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Incipit | Time | Text | Gnr-Cntry | Short Title | Page | Instrument |
//1///1/1 | 2/4 | Come for Orders. Corporals (t) | AI-A | Cooper System, 1836 | 237 | BU |
//111// | Comme Il Faut Sonner de La Trompe Pour Chiens (t) | IC-F | Du Fouilloux Horn, 1585 | 48 | HN | |
//1///1/1 | 2/4 | A l'Ordre Pour les Fourriers (t) | IC-F | French Ordinances | App.25 | BU |
//1//1/1// | 2/4 | Come for Orders: Corporals (t) | AI-A | US Tactics, 1835 | 18 | BU |
//1111// | 3/8 | Pour Faire Rentrer Les Officiers à Leur Place de Bataille | IC-F | Buhl Trumpet, 1825 | 25 | TR |
//1///1/1//1 | 2/4 | Come for Orders. Sergeants (t) | AI-A | Cooper System, 1836 | 237 | BU |
//1///1/1//1 | 2/4 | A l'Ordre Pour les Sergens (t) | IC-F | French Ordinances | App.25 | BU |
//11/1+1+// | Negative (t) | IC-E | Hyde Bugle, 1818 | 45 | BU | |
//1//1/1//1// | 2/4 | Come for Orders: Sergeants (t) | AI-A | US Tactics, 1835 | 18 | BU |
//1///1/1//1/1 | 2/4 | Come for Orders. First Sergeants (t) | AI-A | Cooper System, 1836 | 237 | BU |
//111/11// | Comme Il Faut Sonner Avec La Trompe La Mort du Cerf (t) | IC-F | Du Fouilloux Horn, 1585 | 51 | HN | |
//1///1/1//1/1 | 2/4 | A l'Ordre Pour les Sergens Majors (t) | IC-F | French Ordinances | App.25 | BU |
//1//1/1//1/1// | 2/4 | Come for Orders: First Sergeants (t) | AI-A | US Tactics, 1835 | 18 | BU |
//1/1//1/1//11 | C/ | Battle of Gemmappe, The. Troops Assembling (t) | AI-A | American SS-SM | 3-9 | PF |
//11/11/11// | Comme Il Faut Sonner de La Trompe Aux Deffaux (t) | IC-F | Du Fouilloux Horn, 1585 | 49 | HN | |
//1111111 | When the Fox Is Not Couerable, to Call Away (t) | IC-E | Art of Venerie, 1575 | HN | ||
//111//1111// | Comme Il Faut Sonner Veuë Avec La Trompe (t) | IC-F | Du Fouilloux Horn, 1585 | 49 | HN | |
//111/11/11// | Comme Il Faut Sonner La Retraicte Avec La Trompe (t) | IC-F | Du Fouilloux Horn, 1585 | 51 | HN | |
//11/1/1111/1// | Comme Il Faut Sonner de La Trompe Pour Faire La Curee (t) | IC-F | Du Fouilloux Horn, 1585 | 51 | HN | |
//1-1-/11//1-1-/11 | 6/8 | Negative (t) | IC-E | Potter Bugle, 1817 | 9 | BU |
//111//1//111//1// | 3/4 | Selection From the Battle of Prague, Go to Bed Home (t) | AI-A | Willig Flute, 1795 | 19 | GF |
//1/11//1/11//1/11 | 2/4 | Battle of Trenton, The. Trumpets of Victory (t) | AI-A | American SS-SM | 11 | PF |
//1-/1-1-//1-/1-1-//1-/1-1- | 2/4 | Battle of Trenton, The. Trumpets of Victory (t) | AI-A | American Sheet Music | PF | |
//1-1-1-1-1-1-1-1-1- | Lie Concealed (t) | IC-E | Barber Bugle, 1804 | Pl.1 | BU | |
//111111111 | Spring-Up (t) | IC-E | Barber Bugle, 1804 | Pl.1 | BU | |
//1/1//1/1//111/11 | 2/4 | Conquete d'Oczakow, La. The Trumpet Sound to Battle (t) | IC-E | English Sheet Music | HA/PF | |
//1111/1111//1 | C/ | Air 56 (t) | BA-E | Fashionable, 1730 | 76 | VO |
//1-/1-//1-/1-//1-1-1-/1-1- | 2/4 | Siege & Surrender of Valenciennes, The. Trumpet Sound to Arms (t) | IC-S | Scottish Sheet Music | PF/HA | |
//1/1//111/111//1/1 | 6/8 | Aux Armes Ou l'Alarme (t), or Alarme, ou L' (at) | IC-F | French Ordinances | App.15 | TR |
//111/111//111/11-1 | 6/4 | Air 14 (t) | BA-E | Fashionable, 1730 | 20 | VO |
//1-1-/1-1-/1-1-//1-1-/1-1-/1-1- | 3/2 | Charge, La (4 Couplets) (t) | IC-F | French Ordinances | App.12 | TR |
//1/111//111/111//1/1 | 6/8 | Breaking Cover (t) | IC-E | Longman Horn, 1785 | 18 | 2HN |
//1/111//111/111//1/1 | 6/8 | Breaking Cover (t) | IC-E | Simpson Horn, 1745 | 3 | 2HN |
//1/111//111/111//1/1 | 6/8 | Breaking Cover (t) | IC-E | Thompson Horn, 1755 | 11 | 2HN |
//1/1//11/11//1111/1111 | C/ | Chasse, La (t) | AI-A | Six Songs, 1794 | 1-4 | HA/PF |
//111/1111//111//111/1111 | C/ | Old Soldiers (t) | SC-E | Pills 5, 1719-20 | 217-9 | VO |
//1111/1111//1/1111//1111 | C/ | Old and New Courtier of the Queens, The (t) | SS-E | SS, Harvard | 1 | VO/FL |
//1111/1111//1/1111//1111 | C/ | Old and New Courtier of the Queens, The (t) | SS-E | SS, Harvard | 1 | VO/FL |
//111111111//111111111// | Comme on Doit Sonner Les Abbois de La Trompe (t) | IC-F | Du Fouilloux Horn, 1585 | 51 | HN | |
//111111111//111111111// | Comme Il Faut Sonner de La Trompe Apres La Curee (t) | IC-F | Du Fouilloux Horn, 1585 | 52 | HN | |
//1111111111111111111 | Call for the Companie In the Morning, The (t) | IC-E | Art of Venerie, 1575 | HN | ||
//11/11111//1111//11111//11//11 | 2 | Marche, La (t) | IC-F | Lecoq Madeleine, 1720 | 6-7 | TR |
//111/1111//111//111/1111//111 | C/ | Old and New Courtier, The (t) | SC-E | Pills 3, 1719-20 | 271-3 | VO |
//111111111111111111111 | Death of a Deare with Bowe (t), or Greyhounds, The (at) | IC-E | Art of Venerie, 1575 | HN | ||
//111111111111111111111 | To Blowe for the Terryers at An Earth (t) | IC-E | Art of Venerie, 1575 | HN | ||
//1111/1111//1/1111//1111/1111 | C/ | Air 5 (t) | BA-E | Don Quixote Eng, 1734 | 14 | VO |
//111/111/111/111111/111/111 | Caualquet, Le (t) | IC-F | Mersenne Harm, 1636 | 5:264 | TR | |
//111111111111111111111 | Song 43 (t), or of An Old Courtier and a New (at) | SC-E | Ritson, 1783 | TII,140-143;MIII,258 | VO | |
//1111/1111//1/1111//1111/1111 | C/ | Old and New Courtier of the Queens, The (t) | SS-E | SS, Folger-C42.3 | 485 | VO+FL |
//1-1-1-1-1-1-1-1-1//1-1-1-1-1-1-1-1-1// 1-1-1-1-1-1-1-1-1 |
3/4 | Retreat (t) | AM-A | Bugle MS, 1800 | 1 | BU |
//11/111111//11/111111//11/111111// | 2/4 | Raliement, Le (t) | IC-F | Buhl Trumpet, 1825 | 28 | TR |
//111/1111//111/1111//111/1111111 | C/ | Song 105 (t) | SC-E | Convivial, 1782 | 210-212 | VO |
//11/111111//11/111111//11/111111 | 2/4 | Ralliement, Le (t) | IC-F | French Ordinances | App.16 | TR |
//11/111111//11/111111//11/111111 | 2/4 | Ralliement, Le (t) | IC-F | French Ordinances | App.21 | TR |
//11/111111//11/111111//11/111111 | 2/4 | Rally, The (t) | AI-A | US Tactics, 1834 | PL67 | TR |
//1111/1111//1111/1111//1111/1111 | C/ | Ouverture de l'Amant Statue (t) | IC-F | Vanderhagen Pcs, 1787 | 15:2-3 | 2CL,2HN,2BS |
//11111111111111111111111111 | Strake of Nyne, to Draw Home the Company, A (t) | IC-E | Art of Venerie, 1575 | HN | ||
//111111111111111111111111111 | Streaking from Couert to Couert, The (t) | IC-E | Art of Venerie, 1575 | HN | ||
//1111111111//1111111111111111111 | Strake to the Field, The (t) | IC-E | Art of Venerie, 1575 | HN | ||
//11111111111111111111111//111111 | Rechate, The (t) | IC-E | Art of Venerie, 1575 | HN | ||
//11111111111//111111111111111111 | Breaking Cover (t) | IC-E | Longman Horn, 1785 | 14-15 | HN | |
//11111111111//111111111111111111 | Breaking Cover, The (t) | IC-E | Muses Delight, 1754 | 27 | HN | |
//11111111111//111111111111111111 | Breaking Cover (t) | IC-E | Simpson Horn, 1746 | 7 | HN | |
//11111111111//111111111111111111 | Breaking Cover (t) | IC-E | Thompson Horn, 1755 | 7 | HN | |
//111111111111111//111111111111111 | Uncoupling of the Couert Side, The (t) | IC-E | Art of Venerie, 1575 | HN | ||
//111111111111111111111111111111 | When the Hounds Doe Hunt a Game or Chase Unknowen (t) | IC-E | Art of Venerie, 1575 | HN | ||
//111111111111111//111111111111111 | When the Game Doth Breake Couert (t) | IC-E | Art of Venerie, 1575 | HN | ||
//111111111111111//111111111111111 | Death of a Fox, Either In Field or Couert, The (t) | IC-E | Art of Venerie, 1575 | HN | ||
//111111111111111//111111111111111 | Death of a Bucke with Hounds, The (t) | IC-E | Art of Venerie, 1575 | HN | ||
//111111111111111//111111111111111 | Pryse of An Hart Royall, The (t) | IC-E | Art of Venerie, 1575 | HN | ||
//111111111111111111//111111111111111 | Seeke, The (t) | IC-E | Art of Venerie, 1575 | HN | ||
//1111111//1111111//1111111111111111111 | Foure Sundry Calls for a Keeper, In Parke, Chase, or Forrest (t) | IC-E | Art of Venerie, 1575 | HN | ||
//111111111111111//111111111111111111111 11 |
Earthing of a Fox, If He Be Couerable, The (t) | IC-E | Art of Venerie, 1575 | HN | ||
//11111/11111/111111111/11111/311111 | Double Cavalquet, Le (t) | MS-E | Kusser MS, 1710 | 312 | TR | |
//11111/11111/111111111/1111131111115-11 |
Double Caualquet, Le (t) | IC-F | Mersenne Harm, 1636 | 5:264 | TR | |
//111/111/111/111111/111/111/311 | Simple Cavalquet, Le (t) | MS-E | Kusser MS, 1710 | 312 | TR | |
//1-1-1-1-1-1-//1-1-1-1-1-1-//1-1-1-1-1- 1-//2-3-//3- |
3/4 | Charge, La (t) | IC-F | French Ordinances | App.15 | TR |
//11/111111//11/111111//115-5-3-3-1-/1-1 -1- |
2/4 | Ralliement, Le (t) | IC-F | French Ordinances | App.18 | TR |
//1-1-1-1-/1-1-1-1-//1-1-1-1-/1-1-3-1-// 5-5-5-5-/5-5-3-1- |
2/4 | General, The (t) | AI-A | US Tactics, 1834 | PL66 | TR |
//1-1-1-1-1-1-1-1-//1-1-1-1-1-1-3-1-//5- 5-5-5-5-5-3-1- |
3/4 | Generale, La (6 Couplets) (t) | IC-F | French Ordinances | App.16 | TR |
//1-1-1-1-1-1-1-1-//1-1-1-1-1-1-3-1-//5- 5-5-5-5-5-3-1-//-2-- |
3/4 | Generale, La (t) | IC-F | French Ordinances | App.21 | TR |
//11111111//11111131//55555531//5-5-// | 3/4 | Générale, La (t) | IC-F | Buhl Trumpet, 1825 | 29 | TR |
//11111111111113111111111111111111//1 | Marche, La (t) | MS-F | Philidor MS, 1705 | 37 | TR | |
//1111//11111//1111//5- | 3/4 | Charge, The (t) | AI-A | Cooper System, 1836 | 241 | BU |
//111/11/11//111/11/22//111/11/11// | 3/4 | Vestris' Bolero (t) | DA-E | Wilson Companion, 1816 | 176-177 | MI |
//1-1-1-1-1-1-1-1-1-1-1-1-3- | March (t) | IC-E | Broderip Sounds, 1799 | 10 | TR | |
//1111111111113 | March (t) | IC-E | Broderip Sounds, 1799 | 19 | BU | |
//1111111111113// | March (t) | IC-E | Hyde Bugle, 1818 | 38 | TR | |
//1111111111113// | March (t) | IC-E | Hyde Bugle, 1818 | 40 | BU | |
//1+1+/1+1+//1+1+1+/1+1+1+//1+1+3+// | Enemy Are Halted, The (t) | IC-E | Hyde Bugle, 1818 | 45 | BU | |
//1-1-1-1-1-1-1-1-1-1-1-1-3- | March (t) | IC-E | Hyde Trumpet, 1798 | 17 | TR | |
//1111111111113 | March (t) | IC-E | Hyde Trumpet, 1798 | 23 | BU | |
//11/11//111/111//113 | C | Enemy Are Halted, The (t) | IC-E | Potter Bugle, 1817 | 10 | BU |
//111/11+//11+/11+//111/3 | 6/8 | Dance, A (t) | AI-A | Riley Flute 2, 1817 | 68 | FL |
//111/111//111/111//3-11/111 | 6/8 | Post(1-4) (t) | MS-G | Darmstadt MS 1224 | 143 | TR |
//1-1-1-1-/1-1-1-1-//1-1-1-1-/3-1-1-1-// 1-//1- |
2/4 | En Avant (t) | IC-F | French Ordinances | App.22 | TR |
//1111/1111//1111/3111//11/11// | 2/4 | March (t) | AI-A | Anderson Bugle, 1839 | 190 | BU |
//1-1-1-1-/1-1-1-1-//1-1-1-1-/3-1-1-1-// 1-1-/1-1- |
2/4 | Marche, La (t) | IC-F | French Ordinances | App.21 | TR |
//1-1-1-1-/1-1-1-1-//1-1-1-1-/3-1-1-1-// 1-1-/1-1- |
2/4 | Marche, La (t) | IC-F | French Ordinances | App.23 | 4TR |
//1-1-1-1-1-1-1-1-1-1-1-1-3-//1-1-1-1-1- 1-1-1-1-1-1-1-1-1-1- |
Parade March (t) | IC-E | Broderip Sounds, 1799 | 5 | TR | |
//11111111111131111111111// | Parade March (t) | IC-E | Hyde Bugle, 1818 | 36 | TR | |
//1-1-1-1-1-1-1-1-1-1-1-1-3-1-1-1-1-1-1- 1-1-1-1-1-1-1-1-1-1- |
Parade March (t) | IC-E | Hyde Trumpet, 1798 | 13 | TR | |
//1-1-1-1-/1-1-1-1-/1-1-1-1-/3-1-1-1--2- 5-5-5-/15-15-15-3-1- |
C/ | Battle of Trenton, The. Trumpets Sound the Charge (t) | AI-A | American Sheet Music | PF | |
//1111/1111//1111/31115-555//1+51+51+531 |
C/ | Battle of Trenton, The. Trumpets Sound the Charge (t) | AI-A | American SS-SM | 4-8 | PF |
//11111/1/11111/1//31313131/42424242 | C/ | IC-E | Forest Harmony-2, 1733 | 13 | 2HN/GF/TR/VN | |
//1111//1111//1111//5- | 3/4 | Charge, La (5 Couplets) (t) | IC-F | French Ordinances | App.16 | TR |
//1111//1111//1111//5- | 3/4 | Charge, The (t) | AI-A | US Tactics, 1834 | PL67 | TR |
//1111//1111//1111//5-//33//131313// | 3/4 | Charge, La (t) | IC-F | Buhl Trumpet, 1825 | 27 | TR |
//1111/1111/1111//5-5-5-5-/5-5-5-5-/5-5- 5-5-//5-5-5-5-/5-5-5-5-/5-5-5-5-// |
3 (ed) | Battle, The. the Battle Joined (t), or Battle Joined, The (at) | MS-E | Rogers MS, 1656 | 38-39 | VI |
//1+1+1+1+1+1+//1+1+1+1+1+1+//6-1 | AM-A | Cary MS, 1797 | 125 | VN | ||
//11/11//11/111//11+/1+7 | 2/4 | Get Up and Bar the Door (t) | SC-S | Scots MM-3, 1790 | 310 | VO,PF |
//11111/1//1111323/1//31313131/42424242 | C | French Hunting Tune (t) | IC-E | Simpson Horn, 1746 | 18-19 | 2HN |
//1-1-1-1-/1-1-1-1-//1-1-3-5-/15-3-5-//5 55/5671+ |
C/ | Governor Tomkins's March (t) | AI-A | American Sheet Music | 2 | PF |
//11111//11111//5-5-5-5-5-//5-//11111//1 1111 |
3/4 | En Arriere (t) | IC-F | French Ordinances | App.17 | TR |
//1+11+/1+11+//1+11/15//645/1+567 | C/ | Marsch des Regiments Zweite Garde (t) | MS-G | Saxon Marches, 1729 | 2OB,2HN,2BS | |
//111111/1111//7-6-2/21//111111/1111 | C | Song 106 (t) | SC-E | Convivial, 1782 | 212-218 | VO |
//11/11//111/11//21/7-1//2 | C/ | Sir John Barleycorn (t) | SS-E | SS, Harvard | 1 | VO,B |
//1111/111//112/3//1111/1111 | 6/8 | Introduction (t) | TW-E | Enchanted Cas, 1787 | 2-4 | VO,KB |
//1111/1111//12345432/12345432//123455-/ 11-34 |
C/ | Allegro (t) | IC-E | Forest Harmony-3, 1736 | 17 | 2HN/GF/TR/VN |
//1/1//1/1//111/11//311/11// | 2/4 | March In Honour of the British Seamen (t) | IC-E | Naval Compendium, 1800 | 4-5 | 2FL/VN,PF |
//1/1111//1111/3111//11/11// | 2/4 | Marche, La (t) | IC-F | Buhl Trumpet, 1825 | 26 | TR |
//1-/1-1-1-1-//1-1-1-1-/3-1-1-1-//1-1-/1 -1- |
2/4 | Marche, La (5 Couplets) (t) | IC-F | French Ordinances | App.16 | TR |
//1-/1-1-1-1-//1-1-1-1-/3-1-1-1-//1-1-/1 -1- |
2/4 | March, The (t) | AI-A | US Tactics, 1834 | PL66 | TR |
//1-1-1-1-1-/1-1-1-1-//3-/1-1-3-//5-5-5- 5-/5-3- |
2/4 | Corvees, Les (t) | IC-F | French Ordinances | App.18 | TR |
//1-1-1-1-1-/1-1-1-1-//3-3-3-3-3-/3-3-3- 3-//5-5-5-5-5-/5-5-5 |
C | Captain Deems's March (t) | AI-A | American Sheet Music | PF | |
//111/111//111/35//111/313 | 6/8 | North Highland Reel, A (t) | IC-S | Aird 5, 1797 | 69 | FI/VN/GF |
//1111/1111//135/1+53//2222/32 | 6/8 | Irish Bull, The (t) | DA-E | Walsh CD-2.4, 1747 | 71 | MI |
//1111/1111//135/1+53//2222/32// | 6/8 | Irish Bull, The (t) | DA-E | Walsh CD-3.4, 1747 | 71 | VN/OB/GF |
//111/111//1/1//15 | 6/8 | Pour la Requete Ou le Deffaut (t), or Deffaut, ou Le (at) | IC-F | Boivin Tons, 1731 | 2 | 2HN/GF/OB/VN/VA |
//11/11//11/11//15-1/15-1 | 6/8 | Run (t) | AI-A | Cooper System, 1836 | 238 | BU |
//11/11//11/11//15-1/15-1 | 6/8 | Pas de Course (t) | IC-F | French Ordinances | App.25 | BU |
//11/11//11/11//15-1/15-1// | 6/8 | Charge, La (t) | IC-F | Lelouterel Clairon, 1825 | pl. 6 | BU |
//11/11//11/11//15-1/15-1// | 6/8 | Run (t) | AI-A | US Tactics, 1835 | 19 | BU |
//1111/1111//15-13/15-13//1111/1111// | C/ | Marche (t) | IC-F | Buhl Trumpet, 1825 | 40 | 2TR |
//1111/1111//15-13/15-13//1333/3333// | C | Marche (t) | IC-F | Buhl Trumpet, 1825 | 48-49 | 4TR |
//1111/1111//15-13/15-13//1333/3333 | C | Pas Ordinaire, Le (t) | IC-F | French Ordinances | App.22 | TR |
//1111/1111//15-13/15-13//1333/3333 | C | Pas Ordinaire, Le (t) | IC-F | French Ordinances | App.22-23 | 4TR |
//1+/1+1+1+//1+/1+1+1+//1+5-5-/37-6-7- | C/ | Rossini's Grand March... Barbiere de Seviglia (t) | AI-A | American Sheet Music | 2 | PF |
//11/11//11/11//1/5-5-5-5- | 2 | Marche de Timballes (t) | MS-F | Philidor MS, 1705 | 33-34 | TI |
//1111//1111//1+7 | 2/4 | Pantaloon, The (t) | DA-E | Thompson CD-5, 1788 | 66 | VN/GF/OB |
//111/1//111/1//1+/7// | 2/4 | Pantaloon, The (t) | DA-E | Thompson CD-5a, 1788 | 66 | VN/GF/OB |
//11-1-1-1-1-1-1-/17-123234//543 | C | Bustle with Watchmen and Gamblers (t) | TW-E | Choice/Harleq, 1781 | 28-9 | HAF |
//11/11//1/111//21/7-1 | C/ | Rise of Pedigree, The (t) | SS-E | SS, Folger-C42.4 | 1 | VO+FL |
//11/11//11/11//21/7-1//2 | 2/4 | Barking Barber, The (t), or New Bow Wow, Or; (at) | SS-E | SS, Harvard | 1-2 | VO,KB |
//11/11//1/111//21/7-1//22 | C/ | Rise of Pedigree, The (t) | SS-E | SS, Harvard | 1,DUP | VO+FL |
//11/11//11/11//22/24 | 2/4 | Heredetary Prince, The (t) | DA-E | Cantelo CD, 1785 | 16 | KB |
//11/11//111/12//33/33 | 6/8 | Flying Artillery's March (t) | AI-A | Camp Dupont, 1816 | 17 | 2GF/FI/VN,PF |
//11/11//11/112//33/34 | C | Lassie All Alone, A (t) | SC-S | Scots MM-5, 1797 | 418 | VO,PF |
//111/111//112//334/5433 | C | Air 47 (t) | BA-E | Achilles, 1733 | 61 | VO |
//1+1/11//11/11//2/34//31 | 2/4 | To speak my mind of womankind (fl) | TW-E | Maid/Mill, 1765 | 57 | VO,HAF |
//1-1-1-1-/1-1-1-1-//3-1-1-1-/1-1-//1-1- /1-1- |
C/ | Marches (4 Couplets) (t) | IC-F | French Ordinances | App.15 | TR |
//111//111//113-//111//1111111 | Marche (t) | IC-G | Bavarian March, 1807 | 27 | TR | |
//1111/1111//311/1111//1+/5+ | 2/4 | Miss Beutick's Fancy (t) | IC-S | Aird 6, 1803 | 35 | FI/VN/GF |
//1111111131115-5-5-5-11115-11 | Selection From the Battle of Prague, Trumpet of Victory (t) | AI-A | Willig Flute, 1795 | 18 | GF | |
//11/11//11/11//31/217- | 6/8 | Village Quick Step (t) | AM-A | Kingsley MS, 1795 | II,9 | MI |
//111/1111//131/724//311/1111// | C | Slow March by B. Rackaman (t) | MS-C | Molyneaux MS-2, 1788 | 46 | 1 OR 2 GF |
//111/11//11/13//21/7-6- | 2/4 | Campana, La (t) | MS-M | Garcia MS, 1772 | 10 | MI |
//1-1-1-/1-1-1-//1-1/33//3243/5465 | C | Battle of Waterloo, The. Grand March on Entering the Field (t) | AI-A | American Sheet Music | 13 | PF |
//1-1-/1-1-//1-1-/1-1-//3-3-/3-3- | 2/4 | Charge, La (t) | IC-F | French Ordinances | App.21 | TR |
//111//111//113355//1234//515161//515161 |
3 | Minuet (t) | AM-A | Pynchon MS, 1797 | 11v | MI |
//1+1+/1+1+//11/11//345/432// | 6/8 | No. 3 (t) | DA-E | Leichte Englische, 1795 | 3 | MI |
//111111114443445 | Vicar of Bray (t) | AM-A | Allen, W. MS, 1790 | 63-64 | 2VO | |
//1-1-1-1-1-1-1-1-5-//1-1-1-1-1-1-1-1-5- |
Retreat (t) | IC-E | Barber Bugle, 1804 | Pl.1 | BU | |
//1-1-1-1-1-1-1-1-5-//1-1-1-1-1-1-1-1-5- |
Retreat (t) | IC-E | British Bugle, 1798 | PL.7 | BU | |
//1-1-1-1-1-1-1-1-5-//1-1-1-1-1-1-1-1-5- |
Retreat (t) | IC-E | British Bugle, 1799 | PL.7 | BU | |
//1-1-1-1-1-1-1-1-5-//1-1-1-1-1-1-1-1-5- |
To Retreat (t) | IC-E | British Bugle, 1824 | 55 | BU | |
//111111115//111111115// | To Retreat (t) | AI-A | Gardner Compend, 1819 | PL20 | BU | |
//1-1-1-/1-1-1-/1-1-5-//1-1-1-/1-1-1-/1- 1-5- |
9/8 | Retiriren (t) | IC-G | Hanoverian Inf, 1821 | 53 | HN |
//1-1-1-/1-1-1-/1-1-5-//1-1-1-/1-1-1-/1- 1-5- |
9/8 | Retreat (t) | IC-E | Potter Bugle, 1817 | 5 | BU |
//111111115//111111115// | To Retreat (t) | AI-A | US Riflemen, 1824 | PL13 | BU | |
//1-1-1-1-1-1-1-1-5-//1-1-1-1-1-1-1-1-5- //1-1-1-1-1-1-1-1-5- |
Retreat (t) | IC-E | Gilbert Bugle, 1804 | 2 | BU | |
//1-1-1-1-1-1-1-1-5-/1-1-1-1-1-1-1-1-5-/ 1-1-1-1-1-1-1-1-5- |
Retreat (t) | IC-E | Cooper Guide, 1806 | 3 | BU | |
//1-1-1-1-1-1-1-1-5-1-1-1-1-1-1-1-1-5-1- 1-1-1-1-1-1-1-5- |
Retreat (t) | IC-E | Jones Bugle, 1805 | 3 | BU | |
//111111115//111111115//111111115// | Retreat (t) | AM-A | Beach MS, 1801 | 72 | BU | |
//111111115//111111115//111111115// | To Retreat. No. 7 (t) | IC-E | British Bugle, 1813 | 13 | BU | |
//111111115//111111115//111111115// | To Retreat. No. VII. (t) | IC-E | British Bugle, 1833 | 322 | BU | |
//111111115//111111115//111111115// | 3/4 | Halt (t) | AI-A | Duane Compendium, 1809 | xviii | BU |
//111111115//111111115//111111115// | 3/4 | Buglers Call (t) | AI-A | Duane Riflemen, 1812 | 105 | BU |
//111111115111111115111111115// | Retreat (t) | IC-E | Hyde Bugle, 1818 | 44 | BU | |
//111/1111//1/5-//12/34 | Waldecker Grenadier March (t) | MS-G | Darmstadt MS 1224 | 17 | MI | |
//111/1111//1/5-//12/34 | C | Grandiere March Von Waldeck (t) | MS-G | Darmstadt MS 1224 | 18 | MI |
//111/1111//1/5-//12/34 | C/ | Waldeck (t) | MS-G | Darmstadt MS 1225 | 235 | MI |
//111/1111//15-/1234//53/45 | C | Grenadier Marche de Waldeck (t) | MS-G | Darmstadt MS 1224 | 75 | MI |
/11//11/11//1/15-13//25-24/ | C/ | Chaine, La (t) | IC-E | Welcker Cots, 1768 | 2 | GT |
//1111111/15-15-//12343/254 | C | Litchfield's Trumpet March (t) | IC-E | Musica Bell, 1733 | 22 | FL/VN/OB |
//111/1111//1/5-//222/2222 | C | IC-E | Forest Harmony-2, 1733 | 15 | 2HN/GF/TR/VN | |
//111/1111//15-25-/35-25-//15-25-/35-25- |
C/ | March (t) | IC-E | Simpson Horn, 1745 | 8-9 | 2HN |
//111/111//11+/53//1234/5656 | C/ | Bennet's March (t) | AI-A | Merrimack Coll, 1833 | 44 | 2MI,B |
//1-1-1-1-1-1-1-1-7-//1-1-1-1-1-1-1-1-7- //1-1-1-1-1-1-1-1-7- |
3/4 | Retreat (t) | AI-A | Hoyt Cavalry, 1813 | Pl 13 | TR,BU |
//1+1+1+/1+1+1+1+//1+76/51+3//4345/4654 | C | March for the Thirty-Fifth Regiment (t) | IC-E | Bennett Fife, 1770 | 14 | 2FI |
//1+1+1+/1+1+1+1+//1+76/51+3//4345/4654 | C | March for the 35th Regiment (t) | AM-A | Cabot MS, 1784 | 3 | 2GF |
//1+1+1+/1+1+1+1+//1+76/51+3//4345/4654 | C | March of the Thirty-Fifth Regiment (t) | AI-A | Willig Fife, 1805 | 14 | 2FI |
//1+1+1+/1+1+1+1+//1+76/51+3//4345/4654/ / |
C | March of the Thirty Fifth Regiment (t) | AI-A | Willig Fife, 1826 | 16 | 2FI |
//11/111//11/17-6-//5-4- | C/ | Lass with Ye Nut-Brown Hair, The (t) | SS-E | SS, Folger-C42.3 | 295 | VO+FL |
//111/1111//17-6-/5-4-3-2-//1- | C/ | March (t) | IC-E | Delightful-2, 1745 | IV,28 | GF |
//111/1111//17-6-/5-4-3-2-//1-/12 | C/ | March (t) | IC-E | Musica Bell, 1733 | 21 | FL/VN/OB |
//111/1111//17-6-/5-4-3-2-//1-2-3-/4-5-6 -7- |
2 | Marche de Cupis (t) | MS-F | Marches MS, 1795 | 9V | 2VN |
//1+1+1+/1+1+1+1+//1+76//5434/5434 | C/ | Marlborough's Victory (t) | PL-E | Playford 2-1, 1713 | 167 | VN/OB |
//1+1+1+/1+1+1+1+//1+76//5434/5434 | C/ | Marlborough's Victory (t) | PL-E | Playford 2-2, 1714 | 167 | VN/OB |
//1+1+1+/1+1+1+1+//1+76//5434/5434 | C/ | Marlborough's Victory (t) | PL-E | Playford 2-3, 1718 | 167 | VN |
//1+1+1+/1+1+1+1+//1+76//5434/5434 | C/ | Marlborough's Victory (t) | PL-E | Playford 2-4, 1728 | 167 | VN |
//1+1+1+/1+1+1+1+//1+76//5434/5434 | C/ | Marlborough's Victory (t) | DA-E | Walsh CD-1.2, 1719 | 186 | VN/OB |
//1111/1111//7-6-5-4-/5-5-//2222/2255 | C/ | Bataille d'Jena, La. Marche des Troupes Francaises Infanterie Legere (t) | IC-N | Netherlands Sheet Music | 19 | PF |
//111/11//11/1//7-7-7-/7-7- | 2/4 | Quartetto (t) | TW-E | Oscar & Malvina, 1791 | 10-13 | 4VO,KB |
//11111//11+2+1+2+3+//2+754//43//55555 | 3/4 | Prince Charles's Minuet (t) | MS-S | Gillespie MS, 1768 | 79 | VN |
//11//11//1/11//21/7-1 | C | Song, A (t) | SC-E | Pills 3, 1719-20 | 63-4 | VO |
//11/11//1/11//21/7-1 | Strawbery (t) | SS-E | SS, Folger-C42.3 | 132 | VO+FL | |
//111//1111//217-1 | 2/4 | Ally Croaker (t) | DA-E | Thompson CD-1, 1757 | 41 | VN/GF/OB |
//1/11//11/11//21/7-1// | 2/4 | Ally Croaker (t) | DA-E | Thompson CD-1a, 1757 | 40 | VN/GF/OB |
//1/11//11/11//21/7-1// | 2/4 | Ally Croker (t) | DA-E | Universal Magazine | 1:178, 1754 | MI |
//11/11//1/11//21/7-1 | C/ | Fryar and the Nun, The (t) | DA-E | Walsh CD-1.1, 1718 | 67 | VN/OB/FL |
//11/11//1/11//21/7-1 | C/ | Fryar and the Nun, The (t) | DA-E | Walsh CD-2.1, 1731 | 141 | VN/OB/GF/RC |
//11/11//1/11//21/7-1 | C/ | Fryar and the Nun, The (t) | DA-E | Walsh CD-3.1, 1754 | 192 | VN/OB/GF |
//11/11//1/11//21/7-1//22 | C/ | Strawbery (t) | SC-E | Pills 6, 1719-20 | 348-9 | VO |
//11111/1121//7-5-27-/5-//22222/2232 | C/ | Grand March... Miss C. Boller (t) | AI-A | American Sheet Music | 2 | PF |
//1/11//1/111//21/7-6- | C/ | Trois Grandes Marches Militaires... le Grand Duc Nicolas de Russie (t) | MS-E | English BL Add MSS | BAND(27 PARTS) | |
//111/1111//217-6-/5-6-7-//6-5-4-/3-5-// 5-1 |
C/ | Sir William Butler's Bald Colt (t) | SC-E | Pills 4, 1719-20 | 222-3 | VO |
//111/11//11/22//34/56 | 2/4 | Mr John Dale's Favorite (t) | IC-S | Vogel Marches, 1802 | 11 | PF |
//111//111//123//1//143//165 | 3/4 | Grand Waltz (t) | AI-A | Riley Flute 4, 1826 | 77 | FL |
//11111//11231//27-5-4-//4-3-5-//6-7-1// 7-25-7-24// |
3/4 | Minuet, A (t) | DA-E | London Magazine | 244, 1755 | MI,B |
//111//111//123//1//43//1+7// | 3/4 | Celebrated Grand Waltz, The (t) | AM-A | Pynchon MS, 1797 | 26r-27v | MI |
//11111//11+2+3+//2+754//43//5-5-5-5-5-/ /5-4-3-// |
3/4 | Minuetto (t) | MS-E | Malecot MS, 1779 | 17 | VN |
//111/111//123/321//222/222 | 6/8 | Double Dragg (t) | AI-A | Herrick Preceptor, 1807 | 41 | 2MI,B |
//111/111//123/321//222/222 | 6/8 | Double Dragg (t) | AI-A | Village Fifer, 1808 | 17 | 2FI |
//111/11//112//333/33//334 | C | Prince of Wales's March (t) | MS-E | English BL Add MSS | KB | |
//111/11//1/1//23/432// | C/ | Duke of Lorain's March, The (t) | IC-E | Apollo's Banquet 1-1, 1670 | 43 | VN |
//111/11//1/1//23/432 | C/ | Duke of Lorrain's March (t) | DA-E | Johnson CD-3, 1744 | 48 | VN/GF |
//111/11//1/1//23/432 | C/ | Duke of Lorain's March (t) | PL-E | Playford 1-10, 1698 | 68 | VN |
//111/11//1/1//23/432 | C/ | Duke of Lorrain's March (t) | PL-E | Playford 1-13, 1706 | 68 | VN |
//111/11//1/1//23/432 | C/ | Duke of Lorrain's March (t) | PL-E | Playford 1-15, 1713 | 68 | VN |
//111/11//1/1//23/432 | C/ | Duke of Lorrain's March (t) | PL-E | Playford 1-16, 1716 | 68 | VN |
//111/11//1/1//23/432 | C/ | Duke of Lorrain's March (t) | DA-E | Walsh CD-2.4, 1747 | 151 | MI |
//111/11//1/1//23/432// | C/ | Duke of Lorrain's March (t) | DA-E | Walsh CD-3.4, 1747 | 151 | VN/OB/GF |
//11+1/111//123/432//11-1-/1-1-1-// | 6/8 | No. 9 (t) | DA-E | Leichte Englische, 1795 | 9 | MI |
//11-1/11-1//1/234//321/7-6-5// | 2/4 | No. 21 (t) | DA-G | Feldtenstein Chorographie,1776 | Tabula 7 | MI |
//111/11//1/1//23/432//3 | C/ | Duke of Lorain's March, The (t) | PL-E | Playford 1-03a, 1657 | I,125 | VN |
//111/11//1/1//23/432//3 | C/ | Duke of Lorain's March, The (t) | PL-E | Playford 1-04, 1670 | 127 | VN |
//111/11//1/1//23/432//3 | C/ | Duke of Lorain's March, The (t) | PL-E | Playford 1-05, 1675 | 127 | VN |
//111/11//1/1//23/432//3 | C/ | Duke of Lorain's March, The (t) | PL-E | Playford 1-06, 1679 | 127 | VN |
//111/11//1/1//23/432//3 | C/ | Duke of Lorain's March, The (t) | PL-E | Playford 1-07, 1686 | 127 | VN |
//111/11//1/1//23/432//3 | C/ | Duke of Lorain's March, The (t) | PL-E | Playford 1-08, 1690 | 123 | VN |
//111/11//1/1//23/432//3 | C/ | Duke of Lorain's March (t) | PL-E | Playford 1-09, 1695 | 68 | VN |
//111/11//1/1//23/432//3 | C/ | Duke of Lorain's March (t) | PL-E | Playford 1-11, 1701 | I,68 | VN |
//111/11//1/1//23/432//3 | C/ | Duke of Lorrain's March (t) | PL-E | Playford 1-12, 1703 | 68 | VN |
//111/11//1/1//23/432//3 | C/ | Duke of Lorrain's March (t) | PL-E | Playford 1-14, 1709 | 68 | VN |
//111/11//1/1//23/432//3 | C/ | Duke of Lorrain's March (t) | PL-E | Playford 1-17, 1721 | 68 | VN |
//111/11//1/1//23/432//3 | C/ | Duke of Lorrain's March (t) | PL-E | Playford 1-18, 1728 | 68 | VN |
//111/11//1/1//23/432//3 | C/ | Duke of Lorain's March, The (t) | PL-E | Playford 1-3b, 1665 | I,125 | VN |
//111/111//1234/531//111/111 | 6/8 | Mr Binden's Fancy, Irish (t) | IC-S | Aird 5, 1797 | 51 | FI/VN/GF |
//1+1111//11234//55-5-5-5-//5-4//3216432 |
3/4 | Miss Pringle S Minuet (t) | MS-S | Gillespie MS, 1768 | 80 | VN |
//11-1-1-1-1-//1-234//55-5-5-5-5-//5-//1 12311231123 |
3/4 | TW-E | Harlequin Sorc, 1752 | 3 | HA | |
//1+1+1+1+/1+11234//5555/571+//2+ | C/ | Sonata (t) | AI-A | Instrum Asst, 1800 | 77-79 | 2VN/2GF/2CL/2OB,BVIOL |
//1+11//111//123456//7//654//321//7-1125 - |
3/8 | Minuet (t) | IC-E | Delightful-2, 1745 | I,5 | GF |
//111/111//12/35-//5-13/212// | 6/8 | Stag Brisk, The. No. 12 (t) | AI-A | Johnson, F. Cotillions | 7 | PF |
//11/11//11/13//21/16- | C/ | Christ Church Bells In Oxon (t) | DA-E | Walsh CD-2.1, 1731 | 104 | VN/OB/GF/RC |
//11/11//11/13//21/16- | C/ | Christ Church Bells In Oxon (t) | DA-E | Walsh CD-3.1, 1754 | 150 | VN/OB/GF |
//11/11//11/13//21/7-6-// | C/ | Carillon D'Oxfort, Le (t) | DA-F | Feuillet Recueil, 1706 | 49-54 | MI |
//11/11//11/13//21/7-6- | C/ | Christ Church Bells (t) | MS-E | Hammersley MS, 1790 | 45B | MI |
//11/11//11/13//21/7-6-// | C/ | Carillion Doxfort, Le (t) | MS-G | Jayme MS, 1717 | 6 | MI |
//11/11//11/13//21/7-6-// | C/ | Carilion D'Oxfort, La (t) | MS-G | Jayme MS, 1717 | 43 | MI |
//11/11//11/13//21/7-6-// | 2 | Carillon D'Oxffor, Le (t) | IC-F | Leclerc Recueil-1, 1729 | 4 | HAF |
//11/11/11/13//21/7-6-// | C/ | Christchurch Bells (t) | MS-F | Lorin MS-1, 1685 | 8v-9r | MI |
//11/11/11/13//21/7-6-// | C/ | Bells, Les Cloches ou le Carillon (t) | MS-F | Lorin MS-2, 1688 | 35 | MI |
//11/11//11/13//21/7-6- | C/ | Christchurch Bells (t) | PL-E | Playford 1-06, 1679 | 177 | VN |
//11/11//11/13//21/7-6- | C/ | Christ-Church Bells In Oxon (t) | PL-E | Playford 1-09, 1695 | 104 | VN |
//11/11//11/13//21/7-6- | C/ | Christ-Church Bells In Oxon (t) | PL-E | Playford 1-10, 1698 | 104 | VN |
//11/11/11/13//21/7-6- | C/ | Christ Church Bells In Oxon (t) | PL-E | Playford 1-12, 1703 | 104 | VN |
//11/11//11/13//21/7-6- | C/ | Christ Church Bells In Oxon (t) | PL-E | Playford 1-14, 1709 | 104 | VN |
//11/11//11/13//21/7-6-// | C/ | Christ Church Bells In Oxon Contre-Danse Angloise (t) | IC-F | Pointel Airs, 1700 | 3 | MI,B |
//11/11//11/13//21/7-6-// | C/ | Carillon (t) | IC-N | Pointel Recueil, 1688 | 13 | MI/B |
//11/11//11/13//21/7-6- | C | Air 11 (t) | BA-E | Polly, 1729 | T13M4-5 | VO,B |
//11/11//11/13//21/7-6- | C/ | Christ-Church Bells In Oxon (t) | DA-E | Walsh CD-1.1, 1718 | 115 | VN/OB/FL |
//11/11//11/13//21/7-6-//5- | C/ | Catch for Three In One, A (t) | AM-A | Brown, H. MS, 1797 | 34 | 3VO |
//11/11//11/13//21/7-6-//5- | C/ | Christchurch Bells (t) | PL-E | Playford 1-07, 1686 | 177 | VN |
//11/11//11/13//21/7-6-//5- | C/ | Christ-Church Bells In Oxon (t) | PL-E | Playford 1-11, 1701 | I,104 | VN |
//11/11//11/13//21/7-6-//5- | C/ | Christ Church Bells In Oxon (t) | PL-E | Playford 1-13, 1706 | 104 | VN |
//1+1+1+/1+1+1+//1+3+2+/1+76//51+5/642 | 2/4 | Demain Elle N'a Plus la Rose (t) | IC-F | Vanderhagen Am, 1776 | 4-5 | 2CL,2HN,2BS |
//11/11//11/13//21/7-6-//5-5- | C/ | Air 17 (t) | BA-E | Village Opera, 1729 | 25 | VO |
//11/11//11/13//217-6-//5-5-//1 | C/ | Air 8 (t) | BA-E | Chambermaid, 1730 | 11 | VO |
//11/11//11/13//21/7-6-//5-5-/5-5- | C/ | Amorous Song, An (t) | SC-E | Pills 5, 1719-20 | 252 | VO |
//11/11//11/13//21/7-6-//5-5-/5-5- | C/ | Christchurch Bells (t) | PL-E | Playford 1-08, 1690 | 163 | VN |
//1+11+/1+11+//1+3+2+/1+76//565/432// | 6/8 | New Country Dance, A (t) | DA-E | Martin Misc Corr, 1759 | 720, 1757 | MI |
//1111/1113//217-6-/7-6-5-//5-111/1113 | C | Clout the Caldron (t), or Song 25 (at) | SC-E | Orpheus Cal-2, 1733 | T58-59MOP59 | VO,HA |
//1+11/11-1-//1-33/3//22-2-/2-42//31-1- | 6/8 | Wish-House Tune (t) | TW-E | Harlequin Sorc, 1752 | 11 | HA |
//1-1-1-/1-1-1-1-//3-3-3-/3-3-3-3-//5-5- 5-/5-5-5-5- |
C | Russian Guards March (t) | IC-E | Skillern Amus, 1785 | 51 | 2GF |
//111/1111//333/3334//51+76/5432 | 2/4 | March V. Den Frantzoschen Deutschen Truppen (t) | MS-G | Darmstadt MS 1225 | 149-50 | 2MI |
//111111//133333//355555//1+51+1+5//1+51 +1+5//543 |
3/4 | Sonata 4. Intrata Allo Modo (t) | IC-E | Rockeman & Alters, 1773 | 8 | 2CL,2HN,BS |
//111/111//13/35//535/54 | 6/8 | Allegro (t) | IC-E | Humple Hn Duets, 1765 | 2-3 | 2HN |
//11/11//11/134//21/7-6-7- | C/ | Christ Church Bells In Oxon (t) | PL-E | Playford 1-17, 1721 | 104 | VN |
//11/11//11/134//21/7-6-7- | C/ | Christ Church Bells In Oxon (t) | PL-E | Playford 1-18, 1728 | 104 | VN |
//11/11//11/135//1+2+1+/1+71+// | 6/8 | Deidamia. No. 3 (t) | AI-A | Johnson, F. Cotillions | 3 | PF |
//111/111//135/1+3+//2+1+/71+// | 2/4 | Amorosa, La. 5th. Set (t), or Falcone, La (at) | AI-A | Cotillion Party, 1818 | 23 | VN/GF/ PF |
//11111//11-3-5-1//351+765//543//64321// 123// |
3/4 | Minuet as Danced at the Theatres. Philadelphia & Baltimore (t) | AI-A | Francis's Ballroom, 1798 | 10 | KB |
//111/111//135/531//7-7-7-/7-7-7- | 6/8 | We Are All of a Bunch (t) | DA-E | Johnson CD-7, 1756 | 20 | VN/GF |
//11//11//11//15- | 3 | Charge, La (t) | IC-F | Lecoq Madeleine, 1720 | 8 | TR |
//111//111//1//51//111//111// | 3/4 | Mozarts Favorite Waltz (t) | AM-A | Duport MS-2, 1800 | 30v | VN |
//11111/115-1//33333/3313//55555/5 | C | President Munroe's Trumpet March (t) | AI-A | American Sheet Music | 2 | PF |
//1+1111//115-13//443//21//1+3333 | 3/4 | Miss Porterfeeld S Minuet (t) | MS-S | Gillespie MS, 1768 | 81 | VN |
//1+1+1+/1+1+1+//1+53/135//1+1+1+/1+1+1+ |
6/8 | Running Poney, The (t) | DA-E | Johnson CD-7, 1756 | 9 | VN/GF |
//11111//11+531//432//31+531//432//3 | 3/4 | Minueto (t) | MS-M | Garcia MS, 1772 | 82 [194] | MI |
//11111//11+531//432//31+531//432//31531 +// |
3/4 | Hungarian Minuet, The (t) | IC-E | Bremner Recorder, 1765 | 25 | FL |
//11111//11+531//432//31+531//432//31531 +// |
3/4 | Hungarian Minuet, The (t) | AM-A | Hoff MS, 1797 | No. 172 | GF |
//11111//11+531//432//31+531//432//31531 +// |
3/4 | King of Prussia's Minuet, The (t) | AM-A | Ormsby MS, 1758 | 300 | VN |
//111/111//153/153//111/131// | 6/8 | Enemys Cavalry Are Advanceing, The (t) | IC-E | Hyde Bugle, 1818 | 45 | BU |
//111/111//153/153//111/131 | 6/8 | Enemy's Cavalry Are Advancing, The (t) | IC-E | Potter Bugle, 1817 | 10 | BU |
//1-11//111//154//32//17-6- | 3/8 | Barberini's Menuet (t) | AM-A | Aborn MS, 1790 | 63 | 2MI |
//1-11//111//154//32//17-6- | 3/8 | Barberini's Minuet (t) | SC-E | Calliope, 1746 | II,103 | VO,B |
//1-11//111//154//32//17-6- | 3/8 | Allegro Con Spirito (t) | IC-E | Delightful-1, 1763 | IV,4 | 2GF |
//1-11//111//154//32//17-6- | 3/8 | Barberini's Minuet (t) | SS-E | SS, Folger-C42.3 | 326 | VO,KB+FL |
//11+1+//1+1+1+//1+5+4+//3+2+//1+76 | 3/4 | Minuet (t) | IC-S | Stewart Marches, 1773 | 32 | 2VN/GF/OB,VC/HA |
//11+1+//1+1+1+//1+5+4+//3+2+//1+76//543 |
3/4 | Barberini's Minuet (t) | IC-E | Johnson Oboe, 1750 | 24 | 2OB |
//11111//115-5-3-3-//1-1-1-1-//1-1-1-1-/ /1-1-1-1-//1-1-1-1-1 |
3/4 | Ralliement, Le (t) | IC-F | French Ordinances | App.15 | TR |
//111/11+1+//1+55/35//46/57- | C | Northamptonshire March, The (t) | IC-E | Oswald Marches, 1759 | 19 | 2MI |
//1111/11//15-/6-7-12//3333/33 | C | March In Lodoiska (t) | AI-A | Balls Amus 1, 1815 | 4 | FL/FI/VN |
//1111/11//15-/6-7-12//3333/33 | C | March In the Overture of Lodoiska (t) | AM-A | Beach MS, 1801 | 87 | 2MI,B |
//1111/11//15-/6-7-12//3333/33 | C/ | Favorite Movement In Lodoiska, The (t) | AM-A | Commonplace MS, 1809 | 4R | CL/FL |
//1111/11//15-/6-7-12//3333/33 | C | March In the Overture of Lodoiska (t) | AI-A | Goodale Dir, 1819 | 30-31 | 2CL,2FL,2HN,B |
//1111/11//15-/6-7-12//3333/33 | C | March In the Overture of Lodoiska (t) | AI-A | Goodale Dir, 1829 | 34-35 | 2CL,2FL,2HN,BS |
//1111/11//15-/6-7-12//3333/33 | C | March In the Overture to Lodoiska (t) | IC-E | Goulding Clar, 1803 | 19 | CL |
//1111/11//15-/6-7-12//3333/33 | C | March In the Overture of Lodoiska (t) | AI-A | Herrick Preceptor, 1807 | 78 | 2MI,B |
//1111/11//15-/6-7-12//3333/33 | C | March In the Overture of Lodoiska (t) | AM-A | Morse MS, 1811 | 38-39 | 2MI,B |
//1111/11//15-/6-7-12//3333/33 | C | March In Lodoiska (t) | AI-A | Riley Flute 1, 1814 | 22 | FL |
//1111/11//15-/6-7-12//3333/33// | C | March In the Overture to Lodoiska (t) | AM-E | Wheatstone Clarinet, 1801 | 60 | CL |
//1111/11//15-/6-7-12//3333/33 | March In Lodoiska (t) | AM-A | Williams, J. MS, 1799 | 27 | CL | |
//1-/1-1-1-1-//1-1+/71+//1-/1-1-1-1- | 2 | Marche Funebre (t) | IC-F | French Sheet Music | 2FLP,2CL,2TR,2H | |
//1+1+1+/1+1+1+/1+71+/1+53//642/531/7-1/ 5//1+1+1+/1+ |
12/8 | Jigg by Dr. Arne (t) | IC-E | Longman Pb, 1778 | 32-33 | GF |
//11+1/11+1//171/171//161/161 | 6/8 | Jovial Jocky (t) | DA-E | Walsh CD-2.3, 1735 | 244 | VN/OB/GF/CF |
//11+1/11+1//171/171//161/161 | 6/8 | Jovial Jocky (t) | DA-E | Walsh CD-3.6, 1754 | 92 | VN/OB/GF |
//11+1/11+1//171/171//161/161 | 6/8 | Jovial Jocky (t) | DA-E | Walsh NCDM-3, 1728 | 43 | VN/OB/FL |
//1/11//11/11//7-1/27-// | 2/4 | Victoires Autrichiennes du 18 et 20 Juin 1757, Les (t) | DA-N | St. Flour Contredanses, 1757 | viii | KB |
//111//111//1//7-5-7-//6- | Chorus (t) | SS-E | SS, Harvard | 1 | VO | |
//111/11//11+76//5432/11 | C/ | Goat Hunters (t) | DA-E | Johnson CD-2, 1742 | 74 | MI |
//111/11//11+76//5432/11 | C/ | Goat Hunters, The (t) | DA-E | Walsh CD-2.3, 1735 | 100 | VN/OB/GF/CF |
//111/11//11+76//5432/11 | C/ | Goat Hunters, The (t) | DA-E | Walsh CD-3.3, 1749 | 100 | VN/OB/GF |
//1+11+1+/1+1+1+76//5555/66-6-//46654/35 543 |
C | Wanton Lass, The (t) | DA-E | Thompson CD-4, 1780 | 90 | VN/GF/OB |
//1+11+1+/1+1+1+76//5555/66-6-//46654/35 543// |
C | Wanton Lass, The (t) | DA-E | Thompson CD-4a, 1780 | 90 | VN/GF/OB |
//1+1+/1+1+//1+1+/1+76//75/1+1+1+1+// | 2/4 | Pyramide, La. Cotillon. No. 2 (t) | AI-A | Buckingham Cots, 1808 | 10 | VN,PF |
//11/11//1/1//2 | 6/8 | Prince William (t) | DA-E | Bride CD, 1776 | III,70 | VN/OB/GF |
//1/11//1/11//22 | 2/4 | Bow Wow (t) | IC-E | Preston Clar, 1797 | 14 | CL |
//111/111//222/24//5321/4217- | C | 'Tis thus with a wife, and a prosperous life (fl) | TW-E | Genius, 1784 | 27-29 | VO,HAF |
//11/11/11//22/23/3// | 3 | I Would Rather Lie Alone (t) | DA-F | Arbeau Orchesography, 1589 | 113-115 | DR/MI |
//111//111//222//37-1 | 3/4 | Was ever poor fellow so plagued (fl) | TW-E | Love/Village, 1795 | 41 | VO,HA |
//1/11//1/11//22/54// | 2/4 | Bow Wow Wow (t) | AM-A | Adams, W. MS, 1795 | 11 | MI |
//1/11//1/11//22/54 | 2/4 | Song 177 (t), or Bow, Wow, Wow (at) | SC-E | Calliope, 1788 | 332-334 | VO |
//1/11//1/11//22/54 | 2/4 | Bow, Wow Wow (t) | AM-A | Murphey MS, 1790 | 34 | MI |
//1/11//1/11//22/54 | 2/4 | Bow Wow Wow (t) | SS-E | SS, Boston PL-1 | 169,1-2 | VO,HA+FL |
//1/11//1/11//22/54 | 2/4 | New Bow Wow, The (t) | SS-E | SS, Harvard | 1-2 | VO,KB |
//1/11//1/11//22/54//32 | 2/4 | Bow Wow Wow (t), or Satirical Song on Wm. Pitt the Younger and H. Dundas (a | SS-E | SS, Harvard | 1-2 | VO,KB |
//111//111//2254//3211//2222//2 | 2/4 | New Bow Wow, The (t) | AI-A | Evening Amuse, 1796 | 17 | GF/VN |
//11/11//11//22/7-1 | C/ | Friar and the Nun, The (t) | MS-E | Hammersley MS, 1790 | 44B | MI |
//11/11//11//22/7-1 | C/ | Frier and the Nun, The (t) | PL-E | Playford 1-15, 1713 | 54 | VN |
//11/11//11//22/7-1 | C/ | Frier and the Nun, The (t) | PL-E | Playford 1-16, 1716 | 54 | VN |
//11/11//1/1//22/7-1// | C/ | Frere & Le Nonne, Le Contre-Danse Angloise (t) | IC-F | Pointel Airs, 1700 | 8 | MI,B |
//11/11//11//22/7-1//2 | C/ | Fryar and the Nun, The (t) | PL-E | Playford 1-02, 1652 | 28 | VN |
//11/11//11//22/7-1//2 | C/ | Fryar and the Nun, The (t) | PL-E | Playford 1-05, 1675 | 42 | VN |
//11/11//11//22/7-1//2 | C/ | Fryer and the Nun, The (t) | PL-E | Playford 1-06, 1679 | 42 | VN |
//11/11//11//22/7-1//2 | C/ | Fryer and the Nun, The (t) | PL-E | Playford 1-08, 1690 | 39 | VN |
//11/11//11//22/7-1//2 | C/ | Frier and the Nun, The (t) | PL-E | Playford 1-09, 1695 | 54 | VN |
//11/11//11//22/7-1//2 | C/ | Frier and the Nun, The (t) | PL-E | Playford 1-10, 1698 | 54 | VN |
//11/11//11//22/7-1//2 | C/ | Frier and the Nun, The (t) | PL-E | Playford 1-11, 1701 | I,54 | VN |
//11/11//11//22/7-1//2 | C/ | Frier and the Nun, The (t) | PL-E | Playford 1-12, 1703 | 54 | VN |
//11/11//11//22/7-1//2 | C/ | Frier and the Nun, The (t) | PL-E | Playford 1-13, 1706 | 54 | VN |
//11/11//11//22/7-1//2 | C/ | Frier and the Nun, The (t) | PL-E | Playford 1-14, 1709 | 54 | VN |
//11/11//11//22/7-1//2 | C/ | Friar and the Nun, The (t) | PL-E | Playford 1-17, 1721 | 54 | VN |
//11/11//11//22/7-1//2 | C/ | Friar and the Nun, The (t) | PL-E | Playford 1-18, 1728 | 54 | VN |
//11/11//11//22/7-1//24 | C/ | Fryer and the Nun, The (t) | SC-E | Pills 4, 1719-20 | 176-8 | VO |
//11/11//11//22/7-1//24//31/11 | C/ | Friar and the Nun, The (t) | PL-E | Playford 1-04, 1670 | 42 | VN |
//11/11//11//22/7-1//24//31/11//11 | C/ | Friar and the Nun, The (t) | PL-E | Playford 1-03a, 1657 | I,28 | VN |
//11/11//11//22/7-1//24-//31/11//11 | C/ | Fryer and the Nun, The (t) | PL-E | Playford 1-07, 1686 | 42 | VN |
//11/11//11//22/7-1//24//31/11//11 | C/ | Friar and the Nun, The (t) | PL-E | Playford 1-3b, 1665 | I,28 | VN |
//1-1/111//12/31//22-/2-2-2- | 2/4 | Duncan's Lilt (t) | IC-E | Caledonian PC, 1760 | VIII,14 | GF/VN |
//1111/112//3135/3135//1+74/431+ | C/ | IC-E | Forest Harmony-2, 1733 | 24 | 2HN/GF/TR/VN | |
//111/111//2321/17-6-5-//111/111 | C | Pray Papa (t) | AI-A | Riley Flute 3, 1820 | 80 | FL |
//111/11//1232/1//333/33 | C/ | March V. Smo (t) | MS-G | Darmstadt MS 1225 | 177-78 | 2MI |
//111/11//123/215-4-//3-2-1-/4 | 6/8 | Humble Beggar, The (t) | SC-S | Scots MM-5, 1797 | 435-436 | VO,PF |
//11/11//11/23//21/7-6- | C/ | Christ Church Bells In Oxon (t) | PL-E | Playford 1-15, 1713 | 104 | VN |
//11/11//11/23//21/7-6- | C/ | Christ Church Bells In Oxon (t) | PL-E | Playford 1-16, 1716 | 104 | VN |
//111/11//12/3//222/22 | C | General Scott's Grand March (t) | AI-A | American Sheet Music | 2 | PF+FL |
//11111//123//22222//234//33333//345 | 3/8 | Trumpet Piece (t) | IC-E | Wragg Oboe, 1792 | 34 | 2OB |
//11111//123//22222//234//33333//345 | 3/4 | Trumpet Minuet (t) | IC-E | Wragg Oboe, 1792 | 63 | 2OB |
//11111//123231//11+7654//32//15-25-35- | 3/8 | Cukoo Minuet (t) | MS-S | Gillespie MS, 1768 | 87 | VN |
//11111//123231//11+7654//3231//15-25-35 -//15-25-35-// |
3/4 | Cuckow Minuet (t) | MS-E | Malecot MS, 1779 | 16 | VN |
//11111//12//33333//34//55555//53456// | 3 | All Is Vanity (t) | AM-A | Duport MS-3, 1825 | 05 | VO,KB |
//1111112//3333334//5555567//1+5432// | 3/2 | Allegr0 (t) | IC-E | Delightful-2, 1745 | II,11 | 2GF |
//111/11//123/4217-//133/33 | C/ | Allegro Maestoso (t) | IC-E | Flack Divs, 1776 | 14 | 2CL,2HN,BS |
//11-1-1-1-/1-2-3-4-2-//3-1-1-1-1-/1-2-3 -4-2-//3-1-0-1-2-3-4 |
C/ | Celebrated Portuguese March, The (t) | AI-A | American Sheet Music | 7 | PF |
//111/111//2342/355//6- | C | In a shop of my own (fl) | TW-E | Harlequin's Mus, 1792 | 14-16 | VO,HA |
//111/111//2342/7-5-6-7-//111/111 | 2/4 | 4th of July, The. Infantry. Quick March (t) | AI-A | American Sheet Music | PF | |
//111/111//234/317-//111/111 | 6/8 | Quick March (t) | IC-E | Hinde 1, 1770 | 6-7 | GF/VN/OB |
//11111//12//34321//25//11111//12 | 3/8 | Rewel (t) | MS-G | Darmstadt MS 1225 | 75-76 | 2MI |
//111111//234//333335//543//555555//61+7 2+5+2+// |
3 | 6. Menuet. 2me. Feuille de Menuet du Wauxhall (t) | DA-F | Landrin CD BN, 1775 | 38 Feuille | MI |
//11-1-/1-1-//1-/2-3-//4-3-/4-2- | C | Grand Synfonia Adapted for Two Violins (t) | AM-A | Curtiss MS, 1800 | 166 | 2VN |
//1-1/1-1//1-123//4346/5432//1234/51// | 2/4 | Monaco Nouvelle, La. Cotillon. No. 3 (t) | AI-A | Buckingham Cots, 1808 | 11 | VN,PF |
//111/111//234/427-//111/111// | 6/8 | Thrashers, The (t), or Buttons 3 Farthings A Pair (at) | MS-E | Vickers MS, 1770 | 121 | MI |
//111/11//12/34//531/427-// | C/ | 6th Regts. slow march (t) | MS-C | Molyneaux MS-1, 1788 | 29 | GF |
//11111//1234//54323//15-1-//3-4-5-1//4- 5-5-1-// |
3/4 | Lady Susan Hamilton's Minuet (t) | AM-A | Ormsby MS, 1758 | 305 | VN |
//11111/1234//55555/311+//3+5+/3+5+ | C | Overture (t) | TW-E | Flitch/Bacon, 1778 | 1-5 | HA,2VN |
//111//111234//55567 | 2/4 | Essex Quick March (t) | AI-A | Instrum Asst-2, 1807 | 97 | 2MI,B |
//1+1/1+1//1+12/345//61+/51+ | 6/8 | When Harln. Throws the Snuff (t) | TW-E | Elopement, 1768 | 12 | HAF |
//11/11//11-2-3-/4-5-6-7-//17-12/33// | 2/4 | Prudence, La (t), or Imperial, L' (at) | AM-A | Duport MS-2, 1800 | 12r | VN |
//1+1+1+/1+1+//1+2+/3+5-//11/35 | C | Trio (t) | TW-E | Flitch/Bacon, 1778 | 32-37 | 2VN,3VO,KBF |
//1/11//1/11//23/5432 | 2/4 | Down by Yon Bank (t) | AI-A | Blake Amus 3, 1825 | 10 | CL |
//1/11//1/11//2/54//321 | 2/4 | Date Obolum Belisario (t) | SC-S | Edinburgh MM-1, 1792 | 242-245 | VO |
//11111/13//11111/1 | C | Slow (t) | IC-E | Jones Bugle, 1805 | 5 | BU |
//1-1-1-/1-1-1-//3-1-1-/1-1-//1-1-/1-1- | 2 | Marche, La (5 Couplets) (t) | IC-F | French Ordinances | App.12 | TR |
//111111/3//111111/5-//111111/3135// | C | Honour to the Brave (t) | AI-A | Johnson, F. Cotillions | 2-3 | PF,TR,BU,DR CUES |
//1-1-1-1-1-1-/3-1-1-3-3-//3-3-3-3-3-3-/ 5-3-3-5-5-//5-11133/ |
C | Second Troop of Horse Guards Foot March, The (t) | IC-E | Handel March 2, 1770 | 4 | VN/GF/OB |
//111111/31133//333333/53355//51+1+1+3+3 +/5+3+3+5+// |
C | 2d Troop of Horse Guards March, The (t) | IC-E | Longman March 3, 1770 | 13 | 2VN/OB/GF, 2HN, B |
//111/111//311/511//111/111// | 2/4 | No. 24 (t) | DA-G | Feldtenstein Chorographie,1776 | Tabula 7 | MI |
//1-1-1-1-/1-1-//3-/1-3-//5-5-5-5-/5-3- | 2/4 | Corvees, Les (t) | IC-F | French Ordinances | App.22 | TR |
//111/11//13/15-//111/11 | 2/4 | Quick March (t) | IC-E | Gilbert Bugle, 1804 | 19 | 3BU |
//1111/11//31/53//15-/13// | C/ | Evening Call (t) | AM-A | USS Concord MS, 1831 | BU | |
//1111/11//31/53//15-/13// | C | Evening Call (t) | AM-A | USS N. Carolina MS, 1825 | BU | |
//1+1+1+1+1+//1+3+1+53//66666//61+531//4 4444//46421 |
3/4 | Tempo di Minuetto (t) | IC-E | Valentine March, 1769 | 3 | 2VN,2OB,2HN,BF |
//11111//131//5-5-5-5-5-//5-5-//3-3-3-5- //1-1-1-3- |
3/8 | Dinner Call (t) | IC-E | Broderip Sounds, 1799 | 7 | TR |
//1+1+1+1+1+//1+3+1+//55555//55//3335//1 113// |
3/8 | Dinner Call (t) | IC-E | Hyde Bugle, 1818 | 37 | TR |
//11111//131//5-5-5-5-5-//5-5-//3-3-3-5- //1-1-1-3- |
3/8 | Dinner Call (t) | IC-E | Hyde Trumpet, 1798 | 14-15 | TR |
//111/11//131/5-5-//6-7-/12 | 2/4 | Quick Step (t) | IC-E | Potter Bugle, 1817 | 3BU,TBN | |
//11111/1//32/1//11111/1 | C | Georgetown United Blues Slow March, The (t) | AI-A | American Sheet Music | 3 | PF |
//11-1-1-1-//1-321//25-5-5-5-//5-6-7-123 //4654432//3543321// |
3 | 1. Menuet. 2me. Feuille de Menuet du Wauxhall (t) | DA-F | Landrin CD BN, 1775 | 38 Feuille | MI |
//11111//13213//22222//24324//3- | 3 | Trumpet Minuet (t) | AM-A | Simpson MS, 1750 | I,3-4 | 2FL |
//111/11//132/1//545656/7671+ | C/ | 5ter Wacht March V. Smo (t) | MS-G | Darmstadt MS 1225 | 181-82 | 2MI |
//11/11//11/321//55/55 | 6/8 | Sonata 6. Presto Tempest (t) | IC-E | Rockeman & Alters, 1773 | 12 | 2CL,2HN,BS |
//111/11//1/3//222/22 | C/ | Bataille de Jena. le Camp Se Met En Marche (t) | AI-A | American Sheet Music | PF | |
//111/11//1323/1123//222/22 | 2/4 | March (t) | IC-E | Humple Hn Duets, 1765 | 14-15 | 3HN |
//111/111//3/234//343/321// | 6/8 | Grand Mogol, Le (t) | DA-N | St. Flour Contredanses, 1757 | 19 | KB |
//11111//1324//33333//3546//5431+//5431+ |
3/4 | Minuet 3(new) (t) | IC-E | Longman Evening, 1780 | 3 | 2GF |
//1//11//11/13//27-/5-4-//3- | C | Goddess of liberty my soul inspire (fl) | TW-E | Prisoner, 1792 | 26-29 | KBF,2TR,VO |
//1//1//111//1//3//3 | 3/4 | Minuett (t) | AM-A | Van Schaack MS, 1820 | 44 | FI/FL |
//111/11//13//32/17-//131 | 2/4 | Quick Step Spanish (t) | IC-S | May Marches, 1800 | 8 | PF |
//11111//133221//11361+//1+76//1+76//555 55// |
3/4 | Minuet 11 (t) | DA-E | Fishar 16 Cot, 1780 | 31 | KB |
//111/11//1///333/33 | C | Mozart's Grand March from la Clemenza di Tito (t) | IC-S | Pandean Coll 1, 1810 | 23 | PF |
//1+1/11//1/1+//345/43 | C/ | Airs In the Worm Doctor (t) | IC-E | Bremner Oboe, 1775 | 21 | OB |
//1+1/11//1/1+//345/43 | C/ | Airs In the Worm Doctor (t) | IC-E | Simpson Oboe, 1746 | 21 | OB |
//111/111//345/44//321/217- | 6/8 | General Toast, The (t) | AM-A | Perkins MS, 1790 | 58 | MI |
//1+1111//1351+3+5+//2+7777//72572+4+//3 +2+1+1+76//2+1+7765 |
3 | Princess of Orange's Favourite Minuet (t) | IC-E | Delightful-2, 1745 | V,25 | 2GF |
//11111/135321//644+2+1+7//1+53//25-35-4 5-//351+3+2+1+// |
3/4 | Minuet 2 (t) | DA-E | Fishar 16 Cot, 1780 | 22 | KB |
//11111//135321//7-7-7-7-7-//7-7-243//61 +7654//3111// |
3/4 | Minuet 4 (t) | DA-E | Fishar 16 Cot, 1780 | 24 | KB |
//11111//135//351+//1+72+75//55555//572+ |
3/4 | Dexter's Air (t) | AI-A | Merrimack Coll, 1833 | 38 | 2MI,B |
//111/111/35//44/32/11//6-1/5-/5- | 9/8 | Washingtons Health (t) | AM-A | Perkins MS, 1790 | 53 | 2VO:(T)B |
//11111//1+//44444//4+//4+3+/2+1+ | C | Grave (t) | IC-E | Griesbach Divs, 1795 | 5 | 4CL,2FL,2HN,TR, |
//111//111//4454//3//666//535// | 3/8 | Flore, La (t) | DA-N | Trappeniers Recueil, 1780 | 22-23 | VN,B |
//11/111//1/5-//111/11//1 | C/ | Ballad of Fox-Hunting, The (t) | SC-E | Pills 4, 1719-20 | 54-56 | VO |
//111/11//1/5-//112/334// | C/ | Granadears Exercise, The (t) | IC-E | Theater Musick-1, 1698 | 8 | VN |
//111/11//15-/1//222/22 | C/ | Song 49 (t) | SC-E | Vocal Enchant, 1783 | 102-105 | VO |
//11111//15-1//22222//25-2//33333//321 | 3/4 | IC-E | Simpson Horn, 1746 | 4V | HN | |
//111/11//15-13/11//3135/31 | 2/4 | Marche du Regiment de Foix (t) | MS-G | Darmstadt MS 1224 | 382 | HA |
//11111//15-131//22222//25-242//33333//3 1234// |
3/8 | Manfredini's Minuet (t) | IC-E | Bremner Recorder, 1765 | 16 | FL |
//11111//15-131//22222//25-242//33333//3 21234// |
3/4 | French Horn Minuet (t) | AM-A | Hoff MS, 1797 | No. 111 | GF |
//11111//15-1//313//51+//645342//31+// | 3/4 | New Minuet, A (t) | DA-E | London Magazine | 101, 1759 | MI,B |
//11111//15-1//313//5//33333//313 | 3 | Assembly, The (t) | AI-A | Cooper System, 1836 | 233 | BU |
//11111//15-1//313//5//33333//313 | 3 | Assemblee, L' (t) | IC-F | French Ordinances | App.25 | BU |
//11111//15-1//313//5//33333//313// | 3/4 | Assemblée, L' (t) | IC-F | Lelouterel Clairon, 1825 | pl. 6 | BU |
//11111//15-1//313//5//33333//313// | 3 | Assembly, The (t) | AI-A | US Tactics, 1835 | 14 | BU |
//111/11//15-/13//23/4321 | 2/4 | Quick Step (t) | IC-E | Potter Bugle, 1817 | 3BU,TBN | |
//11111//15-1//33333//313//55555//531 | 3/4 | Minuetto (t) | IC-E | Gilbert Bugle, 1804 | 41 | 3BU |
//11111//15-1//33333//313//55555//535// | 3/4 | Minuet 3 (t) | DA-E | Sancho Minuet/Cot/Dance, 1767 | 5 | CO,VI,B |
//11111//15-135//1+1+1+1+1+//1+3+2+4+//3 +1+71+51+//3+1+71+51+// |
3/4 | Huntrs Minuet, The (t) | MS-E | Malecot MS, 1779 | 13 | VN |
//11111//15-135//45654//3217-121//354321 545 |
3/4 | New Minuet, A (t) | MS-S | Gillespie MS, 1768 | 85 | VN |
//111/11//15-/15-//1/2 | C/ | Winfields March (t) | IC-E | Musica Bell, 1733 | 17 | FL/VN/OB |
//111/11//15-/15-//1/2 | C/ | Winfield's March (t) | IC-E | Warlike Musick, 1760 | 54 | GF/VN/HA |
//111/11//15-/15-//1/2//31 | C | Winfield's March (t) | IC-E | Delightful-2, 1745 | IV,31 | GF |
//111/11//15-/15-12//333/33 | C/ | Grand Parade March (t) | AI-A | Whiteley Prec, 1816 | 50-51 | CL,OB,FL,BS |
//111/11//1/5-//15-/3-1 | C | Lord Carmarthen's March (t) | IC-E | Bennett Fife, 1770 | 23 | FI ; FI |
//111/11//1/5-//15-/3-1 | C/ | Marquis of Granbys March, The (t) | AM-A | Dickinson MS, 1800 | 15 | CL/GF/OB |
//111/11//1/5-//15-/3-1 | C/ | Marquis of Granby's March, The (t) | AM-A | Gibbs MS, 1777 | 10 | FI |
//111/11//1/5-//15-/3-1 | C/ | Lord Carmarthen's March (t) | IC-E | Handel March 1, 1768 | 15 | VN/GF/OB |
//111/11//1/5-//15-/3-1 | C/ | Marquis of Granby's March, The (t) | IC-E | Longman Fife, 1770 | 19 | FI |
//111/11//1/5-//15-/3-1 | C | Lord Carmarthen's March (t) | IC-E | Longman Fife, 1770 | 30 | FI |
//111/11//1/5-//15-/3-1 | C/ | Ld. Carmarthan's Trumpet Tune (t) | IC-E | Musica Bell, 1733 | 3 | FL/VN/OB |
//111/11//1/5-//15-/3-1 | C/ | Marquis of Granby's March, The (t) | IC-E | Thompson Fife, 1760 | 19 | FI |
//111/11//1/5-//15-/3-1 | C/ | Marquiss of Granby's March, The (t) | IC-E | Thompson Fife, 1770 | 19 | FI |
//111/11//1/5-//15-/3-1 | C | Lord Carmarthen's March (t) | IC-E | Thompson Fife, 1770 | 30 | FI |
//111/11//1/5-//15-/3-1 | C/ | Lord Carmarthen's March (t) | IC-E | Thompson March, 1759 | 15 | VN/FL/OB |
//111/11//1/5-//15-/3-1 | C/ | Lord Carmarthen's March (t) | IC-E | Thompson Oboe, 1770 | 18 | OB |
//111/11//1/5-//15-/3-1 | C/ | Lord Carmarthen's Trumpet Tune (t) | IC-E | Warlike Musick, 1760 | 4 | GF/VN/HA |
//111/11//1/5-//15-/3-1 | C | Lord Carmarthens March (t) | AI-A | Willig Fife, 1805 | 24 | FI |
//11111/15-//15-3-1/5-3-1-12//33333/32 | C/ | Welch March (t) | DA-E | Johnson CD-1, 1740 | 53 | MI |
//11111//15-16//5321 | Lady a Gordon's Strathspey (t) | AI-A | Martial Music, 1807 | 14 | 2CL/2OB,BS | |
//11111/15-16//5321/6-6-//11111/15-16 | C | Miss Admiral Gordon's Reel. A Strathspey (t) | IC-S | Stewart Airs, 1788 | 3:160 | GF/VN/FI |
//11111/15-16//5321/6-6-2//11111/15-16 | C | Miss Admiral Gordon's Reel (t) | IC-S | Aird 6, 1803 | 16 | FI/VN/GF |
//11111/15-16-//53432/16-6-5-//11111/15- 16// |
C | Of All the Arts the Wind Can Blow. A Quick Step (t) | MS-S | Fife MS, 1780 | 279,29r | 1FI OR 2FI/VN |
//111/11//15-/16//53/7-1 | 2/4 | Lady A. Gordon's Strathspey (t) | AI-A | Steele Fife, 1815 | 17 | FI |
//11111/15-3-1-//12/3//3 | C | Love's March (t) | AI-A | Instrum Asst, 1800 | 41 | 2VN/2GF/2CL/2OB,BVIOL |
//11111/15-3-1-//12/3//33333/315-3- | C | Love's March (t) | IC-E | Bremner Airs, 1761 | 11 | 2VN/GF,B |
//11111/15-3-1-//12/3//33333/315-3- | C | Love's March (t) | IC-E | Preston Marches, 1804 | 11 | 2GF/VN,VC/PF |
//11111/15-3-1-//12/3//33333/315-3-//3 | C/ | Barrell's March (t) | AM-A | Simpson MS, 1750 | I,3-4 | 2FL |
//11+/11+//11+/531//22+/22+ | 6/8 | Drole, The (t) | DA-E | Walsh CD-2.4, 1747 | 79 | MI |
//11+/11+//11+/531//22+/22+// | 6/8 | Drole, The (t) | DA-E | Walsh CD-3.4, 1747 | 79 | VN/OB/GF |
//111/11//1/5-//333/33 | C/ | Edinburgh's Train Bands March, The (t) | IC-E | Bremner Airs, 1761 | 25 | 2VN/GF,B |
//111/11//1/5-//333/33 | C/ | Edenburgh Train Band S March, The (t) | MS-S | Gillespie MS, 1768 | 28 | 2VN |
//111/11//1/5-//333/33 | C/ | Edinburg Train-Band March (t) | AI-A | Instrum Asst-2, 1807 | 30 | 2MI,2HN,B |
//111/11//1/5-//333/33 | C/ | Edinburgh's Train Bands March, The (t) | IC-E | Preston Marches, 1804 | 25 | 2GF/VN,VC/PF |
//111/11//1/5-//333/33 | C/ | Edinburgh March, The (t) | AM-A | Woodruff MS, 1803 | 61 | 2MI,B |
//11111/15342//11111/15-//33333/35342 | 6/8 | French Horn Piece (t) | IC-E | Wragg Oboe, 1792 | 57 | 2OB |
//11111//1534//22222//2423//345311//244 | 3/4 | Minuet 11(lord Howe's) (t) | IC-E | Longman Evening, 1780 | 13 | 2GF |
//111/11//1535/1535//111/11 | 2/4 | Allegretto Moderato (t) | IC-E | Gilbert Bugle, 1804 | 58-60 | 3BU |
//1+1+1+/1+1+//1+5-4-3-2-/1-34//51/654 | 2/4 | Etre Aux Ordres de Madame (t) | IC-F | Vanderhagen Am, 1776 | 4 | 2CL,2HN,2BS |
//11+1/11+1//543/21//456/543 | 6/8 | Miller & Collier, The (t) | DA-E | Thompson CD-2, 1765 | 25 | VN/GF/OB |
//11+1/11+1//543/21//456/543// | 6/8 | Miller & Collier, The (t) | DA-E | Thompson CD-2a, 1765 | 25 | VN/GF/OB |
//11111//1543//22222//2432//11111//15-13 5 |
3/4 | Minuet 4(new) (t) | IC-E | Longman Evening, 1780 | 4 | 2GF |
//111/11//15-/5-//333/33 | 2 | March (t) | IC-E | Simpson Horn, 1746 | 1R | HN |
//11111//15-5-//33333//311//353535//1313 13 |
3/4 | Minuetto (t) | IC-E | Gilbert Bugle, 1804 | 51 | 3BU |
//111/11//1/5-5-//3-5-/5-5- | C | Count Caraffars March (t) | AI-A | American Sheet Music | PF | |
//111/11//15-/5-5-1//333/33 | 2/4 | Allegro (t) | IC-E | Gilbert Bugle, 1804 | 56-57 | 3BU |
//111/111//5-5-5-/5-5-5-//111/11 | C | Grooms Call to Prepare (t) | IC-E | Jones Bugle, 1805 | 4 | BU |
//1+11+/1+11+//55-5/55-5//43/321 | 6/8 | Delight of the Pantheon, The (t) | DA-E | Bride CD, 1776 | III,71 | VN/OB/GF |
//111/11//155/6543//25-5-/5-5- | C | Moldavian March, The (t) | AI-A | American Sheet Music | 1 | PF |
//111/11//155/6543//255/55 | C/ | New Moldavian March (t) | AI-A | Merrimack Coll, 1833 | 34-35 | 2MI,B |
//1-1-1-/1-1-//1-5-//6-1/7-6-//5-3- | C | 42d Regiments Return from Egypt, The (t) | AI-A | American Sheet Music | 2 | PF |
//111/11//15-/6-7-12//333/33 | C | Bonapart's Grande March (t) | AI-A | American Sheet Music | 1 | PF |
//111/11//15-/6-7-12//333/33 | C | Celebrated French Guard's March, The (t) | AI-A | American Sheet Music | KB | |
//111/11//15-/6-7-12//333/33 | C/ | March In Lodoiska (t) | AI-A | Bacon Clar, 1818 | 24 | CL |
//111/11//15-/6-7-12//333/33 | C/ | March In Lodoiska (t) | AI-A | Klemm Clar, 1825 | 24 | CL |
//11111//15-6-7-12//33333//37-1234//5555 5//52752+// |
3/4 | Miss Manessier's Minuet (t) | DA-E | Fishar 12 CD, 1775 | 19 | KB |
//111/11/1567/1+531//222/22 | C | Pittsburgh March (t) | AI-A | American Sheet Music | 2 | PF |
//11111/15-7-12//33333/31234//55555//567 1+ |
3/4 | Tropp (t) | MS-G | Darmstadt MS 1225 | 45-46 | 2MI |
//1+1/1+1/1+1//5-7-1/234/2// | 9/8 | Chasseurs, Les (t) | DA-N | Echo, 1758 | 10 | KB |
//1111+1+1+6565111//1+1+1+65//1111+1+1+6 5464 |
School for Scandall, The (t), or Country Dance (at) | AM-A | Van Renssel. MS, 1782 | II,8 | GT | |
//1+1111//16//65432//3211//55-5-5-5-//5- |
3/4 | Minueto (t) | MS-M | Garcia MS, 1772 | 86 [202] | MI |
//1+1+1+//1+11+//671+7654//31//7-1215 | 3/4 | Omnia Vincit Amor (t) | SS-E | SS, Boston PL-2 | 143 | VO,KB |
//1111117-1217-6-6-5-6-// | C/ | Hermits' Branle, The (t) | DA-F | Arbeau Orchesography, 1589 | 159-161 | DR/MI |
//11/11//1/17-12//33/22 | C | Voici les Etrennes de Cythere (t) | IC-F | Vanderhagen Pcs, 1787 | 17:3 | 2CL,2HN,2BS |
//11111//17-12//33333//3234//53123 | 3/4 | Minuet 3d (t) | IC-E | Reid Minuets, 1781 | 3 | 2VN,2FH,B |
//111/11//17-27-/5-5-6-7-//1335/5-5-6-7- // |
C | General Lake's March (t) | IC-E | Naval Compendium, 1800 | 22-23 | 2FL/VN,PF |
//1+1+1+/1+11+//7654/31+//7654/36 | C | Monmouthshire March, The (t) | IC-E | Oswald Marches, 1759 | 17 | 2MI |
//111//111//7-7-213//22//444//444// | 3/8 | Hanoverian Dance (t) | DA-E | Straight & Skillern CD, 1775 | 29 | VN/GF/OB |
//11/11//121/11//11+/1+7 | 6/8 | Barring of the Door, The (t) | IC-S | Aird 2, 1785 | 3 | FI/VN/GF |
/11/11/121//1/1+1+//1+3+/4+3+2+// | 6/8 | Number 5. Third Sett of Cotillions (t) | AM-A | Washburn MS, 1816 | 15 | GF |
//11/11//121/1//1+1+/2+3+// | 6/8 | Inconstance, L'. 1st. Set (t) | AI-A | Cotillion Party, 1818 | 7 | VN/GF/ PF |
//11/11//121/1//1+1+/2+3+ | 6/8 | Cotillion (t) | AM-A | Hiester MS-2, 1793 | 69 | KB |
/11//11/121//1/1+1//2+3+/4+3+2+// | 6/8 | Sociable, The (t) | AI-A | Admired Cots-2.1, 1825 | 2 | PF |
//111/1121//1/12//333/3343 | 2/4 | March (t) | IC-E | Humple Hn Duets, 1765 | 2 | 2HN |
//1-1-/1-1//1-2-1-/1-12//343/321//7-12 | 6/8 | Road to Chatham, The (t) | TW-E | Genius, 1784 | 18 | HA |
//111/112//112/4321//223/223 | 2/4 | Fall of Paris (t) | IC-S | Aird 6, 1803 | 57 | FI/VN/GF |
//111//11212//321//55//543//321 | 3/8 | Rondo (t) | IC-E | Griesbach Divs, 1795 | 6-7 | 2CL,2FL,2HN,TR, |
//11/11/1/212/33/33 | 6/8 | Siugue (t) | IC-S | Aird 2, 1785 | 40 | FI/VN/GF |
//11/11//1/212//33/33 | 6/8 | Lad If You Loe Me (t) | IC-S | Aird 4, 1796 | 41 | FI/GF/VN |
//11/11//1/212//33/33// | 6/8 | Siugue (t) | MS-S | Fife MS, 1780 | 517,54v | 1FI OR 2FI/VN |
//11/11//121/345//11/131 | 6/8 | Quick March.#19 (t) | IC-E | Hinde Longman, 1775 | 10 | FI/GF/VN/OB,PF/HA |
//11/11//121/345//11/131// | 6/8 | Parson and His Boots, The (t) | MS-E | Vickers MS, 1770 | 18 | MI |
//11/11//121/345//11/131//7-12 | 6/8 | Miser, The (t) | DA-E | Rutherf CD-2.1, 1756 | 78 | VN/GF/OB |
//11-/11-//121/5-5-//25-/25-// | 2/4 | No. 18 (t) | DA-G | Feldtenstein Chorographie,1776 | Tabula 6 | MI |
//1+1111/215//671+7654/432//2343217-/15- 3// |
C/ | Di Roy March XIV (t) | IC-E | Longman March 4, 1770 | 7 | 2VN/OB/GF, 2HN, B |
//1/11//11//21/7-1 | 2/4 | Song 82 (t), or Ally Croaker (at) | SC-E | Calliope, 1788 | 158-159 | VO |
//1/11//11//21/7-1 | 2/4 | Ally Croaker (t) | AI-A | Riley Flute 1, 1814 | 69 | FL |
//1/11//11//21/7-1 | 2/4 | Ally Croaker (t) | SS-E | SS, Huntington-1 | 100 | VO,KB |
//1/11//11//21/7-1 | 2/4 | Ally Croaker (t) | IC-E | Thompson Oboe, 1758 | 19 | OB |
//1/11//1/1//21/7-1//2 | 2/4 | Ally Croaker (t) | DA-E | Rutherf CD-2.2, 1760 | 57 | MI |
//111/11217-1//222/25-5-//54/32 | C | Jefferson's March (t) | AI-A | American Sheet Music | PF | |
//111/11217-1//222/25-5-//54/32 | C | Jefferson's March (t) | AI-A | Blake Amus 2, 1824 | 22 | CL |
//111/11217-1//222/25-5-//54/32 | C | Jefferson's March (t) | AI-A | Martial Music, 1807 | 43 | 2CL/2OB,BS |
//111/11217-1//222/25-5-//54/32 | C | Jefferson's March (t) | AI-A | Willig Fife, 1805 | 22 | FI |
//111/11217-1//222/25-5-//54/32// | C | Jefferson's March (t) | AI-A | Willig Fife, 1826 | 12 | FI |
//1/11//11//21/7-1//23 | 2/4 | Ally Croaker (t) | MS-E | Shepherd MS, 1787 | 31 | MI |
//1/11//11//21/7-1//23/4 | 2/4 | Ally Croaker (t) | SS-E | SS, Harvard | 1 | VO,B |
//1/11//11//21/7-1//23/4 | 2/4 | Ally Croaker (t) | SS-E | SS, Harvard | 1 | VO,B |
//1/11//1/1//21/7-1//23/45 | 2/4 | Ally Croaker (t) | DA-E | Johnson CD-7, 1756 | 26 | VN/GF |
//1/11//11//21/7-1//23/45 | 2 | Ally Croaker (t) | SC-E | Muses Delight, 1754 | 218 | VO,HA |
//1/11//1/1//21/7-1//23/45 | 2/4 | Ally Croaker (t) | DA-E | Rutherf CD-1, 1750 | 5 | VN/FL/OB,HAF |
//1111121//7-25//4+3+2+2+1+7765//53+1+5- //111117-1//7-25 |
3/4 | Hunters Signal Horn (t) | AI-A | Riley Flute 4, 1826 | 74 | FL |
//11111//217-5-4-//22222//54321//33333 | 3/4 | Miss Hoffinglone S Minuet (t) | MS-S | Gillespie MS, 1768 | 79 | VN |
//11/11//1217-/6-6-1//44/43 | 2/4 | Air de Panurge (t) | IC-F | Bonjour Recueil, 1800 | 5:6 | VN/FL |
//1+1+1+/1+12+1+76//6555/53+1+//764+2+/1 +72+7 |
C | March In the Battle of Prague (t) | AI-A | Instrum Asst-2, 1807 | 26 | 2MI,2HN,B |
//1/1//1//1//1/2//21/1// | C/ | Praeludium (t) | MS-E | Fitzwilliam MS-1, 1609 | 418-420 | VI |
//111/11//222/22//333/354 | C | Hitchin Volunteers Slow March, The (t) | IC-E | Bridgeman March, 1800 | 19 | FI,PF |
//111/11//22/22//35/543 | 6/8 | Little Bo Peep (t) | AI-A | Riley Flute 4, 1826 | 80 | FL |
//111/11//22/22//35/543// | 6/8 | Little Bopeep (t) | AM-A | Winnington MS, 1810 | 36 | KB |
//111/11/222/242//17-6-5-/6-17-2 | 2/4 | De Witt Clinton's Grand Canal Quick Step (t) | AI-A | American Sheet Music | PF | |
//111/11//22/31//43/21//5 | C/ | O let the danger of a son (fl) | TW-E | Artaxerxes, 1762 | 74-75 | VO,HA |
//111/1122//3/15455//1+3233/517-11 | C | President Monroe's March (t) | AI-A | American Sheet Music | 2 | PF,FL/VN |
//111//11/223//33//44//44// | C3 | Sarabande (t) | MS-E | Rogers MS, 1656 | 8 | VI |
//1/11//11//22/54 | 2/4 | New Bow Wow, The (t) | AM-A | Dickinson MS, 1800 | 150 | VO |
//1/11//11//22/54 | 2/4 | New Bow Wow, The (t) | AM-A | Spicer MS, 1797 | 50-51,171 | VO |
//111/11231//1/5-//321/25-//321/234 | C/ | Tom Iolly (t) | DA-E | Johnson CD-2, 1742 | 46 | MI |
//111/11231//222/22342//317-1/2343 | C/ | Gen. Abercrombie's March (t) | AM-A | Gaylord MS, 1816 | 20r | MI |
//111/11231//222/22342//317-1/2343 | C/ | Gen. Abercrombie's March (t) | AI-A | Shaw Gentlemen, 1807 | 29 | 2CL/VN, FL,BS/VC |
//11-1//1-1-2-3-1-//22-2//2-2-3-4-2-//33 -3//7-13 |
3 | Bass Minuet (t) | IC-E | Walsh Oboe, 1715 | 20 | OB |
//111/11231//25-5-/5-54//345311/23427-7- |
C/ | Truxton Forever (t) | AM-A | Bellamy MS, 1799 | 24 | 2MI,B |
//111/11231//255/55-6-7-5-//111/1321 | C/ | Clinton's Grand March (t) | AI-A | American Sheet Music | KB | |
//111112/3131//333334/5353//55555/6543// |
C/ | Trumpet Tune, A (t) | IC-E | Apollo's Banquet 2, 1691 | 15 | VN/FL |
//111/112//3134/5543//222/2 | C | No.17 (t) | MS-G | Darmstadt MS 1188 | 11R | 2OB,2HN,TR,B |
//111/1123//1/5-//321/25- | C/ | New Health to the Duke of Marlborough (t) | SC-E | Pills 1, 1719-20 | 40-1 | VO |
//111/1123//1/5-//321/25- | C/ | Duke of Marlborough's Health, The (t) | SC-E | Pills 6, 1719-20 | 9 | VO |
//111/1123//1/5-//321/25- | C/ | Health, The (t) | PL-E | Playford 2-1, 1713 | 163 | VN/OB |
//111/1123//1/5-//321/25- | C/ | Health, The (t) | PL-E | Playford 2-2, 1714 | 163 | VN/OB |
//111/1123//1/5-//321/25- | C/ | Health, The (t) | PL-E | Playford 2-3, 1718 | 163 | VN |
//111/1123//1/5-//321/25- | C/ | Health, The (t) | PL-E | Playford 2-4, 1728 | 163 | VN |
//111/1123//1/5-//321/25- | C/ | New Health to the Duke of Marlborough..., A (t) | SS-E | SS, Harvard | 1 | VO/FL,B |
//111/1123//1/5-//321/25- | C/ | Health, The (t) | DA-E | Walsh NCDM-2, 1710 | 100 | VN/OB/FL |
//111/1123//1/5-//321/25-//321 | C/ | Duke of Marlbrough's Health, The (t) | SS-E | SS, Harvard | 1,DUP | VO,B+FL |
//1+11//11+2+3+2+1+//2+5-5-//5-2+3+4+3+2 +//3+11//11+2+3+4+//5+ |
3/4 | Menuet (t) | DA-N | Hummel CD, 1780 | 15 | KB |
//11/11//12//321/34 | C/ | March In Richard (t) | AM-A | Aborn MS, 1790 | 54 | 2MI |
//11/11//12//321/35 | C/ | Handel (t), or March 29 (at) | IC-E | Button Whit-1, 1806 | 38-39 | 2GF/2VN/2FL/2FI |
//11/11//12//321/35 | C/ | March (t) | IC-E | Delightful-1, 1763 | III,18 | GF |
//11/11//12//321/35 | C/ | March In Richard the First (t) | IC-E | Thompson March, 1759 | 9 | VN/FL/OB |
//11/11//12//321/35 | C/ | March In Richard the First (t) | IC-E | Thompson Oboe, 1758 | 9 | OB |
//11/11//12//321/35 | C/ | March (t) | IC-E | Waylet Oboe, 1745 | 5 | OB |
//11/11//12//321/35//51+ | C/ | March In Richard (t) | IC-E | Bremner Airs, 1761 | 33 | 2VN/GF,B |
//11/11//12//321/35//51+ | C/ | March In Richard the First (t) | IC-E | Handel March 1, 1768 | 9 | VN/GF/OB |
//11/11//12//321/35//51+ | C/ | March In Richard (t) | IC-E | Preston Marches, 1804 | 33 | 2GF/VN,VC/PF |
//11/11//12//321/35//51+ | C/ | March In Richard the First (t) | IC-E | Thompson Oboe, 1770 | 22 | OB |
//11/11//12//321/35//51+ | C/ | March In Richard the First (t) | IC-E | Thompson Oboe, 1790 | 31 | OB |
//1+11/112321//55-5-/5-//5+55/556765 | C | Governor Pennington's Grand March (t) | AI-A | American Sheet Music | 3 | PF |
//1111//12321//7-143//23//1111 | 3/4 | Weary Pound of Tow, The (t) | IC-E | Caledonian PC, 1760 | VIII,4 | GF/VN |
//1111//12321//7-143//23//1111 | 3/4 | Weary Pund O' Tow, The (t) | SC-S | Scots MM-4, 1792 | 362 | VO,PF |
//1+1111+2+3+/2+2222+3+4+//3+2+1+6543457 -/11111+2+3+//2+1+7765571+2+/1+7665 |
C | Andante March XXI (t) | IC-E | Longman March 3, 1770 | 13 | 2VN/OB/GF, 2HN, B |
//111/1123//222/2531//7-1/217-6- | C/ | Barron Stubens March (t) | AM-A | Curtiss MS, 1800 | 115 | 2VN |
//11/11//123234/32//17-6-/5-43 | C | Desponding Shepherd, The (t) | SC-E | Ritson, 1783 | TI,259-260;MIII,143-14 | VO |
//111/1123//25-5-/5-23//444/4654 | C/ | Genl Washington's March (t) | AM-A | Mass. MS, 1790 | 5 | FL |
//11-1-/1-123//25-7-2/54//4321/3217- | C/ | Swiss Grand March (t) | AM-A | Woodruff MS, 1803 | 21 | 2MI |
//11-1-/1-123//25-7-2/54//4321/3217- | C | Duke Halderstorms March (t) | AM-A | Woodruff MS, 1803 | 71 | MI |
//11-/11-//123/27-5-//11- | 6/8 | Ash Wednesday (t) | DA-E | Rutherf CD-2.1, 1756 | 61 | VN/GF/OB |
//11-/11-//123/27-5-//11-/11- | 6/8 | Ash Wednesday (t) | MS-E | Hammersley MS, 1790 | 94B | MI |
//11+/11+//123/27-5-//11+/11+ | 6/8 | Quick March No.15 (t) | IC-E | Hinde 2, 1772 | 10-11 | GF/VN/OB,PF |
//11-/11-//123/27-5-//11-/11- | 6/8 | Ash Wednesday (t) | DA-E | Johnson CD-5, 1750 | 64 | VN/GF |
//1+1/1+1//1+2+3+/2+75//1+1/1+1// | 6/8 | Ladies Lesson, The (t) | DA-E | Straight & Skillern CD, 1775 | 89 | VN/GF/OB |
//1+1+1+/1+1+2+3+//2+755/571+//2+1+76/54 32 |
C | Duke of Clarence's March (t) | MS-E | Miscellany MS, 1810 | 2CL/OB,2HN,BS | |
//1111/12//3322/1//1111/12 | C/ | Merry are the bells (fl) | TW-E | Peeping Tom, 1786 | 16-17 | VO/VN,HAF |
//111/1123//322/2431//7-1/217-6-//5-6-5- 4-3-4-3-2-/1-5-6-7- |
C/ | Baron Stuben's March (t) | AM-A | Belknap MS, 1784 | 56R-56V | MI |
//111/1123//322/2531//7- | C | Baron Stuben's March (t) | AI-A | Instrum Asst, 1800 | 53 | 2VN/2GF/2CL/2OB,BVIOL |
//111/1123//322/2531//7-1/217-6- | C | Stuben's March (t) | AM-A | Beach MS, 1801 | 68 | 2MI,B |
//111/1123//322/2531//7-1/217-6- | C | American March (t) | AM-A | Brown, N. MS, 1781 | 35V-36R | 3FI |
//111/1123//322/2531//7-1/217-6- | C | Honble Major Genl Baron Steuben's March, The (t) | AM-A | Brown, N. MS, 1781 | 40V-41R | 3FI |
//111/1123//322/2531//7-1/217-6- | C | Baron Steuben's March (t) | AM-A | Canfield MS, 1823 | 8-9 | 2FL |
//111/1123//322/2531//7-1/217-6-// | C | Steuben's March (t) | AM-A | Cushing MS, 1805 | 105 | 2MI |
//111/1123//322/2531//7-1/217-6- | C/ | Baron Stuben's American March (t) | AM-A | Hosmer MS, 1798 | 15 | MI |
//111/1123//322/2531//7-1/217-6-// | C | Baron Stubens March (t) | AM-A | Johnson, S. MS, 1807 | 17 | FI |
//111/1123//322/2531//7-1/217-6- | C | Baron Stuben's March (t) | AM-A | Mass. MS, 1790 | 11 | FL |
//111/1123//322/2531//7-1/217-6- | C/ | Baron Steuben's March (t) | AM-A | Pomeroy MS, 1790 | 7 | 2GF |
//111/1123//322/2531//7-1/217-6- | C | Steubens March (t) | AM-A | Williams, J. MS, 1799 | 77 | CL |
//111/1123//322/2531//7-7-1/217-6-// | C | Baron Stuben's March (t) | AM-A | Treat MS, 1779 | 33r-33v | 2 GF, B |
//111//112//333//321 | 3/8 | Huntsmans Delight, The (t) | AM-A | Beck MS, 1786 | 60 | GF |
//1111/12//3333/35//45-45-/35-35- | 2/4 | Honorable Artillery Company's Quick Step (t) | IC-E | English Sheet Music | PF+2GF | |
//111/112//333/345//666/543 | C | Celebrated Jubilee March...50th Anniversary (t) | AI-A | American Sheet Music | 3 | KB |
//111//112//3335//431 | 3/8 | Hunting Song (t) | AM-A | Greenwood MS, 1785 | 44 | MI |
//111112//334//5554//433217-//15-11//1 | 3/2 | Advice to the Swains (t), or New Song, A (at) | SS-E | SS, Harvard | 1 | VO,KBF+FL |
//1-1-1-1-1-2-/3-3-4-//5-5-5-5-6-7-/127- 215-6-7-//127-213-/2 |
C | March (t) | IC-E | Simpson Horn, 1745 | 10 | 2HN |
//111/11//2341/26-6-//311/27-7-// | C/ | Cassandra, A Mixed Branle (t) | DA-F | Arbeau Orchesography, 1589 | 138-139 | DR/MI |
//1111/1234//25-5/5323//1123/6-432// | 2/4 | Coquette, The (t) | AI-A | Berault Cots, 1805 | 12 | PF |
//1111/1234//25-5/5423//1123/6-432// | 2/4 | Coquette, La (t) | AI-A | Hewitt Cots-2, 1803 | 20 | PF |
//1111/1234//25-5/5423//1123/6-432// | 2/4 | 3. Third Set (t) | AI-A | Paff Cots-1, 1811 | 9 | PF |
//1/1//1/1//123/43 | C/ | Marine's March (t) | DA-E | Walsh CD-2.4, 1747 | 167 | MI |
//1/1//1/1//123/43// | C/ | Marine's March (t) | DA-E | Walsh CD-3.4, 1747 | 167 | VN/OB/GF |
//111/11//234/31//43/21 | C | Sacred Is War (t) | SS-E | SS, Boston PL-1 | 84,1-2 | VO,HAF |
//11-/11-//123/432//11-/11- | 6/8 | Much Ado About Nothing (t) | MS-E | Hammersley MS, 1790 | 95 | MI |
//11-/11-//123/432//11-/11- | 6/8 | Much Ado About Nothing (t) | DA-E | Johnson CD-5, 1750 | 1 | VN/GF |
//11-/11-//123/432//11-/11-// | 6/8 | Much Ado about Nothing (t) | DA-E | London Magazine | 501, 1756 | MI |
//11-/11-//123/432//11-/11- | 6/8 | Much Ado About Nothing (t) | MS-E | Rainstorp MS, 1747 | 39 | MI |
//11-/11-//123/432//11-/11- | 6/8 | Much Ado About Nothing (t) | DA-E | Thompson CD-1, 1757 | 100 | VN/GF/OB |
//11-/11-//123/432/11-/11-// | 6/8 | Much Ado About Nothing (t) | DA-E | Thompson CD-1a, 1757 | 100 | VN/GF/OB |
//1-1-1-/1-1-//2-3-4-4-4-3-2-//5-3-5-/4- 3-2-//1 |
2/4 | No.19 (t) | MS-G | Darmstadt MS 1188 | 12V-13R | 2OB,2HN,TR,B |
//1+1111//2344//543217-//7-6-5-6-4-//1+5 555//54 |
3/4 | As You Like It (t) | TW-E | Jubilee, 1770 | 33 | HA |
//1+1+1+/1+1234//523/46-7-//1234/543 | 6/8 | Nymph of the Hill, The (t) | SS-E | SS, Boston PL-2 | 66 | VO,KBF+GF/GT |
//11/1/1/12345342//32/1 | C | Musical Hodge Podge-2 (t) | SC-E | Musical Cent-2, 1740 | 1+52 | VO,KB+FL |
//11/1//1/12345342//32/1 | C | Musical Hodge Podge, The-2 (t) | SS-E | SS, Folger-C42.1 | 28,2 | VO,KB |
//1/11//11234/5//42/7-5- | C/ | Favorite March In Richard Coeur de Lion, The (t) | AI-A | American Sheet Music | KB | |
//1/11//11234/5//42/7-5- | C/ | Richard Coeur de Lion March (t) | AM-A | Williams, J. MS, 1799 | 61-62 | 2CL |
//1/11//11234/55+//4+2+/75 | C | March 11 (t) | IC-E | Button Whit-1, 1806 | 16-17 | 2GF/2VN/2FL/2FI |
//1+1/11//12/34//55-/5-5- | 2/4 | French Warr (t) | DA-E | Walsh CD-2.4, 1747 | 106 | MI |
//1+1/11//12/34//55-/5-5-// | 2/4 | French Warr (t) | DA-E | Walsh CD-3.4, 1747 | 106 | VN/OB/GF |
//1+111/1234//55-5-5-/5-//1+555/644 | C/ | French Warr (t) | DA-E | Johnson CD-4, 1748 | 96 | VN/GF |
//1111/12345//61+71+61+71+/111//25452545 /32321// |
C | IC-E | Forest Harmony-1, 1733 | 18 | 2HN/GF/TR/VN | |
//1111/123//4564/23//4444/41// | C/ | Simple Simon (t) | IC-E | Apollo's Banquet 1-2, 1678 | 24 | VN |
//11+11//12345//654//34321//11+1234//515 |
3/4 | Minuet (t) | IC-E | Bremner Airs, 1761 | 22-23 | 2VN/GF,B |
//11+11//12345//654//34321//11+1234//515 |
3/4 | Minuet (t) | IC-E | Preston Marches, 1804 | 22-23 | 2GF/VN,VC/PF |
//1111//1234567//1+111 | 2/4 | Seventh Air (t) | AI-A | Instrum Asst-2, 1807 | 77 | 2MI,B |
//1111/1234567//1+111/1234567//1+112/332 323 |
C | Air by Handel (t) | IC-E | Longman Horn, 1785 | 33 | 2HN |
//1111/1234567//1+111/1234567//1+112/332 323 |
C/ | Air (t) | IC-E | Thompson Horn, 1755 | 24 | 2HN |
//11/11//12/35-//17-6-/5-4-/3- | C | Air (t) | TW-E | Spanish Barber, 1778 | 24-25 | VO,KB |
//11+1+/1+123//6-11/123//4567/1+543// | C | Kentish March, The (t) | IC-E | Longman March 4, 1770 | 2 | 2VN/OB/GF, 2HN, B |
//11+1+/1+123//6-11/123/4567/1+543 | C | Kentish March, The (t) | IC-E | Oswald Marches, 1759 | 14 | 2MI |
//1+1+1+/1+123//6-11/123//4654/3543 | C | March 11 (t) | IC-S | Corri Marches, 1791 | 11 | HA/PF |
//11+1+/1+123//6-17-2/123//4567/1+543 | C | 1st New Jersy Regts March (t) | AM-A | Brown, N. MS, 1781 | 32R | FI |
//11+1+/1+123//6-17-2/123//4567/1+653 | C | First New-Jersey Regiment March, The (t) | AM-A | Gaylord MS, 1816 | 14v | 2MI |
//1+1+1+/1+1+2+3+//666/6671+//333/3345 | C/ | March (t) | IC-E | Valentine March, 1769 | 4-5 | 2VN,2OB,2HN,BF |
//111/1124321//25-5-5-5-/5-5-6-7-1//222/ 2235432 |
C | March In the Melodrama der Freyschutz (t) | AI-A | American Sheet Music | KB | |
//11-1-/1-124321//55-5-/5-5-6-17-6-5-//1 1-3-5-3-5-/1353 |
C | General Graham's Grand March at the Battle of Barrosa (t) | AI-A | American Sheet Music | 3 | PF |
//111/1124321//555/5//666/61+72+1+76 | C/ | Major Snoden's March (t) | AI-A | American Sheet Music | KB | |
//11111/25-//15-3-1/5-3-1-12//33333 | C/ | Stock-Jobbers Dream, The (t) | PL-E | Playford 3-2, 1726 | 59 | VN |
//11111/25-//15-3-1/5-3-1-12//33333/32 | C/ | Stock Jobbers Dream, The (t) | DA-E | Walsh CD-2.3, 1735 | 286 | VN/OB/GF/CF |
//11111/25-//15-3-1/5-3-1-12//33333/32 | C/ | Stock Jobbers Dream, The (t) | DA-E | Walsh CD-3.5, 1754 | 198 | VN//OB/GF |
//11111/25-//15-3-1/5-3-1-12//33333/32 | C/ | Stock Jobbers Dream, The (t) | DA-E | Walsh NCDM-3, 1728 | 54 | VN/OB/FL |
//1+1+1+/1+1+//2+5-5-/5-//2+2+2+/2+2+ | C | General Montgomery's Dead March! Grand march (t) | AI-A | American Sheet Music | PF | |
//1/1//1/1//131/11 | 6/8 | 33 (t) | IC-E | Gilbert Bugle, 1804 | 54 | 3BU |
//11111//31111//1+/5+ | 2/4 | Miss Benticks Fancy (t) | MS-E | Brown, W. MS, 1797 | 37 | MI |
//111/11//311/11//1+/5+ | 2/4 | Little Ben (t) | DA-E | Thompson CD-6.5, 1793 | 52 | MI |
//111/11//311/11//1+5+// | 2/4 | Miss Bentick's Fancy (t) | DA-E | Wilson Companion, 1816 | 120 | MI |
//1111/13//1111/15-13//5555/51+// | 2/4 | Pas Redoublé (t) | IC-F | Buhl Trumpet, 1825 | 52-53 | 4TR |
//11/1-1//131/1-1//17-1/234 | 6/8 | Quick Step 40th Regt (t) | IC-S | Aird 2, 1785 | 30 | FI/VN/GF |
//11/1-1//131/1-1//17-1/234// | 6/8 | Quick Step, A (t) | MS-S | Fife MS, 1780 | 384,39v | 1FI OR 2FI/VN |
//1-//1-1-1-1-/3-1-1-1-//3-3-3-3-/5-3-3- 3-//3-3-3-3-/5-3-3-3 |
C/ | New Bugle Troop(introduction) (t) | MS-E | Russell MS, 1812 | 12,26-28 | 2FI,BU |
//11/11//13/11//3 | C/ | Air (t) | IC-S | Stewart Marches, 1773 | 41 | 2VN/GF/OB,VC/HA |
//111/11//31/15-//1 | 2/4 | Quick March In Cymon (t) | AI-A | Instrum Asst, 1800 | 65 | 2VN/2GF/2CL/2OB,BVIOL |
//1/1//1/1//131/151 | 6/8 | Echo (t) | AI-A | Instrum Asst-2, 1807 | 75 | 2MI,B |
//1/1//1/1//131/151 | 6/8 | Eccho Tune, The (t) | IC-E | Longman Horn, 1785 | 36 | 2HN |
//1/1//1/1//131/151 | 6/8 | Jigg (t) | IC-E | Simpson Horn, 1745 | 19 | 2HN |
//1/1//1/1//131/151 | 6/8 | Eccho Tune, The (t) | IC-E | Thompson Horn, 1755 | 27 | 2HN |
//111/11//31/15-//15-/15- | 2/4 | Song a la Okrakof (t) | AM-A | Hiester MS-2, 1793 | 42-43 | 2VN,TROMBE |
//111/11//31/15-//15-/15- | 2/4 | To Start (t) | IC-E | Jones Bugle, 1805 | 4 | BU |
//111/11//31/15-//15-/15-// | 2/4 | Tipperary Militia Quick March (t) | MS-S | Miller, J. MS, 1798 | 59 | FI |
//111/11//31/15-//15-/15-1 | 2/4 | Favorite Quick March In Cymon, The (t) | IC-E | English Sheet Music | 3 | 2CL,2HN,TR,BS/P |
//111/11//31/15-//15-/15-1 | 2/4 | Bugle Quick Step (t) | AM-A | Huntington MS, 1817 | III.41 | FL/VN |
//111/11//31/15-//15-/15-1 | 2/4 | Quick March In Cymon (t) | AI-A | Merrimack Coll, 1833 | 90-91 | 2MI,B |
//1+111/13+1+//2+3+4+2+/7567 | C | Coach Changed to a Pump, The (t) | TW-E | Choice/Harleq, 1781 | 41 | HAF |
//11111/313131//5-5-5-5-5-/5-//531/531 | C | Andrew Jackson's March (t) | AI-A | American Sheet Music | PF | |
//111/11//31/321//222/22 | C | Col Bird's March (t) | IC-E | Skillern Amus, 1785 | 58 | 2GF |
//111/11//31/35//1+1+1+/1+2+ | C/ | Marche (t) | MS-G | Darmstadt MS 1224 | 43-51 | 2OB,2HN,BS |
//11111/313//535/313//5/11111// | 6/8 | Rassemblement des Gardes (t) | IC-F | Buhl Trumpet, 1825 | 28 | TR |
//1-1-1-1-1-/3-1-3-//5-3-5-/3-1-3-//5-/1 -1-1-1-1- |
6/8 | Rassemblement des Gardes (t) | IC-F | French Ordinances | App.17 | TR |
//1-1-1-1-1-/3-1-3-//5-3-5-/3-1-3-//5-/1 -1-1-1-1- |
6/8 | Rassemblement de la Garde, Le (t) | IC-F | French Ordinances | App.21 | TR |
//1-1-1-1-1-/3-1-3-//5-3-5-/3-1-3-//5-/1 -1-1-1-1- |
6/8 | Parade Call for Dress Parade (t) | AI-A | US Tactics, 1834 | PL72 | TR |
//1-1-1-1-1-/3-1-3-//5-/3-5-5-5-//5-15-/ 3-1-3- |
6/8 | Boute Selle, Le (t) | IC-F | French Ordinances | App.21 | TR |
//1-1-1-1-1-//3-1-3-//5-5-5-5-5-//5-3-5- //11111//15-3- |
3/4 | Stable Call, The (t) | IC-E | Broderip Sounds, 1799 | 2 | TR |
//1-1-1-1-1-//3-1-3-//5-5-5-5-5-//5-3-5- //11111//15-3- |
3/4 | Stable Call (t) | IC-E | Hyde Trumpet, 1798 | 11 | TR |
//1-1-1-1-1-//3-1-3-//5-5-5-5-5-//5-3-5- //11111//15-3- |
3/4 | Surrender of Toulon, The. A French Boat Comes Off, with Terms of the Sur (t | IC-S | Scottish Sheet Music | PF/HA | |
//11111//313//55555//535//1+1+1+1+1+//1+ 53// |
3/4 | Stable Call (t) | IC-E | Hyde Bugle, 1818 | 35 | TR |
//1111/131//4433/2234//5331/16-6-6-4-4- | C | My Dark Eyed Maid (t) | AI-A | Riley Flute 3, 1820 | 69 | FL |
//111/1//1315-/1315-//222/2 | C | Marshall Saxe's New March (t) | IC-E | Clementi Fife, 1815 | 34 | FI |
//111/1//1315-/1315-//222/2 | C | Marshall Saxe's New March (t) | IC-E | Longman Fife, 1780 | 34 | FI/GF |
//111/1//1315-/1315-//222/2 | C/ | Marche du Marechal de Saxe (t) | MS-F | Marches MS, 1795 | 7R | VN |
//111/1//1315-/1315-//222/2 | C | Marshall Saxe's New March (t) | IC-E | Skillern Amus, 1785 | 16-17 | 2GF |
//111/1//1315-/1315-//222/2 | C | Marshal Saxe's New March (t) | IC-E | Skillern Fife, 1780 | 34 | FI/GF |
//1+11//113153//1+11//11//3+2+3+4+5+6+// 2+ |
3/4 | Minueto (t) | MS-M | Garcia MS, 1772 | 94V [219] | MI |
//11-1-1-1-/3-1-5-3-//11-1-1-1-/5-7-24// 31111/42222 |
C/ | Maggot, The (t) | DA-E | Walsh CD-2.4, 1747 | 103 | MI |
//11-1-1-1-/3-1-5-3-//11-1-1-1-/5-7-24// 31111/42222// |
C/ | Maggot, The (t) | DA-E | Walsh CD-3.4, 1747 | 103 | VN/OB/GF |
//1+1111/3153//1+1111/572+44+//3+1+1+1+1 +/4+2+2+2+2+ |
C/ | Maggot, The (t) | DA-E | Johnson CD-3, 1744 | 63 | VN/GF |
//11/11//13/15-//31/5-3- | C | My life's three parts diminished(bt) (fl) | TW-E | Deserter, 1773 | 9-11 | VO,KBF |
//11111//31531+//654321//5-7-2432 | 3/4 | AM-A | Ives MS, 1800 | 2 | KB | |
//1-1-1-1-1-//3-1-5-//3-2-1-1//5-5//4543 4//27-1 |
3 | Trumpet Tune (t) | IC-E | Walsh Oboe, 1715 | 20 | OB |
//1/11//11/31//5-/5-5- | 2/4 | Egyptian March, The (t) | IC-E | English Sheet Music | 3 | 2CL,2HN,TR,BS/P |
//1/11//11/31//5-/5-5- | 2/4 | Buonaparte's March as Played on His Entery In to Mantua (t) | IC-S | Scottish Sheet Music | 2 | KB |
//1/11//11/31//5-/5-5- | 2/4 | Emperor of Russia's Grand March on His Majesty's Entrance Into Paris (t) | IC-S | Scottish Sheet Music | 2 | PF |
//111/1131//555/5//1+71+/2+1+7 | 2/4 | March of General Steinkellers Regiment In Berlin (t) | IC-E | English Sheet Music | 1 | KB+GT+GF |
//111/1131//5-5-5-/5-234//5313/247-2 | C | New England Guard's March (t) | AI-A | American Sheet Music | 1 | PF |
//1-1-1-/1-1-3-1-//5-5-5-/5-//7-7-1/217- |
C | Genl Townshend's March (t) | IC-E | Skillern Amus, 1785 | 68-69 | 2GF |
//1/11//1/1//3/2 | 2/4 | New March, A (t) | IC-E | Longman Oboe, 1770 | 24 | OB |
//1/11//1/1//32//1 | 2/4 | New March of the 3d Regiment of Guards, A (t) | IC-E | English Sheet Music | 1 | 2MI,B+2GF |
//1/11//1/1//32//1 | 2/4 | New March, A (t) | IC-E | Longman Fife, 1770 | 34 | FI |
//1111/13//21/1//1111/13 | C | When the Hollow Drum (t) | AI-A | American SS-SM | 1-4 | VO,KB+FL |
//1111/13//21/1//1111/13 | C | Air In the Mountaineers (t) | AM-A | Commonplace MS, 1809 | 7R | CL/FL |
//1111/13//21/1//3333/35 | C | Hollow Drum, The (t) | IC-S | Aird 5, 1797 | 5 | FI/VN/GF |
//1111/13//21/1//3333/35 | 2/4 | Hollow Drum (t) | AM-A | Akerman MS, 1795 | 74 | MI |
//1111/13//21/1//3333/35 | C | When the Hollow Drum (t) | AI-A | Ashton Clar, 1825 | 20 | CL |
//1111/13//21/1//3333/35 | C | When the Hollow Drum (t) | AI-A | Balls Amus 2, 1815 | 23 | FL/FI/VN |
//1111/13//21/1//3333/35 | C | When the Hollow Drum (t) | AI-A | Fifer's Comp, 1805 | 14 | 2FI |
//1111/13//21/1//3333/35 | C | When the Hollow Drum (t) | AI-A | Firth Cl, 1832 | 20 | CL |
//1111/13//21/1//3333/35 | C | When the Hollow Drum (t) | AM-A | Hosmer MS, 1798 | 18 | MI |
//1111/13//21/1//3333/35 | C | When the hollow drum has beat to bed (fl) | TW-E | Mountaineers, 1793 | 12-15 | VO,KB |
//1111/13//2/11//3333/35// | C | Hollow Drum (t) | AM-A | Pynchon MS, 1797 | 24r | MI |
//1111/13//21/1//3333/35 | C | When the Hollow Drum (t) | AI-A | Riley Flute 1, 1814 | 57 | FL |
//1111/13//21/1//3333/35 | C | Hollow Drum (t) | AI-A | Village Fifer, 1808 | 54 | FI |
//1111/13//21/1//3333/35 | C | When the Hollow Drum (t) | AI-A | Williams Fife, 1819 | 20 | FI |
//1111/13//21/1//3/35// | C/ | When the Hollow Drum (t) | AM-A | Treat MS, 1779 | 29r | FI/GF |
//111/11//3212/12//333/33 | 2/4 | Lockport Quick Step (t) | AI-A | Merrimack Coll, 1833 | 78-79 | 2MI,B |
//1111//1321321//22222//2432432//31111// 1 |
3/4 | Minueto (t) | MS-M | Garcia MS, 1772 | 97 [224] | MI |
//111/11//32/155//1+7/6543 | C | President J. Q. Adams March (t) | AI-A | American Sheet Music | 2 | PF |
//11111//32155//32155//1+1//3+ | 3/4 | Minueto (t) | MS-M | Garcia MS, 1772 | 94 [218] | MI |
//1+1+1+1+1+//3+2+1+//56543//32 | 3/4 | Minuet, with Trio (t) | IC-E | Broderip Harp, 1790 | 20 | HA |
//1/11//1/13//21/7-1// | 2/4 | Drum, The (t) | AM-A | Pynchon MS, 1797 | 20r | MI |
//1/11//1/13//21/7-1 | 2/4 | Drum, The (t) | AI-A | Riley Flute 4, 1826 | 7 | FL |
//11/11//132/17-1//22/22// | 6/8 | Overture of Vauxhall, The. 6th. Set (t) | AI-A | Cotillion Party, 1818 | 28 | VN/GF/ PF |
//111/113//217-1/232//11-1-/1-4 | C | Drum, The (t) | AM-A | Van Renssel. MS, 1782 | I,6 | VO,KB |
//111113//217-1/232//111143//22/2254 | C | Drum, The (t) | AM-A | Van Renssel. MS, 1782 | II,3 | GT |
//111/113//217-1/232//1/43 | C/ | Drum, The (t) | AM-A | Dickinson MS, 1800 | 154 | 2VO:(S)B |
//111/113//217-1/232//1/43 | C/ | Drum, The (t) | AM-A | Spicer MS, 1797 | 162-163 | 2VO |
//111/113//217-1/232//15-3-5-/1-4 | C | Drum, The (t) | AM-A | Cabot MS, 1784 | 31 | GF |
//111/113//217-1/232//15-3-5-/1-4 | C | Drum, The (t) | AM-A | Greenwood MS, 1785 | 46 | MI |
//11111/3217-1//35543/24432//13345/2232/ / |
C/ | Duke of Holstiens March (t) | AM-A | White, G. MS, 1790 | 95 | 2 VN, B |
//11/11//13/217-//15/432//1234 | 2/4 | Favorite Easy Sonata. Part 1 (t) | AI-A | American SS-SM | 1-2 | KB |
//1+1+/1+1+//1+3+2+1+71+67/51+675645//36 543423/1531//5 |
C/ | Song, A (t) | SS-E | SS, Harvard | 1-2 | VO,KBF |
//1+1+/1+1+//1+3+2+1+71+67/51+765645//36 543423 |
C/ | Fair amoret is gone (fl) | SS-E | SS, Folger-C42.1 | 123,2-124,1 | VO,KB+FL |
//1111/13//22/1//3333/35 | C/ | Hollow Drum (t) | AM-A | Dickinson MS, 1800 | 132 | VO |
//111/113//222/246//6535/5432 | C | Major York's March (t) | IC-E | Skillern Amus, 1785 | 85 | 2GF |
//1+1111/3223//1+1111/1+2+3+2+//1+1111/3 223 |
C/ | Whigs of Fife, The (t) | IC-S | Aird 2, 1785 | 16 | FI/VN/GF |
//1+1111/3223//1+1111/1+2+3+2+//1+111/32 23// |
C/ | Whigs of Fife, The (t) | MS-S | Fife MS, 1780 | 676,73v | 1FI OR 2FI/VN |
//1111132//3111121//2111121//31111234//5 4565456434 |
3/4 | IC-E | Forest Harmony-2, 1733 | 12 | 2HN/GF/TR/VN | |
//11111/3235//11113/2123//11111/3235// | C | Opera Reel (t) | DA-E | Wilson Companion, 1816 | 81 | MI |
//111/113//25-5-/5-5-6-7-1//255/54 | C/ | Marsch Fur Das Corps der Studierenden Freywilligen (t) | IC-G | Viennese March, 1798 | 2 | PF |
//1111/13//27-/1//3333/35// | 2/4 | Hollow Drum (t) | AM-A | Treat MS, 1779 | 17v | FI/GF |
//11/11//1//33/33//3 | C | Battle of Prague, The. Largo (t) | AI-A | American SS-SM | 1 | PF/HA |
//11/11//1//33/33//3 | C | Battle of Prague, The. Largo (t) | AI-A | American SS-SM | 1 | PF |
//11/11//1//33/33//3// | C | Selection From the Battle of Prague, Word of Command (t) | AI-A | Willig Flute, 1795 | 17 | GF |
//111/11//333/334//55/5432 | C/ | Marche En Trompette (t) | MS-G | Darmstadt MS 1224 | 339 | MI |
//11111//33333//51+2+2+1+2+//3+2+3+1+//5 3+1+2+7//51+675// |
3/4 | Minuet. Allegro (t) | IC-E | Italian Pieces, 1770 | 6-7 | 2GF, 2CL/OB/VN, 2HN, BS/VC |
//111/11//333/33//555/55// | C/ | New Trumpet Tune of Mr. Keller's, A (t) | IC-E | Apollo's Banquet 2, 1691 | 15 | VN/FL |
//111/11//333/33//555/55 | 2/4 | First Regiment of Royal Tower Hamlets Militia Quick Step (t) | IC-E | English Sheet Music | 2CL,2HN,TR,BS,S | |
//11111//33333//55555 | 3/4( | Trumpet Minuet (t) | IC-E | Goulding Fife, 1790 | 20 | FI |
//1-1-1-1-1-//3-3-3-3-3-//5-5-5-5-5-//1- |
3/4 | Trumpet Minuet (t) | AM-A | Gaylord MS, 1816 | 2v | 2MI |
//11111//33333//55555//1+1//1+//1+// | 3/8 | Minuet. Allegro (t) | IC-E | Italian Pieces, 1770 | 8-9 | 2GF, 2CL/OB/VN, 2HN, BS/VC |
//1-1-1-1-/1-3-3-3-3-//3-5-5-5-5-/5-1111 //13333/31111 |
6/8 | Air 78 (t) | IC-N | Roger Airs, 1716 | 2:22-23 | 2MI,B |
//11111//33333//55555//1+2+ | 3/4 | Trumpet Minuet (t) | AM-A | Cabot MS, 1784 | 1 | GF |
//11111//33333//55555//1+2+ | 3/4 | Trumpet March, The (t) | AM-A | Dickinson MS, 1800 | 33 | 2CL/2GF/2OB |
//11111//33333//55555//1+2+ | 3/4 | Trumpet Minuet (t) | AM-A | Hudson MS, 1772 | 6 | VN/FI |
//11111//33333//55555//1+2+//3+1+2+ | 3/4 | Minuet (t) | IC-E | Delightful-2, 1745 | IV,33 | GF |
//11111//33333//55555//1+2+//3+1+2+//3+1 +2+// |
3/4 | Trumpet Minuet (t) | IC-E | Prelleur Modern, 1731 | 14 | GF |
//1-1-1-1-1-//3-3-3-3-3-//5-5-5-5-5-//12 //312//312 |
3/4 | IC-E | Simpson Horn, 1746 | 3V | HN | |
//11111//33333//55555//1+2+//3+1+3+ | 3 | Trumpet Levet, A (t) | IC-E | Simpson Record, 1745 | 10 | RC |
//11111//33333//55555//1+2+//3+2+1+2+ | 3/4 | Trumpet Minuet, A (t) | AM-A | Aborn MS, 1790 | 112 | MI |
//11111//33333//55555//1+2+//3+2+1+2+ | 3/4 | Stadtholders Minuet (t) | IC-E | Astor Guitar, 1800 | 13 | GT |
//1-1-1-1-1-//3-3-3-3-3-//5-5-5-5-5-//12 //3212//3212 |
3/4 | Trumpet Minuet a Troop, The (t) | AM-A | Nixon MS, 1776 | 26 | 2FI |
//1+1111/3+3333//5+5555/1+531//55-5-/5-5 |
C/ | New York Jackson Guards March, The (t) | AI-A | American Sheet Music | 2 | PF |
//11111//33333//55555//1+5351//1+71+2+3+ 4+//5+ |
3/4 | Minueto (t) | MS-M | Garcia MS, 1772 | 94V [219] | MI |
//11111//33333//55555//4323//22222//5555 5// |
3/8 | Minuet (t) | IC-E | Forest Harmony-4, 1744 | 15 | 2HN/GF/TR/VN |
//1-11/1133//5/354//42/25654 | C | Cramer's Grand March (t) | IC-E | English Sheet Music | 7 | PF/HA |
//1+1+/1+1+//1+34//555/51+7 | 2/4 | Quick Step (t) | AI-A | Webb Divs 1, 1828 | 6 | 2CL,2HN,2BS,2FL,FLP,TR,BU, |
//11/11//134/555//671+/1+76 | 6/8 | Poor Pedlar, The (t) | SC-S | Scots MM-6, 1803 | 582-583 | VO,PF |
//11111/34//5654/31//5-5-5-5-/5-6-7-1// | C | New Cushion Dance (t) | DA-E | Wilson Companion, 1816 | 126-128 | MI |
//1+1+/1+1+//1+/34//565/54 | 6/8 | Chasse, La (t) | AI-A | Reinagle Fav, 1789 | 1-2 | PF/HA |
//1+1+/1+1+//1+/34//565/54//4/3 | 6/8 | Del Sign Campioni. Allegro (t) | AM-A | Hiester MS-1, 1793 | 35-36 | HA |
//1111/1351+//1111/7-27-5-//11111351+ | 2/4 | Gordon Knot (t) | AM-A | Commonplace MS, 1797 | 38 | FI |
//1-1-1-1-//1-3-5-//112//35//4222//3111 | 3/8 | Marquis de Lafayette's Military Waltz, The (t) | AI-A | American Sheet Music | PF | |
//11/11//13/51//242/7-27- | 2/4 | Quick Time (t) | IC-E | Miller Marches, 1795 | 5 | 2CL,2HN,BS,2TR |
//1+/1+1+//1+1/35//1+3+/5+3+ | C | Favorite March (t) | AI-A | Shaw Gentlemen, 1807 | 42-43 | 2CL/VN, FL,BS/VC |
//1111/1353//1111/7-27-5-//1111/1353 | C/ | Miss Douglas of Brigton's Strathspey (t) | IC-S | Aird 6, 1803 | 31 | FI/VN/GF |
//1111/1353//1111/7-27-5-//1111/1353// | C/ | Brichan Castle (t) | MS-S | Fife MS, 1780 | 831,90r | 1FI OR 2FI/VN |
//111/11/35/31//222/22// | 2/4 | Columbus (t) | AI-A | Admired Cots-2.1, 1825 | 1 | PF |
//1111/13//53/13//5-5-5-5-/5-3// | C | Morning Call (t) | AM-A | USS N. Carolina MS, 1825 | BU | |
//111/11//35/31//5-5-5-/5-5- | 2/4 | Quick March (t) | IC-E | Gilbert Bugle, 1804 | 38 | 3BU |
//1+1/11//13/5342//1531+/55 | C | Prince of Saxe Cobourg's Favourite March (t) | IC-S | Aird 6, 1803 | 69 | FI/VN/GF |
//11-/1-1-//1-3-/5-3-4-2-//1-5-3-1/5-5- | C | Prince of Saxe Cobourg's Favourite March (t) | IC-E | English Sheet Music | PF/HA | |
//111/11-//3-5-/5-//117- | C/ | Song on the Ensuing Campaign, A (t) | SS-E | SS, Folger-C42.2 | 17 | VO,KB+F |
//1+1+1+/1+1+//35/5//1+1+7/54//3455 | C | Air 6 (t) | BA-E | Generous Free, 1731 | 9 | VO |
//1+1+1+/1+1//35/5//1+1+7/654 | C/ | Veal's Maggot (t) | PL-E | Playford 2-3, 1718 | 210 | VN |
//1+1+1+/1+1//35/5//1+1+7/654 | C/ | Veal's Maggot (t) | PL-E | Playford 2-4, 1728 | 210 | VN |
//1+1+1+/1+1//35/5//1+1+7/654 | C/ | Song on the Ensuing Campaign, A (t) | SS-E | SS, Folger-C42.3 | 107 | VO,KB+FL |
//1+1+1+/1+1//35/5//1+1+7/654 | C/ | Veal's Maggot (t) | DA-E | Walsh CD-1.2, 1719 | 232 | VN/OB |
//1+1+1+/1+1//35/5//1+1+7/654//345/5 | C | Air 5 (t) | BA-E | Fashionable, 1730 | 9 | VO |
//1+1+1+/1+1//35/5//1+1+7/654//345/5 | C | Air 30 (t) | BA-E | Lovers Opera, 1730 | 37 | VO |
//1+1+1+/1+1//35/5//1+1+7/654//345/5 | C | Air 26 (t) | BA-E | Silvia, 1731 | 30 | VO |
//1111/135/535/1+53//1111/135/1+53/27-5- // |
12/8 | Shuter's Disappointment (t) | DA-E | London Magazine | 181, 1754 | MI |
//1111135/5351+53//1111135/1+5327-5-//11 11135/535/671+6 |
12/8 | Shutter's Disappointment (t) | DA-E | Johnson CD-7, 1756 | 39 | VN/GF |
//1+1+1+/1+1//35/55//1+1+7/654//345 | C/ | Health to the Present Constitution, A (t) | SS-E | SS, Harvard | 1 | VO,B+FL |
//1+1+1+1+1/3557//6474/27-42//1+1+1+1+1 | C/ | Highland Reel, The (t) | DA-E | Rutherf CD-2.1, 1756 | 65 | VN/GF/OB |
//1+1+1+1+1/3557//6474/27-42//1+1+1+1+1/ 3554+ |
C/ | Highland Reel, The (t) | DA-E | Johnson CD-5, 1750 | 66 | VN/GF |
//111/11//43/1//222/22 | C/ | Emperor's March, The (t) | AM-A | Psalmody MS, 1798 | 91 | MI |
//1+11/11//4/3//333/222 | C | Battle of Barrosa. Marcia (t) | IC-S | Scottish Sheet Music | 8 | PF |
//11/11//15-/111//11/11 | C | Oh what a charming thing's a battle(bt) (fl) | TW-E | Recruiting Serj, 1770 | 24-29 | VO,VN,BF |
//1111/15-//1111/111//222/2345//6 | C | Beggar & the Queen, The (t), or Favorite Song, A (at) | SS-E | SS, Harvard | 1 | VO,B |
//11/11//1/5-//1/11//3 | C/ | Lady's Birth Day, The (t) | SS-E | SS, Harvard | 1 | VO+FL |
//11/11//1/5-//1/11//3 | C/ | Lady's Birth-Day, The (t) | SS-E | SS, Harvard | 1 | VO+FL |
//11/11//1/5-//1/12 | C/ | Lady's Birthday, The (t) | SS-E | SS, Folger-C42.1 | 174 | VO,KB+FL |
//11/11//1/5-//1/12//3/5 | C/ | Lady's Birth-Day, The (t) | SS-E | SS, Folger-C42.4 | 305 | VO+FL |
//111/11//5-1/13//5-1/13 | 2/4 | Benennung Einer Avant Oder Arrier Garde Oder Sonstige Detachemente (t) | IC-G | Hanoverian Inf, 1821 | 53 | HN |
//111/11//5-1/13//5-1/13 | 2/4 | Bezeichnung der Soutiens (wie No.5) (t) | IC-G | Hanoverian Inf, 1821 | 53 | HN |
//1111/15-11//5321/6-5-6- | C/ | I Love My Jean (t) | AI-A | Caladonian Muse, 1798 | 147-48 | VO/PF/VN |
//1111/15-11//5321/6-5-6-//1 | C/ | I Love My Jean (t) | AI-A | Scots MM, 1797 | 147-48 | VO,HA/PF |
//11/11//1/5-//12/21 | C/ | Song, A (t) | SC-E | Pills 3, 1719-20 | 61-2 | VO |
//1+1+1+1+/1+51+//3+/1+66//6666/63-6 | 6/8 | Geschw. Marsch (t) | IC-G | Walch Pieces, 1822 | 5 | BAND(18 PARTS) |
//1111/15-//132/1//3333/31 | C | Song 77 (t), or Four and Twenty Fiddlers (at) | SC-E | Calliope, 1788 | 148-149 | VO |
//1111/15-//132/1//3333/31 | C | Four and Twenty Fiddlers (t), or Favorite Song, A (at) | SS-E | SS, Boston PL-2 | 274 | VO,KB |
//1111/15-//132/1//3333/31 | C | Four and Twenty Fidlers (t) | SS-E | SS, Harvard | 1 | VO,B |
//1111/15-//132/1//3333//31 | C | Song 158 (t) | SC-E | Vocal Enchant, 1783 | 320-321 | VO |
//1111/15-1//3333/313//5555/535 | 6/8 | Return Swords (t) | IC-E | Broderip Sounds, 1799 | 4 | 3TR |
//1111/15-1//3333/313//5555/535// | 6/8 | Return Swords (t) | IC-E | Hyde Bugle, 1818 | 36 | 3TR |
//1111/15-1//3333/313//5555/535 | 6/8 | Return Swords (t) | IC-E | Hyde Trumpet, 1798 | 12 | 3TR |
//1-1-1-1-//1-5-1//3//5//1//3 | 3 | Messe, La (t) | IC-F | French Ordinances | App.25 | BU |
//1/1//1/1//15-/15- | 2/4 | Commencer le Feu (t) | IC-F | French Ordinances | App.25 | BU |
//1/1//1/1//15-/15-// | 2/4 | Feu, Le (t) | IC-F | Lelouterel Clairon, 1825 | pl. 6 | BU |
//11/11//1/5-//15-/3-1 | C/ | Lord Carmarthen's March (t) | IC-E | Thompson Oboe, 1758 | 15 | OB |
//1111/15-16//5321/6-5-6-//1111/15-16 | C/ | I Love My Jean (t) | SC-S | Scots MM-3, 1790 | 244 | VO,PF |
//111/115-//222/25-//353/232 | 2/4 | Ay ay master serjeant I wish you good day (fl) | TW-E | Recruiting Serj, 1770 | 29-35 | VO,2VN,VA,BF |
//1/1//1/1//1/5-3 | 6/8 | Ouverture de la Dot (t) | IC-F | Vanderhagen Pcs, 1787 | 21:2-3 | 2CL,2HN,2BS |
//1+1111/5313//24+3+2+/3+1+67//1+1111/53 13 |
C | Inch of Garth (t) | IC-S | Aird 5, 1797 | 55 | FI/VN/GF |
//11111//531353//567//1+567//1+76 | 3/4 | Princess Amelia S Minuet (t) | MS-S | Gillespie MS, 1768 | 80 | VN |
//11111//531353//567//1+567//1+76//543// |
3/4 | Marshal Belile's Minuet (t) | AM-A | Ormsby MS, 1758 | 293 | VN |
//1/11//115-/3153//2/22 | C/ | Slow March (t) | IC-I | Holden Marches, 1795 | 18 | VN,PF |
//11/11//15-3-/15-3-//22/22 | 6/8 | Giga (t) | IC-E | Delightful-2, 1745 | V,30-31 | 2GF |
//111/11//5-//3-3-3-/3-3-//1- | 2/4 | Celebrated March In Matilde E Corradino, The (t) | AI-A | American Sheet Music | 3 | PF |
//111/11+5//333/33+//3+2+4+3+2+/1+7 | C | Genl Knyphausan's March (t) | IC-E | Skillern Amus, 1785 | 55-56 | 2GF |
//1111/15-3-5-//1111/11-3-5-//1111/15-3- 5- |
2/4 | A l'Ordre (t) | IC-F | French Ordinances | App.18 | TR |
//11111/5531//5-5-5-5-5-/5-//11111/5535 | C | March as Performed by the Marine Band (t) | AI-A | American Sheet Music | KB+FL | |
//11111/5531//5-5-5-5-5-/5-//11111/5535 | C | Monroe's Grand March (t) | AI-A | American Sheet Music | 2 | PF |
//1+1+1+1+1+553//4//4442+2+2+452+//35//3 1//1+71+6//2+ |
C | Thy mistress lost a trifle (fl) | TW-E | Harlequin's Mus, 1792 | 4-5 | VO,HA |
//1//11/1+1+//5-5-/5-1+ | C | Corronation (t) | AM-A | Bellamy MS, 1799 | 62 | VO |
//1+1111/55-5-5-5-//1135/1+531//555/5 | C | Col Beverly Daniels March (t) | AI-A | American Sheet Music | 1 | PF |
//1+1111//55555//1+2+3+1+//5345671+2+//3 +1+3+1+3+//2+72+72+ |
3/4 | Jubilee Minuet (t) | TW-E | Jubilee, 1770 | 31 | HA |
//11111//5-5-5-5-5-//3-1-3-//5-1-3-5-//1 1111//5-3-1- |
3/8 | Pour la Reunion des Trompettes (t) | IC-F | French Ordinances | App.17 | TR |
//11111//5-5-5-5-5-//3-1-3-//5-1-3-5-//1 1111//5-3-1- |
3/8 | Reunion des Trompettes, La (t) | IC-F | French Ordinances | App.22 | TR |
//11111//5-5-5-5-5-//3-1-3-//5-1-3-5-//1 1111//5-3-1- |
3/8 | Trumpeters Call (t) | AI-A | US Tactics, 1834 | PL71 | TR |
//1+1+1+1+1+//55555//313//5135//1+1+1+1+ 1+//531// |
3/8 | Pour La Réunion des Trompettes (t) | IC-F | Buhl Trumpet, 1825 | 28 | TR |
//1111/15//5-5-5-5-/5-4//3333/3131 | C/ | IC-E | Forest Harmony-2, 1733 | 23 | 2HN/GF/TR/VN | |
//11111/5-5-5-5-5-//6-6-6-6-7-7-7-7-/111 11//11111 |
C | Overture (t) | TW-E | Oscar & Malvina, 1791 | 1-5 | KB |
//11111//55//654//3434//543//27-1// | 3/4 | Minuet (t) | IC-E | Prelleur Modern, 1731 | 11 | RC |
//11/11//1/567//1+5/31// | C/ | Humphriss Troop (t) | MS-S | Fife MS, 1780 | 731,80r | 1FI OR 2FI/VN |
//11111//6-5-//12212//315-//1+1+1+1+1+// 1+5// |
3/4 | Trumpet Minuet, A (t) | AM-A | Ormsby MS, 1758 | 303 | VN |
//1+1+1+/1+16//517-4/365//1+365 | 2/4 | Though the Season Must Alter (t) | SC-E | Vocal Music, 1775 | 34-35 | VO/VN/GF |
//1-1-1-//1-1-6//53//112//345671+ | 3/4 | Queen of Prussia's Waltz (t) | AM-A | Canfield MS, 1823 | 70 | FL |
//1-1-1-//1-1-6//53//112//345671+ | 3/4 | Queen of Prussia's Waltz (t) | AI-A | Riley Flute 2, 1817 | 70 | FL |
//1+1+/1+1+//1+6//53/21 | 2/4 | Queens Night Cap, The (t) | DA-E | Thompson CD-4, 1780 | 22 | VN/GF/OB |
//1+1/11//1/6//53/21 | 2/4 | Miss Piggots Whim (t) | DA-E | Thompson CD-4, 1780 | 95 | VN/GF/OB |
//1+1+/1+1+//1+6//53/21// | 2/4 | Queen's Night Cap, The (t) | DA-E | Thompson CD-4a, 1780 | 20 | VN/GF/OB |
//1+1/11//1/6//53/21// | 2/4 | Miss Piggots Whim (t) | DA-E | Thompson CD-4a, 1780 | 94 | VN/GF/OB |
//111/11+//65/61+//111/1+6 | 2/4 | Quick March No.17 (t) | IC-E | Hinde 2, 1772 | 12 | GF/VN/OB,PF |
//111/11+6/6/51+3//4321/1231//2/132// | C/ | Fance & Brian (t) | AM-A | Johnson, S. MS, 1807 | 24 | FI |
//11111//6-6-5-2//7-5-123//325//54344// | New French Dance, A. Bore (t) | IC-E | Apollo's Banquet 1-6, 1690 | B29.2 | VN | |
//111/11//66/55//5223/46-6-7- | C | Time Has Not Thind My Flowing Hair (t) | IC-E | Astor Oboe, 1800 | 22-23 | 2OB |
//111/11//66/55//5223/46-6-7- | C | Time Has Not Thinned My Flowing Hair (t) | AM-A | Curtiss MS, 1800 | 108-9 | 2VN |
//111/11//66/55//5223/46-6-7-// | C | Time Has Not Thin'd (t) | AM-A | Irving MS, 1796 | 1v-2r | 2 MI |
//111/11//66/55//5223/46-6-7- | C | Canzonet (t) | AI-A | Six Songs, 1794 | 17-19 | 2VO,HA/PF |
//111/11//66/55//5223/46-6-7- | C | Time Has Not Thin'd My Flowing Hair (t) | IC-E | Wragg Oboe, 1792 | 50-51 | 2OB |
//11/11//17-12/1212//3 | C | Count Brown's March (t) | AI-A | Instrum Asst, 1800 | 44-45 | 2VN/2GF/2CL/2OB,BVIOL |
//11/11//17-12/1212//32343434 | C/ | Capt Brown's March (t) | AM-A | Allen, W. MS, 1790 | 128-129 | 2MI,B |
//11/11//17-12/1212//33/33 | C/ | Ct. Browns March (t) | AM-A | Aborn MS, 1790 | 102 | MI |
//11/11//17-12/1212//33/33 | C/ | Count Brown's March (t) | IC-E | Bremner Airs, 1761 | 42-43 | 2VN/GF,B |
//11/11//17-12/1212//33/33 | C | Count Brown's March (t) | AM-A | Commonplace MS, 1797 | 60V-61 | 2FI |
//11/11//17-12/1212//33/33 | C/ | Count Brown S March (t) | MS-S | Gillespie MS, 1768 | 26 | VN |
//11/11//17-12/1212//33/33 | C/ | Count Brown's March (t) | AI-A | Merrimack Coll, 1833 | 54-55 | 2MI,B |
//11/11//17-12/1212//33/33 | C/ | Count Brown's March (t) | IC-E | Preston Marches, 1804 | 42-43 | 2GF/VN,VC/PF |
//11/11//17-12/1212//33/33 | C | Duke of Cumberlands March, The (t) | MS-I | Regan MS, 1764 | 25-26 | MI |
//11/11//17-12/1212//33/33 | C | Count Browns March (t) | AM-A | Woodruff MS, 1803 | 33-34 | 2MI |
//11/11//17-12/15-//22/22//2123 | C/ | Solamen Miseris (t), or Good News to the Afflicted, (at) | SS-E | SS, Harvard | 1 | VO,B+FL |
//11/11//17-12/17-12 | C/ | Count Brown's March (t) | AM-A | Beach MS, 1801 | 37 | MI |
//11/11//17-12/17-12//33 | C | Dukes March, The (t) | IC-E | Longman Oboe, 1780 | 30 | OB |
//11/11//17-12/17-12//33/33 | C | Trumpet Tune (t) | IC-E | Delightful-1, 1763 | I,30 | 2GF |
//11/11//17-12/17-12//33/33// | 2/4 | Dukes March, The (t) | MS-S | Fife MS, 1780 | 70,8r | 1FI OR 2FI/VN |
//11/11//17-12/17-12//33/33 | C | Brown's March (t) | AI-A | Reinagle Fav, 1789 | 3 | PF/HA |
//1111/17-1217-12//3333/32343234//5555/5 4565456// |
C | Music of the Anniversary Ode for the Year 1751, Club March Against Sir Hugh | AM-A | Tuesday Club MS, 1745 | 9/382-383 | 2MI,B |
//11/11//17-1//21/7-1//234 | Wiltshire Wedding, The (t) | SC-E | Pills 4, 1719-20 | 148-51 | VO | |
//1/11//11//7-1/23 | 2/4 | Lips and Eyes (t) | AI-A | Riley Flute 2, 1817 | 60 | FL |
//1/11//1/17-12//3/11 | C | Col. Dunlops March (t) | IC-E | Skillern Amus, 1785 | 38-39 | 2GF |
//111/11//7-123/22//333/3543 | C | Warrens March (t) | AM-A | Curtiss MS, 1800 | 62 | 2VN |
//111/11//7-123/22//333/3543 | C | Gen Warren's March (t) | AM-A | Stiles MS, 1807 | 72-73 | MI |
//111//117-123//333//332345//1 | 3/4 | Smith Duet 1-1 (t) | AI-A | Smith Duets, 1793 | 2-3 | HA/PF,4 HANDS |
//111//117-123//555//554561+//14- | 3/4 | Duetto 1 (t) | AM-A | Hiester MS-1, 1793 | 22-23 | HA,4 HANDS |
//11/11//17-1/5-5-//6-43/231 | 6/8 | Quick Step (general Scott) (t) | AI-A | American Sheet Music | PF | |
//1/11//1///1+/76 | C/ | Divertimento 4. Allegro Assai (t) | IC-E | Rathgen Divs, 1780 | 9 | 2CL,2HN,BS |
//11+/11+//1+76/51+//654/321 | 6/8 | Quick Step (t) | AM-A | Hawkins MS, 1794 | II,79 | GF |
//11+/11+//1+76/51+//654/321 | 6/8 | Take Me Right (t) | DA-E | Thompson CD-3, 1773 | 21 | VN/GF/OB |
//11+/11+//1+76/51+//654/321// | 6/8 | Take Me Right (t) | DA-E | Thompson CD-3a, 1773 | 23 | VN/GF/OB |
//11+/11+//1+76/51+//654/321 | 6/8 | Boy In the Basket a Quick, The (t) | AM-A | Thompson MS, 1777 | 20 | FI |
//11+/11+//1+76/51+//654/321 | Take Me Right (t) | AM-A | Turner MS, 1788 | I,5 | VN | |
//11/11+//1+/76//52/34 | C/ | Christmas Gambble (t) | MS-E | Hammersley MS, 1790 | 94 | MI |
//11/11+//1+/76//52/34 | C/ | Christmas Gambol (t) | DA-E | Walsh CD-3.6, 1754 | 28 | VN/OB/GF |
///11/11+//1+76/53//43/21// | 6/8 | Feathers, The. A Quick Step (t) | MS-S | Fife MS, 1780 | 529,56r | 1FI OR 2FI/VN |
//1/11//1/1//7-6-/5-4 | C | Harmonie. Allegro (t) | IC-E | English Sheet Music | PARTS | 2CL,2OB,2HN,2BS |
//1+/1+//1+/11+//76/54// | 2/4 | Priora, La: Francesa (t) | DA-P | Piferrer CD, 1768 | 14 | MI |
//11/11+//1+76/5//43/21 | 6/8 | Feathers, The. A New Sett (t) | IC-S | Aird 3, 1788 | 161 | FI/GF/VN |
//11/11+//1+76/5//43/21 | 6/8 | Washingtons Assembly (t) | AI-A | American Sheet Music | PF | |
//11/11+//1+76/5//43/21// | 6/8 | Washington Assembly (t) | AM-A | Cushing MS, 1805 | 100 | MI |
//11/11+//1+76/5//43/21 | 6/8 | Feathers, The (t) | DA-E | Skillern CD, 1780 | 46 | VN/GF/OB |
//11/11+//1+76/5//43/21 | 6/8 | New Feathers, The (t) | DA-E | Thompson CD-4, 1780 | 100 | VN/GF/OB |
//11/11+//1+76/5//43/21// | 6/8 | New Feathers, The (t) | DA-E | Thompson CD-4a, 1780 | 100 | VN/GF/OB |
//11/11+//1+76/54//321/217- | 6/8 | Trip to Otaheite (t) | AI-A | Village Fifer, 1808 | 71 | FI |
//111/1//17-6-/5-4-3-2-//1-2-3-/4-5-6-7- |
C | Lord Cornwallis March (t) | IC-E | Skillern Amus, 1785 | 33 | 2GF |
//11+/1+1+//1+76/5432//156/543 | C/ | March V. Toscana (t) | MS-G | Darmstadt MS 1225 | 165-66 | 2MI |
//1+1+/1+1+//1+76/54//354/321//55- | C | Becket's Yard (t) | TW-E | Genius, 1784 | 16 | HA |
//1+1+/1+1+//1+76/55//1+76/54//323/13 | C/ | Entriega, La (t) | MS-M | Garcia MS, 1772 | 84 | MI |
//1+1/11+//1+76/55//43/21// | 6/8 | Tipling John (t) | AI-A | Carrs PC, 1800 | 12-13 | GF/VN/FL |
//1+1/11+//1+76/55//43/21 | 6/8 | Tipling John (t) | DA-E | Thompson CD-5, 1788 | 2 | VN/GF/OB |
//1+1/11+//1+76/55//43/21// | 6/8 | Tipling John (t) | DA-E | Thompson CD-5a, 1788 | 2 | VN/GF/OB |
//111/11+76//555/5//345671+/32 | 2/4 | Marche (t) | MS-G | Darmstadt MS 1224 | 394 | KB |
//111/11+76//555/54//345671+/32 | C/ | Marche Aus der Opera Cajus Fabricius (t) | MS-G | Darmstadt MS 1224 | 384 | HA |
//111/117-6-//5-5-5-/5-4//3531/2427- | C/ | Marche du Regiment de Loraine (t) | MS-G | Darmstadt MS 1224 | 383 | HA |
//1-1-1-/1-17-6-//5-5-5-/5-6-5-4-//3-3-3 -/3-4-3-2- |
C | March (t) | AI-A | Bacon Marches, 1816 | 12 | MI |
//111/11+76//555/5654//333/3432 | C | March No.3 (t) | AI-A | Williams Fife, 1826 | 22 | FI |
//111/11+//76555-//6-6-/6-654//3211 | C/ | Pembrokeshire March, The (t) | IC-E | Oswald Marches, 1759 | 21 | 2MI |
//1+1+/1+1+//1+76/55//66 | C | Chorus to the Honest Yorkshire-Man (t) | SS-E | SS, Folger-C42.4 | 212 | 2VO+FL |
//1+1+/1+1+//1+76/55//66/66 | C/ | Gregorian Song, The (t) | SC-E | Amaryllis, 1760 | I,56 | GF,VO,HAF+FL/GF |
//1+1+/1+1+//1+76/55//66/66 | 2/4 | Sonata Allo. (t) | IC-E | Delightful-2, 1745 | V,31 | 2GF |
//1+1+/1+1+//1+76/55//66/66 | C | Chorus to the Honest Yorkshire-Man (t) | SC-E | Musical Cent-1, 1737 | 8 | 2VO,HA+FL |
//1+1+/1+1+//1+76/55//66/66 | C/ | Gregorian Constitution Song, The (t) | SC-E | Musical Cent-1, 1737 | 24 | 2VO+FL |
//1+1+/1+1+//1+76/55//66/66 | C | Union of Parties, The (t) | SC-E | Musical Cent-2, 1740 | 7 | VO,KB+FL |
//1+1+/1+1+//1+76/55//66/66 | C | Merry Gregs, The (t) | SC-E | Musical Ent-2, 1740 | 64 | 2VO,HAF+FL |
//1+1+/1+1+//1+76/55//66/66 | C/ | Gregorian Constitution Song, The (t) | SS-E | SS, Folger-C42.3 | 8 | VO,KB+FL |
//1+1/1+1//1+76/55//671+/2+ | 6/8 | Isac Maget (t) | MS-M | Garcia MS, 1772 | 16 | MI |
//11+1+1+//1+7655//671+2+//3+61+6//53321 |
3/4 | How Long and Dreary Is the Night (t) | SC-S | Scots MM-2, 1788 | 183 | VO,PF |
//1+1+1+/1+1+765//65/13+//3+2+1+/7654 | C/ | Marcia 10 (t) | MS-F | Marce MS, 1785 | 22r-23v | 2OB,2HN,B |
//1-1-1-/1-17-6-5-//6-5-5-/5-4-//3-5-/6- 5-4-3- |
C | Slow March (t) | IC-E | Potter Sett, 1800 | 2-3 | 2FI,BU |
//11/11//17-6-/5-//6-5-/5-6-7-1 | 2/4 | Grenadier March (t) | MS-G | Darmstadt MS 1224 | 240-41 | 2MI |
//1+//1+//1+//1+//1+76//654//5 | 3/8 | I'll speak if I can (fl) | TW-E | Spanish Barber, 1778 | 14-17 | 3VO,KB |
//1/11//1/17-//6-6-/6-4-2- | C | Marquis de la Fayette's Welcome to North America, The. Introduction (t) | AI-A | American Sheet Music | 4 | PF+FL/VN |
//11/11//17-6-6-/6-6-//16- | C | Jealous ears with whispers filling (fl) | TW-E | Spanish Barber, 1778 | 18-20 | VO,KB |
//1+1+/1+1+//1+766/66//1+6/1+61+6//65 | C/ | Favorite Song In the Opera of the Spanish Barber, A (t) | AI-A | Musical Rep-2, 1799 | 62-64 | VO,KB |
//1/11/1/17-6-7-1234//5/5//5// | C/ (8/4) | Chi Fara Fede Al Cielo, Di Alessandro Striggio. 9 (t) | MS-E | Fitzwilliam MS-1, 1609 | 312-316 | VI |
//111/117-7-//115-5-/3-1//222/2234 | C/ | Gloucestershire March, The (t) | IC-E | Handel March 2, 1770 | 6 | VN/GF/OB |
//111/117-7-//115-5-/3-1//222/2234 | C/ | Gloucestershire March, The (t) | IC-E | Longman Fife, 1770 | 34 | FI |
//111/117-7-//115-5-/3-1//222/2234 | C/ | Gloucestershire March, The (t) | AI-A | Willig Fife, 1805 | 16 | FI |
//111/117-7-//115-5-/4-1//222/2234 | C | Gloucestershire March, The (t) | AM-A | Beck MS, 1786 | 72 | GF |
//111/117-7-//115-5-/4-1//222/2234 | C/ | Gloucestershire March, The (t) | IC-E | Bennett Fife, 1770 | 16 | FI ; FI |
//11/11//17-/7-123//42/17-// | 2/4 | Times, The. First Set (t) | AI-A | Schaffer Cot, 1809 | 8 | PF/VN,BA |
//11/11//1/7-7-//6-7-/12// | 6/8 | Orangho Whater-fall (t) | MS-S | Fife MS, 1780 | 446,46v | 1FI OR 2FI/VN |
//111/11//7-7-7-/7-//111/11 | C | Gallant Troubadour (t) | AI-A | Riley Flute 3, 1820 | 48 | FL |
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