Category Archives: Camps & Programs

American Week, Pinewoods 2014

by Chuck Abell

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Photo by Garrett Fondoules

When I first heard about the Country Dancers of Rochester (CDR) scholarship program for CDSS camps, I developed an immediate interest. As a new caller—and as an experienced musician—I was looking for any opportunities to hone my skills in both areas, and just to collaborate with other callers and musicians.

Having never been to Pinewoods before, I was initially struck by the mellow, woodsy environment, along with the two beautiful lakes/ponds situated next to the camp. Pinewoods is truly a New England paradise. The next revelation was the outdoor dance pavilion, again tucked back in the woods. There really is nothing like dancing outdoors in a covered pavilion in mid-August. From the first night it was evident that magical things would happen in the pavilion over the course of the week—in many ways, it was really the center of the camp. The final thing that struck me right from the start was the diversity and the energy of the campers. I confess, I was bracing for something perhaps a little more on the stuffy side when I first registered, but that notion was well wide of the mark —teenagers, college students, young couples, middle-agers, and more “seasoned” dancers all converged at the camp for a week of creativity and true rejuvenation.

Some snapshots of the next six days:

  • Gathering at 10 am every morning for Phil Jamison’s Southern Squares class. What a great tradition, and a great teacher. Having no sense of what distinguished a Southern Square from a New England or Western square, I quickly came to understand that Southern Squares are about improvisation, about calling to the beat of the music, not to the phrasing. What a liberation! For the rest of the week, we took turns inventing—and calling—squares to the great old time music of Julie Metcalf and company, always under the skillful guidance of Phil, who really seems to me to be David Kaynor’s long-lost Southern brother! Well, brothers in spirit at least….
  • David Cantieni’s “tunes by ear” class which became a virtual playground of ideas and genres. Being one of the few instrumental “ensemble” classes, we were charged with preparing each evening’s “processional”—a joyous musical march through the darkening woods just before the evening dance. (“When the Saints Go Marching In” never sounded so good!)
  • The daily camp gathering that followed morning classes, but preceded swimming and lunch. A time for jokes, songs, stories, contests, and other spontaneous acts of generosity by staff and campers alike. It was the one time of the day when we really came together as a single camp, and it was an honor to see otherwise taciturn campers get up and perform in front of 150 audience members.
  • The Roadhouse after-dance party, midweek. Okay, I’m biased here—being one-third of the nominal “house band” charged with backing up a small parade of crooners, blues singers, and jazz soloists—with a room full of enthusiastic swing, blues, and bossa nova dancers—is right where it’s at for me. They pretty much had to drag us off the stage at 1:30 am.
  • Emily Troll’s music ensemble class—that is, band class for musicians. Okay, I confess, some of the “touchy/feely” interpersonal games at the start of each class reminded me a little too much of the upcoming school year (not an image I wanted to entertain), but once we got past those, the class was really useful and helped spawn several small instrumental ensembles that took the stage at Camper’s Night (see below).
  • Gaye Fifer’s “Dutch Crossing”—hard to really put this into words, but definitely a highlight of the week. Look it up on YouTube if you want. Basically, a dance that requires 16 couples, takes 55 (intense) minutes to teach, and five minutes to actually dance. A great teamwork activity.
  • Swimming Squares. Yes, real Southern square dances, performed while swimming in the lake. Not only hilarious but a great form of exercise. Just be careful when “ducking for the oyster.”
  • Camper’s Night—a true highlight. A chance for (very talented) campers to run the evening dance. Somehow, I ended up in five to six music ensembles, so I never got to dance until the second half, but it was well worth it. A memorable, and somewhat revolutionary, segment: David Cantieni’s entire ear training class joined by Ann Percival’s entire chorus class performing “Wimoweh” as a contra dance set. It actually works!

And the list of highlights goes on: the food, the lodges, the pre-dinner parties, the after-dance parties, the midnight swimming, the networking, the afternoon old time jam sessions led by Larry Unger, the not-so impromptu marshmallow fight at dinner one night, the full moon over the lake as I drifted to sleep in my bunkhouse…

Looking back, both my calling and my playing have improved as a result of being at American Week—not only do I have an expanded repertoire of dances and tunes, but my skills have sharpened considerably. Had it not been for the CDR grant, and matching CDSS scholarship, I most certainly would have missed out on an invaluable experience.

Chuck Abell is a contra dance caller and musician from Rochester, NY. His band, Tempest, featuring fiddler Tim Ball and several other great western NY musicians, just released its first full-length CD, Equilibrium, and will be touring extensively over the next year to promote the release. Keep an eye out for them, or visit www.chuckabell.com for more info on the band.

Come to American Dance and Music Week at Pinewoods, August 8-15, http://www.cdss.org/american.html. Or the equally fine Harmony of Song and Dance, July 25-August 1, http://www.cdss.org/harmony.html. Space is available, and so are scholarship funds until we run out. To read about all our programs at Pinewoods (MA), Ogontz (NH) and Timber Ridge (WV), see https://view.publitas.com/country-dance-and-song-society/country-dance-song-society-2015-camps/page/1. Questions? Call Country Dance and Song Society, 413-203-5467 x 2.

 

To dance, to sing, perhaps to play music

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photo by Jeff Bary

Can you make difficult class choices? Say, from an enticing menu of contras, squares and waltz? Are you up for a strong program of Appalachian, American Southern and Irish traditions? Can you take contras morning, noon and night? If your answer is “Just try me!” then CDSS’s American Dance and Music Week, August 9-16, 2014, at Pinewoods Camp is for you, whether you do it ALL or take a more leisurely approach.

We’ll have two daily stretching sessions to keep you loose and limber, morning contras and waltz to wake you up, and afternoon squares and more challenging contras to spice up the mix. And more dancing in the evening too. Can’t dance all day? Not a problem. Bring your instruments and your voices because this week promises a full program of music classes and more, and you’ll be able to play and sing with your heart and soul. Want even more choices? How about getting messy and creative with paper, paint, glue and who-knows-what else in the daily community art class? Or sit on the porch or swim, jam or nap. Hmmm.

There will be a wealth of talent to inspire and encourage you, and there will be friends, old and new, all under the pine trees in a beautiful wooded setting near Plymouth, MA. Join Program Director Sue Rosen, and experience American Dance and Music Week.

See the class schedule, class descriptions or staff list, learn about Pinewoods Camp or about our other summer weeks. And here’s info about fees and scholarships.

This is an amazing week—vibrant and relaxing, both. Not a bad choice, huh? See you there!

Sue Rosen has been dancing all of her life and attended her first callers workshop at Campers’ Week at Pinewoods in 1989. Since then she’s become one of New England’s favorite callers and has written contras that have become part of the standard repertoire of dance callers across the country and overseas.

Pinewoods Camp, near Plymouth, MA, and home to the Country Dance and Song Society’s programs since 1933, is a beautiful setting, creating a retreat where you can immerse yourself in nature, music and dance; see a slideshow of the facility.

The Country Dance and Song Society is a traditional dance and music organization, celebrating its Centennial in 2015.

 

Are You Committed to Dance Organizing?

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Gaye Fifer, dance organizer extraordinaire

Then our special Dance Organizers Course is for you. Led by Gaye Fifer and held during CDSS’s English & American Dance Week at Pinewoods (EAP), August 23-30, 2014, the course is designed for people involved in organizing their home dance community—contra, square, English, adult or family. Two one-hour sessions will be held each afternoon to discuss and strategize about issues that affect local dances. Sharing, questioning, collaborating and connecting will be our watchwords as we interview guest speakers from the EAP staff, create solutions to problems, brainstorm, practice and give feedback. We’ll create a network of support and a toolkit of ideas that each participant can take home. You’ll have fun, learn a lot and your local community will benefit. And for the rest of the day and evening, the wonderful resources of English & American Dance Week are yours.

English dance at E&A Week, Pinewoods Camp, MA

English and American Dance Week, home this summer to Dance Organizers Course (Doug Plummer)

If you know people in your community who are “up and coming” leaders, send them this message and link; the course is also useful to people wanting to start a dance. Scholarship help is still available.

MORE INFO
daily schedule
class descriptions
staff list
fees
scholarships
more info about the course
our other weeks

Ready to join in the organizing? Register here.

Course leader Gaye Fifer has been calling at dance weekends for many years. Her pleasant style and graceful teaching put dancers at ease and set the stage for a great dance experience. She has also taught numerous waltz workshops at virtually every dance weekend in the East and travels whenever she gets the opportunity. Gaye has a passionate interest in organizing to support dance community leaders and organizers.

Pinewoods Camp, near Plymouth, MA, and home to the Country Dance and Song Society’s programs since 1933, is a beautiful setting, creating a retreat where you can immerse yourself in nature, music and dance; see a slideshow of the facility.

The Country Dance and Song Society is a traditional dance and music organization, celebrating its Centennial in 2015.

Early Music is more than music before 9 a.m.

CDSS’s Early Music Week at Pinewoods—Fairest Isle: Music and Dance of Great Britain and Beyond

Beautiful music under the trees, June 26-July 3, 2014

download flyer

DSC_0511_EM 2010_lady in mask_michielsEnjoy the fun of playing rollicking English dance music, or the beautiful polyphony of composers like Byrd, Gibbons, Dowland, Jenkins, the lively rhythms of Holborne, the poignant harmonies of Purcell, pungent Scottish tunes, the intricacies of high Baroque composers like Handel, and so much more.

In this idyllic and restful setting, you’ll be treated to fabulous food, wonderful people, plenty of opportunity to carouse and have fun, as well as to play great music together, and to dance to the music of some of the best English country dance musicians around. The fun is what distinguishes this from a lot of other workshops. And yet the teachers are also highly accomplished renowned experts in the field of early music.

Come and feel the special magic of CDSS Early Music Week at Pinewoods, no matter your age or level of ability. Discover why people return year after year and why others wish they’d found out about it earlier!

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photo by John Sidtis

Our program offers musical challenges and opportunities to players and singers at every level, from highly experienced to those who are just beginning. From morning technique and consort classes to afternoon special topic ensembles, we will play and sing music from the vibrant Middle Ages to the virtuosic Baroque.

If you’ve never played a musical instrument (but wish you could) or if you studied music years ago (and fear you’ve forgotten everything), there are classes to get you started or to help brush off the rust. Introductory classes are offered in recorder, viol, and harp.

Advanced and intermediate players have a wide array of classes from which to choose. Singers of all abilities will benefit from singing class, chorus and mixed ensembles with instruments. EM 2010 Driving in-1_whoDancers and dance teachers can learn an instrument and participate in the nightly dance parties and the daily dance classes, including high-level technique classes, challenging ensembles and historical dance.

All classes are led by the outstanding and dedicated performing faculty. Our staff features active professionals and acclaimed teachers of early winds (recorders, reeds and brass), strings (viols and violin), harp, harpsichord, voice and dance.

This year, we are offering a class called What Every Musician Needs to Know About the Body. This class (sometimes called Body Mapping) leads musicians to play and sing with greater ease, to avoid injury, and even heal from injury. It’s eye-opening, relaxing, practical and fun.

— Frances Fitch, Program Director

Comments from some recent participants:

  • Outstanding! Sang things I never knew I was capable of.
  • So amazing what we learned and accomplished.
  • This was the most I have ever learned in a dance class.
  • It was as close to perfect as I can think of.
  • Great positive energy. Had a great time!
  • Loved my week here. Will be back next year!

Scholarship Opportunities

In addition to the scholarships available through CDSS, summer scholarships are offered by Early Music America (deadline: April 15) and The Viola da Gamba Society of America(deadline: April 15).

Early Music Week is funded in part by the Massachusetts Cultural Council. We thank them for their support.

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All In Good Time

guest blog by Chloe Levine

At precisely 4:07 p.m., the clouds seemed as dark as a B flat piano key, the wind seemed as fierce as a grasslands predator mid-pounce, and my prospects seemed as dim as a fluorescent light bulb just turned on. But I got brighter, carried in the arms of the vigorous American folk dance, prevalent on the Eastern seaboard, known as “contra dance.” (Look it up.) The exhilarating yet familiar throb of each move hitting my body–swing with your neighbor on the side, pull by through the blisters, dosido while spinning like a tornado, arms twisting wildly–was neon against the dull premise of the day. Faces swirled across my vision in a swarm, up and down the set and back, towards the cathartic band blasting from the top of the hall, and slowly they blurred into one huge smiling presence, there to catch me after the craziest of flourishes.

This coming from me, the girl who’s never seen an elliptical and cowers under her blankets at the thought of a Sunday morning jog. This coming from me, the girl who can’t stand the erosive noise of a rowing machine and gets her feet tangled in the endless straps. Regardless, today’s movement sucked the pain out of my neck like a reversed vampire and sucked the darkness out of my mood like a vacuum. It magnified the profound belief in humanity held my so many ex-hippie heirs, the flower grandchildren. Most of all, it inspired the weight on my chest to get in shape, so it got up and ran away without so much as a “time me.”

The author and her parents have attended CDSS’s family program at Timber Ridge Camp in High View, WV for the last 8 years (since Chloe was 6); they are members of Country Dance New York and live in Brooklyn. The above is from Chloe’s blog,  “Improbability in the City,” http://myimprobability.blogspot.com, posted 9/21/13.

CDSS’s English & American Dance Week = great contra and English country dancing!

And it starts THIS Saturday, August 10, at Pinewoods Camp, near Plymouth, MA. Join us!

Contra dance at E&A Week, Pinewoods Camp, MALook at the dance program—George Marshall calling contras, Gene Murrow leading English, and Scott Higgs calling English and American dances. Musicians? Oh, yeah! The amazing Jonathan Jensen, lydia ievins, Anna Patton, Richard Forest, and Night Watch (Naomi Morse, Elvie Miller, Owen Morrison).

Display dancing will definitely be on display, taught by Brits Tom Besford, Northwest morris, longsword and rapper sword dancing; Ian Robb, Cotswold morris; Stephanie Besford, English clog; and Alex Cumming, from the Southwest of England; and from Quebec, Yaëlle Azoulay is back to teach Quebecois Step Dance and a class in body percussion. Ian will lead singing classes, Elvie the dance band class. And if that’s not enough exhilaration, there will be several themed music and dance parties: English ceilidh, French Canadian soiree, pub night and Irish music/set dances. Plus the usual great food, wonderful community, beautiful location, musical jams, spontaneous singing, and lots of smiling.

CDSS English & American Week, Pinewoods Camp, MABring your instruments, singing voices and dancing shoes, and join program director Owen Morrison and his talented staff for a marvelous week! Whoo-hoo!!

Class descriptions, staff and schedule

Registration

Fees

Photos by Doug Plummer

 

Dance, Sing and Play in WV

dyskant,b tr07 dsk1 1877Not doing anything special next week? Then join us at CDSS’s Adult and Family Week at Timber Ridge, in the foothills of WV—it begins this Saturday, August 10, and it IS special!

N7. Couples Promenading Use One U IMG_1532We like to say that participation and involvement are contagious at the week. It’s a terrific program for adults, children, families and young adults, featuring a mix of English and American dance, border morris, clog, song, music, arts and crafts, nature walks and more. Adults participate in their classes while children enjoy age-appropriate dance and music options, and everyone joins together twice daily for the All-Camp Gatherings and at mealtimes. dyskant,b tr07 dsk1 2967Join program directors Gaye and Rachel Fifer, and their fantastic staff, for a relaxing and exhilarating week.

Class info and schedule

Staff

Register

Fees

Two special MINI-COURSES are at the week as well:

view 2 1353Contra Dance Callers Course, led by the excellent Rick Mohr, is an intensive calling course for advanced beginner through intermediate callers who have a knack for some skills, a commitment to work on the others, and are eager to take their calling to the next level. Learn a lot, share a lot, and have fun doing it!

Community & Classroom Dance Leaders Course, led by longtime camp favorite DeLaura Padovan, with musicians Steve Hickman and John Devine, will have abundant dancing, as well as discussion/processing time, to really integrate shared experiences and take them back to their home communities.

See you there!

Scenic photo courtesy Timber Ridge Camp; all other photos by Barbara Dyskant

“Rootbound”

by Nathaniel Smith

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Maple Morris; photo by Sarah Pilzer

Maple Morris & Morris Offspring present Rootbound:
Celebrating the life of English folk dance in North America

with music by Ian Robb, Amelia Mason, Eric McDonald and Emily Troll
original lyrics by Susan Cooper

July 15, The Armory Performance Hall, 191 Highland Ave, Somerville, MA
July 19, The Berkeley Church, 315 Queen St E., Toronto, Canada

 

 

 

Rootbound_thumbMaple Morris (North America) and Morris Offspring (United Kingdom) are thrilled to invite you to their collaborative theatrical Morris dance production, Rootbound. A blend of vigorous dancing, musical exploration, vibrant costumes, and creative storytelling, Rootbound will tell the story of a dancer’s journey in the North American Morris dance community.

Morris is a surviving English traditional folk dance that has been performed since the 1400s and has been associated with seasonal and harvest rituals. The dance is vigorous and athletic and the high leaps are accented by the use of white handkerchiefs and bells. Laurel Swift of Morris Offspring describes Morris dancing as “a complex and energetic art form demanding athleticism, coordination, and musicality from its performers, expected to display both discipline and individuality at any moment. It is rich in material, forms and movement, rarely tapped by the wider arts world yet offering a unique source of artistic possibilities.”

Maple Morris is a community of young dancers from across North America who are dedicated to promoting creativity, leadership, and continued excellence in future generations of the North American Morris Revival. In 2011, Maple traveled to the UK to collaborate with England’s foremost innovators, Morris Offspring. The result was the production Must Come Down, a stage performance showcasing Morris dancing at its most inventive.

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Morris Offspring; photo by Alan Cole

The return leg of this collaboration this summer will see Maple Morris joined by Morris Offspring in a brand new stage production in Boston and Toronto. Rootbound will feature music by the powerful singer Ian Robb (of the folk trio Finest Kind: www.ianrobb.com), Amelia Mason, Eric McDonald, and Emily Troll, words from acclaimed author Susan Cooper, and new Morris dance creations by Maple Morris and Morris Offspring.

Beer and wine will be available at both performances. Premium ($40) and general admission ($25) tickets are available at maplemorris.com/rootbound/.

For more information, visit our website: www.maplemorris.com

Rootbound is supported in part by the Country Dance and Song Society’s Outreach Funds.

Addendum: See the Boston Globe 7/11/13 online article about the event, http://www.bostonglobe.com/arts/theater-art/2013/07/11/review-rootbound-maple-morris-and-morris-offspring/AVgLw9uZKjyldbKakqJeUI/story.html.

 

The Rose and the Thorn: Contrasts in Music and Dance of Earlier Times

photo by Paul Lipke

Early Music Week
Pinewoods Camp, Plymouth, MA
June 27-July 4, 2013

Watch a video of the week.
Read or print the flyer.

Free or measured? Monophonic or polyphonic? Improvised or written? Medieval or Renaissance? Treble or Contrabass? Dance music or concert music? High pitch or low pitch?

Explore these delicious questions and many more in a friendly, welcoming, magical place, with world-class faculty, friendly participants, and where the sounds of music and dance rise to the tops of the trees. This is CDSS’s Early Music Week, June 27-July 4, 2013, held at Pinewoods Camp, Plymouth, MA.

The week’s program offers musical challenges and opportunities for beginners and experienced players and singers. In morning technique and consort classes and afternoon special topic ensembles, we will play and sing music from the vibrant Middle Ages to the virtuosic Baroque.

Photo by Corey Green

If you’ve never played a musical instrument (but wish you could), or if you studied music years ago (and fear you’ve forgotten everything), there are classes to get you started or to help brush off the rust. Introductory classes are offered this year in recorder, viol and harp. Advanced and intermediate players and singers have a wide array of classes from which to choose: early winds (recorders, reeds and brass), strings (viols and violin), harpsichord and voice.

Dancers, too, will find a wealth of activity, including high-level technique classes, challenging ensembles and historical dance.

Relaxing is always part of the week, too, with two ponds for swimming and canoeing, a Camphouse deck for summer reading, afternoon tea, staff concerts and lots of wonderful dancing-for-all.

Also offered during the Early Music Week are two Special Courses: Viol Intensive Course, with Sarah Mead and Lisa Terry, and English Dance Musicians Course, with Peter Barnes.  (Separate registration is required for each Special Course.)

photo by Cheri Glaser

The week is run by the Country Dance and Song Society, a traditional dance and music organization, founded in 1915, whose work is grounded in English and Anglo-American social dance and dance music. Early Music Week has been part of our summer programs since 1958. Please join us for glorious music and dance under the trees!

Early Music Week
Pinewoods Camp, Plymouth, MA
June 27-July 4, 2013

Camp staff
(click on “week” in the horizontal gray bar to sort by week name)
Class descriptions (printable)

Class schedule
Class schedule (printable)
To register for the week
Fees
Scholarships
(In addition to the CDSS scholarships, summer scholarships are offered by Early Music America, deadline: April 15, and the Viola da Gamba Society of America, deadline: April 15.)

CDSS Sings!

by Caroline Batson, Promotion & Periodicals Director

CDSS staff singing, 12.5.12

As you may know, CDSS is joining in a regional e-philanthropy event next week on 12.12.12. We invite you to support our work with a special gift that day (or you can schedule a donation anytime between now and then). Since not everyone who’ll be giving that day knows what we do here at CDSS, we’re showing them. We’ll have a blog up tomorrow about an event last night, and on Monday we’ll be videotaping us doing the Abbots Bromley Horn dance for folks in our building. Check back again tomorrow and early next week to watch.

In the meanwhile, SING ALONG WITH US NOW! The words are — “You are welcome, you are welcome, you are welcome in this place.”

Video: Steve Howe. Singers, L to R: Mary Wesley, Robin Hayden, Linda Henry, Pat MacPherson, Nils Fredland, and Caroline Batson. Kathy Bullock led the song last summer at our Harmony of Music and Dance Week.

Okay, everyone ready? Sing!