Landrin CD BN, 1775 | 30 Feuille | KB |
//1+1+7/2+1+//76/53//3+2+1+ | C/ | Carey's Wish (t) | SC-E | Watts MM-5, 1731 | 126-127 | 3VO |
//1+1+7/2+1+//76/53//3+2+1+/76 | C/ | Carey's Wish, A Catch for 3 Voices (t) | SC-E | Musical Cent-1, 1737 | 11 | 3VO+3FL |
//11+72+/1+76//543/4651+//5321/253// | C/ | Retreat, A (t) | MS-S | Fife MS, 1780 | 10,1v | 1FI OR 2FI/VN |
//11/7-2//31//17-6-//5- | 6/8 | Now while above that range of hills (fl) | TW-E | Harlequin's Mus, 1792 | 6-9 | VO,HA |
//11/7-2//31/17-6-//5- | 6/8 | TW-E | Harlequin's Mus, 1792 | 10 | GF | |
//1+1+/72+//3+1+/1+76//55-/54 | 6/8 | Now While Above That Range of Hills (t) | AI-A | Riley Flute 3, 1820 | 42-43 | FL |
//11/7-2//33/234//351+/531 | 6/8 | Ive's Air (t) | AM-A | Bellamy MS, 1799 | 25 | 2MI,B |
//11+//72+55//462+2 | 3/4 | Look Sharp, or (t), or Cavendish Court (at) | DA-E | Thompson CD-1, 1757 | 55 | VN/GF/OB |
//11+//72+55//462+22//7-25-5-//6-17-213/ /245// |
3/4 | Cavendish Court (t), or Look Sharp (at) | DA-E | Thompson CD-1a, 1757 | 55 | VN/GF/OB |
//11+//72+55//4622//7-25-5-//6-17-213 | 3/4 | Cavendish Court (t), or Look Sharp (at) | DA-E | Johnson CD-8, 1758 | 73 | VN/GF |
//11+//72+55//4622//7-25-5-//6-17-213//2 45// |
3/4 | Cavendish Court, or, Look Sharp (t) | DA-E | Universal Magazine | 2:85, 1756 | MI |
//11/7-27-5-//13/55//54/32 | C/ | Allegro (t) | IC-S | Sime Marches, 1789 | 13 | HA/PF |
//11+//72+75//5-4//3531//11+ | 3/4 | Anspacher, The (t) | DA-E | Cantelo CD, 1785 | 24 | KB |
//1/1//7-/3//23/7-6-//5- | C | Dirge (t) | AI-A | Discourse, 1800 | II,1+TI,19 | VO,KB |
//11/7-427-//217-15-/1234//5 | C | Favorite Song, A (t) | AI-A | Moller & Capron, 1793 | 5 | VO,KB |
//1/17-5-//1/15//565/543 | 6/4 | Dunkirk (t) | PL-E | Playford 2-3, 1718 | 264 | VN |
//1/17-5-//1/15//565/543 | 6/4 | Dunkirk (t) | PL-E | Playford 2-4, 1728 | 264 | VN |
//1/17-5-//1/15//565/543 | 6/4 | Daugbett (t) | PL-E | Playford 3-2, 1726 | 158 | VN |
//1/17-5-//1/15//565/543 | 6/4 | Dunkirk (t) | DA-E | Walsh CD-1.2, 1719 | 286 | VN/OB |
//11/7-5-//11/7-5-//11/7-1//7-2 | 2/4 | Little Singing Girl, The (t), or New Favorite Song, A (at) | AI-A | American SS-SM | 1-2 | VO,KB |
//1+1+/75//51+/75//567/1+1// | 6/4 | Great Turk, The (t) | IC-E | Feuillet Further, 1710 | 39-43 | MI |
//1+1+/75//51+/75//567/1+1 | 6/4 | Hochstet Battle (t), or Northern Lass, (at) | PL-E | Playford 2-3, 1718 | 31 | VN |
//1+1+/75//51+/75//567/1+1 | 6/4 | Hochstet Battle (t), or Northern Lass, (at) | PL-E | Playford 2-4, 1728 | 31 | VN |
//1+1+/75//51+/75//567/1+1 | 6/4 | Hochstet Battle (t) | DA-E | Walsh CD-1.2, 1719 | 48 | VN/OB |
//1+1+/75//51+/75//567/1+1 | 6/4 | Hochstet Battle (t) | DA-E | Walsh CD-2.2, 1735 | 86 | VO/OB/GF/FL |
//1+1+/75//51+/75//567/1+1 | 6/4 | Hochstet Battle (t) | DA-E | Walsh CD-3.2, 1749 | 86 | VN/OB/GF |
//11+75/6431//234231/7-27-5//11+75/6431/ / |
6/8 [C/] | Virginian Quick Step, The (t) | AM-A | Hoff MS, 1797 | No. 8 | GF |
//1+1+/75//6554/51+//7524/32123// | C/ (8/4) | Alman (t) | MS-E | Fitzwilliam MS-2, 1609 | 182-183 | VI |
//11/7-5-//6-6-/5-//6-/5-1// | C/ | Carmans Whistle, The (t) | MS-E | Nevell MS, 1591 | 189-193 | VI |
//117-5-/6-6-5-//6-5-1/6-7-1//1+1+75/665 // |
C [12/4] | Carman's Whistle, The (t) | MS-E | Fitzwilliam MS-1, 1609 | 214-217 | VI |
//11+//76 | 2/4 | Reveilly, The (t) | IC-E | Skillern Fife, 1780 | 7 | FI/GF |
//1+/1+76//1+567//1+/1+76 | C/ | Air 17, Act Iii (t) | BA-E | Beggar's Wed, 1729 | T62M12 | VO |
//1/17//61+6/531//456/531// | 6/8 | Militia Jigg, The (t) | MS-E | Vickers MS, 1770 | 153a | MI |
//1+1+761+//654345//671+671+2+71+2+3+4+/ /3+2+1+7671+2+75 |
3/2 | Women and Wine (t) | DA-E | Walsh CD-2.3, 1735 | 96 | VN/OB/GF/CF |
//1+1+761+//654345//671+671+2+71+2+3+4+/ /3+2+1+7671+2+75 |
3/2 | Women and Wine (t) | DA-E | Walsh CD-3.3, 1749 | 96 | VN/OB/GF |
//1+1+761+//654345//671+671+2+71+2+3+4+/ /3+2+1+7671+2+75 |
3/2 | Women & Wine (t) | DA-E | Walsh NCDM-3, 1728 | 64 | VN/OB/FL |
//1/17-6-//21/7-6-2//321/432532// | C/ | Monsieur's Alman (t) | MS-E | Fitzwilliam MS-1, 1609 | 234-237 | VI |
/11//7-6-/22//17-/33//321/ | 6/8 | MS-C | Trois-Rivieres MS, 1768 | 14 | MI | |
//117-//6-2/6-3//134//56/217-1// | 2 | March (t) | IC-E | Apollo's Banquet 1-8, 1701 | 7r,37 | VN |
//1/17-//6-/32//1/17- | C | Tho envious old age seem in part to impair (fl) | SS-E | SS, Folger-C42.2 | 139 | VO,KB+F |
//1/17-//6-/32//1/17-//6- | C | Tho envious old age (fl) | SS-E | SS, Folger-C42.3 | 333 | VO,KB+FL |
//11/7-6-//3234/345//61/7- | 2/4 | Bretana, La, Allegro (t) | MS-M | Garcia MS, 1772 | 71 [173] | MI |
//117-6-/3//234432/36//53/43 | C | #16 (t), or Madam Cole (at) | IC-E | Bunting, 1796 | 9 | PF |
//117-6-/367//567/1+7654//335/622// | 6/4 | Corant La Grand-Britain (t) | IC-E | Apollo's Banquet 1-7, 1693 | 33 | VN/FL |
//117-6-367//5671+7654//335622//2255//11 44// |
C3 | Corant La Grand-britain (t) | IC-E | Apollo's Banquet 1-5, 1687 | A50 | VN |
//117-6-367//5671+7654//335622//2255//11 44// |
C3 | Corant La Grand-britain (t) | IC-E | Apollo's Banquet 1-6, 1690 | A48 | VN |
//1/17-//6-/5-//1/12 | 2/4 | #41 (t), or Mary Do You Fancy Me (at) | IC-E | Bunting, 1796 | 22 | PF |
//11/7-6-5-//11/217-//11// | 2/4 | Alexandrine, L'. Contredanse Française (t) | DA-F | Bouin CD LC-1, 1780 | 70 Feuille, 3 Vol. | MI |
//11/7-6-5-//11/7-6-5-//11/123 | 6/8 | A la Fete du Hameau (t) | IC-F | Bonjour Recueil, 1800 | 2:4-5 | VN/FL |
//1//1/7//6/5//1/2// | 100th Psalm (t) | MS-S | Miller, J. MS, 1798 | [105] | FI | |
//1//1/7-//6-/5-//1/2// | C | AM-A | Winnington MS, 1810 | 32 | KB | |
//11+/76//5/1//22/23//2 | 6/8 | Huzzar, The (t) | DA-E | Rutherf CD-2.2, 1760 | 25 | MI |
//1/17-/6-5-/12/3//3/ | C/ | Psal.100 (t) | IC-E | Playford Skill, 1674 | 82 | 2VO |
//1/17-/6-5-/12/3//321/ | C/ | Psal.68 (t) | IC-E | Playford Skill, 1674 | 85 | 2VO |
//117-/6-5-//12/3//554/3543 | C/ | Air 74 (t) | IC-N | Roger Airs, 1716 | 2:20 | 2CH/TR/OB/VN/FL/CL/HN |
//1+/1+76//51/44//3/43 | 6/8 | Sweet Robin (t) | AM-A | Beck MS, 1786 | 126-127 | GF |
//1+/1+76//51/44//3/43 | 6/8 | Say Little Foolish Fluttering Thing (t) | AM-A | Hawkins MS, 1794 | II,30 | GF |
//1+/1+76//51/44//3/43//21 | 6/8 | Say little foolish flut'ring thing (fl) | TW-E | Padlock, 1768 | 10-11 | VO,KBF |
//1+/1+76//51/44//3/43//21 | 6/8 | Sweet Robin (t) | SS-E | SS, Harvard | 1-2 | VO,KBF |
//1+/1+76//51/44//3/43//21 | 6/8 | Sweet Robin (t) | SS-E | SS, Harvard | 1-2 | VO,KBF |
//1+/1+76//51/44//3/43//21/127- | 6/8 | Sweet Robin Sung by Mrs. Arne In the Padlock (t) | IC-E | Longman Flute, 1769 | 26 | 2GF |
//1+/1+76//51/44//343//21/127- | 6/8 | Sweet Robin (t) | SS-E | SS, New York PL-C694 | 11-12 | HAF,VO |
//1+//1+76//51/44//5/43 | 6/8 | Sweet Robin (t) | IC-E | Longman Pb, 1778 | 68-71 | VO/GF |
//1+1+76//51//4641+6/655/5 | 3/4 | Lovely Rose, A (t) | AI-A | Moller & Capron, 1793 | 13 | VO,KB+GF |
//1+1+/765//1+5/55//66/62+1+ | 6/8 | Andante (t) | MS-E | Miscellany MS, 1810 | 3CL,FLP,2HN,2BS | |
//11/7-6-5-//17-1234/53//11/7-6-5-//1 | 6/8 | Pastoral Dialogue (t) | TW-E | Maid/Oaks, 1774 | 38 | VO,KBF |
//11/7-6-5-//22/234//321/27-5- | 6/8 | Miss Porter's Favorite (t) | AI-A | Village Fifer, 1808 | 70 | FI |
//11+/76//531/27-5-//11+/76 | 6/8 | All In a Hurry (t) | DA-E | Johnson CD-5, 1750 | 51 | VN/GF |
//1+1+7653//1+762+755//1+1+76535//6671+7 65//3 |
3/2 | Ay Waukin, O (t) | SC-S | Scots MM-3, 1790 | 222 | VO,PF |
//11+76//5/3//2765//4/2 | C/ | Where Shall Our Goodman Lay (t) | MS-S | Gillespie MS, 1768 | 56 | VN |
//11+76//5/3//2776//4/2 | C/ | Where Will Our Good Man Lave (t) | IC-E | Caledonian PC, 1760 | VII,22 | GF/VN |
//11+/76//5/3//454/32 | 6/4 | Quesnoy (t) | PL-E | Playford 2-3, 1718 | 248 | VN |
//11+/76//5/3//454/32 | 6/4 | Quesnoy (t) | PL-E | Playford 2-4, 1728 | 248 | VN |
//11+/76//5/3//454/32 | 6/4 | Quesnoy (t) | DA-E | Walsh CD-1.2, 1719 | 270 | VN/OB |
//11+/76//535/2+1//3455/567 | 6/4 | Heathcote's Horserace (t) | DA-E | Johnson CD-1, 1740 | 26 | MI |
//11+/76//535/21//3455/567 | 6/4 | Heathcot's Horse Race (t) | DA-E | Walsh CD-2.3, 1735 | 138 | VN/OB/GF/CF |
//11+/76//535/21//3455/567 | 6/4 | Heathcots Horse Race (t) | DA-E | Walsh CD-3.6, 1754 | 178 | VN/OB/GF |
//1+1+7/653//5356/1+1+6//532/4321 | C/ | # 2 (t), or Foxes Sleep, The (at) | IC-E | Bunting, 1796 | 1 | PF |
//1/17-//6-/5-3-//5-6-/12 | 2/4 | Second Set (t) | IC-E | Bunting, 1796 | 22 | PF |
//11+/76/535//7/7-2/427-// | 9/4 | Hornpipe by Mr. Tollett (t) | IC-E | Apollo's Banquet 1-8, 1701 | 19r,100 | VN |
//11+/7654//311/1234//52/2321 | C/ | March (t) | IC-E | Valentine March, 1769 | 6 | 2VN,2OB,2HN,BF |
//1/1+7//65/43//2 | 6/8 | Proteus (t) | SS-E | SS, Folger-C42.2 | 78 | VO,KB+F |
//11+/76//54/32//11+/71+ | C/ | Shepherd's Holliday (t) | DA-E | Walsh CD-3.6, 1754 | 62 | VN/OB/GF |
//11+76/5432//11+76/5432//11+64/2753 | C | Wells, The-1 (t) | AI-A | Reinagle Fav-1, 1789 | 22-23 | PF/HA |
//1/1+7//65/43//2123/42// | 2/4 | MS-S | Fife MS, 1780 | 798,87v | 1FI OR 2FI/VN | |
//11+7/6543//213/32234//435 | C | Muzio (t) | SS-E | SS, Folger-C42.3 | 196,2-197,1 | MI,VO,B,KB+FL |
//11+7/654//321/7-12//11+7/654 | 6/8 | Sadlers Balloon (t) | AI-A | Riley Flute 3, 1820 | 31 | FL |
//1+1+7//654321//7-1234//32 | 3 | Air 48 (t) | BA-E | Village Opera, 1729 | 58 | VO |
//11+765//43217-//123//456//53+2+1+7//65 432 |
3 | Minuet (t) | IC-E | Walsh Oboe, 1715 | 25 | OB |
//1+/1+765432//17-6-5-4-3-/1-3-2-1-//2-1 -3-2-1-3-/2-1-3-2-1- |
C | Home Love and Liberty (t) | AI-A | Riley Flute 3, 1820 | 22 | FL |
//1-1+7654//3217-6-5-//4-3-4-5-6-7-//11- 5-//6-7-123 |
3/8 | Minuet (t) | IC-E | Delightful-2, 1745 | VI,17 | GF |
//1-1/7-6-/5-4-3-2-//2342/3453/7-5-// | [3/2] | IC-E | Wright Extraordinary, 1715 | [11] | MI | |
//11+76/5432//317-1/27-5-//5161/711+1 | C/ | Hamburg Dance (t) | DA-E | Bride CD, 1776 | III,50 | VN/OB/GF |
//11+76/5432//317-1/27-5-//5161/711+1 | C/ | Hamburgh Dance, The (t) | DA-E | Thompson CD-3, 1773 | 92 | VN/GF/OB |
//11+76/5432//317-1/27-5-//5161/711+1// | C/ | Hamburgh Dance, The (t) | DA-E | Thompson CD-3a, 1773 | 94 | VN/GF/OB |
//11+/76//543/2//34/531 | 6/8 | Lucky Dick (t) | DA-E | Johnson CD-5, 1750 | 90 | VN/GF |
//1/1+76/543//23/4//543/2 | C3 | Ashwednesday (t), or #2 (at) | PL-E | Playford 1-07, 1686 | AI,1 | VN |
//11+76543//234//543217-6-5-//6-7-321//5 67654// |
C3 | Ash-Wednesday (t) | IC-E | Apollo's Banquet 1-5, 1687 | 92 | VN |
//11+/76//54/345//43/2 | 6/4 | Hey-Boys Up Go We (t) | PL-E | Playford 1-15, 1713 | 106 | VN |
//11+/76//54/345//43/2 | 6/4 | Hey-Boys Up Go We (t) | PL-E | Playford 1-16, 1716 | 106 | VN |
//11+/76//54/345//43/21 | 6/4 | Air 42 (t) | BA-E | Devil To Pay-1, 1731 | 68 | VO |
//11+/76//54/345//43/21 | 6/4 | Air 18 (t) | BA-E | Devil To Pay-2, 1731 | 31 | VO |
//11+/76//54/345//43/21 | 6/4 | Air 16 (t) | BA-E | Devil To Pay-3, 1732 | 31 | VO |
//11+/76//54/345//43/21 | 6/4 | Hey-Boys, Up Go We (t) | PL-E | Playford 1-09, 1695 | 106 | VN |
//11+/76//54/345//43/21 | 6/4 | Hey-Boys Up Go We (t) | PL-E | Playford 1-10, 1698 | 106 | VN |
//11+/76//54/345//43/21 | 6/4 | Hey Boys Up Go We (t) | PL-E | Playford 1-11, 1701 | I,106 | VN |
//11+/76//54/345//43/21 | 6/4 | Hey-Boys Up Go We (t) | PL-E | Playford 1-12, 1703 | 106 | VN |
//11+/76//54/345//43/21 | 6/4 | Hey-Boys Up Go We (t) | PL-E | Playford 1-13, 1706 | 106 | VN |
//11+/76//54/345//43/21 | 6/4 | Hey-Boys Up Go We (t) | PL-E | Playford 1-14, 1709 | 106 | VN |
//11+/76//54/345//43/21 | 6/4 | Hey-Boys Up Go We (t) | PL-E | Playford 1-17, 1721 | 106 | VN |
//11+/76//54/345//43/21 | 6/4 | Hey-Boys Up Go We (t) | PL-E | Playford 1-18, 1728 | 106 | VN |
//11+/76//54/345//43/21 | 6/4 | Hey Boys, Up Go We (t) | DA-E | Walsh CD-1.1, 1718 | 117 | VN/OB/FL |
//11+/76//54/345//43/21 | 6/4 | Hey Boys Up Go We (t) | DA-E | Walsh CD-2.1, 1731 | 124 | VN/OB/GF/RC |
//11+/76//54/345//43/21 | 6/4 | Hey Boys Up Go We (t) | DA-E | Walsh CD-3.1, 1754 | 182 | VN/OB/GF |
//11+/76//54/345//43/21//1+ | C/ | Hey Boys Up Go We (t) | PL-E | Playford 1-06, 1679 | 179 | VN |
//11+/76//54/345//43/21//1+ | C/ | Hey-Boys Up Go We (t) | PL-E | Playford 1-07, 1686 | 179 | VN |
//11+/76//54/345//43/21//1+ | 6/4 | Air 42 (t) | BA-E | Silvia, 1731 | 48 | VO |
//11+/76//54/345//43/21//1+1+ | 6/4 | Oh! leave him Jove (fl) | BA-E | Patron, 1729 | 3 | VO |
//11+/76//54/345//43/21//1+3+71+ | 6/4 | Air 10 (t) | BA-E | Prisoners Op, 1730 | T9-10M4 | VO |
//11+/76//54/345//43/31 | C/ | Whigs Exaltation, The (t) | SC-E | Pills 2, 1719-20 | 286-8 | VO |
//11+/76//54/34//56/71+2+//2+/1+1 | C/ | Poole at Piquette, A (t) | SC-E | Pills 1, 1719-20 | 97-9 | VO |
//11+/76//54/34//56/765 | C/ | Scotch Song, A (t) | SC-E | Pills 1, 1719-20 | 304-5 | VO |
//1+/1+76/543//465/432/321//1+/1+76/72+1 + |
9/8 | Miss Lamberts Delight (t) | DA-E | Thompson CD-4, 1780 | 89 | VN/GF/OB |
//1+/1+76/543//465/432/321//1+/1+76/72+1 +// |
9/8 | Miss Lamberts Delight (t) | DA-E | Thompson CD-4a, 1780 | 88 | VN/GF/OB |
//1+1+/76//54/35//25/11+ | 6/8 | When at your foe, A mortal blow (fl) | TW-E | Midas-1, 1764 | 23 | VO,HAF |
//11+/76//54/35//43 | 6/4 | Prisoners Song, The (t) | SS-E | SS, Folger-C42.4 | 15 | VO,KB+FL |
//11+/76//54/35//43/21//1+ | 6/4 | Prisoners Song, The (t) | SC-E | Calliope, 1746 | I,162 | VO,B+FL |
//1+1+/76//54/35//43/21//1+ | 6/4 | Prisoners Song, The (t) | SC-E | Watts MM-6, 1731 | 116-118+119 | VO,HA+FL |
//1+17-//6-5-4-//3-65433//17-1//3455//5 | 3/4 | Minueto (t) | MS-M | Garcia MS, 1772 | 85 [200] | MI |
//1/1+//76/54//42/25 | C | Gnoll, The (t) | DA-E | Johnson CD-4, 1748 | 83 | VN/GF |
//1+1+7/654//44/34//51/432 | C/ | Country Garden, The (t) | DA-E | Johnson CD-2, 1742 | 19 | MI |
//1+1+7/654//44/34//51/432 | C/ | Country Garden, The (t) | DA-E | Walsh CD-2.2, 1735 | 72 | VO/OB/GF/FL |
//1+1+7/654//44/34//51/432 | C/ | Country Garden, The (t) | DA-E | Walsh CD-3.2, 1749 | 72 | VN/OB/GF |
//11+/765//454/343//454/343 | 6/8 | Humours of the Bath (t) | PL-E | Playford 3-2, 1726 | 128 | VN |
//11+/765//461+/531//461+/531+ | 6/8 | Hummums, The (t) | AM-A | Kingsley MS, 1795 | I,41 | MI |
//1/17-//6-5-//4-6-/5-4-//5- | 2/4 | To Arms (t) | AI-A | Robinson Coll, 1818 | 52 | FI,DR |
//1/17-//6-5-//4-6-/5-4-//5- | 2/4 | To Arms (t) | AI-A | Robinson Coll, 1826 | 68 | MI |
//11/7-6-//5-/5-3-//5-4-/2-7- | 6/8 | Wife, The (t) | AI-A | Riley Flute 4, 1826 | 94 | FL |
//1/1+//76-5/5//432//345 | 2/4 | TW-E | Harlequin Sorc, 1752 | 6-7 | HA | |
//1+1+76//5545//332//22//323456//434567/ / |
3 | Courant (t) | IC-E | Musicks Hand-Maid-1, 1678 | 4 | VI/HA |
//11+76//55/54//3531/2427- | 2/4 | Post Coach, The (t) | DA-E | Thompson CD-3, 1773 | 31 | VN/GF/OB |
//11+76//55/54//3531/2427- | Post Coach, The (t) | AM-A | Turner MS, 1788 | I,7 | VN | |
//11+76//55/54//3531/2427-//11/11// | 2/4 | Post Coach, The (t) | DA-E | Thompson CD-3a, 1773 | 31 | VN/GF/OB |
//1+/1+76//55/543//66/61+// | 2/4 | Rondo: Allegro (t) | IC-E | Welcker Cots, 1768 | 10 | GT |
//1+17-6-/5-5-5-5-//5-1+2+3+3+/4+2+72+// 1+17-6-/5-5-5-5- |
C | Turkish Ambassador's Favourite March, The (t) | IC-E | English Sheet Music | PF/HA | |
//1+1+765555671+1+75 | Madrigal, The (t) | AM-A | Van Renssel. MS, 1782 | I,45 | VO | |
//1+//1+765/55//6543/32//1+3/51+ | 2/4 | Song 5 (t) | AI-A | Hopkinson Songs, 1788 | 6 | HA/PF,VO |
//1+/1+76//55/5//65/671+ | 2/4 | Favouret Country Dance, A (t) | MS-E | Carter MS, 1792 | 12 | MI |
//1+/1+76//55/637//1+/2+ | 6/8 | Rosy Nell, A New Song (t) | AI-A | American Periodicals | VO,KB | |
//1+/1+76//55/637//1+/2+//1+ | 6/8 | Song 59 (t), or Romping Rosy Nell (at) | AI-A | American MM, 1798 | 155-157 | VO,KB |
//1+1+/76//5/565//43/234 | C | Shropshire Lass (t) | PL-E | Playford 2-1, 1713 | 188 | VN/OB |
//1+1+/76//5/565//43/234 | C | Shropshire Lass (t) | PL-E | Playford 2-2, 1714 | 188 | VN/OB |
//1+1+/76//5/565//43/234 | C/ | Shropshire Lass (t) | PL-E | Playford 2-3, 1718 | 188 | VN |
//1+1+/76//5/565//43/234 | C/ | Shropshire Lass (t) | PL-E | Playford 2-4, 1728 | 188 | VN |
//1+1+/76//5/565//43/234 | C/ | Shropshire Lass (t) | DA-E | Walsh CD-1.2, 1719 | 209 | VN/OB |
//1+1+/76//5/565//43/234 | C | Shropshire Lass (t) | DA-E | Walsh NCDM-2, 1710 | 11 | VN/OB/FL |
//1+1+765//56543//4321//6-235//67653 | 3/4 | #12 (t), or Molly St. George (at) | IC-E | Bunting, 1796 | 7 | PF |
//1+1+76/55//6654/34//51+6/55//3215 | C | Ande. (t) | IC-E | Delightful-2, 1745 | V,6 | GF |
//1+1+/76//5/5//66/75// | Riggadoon (t) | IC-E | Musicks Hand-Maid-2, 1689 | 22r-22v | VI/HA/SP | |
//11+7/6561+//332/332//11+7/6561+// | C/ | Mrs. Maclougd (t) | MS-S | Fife MS, 1780 | 120v,121r | 1FI OR 2FI/VN |
//11+7/6561+//334/332//11+7/6561+ | C/ | Mrs Mc Leod (t) | AI-A | Riley Flute 3, 1820 | 7 | FL |
//11+/765//61+6/543//434/21+ | 6/4 | Merry Be Your Hearts (t) | DA-E | Walsh CD-1.2, 1719 | 145 | VN/OB |
//11+/765//6/34//543/2 | 6/8 | Furbelows and Aprecocks (t), or Mad Frolick, The (at) | PL-E | Playford 2-1, 1713 | 37 | VN/OB |
//11+/765//6/34//543/2 | 6/8 | Furbelows and Aprecocks (t), or Mad Frolick, The (at) | PL-E | Playford 2-2, 1714 | 37 | VN/OB |
//11+/765//6/34//543/211 | 6/8 | Furbelow'd Apricocks (t) | DA-E | Johnson CD-2, 1742 | 53 | MI |
//11+/765//6/34//543/27-1 | 6/8 | Furbelows and Apricocks (t), or Mad Frolick, The (at) | PL-E | Playford 2-3, 1718 | 37 | VN |
//11+/765//6/34//543/27-1 | 6/8 | Furbelows and Apricocks (t), or Mad Frolick, The (at) | PL-E | Playford 2-4, 1728 | 37 | VN |
//11+/765//6/34//543/27-1 | 6/8 | Mad Frolick, or the (t), or Furbelows and Aprecocks (at) | DA-E | Walsh CD-1.2, 1719 | 54 | VN/OB |
//11+/765//6/34//543/27-1 | 6/8 | Furbelows and Aprecocks (t), or Mad Frolick, The (at) | DA-E | Walsh CD-2.2, 1735 | 155 | VO/OB/GF/FL |
//11+/765//6/34//543/27-1 | 6/8 | Furbelows and Aprecocks (t), or Mad Frolick, The (at) | DA-E | Walsh CD-3.2, 1749 | 155 | VN/OB/GF |
//11+//765//642345//34231//1+2+3+3+//2+1 +765// |
3/4 | Minuet, A (t) | AM-A | Ormsby MS, 1758 | 300 | VN |
//11+/76//564/345//43/21//1+/1+1 | 6/4 | Song, A (t) | SC-E | Pills 6, 1719-20 | 334-5 | VO |
//1+//1+7/65//65 | C/ | Quintetto (t) | TW-E | Deserter, 1773 | 22-25 | KBF,4VO |
//11/7-6-5-//6-5-4-/3-2-1-//121/7-6-5- | 6/8 | Rattle the Bottles (t) | IC-S | Stewart Airs, 1788 | 2:101 | GF/VN/FI |
//11+/76//56/54//32/17- | 2/4 | Bastile, The. Quick March Expressing Universal Joy (t) | IC-I | Irish Sheet Music | PF/HA | |
//1+1+/76//565//43/234 | C/ | Shropshire Lass, The (t) | PL-E | Playford 3-2, 1726 | 109 | VN |
//1+1+/76//565//43/234 | C/ | Shropshire Lass, The (t) | DA-E | Walsh NCDM-3, 1728 | 109 | VN/OB/FL |
//11+//765/6//543/4 | 2/4 | Night Piece (t) | IC-E | Oswald Airs, 1758 | 10 | 2VN/2GF/2GT |
//1+1+76//565//53525//32//11122//1+5554/ /33 |
3/4 | Mem'ry repeating, past joys to soothe my soul (fl) | TW-E | Pirates, 1792 | 58-59 | VO,KB |
//1/1+//765//6-/6//543 | C/ | Now I'm seated, I'll be treated (fl) | TW-E | Midas-1, 1764 | 62-63 | VO,HAF |
//1+1+/765//66/543//44/321// | 6/8 | Perusement (t) | AM-A | Brown, J. MS, 1782 | 1:17 | |
//1+1+/765//66/543//44/321//7- | 6/8 | Heureusement (t) | DA-E | Longman CD, 1781 | 30 | VN/OB/GF |
//1+1+/765//66/67//1+5/345 | 6/8 | Wand'ring Gipsey, A (t) | AI-A | Musical Jnl-1, 1800 | I,34-36 | FL/VN/VO |
//1+1+/765//66/67//1+5/345 | 6/8 | Wand'ring Gypsy, A (t) | AI-A | Musical Jnl-2, 1800 | I,38-39 | VO,PF |
//1+/1+7/65/67//1/1+7//6 | 2/4 | I Sigh for the Girl I Adore (t) | AI-A | Elegant Exts, 1796 | 32 | GF/VN/VO |
//1+1+/765//67/1+//2+1+2+/3+1+// | 2/4 | Passe-tems, Le (t) | DA-E | Gallini Cots, 1770 | 23 | KB |
//11/7-6-5-//6-7-/12//31/42 | 6/8 | Poor Soldier, The (t) | AM-A | Commonplace MS, 1797 | 35 | FI |
//11/7-6-5-//6-7-/12//31/42// | 6/8 | Poor Soldier, The (t) | MS-S | Fife MS, 1780 | 257,27r | 1FI OR 2FI/VN |
//11/7-6-5-//6-7-/12//31/42 | 6/8 | Finale of the Poor Soldier (t) | AM-A | Otis MS, 1793 | 22 | VN/FL |
//11/7-6-5-//6-7-/12//31/42 | 6/8 | Finale (t) | TW-E | Poor Soldier, 1782 | 28-30 | 2VO,KB |
//11/7-6-5-//6-7-/12//31/42// | 6/8 | Finelia (t) | AM-A | Treat MS, 1779 | 14v | FI/GF |
//1+1+/765//671+2+/3+//2+1+71+/2+1+76 | C/ | Tamerlain (t) | PL-E | Playford 3-2, 1726 | 107 | VN |
//11/7-6-5-//6-7-/12//3243 | 6/8 | What True Felicity (t) | AM-A | Pomeroy MS, 1790 | 26 | GF |
//1+1+/765//671+/2+75//1+2+1+/765 | 6/8 | Now or Never (t) | DA-E | Johnson CD-4, 1748 | 4 | VN/GF |
//1+1/76//567/1+5//1+1+/76 | C | Jockey, The (t) | AM-A | Perkins MS, 1790 | 36 | MI |
//11+/765//671+/531//642/531 | 6/8 | Bath Medley, The (t) | IC-S | Aird 1, 1782 | 11 | FI/VN/GF |
//11+/765//671+/531//642/531 | 6/8 | Bath Medley (t) | AI-A | Balls Amus 2, 1815 | 27 | FL/FI/VN |
//11+/765//671+/531//642/531 | 6/8 | Bath Medley (t) | AM-A | Beck MS, 1786 | 68 | GF |
//11+/765//671+/531//642/531// | 6/8 | Trip to Bath (t) | AM-A | Bush MS, 1779 | 62 | VN |
//11+/765//671+/531//642/531 | 6/8 | Petticoat, The (t) | AM-A | Gaylord MS, 1816 | 15v | MI |
//11+/765//671+/531//642/531// | 6/8 | Trip to the Bath, A (t) | AM-A | Hoff MS, 1797 | No. 31 | GF |
//11+/765//671+/531//642/531 | 6/8 | Clementina (t) | AI-A | Hulbert Fife, 1807 | 15 | FI |
//11+/765//671+/531//642/531 | 6/8 | Clementina (t) | AI-A | Hulbert Fife, 1811 | 15 | FI |
//11+/765//671+/531//642/531 | 6/8 | Clementina (t) | AI-A | Hulbert Variety, 1803 | 11 | OB/FI |
//11+/765//671+/531//642/531// | 6/8 | Bath Medley, Quick Step (t) | MS-C | Molyneaux MS-2, 1788 | 50 | 1 OR 2 GF |
//11+/765//671+/531//642/531 | 6/8 | Quick Time (t) | AM-A | Murphey MS, 1790 | 6 | MI |
//11+/765//671+/531//642/531 | 6/8 | Splash Petticoat (t) | AM-A | Pomeroy MS, 1790 | 9 | GF |
//1/1+765+//671+/531//642/531//7-1/27-5- |
6/8 | Sylvesters March (t) | AM-A | Belknap MS, 1784 | 42R | MI |
//11+/765//671+531//646/531// | 6/8 | Bath Medley (t) | AM-A | Hoff MS, 1797 | No. 258 | GF |
//11+/765//671+/531//656/531 | 6/8 | AM-A | Dance Tunes MS, 1798 | 21 | FI/GF/OB | |
//11+/765//671+/543//454 | 6/8 | Bath Medley, The (t) | SS-E | SS, Folger-C42.3 | 311 | VO,KB+FL |
//11+/765//671+/543//454/343 | 6/8 | Humours of the Bath (t) | DA-E | Walsh NCDM-3, 1728 | 103 | VN/OB/FL |
//11+/765//671+/543//642/531 | 6/8 | Air 17, Act I (t) | BA-E | Beggar's Wed, 1729 | T23M4 | VO |
//11+/765//671+/543/642/531 | 6/4 | Air 28 (t) | BA-E | Devil To Pay-1, 1731 | 46 | VO |
//11+/765//671+/543//642/531// | 6/4 | Bath Medeley (t), or Bano Miselaneo (at) | MS-M | Garcia MS, 1772 | 78 | MI |
//11+/765//671+/543//642/531 | 6/8 | Quick March (t) | IC-E | Hinde 1, 1770 | 1 | GF/VN/OB |
//11+/765//671+/543//642/531 | 6/4 | Air 8 (t) | BA-E | Intriguing Cham, 1750 | 20-21 | VO |
//11+/765//671+/543//642/531 | 6/4 | Bath Medley (t) | DA-E | Johnson CD-1, 1740 | 29 | MI |
//11+/765//671+/543//642/531// | 6/8 | Bath Medley (t) | AM-A | Morris MS, 1776 | 13r | FI |
//11+/765//671+/543//642/531 | 6/8 | Splash Petticoats (t) | AM-A | Nixon MS, 1776 | 51 | FI |
//11+/765//671+/543//642/531// | 6/8 | Wedding Shoos (t), or Bath Medley (at) | MS-E | Vickers MS, 1770 | 38 | MI |
//11+/765//671+/543//642/531 | 6/4 | Bath Medley (t) | DA-E | Walsh CD-2.1, 1731 | 9 | VN/OB/GF/RC |
//11+/765//671+/543//642/531 | 6/4 | Bath Medley (t) | DA-E | Walsh CD-3.1, 1754 | 22 | VN/OB/GF |
//11+/765//671+/543//642/531 | 6/4 | Bath Medley, The (t) | SC-E | Watts MM-1, 1729 | 161-65 | VO/VN+FL |
//11+/765//671+/543//642/531 | 6/8 | Trip to Bath (t) | AM-A | Williams, W. MS, 1775 | 7 | FI |
//11+/765//671+/543//642/531//7- | 6/8 | Bartholitto, El (t) | MS-M | Garcia MS, 1772 | 135 | MI |
//11+/765//671+/543//642/571 | 6/8 | Air 8 (t) | BA-E | Fool's Opera, 1731 | 8 | VO |
//1+1+/76//5/671+//71+2+/57 | 2 | New Pierot (t) | MS-E | Hammersley MS, 1790 | 30 | MI |
//1+/1+7//65/67//1+/77//65/43 | 2/4 | Song 61 (t), or I Sigh for the Girl I Adore (at) | AI-A | American MM, 1798 | 159-161 | VO |
//11+/765//676/543//4 | 6/4 | Merry Be Your Hearts (t) | PL-E | Playford 2-1, 1713 | 126 | VN/OB |
//11+/765//676/543//4 | 6/4 | Merry Be Your Hearts (t) | PL-E | Playford 2-2, 1714 | 126 | VN/OB |
//11+/765//676/543//4 | 6/4 | Merry Be Your Hearts (t) | DA-E | Walsh NCDM-2, 1710 | 107 | VN/OB/FL |
//11+/76//56/767//1+/654 | 2/4 | Fligel Gren: March (t) | MS-G | Darmstadt MS 1225 | 3-4 | 2MI |
//11+/76//56/767//1+/654 | 2/4 | Preussicher Gren: March No 10 Fligel Gren: March (t) | MS-G | Darmstadt MS 1225 | 353-54 | 2MI |
//11+/765//677-/543//434 | 6/4 | Merry Be Your Hearts (t) | PL-E | Playford 2-3, 1718 | 126 | VN |
//11+/765//677-/543//434 | 6/4 | Merry Be Your Hearts (t) | PL-E | Playford 2-4, 1728 | 126 | VN |
//11+76//645//53+2+1+//1+67//33+2+1+ | 3/8 | IC-E | Delightful-1, 1763 | VI,32-33 | 2GF | |
//1+1+7//6654//321//27-1 | 3/8 | Song 64 (t) | SC-E | Convivial, 1782 | 130 | VO |
//1+1+7//6654//321//27-1//234 | 3 | While Phillis is drinking (fl) | SC-E | Watts MM-1, 1729 | 40-41 | VO/VN |
//1+1+7/665//443/24//335/73+// | 2/4 | No. 1. 2d. Quadrille (t) | AI-A | Andre Cots-2, 1812 | 6 | PF |
//1+1+7/665//532/11+//3+2+1+/765 | C | Air 38 (t) | BA-E | Achilles, 1733 | 47 | VO |
//1+//1+766//656565671+71+6//3+ | 3/4 | Duetto (t) | TW-E | Prisoner, 1792 | 30-31,33 | 2VO,KBF |
//1+1+/76//671+/3//345/5 | 6/4 | Cavylilly Man (t) | PL-E | Playford 1-14, 1709 | 77 | VN |
//1+1+/76//671+/3//345/55 | 3 | Cavylilly-Man (t) | PL-E | Playford 1-09, 1695 | 77 | VN |
//1+1+/76//671+/3//345/55 | 6/4 | Cavylilly-Man (t) | PL-E | Playford 1-10, 1698 | 77 | VN |
//1+1+/76//671+/3//345/55 | 6/4 | Cavylilly Man (t) | PL-E | Playford 1-11, 1701 | I,77 | VN |
//1+1+/76//671+/3//345/55 | 6/4 | Cavylilly-Man (t) | PL-E | Playford 1-12, 1703 | 77 | VN |
//1+1+/76//671+/3//345/55 | 6/4 | Cavylilly-Man (t) | PL-E | Playford 1-13, 1706 | 77 | VN |
//1+1+/76//671+/3//345/55 | 6/4 | Cavylilly-Man (t) | PL-E | Playford 1-15, 1713 | 77 | VN |
//1+1+/76//671+/3//345/55 | 6/4 | Cavylilly-Man (t) | PL-E | Playford 1-16, 1716 | 77 | VN |
//1+1+/76//671+/3//345/55 | 6/4 | Cavalier (t) | DA-E | Walsh CD-1.1, 1718 | 90 | VN/OB/FL |
//1+1+/76//671+/3//345/55 | 6/4 | Cavalier (t) | DA-E | Walsh CD-2.1, 1731 | 121 | VN/OB/GF/RC |
//1+1+/76//671+/3//345/55 | 6/4 | Cavalier (t) | DA-E | Walsh CD-3.5, 1754 | 140 | VN//OB/GF |
//1+1+/76//671+/3//345/55//1+ | 6/4 | New Dialogue, A (t) | SC-E | Pills 2, 1719-20 | 118-20 | VO |
//11/7-6-7-//11/123//43/212 | 6/8 | Giga (t) | AM-A | Van Schaack MS, 1820 | 39 | FI/FL |
//1+1+767/1+116//5432/311//1+671+7567/1+ 76543216// |
C/ (8/4) | Muscaden (t) | MS-E | Fitzwilliam MS-1, 1609 | 74 | VI |
//11/7-6-7-//1/123//434/2 | 6/8 | Robinson Cruso (t) | DA-E | Bride CD, 1776 | III,86V | VN/OB/GF |
//11/7-6-7-//1/123//434/25 | 6/8 | Soldier I Am for a Lady, A (t) | AM-A | Beck MS, 1786 | 86-87 | GF,B |
//11/7-6-7-//1/123//434/25// | 6/8 | Soldier I Ham for a Lady, A (t) | MS-S | Fife MS, 1780 | 366,38r | 1FI OR 2FI/VN |
//11/7-6-7-//1/123//434/25 | 6/8 | Robinson Crusoe (t) | AI-A | Riley Flute 2, 1817 | 61 | FL |
//11/7-6-7-//1/123//434/25 | 6/8 | Mount, Le (t) | MS-E | Shepherd MS, 1787 | 3 | 3MI |
//11/7-6-7-//1/123//434/25 | 6/8 | Robinson Cruso (t) | DA-E | Thompson CD-5, 1788 | 74 | VN/GF/OB |
//11/7-6-7-//1/123//434/25// | 6/8 | Robinson Cruso (t) | DA-E | Thompson CD-5a, 1788 | 74 | VN/GF/OB |
//1+1+/767//1+/1+3//434/55//1 | 6/8 | Glee (t) | TW-E | Pirates, 1792 | 56-57 | 4VO |
//11/7-6-7-//123/23//543/321 | 6/8 | Curiosity, The (t) | AM-A | Beach MS, 1801 | 93 | MI |
//11/7-6-7-//123/23//543/321// | 6/8 | Curiosity, The (t) | AI-A | Carrs PC, 1800 | 18-19 | GF/VN/FL |
//11/7-6-7-//12/34//53/13 | 6/8 | Pandeon Band (t) | AI-A | American Sheet Music | PF | |
//11/76-7-//12/34//53/23 | 6/8 | Quick Step (t) | AI-A | American Sheet Music | PF | |
//1+1+/767//1+3+/55//62/767// | 6/8 | Thou Dear Seducer (t) | IC-E | Preston Cello, 1785 | 31 | 2VC |
//1+1+/767//1+/53//542/431 | 6/8 | Andante (t) | AI-A | Riley Flute 2, 1817 | 38 | FL |
/1+1+//76/71+//55/1+1+//767/ | 6/8 | Constante, La (t) | IC-F | Leclerc Recueil-1, 1729 | 64 | HAF |
//11/7-6-7-//15/531//6-2/7-6-7- | 6/8 | Job's Done, The (t) | DA-E | Thompson CD-2, 1765 | 69 | VN/GF/OB |
//11/7-6-7-//15/531//6-2/7-6-7-// | 6/8 | Job's Done, The (t) | DA-E | Thompson CD-2a, 1765 | 71 | VN/GF/OB |
//1+1+/767//1+5/56//54/32// | Lark, The, with Divisions (t) | IC-E | Playford Skill, 1674 | 121 | VN | |
//1+1+/767//1+5/56//54/32//31/1 | C/ | Chirping of the Lark (t) | PL-E | Playford 1-04, 1670 | 33 | VN |
//1+1+/767//1+5/56//54/32//31/1 | C/ | Chirping of the Lark (t) | PL-E | Playford 1-05, 1675 | 33 | VN |
//1+1+/767//1+5/56//54/32//31/1 | C/ | Chirping of the Lark (t) | PL-E | Playford 1-06, 1679 | 33 | VN |
//1+1+/767//1+5/56//54/32//31/1 | C/ | Chirping of the Lark (t) | PL-E | Playford 1-07, 1686 | 33 | VN |
//1+1+/767//1+5/56//54/32//31/1 | C/ | Chirping of the Lark (t) | PL-E | Playford 1-08, 1690 | 30 | VN |
//1+1+/767//1+/55//66/354 | 6/4 | Air 50 (t) | BA-E | Polly, 1729 | T54M21 | VO,B |
//1/1+//767/1+5//646/531 | 6/8 | Rakes of Adair (t) | DA-E | Johnson CD-5, 1750 | 27 | VN/GF |
//1/1+//767/1+5//646/531// | 6/8 | No. 32 (t) | DA-E | Leichte Englische, 1795 | 32 | MI |
//1/1+//767/1+5//646/531// | 6/8 | Rakes of Adair (t) | DA-E | Universal Magazine | 1:130, 1750 | MI |
//1/1+//767/1+5//646/531//2343 | 6/8 | Rakes of Adair, The (t) | DA-E | Rutherf CD-2.1, 1756 | 7 | VN/GF/OB |
//1-1/7-6-//7-2/17-//13/21// | C/ | Fox In the Dumps, The (t), or Excisemans Hornpipe, The (at) | MS-E | Vickers MS, 1770 | 159d | MI |
//11+76//734//54327-1//6-217-6-5-//11+ | 6/8(ED) | Mad Frolick, The (t) | DA-E | Walsh NCDM-2, 1710 | 68 | VN/OB/FL |
//11+76/7//427-/7-1/2342//11+/765/1+ | Barker's Maggott (t) | PL-E | Playford 1-13, 1706 | 358 | VN | |
//1+1+/7675//1+1+/7675//1+71+5/2+1+2+5 | 2/4 | Bourlesca (t) | MS-G | Darmstadt MS 1224 | 79-89 | 2OB/VN,2HN,B |
//11/7-6-7-5-//1234/53//11/7-6-7-5-// | 2/4 | Mirrha, La. Second Set (t) | AI-A | Schaffer Cot, 1809 | 13 | PF/VN,BA |
//11/7-6-7-5-//132/15-//6-22/7-55 | C | Serment Francais, Le (t) | AI-A | Riley Flute 3, 1820 | 70 | FL |
//1+/1+76//75/57//1+/1+76 | Eagle, The (t) | MS-E | Hammersley MS, 1790 | 81B | MI | |
//1+/1+76//75/57//1+/1+76 | 2/4 | Eagle, The (t) | DA-E | Johnson CD-6, 1751 | 15 | VN/GF |
//1+/1+76//75/57//1+/1+76//72+ | 2/4 | MS-M | Garcia MS, 1772 | 148 | MI | |
//11/7-6-7-//6-1/5-5-//5-6-7-/123 | 6/8 | Marches and Dances In Tekely. No.2 (t) | AI-A | American Sheet Music | PF | |
//11/7-6-7-//6-1/5-5-//5-6-7-/123 | 6/8 | Tekeli (t) | IC-E | Balls Amus 3, 1815 | 1 | FL/VN |
//11/7-6-7-//6-1/5-5-//5-6-7-/123 | 6/8 | Dance In Tekeli (t) | AI-A | Blake Amus 1, 1824 | 12 | CL |
//11/7-6-7-//6-1/5-5-//5-6-7-/123 | 6/8 | Union Guards 2d Compy's Quick Step (t) | AI-A | Camp Dupont, 1816 | 22 | 2GF/FI/VN,PF |
//1+1+/767//6/63//63/17-6-// | 6/8 | Is There a Heart. Minore (t) | AM-A | Johnson, F. MS, 1820 | 35 | PF |
//1//17-6-7-//7-17-//1123//217-6-5-6-7-/ / |
C/ | Third Pavian, The (t) | MS-E | Nevell MS, 1591 | 90-93 | VI |
//1+1+76/7765//1+323/2//1+1+76/7765// | C/ | Rupert's Retreat (t) | MS-E | Rogers MS, 1656 | 12 | VI |
//1+1+/77//1+1/15//64/25//31/12 | 2/4 | Egad we had a glorious feast (fl) | TW-E | Peeping Tom, 1786 | 22-23 | VO/VN,HAF |
//11/7-7//11/22//331/442// | 2/4 | Allemande (t) | AM-A | Johnson, S. MS, 1807 | 26 | FI |
//11/7-7-//11/22//331/442 | 2/4 | Allamand (t) | AM-A | Morse MS, 1811 | 18-19 | 2CL,2HN,B |
//11/7-7-//11/23//44/321 | 6/8 | New Fandango, The (t) | DA-E | Bride CD, 1776 | III,24 | VN/OB/GF |
//11/7-7-//11/23//44/321// | 6/8 | New Fandango, The (t) | AM-A | Brown, J. MS, 1782 | 1:29 | |
//11/7-7-//11/23//44/321 | 6/8 | New Fandango, The (t) | DA-E | Longman CD, 1781 | 82 | VN/OB/GF |
//11/7-7-//11/23//44/321// | 6/8 | Nabob (t) | MS-C | Molyneaux MS-2, 1788 | 58 | 1 OR 2 GF |
//11/7-7-//11/23//44/321 | 6/8 | New Fandango, The (t) | DA-E | Thompson CD-4, 1780 | 83 | VN/GF/OB |
//11/7-7-//11/23//44/321// | 6/8 | New Fandango, The (t) | DA-E | Thompson CD-4a, 1780 | 82 | VN/GF/OB |
//11/7-7-//11/23//454/321 | 6/8 | Vertigo (t) | IC-S | Stewart Airs, 1788 | 2:93 | GF/VN/FI |
//1+1+77//1+1+5//454343 | 2/4 | Doublings of the Troop (t) | IC-E | Andrews Fife, 1808 | 9 | FI/GF |
//1+1+/77//1+1+/5//454/343 | 2/4 | Country Dance (t) | AM-A | Beck MS, 1786 | 59 | GF |
//1+1+77//1+1+5//454343 | 2/4 | Doublings of the Troop (t) | IC-E | Bennett Fife, 1770 | 9 | FI ; FI |
//1+1+/77//1+1+/5//454/343 | 2/4 | Doublings of the Troop (t) | IC-E | Clementi Fife, 1815 | 8 | FI |
//1+1+/77//1+1+/5//454/343 | 2/4 | Doubling of the Troop (t) | AM-A | Commonplace MS, 1797 | 37 | FI |
//1+1+/77//1+1+/5//454/343 | 2/4 | Doublings, The (t) | AM-A | Dickinson MS, 1800 | 43 | CL/GF/OB |
//1+1+77//1+1+5//454343 | 2/4 | Doublings of the Troop (t) | AI-A | Fifer's Comp, 1805 | 72 | 2FI |
//1+1+/77//1+1+/5//454/343 | 2/4 | Doublings of the Troop (t) | AM-A | Gibbs MS, 1777 | 10 | FI |
//1+1+77//1+1+5//454343 | 2/4 | Doublings of the Troop (t) | IC-E | Goulding Fife, 1790 | 18 | FI |
//1+1+/77//1+1+/5//454/343 | 2/4 | Hampshire March, The (t) | IC-E | Handel March 2, 1770 | 5 | VN/GF/OB |
//1+1+/77//1+1+/5//454/343 | 2/4 | Doublings of the Troop (t) | IC-E | Longman Fife, 1770 | 8 | FI |
//1+1+77//1+1+5//454343 | 2/4 | Doublings of the Troop (t) | IC-E | Longman Fife, 1780 | 8 | FI/GF |
//1+1+/77//1+1+/5//454/343 | 2/4 | March, A (t) | AM-A | Perkins MS, 1790 | 20 | MI |
//1+1+77//1+1+5//454343 | 2/4 | Doubling of the Troop (t) | IC-E | Rutherford Fife, 1756 | 9 | FI |
//1+1+77//1+1+5//454343 | 2/4 | Doublings of the Troop (t) | IC-E | Skillern Fife, 1780 | 8 | FI/GF |
//1+1+77//1+1+5//454343 | 2/4 | Doublings of the Troop (t) | IC-E | Thompson Fife, 1760 | 8 | FI |
//1+1+/77//1+1+/5//454/343 | 2/4 | Doublings of the Troop (t) | IC-E | Thompson Fife, 1770 | 8 | FI |
//1+1+/77//1+1+/5//454/343// | 2/4 | Doublings of the Troop (t) | IC-E | Thompson Fife, 1786 | 8 | FI/FL |
//1+1+77//1+1+5//454343 | 2/4 | Doublings of the Troop (t) | AI-A | Village Fifer, 1808 | 14 | FI |
//1+1+77//1+1+5//454343 | 2/4 | Doublings of the Troop (t) | AI-A | Willig Fife, 1805 | 9 | FI |
//1+1+/77//1+1+/5//454/343// | 2/4 | Doublings for the Troop (t) | AI-A | Willig Fife, 1826 | 10 | FI |
//1+1+/771+//2+1+76/556//44/334// | C/ | New Mutiar, The (t) | IC-E | Apollo's Banquet 1-2, 1678 | A15 | VN |
//11/7-7-1//22/23//43/1234//5 | C | Petillos, El (t) | MS-M | Garcia MS, 1772 | 110 | MI |
/11//7-7-1/22//5-/11//7-12/ | 2 | Gaye Pastourelle, La (t) | IC-F | Leclerc Recueil-1, 1729 | 58 | HAF |
//11/7-7-//1231/5-//6-6-/21// | 2/4 | Philadelphia Firemen's Cotillion (t) | AI-A | Johnson, F. Cotillions | 1-2 | PF,BE,BU,VO |
//11/7-//7-123/2//435/4321 | C | Sweet Richard's Hornpipe (t) | AM-A | Psalmody MS, 1798 | 116-117 | MI |
//1+1+/77//1+/5//6/5// | 2/4 | Sammlung [Assembly] (t) | IC-H | Pfeifer-Ordonnanz, 1819 | 4-5,24-25 | 2FI |
//11/7-7-//17-1/23//453/231 | 6/8 | Vertigo, Le (t) | DA-E | Bride CD, 1776 | III,6 | VN/OB/GF |
/11//7-7-/17-13//27-5-/464//3135/ | 2/4 | Valley, The, Made In the Union Hotel at Richmond in 1821 (t) | AM-A | Duport MS-1, 1780 | 53 | VN |
/11//7-7-/17-13//27-5-/464//3135/ | 2/4 | Valley, The (t) | AM-A | Duport MS-2, 1800 | 23v | VN |
/11//7-7-/17-13//27-5-/464//3135/ | 2/4 | Valley, The, Cotillion (t) | AM-A | Duport MS-3, 1825 | 02 | KB |
//1+1+/77//1+71+5//454/343 | 2/4 | Doublings of the Troop (t) | AM-A | Thompson MS, 1777 | 29 | FI |
//11/7-7-/17-6-/5-5-//6-5-4-3-/2-5- | 2/4 | Grenadier March (t) | MS-G | Darmstadt MS 1224 | 239,242 | 2MI |
//11/7-7-//3234/35//43/24//3 | C | Casttana, La (t), or Fricasere (at) | MS-M | Garcia MS, 1772 | 30 | MI |
//11//7-7-//6-4-2-//5-4-3-2-1-//1-13151/ /1-13161 |
3/4 | Tempo di Minuetto (t) | IC-E | Valentine March, 1787 | 8 | 2VN,2OB/FL,2HN,VA,BF |
//1+1+776//543//246421//17-2//365 | 3/4 | Celebrated Song..., The (t) | SS-E | SS, Folger-C52 | 15,2 | MI,VO,KB |
//11+7/765//565/43//321/2343 | 6/8 | Davies's Fancy (t) | AI-A | Balls Amus 1, 1815 | 33 | FL/FI/VN |
//11+7//765//61+/53 | 2/4 | Miss Dolland's Delight (t) | DA-E | Thompson CD-4, 1780 | 92 | VN/GF/OB |
//11+7//765//61+/53//42/17-// | 2/4 | Miss Dolland's Delight (t) | DA-E | Thompson CD-4a, 1780 | 93 | VN/GF/OB |
//1+1+/77//66/53//432/55//1 | 6/8 | Air 2 (t) | BA-E | Fashionable, 1730 | 6 | VO |
//1+1+/77//66/5//345/345 | 2/4 | Starder March, Der (t) | MS-G | Darmstadt MS 1225 | 45-46 | 2MI |
//1+1+/77//66/5//345/345 | 2/4 | Zapffenst. No 10. V. Franfurth (t) | MS-G | Darmstadt MS 1225 | 279-80 | 2MI |
//11/7-7-//6-6-/5-5-//11/17-1// | 6/8 | Cadet's Quick Step, Takeing From the March In 1827 (t) | AM-A | Duport MS-1, 1780 | 60 | VN |
//11/7-7-//6-6-/5-5-//11/22 | 2/4 | Moorland Mary (t) | AI-A | Riley Flute 1, 1814 | 43 | FL |
//11/7-7-//6-6-/5-5-//11/7-7- | 2/4 | Vergatter (t) | MS-G | Darmstadt MS 1224 | 283 | MI |
//1+1+/77//66/55//43/21 | 6/8 | Yarrimore (t), or Indian Ballad, An (at) | AI-A | American SS-SM | 1-2 | VO,CEMBALO/PF+GT |
//11/7-7-//6-6-/5-5-//4-4-/3-4-5- | 3/8 | Siege & Surrender of Valenciennes, The. Entry of the Advanced Guard (t) | IC-S | Scottish Sheet Music | PF/HA | |
//11//7-7-//6-6-//5-5-//5-4-//3-4-5- | 3/8 | Ancien Pas Redouble (t) | IC-F | Capelle Cle, 1816 | T255M321 | MI |
//11/7-7-//6-6-/5-5-//6345/71+ | C | Musette In the Amorous Goddess(secondo) (t) | AM-A | Bolling MS, 1785 | 23 | VN/VO |
//1+1+/77//66/5//65/43 | C | Catch for Three Voices, A (t) | SC-E | Musical Cent-2, 1740 | 20 | 3VO,3FL |
//1+1+/77//66/5//65/43 | C | Catch for Three Voices, A (t) | SS-E | SS, Huntington-2 | 15 | 3VO+3FL |
//11/7-7-7-//6-6-/5-3//32/235//6/5 | C | Highland Widow's Lament, The (t) | SC-S | Scots MM-5, 1797 | 514 | VO,PF |
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